II V I Lick 1) The Cmaj7 chord is anticipated in the second bar.
Licks de Mike Stern Rhythm Changes Lick 1) This lick is for a rhythm changes in Bb with a pick up to the 5th bar.
Dominant Lick 1) This lick is a rhythmical idea for a G7(#11) chord. The basis of the lick is an Fmaj7(#5) arpeggio, which gives us the following functions : b7 9 #11 13.
Licks de Pat Martinho Dominant Licks
1) The first lick is a V - I minor lick. If the second chord would be a major chord, change the last note to an 'e natural'.
2) This is a sixteenth note lick with a lot of chromatism.
3) This lick uses a simple rhythmic idea.
Minor Licks 1) This minor lick is build around a C major arpeggio, a common substitute for A minor.
2) This one is also build around a C major arpeggio.
3) This lick is a real classic.
Licks de Scott Henderson
Licks menores 1) Chromatism.
2) Pentatonic start, chromatic end.
Licks Dominantes 1) A lick in the G Mixolydian scale.
2) Rhythmic replacement of a pattern.
3) This lick starts and ends with the G Bebop scale.
Licks V-I 1) Notice the D7#9 chord shape.
Licks Para II-V-I 1) This lick uses a diminished scale in the second bar.
2) In this lick, the second part of the second bar is a Fm7b5 arpeggio. The third bar uses a C Lydian scale.
3) There's a B diminished scale in the second bar in this 2 5 1 lick..
Licks para II-V-I menor 1) You can think Dm6 over the Bm7b5 in this lick.
2) The E7 has a flat 9 here.
3) Also a flat 9 on the A7.
4) Recognize the em7b5 chord shape in the first bar.
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