Laurence Sterne - Tristram Shandy

Laurence Sterne - Tristram Tristram Shandy This book is about a reader trying to read a book called If on a winter's night a traveler. The first chapter and every odd-numbered chapter are in the second person, and tell the reader what he is doing in  preparation for reading the next chapter. The even-numbered chapters are all single chapters from whichever book the reader is trying to read.

Plot summary The book begins with a chapter on the art and nature of reading, and is subsequently divided into twentytwo passages. The odd-numbered passages and the final passage are narrated in the second person. That is, they concern events purportedly happening to the novel's reader. !ome contain further discussions about whether the male, narrated "you" is the same as the "you" that is actually reading.# These chapters concern the reader's adventures in reading Italo $alvino's novel, If on a winter's night a traveler. %ventually the reader meets a woman, who is also addressed in her own chapter, separately, and also in the second person. <ernating between second-person narrative chapters of this story are the remaining even# passages, each of which is a first chapter in ten different novels, of widely varying style, genre, and subect-matter. &ll are broken off, for various reasons explained in the interspersed passages, most of them at some moment of plot climax. &fter reading the first chapter which is really the second chapter of the actual book#, the reader finds the  book is misprinted and contains only more more copies of that same chapter. (hen (hen he goes to return it he is given a replacement book, but this turns out to be another novel altogether. )ust as he becomes engrossed in that, it too is broken off* the pages, which were uncut, turn out to have been largely blank. This cycle repeats itself, where the reader reads the first chapter of a book, cannot find the other chapters in his copy of the book, so he goes out to find another copy. +ut the new copy he gets turns out to be another book altogether. The second-person narrative passages develop into a fairly cohesive novel that puts its two protagonists on the track of an international book-fraud conspiracy, a mischievous translator, a reclusive novelist, a collapsing publishing house, and several repressive governments. The chapters which are the first chapters of different books all push the narrative chapters along. Themes which are introduced in each of the first chapters will then exist in proceeding narrative chapters, such as after reading the first chapter of a detective novel, then the narrative story takes on a few common detective-style themes. There are also phrases and descriptions which will be eerily similar between the narrative and first-chapter chapters. The ending exposes a hidden element to the entire book, where the actual first-chapter titles which are the titles of the books that the reader is trying to read# make up a single coherent sentence, which would make a rather interesting start for a book.

The title If on a winter's night a traveler is a good indicator of this novel which is reminiscent of aurence !terne's Tristram !handy. !handy. The book commences on a hypothesis of novelistic elements "If..."# "I f..."# on a when, a someone...would do what &ccording to this book, the entire novel, even its plot, is an open traectory where even the author himself questions his motives of the writing process. This theme  a writer's obectivity  is also explored in $alvino's novel /r. 0alomar, which explores if absolute obectivity is  possible, or even agreeable. 1ther themes include the subectivity of meaning associated with poststructuralism#, the relationship between fiction and life, what makes an ideal reader and author, and authorial originality.