Keyboard Harmony

 

Fundamental Training’

Fundamental Reader

.

Transposition Reader

Keyboard Harmony Staff Reader

.

(A Course

in SigSig-ht ht Reading )

^I\THUR BOSTON. 146 Bo^lston 5t.

P.

.

b. Onk Chromatic Stkp Lower. Major

—^

X

'

R.ll.

^

N9

°

1

^ —

L.H.

u

Til 1

y

I

N9

 

'e-^

87.

1

ITT

—

e

1

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^ ^

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1

2

o nJ

^

n u

^

— —©— i

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2 1

1

2

N9 83.

V

..

2

1

2

2

1

T i

\7 1

11 y

N988.

1

°

^'1

1

Le—r-J J

>8

^

1

^

 

1 1

^

2

^

Q

..

X

I

2

1

V ^^2 III

1

P. S.

4738

-45i

2

^

1

1

2^

1

2 0

N5

8 l.

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A

2

o

^-

0

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TTT

1

r-\ 1

7

1

2

r^

LJ

2

1

1

r‘,

111

N9 ^ ^

111

1

V

1

^

—y

2

1

XT

U

81.

V

Major

T—i

i

u

111

'

o

r~\

r

'

\

to

N9 80.

N9 79. {

N9 7S.

77.

^’’^' -— 1

 

14

d Two .

H.H.

Chromatic Steps Lower. Major

to Major.

N9

9‘^.

s \

L.H.

R.H.

L.H.

6.

Three Chromatic Steps Higher. Major N9 97. N9 96.

to

Major.

N9100.

N999.

N9101.

A.P.S. 4738-42

N9 98.

N9

10‘^.

 

15

Thrke Chromatic Steps Lower. Major N9I03.

f.

-

e-

O

•

B.n.

V

)

\

L.n.

1

1

o

1

n

—

©- -©—

—

-

2

1

\

1

pi

°

1

^

1

\7 V

n u

TTI

c;

—® T 1

ft V-/

IT

2

^ 1

1

/| ^

R.H. [

m

Q

y:

0

—HT—

—

L.H.

©

1

1

1

2

1

2

2

— —©—

°

N9113. /I—V

1

\

L.H.

TTT 111

1

1

A.P.S. 4738-42

T 1

o W

o

IZ

Q-

j

©

° 2

5

° 2

2

^

1

1

r

r

1 '

2

1

—©

®

2

—

e

2

^

2 1

0

1

2

1

5

0 ,Q

°

1

©

o

-12

2

1

o

V

0

TTT 111

Vj

o

n U

^

2

1

0

—

o

1 J

1

T

2

2

-2

2

j

1

0—

5

to Major.

N9115. 2

TTT 111 T 1

o 5

n

5

^212

r~\

..

-

—i

^

—i

e

f—

O 1

j

0

r—¥

2

—

2

1

3

LJ

N9H4.

^T-

T

1

©

Ch

h. Four Chromatic Steps Lower. Major

R.H. \/

N9109. 0 ^fl

1

2

O ^

-4

5

2

N9tlS.

©

V

I-

L.n.

1

1

2

2

to Major.

V

——

1

1

1

2

IZ

 

TTT 111

1

2

^

1

r\ u

2

5

T ^

5

2

s

rffl

\J

R.JJ.

N9111.

Q

1

2

©-

2

O

0—

N9110.

1

r-V

3

—

1

V

L.H.

y

—i

5

1

-®

9

(i

n—

N9107. 1

—i

N9108.

\'

1

1

'

111

2 5

R.H.w^

5  

1

1

 

^

2

1

k. To THK Minor Kky with the Tonic Five Chromatic Stefs Higher. Major

N9 ZZH. IT,

N9 ^

1

o

.

V V

^

^

^

1

r\

T

1

1

2

n u

^

8

—i

/.//.

^

U

V ^

1

5

I

2  ~\

CJ

^

2

0

-

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0-

-

.

r\

L/

=5

y Q V U

u

^

TII Hi

2 o

i

-

—

e-

-e

-e-

t

-©1

0-

-e

0-

e

-

-

—

2

.... ^

I

-{.

N9

-V

1

L->

1

3

N9 231.

L.H.

It

N9

‘Z35.

A.P.S. 4738-42

2

^

7

to Minor.

¥

0-

1

^

1

5

1

r\

r~\

2

1

r\

2

.

^

r

1

.q--.^-Q

^

_5

—

B-

1

..

1

5

1

2 2 •>

-B-

0-

-fc»-

-01

N9

2:LS.

N9

‘^3H.

Major

r\ u

1

(5

2

—

1 T)

4

0

1

zirz.

-HF T

^

1

To THE Minor Key with the Tonic Five Chromatic Stefs Lower

N9ZZZ.

0

2

N9 280.

T„

1

1

.. J

u

^

2

1

o

L>

L>

^

11

2

j

^

1

1

12

to Minor.

 

2(5

m.

To THK Minor Kky with the Tonic Six Chromatic Steps Higher or Lower. Major

NO

NO

f-V

^

1

^

ITT

rrr^

/L//.

V

2 1

T

1

2

1

—

L.H.

2^1

2

1

1

^ ^

n

t?

D. Modulations

2 2

1

n

1

1

®

—13 n

1

T

R.H.

——

—

X 7

V

2

Til

2

—

L.H.

NO 243 f-H \7

V

R. H.

—

9

0 CJ

TH ill

1

1

0

—

L.H.

.

1

2

2

t

2

^

n u

1

XT

2

TIT

^

1

2

2

V ^

©

I

^

I

1

R.H.

2

V V

—

L.H.

I

1

^

2

0_

—

—

i

i

1

2

2

0

A

f—ttJ T7

V

R.H.

TTT ill

L.H.

i

S.

473 S -42

pi

©

©

e

Y —\T

^ 0

i

A-^

.0

-

u

u

I'-A

-)

^

=*

i-

kJ

.

NO 248. -©

©

©J

^

©

—©

-e

1

^

1

—

r

.

^

LJ

sj

——

0

2

2 =

9

—

-

©--

5

...

ill

1

NO 247.

2

1

———

r^.

^

1

2

2

0 -

2

2

^ 2

Q °

1

,

^

I

^

0 ^

1

TTT

u

G

j

1

—i

1

-I

1

1

2

2

0 ^

^

c.*

N9 246.

r-,

1

n .T

4

CT

-2 AJ

N?245.

R

rN tT

0

1

1

pfti

1

^

^—r-

To THE Major Key with the Tonic One Chromatic Step Higher. Minor

b.

A.

1

1

©

Y

ill

NO 244. HI 0

2

1

©

5

1

2

^

TTT

2

T~i

1

5

r-e

0 ^

\7’

2

to Major.

2

2

2

0

2

from minor key to major key.

1

b?

1

fcP-

-i

Q

I

2

2

^

1

0

0

2 1

1

2

1

NO 2^4 0.

.

XT

a. To THE Major Key with the Same Tonic. Minor

—^

^

T-i

2

1

-l-A-

2

7

i

1

TTT Til

1

NO 239

2:^8.

IH

‘

r 1

1

•

T7 ^ -¥— © 1

i.

0 0 ^

^

2

2 1

J

p-

1

5

0

)

^

2

to Major.

0 ia

8

2

0

0

5

2

2

to

Minor.

1

2

 

27

To THK Major Kky with thk Tonic Onk Chromatic Stkr Lower. Minor

C.

—

N9‘Z^l9.

©

r4H

r^ u

T

n.ii.

n

1

V V

u

1

—

L.H.

®

2

1

o

^

2

0

*2

0

2

t

2

2

1

1

2

2

2

1

1

j

V

 ..H.

V V

^

TIT 111

n 0

1 ^

0

2

0

C\ V-./

rj

L-/

L>'

^

1

.Q-

-e

I

-I

N9

N9 258. 0

c

T

/

V''

L.H.

1

u

^

T

8

1

2

°

/rHtt

1

('

'1

I

0 w

LJ

'vj

'I

8

—

-=

^

e

8

—©

^

^

r>

0

m

L.H.

T

 

S.

2

1

2

2 5

Steps Higher. Minor

2

1

°

3

1

^211 I

2

^

2

A7 V

1

1

0

'

0 0

v-/

/r:\

LJ

2

-

_

--

KJ

^

\T V

—e—

0

I

°

-©

0

m

2

I

\7

V

u

r'l

2 r\

^

0 •

2

2

0 ^

Major.

^

2

2

Q Q Q

^

p—

2

1

n °

1

1 ^

9

1

0 Pi

0 vJ 0 L-/

~r^

0

^

\j

2 ^

LJ

T“ ^

r> VJ

—e— —©-

—1

2

2 ^

\j

\y

\J

D

2

^ °

LJ

^

3

0

1

^

1

^

2

2

r

r

4

N9 260. n ^ >

ITT 111

T

2

8

2

r-x

1

7

2

3

1

1

IH-0--

2

1

to

rr

1

1

2

2

1

r\

r-^

^

2

r-'\

8

5

1

r\ LJ

TTT

2

1

Two Chromatic

N9 259. 1

R.H.

1

J'-e-

1

1

^

2

——e-

Majo jor r Key Key with the Tonic Two Chromatic Steps Lower. Minor To the Ma I

2

1

2

'

'

2

1

N9 257.

-e

°

N9 258.

A.P

0

1

^

2

Ui

i

vj

-i

r\

—1

L.H.

6.

^

^7 V

'

^

1

1

\

^

1

r

n U

V

2

7

r\

c\

n

n

T

2

N9 256.

\

j

N9 255.

r

R.H.

—0—e —

2

^

25^l.

i-Hf—•-

8

^

2 \

—i

1

1

n u

T

—

'

r-T

2

d. To thk Major Key with the Tonic

R.IL

n ^

1

o—

-e-

N9 252. n 0

T

1

'

TIT 111

0

‘Z5i.

111 ^ //.//.

pV

2

;

N9

—

N2‘Z50.

Major.

to

5

2

 

2

1

1

2

1

5

-e-

^

1

2

1

2

2

t

12

I

7

w

to Major.

1

sj

2

1

1

LJ

2

2

2

7

f]

 

2S

N9 262.

N9 261. '

T

1

R.H.

2

^ -J

lU

L.H.

I

4

1

8

n

y y r

1

^

1

1

2

1

5

,

2

2

1

N9

—

e

T

8

--

1

^

L-i

N9 264. HI O

—

2

^

8

^

i-IH

p4H

€e-

^

2

2

V

0

T

^

^

9

—

:t—

“

2

1

2

2

1

1

1

1

J

L

v-.‘

9

^

J

2 0

V

4

1

^

O

u

rN

T

^

9

o

*1

TTT 111

1

vj

)

1

0

1

2

0

2

1

T

2

1

1

1

1

0

TTT 111

2

2

N9 268.

pV

—V 1

2

1

N9 267

^

1

1

1

TTT 111

2

0

—

to Major.

9

\j V

1

;

1

Minor

N9 265.

-Y_W

^

N9 266.

g.

I

1

2

2

THE Major Key with the Tonic Three Chromatic Steps Higher

V V

L.H.

0

12

^

1

\

o

TTT 111

y

T(^

R.H.

R.H.

2

r\

2

1

pffi

LJl.

V V

r\

'

^

T

I

1

\r

ITT

f.

1

^

2

-I

1

•

n U n U n °

2

2

2 1

.j

2

1

5

^

-o

To the Major Key with the Tonic Three Chromatic vSteps Lower. Minor to Major. N9 270. N9 269. 9~ -^ O' V^-eO o 0 c J.j o o TTT o W o J ill 111 ^ 2 2 2 _

1

^

-2

' o'

o 3 ..

2

2

O O

2

5 1

1

2

1

o LJ

o

L7

1

r'l kJ

1

2 5

1

12

 

29

h. To THE Major Key with the Tonic Four Chromatic Stefs Higher. Minor /I—ffl /?.//.

©

i

0

..

,

(

V

\

—

LH.

m 275.

—

N9Z7^

U

1

2

1

2

2

1

1

2

2

u

-m-

v>—

\7 V

C'\

mo

//.//.

/ \

T

1

V V

('

L.IL

1.

-4

2

^ ©

2

1

^

D

U

0

1

2

2

1

1

°

r4H

1

1

1

2

ITT 111

H.H.

^

1

^

u

T

1

-4

r\

V V

2

1

n ©

T

1

2 8

5

n u

5

2 5

-

-4

i-

2

  ,_1

t

..

)

r

O

-^4

Major.

1

o © © © '

2

0

to

r TIT ill

1

1

2

1

2

8

2

i

1

)

tc*-

2

U 2

O

/I

N9 282. 1

1

2

LJ

0

o

N9 281.

R.H.

 

r\

:i—

??

2

^

1

2

5

o

^

5

-1-^

1

2^,^

2

2

V

1

—©—

2^.

2

1

-e

^

TIT

1 1

1

^

^

°

1

1

1

1

2

m 277.

2

1

°

2

1

2

^

1

1

2

2

To THE Major Key with the Tonic Four Chromatic Stefs Lower. Minor N9 279. N9 278. N9 280. V

L.H.

^

1

CJ

—

r©

8

^

C\

>

j

^

^

N9 276. /

f

W

^

-4

5

^

ri

I

2

5

:

I

to Major.

-e-

-m-

-e-

-4

-o-

1

r-

-¥1

1

^

-e-

1

-tr

-e-

-ffi-

2

2

J

L.H.

12

k. To THE Major Key with the Tonic Five Chromatic Stefs Higher. Minor

N9

N9 288. r-l T7

H.H.

V

TTT ill

-4

L.H.

A .F.

8

S.

2

^ 5

1

^ 1

2

1

^

1

2

2

2

2

1

5

1-

N9 285.

28^l.

V- e-0--0n TTT 111

i

^ u

^

O

-J-.Q-O-

2

n u

1

LJ

^

1

2

2

1

2 1

2

1

2

2

2

1

0

pi \7

1

U

1

U

r\

TTT 111 1

—I

7

1

to Major.

^^1“ ° 1

—

2

^

2

^

1

2

—e—

1

1

 

N9

m

•^86.

-w-

1

1

1

2 -e-

1

.

1

.

TTT 111

R.H.

8

— —

©

-i

4

-e-

12

1

-e-

—©—©—

I

-

1

N 9 289 ^ V TTT 111

1

2

1

1

2

2

^

5

-4

.

1

I

—4

2 4 wY

^

^

1

E

2 7

1

^ Cl

0

-

^

^

^

o °

2

O

i

1

©-

—^-©—

^

5

1

2

^

1

n °

2

2

1

1

1

2

2

1

1

/I

5

N9 296.

473S-4ii

2

1

1

-©-

8

‘Z

90

to Major. .

III

1

Ci

2

T

O

^ U

r\ U

^cn

T ^

V

-T

CJ

n

o

0-

0

1

1

2

N9‘^9‘^.

the Major Key with the Tonic Six Chromatic Steps Higher or Lower.

N2 293.

S.

Cl

2

N2 291.

m. To

^

2

2 1

N9 ^

r\

r^\

1

T

P.

^

-¥

-e-

V

A.

Q

To THE Major Key with the Tonic Five Chromatic Steps Lower. Minor

N 9 288

L.H.

-©-

-e-

-e-

~zr

LJL

Ill

1

N.N.

‘Z87.

N9 294.

N9tJ95.

N9ti97.

Minor

to

 

31

CHAPTER

IV.

KXPLAXATIOXS. The

following exercises,

The “Transposing Clef”

is

N? 298

models

to N‘i 3o(), shouTd serve as simple

used for the exercises from N2 298

to

N2

323.

for improvisations.

Refer to pages of the

“Transposition Reader” and notice especially the peculiar application of the accidentals.

The

N'i*^

324 to 350 are taken from rom

HOW TO USE THE I.

Play them

deme demen nti’s ti’s Preludes

et

Exercices.

EXERCISES.

various keys.

in

Memorize the construction of some numbers. extensi ensions ons, , contra contracti ctions ons 3. Invent well sounding ext

and variations.

4. Play the models in different order and connect them by modulations, the latter bearing either the character of the previous or the following models.

N9

N9 299. Major mode.

*Z98. Major mode.

3^

rr

=rv.

f

T

fa

XX =m.

f

'

V-

rrr fa-

C

X5

XV

V.

:

i--J

f

^

Jf

0:

r

f

f

m

N9 302. Minor mode. •J'

IT

Tf 3X

Q

fa

A.P. S. 4738 -4a

PP

fa TP

g it

XX

I.

r

XV

J

j

N9 300. Major mode.

fa

Ti-

xc

r

I

r

JDC

-e-

= III.

-e-

I'T’i''

301. Mi Mino nor r mode. N9 301.

C ~

Ti

T

IT

fa

fa

jam XX

XT

vx

 

m

Major mode.

£ IzIU.

N9 805. Major mode.

i

:xsz

rf frf

3

^zVl

;VIJ

r

r

^‘_1

}-

it*

,

o:

N9 806. Major mode.

—

-h

J

V*f ’

i

J—

g=c=

Trdr

y

:

-

W

^

^=11. -15

—?

e

A>

 

m

~y^

s=p=

O

1

J •

r

p

=jS=1p= L,

=£=

^w-

-,-rf^ -^-s

'

^£=i=d

^

—o

N9 808. Major mode.

N9 807. Minor mode.

15

-_III.

IV

w

to:

mT

f

fiv vv

v>

J.

IV

1>

cr 33

^

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The End.

 

ELEMENTS OF HARMONY by

A

Stephen H. Gmery.

method

of teaching harmony, used for the leading Conservatories and Teachers.

clear and concise

many

years by

Price $ 1.00.

Supplementary Exercises. Chants and Chorals to Elements of Harmony by

Stephen A. Emery. Price 50 cts.

n

Hey

to

emer em ery’ y’s s Elem Elemen ents ts of Harmony by

FRANK LYNES. Price 60

Foundation

Studies

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Pianoforte

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Stephen A. Emei'y. Op. 35. Price $

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J^dvancemenf ^equel

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Emert/* s foundation studies by

Frank Lynes. Price $

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HEAD AND HANDS.

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Stephen H. 6mery. Op. 37.

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