Presentación del grupo "Bocata Campus" y elaborado por Alejandro García-Page. Escuela Universitaria de Toledo...
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LA OPERA EN EL SIGLO XX
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CARACTERISTICAS DE LA OPERA EN EL SIGLO XX EVOLUCION DE LAS SITUACIONES Y PERSONAJES DE LOS LIBRETOS. PROFUNDIDAD DRAMÁTICA MUY COMPLEJA VARIEDAD TEMATICA Y LA DIVERSIDAD DE PROPUESTAS HACE DIFICIL DEFINIR UN ESTILO ESPECIFICO. AUTORES PIENSAN QUE SI NO SE PRODUCE EVOLUCIÓN ES CUANDO MUERE EL GENERO OPERISTICO.
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COMPOSITORES EN LA TRANSICION PUCCINI:
- Bohéme (1896) - Tosca Tosca (1900) - Madame Butterly WAGNER: alemanes como Richard Strauss con sus operas
cómicas:
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ANTOLÍN DVORAK:
- Rusalka (1901) BÉLA BARTÓK:
- El castillo de barba azul (1918) SHÖNBERG:
- Die glückiche Hand (1924) - Erwartung (1928)
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COMPOSITORES MAS MODERNOS TIENDEN A INCORPORAR EN SUS OBRAS ESTILOS FOLCLÓRICOS,POPULARES Y JAZZISTICOS INTRODUCEN NUEVAS TECNOLOGIAS Y LA MÚSICA ELECTRONICA, ELECTRONI CA, ASI COMO COM O LA ADAPTACION ADAPTACION AL CINE DE OBRAS. ELEVADO COSTE DE SUS APORTACIONES PROVOCA UNA CRISIS FINANCIERA
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COMPOSITORES SIGLO XX RUSOS Prokófrev:
- El amor de las tres naranjas (1921) - Guerra y Paz (1944) Dimitri Shostakóvich:
- Lady Macbeth (1934)
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ESPAÑOLES Manuel de Falla:
- Vida breve (1913) ALEMANES Paul Hindemith:
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