Macro Photography

Macro Photography (Extreme Close-Up) Basics

MOVE IN ON TINY AREA OF SUBJECT with the new TAMRON SP AF60mm F/2.0 Di II 1:1 MACRO, the TAMRON SP AF90mm F/2.8 Di 1:1 MACRO or the SP 180 F/3.5 1:1 MACRO Set your camera on the “A” mode for aperture value and chose an ISO of 400-800 (or  even higher) for more depth of field. 1. Choose a medium medium telephot telephoto o macro lens lens (about 90-180m 90-180mm m for full full frame frame cameras cameras or 60-90mm for small sensor cameras). A comfortable working distance (distance  between the front-end of the lens to the subject) gives you the necessary room for  lighting and other gadgets that you may need for extreme close-up photography. 2. Get yourself yourself a sturdy sturdy tripod tripod to elimin eliminate ate possible possible camera camera shake during during long exposures which is common in close-up photography. ph otography. High magnification also increases the effect of camera shake. 3. Carefully Carefully choose choose your camera camera position. position. Do not cast cast your own own or the camera's camera's shadow on the subjects. Look for the most pleasing lines and shadow pattern falling on the subject. 4. Switch Switch to manual manual focus. Autofo Autofocus cus often often does not work work well well in extreme extreme close-ups close-ups that are half life- to full life-size shots. Focus on the middle a rea of the subject and stop down the lens aperture as much as the light allows (try to reach F/16 or  F/22 if possible). This will give you the most depth-of-field possible (zone from front to back that is in sharp focus). If your camera is on a tripod, the long shutter  speeds are fine, so long as the wind doesn’t blow, moving the subject. 5. Bracket Bracket your exposure exposure in half-st half-stop op increments increments under and and over exposed. exposed. Take Take at least two under steps and two over steps. Two-stop over-exposed image of a rose (BELOW) gives you yet another lovely impression.

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD

MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Garden Flowers

Let's start in our own garden. CLOSE-UP PHOTOGRAPHY IS AS EASY AS.... 1. 2. 3. 4.

Mounting Mounting a tele-macr tele-macro o lens on on your D-SLR D-SLR (singl (single-len e-lenss reflex) reflex) camera; camera; Mounting Mounting your your camera on a tripod tripod for for stabili stability; ty; Load Loadin ing g a med media ia car card; d; Framing Framing a favorite favorite subject subject in the viewfin viewfinder der and pressing pressing the the shutter shutter release release  button.

ONE STEP FURTHER  1. Set your your camera camera on Apertur Aperturee Preferred Preferred mode mode to make make photograph photograph sharp sharp (by (by stopping down lens to a small aperture) or to blur the background (by opening op ening aperture ring to a larger aperture). 2. Use a white white or silver silver reflector reflector board board to bounce bounce light onto onto subject subject and soften soften harsh harsh shadows. 3. Use an electr electronic onic flash flash to elimina eliminate te shadows shadows and brighten brighten highli highlights. ghts.

Pro-Tips

1. Place a piece of colored colored paper behind behind a flower flower to let the the flower flower stand stand out in in the  picture. Colored paper also eliminates a busy bac kground of unattractive  branches, etc. Support the paper with a couple of sticks securely planted in soil  behind the flowers. 2. Place water water drops drops on leaves leaves with a spray spray bottle bottle to give give flowers flowers the look look of early early morning dew. 3. Do not take take any flower flower pictures pictures aimles aimlessly. sly. Pick Pick one flower flower and concentra concentrate te on  photographing it.

FINAL TOUCH 1. Make large blow-ups of your close-up pictures. 2. Frame and hang them on your living room walls. Large blow-ups in frames make truly outstanding artwork. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Fruits And Vegetables

Good for your artistic taste. CAPTURE ATTRACTIVE SHAPES AND BRIGHT COLORS OF NATURE 1. In close-up photography, try to concentrate on just one personality characteristic of the subject. Choose either colors or shapes of fruits and vegetables before you focus through your macro lens. 2. Transparent and bright natural colors photograph best when back lit. 3. Arrange your subject to create attractive graphical patterns or a sculptured look. 4. Try a series of over- and under-exposed images by manually changing your  camera's setting using either the exposure compensation setting (-1, 10.5, + 0.5, +1) or, if necessary, changing the ISO (e.g. if you use ISO 200, take additional shots at 400 & 800).

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Vegetable Kaleidoscope

Take a close look inside. A CLOSE LOOK AT SECTIONED FRUITS AND VEGETABLES ARRANGED IN A DECORATIVE PATTERN CAN BE VERY ARTISTIC-LOOKING. 1. Slice vegetables and/or fruits to a thickness of approximately 1/16 in.* If too thick  they will appear as dark silhouettes in your picture, and if too thin, colors won't be  brilliant. 2. Arrange sliced items on a translucent acrylic table or cutting board. 3. Illuminate them from beneath the table. 4. Determine exposure as follows; Direct your camera to an evenly illuminated area of the translucent table o where no Objects are placed. Set your exposure compensation to -2 1/3. o Read the shutter speed and the lens aperture. o Set your camera on manual exposure mode and set readings noted o  previously Bracket your exposure one stop over and one stop under. o *Use caution when cutting fruits and vegetables to avoid injury. Pro-Tip

Heat-resistant colored gel filters for illumination are an inexpensive way to vary the color  of your subject and background or balance light source to film. They can be cut to size and affixed to flash or hot lights. Special effect glass filters for use over camera lenses also give you beautiful photographic effects in your macro photography. Both are

available at any photo dealer. Colorful vegetable kaleidoscope will be enhanced by gel filters.

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Seashells

A visually fantastic subject. THE VARIOUS SHAPES AND COLORS OF SEASHELLS MAKE THEM A FAVORITE SUBJECT OF CLOSE-UP PHOTOGRAPHY.

1. To dramatize the fancy shapes and details of shells, high contrast lighting works  best. 2. Set a 500-watt photo-flood lamp on one side and put a 250-watt photo-flood on the other side of the subject. 3. Place a light-diffusing curtain such as tracing paper or heat-resistant white acetate in front of the 250-watt lamp.

4. Combine seashells with other objects to compose an intriguing photograph. Try flowers, as on the opposite page, or arrange with metallic ornaments like in a treasure chest. 5. Place color gel filters over the lamps for a completely different effect. Pro-Tip

Intriguing images can be found in small areas with interesting shapes and colors. A group of shells is beautiful. For a completely different look, arrange shells with metallic ornaments. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Good Old Mechanical Watch

SHINY METALLIC OBJECTS ARE VISUALLY STUNNING THOUGH NOT EXPOSURE FRIENDLY WHEN PHOTOGRAPHED.

1. Highly reflective shiny objects must be illuminated evenly all around. 2. The best and easiest way to illuminate a shiny object is to shoot through a white  paper cone. The cone should stand on a translucent table with the light source underneath. The cone will then bounce light evenly around the subject. 3. You may notice your camera's reflection in flat metallic parts which creates a dark  spot in the middle of your picture. To eliminate the reflection use a black cone inside the white cone to surround the subject with even side light. The result is a heavy, hard metallic image with bright edges on the mechanical parts. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU

LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Coins And Medals

Don't take them at face value. TAKE ADVANTAGE OF THE ARTISTIC DESIGNS AND GRAPHICAL ELEMENTS COINS AND MEDALS OFFER. 1. Just like watch mechanisms and jewelry, coins and medals are flat high metallic objects. The technique is therefore very similar. 2. Sharp highlighted illumination is the key to bring out the relief patterns. If the shiny surface of your subject appears hazy in your pictures, the subject may have not been evenly aligned with your lens. The subject may have picked up stray light or unwanted light may have reflected into your lens. By sliding the baffle cone lower or higher, you can cut off stray light. 3. Use the relief pattern of coin or medal you have created on film in your  documents etc. The simplest and best way currently available is computer image  processing. Image Processing

1. Bring the image digitally into your computer. You will need an image processing application such as "Adobe Photoshop". 2. Mask, retouch and enhance image. 3. Save the image on disk or other storage media and have it printed at a service  bureau in your neighborhood.  NOTE: Adobe Photoshop is a trademark of Adobe System Incorporated. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Do You Love Modern Art?

Desk top items make the best models for creative macro photography. 1. Try to look at the microscopic parts of everyday objects for aesthetic depths we normally miss. You'll be amazed to find an entirely different world of artistic interpretation. 2. Objects made of natural material such as wood, bamboo, stone, or gems may stimulate your artistic mind.

3. Look around for man-made articles like glassware, earth ware, carpentry tools and so on. When enlarged through a macro lens, you will see beautiful geometric forms and shades in them. 4. When illuminating shiny objects such as glass or earth ware light them from both sides with diffused light and shoot a central pa rt. Place black or gray paper with a hole for the lens to look through in front of your camera so that the camera won't  be reflected in your subject. Stamps & Graphical Items

Thesauruses of fine art STAMP COLLECTION IS AN ART IN ITSELF. MAKE A MUSEUM OF YOUR  PASSION. 1. "Copy" Photography is the basic technique used for small printed items. Be sure to use a “flat field’ lens (like a macro) to insure corner to corner sharpness. Because the art is ‘flat”, great depth of field is not needed, so set your camera and lens for exposure at about F/8. 2. Three things to avoid when copying flat items are; (a) The light source reflecting  back from the item creating hot spots and flare, and (b) uneven illumination. (c) aiming at an angle to the subject (your camera’s sensor must be parallel to the  plane of the subject or the shape will be distorted and part may be out of focus, too). 3. Lighting: (a) Place lamps at 45 degree angles from subject. (b) Apply shine the lights through large diffusers, such as tracing paper for eve n illumination corner  to corner. 4. Turn your philatelic passion into a photo exhibit of your favorite botanical, ornithological and other decorative stamps. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] Tropical Fish In Aquarium

Make beautiful portraits of these lovely creatures. THE KEY TO GREAT AQUARIUM PHOTOGRAPHY IS A TELE-MACRO LENS AND AN ILLUMINATION BOX. 1. Tele-macro lenses enable you to focus on a fish while providing a long working distance to the back of the aquarium. 2. A box like the one illustrated below lights up corners of the aquarium.

3. An electronic flash is suggested to capture the swift movements of fish. A Professional Touch

Try something different, different views, different ideas. VISUALIZATION , THE KEY TO CREATIVE IMAGES

1. For truly professional macro photographs, try to visualize an unusual aspect of  your subject before releasing the shutter. 2. Visualization will come naturally with practice as you experiment with a variety of photographic techniques. Enjoy yourself examining the unique shapes and intersecting lines in the subject. Photograph the most interesting and u nique. 3. One of the techniques to try as your first experiment is double exposure with colored gel filters. 3.1 Mount your camera on a sturdy tripod with a platform designed to let your camera slide horizontally. 3.2 Illuminate the background with a back-lit gel filter. Position the light source behind the gel to achieve the best silhouette effect possible. 3.3 Compose your image so that a large silhouette of  the subject is in the foreground. Then, as you pull the camera away from the subject, you will have a small image of the subject in the center of your frame. 3.4 Set your camera to multiple (2) exposure mode and frame the large silhouette image. Release the shutter for the first shot. 3.5 Now pull the camera back to compose the smaller image. Shut off the light behind the gel and front illuminate your subject from the left and right sides. 4. Avoid casting any light on the gel background. Release the shutter for the second shot. The beautiful red petals of the cattleya are sure to attract the eye. But when captured in double exposure, they become a piece of fine art.

Macro Photography (Extreme Close-Up) Basics Makro Fotografi (Extreme CloseUp) Basics

MOVE IN ON TINY AREA OF SUBJECT with the new TAMRON SP AF60mm F/2.0 Di II 1:1 MACRO, the TAMRON SP AF90mm F/2.8 Di 1:1 MACRO or the SP 180 F/3.5 1:1 MACRO Pindah DI AREA OF SUBJECT kecil di dengan Tamron SP baru AF60mm f/2.0 Di II 1:1 MAKRO, yang Tamron SP AF90mm f/2.8 Di 1:1 MAKRO atau SP 180 f/3.5 1:1 MAKRO Set your camera on the “A” mode for aperture value and chose an ISO of 400-800 (or  even higher) for more depth of field. Atur kamera anda pada A "mode" untuk memilih nilai aperture dan ISO dari 400-800 (atau bahkan lebih tinggi) untuk kedalaman lebih dari lapangan. 1.

Choose a medium telephoto macro lens (about 90-180mm for full frame cameras or 60-90mm for small sensor cameras). Pilih makro menengah kanta tele (sekitar  90-180mm untuk kamera rangka penuh atau 60-90mm untuk kamera sensor  kecil). A comfortable working distance (distance between the front-end of the lens to the subject) gives you the necessary room for lighting and other gadgets that you may need for extreme close-up photography. Sebuah nyaman bekerja jarak  (jarak antara hujung-depan lensa ke subjek) memberikan ruang yang diperlukan untuk penerangan dan alat lain yang mungkin anda butuhkan untuk ekstrim-up fotografi berdekatan. 2. Get yourself a sturdy tripod to eliminate possible camera shake during long exposures which is common in close-up photography. Dapatkan sendiri tripod yang kukuh untuk menghilangkan gegaran kamera mungkin selama pendedahan  panjang yang umum di-up fotografi berdekatan. High magnification also increases the effect of camera shake. pembesaran tinggi juga meningkatkan kesan kamera goyang. 3. Carefully choose your camera position. Hati-hati memilih kedudukan kamera anda. Do not cast your own or the camera's shadow on the subjects. Jangan buang sendiri atau kamera bayangan pada mata pelajaran. Look for the most pleasing lines and shadow pattern falling on the subject. Cari baris paling menyenangkan dan pola bayangan jatuh pada subjek. 4. Switch to manual focus. Beralih kepada fokus manual. Autofocus often does not work well in extreme close-ups that are half life- to full life-size shots. Sering autofocus tidak berfungsi baik dalam ekstrim close-up yang setengah hidup untuk  gambar dalam ukuran penuh. Focus on the middle area of the subject and stop down the lens aperture as much as the light allows (try to reach F/16 or F/22 if   possible). Fokus pada bahagian tengah subjek dan menghentikan menuruni kanta aperture sebanyak cahaya yang membolehkan (cuba mencapai f/16 atau F/22 jika mungkin). This will give you the most depth-of-field possible (zone from front to  back that is in sharp focus). If your camera is on a tripod, the long shutter speeds are fine, so long as the wind doesn't blow, moving the subject. Ini akan

memberikan anda yang paling mendalam-dari-lapangan mungkin (zon dari depan ke belakang yang ada di dalam fokus yang tajam). Jika kamera anda pada tripod, kelajuan rana panjang baik-baik saja, asalkan angin tidak bertiup, subjek   bergerak. 5. Bracket your exposure in half-stop increments under and over exposed. Bracket  pendedahan anda di-stop perbezaan setengah di bawah dan lebih terdedah kepada. Take at least two under steps and two over steps. Mengambil minimal dua langkah di bawah dan dua di atas langkah-langkah. Two-stop over-exposed image of a rose (BELOW) gives you yet another lovely impression. Dua-stop selama-terkena citra mawar (DI BAWAH INI) memberikan kesan indah lagi.

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR FOTOGRAFI MAKRO | Bunga KEBUN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | wang dan pingat | GAMBAR PENGOLAHAN | APAKAH ANDA CINTA MODERN ART? | setem DAN POS grafik | tropika di akuarium IKAN | Sebuah SENTUHAN PROFESIONAL ] Garden Flowers Taman Bunga

Let's start in our own garden. Mari kita mulai di kebun kita sendiri. CLOSE-UP PHOTOGRAPHY IS AS EASY AS.... FOTOGRAFI CLOSE-UP semudah .... 1. Mounting a tele-macro lens on your D-SLR (single-lens reflex) camera; Mount lensa tele-makro pada-D anda SLR (single-lens reflex) kamera; 2. Mounting your camera on a tripod for stability; Mount kamera anda pada tripod untuk kestabilan; 3. Loading a media card; Loading kad media; 4. Framing a favorite subject in the viewfinder and pressing the shutter release  button. Framing subjek kegemaran di Viewfinder dan menekan butang pelepas rana. ONE STEP FURTHER SATU LANGKAH LEBIH LANJUT 1. Set your camera on Aperture Preferred mode to make photograph sharp (by stopping down lens to a small aperture) or to blur the background (by opening aperture ring to a larger aperture). Atur kamera anda pada mode yang dipilih Pembukaan untuk membuat foto tajam (dengan menghentikan bawah kanta ke

dalam lubang kecil) atau untuk mengaburkan latar belakang (dengan membuka  bukaan untuk cincin diafragma yang besar). 2. Use a white or silver reflector board to bounce light onto subject and soften harsh shadows. Gunakan papan reflektor perak atau putih untuk memantulkan cahaya ke subjek dan melembutkan bayangan kasar. 3. Use an electronic flash to eliminate shadows and brighten highlights. Gunakan lampu kilat elektronik untuk menghilangkan bayangan dan mencerahkan highlights.

Pro-Tips Pro-Tips

1. Place a piece of colored paper behind a flower to let the flower stand out in the  picture. Colored paper also eliminates a busy bac kground of unattractive  branches, etc. Letakkan selembar kertas berwarna di balik bunga untuk  membiarkan bunga menonjol dalam gambar kertas. Warna juga boleh menghilangkan latar belakang sibuk cabang tidak menarik, dll Support the paper  with a couple of sticks securely planted in soil behind the flowers. Sokongan kertas dengan beberapa kayu dalam ditanam di tanah di balik bunga. 2. Place water drops on leaves with a spray bottle to give flowers the look of early morning dew. Tempat titisan air pada daun dengan botol semburan untuk  memberikan bunga paparan embun pagi. 3. Do not take any flower pictures aimlessly. Jangan mengambil gambar bunga tanpa tujuan. Pick one flower and concentrate on photographing it. Pilih satu  bunga dan menumpukan pada memotret itu.

FINAL TOUCH FINAL TOUCH 1. Make large blow-ups of your close-up pictures. Membuat pukulan besar-up closeup gambar anda. 2. Frame and hang them on your living room walls. Frame dan menggantung mereka di dinding ruang tamu anda. Large blow-ups in frames make truly outstanding artwork. Blow-up besar dalam rangka membuat karya seni yang beredar benar benar. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR  PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | IKAN tropika di akuarium | A SENTUHAN PROFESIONAL ]

Fruits And Vegetables Buah Dan Sayur

Good for your artistic taste. Bagus untuk rasa seni anda. CAPTURE ATTRACTIVE SHAPES AND BRIGHT COLORS OF NATURE TANGKAP menarik bentuk dan warna CERAH DARI ALAM 1. In close-up photography, try to concentrate on just one personality characteristic of the subject. Choose either colors or shapes of fruits and vegetables before you focus through your macro lens. Di-up fotografi berdekatan, cubalah untuk  menumpukan pada satu karakteristik keperibadian subjek hanya baik. Pilih warna atau bentuk buah-buahan dan sayuran sebelum anda menumpukan melalui lensa makro anda. 2. Transparent and bright natural colors photograph best when back lit. Transparan dan terang foto warna-warna alami terbaik ketika kembali menyala. 3. Arrange your subject to create attractive graphical patterns or a sculptured look. Atur subjek anda untuk mencipta pola-pola grafik yang menarik atau melihat dipahat. 4. Try a series of over- and under-exposed images by manually changing your  camera's setting using either the exposure compensation setting (-1, 10.5, + 0.5, +1) or, if necessary, changing the ISO (eg if you use ISO 200, take additional shots at 400 & 800). Cubalah serangkaian over-dan-terdedah kepada gambar di  bawah secara manual menukar's kamera tatacara anda baik menggunakan  pampasan pendedahan tatacara (-1, 10,5, + 0,5, 1) atau, jika perlu, mengubah ISO (contohnya jika anda menggunakan ISO 200 , mengambil gambar tambahan pada 400 & 800).

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR  PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | tropika di akuarium IKAN | A SENTUHAN PROFESIONAL ] Vegetable Kaleidoscope Sayuran Kaleidoscope

Take a close look inside. Perhatikan di dalamnya. A CLOSE LOOK AT SECTIONED FRUITS AND VEGETABLES ARRANGED IN A DECORATIVE PATTERN CAN BE VERY ARTISTIC-LOOKING. Sebuah LIHAT CLOSE AT BUAH-BUAHAN DAN SAYURAN potong diatur dalam POLA HIAS DAPAT sangat artistik-LOOKING.

1. Slice vegetables and/or fruits to a thickness of approximately 1/16 in.* If too thick  they will appear as dark silhouettes in your picture, and if too thin, colors won't be  brilliant. Slice sayuran dan / atau buah-buahan dengan ketebalan sekitar 1 / 16 in * Jika terlalu tebal mereka akan muncul sebagai siluet gelap pada gambar anda, dan jika terlalu tipis, warna tidak akan cemerlang. 2. Arrange sliced items on a translucent acrylic table or cutting board. Atur iris item di atas meja akrilik transparan, atau talenan. 3. Illuminate them from beneath the table. Menerangi mereka dari bawah meja. 4. Determine exposure as follows; Menentukan pendedahan sebagai berikut; Direct your camera to an evenly illuminated area of the translucent table o where no Objects are placed. Kamera anda terus ke daerah secara merata menerangi jadual tembus di mana tidak ada Objek ditempatkan. Set your exposure compensation to -2 1/3. Set pampasan pendedahan anda o dengan -2 1 / 3. Read the shutter speed and the lens aperture. Baca kelajuan rana dan o  bukaan lensa. Set your camera on manual exposure mode and set readings noted o  previously Atur kamera anda pada mode pendedahan manual dan  pembacaan menetapkan dijelaskan dahulu Bracket your exposure one stop over and one stop under. Bracket ekspos o  pertama singgah dan satu berhenti di bawah. *Use caution when cutting fruits and vegetables to avoid injury. * Guna hati apabila memotong buah-buahan dan sayuran untuk mengelakkan kecederaan. Pro-Tip Pro-Petua

Heat-resistant colored gel filters for illumination are an inexpensive way to vary the color  of your subject and background or balance light source to film. tahan berwarna gel  penapis-Best untuk penerangan merupakan cara murah bervariasi warna dan latar   belakang subjek atau sumber-sumber cahaya baki untuk filem. They can be cut to size and affixed to flash or hot lights. Mereka dapat dipotong untuk saiz dan ditempelkan lampu flash atau panas. Special effect glass filters for use over camera lenses also give you beautiful photographic effects in your macro photography. kaca penapis kesan khas untuk kegunaan di atas kanta kamera juga memberikan kesan fotografi indah di fotografi makro anda. Both are available at any photo dealer. Colorful vegetable kaleidoscope will  be enhanced by gel filters. Keduanya terdapat di setiap dealer foto. Colorful kaleidoskop nabati akan dipertingkatkan oleh penapis gel.

[ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati

| Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR  PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | IKAN tropika di akuarium | A SENTUHAN PROFESIONAL ] Seashells Seashells

A visually fantastic subject. Sebuah hebat subjek visual. THE VARIOUS SHAPES AND COLORS OF SEASHELLS MAKE THEM A FAVORITE SUBJECT OF CLOSE-UP PHOTOGRAPHY. Bentuk BERBAGAI WARNA DAN MEMBUAT MEREKA DARI Seashells FAVORIT A SUBJECT OFPHOTOGRAPHY CLOSE UP.

1. To dramatize the fancy shapes and details of shells, high contrast lighting works  best. Untuk mendramatisasi bentuk mewah dan butiran kerang, pencahayaan kontras tinggi yang terbaik. 2. Set a 500-watt photo-flood lamp on one side and put a 250-watt photo-flood on the other side of the subject. Mengatur-banjir lampu 500 watt foto di satu sisi dan menaruh foto-watt 250-banjir di sisi lain subjek. 3. Place a light-diffusing curtain such as tracing paper or heat-resistant white acetate in front of the 250-watt lamp. Tempatkan menyebar tirai-ringan seperti kertas kalkir atau putih asetik-tahan panas di depan lampu 250 watt. 4. Combine seashells with other objects to compose an intriguing photograph. kerang kombinasikan dengan benda-benda lain untuk menyusun foto menarik. Try flowers, as on the opposite page, or arrange with metallic ornaments like in a treasure chest. Cubalah bunga, seperti pada halaman sebelah, atau menetapkan dengan ornamen logam seperti di sebuah peti harta karun. 5. Place color gel filters over the lamps for a co mpletely different effect. Tempat gel  penapis warna atas lampu untuk kesan yang berbeza sama sekali. Pro-Tip Pro-Petua

Intriguing images can be found in small areas with interesting shapes and colors. Menarik  gambar boleh didapati di kawasan kecil dengan bentuk menarik dan warna. A group of  shells is beautiful. Sekumpulan shell adalah indah. For a completely different look, arrange shells with metallic ornaments. Untuk kelihatan sangat berbeza, menetapkan kerang dengan ornamen logam. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR 

PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | IKAN tropika di akuarium | A SENTUHAN PROFESIONAL ] Good Old Mechanical Watch Bagus Watch Mekanikal Lama

SHINY METALLIC OBJECTS ARE VISUALLY STUNNING THOUGH NOT EXPOSURE FRIENDLY WHEN PHOTOGRAPHED. OBYEK metalik mengk ilap ADALAH visualnya mengagumkan walaupun tidak SAMBUNGAN FRIENDLY KETIKA difoto.

1.

Highly reflective shiny objects must be illuminated evenly all around. Sangat reflektif benda berkilat harus menyala merata di seluruh. 2. The best and easiest way to illuminate a shiny object is to shoot through a white  paper cone. The cone should stand on a translucent table with the light source underneath. The cone will then bounce light evenly around the subject. Cara terbaik dan paling mudah untuk menerangi suatu benda bersinar adalah untuk  menembak melalui kon kertas putih. Yang. Kon harus berdiri di atas meja dengan tembus cahaya sumber bawah kon kemudian akan bouncing cahaya merata di sekitar subjek. 3. You may notice your camera's reflection in flat metallic parts which creates a dark  spot in the middle of your picture. Anda mungkin melihat dari kamera refleksi anda di bahagian-bahagian logam datar yang mencipta tempat gelap di tengah gambar anda. To eliminate the reflection use a black cone inside the white cone to surround the subject with even side light. The result is a heavy, hard metallic image with bright edges on the mechanical parts. Untuk menghilangkan pantulan menggunakan kon hitam di dalam kon putih mengelilingi subjek bahkan dengan cahaya sebelah. Hasilnya adalah sulit, gambar logam berat dengan sisi terang  pada bahagian mekanik. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR  PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | IKAN tropika di akuarium | A SENTUHAN PROFESIONAL ] Coins And Medals Dan Syiling Pingat

Don't take them at face value. Jangan membawa mereka pada nilai nominal.

TAKE ADVANTAGE OF THE ARTISTIC DESIGNS AND GRAPHICAL ELEMENTS COINS AND MEDALS OFFER. AMBIL KEUNTUNGAN DARI DESAIN artistik dan grafik UNSUR Syiling DAN TAWARAN pingat. 1. Just like watch mechanisms and jewelry, coins and medals are flat high metallic objects. The technique is therefore very similar. Sama seperti mekanisme arloji dan perhiasan, koin dan pingat rata objek logam quality. Teknik ini kerana itu sangat mirip. 2. Sharp highlighted illumination is the key to bring out the relief patterns. Sharp diserlahkan pencahayaan adalah kunci untuk membawa keluar pola lega. If the shiny surface of your subject appears hazy in your pictures, the subject may have not been evenly aligned with your lens. Jika permukaan berkilat subjek anda muncul kabur di foto anda, subjek mungkin belum merata sesuai dengan kanta anda. The subject may have picked up stray light or unwanted light may have reflected into your lens. By sliding the baffle cone lower or higher, you can cut off stray light. subjek mungkin telah mengambil cahaya liar atau cahaya yang tidak diingini mungkin telah tercermin dalam kanta anda. Dengan menggeser kon  penyekat lebih rendah atau lebih tinggi, anda boleh memotong cahaya sesat. 3. Use the relief pattern of coin or medal you have created on film in your  documents etc. The simplest and best way currently available is computer image  processing. Gunakan pola relief syiling, atau pingat yang telah anda buat pada filem dalam dokumen anda dll sederhana dan cara terbaik saat ini tersedia adalah komputer memproses citra. Image Processing Pemprosesan Citra 1.

Bring the image digitally into your computer. Bawa gambar digital ke dalam komputer anda. You will need an image processing application such as "Adobe Photoshop". Anda akan memerlukan sebuah aplikasi pemprosesan citra seperti "Adobe Photoshop". 2. Mask, retouch and enhance image. Mask, retouch dan meningkatkan citra. 3. Save the image on disk or other storage media and have it printed at a service  bureau in your neighborhood. Simpan gambar pada cakera atau media simpanan lain dan itu dicetak di sebuah biro jasa di lingkungan anda.  NOTE: Adobe Photoshop is a trademark of Adobe System Incorporated. NOTA: Adobe Photoshop adalah cap dagang dari Adobe System Incorporated. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR 

PENGOLAHAN | DO YOU LOVE ART MODERN? | setem DAN POS grafik | IKAN tropika di akuarium | A SENTUHAN PROFESIONAL ] Do You Love Modern Art? Adakah anda Cinta Seni Modern?

Desk top items make the best models for creative macro photography. item atas meja membuat model terbaik untuk fotografi makro kreatif. 1. Try to look at the microscopic parts of everyday objects for aesthetic depths we normally miss. Cobalah untuk melihat bahagian-bahagian mikroskopik dari benda sehari-hari untuk kedalaman estetik yang biasanya kita lewatkan. You'll be amazed to find an entirely different world of artistic interpretation. Anda akan takjub mendapati dunia yang sama sekali berbeza penafsiran artistik. 2. Objects made of natural material such as wood, bamboo, stone, or gems may stimulate your artistic mind. Objek yang diperbuat dari bahan alami seperti kayu,  buluh, batu, atau permata dapat merangsang fikiran artistik anda. 3. Look around for man-made articles like glassware, earth ware, carpentry tools and so on. Mencari-cari buku buatan manusia seperti gelas, bumi ware, alat-alat  pertukangan dan sebagainya. When enlarged through a macro lens, you will see  beautiful geometric forms and shades in them. Ketika diperbesar melalui lensa makro, anda akan melihat bentuk-bentuk geometri dan warna yang indah di dalamnya. 4. When illuminating shiny objects such as glass or earth ware light them from both sides with diffused light and shoot a central pa rt. Ketika benda berkilat menerangi seperti kaca atau cahaya bumi ware mereka dari kedua sisi dengan cahaya menyebar dan menembak bahagian tengah. Place black or gray paper with a hole for the lens to look through in front of your camera so that the camera won't be reflected in your subject. Tempat atau abu-abu kertas hitam dengan lubang untuk  kanta untuk melihat melalui di depan kamera anda sehingga kamera tidak akan tercermin dalam subjek anda. Stamps & Graphical Items Stamps & Graphical Produk 

Thesauruses of fine art Thesauruses dari seni rupa STAMP COLLECTION IS AN ART IN ITSELF. STAMP COLLECTION IS AN ART DI ITU SENDIRI. MAKE A MUSEUM OF YOUR PASSION. MEMBUAT MUSEUM OF PASSION ANDA. 1. "Copy" Photography is the basic technique used for small printed items. "Salin" adalah Fotografi teknik asas yang digunakan untuk item dicetak kecil. Be sure to use a “flat field' lens (like a macro) to insure c orner to corner sharpness. Pastikan anda menggunakan bidang datar "'kanta (seperti makro) untuk memastikan ketajaman sudut ke sudut. Because the art is 'flat”, great depth of field is not needed, so set your camera and lens for exposure at about F/8. Karena seni adalah

'datar ", kedalaman besar bidang tidak diperlukan, sehingga menetapkan kamera dan lensa untuk pendedahan di sekitar F / 8. 2. Three things to avoid when copying flat items are; (a) The light source reflecting  back from the item creating hot spots and flare, and (b) uneven illumination. (c) aiming at an angle to the subject (your camera's sensor must be parallel to the  plane of the subject or the shape will be distorted and part may be out of focus, too). Tiga hal yang harus dielakkan ketika menyalin item datar adalah: (a) sumber  cahaya memantulkan kembali dari item membuat hot spot dan suar, dan (b)  pencahayaan merata. (C) bertujuan sudut terhadap subjek ('s kamera sensor anda  perlu sejajar dengan bidang subjek atau bentuk akan menyimpang dan mungkin sebahagian daripada tumpuan, juga). 3. Lighting: (a) Place lamps at 45 degree angles from subject. Lighting: (a) Tempat lampu di sudut 45 darjah dari subjek. (b) Apply shine the lights through large diffusers, such as tracing paper for even illumination corner to corner. (B) Terapkan bersinar lampu melalui diffusers besar, seperti kertas kalkir bahkan untuk penerangan sudut ke sudut. 4. Turn your philatelic passion into a photo exhibit of your favorite botanical, ornithological and other decorative stamps. Turn g hairah Filateli anda ke pameran foto kegemaran anda botani, lain dekoratif setem dan ornitologi. [ MACRO PHOTOGRAPHY BASICS | GARDEN FLOWERS | FRUITS AND VEGETABLES | VEGETABLE KALEIDOSCOPE | SEASHELLS | GOOD OLD MECHANICAL WATCH | COINS AND MEDALS | IMAGE PROCESSING | DO YOU LOVE MODERN ART? | STAMPS AND GRAPHICAL ITEMS | TROPICAL FISH IN AQUARIUM | A PROFESSIONAL TOUCH ] [ DASAR-DASAR FOTOGRAFI MAKRO | Bunga GARDEN | BUAH-BUAHAN DAN SAYURAN | Kaleidoscope nabati | Seashells | LAMA JAM MESIN BAIK | syiling dan pingat | GAMBAR  PENGOLAHAN | DO YOU LOVE MODERN ART? | setem DAN POS grafik | tropika di akuarium IKAN | A SENTUHAN PROFESIONAL ] Tropical Fish In Aquarium Tropika Ikan Dalam Aquarium

Make beautiful portraits of these lovely creatures. Membuat potret indah dari makhluk  yang indah. THE KEY TO GREAT AQUARIUM PHOTOGRAPHY IS A TELE-MACRO LENS AND AN ILLUMINATION BOX. KUNCI UNTUK FOTOGRAFI Aquarium IS A GREAT LENS TELE-MAKRO DAN AN BOX pencahayaan. 1.

Tele-macro lenses enable you to focus on a fish while providing a long working distance to the back of the aquarium. Lensa makro-Tele membolehkan anda untuk  fokus pada ikan sambil memberikan jarak kerja panjang ke belakang akuarium. 2. A box like the one illustrated below lights up corners of the aquarium. Sebuah tempat seperti yang digambarkan di bawah lampu sudut akuarium. 3. An electronic flash is suggested to capture the swift movements of fish. Sebuah lampu kilat elektronik disarankan untuk menangkap gerakan cepat ikan.

A Professional Touch A Touch Profesional

Try something different, different views, different ideas. Coba sesuatu yang berbeza,  pandangan yang berbeza, idea-idea yang berbeza. VISUALIZATION , THE KEY TO CREATIVE IMAGES Visualisasi, KUNCI UNTUK  GAMBAR KREATIF

1. For truly professional macro photographs, try to visualize an unusual aspect of  your subject before releasing the shutter. Untuk foto makro benar-benar   profesional, cuba untuk membayangkan suatu aspek yang tidak biasa dari subjek  anda sebelum melepaskan rana. 2. Visualization will come naturally with practice as you experiment with a v ariety of photographic techniques. Visualisasi akan datang secara alami dengan amalan seperti yang anda bereksperimen dengan berbagai teknik fotografi. Enjoy yourself  examining the unique shapes and intersecting lines in the subject. Nikmati diri anda sendiri memeriksa bentuk unik dan berpotongan baris dalam subjek. Photograph the most interesting and unique. Foto yang paling menarik dan unik. 3. One of the techniques to try as your first experiment is double exposure with colored gel filters. Salah satu teknik untuk mencuba sebagai percubaan pertama anda adalah paparan ganda dengan penapis gel berwarna. 3.1 Mount your camera on a sturdy tripod with a platform designed to let your camera slide horizontally. 3,1 Gunung kamera anda pada tripod yang kukuh dengan platform yang direka untuk membiarkan gambar kamera secara horizontal. 3.2 Illuminate the  background with a back-lit gel filter. 3,2 Menerangi latar belakang dengan menghidupkan gel penapis-kembali. Position the light source behind the gel to achieve the best silhouette effect possible. Kedudukan sumber cahaya di belakang gel untuk mencapai kesan siluet terbaik. 3.3 Compose your image so that a large silhouette of the subject is in the foreground. 3 ,3 Tulis gambar sehingga siluet  besar subjek berada di latar depan. Then, as you pull the camera away from the subject, you will have a small image of the subject in the center of your frame. Kemudian, saat menarik kamera dari subjek, anda akan memiliki gambar kecil dari subjek di tengah rangka anda. 3.4 Set your camera to multiple (2) exposure mode and frame the large silhouette image. Release the shutter for the first shot. Set kamera 3,4 anda ke beberapa (2) mode pendedahan dan bingkai gambar siluet  besar. Tanggalkan rana untuk tembakan pertama. 3.5 Now pull the camera back to compose the smaller image. Kamera 3,5 Sekarang tarik semula untuk menyusun gambar yang lebih kecil. Shut off the light behind the gel and front illuminate your subject from the left and right sides. Mematikan lampu belakang dan depan gel menerangi subjek anda dari kiri dan kanan. 4. Avoid casting any light on the gel background. Casting Elakkan cahaya latar   belakang apapun pada gel. Release the shutter for the second shot. The beautiful red petals of the cattleya are sure to attract the eye. But when captured in double exposure, they become a piece of fine art. Lepaskan rana untuk tembakan kedua.

The kelopak merah indah cattleya yang yakin untuk menarik mata pendedahan. Tapi ketika ditangkap ganda, mereka menjadi sebahagian daripada seni rupa.