May 10, 2017 | Author: Po Tsang Chen | Category: N/A
Le Api soprano saxophone & piano
Antonino Pasculli
transcription by Kenneth Tse
reedmusi c .com
Preface Antonio Pasculli was born on October 13th, 1842 in Palermo. He began his career as a virtuosic oboist at the age of 14 and by the time he was 18, was professor of oboe and English horn at the Regio Conservatorio di Palermo, a position he held until he became blind in 1913. He was appointed director of the Corpo Municipale di Musica di Palermo in 1879, but due to his advancing blindness he withdrew from active concert life in 1884 and lived until 1924. Pasculli composed numerous fantasies for oboe and orchestra on themes from the operas of Bellini, Donizetti, Meyerbeer, Rossini and Verdi. His compositions were often considered to be too difficult to be performed and therefore were forgotten by oboists until modern times. Le Api for oboe and piano was first published in 1905 and was dedicated to the Conservatorio di Musica di Palermo. Although similar to Rimsky-Korsakov’s Flight of the Bumble Bee, Le Api was written first, and is part of the three virtuosic studies Pasculli wrote for the oboe. From a postscript to the third study we learn that these were first performed in the big hall of the Conservatorio di musica in Milan on July 14, 1874. Kenneth Tse has transcribed the work for the soprano saxophone in its original key. The long legato ties are performed with circular breathing and there is only one place where the player can take a breath (break between phrases) in the entire piece. In practising and performing Le Api IMPORTANT CAUTION 1) One must stretch and warm up the muscles thoroughly, especially the arms (all flexors and extensors of the digits and Brachioradialis) and the upper back (Trapezius and Rhomboids), before practising Le Api. This is vital! One can hurt the muscles unknowingly until it is too late. Strengthen your muscles through exercise and make sure your shoulders are pulled back. 2) One must practise it first in increments and then in sections, and not the entire piece repeatedly. Rest the muscles as often as possible. Due to the much heavier keys on the soprano saxophone, the action and the strength required are much more than the oboe. 3) Practise circular breathing separately. One must be proficient in the technique of circular breathing before performing Le Api. Plan the places where you would execute circular breathing carefully and be consistent. It is very difficult to do so unplanned. 4) Obviously, it is possible to use this piece as a finger exercise without performing it in its entirety.
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for Conservatorio di Musica di Palermo
Le Api
characteristic studies
Allegro vivacissimo q = 72
pianissimo simile al ronzio delle Api
4
Antonio Pasculli trans. by Kenneth Tse
soprano saxophone & piano
7
ppp
sempre legato al fine
11
ppp e senza mai rallentare
14
17
20
23
26
ppp senza rallentare
Le Api © 2007 Reed Music Pty Ltd RM216 ISMN M-720059-84-6 www.reedmusic.com All Rights Reserved
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
2
29
32
35
38
cresc. poco a poco
41
44
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mf
50
cresc.
53
55
ff
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3
57
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61
p
63
ppp
66
senza rallentare
pp
69
71
cresc.
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75
77
ppp
RM216 www.reedmusic.com
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[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
4
80
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pp
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pp
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f senza rallentare
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RM216 www.reedmusic.com
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
5
ppp
101
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RM216 www.reedmusic.com
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6
ppp subito senza rall.
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RM216 www.reedmusic.com
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ff
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RM216 www.reedmusic.com
Licensed to:
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8 più mosso
172
ff
174
176
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184
dim.
188
ppp
191
sempre più piano
194
cresc.
f
RM216 www.reedmusic.com
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
for Conservatorio di Musica di Palermo
Le Api soprano saxophone & piano
Antonio Pasculli trans. by Kenneth Tse
characteristic studies
Allegro vivacissimo q = 72
pianissimo simile al ronzio delle Api
4
don’t steal music
ppp
ppp
7
Le Api © 2007 Reed Music Pty Ltd RM216 ISMN M-720059-84-6 www.reedmusic.com All Rights Reserved
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
2 sempre legato al fine
11
ppp e senza mai rallentare
ppp una corda
14
17
20
RM216 www.reedmusic.com
pppp
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
3
23
ppp
26
ppp senza rallentare
ppp leggerissimo e senza rall.
32
29
RM216 www.reedmusic.com
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4
35
cresc. poco a poco
38
cresc. a poco a poco
41
44
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Licensed to:
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5
47
mf
mf
cresc.
50
cresc.
cresc.
53
56
ff
ff
ff
RM216 www.reedmusic.com
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6
59
dim.
62
ppp
p
p
dim.
ppp
65
senza rallentare
68
pp
ppp leggerissimo
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7
71
74
cresc.
77
ppp
ppp
80
RM216 www.reedmusic.com
pp
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8
83
pp
pp legatissimo
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pp
pp
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9
95
f senza rallentare
98
ppp
101
ppp
104
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10
107
pp
110
113
116
RM216 www.reedmusic.com
p
cresc.
Licensed to:
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11
119
122
125
128
f
ppp subito senza rall.
ppp subito senza rall.
RM216 www.reedmusic.com
Licensed to:
[email protected] no.378,Kuang-Ming 5th street 378, Hsinchu County, Jubei city 302, Taiwan
12
131
134
140
137
RM216 www.reedmusic.com
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13
143
ppp leggero
146
150
154
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14
157
ff
mf
161
164
167
RM216 www.reedmusic.com
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15
170
più mosso
ff
ff
173
176
180
p
RM216 www.reedmusic.com
Licensed to:
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16
184
dim.
188
ppp
ppp
191
sempre più piano
sempre ppp
194
cresc.
ff
f
RM216 www.reedmusic.com
Licensed to:
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