Nico Heinrich
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Nico Heinrich
No part of this publication may be duplicated or transmitted in any form ithout ritten permission from the author! All ri"hts reser#ed! $opyri"ht % &'()
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*ear reader+ than, you so much for purchasin" my or,! I am sure you on-t re"ret it+ because this stuff is not only practical and fun to perform . the methods are also inno#ati#e and clean! There are no complicated set ups+ no "immic,s+ /ust pure and direct mentalism! is a re#ersed hich hand hand effe effect ct ith ith to to emot emotio ions ns!! 2ina 2inall lly y you you re#eal hat they here thin,in" of! All you need is to business cards and a pen! It-s (''3 impromptu! is so damn clean and fool fooliin" n"++ tha that I ca can n ima"ine "ine 5rea 5reall6 psy sycchics ics doin" it! 0ou as, them to thin, of a positi#e and then three ne"ati#e character traits! They are ritten on business cards+ hich are mi7ed and placed on the table! 0ou NE8ER see the ritin" . yet you are able to locate and re#eal the positi#e character trait ithout touchin"
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the card! It is N1T hat you e7pect! This loo,s and feels real! A"ain (''3 impromptu! is a techni:ue to A; create the illusion of bein" able to ma,e fears disa disapp ppea earr an and d 4; ac actu tual ally ly li"h li"hte ten n some someon ones es fear! is /ust fun to perf perfor orm m! ItIt-s a flirty rty fra frameor eor, , for for any mind readin" demo! 2urthermore it is an e7tr e7trem emel ely y ele" ele"an antt a ay y of "ett "ettin in"" some someon onee-ss phone number! is the the bolde oldest st pee, out there! 0ou can use it ith Later on they on-t e#en remember that they rote somethin"! I ,no you can-t ait+ so let us be"in !!!
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This is a #ariation of an effect I released in &'(?+ but since it as a limited under"round boo,+ hich as also ritten in 9erman+ you mi"ht ,no nothin" about it! This should not cause any problems for you+ because PH0SI$AL EM1TI1NS II can be performed as a stand alone piece! 1f course if you ,no the firs firstt #ers #ersio ion+ n+ hic hich h uses uses a total otally ly diff differ eren entt method+ feel free to combine them! =hile the ori"inal routine is much more emotional and intimate+ this #ariation is rather classic 5in your face6 mentalism . and there is a time and a place for both I thin,! 0ou as, your participant to thin, of to opposin" emotions+ li,e 5lo#e6 and 5hate6 for e7ample+ and to secretly rite them don on to business cards! Ne7t both billets are mi7ed so nobody ,nos hich one is hich! hich!
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0our 0our pa part rtic icip ipan antt ta,e ta,ess one one emot emotio ion n in each each hand and is as,ed to intuit hich hand holds the ne"ati#e emotion! She is ri"ht This test may be repeated ith the same result! The billet ith the ne"ati#e emotion is put aside+ lea#in" the participant ith the positi#e one! =ithout comin" near e are no able to re#eal the e7act feelin" she is thin,in" of! Since the first phase is actually noth nothiin" else else than than a re#e re#errsed sed 5hi hich hand hand66 effect+ there are tons of different techni:ues of cuin" the participa pan nt! Here are /ust a fe hich I li,e to use! 1h+ the billets are mar,ed by the ay+ and you ,no hich one is hich+ because you put them in her hands yourself As, her to hold out both hands in front of her! Then reach forard to ad/ust
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them sli"htly and ,eep holdin" on to them hile sayin"> 5=hat do you thin,+ here is the ne"ati#e oneC6 Dust hen you say the ord 5ne"ati#e6+ s:uee 5=ell+ that is hat you THINF . but I ant you to use your INTUITI1N here! So ithout thin,in" let one of your hands drop to the side!6 If she she drop dropss the the hand holdi oldin" n" the the ne" ne"ati#e ti#e emotion+ say> 5So this hand dropped as if ea,ened by the ne"ati#e ener"y The
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one+ say> 5=ell+ that lea#es /ust one option . the ne"ati#e emotion must be here6 This little e:ui#o:ue can be pretty con#incin"+ if presented properly! Remember> She does not ,no ,no ab abou outt the the mar, mar,in in"s "s++ so e seem seemin in"l "ly y ha#e no control either! Usin" the methods I /ust e7plained+ you can easily do the hand test once or tice ithout failin"! If she hits the first time+ tell her you ant to use another strate"y the second time and dont as, her to "uess+ but use the 5out6 instead! If she misses the first time use the out as described! That ay you cannot do it a"ain+ but since nobody ,nos hat you ha#e planned+ it doesnt matter! 2or the second phase+ here you are re#ealin" the positi#e emotion+ the ne"ati#e emotion is
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and since the ne"ati#e emotion is the e7act opposite of the positi#e+ e ,no the latter too no Ho you re#eal the information is up to you! The ordin" is essential in this routine! At the be"innin" e let the participant thin, of to opposin" emotions+ but after she has ritten them don n++ e NE8ER say 5oppos posin"6 or similar ords a"ain! So hopefully by the end of the routine she doesnt remember the emotions ere not /ust different but e7actly contrastin"! If she does thou"h . so hatC It ould only be better if she didnt!
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This is the streamlined #ersion of the 5opposites techni:ue6 rapped up into a psychometry style routine! The participant /ots don one positi#e and three ne"ati#e emotions it also or,s ith character traits;+ you elim elimiina nate te the the ne" ne"ati ati#e ones ones an and d di#i di#ine ne the the positi#e! The basic idea is> If e can ma,e them for"et abou ab outt the the fa fact ct tha that to to emot emotiionsK onsKtr trai aits ts are opposin"+ e can more or less openly ! In this e7ample e do this usin" a soft pattern interrupt and time misdirection! 5Please thin, of a positi#e emotion and rite it don please . dont let me see it No
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this a little more interestin"! Please thin, of to more ne"ati#e emotions+ /ust any to So e-# e-#ee "ot "ot thre threee ne"a ne"ati ti#e #e emot emotio ions ns an and d one one positi#e 6 The participant /ots them all don on business cards+ hich are mar,ed of course . so you ,no hich one is the positi#e and hich one is its e7act opposite! The cards are mi7ed they dont ha#e to be folded in this case; and spread out on the table+ ritin" side don! No you ha#e to options> 0ou either turn o#er the ne"ati#e cards+ one by one+ so you can openly read them 1R+ and that is my fa#orite
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2inally I ould li,e to point out a fe thin"s concernin" opposites in "eneral> $hances are your participant is not able to find an accurate opposite to her emotionKtrait+ so atch her as she thin,s! If she ta,es too lon"+ she mi"ht ha#e ha#e diff diffic icul ulti ties es!! 4e prep prepar ared ed for for the the ors orstt case+ it ont happen too often thou"h! If you let her thin, of a positi#e emotion first+ she ill almost alays thin, of lo#e! If you name it as an e7ample yourself+ she ill pic, /oyKhappiness! There ARE more positi#e emot emotiions+ ons+ but nobo nobody dy rem remembe emberrs them them so :uic,ly!
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4ein" a hypnotist for :uite some time no+ I ha#e been as,ed pretty often+ by friends and e#en stran"ers+ if I could uld ma,e their fear disappear! =ell+ since I am no hypnotherapist I ne#er ansered ith a clear 5yes6 and still ouldnt; . but I actually used my techni:ues to li"hten their fear or to help them handle it! Here is such a techni:ue . use it ith caution As, them to thin, of a certain fear they ha#e! 5In a fe moments you are "oin" to e7perience your fear a"ain . but to a de"ree you can
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your fear . one ord ill do I am not loo,in" by the ay!6 Here is a nice subtlety> =ait until they be"in to rite use sound readin" here or pee, throu"h the corner of your eye; and add 5If you dont find a ord+ dont orry . you can also dra a symbol or somethin"+ it doesnt matter6+ su""estin" a free choice! =hen they are done+ ha#e them close up the paper and turn bac, around! 5No+ this is not a /ust a piece of paper ith a symbol on it hich is completely true+ since
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somethin" chan"es ithin you one to THREE6 Loo, them strai"ht into the eyes+ be silent for a about tenty seconds and finally say ithout brea,in" eye contact;> 5I am "ettin" a feelin" that at least for no you ha#e lost your fear of their fear+ correctC 9reat I dont ,no ho lon" this is "oin" to last . maybe until tomorro+ maybe fore#er! Than, you so much for sharin" your feelin"s ith me6 There are se#eral thin"s "oin" on here> 2or the audience it loo,s li,e the participant is a"reein" to the fact that the fear is "one at
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has real impact on her future thou"hts and feelin"s! The more serious e ta,e it+ the hea#ier the force! I ha#e to say it a"ain> Use this ith caution 1f course you don-t ha#e to do the old $T . a different pee, or e#en an impression de#ice ou ould or, perfectly too! That hat ay they themsel#es could tear up the paper! This routine as definitely inspired by 4ARRIE
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This thou"ht re#elation is /ust different! It is not only une7pected+ but cle#er+ flirty+ amusin"+ memorable ble and fun to per perform! Althou"h it could be done on sta"e this is ideally lly suited for more casual settin"s! So ima"ine you-re in a bar seein" this beautiful oman! 0ou introduce yourself to her and as,
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the call button! After a fe seconds 01UR phone rin"s! OHey this is your name+ you-re earin" a blue dres dresss ith ith blac blac, , shoe shoes+ s+ you you ha#e ha#e shou should lder er len"th blond hair+ your eyes are bron ith a hint of "reen and your fa#orite drin, is !!! a $osmopolitan!O The "reat thin" about this concept is you ha#e lots of freedom be playful and impro#ise 1f
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concept /ust described> Stic, the monitor foil to the bac, of the file card ith the number on it! =hile they are readin" and typin" you ha#e plenty of time to pee,! Here are some subtleties you should consider> =hen you tell them hat to e7pect+ play it up so it sounds totally impossible+ but don-t lie to them by sayin" it-s Oa friendO of yours that they are "oin" to call or somethin" n"!! They must "enerate the false e7pectations themsel#es and
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do a riffle force for e7ample! So it seems e#en more more impo imposs ssib ible le an and d they they are are less less li,e li,ely ly to e7pect you on the other end!
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This is the boldest pee, in e7istence! It "oes li,e this> They /ot somethin" don on your business card+ you ta,e the latter and openly read hat they rote! Later on they on-t
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"i#e her the dead pen+ hich she cannot rite ith! Here is an important subtlety> As, her if she is ri"ht or left handed+ then put the ballpoint in her ritin" hand and the card in the opposite
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If e /ust hold out our hand at this point+ she ill "i#e us the card automatically! 4ecause nobody cares about a technically blan, card! 0es+ there is a sli"ht impression on it+ but as lon" as e don-t care they on-t either!
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=ithout sayin" a ord+ e rip the dummy in half and put it aside! *oin" so you can fearlessly sho the front of the card! E#en if they ,no that there should be some scratches . they don-t e7pect to spot them from a certain
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I on-t lie> on rare occasions the participant mana"es to dra /ust a sin"le line . the first line of the first letter! Not hat e anted+ but better than nothin" =or, ith hat you "et! =hen e#erythin" fails+ use the old
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Print a calendar on the bac, and ha#e them
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