Mastering Scales1.pdf
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M as t e r i n g
scales × × × × THE ULTIMATE DVD GUIDE! × × × × Part 1: Pentatonic and Hexatonic Scales
×
MASTERING SCALES part 1: pentatonic and hexatonic scales
Introduction PENTATONIC SCALES
CHAPTER 1
The C major pentatonic scale in first position (FIGURES 1–4) • C major pentatonic up and down one string (FIGURES 5–7) • C major pentatonic two-notes-per- string box patterns (FIGURE 8) • The A minor pentatonic box patterns •
Extended “2+3” and “3+2” patterns for C major / A minor pentatonic using double hammer-ons and pull- offs instead of finger slides
•
CHAPTER 9
The E minor and D major hexatonic scales (FIGURES 132–137) • The C Lydian hexatonic scale •
(FIGURES 44 and 45)
(FIGURES 138 and 139)
•
•
Three-notes-per-string “super-extended,” “monster” fingering patterns for A minor and E minor pentatonic (FIGURES 46–54)
CHAPTER 5
Overlapping, three-notes-per-string pentatonic “super boxes”
•
Alternating between E minor hexatonic and C Lydian hexatonic over a two-chord vamp
(FIGURES 140–142) •
A minor hexatonic licks
(FIGURES 143–149) •
The G major hexatonic scale
(FIGURES 150–156)
(FIGURES 9–11)
(FIGURES 55–59)
•
•
Two-notes-per-string pentatonic box patterns with string skipping
CHAPTER 10
(FIGURES 12–14)
(FIGURES 60–62)
•
•
(FIGURES 157–162)
G major / E minor pentatonic two- notes-per-string box patterns
Pentatonic double-stops
(FIGURES 63–65)
CHAPTER 2
Alternate picking two-notes-per- string pentatonic box patterns
CHAPTER 6
(FIGURES 15 and 16)
•
•
Two-notes-per-string pentatonic box patterns with hammer-ons and pull- offs (FIGURES 17 and 18) • Moving two-notes-per-string box patterns up and down the neck chromatically to other keys •
Alternate picking four-note pentatonic “modules” using two- notes-per-string patterns (FIGURES 66–76) • Six-note pentatonic “modules”
The G Mixolydian hexatonic scale
Alternating between D major hexatonic and C Lydian hexatonic
•
(FIGURES 163–167)
Alternating between A major hexatonic and B minor hexatonic
•
(FIGURES 168–172)
CHAPTER 11
Obscure but cool-sounding hexatonic scales • The C “sentimental” scale
(FIGURES 77–81)
•
HEXATONIC SCALES
(FIGURES 173–177)
CHAPTER 3
CHAPTER 7
(FIGURE 178)
•
•
(FIGURES 19–21)
Moving through the cycle of fourths and fifths (FIGURES 22–26)
The A minor / C major blues scale
(FIGURES 82–91)
A minor blues-scale licks with hammer-ons, pull-offs, string bends and finger slides (FIGURES 92–98) • The E minor / G major blues scale •
CHAPTER 4
C major / A minor pentatonic extended “2+3” fretboard pattern
•
(FIGURES 99–102)
(FIGURES 27–31)
C major / A minor pentatonic extended “3+2” fretboard pattern
CHAPTER 8
(FIGURES 32 and 33)
•
•
Extended “3+2” and “2+3” fretboard pattern for E major pentatonic / Cs minor pentatonic (FIGURES 34–37) • Moving extended pentatonic patterns up and down the neck chromatically to other keys (FIGURES 38–43) •
E minor blues-scale three-notes-per- string “monster shred” pattern
(FIGURES 103 and 104)
More A and E minor blues-scale exercises and speed licks
•
• •
The G “sentimental” scale The G “odyssey” scale
(FIGURES 179–182)
CHAPTER 12
Comparing various hexatonic scales back to back, starting on the same root note (FIGURES 183 and 184) • The G “Iberian” hexatonic scale •
(FIGURES 185–187)
Conclusion
(FIGURES 105–118) •
The E minor hexatonic scale
(FIGURES 119–131)
M ASTER I N G SCALES
×
×××××××××××××××××××××××××××××××××××××××××××××
Mastering Scales, Part 1 Mastering PartScales 1 Pentatonic Scales, and Hexatonic
CHAPTER 1
Pentatonic and Hexatonic Scales
FIGURE 1 C major pentatonic scale FIGURE 1 C major pentatonic scale
3
3
0
0
2
2
0
0
2
2
1
1
C
C
1 0 2 3
1 0 2 3
1
1
2
2
0
0
2
2
0
1 0 2 3
1 3 0 2 3
0 3
FIGURE 2 C major scale FIGURE 2 C major scale
0
3 0
3
2
2
0
3 0
3
0
2 0
2
1
1
FIGURE 3 C major pentatonic 1 (root) 3 C 2 major3 pentatonic 5 6 FIGURE
1 (root)
3
2
3
3
0
0
5
2
2
0
0
1 (root) 1 (root)
6
2
2
FIGURE 4 C major pentatonic 1 (r) 6 4 C5 major 3 5pentatonic 6 1 (r) 2 FIGURE
1 (r) 6
3
3 0
5
3
0
5
3 0
3
0 3
6 1 (r) 2
03
0 3
03
FIGURE 5 C major scale 1(r) 2 5 3C major 4 5 scale 6 7 1 (r) FIGURE
1(r) 2
1
3
4
5
6
7 1 (r)
3
0
2
2
1 (r)
1
1
3 5
5 6 1(r) 2 6 1(r) 2 3
02
0 2
2 3 4 5 3 4 5 6
12
6
1 3
03
0
1 (r)
5 3
3
0 3
3 0
0
5
6
2
2
6
6
2
2
3 5
6
0
1
1
1 3 5 6 8 10 12 13 15 17 18 20 22 3 5 6 8 10 12 13 15 17 18 20 22
M ASTER I N G SCALES
1
1
5
5
0
0
0
3
3
0
2
2
2 1 (r) 6 2 1 (r) 6 5
3
3 1
1 2
3
3
5 4 3 2 1 (r) 7 4 3 2 1 (r) 7 6
2
22 20 18 17 15 13 12 10 22 20 18 17 15 13 12 10
0 3
3
3
3
3
2 0
0
1 (r)
3 2 1 (r) 2 1 (r)
0
6
1 (r)
0
0
0
5 3
2 0
2
2
2
2
3
C
1 0 2 3
C
1 0 2 3
5
5 4 3 2 1 (r) 7 1 (r) 4 3 2 1 (r) 7 1 (r)
8
8 6 5 3 1 0 6 5 3 1 0 1
1
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 6 C major pentatonic
1 (r)
2
3
5
6
1 (r)
2
3
5
6
5
3
2
1 (r)
6
5
3
2
1 (r)
1
3
5
8
10
13
15
17
20
22
20
17
15
13
10
8
5
3
1
FIGURE 7 C major pentatonic whole step
1
whole step
3
whole step
minor third
5
8
10
FIGURE 8 the C major pentatonic box patterns
C root
8
C root
10
7
7
10
10
C root
7
9
8
C root
10
12
10
12
10
12
12
C root
12
15
M ASTER I N G SCALES
12
15
10
8
10
13
10
8
C root
10
12
14
14
13
8
9
7
10
C root
10
12
10
13
C root
12
13
C root
C root
9
whole step
C root
7
12
15
12
15
7
12
10
10
8
12
10
15
12
C root
10
12
9
12
10
C root
15
10
13
C root
14
12
14
12
15
12
×××××××××××××××××××××××××××××××××××××××××××××
Figure 8
(Continued)
C root
15
15
17
C root
17
14
C root
17
20
17
17
19
17
19
17
19
17
20
C root
22
3
5
M ASTER I N G SCALES
15
19
22
19
22
0
3
3
17
17
20
C root
19
15
17
0
2
0
15
21
20
22
20
17
20
2
1
17
5
2
5
5
14
19
17
C root
22
17
14
0
3
20
19
17
0
19
5
3
5
3
17
22
20
21
19
3
1
5
3
15
17
20
22
17
C root
19
22
19
22
20
3
0
5
3
C root
2
0
2
0
3
C root
3
15
C root
C root
3
17
C root
C root
2
17
C root
C root
C root
C root
3
17
C root
C root
0
15
C root
C root
20
14
17
C root
5
0
C root
2
5
2
5
3
×××××××××××××××××××××××××××××××××××××××××××××
Figure 8
(Continued)
(not played in video) C root
5
5
8
5
7
7
C root
C root
C root
5
5
7
5
8
8
5
FIGURE 9 the A minor pentatonic scale
8
5
7
5
C root
7
5
7
5
1 (r)
b3
4
5
b7
1 (r)
1 (r)
b7
5
4
b3
1 (r)
0
3
5
7
10
12
12
10
7
5
3
0
FIGURE 10 A minor pentatonic
1 (r) b3
0
3
4
5
b7 1 (r) b3
4
5 b7
5
7
10 12 15 17
19 22
b7 5
5
1 (r)
8
5
7
5
7
1 (r)
5
7
5
1 (r)
8
10
M ASTER I N G SCALES
7
10
7
8
5
10
9
8
10
7
1 (r)
8
8
5
1 (r)
7
b3 1 (r) b7 5
22 19 17 15 12 10
FIGURE 11 the A minor pentatonic box patterns
1 (r)
4
4
b3 1 (r)
5
3
10
10
8
5
0
1 (r)
8
5
7
5
7
1 (r)
8
8
10
1 (r)
5
7
5
10
7
8
5
10
8
1 (r)
8
9
7
10
7
×××××××××××××××××××××××××××××××××××××××××××××
Figure 11
(Continued)
1 (r)
10
12
10
1 (r)
10
12
12
9
1 (r)
12
15
12
17
12
15
14
15
14
17
12
17
14
20
17
19
19
0
3
2
1 (r)
3
12
15
5
M ASTER I N G SCALES
13
10
12
17
0
5
2
5
2
15
15
12
15
13
12
10
12
14
15
17
15
17
17
17
17
19
17
20
15
17
15
12
17
20
17
14
12
15
1
0
3
3
3
0
3
5
3
5
5
14
17
5
12
3
15
12
14
17
15
17
1 (r)
20
17
19
17
19
3
1
2
5
2
1 (r)
17
19
0
2
0
3
1 (r)
5
2
15
17
20
17
3
0
1 (r)
1 (r)
3
10
1 (r)
1 (r)
2
12
1 (r)
1 (r)
20
10
1 (r)
1 (r) 1 (r)
5
9
1 (r) 1 (r)
1 (r)
3
10
1 (r)
0
3
12
1 (r)
1 (r)
0
13
14
1 (r)
17
12
1 (r)
1 (r)
1 (r)
17
10
13
1 (r)
1 (r)
1 (r)
15
10
12
1 (r)
5
3
5
0
1 (r)
3
5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 12 the G major pentatonic scale
1 (r)
2
3
5
6
1 (r)
2
3
5
6
5
3
2
1 (r)
6
5
3
2
1 (r)
0
2
4
7
9
12
14
16
19
21
19
16
14
12
9
7
4
2
0
FIGURE 13 G major pentatonic box patterns
1 (r)
3
1 (r)
5
2
5
2
5
1 (r)
2
4
3
1 (r)
5
7
5
7
5
7
10
10
7
4
10
12
7
9
15
M ASTER I N G SCALES
3
7
5
8
5
7
9
8
3
12
9
12
9
12
14
12
14
12
4
5
5
7
7
5
8
1 (r)
2
5
7
4
7
5
1 (r)
10
7
10
10
7
10
5
2
7
5
12
10
12
12
10
12
12
15
12
15
15
8
9
7
9
7
10
10
12
7
15
7
5
10
7
12
10
1 (r)
9
12
9
12
10
1 (r)
12
3
1 (r)
1 (r)
10
5
1 (r)
1 (r) 1 (r)
14
2
1 (r)
1 (r)
12
5
1 (r)
1 (r)
12
5
1 (r)
1 (r)
1 (r)
10
3
1 (r)
1 (r)
7
5
1 (r)
12
14
12
1 (r)
14
12
14
12
15
12
×××××××××××××××××××××××××××××××××××××××××××××
Figure 13
(Continued)
1 (r)
1 (r)
1 (r)
1 (r)
1 (r)
1 (r)
15
17
14
17
14
(not played in video) 1 (r)
15
17
14
17
14
17
(not played in video) 1 (r)
0
0
3
0
2
14
17
15
16
15
114 (r) 16
1 (r) 0
2
17
17
0
2
15
15
0
0
3
0
2
17
0
3
3
0
Em
0
3
2
0
0
2
0
2
0
3
0 0 0 2 2 0
3
0
3
15
3
0
17
17
3
3
1 (r)
0
2
0
1 (r)
3
0
15
16
15
16
0
2
0
3
0
14
114 (r)
17
17
14
14
2
0
1 (r)
G2
0
0
2
0
2
14
17
14
0
2
0
2
0
2
0
2
0
G
3
3 0 0 0 2 3
(3) (0) (0) (0) (2) (3)
3
3 0 0 0 2 3
(3) 1 (r) (0) (0) (0) (2) (3)
1 (r)
2
0
3
0
2
0
2
15
0
3
CHAPTER 2
3
0
3
0
5
3
5
3
Em
0
0
0 0 0 2 2 0
0
2
17
Em
0 0 0 2 2 0
FIGURE 15 G major/ E minor pentatonic 0 3 0 boxes with alternate picking 0 2 2 0
15
1 (r)
1 (r)
0
17
1 (r)
1 (r) 3
17
1 (r)
0
1 (r) 2
0
1 (r)
1 (r)
1 (r)
Em
1 (r)
15
13 (r) 1 3 (r) 0
0
3
1 (r)
3
1 (r)
17
FIGURE 14 G major and E minor pentatonic
1 (r)
1 (r)
17
10(r) 2
2
1 (r)
1 (r) 1 (r)
FIGURE 14 G major and E minor pentatonic 0 3
1 (r)
17
1 (r)
FIGURE 15 G major / E minor pentatonic boxes with picking 3 5 5 alternate 3 3
3
5
5
M ASTER I N G SCALES
2
2
5
5
2
2
5
5
2
2
4
4
3
3
5
5
5
3
5
5
3
5
3
3
4
4
2
2
5
5
2
2
5
2
5
2
×××××××××××××××××××××××××××××××××××××××××××××
Figure 15
5
7
10
12
15
7
10
12
15
17
17 19
M ASTER I N G SCALES
(Continued)
5
7
7
10
10
12
14
12
14
17
17 19
5
7
9
12
14
17 19
7
9
12
14
17
4
7
9
12
14
16 19
5
7
8
9
10
12
12
14
15
16
17
20
8
10
12
15
17
5
7
10
12
15
7
10
12
15
17
17 19 19 17
7
10
12
15
17
5
7
10
12
15
20 17
8
10
12
15
17
5
8
10
12
15
19 16
7
9
12
14
16
19 17
4
7
9
12
14
7
9
12
14
17
19 17
5
7
9
12
14
7
5
10
7
12
10
14
12
17
14
19 17
7
5
10
7
12
10
15
12
17
15
15
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 16 A minor pentatonic boxes with alternate picking
N.C. (Am or C)
5
8
10
12
15
8
10
12
15
17
M ASTER I N G SCALES
5
7
7
10
10
12
15
12
15
17
5
7
10
12
14
7
10
12
14
17
5
7
9
12
14
7
9
12
14
17
5
8
10
13
15
8
10
13
15
17
5
8
10
12
15
8
10
12
15
17
8
10
12
15
17
5
8
10
12
15
8
10
13
15
17
5
8
10
13
15
7
9
12
14
17
5
7
9
12
14
7
10
12
14
17
5
7
10
12
14
7
5
10
7
12
10
15
12
17
15
8
5
10
8
12
10
15
12
17
15
×××××××××××××××××××××××××××××××××××××××××××××
Figure 16
17
0
3
20
17
3
17
19
0
3
5
(Continued)
0
3
2
5
19
2
5
2
17
0
17
19
1
2
3
5
0
3
3
5
17
20
5
20
3
5
3
20 17
3
5
0
20 17
3
3
19
1
5
17
2
2
5
0
2
19
2
5
3
17
0
5
19
17
3
0
3
20 17
3
0
5
FIGURE 17 A minor pentatonic, first box, with hammer-ons and pull-offs
N.C. (Am or C)
5
8
5
7
5
7
5
7
5
8
5
8
8
5
8
5
7
5
7
5
7
5
7
5
10
7
8
5
8
5
10
8
FIGURE 18 all five A minor pentatonic boxes with hammer-ons and pull-offs
N.C. (Am or C)
5
8
8
10
M ASTER I N G SCALES
5
7
7
10
5
7
7
10
5
7
7
9
5
8
8
10
5
8
8
10
8
10
5
8
8
10
5
8
7
9
5
7
7
10
5
7
×××××××××××××××××××××××××××××××××××××××××××××
Figure 18
(Continued)
10 10 12 10 12 12 10 12 12 12 10 10 10 10 13 10 13 13 10 13 13 13 10 10 9 9 12 12 12 129 129 9 12 9 10 10 12 10 12 12 10 12 12 12 10 10 10 10 12 10 12 12 10 12 12 12 10 10 10 10 12 10 12 12 10 12 12 12 10 10
12 12 15 12 15 15 12 15 15 15 12 12 13 13 15 13 15 15 13 15 15 15 13 13 12 12 14 12 14 14 12 14 14 14 12 12 12 12 14 12 14 14 12 14 14 14 12 12 12 12 15 12 15 15 12 15 15 15 12 12 12 12 15 12 15 15 12 15 15 15 12 12
15 15 17 15 17 17 15 17 17 17 15 15 15 15 17 15 17 17 15 17 17 17 15 15 14 14 17 14 17 17 14 17 17 17 14 14 14 14 17 14 17 17 14 17 17 17 14 14 15 15 17 15 17 17 15 17 17 17 15 15 15 15 17 15 17 17 15 17 17 17 15 15
17 17 20 17 20 17 20 20 17 20 17 17 17 20 17 20 17 20 20 20 17 20 17 17 17 19 19 19 19 17 17 17 19 19 17 17 17 19 19 19 19 17 17 17 19 19 17 17 17 19 19 19 19 17 17 17 19 19 17 17 17 20 17 20 17 17 17 17 20 20 20 17 20 17
FIGURE 19 D firstfirst box FIGURE 19major D19major pentatonic, boxbox FIGURE D pentatonic, major pentatonic, first
N.C.N.C.N.C.
9 911 11 9 9 9 12 12 9 12 9 9 12 12 9 12 10 10 12 10 12 12
10 10 12 10 12 12 10 12 12 10 10 10 10 12 10 12 12 10 12 12 12 10 10 11 119 11 9 11 9 12 129 129 9 12 129 12 9 9 12 12 10 12 10 10
FIGURE 20 moving up in steps FIGURE 20 moving uphalf in steps FIGURE 20 moving uphalf in half steps
N.C N.C (Am) (Am) N.C (Am)
5
58
5 85
M ASTER I N G SCALES
57 8
5 7 5
57 7
5 7 5
57 7
5 75
58 7
5 8 5
58 8
8 5
(Bbm) (Bbm) (Bbm)
89
96 96
9
6 96 96
8
6 86 86
8
6 8 6 86 6 8 8 6 86 6 9 9 6 96
6
×××××××××××××××××××××××××××××××××××××××××××××
Figure 20
(Continued)
(Bm)
7
(Cm)
7
10
7
9
7
9
7
9
7
10
10
11
8
(C#m)
9
9
12
9
11
9
11
9
11
9
12
11
14
11
13
11
13
13
11
14
12
11
FIGURE 21 moving down in half steps
8
10
8
10
8
11
8
13 10
13 10
12 10
12 10
12 10
13 10
8
5
5
7
5
7
7
5
8
5
14
15 12
15
12
14
12
14
12
14
12
15
12
(G#m)
8
7
(Gm)
3
10
(Em)
N.C. (Am)
5
8
(Dm)
(Ebm)
11
11
4
7
4
6
4
6
4
6
4
7
4
(F#m)
6
M ASTER I N G SCALES
3
5
3
5
3
5
3
6
3
6
5
2
5
2
4
2
4
2
4
2
5
2
×××××××××××××××××××××××××××××××××××××××××××××
Figure 21
(Continued)
(Fm)
(Em)
(Fm) (Fm)
(Em)(Em)
1
1
4
1
3
1
3
1
3
1
1
4
1 4
14
4
14
4
1 1 3 cycle 3 FIGURE 22 the of fourths 1 ascending 13 3 1
14
C1
CHAPTER 3
13F
4
3 B
E
A
D
G
CF
FB
BE
A
AD
DG
9
9
9
8 8 down a fifth FIGURE 24 8up a8fourth,
C
8
8F 8
8
B
E
A
FIGURE FIGURE 24 up 24aup fourth, a fourth, down down a fifth a fifth C
C F
F B
B E
20
20
E
A
A D
18
18
GB
9
9
8
8
8
8
E
14
0
03
0 3
C 20 F 20 B
20
E18
18
18
18
A
D
16
C
19
CF
G /F#
B
DG /F# G /F# B
B
14
14
CF
FB
8
8
8
8 8
BE
E
A
6
6
AD
GD /F# G B /F# B
4
4
E
19
20
20 18
18 15
E
E
2
2
D
12
AD
5
15 13
DG
G12
G
A D
12
C
6
6
6
6
4
4 4
4 2
2 2
2
0
05
0
02 D 0 3
3
G
03
C
10
5 5
5 5
5
3 3
3
9
2
92
C
0
0
B 10
E
FB
BE
E
3 1
2
C
8
F 10
3
3
G
C
9
G
DG
10
10
10
AD
11G 11
D G
CF
5
5
D
FIGURE 26 moving a major pentatonic box through the cycle of fourths C8
2
11
13
12
12
A
13
A
12
14E 14 A
0
0
A 2
E
15
E A
14
EA
2
E
BE
18
FIGURE FIGURE 25 cotinuing 25 continuing cotinuing down down down the neck the theneck neck thenthen across andacross then theacross strings the strings the strings C
B
FB
20
D
G 16/F# 16B
0
FIGURE FIGURE 23 descending 23 descending the cycle the cycle of fifths of fifths
1419
16
2
0
F
FIGURE 25 cotinuing down the neck then across the strings 20
0
03
C
B
14
3
02 0 FIGURE 232 descending 2 02 the 0 cycle of fifths
914
16
16
3
B
FIGURE FIGURE 22 ascending 22 ascending the cycle the cycle of fourths of fourths C
3
8
8
A
1 1
A 1
1
1
A
1
1
1
FIGURE FIGURE 26 moving 26 moving a major a major pentatonic pentatonic box box through through the cycle the cycle of fourths of fourths C
C
8
8
10 8
M ASTER I N G SCALES
10
7 10
7
10 7
10
7 10
7
10 7
10
7 10
7
97
9
8 9
8
10 8
10
8 10
8
10 8
10
10
10
10
10 8
8
8 10
10
10 8
8
8 9
9
79
7
7 10
10
10 7
7
7 10
10
7
10 7
7 10
10
8
10 8
8
×××××××××××××××××××××××××××××××××××××××××××××
Figure 26
(Continued)
F
F
F 13
12
15
15
12
12
15
14
B
13 13
13 15 15
B
B
12 12 15
6
12 12 15
12 15 15
5
8
12 15 15
12 12 15
5
8
66
6 88
E
E
55 8
11
55 8
5 88
10
13
13
55 8
5 88
10
5
8
E
12 14 14
13
13 13 14
7
5 77
10
66 7
12
13
13 15 15
6
688
11
13
15
13 13 15
15
13 15 15
15
6
8
66 8
15 15
8
6 88
13 15 13
8
8
11
13
15
88
13
68 6
13
13
13 15 15
6
6 88
11
15
13 15 13
8
13
13 14 14
14
12 14 12
6
68 6
7
6 77
13
11
57 5
12
12
12 15 15
15
12 15 12
5
12 15 15
8
5 88
10
12
15
12
12 15 12
12 15 15
8
5
58 5
5 88
13
10
10 10 13
10 13 13
5
58 5
5 88
13
10
15
13
13 15 13
13
8
6
8 66
6
13
11
13 11 11
11
11 11 13 11 13 2+3 13 diagonal 13 13 13 11 11 11 FIGURE 27 C major/ A minor pentatonic patttern, ascending
C or Am 11 11
13 11 13
10 10 13
10 10 13
10 13 13
10 13 13
10 10 13
10 12 12
11 11 12
13 13 11
13
13 13
13 11 11
11 12 12
10 12 10
10 13 13
10 13 10
10 13 13
CHAPTER 4
FIGURE FIGURE 27 C27 major/ major C major/ /AAminor minor A minor pentatonic pentatonic pentatonic 2+3 2+32+3 diagonal diagonal diagonal patttern, patttern, patttern, ascending ascending ascending
C or Am C or Am
3
3
5
5
5
7
5
7
7
8
9
10
FIGURE 28 same pattern, with hammer-ons and legato ring-finger 88 slides 810 10 10
C or Am 33
3 55
5
33
3 55
5
77
7
55
5 77
7
55
5
77
7 99
88
8
10
12
810 10
1012 12
12
9
FIGURE FIGURE 28 same 28 same pattern, pattern, withwith hammer-ons hammer-ons and and legato legato ring-finger ring-finger slides slides
C or Am C or Am
3
33
3 55
M ASTER I N G SCALES
3
5
5
33
3 55
5
5 77
5
7
7
55
5 77
5
7
7
55
5
7
77
7 99
9
9
88
8
10
8 10 10
10
88
8
10
12
8 10 10
1012 12
12
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 29 same pattern, descending, with legato index-finger slides
C or Am
12
10
8
10
8
9
7
5
7
5
7
5
3
5
3
FIGURE 30 same pattern, ascending and descending, with hammer-ons, pull-offs and legato finger slides
C or Am
3
5
12
10
3
8
5
7
10
8
5
7
9
7
5
5
7
9
7
5
8
10
7
5
8
3
10
12
5
3
FIGURE 31 Dickey Betts-style C major pentatonic run C
3
5
3
5
7
5
7
5
7
5
5
7
5
7
7
5
7
9
8
8 10
9
8
8 10
9
8 10 12 10
8
10
C
8
10
8
M ASTER I N G SCALES
9
10
9
8
9
7
5
7
5
5
7
5
7
7
7
5
7
5
3
5
3
3
5 5 5 3
×××××××××××××××××××××××××××××××××××××××××××××
major /AAminor minor pentatonic 3+2diagonal diagonal pattern, ascending anddescending descending FIGURE 32 C major/ pentatonic 3+2 pattern, ascending and FIGURE 32 C major/ major /AAminor minor pentatonic pentatonic 3+2 3+2diagonal diagonal pattern, pattern, ascending ascending and anddescending descending
C or Am C or Am
15 17 15 17 17 15 17 15 13 15 13 17 15 17 17 15 17 13 15 13 12 14 12 14 14 12 14 12 10 12 10 14 12 14 14 1412 10 12 10 10 12 10 12 12 10 12 10 8 10 12 12 10 128 10 8 10 12
8
FIGURE 33 "fretboard fingerfinger skating" with the FIGURE 33 "fretboard skating" with3+2 thepattern 3+2 pattern
C or Am C or Am
13 13 12 12 14 12 14 14 12 14 12 12 10 12 10 10 12 10 10 12 10 14 12 14 14 12 14 10 12 1012 14 12 14 14 14 10 12 10 10 12 10 10 12 10 12 12 10 12 1012 12 8 10 12 12 10 12 1012 8 10 12 12
15 17 15 15 17 17 15 17 17 15 17 15 15 15 13 15 13 17 15 15 17 13 15 13 13 15 13 17 15 17 17 15 17 13 15 15 13 17 15 17 17 15 17 13 15 13 13 15 13 15 12 14 12 14 14 14 12 14 14 12 14 14
13
13 14 12 14 12 12 14 12 1412 12 14 12 14 14 12 14 14 12 14 10 12 10 10 12 10 14 12 1412 10 12 10 10 10 12 12 10 12 10 10 12 10 12 12 10 12 10 12 12 12 10 128 10 12
8
major /C# C#minor minor pentatonic FIGURE 34 3+2 in E major/ pentatonic FIGURE 34pattern 3+2 pattern in E major/ major /C# C#minor minor pentatonic pentatonic
E or C#m E or C#m
0
2 4 26 4 2 4 2 4 2 04 2 4
M ASTER I N G SCALES
6
4
7 9 7 5 7 59 7 9 6 4 6
9 9
7 9 7 9 7 95 7 5 6 4 6 4 6
64
2 4 2 4 2 4 2 4 2 40 2
0
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 35 same pattern with hammer-ons and pull-offs
E or C#m
2 4
0 2 4
4 6
2 4 6
5 7 9
7 9 7
9 7
9 7 5
6 4
6
4 2
4 2
4 2 0
0
FIGURE 36 C# minor pentatonic run with position extension
C m
0
2
2
4
9
7
4
2
4
9
7
4
6
6
5
7
9
6
4
2
7
9
4
2
9
7
9
full 12
12
5
6
4
4
2
0
FIGURE 37 more "fretboard finger skating" using the same extended pattern
E or C#m
0
7
M ASTER I N G SCALES
2
2
4
5
(5)
2
4
7
4
9
4
6
7
9
6
5
7
12
9
7
9
7
9
9
12
7
(12)
5
(5)
12
9
7
9
(5)
×××××××××××××××××××××××××××××××××××××××××××××
Figure 37 (Continued)
5
75
7 9
97
97
12 9
12 9
79
7
9
79
57
5 6
46
4 6
46
24
2
4
24
2 4
24
02
0
FIGURE FIGURE 38 F 38 major F major/ /DDminor minor D minor pentatonic pentatonic extended extended pattern pattern major/ pentatonic extended pattern
F or Dm F or Dm
5 7 5 7 3 5 37 5 7 3 5 3 5 1 3 15 3 5
8 10 8 10 10 8 10 8 6 8 10 6 8 10 10 8 106 8 6
7 5 7 5 7 5 73 5 3 5 3 5 3 5 3 51 3 1
FIGURE FIGURE 39 ascending-descending 39 ascending-descending run using run using samesame pattern pattern
F or Dm F or Dm
1
10
31 53
810
3
5
53
8 10 810 6 8
3
5
7
6
53 75
57
7
5
7
5 5
75
7 7
5
6
7 7
6
(7)7
(7) 5
57 35 53 35
75
5
3
7
35
8 108 810 108 1310 13 10 8 6 108 10
6
3
3
5
3
35
5
3 3
5 5
3
35 1 3
1
3
810 108 10
5 3 (5)5
(5)
FIGURE FIGURE 40 shape-shifting 40 shape-shifting fromfrom F to F F#to F#
1
13
M ASTER I N G SCALES
35
3 5
35
5
2
24
46
4 6
46
6
×××××××××××××××××××××××××××××××××××××××××××××
Figure 40 (Continued)
1
3
2
1
4
3
2
5
4
6
5
6
3
4
3
5
4
6
5
6
3
4
3
5
4
5
6
6
7
8
5
7
6
8
5
6
7
8
6
7
7
5
8
6
8 10
9
11
7
8
8 10
9 11
5
6
8
9
3
4
5
3
6
4
10
8
11
9
6
7
7
8
5
3
1
6
4
2
5
6
7
8
5
6
3
4
5
3
6
4
8
6
5
3
1
6
4
2
8
6
4
FIGURE 41 Ab (G#) major pentatonic
4
M ASTER I N G SCALES
6
8
6
8
6
8 10
8 10
9
11 13
11 13 11
13 11
9
10
8
10
8
6
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE FIGURE FIGURE 42 42 2+32+3 42extended 42 2+3 extended 2+3 extended extended pattern pattern pattern with pattern with Db with Db major with Db major Db major / Bb major / Bb minor / Bb minor / Bb minor pentatonic minor pentatonic pentatonic pentatonic
D D or Bbm or D Bbm or D Bbm or Bbm
9 11 9 13 119 13 11 9 13 11131311 13 11 913 9 11 13 11 9 9 9 11 9 119 11 9 11 11 11 9 9 11 11 9 9 6 86 10 86 1086 10 8 10 10 10 8 610 8 610 8 68 6 6 86 86 86 8 8 68 68 68 6 4 64 864 864 86 8 8 68 468 468 46 4 4 64 64 64 6 6 6 6 46 46 (6) 64 (6) 46 (6) 6 (6)
FIGURE FIGURE FIGURE FIGURE 43 43 same same 43 43 same pattern same pattern pattern shifting pattern shifting shifting up shifting up one up one fret up one fret to one fret B tofret minor Btominor B tominor B / Dminor /major D /major D /major pentatonic D major pentatonic pentatonic pentatonic
BmBm or Dor BmDBm or Dor D
5
5 7
10 10 12 12 14 10 14 12 12 10 12 14 12 12 14 10 12 10 10 10 10 10 12 12 10 12 10 12 12 10 12 10 12 10 12 10 7 7 9 11 97 1197 11 9 11 11 11 9 7911 711 9 79 7 7 7 9 97 97 9 9 79 79 79 7 5 5 7 7 95 975 97 9 9 79 579 579 57 5 75 75 7 7 57 757 757 75 (7) 7 (7) (7) (7)
FIGURE FIGURE FIGURE FIGURE 44 44 2+32+3 44pattern 44 2+3 pattern 2+3 pattern in pattern C inmajor Cinmajor C inmajor /CAmajor /minor A /minor A /minor using A minor using using hammer-ons using hammer-ons hammer-ons hammer-ons and and pull-offs and pull-offs and pull-offs pull-offs instead instead instead of instead finger of finger of finger of slides finger slides slides slides
C orCAm orC Am orCAm or Am
3
3
35
8 8 10 810 8 12101210 12 12 (12)(12) (12)(12) 8 8 10810 8 10 10 5 5 7 5 7 59 7 9 7 9 9 5 5 75 7 5 7 7 3 3 5 3 5 37 5 7 5 7 7 3 53 5 3 5 5
8 10 8 10 812 10 12 810 10 12 10 12 10 810 8 8 8 8 10 8 10 8 10 8 10 10 108 10 8 108 8 5 57 579 579 79 9 9 97 9 75 975 75 5 5 57 5 7 57 7 7 75 7 5 75 5 3 35 357 357 57 7 7 75 753 75 3 53 3 3 5 35 5 5 53 5 3
53
3
FIGURE FIGURE FIGURE FIGURE 45 45 3+23+2 45pattern 45 3+2 pattern 3+2 pattern in pattern C inmajor Cinmajor C inmajor /CAmajor /minor A /minor A /minor using A minor using using hammer-ons using hammer-ons hammer-ons hammer-ons and and pull-offs and pull-offs and pull-offs pull-offs instead instead instead of instead finger of finger of finger of slides finger slides slides slides
C orCAm orC Am orCAm or Am
15 15 17 17 15 17 1517 1715 17 15 17 15 17 15 13 13 15 15 17 13 17 15 13 17 15 17 17 17 15 13 15 17 13 15 17 13 15 13 12 12 14 14 12 14 12 14 14 12 14 12 14 12 14 12 10 10 12 12 14 10 14 12 10 14 12 14 14 12 14 12 10 14 10 12 14 10 12 10 10 10 12 12 10 12 10 12 12 12 10 10 12 10 12 10 8 10 8 10 128 12 10 8 12 10 12 12 12 10 10 12 8 10 12 8 10 8 (8)8 (8) (8) (8)
M ASTER I N G SCALES
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 46 A minor pentatonic, three-notes-per-string "monster stretch" pattern
Am
3
3
3
3
5
8
3
7
10
10
12
12
14
3
7 10 12
10 12 14
15 17 20
12 14 17
14
3
3
3
3
5 8 10
10
12
3
3 15
17
17
20
17
20
22
3
3
3
17 20 22 22 20 17
3
20 17 15
3
3
17 14 12
14 12 10
12 10 7
10 8 5
5
FIGURE 47 A minor pentatonic 3+3 "monster stretch" legato run Am
3
3
3 3
5
8 10
3
22 20 17
M ASTER I N G SCALES
7 10 12
7 10 12
10 12 14
3
3
10 12 14
3
12 14 17 12 14 17
3
15 17 20
15 17 20
3 3
3
20 17 15 20 17 15
3
3
17 14 12
17 14 12
3
3
3
3
17 20 22 22
A5
3
3
14 12 10 14 12 10
12 10
7
12 10
7
10
8
5
5
7 7 5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 4848 same same run run but but with with alternate alternate picking picking Am Am
33
33
33 33
10 10 12 1214 14 7 710 1012 127 710 10 12 12 5 58 810 10
33
33
33
33
33
17 1720 20 22 22 (22) (22) 15 15 17 1720 20
15 15 17 1720 20 12 1214 14 17 17 12 1214 14 17 17 12 12 10 10 14 14
33
22 22 20 20 17 17 22 22 20 20 17 17 20 20 17 17 15 15 20 20 17 17 15 15
33
33
33
33
33
33
33
33
33
33
33
33
33
33
17 17 14 14 12 12 17 17 14 14 12 12 14 14 12 12 10 10 14 14 12 12 10 10
12 12 10 107 12 7 12 10 107 7 10 108 85 10 5 108 85 5
33 33
7 10 7 10 12 127 10 7 10 12 12 5 58 10 8 10
33
33
33
12 12 14 14 17 17 12 12 14 14 17 17 10 10 12 12 14 14 10 10 12 12 14 14
33
33
15 15 17 17 20 20
33
17 17 20 20 22 22 15 15 17 17 20 20
(22) (22)
FIGURE FIGURE 4949 same same 3+3 3+3 fretboard fretboard pattern pattern applied applied toto EE minor minor pentatonic pentatonic EmEm
33
33
33
33 33
7 79 912 12 5 57 79 9 2 25 57 7 0 03 35 5
M ASTER I N G SCALES
33
33
12 12 15 15 17 17 (17) (17) 10 10 12 12 15 15
33
33
33
17 17 15 15 12 12 15 15 12 12 10 10 12 129 97 7 9 97 75 5
×××××××××××××××××××××××××××××××××××××××××××××
Figure 49 (Continued)
3
3
3
3
3
3
3 3
7
5
2
5
3
0
0
3
5
2
5
7
2
5
5
7
7
9
5
3 3
3
3
12 15 17 17 15 12
10 12 15
3
3 15 12 10
3
15 12 10
7
7
9
3
3
9 12
3
7
3
9 12
3
10 12 15
3
3
12 9 7 12 9 7
9 7 5
9 7 5
7 5 2 7 5 2
5 3 0
0
FIGURE 50 the remaining 3+3 patterns in E minor pentatonic starting on the low E string
Em
3
3
3 3
3
3 5 7
5 7 10
7 9 12
9 12 14
12 15 17
3
7 10
7 10 12
9 12 14
12 14 16
3
3
M ASTER I N G SCALES
7
10
7
17 15 12
3
14 12 9
3
3
17 19 22
22 19 17
3 15 17 20
12 9
7
10 7 5
7
5 3
5
7 10 12
3 20 17 15
3
16 14 12
3
14 12
9
3 3
12 10
3
3
15 17 19 19 17 15
3
3
5
3
3
3
(3)
3
3
3
10 12 14
12 14 17
3
14 16 19
3
3
17 20 22
22 20 17
3
19 16 14
×××××××××××××××××××××××××××××××××××××××××××××
Figure 50 (Continued)
3
3
3
3
3
3
1714 12
14 12 10
12 10 7
10 12 15
3
3
12 14 17
14 17 19
3
16 19 21
(21)
3
2119 16
3
19 17 14
17 14 12
FIGURE 51 same thing, but starting on the A string
Em
3
3
3
3
0
2
2
5
5
7
4
7
3
3
15 12 10
12 10 8
9
7
3
3
7 9 12
5 7 9
2 5 7
4
7
5
3 3
10 12 15
3
3
12 15 17 17 15 12
3
3
3
3
(0)
3 3
10 12 15
8 10 12
9
15 12 10
2
5
2
0
3
3
15 12 10
12 9 7
9 7 5
7 5 2
(2)
FIGURE 52 same thing, but starting on the D string
Em
3
3 3
0
2
2
5
4
3
3
7
5
8 10
3
7 10 12
12 10
3 7
10
3
8
5
7
3
5
M ASTER I N G SCALES
2
5
2
0
(0)
3
3 3
3
2
4
7
4
7
9
8 10 12
3
10 12 15
3
15 12 10
3
12 10 8
3
3
9
7
4
7
5
2
(2)
5
7
9
7
9 12
×××××××××××××××××××××××××××××××××××××××××××××
Figure 52 (Continued)
33 33
33
10 10 12 12 15 15
33
33
12 12 15 15 17 17 17 17 15 15 12 12
33
15 15 12 12 10 10
12 12 9 9 7 7
9 9 7 7 5 5
FIGURE FIGURE 5353 same same thing, thing, but but starting starting onon the the GG string string
EmEm
33
33 33
33
33
33
5 57 10 7 10 10 107 75 5 3 35 58 8 0 02 24 4
33
10 108 8 5 5
33
33
33
10 10 12 12 15 15 15 15 12 12 10 10 8 810 10 12 12 4 47 7 9 9
7 74 42 2
33
7 10 7 10 12 12 12 12 10 107 7 5 58 10 8 10 2 24 47 7
8 85 53 3 4 42 20 0
33
33
33
33
33
33
33
12 12 10 108 8
9 97 7 4 4
FIGURE FIGURE 5454 same same thing, thing, but but starting starting onon the the BB string string
EmEm
33
33
0 03 35 5
0 0 3 35 5
33
33
33
33
33
33
33
3 35 57 77 75 53 3 5 53 30 00 03 35 5
3 3
33
33
3 35 57 77 75 53 3 5 53 30 00 0
33
33
5 57 710 10 10 107 75 5 3 35 58 8 8 85 53 3
M ASTER I N G SCALES
33
33
33
33
7 10 7 10 12 12 12 12 10 107 7 5 58 10 8 10 10 108 85 5
×××××××××××××××××××××××××××××××××××××××××××××
Figure 54 (Continued)
3
3 8
10
10
12
12
10
10
12
15
12
15
17
3
10
12
15
15
19 19
3
10
8
10 12
12
10
12
10
8
10 12
3
3
17
15
17
3
15
15
12
12
12 15 17
FIGURE 55 overlapping E minor pentatonic boxes
15 17 19 19 17 15 EM 12 15 17 17 15 12
12 15 17
17
17
3
15
12
15
3
15
3 12
15
12
3
17
17
15
10
3 12
15
12
10
3
15 17 19 19 17 15
3
3
3
3
15
3
3
3
17
12
3
3
3
3
3
3
12 15
15
3
3 8
3
3
15 17 19 19 17 15
17
15
17
17
15
17
CHAPTER 5 FIGURE 56 pattern hammer-ons 55 same overlapping minor pentatonic boxes and pull-offs 0 E 3with 0 double
Em EM
30
2
0 3
0 3
0 2
3
5
2
0 2 0
5 3 0 3 5
5
0 2 3
5
2
0 2
0 2
5 3
0
3
0 3
2 4
0 3 0
0
5 2
2
3
5
0 3 5
2
0
3
4
0 2 5
2
3 0
2
2
5
3 0 2 4
2
3
2
5
5
2
0 0
30
0 3 5
3 0
5
2
2 5
3 5
3
3
0 3 5 0
2 0
3
0 2 00 3 5 0 3 5 2 0
4
5
0 2 4
2 0
3
3
0 2 5 0 5 03 2 0 5 0 3 5
0 2 5
0
5
3
3
3
33
0 3
5
3
3
3 5
2 5 52 35 0 4
2 4 2 0
5 2
0
3
3
5 5 3 0
3
5 33 0
4 2 0
3
5 2 0
5
3
5 2
3
0
0
5
3
0
5 3 0
E5 0
5 3 0
3
5 3 0 5 3 0
M ASTER I N G SCALES
3 5
3 5
3
3
0 3 5 3 5 5 3 0 0 3 5 0 52 3 4 0 4 2 0 0 2 5 5 2 0 5 5 2
33
3
3
3 5
3 5
3 5
3
5 3 0
3 0
2 5
2 34
× × 4× ×2 ×0 × 4× 2× 0× × × 5× ×2 ×0 ×5 × 2× 0× × × × × × × × × × × × × × × × × × × × × ×2 × × × × × × 5 2 0 5 2 0
5 3 0 5 3 0 0
2 0
FIGURE FIGURE FIGURE 5656 same 56 same same pattern pattern pattern with with with double double double hammer-ons hammer-ons hammer-ons and and and pull-offs pull-offs pull-offs
EmEmEm
333
333
333
333
333
0 02 024 24 4 0 02 02525 5 0 02 025 25 5 0 03 035 35 5
333
333
333
333
333
0 03 035 355 55 5 0 03 035 35 5
333
333
333
333
0 02 024 24 4 0 02 025 25 5 0 02 025 25 5 0 03 035 35 5
333
333
333
333 333 333
333
5 53 530 30 0 5 53 530 30 0 4 42 420 20 0 5 52 520 20 0
333
5 5 25 2 0 2 0 0 5 5 35 3 0 3 0 0
333
333
333
333
0 03 035 355 553 530305 053 530 30 0 0 03 035 35 5
333
333
E5E5E5
333
333
5 53 530 305 053 530 30 0 4 42 420 204 042 420 20 0
5 52 520 205 052 520 20 0 5 52 520 205 052 520 20 0
FIGURE FIGURE FIGURE 5757 next 57 next next two two two overlapping overlapping overlapping boxes, boxes, boxes, allall fretted all fretted fretted notes notes notes
EmEmEm
333
333
333
333
5 53 530 305 053 530 300 00 0
333 333
2 2 2 2 2 2 0 0 0
333 333
333 333 333 333 2 24 247 47 7 2 25 257 57 7 2 25 257 57 7 3 35 357 57 7
3 35 357 577 775 753 53 3 3 35 358 58 8 8 85 853 53 3
7 74 742 42 2 7 75 752 52 2 7 75 752 52 2 7 75 753 53 3
FIGURE 56 same pattern with double hammer-ons and pull-offs FIGURE FIGURE 5858 remaining 58 remaining remaining overlapping overlapping overlapping EE minor E minor minor pentatonic pentatonic pentatonic boxes boxes boxes
Em EM EM EM
333 3
3
3
333 3
333
333
333
3
333
3
333
333
33 3 3
33 3 3
33 3 3 3 333
0 3 5 5 5 3 0 7 10 71010 1071075 75 5 0 53 575 510 5 3 0 8 10 8 10 101081085 85 5 0 2 4 5 58 510 4 2 0 4 4 7 4 7 9 7 9 9 9 9 7 9 7 4 7 4 4 0 2 5 5 2 0 9 97 975 75 5 0 25 557 579 79 9 107 1010 101071075 75 5 0 3 5 557 57 5 57 510 7 10 7 10 101071075 75 5
M ASTER I N G SCALES 3
3
3
×3× × × × × × × × × × 3× × × × 3× × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Figure 58 (Continued)
3
3
3
3
7 10 12
7 10 12
7 9 12
7
3
3
12 10 8
3
12 9 7
12 9 7
12 10 7
10 12 14
9 12 14
3
3
3
10 12 15
9 12 14
3
10 12 15 15 12 10
3
3
15 12 10
3
3
14 12 9
14 12 9
14 12 10
3
3
12 10 7
3
3
15 12 10
3
12 14 17
12 14 17
3
3
3
3
12 15 17
7 10 12 12 10 7
8 10 12
9 12
3
3
3
10 12 15
3
3
3
3
12 15 17
12 14 16
3
12 15 17 17 15 12
3
3
17 15 12
3
3
16 14 12
17 14 12
17 14 12
17 15 12
FIGURE 59 last two boxes with alternate picking
Em
3
3
3
3
12 15 17
12 14 17 12 14 17
12 14 17
12 14 17
3
3
12 15 17
12 15 17
3
3
3
12 14 16 12 14 16
3 3
3
17 15 12 17 15 12
M ASTER I N G SCALES
3
3
17 15 12 17 15 12
3
3
16 14 12 16 14 12
3
3
17 14 12 17 14 12
3
3
12 15 17 (17)
3
3
17 14 12 17 14 12
17 15 12 17 15 12
(12)
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 60 A minor 60 A minor pentatonic, pentatonic, first box, first with box,string with string skipping skipping
Am
Am
5 8 5 88 5 8 5 5 8 5 8 8 5 8 5 5 7 5 7 5 7 7 5 7 5 7 5 7 5 5 7 5 7 5 7 5 7 7 5 7 5 7 5 7 5 5 7 5 7 7 5 7 5 5 8 5 8 8 5 8 5(5) 5 7
(5)
FIGURE FIGURE 61 same 61 same pattern pattern applied applied to remaining to remaining Am pentatonic Am pentatonic boxesboxes
Am
Am
8 10 8 1010 8 10 8 10 9 7 9 7 9 7 9 7 10 7 10 7 10 7 10 7 10 7 10 8 10 8 10 7
8 10 9
8
10 8 10 8 7 9 7 9 7 9 7 10 7 10 7 10 7 10 7 10 7 10 7 10 8 10
8
10 12 10 1212 10 12 10 10 13 10 13 13 10 13 10 9 12 9 12 9 12 9 12 12 9 12 9 12 9 12 9 10 12 10 12 10 12 10 12 12 10 12 10 12 10 12 10 10 12 10 12 12 10 12 10 10 12 10 12 12 10 12 10
12 15 12 1515 12 15 12 13 15 13 15 15 13 15 13 12 14 12 14 12 14 12 14 14 12 14 12 14 12 14 12 12 14 12 14 12 14 12 14 14 12 14 12 14 12 14 12 12 15 12 15 15 12 15 12 12 15 12 15 15 12 15 12
15 17 15 1717 15 17 15 15 17 15 17 17 15 17 15 14 17 14 17 14 17 14 17 17 14 17 14 17 14 17 14 14 17 14 17 14 17 14 17 17 14 17 14 17 14 17 14 15 17 15 17 17 15 17 15 15 17 15 17 17 15 17 15
M ASTER I N G SCALES
×××××××××××××××××××××××××××××××××××××××××××××
Figure 61 (Continued)
17 19 17 20
0 0
17 19
17 20 17 19
0
2
0
3
2 3
17 19
3
2
5
3
5
2
5
5
17 20
1 0
19 17
0
3
0
2
3 2
20 17
17 19
2
5
19 17
3
2
5
19 17
0
2
3
5
3
20 17
5
3
0
5
5
2
19 17 20 17
1 2
3
5
19 17
0
3 5
2
2
(17)
0
5
3
0
5
3
2
2
5
0 3
0
5
3
2
FIGURE 62 alternate picking versus legato phrasing
Am
5 5
7
8
5 7 5 8
M ASTER I N G SCALES
5 5
7
5 7 5 7
7
5 5
7
5 5 7
8
8
5 5
5 8 5 7
8
8 5
7
7
8 5 7 5
5
8
5 7
8 5 7 5
5
7
5 7
7 5 7 5
5
7
5 8 5
7 5 8 5
(5)
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 63 A minor pentatonic, first box, with double-stops
Am
8 8
5 5
8 7
5 5
7 7
5 5
7 7
5 5
7 8
5 5
5 5
7 8
5 5
7 7
5 5
7 7
5 5
8 7
8 8
FIGURE 64 same pattern applied to the remaining A minor pentatonic boxes
Am
10 10
12 13
15 15
17 17
20 20
8 8
10 10
12 13
15 15
17 17
M ASTER I N G SCALES
10 9
13 12
15 14
17 17
20 19
8 7
10 9
13 12
15 14
17 17
9 10
7 7
12 12
9 10
14 14
12 12
17 17
14 14
19 19
17 17
10 10
12 12
14 15
17 17
19 19
7 7
10 10
12 12
14 15
17 17
10 10
12 12
15 15
17 17
19 20
7 8
10 10
12 12
15 15
17 17
10 10
12 12
15 15
17 17
19 20
7 7
10 10
10 10
12 12
14 15
17 17
12 12
14 15
17 17
19 19
7 7
9 10
9 10
12 12
12 12
14 14
14 14
17 17
17 17
19 19
8 7
10 9
10 9
13 12
13 12
15 14
15 14
17 17
17 17
8 8
10 10
10 10
12 13
12 13
15 15
15 15
17 17
20 19
17 17
20 20
×××××××××××××××××××××××××××××××××××××××××××××
Figure 64
3 3
0 1
3 3
3 2
0 1
5 5
(Continued)
1 0
3 2
3 3
1 0
5 5
2 2
0 0
2 2
0 0
3 2
5 5
2 3
0 0
2 3
2 2
3 3
0 0
5 5
0 0
3 3
2 3
0 0
5 5
0 0
3 3
0 0
3 3
3 3
2 3
2 3
2 3
5 5
5 5
5 3 FIGURE 65 Berry-style double-stop lick 5 3 5 Chuck 3
A7 or Am
5
2
5 5
2 2
5 5
2 3
5 5
3 3
2 3
5 5
5 5
0 0
2 2
0 0
2 2
2 2
5 5
2 2
5 5
8 8
7 7
1 0
3 2
1 0
3 2
3 2
5 5
3 2
5 5
0 1
3 3
0 1
3 3
3 3
5 5
3 3
5 5
FIGURE 65 Chuck Berry-style double-stop lick
full A7 or Am 7
5 5
full
5 5
full
5 5
7
full
5 5
full
7
full
5 5
5 5
full
7
5 5
5 5
5 5
5 5
5 5
5 5
8 8
7 7
5 5
5 5
7 7
5 5
7 7
5 5
7 7
full
5 5
7 7
5 5 66 5 5 5 5 5 5 played 5 5 5in5four-note 8 7ascending 5 FIGURE A minor pentatonic scale modules on the bottom two strings
5 Am 7
5
5
7
5
7
5
5
7
5
5
5
5
5
5
8
7
5
8 8
7 7
5 5
7 7
5 5
7 7
5 5
7 7
5 5
7 7
CHAPTER 6 FIGURE 66 A minor pentatonic scale played in four-note ascending modules on the bottom two strings
Am
5
8
5
8
10 12
10 12
5
7
5
7
10 12
10 12
M ASTER I N G SCALES
8 10
8 10
8 10
8 10
7 10
7 10
10 12
10 12
7 10
7 10
10 12
10 12
5
8
5
8
12 15
12 15
5
7
5
7
12 15
15 17
12 15
3
5
3
5
15 17
3
5
3
5
15 17
15 17
0
3
0
3
17 20
17 20
0
3
0
3
17 19
17 19
3
5
3
5
15 17
15 17
3
5
3
5
15 17
15 17
5
8
5
8
12 15
12 15
5
7
5
7
12 15
12 15
5
5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 67 same approach used on the A and D strings
Am
0
0
3
15
17
2
14
3
17
5
12
2
15
5
12
5
14
7
5
10
7
12
7 10
10
7 10
12
7
10 12
10
7
10 12
10
5
12 15
7
12 14
5
7
15 17
3
14 17
2
5
17 19
5
17 19
0
FIGURE 68 same approach used on the D and G strings
Am
0
0
2
14
17
2
14
2
17
5
12
2
14
5
12
5
14
7
5
10
7
12
7 10
9
7
12
7
9
10 12
10
7
9 12
9
5
12 14
7
12 14
5
7
14 17
2
14 17
5
2
17 19
5
17 19
2
FIGURE 69 same approach used on the G and B strings
Am
2 5
3 5
M ASTER I N G SCALES
5 7
5 8
7 9
8 10
9 12
10 13
12 14
13 15
14 17
15 17
12 14
13 15
9 12
10 13
7 9
8 10
5 7
5 8
2 5
3 5
2
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 7070 same same approach approach used used onon the the top top two two strings strings
3 3 5 5
3 3 5 5
5 5 8 8
5 5 8 8
8 8 1010
8 8 1010 10101212 10101313
12121515 15151717(17) (17) 13131515 15151717
FIGURE FIGURE 7171 same same approach, approach, but but with with descending descending four-note four-note modules modules onon the the top top two two strings strings
Am Am
17171515 17171515 17171515 17171515 17171515 17171515 17171515 17171515
8 85 5
8 85 5
5 53 3
5 53 3
3 30 0
3 31 1
5 53 3
5 53 3
17171515 15151212 12121010 1010 8 8 17171515 15151313 13131010 1010 8 8
8 85 5
1010 8 8 8 85 5 5 5 8 85 5 1010 8 8 8 85 5
FIGURE FIGURE 7272 descending descending four-note-module four-note-module exercise exercise lick lick onon the the top top two two strings strings
Am Am
full full 8 85 5 8 85 5 1010 8 8 1010 8 8 8 85 5 8 85 5 1010 8 8 1010 8 8
8 85 5 5 53 3 8 85 5 1010 8 8 8 85 5 5 53 3 8 85 5 10108 8
1212 1010 1515 1212 1515 (15) (15) 1313 1010 1515 1313
FIGURE FIGURE 7373 moving moving across across the the strings strings through through AA minor minor pentatonic pentatonic boxes boxes with with ascending ascending four-note four-note modules modules
Am Am
5 58 8
5 57 7
M ASTER I N G SCALES
8 81010
7 71010 5 5 7 7
5 57 7
7 71010
7 71010
5 57 7
5 57 7
7 71010
7 79 95 57 7
5 58 8
7 79 9
8 81010
×××××××××××××××××××××××××××××××××××××××××××××
Figure 73
(Continued)
5 8 5 8 8 10 8 10 5 8 5 8 5 8 5 8 8 10 8 10 5 8 5 8 8 10 8 10 5 85 8 7 97 9 5 7 5 7 7 97 9 5 75 7 7 10 7 10 5 7 5 7 7 10 7 10 5 75 7 7 10 7 10 5 75 7 7 10 7 10 8 10 8 10 5 5
FIGURE FIGURE 74 descending 74 descending andand ascending ascending four-note four-note modules modules across across twotwo E minor E minor pentatonic pentatonic boxes boxes
Em Em
15 1215 12 12 1012 10 15 1215 12 12 1012 1510 1215 12 12 1012 10 14 1214 12 12 912 9 14 1214 12 12 912 9 14 1214 12 12 912 14 12 9 14 12 12 912 9 14 1214 12 12 1012 10 14 1214 12 12 1012 10 15 1215 12 12 1012 1210 12
10 1210 12 12 15(15) 12 15(15) 10 1210 12 12 1512 15 10 1210 12 12 1512 15 9 12 9 12 12 1412914 12 9 12 12 1412 14 9 12 9 12 12 1412 14 9 12 9 12 12 1412 14 10 1210 12 12 1412 1014 1210 12 12 1412 14 10 1210 12 12 1512 15
FIGURE FIGURE 75 ascending 75 ascending up and up and across across the the neck, neck, three three modules modules on each on each string string pairpair
Em Em
0 20 2 2 52 5 5 75 7 0 30 3 3 53 5 5 75 7
2 52 5 5 75 7 7 97 9 2 52 5 5 75 7 7 10 7 10
4 74 7 7 97 9 9 12 9 12 5 75 7 7 97 9 9 129 12
full fullfull full 10 1210 12 12 1512 15 15 1715 17 17 1917 19 19 22 19222222 22 22 (22) (22) 8 10 8 10 10 1210 12 12 1512 15 10 1210 12 12 1512 15 15 1715 17 17 2017 20 20 2220 22 7 97 9 9 12 9 12 12 1412 14
M ASTER I N G SCALES
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 76 descending down and across the neck, three modules on each string pair
Em
22 19
22 20
14 12
19 17
14 12
12
20 17
9
17 15
12 10
17 15
9
7
20 17
10
19 16
7
17 15
12 10
16 14
12 10
15 12
10
7
10
14 12
16 14
7
7
5
7
17 14
14 12
5
5
14 12
2
5
12 9
3
12 9
0
FIGURE 77 moving across the strings with six-note modules
Em
12
15 12
15
12
15 12
14
14 12
12
14
15 12
12
14
14 12
12
14
12
14
14 12
14 12
12 14
12 14
14 12
12 15
14 12
14 12
12 14
14 12
12 15
12 15
14 15 12
FIGURE 78 same pattern applied to the next G major/ major /EEminor minorpentatonic pentatonicbox box
G or Em
3
5
M ASTER I N G SCALES
2
5
2
5
2
5
2
5
2
4
2
5
2
4
3
5
2
4
3
5
3
5
×××××××××××××××××××××××××××××××××××××××××××××
Figure 78
5
3
5
(Continued)
3
4
2
5
3
4
2
5
2
4
2
5
2
5
2
5
8
7
5
8
10
10
7
10
12
5
2
5
2
5
8
7
5
8
10
10
7
10
12
5
3
5
7
7
5
7
10
10
7
10
12
FIGURE 79 same pattern applied to the remaining boxes
G or Em
5
7
7
5
7
10
10
7
10
12
M ASTER I N G SCALES
5
7
8
5
7
10
10
8
10
12
5
7
7
4
7
9
9
7
9
12
5
7
8
5
7
10
10
8
10
12
5
7
7
4
7
9
9
7
9
12
4
7
7
5
7
9
9
7
9
12
5
7
7
4
7
9
9
7
9
12
4
7
7
5
7
9
9
7
9
12
4
7
7
5
7
9
9
7
9
12
×××××××××××××××××××××××××××××××××××××××××××××
Figure 79
12
12 10
10 12
12 10
(Continued)
10 12
129
12 9
12 10
10 12
129
9 12
129
9
12
12 9
9 12
12 9
9 12
12 10
12 10
12 9
9 12
12 10
10 12
12 10
10
FIGURE FIGURE 80 descending 80 descending six-note six-note modules modules played played as 16th as 16th notes notes
Em orEm G or G
15 12 15 12 15 12 15 12 15 12 15 12 14 12 14 12 14 12 14 12 14 12 14 12
14 12 14 12 14 12 14 12 14 12 14 12 14 14 12 14 12 14 12 14 12 15 12 15 12
14
FIGURE FIGURE 81 same 81 same pattern, pattern, descending descending thenthen ascending ascending
Em orEm G or G
1512 1512 1512151215121512 14121412 14121412 14121412 14121412 14121412 14 1214 12 14 14121412 14121412 15121512
12 1512 1515 15 12 1512 15
12141214 12141214 12141214 12151215
17 1517 15 17 1517 15 17 1517 15 16 1416 14 16 1416 14 16 1416 14 17 1417 14 17 1417 14 17 1417 14 14 1714 17 17 1417 14 17 1417 14 14 1714 17 14 1714 17 17 1517 15 (15) (15) 15 1715 17
15 17(17) 15 17(17) 15171517 15171517 14161416 14161416 14 1614 16 14171417 14171417
M ASTER I N G SCALES
14
12 1512 15 12 1412 14 12 1412 14 12 1412 14 12141214 12 1412 14
12 1512 15 12 1512 15 15121512 15 1215 12 12 1512 15 12 1512 15 15 1215 12 15 1215 12 12141214 12 1412 14 14 1214 12 14 1214 12
×××××××××××××××××××××××××××××××××××××××××××××
Figure 81
15 12
15 12
(Continued)
15 12 14 12
15 12
16 13 14 12
15 12 15 12 15 12 15 12 15 12 15 12 15 12 15 12 14 12 14 12 14 12 14 12
CHAPTER 7
16 13
16 13 15 13
16 13
16 13 15 13
16 13
15 13
16 13 16 13 16 13 16 13 16 13 16 13 16 13 16 13 16 13 16 13 16 13 16 13 15 13 15 13 15 13 15 13 15 13 15 13
FIGURE 82 adding the flat-five to A minor pentatonic to get the A blues scale
1(root)
b3
4
5
1(r)
b7
1(root) b3
4
b5
5
1(r)
b7
FIGURE 82 adding the flat to A minor pentatonic to getto the A blues scale scale FIGURE 82 adding thefive flat-five to A minor pentatonic get A blues FIGURE 102 E the blues-scale, 12th-position box pattern
1(root)1(root) b3
b34
5 5
8 5 8
58
45
5
5
7
57
b7
1(r) b7
1(r)
5
7
1(root) 1(root) b3 4 b3 E or Em
5 5
7
75
7 5 12 15
b5 4
b5
5
6
8
5 85 12 13 8 14
5
b7 5
1(r) b7
1(r)
5
7
7
12 15 12 12 75 15 7
5 6512 14 6 127 14 15 7
15 12
15 1
FIGURE 103 E blues-scale "monster shred" pattern, three no 5
5 7
5 8
7
5 7 5 5 7 5 7 5 8 5 8
7 5
77 5
5 5
3
3
6
5
85
8
65
76
5 5
7
3
5 7
5
7
5
3
7
5
5
(5)
3
7 7
(5)
8 5(5)
3
7 5
8 5
7 5 8 5
3
5
8
7 5 7 5
3
3 3
7 5
5
5
85
5
8 5
6
65
7
76
6
67
5
56
8
5
5
5
5
5
8
57
5
8 5
5
12
7 5
76
7
7
5
5 5
3
3
5
6
5
5 7 5 7 6 75 6 5 8
7
3
6
65
6
8
15
5
7
3
5
8
6
5
5 5 6 57 6 7 8 5 8
3
6
67 5 6
5
8
3 7
5
7
5
75
537
5
85
5
7
8
6
7
6
3
11
10
7 7
12
6
5
3
5
67
56
5 8 5 across 8 8 played 8 FIGURE 83 the A blues8 scale all six strings in the first box pattern 8
5
Am
8
9
7
5
58
5
9
3
8
3
8
7
9
65 7 6 67 5 6 5 8 83
12
5
5
10
5
8
85
10
7
8
9
8
7
3
3
FIGURE 83 the83 A the blues scale scale played across all sixall strings in theinfirst FIGURE A blues played across six strings thebox firstpattern box pattern
Am
Am
5 5
8 5
8 5
M ASTER I N G SCALES
8
5
6
6 57 6
7 5
7
5 7 5
7 5
7
5
7
7 58 7
8 5
8
5 8 5
8 5
8
5
8
8 55 8
5
8
5
8 85
5 8
5 5
86
7
7 85 7
3
75
7
5
5
7
7
5
5 7
5
3
7
7
10 6
6 7 53 6
5
8
5
5 8 5 8
3
7
10
7
8
9
5 5
××××××××××××××××××××××××××××××××××××××××××××× 3
3
3
FIGURE 84 A blues-scale lick
Am
8
5
8
5
8
7
5
7
5
7
5
7
5
7
5
8
8
7
5
7
5
7
6
5
8
5
(5)
FIGURE 85 the remaining A blues-scale box patterns
Am
8 10
6
10 11 12
11 12 15
15 17
7 10
10 12
12 15
15 17 18
M ASTER I N G SCALES
7 10
7
10 12 13
12 13 14
14 17
14
8
9
9 12
12 14
17
8 10
10 13
13 15
15 16 17
8 10 11 10
10 11 12 11
10
11 12 15 12
15 17 15
8
11
17
10
8
13 10
15 13
16 15
9
12
8
9
14 12
17 14
7
10
7
13 12 10
14 13 12
17 14
18 17
10
7
12 10
15 12
15
6
10
8
12 11 10
15 12 11
17 15 17 (17)
×××××××××××××××××××××××××××××××××××××××××××××
Figure 85
(Continued)
17 18 19
17 20
17 19
17
17 20
19 20
17 20 17
20
17
20 19 17
FIGURE 86 C major and A minor pentatonic C
8
Am
5
5 7
5 7
(5) 5 7
5 8
19 17
19 18
17
20 17 (17)
C
5 7
(7) 8
5 7
5 7
5 7
5
8
5 8
Am
8
5
8
5
7
5
7
5
7
7
5
7
5
8
5
FIGURE 87 the C major blues scale C
5
8
6
5
7
7
5
(5)
7
5
7
6
5
8
(8)
FIGURE 88 moving across all six strings C
5
7
M ASTER I N G SCALES
8
5
8
5
8
5
8
5
8
7
5
7
5
7
6
5
8
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 89 C major blues-scale swing-eighths lick C
8
10
11
12
10
8
10
8
9
8
7
10
7
10
7
6
5
8
FIGURE 90 C major / A minor blues-scale pattern, three notes per string
C or Am
10
11
10
12
12
12
15
13
12
14
14
15
17
16
17
15
17
FIGURE 91 blues/jazz/country lick in C C
full 8
10
11
12
10
8
10
8
8
8
10
(10)
FIGURE 92 A minor / C major blues-scale lick with hammer-ons and pull-offs
Am or C
8
5
M ASTER I N G SCALES
8
5
8
7
5
7
5
7
6
5
8
5
8
5
6
7
5
7
5
7
8
5
8
5
8
5
8
5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 93 A blues-scale hammer/pull lick
FIGURE 94 bending four to flat five
Am
Am
½
5
5
8
6
5
7
7
6
5
8
5
(5)
5
5
8
8
5
FIGURE 95 A minor pentatonic lick with bends from the four to the flat five
Am
3 ½ 8 5
8 5
7
½ 5
7
5
7 5
½
8
5 8
5
3 ½
½
8
5 7
5 7
5 7 7 (7) 5
7 5 7
½ 5 8 5
7 7 5
7
FIGURE 96 A minor pentatonic blues-rock lick with bends
Am
½½
½ 5
7
full (7)
5
7
M ASTER I N G SCALES
5
7
5
5
7
full 8
5
8
7
7
(7) 5
7
½ 5
8
5
7
5
7
½ 5
7
5
7
5
½
½
7
½
(5)
3
5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 9797 AA blues blues scale, scale, 2+4 2+4 pattern, pattern, ascending ascending and and descending descending
AmAm
8 10 8 10 8 10 8 10 5 57 78 89 9 5 57 7 3 35 56 67 7 3 35 5
11 11 12 12 11 11 10 108 8 10 108 8 9 98 87 75 5 7 75 5 7 76 65 5
3 3 5 35 53(5) 5 (5)(5)(5)
FIGURE FIGURE 9898 playing playing anan AA blues-scale blues-scale run run over over anan A7A7 chord chord
A7A7
0 2 0 2 0
0 2 0 2 0
3 35 5
3 35 5 6 67 7
5 57 7
5 57 7 8 8
5 58 8
5 5 8 85 5
FIGURE FIGURE 9999 EE minor minor pentatonic pentatonic and and EE blues blues
1(r) 1(r) 1(r) 1(r) b3 b34 4 5 5b7 b7 b3 b34 4
0 03 3
0 02 2
0 02 2
0 02 2
1(r) 1(r) 1(r) 1(r) b3 b34 4b5 b55 5b7 b7 b3 b3
0 02 2 0 01 1 2 2 0 03 3
0 0
33
3 30 0
3 30 0
M ASTER I N G SCALES
3 32 20 0 2 2
1(r) 1(r) 5 5b7 b7 b3 b3
0 03 3
0 0 3 3(3)(3)
0 03 3
33
3 30 0
8 85 5
8 87 75 5
3 30 0
2 20 0
3 30 0
3 30 0
3 32 2 0 0
33
3 32 20 03 32 20 03 32 20 0 2 20 0
2 2
2 2
5 5 56 6 5 7 5
1(r) 5 5 4 4b3 b31(r)
2 20 0
3 3 0 0
1(r) b7 b75 5b5 b54 4b3 b31(r)
2 2
0 0 2 21 1 0 0
33
2 2
5 5 5 5 7 5
7 7
2 20 0
1(r) 1(r) 1(r) 1(r) b3 b3 b7 b75 5b5 b54 4b3 b3
0 03 3
33
(5)(5)
1(r) 1(r) 1(r) 1(r) b3 b3 b7 b75 5 4 4b3 b3 b7 b7
1(r) 1(r) 4 4b5 b55 5b7 b7 b3 b3
2 23 3
A7A7
0 01 1 0 0
3 3 0 0
33
0 0 3 3 3 3
0 0
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 100 SRV-style open-position E blues-scale lick
E or Em
3
3
0
0
3
1
0
1
0
0
3
3
0
0
3
1
2
1
0
3
0
3
3
0
2
2
1
0
2
3
0
2
2
3
3
0
3
0
2
0
0
2
2
0
3
3
0
0
2
2
3
0
3
3
2
0
3
0
3
2
3
2
0
0
2
0
3
3
3
0
0
3
3
2
0
2
FIGURE 101 rolling open-position E blues-scale lick
3
E or Em
3
¼ 3
0
M ASTER I N G SCALES
3
0
3
2
0
2
0
2
3
0
3 2 0
2
0
2
2
2
0
1
0
3
0
3
0
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 102 E blues-scale, 12th-position box pattern
E or Em
FIGURE FIGURE 102 102 E blues E blues-scale, scale, 12th-position 12th-position box box pattern pattern
E or Em E or Em
12 14
12 13 14
12 15
12 15 12
12 15
12 14 15
15 12
15 14 12
14 12
14 13 12
15 12 (12)
12 15 12 12 15 12
FIGURE 103 E blues-scale12"monster notes per string 15 12 15 shred" pattern, 15 12 15 three 12
12 14 12 15 14 15 12 14 12 14 3 12 13 12 14 13 14 12 15 12 15 3
15 14 15 12 14 12 14 12 14 12 14 13 14 12 13 12 15 12 15 (12) 12 (12)
3
CHAPTER 8
3
3
3 notes FIGURE 102 E blues-scale, 12th-position boxpattern, pattern FIGURE 103 103 blues E blues-scale scale "monster "monster shred" shred" pattern, three three notes per per string string
E or Em
3
3
3
5
6
5
7
7
5 7
710
10
3
7
10
8
7
7
9
78
8 9
9
3
12 15 12
12 15
12 14 15
12 14
12 13 14 12 15 5 5 53 6 6 7 7
3
3
9
12
79
11
3
3
15 12 7
10
12
10
3
3
12
3
15
10 1012 12 15 15 15 14 10 12 1011 11 14 12 12 12 12 3 14 13 12 15 3 12 (12)
3 912
3
3 shred" pattern, three notes per string FIGURE 103 E blues-scale "monster
15
3
15
310
12
3
1512
12
3
1210
10 12
5
6
3
15 5
12
5
5
3
10
6
3 7
5 65 76 6 7
M ASTER I N G SCALES
7
3 5
5
3
7
5 7
710
7 10
3 5
12 9
10
7
5
12 10 5
3 3 7 10
3 7
7 87 77 1010 75 107 10 55 75 10 7
3
7
9
3
9 7
3 10
3 10
3
9
3
11
123
6 7
3
53
7
10 12
7
3
6
5 6
3
1110
3
3
12
3
5
7
10
3
12 11
3
5
11
3
3
3
3
9 5 7
3 8
8
37
10
7 7 10
10
7
87 7
8
98
7
3
7
3
98 79 5
9
3
3 9
9
7
7
3
8
9
3 7 98 9 10
7
3
3
3
3
9 87
5
10
11
12
10 7
75
12
7 10
3
3
10
7
33 7
9
8 9 8
7
9 7
10
5
3
9
3
3
97
12 9
7
7
3 3
7
6
5
10
12
15
76
65
5
3
12
12 5
3
3
37
3
9 12
3
7
3
3
8
7 8 9
3
3
7
3
9 12
3
10 11 12 10 11 12
3
3
3
3
3
6
35
10 12 15
3
3
10 12 10 15 12 15 10 11 10 12 11 10 12 11 10 12 11 12 7 9 12 97 129 12 7 97 129 12 7 8 9
×3 × × × × 3× × × × ×3 × × × × 3× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Figure 103
(Continued)
3 3
3
3
3
3
3
3
3
3
3
15 12151012 10 12 111210 11 121011121011 10 12 912 7 912 7 9 127 9
3 9
7
3
3
3
3
3
3
3
E5
E5
3
8 97 89 7 8 9 7 8 7 10 710 5 710 5 7 105 7
5
7
6 75 6
2 03 00
5 3
2 0
FIGURE 104 E104 blues E blues-scale scale "alternate "alternate paths" paths" ascending-descending ascending-descending speed speed-picking picking run run FIGURE 102 blues-scale, 12th-position box pattern
E or Em
12 14 15 12 14 5 57 710 7
12 13 14 5 15 5 6 67 12
12 15 12
12 15 10
7
78
89
10 10 10 1011 1112 12 15 12 7 7 9 15 914 12 1212 9 14 12 14 13 12 15 12 (12)
FIGURE 103 E blues-scale "monster shred" pattern, three notes3x per3x string
3
3
3
3 12
10 12
10 12
12 11
5
10 11
6
10 8
8 9
7 9
5
7
7 9
7
8 9
7 8
7
10
75
8
9
5 7
5 7
75 7
3x 3x
9 6 7
10
12 6
5
3
3
11
10
12
35
30
12
15
0
FIGURE FIGURE 105 A 105 blues A blues-scale scale alternate alternate-picking picking exercise/lick exercise/lick modules modules
3 3
15 5
3
12 5 8
58
10 56
6712
3
3
3
76 11 65 10 5 8
1285
56
67 9
76
8
65
7
5 8
10
8
7
5
5
5
7
6
5
3
3
3
3
5 87
98 5
3 7
10 7
7 10
78
5
M ASTER I N G SCALES
6
3
89
98
87
5
7
3
7 10
7
107
10
3
10 7
5
7 10
7
78
10
89
7
98
8
87
7 10
9
10
7
7
9
7
12
3
××××××××××××××××××××××××××××××××××××××××××××× 3
3
Figure 105
10
(Continued)
10
13
11
12
11
10
13
10
13
10
11
12
11
10
13
10
FIGURE 106 A blues-scale alternate-picking/string-crossng exercise/lick
8
5
6
5
5
7
5
7
7
5
7
5
6
7
5
8
5
FIGURE 107 A minor / C major blues-scale alternate-picking exercise/lick module
Am or C
8
5
8
5
5
8
5
8
8
5
8
5
5
8
8
4x 4x
5
FIGURE 108 A blues-scale legato lick
8
4x
4x 5
7
7
5
8
8
7
5
7
5
7
8
5
8
7
5
7
FIGURE 109 same lick using 102 the E blues-scale, blues scale (seven frets higher) FIGURE 12th-position box pattern
4x
E or Em
14
12
14
15
12
15
12 15
14
12 13 14
12 12 1414
12 15 12 12 15 12 12 12 14 1514 15 15
4x 14
15 12 12 15 14 12 14 14 12
14 13 12
15 12 (12
FIGURE 103 E blues-scale "monster shred" pattern, three notes per string
3 M ASTER I N G SCALES
3
3
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×3 × × 3
3
FIGURE FIGURE 110110 A blues-scale A blues-scale lick, lick, combination combination alternate alternate picking picking and and legato legato
AmAm
7 78 89 98 87 7 7 78 89 98 87 7 7 10 7 10 10 107 10 7 10 10 10
8 8 8 8 8 87 7 8 87 7 7 78 8 7 78 8 7 10 7 10 10 107 10 7 10 10 10
8 8
10 10 10 10 7 78 8 8 87 7 7 78 8 8 87 7 7 10 7 10 10 107 10 7 10 10 10
7 78 8 7 10 7 10
8 8
7 78 8 8 87 7 10 107 10 7 10
8 87 7 10 10
7 7
FIGURE FIGURE 111111 A blues-scale A blues-scale hammer-on hammer-on double-pull-off double-pull-off licklick in three in three octaves octaves AmAm
3 35 5 5 5
3 3
5 56 65 5 3 3
5 5
5 5
3 3 5 5
7 7
6 65 53 3 5 5
5 57 7
3 3 7 7
8 8
7 7
5 5
7 7
7 7
5 5
7 7
8 87 7 5 5
10 10
8 8 10 10
7 7
3 3 11 10 11 10 8 10 8 11 1010 11 10 8 108 1110 10 1110 8 108 1110 10 1110 8 8
M ASTER I N G SCALES
10 1011 1110 10 8 810 10 8 8 10 1011 1110 10 8 810 1011 1110 10 8 8
10 10
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE FIGURE 1212 A12 A blues blues-scale A blues-scale scale alternate alternate-picking alternate-picking picking speed speed lick lick lick 112 FIGURE 102 E blues-scale, 12th-position boxspeed pattern
E or Em
12 15 12 12 15 15 12 12 14 15 12 141412 1412 12 121214 1214 12 1412 12 1212 12151414 1412 14 12 12 12 14 14 1213 12 14 13 14 13 12 131213 1213 14 1314 14 1414 13 141312 131213 1213 14 1314 14 14 14 13 14 13 12 10 121413 14 141210 131012 121215 10 121012 12 1012 12 12 15 (12)
FIGURE 103 Elick blues-scale "monster shred" pattern, three notes per string FIGURE FIGURE FIGURE 113 113 113 same same same lick lick played played played one one one octave octave octave lower lower, lower, then then then one one one octave octave octave higher higher higher
3
3
3
3
10 12 15 10 11 12 9 12 7 7 57 5 5 7 7 67 6 6 5 5 5 3 3 3 5 5 5 3 3 53 5 5
7 7 7 57 5 5 7 7 57 5 57 5 5 5 5 5 5 8 9 7 7 7 5 5 65 6 56 7 7 77 7 7 7 5 5 65 6 6 7 7 7 6 6 6 6 6 6 10 5 6 7
3 3
3
3
3
3
3
3
171715 1715 15 1515 15 171715 1715 15 1515 15 171715 1715 15 17 1616 1515 15 1616 17 1617 17 1717 17 161615 1615 15 1616 16 1717 17 1717 17 161615 1615 13 1513 13 15 1217 17 1016 1414 12 1412 12 1414 14 12 11 10 12 9 7 9 8 7 10 7 5 7 6 5
FIGURE FIGURE FIGURE 114 114 114 two-octave two-octave two-octave descending descending descending AA blues blues-scale A blues-scale scale run run run
3
3
3
3 3
1717 17 1515 15 1717 17 1616 16 1515 15 1313 13 1414 14 1212 12 7 8 9 14 13135 13 1212 12 5 7 1014 14 71010 10 1012 12 12 1010 10 5 6 7 1212 12 1111 11
7
9
12
1010 10 1212 12 (12) (12) (12) 1010 10 1111 11 1212 12
FIGURE FIGURE FIGURE 115 115 115 EE blues blues-scale E blues-scale scale triplet triplet triplet speed speed-picking picking lick lick lick 3speed-picking
3
33 3
3
33 3
3
33 3
33 3
3 33 3 3
33 3
3
3 33 3
3 33 3
3
10 12 15 171718 1718 18 171715 1715 15 171718 1718 18 171715 1715 15 171718 1718 18 171715 1715 15 171718 17 18 18 17 17 15 11 12 10 111715 121510 171715 1715 15 171715 1715 15 1717715 171591512 171715 1715 15 1717 17 7 9 12 7 8 9 7 8 9 5 7 10 5 7 10 5 6 7
M ASTER I N G SCALES
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 116 116 same same lick lick pattern pattern in in different different octaves octaves and and positions positions
33
14 14 15 15 14 14 12 12
33
33
88
66
33
12 12 10 10
77
55
77
12 12 13 13 12 12 10 10
77
33
55
33
55
66
33
12 12 10 10
77
55
77
12 12 13 13 12 12 10 10
77
33
55
77
55
33
55
66
33
12 12 10 10
77
33
55
77
33
55
88
55
66
14 14
12 12 10 10
12 12
33
77
55
33
33
14 14 12 12
33
12 12 13 13 12 12 10 10
33
55
33
14 14 15 15 14 14 12 12
33
33
33
55
88
14 14 12 12
33
33
55
33
33
14 14 15 15 14 14 12 12
33
33
33
55
88
14 14 12 12
33
33
55
33
33
14 14 15 15 14 14 12 12
33
33
55
14 14 12 12
33
12 12 13 13 12 12 10 10
77
33
33
77
55
77
33
55
88
10 10
33
55
33
55
FIGURE FIGURE 117 117 same same triplet triplet lick lick pattern pattern in inA, A, using using the theAAblues blues scale scale
33 10 10 11 11 10 10
M ASTER I N G SCALES
33
33 88
10 10
88
10 10 11 11 10 10
33
33 88
10 10
88
10 10 11 11 10 10
33
33 88
10 10
88
10 10 11 11 10 10
33 88
10 10
×××××××××××××××××××××××××××××××××××××××××××××
Figure 117
3
7
3
3
8
7
5
3
5
(Continued)
7
5
7
6
5
3
5
8
7
5
3
3
3
5
3
3
6
7
5
7
8
5
3
5
7
5
7
3
3
3
5
6
3
3
5
7
8
3
5
7
5
3
3
5
3
3
5
6
7
5
7
3
5
3
5
3
5
FIGURE 118 melodic variation on E blues-scale triplet lick
3
3
18 15 17 15
3
3
15 12 14 12
3
14 12
3
13 10 12 10
M ASTER I N G SCALES
17 15
12 10
3 18 15
3 17 15
3
14 15
3 14 12
3
13 10
17 15
14 12
3
12 10
12 10
3 18 15 17
15
3
14 15 14
17 15
18
12
14 12
14
12 10
15 14 12
3
3
10
15 17 15
3
3
3
13 10 12
3
3
13
10 12 10
3 17
15
17
12
14
10
12
3
14
3
12
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 119 119 E minor E minor pentatonic pentatonic scale, scale, 12th-position 12th-position box box
Em Em
12
12 15 12 15
14 12
12 14 12 14
12 14
14 12
12 14
15 12
12 15
15 12
12 15
12 15
12 15
12 14
14
12
12 14 12 14 12 14 12 14 12 15 12 15 12
FIGURE FIGURE 120 120 E minor E minor hexatonic hexatonic scale, scale, 12th-position 12th-position box box
Em Em
12 14 12 15 14 14 15 14 12 15 12 15 11 12 11 14 12 14 12 14 12 14 12 14 12 14 12 14 12 15 14 15
12
12 15 12 15 12 14 12 14 11 12 11 14 12 14 12 14 12 14 12 15 14 15 12 14 12
FIGURE FIGURE 121 121 E minor E minor hexatonic hexatonic 16th-note 16th-note run run
Em Em
15 1415 1214 12 12 14121514 1415 1214 12 12 15 1215 12 12 1512 15 15 15 14 12141112 11 11 1211 1412 14 14 1214 12 12 1412 14 14 1214 12 12 1412 14 15 141512141412 14 15 15
12
FIGURE FIGURE 122 122 E minor E minor hexatonic hexatonic sextuplet sextuplet run run
Em Em
15
15 14
14 12
12 15
15 12
12 14
14 12
12 11
11 14
14 12
12 14
12 14 12 14 12 15 12 15 11 12 11 14 12 14 14 12 14 12 12 14 12 14 14 14
M ASTER I N G SCALES
14 12
12
12 14 12 15 14 15 12 14 14 12 15 14 15
12 14 12 14
15 14 15 12 14 12 15 12 15 12 14 12 14 11 12 11 14 12 14 12 12 12 14 14
11 12 11 11 12 14
14
11
14
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 123 123 E minor E minor hexatonic hexatonic scale scale harmonized harmonized in triads in triads on the on top the three top three strings strings
Em Em D
0 0 0
02 03 02
D D Em Em
D
23 35 24
5 7 7
35 57 47
Em Em D
7 8 9
10 7 10 8 11 9
Em D D Em
10 12 10 12 11 12
12 14 12 15 12 14
D
14 15 14
Em Em D
Em D Em D
15 17 16
14 12 15 12 14 12
15 14 17 15 16 14
12 10 12 10 12 11
D
10 10 11
Em Em D
7 8 9
75 87 97
D Em D Em
D
53 75 74
2 3 2
FIGURE FIGURE 124 124 E minor E minor hexatonic hexatonic scale scale played played up and up and down down the high the high E string E string
1(root) 1(root)2
0
0 2
32 53 42
Em Em
0 0 0
0 0 0
2 b3
b3 4
4
5
5 b7
b7 1(r) 1(r)
1(r) 1(r)b7
b7 5
5 4
4 b3
b3 2
21(r) 1(r)
2
3
5
7
7 10
10 12
12
10 7
7 5
5 3
3 2
2 0
3
5
12
1210
0
FIGURE FIGURE 125 125 soulful soulful E minor E minor hexatonic hexatonic rockrock lick lick Em Em
full full 12 14 12 1415 1415 1214 12 12 12 15 15 15 15
½ ½
15 1215 12 14 1214 11 12 11
14 1214 12
14 1214 101210 12 101210 9 10 99 10 9 9 9 12 12 12 1012 1210(12) 12 (12)
FIGURE FIGURE 126 126 rolling rolling E minor E minor hexatonic hexatonic alternate-picking alternate-picking run run
Em Em
7
97 109
7 10
97
79
7 10
10 9 109
7 10
97
7 9
97
79
7 9
79
7
9
7 9
7
9
7 9
97
7 9
87
78
7 9
79
97
9
97
7 9
87
78
7 9
79
97
9
FIGURE FIGURE 127 127 same same lick lick withwith legato legato phrasing phrasing added added
Em Em
7
97 109
M ASTER I N G SCALES
7 10
97
79
7 10
10 9 109
7 10
97
7 9
97
79
7 9
79
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 128 "wandering" E minor hexatonic legato run
Em
12 10
9
12 10
12
12
10
10 12
9
10
12 10
9
12
12 11
10
10
9 11 12
9
12
12 11
12
10
9
9
12
12
9 12
10
9 11
12
9
12
9
9
9 12
12 10 12
12
FIGURE 129 David Gilmour-style E minor hexatonic lick with half-step bends #1 Em
½ 12 14
14
½
14 12
15 12
14
12
11
(11)
½ 14 12
14 12
14
(14)
12
(12)
FIGURE 130 David Gilmour-style E minor hexatonic lick with half-step bends #2
Em
½
7 9 9
M ASTER I N G SCALES
full
½
7
10
7
(7) 9 10
7 9
7 9
7
(7)
9
7
9
7 8 10 10
10
full 8 7 8 10 12
10 12 12
(12)12
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 131 bending and sliding to various notes within E minor hexatonic
Em
3 131 bending and sliding to various notes within E minor hexatonic FIGURE
Em
3
FIGURE 131 bending and sliding to various notes notes withinwithin E minor hexatonic FIGURE 131 bending and sliding to various E minor hexatonic
Em
Em
3
10
3
3
3 3 full 3 full
10
12
12
12
10
12
14
½ (14) 12 14
10
12
12
12
10
12
14
14 (14) 12
12 10
full full
12
12
12 14 15 17
10
12
14 12
17 15 14
½(14)(14) 12
17 15 14
(14)(14) 12
full full
½
15
15 full full
½
12 14 12 15 14 17 15 17 15 17 14 15 14 (14)(14)(14)(14) 12 12 15 15 12
FIGURE 132 E minor hexatonic scale
(Em)
FIGURE 132 E minor hexatonic scale
CHAPTER 9
FIGURE 132 E 132 minor hexatonic scale scale FIGURE E minor hexatonic
12
12
10
9 12
9
10
12
9
10
12
10 9
12 10
9 12
10
7
10
7
107
7 10
9
12
9
12
12 9
9 12
10
8
7
10
8
7
108
87
12
15
15
12
½
full
14 12full 14
full
15
(15)
(15) 15
½
½
½
15 (15)
9 9
(11)
9
½(11)
9
D
D
Em
D
Em
D
D
DEm
2 3 2 2 3 2
3 5 4 3 5 4
5 7 7 5 7 7
7 8 9 7 8 9
23 35 24
35 57 47
57 78 79
7 8 9
9
7
9
7
7
(7)
9
7
(7)
7
(7)
(7) 9
FIGURE 134 E minor hexatonic run
97
D
Em
DD
1010 1010 1111 12 12 10
10
9
7
10
9
7
9 10
973x
3x
FIGURE 134 E 134 minor hexatonic run run FIGURE E minor hexatonic
7
M ASTER I N G SCALES
Em
9
10
7
9
10
9 7
10 9
7 10
7
9
7
9
79
7 9
7
9
7
7
9
7
79
97
7 9
9
7
9
7
97
7 10
10
9
10
9
9 10
9
10 10 11 10 12 10 12 11 10 12 12 10 10 10 11 12 12 10
10 10 11
Em
3x
3x 3x 3x
3x
3x 7
(9)
D
10 10 11 10 10 11
7 10
(9)
7 (9) 9
D
9
15
9
Em
Em
7
7
D
9
1512
full full(9) 7 9
Em
2 3 2
15
full
D
EmD
12
½
(14) 12 (14) 11 (11) 7 9 14 (11)9 scale FIGURE 13312D11 major hexatonic
DEm
15
full
FIGURE 133 D 133 major hexatonic scale scale FIGURE D major hexatonic D
12
½
(14) 12 11
full(14) 12 ½ 11 ½ ½ ½½
15 12
12
9 9 7 run7 FIGURE 134 E minor hexatonic
Em
full
15
(15) full 15 full full15 full
full 12
full
FIGURE 133 D major hexatonic scale
(Em)
(Em) (Em)
14
12
15
14 14(14)1412(14) 12 15
full
12
15
½
full
½
full
12 14 15 17
½
10 12
full
12
full
½
7 10
10 10
10
7 7
7
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 135 135 D major D major hexatonic hexatonic run,run, seventh seventh position position D
D
7 7 10 710 7 7 8 710 8 10 10 8107 8 7 7 7 7 97 9 9 79 7 7 9 7 99 7 9 7 7 97 9 9 79 7 7 9 710 9 10 10 9107 9 7 7 9 710 9 10 10 9107 9 7 10 10 10 10 10
10
FIGURE FIGURE 136 136 D major D major hexatonic hexatonic lickslicks withwith pull-offs pull-offs andand legato legato finger finger slides slides D
D
7
97
7 9
7 9
97
8 7
78
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
15 14 15 14 14 14 17 15 17 15 17 15 17 15 15 15 16 16 16 14 16 14 14 16 14 14 16 14 16 16 16 16
7
9
14
57
5 7
5 7
45
4 7
57
5 7
5 7
5
14 16 14 16 14 17 16 17 14 16 14 14 14 17 17 17 17 17 17(17) (17)
FIGURE FIGURE 137 137 E minor E minor / D major / D major hexatonic hexatonic vamp vamp andand improvised improvised solosolo
Em Em
8 9 9 7
8 9 9 7
D
D
7 7 7 5
7 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
M ASTER I N G SCALES
X X X X
5
7 X8 X9 X9 X7
7 8 9 9 7
X X X 5 X
X7 X7 X7 X5
X X X X
7 7 7 5
X X X X
X X X X
8 9 9 7
X X X X
8 9 9 7
7 7 7 5
8 9 9 7
7 7 7 5
8 9 9 7
X X X X
7 7 7 5
7 7 7 5
X 8 X 9 X 9 X 7
8 9 9 7
7 7 7 5
8 9 9 7
7 7 7 5
8X 9X 9X 7X
7 7 7 5
7 7 7 5
7 X 8 X 9 X 9 X 7
7 8 9 9 7
X X X X
X X X X
7
5 7
5
×××××××××××××××××××××××××××××××××××××××××××××
Figure 137
(Continued)
Em
7
(7)
4
7
5
4
7
5
4
7
5
4
7
7
7
9
8
7
9
7
9
7
9
D
7
8
7
7
9
9
7
7
9
9
7
7
10
10
9
7
9
7
10
7 10
7
9 10
7
7
9 10
9
7
9
7
Em
7
8
7
9
7
7
9
(7)
8
7
10
10
10
12
10
10
12
8
9
7
9
D
10
10
7
10
8
7
9
8
9
7
8
7
FIGURE 138 the C Lydian hexatonic scale
1(r) 2
5
7
1(r)
3
M ASTER I N G SCALES
2
5
3
#4
5
5
7
8
3
7
6 1(r)
5
#4
4
1(r) 6
8
8
5
5
6
7
5
7
9
5
#4
3
8
7
5
9
2 1(r)
7
7
9
1(r) 6
5
5
7
7
9
5
#4
5
4
7
7
9
10
3
2 1(r)
7
5
3
9
7
10 (10)
(3)
1(r)
5
5 7
5
7
8
5
8
5
8
7
5
7
5
(5)
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE FIGURE 139 139 C139 Lydian CC Lydian Lydian hexatonic hexatonic hexatonic run run run C
CC
8 108 812 101010 12121010 8 8 8 7 87 7108 81010 10 10 8 1078 8 7 7 7 97 7 9 9 9 79 9 7 7 7 107 71010 10 10 7 10 107 71010 7 97 7109 91010 8 108 81010
3
12 14 12121414
33
15 14 1515 12 1414 14 1212 12 14141212 15 13 15151313 14
1414 12
11 121212 11 1112 1112 11 1111 11 11 14 1414 14 121414 1212 15 12 1515 1212 1515 1212 12 15 1212 1515 15 14 1515 12 1414 1212 15 1414 1515
FIGURE FIGURE FIGURE 140 140 alternating 140 alternating alternating between between between E minor EE minor minor hexatonic hexatonic hexatonic andand Cand Lydian CC Lydian Lydian hexatonic hexatonic hexatonic
Em EmEm
7
C
7 97 779 9 7 7 7 97 7 9 9 9 79 9 7 7 97 10 7 9 91010 10 10 9 10 9 9
7
CC
7 97 779 9 7 7 7 107 71010 10 710107 7 97 10 7 9 91010 10 910109 9
7
7 7
FIGURE FIGURE FIGURE 141 141 same 141 same same pattern pattern pattern applied applied applied to higher toto higher higher inversions inversions inversions
Em EmEm
10
C
7 7 8 7 8 7 8 7 7 7 7 9 7 9 9 9 9 7 9 7 7 7 7 9 7 9 9 9 9 7 9 7 7 1010
Em EmEm
9
C
7 7 7 7 87 7108 81010 10 10 8 1078 8 7 7 7 97 7 9 9 9 79 9 7 7 9 9
M ASTER I N G SCALES
10
10
CC
7 87 7 78 8 7 7 7 97 7 9 9 9 79 9 7 7 7 10 7 71010 10 10 7 10 7 7 1010
CC
8 8 8 7 87 10 7 8 81010 10 10 8 1078 8 7 7 7 97 7 9 9 9 79 9 7 7 1010
Em EmEm
9
9 9
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 142 142 lickslicks inspired inspired by Pink by Pink Floyd's Floyd's "Pigs "Pigs (Three (Three Different Different Ones)" Ones)"
Em Em
C
C
Em Em
3
½ 8 9 9 7
C
8 9 9 7
5 5 5 3
12 1412 14 14
5 5 5 3
14 12
½ 1315
C
C
12 15 1515 15 15 12 15 12 14 14 12 11 12 11 11 12 11 14 12 14 14 14
Em Em
3
13
full full
full full
½
C
3
3
3 full full
½
12 14 12 14 14(14)12 14 (14)12 14 12 14 12 15 15 13 15(13) 13 (13)
3
full full
15 15151215 12 15 17 15 17 17 17 17 1517 15 15 1715 17 17
Em Em
3 3
20
20
17 17 17 17 19 17 20 19 20
17
3
3
17 20 19 20 17 19
3
17 19 17 19
3
17
16
3
3
16 19 17 19 16 17 16 14
14 17
17 15
15
14 15 14 14 15 12 14 1214
14 (14) (14)
FIGURE FIGURE 143 143 A minor A minor hexatonic, hexatonic, firstfirst box box
Am Am
5 7 58 7
5
M ASTER I N G SCALES
8
75
5
7
75
7
4
5 5 85 8 5 47 5 7
5
5 7 58 77 85 7 5 8 58
5 7 5 74 5 4 7 57
5 7 57 5 8 78 7
5
5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE FIGURE 144 144 A 144 A minor minor A minor hexatonic hexatonic hexatonic lick lick with lick with bends with bends bends and and hammer-pulls and hammer-pulls hammer-pulls
Am Am Am
33
3
33
3
½½ ½½ ½ 5 5
7 57
33
77 7
77 7
7
5 5
5 8 8
8
1010
10
8 8
10 8 10
7 7 8 87 7 78 7 10 1010 8108
3
4 4 5 54 4 45
4 7 7
33
4 4 7
4 7 7
75 5
5 7 7
75 5
53 3
3
3
2 2 3 32 2 23
2 5 5
8 9 9 7 97 5 75 7 75 5 57
33
2 2 5
2 5 5
5
3
3 53
5 35
5
FIGURE FIGURE FIGURE 145 145 A 145 A minor minor A minor hexatonic hexatonic hexatonic scale scale scale degrees degrees degrees
1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) 1(r) b75 54 4b35b3241(r) 1(r)2 1(r) 2 2b3 b342 45b35b74b7 51(r) b71(r)1(r) 2 2b3 b342 4b3 45 5b7b7 5 1(r) b71(r) 2 2b3 b3 221(r) 2 b3 b72b7 5 54b74b35b3241(r) 2b3 b72b7 2b3
5 57 7 5 7 5 57 7 5 7 5 57 785 8 7 8
5 5 5 557 785 877 758 5 7 5 5 58 8 5 8 8 85 5 8 5 4 45 574 7 5 7 7 75 547 4 5 4 7 7 7 7 75 5 7 5 7 75 5 7 5 8 87 758 5 7 5
FIGURE FIGURE FIGURE 146 146 A 146 A minor minor A minor hexatonic hexatonic hexatonic rolling-sextuplet rolling-sextuplet rolling-sextuplet run run run
Am Am Am
8 8 7 78 5 57
5 8 8 5 58
5 7 7 5 57 4 45
4 7 7 5 57
5 7 7 5 57
5
4 4 5 544 45 5 5 7 75 7 5 5 7 75 7 8 8 7 785 577 758 87 8
FIGURE FIGURE FIGURE 147 147 A 147 A minor minor A minor hexatonic hexatonic hexatonic speed-picking speed-picking speed-picking run/exercise run/exercise run/exercise
Am Am Am
4
7 7
7
3x3x 3x
3x3x 3x
7 78 877 7 8 7 8 10 8 10 8 10 10108 810 8 7 79 977 7 9 7 7 79 977 7 9 7 7 79 9 7 9 9 97 7 9 7 7 79 10 9 710 9 10 10109 910 7 799 10 9 710 9 10 10109 910 97 79 10 9 710 9 10 10109 910 9 7 7
M ASTER I N G SCALES
7
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 148 same 148 same pattern pattern in 12th inposition 12th position
Am
Am
12 13 12 12 13 12 12 14 12 14 14 12 14 12 12 14 12 12 14 12 12 14 12 12 14 12 12 14 12 14 14 12 14 12 12 14 15 12 14 15 15 14 12 15 14 14 15 12 14 15 15 14 15 14 12 14 15 12 14 15 15 14 15 14 12
12
FIGURE FIGURE 149 same 149 same pattern pattern one octave one octave lower,lower, in fifthinposition fifth position
Am
5 7
Am
5 7 55 7 5 5 7 55 7 5 85 7 8 8 7 58 77 85 7 8 8 7
8
5 7 7 5 7 85 7 8
5 7 5 7
4 5 44 5 4 5 7 7 5 7 5 7 5 7 5 8 7 8
75
5
FIGURE FIGURE 150 G150 major G major hexatonic hexatonic scale,scale, 14th position 14th position G
G
15 17 15 15 17 15 15 17 15 17 17 1715 15 14 16 14 17 16 17 17 16 17 14 16 14 14 17 14 17 17 14 17 14 14 15 14 17 15 17 17 15 17 14 15 14 15 17 15 17 17 15 17 15
FIGURE FIGURE 151 G151 major G major pentatonic pentatonic scale,scale, 14th position 14th position G
G
15 17 1515 17 15 15 17 15 17 17 15 17 15 14 16 14 16 16 14 17 14 17 14 17 14 17 15 17 15 17
16 14
14 17 14 17 14 17 14 17 14 17 15 17 15
FIGURE FIGURE 152 G152 major G major hexatonic hexatonic rolling-sextuplet rolling-sextuplet run with runhammer-ons with hammer-ons and pull-offs and pull-offs G
G
15 15 15 17 15 17 17 15 17 15 14 16 1714 16 17 17 16 1417 16 14 14 17 1414 17 14 14 17 14 17 17 14 17 14 14 15 1714 15 17 17 15 1417 15 14 14 15 1714 15 17 17 15 1417 15 14 15 17 15 17 17 1715 17 15 17 17 17 15
M ASTER I N G SCALES
15
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 153 153 G major andand A minor hexatonic FIGURE G major A minor hexatonic G
Am Am
G
G
14 14 14 1714 17 17 1417 14 14 1514 1715 17 17 1517 1415 14 17 17 17 17
14 1714 17 14 1514 1715 17 15171517
G
14 1714 1417 14 14 1514 1715 17 17 1517 1415 14 15 1715 17 17 1517 15
Am Am
14 15 14 17 15 17
14 17 17
15 17 15 17
14 16 14 17 16 17 14 17
15 17 15 15 17 15 17 15 17 17
15
17 16 17 14 16 14 17 14 17 14 17 15 17 14 15 14 17 17
FIGURE 154 154 A minor hexatonic, second position FIGURE A minor hexatonic, second position
Am Am
5
2 5
32
2 5
53
52
2 5
42
3 5
54
3 5
53
53
35
3 5
35
3
5
45
24
2 5
25
2 5
35
23
2 5
5
FIGURE 155 A minor hexatonic rolling legato lick
Am
5
2
3
5
5
2
3
2
5 3 2 3 5 2 5 5 3 2 3
2
5
5
2
5 2 2 5 5 5 2
2
2
2
5 2
5
5
4
5 2
4
4
2 5
4
5
2 2
4
5
5 2
4
3
5 5
3
3 5
5 4 3
5
4
Am Am
5
3 5
M ASTER I N G SCALES
5 3
3 5
5 3
3 5
5 3
3 5
5 3
4 5
2 4
5 2
2 5
5 2
3 5
2 3
2
5 5 5 7 7 5
5 5
5 5 5 7 7 5
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 156 G major hexatonic
1(r)
2
3
5
4
FIGURE 156 G major hexatonic
1(r)
2
12
14
3
4
5
12
13
15
6
1(r)
6
1(r)
12
2 14 3
4
5
b7
1(r)
b7
5
6
15
12
12Mixolydian 13 15 FIGURE 157 G hexatonic
12 1(r)
6
12
15
12
5
4
3
2 1(r)
5
4
3
2 1(r)
15
13
12
3
2
1(r)
2
1(r)
14
12
1(r) b7
5 14 4
12 3
2
1(r)
1(r) b7
5
4
3
2
1(r)
12
10
9
12
10
12
10
9
12
10
4
5
4
3
15
13
12
15
13
12
CHAPTER 10 FIGURE 157 G Mixolydian hexatonic
1(r) 12
2
14
3
4
12
13
5
15
b7
1(r)
b7
13
15
13
13
15
14
12
10
13
15 15 13 12 FIGURE12 158 13 G Mixolydian hexatonic, 12th position
12 G
12
14
14
12
12
10
FIGURE 158 G Mixolydian hexatonic, 12th position G
15
12
14
15
12
15
12
12
14
13
15
13
13
15
15
13
15
13
12 13 1514th position15 FIGURE 159 G Mixolydian hexatonic,
G 15
12
14
15
12
15
12
14
13
12
13
12
14
14
12
15
12
15
12
12
15
14
12
15
14
12
15
14
15
15
FIGURE 159 G Mixolydian hexatonic, 14th position G
15
17
14
15
17
15
17
14
16
17
15
13
13
15
15
13
15
17
16 14
17
15
17
17
15
17
15
13
15 the neck in three-part harmony FIGURE 160 G Mixolydian hexatonic15scale played up
G 15
F
17
14
15
17
15
17
14 G 16
17
F
17
G 16 14 17 F 15
G
17
15
14
FIGURE 160 G Mixolydian hexatonic scale played up the neck in three-part harmony G
F
G 7 8 7
8 10 10
10 12 12
13 13 14
15 15 16
3 3 4
5 6 5
7 8 7
8 10 10
10 12 12
13 13 14
15 15 16
3 3 4
M ASTER I N G SCALES
5 6 5
F
G
F
G
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 161 G Mixolydian hexatonic triads combined F
G
12
12
15
13
15
15
10
10
15
13
15
13
12
14
12
G
13
10
12 10
9
12
14
12 10
8
12
10
13
8
7
5
5
4
2
3
FIGURE 162 G Mixolydian hexatonic runs G
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3
5
7
3
5
3
5
8 5
3
2
5
3
1
2
7
4
10
3
5
8
6
3
6
7
6
5
8
7
7
5
3
6
3
8 10
13
10
5
3
13 12 10
3
G
12 10
M ASTER I N G SCALES
12 10
9
12 10 12
9
10
9
12
9
12
10
8
10
8
10
8
7
5
7
3
3
3 3 4 5 5 3
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 163 163 D major D major hexatonic, hexatonic, seventh seventh position position D
D
7 7 7 5
7 7 7 5
10
7 10
7 97 109 10
7 97 97 9
7 107 10 7 7 7 87 108 10 10 10 8 9
8
7
7 9 79
7 9 79
7 10 10 9 79
7 10 10
FIGURE FIGURE 164 164 C Lydian C Lydian hexatonic, hexatonic, seventh seventh position position C
C
7 10 7 10 7 9 710 9 10 8 10 8 10
7 8 108 10
7 97 7 107 10 9 7109 10
8 8 8 7108 1010 10 8
7 9
78
9
7
79
7 10 710 7 10 910 7 9
7 10 810 8
FIGURE FIGURE 165 165 D major D major hexatonic, hexatonic, rolling rolling run run in 3/4 in meter 3/4 meter D
10
D
7 10
97 10 9
7 10
97
7 9
97
7 9
7 10
87 10 8
7
10
10 7
7 10 10 8 78
7 9 79
7 9 79
7 10 10 9 79
7
10
10
FIGURE FIGURE 166 166 C Lydian C Lydian hexatonic, hexatonic, rolling rolling run run in 3/4 in meter 3/4 meter C
8
C
10 8
7 10
9 7
10 9
7 10 7 10
7 10
9 7
7 9
8 7
10 8
10
8
8 10 10 8
78
7 9
79
7 10
10 7
7 10
10 9
79
7 10
10
8
8
FIGURE FIGURE 167 167 alternating alternating between between D major D major hexatonic hexatonic andand C Lydian C Lydian hexatonic hexatonic D
10
D
7 10
M ASTER I N G SCALES
7 7 7 97 97 109 10 10 10 9 79 97 109 10
7 97 9
7 87 9
8
10 810 7 8
7 7 7 9 9 9 79
7 7 7 9 9 9 79
7 7 7 10 1010 910 79
7
×××××××××××××××××××××××××××××××××××××××××××××
Figure 167
C
7 10
9 10
(Continued)
8
7 8 10
7 9
D
10 8
7
9
7
10
7
10
9
7
FIGURE 168 A major and B minor hexatonic A
2
2
4
3
2
5
10
7
8 10
7
9 10
10 9
7
7
10
9
Bm
5
2
4
3
2
5
5
7
FIGURE 169 A major and B minor hexatonic runs in second position A
5
2
4
2
5
2
4
2
4
3
5
2
5
2
5
3
2
4
2
4
2
5
4
2
5
4
2
7
5
4
5
4
5
2
5
Bm
2
4
2
5
2
4
2
4
3
5
2
5
2
5
3
2
4
2
4
2
2
5
FIGURE 170 A major and B minor hexatonic runs in fourth position A
5
7
4
5
7
4
7
4
6
7
5
7
5
7
5
7
5
7
6
4
7
4
7
5
5
7
Bm
7
M ASTER I N G SCALES
4
5
7
4
7
4
6
7
5
7
5
7
5
7
5
7
6
4
7
4
7
7
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 171 A major and B minor hexatonic runs in ninth position A
FIGURE 171 A major and B minor hexatonic runs in ninth position 9 10 12 10 9 A
9 10 12
9
9 12
9
11 12
11
Bm 9 10 12
9
9 12
11 12
Bm 9
10 12
12
9
9
11
12
9
11
11
10 12
10 12
10
12
12 10
9 10 12 10
9
9
10
10
9
9
12 10
12 10
11
11
9
11
9
9
12 11
9
12 11
12 11
9
9
12
9
12
9
12
9
12
9
12 10
9
12 10
9
12 10
9
FIGURE 172 A major and B minor runs12 in 11th position 10 hexatonic 12 10 A
9
10 12
12
9
11
12
9
11
11
9
12 11
9
12 10
FIGURE 172 A major and B minor hexatonic 10 12 runs 10 in 11th position A
12 14
12 14
12 14
12 14
14
12
14
11
11 12
14
11 12
14
11
11
11 14
12 14
14
14
12
12
12 14
14
14
14 12
10
10 12
10 12 FIGURE 173 the C "sentimental" 12 14scale
1(r) 14
2
12
3
14
11
4
12 14
14 5 11 b6
1(r)
b6
12 10
14 12
14 12
5
4
14 11
14 12
10
14 11
14
10
3
14
12
12
2 1(r)
14 12
14 12
14 11
14b6 11
11
11
14 12
14 12
14 12 11
5
4
14 12 11
14 12
14 12
14 12
3
2
14 12
CHAPTER 11 FIGURE 173 the C "sentimental" scale
1(r) 5
5
M ASTER I N G SCALES
2
7
7
3
5
5
4
6
6
5
8
8
b6
1(r)
b6
4
8
4
4
8
4
5
4
3
8
6
5
8
6
5
2 1(r) 7
7
5
5
b6
5
6
5
6
5
4
3
2
8
7
5
8
7
5
14
1(r) 14
1(r)
8
8
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE 174 C major hexatonic triads C
Dm
5
5
3
C
6
7
5 5
5
7
3
6
5
3
6
5
7
5
5
7
3
6
5
8
FIGURE 175 C "sentimental"-scale triads Ddim
C
5
5
3 7
6
C
4 2 3 5 6
3 5
5 6 8 9
5 7
8
9 8 6
5
7 5
6 5
8 7 5
8
FIGURE 176 C "sentimental" scale, two-octave patterns across and up the fretboard C
8
10
7
8
10
6
10
7
9
8
10
8
9
9
8
10
9
7
10
6
8 10 12 13
10 11
10 12
14 15
13 15
12 13
15 15
8
7
10
½
½ 12 13
10
15 13
12
15
13
FIGURE 177 C "sentimental"-scale lick with "weeping" bends C
3 ½
½ 12 13 15 15
M ASTER I N G SCALES
15 13 12
10 12 10 8
9
8
½ 10
9
½ 7
10
5
½
8
7
5
3
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 178 alternating 178 alternating between between the G the major G major hexatonic hexatonic and Gand "sentimental" G "sentimental" scalesscales G
G
7
10
7
10
8 8 7 9 7 99 7 9 7 9 10 7 9 10 10 9 107 9 10
8 7 9 7 9 10 7 9 10 10
8 7
99
9 10
7 9 10 7
9
7
7
10
7
10
10
7 87 10
7 9 7 10 9 10
9 7 10 9
7
10
8 7
8
8 8
8
8
7 8
8
10
8
7
8
7 8
10
9 10 7 9
7
910 7 9
7
10
7
10
FIGURE FIGURE 179 the 179 G the "odyssey"-scale G "odyssey"-scale triadstriads G
G
D
D
G
G
D
D
G
G D
3
12
12
10 12
12
10 13
14
13 13
14
13 12
12 15 12 15 12
10 13 10 13 12 11 11
3
D
3
3
13 16 13 16 12 15 12 14 15 14 12
1(r) b21(r) 1(r) b71(r) 1(r) b71(r)5 b7b5 5 3 b5b2 3 3 b2 b5 35 b5 b7 5 b7 5 b7 b5 53 b5 b2 3 b2
1(r) b71(r) 1(r) b2 5 b7 b5 53 b5 b2 3 b2
13 1315 13 15 13 12 14 12 15 14 15 15 14 15 12 14 12 12 13 12 13 13 1312 10 12 10 12 11 12 9 11 9 11
1110
8 10 8 10 9 107 94 7
8
98
43
1(r)
3
FIGURE FIGURE 180 G180 "odyssey" G "odyssey" scale scale in three in three octaves octaves G
3
M ASTER I N G SCALES
G
43
2 4
4 2
54
3 5
3
5
65
4 6
64
76
6 7
6
7 9
97
109
10 9
9
×××××××××××××××××××××××××××××××××××××××××××××
Figure 180
7
9
(Continued)
8
6
7
6
4
6
5
3
5
4
2
4
3
FIGURE 181 G "odyssey"-scale rolling-sextuplet runs with hammer-ons and pull-offs G
12
12
13
13
12
12
14
14
15
15
13
13
15
15
13
13
15
15 14
12
14
13
12
13
12
13
12
14
12
9
10 11
10
11
9
11 12
10
12 10
12
11
9
11
10
11
9
11
12
15
13
11 12
10 12
10
15
13
15
10 12 10
12
11
9
12
14
11
11
12
13
9
11
10
FIGURE 182 G "odyssey"-scale "spooky film score" lick G
D
G
D
G
3 3 4
4 6 6
7 8 7
9 9 10
10 12 12
M ASTER I N G SCALES
5
6
4
6
7
6
8
9
×××××××××××××××××××××××××××××××××××××××××××××
Figure 182
7
7
9
79
10
10 9
(Continued)
9
109
7
9
7
7 9
8
9
98
6
86
7
6
4
6
5
3
2
3
4
5
4
54
4
2
4
3
3
43
33
3
6
7 76 in64G: G 4 major hexatonic FIGURE 183 various hexatonic scales 6 6 5 53 3
1(r)
5
6
1(r)
6
5
4
3
2
5
2
CHAPTER 12
2 4
FIGURE FIGURE 183 183 various various hexatonic hexatonic scales scales in G:inGG:major G major hexatonic hexatonic
1(r) 1(r)2 12
23
34
45
12
14
56
13
15
12 15
12 1213 1315 12 1214 14hexatonic G Lydian
1(r)
2
3
#4
12
12
2 3
14
3 #4
12
#4 5
14
2
3
4
6
12
15
12
5
12
12
2 3
14
3 4
12
4 5
13
12 12 13 13 15 12 14 hexatonic G14minor
1(r)
2
b3
4
G minor G minor hexatonic hexatonic
1(r) 1(r) 2
12
2 b3
b3 4
12
14
15
12 14
14 15
15
M ASTER I N G SCALES
13
4 5
5 b7
15
15
13
5
5 b7
13
15
13 15
15
12 15
b7
G Mixolydian G Mixolydian hexatonic hexatonic
1(r) 1(r) 2
13
15
65
54
12
43
32
15
13
12
1513
1312
12 14
2
14
12
1512
12 15
1(r)
6
5
#4
3
2
6 5
5 #4
#4 3
3 2
2
6 1(r) 1(r) 6
5 6
12 12 14 14 15 15 12 14 G14Mixolydian hexatonic
1(r)
1215
5
G Lydian G Lydian hexatonic hexatonic
1(r) 1(r) 2
61(r) 1(r)6
12
15
15 12
1(r)
12
12
15
14
15
14
12
15 14
14 12
12
12
14
14
5
4
3
2
b71(r) 1(r)b7
b7 5
5 4
4 3
3 2
2
13
13
13 15
15 13
b7
1(r)
13
15
15
13
12
15 13
13 12
12
14
14
12
4
b3
2
b71(r) 1(r)b7
b7 5
5 4
4 b3
b3 2
2
13
13
13 15
15 13
13
15
13
15 13
13
15
12
12
5
15
12
14
b7
15
12
14
b7
15
12
15
14
15 14
14
12
12
12
12
×××××××××××××××××××××××××××××××××××××××××××××
G "odyssey" scale
1(r)
b2
12
13
3
b5
5
12
14
15
b7
1(r)
b7
13
15
13
5
b5
3
15
14
12
b2
1(r)
13
12
FIGURE 184 same five scales played back to back
G major hexatonic
12
12
14
13
15
12
15
12
15
13
12
14
G Lydian hexatonic
12
14
12
14
15
12
13
15
13
15
12
15
12
15
14
12
15
13
12
15
13
14
G Mixolydian hexatonic
12
14
13
15
13
14
G minor hexatonic
12
14
15
13
15
13
15
14
G "odyssey" scale
12
M ASTER I N G SCALES
13
12
14
15
13
15
13
15
14
12
13
12
×××××××××××××××××××××××××××××××××××××××××××××
FIGURE FIGURE 185 185 morphing morphing fromfrom the G the Mixolydian G Mixolydian hexatonic hexatonic scale scale to Gto "Iberian" G "Iberian"
1(r) 1(r) 2
12
12 14
2 3
3 4
4 5
12
12 13
13 15
14
1(r) 1(r)b2
b2 3
3 4
4 5
12
13
12
12 13
13 15
12 13
5 b7
b7
1(r) 1(r) b7
b75
54
43
32
2
13
13
15
13 15
1513
1312
12 14
14
12
15
G
10 12 12
10 12 12
15
15 13
Fm Fm
8 9 10
13 15
8 9 10
15 13
G
G
12
12 12
13 12
12 13
12
5 b7
b7
1(r) 1(r)b7
b7 5
5 4
42
2b2
b2
1(r) 1(r)
13
13
15
13 15
1513
1312
12 13
13
12
15
1513
FIGURE FIGURE 186 186 G "Iberian"-scale G "Iberian"-scale triads triads G
1513
1(r) 1(r)
(G) (G)
Fm Fm
10 12
10
13
12
10
9 10
12 10
12
8 9
10 12
8
12 10
13 13 15 13 15 13 12 13 12 15 13 15 15 13 15 12 13 12 12 13 12 13 13 13 12
109
9 11
11
10
10 8
36
6
8 10
10 8
87
74
4
3
12
3
FIGURE FIGURE 187 187 G "Iberian" G "Iberian" scale scale in 2nd/3rd in 2nd/3rd positions positions
3
34
M ASTER I N G SCALES
4
2
23
35
5
3
3
5
56
4 6
45
3 5
3
34
47
74
43
3
6
6
×××××××××××××××××××××××××××××××××××××××××××××
Figure 187
3
M ASTER I N G SCALES
5
(Continued)
4
6
5
3
5
3
2
4
3
(3)
×××××××××××××××××××××××××××××××××××××××××××××
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