lee-konitz-10-step-method all the things

Lee Konitz : Ten Gradients of Improvisation 1st Gradient

     Db^

     2nd



Fm7



    



Bbm7 



 

 

  

Eb7

G7

  

 

Fm7

on "All the Things you Are"

Bbm7 



G7                3

3

    C^ 



  



   Eb7   

Db^



Ab^

C^



3

3



  

Ab^ 







Ab^  Eb7                                

3rd Fm7 

Bbm7

3

3

G7             

    C^  

Db^

       4th Fm7

Bbm7 

       Eb7  3

3

  



Ab^        

         C^              

  

G7

Db^

3

JazzGuitarLessons.net



2

       5th Fm7

Bbm7 





                Ab^

Eb7



G7        C^                   Db^

 

Still using melody targets but displacing for new melodies Fm7 Bbm7 6th

Eb7  Ab^                                

                           Db^

G7

C^

3

More new melodies 7th Fm7

Eb7 Ab^                                       Bbm7

C^                                   G7

Db^

3

3



still a subtle reference to the original song

8th

Fm7 

    

Bbm7 Ab^   Eb7                     

Db^          

3

          C^     

G7

3



Totally new theme

9th

3

Eb7 Ab^         3                        Db^ G7 C^                                 Fm7

Bbm7

An act of PURE inspiration

10th

Fm7

       Db^

      

Bbm7

   

Eb7

Ab^

   

   

G7

C^

   

   

   