Motley Crue - Doctor Feelgood - TAB

^^orraiqijgs; Edition

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CONTENTS

T. n. I (TERROR 'n TINSELTOWN)

6

DR. FEELGOOD

7

SLICE OF YOUR PIE

20

RATTLESNAKE SHAKE

30

KICKSTART MY HEART

39

WITHOUT YOU

53

SAME OL' SITUATION (S.O.S.)

61

STICKY SWEET

73

SHE GOES DOWN

82

DON'T GO AWAY MAD (JUST GO AWAY)

94

TIME FOR CHANGE

-.r*^

106

Photography by William Homes lllustrotion by Don Broutigon

Original artwork and logo design by Kevin Brady •U

Key To Notation Symbols Guitar

Halfstep bends

Whole step bends

Extended bends

Bend and release

Pre-bend and release

0

0

-8

0-

0" --0

Pull-off

Hammer-on

Legato slide

Picked slide

Quarter step bend (microtone)

flr I Rake

Vib. bar

Sweep

^ Vib.bar

Vib.bar

zt

dive

P.M.

Vibrato with bar

Vibrato

>

$

rm

I*

>

i»

i»

i»

0

Rake or Sweep

0—0—e-

Palm muting

Vibrato bar

>

i"

(•

fr-r

m

3 TP

A.H.

m

A.H.

Harm.

P

-9—6—O•6

Percussive tone

with no pitch

y^- ' -- - ^

6006660

-6

Right hand tapping

Accented notes

6-

Artificial har monic (wipick)

Harmonics

A

-f—i—f— _£—?—\i

—J ji

-a

j

* •

Let ring

Picks

rr

0

II

7

0

1

Ghost note

Tremolo picking

Pick slide

Unison bend

Chord shape arpeggiation

0

T.n.T. (Terror 'n Tinseltown) By A5

G5 00

Rubato Both gtrs. tuned down GS"

NIKKI SIXX

E5

0

0

•'

• 'i i'l-W-

*I

loco

a whole step.

Drums

/7N <

Rapidunmeasured strum.

, , ... u -)/» Gradually slowdown while shaking Rapidly shake vib. barapprox. ij^ranotherdozen times. rTs decresc. times.

iz

vib. bar dive

Heartbeat sound effect until the end.

Sirens, hospital intercom, and police radiosoundeffects.

Lowpedal E on synhesizer 'til the end.

Car tire screches.

©1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (BMI)

All rights administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

Door slam.

T.n.T. (Terror 'n Tinseltown)

G5

AS

By NIKKI SIXX

E5

00

m Rubato

Both gtrs. tuned down QS a whole step. Drums

(O

^ Rapid unmeasuredstrum.

,

u ..

Gradually slow down while shaking

Rapidlyshake nb. bar apprnx.-U uaranother dozen times.

decresc.

via, bar dive

Heartbeat sound effect until the end

Sirens, hospital intercom, and police radio soundeffects.

Lowpedal E on synhesizer 'til the end

Car tire screches

®1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (Bl^)

All rights administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

Door slam

DR. FEELGOOD by

^

Music by

.aI sixx

NIKKI SIXX and MICK MARS

E5

D5

0

A/Cf

E7-I9

0

A5

0

G5

AS

E5

B5

0

3£r.

5fr.

7fr.

7fr.

Moderate Tempo Intro No chord

Voc.

Gtr.

Guitar tuned down a whole step

With

distortion

and delay.

/

\

r:

7^

pick pjj

-0—0—0

0

0

0

0

0

0—0

0—0—Q-

-0

"O

0-

0—&•

\

(Gtr. I continues same 2 bar Hsure as before)

1

vib. bar

vib. bar

Produce these pitches with the vib. bar-

12

•0 0 0—0

vib. bar •

0

0—0—0

0

0

0

0

«

»-

12

Si.9

12

12

12—12

12

0—0—0—0—0—0-0-

vib. bar-

vib. bar-

o

O

O

0

0

o

•»

vib. bar-

o

-42^ }

*1

7 -49-49--49-49--49--49--49--49—

7 i

1 1

bar

Gtr. II

via. bar

vib. bar

D5

AjCt

E5

El-i9

vib. bar On the 4th beat, 3rd gtr overdubs harmonic at Sth

fret hi^ strings and then dive bombs.

D5

A/Ct

D5

E5

D5

A/C}

E5

A/C?

E5

1st Verse A5

tailed

Jim-my is

a

sec-ondhand

hood,

he

deals

out

inHol-ly

-

wood..

Got a

-a—a-a—a-0

six - ty

five

Chev

ifS-

*

0-

-

y,

prim - ered fiames.

trad-ed for somepow -dered goods

riff Ij*

U

I

U

-5

oM^o

Co

A5

E5

e-f f saw

Jim-my, he's

f r rT f run-nin* a

gang

ih4

r^inr ^ but 1 hear

he's

do-in'

O.

K.

P.M.

•^=70-

-0

Got a

P.M.

9-

-0—9r -0

co - zy lit - tie job.

-tr9-

sells

the .\lex-i-can

-0

0

mob

9

pack-a-ges of can

e—o.'-KQ

-

0

0

dy-caine.

-0

9-

He's.

e

0

0—9^

!

Aid

Chorus I E5

the one they call

He's__ the one that makes ya feel

Doc-tor Feel

al

right.-

He s

a—9

the one they call

Doc- tor Feel

-

good—

2nd Verse

on

the cor

- ner al

s got it wired. 10 ; ;

- ways ig

law s_

for

-

nore

hire;

some

got it made

-

bod-y's get - ting paid

in

the shade

Got

a

• -#•

5

r ^2

il

11

lit - tie hide

a-way,

does

busi-ness all

day,

but at night

he'll

al -ways be found.

sel - ling

-2—2T=e-

-fl

0-

0

0

e-

0

0

0

0-

E5

It

fff f sug- ar

ffTr

to the sweet

peo - pie on

the street;>

call

this

Jim - my's town..

He's-

Chorus II

E5

the one they call

Doc-tor Feel

-

good—

__5 g 3 ^^"^0 ^ ^—-=

i

He's_ the one that makes ya feel

al

right.—

He's.

^^ 5 g 5 1,4 ^ -3—9-3 3-

-0—0

a—a—3—3—^

the one they call

0

5-

Doc- tor Feel

-

good._

'

0—0

He 'r—

S

a

3

gon • na be

3

9

E5(add2)

E5(add2)

E5(add2)

E7r)i tc fcni icir* r'O o MIVY KMI IQIC

(ASCAP)

107

The

A rev - ol - u - tion

or

lines

reach_

on

their

fa

out and touch the

day;—

we're o - ver

due

108

now

Change,

it's

time

Noth-ing

for change

stays the

Ooh whoa,

same

2nd Verse

I feel the fu - ture in

the

hands—

of

our youth

will

be

tell

our

Gtr.2

A

ii_r

r

Bm/Fl

D Em D/Fl

safe,—

no more

Old tired fools

lies

Overdub 1

fu -

ture

with

ta - rot cards

and

lie

of

crime. _

Acoustic gtr.

^

Overdub I

r

P-r

109

Well,

the lines

C5

D5

-: n

rns

A

re - vo - lu - tion

on

their

- ces

Em

B5

or

fa

^

JT

reach—

out

so

deep,

Em/D

C5

yeah. _

i

m

and touch the

day;.

we're ov - er

due,

w—' P.M.

P.M. H

P

-a

a-

^^Pik^ous. f.

Chorus II

D

Em D/Ff

now

Change,

E5

D5

No - thing

C5

stays

the

same.

D5

Now

G5

it's

time

it s

time

D

for change

Em

D/F1

for change

» -0

a

<

110

now

Change,

it's

time

No - thing

for change

stays the

same

D/Ff

G5

Now it's

time

for

Guitar solo

D

Em D/F#

05

change

Same background Gtr. as on the first bars of the chorus

D

Oh,

Em

yeah.

P ig 12 ie •M-

1212 ia

12 12 12 12 12 12 12

Bm/F<

P

H

HP

P

^

5—c-

U

•-HM4

14 12

12 10 12-14-

change. 8va

26

12 12 12 12-12 12

12

26

VM9

Overdub 2

Whole step bend on lower note

M-

Ill

Well, I'll

change

Not

to

H P «• si.

IS 17 15- -W 17 to 17 -IS

H P si.

17' "lO 17 10 17' .15 (la

Overdub 2

but

mor - row

to

- day

Drums

1 ^

^

-—

Overdub 2 continued Chorus III

A5

E/G}

Change,

now it's

time for change.

No - thing

stays

the

Gtr. I

HH

HH

HH

2 3

"f tr

HH

0

3

5

r

7

-8—a-5-2-4

6-=f

5

D5

E5

Now

same.

I

time

f

H 9

E/G I

A5

^ ' u uJ

Change,

i

now it's

i i J

vib. bar si.

I

97-

4-

for change.-

i

U

5

No chord

A5

it's

-41 -9

7-

-2

4

e-7

7-

time for change

J

112

No-thing

stays

Now it's

the same.-

time

change.

for.

vib. bar

9

9

?

7

—-e

e—4

0

LI

Overdub 3

now it's

Change,

2 e

No - thing

time for change.

2 0

« 9

stays

11

II

'v

y

—9

9

7

7

the

Now it's

same.

7

3

7

-5

9

time for change. _

°

y

7

*

now it's

Change,

-4

time for change.

No - thing

stays

the same._

6-

Ending solo

A5

N.C

Now it's

time

for

change.

E/Gi

Beginning of gtr. solo

V. J. V\ e—«—aH Same gtr. background as on Chorus HI

113

slowly release

^ -3

the hettd

! H6

12

1g 12

1

I

J12 12 12

ie

-12

.1

>^12 12 12 12

12 12 10

12

10

;"^p

)

-w—1^-

«—«—

1.

>7 17 15

ti

»t=rL

16-ie-

1

!

I

) J JZ)

16

10

16— 1614 M

Gradually Fade out

1

17

1

17

/A>.

17—17

1

1^—17;

Si. Si.

-1710

(faded)

P 17

P

j/.

HP

n~ —

«

16

10

14 14 1^ H 10-

—

14

-M

1014

^

^

10 14- -^1214 12

:

f4_i

M—17^ —^

14

10

J

16-

114

lOVERDUB i\

w—10 »—«

lOVERDUB 2\

si 0 -?

0 ?

-6

6-

S 7 0 7

-7

9-

0

si

0

-Or—07—7

? 010 9 7.' -O-

vib. bar and feed back

115

lOVERDUB 3]

end of 1st gtr. part o-

JJbJl ^ftr rl r r r —-r Tn--'^^ri u—Lr r M 1 ri

nj

v_>'

6

•

m—P—i •

1®

L.r u=^

r !• ' f'

L==»

2nd gtr. overdub HH

HH

HH

HH J

7=»=^:—5 gas

^ 8

4

-8

s

5—8—9

-8

5—8—5

6

I -fi—5-

-5—e-

-a

9—8—5