Killers - Sam's Town.pdf
Short Description
Guitar score...
Description
from The Killers - Sam’s Town
Sam’s Town Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
Intro Moderate Rock q = 142
µ
Spoken: One,
two,
one,
two,
three,
C5
four.
f
*Gtr. 2
13
10
mf
*Gtr. 3 divisi
10 9
10
10
10
13
10
*Synth arr. for gtr.
**Gtr. 1 (dist.)
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
f
3 1 0 X 3
3 1 0 X 3
3 1 0
3 1 0 X 3
3 1 0 X 3
let ring
3 1 0 X 3
**Two gtrs. arr. for one.
10 9
13
10
13
10
13
10
D5
10 9
12
10 7
10
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
0 0 0 0
3 2 0 0 0
10
10
13
10
13
10
10
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
13
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
10
13
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10 9
12
13
10
Bb
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
10
13
7
10
10
12
10
1 3 3 3 1
1 3 3 3 1
1 3 3 3 1
1 0
8
10 7
10
13
10
10
10
0 0 0 0
13
13
10
10
13
10
10
1 3 3 3 1
1 3 3 3 1
1 3 3 3 1
10
13
10
10
1 3 3 3 1
10
10
1 3 3 3 1
0 0 0 0
Gm
13
10
13
Gm(add9) Gm
10
13
13
10
12
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
5 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
Gtrs. 1 & 3 tacet * Bb Riff A
Gtr. 2
Dm
let ring
mf let ring
15
15
15
19
13
Gm
18
Bb
let ring
19
12
17
11
15
10
15
15
0
Dm
let ring
let ring
12
Gm7
15
13
End Riff A
let ring
15
17
18 0
13
*Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff A
Gtr. 1
Bb
Dm
12
12
mf
8
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Gm
5
Bb
Gm7
5
8
8
Dm
5
5
0
18
Verse
2nd time, Gtr. 4 tacet
Bb5
1. No - bod - y 2. I took a
8 8 8
8 8 8
*Gtr. 1
D5
G5
ev - er shut - tle
had on
a a
dream shock
8 8 8 *2nd time, resume playing mf.
8 8 8
12 12 12
12 12 12
12 12 12
12 12 12
P.M.
D5
G5
D5
-
’round wave
here, ride
but where
5 5 5
5 5 5
5 5 5
5 5 5
Bb5
start - ing trig - ger
to for
get ac
-
to me. co - lades.
5 5 5
5 5 5
5 5 5
5 5 5
8 8 8
8 8 8
8 8 8
8 8 8
P.M.
0 0 0
0 0 0
0 0 0
0 0 0
Bb5
I don’t real - ly run - ning through my
G5
mind veins
that an
D5
it’s start - ing to A - mer - i - can
P.M.
0 0 0
0 0 0
0 0 0
0 0 0
Eb
I don’t peo - ple
real - ly on the
7 7 5
7 7 5
7 7 5
7 7 5
D5
G5
pulls and
the I
seams looked
’round in
-
ev - er bul - let
12 12 12
12 12 12
12 12 12
12 12 12
-
8 8 8
8 8 8
8 8 8
8 8 8
5 5 5
5 5 5
5 5 5
5 5 5
to me. quer - ade.
I’ve I
got still
G5
mind pen
8 8 8
C5
neath Dix
-
8 8 8
8 8 8
5 5 5
Bb5
my ie’s
feet wake,
like I’ve
let ring 12
5 5 5
let ring
10
5 5 5
13
12
8
10
5 5 5
some - thing nev - er
5 5 5
F
6
8
8
10
gon - na come up an - y - bod - y
and to
car die
8
10
let ring
10 8
5 5 5
5 5 5
5 5 5
5 5 5
here, side,
but and
7 7 5
7 7 5
7 7 5
7 7 5
Gm
let ring
5
7
10
12
12
Eb
-
let ring
ry me. be - fore.
6 10
it’s the
11 10
Dm
that pull
this en - er - gy be re - mem - ber Grand - ma
let ring
5 5 5
let ring
8 0
5 5 5
un - der - ground’s real - ly known
let ring
11
5 5 5
10 8 8 8
D5
Pre-Chorus F
G5
get mas
No - bod - y I took a
Bb5
8 7
6
8
8
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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F
I’ve got Red, white
this and
Gm
let ring
10
10
Dm
start - ing Fourth of
to Ju
12
10
12
get - ly,
let ring
to and
me that’s
6
Is
the
G5
of
8 7 5 5 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
all
beats, cake.
but My
let ring 13
12
10
12
an
my
judg
D5
So
swer
to
the
mind born
that on
it’s the
let ring
6
8
D
Why why
do do
you you
10
8
Eb5
waste waste
my my
time? time?
-
tion
ques
Bb
on
your
mind?
8 7 5 5 5
8 7 5 5 5
f
7
F5
And I’m
3 2 0 0 0
4 3 1 1 1
6 5 3 3 3
3 3 3 1
3 3 3 1
D5
-
3 2 0 0 0
es,
they’re so so
Eb5
scared scared
F5
of of
what they’ll a let - ting me
10
let ring
5
10
8
7
10
8 0
let ring
8
let ring
10 8
-
F
real - ly he was
11
now. all.
I don’t broth - er,
10
8
Eb
let ring
8
8 7 5 5 5
sick
that day
8 7
Chorus G5
6 7
F
Bb5
-
Eb
let ring
5
heart birth
11
10
sen - ti - men - tal blue up - on a
let ring
8
C5
D5
find. shine.
4 3 1 1 1
6 5 3 3 3
3 2 0 0 0
X X X
But
I
3 2 0 0 0
X X X X
X X X X
G5
know
that
I
can
T o Coda
D5
make
it
as
long
as
Eb5
F5
some - bod
-
y
takes
me
Bb
Bm
home
ev - ’ry
and
then.
now
8 7 5 5 5
8 7 5 5 5
X X X X
X X X X
3 2 0 0 0
4 3 1 1 1
6 5 3 3 3
3 3 3 1
3 4 4 2
Cm
Cm7
D
Oh, have
6 4 X 5 3
7 7 7 5
7 5
7 5
7 5
7 5
7 5
Gtr. 1 divisi
* P.M.
4 5 5 3
**Gtr. 4 (dist.)
7 5
7 5
7 5
*Gradually lift P.M.
7 5
you
mf
7 5
15 7 5
17 7 5
**w/ multi-tap delay.
Bridge Gtr. 1 tacet Gtr. 2: w/ Riff A (2 times)
Bb
ev - er
Gtr. 4
Dm
seen
the
lights?
Gm
Bb
Gm7
Dm
17
17
15
15
7
Have
you
15
17
1/2
15
Bb
18
ev - er
15
17
15
Dm
seen
the
lights?
15
Gm
15
Bb
Gm7
7
Dm
D.S. al Coda
17
17
15
14
14
14
1/2
15
18
15
17
15
15
15
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Coda Eb5
F5
y takes
Gtr. 2
me
home,
G/B
woo,
Gm
-
F/A
some - bod
Bb
11
10
11
10
ev - ’ry now
and
then,
f
4 3 1 1 1
6 5 3 3 3
3 3 3 1
1 2 3 0
Gtr. 1
Cm
Dm
12
3 5 5 5
3 5 5 5
7 9 10 9
ev - ’ry now
8v a
11
13
8v a
13
15
Gtr. 2
Gtr. 3
11
13
Gtr. 1
4 5 5 3
4 5 5 3
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4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
13
15
15
16
15
and
then.
13
4 5 5 3
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
Eb
F
rit.
You know,
*8v a
Gtr. 2
Gtr. 3 divisi
rit.
15 15
17
15
15
15
18
15
15
18
17 20
15
*8va applies to both gtrs.
Gtr. 1
18 18
17
20
17
18
18
17
18
10 10 10 8
10 10 10 8
10 10 10 8
rit.
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
Outro Slower q = 130 Half-time feel Gtrs. 1, 2 & 3 tacet ** Bb
Bb/D
*** I
Gm
see
Lon
Riff B
Gtr. 4
8v a
-
Eb
Dm
Cm
see
Sam’s
Town,
don,
I
18
18
End Riff B
f 18
18
17
18
15
18
15
18
18
17
18
15
18
15
18
18
17
15
18
18
15
15
17
18
15
17
15
18
15
17
**Chord symbols reflect overall harmony. ***Gang vocals, next 17 meas.
Gtr. 4: w/ Riff B (3 times)
Bb
Gm
holds
my
hand
and
Eb
Dm
Cm
off
my
shoul
Bb/D
-
der.
Eb
Dm
lets
my
hair
Bb
Bb/D
Gm
see
Lon
I
Cm
down,
-
don,
Bb
Gm
rolls
that
world
Eb
Dm
Cm
see
Sam’s
Town
I
Bb/D
right
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Outro w/ crowd noise (till end)
G
now.
1/2
mf
Gtr. 4
16
*Gtr. 5
12
12
12
9
9
9
16
16
16
16
Riff C
End Riff C
mf
5
0
5
0
5
0
5
0
2
4
*Bass and trombone arr. for gtr.
Gtr. 5: w/ Riff C
**Gtr. 6
mf 12
Gtr. 4
7
7
7
7
7
9
7
5
12
10
0
5
4
5
10 12 14
4
7
12
12 14
12
14
15
7
12
15 14
4 5
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5
12
Gtr. 4
2
4
5
5
4
2
2
4
5 5
rit.
12
10
13
12
10
15
Gtr. 5 divisi
3
12 15 12
10 12
**Strings arr. for gtr.
let ring
16
14 16 14
rit.
12
14
12
rit.
5 5
5
7
14
12
2
12
4 5
5
from The Killers - Sam’s Town
Enterlude Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Chorus Moderately slow q = 69 Am
We
hope
*Gtr. 1
you
en
C
-
joy
your
mf
stay.
F
It’s
w/ fingers
0 1 2
3 5 5
0
3
1 2 3 1
*Piano arr. for gtr.
Am
good
G
to
have
you
with
us,
0 1 2 0
Am
hope
0 1 2 0
you
en
F
e - ven
if
it’s
just
for
the
day
3 4 5
1 2 3
3
1
G
-
joy
3 4 5 3
your
C
C
F
G/B
3 5 5 3
We
3 1 0
3 3 0
3
2
stay.
Out
-
1 2 3 1
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am
G
side
the
sun
is
shin
-
ing,
F
it
seems
like
3 4 5
1 2 3
3
1
Am
G
good
to
have
you
with
us,
heav - en
0
0 1 2
C
ain’t
far
a -
way.
e
3 1 0
3 3 0
3
2
-
ven
if
it’s
just
for
the
day.
3 4 5
1 2 3
3
1
3 3 =
It’s
F
0
0 1 2
G/B
Outro
*C
3
5
3
5
3
5
3
5
5
3
G/B
Am7
3
3
5
3
2
5
3
5
3
0
*Chord symbols reflect implied harmony.
G5
F5
**T
3 3
0
3
1 1 **T = Thumb on 6th string
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
5
3
3
from The Killers - Sam’s Town
When You Were Young Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
F5
E5
D5
8fr 134
7fr
C5
B5
134
134
A5
G5
5fr
134
134
11
2
3
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately q = 130
F%
Fsus2
Gtr. 1 (dist.)
* mp
f
10 10 0 7 8
X X X X X
Rhy. Fig. 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
X X X X
0 3 3 1
0 0 0 0
0 0 0 0
*Vol. swell Riff A
Gtr. 2 (dist.)
f
X X X
G5
A7(no3rd)
0 0 0 0
0 0 0 0
0 5 5 3
0 5 5 3
0 7 7 5
X X X
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
X X X
X X X
5 X 3
C5
0 5 5 3
0 7 7 5
0 7 7 5
0 7 7 5
0 0 0 0
0 0 0 0
0 10 10 8
0 10 10 8
0 10 10 8
0 10 10 8
0 10 10 8
0 10 10 8
0 10 10 8
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
X X X
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
X X X
12 X 10
X X X
Fsus2
X X X
End Rhy. Fig. 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
0 3 3 1 End Riff A
5 X 3
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Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A Gtr. 3 (slight dist.)
G5
5 7
4
8
5
7
Fsus2
let ring
5
8
5
C5
f let ring
A7(no3rd)
7
Verse Gtr. 3 tacet ** F5
G5
1. You sit Gtr. 3
there
*Gtr. 4 ***w/ delay
divisi
in your
A5
-
ache,
heart
C5
wait - ing
F5
on
some
beau - ti
-
ful
boy
to, End Riff B
Gtr. 4
1
3
f Riff B
7 1
1
1
1
1
1
1
3
3
5
5
5
5
5
8
8
8
8
8
8
8
8
1
1
1
1
1
1
1
1
*Bass arr. for gtr. **Chord symbols reflect implied harmony. ***Set for sixteenth-note regeneration w/ 6 repeats.
Gtr. 4: w/ Riff B
to
save
you
from
Chorus F'9
does - n’t look Gtr. 1
Riff C
a
thing
10 8
G
like
Je
let ring
8
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0
12
12
10
12
talks like
12
13
14
15
let ring
14
10
12
12
15
14
here
he comes.
He
Fsus2
like you
10
i - mag - ined when you End Riff C
let ring
0
now,
F'9
8
13 14
it
gen - tle - man,
let ring
13 14
a
let ring
13 10
let ring
he
let ring
Watch
C
but
12 10
You play for - give - ness.
sus
12 10
10
-
F5
C5
ways.
let ring
0
Riff C1
10
Am
A5
old
Gtr. 2
your
let ring
10
G5
10
let ring
10
0 8
10
0
0 3 3 1
0 3 3 1
End Riff C1
5 X 3
5 X 3
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A
*Gtr. 5
were
G5
A7(no3rd)
C5
Fsus2
young.
f
14
13
17
15
12
12
13
17
13
14
15 14
*Synth. arr. for gtr.
Verse Gtr. 5 tacet
2. Can
we
climb
F5
this
moun - tain?
Voc. Fig. 1
G5
I
don’t
A5
C5
know.
High - er
now
than
ev -
17 15
17 15
17 15
17 15
17 15
17 15
17 15
17 15
(Ah.
**Gtrs. 1 & 2
10 8
10 8
10 8
10 8
10 8
10 8
10 8
12 10
12 10
12 10
14 12
14 12
14 12
14 12
14 12
make
it
if
we
P.M.
10 8
**Composite arrangement
F5
-
er
be - fore,
I
know
we
can
G5
take
A5
it
slow.
Ah.)
P.M.
10 8
10 8
10 8
10 8
10 8
10 8
10 8
0 0
10 8
10 8
10 8
10 8
10 8
10 8
10 8
12 10
12 10
12 10
14 12
14 12
14 12
14 12
14 12
P.M.
10 8
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Chorus Gtrs. 1 & 2: w/ Riffs C & C1
C5
Let’s
take
it
eas - y.
Eas
F5
y
now,
watch
it
go.
-
17 15
17 15
17 15
17 15
17 15
17 15
17 15
G
sky
Am
-
line
12
13
on
the
14
13
17
were
We’re
10 8
10 8
10 8
10 8
10 8
10 8
10 8
0 0
14
14
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
17
15
back
of
a
hur
A7(no3rd)
young,
12
- ri - cane
down
the
high
12
14
-
way
14
that
start - ed
turn - ing
when
Fsus2
you
A7(no3rd)
12
C5
Fsus2
13
young.
F'9
12
G5
12
12
burn - ing
Gtr. 5
G5
15
were
15
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Riff A (2 times)
C
End Voc. Fig. 1
P.M.
17 15
F'9
17
13
14
15
when
you
C5
Fsus2
14
14
13
13
17
15
3. And
some -
14
Verse
F'9
Gtr. 5
times
you
close
your
G
Am7
and
see
the
place
12
13
eyes
C
where
you
used
to
live
mf 12
Gtrs. 1 & 2
15
mf
15
let ring
let ring
8
10
10 0
13 10
14
12
15
let ring
let ring
12 0
12
10
12
0
13 0
14
15
15
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Riff A (2 times) Gtr. 5 tacet
F'9
when
were
Fsus2
young.
Gtr. 6 (dist.)
f
12
12
13
let ring
8
10
10 0
15
21
10 0 10 8
10 0 10 8
10 0 10 8
10 0 10 8
12 0 12 10
A7(no3rd)
21
21
21
21
21
21
21
21
21
21
21
21
12 0 12 10
0 0 0 0
12 0 12 10
C5
21
21
f
G5
you
15
Gtr. 6
G
21
21
21
21
21
Fsus2
12
12
12
14
14
14
14
14
14
14
14
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
17
13
14
15
A7(no3rd)
13
E5
D5
C5
Gtrs. 1&2
B5
17
13
Fsus2
15
14
A5
G5
14
Gtr. 6 tacet
F5
12
12
C5
They say
Gtr. 6
the
P.S.
X X X
X X X
XX X X
Gtr. 5
13
12 12
f 13
12
15
13
12
14
Bridge Gtrs. 1 & 2 tacet
Dm
Dev - il’s Gtr. 5
wa
-
ter,
it
ain’t
so
sweet.
You
F
don’t have
Am
to
drink
right
now,
mp
17
*Gtr. 7
mf
8 10 10
8 10 9 7
w/ fingers
5 6 7 0 *Synth. arr. for gtr.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
15
15
Em
but
you
can
dip
your
Am
G
feet
ev - ’ry
18
15
once
and
a
lit - tle
while.
f 15
7 8 9
10 12 12
13 14 14 0
7
Gtr. 5 tacet
Gtr. 7 tacet
F
G5
17
10
A5
C5
F5
Fsus2
Gtr. 1 divisi Gtr. 6
Gtr. 6
pp
mf
12
Gtr. 7
8 10 10 8
0 3 3 1
Gtr. 2
0 3 3 1
5 X 3
5 X 3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Riff A (2 times)
Fsus2
G5
A7(no3rd)
C5
Hey!
(Say.
12
12
12
14
f
21
21
21
21
21
21
21
21
21
21
21
21
21
21
21
21
21
Fsus2
21
14
14
14
14
14
A7(no3rd)
14
21
Ah.)
14
21
G5
20
14
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
Verse Bkgd. Voc: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Riff A (2 times)
C5
20
Fsus2
20
20
20
12
12
12
14
14
14
14
14
14
14
14
4. You
sit
there
in
your
Fsus2
14
Gtr. 6 tacet
G5
A7(no3rd)
C5
heart - ache,
G5
old
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
wait - ing
A7(no3rd)
ways.
Fsus2
C5
on
some
You
play
beau - ti
for - give - ness.
-
to,
ful
boy
to
Fsus2
Watch
it
now,
save
you
from
here
he
comes.
your
He
Outro-Chorus
G
does - n’t look
a thing
like
Je
-
12
15
12
12
12
13
14
13
14
Gtrs. 1 & 2
* P.M. 5 3
5 3
5 3
5 5 3
5 3
5 5 3
5 5 3
5 5 3
12
15
but
12
12
G/B
talks like
13
12
a
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
12
let ring
3
G5
gen - tle - man,
14
A5
he
13
12
C
sus
Gtr. 5
like you
15
13
12
let ring
0
2
i - mag - ined when you
2
2
2
0
0 0 X 3
*Gradually lift P.M.
Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Riff A (4 times)
Fsus2
were
Gtr. 5
14
14
Fsus2
14
like
you
i
A7(no3rd)
(Talks
like
a
C5
young,
13
14
G5
15
12
15
13
G5
when you - mag - ined when...)
were
Gtrs. 5 & 6
14
13
17
15
gen
-
tle - man,
A7(no3rd)
young.
12
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
A7(no3rd)
Je
-
does - n’t
14
he
does - n’t
look
a
thing
like
G5
look
a
thing
like
Je
15
-
sus.
F5
Gtrs. 1&2
more
than you’ll
ev
-
er
Gtr. 5
15
C5
13
14
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D5
13
C5
12
15
15
14
B5
A5
G5
17
13
14
know.
But
12
He
Gtr. 6 tacet
Fsus2
15
12
12
14
A7(no3rd)
17
13
17
13
Fsus2
14
17
said,
C5
13
14
14
14
13
15
12
12
I
sus.
17
13
14
G5
12
Fsus2
13
13
12
14
15 X 12
from The Killers - Sam’s Town
Bling (Confessions of a King) Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci Em
G5
23
2
34
Aadd9
Bm
Bm/A
142
13421
342
G/A
A
D
111
F#m
132
D/A
134111
132
Intro Moderately q = 114 **F#
*Gtr. 1
f
B5
*** pp
When
I
of
-
fer
you
mf
w/ fingers
2 2
2 3 4
2
2
7
*Synth. arr. for gtr. **Chord symbols reflect implied harmony. ***Vol. swell
sur
-
viv
-
al,
Gsus2
7
5
It’s
5
0
say
it’s
hard
e
-
nough
to
live.
7
3
3
7
7
Em11(no3rd)
you
3
not
so
bad,
it’s
not
so
bad.
Gsus2
7
How
A
5
3
0
3
do
you know
that
3
2
0
0
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Em
Gtr. 3 (acous.)
mf
Riff A Gtr. 2 (elec.)
you’re
right?
loco loco loco 8v a
8v a
mf w/ dist. Harm.
0
0
7
7
8v a
Harm.
0
0
7
Harm.
7
0
0
7
8v a
7
Harm.
0
0
7
7
8v a
8v a
loco
0
7
7
0
7
loco
Harm.
0
8v a
loco
Harm.
0
Gtr. 1
8v a
loco
7
0
0
Harm.
0
7
7
Harm.
0
0
7
3
2
0
1. I
a
7
0
G5
Aadd9
8v a
8v a
loco
0
7
7
0
0
7
7
Harm.
0
0
7
7
Harm.
0
0
7
7
8v a
loco
Harm.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8v a
loco
0
0
8v a
loco
0
7
7
0
7
loco
Harm.
0
8v a
loco
Harm.
0 3
-
End Riff A
8v a
loco
Harm.
0
8v a
loco
7
Harm.
0
0
7
7
Harm.
0
0
7
3
2
0
7
Verse 1st time, Gtr. 2: w/ Riff A (2 times) 2nd time, Gtr. 2: w/ Riff C (2 times)
Bm
Bm/A
Rhy. Fig. 1
Gtr. 3
woke in
and
on out
the of
road fo
-
side, cus,
but
Riff B
Gtr. 1
0
in push
I’m
-
the ing
3
2
0
2
G5
G/A
land on
for
of that
the ho
-
free ri
ride. -
I zon.
I’m
0
push
3
2
-
can’t ing End Riff B
0
3
Em
G/A
pull on,
0
it
an
-
y
long
-
ooh, got
the that
3
2
0
er, now
I’ve
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm
Bm/A
End Rhy. Fig. 1
sun blow
-
is ing
beat wind
-
ing a
-
down gainst
my my
neck. face.
So you
So
I sling
3
2
0
0 2
Gtr. 1: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1
Bm
ran
with rocks
the at
the
Dev rip
-
il. tide.
9
9
9
G5
trail
7
7
9
9
of or
ex am
9
9
9
9
-
7
7
7
7
9
cus I
-
9
9
9
7
7
9
9
Gtr. 2: w/ Riff C
Em
stone on the wa bot - tom with a “huh,”
Gtr. 1
0 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
ter. quite
9
9
9
9
9
7
7
9
9
9
9
9
7
7
get
The my
3
2
7
7
7
7
G/A
like hit
a the
End Riff C
7
G/A
I
9
I
7
9
es, right?
strange.
9
9
a wrong,
Gtr. 2
9
Left I
Am
Riff C
Bm/A
9
9
9
9
7
7
9
Bm
el - e - ments de - cide my glo - ry in the des - ert
0 2
9
9
fate. rain.
9
9
9
7
7
Watch it Watch it
7
7
Bm/A
go. go.
Gtr. 1 tacet 2nd time, Bkgd. Voc.: w/ Voc. Fill 1
G5
Gtr. 3
*Gtr. 4
14
12
15
14
12
12
12
14
12
15
14
12
mf 12
*Synth. arr. for gtr.
3 3 0 0 X 3
3 3 0 0 X 3
2 3 0 0 X 3
A
Gtr. 2
Chorus Gtr. 3 tacet ** Bm11
When I
(Bling)
12
14
12
15
14
12
12
15
14
14
15
0 2 2 2 0
0 0 0 0
0 0 0 0
3 2 2 0
12
3 2 2 0
-
fer
you
19
17
19
17
19
17
15 14 0 14
15 14 0 14
15 14 0 14
15 14 0 14
15 14 14 0
14 14 14 0
14 14 14 0
8v a
12
15
Riff D
of
19
17
17
14 14 14 0
14 14 14 0
0 0 0 0
19
**Chord symbols reflect overall harmony.
Voc. Fill 1
(When
I
of - fer
you
sur - viv - ... ) (...al.)
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gadd #49
Dmaj7/F#
sur - viv
-
al,
you
say it’s hard
-
nough
17
19
17
15 0
14 0
19
17
19
19
19
17
17
19 19 17
19
17
14 14 0 X 14
14 14 0 X 14
14 14 0 X 14
14 14 0 X 12
15 14 0 X 14
15 15 15 0 0 0
A
Dmaj7/F#
Don’t I’ll
tell tell
me you
that when
it’s it’s
o o
-
ver, ver,
Gtr. 4: w/ Riff D (3 times)
Asus4
Gtr. 2
15 14 14 0
15 14 14 0
15 14 14 0
Rhy. Fig. 2
Gadd #49
up.
15 0
And
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
do
14 14 14 0
14 14 14 0
Poor
and
tired,
but
15 0
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
How
15 14 14 0
14 0
15 0
15 0
15 0
15 0
Asus4
19
15 14 14 0
14 0
17 17
19
17
14 14 0 X 14
live. End Riff D
19
19
to
17
14 14 0 X 14
Sorgdal
e
8v a
19
14 0
14 14 14 0
14 14 14 0
14 14 14 0
14 14 0 X 14
15 0
14 0
14 14 0 X 14
14 14 0 X 14
more
than
15 0
14 0
15 15 14 0 0 0
19
15 0
17
19
14 0
15 0
14 14 0 X 14
14 14 0 X 14
14 14 0 X 12
15 14 0 X 14
14 0
15 0
14 0
15 0
14 0
15 0
14 0
15 0
14 0
15 0
14 0
you know
that
you’re right
if
you’re not
Gadd #49
ner
-
vous
0 0
up.
15 0
15 0
15 0
this.
Dmaj7/F#
15 0 0 0
A
15 0
14 15 0 0
stand shut
14 0
19 17 17
15 0
17 19
an - y
- more?
15 0
End Rhy. Fig. 2
15 0
0 0
0 0
Asus4
A
It’s not
Gtr. 1
so
Dmaj7/F#
bad,
it’s not
so
1.
Gadd #49
bad.
2. I
feel
my
2.
vi - sions slip - ping
3
2
0
Bridge D
er
and
Rhy. Fig. 3 *Gtrs. 2&3
f
High
-
high
** Riff E *** 8v a
Gtr. 1
-
we’re
er,
gon
- na
take
it
End Riff E
f
17
19
17
19
17
14 17
15 19
14 17
17 19
15 17
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
f
Gtr. 4 divisi
19
**Refers to Gtr. 1 only. ***8va applies to both gtrs.
Riff F Gtr. 5 (elec.)
19
17
19
19
14 19
19
17
mf w/ dist.
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
*Composite arrangement Gtr. 1: w/ Riff E (2 times)
down
Gtr. 4 8v a
Gtr. 5
to
the
wire.
We’re
gon - na
make
it
19
17
19
17
19
17
19
17
19
17
19
17
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
20
15 X 12
20
15 X 12
15 X 12
19
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
20
15 X 12
20
15 X 12
15 X 12
19
15 X 12
15 X 12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
A
out
of
the
fire,
8v a
Bm
Riff G
F#m
19
17
19
17
19
17
19
17
19
17
19
17
19
19
17
19
19
17
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
Gtr. 1: w/ Riff E (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff G (3 1/2 times) Gtr. 5: w/ Riff F
G5
A
high
-
er
19
17
19
8v a
D
and
End Rhy. Fig. 3
-
er.
High
high
12 X 9
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15 X 12
15 X 12
15 X 12
15 X 12
17
19
17
15 X 12
15 X 12
14 X 11
-
er
and
high
-
er,
we’re gon - na
End Riff G
20
20
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
19
End Riff F 12 X 9
14 X 11
14 X 11
take
it
down
to
the
wire.
Bm
14
15
14
17
15
14
we’re
gon
15 X 12
15 X 12
15 X 12
We’re
14 X 11
14 X 11
14 X 11
-
We’re
gon
- na
-
na
take
it
er
and
gon - na
15 X 12
15 X 12
15 X 12
15 X 12
it
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
A
out
of
the
fire,
er.
High
-
G5
14 X 11
14 X 11
14 X 11
and
high
-
er,
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
er
to
the
wire.
14 X 11
14 X 11
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
14 X 11
14 X 11
14 X 11
A
out,
14 X 11
-
15 X 12
make
14 X 11
down
15 X 12
G5
D
15 X 12
Gtr. 1: w/ Riff E (2 times) Gtr. 4: w/ Riff G (3 1/2 times)
high
15 X 12
it
15 X 12
make
Gtr. 5
15 X 12
Gtrs. 2&3
15 X 12
A
8v a
G5
high Gtr. 1
F#m
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
oh,
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (last 2 meas.)
Bm
Gtr. 1
14
15
14
8v a
F#m
G5
high
17
15
14
-
A
er
and
14
15
high
14
14
15
-
er.
14
Gtr. 5
*w/ delay
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
*Set for dotted eighth-note regeneration w/ 6 repeats.
Outro
Gtr. 1 tacet
(Gtr. 2, cont. in notation)
ain’t
Gtr. 2
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
to
hold.
2 2 2 4 4 2
like
gold,
you’ll
slight rit.
3 0 0 X 3
re - mem
2 2 0
- ber
D
me.
shines
A5
3 2 2 0
2 3 2 0
it
slight rit.
When
G5
F#m
2 3 4 4 2
hard
3 0 0 X 3
Gtr. 3
Gtr. 3
mf
Bm
15 X 12
2 3 2 0 0
19
Asus4
It
Gtr. 5
Gtr. 2 tacet
G5
Gtr. 4
Gtr. 3 tacet
Gtrs. 2&3
Gtrs. 4 & 5 tacet
D/A
from The Killers - Sam’s Town
For Reasons Unknown Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci A5
A(b5) 7fr
E
B
7fr
G#/B#
7fr
7fr
134
124
1333
321
312
A
E5
F#5
C#5
B5
5fr 3211
C#m
8fr
9fr 311
G#/B#
4fr 11
134
III
3fr
134
134
143
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately fast q = 140
µ
*A5
1. I
pack
my
case,
I
check
my
face,
Gtr. 1 (dist.)
mf
5
5
P.M.
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
*Chord symbols reflect implied harmony.
E5
I
look
a
lit - tle
bit
old
-
B5
er,
I
look
a
lit - tle
bit
cold
0
0
-
er.
P.M.
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
7
7
7
7
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
7
7
7
7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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A5
With
one
deep
breath,
with
Gtr. 1
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P.M.
7
Gtr. 2 (dist.)
mf
5
5
5
5
5
5
*string noise
X X
*String noise caused by fingers sliding down open strings.
E5
one
big
step,
I move a
lit - tle
bit
clos
5
5
P.M.
5
5
5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
-
er,
I move a
lit - tle
bit
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
B5
A5
clos
-
7
7
7
7
7
7
For
P.M.
7
er.
7
7
7
9 7
7 5
9 7
9 7
9 7
9 7
7
7
9 7
7
9 7
9 7
un
-
known.
2. I
fdbk.
7
5
7
rea - sons
7
Pitch: C#
(cont. in slashes)
Verse
A5
Rhy. Fig. 1
Gtr. 2
caught
Gtr. 1
my
stride,
I
flew
in
flight.
Riff A
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P.M.
5
A[b5]
I
know
if
5
5
5
5
5
5
5
des
P.M.
5
E
-
ti
- ny’s
kind,
I’ve
got
the
rest
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Pre-Chorus
B
G#/B
on
my
C#m
End Rhy. Fig. 1
mind.
But
my
Rhy. Fig. 2A
heart,
it Riff B
*Gtr. 3
7
9
don’t
beat,
mf
9
7 9
10
*Synth. arr. for gtr.
End Riff A
Rhy. Fig. 2
Gtr. 1
2
2
2
2
2
2
2
6 3
6 3
6 3
6 3
6 3
6 3
6 3
6 3
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
P.M.
2
it
10
9
don’t
A
the
way
7
9
2 0
2 0
2 0
2 0
2 0
beat
9
9
6 4
6 4
6 4
6 4
6 4
6 4
6 4
it
used
to.
And
my
eyes,
9
10
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
7
9
End Riff B
7
P.M.
6 4
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Sorgdal
Gtr. 3: w/ Riff B
E
they don’t
B
see
no
more.
Gtr. 1
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
they
don’t
P.M.
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
G#/B#
P.M.
6 3
A
9
10
And
my
C#m
End Rhy. Fig. 2A
lips, End Rhy. Fig. 2
6 3
6 3
6 3
6 3
the
way
7
9
7
you
no
9
9
6 3
6 3
Gtr. 3
6 3
9
10
7
9
used
9
they
to.
And
my
7
B
9
don’t
7
9
kiss
rec - og
-
7 9
G#/B#
they
don’t Riff C
9
eyes
9
E
9
10
9
kiss,
7
more.
nize
10
For
9
7
9
7
9
10
9
7
End Riff C
9
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Chorus Gtr. 3 tacet
E5
F#5
C#5
B5
Rhy. Fig. 3
End Rhy. Fig. 3
Gtr. 1
rea
-
sons
un
-
known.
For
Rhy. Fig. 3A
*Gtrs. 2 & 4
9 9
9 9
10 11
9 9
9 9
9 9
9 9
9 9
9 9
10 11
10 11
10 11
10 11
10 11
10 11
10 11
End Rhy. Fig. 3A
9 11
8 9
9 11
9 11
9 11
9 11
9 11
9 11
9 11
8 9
8 9
8 9
8 9
8 9
8 9
8 9
*Gtr. 4 (dist.), played mf. Composite arrangement
Gtr. 3
Gtr. 5 (fuzz) divisi
Gtr. 5
f
End Riff D
Riff D **
9 9
9
9
9
9
9
9
9
8
8
8
8
9
9
9
9
6
6
6
6
6
6
6
7
6
6
6
6
6
6
6
**Gtr. 3 to left of slash in tab.
Gtr. 1: w/ Rhy. Fig. 3 (1st 3 meas.) Gtrs. 2 & 4: w/ Rhy. Fig. 3A (1st 3 meas.) Gtr. 5: w/ Riff D
E
rea
-
sons
un
B
Gtr. 1
F#m
-
C#m
known.
A5
There
was
an
o
-
pen
chair.
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2 2 0
2 2 0 Pitch: G#
Gtrs. 2 & 4
Gtrs. 2 & 4
C#
fdbk.
Gtr. 5 divisi
8 9
8 9
8 9
8 9
8 9
8 9
8 9
9 7 7 ***Gtrs. 2 & 4 to left of slash in tab.
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2 2 0
***
8 9
3. We
fdbk.
4 4 2
9 7
7
Verse Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1 Gtrs. 4 & 5 tacet
A5
sat
E
-
down
in
ti - ny’s
kind,
the
o
-
I’ve
got
the
pen
chair.
B
rest
on
my
A[b5]
I
said,
“If
des -
G#/B#
mind.”
But
my
heart,
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 3: w/ Riff B (3 times)
C#m
it
beat,
don’t
E
they
don’t
see
the
my
way
you
an
it
beat
don’t
C#m
lips,
they
-
used
y
-
more.
A
And
A
G#/B#
to.
the
you
no
they
don’t
way
it
used
to.
B
And
my
they
don’t
eyes,
more.
kiss,
And
my
B
Gtr. 3: w/ Riff C
E
eyes
don’t
kiss
rec - og
-
nize
G#/B#
For
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 1: w/ Rhy. Fig. 3 (2 times) Gtrs. 2 & 4: w/ Rhy. Fig. 3A (2 times) Gtr. 5: w/ Riff D (2 times)
E
rea
-
sons
un
-
Gtr. 3 tacet
F#m
C#m
B
known.
For
Gtr. 3
9
E
rea
-
sons
un
-
F#m
C#m
B
I
said
my
known.
heart,
Pre-Chorus Gtrs. 2 & 4: w/ Rhy. Fig. 3A
E
it
don’t
F#m
beat,
it
don’t
2 2 0
4 4 2
E5
F#5
beat
Gtr. 1
C#m
4 4 2
the
used
way
it
B
to.
6 6 4
4 4 2
C#5
B5
And
my
eyes
(cont. in slashes)
G#/B#
III
Gtr. 1
don’t
rec - og
-
nize
Gtrs. 2 & 4
9 9
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Sorgdal
9 9
9 9
9 9
9 9
9 9
9 9
9 9
you
no
more.
10 11
10 11
10 11
10 11
10 11
10 11
10 11
10 11
And my
lips,
9 11
8 9
9 11
9 11
9 11
9 11
9 11
9 11
9 11
8 9
8 9
8 9
8 10
8 10
8 10
8 10
C#5
A5
E5
B5
G#/B#
III
Rhy. Fig. 4
End Rhy. Fig. 4
P.M.
they don’t
Rhy. Fig. 4A
9 11
9 11
9 11
9 11
9 11
kiss,
9 11
9 11
they don’t
kiss
the
way
they
used
to.
And my
eyes
6 7
5 4 6
8 9
9 11
6 7
6 7
6 7
6 7
6 7
6 7
6 7
5 4 6
5 4 6
5 4 6
5 4 6
5 4 6
5 4 6
5 4 6
End Rhy. Fig. 4A
8 9
8 9
8 9
8 10
8 10
8 10
8 10
Gtr. 1: w/ Rhy. Fig. 4 Gtrs. 2 & 4: w/ Rhy. Fig. 4A
C#m
don’t
rec - og
A
-
nize
E
you
no
more.
Chorus Gtr. 1: w/ Rhy. Fig. 3 (4 times) Gtrs. 2 & 4: w/ Rhy. Fig. 3A (4 times) Gtr. 5: w/ Riff D (4 times)
B
C#m
E
F#m
For
rea
-
sons
un
-
B
F#m
G#/B#
C#m
known.
E
For
rea
-
sons
un
-
known.
B
For
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff C (2 times)
E
rea
E
rea
-
sons
-
un
-
F#m
un
B
known.
sons
C#m
-
For
F#m
C#m
B
known.
Outro Free time Gtrs. 1, 2, 3 & 5 tacet
E5
Gtr. 3
9
Gtr. 1
fdbk.
7 0
7 0
Gtr. 5
7 Gtr. 4
8v a
Gtrs. 2 & 4
Harm.
5 7 0 Pitch: E
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Sorgdal
from The Killers - Sam’s Town
Read My Mind Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately fast q = 131
D
Asus4
Rhy. Fig. 1
*Gtr. 1
mf
End Rhy. Fig. 1
2 3 2 4 5
3 2 4 5
A
3 2 2 0
2 2 2 0
*Synth. arr. for gtr.
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times)
D
1. I’m
on
D
You
*D
the
cor - ner
of
say
you
wan - na
Main
move
Asus4
Street
on
and
Bm7
just
you
say
Asus4
mind?
Riff A Gtr. 2 (dist.)
mf
1
9
9
*Chord symbols reflect overall harmony.
keep
it
in
A
line.
A
I’m
fall - in’
be
-
hind.
Can you
A
Can
you
read
read
my
my
End Riff A
1 1/2
w/ reverb
try’n’ to
Asus4
** Bm7/F#
9
**Bass plays F#.
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff A
D
Bm7
Bm7/F#
Asus4
mind?
Gtr. 3 (slight dist.)
mf w/ chorus P.M.
3 2
P.M.
3 2
3 2
3 2
Verse D
nev fun
- er - ny
3 2 4 5
3 2 4 5
2 3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 2
3 2 4 2
2 3 2 4 2
0 0
2. I 3. It’s Rhy. Fig. 2
Bm7
real - ly how you
gave just
D/A
on down
break - in’ wait - in’
out on
of
this some
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
P.M.
Bm7
I
drive
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
got -
a
-
lit - tle way
star
0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
fight.
I’m with
I
town.
D
I
D/A
Gmaj7/F#
two sign.
3 4 5 5
3 4 5 5
3 4 5 5
0 0
gon - na mag - ic
pull
up
got to
the the
green front
Gtr. 3: w/ Rhy. Fig. 2 (3 times)
A
up break
P.M.
3 2 4 5
Gmaj7/F#
2nd time, Gtrs. 5 & 6 tacet
A
of
light, your
End Rhy. Fig. 2
0 2 2 2 0
turn this soak - in’
0 0
thing my
A
a
- round. spine.
Can
you
read
my
Gtr. 2: w/ Riff A (2 times)
D
Bm7
Gmaj7/F#
D/A
A
mind? Riff B
*Gtr. 4
Can
you
read
my End Riff B
mf 7
8
7
10
7
8
7
7
8
10
7
7
8
7
7
8
7
10
7
8
9
*Synth. arr. for gtr. Riff B1 Gtr. 5 (slight dist.)
End Riff B1
mf
w/ chorus slight P.M.
3
0
4
4
0
4
4
D
3
0
4
4
0
4
4
0
3 4
4
0
Bm7
Gmaj7/F#
D/A
A
the
hon
-
est
man.
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
Gtr. 3
D
A
A
The
rest
-
less
The
mind?
Chorus G
2
T o Coda
Gtrs. 4 & 5: w/ Riffs B & B1
4
good old teen - age
days, queen,
heart,
the
prom
-
ised
land.
10 12 0 0
0 0 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
0 0 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
7 8 7
7 8 7
7 8 7
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
slight P.M.
Gtr. 5
Rhy. Fig. 3
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P.M.
sub - tle
P.M.
10 10 9 0 0
A
P.M.
10 10 9 0 0
G
kiss
that
no
one
D
sees.
0 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
A
bro - ken
wrist
10 12 0 0
0 0 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
0 0 0
P.M.
10 10 9 0 0
0 0
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
and
a
big
mind
if
you
A
tra - peze.
So
P.M.
what?
I
P.M.
don’t
G
don’t
mind,
12 10 9
10 10 9
10 10 9
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
0 0 0
P.M.
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12 10 9
9 10 9 X 0
4
Sorgdal
0 0
12 10 9 0 0
0 0
D
’cause
I
A
* F#7/A#
Bm
D
don’t
shine
if
you
9 10 9
9 10 9
9 10 9
9 10 9
9 11 9
9 11 9
9 11 9
9 11 9
10 12 11
10 12 11
10 12 11
10 12 11
9 10 11
9 10 11
don’t
shine.
Be - fore
you
go,
0 0 0
0 0 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
0 0 0
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
9 10 9
9 10 9
9 10 9
9 10 9
9 11 9
9 11 9
9 11 9
10 12 11
10 12 11
10 12 11
10 12 11
5 7 7
5 7 7
5 7 7
5 7 7
End Fill 1
11 X 9
11 X 9
11 X 9
Gtr. 3
Gtr. 5
Gtr. 6 (dist.)
9 11 9
Fill 1
f 11 X 9 *Bass plays A#.
D.S. al Coda
G
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 7
7 8 7
7 8 7
12
14 X 12
12 10
you
read
3
my
mind?
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
X X X X
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
10 10 9 X 0
10 10 9 X 0
10 10 9 X 0
10 10 9 X 0
10 10 9 X 0
9 10 9 X 0
7 8 7
14
can
Riff C
16 X 14
7 8 7
A
12 X 10
7 8 7
7 8 7
7 8 7
0 0 0
7 8 7
7 8 7
7 8 7
9 10 9
9 10 9
12
14 X 12
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
10
9 10 9
12 10
9 10 9
12 X 10
9 10 9
11 9
9 10 9
9 10 9
9 10 9
9 10 9
End Rhy. Fig. 3
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
End Riff C
11 X 9
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Chorus Gtr. 5: w/ Rhy. Fig. 3
G
10 12 0
10 12 0
9 10 9 X 0
10 10 9 X 0
10 10 9 X 0
the
load
A
-
ed
gun.
10 12 0
10 12 0
10 12 0
10 12 0
10 12 0
south - ern
10 10 9 X 0
10 10 9 X 0
10 10 9 X 0
10 10 9 X 0
0 0 0
and
a
tram
-
A
0 0 0
10 X 11 0
10 X 11 0
10 X 11 0
po - line.
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
10 10 9 X 0
10 X 11 0
10 X 11 0
10 X 11 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
’cause
I
10 X 11 0
10 X 11 0
10 X 11 0
and
a
10 12 0
10 12 0
Oo,
12 10 9 X 0
don’t
10 X 11 0
0 0 0
world
drop
10 X 11 0
10 X 11 0
10 X 11 0
10 12 0
10 12 0
un
well,
A
The
D
10 12 0
drawl
G
D
10 12 0
10 12 0
10 10 9 X 0
12 10 9 X 0
10 10 9 X 0
12 10 9 X 0
10 X 11 0
0 0 0
seen.
10 10 9 X 0
9 10 9 X 0
9 10 9 X 0
D
10 X 11 0
10 X 11 0
mind
if
G
10 12 0
10 12 0
10 12 0
shine.
shine
if
you
don’t
9 10 9
9 10 9
9 10 9
9 10 9
9 11 9
9 11 9
0 0 0
Bm
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
10 X 11 0
9 10 9 X 0
0 0 0
cho
0 0 0
sen
the
-
dream,
don’t
A
10 X 11 0
10 12 11
10 12 11
10 12 11
wall
10 X 11 0
9 X 11 0
9 X 11 0
you
10 12 0
10 12 0
0 0 0
don’t
10 12 0
10 12 0
9 10 11
12 10 9
you
9 10 11
12 10 9
Be - fore
D
one.
cit - y
Gtr. 6: w/ Fill 1
9 11 9
I
F#7/A#
dead
-
A
Gtr. 3
Sorgdal
9 10 11
9 10 11
mind,
0 0 0
jump
0 0 0
Gtr. 6: w/ Riff C
G
tell
me
what
you
A
find.
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
0 0 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
Guitar Solo Gtr. 3 tacet
Can
you
Bm
read
my
A
mind?
*Gtr. 7 (dist.)
f 10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 11 X 0
10 10 12 X 0
10 10 12 X 0
10 10 12 X 0
10 10 12 X 0
10 10 12 X 0
10 10 12 X 0
15 X
15 X
15 X
15 X
15 X
15 X
15 X
15 X
10 0
10 X
10 X
10 0
10 0
10 X
10 X
10 X
*Two gtrs. arr. for one.
G
Gtr. 7
D
A/C#
Bm
let ring 1/2
1/2
8
10
10
G
7 7
7 7
8
8
5
7
5
7
7
7
7
0 0
A
5 0 0
7 0 0
5 7 0 0 0 0
7
8
0 7
A
1
7
8 0
7
5
7
5 5 0 7
1/4
5 7
7
7
6
7
5
7
0 8 7
0 8 7
0 8 7
10
10
10
10
10 0 0
12 0 0
12
12
12
14
14
14
14
15
15
15
15
17
17
17
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Slip - pin’
Gtr. 3
in
my
faith
1
17
17
17
17
17
fall,
un
-
til
I
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 12
10 12 12
10 12 12
10 12 12
15 0 12 12 X X 10 10
12 X 10
Gtr. 7
17
17
Gtr. 8 (dist.) divisi mp *
1
Gtr. 7 tacet
Rhy. Fig. 4
Gtr. 5
Gtr. 7
G
D
he
nev - er
re - turned
10 12 0 0
0 0 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
0 0 0
10 12 12
10 12 12
10 12 12
10 12 12
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
Gtr. 8
12 X 10
12 X 10
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
12 X 10
12 X 10
9 X 7
*Gtr. 7 to the left of slash in tab.
A
that
call.
Wom - an,
o - pen
the
door
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
10 10 9 X 0
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
10 10 9
10 10 9
10 10 9
10 10 9
10 10 9
10 10 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Gtr. 3
P.M.
Gtr. 5
Gtr. 8
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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10 10 9
P.M.
10 10 9 0 0
G
and don’t
let
it
sting.
0 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
10 12 0 0
0 0 0
P.M.
10 10 9 0 0
10 10 9
Gtr. 5: w/ Rhy. Fig. 4
0 0
9 10 9
9 10 9
9 10 9
9 X 7
9 X 7
9 X 7
9 X 7
End Rhy. Fig. 4
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
14 X 12
14 X 12
11 X 9
D
I
A
wan - na breathe
that
fire
a - gain.
She
said,
“I
don’t (I
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
10 X 11 0
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Gtr. 3
Gtr. 8
Bm
if
you don’t
mind
if
you
0 0 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
0 0 0
12 X 10
12 X 10
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
11 X 9
11 X 9
A
D
don’t
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
0 0 0
Gtr. 5
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
Gtr. 8
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
G
’cause I don’t
mind.
10 12 11
mind,
Gtr. 3
10 12 11
shine
if
you don’t
I
don’t
shine
if
you
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
7 8 0 0
0 0 0
shine.
don’t
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
0 0 0
9 10 9
7 8 7
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
6 X 4
7 X 5
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
let ring
7 8 0 0
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
*A/C#
Put your back on
shine.
9 10 9
mind don’t
me,
I
don’t
let ring
0 0
0
7
0
0 0 0
9
7
10 10 11
9 10 9
10 10 11
10 10 11
10 10 11
9 10 9
9 10 9
9 10 9
11 X 9
9 X 7
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
*Bass plays C#.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bm
A
ah, put your back
mind
if
you
on
me,
don’t
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
0 0 0
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
10 12 11
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
ah, put your back
on
me.”
Oo.
mind.)
10 12 11
G
7 X 5
7 X 5
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
9 10 9 X 0
7 8 0 0
7 8 0 0
0 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
7 8 0 0
9 10 9
7 8 7
7 8 7
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
9 10 9
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
6 X 4
7 X 5
7 X 5
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Outro Gtrs. 5 & 8 tacet
D
Bm7
* Bm7/F#
Asus4
A
D
The stars
Gtr. 3
P.M.
4 5 *Bass plays F#.
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
0
3 4
4
0
4
2
X X
X X
are
blaz - ing
like
Bm7 reb
-
el
di
Bm7/F#
-
Asus4
’monds
cut
out
of
the
sun.
A
Can
you
read
my
2
2
2
2
2
2
2
2
2
P.M.
3
0
4
4
0
4
Gtr. 2: w/ Riff A (2 times) Gtrs. 4 & 5: w/ Riffs B & B1 (2 times)
D
Bm7
Gmaj7/F#
D/A
mind?
3 2 4 5
3 2 4 5
2 3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 2
3 2 4 2
2 3 2 4 2
0 0
P.M.
3 2 4 5
A
3 4 5 5
3 4 5 5
3 4 5 5
0 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
0 0
3 4 5 5
3 4 5 5
3 4 5 5
D
Bm7
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
P.M.
0 0
D/A
3 2 4 5
3 2 4 5
2 3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 2
3 2 4 2
2 3 2 4 2
0 0
A
P.M.
3 2 4 5
Gmaj7/F#
(Ah.
D
0 0
Ah.)
P.M.
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
slight P.M.
0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 0
3 2 4 5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from The Killers - Sam’s Town
Uncle Jonny Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 87 * Bm Riff A
Gtr. 1 (dist.)
0 4
0 4
0 4
0 5 4
0 5 4
0 5 4
0 5 4
f
0 4
0 4
2 4
3 4
5 4
0 4
2 4
3 4
0 5 4
3 4
2 4
3 4
2 4
3 4
2 4
*Chord symbols reflect implied harmony.
**
Ah.
0 4
0 4
0 4
0 4
0 5 4
0 5 4
0 5 4
0 5 4
0 4
2 4
3 4
5 4
0 4
2 4
3 4
End Riff A
0 5 4
3 4
2 4
3 4
2 4
3 4
2 4
**Fade in
1.
2.
Gtr. 1: w/ Riff A
Bm
*** G
F#sus4
G
F#sus4
1. When ***Chord symbols reflect overall harmony.
Verse Gtr. 1: w/ Riff A (2 times)
Bm
ev - ’ry - bod - y
Bm
else
in
re - frained,
vinced him - self right
his
brain
my
that
it
un - cle
Jon - ny
helps
to
take
a - way
did
co
-
F#sus4
caine.
the
G
pain.
G
He’s con -
F#sus4
Hey,
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
Jon -
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 1: w/ Riff A
Bm
G
-
ny.
F#sus4
Hey, what
you
say,
Jon - ny? 2. I
Verse Gtr. 1: w/ Riff A (2 times)
Bm
wan - na
go
out
to - night,
come
Bm
ta - tion ain’t your
on - ly
a
lit - tle
friend,
lev - i
clos - er
to
the
cit - y
ta - tion com - in’ back
a
F#sus4
lights.
-
G
-
Lev - i -
G
F#sus4
gain.
You feel
the
Pre-Chorus Gtr. 1: w/ Riff A (2 times)
G
F#sus4
burn - in’ in your bod - y’s
Em7
core,
it’s
a
yearn - ing that you can’t
ig
-
nore.
And I
Riff B Gtr. 2 (dist.)
8v a
f 17
14
16
16
15
Bm
wan - na
17
go
out
17 14
16
17
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14 16
17
16
17
15
15
S,
16
s,
14 16
17
15
14
16
17 14
17 14
s,
15
16
16
16
17
15
14 16
17
16
15
15
15
16
tight.
14
17
15
su - per - man and hold on
17 14
17
16
AsusÊ
to - night.
8v a
15
14
And he’s con -
17
14 16
17
15
14
G
vinced
him
Gtr. 2
-
8v a
self
right
in
his
17
15
17
14
16
16
Riff C
0 4
0 4
0 4
0 4
Gtr. 1
AsusÊ
brain
17
15
16
14 16
0 5 4
0 5 4
0 5 4
0 5 4
0 4
2 4
3 4
5 4
0 4
2 4
3 4
that
it
17
15
15
16
End Riff C
0 5 4
3 4
2 4
3 4
2 4
0 4
Chorus Gtr. 2 tacet
Dsus2
D,9/C#
helps to take
a - way
the
D5/A
pain.
G5
Hey,
Asus4
Jon
-
ny.
Hey, what you say, Jon - ny?
End Riff B
Gtr. 2
Bm7
8v a
15
Rhy. Fig. 1 *Gtrs. 1 & 3
End Rhy. Fig. 1
let ring let ring let ring let ring 0 3 2 0
2
0 3 2 0
0 3 2 X 4
2
0 3 2 X 4
2
2
3 2 X 2
2
3 2 X 2
2
3 2 0 0
2
*Gtr. 3 (dist.), played f. Composite arrangement
3 2 0 0
2
let ring 3 0 0 X 3
0
3 0 0 X 3
0
3 0 0 X 3
0
3 0 0 X 3
0 0 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
Interlude Gtr. 1: w/ Riff A Gtr. 3 tacet
Bm
G
F#sus4
3. My
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1: w/ Riff A (2 times)
Bm
ap - pe - tite ain’t
got
no
heart,
Bm
that
I
peo - ple when you feel
said
my
pull.
G
ap - pe - tite ain’t
got
no
Shock - in’
G
drop ’em when you know it’s
heart.
Shock ’em,
F#sus4
F#sus4
full.
I
feel
the
Pre-Chorus Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff B
G
burn - in’
in
my
bod - y’s
got - ta
out
Bm
go
F#sus4
core,
it’s
to - night.
Em7
a
yearn - ing
that you can’t
3
Jon - ny,
got
Hey,
I
AsusÊ
faith
ig
-
nore.
Now I
in
I
mean
ya, man,
it.
It’s gon - na
be
Gtr. 1: w/ Riff C
al
-
right.
G
And he’s
con - vinced
him - self
right
in
his
brain
AsusÊ
that
it
Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 1 (3 times)
Dsus2
D,9/C#
helps
to
take
Dsus2
the
(Tell
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D5/A
pain.
D,9/C#
Sorgdal
a - way
Bm7
us what’s go - in’
on.
Hey,
Bm7
G5
Jon
-
G5
ny.
D5/A
Asus4
Hey, what you
ev - ’ry - thing’s wrong.
Jon - ny?
Asus4
Hey, what you Feels like
say,
say, Jon - ny?
Dsus2
D,9/C#
Bm7
If
the
fu - ture
is
real,
D5/A
G5
to
heal.)
Asus4
Hey, what you say, Jon - ny?
Jon - ny, you’ve got
Outro Gtr. 1: w/ Riff A (1 3/4 times)
Bm
G
19
17
F#sus4
Bm
*Gtr. 4
8v a
20
19
20
19
19
17
19
mf 17
19
19
*Kbyd. arr. for gtr.
Gtr. 4 tacet
G
F#sus4
Bm
When
ev - ’ry - bod - y
Gtr. 1
else
re - frained,
my
let ring
0 5 4
0 5 4
0 5 4
0 5 4
0 5 4
3 4
2 4
3 4
2 4
3 4
0
4
0
4
4
2
B5/F#
E5
un
- cle
Jon - ny
did
co
-
let ring
4
4
0
4
let ring 2
4
0
4
2
B5
poco rit.
let ring
let ring
4
0
4
4 4
0
4
4
0
4
2
poco rit.
0
0
4
C#m7(no3rd)
caine.
4
2
D6(no3rd)
0
4 2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from The Killers - Sam’s Town
Bones Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci Amaj7
Bm7
F#m
213
13121
134111
E
Dmaj7
342
111
Intro Moderately fast q = 140
µ
(Come
*Gtr. 1
with
me.)
f 17
14
17
*Synth. arr. for gtr.
Amaj7 Gtr. 2 (dist.)
Gtr. 1
mf
17
14
Dmaj7
14
Bm7
F#m
E
17
17
14
14
E
17
(cont. in notation)
let ring
14
17
14 17
1. We took
17
14
17
a
16
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1 tacet *C#m7
back
Dmaj7
road,
we’re
gon - na
4 6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
Gtr. 2
P.M.
Bm7
look
at
the
stars.
P.M.
7 5
7 5
6 7 5
6 7 5
We
took
a
back
road
P.M.
P.M.
7 5
7 5
0 0
4 4 2
4 2
4 2
6 7 5
in
my
car.
P.M.
4 4 2
4 2
4 2
4 4 2
0 0
and
in
the
P.M.
7 5
7 5
6 7 5
0 0
*Chord symbols reflect overall harmony.
C#7
4 6 4
P.M.
6 4
6 4
F#5
P.M.
4 6 4
6 4
Down
to
the
o
-
cean.
P.M.
4 4 2
4 2
4 2
4 4 2
4 4
6 4
0 0
G#m7b5
o
-
cean
we’ll
hold
hands.
5 4
4 4 5 4
P.M.
4 5 4
5 4
P.M.
5 4
5 4
4 5 4
0 0
Dmaj7
- i - c’ly
7 6 7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
But
P.M.
4 6 4
6 4
6 4
6 4
It’s
on - ly
wa - ter
and
4 2
4 2
4 2
P.M.
0 0
P.M.
7 5
7 5
dressed
in
the
best.
7 6 7 5
P.M.
7 6 7 5
7 5
7 6 7 5
0 0 0
6 7 5
P.M.
7 5
7 5
sand,
6 7 5
C#m7
I
don’t
6 4 6 4
6 4 6 4
real - ly
like
you,
6 4 6 4
4 6 4
Bm7
get
C#7
Dmaj7
5 4 6 4
P.M.
6 4
6 4
Put
on
a
heart
-
P.M.
3 4 4 2
4 2
4 2
3 4 4 2
4 2
3 4 4 2
3 2 4 2
P.M.
5 4 6 4
P.M.
6 4
6 4
5 4 6 4
0 0 0
With - out
an
glide.
0 0 0
P.M.
6 4 6 4
6 4
6 4
beat
a - pol - o -
C#7
P.M.
6 4 6 4
6 4
6 4
6 4 6 4
0 0 0
F#m
F#m7
an
-
P.M.
4 2
swer
2 4 4 2
Dmaj7
thun - der
P.M.
4 2
2 2 4 2
2 4 2
2 4 2
2 2 4 2
C#7
speaks
for
the
sky,
P.M.
7 5
7 5
the
G#m7b5
7 6 7 5
0 0 0
7 6 7 5
and
on
the
cold
wet
dirt
I
P.M.
7 5
7 5
7 6 7 5
0 0 0
P.M.
4 4 5 4
5 4
5 4
4 5 4
4 4 5 4
4 4 5 4
4 4 5 4
cried.
P.M.
6 4 6 4
6 4
C#5
cold
6 4
4 6 4
4 6 4
4 6 4
4 6 4
2 2 2 0 0
A5
G#5
F#m
wet
dirt
I
cried.
2 2 2 4 4 2
2 2 2 4 4 2
4 X 2
2 0 0
come
with
6 X 4
me?
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
2 2 2 0
2 2 2 0
B5
6 X 4
Chorus Amaj7
6 4
0 0 0
Dmaj7
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
Don’t
you
And
on
the
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Don’t
you
E
0 0 0
wan - na
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0
Bm7
wan - na
feel
F#m
my
bones
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 0 0 0
2 3 2 4 2
2 3 2 4 2
2 3 2 4 2
2 3 2 4 2
0 0 0 0
2 2 2 4 4 2
0 0 0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
Dmaj9
on
2 2 2 4 4 2
2 2 2 4 4 2
0 0 0 0
0 0 1 2 2 0
your
0 0 1 2 2 0
0 0 0 0 0
0 0 0 0 0
bones?
7 6 7 5
7 6 7 5
7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
It’s
on
- ly
0 0 0 0
0 0 0 0
en
- sued
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
Verse
E
nat
-
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
P.M.
6 7 5
7 5
F#5
call
4 4 2
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
P.M.
4 2
ing?
4 2
7 5
4 4 2
P.M.
4 2
cin - e - mat - ic
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
7 5
7 5
An
an - gel
4 2
4 2
0 0
P.M.
4 4 2
0 0
Dmaj7
4 2
whis - pers
6 7 5
vi - sion
6 4
6 4
6 4
6 4
my
P.M.
7 5
7 5
like
the
ho
0 0 0 0 0
4 6 4
4 2
4 6 4
6 4
7 6 7 5
est
dream.
li
-
P.M.
4 4 2
4 2
name,
3
-
P.M.
7 5
7 5
4 2
4 2
but
the
0 0
0 0 0
Is
0 0 1 2 2 0
0 0 1 2 2 0
G#m7b5
3
mes - sage
6 7 5
P.M.
E
P.M.
7 5
B5
6 7 5
2. A
Dmaj7
- ral.
Sorgdal
u
C#m7
0 0 0
7 4 5 4
P.M.
5 4
5 4
5 4
is
the
5 4
5 4
P.M.
4 5 4
3
- layed
some - one
re
0 0
0 0 0
C#7
Dmaj7
(Wait
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
0 0 0
2 2 2 0 0
2 2 2 0 0
till
to
same:
2 2 2 0 0
2 2 2 0 0
E
But
it’s
gone
to
the
dogs
in
my
mind.
I
fine.)
let ring
0 0 1 2 2 0
2 2 0
Dmaj7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
hear
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Bm7
when
the
them
2 2 0
2 2 0
0 0 0
7 6 7 5
7 6 7 5
7 6 7 5
7 6 7 5
7 6 7 5
7 6 7 5
7 6 7 5
3 2 4 2
3 2 4 2
3 2 4 2
3 2 4 2
3 2 4 2
3 2 4 2
3 2 4 2
night
Dmaj9
comes
call
2 4 4 2
2 4 4 2
2 4 4 2
2 4 4 2
2 4 4 2
2 4 4 2
2 4 4 2
0 0 0
you’ll
be
2 2 2 0 0
2 2 2 0 0
2 2 2 0 0
0 0 0 0
-
row,
C#m7
al
-
0 0 0
ing
to
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 0 0
ways
4 5 4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 5 4 6 4
0 0 0 0 0
of
6 4 6 4
6 4 6 4
6 4 6 4
6 4 6 4
6 4 6 4
6 4 6 4
6 4 6 4
G#m7b5
-
dead
mor
F#m
-
C#7
0 0 0
save
0 0 0
me
7 4 5 4
4 5 4
4 5 4
7 4 5 4
4 5 4
4 5 4
4 5 4
0 0 0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#7
from
this
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
4 6 4
0 0 0 0 0
C#5
B5
A5
G#5
wrong
this
nev
-
er
6 X 4
4 X 2
Don’t
you
7 6 7 5
0 7 6 7 5
0 7 6 7 5
2 2 2 4 4 2
2 2 2 4 4 2
Chorus Amaj7
wan - na
come
2 2 2 4 4 2
2 2 2 4 4 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Don’t
you
wan - na
with
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
F#m
2 3 2 4 2 2
2 3 2 4 2 2
2 3 2 4 2 2
2 3 2 4 2 2
0 0 0 0
2 2 2 4 4 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E
2 2 2 4 4 2
0 0 0 0
0 0 1 2 2 0
Dmaj9
on
me?
0 0 0 0
0 7 6 7 5
bones
0 7 6 7 5
my
0 7 6 7 5
feel
can
they
But
Bm7
E
right.
6 X 4
F#m
7 X 5
fright.
Sorgdal
Dmaj9
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 0 0 0
your
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0
bones?
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
It’s
on
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
() Amaj7
swim
-
0 0 0 0
0 0 0 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
me?
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
E
Dmaj9
on
0 0 0 0
0 0 1 2 2 0
Don’t
you
Don’t
you
wan - na
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
feel
my
wan - na
F#m
skin
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 0 0 0
2 3 2 4 2 2
2 3 2 4 2 2
2 3 2 4 2 2
2 3 2 4 2 2
0 0 0 0
2 2 2 4 4 2
your
skin?
0 0 1 2 2 0
0 0 1 2 2 0
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 0 0 0
Bm7
- ral.
2 2 2 4 4 2
u
2 2 2 4 4 2
-
nat
ly
with
E
It’s
on
-
0 0 0 0
0 0 0 0
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
Bridge
E
ly
nat
-
u
F#m
had
a
- ral.
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Female: (Nev - er
0 0 0 0
3
Spoken: I lov - er.
nev - er
2 2 2 4 4 2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
had
a
lov
E
C#/E#
I
nev - er
had
a
good
I
0 0 1 2 2 0
2 0 2 1 2
3
nev - er
had
a
good
had
soul.
And got
let ring
0 0 1 2 2 0
0
0 0 1 2 2 0
0
0
0
0
0
0
0
nev - er
0
Don’t you
wan - na
told.
I
told.)
0 7 7 7 5 5
0 0 6 6 4
time. Nev - er
D
time.
0 0 2 2 0
soul.
C#m7
And
got
had
Asus2
E
- er
B7
2 1 3 4 1
Nev - er
- er. Nev
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Chorus Gtr. 2 tacet
A
come
Rhy. Fig. 1
*Gtr. 3
9 10 9 11 0 *Synth. arr. for gtr.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
with
me?
Bm7
Don’t you
wan - na
feel
10 10 11 9
my
F#m
E
bones
on
10 11 11 9
9 9 9 7
D
your
bones?
It’s
on
E
-
ly
nat
Gtr. 3: w/ Rhy. Fig. 1
u - ral.
Don’t you
swim
with
me?
14
12
Riff A
Bm7
Don’t you
14
12
D
your
skin?
14
12
14
12
It’s
on
wan - na
End Rhy. Fig. 1
come Rhy. Fig. 2
with
Dmaj7
E
-
my
14
12
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 2 1 2 0
0 0 0 0
2 2 2 0
E
skin
on
14
12
u
-
ral.
14
12
ly
nat
-
14
Don’t you
14
12
End Riff A
13
E
Don’t
you
wan - na
wan - na
13
me?
Gtr. 2
feel
14
Gtr. 1: w/ Riff A
F#m
14
14
Amaj7
14
wan - na
14
7 9 9 9 7
A
-
5 7 7 7 5
Gtr. 1
feel
F#m
my
bones
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0 0 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0
2 2 2 4 4 2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
Dmaj9
on
your
bones?
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
0 0 1 2 2 0
0 0 1 2 2 0
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 0 0 0
0 0 1 2 2 0
0 0 0 0
ly
nat
-
u
-
ral.
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Don’t you
14
wan - na
feel
12
Come
and
E
14
Amaj7
Sorgdal
-
0 0 0 0
0 0 0 0
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
0 7 6 7 5
take
a
swim
with
14
12
End Rhy. Fig. 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
F#m
my
14
12
skin
14
12
14
14
12
It’s
on
-
ly
nat
poco rit.
- u - ral.
14 14
12
14 13
Gtr. 1
12 13
Dmaj7
me.
Dmaj9
on
your
skin?
14
12
14
Amaj7
14
E
poco rit.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
on
14
10
It’s
Gtr. 2
14
E
Gtr. 2: w/ Rhy. Fig. 2
E
14
from The Killers - Sam’s Town
My List Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Intro Moderately slow q = 63 µ
F
231
1342
C
G
32 1
Em
32
23
µ(C5)
(Percussion)
Am
(Percussion & bass)
8v a
*Gtr. 1
mp 17
C
Gtr. 1
Em
8v a
17
**Gtr. 2
*Synth. arr. for gtr.
15
18
F
17
15
mp
17
18
17
15
C
Em
17
17
3
5
2
3
17
15
18
17
15
0
0
3
3
3
17
18
17
15
w/ fingers
0 3
2
**Piano arr. for gtr.
F 8v a
15
G
17
17
15
Am
17
15
17
F
18
17
C
15
17
18
17
15
G
17
17
17
16
5
7
8
5
12
7
3
5
7
3
10
5
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
C
Em
F
C
Gtr. 1 tacet *C
1. Let me
8v a
17
15
18
17
15
0 3
17
18
17
15
wrap
Em
my - self
a - round
you,
let
you
17
3
5
2
3
0 3
2
3 *Chord symbols reflect implied harmony.
F
show
me
how
C
I
see.
And
Em
when
you
come
back
in
from
no
-
where,
do
you
Gtr. 2
3
F
ev - er
think
of
3
Am
me?
Your
0
2
Em
Let
me
show
you
F
C
heart
is
not
a
F
how
much
I
care.
3
5
2
3
C
-
ble.
0
2. I
G
1
0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
3
2
3
Sorgdal
3
G
3
C
need
those
eyes
let ring
0 0 3
Verse
C
Em
to
tide
me
o
-
ver,
I’ll
take
your
1
0
Em
strength
and
gives
me
pa
-
0
tience,
on
3
but
I’ll
nev - er
let
let ring
I
go.
1
you,
ba
let ring
-
by,
1
I
al
Let
me
show
3
Em
0
you
0 2
let ring
3
I
got
let ring
3
2
3
- ways
said
I
let ring
1
G
tried.
0
3
let ring
0 3
F
how
much
I
care.
let ring
G
know.
3
let ring
1
3
1
0
3
let ring
1
C
C
but
2
me
0
1
3
0
3 Gives
let ring
you
2
3
F
0
3
0 2
let ring
0
1
noth - in’
0
0
F
0
1
when
2
3
3
1
let ring
C
1
Am
let ring
0 2
pic - ture
0
3
let ring
0
F
1 3 1
2
let ring
C
But
1 3
3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus Gtr. 2 tacet
Am
some
- times
it
gets
hard,
and
don’t
she
know.
*Gtr. 3 (dist.)
f
0 1 2 2 0 *Two gtrs. arr. for one.
Interlude Dm7/C
Cmaj7
Rhy. Fig. 1
Gtr. 2
10 10 10 12
Gtr. 3
10 10 10 12
10 10 10 12
10 10 10 12
12 12 12 14
12 12 12 14
12 12 12 14
12 12 12 14
F/C
13 13 14 15
13 13 14 15
13 13 14 15
13 13 14 15
G/C
F6
Cmaj7/E
15 15 16 17
15 15 16 17
15 15 16 17
10 10 10 12
10 10 10 12
12 12 12 14
12 12 12 14
12 12 12 14
12 12 12 14
10 10 10 12
10 10 10 12
F/A
13 13 14 15
13 13 14 15
13 13 14 15
13 13 14 15
G
EndRhy. Fig. 1
15 15 16 17
15 15 16 17
Rhy. Fig. 1A
15 15 16 17
End Rhy. Fig. 1A
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
mf
Rhy. Fig. 1B **Gtr. 4 (dist.)
f
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 X 3
5 3
7 9 X X 5 7
End Rhy. Fig. 1B
10 X 8
10 12 10 X 8 10 8
9 X 7
9 X 7
10
9
8
7
7 X 5
7 X 5
5 5 5 X X X 3 3 3
9
7
7
5
5 X 3
**Two gtrs. arr. for one.
Chorus Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times) Gtr. 4: w/ Rhy. Fig. 1B
Dm7/C
Gang Vocals: Don’t
F6
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
give
the
ghost
by
now
Cmaj7
Cmaj7/E
F/C
up,
just
clench
your
fist.
you
were
on
F/A
my
G/C
You
list.
should - a
G
known
Dm7/C
Don’t
Cmaj7
give
the
ghost
fist.
up,
just
clench
your
(Don’t
give
the
ghost
F/C
G/C
10 8
10 8
F6
10 8
10 8
10 8
5 3
by
now
10 8
10 8
10 8
Cmaj7/E
Should - a
10 8
5 3
you
were
on
known
by
now,
10 X 8
10 X 8
12
10
9 X 7
9
8
9 X 7
10
10
8
7
Dm7/C
Don’t
give
the
(Don’t
ghost
10 8
10 8
10 8
10 8
5 3
10 8
F/A
10 8
5 3
my
list.
10 8
10 8
10 8
known
by
now.)
7 X 5
7 X 5
9
7
7
5
5 X 3
5 X 3
5 X 3
5 X 3
fist.
your
5 3
clench
10 8
9 X 7
G/C
ghost
10 8
You
10 8
should - a
up.
10 8
You
End Voc. Fig. 1
10 8
7 X 5
just
10 8
up,
the
10 8
G
should - a
known
up.
10 8
10 8
should - a
10 8
10 8
F/C
give
10 8
Cmaj7
10 8
Voc. Fig. 1
10 8
You
Gtr. 4
10 8
10 8
5 3
should - a
known
known
10 8
10 8
10 8
10 8
7 X 5
9 X 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1
F6
Cmaj7/E
by
now
by
now
you
were
on.
you
were
on
Gtr. 5 (dist.)
F/A
G
my
list.)
10
10 X 8
10 X 8
12
10
9 X 7
9
8
9 X 7
10
10
8
7
mp 1
Gtr. 4
1
1/2
10
7 X 5
7 X 5
9
7
7
5
5 X 3
5 X 3
5 X 3
5 X 3
Bridge Gtr. 4 tacet
Am
Gtr. 3
8v a
17
Gtr. 5
When your Gtr. 2
F
C
heart
is
20
19
17
20
19
20
18
18
20
20
19
1
18
18
17
17
8
20
19
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
a
19
-
17
20 19
ble,
20
19
19
8
8
10
10
19 19
1
10
6
20
not
1
8
8
19
G
0
19
Am
C
prayers,
20
19
19
17
20
18
18
20
20
19
18
17
17
they’re
not
5
20
20
19
19
7
7
F
8v a
8
show you, *Male & Female:
20
19
17
19
20
17
17
9
20
20
19
me
19
-
19
8
8
20
19
19
19
19
7
8
show
20
10
Am
19
me
show
you,
you,
let
me
show
18
20
20
19
20
18
8
8
8
19
20
20
20 17
20
19
19
17
1
7
bles.
20
17
let (Let
20
17
me
fa
8
Em
Let
1/2
8
5
7
1
1/2
C
18
1
19
G
20
17
and your
8v a
F
20
20
1
8
7 5
8
8
7
*Female voice sung in octave written, doubled by male voice sung one octave below.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Em
let
me
show
you
C
how
much
I
care.
Gtr. 1
15 14 15
17 17 17
(cont. in notation)
F
Oh.
you.) 8v a
Gtr. 2 divisi
20 17
20
19
19
17
20
17
17
1
8
20
20
19
1
19
7
15 14 15
13 14 15
7
5
17
1
8
8
5
20
7
7
5
7
Gtr. 2 tacet
Gtr. 5 tacet
C
Em
*8v a
Gtr. 1
Gtr. 5 divisi
17
15
18
17
15
17
18
17
F
C
15
Em
Gtr. 1
17
17
17
15
17
18
17
15
17
7
*Applies to Gtr. 1 only.
Gtr. 3
fdbk.
0 1 0 2 3
F
8v a
0 1 0 2 3
C
C5
17
0 1 0 2 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
18
17
15
from The Killers - Sam’s Town
This River Is Wild Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci C#m
A5
G#5
4fr 321
5fr 13
A
13
E/G#
B
5fr 134211
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
F#5
E5
E
4fr 13
1
G#/B#
C#m
4fr
231 type2
3fr
143121
13331
143
open
A
4fr 13421
111
Intro Moderately fast q = 140
C#m
B
A,7
Voc. Fig. 1
(Oh,
Rhy. Fig. 1
mf 4 5 6
7 7 8
4 5 6
7 8 9
A
oh.
*Gtr. 1
G#m7
Oh,
oh.
5 6 7
5 6 7
7 8 9
0
0
2
4 4 6
5 6 7
*Synth. arr. for gtr.
Gtr. 2 (dist.)
Riff A
mf
1
4
2
C#m
4 5 6
4
B End Voc. Fig. 1
A,7
Oh,
4 5 6
7 7 8
4
4
1
2
4
0
4
G#m7
oh.
4 5 6
7 8 9
A
Oh,
5 6 7
5 6 7
7 8 9
4 4 6
oh.)
End Rhy. Fig. 1
5 6 7
End Riff A
0
0
2
4
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
E
Gtrs. 1 & 2 tacet ** E
1. The
leaves are fall - in’ down
Gtr. 1
on
the
beau - ti - ful
ground.
I heard a
9 9 9
Gtr. 2
0 *Gtrs. 3 & 4 (dist.)
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
0
8 X 6 0
8 X 6 0
8 X 6 0
9 X 7 0
9 X 7
*Composite arrangement
**Chord symbols reflect overall harmony.
Gtrs. 3 & 4 tacet
C#m7
sto - ry
from
the
beau - ti
- ful
Gtrs. 3 & 4
man
in
red.
sound,
son,
I
He
C#m7
think
you
said, “The
bet - ter
go
a
E
leaves
are
-
head.”
fall - in’
down,
such
a
But
you
***Harm. †
2.3
12
2.3
***Produce harmonics by lightly touching the 6th string over the frets and sliding in the direction indicated in the tab staff while picking sixteenth-notes. †Harmonic located approximately 1/3 the distance between the 2nd and 3rd frets.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
al - ways
hold
your
head
up
F#5
high,
G#5
’cause
it’s
a
Rhy. Fig. 2
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
6 4
This
6 4
6 4
town
P.M.
6 4
B5
6 4
G#5
was
6 4
made
4 2
E
4 2
for
pass - in’ through,
long, long,
End Rhy. Fig. 2
C#m7
long
way
down.
6 4
6 4
6 4
6 4
6 4
6 4
6 4
P.M.
6 4
but
it
ain’t
noth - in’
F#5
new.
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
6 4
G#5
Now
go
and
4 2
4 2
6 4
Interlude
C#m7
show ’em
that
the
world
stayed
B5
round.
E5
But
it’s
a
A
long, long,
long
way
down.
*w/ delay & octaver
P.M.
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
mf
Gtr. 5 (dist.)
10
10
10
9
Gtrs. 3 & 4 divisi
4 2
4 2
2 0
2 0
12
11
9
*Delay set for eighth-note regeneration w/ 1 repeat. Set octaver for one octave above. Gtrs. 3 & 4 tacet ** E/G#
Gtr. 5
11
F#m
C#m7
9
9
11
11
11
9
9
7
6
7
7
7
9 7
6
4
5
5
4
4
**Bass plays G#.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
7
6
4
5
5
4
A,9
4 7
4
6
5
5
4
5
E/G#
7
6
4
5
5
4
4
Verse
B
Gtr. 5
2. You
7 9
9
7
8
Gtrs. 3 & 4
E
bet - ter
run
for
the
hills
10
9
C#m7
sound
of
the
world,
don’t
watch
be - fore
they
burn.
G#5
Lis - ten
to
the
9
9
7
F#5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
6 4
F#m['11]
show
you
what
P.M.
it
turn.
B5
I
just
7
7
G#5
wan - na
9
10
Riff B
I
know,
mf
let ring
4 Gtrs. 3 & 4
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End Rhy. Fig. 3
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
4 2
4 2
P.M.
6 4
9
9
Gtr. 5
Rhy. Fig. 3
Gtr. 6 (clean)
2 0
6 4
4 2
4
2
0 4
2
4
G#m[b13]
and catch you
in
the
10
9
9
7
4
6
6
4 2
0
6
let
you
B'11
go.
Or should
I
just
9
let ring
0
cor - ner and
A'9
4
6
6 4
End Riff B
let ring
7
6 4
7 5
6
7
6
7
let ring
0
0
6
7
8
9
9
7 5
9 7
0
8
9
9
Pre-Chorus Gtrs. 5 & 6 tacet
get
with
my
E
a - long
-
Riff C
Gtr. 3
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
Riff C1
Gtr. 4
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
E,7
self?
I
nev - er
C#m7
did
get
a - long
with
B
ev - ’ry - bod - y
else.
End Riff C
13 X 11 0
9 X 7
9 X 7
13 X 11 0
13 X 11 0
0
8 X 6
8 X 6
8 X 6
0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
13 X 11 0
6 X 4
6 X 4
13 X 11 0
0
8 X 6
8 X 6
8 X 6
0
0
8 X 6
8 X 6
8 X 6
0
End Riff C1
13 X 11 0
I’ve been try - in’
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
0
4 X 2
4 X 2
4 X 2
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 3 & 4: w/ Riffs C & C1
E
hard
to
** F#m/A
what’s
right,
but
A%
the
clouds
fall
and watch
A,7
*Gtrs. 3 & 4
A5
do
E,7
***
you know
I
E'4/G#
could
stay
here
from
the
Well, this
riv - er
let ring
6 4 0
6 4 0
6 4 0
9 7 0
9 7 0
9 7 0
11 9 0
11 9 0
11 9 0
13 11 0
13 11 0
**Bass plays A. *Composite arrangement
16 14 0
16 14 0
all
sky.
16 14 0
18 16 0
0 0 0
2 2
B
night
B5
F#m11
C#m7
4 4
0 0 2
0
2
4
4
is
wild.
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
***Bass plays G#.
Chorus Gtr. 3: w/ Riff C Gtr. 4 tacet
E
E,7
C#m7
This
E
E,7
Gtr. 3
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
Gtr. 4
13 X 11 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13 X 11 0
13 X 11 0
13 X 11 0
13 X 11 0
C#m7
13 X 11 0
13 X 11 0
13 X 11 0
B
riv
- er
is
13 X 11 0
9 X 7
9 X 7
13 X 11 0
0
8 X 6
8 X 6
8 X 6
0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
13 X 11 0
6 X 4
6 X 4
13 X 11 0
13 X 11 0
0
8 X 6
8 X 6
8 X 6
0
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
wild.
13 X 11 0
6 X 4
6 X 4
0
B µ
8 X 6
0
4 X 2
0
Verse Gtrs. 3 & 4: w/ Rhy. Fig. 3 (1 1/2 times)
E
3. Run
for
the
hills
it
turn
but
be - fore
they
B5
shake
a
lit - tle.
G#5
E
burn.
Some - times
F#5
Lis - ten
to
I’m
ner
-
vous
G#5
C#m7
the
sound
of
the
world,
I
talk,
I
when
then
watch
F#5
shake
a
lit - tle.
G#5
Gtr. 6: w/ Riff B
C#m7
Some - times
I
hate
the
line
I
walk.
B5
I
just
G#5
F#m['11]
wan - na
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
4 2
4 2
show
you
what
Gtrs. 3 & 4
P.M.
G#m[b13]
A'9
3
and
catch
you
in
the
cor - ner and
6 4
7 5
let
you
I
know,
Rhy. Fig. 4
6 4
4 2
B'11
go.
7 5
9 7
Or
should
I
just
End Rhy. Fig. 4
Pre-Chorus Gtrs. 3 & 4 tacet
E
get
a
- long
with
my
-
self?
I
E,7/G#
nev
- er
did
C#m7
get
a
- long
with
ev
- ’ry
-
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
bod - y
C#m7
B
else.
I’ve
could
been
E
try - in’
stay
hard
here
Gtrs. 3 & 4
to
do
what’s
all
night
F#m11
clouds
fall
from
the
sky,
you
know
I
A5
A%
6 4 0
6 4 0
6 4 0
9 7 0
9 7 0
9 7 0
11 9 0
11 9 0
0
0 0 2
Gtrs. 3 & 4
Gtr. 2
let ring
C#m
the
be - cause
and watch
Gtr. 1
E,7/G#
but
F#m/A
E'4/G#
right,
B
A,7
this
riv - er
is (Oh,
4 4 2
4 4 2
4 4 2
4 4 2
4
wild.
divisi
11 9 0
13 11 0
13 11 0
16 14 0
16 14 0
16 14 0
18 16 0
0 0 0
2 2
4 4
2
4
4
4 4 2
4 4 2
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A Gtrs. 3 & 4 tacet
B
A,7
God
B
-
speed
A,7
you,
A C#m
boy.
This
riv - er
G#m7
4. Now
oh.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G#m7
Oh,
is
wild.
A
Ad -
oh.)
Verse Gtrs. 3 & 4: w/ Rhy. Fig. 3
E
-
am’s
tak - in’ bombs,
and
he’s
stuck
on
his
mom
F#5
B5
G#5
He’s
with
the
E
hip - pie
in
the
park
get
some
of
that
lit - tle
girl
that
play.
You
o - ver
the
dark
G#5
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
G#5
bet - ter
they
burn.
Lis - ten
to
the
let ring
0 6
6 4
6 4
6 4
6 4
(cont. in slashes)
4 2
4 2
6 4
F#5
6
4
to
make
him
pray.
0
6
4
6
sound
of
let ring 4
G#5
just
try’n’
to
run
for
the
hills
be - fore
let ring
7
7
6
0
6
7
7
6
E5
F#5
A5
Gtrs. 3&4
Gtr. 6
P.M.
Gtrs. 3 & 4
6 4
bitch keeps try’n’
com - in’
B5
C#m7
be - cause
C#m7
G#5
Gtrs. 3 & 4: w/ Rhy. Fig. 2
4
2
the
world,
0 4
don’t
watch
let ring
it
turn.
I
just
0 2
0
4
0
2
2
wan - na
0
1
2
2
Gtrs. 3 & 4: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff B
F#m['11]
show
you what
I
G#m[b13]
know,
and catch you
in
the
A'9
cor - ner and
let
you
go.
B'11
Or should
I
get
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
E
A
E/G#
Gtrs. 3&4
a - long
with
my
-
self?
*Gtr. 7
I
nev - er
did
get
a - long
with
ev - ’ry - bod - y
else.
I’ve been try - in’
f 9
12
9
9
10
9
9
12
9
9
10
9
*Synth. arr. for gtr.
B
G#/B#
C#m
hard
to
do
what’s
9
9
type 2
A
right,
10
open
E
but you know
9
I
9
9
10
9
could
stay
here
all
12
10
9
9
night
9
10
9
11
Gtrs. 3 & 4 tacet
F#m/A
A5
A%
and watch
the
clouds
Gtr. 7
9
ff
**Doubled throughout
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 4 0
9 7 0
9 7 0
fall
9 7 0
11 9 0
11 9 0
F#m11
from
the
sky.
13 11 0
13 11 0
16 14 0
16 14 0
16 14 0
18 16 0
0 0 0
9
9
11 9 0
B
12
**Gtr. 8 (dist.)
6 4 0
E'4/G#
9
6 4 0
A,7
10
9
11
9
10
9
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
4 4 2
0 0 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0 0
F#m/A
A5
A%
And pay
this
Asus2
in
B
me
C#m
to - night.
Be - cause this riv - er
9
12
6 4 0
6 4 0
9 7 0
9 7 0
9 7 0
11 9 0
11 9 0
9
9
12
9
11 9 0
4 4 2
13 11 0
16 14 0
16 14 0
16 14 0
18 16 0
0 0 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
wild.
11
13 11 0
is
Gtr. 1
Gtr. 7 divisi
9
6 4 0
hell
A,7
4 5 6
Gtr. 8
Gtr. 2 divisi
16 16 14
16 16 14
16 16 14
16 16 14
16 16 14
0 0 0
4
Chorus Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas., 3 times) Gtr. 2: w/ Riff A (1st 4 meas., 3 times) Gtrs. 7 & 8 tacet
B
A,7
God Riff D
Gtr. 9 (dist.)
mf
3
3
3
-
3
speed
you,
3
boy.
14 X 12
14 X 12
11 X 9
3
w/ wah-wah
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
G#m7
A
3
13 X 11
13 X 11
3
13 X 11
18 X 16
13 X 11
13 X 11
16 X 14
13 X 11
13 X 11
16 X 14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
C#m
3
13 X 11
16 X 14
3
This
riv
3
er
is
wild.
End Riff D
13 X 11
11 X 9
11 X 9
11 X 9
3
3
13 X 11
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
13 X 11
13 X 11
13 X 11
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 9: w/ Riff D (2 times)
B
A,7
G#m7
A
C#m
This
B
A,7
G#m7
God
B
-
speed
you,
A
riv - er
is
wild.
C#m
boy.
This
A,7
riv - er
is
wild.
G#m
poco rit.
Now the
Gtr. 9
3
3
3
3
3
3
3
3
3 poco rit.
16 X 14
Gtr. 1
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
18 X 16
16 X 14
16 X 14
16 X 14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
poco rit.
7 7 8
4 5 6
7 8 9
Gtr. 2
5 6 7
5 6 7
7 8 9
4 4 6
poco rit.
1
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
4
0
0
2
4
4
Outro Slower q = 86
E
cars
are
ev - ’ry - where,
rais - in’
Gtr. 9
dust
in
fair
-
the
A
ground.
Spoken: I don’t think I ever seen so many head-
** fdbk.
9 X 7
9 7 Pitch: G#
*Gtr. 10
**Fade out
7
5
mp
7
5
5
5
5
4
7
5
w/ fingers let ring throughout
4
5
4
5
4
0
4
5
4
5
4
0
0
6
7
*Piano arr. for gtr.
Gtr. 2 divisi
Gtr. 1
***
***
5 4 6 0
***Fade out
Gtrs. 1, 2 & 9 tacet
E/G#
B
lights.
Gtr. 10
5
5 6 4
4
4
7
5
But
there’s
2 4 2
4
some
4
-
thing
2
G#/B#
pull
4
-
in’
2
3
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#m
5
5 6
4
B/D#
just
7
4
6
E
me.
The
cir
7
5
pass
-
ing
through,
4
4
4
mak
C#m
sure
the
mer
7
5
4
but
it’s
a
6
6
long,
2 4 4
0
2
long,
4
Sorgdal
5
5
ry
still
4
well,
they’re
7
5
5
4
goes
7
5
4 5 4 0
4
4
4
way
long
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E
14
-
B
2
7
4
2
5
5
in’
B
’round,
crew,
A
the
4
and
7
6
cus
7
4
-
4
6
-
down.
from The Killers - Sam’s Town
Why Do I Keep Counting? Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci E/B
A
C#m
4fr
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
B 4fr
121
234
1342
Intro
1333
Verse
Moderately fast q = 107 * E5
(Synth.)
E
11 sec.
1. There’s
Gtr. 1 (clean)
a
plane
and
I
am
Riff A
mp
Bsus4
Dadd9
fly
-
There’s
16
16
14
14
C 3
ing.
17
*Chord symbols reflect overall harmony.
16
17
A5
A#5
14
14
12
12
13
12
-
tain
wait - ing
for
16
Gtr. 1: w/ Riff A (1 3/4 times)
B5
E
me.
moun
3
14
17
a
Oh,
these
years
have been
so
End Riff A
14 14
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B/D#
D
try
-
C
A5
A#5
B5
I
don’t
them.
B/D#
(Am
I
E
Am
I
strong
e
- nough
e - nough to
be
the
one?)
one? strong
know
D
ing.
3
if
I
can
use
3
Will
I
live
to
be
the
to
3
have some
chil -
Chorus
Gtr. 1 tacet
C
-
A5 A#5 B5
-
Help
me
get
down,
I
can
dren.) Gtr. 1
dren? (Chil
Gtr. 1
E
Gtr. 2 (dist.) divisi
Gtr. 2
mf
14
14
12
12
13
12
0
make
it.
Help
me
get
down.
Help
me
9 9 9 7 0
7 8 9 6
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B/D#
9 9 9 7 0
14
get
down,
0
I
can
make
it.
Help
me
get
down.
If
I
G#m
on
ly
knew
the
an
C#m
-
4 4 6 6 4
5 6 6 4
B
A
B
fa
7 7 8 9 9 7
7 7 8 9 9 7
B
Help
me
get
-
ther.
Help
me
get
down,
6 7 7 5
down,
G#7/B#
I
can
make
it.
Help
me
both
-
er
- ing
6 7 7 5
6 7 7 5
I
can
make
it.
Help
me
get
down.
C#m
If
I
on
let ring
8 7 8 X X 8
be
get
8 7 8
A
and
if
all
our
days
are
down.
string noise
- ly
knew
the
swer,
an
-
9 9 9 11 11 9
9 9 9 11 11 9
Am
you,
X X X
7 7 8 9 9 7
B
would - n’t
A
0 0 1 2 2 0
8 9 9 7
E
I
swer,
-
num - bered,
7 7 8 9 9 7
7 7 8 9 9 7
5 5 6 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
then
why
do
I
keep
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
E
count - ing?
Gtr. 3 (dist.)
mf
w/ reverb
6
6
9
7
6
Gtr. 2
6
7
6
9
7
6
9 7 0
9 7 0
9 7 0
P.M.
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
0 0 0
Verse Gtr. 3 tacet
C#m
2. My
*Gtr. 4
8v a
17
19
A
sug - ar’s
sweet,
D#m7b5
and
so
at - tain - a
16
17
G#5
- ble.
This
16
17
19
C#m
be - hav - ior’s
so
mf 16
17
19
16 18
17
19
16 18
19
*Piano arr. for gtr.
Gtr. 2
6 4
6 4
6 4
6 4
6 4
6 4
7 5
7 5
7 5
P.M.
6 4
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0
0 0 0
7 6
7 6
7 6
0 0 0
6 4
6 4
6 4
0 0
6 4
6 4
6 4
0 0 0
F#5
B5
un - ex - plain - a
G#/B# C#m
- ble.
The
days
just
slip
and
8v a
18
16
17
16
P.M.
4 2
4 2
4 2
0 0
G#5
Trou - ble
19
19
17
16
P.M.
6 4
6 4
6 4
16
17
16
17
4 2
4 2
4 2
6 4
6 4
6 4
6 4
6 4
6 4
6 4
is
my
6 3
F#
head
6 4
0 0 0
18
6 4
0 0 0
won’t
let
me
for - get.
16
17
16
19
18
they
al - ways
did.
16
17
7 5
7 5
7 5
0 0 0
7 6
7 6
0 0 0
7 6
Yeah, yeah, yeah, yeah, yeah, yeah, yeah.)
loco
like
D#m7b5
F#m
19
yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
16
19
18
yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
16
19
C#m
6 4
17
0 0
Yeah, yeah, yeah, yeah, yeah, yeah, yeah,
8v a
slide,
(Yeah, yeah, yeah, yeah, yeah, yeah, yeah,
A
19
17
16
2 2 3 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
16
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 4 tacet
F#
I
Gtr. 4
G#
Gtr. 5 (dist.) divisi
took
one
last
Gtr. 5
good
B
look
a
-
round.
let ring
mf
5 6 6 4
7 7 8 9 9 7
3 4 4 2
5 6 6 4
0
let ring
6 4
6 4
6 4
6 4
6 4
6 4
5
4
6
let ring
4 4 5 6 6 4
Gtr. 2
4 4 5 6 6 4
3 4 4 2
16
6 4
4
5
6
Gtr. 6 tacet
C#m
B
So
Gtr. 6 (dist.)
A
man - y
un
-
G#m
u - su - al
F#m
sounds.
Gm
I
got
G#m
- ta
get
my
mp w/ heavy reverb Harm. w/ bar +1 steady dive
7
7
-1
Gtr. 7 (dist.)
mp 13
*Gtrs. 2 & 5
let ring
9 9 *Composite arrangement
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11
let ring
8 11
7
9
let ring
6 9
5
7
let ring
4
7
4
6
16
6
2 2 2 4 4 2
2 4 4 2
2 4 4 2
3 5 5 3
4 6 6 4
4 6 6 4
4 6 6 4
4 6 6 4
Gtr. 7 tacet
A
feet
on
6 7 7 5
6 7 7 5
6 7 7 5
Gtrs. 2 & 5
A#
B
the
6 7 7 5
5 6 7 7 5
5 6 7 7 5
6 7 7 5
ground.
7 8 8 6
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
16 16 16 14
16 16 16 14
16 16 16 14
16 16 16 14
16 16 16 14
16 16 16 14
16 16 16 14
16 16 16 14
Chorus Gtrs. 2 & 5 tacet
E
E/B
Help
me
make
it.
Gtr. 4
get
down,
I
can
(Ah.)
4 5 4
4 5 4
4 5 4
4 5 4
4 5 4
4 5 4
4 5 4
4 5 4
me
get
down,
I
can
make
it.
Help
me
get
down.
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
Gtr. 4
Gtr. 2
(cont. in slashes)
Gtr. 4 tacet
E
Help *Gtrs. 2 & 5
P.S.
X X X
X XX X X X
*Composite arrangement
B/D#
Help
I
can
make
it.
Help
me
G#m
get down.
If
I
me
get
down,
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
7 8 9 6
0 0 0 0
on
-
ly
knew
4 4 4 6 6 4
4 4 4 6 6 4
4 4 4 6 6 4
4 4 4 6 6 4
the
4 4 4 6 6 4
4 4 4 6 6 4
an
-
4 4 4 6 6 4
swer,
4 4 4 6 6 4
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#m
would - n’t
be
both
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
E
me
get
down,
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Help
G#/B#
9 8 6 X 8
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
6 7 7 5
6 7 7 5
8 9 9 7
8 9 9 7
B
Help
me
get
down,
I
can
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
and
if
make
it.
Help
me
get
down.
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
C#m
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
Would
you
9 8 6 X 8
9 8 6 X 8
9 8 6 X 8
10
all
our
days
are
B
0 0 0 0 0
knew
the
Am
an
-
Asus4
num - bered.
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 7 7 7 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
swer,
8
ly
on
-
I
If
down.
ther.
-
A
fa
can
9 8 6 X 8
9 8 6 X 8
B
I
9 8 6 X 8
you,
A
er - ing
0 0 0 0
B
Help
-
get
it.
me
A
make
Sorgdal
I
5 5 7 7 7 5
5 5 7 7 7 5
5 5 7 7 7 5
5 5 7 7 7 5
5 5 7 7 7 5
5 5 7 7 7 5
0 0 0 0
E
me me
get get
down? down,
help (Help
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
B
0 0 1 2 2 0
0 0 1 2 2 0
Help
me
get
down,
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
C#m
on
-
ly
knew
I
the
an
can
make
it.
Help
me
get
down.
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
I
0 0 1 2 2 0
0 0 1 2 2 0
G#/B#
0 0 1 2 2 0
0 0 1 2 2 0
I
9 8 6 X 8
9 8 6 X 8
10
if
I
can
make
it.
Help
me
get
down.)
7 8 9 9 7
7 8 9 9 7
9 8 6 X 8
9 8 6 X 8
9 8 6 X 8
9 8 6 X 8
9 8 6 X 8
B
0 0 0 0 0
If
-
0 0 1 2 2 0
swer,
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
7 8 9 9 7
E
changed
0 0 1 2 2 0
my
0 0 1 2 2 0
0 0 1 2 2 0
way
0 0 1 2 2 0
0 0 1 2 2 0
of
liv
0 0 1 2 2 0
0 0 1 2 2 0
-
A
ing,
0 0 1 2 2 0
and
if
I
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 0 0 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#m
pave (Pave
my my
streets streets
with with good
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
2 2 2 4 4 2
Gtr. 2
times,
And
if
4 4 4 2
4 4 4 2
4 4 4 2
C#m
all
of
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
4 X 2
6 X 4
poco rit.
our
4 4 4 2
the
4 4 4 2
-
tain
on
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0
keep
giv - ing?
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
(Gtr. 5, cont. in slashes)
are
num
(cont. in notation)
-
6
8 X 6
8
9 X 7
8
9
8
9
6
7
6
7
6
bered,
4
A
days
poco rit.
B
moun
4 4 4 2
E
will
4 4 4 2
good times.)
Gtr. 5
A
B
Outro Slower q = 63 Gtrs. 2 & 5 tacet
E
*Am6/C
then why
do
I
C#m
keep
0
Gtr. 4
-
ing?
4
5
5
7
4
A tempo Gtr. 4 tacet
A
C
let ring
4 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring
5 7
7
*Bass plays C.
w/ fingers let ring
2 1 2 2 0
0
count
let ring
4
Gtrs. 2 & 5
5 0
3
5
E5
Gtrs. 2 & 5
E
let ring
7
0 0
0
0
0
0
0
0
0
0 0 1 2 2 0
4 6
from The Killers - Sam’s Town
Exitlude type2 Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Am
G
231
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
21
34
F
C
134211
32 1
G/B
2
C
34
Fmaj7#11
32 14
1342
Verse Moderately slow q = 69
C
Ag - gres
-
Em
sive - ly,
F
we
all
de - fend
*Gtr. 1
mf
the
role
we
play.
C
1 2 3
1 0 2 3
w/ fingers
3 5 5
0 0 0
3
0
1
*Piano arr. for gtr.
Re - gret
-
Em
ta - bly,
We’ve
0
time’s
come
to
send
0
Am
0 1 2
the
0 0 0
3
3 5 5
F
seen
it
all,
G
bon
-
fires
of
trust,
you
on
your
G
way.
1 2 3
0 0 0
1
3
F
3 4 5
1 2 3
3
1
flash
floods
of
pain.
C
G/B
It
3 1 0
3 3 0
3
2
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD. All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3 =
Am
Gtr. 2 (acous.)
mf
does - n’t
real - ly
mat - ter. Don’t you
wor - ry,
does - n’t
0
you
en
-
a
-
3
1
your
stay.
1 2 3 1
it
* We
*Gang vocals, till end.
Am
G
bout.
1 2 3
joyed
3
3 4 5
0
all
No,
F
3 5 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 1 2
2
F
hope
C
out.
1
e - ven mat - ter. Don’t you wor - ry think - in’ what it’s
0 1 2
Chorus Am
work
3
all
1 2 3
it - ’ll
3 4 5
G
0
sim.
0 1 2
Am
F
G
It’s
good
0 1 2 0
to
have
you
with us,
3 4 5 3
e - ven
F
C
G/B
if
it’s just
for
1 2 3 1
side
the
sun
3 1 0
3 3 0
0 1 2
3
2
0
G
is
0 1 2
0
0
G
to
have
you
0 1 2
0 1 2
0
0
you
0 1 2
good
hope
We
Am
G
C
F
the day.
Am
Am
shin - ing,
en
it
- joyed
your
3 4 5
3 4 5
3
3
F
seems like
stay.
3 5 5
3 5 5
3
3
ain’t
far
a
- way.
3 4 5
3 4 5
1 2 3
1 2 3
3
3
1
1
Fmaj7#11
F
G
1 2 3
1 2 3
1
1
type2
F
C
heav - en
Out
G/B
-
It’s
3 1 0
3 3 0
3
2
with us,
3 4 5
3 4 5
1 2 3
3
3
1
3
1 1 2
1 1 2 1
8 10 10
8 10 10 8
0 0 0 3
5 5 5
3
5 5 5 3
12 13 12
12 13 12 10
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
if
3 4 5
just
for
the
day.
10 12 12
3 4 5
3
Am
it’s
3
e - ven
3
C
10 12 12
3
10
3
5
3
5
3
5
5
3
3
5
3
G
3
3
F
1
1
1
*T
3
5
3
5
0
3
5
3
0
0
3
5
0
0
3
0
3
3
3
3
1
3
1
*T = Thumb on 6th string
C
3
5
3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
5 3
3
5
5
3 3
5
3
Am
3
3
2
0
5
3
5
3 0
5
3 0
0 5 0
3
3
G
F
Outro C
It’s
0
3
T
3 3
3
3
good
to
have
you
with us,
e - ven
3 5 5
1
3
1
1
1
3
1
**Gtr. 2: w/ ad lib. noise (next 5 meas.)
if
for
it’s just
the
day.
Out - side
mp
the
sun
is
shin - ing,
heav - en ain’t
far
a - way.
seems like
It’s
3 5 5 3
3
3
3
**Gtr. 2 randomly plucks strings behind the nut.
good
to
have
you
with us,
e - ven
if
it’s just
for
the
day.
Out - side
sun
is
shin - ing,
seems like
p
3
heav - en
the
5 3 3
ain’t
far
a - way,
seems like
heav - en
ain’t
far
a - way.
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
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