Kodak Index to Photographic Information

KODAK Index to

Photographic Information

KODAK Index to Photographic

Information

In addition to manufacturing a multitude of photographic products, the Photographic Products Group of Eastman Kodak Company publishes more than 400 books, guides, and pamphlets relating to these products and to photographic techniques. The KODAK Index to Photographic Information is a comprehensive listing of Kodak photographic publications produced to help you obtain the best possible results from your photography.

HOW TO USE THIS INDEX Browsing Method If you are interested in a general area of photography rather than a specific application or topic, you may prefer to browse through the information on that area. Pages 3-18, list publications on general photographic topics by letter designation. For instance, A designates publications on "amateur" photography, and E covers "color photography." Look through the "Contents" to find the letter of the alphabet that covers the area of interest to you. Then turn to the page listed and check the titles with code numbers beginning with that letter.

Index Method To find information on a specific photographic topic or product, turn to the Alphabetical Subject List, page 19. When you find the topic or product you want, jot down the code number or numbers next to it. Next, find the code number or numbers in the publication listings beginning on page 3. The key gives the title, date of the most recent edition, and the price of the publication. Note: The date of the current printing or edition of a Kodak publication is usually indicated at the bottom of the last page or on the back cover of the publication.

Ordering Publications Many publications listed in this brochure are normally available from dealers who sell photo books. If they do not have a particular publication in stock, they can order it for you; or you can order it directly from Eastman Kodak Company at the listed price. Indicate the quantity you want to the left of the code number on the order form. Residents of Canada may order from Canadian photo dealers or from Kodak Canada Inc., 3500 Eglinton Avenue West, Toronto, Ontario M6M 1V3, Canada. Prices listed in this publication are in U.S. currency. Check with Kodak Canada for the latest Canadian list prices.

Cover photo by Gary Whelpley

- Eastman Kodak Company, 1987

CONTENTS Subject Material

Page

Amateur Photography (also under KW) 3 Filters 5 Arctic Photography 5 Publications About Kodak 5 CC Color Photography 5 E Black-and-White Films 6 F Black-and-White Papers 7 G Motion Picture, TV Applications (also under S) 8 H Chemicals, Processing, and Waste Disposal 9 J Darkroom Design and Construction 10 K Audiovisual Programs from Kodak 10 KV Amateur Photography (also under A) 13 KW Index and Catalog 13 L Library of Creative Photography 14 LC Aerial and Applied Photography 15 M Professional Studio Photography 15 o p Instrumentation, Industrial Professional, and Scientific Photography 15 R Exposure and Processing Guides 16 S Audiovisual Applications (also under KV and T) 16 T Audiovisual and Education (also under KV) 17 U Optical Materials 17 V Audiovisual (also under KV, S, and T) 18 W Chemistry 18 X International Publications 18 Z Process Monitoring Systems............................................................. 18 Alphabetical Subject List 19 A B C

2

A Amateur Photography (also under KW) Maintaining Your Still and Movie Camera and Projector AA-l 2-85; 30 Some Questions and Answers About Camera Lenses AA-3 12-85;25~ How to Make and Use a Pinhole Camera AA-5 4-86; 50~

How to Take Good Pictures (Ballantine Books) AC-36 For people who want better images without learning all there is to know about photography. Begins with ideas for picture improvements. Covers advanced techniques for photographing people, scenics, action, etc. Discusses films and cameras. 1987; 192 pages; $7.95 Exposure with Electronic Flash Units 12-86;50~ Photographing 12-86;50~

Slide Shows with a KODAK CAROUSELTMProjector 9-87; 50~

AA-6

A Glossary of Photographic Terms 12-86;50~

Fireworks

Astrophotography 2-87; $1

AC-37

AC-42

Basics

AC-48

AA-9

Pictures by Existing Light 12-86; $1

AC-61

How to Use an Eye-Level Viewfinder 11-85;25~

AA-23

Winter Photography-Better Pictures in the Snow 8-87; 75~

Optical Formulas and Their Applications 11-85;25~

AA-26

Close-up Photography with 35 mm Cameras 5--86;$1

AB-20

Photographing Television and Computer Screen Images AC-I0 4-86; $1 Picture-Taking in 5 Minutes 6-85; 25~ Tips for Photographing Trip Abroad 9-87;$1

AC-13

Your

Tropical Photography 4-87; 75~ How to Set Your Adjustable Camera 10-85; 15~

AC-17

AC-24

AC-27

AC-65

More Joy of Photography (Addison-Wesley) Softcover AC-70S Hardcover AC-70H Sequel to The Jay of Photography. Deals with developing a personal style of photography, techniques for getting the most out of equipment, plus 100 ideas for creative photography. 1986; 279 pages; $14.95 softcover and $24.95 hardcover The Joy of Photographing People (Addison-Wesley) Softcover AC-72S Hardcover AC-72H Offers the tools and techniques necessary to take better, more creative photos of people-from portraits and candid street photographs to weddings, children, and high-fashion photography. Includes tips on using camera and lighting equipment and taking more creative photographs. 1983; 240 pages; $14.95 softcover and $29.95 hardcover

The New Joy of Photography (Addison-Wesley) AC-75S Contains over 450 colorful photos that illustrate the full experience of modern photography with practical, straightforward information for every camera owner-increasing visual perception; understanding and using cameras, films, lenses, and filters; darkroom processes; and more. Includes many new topics, plus special portfolios by world-famous photographers Harry Callahan, Annie Leibovitz, and Eliot Porter that show their distinctive styles of photography. 1985; 302 pages; $16.95. Photographing Your Baby (Addison-Wesley) AC-94 Presents ideas on how to capture the first eighteen months of your child's life. Tells how to take pictures indoors with existing light or flash. Helps you choose cameras, film, and lenses. 1984; 144 pages; $9.95 KODAK Guide to 35 mm Photography AC-95 For the new 35 mm camera owner or for the more advanced photo hobbyist who wants to brush up on the basics. Covers such topics as camera handling, Kodak films, exposure, flash, lenses, and composition. Contains hundreds of colorful examples of good pictures. 1987; 288 pages; $9.95 Landscape Photography AC-97 Explains how to take fine landscape photographs. Covers aerial and linear perspective, style, composition, weather, lighting, cameras, and accessories. Instructs on how to transfer the grand dimension of landscape into an 8 x lO-inch print. Contains approximately 130 color and 20 black-and-white photographs, many by world-famous photographers. 1987; 112 pages; $12.95

3

1988 KODAK Desk Calendar Softcover AC-1l6S Hardcover AC-1l6H With The Landscape as its theme, the 1988 KODAK Desk Calendar presents a unique and exquisitely photographed view of landscapes throughout the world, emphasizing land through the language of colors, shapes, composition, and contrasts. 81/2" x 71/2"; $8.95 softcover and $11.95 hardcover Questions and Answers About KODAK Super 8 Movie Films AD-l 8-84;50~ No Hangups on Hookups 3-87; 75~ BIW Transparencies with KODAK PANATOMIC-X Film 3-86; 50~ Using U.SJCanadian KODAK Slide Projectors on 50 Hz 5-86; 50~ Video and Motion-Picture Running Times 8-86;50~ To Create a Photograph 5-87;$1 Introduction to Processing and Printing KODAK Color Films 10-87;$1

Push-Processing KODAK Black-and-White Films 11-84; 15~

KODAK Color Films for Still Cameras 10-86;$1

AE-41

Darkroom Design for Amateur Photographers AK-3 8-86;$1

Loading and Handling 35 mm Cameras 7-87; 50~

AE-46

Photos Help You When Disaster Strikes 2-85;45~

Selecting Slides for Color Prints and Duplicate Slides 6-82; 30~

AE-92

AD-51

KODAK Films-Color and Black-and-White AF-l Lists and describes Kodak films. Explains how to choose the right film, expose it, process it, and store it. Includes sections on DX electronic coding, tone reproduction objectives, and data sheets for 26 different films. Also explains film characteristics such as graininess, resolving power, and reciprocity. 1985;$8.95

AD-52

Accurate Exposure with Your Meter 9-87; 75~

AD-5

AD-50

AE-2

AE-12

Basic Developing, Printing, Enlarging in Color AE-13 Provides step-by-step information that shows you how to make prints from color slides and negatives, and how to process slide and print films. Helps you obtain better prints through dodging and burning in, and describes creative techniques, such as using texture screens. 1987;$5.95 Black-and-White Prints from KODAK Color Films AE-21 12-85;25~ Prevention and Removal of Fungus on Prints and Films 8-85;20~

Printing Color Films Developed as Black-and-White AE-31 4-86; 50~

AE-22

Choosing Your KODAK Black-and-White Photographic Papers 1-87;$1

AF-9

AG-26

Basic Developing and Printing in Black-and-White AJ-2 Provides a foundation for black-andwhite darkroom techniques. Tells step by step how beginners can develop their films and make their own prints and enlargements. 1987; 72 pages; $4.95 How to Process and Print Black-and-White Films 12-85;$1

How to Decorate with Photographs 3-81;50~

AJ-3D

AM-4

AM-14

KODAK Pocket Photo guide AR-21 Provides a wealth of information on films, exposure, filters, lenses, flash, close-ups, and other essentials. Contains dial computers, tables, charts, and a brief text for taking still pictures in color and black-and-white on both roll and sheet films. 1986; 40 pages; $12.95 KODAK Pocket Guide to 35 mm Photography AR-22 Provides the photographer with onthe-spot information for almost any 35 mm problem. In addition to explaining camera, flash, and filter operation, it gives a variety of tips with chapters on action, nature, people, existing light, landscapes, special effects, and more. 1983; 112 pages; $5.95 KODAK Pocket Guide to Sports Photography AR-23 A take-along reference guide and howto book for taking dynamic pictures of sports activities. Covers how to handle crowds, find vantage points, choose a film, and compensate for artificial lighting in stadiums and gyms. 1984; 112 pages; $5.95

AJ-3

Making a Photographic Emulsion 4-86;50~

AJ-12

Some Chemical Reactions in Photography 2-87; 25~

AJ-lS

KODAK Pocket Guide to Great Picture-Taking AR-24 For beginning photographers who use 110, disc, or 35 mm cameras. Shows comparisons of what works and what doesn't, and gives simple tips for photographing action, people, and outdoor scenes. Covers composition, lighting, equipment, and more. 1984; 112 pages; $5.95

KODAK Pocket Guide to Travel Photography AR-25 A comprehensive picture-taking guide for all who enjoy photographing their travels. Illustrates how to shoot important landmarks, architecture, interiors, marketplaces, street life, people, festivals, wildlife, and landscapes. Also contains valuable information on customs, security, planning your trip and attire, storytelling with your camera, and more. 1985; 112 pages; $5.95 KODAK Pocket Guide to Nature Photography AR-26 Provides helpful information on taking close-ups of the forest floor; controlling lighting with diffusers, reflectors, and flash; and stalking wildlife. Discusses equipment and techniques for a variety of nature subjects: sky, trees, water, flowers, reptiles, insects, birds, and more. 1985; 112 pages; $5.95 KODAK Pocket Guide to Photographing Your Cat 1985; 112 pages; $5.95

AR-27

KODAK Pocket Guide to Photographing Your Dog AR-28 These books show you how to take pictures that capture your pet's personality. Each begins with photo basics, explaining exposure, depth of field, film choice, and use of flash. Gives tips on using simple cameras for pet photography. Also explains how to hold pet's attention, use backgrounds, photograph pets with people, choose good viewpoints, and even picture a day in the life of a cat ordog. 1985; 112 pages; $5.95

B Filters KODAK Filters for Scientific CJ K and Technical Uses B-3 Contains basic information about the various types of Kodak filters and their physical, optical, and transmission characteristics. Includes colormetric specifications and spectrophotometric absorption curves. Describes spectral characteristics of the filters for practical optical and photographic applications. 1985; 96 pages; $11.95

E-S

KODAK Color Films: The Difference Between Professional Films and General PictureTaking Films E-6 7-87;5O~ Pathways to Color 5-87;85¢

E-11

E-14

Making Professional Prints on KODAK EKTACHROME Papers and Overhead Material E-16 8-86; $1.50

CC Publications About Kodak

Note: Send requests for the following publications about Kodak (CC-8,CC-13,CCl-15) to Communications & Public Affairs Department, Eastman Kodak Company, Rochester, New York 14650. Welcome to Kodak ParkThis Is Our Story CC-8 Describes of the manufacture of photographic film, paper, and chemicals at Kodak Park. 8-82; No Charge (limit of one) George Eastman CC-13 Presents a brief biography of George Eastman. 1953; No Charge (limit of one) The Lengthened Shadow of a Man CCI-15 9-87; No Charge (limit of one)

Photo Reports Make It Happen 11-82;30~

KODACOLOR VR-G 100 Film 8-87;60~

E-2

KODACOLOR VR-G 200 Film 8-86; 20~

E-3

Photo Explorations AT-16 Contains 101 four-page exercises for students of basic and advanced photography. 1978; 517.95

KODACOLOR VR 1000 Film 12-84;20~

C-9

KODAK Pocket Guide to Video Helps videographers choose and set up a video system and make great videos. AR-29 1987; 112 pages; $5.95

AT-5

E-4

KODAKEKTACOLORPLUS Paper for the Photofinisher 1-87; 20¢

C Arctic Photography Photography Under Arctic .Conditions 12-85;$1

KODACOLOR VR-G 400 Film 9-87;5O~

E Color Photography

KODAK DURAFLEX Print Material 10-86;20¢

E-17

KODAK EKTACOLOR PLUS and Professional Papers for the Professional Finisher E-18 3-86; 20¢ KODAK EKTACOLOR 2001 Paper and EKTACOLOR RA Chemicals for Photo finishers 9-86; 20~

E-19

KODAK DURA TRANS Display Material 8-85; 20¢

E-20

Using KODAK VERICOLOR Slide and Print Films 7-87; $1

E-24

Balancing KODAK VERICOLOR Intemegative Films (4112 and 6011) E-24S 2-87; $1 Balancing KODAK VERICOLOR Intemegative Film, Type 2 (4114) E-24T 2-87;$1 KODAK VERICOLOR III Professional Film, Type S 5-87; 20~

E-26

5

KODAK EKTACHROME 100 Professional Film 6-87; 60~

E-27

Storage and Care of KODAK Films and Papers--Before and After Processing E-30 1O-85;50~ Reciprocity Data: KODAK Films' 1-87;5O~

E-31

Special Exposure and Filter Data for KODAK Color Films E-34 9-87; 50~ KODAK EKTACHROME PS00l1600 Professional Film 12-86;20~ KODAK EKTACHROME Professional Films (Process E-6) 11-86; 20~ KODAK EKTACHROME Duplicating Films (Process E-6) 6-87; 20~ KODACHROME 40 Film 5070 (Type A) 6-84;20~ KODACHROME 25, 64, and 200 Professional Film (Daylight) 8-86; 20~

E-35

E-37

E-38

E-50

E-55

KODAK VERlCOLOR HC Professional Film 6-87; 60~

E-56

Gaseous-Burst Agitation in Processing 12-85;$1

E-57

Practical Densitometry 11-85;$2

E-59

KODAK Curve-Plotting Graph Paper (25 sheets) E-64 Provides professional, commercial, and industrial color laboratories with a quick and easy way of plotting steptablet or gray-scale images made on black-and-white and color films. 1981;$4.50 Finishing Prints on KODAK Water-Resistant Papers 9-85;301:'

E-67

Retouching Transparencies KODAK EKTACHROME Film 11-86; $1

on E-68

The Retouching Target for Transparencies on KODAK EKTACHROME Films, Process E-6 E-68a Provides a method for evaluating the effects of retouching on KODAK EKTACHROME Films, Process E-6, for photomechanical reproduction or photographic duplication. This is an 8 x LO-inch duplicate transparency made on KODAK EKTACHROME Duplicating Film / 6121 that contains the images of 16 color patches in a clear film surround. Packaged in an envelope imprinted with instructions; includes a copy of KODAK Publication No. E-68. 1983;$35 Retouching Prints on KODAK EKTACOLOR and EKTACHROME Papers E-70 3-87;$1 Retouching Color Negatives 11-86;5O~ Why a Color May Not Reproduce Correctly 6-87;50~

Photographic Retouching E-97 Provides comprehensive information on the art and science of photographic retouching. Includes sections on tools and materials; blackand-white, color, and color separation negatives; black-and-white, color, and dye transfer prints; color transparencies; emulsion stripping; cutting and butting; and much more. 1987; $24.95 KODAK EKTACHROME Copy Papers and Overhead Material 4-86;20~

E-I01

KODAK EKTACHROME 22 Paper E-I02 4-86;20~ Color Photography Under Fluorescent and High-Intensity Discharge Lamps E-I04 8-87; 75~ Reference Chart for KODAK Color Reversal Products E-170 9-86;$1

E-73 I

E-84

KODAK VERlCOLOR ID/Copy Film (4078) and KODAK VERlCOLOR III ID Film (5078) E-90 8-86; 20~ Retouching Color-Separation Negatives 5-86;$1

E-92

E-71

KODAK Color Films and Papers for Professionals E-77 Describes characteristics of professional Kodak films and papers, and explains how to handle, expose, and store them. Includes information on chemicals, filters, color reproduction, processing, and much more. Includes data sheets with technical data and sensitometric curves for 38 color films and papers. 1986; 132 pages; $12.95 Backlit Displays with KODAK Materials 7-86; $2

Retouching Dye Transfer Prints 6-86;$1

F Black-and-White Films Code Notches for KODAK Sheet Films 5-86;60~

F-3

KODAK Color & BIW Films for Still and Movie Cameras F-4 5-87;$1 KODAK Professional Black-and-White Films F-5 Introduces you to the many varieties and uses of Kodak black-and-white films, including new KODAK T-MAX Professional Films. Includes sections on film characteristics and choosing a film. A data section describes the many Kodak black-and-white films and gives technical information. 1987; 88 pages; $8.95 KODAK Roller Transport Cleanup Film 4955 7-85;20~

F-8

E-91 Contrast Index-A for Development 5-86;$1

Criterion F-14

Understanding White Quality 11-86; $1.50

Black-and-

Understanding Graininess and Granularity 2-87;$1.50

F-20

KODAK Professional BIW Duplicating Film / 4168 7-85; 20¢

F-22

KODAK DURAFLO Chemicals 11-84;20¢

F-23

Small-Batch Reversal Processing of KODAK BIW Films G-9 3-87; $1

KODAKT-MAX Professional Films 8-87;$1

F-25

KODAKPOLYCONTRAST Filter Computer G-U Helps you calculate the new exposure time when changing the print contrast with POL YCONTRAST Filters. Density range computer helps you find the correct POL YCONTRAST Filter to use with a particular negative. 1981; 4 pages; $3.25

Papers

Quality Enlarging with KODAK Black-and-White Papers G-1 Defines quality prints for several uses. Relates physical and sensitometric characteristics of Kodak papers to enlarging. Includes several special enlarging techniques. Also includes instructions on print processing, toning, and processing for increased print stability. 1985; 156 pages; $12 Care and Identification of 19th-Century Photographic Prints G-2S This book is an invaluable aid to collectors, photo historians, librarians, and curators. Gives information on the history of 19th century printing, identifying and understanding types of prints, storage and display, and forms of deterioration. 1986; 116 pages; $24.95 Flow Chart for Identification Guide G-2Sa Explains how to identify various photographic and photomechanical processes. 1986;55 KODAK POLYPRINT RC Paper

Note: First digit indicates width only. Films are listed in order of the last

BIW Print Processing with the

Conservation of Photographs F-40 Explains the photographic image, in black-and-white and color, and the factors that determine its stability. Contains information on collection management, storage, display, photographic reproduction, and restoration. 1985; 156 pages; $29.95 G Black-and-White

G-4

G-3

KODAK ROYALPRINT Processor 8-80; 35¢

G-6

COLOR CAMERA FIlMS three digits. EASTMAN EKTACHROME Video News Film (Daylight) 5329 (35 mm) and 7239 (16 mm) H-1-5239 9-83;40¢ EASTMAN EKTACHROME Video News Film (Tungsten) 5240 (35 mm) and 7240 (16 rnm) H-1-5240 4-81;40¢ EASTMAN Color Negative Film 5247 (35 mm) H-1-5247 12-86;40¢

KODAK POLYCONTRAST Rapid II RC Paper 3-87; 20¢

G-15

Printmaking with KODAK EUTE Fine-Art Paper 7-86; $2

G-18

KODAK EliTE Fine-Art Paper 4-86; 20¢

G-19

EASTMAN EKTACHROME High Speed Daylight Film 7251 (16 mm) H-1-7251 11-86; 40¢

G-20

EASTMAN Color Negative Film 7291 (16 mm) H-1-7291 9-86;40¢

KODAK POLYFIBER Paper 8-87; 60¢ The ABCs of Toning 1984;$3.50 Stabilization with KODAK EKTAMATIC Products 10-83; 40¢

G-23

G-25

H Motion-Picture, TV Applications (also under S) EASTMAN Professional Motion Picture Films H-1 Includes product information and emphasizes the special attributes of Kodak's professional motion picture films. Helps you select the film best suited for the job at hand. 1982; 120 pages; $9.95

EASTMAN EKTACHROME Video News Film High Speed 7250 (Tungsten) H-1-7250 2-83; 40¢

EASTMAN Color High Speed Negative Film (16 mm) H-1-7292 9-86; 40¢ EASTMAN Color High Speed Negative Film 5294 (35 mm) H-1-5294 9-86; 40¢ EASTMAN Color High Speed SA Negative Film 5295 (35 mm and 65 mm) H-1-5295 5-87; No Charge EASTMAN Color High Speed Daylight Negative Film 5297 (35 mm and 65 mm) and 7297 (16 mm) H-1-5297 5-87; No Charge EASTMAN Color Print Film 5384 (35 mm) and 7384 (16 mm) H-1-5384 1-85;40¢ 7

BLACK-AND- WHITE CAMERA FILMS

BLACK-AND- WHITE LABORATORY FILMS

EASlMAN DOUBLE-XNegative Film 5222(35 mm) and 7222(16 mm) H-1-5222 3-85;40~

EASlMAN Fine Grain Duplicating Panchromatic Negative Film 5234(35 nun) and 7234(16mm) H-1-5234 9-84;40~

EASlMAN 4-XNegative Film 5224(35 nun) and 7224(16 mm) H-1-5224 3-83;4O~ EASlMAN PLUS-XNegative Film 5231(35 nun) and 7231(16 nun) H-1-5231 8-82; 4O~ KODAK PLUS-XReversal Film 7276(16 mrn) H-1-7276 9-84; 4O~ KODAK 4-XReversal Film 7277(16 mm) H-l-7277 2-83;40~ KODAK TRI-X Reversal Film 7278(16mm) H-1-7278 1-85;40~ EASlMAN Television Recording Film 7374(16mm) H-1-7374 11-84;40~ DATAKODE Magnetic Control Surface 10-85;40~ COLOR LABORATORY

H-1-9000

FILMS

EASlMAN Color Intermediate II Film 5243(35mm) and 7243(16 nun) H-1-5243 1-84;40~ EASlMAN Color Reversal Intermediate Film 5249 (35mm) and 7249 (16 mm) H-1-5249 1-84;40~ EASTMAN Color Intemegative II Film 5272(35 nun) and 7272(16mm) H-1-5272 5-83; 4O~

EASTMAN Panchromatic Separation Film 5235 (35nun) H-1-5235 9-84;40~ EASlMAN Direct MP Film 5360(35 mrn) and 7360(16 mm) H-1-5360 6-82;40~ EASTMAN High Contrast Positive Film 5362(35 nun) and 7352(16nun) H-1-5362 3-85;40~ EASTMAN Fine Grain Duplicating Positive Film 5366(35nun) and 7366(16mm) H-1-5366 3-85;40~ EASTMAN High Contrast Panchromatic Film 5369 H-1-5369 8-85;40~ EASlMAN Sound Recording II Film 5373(35 nun) and 7373(16 mm) H-1-5373 9-84;40~ COLOR RELEASE FILMS EASlMAN Color LC Print Film 5380(35nun) and 7380(16nun) H-1-5380 10-85; 4O~ EASlMAN EKTACHROME VN Print Film 5399(35 rnm) and 7399(16mm) H-1-5399 9-84;40~ BLACK-AND-WHITE FILMS

RELEASE

EASlMAN Fine Grain Release Positive Film 5302(35nun) and 7302(16nun) H-1-5302 8-85; 40~ EASlMAN Reversal BW Print Film 7361(16nun) H-1-7361 4-84; 40~

LEADER MATERIALS KODAK and EASTMAN Leaders (8 nun, 16 nun, 35 nun) H-1-5980 6-83; 4O~ Cinematographer's Field Guide-Motion Picture Camera Films H-2 Provides comprehensive info about 16 KODAK and EASTMAN Motion Picture Camera Films. Includes how to use light sources and filters, tips and techniques on storage, care, shooting for TV, tools, etc. Explains film-can label information, and how to order stock. Includes names, addresses and phone numbers of Kodak (motion picture) facilities worldwide. 1982; 102 pages; $8.95 The Complete KODAK Animation Book H-6 Shows how animation films are made. Covers history, career tips, techniques, and do-it-yourself exercises. Shows how major studios and independents create animation. Includes information on art collecting, worldwide suppliers, and more. 1983; 192 pages; $17.95 A Guide for Processing Black-and-White Motion Picture Films H-7 Provides detailed how-to information on black-and-white motion picture films, processing chemicals, handling and storage, etc. 1979; 60 pages; $5.95 TV Questions & Answers H-8 Promotes and encourages a better understanding of basic television system information. 3-83; $1 TAF User's Guide 9-87; No Charge

H-9

The Filmhandler's Checklist "Ten Commandments" of Film Care H-IO 8-83; 15~ Abridged Specifications for Process RVNP Using KODAK Packaged Chemicals H-12 10-79; $1

Abridged Specifications for Process CRI-l

H-21

8-83; $1

Mechanical Specifications for Process CRI-l (Wall Chart) H-22-1 2-84;$1

The Book of Film Care H-23 Contains comprehensive information on how to expose process, store, handle, project, and repair motion picture films. Covers such topics as history of films, current films, dye stability, storage and preservation, film handling, theatrical projection, rejuvenation, restoration, ESTAR Base MP Films. Includes a Film Care Checklist. 1983; 138 pages; $12.95 Manual for Processing EASTMAN Color Films: Volumes I and II H-24 1982; $200 (includes both volumes) Mechanical Specifications for Process ECP-2A (Wall Chart) H-24-1 2-84; $1

Television Graphics Production Template H-42 Contains a clear plastic template and instructions for preparing graphics for television use.

5-85; 90¢

Rewashing of EASTMAN Color Films, Rewash RW-l H-26 3-83; $1

Abridged Specifications for Process ECN-2

H-36

3-85; $1

Persulfate Bleach for Process ECN-2 H-36A 6-85;$2

Abridged Specifications for Process ECP-2A 7-82; $1

H-38

5-85; 15¢

8-76; $2

Mechanical Specifications for Process VNF-l (Wall Chart) H-4S-1

The Prevention of Contact Dermatitis in Photographic Work

J-4S

3-86; 50¢

2-81; $1

Mechanical Specifications for Process RVNP (Wall Chart) H-4S-2

KODAK Hypo Estimator J-11 Helps determine the thoroughness of washing processed photographic films and papers.

7-79; $1

1979;$5

The REELPEOPLE Collection H-SO Includes a collection of the best howto articles from the now out-of-print Kodak newsletter Film Notes for the Reel People. Topics include splicing techniques, projection practices, film handling and cleaning, and theatre management. 1984; 124 pages; $10

CHOICES-Choosing the Right Chemicals for Processing KODAK EKTACOLOR Papers in Minilabs J-15

Persulfate Bleach for Process ME-4, EC0-3, CRI-l, and VNF-l H-51

1-87; 20¢

6-82; $1.50

Motion-Picture Prints from Color Originals H-25 Tells you how to make prints from original film footage. Gives you details for judging the quality of your prints. A "must" for producers, laboratory managers, lab personnel, and cinematography students.

How to Make and Use KODAK Testing Solutions for Print Stop Baths and Print Fixing Baths J-IA

Quick-Look Reference: KODAK Color Reversal Motion Picture Films H-60 Pocket-size card for sports photographers. 8-82; 10¢

J Chemicals, Processing, and Waste Disposal

1-87; 20¢

CHOICES-Choosing the Right Chemicals for Processing KODAK EKTACOLOR Papers in Photofinishing and Professional Finishing Laboratories J-16

CHOICES-Choosing the Right Chemicals for Processing KODACOLORandKODAK VERICOLOR Films in Minilabs J-17 4-87; 20¢

CHOICES-Choosing the Right Chemicals for Processing KODACOLORandKODAK VERICOLOR Films in Photofinishing and Professional Finishing Laboratories J-18 1-87; 20¢

Black-and-White Processing Using KODAK Chemicals j-i Presents recommended black-andwhite processing techniques as well as a basic explanation of the steps involved in processing photographs. Discusses stabilization processing and silver recovery. Includes explanations of the actions of the different chemicals;the preparation, use, and storage of solutions; and the toning of papers. Includes many formulas for those who like to do their own mixing. 1985; 72 pages; $6.95

Disposing of Minilab Effluent

J-20

10-86;5O¢

CHOICES-Choosing the Right Silver Recovery Method for Your Needs J-21 6-87; 5O¢

KODAK HC-110 Developer

J-24

12-86; 20¢

Data Release-Regeneration KODAK EA-S Bleach and Replenisher

of J-34

11-75;60¢

9

BOD5 AND COD (Five-Day Biochemical Oxygen Demand and Chemical Oxygen Demand) of Photographic Chemicals J-41 2-81;60¢

Disposal of Small Volumes of Photographic-Processing Solutions J-52 5-86;$1

The Use of Water in Photographic Processing

J-53

3-87; $2

Disposal and Treatment of Photographic Processing Solutions-In Support of Clean Water

J-55

10-82; $4.25

KODAK EKTACHROME R-3 and R-3000 Chemicals

J-80

3-84; 20¢

KODAK Chemicals, Process E-6

KV Audiovisual Programs from Kodak

K-1

K-3

222 Riverview Drive Wayne,NJ 07470

J-85

6-87; 20¢

K Darkroom Design and Construction Ideas for the Applied Photography Studio

Photolab Design K-13 Illustrates how to plan a new or remodel an existing photographic facility. 1978; 54 pages; $2

The following Kodak slide and movie programs are available for sale or loan through Karol Media. The purchase price for each copy of a slide program is $66.95. The per copy price of a movie program is $295. There is a $10 handling fee for loan copies of either slide or movie programs. See the order form for complete details. For a single free copy of KODAK Videocassettes, 16 mm Sound Films, and Sound-Slide Show Programs, including an order form, write to:

J-83

8-84; 20¢

KODAK DEKTOMA TIC Chemicals

Construction Materials for Photographic Processing Equipment K-12 Provides information on photo processing equipment materials for anyone engaged in designing or constructing processing equipment for photographic products. Describes the metals and plastics used to construct processing equipment components; contains several quickreference tables. Discusses adhesives, coatings, and lubricants. 1980; 36 pages; $5.95

12-80;50¢

Karol Media Avoiding Static Electricity on Photographic Film 12-86;50¢

How Safe Is Your Safe light? 9-85;50¢

o

K-4

SOUND-SLIDE PROGRAMS Note: A cassette tape and script book are supplied with most slide programs. Slide sets are trayed and ready for immediate use. All slide programs contain 80 color slides unless stated otherwise. The purchase price is $66.95 for each copy. The handling fee for each loan copy is $10.

Advanced Black-andWhite Printing KV0051 Helps you make better black-andwhite prints by using the advanced techniques of dodging, burning in, vignetting, and combination printing. Reviews basic enlarging techniques, creative use of texture screens, and print toning. The Camera: How It Works KV0013 Introduces photography and the camera to beginners, grades 3-7. Explains basics of photography and relationships of light, film, and camera. (Animated; 71 slides) Basic Picture-Taking Techniques KV0016 Reviews the basic techniques for taking better pictures. Applies to any camera. Illustrates how to hold the camera steady, frame with your viewfinder, maintain your camera, use flash correctly, control your subject, compose your picture, create a picture story, work with natural lighting, cope with action subjects, select a camera and film. Beginning Black-andWhite Printing KV0050 Illustrates basics of black-and-white printing: how to use photographic papers and chemicals, how to operate an enlarger, how to process prints, and what is needed to start a darkroom.

Better Travel Pictures KV0036 Concentrates on how and when to take pictures with techniques you can use with simple or advanced cameras. Provides tips on the best subjects, trip research, camera preparation, composition, getting better people pictures, and making picture sequences. Careers in Photography: An Expanding World KV0066 Considers the typical tasks in several major career areas along with the professional photographer's responsibility to continually expand his or her knowledge. Color Printing from Color Negatives KV0040 Provides step-by-step instructions for making color printing easy and fun. Shows how to process prints in trays, on a drum, or in a tube. Describes darkroom equipment and materials. Film: How It Works KV0026 Gives a basic understanding of the characteristics and applications of photographic film. Discusses filmspeed ratings and selecting a film for various conditions. (Animated) KODAK Program Series 35: An Introduction to Photography KV0030 Shows how to handle a 35 rom camera properly and take advantage of its versatility. KODAK Program Series 35: Effective Use of Lenses KV0057 Demonstrates techniques for use with a variety of lenses for your 35 mm camera. Discusses focal length, zoom lenses, minimum shutter speeds, accessories, tele-extenders, perspective and distortion, depth of field, and more.

KODAK Program Series 35: Imaginative Use of Filters KV0028 Shows how to use polarizers, multipleimage attachments, color conversion filters, and more. Learn how to let one filter do the work of several, how to fine-tune your color slides, how to add softness, star bursts, and rainbows to your pictures. KODAK Program Series 35: The Language of Light KV0024 Explains how to recognize and control light direction, work with contrast, use the color of light to express moods, and turn even bad-weather lighting conditions into opportunities. Includes frontlighting, backlighting, sidelighting, rim lighting, star effects, silhouettes, and much more. KODAK Program Series 35: Existing-Light Photography KV0005 Tells how to capture indoor and outdoor events without flash by using fast film with a hand-held camera. Discusses how to choose the proper camera and film, camera-handling techniques, exposure, using a reflector, strategies for night and indoor sporting events, and pushprocessing.

KODAK Program Series 35: The Excitement of Action Photography KV0033 Find answers to your questions about photographing the action of fastmoving subjects while learning which lenses, shutter speeds, films, and accessories make action photography easier. Photo Reports Make it Happen KV0038 Illustrates how to organize and present a visual communication report. Explains the importance of storyboarding, and gives suggestions on scriptwriting, adding music, and arranging titles and captions. KODAK Program Series 35: Photographers and the Films They Choose KV0025 Provides a more advanced educational program that photo instructors can use to follow the basic introductory program Film: How It Works. Discusses the characteristics of a variety of Kodak films, and suggests what films to use for prints and slides, or for different light sources. Explains formats, film speeds, and the use of a tripod.

KODAK Program Series 35: Using Flash Effectively KV0031 Shows how to make the best use of both automatic and manual flash equipment. Demonstrates proper care, testing of flash readiness, distance and exposure, settings and indicators, films, fill-in-flash, bounce flash, reflectors, and multiple flash.

Photographing People KV0048 Demonstrates how a few simple techniques can make your picturetaking results more natural and flattering. Also includes tips on controlling people's expressions, selecting flattering backgrounds, choosing your viewpoint, choosing the lens, choosing the film, adding filters, using flash, using window light, and telling a story in a portrait.

KODAK Program Series 35: Secrets of Close-Up Photography KV0032 Reveals an exciting world of delicate details. Tells about the techniques and equipment for close-ups and explores the uses of close-up lenses, macro lenses, extension tubes, and extension rings.

Photos Help You When Disaster Strikes . KV0044 Shows how to get started making a personal photographic inventory in the home. Includes advice on film selection, instructions for photographing a particular room, processing, and storage of your slides or negatives. (67 slides)

11

Prizewinning Photos: What Makes Them Click KV0055 Discusses ways to improve picturetaking and capture a prizewinning photograph. Includes animal pictures, sports pictures, close-ups, mood pictures, dramatic lighting, telephoto pictures, winning expressions, posed pictures with props, and more. Processing Black-andWhite Film KV0079 Outlines what happens to film during processing. Also illustrates basic darkroom equipment. The Beginnings of Photographic Composition KV0008 Uses prizewinning photographs to illustrate the importance of composition. Covers the easy-toremember guidelines for taking a good picture: simplicity, rule of thirds, leading lines, balance, framing, and merges. MOVIES-16 mm COLOR OPTICAL SOUND Note: The movies listed below run 28 minutes unless stated otherwise. Copies for sale are $295 each, and the handling fee for each loan copy is $10. The Alps: A Discovery in Pictures KV0391 Shows the customs and character of Austria, Germany, Italy, Switzerland, and Yugoslavia with a close-up view of the people who enjoy the Alpine way of life. Britain/Ireland: An Adventure in Pictures KV0385 Lets you experience the beauty, song, and poetry of England, Scotland, Wales, and Ireland. Canada: A Holiday in Pictures KV0381 Visits the people who live and play in the frozen northland near the Arctic Circle. Includes some spectacular skiing in Banff National Park and the famous Calgary Stampede.

12

China: A Journey in Pictures KV0250 Visits just about every geographic region of China from the grasslands of Inner Mongolia to cosmopolitan and westernized Canton. See the people of this huge and ageless land and how they live, work, travel, and play. The FilmJPaper Story KV0202 Shows step by step the processes of manufacturing film and photographic paper. Tells what an emulsion is, how it records an image, and how it is coated on film base and paper. (20 minutes) Greece: A Celebration in Pictures KV0393 See how the birthplace of Western civilization comes alive in this motionpicture tribute to the glorious Greece oftoday. Hawaii: The Picture Islands KV0378 Discusses the volcanic origins of these islands and how the islands were settled by Polynesians seeking a new land. See orchids, volcanoes, craters, outrigger canoes, and more. Includes some picture-taking suggestions for your vacation. The Photo finishing Story KV0209 Gives insight into what happens to film after it is dropped off for processing. (22 minutes) Southern Highlands: America's Pictureland KV0343 Set in the timeless beauty of the southern Appalachian Mountains, this film covers both natural and manmade attractions. See spectacular scenery and natural wonders, and visit historic sites and amusement centers. Travel Scandinavia 1977 KV0370 Travels through Norway, Denmark, and Sweden. Tells how you can record your journey in movies. Gives tips for better movie-making along the way.

The Way I See It KV0210 Four photographers share their experiences-how they got started, how and why they selected their specialty, and tricks of the trade they discovered over the years.

KW Amateur Photography (also under A) Using Your Automatid Autofocus Camera KW-11 Especially useful for newcomers to 35 mm photography. Provides an understanding and working knowledge of automatic cameras and related equipment. Includes composition, picture elements, landscapes, portraiture, and more. 1986; 96 pages; $9.95

OK

Electronic Flash KW-12 Starts with basics and gives thorough coverage of how, when, and where to use electronic flash to enhance photographs. Includes "how to" information for using diffused, bounced, filtered, and multiple flash. 1987; 96 pages; $9.95 Using Filters tl W-13 Gives creative and technical advice that explains how filters work and how you can use them to capture extraordinary images in color and black-and-white. Shows how to create mood, add dazzle, render normal colors under artificial lighting, and more. 1987; 96 pages; $9.95 Building a Home Darkroom KW-14 Tells how to plan a home darkroom. From location to construction to electric work to plumbing, shows stepby-step construction of a prototype darkroom. 1981; 96 pages; $8.95 Black-and-White Darkroom Techniques KW-lS Details the steps for developing, printing, and finishing black-andwhite photos. Includes choosing photographic paper, dodging and burning in, mounting prints, and more. 1986; 96 pages; $9.95

oK

Existing-Light Photography KW-17 Charts and tables give proper exposure for taking photographs in typical existing-light situations, such as in the home, outdoors at night, and in public places. Covers the use of high-speed films; camera handling for extra steadiness; appropriate lenses; the correct film for tungsten lighting, fluorescent lighting, and mercury-vapor lamps; using filters; and photographing television and computer screens. 1987; 96 pages; $9.95 Lenses for 35 mm Cameras KW-18 Gives tips for using wide-angle, normal, telephoto, ultra-telephoto, and zoom lenses. Explains barrel and elliptical distortion, lens "speed," perspective, and depth of field. Tells about specialized lenses, such as rectilinear, reflex, fisheye, and shift lenses. Also discusses camera compatibility and accessories. 1984; 96 pages; $8.95

Darkroom Expression KW-21 Brings technique and imagination together into an easy-to-follow, wellillustrated text. Steps beyond basic darkroom techniques into the areas of how to make high-contrast derivations and posterizations, create the Sabattier effect, add color and texture, print without negatives, and more. 1984; 96 pages; $8.95

ZJK Close-Up Photography KW-22 Covers equipment, lighting, focusing theory, and exposure calculation for close-up photography. Includes tips on controlling movement, foreground, and background-plus sections on "hands-and-knees" photography and using your close-up camera with other hobbies and crafts. 1984; 96 pages; $8.95 L Index and Catalog KODAK Index to Photographic Information

L-1

10-87;$1

Advanced Black-andWhite Photography KW-19 Features techniques for achieving high quality at both camera and darkroom stages of making a photograph, with emphasis throughout on image control, appearance, and fine-art presentation. 1985; 96 pages; $8.95 The Art of Seeing KW-20 Shows you how to make better photographs by studying the elements of the subject, using lighting, and understanding how cameras, lenses, and films see differently from you. Strives to induce creativeness by shattering preconceptions and lack of awareness. Helps you break through creative barriers. 1984; 96 pages; $8.95

KODAK Professional Photographic Catalog L-9 Lists many of the photographic products needed by professionals, camera users, photo labs, and photofinishers. 1987;$3

KODAK Scientific Imaging Product Catalog L-10 Provides a thorough review of all types of Kodak scientific imaging films, plates, filters, and support prod ucts, arranged by scientific technique. Covers astronomy, photomicrography, holography, spectrography, and biomedical photography, as well as other support functions such as copying, processing, and safelighting. Helps you determine the complete line of prod ucts required to perform a specific scientific imaging task. 1987; No Charge

13

LC Library of Creative Photography Take Better Pictures LC-l Explains how to find pictures, identify subjects, and expand individual vision. Shows how to use light, lens, and film to capture what you want. 104 pages; $11.95 Make Color Work for You LC-2 Shows how color vision and color films work, then discusses the psychology of color. Explores color variations of lighting and color manipulation through abstracts, filters, and movement. 104 pages; $11.95 Photographing Friends and Family LC-3 Covers the many aspects needed for taking great pictures of people. Gives advice on relaxing your subject, composing the picture, capturing the personality, and choosing the right tools-lens, flash, and filters. 104 pages; $11.95 Mastering Composition and Light LC-4 Illustrates the elements of composition-depth, perspective, balance and asymmetry, shape and form, pattern and texture-the core of creative photography. Shows how to combine elements of composition and lighting to create outstanding photographs. 104 pages; $11.95 The Art of Portraits and the Nude LC-S Explains settings, props, gestures, poses, and backgrounds. Includes a section on makeup and hairstyling to enhance the features of your subject. Tells how many of the techniques for portraits can be applied to nude photography in abstract studies or natural poses. 104 pages; $11.95 How to Catch the Action LC-6 Shows you how to convey grace, drama, strength, speed, and the many aspects of action. Describes pannmg.zoorrdng, blurring, proper BS ctJalre,.••••.*", "'"1V1'~,and remote

Take Better Travel Photos LC-7 Professional advice helps you determine what film and equipment to take, and how to store and care for it in a variety of climates and under adverse conditions. Shows how to make memorable pictures of your trip from a plane, boat, or train. 104 pages; $11.95

Set Up Your Home Studio LC-13 Discusses planning and equipping a home studio. Demonstrates the varieties and effects of studio lighting from single to multiple sources. Covers backgrounds, sets, and front and rear projection for subjects such as fashion, nudes, portraits, and stilllifes. 104 pages; $11.95

Capture the Beauty in Nature LC-8 Tells about blinds, camouflage, remote releases, and finding animals. Shows ways to become adept at capturing the landscape by exploiting pattern, viewpoint, weather, and lighting. 104 pages; $11.95

Learning from the Experts LC-14 Shows examples from the experts on what it takes to make top-notch photographs of people, landscapes, action, and abstracts. 104 pages; $11.95

Photographing the Drama of Daily Life LC-9 Shows how to capture the realism of everyday life and how to document a news story. Discusses equipment, techniques that enable you to catch subjects unaware, and the details and compositions that explain a story. 104 pages; $11.95 Photographing Buildings and Cityscapes LC-IO Tells how to capture unique angles, mix daylight and interior light, and find details that characterize an entire building. From soaring skyscrapers to the last-chance gas station, you'll find it all. 104 pages; $11.95 Print Your Own Pictures LC-ll Covers step-by-step techniques for processing and printing black-andwhite and color films. Includes some advanced techniques, such as combination printing and vignetting, and procedures for mounting prints. 104 pages; $11.95 Creating Special Effects LC-12 Leads you into the realm of photographic illusion and fantasy with simple techniques and inexpensive gadgets. Includes information on how to use montages, slide sandwiches, filters, flash tricks, and double exposures for exciting effects. 104 pages; $11.95

Mastering Color LC-15 Explains how color films and filters work, and how you can measure color balance. Also explores the moods produced by color, with a detailed look at the effect created by each of the primary colors. 104 pages; $11.95 Dealing with Difficult Situations LC-16 Tells how to meet the challenges of a variety of photographic situations to achieve dramatic or beautiful images. Prepares you for coping with the extremes of settings such as deserts, caverns, mountains, seas, rain forests, snowstorms, and more. Shows how to create studio illusions and use remote controls. 104 pages; $11.95 The Magic of Black-andWhite LC-17 Briefly discusses the history, evolution, and aesthetics of black-andwhite photography. Also discusses the selection and use of modern films, papers, and processes. Tells how to visualize and recreate still-lifes, landscapes, and portraits in this traditional artistic medium. 104 pages; $11.95 Extend Your Range LC-18 Provides a great resource for anyone who has mastered the basic skills of photography and seeks further challenges. Includes advanced image-making, photographic equipment, copying skills, darkroom transformation, and displaying pictures. 104 pages; $11.95

M Aerial and Applied Photography Copying and Duplicating in Blackand-White and Color nV M-l Provides an in-depth gui& tb70pying slides, photographs, paintings, line work, daguerreotypes, and more. Discusses basic and advanced setups, such as copy stands, copy boards, lighting equipment and techniques, and more. Comparison photos help you decide what film and technique to use. Illustrates photographic restoration techniques for successfully copying faded or damaged prints. 1985; 188 pages; $24.95 Using Photography to Preserve Evidence M-2 Presents techniques for using photography to collect, abstract, or preserve evidence for criminal cases or other legal processes. 1982;48 pages; $4.50 Photography from Lightplanes and Helicopters M-S Describes techniques for taking aerial photographs from light aircraft and helicopters. Considers the effects of atmospheric conditions and scene characteristics on photography, and recommends appropriate film, cameras, and other equipment. Also offers suggestions on pre-flight, inflight, and post-flight activity. 1985; $9.95

o Professional Studio Photography Professional Portrait Techniques 0-4 Contains technical information on exposure and lighting for portraits, plus a number of short articles by the photographers. Includes a light-ratio calculator and a set of lightreflectance cards. 1987; 116 pages; $16.95 Retouching Black-and-White Negatives and Prints 3-87; 5O~

0-10

Professional Photographic Illustration Techniques 0-16 Helps commercial illustrators sharpen skills and use time and tools more efficiently. Contains more than 140 color illustrations-many with lighting diagrams-and descriptive captions by the photographers themselves. 1978; 136 pages; $750 Photo Decor 0-22 Tells how to use photography to enhance your surroundings, both at home and at work. Designed primarily for professional photographers, interior designers, and decorators, it is also of great help toanyone who enjoys beautiful photographs as decoration. 1982; 92 pages; $10.95 The Panoramic Photography of Eugene O. Goldbeck 0-23 Explores the art and life of the important twentieth-century panoramic photographer, Eugene O. Goldbeck, as researched by Clyde W. Burleson and E. Jessica Hickman. Features many remarkable historical images, including 39 duotone photographs, and 20 panoramic foldouts in color and duotone. 1986; 120 pages; $75

P Instrumentation, Industrial, Professional, and Scientific Photography Photography Through The Microscope P-2 Contains practical information for achieving quality photomicrographs in both color and black-and-white. Features step-by-step instructions for obtaining proper microscope illumination; information for choosing microscope components and films for photomicrography; lighting, filtering, exposure techniques; and a comprehensive index. 1985; % pages; $13 KODAK Neutral Density Attenuators 9-83;$1

P-l;l4

Characteristics of KODAK Plates for Scientific and Technical Applications P-140 1985; $2.50

KODAK Technical Pan Films 7-87; 75~

P-255

Data Release--Day-to-Day Quality Control Procedures for Photofinishers Using KODAK Color Printers P-256 3-82;$1.30 Data Release--KODAK Holographic Plate, Type 120-1, 120-02, and KODAK Holographic Film (EST AR Base) SO-173 P-311 1-84;20~ Thermal Recording and Infrared Photography of Hot Objects P-570 12-85;60~ Note: Send requests for "P3-" publications to: Professional Photography Division Eastman Kodak Company Rochester, New York 14650.

KODACHROME Professional Films P3-2 Presents detailed information and features images and comments from professional photographers on KODACHROME Professional Films. 4-87; 12 pages; No Charge KODAK EKTACHROME Professional Films (Process E-6) P3-3 Describes the features and benefits of EKTACHROME Professional Films. 7-87; 20 pages; No Charge 61tODAK Black-and-White Papers, Films, and Chemicals P3-5 Describes our most popular blackand-white papers, films, and chemicals. 8-87; 32 pages; No Charge KODAK Black-andWhite Products P3-9 Describes our professional black-andwhite papers, films, and chemicals. 12-85; 12 pages; No Charge

15

Bring Out the Flavor of Your Rear-Lit Displays P3-37 Describes the benefits of using rearilluminated displays with KODAK DURATRANS Display Material. 1987; No Charge KODAK Technical Pan Film 6415IKODAK TECHNlDOL

Developer 1987;No Charge

LC P3-162

KODAK EKTACOLOR Papers for the Professional P3-233 Features images and comments from professional photographers on the various EKTACOLOR Papers. 1986; 6 pages; No Charge KODACHROME 64 Professional Film P3-560 Shows images and uses of 120-size KODACHROME 64 Professional Film. 1986;No Charge KODACHROME 200 Professional Film P3-561 Describes KODACHROME 200 Professional Film-shows images and uses. 1986; No Charge KODAKT-MAX Professional Films P3-580 Includes comments and photographs from professional photographers (along with technical information) about KODAK T-MAX 100 and 400 Professional Films. 1986; 12 pages, No Charge KODAK VERlCOLOR Professional Films P3-653 Compares KODAK VERICOLOR HC and VERICOLOR III Professional Films. 1986;4 pages; No Charge Hypersensitization of Infrared Emulsions by Bathing in Silver Nitrate Solution P7-670 4-81; 75rt.

16

R Exposure and Processing Guides

KODAK Professional ~ Photo guide R-28 Contains technical data for the professional photograph:r a convenient size for carrYing in a camera equipment case. Provides a ready reference for taking both color and black-and-white still pictures. Contains five sections on films, exposure, filters, flash, camera lenses, and perspective. Also includes numerous tables with technical data, dials for making photographic computations, and an 18-percent gray card. 1986; 45 pages; $19.95

u:

KODAK Aerial Exposure Computer R-l0 Based on aerial film speed, this foldout computer provides the aerial photographer with a convenient means of determining quickly the exposure parameters for Kodak blackand-white and color aerial films anywhere in the world. Cont~s a time-motion dial, an exposure dial, solar altitude tables at various latitudes, and a typical aerial exposure problem and its solution. 1976; 6 pages; $4 KODAK Complete Darkroom DATAGUlDE R-18 Provides complete reference information for processing and printing in black-and-white and color with Kodak films, papers, and chemicals. Includes the 58-page DAT AGUIDE, calculator dials to do common darkroom calculations, sample prints showing available paper surfaces, and two wall charts--one for printing color negatives, and one for printing color slides. 1984;58 pages; $19.95 KODAK Color Print Viewing Filter Kit R-25 For evaluating the color balance of test prints. Contains six cards, each with densities of 0.10,0.20, and 0.40, packed in a durable plastic envelope with instructions. $9.95 KODAK Projection Print Scale R-26 Helps you to determine the correct exposure for making enlargements. $4.90

e9~

KODAK Gray Cards R-27 Gray side, 18% reflectance; ,:h!te side, 90% reflectance. For determmmg exposure, adjustin~ lig~tin.g ratio, and checking lighting distribution, Envelope contains 2 cards and instructions. 1987;$6.50

S Audiovisual Applications (also under T and V) . Audiovisual Projection 2-87;$1

S-3

KODAK Projector Feature Summary-A Guide to KODAK Professional Audiovisual Projectors S-5 12-84;45rt. KODAK Projection Calculator and Seating Guide for Single- and Multi-Image Presentations S-16 Calculator is a three-part dial for computing factors such as image/screen size, projection distance, frame size, and lens focal length. Seating Guide helps you determine seating capacities, etc, for rooms of different sizes and shapes. 1986;$5.95 Effective Lecture Slides 3-86; SOrt. Legibility-Artwork Screen 4-86; SOrt.

to

Reverse-Text Slides 8-83; 35rt. Self-Contained Cabinets 5-83; 75rt.

S-22

S-24

S-26

Projection S-29

Slides-Planning and Producing Slide Programs S-30 A comprehensive step-by-step manual for beginning and established professional AV communicators who want to produce effective one- and two-projector slide and audio-tape presentations. Takes you from planning the production, through photography, preparing graphics, and putting the show together, to postproduction. 1986; 160 pages; $14.95

KODAK AV Equipment Memo: Adapting KODAK Slide Projection Lenses for Special Applications S-80-3 7-82; 40~ KODAK AV Equipment Memo: KODAK Slide Projector Wiring and Operation S-80-4 3-84; 50¢

S-31

KODAK AV Equipment Memo: Ventilation, Noise Control, and Heavy-Duty Operation of KODAK Projectors S-80-6 10-82;50¢

Simple Copying Techniques with a KODAK EKTAGRAPHIC Visualmaker S-40 5-80; $1

KODAK AV Equipment Memo: Choosing Between Curved-Field and Flat-Field Projection Lenses S-80-8 3-86; 50¢

How to Be a Knockout withAV 1985;$3

Presenting Yourself S-60 Provides information for anyone who wants to make exciting and effective presentations. Covers types of presentations, planning, on-the-road tips, promoting your presentation, rehearsing, getting yourself ready mentally, dealing with hecklers, planning your own presentation room, and more. 1982; 176 pages; $14.95 The Source Book-KODAK EKTAGRAPHIC Slide Projectors S-74 Provides detailed answers to many questions concerning KODAK EKTAGRAPHIC Slide Projectors. Describes the various projectors available, their characteristics and accessories, how to adapt them for special needs, projector remotecontrol techniques, maintenance and care of audiovisual equipment and . slides. 1984; 164 pages; $11.95 KODAK AV Equipment Memo: The Care and Maintenance of KODAK Slide Trays S-80-1 2-86;50¢ KODAK AV Equipment Memo: KODAK Slide Projector Lamp Data and Light Output Modification 5-80-2 4-86;$1

KODAK EKTAGRAPHIC Tray Bands (for Single- and Multi-Image Presentations) S-85 Twenty-four bands. Includes instructions. 1980;$5 KODAK EKTAGRAPHIC Tray Bands (for Dissolve Presentations) S-86 Twelve pairs of odd- and evennumbered bands. Includes instructions. 1980;$5 KODAK EKTAGRAPHIC Seamless Slide Masks (for Three-Pro] ector Panoramas) S-90 Envelope containing an instruction sheet and 3 sets of 3 masks (3 center masks and 6 side masks for 3 complete panoramas). 1983; $36.65 KODAK EKTAGRAPHIC Seamless Slide Masks (for Three-Projector Panoramas) S-91 Same masks described in 5-90 except packaged in bulk form-50 centers and 100 sides in continuous 20-foot strip-roll of 50 sets (KODAK Standard Perforations). 1983;$350

KODAK Overhead Transparency Frames S-95 Features: Overall size 10 x 12 inches; aperture 71/2 x 9 1/2 inches; 0.030inch-thick surfaces can be written on with markers, pencils, etc. Transparencies can be mounted on either side. Each box contains a clear plastic envelope (with zippered top) that can be used to carry or store up to 25 mounted transparencies. 1987; $19.95 (box of 50 frames) T Audiovisual and Education (also under KV) A Swvey-COLLEGE INSTRUCTION IN PHOTOGRAPHYMotion Picture/Graphic Arts/Still Photography T-17 Contains a listing of courses and degrees offered by American and Canadian colleges, universities, technical institutes, and schools of photography. 1983; 96 pages; $4.95 The Best of Audiovisual Notes from Kodak T-90 Contains a collection of the best articles from out-of-print issues, including slide-tray loading the right way, visualizing your way to a script, etc. 1984; 76 pages; $8.95 U Optical Materials KODAK Optical and Assembly Cements 11-81;$1 KODAK IR Phosphor 6-84; 75¢

U-l

U-70

Condensed Data for KODAK IRTRAN Infrared Optical Materials U-71 4-83;$1 KODAK IRTRAN Infrared Optical Materials 10-86; $2

U-72

17

V Audiovisual (also under AV, S, and

n

KODAK Audiovisual Products Catalog V1-11 1-85; No Charge WChemislly Photographic Chemistry in Black-and-White and Color Photography (Morgan & Morgan) W-14U Discusses the photographic process for those who have had very little training in chemistry, physics, and photographic theory. 1986; 128 pages; $12.95 X International

Publications

International Photographic Headquarters (multilingual booklet in Japanese, Gennan, Spanish, French. Italian, Chinese, Dutch. Portugese, Swedish. Arabic, and English) XAC-16 5-87; $1 International Information Management Glossary (English. German, Spanish. French. Portugese, Chinese, Japanese, Arabic) X84S-S3 4-85; $2

Z Process-Monitoring

Systems

Introduction to Color Process Monitoring Z-99 Explains, in nontechnical language, the principles of process-monitoring methods that use photographic control strips. Discusses the nature of color photographic processes and the variables that affect them, as well as what to do if a process goes out of control. 1986;32 pages; $12

18

Using KODAK Chemicals, Process E-6, Fourth Edition Z-119 Provides information for processing KODAK EKTACHROME Films. Includes information on replenishment rates, processors, processing steps and conditions, troubleshooting guides, visual diagnosis guide, and prescriptions for processing solutions. 1986; 284 pages; $60 Visual Troubleshooting Process E-6 9-85; 40~

of Z-119E

Using Process E-6Pf'Push" with KODAK EKTACHROME P800/1600 Professional Film Z-119P 3-84; $1 Using KODAK EKTAPRINT 2 Chemicals, Fourth Edition Z-122WB Provides information for processing KODAK EKTACOLOR PLUS and Professional Papers DURATRANS Display Material, and DURAFLEX Print Material. 1986; 115 pages; $45 wire binder Black-and-White Film and Paper Processing and Process Monitoring Z-128 Includes control plots showing some common processing problems. Contains information on chemical mixing, storing, and handling. 1984;$6

Using KODAK EKTACHROME R-3 and R-3000 Chemicals Z-129 Provides comprehensive information for using KODAK EKTACHROME R-3 and R-3000 Chemicals to process EKTACHROME Papers and Overhead Material. Includes monitoring methods, diagnostic charts, and control-chart examples for correcting process problems. 1985;$60 How to Process KODAK EKTACHROME 22 Paper in KODAK Rapid Color Processors Z-129A 4-85; 75~ Small-Tube or Tray Processing of KODAK EKTACHROME 22 Paper Using KODAK EKTACHROME R-3000 Chemicals Z-129B 4-85; 65~ Processing KODAK EKTACHROME 21 and 22 Papers and 23 Transparency Material in Rotary-Tube Processors Z-129C 5-85; 65~ Using KODAK EKTACOLOR RA Chemicals Z-130 Describes how to process KODAK EKTACOLOR 2001 Paper in KODAK EKTACOLOR RA Chemicals. Includes information on monitoring and troubleshooting the process. 1987;$60 Using KODAK FLEXICOLOR Chemicals Z-131 Tells you how to use and monitor processes using KODAK FLEXICOLOR Chemicals. Includes information on how to mix and store these chemicals, correct processing conditions for your processor, and troubleshooting the process. Provides valuable information for photofinishing and professional labs that use FLEXICOLOR Chemicals to process KODACOLOR VR-G and KODAK VERICOLOR Films. 1987;$60

A Abridged specifications: for Process CRI-1; H-21 for Process ECN-2; H-36A for Process ECP; H-24 for Process ECP2-A; H-38 for Process RVNP; H-12 Acetate filters; B-3 Action photography; AC-72, AC-95, AR-21, KV0033, LC-6 panning; AC-755, AR-22 stopping movement; AC-755, AR-22, KW-17 Activation; G-6 Adjustable camera, how to set; AC-27 Advanced amateur techniques AC-70, AC-72, AR-21, KW-17 audiovisual; 5-74 Aerial photography; AR-21, H-l, M-5 exposure computer; R-I0 Aerial plotting plates; P-I40 Agitation: basic techniques of; F-5, J-l, KW-15 gaseous burst; E-57 Alps, photographing the; KV0391 Amateur photography; AC-70, AC-72, AC-95, AR-21, KVOO05,KVOOI6,KVOO26, KW-17 Animation; H-6 Anomalous reflectance; E-73 Architectural photography; AC-36, AC-755, AR-22 Archival processing; F-5, J-l Arctic conditions, photography under; C-9, H-l Arson photography; M-2 Artwork for television template; H-42,5-3O Astrophotography; AC-48, P-255 Attenuators, neutral-density; P-114 Audiovisual; 5-3, 5-30, 5-31, ~-1, 5-80-2, 5-80-3, 5-80-4, 5-80-6, 5-80-8 EKTAGRAPHlC and CAROU5EL® Projectors; 5-5, 5-74, ~-1 notes; T-90 programs from Kodak; See KV5ection reverse-text slides; 5-26 slides; T-90 sound;T-90

synchronizing slide changes; 5-74 Automatic cameras; AC-72, KW-ll

B Backlit displays; E-84, P3-7 Balancing procedures; E-245, E-24T Band~tray;~,S-86 Basic photography; AA-3, AA-26, AC-13, AC-36, KVOOO8,KVOOI6,KVOOSO Beam splitters; 5-26 Bellows extension exposure corrections; AR-21, R-28 Biocides; J-53 Binoculars, photography through; AC-48 Black-and-white films; AC-72, AF-l, AR-21, F-4, F-5, KW-19, P3-5, P3-162, P-255 existing light; KW-17 motion picture; H-l, H-7 processing; AJ-3, F-5, F-14, H-7,Z-128 reversal processing; G-9 push processing; AF-l, AJ-30, F-5 reciprocity data; E-31, KW-17 retouching; 0-10 Black-and-white photography, existing light; KW-17 Black-and-white printing; AJ-3, F-5, G-l, G-4, G-18, KV0050, KV0051 Black-and-white prints from color originals; AE-13 Black-and-white quality; F-5, G-l, G-4 Black-light photography; AC-70 BOo5, five-day biochemical oxygen demand of photographic processing chemicals; J-41, J-53 Bounce lighting with photolamps; AR-21 Box, photographic examination; M-2 Britain/Ireland, photographing;KV0385 Butt splices; H-50 Buying information; foreign; XAC-16

C Cable releases; AC-755 Camera functions; AC-36, AC-755, LC-l, M-2 Camera lenses; AA-3, AC-70, AC-72, AR-22, KW-ll, KW-22 Camera technique; AR-21 automatic exposure control; AC-72, KW-ll creative; AC-70, AR-22, LC-12 existing light; KW-17 large format; R-28 35 mm cameras; AC-95, KW-ll loading; AE-46 • Cameras, types; AA-5, AC-72, AC-755, KW-22 Canada, photographing; KV0381 Candid photography; AC-36, AC-72, AC-755 Care and identification of 19th century prints; G-25, G-2Sa Care and maintenance of slide trays; 5-80-1 Career information; KV0066, T-17 Carry straps; AC-755 Catalog, literature; L-l Catalog, scientific imaging; L-I0 Chemical(s); J-l, R-18, Z-119, Z-I22, Z-128, Z-129, Z-130, Z-131 black-and-white; KW-15, R-18, P3-5, P3-9 color, R-18, Z-119, Z-129, Z-130, Z-131 color reversal; E-170, J-80, Z-119, Z-129 contact dermatitis; J-45 DEKTOMA TIC Chemicals; J-85 developers, b/w film and paper; G-l,J-l, R-18 disposal, J-41, J-55 EKTACHROME Film Chemicals; Z-119, Z-119E, Z-119P EKTACHROME Paper Chemicals; E-16, E-170,J-80, Z-119, Z-129, Z-129A, Z-129B, Z-129C EKTACOLOR RA Chemicals; E-19,J-15,J-16, Z-130 EKTAPRINT 2 Chemicals; J-15,J-16, Z-I22 Farmer's Reducer; KW-21 FLEXICOLOR Chemicals; J-17,J-18, Z-131 handling; J-45 19

HC-110 Developer; J-1, J-24, KW-15 Hypo Gearing Agent; F-40, J-1, R-18 Hypo Eliminator; F-40 Indicator Stop Bath; J-1 PHOTO-FLO Solution; J-1 Process C-41; See FLEXICOLOR Chemicals Process E-6; See EKTACHROME Film Chemicals Process EP-2; See EKTAPRINT 2 Chemicals Process R-3; See EKTACHROME Paper Chemicals ProcessRA-4;See EKTACHROME RA Chemicals processing chemicals; J-1 Rapid FIxer; J-1 reactions in photography; AJ-15 Recovery Cartridges; J-21, J-55, Z-l22, Z-129, Z-130, Z-131 ROYALPRINT Chemicals; G-6 safe handling; ]-4S TECHNIDOL Developers; P-255 T-MAX Developer; F-25 toners; G-1, G-23, J-1, KW-21, KW-22 Transparency Retouching Dyes; E-68, E-97 Chemistry, photographic; W-14U China,photographing;~0250 Cinematography, camera films; H-1, H-2, H-5 Close-up photography; AB-20, AC-36, AC-70, AC-95, AR-22, KW-22, LC-1, R-28 aids and techniques; AR-21 evidence items; M-2 COD, chemical oxygen demand of photographic processing chemicals; J-41, J-55 Code notches of sheet films; F-3, R-28 Cold-weather photography; AC-65,C-9 Color films; AC-36, AC-72, AE-13, AE-41, AF-1, AR-21, AR-22, E-6, E-24, E-50, E-77, F-4 condensed exposure data; E-11, F-4, R-18, R-28 20

critical use; E-77 rolls and sheets; AR-21, E-77, R-18 Color negatives; AF-1, AR-21, E-77,O-16 evaluating; ~OO40 printing; AE-13, E-18, ~0040, KW-21 printing computer; R-18 retouching; E-71, E-97 Color papers; AE-13, E-19, E-77 color-negative; E-14, E-18, E-19 finishing; E-67 process monitoring; Z-99, Z-l22, Z-l29 reversal; E-16, E-101, E-102, E-170,J-80 Color photography; AC-36, AC-95, AC-97, AF-1, LC-2, LC-15 existing light; AF-1, KW-17 exposure; AC-36, AC-95, AF-1, KW-17 films; AF-1, E-11, E-77, R-28 filters; AC-70, AC-97, AR-22, E-77, KW-13 infrared; AC-70 outdoors; AC-70, AC-97, R-28 reciprocity characteristics; AF-1, E-31, R-28 reproduction methods; E-11 sensitometric and image structure data; E-77 Color printing; AE-13, KW-21, R-18 color negatives; ~0040 exposing; AE-13 Color prints: care; E-30 finishing; E-67 retouching; AE-13, E-70, E-97 viewing filter kit; R-25 Color reproduction; E-6, E-73 Color reversal products, E-77, E-170 Color slides; AF-1 Color transparencies; E-77 camera; E-37, P3-3 evidence photography; M-2 existing light; KW-17 high speed; AF-1, AR-23 motion picture; H-1 process monitoring; Z-99, Z-119 processing; AE-13, AF-1, E-77, R-18 reciprocity corrections; E-31, R-18 retouching; E-68, E-97 reversal camera film; E-50

sensitometric and imagestructure data; E-77 storage; AF-1, E-30, E-77, H-1, H-23 with fluorescent lighting; AF-1, AR-21, E-104, KW-13, KW-17,R-18 with high intensity discharge lamps; E-104, KW-17 Commercial advertising; 0-16 Commercial photography; 0-16 Composition; AC-70, AC-72, AC-75S, AC-95, AC-97, AR-22, ~OOO8, ~0016, KW-11, LC-1, LC-4 Computer animation; H-6 Computer graphics; T-90 Computer screen images, photography of; AC-10, KW-17 Conservation, water; J-53 Construction materials: apparatus, K-12 workrooms, K-13, KW-14 Contact dermatitis; J-4S Contrast control; F-5, F-14, G-4, KW-21 Contrast index; F-5, F-14 Control strips; Z-99, Z-119, Z-l22, Z-128, Z-129, Z-130, Z-131 Control techniques; KW-15, KW-21,Z-99 Copying; AR-21, KW-22, M-1, S-4O slides; AC-70, 5-30 Creative photography; AC-70, AR-22, ~0051, LC-2, LC-5, LC-6, LC-9, LC-15, LC-16, LC-17, LC-18 Crime photography; M-2 Cross-mod ulation, distortion testing; H-1

D Darkroom and finishing aids; AC-75S, KW-15 Darkroom design; K-13 home darkroom; AE-13, AK-3,KW-14 Darkroom principles; AC-75S, AE-13, KW-15, LC-11 creative techniques; AC-75S, AE-13, KW-15, KW-21, LC-12 techniques, black-and-white; G-4, KW-15, KW-21, LC-11 Decorating homes with photographs; AC-72, AM-14, 0-22 Densitometry; E-59, E-64, Z-99

Depth of field; AC-36, AC-70, AC-72, AC-9S, AR-22 computer; AR-21, R-28 Derivations; AC-70, KW-21 Desiccating films; E-30 Developer, black-and-white; J-l,J-24 Developing computer; R-18 Developing techniques; AE-13, AJ-3, F-S, KW-lS, LC-ll Developing times, determination of; AF-l, F-S, R-18 Display materials/ transparencies; E-20, E-24, E-77, E-84, E-I0l, P3-37 Displaying large color transparencies; E-84 Disposal, photographic chemicals; J-20, ]-41, J-S2, J-SS Dissolve projection; 5-30 Dodging color prints; AE-13, KW-21 DURAFLEX Print Material / 4023; E-17 processing; Z-I22 DURATRANS Display Material; E-20, E-84 processing; Z-I22 Dye bleaches; E-68, E-70, E-97 Dye stability; H-23

E Eastman, George, biography; CC-13, CCl-lS Eclipse photography; AC-48 Educational materials: survey of motion picture, still photography, and graphic arts instruction; T-17 teaching aid for still photography; AT-16 Electronic flash; See Flash Enlarging; AE-13, KW-lS, KW-2tR-26 computer; R-18 ESTAR Base, dimensional stability and physical properties; H-l Evidence photography; M-2 Existing-light; AC-36, AC-61, AC-70, AC-72, AC-7SS, AC-9S, AR-21, AR-22, E-3S, ~OOOS,KW-17,R-28 Exposure: meter;AF-9 television and computer screen images; AC-I0, KW-17

Exposure computers for: aerial photography; R-lO black-and-white papers; G-25,R-26 close-ups; AR-21, R-28 color printing; R-18 daylight; AR-21 effective aperture; AR-21, R-28 enlarging; R-18 existing light; AR-21, R-28 fill-in flash; R-28 photolamps; AR-21 POLYCONTRAST Filters;

e-n Exposure meters: built-in; xw-n. KW-17 how to use; AC-36, AC-72, AC-9S, AF-l, AF-9, AR-22, xw-n. KW-17, R-28

F Facilities planning; K-13, LC-13 Field guide, motion picture camera films; H-2 Fill-in flash; AC-72, AC-9S, AR-21, KW-12, R-28 Film rejuvenation; H-23 Film restoration; H-23 Filmmaking: career opportunities; T-17 selection of film stock; H-l Films: acetate-base print, conditions and characteristics; H-SO avoiding static; K-3 black-and-white; AF-l, AR-21, F-4, F-S, F-8, KW-19, KW-22, P-2SS, P3-S, P3-9, R-18 camera films; H-l-S222, H-l-S224, H-l-S231, H-1-7276, H-l-7277, H-I-7278, H-1-7374, H-1-9000 laboratory films; H-l-S234, H-l-S235, H-l-S360, H-l-S362, H-l-S366, H-l-S369, H-l-S373 reciprocity characteristics; E-31, F-S release films; H-l-S302, H-I-7361 roll; AC-72, AF-l, AR-21, F-S, R-18, R-28 sheet; AR-21, F-S, R-18, R-28 camera;H-1,H-2,H-6 care and storage of films; E-30, H-I0, H-23, R-28, S-30

characteristics; AC-72, AC-7SS, AF-l, F-S characteristics, emulsion; H-l cleaning and lubricating; H-SO cleanup film for rollertransport processors; F-8 code notches; F-3, F-S, R-28 color, general; AC-36, AC-72, AE-21, AE-41, AF-l, AR-21, AR-22, E-6, E-ll, E-77, F-4, R-18 color camera; H-l-S239, H-l-S24O, H-l-S247, H-l-S294, H-1-S29S, H-1-S297, H-l-S384, H-l-72SO, H-1-7251, H-I-7291, H-I-7292 color laboratory; H-l-S243, H-l-S249, H-l-S272 color release; H-l-S380, H-l-S399 color, sensitometric and image-structure data; E-ll, E-77 color and black-and-white, information sheet; AF-l, F-4 color reversal, information chart; E-170 professional camera; E-37, P3-3 Commercial / 6127 and 4127/ (ESTAR Thick Base); F-3, F-S Direct Positive Panchromatic Film / 5246; G-9, 5-30 duplicating; AC-70, AF-l, E-38 Duplicating, Professional B/W;F-22 DURAFLEX Print Material; E-17 DURATRANS Display Material; E-20, E-84, P3-37 EASTMAN Films; n-i, H-2, H-S EKTACHROME Films; AC-70, AE-13, AF-l, AR-21, AR-23, E-16, E-27, E-35, E-37, E-38, E-68, E-77, E-I01, E-170, KW-17, KW-22, P3-3,R-18 EKTAPAN Film / ESTAR Thick Base / 4162; F-3, F-S ESTAR Base, some properties of; H-23 exposure; AR-21, R-28 for existing light; AC-61, AC-9S, AR-21, AR-22, E-3S, KW-17,R-28 21

for use in animation; H-6 handling and storage; AF-l, E-30, H-23, H-5O High Speed Infrared Films; AC-70, AF-l, F-5, P-570 Holographic Film (ESTAR Base) 50-173; P-311 Hypo Gearing Agent, KODAK; F-40, R-18 Hypo Estimator, KODAK; J-11 ID, ID ICopy; E-90 infrared films; AC-70, AF-l, F-5 EKTACHROME Infrared Film; AC-70 High Speed Infrared Filml 2481; AC-70, P-570 High Speed Infrared Filml 4143; F-5 sheet and 35 rom infrared films; F-5 internegative; E-24S, E-24T IRTRAN Infrared Optical Materials; U-72 KODACHROME Films; AF-l, AR-21, E-5O' E-55, E-77, E-170, KW-22, P3-17 professional; E-55, E-170, P3-2, P3-17, P3-560, P3-561 KODACOLOR Films; AE-13, AF-1, E-2, E-3, E-4, E-5, E-77, J-18 KODACOLOR VR Films; AC-36, AC-72, AC-75S, AE-13, AF-1, AR-21, E-5, KW-17 KODACOLOR VR-G Films; AC-36, AC-42, AC-61, AC-95, AC-97, AE-2, AE-41, E-2, E-3, E-4, KW-11, R-28 KODALITH Films; KW-21 duplicating; 5-30 Ortho Film, Type 3 I ESTAR Base and Type 3 lEST AR Thick Base; F-3, F-5, 5-26, S-30 Pan Film 2568 lEST AR Base; F-3, F-5 manufacture of; CC-8 Matrix Film I 4150; F-5 motion picture films: camera;H-2 professional use (16 rom, 35 rom, and 70 rom); H-1 Pan Masking Film; F-5 Pan Matrix Film I 4149; F-5 PANATOMIC-X Film; AD-50, AF-l, F-5 for reversal; AF-l, G-9, 5-30 professional; AF-l 22

photographic properties of B/W;F-5 photomicrography, color; P-2 platter transports; H-50 PLU5-X Pan Film; AF-l, F-5, KW-17 processing; AR-23, H-7 for image stability; F-5, F-40 Professional B/W Duplicating Film 4168; F-5, F-40 Professional Copy Film 4125; F-5 protection from physical damage; E-30, H-50 reciprocity data; E-31 Roller Transport Cleanup Film;F-8 splices and splicing; H-50 sports photography; AR-23, H-60 static electricity; K-3 storage and care; AF-l, E-30 Super 8: animation; H-6 questions and answers; AD-I SUPER-XX Pan Film; F-5 T-MAX Professional Film; F-25, P3-580 Technical Pan Film I 2415, I 4415, I 6415; AF-l, F-5, F-40, P-255, P3-162 TRANSLITE Film 15561; F-5 TRI-X Ortho Film I 4163; F-5 TRI-X Pan Film; AF-l, F-5, KW-17 types; AC-75S types of damage; H-50 VERICHROME Pan Film; AF-l, F-5, KW-17 VERICOLOR Films; AF-1, AR-21, E-24, E-24S, E-24T, E-26, E-56, E-77, E-90, F-3, J-18, P3-653 Filter computers; G-11 light-balancing; AR-21, R-28 Filters; AC-36, AR-21, AR-22, B-3, KW-13 amateur; AC-70, AC-72, KW-13 availability; B-3 care of; B-3 color; R-18, R-28 color-compensating; AE-13, B-3, KW-21 color (temperature) conversion filters; AC-72, B-3, E-104 color correcting; AC-75S, E-104

color films; AC-72, AR-21, E-77, E-I04, H-1, KW-13 color polarizing; AC-70, AC-75S color print viewing filter kit; R-25 color printing; AE-13, KW-21 differentiating colors in B/W;M-2 evidence photography; M-2 for black-and-white films; AC-72, AR-21,KW-13, M-2, R-28 infrared; AC-70 light balancing; B-3, E-I04, KW-13 R-28 ' light sources: balancing conversion, neutral density; AC-70, H-2 neutral density; AC-70, AC-75S, B-3, P-1l4 photography, general; AC-95, AR-21, H-1, R-28 polarizing; AC-70, AC-75S, AC-97, H-l, KW-13 POLYCONTRAST; B-3, G-l, R-18 POL YCONTRAST Filters, computer for; G-ll, R-18 safelight; B-3, K-4, KW-15 scientific and technical; B-3 sharp-cutting; KW-21 skylight; AC-75S special effects; AC-70, KW-13 spectral-transmittance characteristics; B-3 split field; AC-70, AC-75S UV;AC-75S WRATIEN; B-3, F-40 Fmgerprints, photography of; M-2 Finishing prints; E-67 Fireworks photography of; AC-42, AC-70, AR-22, KW-17 Five-day biochemical oxygen demand of photographic chemicals; J-41, J-55 Fixing: for image stability; F-5, F-40, G-1, R-18 two-bath fixing; F-5, F-40, G-1, R-18 fixing baths: exhaustion of; F-40 testing solutions; J-IA

.

Hash; KW-12, R-28 automatic electronic; AC-72, AC-7SS, KW-12 bounce; AC-36, AC-72, AC-7SS, AC-9S, AR-21, KW-12,R-28 electronic; AC-36, AC-37, AC-70, AC-72, AC-9S, AR-21, AR-22, KW-12, LC-l,R-28 exposure computer; AR-21, R-28 extension; AC-9S fill-in; AC-36, AC-72, AC-9S, AR-21, KW-12, R-28 filtered; AC-70 guide numbers; AC-9S, AF-l, AR-21, R-28 multiple; AC-70, AC-72, AC-7SS, R-28 open; AC-70, AC-7SS outdoor; AC-70, AC-72, AC-7SS, KW-12 painting with light; AC-70, KW-12,M-2 synchronizing; AC-7SS technique for evidence; M-2 umbrella; AC-72, KW-12, R-28 Hower photography; AC-36, AR-22 Fluorescent lighting; AF-l, AR-21, E-34, KW-17, R-28 Foliage, infrared photography; AC-70 Foreign buying information; XAC-16 Formulas, basic; E-97, J-l, J-IA Frames, overhead transparency; 5-9S Fungus, prevention and removal of; AC-24, AE-22, E-30, F-40

G Gadget bags; AC-7SS, AR-23 Gaseous-burst agitation; E-S7 Gelatin filters; B-3, KW-13 Glossary of photographic terms: for architects, builders, and designers; general; AA-9 Graininess; AC-70, AF-l, F-S, F-20 Granularity; F-20 Graph paper, curve-plotting; E-64 Graphic arts, careers; T-17 Gray Cards, KODAK; R-27 Greece, photographing; KV0393 Group photography; LC-3

H Hand coloring; AC-70, E-97, KW-21 Hawaii, photographing; KV0378 High-contrast derivations; KW-21 High-key photography; AC-70 High-speed photography; H-l History of photography; AC-72, CC-13, CCl-lS Holography; P-140, P-311 Home darkroom; KW-14, KW-lS,KW-21 Home studio; LC-13 Hookups; AD-S Humidity, protection from; E-30

I ID films; E-90 Illuminators, KODAK DURA TRANS; E-84 Illustrations, photographic; 0-16 planning; 0-16 selling; 0-16 Image stability, processing for; F-40 Image-structure data, color films; E-77, R-28 Inclement-weather photography; AC-7SS, AR-23 Indoor pictures; AC-72, AC-9S, KW-17 Infrared optical materials; U-71, U-72 Infrared phosphor; U-70 Infrared photography; AC-70, R-28 evidence; M-2 thermal; P-S70 Insect damage to color film; E-30 Insurance, pictures for purposes of; AM-4 Intensifying film; KW-21

K Kodak, manufacturing operations at Kodak Park; CC-8

L Lacquer,.print; E-67, E-70, E-97 Lamps, fluorescent and highintensity discharge; E-34 Lamps, slide projector relative light output; S-80-2 Landscape photography; AC-70, AC-7SS, AC-97, AR-22

Lasers: black-and-white holograms; P-25S reproduction of color photographs; AC-70 Law-enforcement photography; M-2 Leader; H-l-S980 Lens attachments; AC-70, AC-9S, KW-18 Lens-extension tables; AC-9S, AR-21, R-28 Lenses; AA-3, AC-36, AR-22, KV0030, KVOOS7,KW-18, LC-l adapting; 5-74, 5-80-3 basic principles of; AA-3, S-74 care of; R-28, 5-74 close-up; AB-20, AC-9S, AR-21, R-28 curved- and/or flat field; S-74, 5-80-3, S-80-8 focal length for protection; 5-16,5-74 for evidence work; M-2 formulas; AA-26, KW-22, R-28, S-74 special-purpose; AC-70, AC-72, AC-7SS supplementary; R-28, S-30, 5-74 telephoto; AC-36, AC-70, AC-72, AC-7SS, AR-22, KW-18, LC-3 3S mm cameras; AC-70, AC-72, AC-9S, KW-17, KW-18 wide-angle; AC-36, AC-70, AC-72, AC-7SS, AR-22, KW-18, LC-3 zoom; AC-36, AC-70, AC-72, AC-7SS, AR-22, KW-18, LC-3 Light, direction of; AC-7SS language of; KV0024 Light-balancing filters; B-3, E-I04, R-28 Lighting; AC-36, AC-97, AR-22, LC-l, LC-4 close-up; AC-9S controls for room illumination; 5-74 evidence items; M-2 existing-light photography; AC-70, AC-72, AC-9S, AR-21, AR-22, KVOOOS, KW-17,R-28 fluorescent; E-34, E-104 for slides; 5-30 outdoors; AC-36, AC-72, . AC-9S portrait; AC-72, 0-4 23

ratio; AC-72, 0-4, R-28 umbrella; AC-72 Liquid crystals; P-570 Location photography; R-28 Long exposures; AC-70, E-31 Low-key photography; AC-70 Lumen output; 5-3, 5-74

M Maintaining photo equipment; AA-l,AR-23 Masks, seamless; 5-90, 5-91 Metallographic plates; P-l40 Metallography; P-2 Microscope, photography through; P-2 Monitoring systems; Z-99, Z-119, Z-l22, Z-128 Z-l29 Z-l30, Z-131 ' , Mood photography; AC-70, AC-72, AC-97 Motion picture: animation; H-6 black-and-white film processing; H-7 camera films; H-2 film handling, repair and storage; H-1, H-23 films, selection and use; H-1 running times; AD-52 theatre, test films; H-SO tilting for animation; H-6 Motion-stopping shutter speeds; R-28 Motor drives; AC-70 Mounting: color prints; AE-13, E-16, E-30 E-67 ' effect of slide aperture on projected image; 5-74 toned prints; G-23 Movie camera and projector; AA-1 Movies: aerial;H-l animation; H-6 arctic conditions; H-l films, professional: H-l high-speed; H-1 titling; H-6 travel; KVOO36,KV0343, KV0370,KV0378,KV0381, KV0385,KV0391,KV0393 tropical conditions; H-1 underwater; H-1 Multi-image: light-output modification; 5-80-2 presentations; 5-16 slide trays; 5-80-1 tray bands; 5-85, S-86 use of slide projectors in; 5-74 24

N Nature photography: dose-ups; AC-755, AR-26, KW-22 equipment; AC-755, AR-26, KW-22,LC-8 wildlife; AC-36, AC-755, AR-22, AR-26, KW-22, LC-8 Negative contrast (b/w): F-5, G-4 Neutral density attenuators; P-1l4 Night photography; AC-36, AC-70, AC-95 AR-22 KW-17, R-28 r r Nitrogen-burst agitation; E-57 Notches, sheet film" E-77 F-3 F-5, R-28 ' , , Nude photography; AC-72, AC-755, LC-5

o Optical elements; U-l Optical formulas; AA-26, KW-22, R-28, 5-74 Outdoor lighting; AC-36, AC-95, AC-97 Overhead transparencies" E-16 E-101 r

p Painting with light; AC-70, M-2 Panoramas; AC-70, 0-23, 5-90, 5-91 Paper processing, black-andwhite; AG-26 G-1 G-18 KW-15, Z-128 ' , Papers: aerial mapping; G-l AZO Paper; AG-26, G-l, G-23, KW-15 black-and-white papers; AG-26, c-i. G-3, G-I0, KW-15, P3-5, P3-9, R-18 amateur, commercial, and portrait; G-l black-and-white printing; G-l, G-4, G-25, KW-15, R-18 choosing black-and-white; AG-26,G-1 color; E-77, R-18 color printing; AE-13, E-14, E-16, E-18 curve-plotting graph; E-64 developer-incorporated; P3-5 EKTACHROME Papers and Overhead Material; AE-13, E-16, E-70, E-101, E-I02, E-170, R-18 processing; Z-l29, Z-I29A, Z-I29B, Z-I29C

EKTACOLOR Papers; AE-13, E-14, E-18, E-19, E-70, P3-233, R-18 printing on; AE-13 processing and monitoring; Z-99,Z-122,~130 retouching; AE-13, E-70 tube processing; AE-13 EKTALURE Paper; AG-26, G-l, G-23 EKTAMATIC Papers; c-i. G-23,G-25 ELITE Fine-Art Paper; G-l, G-18, G-19, KW-19 KODABROME II RC Paper; AG-26, G-1, G-6, G-23 KODABROMIDE Paper; c-i. G-ll, G-23 PANALURE Papers; AE-13, AG-26, G-l, G-23 POLYCONTRAST Papers; G-1, G-15, G-23 KW-15 P3-5 ' , POLYFlBER Paper; G-1, G-20, G-23,}-1 POLYPRINT RC Paper; G-1, G-3 PREMIER II RC Paper; G-23 RC papers, color print finishing; E-67 storage and care; E-30 sample prints; AG-26, R-18 surfaces and contrast grades; AG-26, G-1, KW-15, R-18 variable-contrast" AG-26 G-1 e-n. KW-15, R-18 r , Perspective control; AC-72, R-28 Perspective in viewing prints" M-2 ' Pet photography; AC-36, AR-27, AR-28 Phosphor infrared; U-70 Photo decor; AC-755, AM-14, 0-22 Photo reports; AT-5 Photo-posterization; AC-70 Photogramrnetry; R-lO Photographic terms: for architects, builders, and designers; general glossary: AA-9 Photograph: conservation; E-30, F-40 deterioration; E-30, F-40 display; F-40, 0-22 early processes; AC-72, F-40, G-25 processing for stability; F-40 storage; E-30, F-40 reproduction; F-40 restoration; E-97, F-40, G-25

Photographing: babies; AC-94 computer screen images; AC-10, KW-17 equipment; KW-22 evidence; M-2 family events; AC-72, LC-3 holidays; AC-72 houses, homes; AC-70, LC-10 landscapes; AC-97 nudes; AC-72, AC-75, LC-5 people; AC-36, AC-72, AR-22, LC-3,LC-5 pets; AR-27, AR-28 sky; AC-70 sports; AC-70, AC-72, AR-23, H-60 television images; AC-10, AR-21,KW-17 weddings; AC-72, AC-75S, LC-3 women; AC-72 Photography for audiovisual production; 5-30,5-31 Photolab design; K-13 Photolamp exposure dial; AR-21 Photomacrography; KW-22 Photomicrography; P-2 black-and-white films; P-255 color film; AC-70 common faults in; P-2 factors affecting color balance in; P-2 filtration for; P-2 Kohler illumination; P-2 of metals; P-2 of stained specimens; P-2 Picture-taking; AC-13, AR-24 sports activities; AR-23 Pinhole camera, how to make and use; AA-5, AC-70 Planning, producing, and presenting slide shows; 5-30 Plates: holographic; P-311 scientific and technical; P-140 spectroscopic; P-l40 Polarized light; AC-70 Police photography; M-2 Pollution control; H-1, J-34, J-41, J-55 Portrait photography; 0-4 babies; AC-94 children; AC-72, AC-75S elderly; AC-72, AC-75S figure studies; AC-72, AC-75S, LC-5 indoors; AC-72, AC-75S outdoors; AC-72, AC-7SS

Polarization techniques; AC-70, KW-21 Presentations: multi-image, use of slide projectors in; 5-74 promoting; S-60 rehearsing for; 5-60 room, considerations for planning; S-60 types of presentations; 5-60 Preservation and storage: negatives and prints; E-30, F-40, G-2S Print inspection; H-SO Printmaking, special techniques; AE-13, G-1, KW-1S, KW-21, LC-11, R-25, R-26 Printing: additive, semi-additive; E-16 advanced black-and-white; G-1,KVOOS1 black-and-white; KW-1S negatives; AC-7SS, G-1, KW-1S papers;G-1 quality; G-1, G-4, KW-1S basic; AE-13, AJ-3, KVOOSO burning in; AC-75S, KW-15 color negatives; AC-7SS, AE-12, AE-13, KW-21 color print finishing on KODAK RC Papers; E-67 color slides; AC-7SS, AE-12, AE-13, E-16, KW-21 cropping; AC-7SS, KW-15 dodging; AC-7SS, KW-1S exposure; AC-7SS vignetting; AC-7SS, KW-1S transparencies; E-16, E-102 without negatives; KW-21 Process control; See Process monitoring Process monitoring; Z-99, Z-119, Z-119E, Z-l22, Z-128, Z-129, Z-130, Z-131 control; Z-119 introduction to, color; Z-99 Process solution capacities; Z-119, Z-131 Processing: activation; G-6 black-and-white; AC-7SS, AF-1, AJ-3, F-S, G-1, G-6, G-9,J-1, KVOO79,KW-1S black-and-white chemicals; J-1,Z-128 black-and-white films and pa pers; Z-128 black-and-white gamma; F-14

black-and-white motion picture films; H-7 black-and-white reversal; G-9 bleach or bleach-fix monitoring; AE-13, Z-99, Z-119, Z-l22, Z-129, Z-130, Z-131 capacity of solutions: black-and-white; J-1, R-18 color; R-18, Z-131 developing computer; R-18 chemicals;E-19, J-1,J-1A, J-1S,J-16, J-17, J-18, J-24, J-34, J-41, J-80, J-83, J-85, Z-119, Z-l22, Z-128, Z-129, Z-129A, Z-1298, Z-129C, Z-130, Z-131 color film; AE-12, AE-13, E-77, R-18 color negatives; AC-7SS, AE-13, Z-131 color papers; AE-13, Z-l22, Z-129, Z-13O color reversal films; AC-7SS, AE-13, Z-119 control; Z-99, Z-119, Z-I22, Z-l29 development; F-14 E-6 chemicals; AE-13, E-37, P3-27S, Z-119 EKTACHROME Films, processing and monitoring of; E-37, R-18 EKTACHROME Papers, Z-l29, Z-129A, Z-I298, Z-l29C EKTACOLOR RA Chemicals; E-19,J-1S,J-16, Z-130 EKTAPRINT 2 Chemicals; AE-13, J-1S,J-16, Z-l22 equipment construction; K-12 FLEXICOLOR Chemicals (for KODACOLOR and VERICOLOR Films); AE-13, J-17, J-18, Z-131 for image stability; F-40 formulas; j-t gaseous-burst agitation; E-S7 high temperature; J-1 HOBBY-PAC Processing Kit; AE-13 KODAK Professional Color Films in Process C-41, bleach monitoring of; AE-13 laboratories, foreign and domestic; XAC-16 processing and monitoring: C-41 (for KODACOLOR and VERICOLOR Films); R-18, Z-131 25

-------E-6 (for EKTACHROME Films); Z-119 EP-2 (for EKTACOLOR Papers); Z-122 R-3 (for EKTACHROME Papers); Z-129 RA-4 (for EKTACOLOR 2001 Paper); Z-130 pushing EKTACHROME High Speed Films; AF-1, R-18 testing solutions for stop baths and fixers; J-1A use of water; J-53 water conservation; H-1 Professional photography; E-77, F-5, KW-19, 0-4, 0-16, 0-22, R-27, R-28 history of; AC-72, CC-13 Programs from Kodak; See KV Series Projection: accessories; H-50, 5-74 audiovisual; 5-3 autofocus defeat switch; 5-74 checklist; H-SO cleaning release prints; H-50 controlling light output; 5-74, 5-80-2 copying projected images; AC-70 distances;5-3,S-16,5-74 focus;H-50 lamps; 5-74, 5-80-2 lenses, adapting; 5-74, 5-80-3 light sources; H-50 EKTAGRAPHlC and ANALYST Projectors; 5-5, V1-11 print scale; R-26 remote-control box; 5-74 rewinding; H-SO screen luminance; H-SO sound;H-SO techniques; H-50, 5-3 ventilation requirements; 5-74,5-80-6 Projector operation (audiovisual); 5-5, 5-74 Projectors: audiovisual; 5-5 autofocus capability; 5-74 CAROUSEL@ and EKTAGRAPHIC Projectors; AA-6, S-5, 5-74, 5-80-1,5-80-2,5-80-3, 5-80-4,5-80-6,5-80-8 controlling multiple slide; 5-74 dimensions; 5-74

26

EKTAGRAPHlC Projector, features of; 5-74 external dimensions; 5-74 SOand 60 Hz operation; AD-51,5-74 lamp life and lenses; 5-74, S-80-2, 5-80-3, 5-80-8 lamp life and output; 5-80-2 motion picture; AA-1, H-SO operation; 5-74 remote control; 5-74 ventilation; S-80-6 wiring and operation; 5-74, S-8O-4 Push Process; E-6P, E-35, KW-17, Z-119, Z-119P Push-processing BjW films; AC-72, AF-1, AJ-30, F-5, F-25 Push-processing EKTACHROME Films; AE-13, AF-1, AR-23, E-77, KW-17, R-18, Z-119, Z-119P

R Rear projection: cabinets; S-29 screens; 5-3 Reciprocity data: black-and-white films; E-31 color films; AC-70, AF-1, E-31, E-34, E-77 Remote controls (slide projectors); 5-5, 5-74 Replenishment rates; R-18, Z-119, Z-119P, Z-l22, Z-l29, Z-130, Z-131 Residual hypo and silver; F-40 Restoration of photographs; AC-72, E-97, F-40, G-2S Retouching: black-and-white negatives and prints; E-97, 0-10 color negatives; E-71, E-97 color prints; E-70, E-97 color separation negatives; E-91, E-97 color transparencies; E-68, E-97 dye transfer prints; E-92, E-97 dyes;E-97 target for transparencies; E-68a Reversal processing; AE-13, G-9

S Sabattier effect; KW-21 Safelights; K-4, K-13, KW-15, R-18 Scale, gray; R-18, R-28 Scale, projection print; R-26 Scandinavia, photographing; KV0370 Screens: brightness measurements; H-SO front-projection, reflection characteristics; S-3 legibility; S-24 projected artwork; S-24 rear-projection; S-3 sources; 5-29, 5-74 surfaces for creative effects; AC-70 Script-writing techniques; T-90 Seating guide; 5-16 Sensitometric data, color films; E-77 Sensitometry; F-5 Sheet film, code notches; F-3, F-5,R-28 Short-wave radiation plates; P-140 Shutter, Harris; AC-70, AC-75S Shutter speeds for moving objects; AC-72, AR-21, KW-17,R-28 Silhouettes; AC-70, KW-21 Silver recovery; H-1, J-21, Z-l22, Z-129, Z-13O Slide duplicating; AC-70, E-38 Slide programs from Kodak: See KV Series Slide projection equipment; 5-3, 5-5, V1-11 Slide projectors; 5-74 CAROUSEL® Slide Projector; 5-5 EKTAGRAPHlC Slide Projector; 5-5, V1-11 wiring and operation; S-8O-4 Slide trays; 5-80-1 Slides; 5-3, 5-30 aperture; 5-30, 5-80-2 artwork standards; 5-30 black-and-white transparencies; G-9, T-90 dimensional control; 5-74 duplicating; AC-70, AE-92, E-38, KW-22, 5-30 effective presentation; 5-22 EKTAGRAPHlC Write-On Slides; 5-30 filing; 5-30, 5-74

lecture; 5-22 line-