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Concerto for Flute and Orchestra

Western audiences owe a great debt to Aram Khachaturian for helping to make them aware of the colorful folk music of the Caucasus . Though he does not employ 11 C.S 1.71' actual folk melodies in his music, Khachaturian, who was born in Tiflis, Armenia, on June 6, 1903, writes mostly in the semi-oriental manner that characterizes the folk songs and dances of that area . :lts Khachaturian did not begin to study music until he was nineteen, when he went to Moscow to live with his brocher . He studied cello, theory and composition 1 C~ at the music school operated by the composer Mikhail Gnessin, then, from 1929 to 1934, attended the Moscow Conservatory, where =7t= his composition teacher was Nikolai Miaskovsky . Since that time, Khachaturian has been very active as a composer and as a conductor, principally of his own music . 'Khachaturian and his family spent the summer of 1940 near Moscow ; and during a period of two and a half months, he composed his Concerto for Violin and Orchestra . When he arrived, he already had the basic plan of the Concerto estab:III lished in his mind . "I worked without an effort, sometimes my thoughts and imagination outraced the hand that was covering the staffs with notes," he .recalled =II to his biographer, Grigory Shneerson . "The theenes came to me in such abundante that I had a hard time of it putting them in some sort of order ." I When the eminent French flutist, Jean-Pierre Rampal, approached'Khacha~turffan to ask him to compose a concerto for flute and orchestra, Khachaturian suggested that the Violin Concerto would be adaptable for flute . It was, therefore, at the composer's own instigation that in 1968 Rampal made this transcription, at the saure time providing his own cadenza as a substituts for the original violin II C cadenza in the first movement . The orchestral accompaniment throughout the SI ,~ Concerto remains unchanged . .

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CONCERTO Edited by JEAN-PIERRE RAMPAL

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