Musica de Camara III

August 22, 2017 | Author: Ernesto Vazquez | Category: Tango Music, Music Of The African Diaspora, Musical Compositions, South American Music, Argentine Music
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Gérard REYNE

MERRY MELANCHOLY

pour 4 guitares

Lyon (2000)

Frontispice : portrait du poète Giovanni Filoteo Achilini gravé par Marcantonio Raimondi (1510)

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Astor Piazzolla (1921-1992) was the foremostcomposerand ambassadoroI tango music, who carried the slgnature sound of Argentina to clubs and concert halls around the world. Piazzollawas born in 1921 in Mar del Plata,on the coastsouth of BuenosAires,but lived in New York City from 1924 to 1937.ln New York the young Ptazzolla tuned into the vlbrant jazz scene and bandleaders such as Duke Elllngton and Cab Calloway.At age 12, he received his first bandoneon, a type of button accordion that is the principal vorce of tango, and began playing music from the classical repertoire. Soon after his family returned to Argentina in 1937, Piazzolla joined the popular tango orchestra of Anibal Tioilo and-while sti1l a teenager-established himself asa talentedbandoneonplayer and arranger. In Argentina, Piazzolla continued to study classicalmusic, too, wlth the composer Alberto Ginastera and others. In 1954, Piazzolla'scomposition "Buenos Aires" won him a scholarship ro study in Paris with Nadia Boulanger,who encouragedhim to find his own voice by tapping into his passion for tango. Back in Argentina in the late 1950s, Piazzolrladid just that, laying the groundwork for what become known as tangonuelo-r.ew tango.

In 1960 he formed his seminalgroup Quinteto TangoNuevo, Ieaturingbandoneon alongsideviolin, guitar, piano, and bass. In lhe ensuingyearsPiazzolla''music increasingly used dissonance, metrical shifts, counterpolnt,and other techniquesinspired by modern classicalcomposition and jazz orchestras. In Argentina, where tango is a source of national pride and rdentity, some tango purists were incensed by these radical departures from tradition, and ln the late 1960s even Argentinas military government criticized Piazzollalbr being too avant-garde. Piazzolla left behind a huge body of mu:ic-more than 750 works-and classic recordings such as Adiris Nonino and Tango: Zero Hour, as well as collaborations with artists as diverse as poet/author Jorge Luis Borges (El Tango), jazz vlbraphonist Gary Burton (The New Tango), and the Kronos Quartet (Five Tango Sensations).In 1986, Piazzolla's music was featured in the Broadway hit Tango Argentino. In 2001 AmadeusPresspublished AstorPiazzolla:A Memoir, the remarkable life story (as told to journalist Natalio Gorin) of one of the 20th century's true musical iconoclasts.

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