Lorne Lofsky Approaches To Jazz Vol I the following examples number 1 thru 21. Most examples are complete, however a few are partial transcriptions due to space. The warm up e xercise and the harmonics are not transcribed. We feel the explanation is satisfactory. Lorne wants you to know he identified the Charleston figure incorrectly. You do play on the beat of one and the up beat of two, however they are short (cut off) and not tied. You will see the correct rhythm in the trancriptions. EX 1 C7
G7
ww
9 8
10 9
w 4 & 4 w b ww G7
10 9
G7
w &w
E7
ww
C7
b ww
b ww
10 9
9 8
9 8
A7
# ww
# ww
7 6
6 5
E7
G7
D7
A7
˙˙ # ˙˙
# n ww
D7
# ˙˙ # n ˙˙
7
10 9
EX 2
&
5 4
G7
œj
4 3
7 6
6 5
5 4
G7
œ œ œ œ œ œ œœ b œœ œ œœj b œ œ œ œ œ œ œ œ œ œ b œœ œ œ œ C7
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