Mastering Arpeggios 1.pdf
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MASTERING
ARPEGGIOS
× × × × THE UL ULTIM TIM ATE DVD GUID E! × × × × FOR SERIOUSLY SERIOUS GUITARISTS MASTERING ARPEGGIOS
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
×
MASTERING ARPEGGIOS A DELUXE CRASH COURSE IN GUITAR GUITAR THEORY
INTRODUCTION
×
CHAPTER 7 Classic Rock Arpeggio Licks (FIGURES 123 and 124)
CHAPTER 1 G Major Arpeggios in Positions (FIGURES 1–31)
CHAPTER 8 Diatonic Triad Arpeggios in G (FIGURES 125-142)
CHAPTER 2 G Minor Arpeggios in Positions (FIGURES 32-62)
CHAPTER 9 Open-voiced Arpeggios, One Note Per String
CHAPTER 3
(FIGURES 143-146)
The Circle of Fifths
CHAPTER 10
(FIGURES 63 and 64)
Interval Patterns (FIGURES 147 and 148)
CHAPTER 4 G Diminished Arpeggios in Positions (FIGURES 65-81)
CHAPTER 11 Tapping Diatonic Triad Arpeggios (FIGURES 149-151)
CHAPTER 5 G Augmented Arpeggios in Positions (FIGURES 82-105)
CHAPTER 12 Using Open Strings to Extend Range, Classical Style
CHAPTER 6
(FIGURES 152-154)
Two-notes-per-string Patterns (FIGURES 106-122)
CONCLUSION
RG I NA G RAPREP GS I O S × × M AMSA TSET RE IN GE GG IO × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
FIGURE 87 same pattern, starting on the top note Gaug
G
1915
1519 1915 19 1616 19
15 19
19
15
1916 1619
15 20 16
16
19
19
15
20
15 20
16
16
19
20
G
19
15
15 19
16
16
19
19
15
19
15 19
16
16
19
19
19
FIGURE 88 G major and augmented arpeggios in two octaves, fifth position G
3
3
Gaug
3
3
3
3
7 8
7 5
3
3
3
3
7 8
G
3
3
8 7
9
7 8
8
8 9
5
5
5 5
8
9
9
5
6
7
8
7 5 6
7
9
9
5
7
5 5
7
7
FIGURE 89 G major and augmented arpeggios in two octaves, seventh position Gaug
G
7 10 10 8
7
11 8
7
8 7
9
12
11 12
8 9
10
8
9 10
7 10
8 9
10 10
7
7
10
11
11
7
G
7 8 7 9 10 7
10
MASTERING ARPEGGIOS
10
10
7 8 7 9 10 10
7
7
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
FIGURE 109 same shape, with a rolling triplet pattern G
3
3
3
3
3
3
3
3
15 12 9 5 3
10
5
7
5
12
9
9
10
16
12
12
12
15 16
12
10
7
3 3
3
3
19 22 19 15
20
16
20
3
3
3
3
3
3
19 20 15 20
20 15
15 16
12 16
16 12
12 12
9 12
12
9
9 10
5 10
10
5 7
3
FIGURE 110 two-notes-per-string G major arpeggio, starting on the third and using a string skip G
15 16 12 10 7
19
19
15
19
19
14
17
17
12
14
14
10
10
10
7
7
FIGURE 111 two-notes-per-string G major arpeggio, starting on the fifth and using a string skip G
15 17 14 10
20
20
15
21
21
17
17
17
14
15
15
10
10
FIGURE 112 two-notes-per-string G major arpeggio, starting on the third and on the A string G
15 12 7 5 2
5
MASTERING ARPEGGIOS
9
12
15
19
19
15 15
12 12
7 9
5 5
2
2
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
FIGURE 113 same pattern, shortened and with a string skip added G
7 7 5 2
10
10
7
12
12
7
9
9
5
5
5
2
2
FIGURE 114 two-notes-per-string G major arpeggio, starting on the fifth and on the D string G
10 8 4 0
15
15
10
12
12
8
7
7
4
5
5
0
0
FIGURE 115 two-notes-per-string G major arpeggio, starting on the root and on the G string G
7 3 0
10
10
7
8
8
3
4
4
0
0
FIGURE 116 G major, minor, diminished and augmented arpeggios in three octaves, starting on the root G
19 15 12 9 5 3
22
22
19
20
20
15
16
16
12
12
12
9
10
10
5
7
7
3
Gm
18 15 12 8 5 3
6
MASTERING ARPEGGIOS
10
12
15
20
22
22
18 20
15 15
12 12
8 10
5 6
3
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Gdim
18 14 12 8 4 3
21
21
18
20
20
14
15
15
12
11
11
8
10
10
4
6
6
3
7
3
G
19 15 12 9 5 3
22
22
19
20
20
15
16
16
12
12
12
9
10
10
5
7
Gaug
19 16 12 9 6 3
20
20
16
16
16
12
13
13
9
10
10
6
7
7
3
FIGURE 117 G major, minor, diminished and augmented arpeggios, starting on the third G
15 16 12 10 7
19
19
15
19
19
16
17
17
12
14
14
10
10
10
7
10
6
9
6
Gm
15 15 12 10 6
18
18
15
19
19
15
17
17
12
13
13
10
10
Gdim
15 15 11 10 6
9
MASTERING ARPEGGIOS
13
17
18
18
18
15 18
15 17
11 13
10
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G
15 16 12 10 7
19
19
15
19
19
16
17
17
12
14
14
10
10
10
7
11
7
Gaug
15 16 13 10 7
19
19
15
20
20
16
17
17
13
14
14
10
11
G
15 16 12 10 7
19
19
15
19
19
16
17
17
12
14
14
10
10
10
7
FIGURE 118 G major, minor, diminished and augmented arpeggios, starting on the fifth G
Gm
10 15 15 10 12 16
10 15 15 10 16 12
14 17
12 15 17 14
10 15
13 17 15 10
15 10
G
9 12 13
15
15
15
9
1015 1510 15
12
16
12 16 16
13
15
1612
14 17 15
9
1714
10 15
Gaug
15 10
G
11 12 14 11
17 13
10 15
Gdim
9
15 12
18
15
MASTERING ARPEGGIOS
16
15
15
11
10 1515 10 16
12
12 16 18
14
14 17 15
11
10 15
16 12 17 14 1510
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
FIGURE 119 two-notes-per-string Bb, Bbm, Bbdim and Bb aug arpeggios, starting on the fifth B
18 15 10 8 5 1
22
22 18
18
18
15
15
15
10
12
12
8
8
8
5
6
6
1
6
1
B m
18 14 10 8 4 1
21
21 18
18
18
14
15
15
10
11
11
8
8
8
4
6
B dim
18 14 9 8 4 0
21
21
18
17
17
14
15
15
9
11
11
8
7
7
4
6
6
0
B
18 15 10 8 5 1
22
22
18
18
18
15
15
15
10
12
12
8
8
8
5
6
6
1
6
2
B aug
18 15 11 8 5 2
6
MASTERING ARPEGGIOS
9
12
15
19
22
22
18 19
15 15
11 12
8 9
5
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
B
18 15 10 8 5 1
22
22
18
18
18
15
15
15
10
12
12
8
8
8
5
6
6
1
FIGURE 120 G, Gm, Gdim and Gaug arpeggios, starting on the third and on the A string G
15 12 7 5 2
19
19
15
15
15
12
12
12
7
9
9
5
5
5
2
Gm
15 11 7 5 1
18
18
15
15
15
11
12
12
7
8
8
5
5
5
1
4
1
Gdim
15 11 6 5 1
18
18
15
14
14
11
12
12
6
8
8
5
4
G
15 12 7 5 2
5
MASTERING ARPEGGIOS
9
12
15
19
19
15 15
12 12
7 9
5 5
2
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Gaug
2
5
6
8
9
12
12
15
16
19
19
15
16
12
12
8
9
5
9
5
6
2
5
2
G
2
5
5
7
9
12
12
15
15
19
19
15
15
12
12
7
FIGURE 121 resolving the previous G augmented arpeggio to C major, using the same type of pattern
Gaug
2
5
6
8
9
12
12
16
15
19
19
15
16
12
12
8
9
5
6
2
C
3
5
7
9
10
13
12
15
17
20
20 15
17
13
12
9
10
5
7
3
(3)
FIGURE 122 dramatic, "classical virtuoso-style" arpeggio run, resolving C /E to Fm C/ E
0
3
MASTERING ARPEGGIOS
3
7
5
10
9
12
13
17
15
20
20 15
17
13
12
9
10
5
7
3
3
0
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Fm
1
4
3
8
6
10
10
13
13 18
16
20
20 16
18 13
13 10
10
6
8
3
4
1
(1)
CHAPTER 7 MASTERING ARPEGGIOS Classic Rock Arpeggio Licks
FIGURE 123 Mark Knopfler-style two-string arpeggio solo Dm
1
B
5 1
3
1
5 1
1
3
5 1
3
1
5 1
3
1
6 1
1
3
6 1
3
C
1
6 1
3
1
6
3
3 5
Dm
8 3
3 8 3 5
3 8 3 5
3 8 3 5
3
8 3
5
3 8 3 5
B
3 8 3 5
3 8 5
5
10 5
5 10 5
6
6
5 10 5 6
5 10 5 6
6 6
C
10 6
610 6 6
6 10 6 6
6 10 6
8
12 8
8
Dm
B
1310 101310 101310 101310 10 10 10 10 11
1310
MASTERING ARPEGGIOS
8 12 8 8
8 12 8 8
812 8 8
8
12 8
8
812 8 8
8 12 8 8
8 12 8
10 10
C
101310 101310 1013 12 11 11 11 13
1512
121512 121512 121512 12 13 13 13 13
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Dm
1512
121512 13
121512 13
1215 13 13 15
B
1713
131713 15
131713 15
131713 15
13
1813
15
131813
131813 1318 15 15 15 17
15
C
Dm
full 20 15
15 20 15 17
15 20 15 17
15 20 15
15
17
20 15
17
15 20 15 17
15 20 15 17
15 20
15
17
20
17
FIGURE 124 Eagles-style arpeggio melody F
Bm
10 7
10 7 10
10 7 10
10
7
10
10
7
10
9
6
9
6
9
7
6
7
9
6
7
7
E
5
9
5
5
9
5
9
5
5
5
9
5
5
7
4
5
7
4
7
5
G
7
9 7
A
9
6
10
4
7
5
4
5
7
4
5
5
D
3
7 3
MASTERING ARPEGGIOS
3
7 3
3
7 3
3
7 3
3
5 3
2
5 3
2
5 3
2
5 3
2
5 3
2 3
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G
7
D
3
7
3
7
3
3
3
7
3
7
3
3
5
3
0
3
0
3
0
0
3
0
3
0
0
6
0
F
14 10
14 10 12
14 10 12
14 10 12
14 10 12
2
5
2
5
3
6
0
Bm
2
3
2
2
5
2
3
3
6
2
6
2
2
2
6
2
2
2
7
12
9
12
12
9
12
11
A
9
11
12
9
12
11
9
11
11
E7
12 9
12
9
12
10
9
10
12
9
10
12
9
10
10
7
10
10
7
10
9
7
10
9
G
7
10
9
7
9
9
D
7
10
7
10
8
7
8
10
7
8
10
7
8
10
5
8
10
5
7
10
5
10
7
5
7
10
3
7 5
3
7 5
MASTERING ARPEGGIOS
3
7 5
3
7 5
3
9 5
5
7
F
Em
7
2
F
0
10
5 3
Em
3
2
3
7
Bm
6
9 7
6
9 7
6
9 7
6
9 7
6 7
12
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
CHAPTER 10 MASTERING ARPEGGIOS Interval Patterns
FIGURE 147 two-octave diatonic triad arpeggios in G major, with interval patterns (fifths and sixths) G
3 4
7
7
3
7
3 7
4
5
4 5
5 3
5 5
7
5 7
3
3
3
7
7
4
3
7
4
7
5
4
5
5
5
5
5
7
7
3
Am
5 5
8
8
5
9
5 9
5
7
5 7
7 5
7 7
8
7 8
5
5
5
9
5
8 9
5 5
9
7
5
7
7
7
7
7
8
8
5
Bm
7 10 10
7
7 11
7 11 7
9
7 9
9
9 9
7 10
9 10
7
7
7
11 7
10 11
7 7
11
9
7
9
9
9
9
9
10
10
7
C
8 12 12
8
9 12
8 12 9
10
9 10
10
10 10
8 12
10 12 8
8
8
12 9
12 12
8 9
12
10
9
10
10
10
10
10
12
12
8
D
10 14 14 10 11 14 12 12 1014
MASTERING ARPEGGIOS
10 14 11
11 12
12 12
12 14 10 10
10
12 14
14 11 12
14 14
10 11
14
11
12
12 12
12 14
10
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Em
1215 15 12 12 16
12 16 12
14
12 14
14
14 14
1215
F
14 15 12 12
12
16 12
15 16
12 12
16
14
12
14
14
14
14
14
15
15
12
d im
1417 17 14 14 17
14 17 14
16
14 16
15
16 15
1417
15 17 14 14
14
17 14
17 17
14 14
17
16
14
16
16
15
15
15
17
17
14
G
15 19 19 15 16 19
15 19 16
17
16 17
17
17 17
1519
17 19 15 15
15
19 16
19 19
15 16
19
17
16
17
17
17
17
17
19
19
15
G
3 4
7
7
3
7
3 7
4
5
4 5
5 3
F
5 5
7
5 7
3
3
3
7
4
7 7
3 4
7
5
4
5
5
5
5
5
7
7
3
d im
2 2
5
5
2
5
2 5
2
4
2 4
3 2
4 3
5
3 5
2
2
2
5
2
5 5
2 2
5
4
2
4
4
3
3
3
5
5
2
Em
0 0
4
2 2 0
3
MASTERING ARPEGGIOS
3
3
0
0 4
0
0 2
2 2
2 3
0
0
0
2 3
4 2
0
3 4
0 0
4
0
2
2 2
2 3
0
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
F
d im
2 5 5 2
3
2 5
4
2
2 5
5 2
4
3
5 2 2
2
2
4
3
3
5
4
5
5 2
2
5
2
5
4
2 3
4 5
2
3
G
3 7 7 3
5
3 7
5
3
4 7
7 4
5
5
7 3 3
3
4
5
5
5
7
5
7
7 4
3
7
4
7
5
4 5
5 7
3
5
FIGURE 148 playing other fingering patterns in intervals G
3
3
2 5
5
3
3
3
3
4
5
5
3
3
3
3
4
3
3
3
2
3
3
5
2
4
5
5
3 3
3
4
5
3
4
5
5
2
5 3
5
(5)
Em
0
0
3
2
3
2
7 2
5
7
5
7
MASTERING ARPEGGIOS
9 12
9
9 5
9
9
12
12 17
9
12
15 19
12
1712
19 15
15
17
19
12
17 12
15 12
17
12
9
9
9
12 9
5
12
7
5
2
9 7
3
9
2
0
(0)
5 3
7
0
2
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
CHAPTER 11 MASTERING ARPEGGIOS Tapping Diatonic Triad Arpeggios
FIGURE 149 tapping diatonic triad arpeggios in the key of G major on the low E string G
Am
3
T
3
3
T
T
3
3
T
Bm
T
3
3
T
T
3
3
T
3
T
3
3
T
T
3
3
T
T
3
3
T
T
F
d im
Em
3
T
3
3
T
T
3
T
3
3
3
T
T
T
T
3
3
T
T
3
T
3
3
T
T
T
T
T
T
T
3
3
T
T
3
T
C
3
3
3
T
T
3
3
T
T
3
3
T
T
3
T
17101417 101417 101417 101415 8 1215 81215 8 1215 8 12
3
14 7 1014 7 1014 71014 71012 5 8 1 2 5 8 12 5 8 12 5 8
MASTERING ARPEGGIOS
T
3
3
F
G
3
T
3
3
T
T
Am
T
3
201417 201417201417 201417 221519 221519 221519 221519
3
201417201417201417 20141719121519121519 121519 1215
3
T
D
T
Bm
T
3
3
G
3
T
17101417 101417 101417 101419121519121519 121519 1215
T
d im
3
T
T
3
3
14 71014 7 1014 7 1014 71015 81215 81215 8 1215 8 12
F
Em
3
3
T
10 3 7 1 0 3 7 1 0 3 7 1 0 3 7 1 2 5 8 12 5 8 12 5 8 12 5 8
D
C
3
T
3
3
T
T
d im
3
T
3
T
3
3
T
T
3
T
10 3 7 10 3 7 10 3 7 1 0 3 7 8 2 5 8 2 5 8 2 5 8 2 5
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
F
Em
3
3
3
T
T
7 0
3
0
3
7
T
0
3
7
G
3
3
T
7
d im
T
0
3
8
3
3
T
2
5
8
T
2
5
8
3
3
T
2
5
8
T
2
5
10 3
3
3
3
T
T
T
T
7 10 3
7 10 3
7 10 3
7 10
3
FIGURE 150 same thing on the G string (octave higher) G
Am
3
3
3
Bm
3
3
T
T
T
T
T
3
3
T
T
3
3
T
T
7 0 4 7 0 4 7 0 4 7 0 4 9 2 5 9 2 5 9 2 5 9 2 5
D
T
3
3
T
T
3
3
T
T
3
3
T
T
T
3
3
T
T
T
T
T
3
3
T
T
211417 211417 211417 21141719121619121619 121619 1216
MASTERING ARPEGGIOS
T
3
3
T
T
T
3
3
T
T
d im
T
T
3
3
T
T
3
T
Em
3
3
T
T
3
17 111417 111417 111417 1114 19 121619 121619 1216191216
F
3
3
T
3
3
G
3
T
G
3
T
3
3
d im
3
14 7 1114 7 1114 7 1114 7 1116 9 1216 9 1216 9 1216 9 12
Am
3
3
11 4 7 11 4 7 11 4 7 11 4 7 12 5 9 12 5 9 12 5 9 1 2 5 9
F
Em
3
C
T
3
3
T
T
3
3
T
T
3
3
T
T
3
T
17 111417 111417 111417 1114 16 9 1216 91216 9 1216 9 12
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
D
C
3
T
3
3
T
T
Bm
3
3
T
T
3
3
T
T
Am
3
3
T
T
14 7 1114 7 1114 7 1114 7 1112 5 9 1 2 5 9 12 5 9 12 5 9
3
3
T
T
3
3
T
T
3
3
T
T
3
T
11 4 7 11 4 7 11 4 7 11 4 7 9 2 5 9 2 5 9 2 5 9 2 5
G
3
3
3
T
T
7
0
4
3
T
7
0
4
T
7
0
4
7
T 0
4
7
0
FIGURE 151 same thing on the B string (octave higher) G
Am
3
T
3
3
T
T
Bm
3
3
T
T
3
3
T
T
T
15 8 1215 8 1215 81215 81217101317101317 101317 1013
D
C
3
T
3
3
T
T
T
T
3
3
F
3
T
3
3
T
T
T
T
T
T
3
3
T
T
T
T
T
T
3
T
3
3
T
T
3
3
T
T
3
3
T
T
3
T
19121519 121519 121519 121517 101317 101317 1013171013
D
3
3
15 8 1215 8 1215 81215 81213 7 1013 7 1013 7 1013 7 10
MASTERING ARPEGGIOS
T
Em
3
T
T
3
3
Am
3
T
d im
3
T
3
3
19121519 121519 121519 1215 201317 201317 201317 201317
3
221519221519221519 221519 201317 201317201317201317
G
3
3
Bm
3
3
3
3
T
C
T
3
3
T
T
3
3
T
T
3
3
T
T
3
T
12 5 8 1 2 5 8 12 5 8 12 5 8 10 3 7 10 3 7 10 3 7 1 0 3 7
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
C
Bm
3
3
3
T
T
8 1
5 8 1
3
3
T
C
T
T
T
F
12 5
3
3
T
T
3
3 T
T
T
T
8 12 5
8 12 5
8 12 5
8 1
T
T
5 8 1
5 8 1
d im
3
3 T
3
3
T
T
T
3 T
5 8 1 5 1 0 3 7 10 3 7 10 3 7 1 0 3 7
G
3
3
3
3
T
5 8 1 5 8 1 5 7 0 3 7 0 3 7 0 3 7 0 3
Em
3
3
3
D
3
3
T
T
T
8 13 7 10 13 7 10 13
3
3 T
T
7 1 0 1 3 7 10
3
3 T
3
T
T
T
15 8 12 15 8 1 2 1 5 8 12 15
8 12 15
8
CHAPTER 12 MASTERING ARPEGGIOS Using Open Strings to Extend Range, Classical Style FIGURE 152 one-bar excerpts from "Etude No. 2" by Hector Villa-Lobos A
0
9
2
12
9
10
0 10
2
2
2
2 0
2
4
4
E/ B
0
12
0
16
12
12
1
0 12
13
0 13
1
2
2
2
A
0 2 2 2 0
4
MASTERING ARPEGGIOS
9 10
12
9
0 10
2 2 2 4
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Fmaj7/A
0
8
1
12
8
0
10
2
10
1
10
10
2
3
3
0
A
0
9
2
12
9
0
10
10
2
2 0
5 2 2 2
2
2
2
4
4
0
FIGURE 153 excerpt from beginning of "Caprice No. 1" by Nicolo Paganini E
B/ D#
E
B
7 7 9 6
9
9 9
7
6
9 7
6
7
7
9 9
9
6 9
6
9
8
9
9
8
6
7
7
9
9
7
E/ G#
F
A
4
4
5
4
4
2
9
7
/ A#
B
12
6
6
6
6
2
7 11 6
8
4
4
7 4
4
B/ D#
9
5
6
E
6
B/ F#
11 11 11
12 12 11
13
14 14
MASTERING ARPEGGIOS
16 13
11
12
16 16 12
13
9 14
11
7
E/G#
12 9
14
13
14
16 14
14 12
14
14
16
16
× × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
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