La Storia - Jacob de Haan - Set of Clarinets

LA STORIA (Jacob de Haan) Film music is usually written to match the action in a scenario. Sometimes the opposite is true as is proved by Jacob de Haan’s piece La Storia. Written for creative musicians and audiences, the listener is given the opportunity of making up his own story to fit the music, without even the restriction of composer’s comments

LA STORIA

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI) Andante 

Clarinet in B  1

 

Clarinet in B  2

 

Clarinet in B  3

 

Clarinet in B  4

 

Clarinet in B  5

 



Bass Clarinet

 



B  Cl. 1

B  Cl. 2

 

 

   







Arr. by Gino Gonçals

      

    

 

    

        

   





  







  



           

B  Cl. 4



B  Cl. 5



B. Cl.



 



  

      





 









        

               

B  Cl. 3



  







  



©Gino Gonçals

   



   

 



   

 



Allegro 

molto ritenuto.



  



  

 

                     

A

2















 



 



 

B  Cl. 1





B  Cl. 2





B  Cl. 3





B  Cl. 4

                                             

B  Cl. 5



B. Cl.



B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.





LA STORIA



 

      

                

  



         



                

 



     

     



 





 









            

     

  



 

    

       



                           



  

  

                                                                  

                 

       





       



        

                         



B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.



                        

              

                                                   

      



                



       

      



      

                

   

     

       

        

   

        

          

                           

3

LA STORIA

 

   



          

      

 

                 

  

     











       



 



      



  

             

       





 





        

     

           

  

     





  

  

 

   





 



  

  

  

   



  

LA STORIA B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

                           

B

          



  

  

  

  

  

  

  



  

 

       

                

    

 

   

  

                                    

 



 

 

4

                

  

  

  

  

  

  



  

            a la CODA              a la CODA                       a la CODA

a la CODA

           a la CODA          a la CODA               

     

  



C                   

       

  

   

 

         

       

 

5

LA STORIA B  Cl. 1

 

    

 

  

B  Cl. 2

 

  



 

B  Cl. 3

 

    



 

B  Cl. 4

B  Cl. 5

B. Cl.

    

     

      

  



B  Cl. 1

     

B  Cl. 2

     

B  Cl. 3

 

B  Cl. 4



B  Cl. 5



B. Cl.



  

       

  

                                           

      

   

  

       3       3

     3

   3

         3

3

3

3

3

3

                 3   3 

             

  

 

  

D

 

   



          

   



                                                                                      

LA STORIA B  Cl. 1

B  Cl. 2

              

                

B  Cl. 3

            



 

B  Cl. 4

          



 

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

           

              



         

 

                    

             



 

B  Cl. 4

          



 

B. Cl.

             



         

 

  



          

        



            

    

              

                  

      

    

B  Cl. 3

B  Cl. 5

6

            

 



                 

                          





        





         

 

            

E

  

  

      

                               

                          

B  Cl. 1

    

B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



                                                                                              

     

    

7

LA STORIA

             

Larghetto 

            

 









    















 

































    F

 

                

             



       















 

                   

        



      













   

    

             

      

 

        

 

             

LA STORIA

B  Cl. 1

B  Cl. 2

B  Cl. 3

  

B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



       

     



             

8

  



  

   









   





































































 



    



    

        



     

       

   

                                           



 



  

   

G



    

         





    

























       

                                      

9

LA STORIA B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

        

  

 







 







 



        



 





             

   

    

                   

       

H

     









     

   

                    

 



 





















                             

         

                        

    

   

               









         

 

                                                

     









  



  

 





 

  



 

LA STORIA

10

B  Cl. 1

 











B  Cl. 2

 











I

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

J



      



      

             

                                                                                 









  







  









          



  

             

      

      

    





  

















 

B  Cl. 3

                                                      

B  Cl. 4

                                                

B  Cl. 5

B. Cl.

  



 



  

 





  

  



  







  

     

 

B  Cl. 1



B  Cl. 2



B  Cl. 3

B  Cl. 4



 



     



    





 



   



    

 

    

    

                               

B. Cl.



B  Cl. 2



11

                              

B  Cl. 5

B  Cl. 1

LA STORIA



    







    

 

    





  

K

                           

  



   



    





    



    

  



 

       

         

B  Cl. 3

                                    

B  Cl. 4

                        

B  Cl. 5

B. Cl.

              



  

                



 





 

  



  

                  

Allegro  128

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

LA STORIA

      molto ritenuto.                                                                                                                            



              

                           

12







                                       

                





                             

 



  

 al Coda  

     D.S. al Coda       D.S.

D.S. al Coda                               



D.S. al Coda                                               D.S. al Coda                                           D.S. al Coda                                  

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

 a la CODA                a la CODA              a la CODA              a la CODA              a la CODA                 a la CODA                     

 





                      

     

 



 







 







 



LA STORIA

    

     

    









              

          



     

                    



   





          

 



           

       

 

       

       

 

       

 

       





































        

  

        

  

 

rallentando

       

Andante expressivo 

  

     

13

        

  

LA STORIA B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4



L























  

      

                   

14

















        





  





  

 

           

     

  







  



                        





  

                                                                                      

B  Cl. 5



B. Cl.



 

                      

  

                                   

          

     

 

LA STORIA B  Cl. 1





B  Cl. 2



B  Cl. 3



B  Cl. 4



B  Cl. 5



B. Cl.



B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.





   







                                                 

    

      

  



 





    

M

    

    



 





       

    



            



                                        

           



          

 



15

   

          

      

     

             



   

   

LA STORIA B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4





N



     

                        



                                



    

    

   



  

   



16

       



       



                                                                                



B. Cl.



 

    

       

    

        

       

        

B  Cl. 5





      

  

         



  



    

      

       

  

   

      

     

   



  



   

     

  



  



 

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

                     





   









  















         

B  Cl. 1



B  Cl. 2



     

B  Cl. 3

   

B  Cl. 4



B  Cl. 5



B. Cl.



  

  

 











LA STORIA

O

17

         

                                                                             

                         

                               3                                  3                            

  



                                         

   

B  Cl. 1

B  Cl. 2

B  Cl. 3

B  Cl. 4

B  Cl. 5

B. Cl.

             

LA STORIA

    

                                               

 

         

   

              

  

 

          

 



 

molto ritenuto.

3







      



  

 3

 



 













18

     

LA STORIA

Clarinet 1ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

                           

Andante 

  



Allegro           molto   ritenuto.    

A





 



  



    





                                            B                                                        a la CODA                                                          C                                                  3    3  D                                                                   Larghetto E                                             



                     



              

 



            

                         

G

                     F



©Gino Gonçals

        

                



LA STORIA

     H                                  

      

      

 

I

2

  



J        

              



     

Allegro   128                                                  molto ritenuto.   CODA D.S.  al Coda                                                           Andante expressivo                                 rallentando L  M                                 

    

K

               

N

      

    

        

 

           

        





 

               

O

               

                  

                 



         molto ritenuto.



 



LA STORIA

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)

Andante 

 

  

 

     

        



Allegro 

    

     C

        





 



                                                             

molto ritenuto.

         

Jacob de Haan

Arr. by Gino Gonçals

  

      

       

              

   



 

A

    

     

      

       

              

     

a la CODA

  







       

B



         3

3



                                                                    D

Larghetto  E                                                      



   

  



 

 

                 



      



     

F

                 

           ©Gino Gonçals



G

    

  



             

H

     

LA STORIA

2

                                              I

J

                                                            K

                                               molto ritenuto.  D.S. al Coda  CODA                                           Andante expressivo  L                                          

Allegro  128

rallentando

                            M                         N                                       



                  

                             

          

                   

               

              

       3





         

O

 

 

        

molto ritenuto.









 



LA STORIA

Clarinet 2ºB  Andante 

 

 



    

molto ritenuto.                

     

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

 



       

     



 

   

Allegro 

  

            

       

       



A

       



   

     

 



 



                   

B

C              a la CODA                             

               

Arr. by Gino Gonçals



   

 

  



            





 

             D                    3 3  

                                                                                                      E

Larghetto 



  

F                    

           

          

               



   

G                                         

H                                                          ©Gino Gonçals

LA STORIA I

   

                                     J

          

         

K

          

                            CODA D.S.  al Coda                        Allegro  128

     







      





2

   

                  molto ritenuto.

                                                 rallentando 

                        M                                                                  Andante expressivo  L

                                                O                                                            

N

                    

          

molto ritenuto.

3

 



LA STORIA

Clarinet 4ºB 

Arr. by Gino Gonçals

Andante 

  

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



     Allegro 

 

                                                                      molto  ritenuto. A

                                                                                  

                                                                                                                            C a la CODA                            B

         

       

            



                                                         3

3

D

                                                                                     

Larghetto 

E



 

      

 

F

G



  



 

 

 





 



  

      

©Gino Gonçals



   

 

 









   



LA STORIA

2

H

                                      I

                                                 J

                                                



K

                                    

molto ritenuto.

                             D.S. al Coda   CODA                           Allegro  128

  

 

       

       







   



  

                 

   





        

  

   

                 

                

O

       

Andante expressivo 

                                 

 



  

          





  

  





             



   

     



M

  



3

   

molto ritenuto. 3

    



              L

 



         

                       

                   

      rallentando   

       

N

 



 

      







  

LA STORIA

Clarinet 5ºB 

 

Andante 



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



Allegro 

















A

Arr. by Gino Gonçals







molto ritenuto.





  

                     

                                                                                     

                                     C a la CODA                                

B

                     

        

      

3

3

             

         

D

                                                     E   Larghetto                                                

 

F



       

 

G











  

H

                 

 



      



      I

 

©Gino Gonçals

 





   



 

    



               J

LA STORIA

        

 

2

            

     

                

                                               K

                            D.S.  al Coda   CODA                            

  

 



  



        







N

  



       

Andante expressivo 





  



  

 

       

  

          





 

                                      

  

              

Allegro  128

molto ritenuto.



  





         rallentando

       

  

  



     L

          









       



M





  

              

             

          

 

  

O





    

              

molto ritenuto.



  



  



  





LA STORIA (Cover of Clarinets, Aragón, S.XXI)

Clarinet Bass

Jacob de Haan Arr. by Gino Gonçals

 

Andante 

  



   

Allegro 

   

           

 

    



   

A







      

   

      

     



    

   



           

                           

     

   

molto ritenuto.



    

 

     



              B

a la CODA                                               

C

                                                     D                                                E    Larghetto                                                          3

  

  

   

3

                                            F

                                                                                              G

©Gino Gonçals

LA STORIA

2



                                                 I

J

H



    

                                        

                                       

molto ritenuto. Allegro  128                                         CODA                  D.S. al Coda                                     Andante expressivo                                            rallentando   L                                                                               

K





M



 

   

    

 

    

   





  



N                                                        

   

              

O

 

  

                     

                                    

molto ritenuto.









