Monografía El Neorrealismo Italiano. Caso Vittoria de Sica

 

  UNIVERS UNIVERSIDAD IDAD NACIONAL MAY MAYOR OR DE SAN MARCOS FACULTAD DE LETRAS Y CIENCIAS HUMANAS

Escuela Académico Profesional de Comunicación Social   CURSO  APRECIACIÓN CINEMATOG CINEMATOGRÁFICA RÁFICA I   DOCENE  ATILIO  AT ILIO BONILLA CARLOS   MONO!RA"#A EL NEORREALISMO ITALIANO. VITTORIO DE SICA Y CARACTERÍSTICAS DE SU OBRA LADRON DE BICICLETAS

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2

 

Introducción E* e#rrea*!s8# !%a*!a# es 8s ue u 8#?!8!e%# # esue*a ue sur9!/ 4r#(u%# (e (!5ere%es 4r#es#s (e #$ser?a!/ e u #%e7%# (e *a se9u(a 9uerra 8u( 8u (!a !a*.*. Las Las ! !! !!a !a%!%!?a ?ass (e (! (!s% s%! !%# %#ss h# h#8$ 8$res res # #84 84r# r#8e 8e%!%!(#s (#s # #  *a ?!s! ?!s!/ / hu8a!s%a (e *a s#!e(a( y (e *a a4a!(a( ue %!ee e* !e 4ara 8#s%rar es%#" se re5*e)a e *as (!s%!%as 4r#(u!#es ue se rea*!ar# a *# *ar9# (e *a (>a(a ue a4r#7 a4 r#7!8 !8a( a(a8 a8e e%e %e (u (ur/ r/ e* e e#rr #rrea ea*!*!s8 s8#. #. F! F!9u 9uras ras # #8# 8# R# R#sse sse****! !!"!" De S! S!a" a" V!s#%!" e%re 8uh#s #%r#s !eas%as" 5uer# ar%:5!es (e es%a rea!/ ue # es 8s ue ua (e*ara%#r!a (e u es4:r!%u ue 5ue s!*e!a(# 4#r *a (!%a(ura 5as!s%a (e Muss#*!!. Es%a e74*#s!/ sur9!/ 4r#(u%# (e *a a:(a (e* r>9!8e au%#r!%ar!# ue (!r!9:a *a s#!e(a( !%a*!aa. E e* 4rese%e %ra$a)# se hae u $re?e re#rr!(# h!s%/r!# (e* !e !%a*!a# 4ara #84re(er #8# es%as rea*!a!#es !e8a%#9r5!as 4re?!as a* sur9!8!e%# (e* e#rrea*!s8# %u?!er# ue ?er" e 8ay#r # 8e#r 8e(!(a" a *a rea*!a!/ (e es%a.  A su ?e se !(e%!5!a a *#s (!5ere%es au%#res ue rea*!ar# *as 8s su$*!8es #$ras !e8a%#9r5!as y se (a ua ser!e (e ara%er:s%!as (e a*9uas #$ras re4rese%a%!?as. E *a 4ar%e 5!a* (e* %ra$a)# se aa*!a *a ?!(a y #$ra (e* 9ra (!re%#r" a%#r y 9u!#!s%a V!%%#r!# (e S!a" e* ua* 5ue 5u(a8e%a* e *a #s%ru!/ (e u e#rrea*!s8# 8s se%!8 e#rrea*!s8# se%!8e%a* e%a*"" 8s hu8a#" 8s re*a! re*a!#a(# #a(# a* su5r!8!e%# su5r!8!e%# (e* h#8$re a%e u 4r#$*e8a (e *a ?!(a #%!(!aa" *as r!?a*!(a(es (e *a >4#a (e *a 4#s9uerra" *a !(!5ere!a. E 5!" (!s%!%#s as4e%#s ue a%a4u*%a a S!a #8# u# (e *#s 8s 9ra(es rea*!a(#res (e *a !e8a%#9ra5:a a !?e* 8u(!a*. E *a #$ra Ladrones de bicicleta es (#(e 8ues%ra ua ses!$!*!(a( 4r#5u(a y es%a es %ras8!%!(a ha!a e* es4e%a(#r aus(#*e 4re9u%as e !u!e%u(es aera (e *# (!5:!* (e ua *a ?!(a ?!u*a(a a *a 4#$rea" *a (es!(!a y *as #seue!as (e u #5*!%#. Cu*8!# e* %ra$a)# # u $re?e a*!s!s (e es%a #$ra.

3

 

CAPÍTULO I  ANTECEDENTES DE LA CORRIENTE NEORREALISTA NEORRE ALISTA IT ITALIANA ALIANA 1.1.

CINE IIT TALIAN IANO &.&.& I!!#s E *a h!s%#r!a (e* !e" I%a*!a es u# (e *#s 4a:ses ue 8s !5*ue!a ha %e!(# res4e%# a *a #s%!%u!/ (e* !e #8# u ar%e. D!5ere%es %e/ e/rr!# #ss ha (!re e!#a(# sus es5uer r# #s e (e*!8!%ar *as ara% ar a%er: er:s% s%! !as as y es%a es%a$* $*ee eerr u ue? e?#s #s 4# 4#s% s%u* u*a( a(#s #s y # #es es 4a 4ara ra *ar!5!ar y #84re(er 8e)#r *a !e8a%#9ra5:a. U !%a*!a#" R!!#%%# Cau(#" 5ue u!e $au%!ara a* !e #8# e* S>4%!8# Ar%e 5!*/s#5#s #8# Bee(e%%# Cr#e y Ge%!*e ha 8a!5es%a(# su 4u%# (e ?!s%a s# s#$re $re e* !e !e 5r 5re e%e %e a *a u u*%*%ura ura"" y %e %e/r /r! !#s #s es4e es4e! !a* a*!s !s%a %ass # #8# 8# Ra9h!a Ra9 h!a%% %%!"!" Ces Cesare are Bra Bra(! (!"" Fra Fraes es# # F*# F*#ra" ra" E8! E8!*!# *!# Ceh!" Ceh!" Lu! Lu!9! 9! Ch!ar!a! y #%r#s 8uh#s ha !(# 4er5!*a(# su %e#r:a ar%:s%!a e aras (e !8e%ar ua %ra(!!/ !e8a%#9r5!a ue 4er(ure e e* %!e84#. La h!s%#r!a (e *a !e8a%#9ra5:a e I%a*!a se re8#%a a *#s 4r!8er#s a#s (e* s!9*# " Bar#)a H&!as !au9 !au9ura(as ura(as 4#r e* 4r#4!# Muss#*! Muss#*!!! 7

 

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Ja#% Ja #%e! e!8! 8!e% e%# # u ue e se 4r# 4r#(u (ue e e *a s!84 s!84*e *e e7!s e7!s%e %e !a !a y e 4r#$*e8as a *#s ue # (a s#*u!/ *a s#!e(a(. JE* *!84!a$#%as a$#r(a u 4r#$*e8a (e s#!a* (e* 8#8e%# (e u 8#8e%# ua*u!era e e* ue u#s !#s se eue%ra # ua a%!(a( #s!(era$*e (e (!er# e ua s#!e(a( 4#$re y e ua a!/ esu!*8a(a. L# e8#%!?# (e es%e 5!*8 es ue )ue9a # *a %ra9e(!a (e u#s !#s 4ara *#s ue e* (!er# %!ee u ?a*#r *!8!%a(#" 4er# ue *es s!r?e e a8$!# 4ara rea*!ar sus sue#s. HCar# Bar#)a2 ' #(!!#ar su 4r#4!# *e9ua)e.  Nue?#s 8#(#s (e 4r#(u!/2 *as 4e*:u*as sur9e e u #%e7%# (e 8!ser!a y 4rear!e(a( (e%r# (e esa !(us%r!a2 5uera (e *#s es%u(!#s" # 4##s reurs#s" ur9e%es...  Nue?a re*a!/ e%re e* ar%!s%a y *a s#!e(a(. N# s/*# hay ua 8e%a (e a a4% 4%ar ar *a I%a*!a a*!a (e 4# 4#s9 s9ue uerr rra" a" s! s!# u ue e %a8 a8$! $!> > hay u #84r#8!s# 8#ra* e%re *#s (!re%#res y *a rea*!(a(2 e* !e 4ue(e a8$!ar *as #sas" hay ue ayu(ar a I%a*!a. Es u !e ue u!ere (ar %es%!8#!# y # ua 4#s!!/ >%!a 8uy *ara.  La es%>%!a e#rrea*!s%a es% $asa(a e ua 8#%!?a!/ >%!a # res4e%# a *a rea*!(a(. De%r# (e es%e 8#?!8!e%# e7!s%e (!5ere%es 4#s!!#es2 Ms rea*!s%a y a%/*!a2 De S!a.  A *a 8uh# 8s 4#*!%!a(a" 8s eraa a* 8ar7!s8#2 V!s#%!. V!s#%!.  E e* sur9!8!e%# (e es%e 8#?!8!e%# hay e*e8e%#s ue ya es%a$a e e* !e !%a*!a# a%er!#r" y #%r#s ue r#84e.  C#8# a%ee(e%es2 ay u !e rea*!s%a ue %ra%a$a (e ser  4#4u*ar" u !e rura* (e *#s a#s 1," (ra8as # #8e(!as" #8# *as (e A. B* B*ass asse% e%%!%!22 JT JT!e !erra rra Ma Ma(r (re e H& H& s!e84re... Es !e 8uy hu8a!s%a y se 4re#u4a 4#r *a re*e%ura (e *a h!s%#r!a.

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CAPÍTULO III

21

 

VITTORIO DE SICA Y SU PRODUCCIÓN CINEMATOGRÁFICA 3.1

RESE&A BIO'R(FICA HF*#re!a" &