My Real Book Vol 5

MY REAL BOOK STANDARDS (Volume V)

Índice Take The “A” Train Tangerine Teach Me Tonight Tenderly Teach Old Feeling That’s All The End Of A Love Affair The Lady is a tramp The Shadow Of Your Smile The Way You Look Tonight There Will Never Be Another You These Foolish Things They Can’t That Away Frow Me Till There Was You Time After Time Too Close For Comfort Unforgettable What’s New Witchcraft Yesterdays You Go To My Head

TAKE THE "A" TRAIN

C INSTRUMENTS

82 D. ELLINGTON

D7(b5)       5



A C^    

  

 

Dm7  

 

B F^   

F^  

D9   

2.

Gm C7

17

Dm7  

21

D7(b5)  

25







G7(b9)  Dm7 

C C^ 





  

D7(b5)    



G7 C6            

9

13

D7(b5)   

 

 

 







1.

Dm7 G7





  



Dm7   



D7(b5)    

G7 C6              

  

[ Dm7 G13 ] 

TANGERINE

C INSTRUMENTS

83 V. SCHERTZINGER

D7(b9)     

5

A Gm9 

C9 

F^ Bb^     

Gm7 C7 Gm7 C7          B Gm9  

C9 

9

13

A^

   



C Gm9  





C9 

17

F^  



Bm7 E7     

F^ 



A6 

F^ Bb^   



Gm7 C7 Gm7 C7         

21

Eb9(#11) 

Am7 D7(b9)    AØ 

D7(b9)  

BØ

E7(#9) 



D7(b9)  





Am7 

D7(b9)  

D7(b9)  

D Gm7 EØ A7(#9) Dm7 G9 3 3                



25

29



Gm7 







C9 



F6 



[ F6 D7(b9) ]    [ ]

C INSTRUMENTS

TEACH ME TONIGHT

84 G. DE PAUL

Dm7 G7 G&7 A C6 F9              5

EØ A7(b9) Dm7             Dm7 G7 G&7 B C6 F9            EØ A7(b9) Dm7             C6  

17

C^  

21

Em7 Ebm7 C Dm7 G9      

C^ A7 

Dm7/G G7   

C6 F9 

C^ A7(b9) Dm7 G7          

 

F#Ø B7(b9) Em7 A7 Am7 D9                 

Dm7 G7 G&7 D C6 F9           

25

EØ A7(b9) Dm7          

29

Dm7/G G7   

Em7 A7 Dm7 G7          

9

13

Em7 A7 Dm7 G7          



Em7 A7 Dm7 G7          

Dm7/G G7 C6    

[Dm7 G7 G&7 ] [      ]

TENDERLY

C INSTRUMENTS

85 W. GROSS J. LAWRENCE

A

     5

Fm9    

9

  



Bb13 



13





F13 

FØ



Fm7 

Fm9   

 

GØ    

C7(b9) Fm9     

29



FØ







G7



    

Ab13     

Db9(#11) Eb^         DØ G7 Cm7     

25

DØ 

Bb7 

Eb^ Ab9(#11) Ebm9             

21

C7 

 





Gm7

B

17

Ab13     

Db9(#11) Eb^        

FØ

Cm7    

Ab9(#11) Ebm9     

Eb^  

Gm7

C7 

 

Bb7 Eb6     

F13 



F#º     [ Fm7



Bb7 ]

THAT OLD FEELING

C INSTRUMENTS

86 L. BROWN S. FAIN

A Eb% Eb/D           5

Fm7 C&7       

Eb/C Eb/Bb Abm7 Db7        Fm7    



GØ C7(b9)  

F#m7 B7  

Bb7 G7   

B Cm7 G7/B            

Eb/Bb A7 Ab^       

Cm7       

F7    

Fm7 B9(#11) Bb7      

C Eb%     

Eb/C Eb/Bb Abm7 Db7       

9

13

17

Eb/D   

Fm7 C&7         

21

Fm7    





GØ C7(b9)   D7(b9)  

AØ 

D GØ C7(b9) Fm7 Abm7 Db9                          

25

3

Eb/Bb G7/B     

29

Cm7 Gb7(b5) Fm7 Bbsus4 Bb7       

Eb% 

C INSTRUMENTS

THE END OF A LOVE AFFAIR

88 E. REDDING

A Gm7 C7 F^               5

Fm7 Bb7 Eb^          

1. Ebm7 Ab9 Ebm9 Ab9 Gm7 C7 F^                     

9

2.



F^ 

Dm7 G9 C^ Am7 D9                   C Gm7 C7 Gm7 C7 F^            

17

Eb^

 

D Bb^ Cm7 F7            Abº  

Dm7      

Dm7 G9   

Fm7 Bb7          

Ebm7 Ab9 Ebm9 Ab9 Gm7 C7                     

25

29



B Dm7 G9 Dm7 G9 Dm7 G9               

13

21



Bbm7 Eb9 F^          

C9              Gm7

F#º

Gm7

F6   

THAT´S ALL

C INSTRUMENTS

87 A. BRANDT B. HAYMES

A Bb^ Cm7 Dm7 Cm7 Bb^ Eb^(#11) Dm7 G7                                  5

1. EØ Ebm7 Bb/D Dbº Dm7 G7 Cm7 F7                       2.

Cm7 F7     

9

Bb% 

  

B Fm7 Bb7(b9) Eb^ C7(b9)             

Fm7 Bb7(b9) Eb^ Ab7 Gm7 C7(b9) F^ D7(b9)                    

13

C Bb^ Cm7 Gm7 C7(b9) Cm7 F7 Dm7 Cm7                 

17

Bb^ Eb^(#11) Dm7 G7 EØ Ebm7 Bb/D Dbº                            

21

25





Cm7 F7 Bb% [ F7sus4 ]    [   ]

THE LADY IS A TRAMP

C INSTRUMENTS

89 L. HART R. RODGERS

A C^          5

C^   



B C7sus4    

9

Em7 A7    

13

17

2.

C%

 

A7  

22

D C^   

27

Am7   

31



A7(b9)    



A7(b9)     Gm7

  

C9 

Dm7

  





  



Dm7    F^

G7 

Dm7    



  



G7  G7 

Bb7sus4 Bb7  

C% A&7 Dm7 G7   

1.



C Dm7 

Dm7 G7     

G7  Bb9(#11) A7   



A7(b9)    



Dm7 G7      



Dm7    C% 

Em7 

  

   

Dm7 G7    

BØ E7 

[ Dm7 G7  

]

C INSTRUMENTS

THE SHADOW OF YOUR SMILE

90 J. MANDEL

A F#m7 B9 B7(b9) Em7                    5

Am7   



B F#Ø   

B7

9

C#Ø   





F#7

13



C F#m7    

17

Am7  

21

D7 





B9



 



D9 

D Am7      

Cm7 

A7 Eb7     

Am7 

25

29



 

 

     

G^ 

C^ 

   

Em7 

Em7 

Em/D    

F#m7   B7(b9)

A9

Em7

B7        A9





BØ 

E7(b9) 

F9 Bm7         D7(b9) G6      

         

E7(b9)      [ B7 ] [      ] 

THE WAY YOU LOOK TONIGHT

C INSTRUMENTS

A Eb6         

D. FIELDS J. KERN

Cm7 

Fm7 Bb7     

GØ C7(b9)     

Fm7 Bb7 Eb9              

Eb9 A7(b5) Ab6 Gm6 Gb9      

7

Fm7 Bb7 Eb6 C&7             

12



B Gb^9 Gb  

Bb13    

17

2.



91

Bb13        

1.

Fm7 Bb&7 Eb6 B7(b5)         

Gb^ 

G Abm7    

Db7(b9)  

Bbm7 F7/A Aº Abm7            

Db9 

Abm7 Db9         

Gb^7(#4) Gb6 Fm7         

22

Gb9 

28

Bb13    

33

C7(b9)    

39



C Eb6 



A7(b9)  

3

Fm7 Bb7     

GØ    

Fm7 Bb7 Eb9           

Ab6 Gm6 Gb9       

44

Cm7

Bbm7   

Fm7 

Bb7 Eb6   

Eb9 A7(b5) 

[ Fm7 

Bb7 

]

C INSTRUMENTS

THERE WILL NEVER BE ANOTHER YOU

     5

A

Eb^

   



Cm7     





Ab^        F9    

17



B



Eb^

 



Cm7     

  

21



Ab^        

25













F9 



Db9(#11)   

Eb6 Ab9(#11) Gm7         

29



Db9(#11)   

9

13

F9 

   

 

DØ    Bbm9 

92 H. WARREN M. GORDON

G7 



Eb13 



Eb^ Cm7            

 

Fm7 

Bb7 

DØ   

G7 



Eb13 





 

Bbm9 

Eb^      

C7 Fm7    

Bb13 



AØ D7(b9)   Eb6 [ Bb7  

]

THESE FOOLISH THINGS

C INSTRUMENTS

Eb^ Cm7 Fm9 Bb7                    A

93 J. STRACHEY H. LINK

Eb^ Cm7        

Bb7    

F9     

Fm7 Bb7 Eb^ Cm7 Fm9 Bb7                  

7

Eb9sus4 Eb9 A9(#11) Ab^         

G&7 C&7 3   

F9     

4

3

Eb^ Cm7 F9 Bb7                 

Eb9sus4 Eb9 A9(#11)        

14

3

11



Ab^  

G&7 C&7 3   

Gm EØ      

17

B

F9 

AØ D7   

Bb7

  





Eb6 

AØ D7

Gm Gm^ Gm7 C9 F13     

Bb^ Gm7 Cm7 F7 Bb7 Eº Fm7 Bb7                    

21

Eb^ Cm7 Fm9 Bb7 Eb^ Cm7 F9 Bb7                              

25

C

Eb9sus4 Eb9 A9(#11) Ab^ G&7 3C&7 F9 Bb7 3                      3

29

Eb6 [ Fm7 Bb7 ]  

THEY CAN´T TAKE THAT AWAY FROM ME

94

C INSTRUMENTS

G. GERSHWIN

A Eb6 Bb7sus4                 Bbm7    

6

Eb7     

Eb6 Gbº      

 

Bb7sus4       

Ab^ C7 [F7] Bb7sus4          

1.

Ab^ Db9 Eb6           

10

Fm7

2.

B Gm7 C7 Gm7 C7           

Gm7 A&7 Am7 D7 Gm7 C7 Gm7 GØ C7                  

14

C Eb6 Bb7sus4        

F7    

18

22





Fm7

Bb7sus4      





Bbm7  

Eb6 Gbº        Eb7  





Ab^ Bb7 Cm Db9 Eb6 Eº Fm7 Bb13                   

26

30





Eb





Bb7sus4        

TILL THERE WAS YOU

C INSTRUMENTS

95 M. WILLSON

A Eb             5

Eº   

Eb F#º Fm7           3

9

2.

Eb Db9

   

Eb/Bb     



Fm7 Abm6          

21





  

[ Fm7



B Ab  

C Eb Bb7   

Fm7 Bb7 Bb&7       

Eb6

1.

C7 C&7 Fm7    

17



Bb7(b9) 3

Eb Eb^     

13

25

Fm7 Abm6         

Eb^ Eº Fm7 Bb7       

  

Aº

 

F9  

Eº   

Eb F#º Fm7        

Bb7 ] [   ]

 

3

   3



 

Bb7(b9) 3

  

TIME AFTER TIME

C INSTRUMENTS

96 J. STYNE

C^

A

Dm7

  

C^

5

 

 

Am7  

9







Dm7   

13

C^

  25 D







C^

C^ 





EØ 



 







 

Em7 A7(#9) Dm7/G      

29





C7 

Gbº Fm6   G7 







F^ 



G7  



C6 













Dm7

G7



Bb9 

Em7 Am7/G    

 

A7(b9)



G7





E7(#9)



C^

Dm7

BØ

Ab9(#11)

G7





Em7   

A&7 

Gm7







Am7

Dm7

  21



C^

Am7/G F#Ø B7(#9)    

B

17 C

G7

 



Gbº 

[ Dm7 

Fm G7 



]

TOO CLOSE FOR COMFORT

C INSTRUMENTS

A C^         5

DØ   

9

2.

C^



B&7  

Gm7 

C/G  

Gm7    

Ab7  

Dm7    

EØ   

25

C^

 

 



Gm7 



DØ  



Dm7 

J. BOCK L. HOLOFCENER G. WEISS





G7  

F#º         F#º        



D F7    

C7 



C C^

G7   

A7

  

C7 F7    

A7

21

C^ 

B F7    

C7 



17

1.

 

  13



G7 

EØ  

97

B&7 





G7 







F#º        

AØ D7(b9) Ab7 G7                         

29

C6  

33

[ Dm7 G7  [

]

 ]

  

UNFORGETTABLE

C INSTRUMENTS

98 I. GORDON

AG



  5

  



G^   

C C^        

A9    



B Fm        

10

14



D9

 

Gº   



D7

 





F    



C EØ/Bb A7 D9              





C G

G^       

C C^       

3

  

A9     3

D F Fm C EØ/Bb A7                     

A9   

24





3

Dº D7        

19

29

Gº     3





Dm7 



G13     

C6 F9 

C6



[ D7 ] 

WHAT´S NEW

C INSTRUMENTS

99 B. HAGGART

   5

G7(b9) C6 F13 Bbm9 Eb9 Ab^ Db^               3

DØ

Cm AØ DØ G&7(b9)                Dm7  

9

1.

G9(#11)

2. G7(b9) Gm7 C7(b9)      

Db^ Gb^  

13

F6 Bb13 

GØ C9(#11)       

F^ F6      

DØ G7(b9)      

Ab^ Db^

G9(#11)

17

21

 

DØ

     

C^ Am7      

25



Dm7 G7(b9)  

C^

Am7

    

Ebm9 Ab9         3

Fm DØ 

GØ C&7(b9)       

C6 F13 Bbm9 Eb9          3

Cm AØ 

DØ G& G7(b9)       

WITCHCRAFT

C INSTRUMENTS

A F6      5

Gm7  



     

  

Bb^      

C9sus4      



Ab6    

B F^9       F^9   

G#º   

G&7          

17

21



  

     

 

F^ 

F7

  

C7

Bb13 

     

  

CY COLEMAN C. LEIGH

Eb9           

9

13

100



      



  

BØ 

3

  

   

      E7 

Am Am(#5) Am6 Am(#5) Am                      

25

Gm     

29

C F6    





33

Gm7  

     

 

37





Gm(#5)      



C9sus   

  

G#º   C7 

Gm7 

C7 

 

     

F6 

[ Gm7 C7  

]

YESTERDAYS

C INSTRUMENTS

J. KERN O. HARBACH

A Dm         5

Dm

 

B Dm  



Dm

 

A&7   

25

F13    

29

Dm 

G13 

D9 

 

Dm^/C#    

EØ 

A7

Dm7/C    D9 

Bb^9 Gm7 EØ      

C9 



A7 

Dm 

G13 



A7 E7 

 

A7 



EØ 



BØ 

A7

E7 



EØ 



EØ 



BØ 



Bb^9 Gm7    

17

21

A7

Dm^/C# Dm7/C      

A&7    F13   

EØ 



9

13

101

C9  Dm     

YOU GO TO MY HEAD

C INSTRUMENTS

102 J. F. COOTS

Eb^           1

5

Ebm7        

F7 Bb& Bb7 Eb^           

Bbm7 Eb7      

9

2.

Eb^     

Abm7 Db7 Gb^   

10

F7 Bb& Bb7        1.

Fm7 Bb7(b9)      

Ab^ D7(b9) Eb^ Fm7 Bb7            

Am7 D7(b9) G^ G#º Am7 D7(#9)3           

13

Gm7 Gbm7 Fm7 Bb7 18 Eb^      

Abm7 Db7 Gb^     

Fm7 Bb& Bb7 Ebm7                

F7 Bb& Bb7 Eb^            

17

21

Bbm7    

Eb7(b9)  

25

26

Ab^ 

Db7         

Cm7 Gbº Fm7          

29

3

3

Bb13 Eb^       3

Eb^ 3       3

[ Fm7 Bb13 ]  

TAKE THE "A" TRAIN

B FLAT INSTRUMENTS

82 D. ELLINGTON

E7(b5)       5



  

  

A D^      

E7(b5)   

Em7   

A7 D6           

Am D7   

B G^   

G^   

E9   

9

13

2.

17

Em7   

21

E7(b5)   

25

A7(b9)  Em7 

C D^ 





  

E7(b5)    







 

 

  









Em7 A7     

1.



  



Em7   



E7(b5)    

A7 D6             

[ Em7 A13 ] 

TANGERINE

B FLAT INSTRUMENTS

83 V. SCHERTZINGER

E7(b9)      5

A Am9 

Am7 D7      

9



B Am9  

D9 

B^    

13

17



G^ C^     

Am7 D7     

D9 



Am7 D7      

21

G^ 

G^  



C#m7 F#7     



C Am9  

D9 



B6 

G^ C^   



Am7 D7    

F9(#11) 

Bm7 E7(b9)    BØ 

E7(b9)  

C#Ø

F#7(#9)  



E7(b9)  Bm7 





E7(b9)  

E7(b9)  

D Am7 F#Ø B7(#9) Em7 A9 3                



25

3

29



Am7

 







D9 



G6 



] [ G6 E7(b9)    [ ]

TEACH ME TONIGHT

B FLAT INSTRUMENTS

84 G. DE PAUL

Em7 A7 A&7 A D6 G9 F#m7 B7 Em7 A7                         5

F#Ø B7(b9) Em7            

Em7/A A7   

D^ B7 

Em7 A7 A&7 B D6 G9 F#m7 B7 Em7 A7                      

9

F#Ø B7(b9) Em7            

13

D6   

17

D^   

21

Em7/A A7   

D6 G9 

F#m7 Fm7 C Em7

  

A9 D^ B7(b9) Em7 A7              

G#Ø C#7(b9) F#m7 B7 Bm7 E9                  

Em7 A7 A&7 D D6 G9 F#m7 B7 Em7 A7                      

25

F#Ø B7(b9) Em7            

29

Em7/A A7 D6    

[Em7 A7 A&7 ] [       ]

TENDERLY

B FLAT INSTRUMENTS

85 W. GROSS J. LAWRENCE

A

       5

Gm9  

   

GØ

9

F^ Bb9(#11) Fm9          Eb9(#11) F^    

C13 



   

Bb13     

GØ

G13 





F^  

Bb9(#11) Fm9        

Bb13 

Eb9(#11) F^    

Am7

17

B

Gm9  

21

25

GØ



   



EØ A7 Dm7   

  

 

AØ  

D7(b9) Gm9     

29

Gm7 

EØ 

Dm7  

13

C7 



D7 

 





Am7

A7

C7 F6     



        

D7 

 



G13 



G#º     [ Gm7



C7 ]

THAT OLD FEELING

B FLAT INSTRUMENTS

86 L. BROWN S. FAIN

A F% F/E         5

Gm7 D&7      

F/D F/C Bbm7 Eb7        Gm7    



AØ D7(b9)  

G#m7 C#7  

C7 A7   

B Dm7 A7/C#          

F/C B7 Bb^       

Dm7     

G7    

Gm7 C#9(#11) C7      

C F%   

F/D F/C Bbm7 Eb7       

9

13

17

F/E   

Gm7 D&7      

21

Gm7    





AØ D7(b9)   E7(b9)  

BØ 

D AØ D7(b9) Gm7 Bbm7 Eb9                        

25

3

F/C  

29

A7/C# 

Dm7 Ab7(b5) Gm7 Csus4 C7        

F% 

THAT´S ALL

B FLAT INSTRUMENTS

87 A. BRANDT B. HAYMES

A C^ Dm7 Em7 Dm7 C^ F^(#11) Em7 A7                                 5

1. F#Ø Fm7 C/E Ebº Em7 A7 Dm7 G7                       2.

Dm7 G7   

9

C% 

B Gm7 C7(b9) F^ D7(b9)             

Gm7 C7(b9) F^        

13

  

Bb7

Am7 D7(b9) G^ E7(b9)             

C C^ Am7 D7(b9) Dm7 G7 Dm7 Em7 Dm7          

17

C^ F^(#11) Em7 A7 F#Ø Fm7 C/E Ebº                       

21

Dm7 G7   

25

C% [ G7sus4 ]  [   ]

B FLAT INSTRUMENTS

THE END OF A LOVE AFFAIR

88 E. REDDING

A Am7 D7 G^                5

Gm7 C7 F^         





1. Fm7 Bb9 Fm9 Bb9 Am7 D7 G^ Em7                            

9

2.



G^

 

B Em7 A9 Em7 A9 Em7 A9           

Em7 A9 D^ Bm7 E9                  

13

C Am7 D7 Am7 D7 G^            

17

21



F^

 

Em7 A9   

Gm7 C7         

Fm7 Bb9 Fm9 Bb9 Am7 D7                      

D C^ Dm7 G7 Cm7 F9 G^              

25

Bbº  

29



Am7

G#º

Am7

          

D9  

G6   

THE LADY IS A TRAMP

B FLAT INSTRUMENTS

89 L. HART R. RODGERS

A D^          5

D^      B D7sus4     

9

F#m7 B7     

13

17

2.

 

D% 

B7   

22



B7(b9)     B7(b9)     Am7

  



Em7

 

D9



A7

C Em7 

Em7 A7      

D D^    



B7(b9)    

Bm7    



Em7 A7      

27

31

Em7      G^ 

  

A7  A7 

C7sus4 C7  

D% B&7 Em7 A7   

1.

        

Em7     



A7 

F#m7    

C9(#11) B7   

Em7 A7   

Em7     D% 

  

C#Ø F#7   [ Em7 A7  

]

THE SHADOW OF YOUR SMILE

B FLAT INSTRUMENTS

90 J. MANDEL

A G#m7 C#9 C#7(b9) F#m7                     5

Bm7    



B G#Ø    

C#7

9

D#Ø    

E7 





G#7

13



 



C#9  



E9 

C G#m7    

17

Bm7   

21

D Bm7       

Dm7 

B7    

Bm7 

25

29

F7  



A^ 

F#m7   G#m7   C#7(b9)  

F#m7

D^ 

   

C#7        B9



     

F#7(b9)     

G9 C#m7         E7(b9) A6      

      

F#m7 F#m/E     



C#Ø 

B9

F#7(b9)      [C#7 ] [       ] 

THE WAY YOU LOOK TONIGHT

B FLAT INSTRUMENTS

A F6       

Dm7 

D. FIELDS J. KERN

Gm7 C7     

AØ D7(b9)     

Gm7 C7 F9             

F9 B7(b5) Bb6 Am6 Ab9      

7

Gm7 C7 F6      

12

17

2.



C13 

D&7

  



B Ab^9 Ab  



F6 C#7(b5) C13              1.

Gm7 C&7     Ab^ 

91

A Bbm7    



Eb7(b9) 

Cm7 G7/B Bº Bbm7            

Eb9 

Bbm7 Eb9      

Ab^7(#4) Ab6 Gm7        

22

Ab9 

28

C13  

33

D7(b9)  

39



C F6 

B7(b9)  



3

Gm7 C7     

AØ    

Gm7 C7 F9           

Bb6 Am6 Ab9     

44

Dm7 



Cm7 

Gm7 

C7 F6   

[ Gm7 

F9 B7(b5)  C7 

]

THERE WILL NEVER BE ANOTHER YOU

92

B FLAT INSTRUMENTS

A

   5

F^

   



Dm7   





Bb^       

G9 

17

B

F^

 





Dm7   

21

   

Bb^      

25



Cm9 



Eb9(#11)   

9

13

G9 

  

EØ   

















G9 





 

Gm7 

C7 

EØ   

A7 



F13 





 

Cm9 

F^      

F6 Bb9(#11) Am7 D7 Gm7          

29

F13 



F^ Dm7         



Eb9(#11)   

 

A7 

H. WARREN M. GORDON

C13 



BØ E7(b9)   F6 [ C7  

]

THESE FOOLISH THINGS

B FLAT INSTRUMENTS

F^ Dm7 Gm9 C7                   A

G9  

C7    

G9   

Gm7 C7      

4

7

J. STRACHEY H. LINK

F^ Dm7        

F9sus4 F9 B9(#11) Bb^        

3

F^ Dm7 G9 C7               

Bb^  

A&7 D&7 3   

Am F#Ø    

17

B

G9 

BØ E7   

C^ Am7 Dm7 G7         

21

A&7 D&7 3   

F^ Dm7 Gm9 C7              

F9sus4 F9 B9(#11)        

11

14

93

C7

  

3





F6 

BØ E7

Am Am^ Am7 D9 G13     

C7 F#º Gm7 C7        

F^ Dm7 Gm9 C7 F^ Dm7 G9 C7                             

25

C

F9sus4 F9 B9(#11) Bb^ A&7 3D&7 G9 C7 3                    3

29

F6 [ Gm7 C7 ]  

THEY CAN´T TAKE THAT AWAY FROM ME B FLAT INSTRUMENTS

G. GERSHWIN

A F6 C7sus4             Cm7  

6

F7     

F6 Abº      

Gm7  

C7sus4       

Bb^ D7 [G7] C7sus4               

1.

Bb^ Eb9 F6          

10

94

2.

B Am7 D7 Am7 D7           

Am7 B&7 Bm7 E7 Am7 D7 Am7 AØ D7                  

14

C F6 C7sus4        

G7  

18

22



Gm7

C7sus4     







Bb^ C7 Dm Eb9           

26

F  

30



C7sus4       

Cm7 

F6 Abº        F7  

F6 F#º Gm7     





C13 

TILL THERE WAS YOU

B FLAT INSTRUMENTS

95 M. WILLSON

A F            5

F G#º Gm7        3

2.

F Eb9  

9

F/C    Gm7  

C7

 

F6  

25

1.

B Bb  

D7 D&7 Gm7     C&7  

Gm7   Bbm6       

21

C7(b9) 3   

F F^      

13

17

Gm7 Bbm6          

F#º   

C F C7   

 

F^ F#º Gm7 C7          

Bº

 

G9  

   3



F#º   

 

F G#º Gm7        

C7(b9) 3   

[ Gm7 C7 ] [   ] 

3

TIME AFTER TIME

B FLAT INSTRUMENTS

96 J. STYNE

D^     A

5



D^     Bm7   

9

B







Em7     D^   





D^   

 

 

Am7 





Em7



B&7 



A7

Bb9(#11)

A7 



D^  



D7 

G^ 





A7 

D6 

A7



F#7(#9)













A7



[ Em7 

 



Abº 





Em7

C9 

Abº Gm6 F#m7 Bm7/A       

F#m7 B7(#9) Em7/A       

29



C#Ø

F#Ø  





D^     D

D^  



Bm7 

Em7

C

21

25



A7

Bm7/A G#Ø C#7(#9) F#m7 B7(b9)         

13

17

Em7

Gm A7 



]

TOO CLOSE FOR COMFORT

B FLAT INSTRUMENTS

A D^          5

EØ    

9

2.

 

D^



 

C#&7  

1.

A7

 



Am7 

D7 G7    

Am7    

Bb7   

Em7    

17

F#Ø     

21

25

D^

  

 

B7 

Am7 



D G7    

D7 



 

A7  

G#º         G#º         C#&7  



EØ  

J. BOCK L. HOLOFCENER G. WEISS

B7 Em7 

C D^

A7   



D^    

B G7    

D7 

D/A   

13

F#Ø   

97



A7 







G#º        

BØ E7(b9) Bb7 A7                             

29

D6   

33

[ Em7 

A7 [

]

 ]

  

UNFORGETTABLE

B FLAT INSTRUMENTS

98 I. GORDON

AA A^             5

D D^           B Gm        

10

E9   

14

Aº    

19

B9    

24

 

29

E7

Aº    

B9    



3



G    



D F#Ø/C B7 E9          

Eº E7         



3





C A

A^       

D D^       

3



B9     3

DG Gm D F#Ø/C B7                 

   

Em7

A13      

D6 G9 

D6 [ E7 ]  

WHAT´S NEW

B FLAT INSTRUMENTS

99 B. HAGGART

    5

A7(b9)    

D6 G13 Cm9 F9 Bb^ Eb^             3

EØ A9(#11) Dm BØ EØ A&7(b9)                Em7   

9

1.

2. A7(b9) Am7 D7(b9) G6 C13       

Eb^ Ab^   

13

AØ D9(#11)       

G^ G6    

17

Bb^ Eb^   

21

EØ A9(#11)      

D^ Bm7       

25

EØ A7(b9)      

Em7 

A7(b9) 

Gm EØ 

D^

Bm7

    

Fm9  Bb9         3

AØ D&7(b9)       

D6 G13 Cm9 F9         3

Dm BØ 

EØ A& A7(b9)        

WITCHCRAFT

B FLAT INSTRUMENTS

A G6        5

Am7   



C^     

9

     

Bb6   

13

A&7          

B G^9      

17

21



G^9  

     

  

G^ 



  

C13 

     

G7

  

F9           



CY COLEMAN C. LEIGH

A#º     

D9sus4      



100

D7 



      

  

C#Ø     3

   

     

F#7 

Bm Bm(#5) Bm6 Bm(#5) Bm                        

25

Am     

29

C G6    





33

Am7   

     

 

37



Am(#5)      



A#º  

D9sus D7       

Am7 

D7 

 

     

G6 

[ Am7 D7  

]

YESTERDAYS

B FLAT INSTRUMENTS

J. KERN O. HARBACH

A Em         5



Em

  9

 13

 17

 21

B Em    

Em

  25

 29





B&7   G13  

F#Ø 

B7

Em^/D# Em7/D      

B&7   G13  

101



Em 

A13 

E9  C^9 Am7    

 

Em^/D#    

F#Ø 



C#Ø 



B7

Em7/D    E9 

C^9 Am7 F#Ø      



Em 

 

B7 





F#Ø 



A13 

F#7 

B7 

C#Ø 

B7

D9 



F#Ø 



F#Ø 

F#7  D9  Em     

B7

YOU GO TO MY HEAD

B FLAT INSTRUMENTS

102 J. F. COOTS

F^              1

5

Fm7      

G7 C& C7 F^            

Cm7 F7    

9

2.

F^    

Bbm7 Eb7 Ab^   

10

G7 C& C7        1.

Gm7 C7(b9)      

Bb^ E7(b9) F^ Gm7 C7            

Bm7 E7(b9) A^ A#º Bm7 E7(#9)3                   

13

Am7 Abm7 Gm7 C7 18 F^    

Bbm7 Eb7 Ab^   

Gm7 C& C7 Fm7             

G7 C& C7 F^           

17

21

Cm7  

F7(b9)  

25

26

Bb^ 

Eb7         

Dm7 Abº Gm7        

29

3

3

C13 F^       3

F^ 3       3

[ Gm7 C13 ]  

TAKE THE "A" TRAIN

E FLAT INSTRUMENTS

82 D. ELLINGTON

B7(b5)          5



A A^      



Bm7     Em A7   

17



2.

D^   

Bm7   

21

B7(b5)   

25





B D^   



B9    



E7(b9)  Bm7 

C A^ 

 

 



 

B7(b5)    













Bm7 E7    

E7   A6         

9

13

 

B7(b5)    

1.



 









Bm7   





B7(b5)    

E7     A6       

[ Bm7 E13 ] 

TANGERINE

E FLAT INSTRUMENTS

83 V. SCHERTZINGER

B7(b9)       5

A Em9 

A9 

G^   D^   

Em7 A7 Em7 A7           B Em9   

A9 

9

F#^    

13

A9 

17

D^  



G#m7 C#7     



C Em9   





D^ 

F#Ø 

Em7 A7 Em7 A7          

21

B7(b9)  

G#Ø C#7(#9)   



F#6 

B7(b9)  

D^ G^   



F#m7 B7(b9)   

F#m7 

C9(#11) 



B7(b9)  

B7(b9)  



D Em7 C#Ø F#7(#9) Bm7 E9                  

25

3

Em7    

29



3



A9 



D6 

[ D6 

[

B7(b9)



]

]

E FLAT INSTRUMENTS

TEACH ME TONIGHT

84 G. DE PAUL

A A6 D9 C#m7 F#7 Bm7 E7 E&7 Bm7 E7                           5

C#Ø  F#7(b9) Bm7          

Bm7/E E7   

A^ F#7 

B A6 D9 C#m7 F#7 Bm7 E7 E&7 Bm7 E7                       

9

C#Ø  F#7(b9) Bm7          

13

Bm7/E E7   

A6 D9 

C Bm7 E9 A6 C#m7 Cm7 A^ F#7(b9) Bm7 E7                     

17

A^   

21

D#Ø G#7(b9) C#m7 F#7 F#m7 B9                  

D A6 D9 C#m7 F#7 Bm7 E7 E&7 Bm7 E7                       

25

C#Ø F#7(b9) Bm7 Bm7/E E7 A6                 

29

[Bm7 E7 E&7 ] [       ]

TENDERLY

E FLAT INSTRUMENTS

     5



Dm9 

A

DØ    Am7  

17 B

 21



C^

Dm9 

DØ  

25

29



EØ 





DØ 



D13 



Em7  

Dm7 





BØ E7 Am7   

A7(b9) Dm9     



E7

   

Em7  

G7 C6     



    

F13 

Bb9(#11) C^    

A7  

BØ 



G7 

    F9(#11)    Cm9    

F13     

Bb9(#11) C^    

G13 



W. GROSS J. LAWRENCE

    F9(#11)     Cm9

   

9

13

C^

85

D13 

A7   D#º    

[ Dm7



G7 ]

THAT´S ALL

E FLAT INSTRUMENTS

87 A. BRANDT B. HAYMES

A G^ Am7 Bm7 Am7 G^ C^(#11) Bm7 E7                                 5

C#Ø Cm7 G/B Bbº                 Am7 D7    

9

2.

Bm7 E7 Am7 D7        

B Dm7 G% C^ A7(b9)     G7(b9)          

Dm7  G7(b9)  C^      

13

1.

F7  Em7  A7(b9)  D^ B7(b9)          

C G^ Em7 A7(b9) Am7 D7 Am7 Bm7 Am7            

17

G^ C^(#11) Bm7 E7 C#Ø Cm7 G/B Bbº                            

21

Am7 D7    

25

G% [ D7sus4 ]  [   ]

THAT OLD FEELING

E FLAT INSTRUMENTS

86 L. BROWN S. FAIN

A C% C/B        5

Dm7  A&7     

C/A C/G       Dm7    





Fm7  Bb7

EØ  A7(b9) 

D#m7 G#7 G7 E7    

B Am7 E7/G#          

C/G F#7 F^        

Am7     

D7    

Dm7    G#9(#11) G7   

C C%   

C/A C/G      

Fm7  Bb7

Dm7    

F#Ø 

9

13

17

C/B   

Dm7  A&7     

21





EØ  A7(b9)  B7(b9)  

D EØ Fm7 Bb9     A7(b9)       Dm7           

25

3

C/G  

29

E7/G# 

Am7   Eb7(b5) Dm7 Gsus4 G7      

C% 

E FLAT INSTRUMENTS

THE END OF A LOVE AFFAIR

88 E. REDDING

A Em7 A7 D^                  5

Dm7 G7 C^        

 

1. Cm7 F9  Cm9 F9 Em7 A7 D^ Bm7                           

B Bm7 E9 D^ Bm7 E9 Bm7 E9                      

9

2.

Bm7 E9 A^ F#m7  B9               

13

C Em7 A7 Em7 A7 D^              

17

 Bm7  E9 

Dm7 G7        

C^ Cm7 F9  Cm9 F9 Em7 A7                          

21

Am7 D7  D G^ Gm7 C9 D^                  

25

Fº   

29

Em7 D#º Em7  A9            

D6   

THE LADY IS A TRAMP

E FLAT INSTRUMENTS

    5

A A^     

 F#7(b9)   



Bm7     



D^ 

 F#7(b9)   

B A7sus4     

Em7 A9    

C#m7 F#7      

Bm7 E7      

13

2.

A%   

17

F#7   

22

   

Bm7 E7      

D A^     

27

F#m7    

31

C Bm7 



 F#7(b9)   

L. HART R. RODGERS

Bm7     



A^      

9

89 E7  E7 

G7sus4 G7     

A% F#&7 Bm7 E7   

1.

E7 

  

C#m7     

G9(#11) F#7 Bm7  E7       

  E7    Bm7 

Bm7 G#Ø C#7       A% 

[ Bm7

E7 

]

E FLAT INSTRUMENTS

THE SHADOW OF YOUR SMILE

90 J. MANDEL

A D#m7 G#9 G#7(b9) C#m7                        5



B7 

B D#Ø    



G#7 

A#Ø      

D#7   

F#m7      

9

13

17

C D#m7    



G#9  

F#m7    



B9  

21



E^ 

C#m7   D#m7   G#7(b9) C#m7   

Am7 

F#7 C7       

F#m7 B7(b9) E6       

29

   

C#m7 C#m/B      G#7         F#9 

G#Ø 

D F#m7       

25

A^ 

F#9      

D9     G#m7    

     

C#7(b9)    

C#7(b9)      [G#7 ]     ]   [ 

THE WAY YOU LOOK TONIGHT

E FLAT INSTRUMENTS

A C6       7



Am7 

Dm7 G7 C6      

17

2.



Dm7 G7      

G13 

A&7   

B Eb^9 Eb  



Eb^ 

Fm7      Bb9   

39



G13  A7(b9) 



C C6 



E  Fm7   



Gm7  

Bb7(b9)  F#7(b9)  

Eb^7(#4) Eb6  Dm7         3

Am7 

Dm7 G7      

EØ    

Dm7    G7     C9    

F6 Em6 Eb9     

44

   

Bb9 

Eb9 

28



G13          

1.

C6 G#7(b5)

  

Gm7  D7/F# F#º Fm7          



EØ A7(b9)     

C9 F#7(b5) F6 Em6 Eb9      

Dm7 G&7

22

33

D. FIELDS J. KERN

Dm7    G7     C9    

12

91

Dm7 

G7 C6   

[ Dm7 

C9 F#7(b5)  G7 

]

THERE WILL NEVER BE ANOTHER YOU

E FLAT INSTRUMENTS

A

   5

Am7   

9

 13



D9 



C^    Am7   

25







F^    

17 B

21

C^     D9 

   

Bb9(#11)   























D9 





Bb9(#11)   

C13 

 

 

Dm7 

G7 

BØ   

E7 



Gm9 

C13 





 



C^ F#Ø B7(b9)       

C6  F9(#11) A7 Dm7   Em7       

29

Gm9 

E7 

H. WARREN M. GORDON

C^ Am7         

 

F^    

 

BØ   

92

G13 

C6 [ G7  

]

THESE FOOLISH THINGS

E FLAT INSTRUMENTS

C^ Am7 Dm9 G7                 A

4

 7



D9  D9 

J. STRACHEY H. LINK

C^ Am7         

C9 F#9(#11) F^ C9sus4         

 G7   



3

Dm7 G7 C^ Am7 Dm9 G7                   

C9 F#9(#11) C9sus4        

C^ Am7 D9 G7                F^ 

E&7 A&7   

3

11

14

93

E&7 A&7    3

Em  C#Ø   

17 B

D9 

G7    



3

F#Ø  B7  

C6 

F#Ø B7

Em  Em^  A9  D13  Em7 

G^  Em7   Am7    D7   

21

G7 C#º Dm7 G7        

C^ Am7 Dm9 G7 C^ Am7 D9 G7                              

25 C

C9 F#9(#11) F^ E&7 A&7 D9 C9sus4 G7                   

29

3

3

3

C6 [ Dm7 G7 ]  

TILL THERE WAS YOU

E FLAT INSTRUMENTS

95 M. WILLSON

A C          5



C D#º Dm7       3

2.

C Bb9  

9

C/G   

13

Dm7   

17

21



Dm7   

C6  

25

G7 

Dm7   Fm6        

C#º   

G7(b9)   

1.

3

C C^       

B F 

 Fm6   

G7 C^ C#º Dm7       F#º       3

A7   A&7  Dm7 

G&7  

 

C C G7   

 

D9  



C#º   

 

D#º Dm7 C         

G7(b9)   

[ Dm7 G7 ]    [  ]

3

3

THEY CAN´T TAKE THAT AWAY FROM ME E FLAT INSTRUMENTS

G. GERSHWIN

A C6 G7sus4               6



Gm7 

C7      

C6 Ebº Dm7        

G7sus4       

[D7] G7sus4 F^  A7               

1.

F^ C6     Bb9     

10

94

2.

B Em7 A7 Em7 A7           

Em7 F#&7 F#m7 B7 Em7 A7 Em7 EØ A7                

14

C C6 G7sus4        

D7  

18

Dm7  

G7sus4      

22





F^ Am  Bb9     G7      

26

C  

30



G7sus4        

Gm7 

C6 Ebº        C7  

C6 C#º Dm7     





G13 

TIME AFTER TIME

E FLAT INSTRUMENTS

96 J. STYNE

A^      



Bm7 E7   



F#m7  

A

5

A^     

A^   



G#Ø 

Bm7 E7    C#7(#9) 





F#m7 F#m7/E D#Ø G#7(#9) C#m7 F#7(b9)              

9

B

Bm7     

13

A^   

17



Bm7 

C

A^     A^     D





21

25

C#Ø  

 

 

C#m7  F#7(#9)      

29

Em7 

F#&7  E7

A^  



A7

F9(#11) 



D^ 

E7   



Bm7/E E7  

A6 

Bm7 

G9 

Ebº Dm6  C#m7   F#m7/E   



E7



  

Ebº Dm  

[ Bm7

E7 

]

TOO CLOSE FOR COMFORT

E FLAT INSTRUMENTS

A A^           5



BØ   



1.

E7 

 

Em7 

A7 

A^   



A/E   

Em7    

F7   

   Bm7 

9

2.

13

17

C#Ø     

21

A^    

25

 

C#Ø   

G#&7  

Em7 

A^   

B D7     

A7 D7     

F#7  A7 



BØ 

D D7     

F#7  Bm7 

J. BOCK L. HOLOFCENER G. WEISS

 

E7  

 D#º         D#º       

C A^ 

E7   



97

G#&7   

E7 

 



 D#º       

F#Ø     B7(b9)     F7      E7               

29

A6   

33

[ Bm7

E7 ] [  ]

  

UNFORGETTABLE

E FLAT INSTRUMENTS

98 I. GORDON

AE E^             5

A A^          B Dm        

10

B9    

14

Eº     

19

F#9    

24

3

F#9     3

D   





C E E^       

A A^       

 3

F#9     3

DD F#7       Dm        A C#Ø/G      

B7 Bm7 E13            

29





A C#Ø/G F#7   B9           

Bº B7        



Eº    

A6 D9 

A6 [ B7 ]  

WHAT´S NEW

E FLAT INSTRUMENTS

99 B. HAGGART

    5

E7(b9)  A6 D13 Gm9   C9 F^ Bb^            3

BØ E9(#11) Am F#Ø BØ E&7(b9)                1.

Bm7    

9

2. D6 G13 Cm9    F9 Em7 A7(b9) E7(b9)              

Bb^ Eb^   

13

3

EØ A9(#11)      

D^ D6       

17

F^ Bb^   

21

BØ E7(b9)      

BØ E9(#11)      

A^ F#m7        

25

A^ F#m7     

Bm7 

E7(b9) 

Dm  BØ

EØ   A&7(b9)    

A6  D13 Gm9   C9      3

E& E7(b9) Am F#Ø BØ         

WITCHCRAFT

E FLAT INSTRUMENTS

A D6          5

Em7     

A9sus4       

G^       

9

F6     

13

     

B D^9        D^9    

21

    

  







  

D^ 

     

D7 

  

C9    

E&7         

17

CY COLEMAN C. LEIGH

E#º    

     

 

100

A7 

       

   

G13    

    

G#Ø    

C#7 

3

F#m F#m(#5) F#m6 F#m(#5) F#m                      

25

Em     

29

C D6      

33

Em7     

37



Em(#5)            



Em7 

E#º    

A9sus   A7     

D6 

A7       

[ Em7 A7  

]

YESTERDAYS

E FLAT INSTRUMENTS

A Bm         5



C#Ø F#7 

Bm Bm^/A# Bm7/A          F#&7   

9

D13    

13

B Bm    

17



B9  G^9  Em7  

 

C#Ø 

F#7

Bm Bm^/A#      

Bm7/A   

25

B9 

21

F#&7    D13    

29



G^9 Em7 C#Ø      

J. KERN O. HARBACH

Bm  

101 

G#Ø 

E13 

C#7 



A9 



C#Ø  Bm  

C#Ø F#7 

F#7  C#Ø 



G#Ø 

E13 

 

F#7 





C#7  A9  Bm     

F#7

YOU GO TO MY HEAD

E FLAT INSTRUMENTS

102 J. F. COOTS

C^           1

5

Cm7  

D7 G& G7 C^            

Gm7 C7    

9

2.

13



C^ 

Fm7  Bb7   Eb^   

10

D7 G& G7        1.

Dm7 G7(b9)      

F^     B7(b9)     C^ Dm7 G7         

   B7(b9)    E^    E#º    F#m7 B7(#9)   F#m7       3

Em7 Ebm7 Dm7 G7 18 C^      

Fm7  Bb7   Eb^   

Dm7 G& G7 Cm7             

D7 G& G7 C^           

17

21

25

 29



Gm7 

C7(b9)  

26

F^

Bb7         

Am7    Dm7    Ebº  3

3

G13     C^   3

C^       3

3

[ Dm7

G13 ] 

TAKE THE "A" TRAIN

BASS CLEF INSTRUMENTS

D. ELLINGTON

D7(b5)       5



A C^     



  

D7(b5)    



Dm7  

G7     C6        

Gm C7  

B F^   



F^  

D9    



9

13

2.

17

Dm7  

21

D7(b5)  

25

G7(b9)  Dm7 

C C^ 



 

D7(b5)    







 

  





Dm7 G7    

1.





  





Dm7   





D7(b5)    

G7     C6        

[ Dm7 G13 ] 

TANGERINE

BASS CLEF INSTRUMENTS

D7(b9)  

  

5

V. SCHERTZINGER

A Gm9 

C9 

Bb^   F^   

Gm7 C7 Gm7 C7           B Gm9  

C9 

9

A^    

13



C Gm9   





C9 

17

F^  



Bm7 E7     

F^ 



A6 

Gm7 C7 Gm7 C7         

21

AØ 

D7(b9)  

BØ 

E7(#9)  

D7(b9)  

F^ Bb^   



Am7 D7(b9)   

Am7 

Eb9(#11) 



D7(b9)  

D7(b9)  



D Gm7 A7(#9) Dm7 G9      EØ             

25

3

Gm7    

29



3



C9 



F6 

[ F6 

[

D7(b9)  



]

]

BASS CLEF INSTRUMENTS

TEACH ME TONIGHT G. DE PAUL

Dm7 G7 G&7 A C6 F9             5

EØ   A7(b9)  Dm7         Dm7 G7 G&7 B C6 F9            EØ   A7(b9)  Dm7         C6 Em7 Ebm7 C Dm7 G9        

17

C^  

21

C^ A7 

Dm7/G G7   

C6 F9 

C^ A7(b9) Dm7 G7         

 

F#Ø B7(b9) Em7 A7 Am7 D9                  

Dm7 G7 G&7 D C6 F9           

25

EØ   A7(b9) Dm7        

29

Dm7/G G7   

Em7 A7 Dm7 G7          

9

13

Em7 A7 Dm7 G7          

Em7 A7 Dm7 G7          

Dm7/G G7 C6    

[Dm7 G7 G&7 ] [      ]

TENDERLY

BASS CLEF INSTRUMENTS

      5

Fm9   

A

FØ       Cm7   

17

B

 

Eb^

Eb^     Ab9(#11)     Ebm9 

Bb13 

 



F13 

FØ 

 

Fm7 

Ebm9     Ab9(#11)    

25

FØ    

 

GØ   

C7(b9) Fm9     

DØ G7 Cm7   



C7  

DØ 



Bb7 

Db9(#11) Eb^        

29

Gm7 



Fm9    

21

Ab13    

Db9(#11) Eb^        

9

13

W. GROSS J. LAWRENCE

G7



    

Ab13       Gm7  

Bb7 Eb6     

F13 

C7   F#º    

[ Fm7



Bb7 ]

BASS CLEF INSTRUMENTS

A Eb% Eb/D         5

Fm7  C&7      

THAT OLD FEELING L. BROWN S. FAIN

Eb/C Eb/Bb       Fm7    





Abm7  Db7

F#m7 B7 

GØ  C7(b9)  Bb7 G7   

B Cm7 G7/B            

Eb/Bb A7  Ab^        Fm7    B9(#11) Bb7   

9

13

Cm7      

F7    

C Eb% Eb/D       

Eb/C Eb/Bb      

Abm7  Db7 GØ  C7(b9) 

Fm7  C&7       

Fm7    

AØ 

17

21





D7(b9)  

D GØ   Db9     C7(b9)       Fm7      Abm7      

25

3

Eb/Bb G7/B    

29

Cm7  Gb7(b5) Fm7 Bbsus4 Bb7      

Eb% 

BASS CLEF INSTRUMENTS

THAT´S ALL

A. BRANDT B. HAYMES

A Bb^ Cm7 Dm7 Cm7 Bb^ Eb^(#11) Dm7 G7                                   5

EØ Bb/D   Ebm7   Dbº           Cm7 F7     

9

2.

1.

Dm7 G7 Cm7 F7         

B Fm7 Bb% Eb^ C7(b9)     Bb7(b9)          

Fm7  Bb7(b9)  Eb^ Ab7  Gm7  C7(b9)  F^ D7(b9)                

13

C Bb^ Cm7 Gm7 C7(b9) Cm7 F7 Dm7 Cm7                 

17

Bb^ Eb^(#11) Dm7 G7 EØ Ebm7 Bb/D Dbº                            

21

Cm7 F7 Bb% [ F7sus4 ]      [   ] 

25

BASS CLEF INSTRUMENTS

THE END OF A LOVE AFFAIR E. REDDING

A Gm7 C7 F^                 5

Fm7 Bb7 Eb^          

1. Ebm7 Ab9  Ebm9 Ab9 Gm7 C7 F^                     

F^  

9

2.

Dm7      

B Dm7 G9 Dm7 G9 Dm7 G9            

D9 Dm7 G9 C^ Am7                  

13

C Gm7 C7 F^  C7  Gm7           

17

 

 Dm7  G9 

Fm7 Bb7        

Eb^ Ebm7 Ab9  Ebm9 Ab9 Gm7 C7                       

21

D Bb^ Cm7 F7 Bbm7 Eb9 F^                     

25

Abº   

29

Gm7 F#º Gm7  C9            

F6   

THE LADY IS A TRAMP

BASS CLEF INSTRUMENTS

L. HART R. RODGERS

A C^         5

C^   



  A7(b9)    A7(b9) 



Dm7    





F^ 

Bb7sus4 Bb7  

 

Em7 A7    

Dm7 G7      

13

2.

C%  

17

Gm7 C9  

   

C Dm7 

A7  

Dm7 G7      

D C^   



22

27

Am7   

31



  A7(b9) 

G7 



B C7sus4    

9

Dm7     

  

C% A&7 Dm7 G7   

1.

G7  Bb9(#11) A7   



  G7    Dm7 

G7 

Dm7     C% 

Em7 

  

   

Dm7  G7    

[ Dm7

BØ  E7 G7 

]

THE SHADOW OF YOUR SMILE

BASS CLEF INSTRUMENTS

J. MANDEL

A F#m7 B9 B7(b9) Em7                  5

Am7    B F#Ø   

9

C#Ø   



D7 



B7 

13



F#7  

17

C F#m7   



B9  

Am7   



D9 

21

D Am7      

Cm7 

A7  

Am7 

25

29

Eb7  

 

G^ 

C^ 

   

Em7 

Em7 

Em/D    

F#m7   B7(b9)  

A9      

B7        

Em7 

A9 

BØ 

E7(b9)

F9     Bm7     D7(b9) G6      

         

E7(b9)      B7       

THE WAY YOU LOOK TONIGHT

BASS CLEF INSTRUMENTS

   

D. FIELDS J. KERN

A Eb6  

Cm7 

Fm7 Bb7      

GØ  C7(b9)    

Fm7    Bb7     Eb9      

Eb9 A7(b5) Ab6 Gm6 Gb9      

7

Fm7 Bb7 Eb6         

12

B Gb^9 Gb  

Bb13     

17

C&7   

2.

Fm7 Bb&7 Eb6 B7(b5) 

  

   



Gb^ 

Bb13         

1.



G  Abm7  

  Db7(b9) 

Bbm7  F7/A Aº  Abm7           

Db9 

Abm7      Db9     

Gb^7(#4) Gb6 Fm7         

22

Gb9 

28

Bb13    

33

C7(b9)    

39



C Eb6 

A7(b9)  

3

Cm7 

Fm7 Bb7     

GØ    

Fm7    Bb7     Eb9    

Ab6 Gm6 Gb9      

44



Bbm7  

Fm7 

Bb7 Eb6   

[ Fm7 

Eb9 A7(b5)  Bb7 

]

THERE WILL NEVER BE ANOTHER YOU

BASS CLEF INSTRUMENTS

H. WARREN M. GORDON A

     5

Cm7    

Eb^     



Ab^         

F9 



Eb^    

17

B

Cm7     

21



Bbm9 























F9 





Db9(#11)   

 



Eb13 



 

Fm7 

Bb7 

DØ   

G7 



Eb13 





 

Bbm9 

Eb^      

Eb6 C7 Fm7  Ab9(#11)   Gm7        

29

G7 

Eb^ Cm7         

 

Ab^      

25

DØ   

Db9(#11)   

9

13

F9 

  

Bb13 



AØ   D7(b9) Eb6 [ Bb7  

]

THESE FOOLISH THINGS

BASS CLEF INSTRUMENTS

Eb^ Cm7 Fm9 Bb7                   A

4

 

7

 



F9  F9 

 

3

Fm7 Bb7 Eb^ Cm7 Fm9 Bb7                    

G&7 C&7   

F9 

AØ  D7  

B

Eb9 A9(#11) Eb9sus4         

Bb7    

3

Gm  EØ    

17

G&7 C&7   

3

Eb^ Cm7 F9 Bb7                  Ab^ 

Eb^ Cm7         

Eb9 A9(#11) Ab^ Eb9sus4         

 Bb7   

11

14

J. STRACHEY H. LINK



3

Eb6 

AØ D7

Gm  Gm^  C9  F13  Gm7 

Bb^  Gm7 Bb7 Eº Fm7  Bb7   Cm7    F7             

21

Eb^ Cm7 Fm9 Bb7 Eb^ Cm7 F9 Bb7                               

25

C

Eb9 A9(#11) Ab^ G&7 C&7 F9 Bb7 Eb9sus4                   

29

3

3

3

Eb6 [ Fm7 Bb7 ]  

THEY CAN´T TAKE THAT AWAY FROM ME BASS CLEF INSTRUMENTS

G. GERSHWIN

A Eb6 Bb7sus4                 Bbm7   

6

Eb7      

Eb6 Gbº Fm7         1. Ab^

[F7] Bb7sus4     C7            

Ab^ Eb6    Db9        

10

Bb7sus4       

2.

B Gm7 C7   Gm7     C7    

Gm7 A&7 Am7 D7 Gm7 C7 Gm7 GØ C7                  

14

C Eb6 Bb7sus4         

F7   

18

Fm7    

Bb7sus4      

22



Bbm7  

Eb6 Gbº         Eb7  





Ab^ Cm  Db9 Eb6 Eº  Fm7 Bb13     Bb7            

26

Eb    

30



Bb7sus4        

TILL THERE WAS YOU

BASS CLEF INSTRUMENTS

M. WILLSON

A Eb            5

Eb F#º     Fm7      3

2.

Eb Db9    

9

Eb/Bb    

13



3

B Ab 

 

Eb^ Eº Fm7 Bb7           

C Eb Bb7   

 

Fm7    Abm6        Eb6   

1.

C7 C&7  Fm7   

Fm7 Bb7  Bb&7       

25

Bb7(b9)   

Eb Eb^      

17

21

Fm7   Abm6        

Eº   

Aº      3

F9  



Eº 

 

Fm7 F#º Eb         

Bb7(b9)   

[ Fm7 Bb7 ]     [ ]

3

3

TIME AFTER TIME

BASS CLEF INSTRUMENTS

J. STYNE

C^   



C^   



A

5

9

B



Am7

Dm7    C^  



 

 

Em7   A7(#9)   

29



EØ 

Gm7 

C^  



Am7 

Dm7 





C^    C^





21

25 D



G7

Am7/G F#Ø B7(#9)   

13

17 C



Dm7 

C7

Gbº Fm6   Dm7/G G7  

E7(#9) 

C^   

F^ 

A7(b9) 



Ab9(#11) 





BØ 

Em7   

A&7  G7



G7   



G7











G7

[ Dm7

 



Gbº 





Dm7 

Bb9 

Em7   Am7/G   C6 

Dm7 

Fm  G7 

]

TOO CLOSE FOR COMFORT

BASS CLEF INSTRUMENTS

A C^          5

DØ  



B&7  

1.

 

Gm7 

C7 



C/G  

Gm7     

Ab7  

    Dm7 

2.

13

17

EØ   

21

C^  

25

 



G7 

C^  

9

C^ 

B F7   





DØ 

D F7     

C7 

Dm7 





G7  

 F#º         F#º       

C C^ 

G7  

A7 



  

C7 F7     

A7  Gm7 

EØ 

J. BOCK L. HOLOFCENER G. WEISS

 

G7 

B&7 

 



 F#º       

AØ      D7(b9)     Ab7      G7             

29

C6  

33

[ Dm7

G7 [



]

]

  

UNFORGETTABLE

BASS CLEF INSTRUMENTS

I. GORDON

AG      5

  

G^   

C C^          B Fm        

10

D9   

14



Gº   A9   

24

A9     3





F   



C EØ/Bb A7   D9            



C G G^       

C C^        

   3

A9     3

DF A7     Fm        C EØ/Bb     

D7    

29

3

Dº D7        

19



Gº    

Dm7 G13       

C6 F9 

C6 [ D7 ]  

WHAT´S NEW

BASS CLEF INSTRUMENTS

B. HAGGART

   5

G7(b9)  C6 F13 Bbm9    Eb9 Ab^ Db^            3

DØ G9(#11) Cm AØ DØ G&7(b9)                 1.

Dm7  

9

2. Gm7 C7(b9) G7(b9)      

Db^ Gb^  

13

F^ F6       Ab^ Db^  

21

DØ G7(b9)      

DØ G9(#11)       

C^     Am7  

25

F6  Bb13 Ebm9      Ab9     

GØ C9(#11)       

17

Dm7 G7(b9)  

C^ Am7     

3

Fm  DØ

GØ    C&7(b9)    

C6  F13 Bbm9  Eb9      3

Cm AØ 

DØ G&  G7(b9)       

WITCHCRAFT

BASS CLEF INSTRUMENTS

A F6        5

Gm7    



C9sus4       

Bb^      

9

Ab6    

13

     

B F^9      F^9    

    

  







  

F^ 

     

F7 

  

Eb9    

G&7          

17

21

G#º    

     



CY COLEMAN C. LEIGH

C7 

      

   

Bb13    

    

BØ    

E7 

3

Am     Am(#5) Am6     Am(#5) Am               

25

Gm     

29

C F6    

33

Gm7    

37

Gm7 

C7 

G#º  

 

     

     

  

Gm(#5)      



C9sus   C7     

F6 

[ Gm7 C7  

]

YESTERDAYS

BASS CLEF INSTRUMENTS

A Dm         5

EØ 



A7

Dm Dm^/C# Dm7/C          A&7  

9

13





F13 

B Dm   

17





EØ 

A7

Dm7/C   

A&7   

D9 

29





F13 



BØ 



Bb^9 Gm7 EØ      

C9 



A7 

Dm 

G13 



A7 E7 

 

A7 



EØ 



BØ 

A7

E7 



EØ 



EØ 



G13 

D9 

Dm Dm^/C#     

21

25

Dm 

Bb^9   Gm7  



J. KERN O. HARBACH

C9  Dm     

YOU GO TO MY HEAD

BASS CLEF INSTRUMENTS

Eb^              1

5

Ebm7   

F7 Bb& Bb7 Eb^           

Bbm7 Eb7      

9

2.

Eb^    

Abm7  Db7   Gb^   

10

J. F. COOTS

F7 Bb& Bb7        1.

Fm7 Bb7(b9)      

Ab^     D7(b9)     Eb^ Fm7 Bb7       

Am7 D7(b9) G^ G#º Am7 D7(#9)           

13

3

Gm7 Gbm7 Fm7 Bb7 18 Eb^       

Abm7  Db7   Gb^   

Fm7 Bb& Bb7 Ebm7               

F7 Bb& Bb7 Eb^            

17

21

Bbm7     

Eb7(b9)  

25

26

Ab^

Db7        

Cm7 Gbº    Fm7      

29

3

3

Bb13     Eb^   3

Eb^       3

3

[ Fm7 Bb13 ] 