Keith Urban - Guitar Anthology (Guitar TAB, 220p).pdf
April 26, 2017 | Author: AnthonyMaloney | Category: N/A
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from Keith Urban - Be Here
Better Life Words and Music by Richard Marx and Keith Urban
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 105 μ Gtr. 1 (Banjo gtr.)
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
mf
*D5
Rhy. Fig. 1
0
4 0
5
X X
5 0
X X 0
X X 0
4 0
X X
4 0
5
X X
5 0
X X
0
X X
X X
4 0
5
X X
5 0
X X
X X
4 0
X X
4 0
5
X X
0
0
5
*Chord symbols reflect implied harmony.
1. Well,
Gtr. 1
X X X
End Rhy. Fig. 1
4 0
5
X X
5 0
X X 0
X X 0
4 0
X X
4 0
5
X X X
X X X
X X X
5
X X
X X
4 0
5
X X
5 0
X X
X X
4 0
X X
4 0
Riff A Gtr. 2 (elec.)
5
5 0
5 0
5 0
X X X
End Riff A
mf w/ clean tone & amp tremolo
0
Copyright © 2004 Chrysalis Music and Guitar Monkey Music All Rights for Chrysalis Music Administered by Chrysalis Music Group Inc., a BMG Chrysalis company All Rights for Guitar Monkey Music Controlled and Administered by Songs Of Universal, Inc. All Rights Reserved Used by Permission
1
Verse Gtr. 2 tacet
G5
Fri
-
day
night
and the
moon
is
high,
I’m
wide
just
watch - in’
you
sleep.
mf
3 3 0 0 X 5
3 3 0 0 X 5
Rhy. Fig. 3 Gtr. 3 (Banjo gtr.)
mf
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
End Rhy. Fig. 4
Gtr. 1
a - wake
Rhy. Fig. 4 Gtr. 4 (acous.)
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
Rhy. Fig. 2
5
2
0 0 X 5
X X X X X X
X X X X X X
Gtr. 2: w/ Riff A Gtr. 4 tacet
D5
Oh,
oh.
And
I
End Rhy. Fig. 3
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
4 0
4 0
Gtr. 3
Gtr. 1
2
5
X X
X X
X X
X X
X X
X X
4 0
5
X X
X X
X X
5 0
X X
X X
4 0
5
X X 0
5 0
5 0
4 0
4 0
5
0
0
0
0
Gtr. 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Rhy. Fig. 4
prom - ise
you,
you’re gon - na
have
more
2
0 0 X 5
5
than
just
the
things
that
you
need.
G5
1/4
2
1/4
2
Gtr. 2: w/ Riff A
D5
We ain’t
0
4 0
5
X X
5 0
X X 0
0
4 0
0
5
X X X
X X X
X X X
5 0
X X X
X X X
4 0
5
X X
5 0
X X
5 0
4 0
End Rhy. Fig. 2
4 0
5
5 0
5 0
5 0
5 0
Pre-Chorus Gtr. 3: w/ Rhy. Fig. 3
A5
got
much
now,
Gtr. 1
2 0
G5
we’re just
4
6
5
6
4
2 0
start - in’
0 X 5
out.
But
2
3
0
3
2
0
I
2
Gtrs. 5 & 6 (elec.)
mf
w/ slight dist.
2 0
0 X 5
3
A5
know
some
how
Csus2
par
6
5
6
4
a
-
dise
is
com
-
in’.
3 0 X 3
4
2 0
-
-
2
3 0 X 3
2 0
Chorus Gtr. 1 tacet
D5
Some - day,
Rhy. Fig. 5
Gtr. 5
3 2 0 0 0
ba
2 2 0
3 2 0 0 0
2 2 0
4
-
by,
you
and I
are gon - na
be
the
ones,
uh.
2
0 X 5
0
4
Rhy. Fig. 5A
Gtr. 6
G5
A5
0 X 5
2
0
D5
Good
luck’s
gon
-
na
Em
F#m
G5
A5
A5
shine,
oh.
2 2 0
0 2 X 2
2 4 X 4
0 X 5
7 7
3 2 0 0 0
2 2 0
0 2 X 2
2 4 X 4
0 X 5
7 7
the
So
0 0
D5
Some - day,
3 2 0 0 0
A5
ba
2 2 0
3 2 0 0 0
2 2 0
-
G5
by,
you
and I
are gon - na
be
ones.
End Rhy. Fig. 5
2
4
0 X 5
0
2
0
2
0
End Rhy. Fig. 5A
0 X 5
5
Em7
hold
on,
G5
we’rehead
-
3
0
ed
for
a
bet
-
ter
life.
0 0 X 5
2 2
let ring
2
5
19
0 0 X 5
2 2
Interlude Gtr. 1: w/ Rhy. Fig. 1
Mm,
Gtrs. 5 & 6
D5
hmm,
hmm.
2. Oh,
now,
pp
3 2 0 0 0
Verse Gtr. 1: w/ Rhy. Fig. 2 Gtr. 4: w/ Rhy. Fig. 4
G5
there’s
6
a
place
for
you
and
me
where
we
can
dream
as
big
as
the
sky,
D5
yeah,
Gtrs. 5 & 6
5
9 X 7
X X X
7 X 5
7
9 X 7
11
9 X 7
7 X 5
9
I
5
9 X 7
X X X
7 X 5
7
6 X 4
Rhy. Fig. 6
Gtr. 2
yeah.
mf
6 X 4
9 X 7
7 X 5
11 9
End Rhy. Fig. 6
(amp tremolo off)
3 2 0 0 0
Gtr. 2 tacet Gtr. 4: w/ Rhy. Fig. 4
G5
know it’s
hard
to
see it
now,
but,
Gtrs. 5 & 6
ba
some - day
you
-
by,
gon
3
2
0
3
2
0
3
fly.
0
2
0
3
2
This
6 X 4
na
6
5
Gtr. 2: w/ Rhy. Fig. 6
-
3
7
D5
7 5
7 X 5
X X X
9 X 7
9 X 7
11
9 X 7
7 X 5
9
6 X 4
7 5
7 X 5
X X X
9 X 7
9 X 7
11 9
7 X 5
7 5
7
Pre-Chorus A5
road
G5
we’re
on,
*Gtrs. 1, 5 & 6
might
be
you know it
4
2 0
6
5
6
4
long.
And our
2
0 X 5
2
3
0
3
2
0
*Composite arrangement
A5
faith
is
strong.
all
that
real
mat
-
ters.
gon - na
be
the
ones,
-
ly
It’s
Csus2
f
2 0
3
5
6
4
3 0 X 3
Chorus Gtr. 1 tacet Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A
Some - day,
D5
by,
gon
A5
ba
-
luck’s
Some - day,
8
-
A5
Good
D5
ba
you
and
I
G5
by,
-
na
are
Em
F#m
G5
uh.
A5
A5
D5
shine,
oh.
G5
you
and
I
are
gon - na
be
the
ones.
So
hold
on,
Gtr. 5
G5
we’re head
-
let ring
Gtr. 6
0
ed
for
a
bet
0 X 5
let ring
2
3
0
2
Em7
ter
life.
0 0
0 0
let ring
3
2
-
3
0
0
X X
5
Gtr. 7 (elec.)
f
w/ slight dist.
2
Guitar Solo A5
Oh,
G5
oh,
oh.
*Gtrs. 5 & 6
2 0
2
0 X 5
4
*Composite arrangement
Gtr. 7
1
1
2
2
2
1
2
2
1
2
0
4
0
2
0
2
0
4
0
0 7
1/2
5
X
X
X
2
2
9
D5
Asus4
Oo,
Em7
hoo,
Gtr. 8
hoo,
hoo,
oh.
steady f
gliss.
w/ slight dist.
1 1
Gtrs. 5 & 6
3 2
2
2
2
let ring
4 0 0
3 2 0
3
0
2
0
2
3
0
X
X
7
1/2
0
2
0
9
0
2
0
2
0
4
2
Gtr. 7 tacet
A5
G5
Yeah,
9 9
14 14
14 12
14 14
14 15 15 14 16 16
17 18
17 18
17 18
17 18
17 18
2
10
15 16
14 14
2
yeah.
2 0
2 2
2 2
Gtr. 7
4
4 4
4
X X
9 9
12 12
12 12
X X
X X
X X
14 14
15 16
0 X 5
15 16
16
14
12 12
Em7
D/F#
G5
Said
Gtr. 8
let ring 1
10
10
9
9
Gtrs. 5 & 6
9
10 7
7
7
9
6
6
9
7
7
7
5
3
4
3
5
4
7
5
4
5
4
0
4
let ring
3 2
3
0
2
4
5
Bridge Gtr. 6 tacet
D
A
hold
G
on.
Gtr. 5
mp Harm. let ring
5
5
Pitch: D
Gtr. 1
Riff B
A
End Riff B
P.M.
7 7
7 7
5
Gtr. 8
1/2
4
5 7
7
7
5 6
5 6
5
5 6
5 5 6
4
4
3 4
3 4
3
4
4
5 4
5 4
3 4
3 4
3 3
pp
4
11
Gtr. 1: w/ Riff B (2 times) Gtr. 8 tacet
D
A
Hold
on.
Gtr. 5
G
8va
Now, come
Harm. let ring
loco
1
7
on,
ba
1
7
-
by.
1
7
9
1
7
9
9
9
4
3
Pitch: A
1
9
3
E
D
A
Hold
G
on.
Yeah,
we’re gon - na
9
Csus2
have
it
all
3
0 X 3
0 X 3
0 X 3
0 X 3
and
a
hoo,
0 X 3
0 X 3
Gtr. 5
mf
3 0 X 3
Gtr. 6
3 0 X 3
12
0 X 3
μ
hoo,
oo.
3 0 X 3
3 0 X 3
Chorus D5
A5
Some - day,
ba
-
G5
by,
you
3 2 0 0 0
2 2 0
0 0 X 5
Em
Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A (last 4 meas.)
D5
Good
A5
luck’s
Gtr. 7
gon
-
na
shine,
A5
Some - day,
ba
-
ones,
uh.
0
F#m
G5
Yes, it
is.
8
7 7
3
3
you
4
2
and I
are gon - na
be
0
2
A5
by,
the
G5
be
7
D5
are gon - na
7
and I
Gtrs. 5 & 6
4
2
the
So
ones.
3 2
Em7
hold
G5
on,
Gtr. 7
just, uh,
A5
hold
on.
let ring 1
10
9
9
Gtrs. 5 & 6
0
2
let ring
2
3
0 2
0 0 X 5
5
5
2 0
13
Chorus Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A (1st 3 meas.)
D5
G5
Some - day, ba - by,
you and I
are gon - na
be
D5
A5
the ones,
uh.
Good
A5
luck’s
gon - na
Gtr. 7
7
Gtr. 7
10
X X
F#m
G/B
8
9
Shine
on
7
A5
D5
Em
1
2
7
2
2
4
2
2
0 0
ba
2
2 0
0
2
4
Gtr. 7 tacet
G5
you and I
Em7
are gon - na be the ones.
So
0 0 X 5
14
0
2
0
on,
2
0
2 2 0
0 0
2
4
-
life.
G5
we’re head
let ring
0
by,
hold
2 0
Gtrs. 5 & 6
-
7
Gtrs. 5 & 6
A5
Some - day,
1
2
down.
7
X X
shine.
ed
for
a
bet - ter
3 2 5
0
2
0
Outro D5
Oh,
Riff C
Gtr. 7
6 X 4
5
7 X 5
7 X 5
7
Rhy. Fig. 7 Gtrs. 5 & 6
9 X 7
9 X 7
11 X 9
9 X 7
7 X 5
3 2 0
3 2 0
a
bet - ter
6 X 4
7 5
X X X
7 X 5
X X X
X X X
9 X 7
9 X 7
G5
3 2 0 0
Oh,
7 5
6 X 4
7 5
X X X
7 X 5
X X X
X X X
9 X 7
9 X 7
11
9 X 7
7 X 5
9
3 3 0
3 3 0 0
let ring
5
ho.
A
bet
6 X 4
7 5
X X X
life,
7 X 5
X X X
X X X
9 X 7
now.
7 X 5
11 9
2
let ring
0
-
ter
9 X 7
11 9
4
0 0
life.
End Riff C
7 X 5
End Rhy. Fig. 7
2
0
4
5
15
Gtrs. 5 & 6: w/ Rhy. Fig. 7 (7 times) Gtr. 7: w/ Riff C
D5
leave
D5
this all
Gtr. 7
0 0
G5
head
-
Oh,
ho,
hm,
be - hind
us, ba
-
3 2 0
3 2 0
3 2 0
ed
a
bet - ter
for
by.
Wait
Oo,
hoo.
and
We’re
0 3
0 0
16
the
chains
that bind
and fi
-
and
n’ly
3 2 0
3 2 0
3 2 0
0 2
0 2
0 2
we’ll
me.
Gon - na
3
2
0 2
1
2 3
be
free.
0
2
4
2
0
2
0
break
0 3
0
0
2
we’re gon - na
see.
you
2
0 3
1
Hey,
life,
3 4
ho.
D5
G5
We’re gon - na
8 9
10 11
10 11
7 7
10 11
8 9
G5
be the
ones
that
have it
all,
you
and
3 6
9
3 6
3 6
3 6
3 6
3
3
3
3
6
6
6
6
D5
0 0
6
Hoo,
let ring
12
10
12
10
10
10
12
12
10
10
10
10
12
10
oo.
Uh, just, uh,
12
10
D5
12
12
10
10
10
12
10
12
10
10
10
Woo!
10
12
12 10
10
10 12
12 10
10 12
10
10
10
hold
10
12
12
10
10
10
on
tight,
10
10
12
10
10
now,
ba
10
-
by.
10
10
12
10
10
12
10
10
10
12
10
12
10
10
G5
Oh,
ho,
12 10
10
10
10 14
oh.
12
oo,
G5
1/2
me.
let ring
7 7
10
12 10
10 12
10
10
10
12
10
12 10
10 12
10
10 12
10
10 12
10
10
17
D5
8va
12
10 12 10
10 12
10
10
12
10
10
10
14
17 14
G5
8va
1
17 14
15
17 14 14 14
15
15
14 17
15
1
17
15
17 14
15
15
1
1
17
14
D5
1
17
17 14 14
17 17
17
17 14 17 14
17 14 14 14 14 14 15 17
17 14
15
14
15
15 14 15
14
G5
8va
14
15
17
15 15
17 14
15
14 17
14 15
14
1
15
17 14
15
17 14
15
17 14
15
17 14
15
17 14
15
17 14 14 17
1 17
1 17
D5
8va
Gtr. 7
mp
17
Gtr. 1
2
3
mp 3
2
2
0
3
2
3
2
2
3 4
Gtrs. 5 & 6
0 0
18
0
0
2
0
3
0
0
Gtrs. 5 & 6 tacet
8va
17
2
0
0
0
0
0
3
0
2
0
0
3 0
0
2
2 0
3
0
0
3
2
0
2
0
3
2
0
0
0
3 0
0
2
pp
0 0
8va
Gtr. 7
pp
17
4
5
0
3
0
0
2
0
3
2 0
0
0
0
0 0
0
3
0
2
0
0
2
3
Gtr. 1
3 2 0
19
from Keith Urban - In the Ranch
Clutterbilly Words and Music by Keith Urban, Peter Clarke and Gregory Holden
A Fast h = 150
μ [A7]
Gtr. 1 (clean)
mf
3
5
5
5
X
5
X
5
5
5
X
5
5
X
5
X
5
3
5
2 5
5
5
X
5
X
5
3
5
5
5
X
B
μ [A7]
1/2
1/2
2
5
X
5
5
6
5
7
0
X
5
0
4
4
2
3
5
X
5
X
4
5
0
5
X
5
17
1/2
2
2
5
2
5
5
5
2
5
0
2
5
[A7]
5
5
X
X
1/2
[C]
2
2
5
5
3
5
5
7
5
7
5
5
2
0
0
4
4
2
3
2
0
3
1/2
0
3
3
0
1/2
5
1/2
2
5
2
5
2
2
5
1/2
5
2
5
2
5
0
5
Copyright © 1991 UNIVERSAL/MCA MUSIC PUBLISHING PTY. LTD. All Rights in the U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC CORP. and SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
2
1
[C]
[A7]
1/2
5
2
5
6
5
7
5
7
8
8
9
11
13
13
2
0
0
4
4
2
2
3
3
1/2
0
0
3
3
C
μ [Bb]
1
3
5
5
3
5
3
1
3
3
5
5
5
5
3
7
5
7
3
5
3
5
5
3
5
3
1
3
5
7
5
5
0
7
5
7
3
2
4
7
6
6
7
3
5
3
5
6
7
8
8
5
2
6
2
0
2
1
1
1
1
2
2
5
μ
5
[A7]
3
5
5
3
5
5
3
7
[F]
3
3
5
3
5
[G]
3
2
7
[Bb]
3
3
[Dm]
1
3
5
[G]
3
[F]
2
3
3
3
4
D
μ [A7]
P.M. w/ fingers
1/2
2
5
2
5
1/2
2
2
1/2
5
0
5
2
2
5
5
5
2
2
3
0
3
0 3
[C]
[A7]
1/2
5 3
6
5
5
7
7
5
7
1/2
1/2
5
8
8
5
[C]
5 5
5 5
8
12
2
2
4
8
8
5
7
7
5
7
5
7
9
9
12
12
14
14
17
17
14
14
5
7
[A7]
16
5
5
7
1
8
2
1
1
8
2 2
2
5
8
1/2
5
8
6
1/2
5
5
8
8
let ring
1/2
5 5
1/2
5
3 3
5 5
7
17
14
17
14
16
14
14
E
μ [Bb]
[F]
let ring
6 2
3
[G]
3
4 3
3
3
3
3
5
3
3 5
5
5
4
5
3
3 5
3
let ring
3
3
6
5
let ring
5 0
3
5
3
5
1
3
0
2
2
3
[Dm]
7
5
7
5
7
5
3
5
3
2
0
2
5
3
0
2
3
[Bb]
[F]
let ring
6 2
6
3
3
3
3
3
5
3
3
5 0
3
3
5
3
5
[G]
1
3
0
2
0
4
0
7
5
0
7
9
0
5
7
0
4
5
0
1/2
5
7
5
8 8
10 10
8
9
9
7
5
5
3
1
2
[A7]
5
7
7
μ
Spoken: Hey!
5
6
7
8
8
0
1
1
1
1
2
2
2
3
X
X
F
A7
*T
T
5 4 6
5
7 5 7
6 5 7
T
5
6 5 7
5 4 6
7 5 7
6 5 7
5 4 6
T
5
7 5 7
6 5 7
5 4 6
6 5 7
5 4 6
5
8
*T = Thumb on 6th string
C7
10
8
10
10
9
10
A7
8
10
let ring
9
μ [A7]
0
3
1
0
1/2
5
5
7
T
7
4
5 4 6
6 5 7
7 5 7
5
8 8
10 10
9
8
9
7
5
T
5 4 6
6 5 7
7 5 7
5 4 6
6 5 7
5
5
7
7
5
5
7
7
T
5 4 6
6 5 7
7 5 7
5
5 4 6
6 5 7
7
μ[C]
[A7]
1
1/2
7
7
7
7
7
7
7
7
7
7
7
7
7
G
1/2
7
2
5
[C]
5
2
5
7
7
5
1/2
7
7
7
7
7
7
1/2
14
17
5
5
1/2
2
2
7
1/2
1/4
μ [A7]
7
17
14
[A7]
loco
17
14
0
17
8va
1/4
1 hold bend
17 10
20
18
20
18
18
0
17
19
17
5
2
2
5
12
2
[A7]
2
3
4
14
5
2
3
5
w/ pick
5
12
12
11
2
5
7 6
0
8
9
1/2
6
10
11
5 3
12
5
5
14
14
[C]
0
1/2
2
5
17
1/2
2
0 17
2
5 6
7
8
5 5
0
3
1
3
8
7
9 8
1/2
9
9
9
μ
5
6
7
8
8
0
2
1
1
1
1
2
2
2
3
3
3
3
4
4
4
5
C7
10
11
10
9
steady gliss.
11 9 8 10
8
8 6 5 7
11 9 8 10
μ
X X X X
X X X X
w/ wah-wah
X X
X X
X X
5 5 5
5 5 5
3 3
X X X
X X X
X X X
H Cm7
X X X
3 3
8 8 8
X X X
8 8 8
8 8 8
X X X
X X X
8 8 8
10
15 15
6
8 8 8
X X X
8 8
10 10
10 10
10 10
X X X
8 8 8
8 8 8
X X X
8 8 8
X X X
8 8 8
8 8 8
8 8
8 8
X X
8 8
8 8
10 10
8 8 8
8 8 8
10 10
8 8
8 8
8
10
8 8 8
8 8 8
X X X
8 8 8
X X X
8 8
8 8 8
10 10 10
10 10 10
11
8
10
8
10
8
10
X X X
10 10 10
8 8 8
8 8 8
8 8 8
X X X
8 8 8
8 8 8
X X X
X X
3 3
1
8
X X X
X X X
1
X X X
X X X
X X X
X X X
X X X
8
10
8 8 8
X X X
X X X
15 15
h=q
(wah-wah off)
8 8 8
8 8 8
X X X
8 8 8
X X X
8 8 8
8 8
10 10
8 11 8
8 11 8
8 11 8
8 11 8
8 11 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
8 11 8 8
__ =
I
3
Triplet feel μ [D7]
Riff A
19
17
Gtr. 1: w/ Riff A
mf
17
17
17
19
3
1
17 19 19
3 3
17 19 19
19 17
17
17
16
19
19
17
19
17
1
17 19 19
19 17 17
17
19
17
End triplet feel
3
19
End Riff A
3
17
17
17
17
1/2
19
19 17
3
19
19
17
3
18
19 17 17
17
3
19
17
Gtr. 2 (clean)
3
q=h
3
1
19
17 19 19
19 17 17
17
19
17
17
Gtr. 2 tacet
μ
Gtr. 1
5
6
7
8
8
0
2
1
1
[A7]
5
5
5
X
5
X
5
3
5
5
5
J μ [A7]
1/2
2
2
2
5
1/2
2
5
2
5
2
3 2
0 0
3
3
4
4
4
12
12
12
3
17
5
2
5
3
Harm.
2
2
1
3
1
[G]
3
1
1/2
5
2
5
2
5
2
5
2
7
[C]
2
5
5 5
6 7
5 5
6 7
5
5 5
6 7
5 5
[A7]
6 7
8 9
7 8
6 7
5 6
6
3
6
7
4
7
5
8
[C]
8
6
9
9
10
7
10
11
8
11
12
9
12
10
13
13
14
[A7] 8va
4 5
11
14
16
17
14
17
15
18
18
19
16
19
20
17
12
15
17
17
1
1
13
3 4
5
20
20
17
17
20
20
17
20
20
15
16
1
20
20
μ
loco
5
6
7
10
11
10
9
8
0
0
8
17
0
2
1
1
1
1
C6
G
C6
5 5 5 5
3 3 4 5
5 5 5 5
8
5
X
5
X
5
3
5 5 5 5
3
3
3
4
4
G
C6
3 3 4 5
5 5 5 5
3 3 4 5
3 3 4 5
C6
3
2
5
2
4
G
0
5
2
G
μ [A7]
3
2
4
5
5
5
5
5
0
4
0
5 5
4
2
3
0
5 5
from Keith Urban - Be Here
Days Go By Words and Music by Monty Powell and Keith Urban
Gtr. 1: Capo VII Gtrs. 2, 3 & 4: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Rubato q = approx. 98 D * [G]
G [C]
Gtr. 1 (acous.)
mp
G'9 [C'9]
3
3 4
2
2
0
0 2
0
0
0
3
0
2
0
3
3
3 0 0 X 3
0
2
2
3 2
4
3 2 4 2 0
2
0
2
rit.
let ring throughout
3 0 0 X 3
D [G]
3 0 0
3
2
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
D Moderately fast q = 132 [G]
D [G]
G [C]
G [C]
Woo!
Riff A
Gtr. 1
mf 3 0 0 X 3
Gtr. 2 (elec.)
2
2 0
4 0
2
0
2
0
End Riff A
3
0
3
2
0 0
3
3
2
3 0 0
0
2
2 0
3 4
3 2 4 2 0
3
2
0
0
3
2
0 2
0
3
3
2
0
f
w/ dist.
12
Copyright © 2004 UNIVERSAL MUSIC CORP., LANARK VILLAGE TUNES and GUITAR MONKEY MUSIC All Rights for LANARK VILLAGE TUNES Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
19
1
Gtr. 1: w/ Riff A
D [G]
G [C]
Ah, Gtr. 3 (elec.)
f
9
9
2
4
9
9
7
4
2
Gtr. 2
uh,
ye
-
3
3 2 0 0
0
3
0
2
3
4
7 0
3 3 0
5 3 0
5 3 0
9
9
3 3 0
11
9 11 9
7
4
2
3 2 0
2
4
3
0
3 3 0
3 3 0
2
4
5 3 0
5 3 0
3
3 0 2
0
5
Verse
0
Gtr. 3 tacet
D [G]
ah.
G [C]
1
w/ slight dist.
7 0
D [G]
*G6
1. I’m chang - in’ lanes Rhy. Fig. 2 Gtr. 4 (elec.)
D [G]
[C6]
and talk - in’ on the
phone,
driv - in’
mf
way
too
Em7 [Am7]
fast.
And the End Rhy. Fig. 2
w/ clean tone semi-P.M.
7 7
7 7
7 7
5 7
5 7
5 7
5 7
P.M.
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 2 3
3 0 2 3
3 0 2 3
Gtr. 1
Rhy. Fig. 1
Gtr. 3
7 7
7 7
7 7
7 7
5 7
3 0 2 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
P.M.
3 0
3 0
3 0 2 3
5 7
5 7
1 0 2 0
1 0 2 0
pp
5
5
5 7
7
1 0 2 0
1 0 2 0
1 0 2 0
3
Gtr. 2
0
2
*Chord symbols reflect overall harmony.
pp
Gtr. 2 tacet
D [G]
G6 [C6]
in - ter - state’s jammed
with gun - ners like
me
a - fraid of
com - in’ in
semi-P.M.
7 7
7 7
P.M.
7 7
3 0 2 3
3 0 2 3
But some - where in
Riff B
the
5 7
race
5 7
7 7
7
3
D/F# [G/B]
we
5 7
5 7
8
7
7
Gtr. 3
0 7
P.M.
0 0 X 3
0 0 X 3
0 0 X 3
5
7 7
7 7
0
7
8
7
0
7
7
5 7
5 7
5 7
5 7
End Rhy. Fig. 1
3 4 0
3 2 0
3 4 0
3 5 0
3 2 0
-
done
and days
go
End Riff B
0 5 7
X X
Gtr. 2
mf
w/ clean tone let ring
2
0
3
0
let ring
2
4
5
0
3
3
3
Gtr. 1
let ring
0
1 0 2
3 0 0 2
X X X X
3 0
f
w/ dist.
3 0 0 7
Rhy. Fig. 3
0
3
0
5 7
3 2 0
we’re com - in’ un
7
7 7
7 7
run,
0
last.
G [C]
let ring
0
7 7
Pre-Chorus Em7 [Am7]
5 7
P.M.
3 0 0 X 3
3 0 0 X 3
Gtr. 4
5 7
Gtr. 1
7 7
Gtr. 4
7 7
D [G]
12 End Rhy. Fig. 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
3
Chorus Gtr. 4 tacet
D5 [G5]
by.
I
Gtr. 3
14 0
12 0
14
12
0
14 0
12 0
11 0
D5 [G5]
G'9 [C'9]
can feel ’em fly - in’ like a
hand
out the win - dow in the
wind
G'9 [C'9]
12 0
12 0
12 0
11 0
as the cars
go
9 0
11 0
12 0
0
9 0
11 0
11 0
3
3
3
4
2
0 0
Gtr. 2
0
3
3
3
4
2
0 0
5
0 Rhy. Fig. 4
Gtr. 1
5
5
0
2
0
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
by.
Yeah, it’s all
Riff C
12 14
14 0
Rhy. Fig. 5
12 11 0 0
11
0
3 0 0 X 3
3 0 0 X 3
Em7 [Am7]
we’ve been
12
3 2 0 0
4
5
0
5
D5 [G5]
5
5
0
3 2 0
3 2 0
2
D/F# [G/B]
G [C]
so you bet - ter start
liv - in’ right
now
go
giv - en,
12 12 11 0 0 0
9 0
11 0
11 0
12 0
12 0
9 0
3 3 0
3 3 0
3 3 0
3 3 0
End Riff C
12 0
12 0
12 12 12 0 0 0
12 0
End Rhy. Fig. 5
let ring
3 2 0
3 2 0
3 2 0
0
0
3
5
4
2
11 0
’cause days
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
1 0 2 0
1 0 2 0
1 0 2 0
1 0 2 0
3 0 0 2
3 0 0 2
End Rhy. Fig. 4
3 0 0 2
3 0 0 2
3 0 0 2
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
Interlude Gtr. 1: w/ Riff A
D [G]
G [C]
by.
Oh, and, uh,
7 0
9
9
11
9
7
4
2
Gtr. 2
7 0
9
9
11
9
7
4
2
2
4
2
4
3
3
hoo,
G [C]
hoo.
0
2
4
0
2
4
Riff D Gtr. 3
D [G]
3
3
7 0
9
9
11
9 11 9
7
4
2
3
3
7 0
9
9
11
9 11 9
7
4
2
2
4
2
4
3
3
0
2
4
0
4
3
5
2
End Riff D
3
Verse Gtr. 1: w/ Rhy. Fig. 1 Gtr. 4: w/ Rhy. Fig. 2
Gtr. 3 tacet
D [G]
2. Out on the roof
G6 [C6]
just
D [G]
the oth - er
night,
I watched the
Em7 [Am7]
world
flash
by.
Head-
pp 3
1
5
let ring 1
5
3
2
1
2
2
5
D [G]
- lights,
G6 [C6]
tail - lights
run - nin’ through a
Gtr. 4
riv - er
D [G]
of
ne
-
on
signs.
7 7
7 7
7 7
7 7
5 7
5 7
5 7
5 7
5 7
5 7
8 7 7
7 7 7
5 7 7
7 7
7
Gtr. 2
let ring
7 7
7 7
7
let ring
2
0
3
2
Uh, huh.
semi-P.M.
7 7
7 7 7
1
3
2 3
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff B
Em7 [Am7]
But some - where
in
the
Gtr. 2
D/F# [G/B]
G [C]
rush
I
felt
we’re los - in’ our
1
3
10
10
-
10 X 7
8
2
Chorus
selves.
And days
go
12 12 X 9 9
10 X 7
12 12 12 X X 9 9 9
12 12 12 X X X 9 9 9
Gtr. 1: w/ Rhy. Fig. 4
D5 [G5]
by.
I
G'9 [C'9]
D5 [G5]
can feel ’em fly - in’ like a
hand
out the win - dow in the
14
14 0
12 0
12 0
12 0
Gtr. 3
12
0
Gtr. 2
11 0
6
3 0 0
3 2 0 0
12 0
5
5
11 0
9 0
11 0
11 0
12 0
12
3 2 0 0 0
3 2 0
3
9 0
11 0
0
G'9 [C'9]
wind
as the cars
11
3
9
3 4
go
7
3 2
0 0
2
0
Gtr. 2: w/ Rhy. Fig. 5 1st time, Gtr. 3: w/ Riff C 2nd time, Gtr. 3: w/ Riff C (1st 3 meas.)
2nd time, Gtr. 3: w/ Fill 1
D5 [G5]
by.
Yeah, it’s
Em7 [Am7]
all
D/F# [G/B]
we’ve been
G [C]
liv - in’ right
now.
go
giv - en,
so you
bet - ter start
And days
To Coda
Interlude Gtrs. 2 & 3: w/ Riff D
D [G]
G [C]
by. Rhy. Fig. 6
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
D [G]
G [C]
hoo.
3 0 0 0 X 3
3 0 0 0 X 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 X 0 3
3 0 0 0 X 3
3 0 0 0 X 3
G [C]
Oh, and, uh, hoo,
Gtr. 1
D [G]
by.
Yeah,
the
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
days
go
End Rhy. Fig. 6
3 1 0 2 3
3 1 0 2 3
D [G]
Oh, and, uh, hoo,
*Gtrs. 2 & 3
hoo.
1
7
9
9
9
11 9
7
9
11
10
10
12
12
10
10
10
12 10
10
10
10
12 10
10
10 10
12 10
10
10 12
12 10 12
*Composite arrangement
Gtr. 1
3 3 3 0 0 0 0 0 0 0 0 0 X X X 3 3 3
3 0 0 0 X 3
3 0 0 0 X 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
Fill 1 Gtr. 3
12 0
14
1
0
2
0
16
18
7
Bridge Half-time feel Gtr. 1 tacet
A7
We think a - bout
Gtrs. 2&3
to - mor
-
row,
then
G
it
slips
a - way.
Oh,
Gtr. 2
12
Gtr. 3 tacet
yes, it does.
* pp
mf
1
12 10
*Vol. swell
Gtr. 4
2
0
0
0
3
0
0
2
0
0
0
8
0
0
0
7
0
5
3
3
2
0
0
3
End half-time feel
A7
We talk a - bout
for - ev
-
er,
but
on
10
8
8
0
0
7
0
0
5
0
3
0
2
3
D/F#
we’ve
10
Em7
-
ly
7
G5
got
to - day.
8
7
3
3 0 2
3 2 4
7
3 0 0
And the days
go
Gtr. 2 tacet
D5 [G5]
by.
Em7 [Am7]
D/F# [G/B]
I
can feel ’em fly - in’ like a
G [C]
hand
out the
win - dow as the
cars
Gtr. 4
go
by.
mp
P.M.
7 7
Gtr. 1
7 7
7 7
7 7
7
5 7
7
7
5 7
7
5 7
5 7
7
7 7
7
7
7 7
7 7
7
Rhy. Fig. 7
P.M.
0 X 3
0 X 3
3
7 7
5 7
7
7
5 7
7
5 7
5 7
7
7
End Rhy. Fig. 7
0 X 3
7
P.M.
0 0
0 X 3
0
3
0
0 2 0
0
0
0 2 0
0
P.M. P.M. P.M.
0 2
2
2
0 0
2
2
0 0
2
P.M. P.M. P.M.
0 0
3
3
0 2
3
3
2 3
0 0
3
Gtr. 1: w/ Rhy. Fig. 7
D5 [G5]
Gtr. 2
It’s
all
Em7 [Am7]
D/F# [G/B]
we’ve been
giv - en,
so you
bet - ter
start
liv - in’,
you
p w/ clean tone let ring
10
7 7
7
10
7
8
Gtr. 4
7
7
7
8
7
10
7
10
7 7
7
7
7 7
7
7 7
7
7 7
7
5 7
7
5 7
7
5 7
7
5 7
7
7
7
7
8
P.M.
7 7
10
7 7
7
7 7
7 7
7 7
7 7
7 7
7 7
9
Gtr. 4 tacet
D.S. al Coda
G [C]
bet - ter
start
liv - in’,
bet
Gtr. 2
-
ter
now
10
8
7
mf
8
7
7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
’cause
days
10 8 7
10 8 7
10 8 7
go
10 8 7
Gtr. 3
P.S.
8 7
7 7
8 7
7 7
Gtr. 1
liv - in’ right
Gtr. 4
10
7
start
let ring
7
P.M. P.M. P.M. 3
0 2
3
Coda
3
2 3
3
0 0
3
8 7
X
14
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
Gtr. 1: w/ Rhy. Fig. 6 Gtrs. 2 & 3: w/ Riff D
D [G]
G [C]
by.
Oh, and, uh,
hoo,
G [C]
D [G]
hoo.
Oh!
Outro Gtr. 1: w/ Rhy. Fig. 6 (2 times) Gtr. 2: w/ Riff D (1 1/4 times)
D [G]
So
take
’em
by
the
hand,
Rhy. Fig. 8
Gtr. 3
6 X 4
10
7 5
7 X 5
7 X 5
7 X 5
7 X 5
6 X 4
7
7 X 5
7 X 5
6 X 4
5
G [C]
7
7 X 5
5
7 X 5
7 X 5
they’re
yours
and
mine. End Rhy. Fig. 8
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
Gtr. 3: w/ Rhy. Fig. 8 (3 times)
D [G]
Uh,
take
’em
by
the
hand
G [C]
don’t
Gtr. 2
2
4
let
’em
3
all
0
2
4
and
live
your
fly
by.
3
life.
Come
on,
Take ’em
by
the
hand,
G [C]
come
10 9
12 11
9
9
11
9
7
7
G5 [C5]
Come
on,
on,
now.
10 10
12
12
now.
Riff E
10 7
10 7
10 7
10 7
10 7
8 7
7 7
8 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
8 7
8 7
8 7
8 7
7 7
7 7
8 7
End Riff E
8 7
End Rhy. Fig. 9
Rhy. Fig. 9
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
Gtr. 1
Yeah!
Gtr. 3
7 0
D5 [G5]
D [G]
D [G]
G [C]
Rhy. Fig. 9A
Gtr. 2
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 3 0 0 X 5
3 3 0 0 X 5
3 3 0 0 X 5
End Rhy. Fig. 9A
11
Gtr. 1: w/ Rhy. Fig. 9 (3 times) Gtr. 2: w/ Rhy. Fig. 9A (2 times) Gtr. 3: w/ Riff E (2 times)
G5 [C5]
And,
uh,
oo,
D5 [G5]
hoo,
days
10 7
Don’t you know the
G5 [C5]
hoo.
D5 [G5]
Gtr. 3
G5 [C5]
D5 [G5]
go
by?
10 7
10 7
10 7
10 7
8 7
8 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
0
Gtr. 2
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
12 X 10
12 X 10
12 X 10
D5 [G5]
12 X 10
12 X 10
0
2
0
2
Gtr. 1
3 3 0 0 X 3
Gtrs. 2 & 3
0 0 0
12
0
from Keith Urban - Act of Valor: The Album
For You
Words and Music by Keith Urban and Monty Powell
Asus2
Em
23
Intro Free time * Bm
23
G
(Synth.)
G5
2
D
34
132
Em
A
Bm
234
13421
D5
13
G
*Chord symbols reflect overall harmony.
Moderately slow q = 85 Bm
**Gtr. 1 (acous.)
mf
let ring
7
5
3
0
4
0
4
0
3
4
3
4
let ring
0
7
5
3
0
4
3
4
0
4
0
3
3
4
0
**Two gtrs. arr. for one.
G
Riff A
let ring
7
5
3
4
0
3
4
0
4
0
3
3
4
End Riff A
let ring
0
7
5
3
4
0
3
4
0
4
3
0
3
4
0
Gtr. 1: w/ Riff A (2 times)
Bm
G
Em
Riff B
End Riff B
***Gtr. 2
mf
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
***Mandolin arr. for gtr.
Copyright © 2012 MARY ROSE MUSIC, TOREADOR TUNES and CRANESONG MUSIC All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
1
Verse Bm
1. Well, all
Gtr. 2
Riff C
14
I
saw
smoke
was
16
16
16
16
16
16
16
16
and
16
fire,
I
16
16
did - n’t
feel
2
16
14
16
16
16
16
16
16
16
16
16
16
Gadd9
D
A
sud - den - ly
I
was
ris
let ring
16
16
16
16
16
16
16
16
16
16
15
16
15
And I
like
I
just
2 2 2
3 4 4
high
-
er. End Riff C
12
14
17
14
14
2 2 2 0
Gadd9
made
Gtr. 1
let ring
let ring
the big - gest
let ring
2 2 2 2 2
3 4 4
2 2 2
3 4 4
mis - take
3 3 2 0 X 3
3 3 2 0
felt
ing
-
Gtr. 2: w/ Riff C (1st 3 meas.)
Bm
3 4 4
15
2 3 2 0
3 3 2 0 X 3
14
17
2
16
But
2 2 2 2 2
16
4
14
thing.
Gtr. 1
a
when I
D
thought a - bout my un
Gtr. 2
F#m
-
born
14
17
15
15
when I
17
14
14
14
14
14
14
thought
14
16
let ring
12
Gtr. 1
child,
let ring
a - bout
my
14
17
15
wife.
(cont. in slashes)
let ring
2 2 2 4 4 2
3 2 0 0
2
Pre-Chorus * Asus2
And the an
-
swer rang
out
14
14
14
14
14
14
14
14
14
14
clear
Gtr. 2
12
Em
Gtr. 1
14
from some
-
where
up
a - bove.
14
16
16
16
16
16
16
16
16
16
16
16
Gtr. 3 (elec.)
mf
w/ clean tone & reverb w/ bar
0 0 2 2 0
0 0 0 2 2 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
3
G5
No
great - er gift
has
man
than to lay
down
his
life
for
Em
Asus2
love.
Gtr. 2
*Gtrs. 4 & 5 (elec.) divisi
f w/ dist.
12 14 14 14
14 14 14
14 14 14
14 14
14 16 16 16
16 16 16
16 16 16
16 16
12
X X X X X X
*Composite arrangement
w/ bar 0 0 0 2 2 0
0 0 2 2 0
3 0 0 X 3
Chorus Gtrs. 2 & 3 tacet
G5
D
A
Rhy. Fig. 1
Gtr. 1
And
I
won
-
Voc. Fig. 1
Bm
der,
would
I
give
my
life?
(Ah. Rhy. Fig. 1A
Gtrs. 4 & 5
3 0 0 X 3
4
3 0 0 X 3
3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 2 2 0
2 2 2 0
2 2 2 0
3 4 4 2
3 4 4 2
3 4 4 2
X X X X
2 3 2 0 0
0 0 0
X X X
3 4 4
0 0 0
G5
D
Ah.
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X
2 3 2 0 0
2 3 2 0 0
G5
2 3 2 0 0
2 3 2 0 0
Ah,
fice.)
3 0 0 X 3
Em
would,
3 0 0 X 3
3 0 0 X 3
X X X X
3
0 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
if
it
2 2 2 0
2 2 2 0
0 0 0
down
0
fice?
2 2 2 0
-
ri
-
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
X X X
A
to
it, would I
0 0 0
2 2 2 0
2 2 2 0
X X X
4
0
X X X
I
3 4 4 2
X X X
X X X
2 2 2 0
End Rhy. Fig. 1A
X X X
X X X
G5
would
0
the bul - let?
End Rhy. Fig. 1
End Voc. Fig. 1
I
3
take
-
Bm
came
yes
ri
Sac
2 3 2 0 0
-
let ring
0 0 0 2 2 0
sac
that
A
make
D
could I
Em
Ah,
A
for
you.
3 3 0 0 X 3
5
Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff B Gtr. 5 tacet
Bm
Mm,
Gtr. 4
G
Em
mm.
7
Verse Bm
2. And
Gtr. 1
may - be
3
2
you
un - der
don’t
-
stand,
I don’t un - der - stand it
all
my -
let ring
4
2
Gtr. 4
4
2
Riff D
P.M.
Gtr. 5
7
5
Riff D1
P.M.
5
6
7
5
7
5
5
3
3
4
2
4
2
4
End Riff D 1/2
6
7
7
4
2
6 5
2
3
4
7
P.M.
5
7
5
7
5
7
End Riff D1
G5
-
self.
let ring
0
3
3
0
0
0
0
broth - er
A
But there’s a
Gtr. 1
D
on my left
and an - oth - er
P.M.
2
3
2
3
2
3
2
0
0
2
3
2
3
2
2
0
7 7 5
7 7 5
And in
his
pock
-
et
just
like
14
2
2
2
2 2 0
mine,
Gtr. 2
steady gliss.
2
2
2
Gtrs. 4 & 5: w/ Riffs D & D1
Bm
right.
let ring
3
3
my
3
Gtrs. 4 & 5
on
he’s got
a
pho
-
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
14
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
3 4 4 2
X X X X
2 2 2 2
3 4 4 2
X X X X
2 2 2 2
3 4 4 2
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
2 2 2 2
3 4 4 2
X X X X
2 2 2 2
3 4 4 2
X X X X
2 2 2 2
3 4 4 2
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
Gtr. 1
2 2 2 2
7
G
-
to - graph,
Gtr. 2
and
they’re
wait
D
-
in’
for
him
back
let ring
14
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
X X X X X X
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
X X X X X X
Gtr. 1
3 3 0 0 X 3
3 3 0 0 X 3
Gtr. 4
P.M.
2
3
2
3
2
3
Gtr. 5
2
8
3
2
3
2
3
2
3
15
17
15
14
2 3 2 0
7 7 5
3
P.M.
2
14
steady gliss.
7 7 5
7 7 5
Pre-Chorus A
F#m
Gtr. 1
home.
And it’s weigh - in’ on
my
12
14
17
14
14
14
16
14
15
17
4
2
3
14
14
14
14
14
be
a
14
14
14
he
-
14
0
14
try - in’ to
7
12
not
(cont. in slashes)
2 2 2 4 4 2
I’m
Gtr. 2
let ring
mind.
Gtr. 4
2 2 0
9
0
Gtr. 5
P.M.
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0
2
9
Em
ro,
I
A
don’t
wan - na
16
16
16
16
16
16
16
16
16
0 0 0 2 2 0
P.M.
7
10
7
7
7
7
7
7
die.
12
16
0
2 2 0
14
14
14
14
14
now
14
in
14
But right
14
14
this
14
mo -
14
14
7
7
P.M.
7
5
7
7
7
7
7
5
7
5
7
0
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet Gtrs. 4 & 5: w/ Rhy. Fig. 1A
Em
-
ment,
you
14
don’t
16
think
17
D
twice.
G5
I
16
won
-
der,
14
0 0 0 2 2 0
X X X X
0 0 0
0 0 0
0 0 0
2
A
0
0
Em
Bm
would I
give
G5
2
my
life?
Could I
D
A
Ah,
if
it
A
came
down
make
that
to
it,
could
I
-
ri -
take
the
Bm
sac
fice?
A
bul - let?
I
11
Em
G5
Gtr. 1
3
would,
yes
Gtr. 4
I
0
0
0
3 0 0 X 3
0 0 X 3
3 0 0 X 3
3 0 0 X 3
Bridge A
2
0 0 X 3
2 2 0
0
0
Gtr. 5
would.
let ring
0 0 2 2 0
2
4
2
4
2
0
2
4
2
0
4
2
4
2
0
2
4
2
0
Em
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 1
You don’t
think a - bout
Voc. Fig. 2 *
right,
Rhy. Fig. 2A
2 2 0
X X X
2 2 0
2 2 0
X X X
think a - bout
wrong.
X X X
0 0 X 2 2 0
X X X X X X
0 0 X 2 2 0
0 0 X 2 2 0
X X X X X X
0 0 X 2 2 0
0 0 X 2 2 0
X X X X X X
0 0 X 2 2 0
0 0 X 2 2 0
X X X X X X
0 0 X 2 2 0
0 0 X 2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
X X X
2 2 0
2 2 0
X X X
2 2 0
oh.
*Gang vocs., next 2 meas.
12
you don’t (Oh,
Gtrs. 4 & 5
End Rhy. Fig. 2A
X X X X X X
0 0 X 2 2 0
X X X X X X
A
do
what you got
You just Oh,
End Voc. Fig. 2
-
ta
Em
do
to
D5
de - fend
your
own.
oh.)
X X X
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
X X X
X X X
2 2 0
2 2 0
X X X
2 2 0
X X X
0
2
3
5
4
2
0
2
Bkgd. Voc.: w/ Voc. Fig. 2 Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 4 & 5: w/ Rhy. Fig. 2A
A
And
G5 Gtr. 1
I’d
do
Guitar Solo Bm
the
Em
same
f
w/ dist. & delay P.S.
12
12
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
X X X X
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
Gtrs. 4 & 5
10 12 15
12
you,
Oh.
1 1/2
12
1
X X
for
would.
Gtr. 6 (elec.)
G5
yes I
9
11 14 11
X X X X
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X X
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X X
X X X X X
13
Bm
3 4 4 2
1/2
2
11
2
4
3 4 4 2
3 4 4 2
3 4 4 2
4
3 4 4 2
X X X X
3 4 4 2
2
0
0
0 0 0 0
0 0 0 0
2
3 4 4 2
3 4 4 2
1
0
2
2
2
would.
+1 1/2
2
2
I
w/ bar 1/2
Bm
3 3
Yes
Em
11
G5
2
P.M.
3 0 0 X 3
3 0 0 X 3
1
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
P.M.
9 9 7 7
0
0
A
1
1
14
14
14
14
14
14
14
14
14
14
14
17
17
17
17
17
17
17
17
17
17
17
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
X X X X
3 4 4 2
3 4 4 2
3 4 4 2
2 2 2 0
14
9 9 7 7
G5
A
3 w/ bar +1/2
1
14
14
17
17
1
14 17
1
17
17
17
17
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X X
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
14
17
12
14
12
14
11
0 0 0 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
X X X
10
9
11
2 2 0
2 2 0
2 2 0
2 2 0
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.) Gtrs. 4 & 5 tacet
Em
(cont.in notation)
G5
Gtr. 6 tacet
D
A
And
I would give
my
life.
10 12 X 10 X 12 X 10 X 12 14 14 10 12 X 10 X 12 X 10 X 12 15
0 0 2 2 0
Gtr. 1
3 3 0 0 X 3
2 3 2 0 0
2 2 2 0
15
Gtr. 1 tacet
G
D
E5
I would
make
that
sac
μ
-
ri
-
fice.
(Ah.)
Gtrs. 4 & 5
P.M. P.M. 0
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.) Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.) Gtrs. 4 & 5: w/ Rhy. Fig. 1A (last 2 meas.)
G5
D
’Cause
0
0
if
it
0
A
0
came
Em Gtr. 1
0
3
would,
yes,
I
0
2 0
0
down
2 0
2 0
2 0
2 0
2 0
to
it,
would
I
A
bul - let?
I
do
you.
it
for
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
X X X X X X
X X X X X X
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
16
the
I'd
0 0 0 2 2 0
take
would,
Gtr. 5
Bm
Gtr. 4
9 9 7
9 9 7
X X X
9 9 7
9 9 7
X X X
9 9 7
9 9 7
X X X
9 9 7
0 0 0
steady gliss.
17 17
Outro G5
D
Rhy. Fig. 3 Gtr. 1
A
Yeah.
Voc. Fig. 3 *
I'd
do
it
End Rhy. Fig. 3
for
you.
(Oh.
Gtr. 6
mf P.M.
P.M.
9 9
Rhy. Fig. 3A
P.M.
10
9
9
9
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 3 2 0 0
12
End Rhy. Fig. 3A
Gtrs. 4 & 5
10
0 0 0
X X X
0 0 0
0 0 0
*Gang vocs., till fade
Gtr. 1: w/ Rhy. Fig. 3 (2 times) Gtrs. 4 & 5: w/ Rhy. Fig. 3A (2 times)
G5
D
A
Oh.
Take
the
bul - let.
End Voc. Fig. 3
Oh.)
Gtr. 6
1
14 12
7
14
15 14
1
15 14 15 17 15 14
16 14
16
14
17
17
17
Bkgd. Voc.: w/ Voc. Fig. 3 (till fade)
G5
D
A
Yeah,
17
G5
yes,
1
17
17
15
17
D
Rhy. Fig. 4 Gtr. 1
P.M.
P.M.
14
17
14
19
P.M.
14
17 14
Rhy. Fig. 4A
17
14
17
14
12
17
16
14
14
16
16
P.M.
P.M.
19
14
17
14
19
1
19
17
17
19
1/2
19
17
17
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
18
X X X X
14
End Rhy. Fig. 4
Gtrs. 4 & 5
17
Em
1/2
15
would.
Gtr. 6
P.M.
I
A
2 3 2 0 0
0 0 0
X X X
0 0 0 2 2 0
15
14
15
End Rhy. Fig. 4A
0 0 0 0
0 0 0 0
Begin fade Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas.) Gtrs. 4 & 5: w/ Rhy. Fig. 1A (1st 2 meas.)
G5
D
A
Bm
Oh.
Gtr. 6
1
15
G5
16
12 10
14
16
D
let ring
1 1/2
16
Gtr. 6
15
Gtr. 1
9
1
17
10
12
14
16
12
14
14 X 12
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X X
Gtrs. 4 & 5
16
14
14
12
12
14
14
12
11 12
14
14
12
9
10
A
14 X 12
16
14
14
14
12
12
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0
6 X 4
11
0 0 0
11 X 9
12
9
10
12 X 10
5 5 2 2 0
5 5 2 2 0
X X X X X
5 5 2 2 0
14 X 12
16
14 X 12
14
14
5 5 2 2 0
X X X X X
5 5 2 2 0
5 5 2 2 0
X X X X X
5 5 2 2 0
5 5 2 2 0
X X X X X
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
12
0 0 0 0
Fade out Gtr. 1: w/ Rhy. Fig. 4 Gtrs. 4 & 5: w/ Rhy. Fig. 4A Gtr. 6 tacet
G5
D
Gtr. 1: w/ Rhy. Fig. 1 (till fade) Gtrs. 4 & 5: w/ Rhy. Fig. 1A (till fade)
A
Em
G5
D
A
Bm
19
from Keith Urban - Defying Gravity
Kiss a Girl Words and Music by Monty Powell and Keith Urban
D
A/D
132
G5
23
2
A/G
34
Asus4/G
2 111
G
2 113
2
3
Intro Moderately q = 120
D5
D,7 [no3rd]
mf
*w/ slight dist. & delay P.M.
G
Gsus2
Gtr. 1 (elec.)
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
P.M.
6 7 5
9 11 7 5
7 5
7 5
6 7 5
6 7 5
7 5
P.M. P.M.
4 5 5
9
Gsus2
P.M.
7 7 5
G
5 5
4 5 5
5 5
2 5 5
4 5 5
2
5 5
4 5 5
4 5 5
4 X
4 5 5
X X X
2 5 5
4 5 5
0
*Delay set for eighth-note regeneration w/ 1 repeat.
D5
**Gtr. 3
D,7 [no3rd]
10 10 10 10 7 7
10 10 10 10 10 10 7 7 7
G
Gsus2
G
Gsus2
mf 10 10 7
10 10 10 10 10 10 9 7 7
10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9
10 10 10 10 7 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7
**Mandolin arr. for gtr.
***Gtrs. 1 & 2
P.M. P.M. 7 7 5
7 5
7 7 5
7 5
7 7 5
9 11 7
0
6 7 5
P.M. P.M. X X X
7 5
6 7 5
7 5
6 7 5
7 7
9 9
0
4 5 5
P.M. X X X
4 5 5
4 5 5
4 5 5
4 5 5
2 5 5
2
5 5
4
P.M. X X X
5 5
4 5 5
5 5
4 5 5
2 5 5
X X X
7 7 5
***Gtr. 2 (elec.) w/ slight dist., played mf. Composite arrangement
Copyright © 2009 UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC., EDEN VALLEY MUSIC and MARY ROSE MUSIC All Rights for EDEN VALLEY MUSIC Controlled and Administered by UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC. All Rights for MARY ROSE MUSIC Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
1
Verse Gtr. 3 tacet
D
D,7 [no3rd]
G
1. To, to kiss and tell,
Gsus2
it’s just not my style,
Gtr. 4 (elec.)
mf
G
but the night is
5 6
5 6
3 4
3 4
Gsus2
young
and it’s been a
D
3 4
3 4
while.
3 4
7 7
w/ slight dist. P.M.
0
7 7
0
7 7
Gtrs. 1 & 2
P.M.
7 7 5
5
5
7 7
5 6
P.M.
7 7
5
0
5 6
0
P.M.
6 7
5
0
5
5
5
5
5
P.M.
6 7
5
D,7 [no3rd]
3 4
3 2
P.M. P.M. 5
5
5
5
5
2 5
5
Gsus2
4 5 5
G
3 4
0
3 2
P.M. 5
5
5
5
Gsus2
And it took some time,
but I’m feel - ing like
3 4
3 4
3 4
3 4
3 4
7 7
0
7 7
7 7
0
5 6
P.M. P.M. 5
2
5
5
5
5
7 7
5
6 7
0
5 6
5 6
0
5 6
5 6
0
3 4
0
3 2
P.M. P.M. P.M. 5
5
5
5
5
6 7
4 5
5
5
5
5
5
2 5
5
4 5 5
3 4
0
A5
I’m
P.M.
7 7
7 7 5
2 5 5
5
broke it right in two.
0
G
And she broke my heart,
4 5 5
3 4
3 4
3 2
P.M. 5
5
5
5
5
2 5 5
2 2 0
Pre-Chorus Gtr. 4 tacet
A5
G5
fin - ’ly read - y
Gtr. 3
A
to
G5
find,
find some - bod - y
new,
hoo.
Rhy. Fig. 1
10 10 10 10 7 7
Gtr. 1
let ring
3
2 2 0
2
2
2
Gtr. 2
2 2 0
0
Chorus D5
2
3 3 0 0 X 3
A
2 0
3 3 0 0 X 3
I wan - na kiss
10 10 7
10 10 7
10 10 7
10 10 10 10 10 10 10 10 7 7 9 9
2 2 2 0
2 2 2 0
2 2 2 0
mf
2
2
2
G5
3 3 0 0 X 3
3 3 0 0 X 3
0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0
And may - be make a
3 3 0 0 X 3
3 3 0 0 X 3
lit - tle
mag - ic in the moon - light.
10 10 7
10 10 10 10 10 10 10 10 7 7 7 7
10 10 7
10 10 10 10 10 10 10 10 7 7 7 7
10 10 10 10 7 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9
10 10 10 10 7 7
10 10 7
3
3
Riff A
*Gtr. 5
3
I wan - na hold her tight.
Gtr. 3
2 0
let ring
2 2 2 0
a girl,
let ring throughout
3
2
3 0
2
2
2
0
2
2 2
2
2
0
3 0
0
3 0
4
0
3
3
3
3
4
0
*Banjo arr. for gtr.
**Gtrs. 1 & 2
3 2 0
3 2 0
3 2 0
3 2 0
0
2 2 2 2 2 2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0
3 3 0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0
3 3 0 0
3 3 0 0
3 3 0 0 2
3
3 3 0 0
3 3 0 0
3 3 0 0
2
3
3 2 0
0
**Composite arrangement
3
D5
Don’t wan - na
go
A
too
Bm
far,
just
to
take
it
G5
slow.
But I should - n’t
be
lone -
10 10 7
10 10 7
10 10 7
10 10 7
10 10 9
10 10 9
10 10 9
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
0
3
3 2 2
2
3
ly
3
3 2 0 0
3 2 0
in
this
big
3 2 0
0 0
2
2 0
old
10 10 9
2
-
2
0
10 10 9
2
2
2
2
2
2 2 0
2 2 0
2 2 0
A
2 2 0
0
world.
3
3
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
10 10 7
10 10 7
10 10 7
10 10 7
10 10 9
10 10 9
10 10 9
3
0
0
3 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0
4
3 0
let ring
3
3
2
0
3
3
5
0
2
10 10 9
2
0
4
2
2
0 0 0 2 2 0
2
0
4
3 3 0 0 0
wan
-
na
kiss
a
girl. End Rhy. Fig. 1
10 10 9
2
0
I
3
4
10 10 9
3 4
Em
10 10 7
4
10 10 7
10 10 7
End Riff A
Interlude Gtr. 5 tacet
D5
Oh, oh, oh,
10 10 10 10 10 10 7 7 7
10 10 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7
P.M. P.M. 7 7 5
7 7 5
7 7 5
oh,
6 7 5
9 11
Verse *D
oh,
5
6 7 5
6 7 5
6 7 5
6 7 5
7 7
oh.
D5
2. Oo,
10 10 7
10 10 10 10 10 10 10 10 10 10 10 10 7 7 7 7 7 7
10 10 10 10 7 7
10 10 10 10 10 10 9 9 9
10 10 10 10 9 9
10 10 10 10 10 10 10 10 9 9 9 9
G/D
P.M.
Gtrs. 1 & 2
7 7 5
Gtr. 3
7 7 5
9 9
4 5
A/D
10 10 7
10 10 10 10 7 7
10 10 10 10 10 10 10 10 7 7 7 7
4 5 5
5
4 5 5
X 2 4 X 5 X 5
2 5 5
4 5 5
4 5 5
P.M. 5
4 5 5
10 10
2 5 5
4 5 5
4 5 5
4 5 5
G5
D
Gtr. 6 (acous 12-str.)
mp
it’s that mo - ment when
you start clos - ing in.
Gtr. 4
First you’re hold - ing back,
then sur - ren - der - ing.
P.M.
7 5
7 5
5
Gtrs. 1 & 2
10 10
9
9
11
9
7
5
7 7
6 7
6
7
7
9
7
P.M. 5
5
5
5
5
6 7
X X
4 5
7
5
7
7
7
P.M. P.M. 5
5
5
5
5
2 5 5
5
4 5 5
9
5
7
9
6
7
P.M. 5
5
5
5
5
2 5 5
7 7 5
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
5
A/D
G5
It can start a fire,
and light up the sky.
Such a sim - ple thing,
do you wan - na
try?
P.M.
7
7
7
9
9
11
9
P.M.
7 7 5
5
7 7
5
X X
6 7
7
6
7
7
7
9
7
P.M. 5
5
5
5
6 7
5
X X
7
5
4 5
7
7
5
5
P.M.
5
5
5
7
7
9
10
P.M. 4 5 5
2 5 5
5
5
5
5
2 2 0
2 5 5
5
7
Pre-Chorus Gtr. 6 tacet
Gtrs. 4 & 5 tacet
A5
G5
A5
Are you read - y
Gtr. 5
to
say good - bye
Gtr. 3: w/ Rhy. Fig. 1
G5
to
all
these
blues.
5
Gtr. 4
P.M.
7
Gtrs. 1 & 2
2 2 0
6
let ring 3
2
2
2
0 0 X 3
3 3 0 0 2
3
0
2
2 2 2 2 0 0
2 2 0
let ring 3
2
2
2
0 X 3
3 3 0 0
4
5
4
2
0
Chorus
I
wan - na
Gtr. 5: w/ Riff A
D5
kiss
a
A
girl,
I
wan - na
hold
G5
her
tight.
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Gtrs. 1 & 2
D5
mag - ic in the moon - light.
I don’t wan - na go
A5
too
far,
And may - be
3 3 0 0
3 3 0 0
0 X 3
Bm
make
a
lit - tle
3 3 0 0 X 3
0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
G5
just to make it
slow.
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
3 3 0 0
But I should - n’t
be
lone -
(Light.)
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2
3
-
ly
2
in
this
3
3 3 0 0 X 3
3 2 0
3 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
big
old
3 2 0
A
3 2 0
3 2 0
2 2 2 0
world.
let ring
0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 0
0
2
2
Em
0
I
wan - na
kiss
a
girl.
let ring
2
0
4
0 0 0 2 2 0
2
0 2 0
7
Bridge G5
A/G
Rhy. Fig. 2 Gtr. 1
Asus4/G
A/G
’Cause
may
-
End Rhy. Fig. 2
be
to
5 5 6 7
5 5 7 7
5 5 6 7
-
night,
(Ah.
Gtr. 4
Riff B
2
Gtr. 2
0 0 X 3
8
4
3
3 4
3
3
4
5 5 6 7
5 5 6 7
3 3 4 5
3 3 4 5
3 3 4 5
3 3 4 5
Gtr. 5
4
4
6
5
5
5
5 6
6
2 2 2 X 0
3 2 2 X 0
2 2 2 X 0
End Riff B
0
0
Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 5: w/ Riff B (3 1/2 times)
G,7
it
could
A/G
Asus4/G A/G
turn
in - to the
rest
of
our
G
lives,
to
Gtr. 3
Gtr. 4
Gtr. 2
2 3 4 5
2 3 4 5
2 3 4 5
2 3 4 5
5 5 6 7
5 5 6 7
-
oh,
yeah.
night.)
14 14 15 15
14 15
14 15
15 15
14 15
14 15
15 15
14 15
12 14
3 3 4 5
3 3 4 5
3 3 4 5
3 3 4 5
5 5 6 7
5 5 7 7
5 5 6 7
3 2 2 X 3
3 2 2 X 3
2 2 2 X 3
9
A/G
Asus4/G A/G
G
Are you read
12 12 12 14 14 14
5 5 6 7
10
12 14
5 5 6 7
-
y?
Are you read
(Are you read
-
y?
12 12 14 14
12 14
14 15
14 14 15 15
14 15
14 15
-
y
a,
to
-
y?)
cross
12 14
Asus4/G A/G
Are you read
12 14
A/G
14 15
15 15
12 14
12 14
12 14
12 14
12 12 14 14
12 14
12 14
10 10 10 10 7 7
5 5 6 7
5 5 7 7
5 5 6 7
3 3 4 5
3 3 4 5
5 5 6 7
5 5 6 7
3 2 2 X 3
3 2 2 X 3
2 2 2 X 3
3 3 4 5
3 3 4 5
5 5 6 7
5 5 7 7
5 5 6 7
G
that
line?
Gtr. 7 (elec.)
Put
your
A
lips
on
mine.
mf
w/ dist.
w/ slide
steady gliss. 14
X X
Gtr. 3
10 10 7
Gtr. 4
Gtr. 5
Gtrs. 1 & 2
3 3 0 0 X 3
10 10 7
10 10 7
4
3
5
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
5
5
3 3 4 5
3 3 4 5
5 5 6 7
3
3
4
4
3 3 0 0 X 3
3 3 0 0 X 3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
3
3 3 0 0 X 3
14
15
4
10 10 7
3 3 4 5
3 3 4 5
2
X X
4
5 6
5 6
6
11
Guitar Solo Gtrs. 3 & 4 tacet
D5
A/D
Gtr. 6
Gtr. 7
15
14
Gtr. 5
Riff C
Rhy. Fig. 3
14
2
3
12
14
5
Hoo!
15
12
5 2
2
3
14
14
12
5 2
14
9
9
7
11
5 2
12
2
2
5 2
2
2
9
11
5 2
2
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtrs. 1 & 2
0
G
11
5 0
3
11
11
7
7
5 0
0
3 3 0 0 X 3
3 3 0 0 X 3
12
Oh,
9
3
put
5 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0
2
3
0
3
3 3 0 0 X 3
3 3 0 0 X 3
4
5 0
2
on
7
5
lips
0
your
3
End Rhy. Fig. 3
mine,
3
3
End Riff C
5 0
0
3
3 3 0 0 X 3
3 3 0 0 X 3
Gtr. 6: w/ Rhy. Fig. 3 Gtr. 5: w/ Riff C
D5
D,7 [no3rd]
G
ba - by.
Do you wan - na
Gtr. 7
7
8
10
10
14
Gtrs. 1 & 2
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
17
17
15
17
2 2 0
2 2 0
3 2 0
15
2 2 0
17
19
17
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
A5
Gtr. 7
G5
Are
you
read
22
22
Gtr. 5
5 2
2
22
5
2
-
y
to
22
5
2
2
2
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtrs. 1 & 2
19
19
15
15
15
22
22
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
say
A5
3
3 3 0 0 X 3
3 3 0 0 X 3
12
15
14
14
12
12
10
10
0
0
5 0
0
0
5 0
5
0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
to
all
2
10
7
10
12
10
5
2
5
2
2
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 2 2 0 0
2
0
good - bye
3
2
G5
try?
2
5 2
Pre-Chorus
2
2
3 3 0 0 X 3
13
Gtr. 7 tacet
A
these
G
blues,
A
G
hoo,
D
hoo.
Gtr. 7
10
Gtr. 5
5 0
0
5 0
0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Gtr. 1
Gtr. 2
14
0
5 0
2 2
2 2
0 0
0 0
2 2
2 2
0 0
0 0
2 3 2
2 3 2 0
3 3 0 0 X 3
3 3 0 0 X 3
5 6 7
5 6 7
3 4 5
3 4 5
5 6 7
5 6 7
3 4 5
3 4 5
3 3 0 0 X 3
3 3 0 0 X 3
2 2 2 0
2 2 2 0
3 0 0 X 3
3 0 0 X 3
2 2 2 0
2 2 2 0
3 0 0 X 3
3 0 0 X 3
2 3 2 0
Chorus D
Gtr. 8 (acous.)
A/D
I wan - na
kiss a
G5
girl,
I wan - na hold her tight.
May - be make a
Gtr. 9 (acous.)
mf
let ring
3
2
3 0
3
2
3
2
X
Gtr. 5
2 3 2
3
3
mag - ic, ba - by.
let ring
2
4
lit - tle
2
2
2
2
*Gtrs. 1 & 2
2
2
2
0
3
3
3
0
0
0
3
0
X X X
2 3 2 0
3 2 0
3 2 0
17 *Composite arrangement
Gtrs. 8 & 9 tacet
D
I don’t wan - na
Gtr. 5
5
3
go
too
5 2
A
5 2
3 2 0 0
3 2 0
3 2 0
0
just
2 2 4
5
2
3 2 0
far,
Gtrs. 1 & 2
to
2
take
it
5 2
Bm
slow.
5 2
But don’t wan - na
5
3
5
3
3
be
5
lone -
3
4
2 2 4
2 2 4
2 2 4
2 2 4
G5
2 2 4
0 0
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
0 0 0
3 0 0 X 3
15
-
ly.
I
should - n’t
be
D
lone - ly.
I
wan - na
kiss
a
A
girl.
I
wan - na
hold
her
tight
(Ah.
Gtr. 7
7
Gtr. 5
3 4
Gtrs. 1 & 2
3 3 0 0 X 3
G5
3 3 0 0 X 3
0
2
3 3 0 0 X 3
3
0
3
2
4
make
a
lit - tle
5
3
2
5
10
3 3 0 0 X 3
16
10
7
0
3 3 0 0 X 3
3 3 0 0 X 3
10
3 3 0 0 X 3
0
3 3 0 0 X 3
10
3 3 0 0 X 3
3 3 0 0 X 3
2
3 2 0
3 2 0
3 2 0
mag - ic
in
the moon
0 0
-
3
5
7
light.
3 3 0 0 X 3
2 2 0
2 2 0
2 2 0
I don’t wan - na
go
too
0 0 0 0 0 0
far,
Ah.)
7
5
5 7 7 7 5
2
2 2 0
3 3 0 0 X 3
2 2 0
7
0
2 2 0
2 2 0
D5
2
3 2 0
3 2 0
10
7
5
2
5
5
7
2
2
5
4
5
5
2
and may - be
2
4
3
5
5
7
3 3 0 0 X 3
0 0 0
3
5 2
5 5
2
5
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
0 0 0 0 0 0
A5
just
to
take
it
5
slow.
But I
5
2
should - n’t
be
lone
-
ly
in
this
big
old
world.
7
9
10
5
5
G5
Bm
5
5
2
5
3
2
5
3
5
4
4
5
3
5
3
5
0
0 0
2 2 0
2 2 2 0
2 2 0
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2
2
4
Gtr. 7 tacet
A
G5
3
2
2
0
Gtrs. 1 & 2
5
3
2
2
2
0
2
0
4
4
3
-
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
wan
10 10 7
Gtr. 5
3 3 0 0 X 3
I Gtr. 3
na
kiss
3 3 0 0 X 3
3 3 0 0 X 3
a
5
3
girl.
10 10 7
10 10 7
3
10 10 7
10 10 7
3
0
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
0
2
3
0 0 X 3
5
3
10 10 7
3
3
3
0 X 3
0 X 3
0 0 X 3
17
Outro Gtr. 5 tacet
D5
D,7 [no3rd]
Yeah,
Voc. Fig. 1
(Na,
na,
na,
na,
na,
na.
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
7 7 5
5
7 7 5
7 7 5
7 7 5
Rhy. Fig. 4
Gtr. 3
Gtrs. 1 & 2
P.M.
hm.
10 10 7
I
said,
na,
na,
10 10 7
10 10 7
10 10 7
6 7 5
6 7 5
6 7 5
6 7 5
6 7 5
7
5
Gsus2
na
kiss
a
girl.
I
wan
na,
na,
na,
na,
na.
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
5
4 5 5
4 5 5
4 5 5
4 5 5
2 5 5
2
5 5
-
10 10 7
10 10 7
na.
10 10 7
10 10 7
na,
na,
na,
na,
na.)
10 10 7
10 10 7
10 10 7
5
4 5 5
4 5 5
4 5 5
4
10 10 7
10 10 7
10 10 7
10 10 7
9
4 5
End Rhy. Fig. 4
10 10 7
4 5 5
2 5 5
10 10 7
End Voc. Fig. 1
10 10 7
10 10 7
10 10 7
P.M.
10 10 7
10 10 7
10 10 7
Na,
Na,
10 10 7
10 10 7
10 10 7
na,
10 10 7
na,
-
G
Mm
10 10 7
10 10 7
11
18
10 10 7
G
P.M.
P.M.
10 10 7
10 10 7
Na,
Gsus2
9
yeah.
10 10 7
10 10 7
10 10 7
5
5
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fig. 4 (2 1/2 times)
D5
D,7 [no3rd]
G
Ooh, whoa, ho,
Gtr. 7
Gsus2
G
I,
I wan - na,
ooh, whoa, ho.
7 7 5
D5
7 7 5
5
I
7 7 5
7 7 5
9
wan - na
Gtr. 7
6 7 5
11
hold
her
5
6 7 5
6 7 5
6 7 5
6 7 5
7
9
4 5
D,7[no3rd]
tight,
I
wan - na
5
make
4 5 5
2 5 5
4 5 5
G
5
Gtr. 10 (elec.)
4 5 5
4 5 5
a
10
P.M. P.M. P.M.
Gsus2
I wan - na kiss
Gtrs. 1 & 2
girl.
5
5
5
4 5 5
5
4 5 5
4 5 5
5
4 5 5
2 5 5
Gsus2
5
5 5
G
2
7
a
lit - tle
mag
-
ic,
out
5
5
mf w/ dist. w/ slide
3
Gtrs. 1 & 2
P.M.
7 7 5
5
7 7 5
7 7 5
7 7 5
P.M.
9 11
6 7 5
5
6 7 5
6 7 5
6 7 5
5
6
6 7 5
7
9
4
4 5 5
4 5 5
4 5 5
4 5 5
P.M.
4 5
5
2 5 5
4 5
19
Gtr. 10 tacet
Gsus2
un - der
the moon
-
Oo,
(Na,
na,
na,
na,
na,
4 5 5
4 5 5
2 5 5
4 5 5
7 7 5
5 5
5
na.
7 7 5
9
Oo,
na,
na,
na,
na,
na.)
10 10 7
10 10 7
10 10 7
10 10 7
Gtr. 3
7 7 5
7 7 5
G
ay.
10 10 7
10 10 7
Na,
na,
na,
na,
na,
na.
P.M.
6 7 5
11
I
5
wan
-
6 7 5
6 7 5
6 7 5
na
kiss
Gsus2
you
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
6 7 5
7
μ
now.
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
10 10 7
3 2 0
5
4 5 5
4 5 5
4 5 5
4 5 5
2 5 5
P.M.
20
Na,
Gtr. 7
Gtrs. 1 & 2
Gsus2
P.M.
3 2 0
3 3 2 2 0 0
G
Ay,
w/o slide
Gtrs. 1 & 2
4 5 5
woo - hoo.
D,7 [no3rd]
5
5
light.
Gtr. 7
4 5
5
4 5 5
4 5 5
4 5 5
4 5 5
2 5 5
9
P.M.
4 5
from Keith Urban - Fuse
Little Bit of Everything Written by
Gtr. 1: Capo III Gtr. 2: Capo I
Intro Moderately slow q = 80 μ ** Ab [F]
Dbsus2 [Bbsus2]
Eb5 [C5]
Riff A End Riff A
*Gtr. 1
mf X
let ring throughout
X
1 X
0
1
1
2
X
X
1 X
2
1
3
1
1 1
X 3 3 3
3 0
3
1
X
X
3 1
0
3 1
3 3 3 3 0
1
1
*Ukelele arr. for gtr. **Symbols in parentheses represent chord names respective to guitar capoed at the third fret. Symbols above represent actual sounding chords.
Gtr. 1: w/ Riff A *** Ab
Dbadd2 [Bbadd2] [[Cadd2]]
[F] [[G]]
Eb [C] [[D]]
1. I
Gtr. 2 (ganjo)
mf
wish I
let ring throughout
0
3
3
3
0
0
3 2
0
1
0
0
1
2
3
0
2
0 2
3
0
2
***Symbols in double parentheses represent chord names respective to guitar capoed at the 1st fret. Chord symbols reflect overall harmony.
Verse Gtr. 2 tacet
Ab [F]
Dbsus2 [Bbsus2]
could take Gtr. 1
a
cab
down
to the creek
and hang a
dis - co
Riff B
0
2
1
1
1
1 2
2
3
1
1
1
3
1 1
0
ball
1
from an
old
oak
Eb5 [C5]
tree,
End Riff B
3 0
3 1
3 1
3 0
1
1
1
Copyright
1
Gtr. 1: w/ Riff B (2 times)
Ab [F]
Dbsus2 [Bbsus2]
Smoke and
drink
once in
a
while,
some - how
it’d
be
Eb [C] [[D]]
good
want a
cool chick
Dbsus2 [Bbsus2] [[Csus2]]
Gtr. 2
I
that - ’ll cook
for
me,
but - ’ll
3
0
2
0 2
2
Eb [C] [[D]]
dance
on
for me.
0
Ab [F] [[G]]
the
bar
in
her
tan,
bare
0
3
2
3 0
feet,
and
0
0
2
0
Gtr. 2 tacet
Ab [F]
Dbsus2 [Bbsus2]
do what I Gtr. 1
when
I
want,
a, she’ll do
it
2
1
1
1
1 2
2
3
1
1
1
3
with
Riff C
0
2
want
Bbm [Gm]
1 1
me,
3 3 3
mm. End Riff C
Chorus Ab [Bb] [[G]]
I Gtr. 1
need
too
much
of
2
1
1
1
1
Riff D1
3
3
1 2
2
1
3
1
1
3
3
0
2
0
3
3
0
X
3
3
1
0
2
I
1
in’.
just wan - na
sing
a
lit - tle End Riff D
3
-
1 3
Eb [F] [[D]]
noth
0
Gtr. 3 (elec.)
don’t
Bbm7 [Cm7] [[Am7]]
Riff D
0
Gtr. 2
Dbadd2 [Ebadd2] [[Cadd2]]
3
3
1
3 0
3
1
0 2
3
2
0
1
1
0
0
3
0
End Riff D1
mf w/ clean tone let ring throughout
6
4
4
6
4
4
4
6
4
4
4
6
4
4
4
4
Gtr. 1: w/ Riff D (2 times) Gtr. 3: w/ Riff D1 (4 times)
Ab [Bb] [[G]]
chill
Gtr. 2
4
0
song,
get my
3 0
0
groove
on,
0 3
0
0
pour
Bbm7 [Cm7] [[Am7]]
some -
thin’ strong
2
0
3
1
Eb [F] [[D]]
down in
2
my
drink.
0
Dbadd2 [Ebadd2] [[Cadd2]]
0
0
2
4
3
4
2
0
3
Ab [Bb] [[G]]
Dbadd2 [Ebadd2] [[Cadd2]]
Whoa,
I
4
0
know
that I
don’t
need a
lot of an -
0
To Coda
ev - ’ry - thing.
Nah, nah, nah,
2
0
3
3
Ab [F] [[G]]
4
4
0
3
Nah, nah, nah,
0
2
Eb [C] [[D]]
2
0
2
nah, nah, nah,
3
1 2
0
0
0
0
3
2
lit - tle bit of
1
2
0
3
3
3
0
just want a
lit - le bit of
2
0
Eb [C] [[D]]
0
3
nah,
0
I
3
0
0
1
0
nah,
0
1
3
0
3
0 2
3
0
2
3
3
whoa.
3
0
ev - ’ry - thing.
0
0 0
nah, nah, nah, nah.
Dbadd2 [Bbadd2] [[Cadd2]]
3
just want a
nah,
I
Gtr. 1: w/ Riff B (2 times)
y - thing,
1
Dbadd2 [Bbadd2] [[Cadd2]]
Eb [F] [[D]]
0
1
0
0
Ab [F] [[G]]
3
0
whole
Bbm7 [Cm7] [[Am7]]
2. Now,
0 2
3
0
2
2
3
Verse Gtr. 1: w/ Riff B (3 times)
Ab [F]
Dbsus2 [Bbsus2]
Eb [C]
I
don’t
need
a
ga - rage
full
of
cars, but I’ll (Whew.)
take
a whole box
of
Cu
-
ban
ci - gars
and I’ll
Gtr. 3
6
4
Gtr. 3 tacet
Ab [F]
smoke ’em
nice
Dbsus2 [Bbsus2]
and
slow,
Eb [C] [[D]]
like they were good
for
me,
ha,
ha.
Don’t
6
Gtr. 2
3
Ab [F] [[G]]
need a
Gtr. 2
3
ranch
0
Dbadd2 [Bbadd2] [[Cadd2]]
0
or
3
a
0
big
piece of
land,
but I’d
3 0
Eb [C] [[D]]
1 2
0
a
3
0
0
lit - tle bit of dirt on my
1 2
2
like to get
3
2
0
0
2
3
2
0
3 0
hands.
A
0
2
3 0
2
5
D.S. al Coda Gtr. 1: w/ Riff C
Ab [F] [[G]]
Dbadd2 [Bbadd2] [[Cadd2]]
big old
couch
in
a
big
old
0
3
0
still
0
0
2
A
*Gtr. 4 (elec.)
it’s
just
you,
yes it does.
0 1 0 2
0
ly when
Coda Eb [C] [[D]]
-
1
feels lone
0
room
Bbm7 [Gm7] [[Am7]]
lit - tle bit of
Bridge Fm [Dm] [[Em]]
ev - ’ry - thing
f w/ dist. & slide 11
13
13
11 11
11
un
-
der the
sun.
9
9
*Doubled throughout Gtr. 1
1
0
Gtr. 2
3 0
3 1
3 1
3
1
0
1
3
0
3
0
2
3
0
3
0
3
0
2
3
1
1
3
2
0
6
6
4
4
4
6
4
4
4
6
1
3
2
1 2
3
2
0
0
2
Gtr. 3
3
4
4
0
0
4
0
0 2
3
0 2
0
Ab [F] [[G]]
Db [Bb] [[C]]
So when
Gtr. 4
9
Gtr. 1
4
4
9
I
1
1 2
1
3
3 0
kick
back,
bask -
in’ in
it,
I’ll be
o
-
kay
9
8
4
8
8
4
4
1 2
1
1 2
1
3
3 0
3
3
3
6
1 2
3
0
2
Gtr. 2
9
0
3
1
2
1
3
3
1 3
3
1
1 3
1 0
1
0
0
1 2
1 0
2
0
2
0
1
7
Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 4 tacet
Eb [C] [[D]]
with
what
I’ve
Ab [F] [[G]]
done,
still
8
3
0
Eb [C] [[D]]
fun.
8
1
3
2
3
3
0
3
3
1
0
0
3
2
That’s right.
2
0
1
0
1
1
2
0
Ab [F] [[G]]
3
0
3
3
0
1
0
Gtr. 2
hav - in’
6
Dbadd2 [Bbadd2] [[Cadd2]]
3
2
0
Dbadd2 [Bbadd2] [[Cadd2]]
Eb [C] [[D]]
0
0
0
0
2
0
1
’Cause
3
X
0
3
3
0
2
0
3
3
0
2
Chorus Gtr. 2 tacet
Ab
I
*Gtr. 5
don’t
need
Db
too
much
of
Bbm
noth
-
in’.
I
Eb
mp 8 9 8
*Elec. piano arr. for gtr.
8
9 9 10
9 11 10
11 11 12
just wan - na
sing
a
lit - tle
Gtr. 5 tacet
chill
song,
get
my
groove
μ
on,
pour
some
-
thin’ strong
Eb
down in
my
drink.
Gtr. 6 (elec.)
mp w/ slight dist. 1
11 11 12
4
4 1
3
3
Gtr. 1: w/ Riff D Gtr. 6 tacet
Ab [Bb] [[G]]
Dbadd2 [Ebadd2] [[Cadd2]]
Whoa, I
Gtr. 2
0
4
0
know
that I
3
don’t
need a
0
whole
2
2
1 2
Eb [F] [[D]]
I
just want a
lit - tle
bit of
0
1
lot of an - y - thing,
Bbm7 [Cm7] [[Am7]]
0
2
1
0
0 0
0 0
1
2
3
0
0
2
0
3
Gtr. 1: w/ Riff B (3 times)
Ab [F] [[G]]
ev
0
-
’ry
-
thing.
Nah,
nah,
nah,
3 0
0
nah,
Dbadd2 [Bbadd2] [[Cadd2]]
0
2
0
1
nah,
nah,
nah,
nah.
0
9
Eb [C] [[D]]
Gtr. 7 (elec.)
f
11
11
13
0
2
11
11
11
0
3
2
0
just
want
a
lit
-
tle
bit
of
1/2
I
w/ dist.
3
1/2 11
13
0
3
3
0
2
3
2
Gtr. 7 tacet
Ab [F] [[G]]
ev
-
’ry
-
thing.
Nah,
nah,
nah,
Eb [C] [[D]]
0
I
just want a
lit - tle
bit of
nah,
0
2
Ab [F] [[G]]
13 13
13 13
11 11
6 6
8 8
8 8
13
0
3
0
3
2
3
0 2
3
2
nah,
nah,
nah.
1
0
0
2
ev - ’ry - thing,
18
0
yeah.
1
2
10
Dbadd2 [Bbadd2] [[Cadd2]]
13
steady gliss. 11 11
3
0
0
nah,
3
0
0
Dbadd2 [Bbadd2] [[Cadd2]]
3 4
15
13
15
13
15
0
0 0
0
0
2
0
1
1 0
0
Outro-Guitar Solo Gtr. 1: w/ Riff B (till fade)
Eb [C] [[D]]
Whoa,
whoa,
whoa,
Dbadd2 [Bbadd2] [[Cadd2]]
yeah.
1
9
2
3
3
0
2
3
2
0
Eb [C] [[D]]
1/2
1/2
12
12
0
2
1/2
12
0
0
0
11
3
2
3
11
11
11
0
0
9
11
11
3
0
1
0
2
1
0
1 2
Dbadd2 [Bbadd2] [[Cadd2]]
12
11
Ab [F] [[G]]
1/2
12
Whew.
Ab [F] [[G]]
12
13
13
13
1
3 0
2
0
3
2
5
3
2
3
0
3
0
4
0
3
3
0
3
3
1 0
2
0
3
3
0
11
Begin fade Eb [C] [[D]]
Ab [F] [[G]] 3
3
8
10
6
0
0
3
2
6
0
3
6
8
8
0
0
3
2
3
15
15
15
3
3
3
0
0
2
3
3
1
14
15
2 0
3
0
3
0
3
1
3
1
1
0
Dbadd2 [Bbadd2] [[Cadd2]]
13
15
15
3
0
16
1/2
13
0
3
2
3
3
Ab [F] [[G]]
2
0
1
13
11
3
3
11
10
Eb [C] [[D]]
15
15
8
9
2
1
9
Dbadd2 [Bbadd2] [[Cadd2]]
3 0
1
0
0
1
1
2
2
Fade out
Eb [C] [[D]]
3
3
11
11
11 10
0 2
12
0 2
2
8
10
13
11 13
2 2
Dbadd2 [Bbadd2] [[Cadd2]]
1
1/2
11
Ab [F] [[G]]
3 0
0
2
11
13
13
13
0
0
2
1 1/2
13
11
13
0
3
3 0
3
0
3
1 0
2
0
1 2
0
from Keith Urban - Get Closer
Long Hot Summer Words and Music by Keith Urban and Richard Marx [G5]
2
[D]
34
[A]
[Bm]
[Asus4]
[Asus2]
234
13421
234
23
132
[D/F#]
1
[C'9]
23
21 34
[Em]
[Gsus2]
23
2
134
Gtrs. 1 - 6, 10 & 11: Capo I
Intro Moderately fast q = 128 * C5
Ab5 [G5]
[B5]
Eb5 [D5]
Bb [A]
C5 [B5]
Ab5 [G5]
Eb5 [D5]
Bb [A]
1. I can’t
Riff A Gtrs. 1 & 2 (elec.)
End Riff A
mf
w/ clean tone P.M.
2
P.M.
4
4
let ring
3
0
0
P.M. 0
3
P.M.
3
2
2 0
3
P.M.
let ring
2
2
2
0
P.M.
4
4
2
P.M.
let ring
3
0
0 3
3
2
0
P.M.
2 2
0
3
let ring
2
2
0
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above represent actual sounding chords. Capoed fret is "0" in tab. Chord symbols reflect overall harmony.
Verse Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
C5 [B5]
Ab5 [G5]
sleep.
Eb5 [D5]
Bb [A]
Gtrs. 1 & 2
P.M.
2
no
sleep
I’m
in
C5 [B5]
a - com - in’,
Ab5 [G5]
deep.
of
ev
4
-
’ry
P.M.
4
I’m
just
-
thing
we’re
gon
let ring
3
0
-
na
3
here,
Eb5 [D5]
deep
ah,
think - in’
in - to
the
pic - ture
’bout
in
my
Cm(addÊ) [Bm(addÊ)]
do.
2
O
P.M.
3
Bb [A]
Bb [A]
P.M.
0
Ab5 [G5]
ly - in’
Eb5 [D5]
0 3
Fall - in’
Ab5 [G5]
Riff B
C5 [B5]
C5 [B5]
mind
Bb [A]
Ain’t
you.
Eb5 [D5]
2 0
2
let ring
2
Copyright © 2010 SONGS OF UNIVERSAL, INC., MARY ROSE MUSIC and RICHARD MARX MUSIC All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
2
-
2
1
Ab% [G%]
Ebsus2 [Dsus2]
-
ver
at
the
lake
and
Bbsus4 [Asus4]
down
by
Riff C
*Gtr. 3
mf
Cm [Bm]
the
riv - er,
you
can
Ab5 [G5]
Bb [A]
feel
it
start
to
rise.
End Riff C
let ring throughout
5
5
5
7
5
5
7
5
7
7
*Banjo arr. for gtr.
Gtrs. 1 & 2
let ring P.M. P.M. P.M. 4
4
2
3
0
0
let ring
3
2
0
2
3
Cm(addÊ) [Bm(addÊ)]
Wan - na
P.M.
2
2
3
2
2
2
0
need
0
you
in
my
Ab% [G%]
car,
P.M.
P.M.
4
4
go where
Ebsus2 [Dsus2]
let ring
3
P.M.
0
0
by
my
-
ev - er
2
0
side.
2
2
P.M.
4
P.M.
4
0 3
let ring
3
let ring
3
you
3
3
2
2
let ring
0 0
3
2
2
3
2
are,
P.M.
2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
w/ slight dist.
’cause
let ring
2
2
μ
*12-str. acous. & mandolin arr. for gtr.
It’s
*Gtr. 4
Bb [A]
3 2 2 0
Bbsus4 [Asus4]
0
let ring
0
3
mf
0
0
3
Gtrs. 1 & 2
3
4
4
2
Bbsus4 [Asus4]
2
Ab5 [G5]
jump
let ring
Cm [Bm]
2
Gtr. 3: w/ Riff C
Gtrs. 1 & 2
2
2
0
Gtr. 3 tacet
let ring P.M. P.M. P.M.
P.M. let ring
I End Riff B
2
0
gon - na
be
a
(cont. in slashes)
Chorus
2nd time, Bkgd. Voc.: w/ Voc. Fill 1 2nd time, Gtr. 6: w/ Fill 1
*** [G5] *Gtrs. 4 & 5
[D]
long
hot
sum - mer,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
**Gtrs. 1 & 2
3 3 0 0 X 3
we
should be
2 3 2 0 0
to - geth - er
with your
[A]
feet
up
on
the
dash
-
board
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0 0 0 0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 0 0 0 0
[D]
*Gtr. 5 (acous.), played mf. **2nd time, Gtrs. 1 & 2: w/ slight dist. ***See top of 1st page of song for chord diagrams pertaining to rhythm slashes.
[Bm]
[A]
now.
Gtr. 6 (elec.)
Sing - in’
f
[G5]
a
-
long
with
the
ra - di
-
o,
it’s
such
a
beau - ti - ful
w/ dist.
7 X 5
Gtrs. 1 & 2
9
12
9
7
10
7
7 X 5
9
7
7
5
3 4 4 2
3 4 4 2
3 4 4 2
2 2 2 0
2 2 2 0
2 2 2 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0 0
Voc. Fill 1
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0 0 0 0 0
Fill 1 Gtr. 6
5
5
4
2
5
2
5
5
2
0
3
[A]
[Asus4]
[A]
[Asus2]
[D/F#]
0 2
And when you
say
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 3 2 2 0
-
dle
of
the
day,
I
3
[D]
sound.
[G5]
0 2
0 0
0 2 2 2 0
0 0 2 2 0
see
my
name
in
the
mid -
0 X 2
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
I
[A]
swear
Rhy. Fig. 1
the
stars
come
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0 0
[Bm]
[D/F#]
[G]
out.
And when you’re
0 2
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0 0 0 0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 0 0 0 0
3 4 4 2
3 4 4 2
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
4
0 0
To Coda
[D/F#]
Rhy. Fig. 2
in
the
back
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
hand,
X X X X X X
X X X X X X
X X X X X X
X X X X X X
my
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
of
[G]
End Rhy. Fig. 1
X X X X X X
X X X X X X
X X X X X X
X X X X X X
mind I’m
just
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
my
Gtrs. 4 & 5 tacet
μ
hold - in’
[D/F#]
[G]
wait - in’
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
on
the
sun
X X X X X X
X X X X X X
X X X X X X
X X X X X X
to
go
7 7
12 12
End Rhy. Fig. 2
Interlude Gtr. 6 tacet
C5 [B5]
Ab5 [G5]
dow
Eb5 [D5]
-
Bb [A]
own.
Gtr. 7 (elec.)
C5 [B5]
The
sun to
Ab5 [G5]
go
dow
-
Eb5 [D5]
Bb μ [A]
own.
2. I
wan - na
mf *w/ clean tone & delay 1
8
10
10
10
*Set delay for quarter-note regeneration w/ three repeats.
Gtrs. 1 & 2
dist. off P.M.
2
4
P.M.
4
0 3
let ring
3
P.M. P.M. let ring P.M. P.M. let ring P.M. P.M.
0
0 3
2
3
2 0
2
2
2
0
2
4
3
4
0 3
0
0 3
2
3
2 0
5
Verse Gtrs. 1, 2 & 4: w/ Riff A (1 1/2 times)
C5 [B5]
Ab5 [G5]
see
your
Gtr. 7
Eb5 [D5]
Bb [A]
brown
skin
Eb5 [D5]
C5 [B5]
I
(For
the
first
10
10
10
in
the
shim - mer
8
be,
do
Gtr. 7
to
you
ah,
the
the
first
Eb5 [D5]
one
time.
8
10
8
10
Bb [A]
who knows
8
10
8
10
just
a,
what
to
Gtr. 3: w/ Riff C Gtr. 5: w/ Riff B (last 6 meas.)
Eb5 [D5]
to
get
me
that
Bb [A]
smile.
Cm(addÊ) [Bm(addÊ)]
1
1
11 11
11
Ab% [G%]
One
chance
of
Ebsus2 [Dsus2]
meet - in’,
2
6
for
11
1
Gtr. 5
time.)
Ab5 [G5]
sun
Gtrs. 1, 2 & 4: w/ Riff B
C5 [B5]
Ab5 [G5]
Ab5 [G5]
got - ta
1
10
Bb [A]
C5 [B5]
you
Gtr. 7 tacet
Bbsus4 [Asus4]
were
walk - in’
by
me
on
the
Cm [Bm]
street
when
Ab5 [G5]
Bb [A]
I
said,
"Hi."
Cm(addÊ) [Bm(addÊ)]
And
that
Gtr. 3: w/Riff C
Ab% [G%]
was
the
be
Gtr. 7
-
gin
-
in’
of
Ebsus2 [Dsus2]
Bbsus4 [Asus4]
heart
spin
my
-
nin’
like
Cm[addÊ] [Bm[addÊ]]
these
10
8
7
1
10
wheels
in
Ab% [G%]
my
head
to
-
Bbsus4 [Asus4]
(...to
-
night.
It’s
gon
-
na
be
D.S. al Coda Ab5 [G5]
a
night.)
Gtr. 7
10
Gtrs. 1, 2, 4 & 5
2
Gtr. 6
P.M.
4
P.M.
4
0 3
let ring
3
0
0 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
3 3 0 0 X 3
(Gtrs. 4 & 5; cont. in slashes)
let ring
0
0
3
0 2
3
2
7
Coda
Interlude Gtr. 6 tacet
μ
[Bm]
[G5]
Rhy. Fig. 3A
in’
on
the
sun
wait -
to
go
Gtrs. 4 & 5
[D]
down.
Gtr. 3
5
X X X X X X
X X X X X X
[A]
[Bm]
The
sun
to
7
Gtrs. 1 & 2 Rhy. Fig. 3
go
3 4 4 2
3 4 4 2
3 3 0 0 X 3
7
5 7
6
7
3 3 0 0 X 3
2 3 2 0 0
End Rhy. Fig. 3A
oh.
5 7
[A]
Gtr. 3
Gtr. 6 divisi
7
7
[D]
down,
[G5]
5
7
Gtrs. 1, 2 & 6
7
5 7
7
5 7
7
7
6
7
6
7
14
2 3 2 0 0
2 3 2 0 0
2 2 2 0
8
2 2 2 0
2 2 2 0
3 4 4 2
3 4 4 2
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
2 2 2 0
End Rhy. Fig. 3
2 2 2 0
2 2 2 0
Bridge Gtr. 3 tacet
[Cadd9]
Gtrs. 4 & 5
The
on - ly place
Gtr. 6
that I
[Em]
[A]
[Asus4]
wan
-
na
be
is
where you
are.
Gtrs. 1 & 2
than a
heart - beat a - way
6
4
4
2
2
is
just
6
[Em]
too
far.
’Cause an - y more
7
7
2 2 0
[G5]
2 2 0
4
[Cadd9]
[A]
1 0 X 3
[Asus2]
[A]
2 7
1 0 X 3
0 0 X 3
7
7
7
7
7
7
7
(cont. in slashes)
2 2 0
9
Guitar Solo Gtr. 6 tacet
[Gsus2]
[A]
Gtrs. 1, 2, 4 & 5
*Gtr. 8 (elec.)
17
1 1/2
17 15 17
17
[A]
12
1
12 10
12
12
8
End Rhy. Fig. 4
Whoa.
f
w/ dist. 1 1/2
[Asus4]
Rhy. Fig. 4
10 12 15
15
15
Whoa.
1
15
15
15
5
15
*Doubled throughout Gtrs. 1, 2, 4 & 5: w/ Rhy. Fig. 4
Absus2 [Gsus2]
Gtr. 8
1 1/2
17
Whoa.
Bb [A]
1 1/2
17
15
17
17
Bbsus4 [Asus4]
1
12
12
10
12
12
8
10
12
15
1
13
15
15
17
1
16
18
Chorus Gtrs. 8 & 9 tacet
Bb [A]
It’s
gon - na
8va
Gtr. 9 (elec.)
be
* w/ clean tone & slide
18 18
Gtr. 8 1 16 18 18 20
10
long
hot
sum - mer
and
Eb/G [D/F#]
we
should be
to - geth - er,
ah,
ah,
mp 18 18
*Vol. swell
a
Ab5 [G5]
16 16
20
7 5
7 4
Gtr. 4
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 4
7 4
7 4
7 4
7 4
7 4
7 4
Bb [A]
Cm [Bm]
ah,
ah,
ah,
Gtr. 1
Bb [A]
ah.
Ab [G]
All
I
real - ly
want
is
more
w/ clean tone w/ pick & finger
3 2
Gtr. 4
6 7
Eb/G [D/F#]
6 7
than
6 7
6 7
6 7
6 7
this
mo
-
6 7
6 7
Bb [A]
ment right
0
7 9
7 9
6 7
6 7
6 7
6 7
7 5
7 5
7 5
7 5
7 4
7 4
7 4
7 4
7 4
7 4
7 4
6 7 0
7 5
Fm [Em]
Eb/G [D/F#]
7 5
’Cause when
0
4
7 5
7 9
you
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 0 0
3 2 0 X 2
3 2 0 X 2
X X X X X
Gtrs. 4 & 5
7 5
w/ slight dist.
2
3
7 9
now.
0
Gtrs. 1 & 2
3 2
3 4
4
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
X X X X X X
3 2 0 X 2
3 2 0 X 2
11
Gtrs. 4 & 5: w/ Rhy. Fig. 1
Ab5 [G5]
Eb [D]
say
my
name
in
the
mid
(Say
Gtrs. 1 & 2
my
-
dle
of
the
day,
I
Bb [A]
swear
I
see
the
name,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0 0
and
stars
come
you make the
stars
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0 0 0 0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 0 0 0 0
Gtrs. 1, 2 & 6: w/ Rhy. Fig. 2
Cm [Bm]
Eb/G [D/F#]
out.
Gtr. 6
12
And when you’re
come
Gtrs. 1 & 2
Ab [G]
Eb/G [D/F#]
hold - in’
my
hand,
Ab [G]
and
I
μ
look
Eb/G [D/F#]
in - to
your eyes,
out.)
3 4 4 2
3 4 4 2
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
μ
0 0
X X X X X X
X X X X X X
X X X X X X
X X X X X X
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 3 0 0 X 3
well
Ab [G]
I
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times) Gtrs. 4 & 5: w/ Rhy. Fig. 3A (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig 1 (last meas.)
μ
swear
Eb/G [D/F#]
it
looks
a,
Gtr. 10 (elec.)
Ab [G]
like
μ
you’re
wait - in’
on
the
sun
to
go
down.
mf
9
9
The
sun
to
go
Cm [Bm]
Ab5 [G5]
down.
Eb [D]
Oh,
let ring
10
10
I
1 10
10
10
10 9
oo.
Cm [Bm]
Ab5 [G5]
swear it looks, ah, like
Eb [D]
Bb [A]
you’re
wait - in’ on the sun to
1
7
10
Bb [A]
7
Bb [A]
Eb [D]
Ab5 [G5]
7
7
Cm [Bm]
Oo,
w/ dist. 1
Bb [A]
Eb [D]
Ab5 [G5]
Cm [Bm]
go
7
7
13
[G5]
[D]
[A]
Rhy. Fig. 5A
*Gtrs. 4 & 11
[Bm]
[G5]
down.
[D]
[A]
End Rhy. Fig. 5A
Oh,
Gtr. 10
whoa.
7
11
10
10 12
[Em]
15
1 1/2
0 0 0
15
12
12
10
0
Rhy. Fig. 5B
Gtr. 5
7 8 7
7 8 7
5 7 7
5 7 7
X X X
X X X
5 5 6
Riff D
Gtr. 3
5 7
Rhy. Fig. 5
3 3 0 0 X 3
X X X X X X
2 3 2 0 0
3 3 0 0 X 3
*Gtr. 11 (acous.), played mf.
14
5 5 6
5 5 6
5
7
Gtrs. 1 & 2
7
X X X
5 5 7
5 5 7
5 5 7
X X X
7 8 7
7 8 7
5 7
2 3 2 0 0
X X X X X
2 2 2 0
7
X X X
5 7 7
5 7 7
5 7
7
6
7
2 2 2 0
X X X X
3 4 4 2
3 4 4 2
3 4 4 2
0 0 0
7
X X X
5 5 6
5 7
3 3 0 0 X 3
3 3 0 0 X 3
X X X X X X
2 3 2 0 0
7
End Rhy. Fig. 5B
5 5 6
5 5 6
X X X
5 5 4
5 5 4
3 5 4
X X X
End Riff D
5 7
7
7
6
7
6
4
End Rhy. Fig. 5
2 3 2 0 0
X X X X X
2 2 2 0
2 2 2 0
X X X X
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times) Gtr. 3: w/ Riff D (2 times) Gtrs. 4 & 11: w/ Rhy. Fig. 5A (3 times) Gtr. 5: w/ Rhy. Fig. 5B (3 times)
Ab5 [G5]
Eb [D]
Bb [A]
Oh,
Cm [Bm]
Ab5 [G5]
Bb [A]
oh.
Eb [D]
Wait
-
in’
Fm [Em]
on
the sun
to
go
Gtr. 10 (Ah.)
12
15
12
Ab5 [G5]
1 1/2
10
Bb [A]
fdbk.
11
down.
10
Eb [D]
12
10
10
10
Cm [Bm]
17
10
Bb [A]
12
14
1
17
17
15
15
5
Fm [Em]
Eb [D]
Oo.
14
15
17
16
16
Ab5 [G5]
1
17
Ab5 [G5]
16
Eb [D]
9
15
14
Bb [A]
14
15
14
17
Cm [Bm]
17
3 1/2 (Ah.
15
14
14 15 14
17
15
14
14
16
16
Gtr. 3
19
14
14
7
7
5 7
16
16
5
16
19
12
12
7
7
5 7
6
7
6
7
15
Ab5 [G5]
Eb [D]
Bb [A]
Ah.)
1
1
9
1
9
1
9
1
9
1
1
9
10
9
10
11
12
5
5
7
7
1
7
7
5
7
7
9
1
8
7
Fm [Em]
7
7
5
7
5
7
Gtr. 2: w/ Rhy. Fig. 5 Gtrs. 3 & 10 tacet Gtr. 4: w/ Rhy. Fig. 5A Gtr. 5: w/ Rhy. Fig. 5B (2 times) Gtr. 11: w/ Rhy. Fig. 5A (2 times)
Ab5 [G5]
Eb [D]
Bb [A]
Cm [Bm]
Ah, hey,
Ab5 [G5]
Eb [D]
Bb [A]
Mm,
[G5]
[D]
Ab5 [G5]
Cm [Bm]
[A]
Gtr. 5
16
5 7 7
X X X
Eb [D]
I
Bb [A]
love to think a - bout you.
Fm [Em]
5 5 6
[Bm]
[G5]
5 5 6
X X X
5 5 7
5 5 7
5 5 7
[D]
[Asus2]
ly - in’ here, ah, think - in’ ’bout
5 5 6
I
I’m just
5 7 7
mm.
sleep.
X X X
Fm
[Em]
Oo,
Ab5 [G5]
7 8 7
Bb
[A]
ay.
Gtr. 11
7 8 7
Eb [D]
X X X
you.
7 8 7
7 8 7
X X X
5 7 7
5 7 7
X X X
5 5 6 7 0
can’t
from Keith Urban - Be Here
Making Memories of Us Words and Music by Rodney Crowell
Intro Moderately q = 104 *E
G#m7
Gtr. 1 (acous.)
mp
Asus2
w/ fingers let ring throughout
0
2
0
1
0 1
2
2
0
0
1
1
2
4
0
4
0
4
4
4
4
0
4
2
2
0
2 2 4
Riff A
2
End Riff A
Gtr. 2 (elec.)
7
9
7
6
mp
w/ clean tone
9
11
9
9
9
11
9
9
7
7
9
7
*Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff A
E
G#m7
Gtr. 1
2 2 0
1
0 1
2
0 2 0
1
0
0 1
0
4 4
4
4
4 4
4
A'9
2 0
0
2
2
2
4
2
Copyright © 2004 Sony/ATV Music Publishing LLC, BMG Gold Songs and We Jam Writers Group All Rights on behalf of Sony/ATV Music Publishing LLC Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of BMG Gold Songs and We Jam Writers Group Administered by BMG Rights Management (US) LLC International Copyright Secured All Rights Reserved
1
Verse
Gtr. 2 tacet
E
1. I’m gon - na
Gtr. 1
be
Riff B
0 2
you, ba
-
here for
B
0
1
4
4
4
2
I’ll
1
be
a
of
my
man
word,
0
4
Gtr. 2
by.
0
E/G#
4
2
6
7
4
6 4
pp
5 4
Asus2
0
0
2
guage in
2
2
0
1
2
a
voice
C#m
B
1
A
4
X X X
5
4 4 4 2
X X X
2 2 2 0
2 0
0
2
4
-
er
4
wan - na sleep
0
2
2
0
2 0
mp
0 5 4
2
nev
4
Gtr. 2
6
6
have
E
I
you
4
2
heard.
that
0
Gtr. 1
0
0
2
-
B
speak the lan
Gtr. 1
E
1
with you
0
for -
1
B'11
E/G#
ev - er,
0 2
4
4
4
and
A'9
4
wan - na
die
in
your
arms
0
E
0
7
4
6
6
in a cab - in
1 0
4
2
by
0
1
2
0
1
2
2
1
4
2
0
4
B
C#m
a mead - ow where the wild
2
2
0
4
let ring
0 5 4
0 4
I
2
4
4
4
4
2
bees
4
B
2
A
swarm.
4
6
6
5
X X X
4 2
5
7
4
2 2
0
let ring
4
End Riff B
2
4
2
2 2
4
6
0
3
Chorus Asus2
And I’m gon - na
love
2 2
X X
2
0 0 1
0 0
And
I’ll
0
2 2 0
X X
0
4
earn
your
trust, mak -
0 0 2 2 0
0 0 2 2
let ring
2
C#m
B
0 0 4
6
-
y
5 6 2
4
2
you.
0 0 2
0 0 2 2 0
0 2 2
of
4
X X X
0 0 1 2
End Rhy. Fig. 1
0 0 1
0 0 1 2
0 0 1
0
2
4
1
E
in’ mem -’ries
E
loves
2
no - bod
0 0 2 2 0
0
Asus2
0 0 2 2
0 0 2 2 0
0 0 1 2
0
like
2 2
0
X X
you
Rhy. Fig. 1
0
Asus2
E
us.
0
4 4
2
1
3
0
0
1
2
2
2
1 2 1
0
0
1 0
2
2
4
2
Verse Gtr. 1: w/ Riff B
Gtr. 2 tacet
E
B
2. I
wan - na hon - or
E/G#
your moth - er,
and
Gtr. 2
I
wan - na
learn
from your
pa.
pp
2
Asus2
E
I
wan - na steal
E
Gtr. 2
I
a
out
in
bad
wan - na stand
C#m
your at - ten - tion like
And
B
a
B
out
-
A
law.
B'11
crowd
for you,
7
9
7
5
4
5
7
mp
4
E/G#
4
A'9
a
man
7
3
E
a - mong
men.
5
4
I
wan - na make
5
7
7
7
9
your
world
5
5
B
bet - ter than
it’s
ev
-
er
C#m
B
A
been.
Riff C
End Riff C
let ring
4
0
5
4
4
4
Chorus
Gtr. 1: w/ Rhy. Fig. 1
Asus2
And I’m gon - na
E
love
Asus2
1
0
2
0 0 2 2 0
loves
I’ll
0 0 2 2 0
earn
of
C#m
your
B
E
trust, mak - in’ mem -’ries
0 0 2 2 0
0 0 2 2 0
5 6 6
4 5 6 6 4
4 4 4 2
5 6 6
0 0 2 2 0
4
you.
2
4 4 4
2
us. End Rhy. Fig. 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
4 4 4
2
1
0 0 1 2 2 0
0 0 1
0
2
4
2 1
0
2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0
1
2
2
mf
w/ clean tone
2
6
let ring
2
Gtr. 2
y
0
E
0
Gtr. 3 (elec.)
-
0
Rhy. Fig. 2
0 0 2 2 0
no - bod
let ring
4
And Gtr. 1
like
you
0 0 2 2 0
Asus2
2
Bridge
G#m
We’ll fol - low the
C#m
rain
-
Riff D Gtr. 4 (12-str. acous.)
Asus2
bow
wher - ev - er the
mf
E
four
winds
blow.
End Riff D
let ring throughout
6
4
4
Rhy. Fig. 3
4 4 4 6 6 4
4 4 4 6 6 4
Gtr. 1
4
4 4 4
4 5 6
6
4 4 4 6 6 4
4 5
4 4 4 6 6 4
4 4 4 6 6 4
4 4 4 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
5
4 5
0
5
4 5 6 6 4
2
0
0
2
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
5 6 6
4 4 6
4
0
Gtr. 3
4
2
2
6
2
1
0 0 1
0 0 1 2 2 0
0 0 1 2 2 0
2
0 0 2 2 0
0 0 1 2 2 0
0
let ring
1
0
2
End Rhy. Fig. 3A
2
End Rhy. Fig. 3
Rhy. Fig. 3A
Gtr. 2
5
0
4
1
0
2
2
0
0 2
6
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A Gtr. 4: w/ Riff D
G#m
And there’ll be
Gtr. 3
a
C#m
Asus2
new
day
4
6
4
com - in’
5
4
6
4
your
7
7
Gtr. 2: w/ Riff C
B'4
3
way.
Gtr. 3
pp
9
9
Gtr. 1
4
2
Gtr. 4
4
2
7
7
7
7 9
0 0
4
0 0
4
0 0
4
4 2
2
0 0
4
4 2
2
4
4
4 2
2
2
4
4 2
Verse Gtr. 1: w/ Riff B (1st 7 meas.) Gtrs. 3 & 4 tacet
E
Gtr. 2
be
here
for
E/G#
you from
now
on,
pp
0 0 4
8
this you
3. I’m gon - na
B
know
some
-
how.
Asus2
E
You’ve been
stretched
*p
B
to
the
its,
lim -
12
11
but
it’s
all
right
mp
let ring
12
12
12
12
*Vol. swell
Gtr. 1: w/ Fill 1
C#m
B
E
And I’m gon - na make
2
4
you a prom - ise.
9
B'11
now.
let ring
9
Gtr. 1: w/ Riff B (last 8 meas.)
A
E/G#
1
Fill 1 Gtr. 1
If
there’s
life
1
af
-
ter
2
4
4
6
this
3
2 2 2 0
0 0
2
2
4
2
4
2
0
9
Gtr. 5 tacet
A'9
E
B
I’m gon - na be
Gtr. 5 (acous.)
there
to
meet
you with a
warm,
wet
mf
w/ fingers
0
1/2
2
4
4
0
4
0
0
Gtr. 2
4
C#m
2
4
6
4
B
A
4
kiss.
Gtr. 2
Mm,
hm.
let ring
4
Gtr. 6 (elec.)
5
7
4
6
mp
2
4
w/ slight dist.
2
10
4
2
Chorus Gtr. 1: w/ Rhy. Fig. 1
Asus2
And I’m gon - na
E
love
you
like no - bod
1
0
2
-
y
loves
0 0 2 2 0
2
you.
7 0 6
E
Asus2
4
2
2 2
2
1
Gtr. 1: w/ Rhy. Fig. 2
Asus2
And
I’ll
let ring
0
2
2
0
C#m
earn
trust,
B
E
your
-
in’ mem -’ries
let ring let ring
2 0
mak
4
6
6 4
2
4
of
us.
Whoa,
0
2
4
4
1 7
7
5
7 4
4
6
4 6
2
4
2
11
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)
I’m
gon - na
E
love
you
Asus2
Asus2
4
like
5
0
4
0
4
no
-
bod - y
2
0
0
1
0
0 0
2
2
5
9
10
12
12
12
9
Gtr. 6 tacet
E
loves
you.
0 0 1
0 0 1 2
7
5
4
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
12
4
6
let ring
4
0 2 2
2
in’ mem - ’ries
0 0 2 2 0
-
4 5 6 6 4
0 0 2 2 0
mak
0 0 1
trust
0 0 1 2
your
X X X
win
3
I’ll
B
And
0
Gtr. 2
C#m
Gtr. 1
Asus2
4 4 4 2
of
Outro Gtr. 2: w/ Riff A (1st 3 meas.)
E
us.
Gtr. 1
0
0
0
1
A
0
0
1
2
4
E
hoo,
Gtr. 1
2
5
4
2
hoo,
0
2
1
0
0
1
9
G#m7
0
-
6
2
0
0 1
7
9
9
11
E'9
9
9
7
by.
4
4
4 4
rit.
4
4
4
2 0
4
2
2
0
2
4
1/2
4
6
0 0 1 4 2 0
0
4
9
11
rit.
rit. 4
1
A
ba -
0
7
oh,
2
0
1
4
oo,
0 Gtr. 2
4
4
0
1
2
ho,
0
oo,
4
0
Oh,
1
G#m7
0 0 1 4 2 0
13
from Keith Urban - Get Closer
Put You in a Song Words and Music by Keith Urban, Sarah Buxton and Jedd Hughes
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately fast q = 134
* G/D
D
Hey, Rhy. Fig. 1 **Gtrs. 1 & 2
Gtr. 1 (elec.)
End Rhy. Fig. 1
mf
w/ slight dist.
3 2 0
14 14
3 2 0
3 4 0
3 4 0
3 2 0
3 4 0
4
7
4 0
3 2 0
3 4 0
3 4 0
0 0
10 10 11 14 11 9 11 0 0 0 0
10 9 0
10 10 9 11 0 0
10 10 9 11 0 0
**Composite arrangement; Gtr. 2 (elec.) w/ slight dist., played mf.
Gtr. 3 (elec.)
mf w/ slight dist.
14 14 *Chord symbols reflect implied harmony.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G/D
hey,
Oo,
Rhy. Fig. 2
3 2 0
ay.
Gtr. 3
3 4 0
3 2 0
3 4 0
3 2 0
3 4 0
4
7
4 0
3 2 0
3 4 0
oh,
D
whoa.
1. Well,
here
End Rhy. Fig. 2
2 0 0
4 0 0
2 0 0
4 0 0
2 0 0
4 0 0
4
7
0 0
4 0 0
2 0 0
4 0 0
0 0
Copyright © 2010 MARY ROSE MUSIC, WE’RE GOING TO MAUI MUSIC, TILTAWHIRL MUSIC and BAMBATOWN PUBLISHING, a division of CARNIVAL MUSIC GROUP All Rights for MARY ROSE MUSIC and WE’RE GOING TO MAUI MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for TILTAWHIRL MUSIC and BAMBATOWN PUBLISHING, a division of CARNIVAL MUSIC GROUP, Administered by BLUEWATER MUSIC SERVICES CORP. All Rights Reserved Used by Permission
0
1
Verse Gtr. 3 tacet
G
you come a - gain
Gtrs. 1 & 2
and you’re look - in’ so
X X X X
X X X X
X X X X
Gtr. 3
fine. You don’t
X X X X
X X X X
X X X X
D/F#
no - tice me,
but it’s
X X X X
X X X X
X X X X
all
right.
X X X X
X X X X
X X X X
I’m just
a
0
G
guy
who wish - es that
Gtrs. 1 & 2
I
X X X X
X X X X
X X X X
Bm
could be your man
some
X X X X
X X X X
X X X X
-
day.
Oh,
oh.
X X X X
X X X X
X X X X
Yeah,
a
7 7 7 9
7 7 7 9
Gtr. 4 tacet
G
pic - ture paints a thou - sand words,
Gtrs. 1 & 2
Gtr. 4 (acous.)
mf
5 3 0 0
2
X X X X
X X X X
X X X X
it’s
true,
D'9/F#
but it’s still
X X X X
X X X X
X X X X
5 3 0 5
5 3 0 5
5 3 0 5
not e - nough for how I
X X X X
X X X X
X X X X
feel a - bout
you.
I wan - na
X X X X
X X X X
X X X X
5 5 7 7
5 5 7 7
5 5 7 7
Em7
Gtrs. 1 & 2
X X
X X
a mel - o - dy,
I
X X X X
X X
X X
X X X X
got - ta set you to
X X
3 X X
0 X X
X X
let ring let ring
3 3 0 2 X 2
3 0 2 X 2
3 0 2 X 2
3 2
Rhy. Fig. 3
let ring
0 0 X 4
5
3 0 0
0 0
3 0 0 X 5
0 0
0 0
G5
3 3 0 0
3 3 0 0
3 3 0 0
3 3 0 0
ev - er I’d
go, I’d have you
3 2 0 X 4
2 3 2 0 X 4
2 0 X 4
3 2 0
3 2 0 X 4
if
I
2 2 2 0
2 2 2 0
2
4
3 2 0 X 4
2 2 2 0
2 2 2 0
there with me.
You’d be
3
3
2
2
2
0 0
14
3 2 0
3 2 0
3 2 0
3 2 0
1/2
2 0
4
2 0
2 0
4
3 2 0 X 4
0 0 X 5
0 0 X 5
re - peat,
5 3 0
how
hap - py
I’d
be.
5 3 0 0
5 3 0 0 X 5
5 3 0 0 X 5
5 3 0 0 X 5
5 3 0 0 X 5
5 3 0 0 X 5
5 3 0 0 X 5
5
To Coda
Em7
right
A
where you be - long.
4
2 3 2 0 X 4
3 2 0 X 4
3 2 0 X 4
3 2 0 X 4
0 2 X 2
0 3 0 2 X 2
0 3 0 2 X 2
0 3 0 2 X 2
0 0
Gsus2
love
End Rhy. Fig. 3
I
1/2
play,
17
shout it out.
0
0
in my
3 2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
down all the win - dows and
G5
3 2
can press
5
0
D/F#
3
2
3 2 0
Whoa,
2
f
D5
roll
0
1 hold bend
3
0
A
girl.
D/F#
loud,
5
this
turn you up
1 hold bend
A7
I wan - na put you
G5
and
groove.
and drive
a
A
Chorus
car
put you in
G
Wher -
0
0
I wan - na put you in
a
0 3 0 2 X 2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0
3
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.) Gtr. 3: w/ Rhy. Fig. 2
G/D
song,
Gtr. 1
11 0
Gtr. 2
11 0
14
11
0
11 0
10 9 0
14
0
11 0
9 0
oo,
whoa,
I’d
10 11 0
sing
4 0 0
4
7
4 0 0
2 0 0
yeah.
a - bout your smile
1/2
6
and your
1/2
6
1/2
6
pret - ty
6
eyes,
1/2
6
blue
the
1/2
7
6
P.M. P.M. P.M. mf
way
7
P.M. P.M. P.M.
11 0
0 0
D
14 Gtr. 3
Verse G
mf
11
2. Well,
5
5
5
5
5
5
5
5
4 0 0
5
5
5
5
5
5
5
5
2
Gtr. 3 tacet
D/F#
your hair
shim - mers
in
the
sun
-
It
would
be
so
eas
-
5
5
light.
Gtr. 1
y;
let ring 1
3
6
G
2
Gtr. 2
4
P.M.
4
4
P.M.
4
4
4
P.M.
4
4
4
4
4
4
P.M.
4
4
4
4
P.M.
4
5
5
5
P.M.
P.M.
5
5
5
write
it
I’ll
just
let ring
from
Bm
my
heart.
*w/ delay
7
’Cause
I
let ring
9
2
12
12 9
4 *Set for quarter-note regeneration w/ 1 repeat.
P.M.
5
P.M.
5
5
5
P.M.
5
5
got - ta tell the world
5
G
what you
P.M.
5
9
mean
P.M. P.M. P.M. 5
5
5
5
5
5
5
5
9
9
wrap you
5
5
5
5
5 3 0
5 3 0
9
9
5
5
9
D/F#
P.M.
9
9
9
P.M.
9
9
9
up
in
you’ll
be
a mel - o - dy so
P.M.
4
4
3 2
3 2 4
5
P.M.
5 3 0
5
5
P.M.
P.M. 5
P.M.
9
3 4
3 4 5
to me,
P.M.
12
delay off
4
4
4
4
4
4
4
4
4
9
9
stuck in
my
5 3 2 0 0
4
P.M. P.M.
P.M.
9
3 2
P.M.
5 3 2
5 3 2
P.M.
P.M.
4
4
4
4
4
4
4
2
5
D.S. al Coda
Em7
head
all
day
’cause you’re al - read - y there
A
an - y
-
way.
f let ring
P.M. P.M. P.M.
P.M.
let ring
P.M.
f let ring
2
2
2
2
G
Coda
2
2
2
2
2
0
A
a
2
2
2
I wan - na put you in my
3 2
3
3
2
2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
let ring
2 2 2 0
2 2 2 0
2 2 2 0
1 hold bend
3
3
2
2
3 2
3
3
2
2
0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
song.
2 2 2 0
Woo!
2 2 2 0
A5
I wan - na put you in
2
2
1 hold bend
3 2 2
3
2
are.
1 hold bend
3
Yes, you
1 hold bend
3 2
G
And
(Oo,
2 2 2 0
14 14 14 14 14 14 14 14 14 0 0
3 2 0
2 2 2 0
14 14 14 14 14 14 14 14 14 0 0
3 2 0
Gtr. 2
2 2 2 0
2 2 2 0
Gtr. 1
2 2 2 0
6
2 2 2 0
1/2 hold bend
3 4 0
3 4 0
3 2 0
3 2 0
3 4 0
3 4 0
3 2 0
3 4 4 7 0 0
4 0
3 2 0
3 4 0
3 2 0
3 4 4 7 0 0
4 0
3 2 0
3 4 0
7
6
1/2
6
6
2 0
0 0
0 0
0 0 X 5
0 0 X 5
6
6
4
2 2 0
0 0 X 5
0 0 X 5
0 0 X 5
2 2 0
Interlude
A
Em7
if
I
get
it right,
ev - ’ry - bod - y will be sing - in’ a - long.
A5
Oh, yeah.
And when they
ah.
2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Gtrs. 1 & 2
A
see you on the street
2 2 2 0
2 2 2 0
2 0
5
4
0 3 0 2
0 3 0 2
“Hey!
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2 2
2
Gsus2
say,
Oo,
0 3 0 2
Ain’t
they’ll
you the girl
in that
2 0
5
D/F#
song?”
4
hey!)
Gtr. 5 (elec.)
f w/ slight dist. 1
10
10
Gtrs. 1 & 2
2 0
2 2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
5 3 0 0 X 5
3 2 0 X 4
7
Guitar Solo G5
Gsus2
Gtr. 5
1
10
10
3 3 2
1
10
Gtr. 1
1
10
1
10
10
1
1
1
14
12
10
9
17
15
13
12
3 3 2
3 3 2
3 3 2
3 3 2
1
12 15
3 3 2
3 3 2
X X X
10
10
12 15
D/F#
3 2 0
3 2 0
3 2 0
5
Gtr. 2
P.M.
P.M. P.M.
5
5
5
5
5
5
4
4
P.M.
5
5
5
5
5
3 4
10 12
12
3 2 0
P.M.
3 2 0
2 0
4
4
3 2 0
5
4
4
4
4
4
10 11
4
4
10 11
4
10 11
4
4
1
1/2
8 9
7 7
8 9
10 11
10 11
10 11
3 2 0
3 0
3 0 0
3 0 0
3 0
3 0
4
1
10 11
4
10 11
1/2
10 11
10 11
10 11
8 9
7 7
3 2 0
3 0 0
3 0 0 X 5
3 0 0 X 5
3 2 0
5
5
4
Gsus2
1
5
4
P.M.
8
5
0 0
4
5
1/2
10
5
G5
1
5
5
5 3 0
3 3 0
5
X X X
X X X
A
-
na
put
I
wan
1/4
10
7
10
7
10
7
8
7
9
7
7
9
7
4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
7
1/4
you
in
my
1/4
1
7
8
8
8
8
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 0
14 14 12
14 14 12
14 14 12
14 14 12
5
Bm
0 3 4 2
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3
G5
car
and drive,
turn
you
up
Gtr. 5
8
loud,
5
10
D5
roll
10
10
10
12
down
all
the
win - dows and
12
9
shout
it
out.
I’m
Gtr. 5
in
3
with
this
G5
love
A
girl.
Yeah,
if
I
could
press
1
15
0 0 X 5
3 3 0 0 X 5
Gtrs. 1 & 2
1/2
4
Half-time feel Em7
1/2
2 0
play,
2 0
re - wind
2 0
4
a
Gtr. 5
0 0
D/F#
cou - ple mil - lion times,
15
3 3 0 0 X 5
3 3 0 0 X 5
3 3 0 0 X 5
15
14
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
14
i - mag - ine for the mo - ment that you’re
*p
5
all
mine.
Ev -’ry
mp
9
9
*Vol. swell
Gtr. 1
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2
0 3 0 2 2
10
2 0
0 3 2 0
0 3 2 0
0 3 2 0
4
2
Gtr. 2
w/ RotoVibe
3 2 0 4
2
1
14
4
0 3 2 0
night
End half-time feel
G5
I’d drive you
A5
home,
μ
if
I
could put
you
in
a,
let
me
put
you
in
this
1
10 12
10 12
17
2
3 3 0
3 3 0 0 X 5
0 0
2 2 0
2 2 0
14 14
17
RotoVibe off
3 3 0 0 X 5
2 2 0
2 2 0
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
G/D
song.
Gtr. 5
1 1/2
7
D
Ay,
ay,
1/2
9
1
9
7
9
eah.
7
11
Uh,
let
me
put
you
in
G/D
a
song.
2
D
song
a
-
bout
you,
-
Whoa,
a
2
Yeah,
1
1
8 9
yeah.
1
7
2
lit - tle
2
by.
pret - ty
ba
1
0
7
9 10
10 11
Outro-Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)
G/D
Oh,
Gtr. 5
12
12
12
12
12
oo,
oo,
12
12
3 0 0
3 0 0
3 0 0
3 0 0
3 0 0
3 0 0
12
12
12
12
oo.
1/2
12
1
12
Gtr. 1
oh,
1
12
D
12
12
12
12
11
11
9
11
9
3 0 0
3 0 0
3 0 0
3 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 0 0
3 3 0 0 0 0
G/D
Oh,
7
3
2
3 2 0 0
1
3 0 0
3 3 0 0
3 0 0
3 3 2 2 0 0
12
14
12
3 3 3 2 2 2 0 0 0
10
12
3 0 0
12
3 0 0
12
10
12
3 0 0
3 0 0
1
1
1
7
9
10
12
10
12
13
15
3 3 0 0
10
12
3 0 0
3 0 0
3 0 0
17
17
15
14
7 X 5
7 X 5
9 X 7
7 X 5
7 X 5
9 X 7
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
7 X 5
1
4 X 2
Gtr. 2
10
yeah!
G'9
10
oh,
14 12 10
12
0
Gtr. 5
Gtr. 1
3 2 0
3 2 0
3 2 0
3 2 0
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
9 X 7
9 X 7
7 X 5
7 X 5
6 4
6 4
14
16
3 2 0 X 5
4 X 2
13
from Keith Urban - Keith Urban
Roller Coaster Words and Music by Keith Urban and Matthew Rollings G5
D
C
Bb
G/B
F
Eb
C/E
D5
6fr 2
34
132
32 14
1333
1
34
134211
1333
32 1
13
A Fast h = 150 * G7sus4 Riff A Gtr. 1 (elec.)
6
6
6
6
6
f w/ clean tone & wah-wah let ring
0
5
3
3
**
6
*Chord symbols reflect implied harmony.
** = closed (toe down); = open (toe up)
0
3
5
3
5
6
3
1
X
X
1
0
1 1/2
6
let ring
0
8
8
3
let ring
3
6
3
2
1
3
0
3
2
End Riff A
3
3
3
6
6
6
6
6
6
6
6
6
6
6
0
0
0 1
1
1
0
1
1
1
1
1
Copyright © 1999 SONGS OF UNIVERSAL, INC., GUITAR MONKEY MUSIC and ZESTY ZACKS MUSIC All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for ZESTY ZACKS MUSIC Administered by ATLANTIC MUSIC CORP. All Rights Reserved Used by Permission
1
0
1
1
1
1
B
* G5 Rhy. Fig. 1 Gtr. 2 (acous.)
mp
Gtr. 1
3
3
5
6
8
6
7
7
5
3
3
5
4
P.M.
wah-wah off
0
5
3
4
5
3
4
5
3
1
1
3
2
3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
G5
3
3
5
6
8
5
3
3
5
7
4
3
5
4
0
5
7
C
0
7 9
5 7
7
5
6
7
0
D
7 9
5 5
12 12
12 12 10
1/4
5
6
7
7
5
3
5
5
3
1
G5
0
3
5 5
3
3 3
1
2
0
3
0
0
5 5 5
3 3 3
3
3
G5
3
5 5
D
3 3
2
3
2
4
4
P.M.
0
3
2
3
3
4
5
0
2
5
3
3
6
8
7
6
7
5
3
5
3
4
5
P.M. 3
4
5
3 5
G5
3 3
Gtr. 2: w/ Rhy. Fig. 1
End Rhy. Fig. 1
3
3
2
4
3
1
3
1
2
3
D
0
5
Harm. let ring *
3
3
6
8
6
7
7
5
3
3
5
4
5
3
4
5
0
7
5
0
5 7
7
7 9
7 7
X X
7 7
-1/2 *Neck bend
Harm. let ring
7
5
3
7
5 5
5
5 5
3
3 3
D
0
3
1
2
0
3
3 3
3
5 5
5 5 5
3 3 3
3
G5
0
2
3
4
2
4
0
3
2
4
4
3
5
3
3 3
3
5 5
10 10
1
0
P.M.
3 3 1
G5
1/4
6
7
5
C
G5
6
6
C
Gtr. 1 tacet
Bb
Rhy. Fig. 2 Gtr. 2
Gtr. 3 (elec.)
mf
G/B
C
Bb
F
w/ clean tone
1
3
2
C
3
1
3
Eb
1
3
4
5
3
5
3
C/E
1
2 0
0
3
F
D5
End Rhy. Fig. 2
5
3
2
f
1
1
5
3
5
3
5
4
5
5
3
5
3
5
3
5
4
3
6
5
4
D G5
Gtr. 1
0
3
3
5
Gtr. 3
Gtr. 3 tacet
Gtr. 2: w/ Rhy. Fig. 1
6
8
6
7
7
5
3
3
5
4
3
5
3
4
3
5
5
4
3
1
1
3
2
3
3
Gtr. 1
0
3
3
5
6
8
7
6
7
5
3
3
5
4
D
5
3
4
5
0
5
7
0
7 9
5 7
7
Harm. *
7 7
0
-1/2 *Neck bend
G5
7 7
C
1
1
5
5
3
G5
3
4
1
1
6
7
7
0
1
2
0
3
0
0
3
4
2
4
3
3
0
5
7
5
3
5
5
5
3
5 X 2
15 X 12
15
G5
2
7
7
D
1
8
3
5
3
1/4
6
5
12
0
3
E G7sus4
w/ wah-wah
0
3
3
5
6
6
6
6
6
6
6
3
G7sus4
Gtr. 6 (elec.)
f
w/ clean tone 1
15 18
Gtr. 4 (elec.)
f
15 18
w/ clean tone & wah-wah 1/2
5
5
3
Gtr. 5 (elec.)
3
3
f
w/ clean tone 1/2
6
9
Gtr. 1
3
mf wah-wah off
0
5
3
3
6 X X
Gtr. 3
1
X X
X X
5 5
12 12
13
3
5
5
F Gtr. 2: w/ Rhy. Fig. 1 Gtrs. 3 - 6 tacet
G5
Gtr. 1
Riff B
3
X
X
1
2
X
3
X
X
X
1
2
X
X
3
X
X
1
2
X
X
3
X
0
X
1
X
2
3
X
X
1
2
X
3
X
5
X
X
1
2
X
X
G5
3
X
0
X
X
0
X
X
0
2
0
X
0
2
X
X
3
X
1
2
3
X
X
D
X
X
2
3
X
X
X
3
X
X
3
X
0
2
0
6
0
G5
0
X
X
2
0
D
G5
2
0
2
0
3
X
X
2
3
X
End Riff B
5
X
3
4
5 10
Gtr. 1: w/ Riff B Gtr. 2: w/ Rhy. Fig. 1
2
G5
G
X
C
3
X
D
G5
5
G5
D
G5
C
H
Gtr. 2: w/ Rhy. Fig. 2
Bb
G/B
C
Gtr. 1
1
3
Bb
1
F
2
1
3
0
0
2
3
C
3
Eb
0 3
1
3
1
3
C/E
F
6
6
5
5
5
7
8
D5
6
8
5
7
8
8
1
8
7
8
Gtr. 2 Gtr. 1
5
I
D5 Gtr. 2
Gtr. 3
w/ pick & fingers
10 7
7
10
10 7
7
10
10 7
7
10
10 7
7
10
7
10
10
10
7
Gtr. 1
4
5
0
5
4
0
5
5
0
0
5
4
0
2
0
0
0
4
5
0
5
4
0
5
5
5
5
7
5
4
3
7
C
G5
1/2
10
10
7
7
10
7
4
0
5
4
5
0
0
D5
10 7
5
5
0
5
4
7
0
5
10
7
4
5
0
7
7
10
10
4
7
7
10 7
10
10
7
7
5
2
10
0
0
0
7
7
4
5
0
10
10
4
5
9
7
4
0
0
10
7
7
5
5
10
7
0
10
7
5
5
10
7
10
3
10
10
7
7
5
10
10
0
0
4
5
0
2
0
0
0
4
0
5
4
5
0
5
5
5
5
7
5
7
10
7
7
10
10 7
7
10
10 7
7
10
7
7
9
7
9
7
7
1
3
8
5
4
0
7
5
0
9
7
0
10
9
0
12
10
0
14
12
0
15
14
0
14
16
0
1/2
10
4
14
17
15
15
J Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3 tacet
G5
Gtr. 1
0
3
3
5
6
8
3
6
7
7
6
5
3
4
3
5
5
3
3
4
5
3
5
5
4
D
3
1
1
3
3
3
2
3
G5
grad. bend
1 1/2
1
0
3
3
5
6
8
6
7
7
6
5
3
3
4
4
5
3
5
4
0
C
5
7
5
3
3
4
5
3
3
4
5
6
5
3
3
3
1
1
3
1
3
3
6
5
6
3
6
3
3
3
6
1
3
3
5
6
3
3
5
6
3
5
17
0
5
3
1
1
6
D
3
1
5 3
G5
7
7 9
3
6
5 7
G5
P.M.
7
0
3
3
5
6
8
6
7
7
5
3
3
5
4
5
17
P.M. 3
4
5
4
3
1
3
1
2
D
0
3
5
3
3
5
6
8
7
6
3
7
6
5
3
3
4
4
5
3
G5
1/2 hold bend 10 3
5
4
0
7
5
0
7
7 9
0
10
10
10
10
10
10
10
10
10
10
10
10
10
9
C
1/2
10
10
10
10
2
2
2
0
11
10
5
1
2
8
10
2
1
0
1
0 7
9
9
D
1 hold bend
3 3
2
2
5
0
3
4
G5
Gtr. 2: w/ Rhy. Fig. 1 (last 4 meas.)
Gtr. 2
10
10
9
G5
10
1 hold bend
10
2
2
1 hold bend
8
1 hold bend
3 3
8
G5
10
10
D
1/2
10
G5
2
3
2
0
D5
3
3
X
2
X
X
(cont. in notation)
3
X
4
X
3
5
K Gtr. 1: w/ Riff A
G7sus4
Gtr. 2
8
6 6
Gtr. 2
1 1 0 0 X 3
10
Play 3 times
F5
wah-wah off 1 6
1 1 0 0 X 3
Gtr. 1
5
3
5
5
3
5
5
3
5
3
5
3
5
4
3
6
3
1
3 1
G5 μ
3
5 3
from Keith Urban - Days Go By
Somebody Like You Words and Music by John Shanks and Keith Urban E5
114
Intro Moderately q = 116
μ
Gtr. 1 (dist.)
*
mp
w/ sustainer & heavy reverb
17
*Vol. swell
**Gtr. 2
Riff A
mf let ring
8
0
9
0
0
0 9
11
0
0
11
**Banjo arr. for gtr.
G#
16fr
Gtr. 4 (slight dist.)
mf
steady gliss.
17
End Riff A
let ring
11 13
0
0
0
0 13 14
0 14
0
8
9
0
0
0
0 9 11
0 11
0
11 13
0
0
0
0 13 14
© 2002 WB MUSIC CORP., DYLAN JACKSON MUSIC, SONGS OF UNIVERSAL, INC. and GUITAR MONKEY MUSIC All Rights for DYLAN JACKSON MUSIC Administered by WB MUSIC CORP. All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
0 14
0
1
Gtr. 2: w/ Riff A (2 times)
E5
1. There’s
a
8va
Gtr. 6 (dist.)
mp
*
w/ sustainer & heavy reverb
19
*Vol. swell
Gtr. 1
17
Riff B Gtr. 5 (slight dist.)
End Riff B
mf
P.M.
6 7 7 7 7
Gtr. 3 (slight dist.)
mf
2 5 4 2 2 0
2
6 7 7 7 7
7
7
6 7 7 7 7
6 7 7 7 7
7
7
6 7 7 7 7
6 7 7 7 7
7
7
6 7 7 7 7
6 7 7 7 7
7
7
Verse Gtr. 4 tacet Gtr. 5: w/ Riff B (4 times)
Gtr. 6 tacet
*E5
new
wind
blow - ing like I’ve
nev - er
known.
I’m
breath - ing
deep - er than I’ve
ev - er
done.
And it
8va
Gtr. 1
19
Gtr. 5
17
Gtr. 2
0 0
Gtr. 3
0 *Chord symbols reflect overall harmony.
3
Gtr. 3 tacet
A5
sure
E5
feels
good
Gtr. 7 (dist.)
to
fi - n’lly feel the way I
do.
Now, I wan - na
8 9
9
mp * w/ heavy reverb
9
*Vol. swells
Gtr. 1
17
16
Gtr. 2
Harm.
12
Gtrs. 2 & 7 tacet
B5
love
12
Gtr. 2: w/ Riff A
A5
some - bod - y,
E5
love
some - bod - y like
you.
2. And I’m let - ting
Gtr. 1
17
Gtr. 5
19
End Riff C
Riff C
P.M.
2
4
2 2 2
2
2 2 2
2
2 2
0
0 0 0
0
0 0 0
0
0 0
6 7 7 7 7
6 7 7 7 7
7
7
6 7 7 7 7
6 7 7 7
7
7
7
Verse Gtr. 1 tacet Gtr. 5: w/ Riff B (1 1/2 times)
E5
go
of
all
my
yes - ter
-
Gtr. 3
let ring
0 0 9 9 7 0
takes I’ve
Gtr. 4
E5
lone - ly
E,7
days.
I’ve
for - giv
0 0 8 9
0 0 9 9
0 0 9 9
-
en
my
-
self
for
the
mis -
0
made.
A'9
Now there’s
just
one
thing,
the
on - ly
do.
thing
I
wan - na
9
Gtr. 5
7
6 7 7 7 7
7
6 7 7 7 7
P.M.
6 7 7 7 7
6 7 7 7 7
7
Gtr. 3
let ring
0
0 0 6 7 0
6 7 7 7 7
7
6
6 7 7 7 7
7
7
7
5
Gtr. 2: w/ Riff A Gtr. 4 tacet
E
Mm,
I
wan - na
hmm.
Bsus4
love
some
-
bod - y,
love
Gtr. 5
P.M.
6 7 7 7 7
Gtr. 3
6 7 7 7 7
7
7
6 7 7 7 7
6 7 7 7 7
7
2
0 0 4 4 2
0 0 1 2 2 0
Gtr. 2: w/ Riff A
Asus2
some
Gtr. 4
bod - y
Gtr. 5
0
Gtr. 3
0 0 2 2 0
6
-
like
E5
you.
Yeah,
9 X 7
9 X 7
0 0 9 9 7
0 0 9 9 7
9 X 7
9 X 7
9 X 7
9 11 X 7 9
0 0 9 9 7
9 X 7
9 11 X 7 9
11 11 X X 9 9
11 X 9
11 X 9
0 0 9 9 7
11 11 X X 9 9
0 0 9 9 7
11 X 9
11 X 9
I
wan - na
feel
the
11 13 13 13 13 X X X X 9 11 11 11 11
14 14 X X 12 12
13 14 X 11 12
14 X 12
14 X 12
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
11 13 13 13 13 X X X X 9 11 11 11 11
13 14 X 11 12
14 14 X X 12 12
14 X 12
14 X 12
Chorus
A5
sun
-
Rhy. Fig. 1A
shin - ing down on
me
and
E
B'11
Rhy. Fig. 1
E
you.
13 13 13 X X X 11 11 11
11 11 11 X X X 9 9 9
0 0 1 2 2 0
0 0 2 2 0
2 2 0
A'9
0 0 2 2 0
2 2 0
*Gtrs. 3 & 5
shine
Gtr. 4
Asus2
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
9 X 7
9 X 7
0 0 1 2 2 0
0 0 1 2 2 0
*Composite arrangement
When you
put
your arms
A5
a
-
2 2 0
9 X 7
0 0 1 2 2 0
round
1/4
2
4
4
2 2 0
Asus2
me,
you
let
me know there’s noth - ing
in
this
End Rhy. Fig. 1A
End Rhy. Fig. 1
0 0 2 2 0
0 0 2 2 0
7
Gtr. 1 tacet
world
C#m7
I
Gtr. 4
can’t
F#m11
do,
oo,
oo.
3. I
used
to
1
2
2
2
2
Gtr. 1
6
4
X
5
Gtrs. 3 & 5
0 0 6 6 4
6
X X
0 0 2 2 X 2
Verse Gtr. 3 tacet Gtr. 5: w/ Riff B (3 times)
E5
run
in
cir - cles,
no - where
go - ing
Gtr. 4
1
8
fast.
I’d
take,
ah,
one
let ring
7
9
9
step
for - ward, end
up
A5
two steps
back.
I
w/ pick & fingers
9 9
Gtr. 3
10 11
could - n’t
Gtr. 4
walk
a straight
line
e
-
ven
if
I
want - ed
to.
12 13
let ring
0 X 6
Gtr. 2: w/ Riff A
E5
Mm,
Gtr. 4
hmm.
I
wan - na
love
B
Gtr. 3
12
12
12
7
0 2
4
4
6
6
bod - y,
love
7
let ring
2
-
4
Harm.
12
some
4
4 4 4 2
7
Gtr. 5
P.M.
6 7 7 7 7
6 7 7 7 7
7
7
6 7 7 7
7
6 7 7 7 7
7
7
2
2
2
2
0
9
Gtr. 2: w/ Riff A
some
Gtr. 8 (dist.)
-
bod - y
like
μ
E5
Whoa,
you.
here we go,
Asus2
now.
f Harm. *
14 14.6 14.6 14 Pitch: D *Harm. located six-tenths the distance between the 14th & 15th frets.
Gtr. 4
Gtr. 3
0 0 2 2 0
9 X 7
9 9 X X 7 7
9 X 7
9 9 X X 7 7
9 11 X 7 9
9 11 X 7 9
11 11 X X 9 9
11 11 X X 9 9
11 X 9
11 X 9
11 X 9
11 X 9
11 13 13 13 13 X X X X 9 11 11 11 11
11 13 13 13 13 X X X X 9 11 11 11 11
Gtr. 5
2 2 0
10
2 2 0
2 2 0
6 7 7
7
6
7
7
7
0
14 14 X X 12 12
13 14 X 11 12
0
13 14 X 11 12
9 9 7
9 9 7
9 9 7
14 X 12
14 X 12
14 14 X X 12 12
14 X 12
9 9 7
9 9 7
14 X 12
0
Guitar Solo Gtr. 4 tacet
E5
Go!
Gtr. 8
Yeah.
1
12
12
12
11
11
11
11 9
let ring 1
12 9
11
11
0 0 9 9 7
0 0 9 9 7
X X X X X
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
12
11
11
0
X X X X X
0 0 9 9 7
X X X X X
11
11 9
1
12 17
X X X X X
12 9
1
0 5
0
*Gtrs. 3 & 5
0 0 9 9 7
11
X X X X X
X X X X X
X X X X X
X X X X X
0 0 9 9 7
*Composite arrangement
Hey,
I wan - na love you, ba
12 9
11
0 0 9 9 7
0 0 9 9 7
-
by.
11
0 0 9 9 7
0 0 9 9 7
18
17
16
16
16
oh.
let ring
let ring
let ring
let ring
0 0 0 0 0 0 0 0 0 0 0 0 16 14 14 14 12 12 12 12 10 10 10 10 9 9 9
16
0 0 9 9 7
0 0 2 2 0
0 0 2 2 0
0 0 9 9 7
Oh,
let ring
12 9
Asus2
1/2
0 0 9 9 7
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
let ring
0 9
7
0 7
let ring
0 7
0 7
0 5
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 5
0 0 2 2 0
11
E5
Bsus4
5 6
4
P.H. grad. bend 1
0
X X X X X
4 2
4
X X X X X
0 0 9 9 7
0 0 9 9 7
Asus2
2
4
4
2
1
1
4
4
12
1
9
0 0 2 2 0
12
X X X X
4
9
X X X X
4
9
2
0 0 9 9 7
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
X X X X
1
1/2
5 4
I
wan - na
feel
grad. release
1
4
4
4 2
4
Yeah,
4 4 4
E5
D
0 0 9 9 7
1
4
Pitch: C#
1
4
4
4
13
12
12
15
X X 16
0 0 2 2 0
0 0 2 2 0
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
the
Chorus Gtrs. 3 & 5: w/ Rhy. Fig. 1 Gtr. 4: w/ Rhy. Fig. 1A Gtr. 8 tacet
A5
sun
-
world
Gtr. 4
0 0 6 X 4
Gtrs. 3 & 5
0 0 6 6 4
C#m7/D#
put
I
0 0 8 X 6
0 0 9 X 7
-
down
on
me
and
round
F#m11
Asus2
well,
E
B'11
A'9
ba -
by, there ain’t noth - ing
E
you.
me,
oo,
in
this
oo.
4. Some -
2 2 4 4 2
0 0 6 6 4
0 0 2 2 X 2
0 0 6 6 4
do,
A5
a
C#m7/E
your arms
can’t
shin - ing
shine
When you
C#m7
Asus2
Verse Gtrs. 4 & 5 tacet
E5
times
it’s
hard
for
me
to
un - der
-
stand,
but you’re
teach
Gtr. 2
-
ing
me
to
be
a
let ring
8 9 9 7
9
8 9 7
7
9
8 9 7
8 9 9 7
9
8 9 7
7
9
8
8 9
8 9 9 7
9
8 9 7
7
9
9 7
13
A5/E
bet - ter
man.
Gtr. 4
I don’t want
to
take
this
life
for grant
-
to
ed
like
I
used
do.
**
13
**Vol. swells
Gtr. 2
let ring
8 9 9 7
Gtr. 3
8 9
9
7
*
7
14
14
9
9
8 9 9
7
7
7
7
8 9 7
7
7
8 9
8 9 9
7
7
7
7
7
8 9 7
7
7
9 7
9
*Vol. swells
Gtr. 5: w/ Riff B
E5
No,
13
13
let ring
8 9 9 7
14
9
13
11
11
8 9 7
7
9
I
wan - na
B5
love
some
-
13
8 9 7
no.
11
Gtr. 4 tacet Gtr. 5: w/ RIff C (2 times)
11
13
bod - y,
love
11
8 9 9
7
9
8 9 7
7
9
Riff D
9
8
9
8
9 8
7
9
9
7
A5
some
-
bod - y
E5
like
you.
Gtr. 1
I’m
read - y
to
love
*
19
17
*Vol. swells
Gtr. 2
let ring
8 9 9 7
Gtr. 3
7
0
Gtr. 2: w/ Riff D (1 1/4 times)
Bsus4
some
-
bod - y,
8 9 7
7
9
8 9 7
8 9 9
9
7
9 8
7
7
9
End Riff D
7
let ring
0 0 9 9 7
8
Asus2
love
Gtr. 4 tacet
some
Gtr. 1
9
-
bod - y
like
Esus2
you.
Mm.
17
Gtr. 4
6
8
Gtr. 3
0 0 4 4 2
6
0 0 2 2 0
0
7 7 9 9 7
15
And
Gtr. 8
I wan - na
Bsus4
love
some - bod - y
Gtr. 1 tacet
Asus2
love
some - bod - y
like
you,
17
Gtr. 1
8va
19
19
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 2 2 0
0 0 2 2 0
*Gtrs. 3 & 5
Gtr. 3
7 7 9 9 7
*Composite arrangement
Interlude E5
Gtr. 8
10
12
Gtrs. 3 & 5
12
12
10
12
14
14
let ring
9 9 7
16
A'9/E
0 0 9 9 7
10
12
0
16
16
0
17
16
19
17
19
17
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
E5
Asus9/E
yeah.
10
Ah.
12
12
12
10
14
12
0 0 9 9 7
16
16
A'9
16
16
16 17 16
19 17 19
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
love you, ba
8va
17 16
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
10
12
0
12
12
10
12
14
14
let ring
X X X
0 0 9 9 7
10
Woo!
10
12
loco
12
12
10
14
0 0 9 9 7
0 0 9 9 7
no, no,
no.
12
14
12
A'9
by.
Yeah,
0
huh.
17
-
17
17
19 17
E5
1
0 0 9 9 7
12
I wan - na
Uh,
12
10
10
14
0
Hey,
E5
16
16
0
1
17 16
0
0
19 17
0 0 6 7 0
0 0 6 7 0
19
19
0 0 6 7 0
17
Interlude Gtr. 2: w/ Riff A (11 times) Gtr. 3 tacet
E
E
* **w/ delay 1/2
17
16
*Vol. swells **Set for quarter-note regeneration w/ 1 repeat.
16
0 0 1 2 2 0
C#m7
16
Asus2
14
Bsus4
Gtr. 8
3
3
1 7
1 7
1 7
grad. release
1 7
1 7
1
7
7
16
Gtr. 5
mp
***
5
4
w/ tremolo
0 0 2 2 0
0 0 4 4 2
5 4 6 4 ***Vol. swells
C#m7
1/2
4
4
3 3 3 3 3 † let ring let ring 1/2
B
6 4
6
6
4
5
7
9
Asus2
7
7
9
5
7
5
6
4
6
5
5
7
7
†Refers to 4th str. only.
let ring
0 4 X 4
18
0
let ring
4 2
let ring
0 0
0
tremolo off
D5
Whoa,
Gtr. 8
grad. release 1/2
7
*Gtrs. 3 & 5
7 5
7 5
7 5
7 5
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7
7
7 7 5
7 7 5
yeah.
7 5
E5
5
3
4
2
7 7 5
7 7 5
0
X X X
0 0
2
7 7 5
Woo!
9 9 7
X X X
f
X X X
0
X X X
0 0 9 9 7
0
*Composite arrangement
D%/E
Whoa,
1
0 0
0 0 9 9 7
7 7 7 7 X X X X 5 5 5 5
0 0 7 7 5
0 0 7 7 5
yeah.
1/4
7
7
5
0 0 7 7 5
Asus2
Whoa,
I
grad. bend 1 hold bend
0 0
wan - na
7
7
7
7
7 7
7
5
6
5
7
5
7
Rhy. Fig. 2
6 0
X X X X X X
0
0 0 9 9 7
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
End Rhy. Fig. 2
0 0 2 2 0
19
Outro Gtr. 2: w/ Riff A (till fade) Gtrs. 3 & 5: w/ Rhy. Fig. 2 (till fade)
E5
be
the
in
man
the
mid - dle
of
the
night,
shin - ing
like
it’s
Asus2
true.
Wan - na
Gtr. 8
5
2
E5
be
the
man
that you run
to
and
nev - er
come
un
-
2
4
4
Asus2
glued.
When
2
let ring
5 4
let ring
5 6
6
4
5 4
7
0
E5
ev
- ’ry - thing
that
hurt
some - one
fi - n’lly
found
its
way.
And
5 4 2
E5
wan - na
0
20
be
the
bet - ter
man
Asus2
4
2
4
and
see
it
in
all
day,
yeah,
4
you
Asus2
I
2
steady gliss.
7
4
11
E5
Asus2
Oh,
14
14
12
10
12
12 10
12
14
10
16
12
16 16
yeah.
1/2
16
16
19 17 19
17
10
12
12
12
Asus2
10
Hey,
16
12
I wan - na
16
E5
love you, ba 8va
-
loco
17
17
19 17
E5
12
10
8va
1 hold bend
1 hold bend
19 19
1 sim.
19 19
1
10
12
yeah,
16
16
na, na, na,
1
19 19
14
na, na,
1
19 19
na,
1
19 19
14
17 16
yeah.
19
19
na,
12
Asus2
oh,
14
17
Asus2
Oo,
Oh,
12
12
10
by.
1
17 16
14
12
10
Begin fade
yeah,
1/2
12
yeah.
E5
1
19 19
na, na,
na,
1
19 19
na.
1
19 19
1
19 19
19 19
19
Fade out
E5
Asus2
Oo,
8va
1
19
1
19 19
1
19 19
1
19 19
1
19 19
1
19 19
1
19 19
1
19 19
yeah,
1
19 19
3
yeah.
1
19 19
1
19 19
19
21
from Keith Urban - Love, Pain & The Whole Crazy Thing
Stupid Boy Words and Music by Sarah Buxton, Dave Berg and Deanna Bryant
Gsus2
3
Dsus2
14
12
A
Asus4
111
113
Bm
G5
13421
3
D5
11
12
A5
B5
D/F#
11
134
3
D/A
12
312
Drop D tuning, capo I: (low to high) D-A-D-G-B-E
Intro Slowly q = 76 G
D
A
Rhy. Fig. 1 Gtr. 1 (acous.) *
mp
X X X X
X X X X
3 2 0 0 0
3 2
0
4
2 2 2 0
2 2 2 0
X X X X
X X X X
2 2 2 0
2 0
0
let ring throughout
2 0 X 5
4 0 X 5
4
*All music sounds a half step higher than written due to capo.
G
D
2 0 X 5
X X X X
X X X X
3 2 0 0 0
4 0 X 5
4
Verse G5
3 0
2
1. Well, she
4
2 0
0
was
pre - cious
3 3 0 0 X 5
X X X X X X
X X X X X X
0 3 2 0 0 0
2 2 2 0
2 2 2 0
End Rhy. Fig. 1
2 2 0
2 2 0
4 4
2 0
2 2
2 0
0
A
like
a
flow
Rhy. Fig. 2
3 3 0 0 X 5
0
Dsus2
A 3
0
0 3 2 0 0 0
-
er.
She grew
2 2 2 0
2 2 2 0
X X X X
X X X X
2 2 2 0
0
2 2 2 0
Copyright © 2006 SONGS OF UNIVERSAL, INC., SONG PLANET, CAL IV SONGS, BERGBRAIN MUSIC and BIG LOUD SONGS All Rights for SONG PLANET Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for CAL IV SONGS and BERGBRAIN MUSIC Controlled and Administered by CAL IV ENTERTAINMENT, LLC, 808 19th Avenue South, Nashville, TN 37203 All Rights for BIG LOUD SONGS Administered by BIG LOUD BUCKS All Rights Reserved Used by Permission
wild,
1
G5
G5
3 3 0 0 X 5
X X X X X X
X X X X X X
A
3 3 0 0 X 5
0 3 2 0 0 0
in - no
0
0 3 2 0 0 0
per - fect
3 3 0 0 X 5
X X X X X X
X X X X X X
prayer
0 3 2 0 0 0
- ’ry - thing
3 3 0 0 X 5
Pre-Chorus Gsus2
-
in
a
3 3 0 0 X 5
X X X X X X
X X X X X X
Dsus2
Riff A
des - p’rate
0
0 3 2 0 0 0
0 3 2 0 0 0
p
2
2 2 2 0
2 2 2 0
0 2 2 0
ho
-
ur.
0
0 3 2 0 0 0
3
2
3
0
3 4
2 2 2 0
2 2 2 0
3
2 2 2 0
D/A
2 2 2 0
2 2 2 0
4
2 2 2 0
A
and
w/ clean tone let ring
2
A
2 2 2 0
2 2 2 0
2 2 2 0
can’t
3 4
fence
2
She
was
0
2 2 2 0
Stu - pid
A
2
4
3
dif - f’rent.
you Gtr. 2 (elec.)
A
cent.
beau - ti - ful
D/A
A
Dsus2
Gtr. 1
but
G5
A
Dsus2
ev
wild
3 3 0 0 X 5
Dsus2
that
in.
End Rhy. Fig. 2
boy,
(cont. in slashes)
Stu - pid
boy, End Riff A
Gtr. 2: w/ Riff A
Gsus2
Dsus2
it’s like
Gtr. 3 (elec.)
Asus4
hold
-
in’
the
back
wind.
She
laid
p w/ dist.
5
Chorus Gsus2
Dsus2
Rhy. Fig. 3
her
heart
A
and
soul
right
in your
Asus4
7
A
hands,
and you
stole
7
Gsus2
Dsus2
her
ev
-
’ry
dream
open 2fr. open
A
and you crushed
her
A
B
D
plans.
She nev - er
* 1/2
6
1/2
6
1/2
6
1/2
6
1/2
6
1/2
6
6
4
*Vol. swell
3
Gtr. 3 tacet
Gsus2
e - ven
knew
Dsus2
she
had
a
choice,
4
and
that’s what
she
hap - pens
when
the on
ly voice
-
2
Dsus2
Gsus2
A
4
Bm
A
hears
is
tell - ing
her
she
Asus4
A
can’t.
End Rhy. Fig. 3
Stu - pid
boy,
Gtr. 1: w/ Rhy. Fig. 1
G
D
A
stu - pid
Gtr. 3
mp 1
8
Gtr. 2
8
7
let ring
2
4
3
2
3
2
3
0
9
9
1
7
9
boy.
9
G
D
A
2. So,
grad. bend
1
8
8
8
7
9
1
7
9
9
9
7
let ring
2
3
3
2
0
3
2
Verse Gtr. 1: w/ Rhy. Fig. 2
G5
Dsus2
what
made
you
think
A
you
could
take
a
life
and just
*
grad. bend 1
7
4
4
*Vol. swell
4
0
5
G5
Dsus2
push
it,
A
push
it
a
-
D/A
A
round?
3
3
2
2
2
2
2
2
*
4
2
*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings while the pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.
2
G5
Dsus2
I
guess
to
build your
-
self
up
3
2
high,
2
A
so
you
had
4 4
2 2
to
take
1/2
4 4
let ring
*
3 5
2
4
0
0
0
4
*Vol. swells
Gtr. 3 tacet
G5
Dsus2
her
and break
her
Gtr. 2
let ring
0 5
6
0 0
A
D/A
down,
A
oh.
2 2 0
2 2 0
mf
2 2 0
Well, she
2 2 0
2 2 0
laid
(cont. in slashes)
2 2 0
2 2 0
Chorus Gtr. 1: w/ Rhy. Fig. 3
G5
Gtr. 2
her Gtr. 4 (elec.)
D5
Rhy. Fig. 4
and
3 3 0
3 3 0
2 3 2
G5
Rhy. Fig. 4A
heart
A5
soul
right
hands,
and you
mf
in your
0 3
5
stole
w/ dist.
her
ev
3 3 0
3 3 0
2 3 2
e - ven
knew
let ring
5
2
dream
and you crushed
her
0 3
had
a
let ring
3 4
2
B5
choice
and
5
that’s
what
4
4
7 7
7 7
7 7
6 7
4
2
hap - pens
3
She nev - er
let ring
3
plans.
6
3
A5
D5
she
’ry
7
7
D5
-
G5
3
A5
when
let ring 2
-
ly
the
2
on
voice
2
7
G5
D5
A5 End Rhy. Fig. 4
she
hears
is
tell - ing
her
she
8
10
8
7
3 3 0 0 X 5
3 2 0
And you,
stu - pid
boy,
Gtr. 4
can’t.
Gtr. 3
5
2 2 0
2 2 0
5
End Rhy. Fig. 4A
7
7
5
Bridge Gtrs. 3 & 4 tacet
G5
Bm
Gtr. 1
A
oh,
you
al - ways had
to
be
right,
but now you
(Ah.
Gtr. 2
let ring
3
2
5
4
G5
lost the Ah.)
Gtrs. 2 & 4
-
on
D/F#
ly
thing
that
ev - er
let ring
5
8
2
3 5
4
2
3
2
0
4
A
made
2 2 2 0
2 4
you
feel
a
-
live,
2 2 2 0
2 2 2 0
2 2 2 0
(Gtr. 2 cont. in slashes)
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Guitar Solo Gtr. 4 tacet
G5
Bm
Gtrs. 1&2
A
oh.
8va
Gtr. 3
f
1
15
G5
15
Bm
14
1/2
14
14
12
12
12
12
10 11
9
7
9
15
yeah.
10
11
10
10
10
11
12 15
10
12
loco
3
Yeah, 1 1/2
1
12
A
15
1
grad. bend
Well, she
laid
10
11
10
12
Chorus Gtr. 1: w/ Rhy. Fig. 3 (1st 7 meas.) Gtrs. 2 & 4: w/ Rhy. Figs. 4 & 4A
G5
heart
and
soul
right
A5
her
D5
in
your
hands,
1 1/2
12
G5
D5
her ev
-
’ry
dream
and
you crushed
10
1
12 12
12
12
3
1
15
15
10
15
and you
Yes, you did.
She
1
15
stole
11
1 15
10
plans.
1 15
hold bend
her 8va
yeah,
A5
15
nev - er
loco
1
15
15
1 1/2
15 15
9
G5
D5
B5
knew
she
had
a
choice,
and
that’s
15
G5
D5
she
hears
tell - ing
when
the
on
-
ly
voice
14
14
A
she
can’t.
grad. release
grad. release
her
A5
1/2
Gtrs. 1, 2 & 4
hap - pens
is
1
what
e - ven
You
stu - pid
boy,
10
10
Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3 tacet
G
D
G
A
D
Gtr. 3
mp
oh,
I’m
the
same
1
5
5
5
5
same
old
A
1
5
old,
5
3
w/ fingers 1
1
5
5
5
stu - pid
boy.
2
3
2
4
2
Verse Gtr. 3 tacet
Gsus2
Gtr. 1
3. It
10
Dsus2
took
a
while
for
her
to
fig - ure
A
out
she could run.
But when she
did,
Freely
Dsus2
she
Gtr. 1 tacet
Asus4
μ
Gsus2
was
long
gone,
long
G
D
gone.
Outro A tempo
Gtr. 3
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
G
D
A
A
mp
*
w/ fingers 1
5
5
*Vol. swell
G
D
A
G
D
A
Gtr. 1
1/2
3
2
1/2
2
1/2
2
2
2fr. open
A
A
D/A
Oh,
7
B
she’s
2
D
open
2
gone.
4
3
3
Gtr. 1: w/ Rhy. Fig. 1 (till end)
G
D
A
G
D
Gone, gone.
Gtr. 3
3
Gtr. 2
5
p 10
10
10
10
9
2
2
2
3
10
10
10
10
2
5
2
9
11
A
Mm,
yeah,
G
D
2
5
7
7
9
D
Yeah,
10
10
G
10
10
10
7
5
3
5
7
7
9
7
7
10
5
A
oh.
1/2
grad. release 1/2
3
she’s gone.
A
7
8
7
5
w/ pick
7
9
11
10
10
(cont. in slashes)
10
10
10
10
10
10
12
mf Gtr. 3 G5
D5
Gtr. 2: w/ Rhy. Fig. 5 (2 1/2 times)
A5
Rhy. Fig. 5
G5
8
10
Gtr. 2
10
12
D5
End Rhy. Fig. 5
10 12 10
10 10
8
7
9
7
1
9
9
7
9
7
8
10 12 10
10
10
12 10
A5
12
10
10
12
12
hold bend 1
12 12
12
A
10
G5
G5
15
15
15
15
17
D5
15
17
15
D5
15
Gtr. 2
14
14
14
16
14 15
15
15
1
15 14 15 17
End Rhy. Fill 1
Oh,
14
A5
Rhy. Fill 1
1 1/2
17
17
oh,
17
and no
1
15 17
14 15
Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)
G5
D5
one’s ev - er gon - na
love me like she loved
1
15
15 15
A5
me.
1
15
14
12
14
me, she
loved
me.
God,
1/2
15
And she loved
3
1
15
14 12
15
3
14
16
14 15 17 15 14
16
14
Gtr. 2: w/ Rhy. Fill 1
G5
D5
please
just
let her know
16
A5
I’m
sor
-
14 16
15
17
17
1 1/2 17
ry,
I’m
sor
-
ry, I’m sor - ry, I’m sor - ry,
grad. bend 1
17
17
1
15
17
17
17
10
10
13
Gtr. 2: w/ Rhy. Fig. 5 (2 times)
G5
ba
-
D5
by.
12
10
14
10
10
10
12
10
15
10
14
10
10
10
12
10
10
14
10
A5
10
12
10
14
10
10
14
10
10
15
10
Yeah,
I’m
12
10
10
G5
14
10
10
12
down on
my
knees.
10
14
10
15
10
14
10
10
10
12
10
14
10
10
12
10
10
12
10
10
14
10
12
D5
10
10
14
10
10
12
10
14
10
15
10
14
10
10
10
12
10
10
14
10
10
12
10
14
10
15
10
14
10
A5
She’s
nev
-
er
com
-
ing
back
to
10
me.
8v a
6
15
14
10
10
14
10
14
15
14
10
14
10
14
15
10
14
15
10
14
15
10
14
15
10
14
15
10
12
10
14
10
15
G5
Gtr. 3
8va
D5
15 15
1
15 15
3 3 0 0 X 5
15 15
1 15
1 15
1 15
3 2 0 0 0
Gtr. 2: w/ Rhy. Fig. 5 (till end)
G5
loco
1
15 15
3 1
Gtr. 2
Gtr. 3
1
1
15
A
D5
14
14
6
grad. release 3/4 15
6
15
15
15
15
15
6 6 7 X X X 4 4 5
7 X 5
9
12
10
12
1/4
15
15
15
15
15
15
15
15 15 15
15
9 X 7
7
9 X 7
A5
15
3
12
9 X 7
1
1
14
6
1/2
14
1/2 14
12
12
10
9 X 7
12
19
Begin fade G5
4
D5
4
2 2
2 2
4
D5
3
3 2 0
3
0
0
3
4
0
4
4
2
2
3
2
0 0
1/4
2 0
G5
0 0
A
3 2 0 0 0
5 5 5
1/2
3 2 0 0 0
5 5 5
3
A
D5
G5
3
0
0
1/4
0
3
Fade out
A
hold bend 1/2
3 2 0
0
2
4
2
5 4
4
4
2
0
4
2
0
3
0
15
from Keith Urban - Defying Gravity
’Til Summer Comes Around Words and Music by Monty Powell and Keith Urban Fsus2
Intro 3 3 Slow q = 64 =
Gtr. 1 (elec.)
G5
T3 4 1 1
2
Am
34
231
μ
(Fairground sound effects)
(20 sec.)
*p **w/ clean tone & delay w/ ebow
8
*Vol. swell **Delay set for eighth-note regeneration w/ 3 repeats.
Gtr. 2 (elec.) (20 sec.)
*** p †w/ clean tone & delay w/ ebow
10
***Vol. swell †Delay set for eighth-note regeneration w/ 3 repeats.
††Am Gtr. 1
F
G
8
7
10
8
mf 8
Gtr. 2
7
mf 10
Gtr. 3 (elec.)
mf
†††w/ clean tone & delay w/ fingers
0 0
1 2
0 0
let ring
1 2
3
0 0
1 2
0 0
1 2
0 3
1 3
8
1 2
3 4
12
12 12
13 14
12 12
15 15
17 17
12
0
††Chord symbols reflect overall harmony. †††Delay set for eighth-note regeneration w/ 1 repeat.
Copyright © 2008 UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC., EDEN VALLEY MUSIC, SONGS OF UNIVERSAL, INC. and MARY ROSE MUSIC All Rights for EDEN VALLEY MUSIC Controlled and Administered by UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC. All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
1
Am
F
G
8
10
8
7
10
8
let ring
0 0
1 2
0 0
1 2
0 0
3
1 2
Am
0 0
0
1 2
3
10
8
7
10
8
let ring
0 0
2
1 2
0 0
1 2
3
0 0
1 2
8
Harm. let ring
3 4
12 7
12 7
G
8
7
1 2
1
3
F
0 0
1 2
0 3
1 3
8
let ring
1 2
3 4
2
7
Verse Gtr. 1 tacet
Am
1. An - oth - er Gtr. 2
F
long
come
and
sum - mer’s
Gtr. 2 tacet
G
gone.
10
Gtr. 3
let ring
5 5
Am
3 4 5
F
Gtr. 3
it al
-
let ring
1 2
I don’t know why
ways
G
ends this
Am
way.
5
3
4
5
F
The board - walk’s qui - et and the car - ni - val rides
* 1
5 5 5 7
3 4 5
1 2 3
3
1
2
2
3
*Vol. swell
G
Fsus2
are as emp - ty as my
bro
G5
-
ken
to
heart,
-
night.
10
Gtr. 3
3 4 5
3 4 5
12 12 12
0
1
End Riff A
10
let ring
3
But I
Riff A
Gtr. 2
let ring
3
0 3
5
3
0
3
Chorus Gtr. 2 tacet
F,7
Close
my
eyes
Gtr. 3
and one
C
more time
1 0 3
3 1 0 2 3
G5
we’re spin - ning
a - round
and you’re hold - ing
on
tight
-
ly.
The
3 0 0
3 3 0 0
let ring
0 1 2 3
3 3 0 0
0 0 X 3
3 0 0
3 0 0
Gtr. 4 (elec.)
mf
3
X
w/ clean tone w/ fingers
Gtr. 5 (elec.)
0 0 X 3
0 3 3 1
2
3
mf
let ring w/ clean tone
I kissed your mouth,
no
F,7
words came out
C
G5
Fourth
of
let ring
0 1 2 3
0 3 3 1
let ring
0 3
4
3 1 0 2 3
3 1 0 2 3
0 1 2 3
2 3
3
let ring
1 0 2
3 3 0 0 X 3
0
Ju - ly
has
ev - er burned
3 3 0 0
so
bright
-
ly. You
3 3 0 0
3 3 0 0
3
0
0
3
Harm. let ring
12 7
F,7
had
to
go
I
C
un - der - stand,
G5
but you prom
-
3 3 0 0 X 3
3 3 0 0
3 3 0 0
3 3 0 0
1 0 3
3 1 0 2 3
1 0 0 3
0 3 3 1
0 2 3
0 0 3
0
0 2 3 3
0 X 3
let ring
1 1 2 3
F,7
’round
this
3
0 1 2 3
3
1
1
0
3
3
0 3
5
0
let ring
0
3 3 0 0
’til
wan - der
0 X 3
town,
I
G
And so
a - gain.
ised you’d be back
0
sum - mer
comes
2
a - round.
3
3 4 5
1 2 3
2
0
5
Interlude Gtr. 5 tacet
Am
F
G
Oo,
8va
Gtr. 1
oo.
*p
mf
17
*Vol. swell
Gtr. 2
** p
mf
10
**Vol. swell
Gtr. 3
let ring
0 0
1 2
0 0
Rhy. Fig. 1 Gtr. 6 (acous.)
1 2
3
0 0
1 2
0 0
1 2
0
3
mf let ring
3 1
Gtr. 4
7 5
6
2
3 1
2
7 5
3 1
2
1 2
1
3
3 1
2
3 4
12
12 12
13 14
12 12
15 15
17 17
12
0
End Rhy. Fig. 1
let ring
3 1
3 1
5 3
0
3 1
0
3 1
0
3 1
0
Gtr. 6: w/ Rhy. Fig. 1
Am
F
G
8va
Gtr. 1
p
17
Gtr. 2
p
10
Gtr. 3
Gtr. 4
7 5
1 2
0 0
1 2
3
let ring
P.M.
0 0
0 0
1 2
0 0
1 2
0 3
1 3
1
1 2
7 5
3 1
5 3
3 4
7
let ring
0
7
Verse Gtrs. 1 & 2 tacet Gtr. 5: w/ Rhy. Fig. 1 (4 times)
Am
F
2. I
Gtr. 3
got
a
job
work - ing
at
the old
G
park
7
pier.
1/2
7
7
4
0
Gtr. 4
let ring
3 1
5 3
2 2
Am
F
And ev
-
’ry sum
-
4
mer now,
for
five
long
7
let ring
2 2 0
8
3 1
0 3 3
5 3
5
7
years.
I
0
4
G5
1/2
3
1/2
7
9
7
7
14
12
5
7
5
Am
F
grease the gears,
fix the lights,
G5
3
tight - en bolts and straight - en the tracks,
and I count the days ’til
3
5
5
4
5
let ring
7
8
0
let ring *T
2 0
3 1
5 3
1 *T = Thumb on 6th string
you
just
Gtr. 3
Gtr. 4
might
10
12
8
5
10
12
9
5
3
0
1 3
1
back.
0 0 X 3
And
8 10
10 12
7 8
let ring
1
let ring
2
come
G5
Fsus2
3
then
I
3 3
0
Gtr. 5
3
2
0
9
Chorus Fsus2
my
eyes
and one
C
more time
0 1 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
G5
we’re spin - ning a - round
close
and you’re hold - ing
3 3 0 0 X 3
3 3 0 0
on
tight
-
ly.
The
3 3 0 0
3 3 0 0
3 3 0 0
let ring
0 1 0 3 3 1
words
let ring
T
Fsus2
2
3
0
0 3
came out,
I kissed
your mouth,
no
C
G
Fourth
of
let ring
1 1 2 3
let ring
3
10
has ever burned
2 3 3
3
let ring
1 0 2
3
3
3 1 0
2
let ring
G
bright
-
3 0 0
3
0 X 3
3 1 0
0 2
Gsus4
so
3 3 0 0 3
let ring
1 0 3
Ju - ly
3 3 0 0
3 1 0 2 3
3 1 0 2 3
1 1 2 3
T
0 1 0 3 3 1
3 3 0 0
ly. You
3 0 0 0
0 0 0
Fsus2
had
to
go
I
un
C
-
der - stand,
G
but you swore
that you’d be back a - gain.
3 3 0 0 X 3
3 3 0 0
And so I’m fro - zen
1 1 2 3
1 0 2 3
T
1 1 0 3 3 1
1 1 0 3 3 1
3 3 1
3
let ring
3
0 1 0 2 3
2
3
0
0 2 3
0
0
0
3
3
* Fsus2
G5
in
this
town,
Gtr. 1
** p
Gtr. 4
(cont. in slashes)
let ring
2 3
3
0
let ring
1 1 2 3
un - til
8
10
5
7
sum - mer
comes
a -
mf
8
**Vol. swell Gtr. 2
*** p
mf
5
***Vol. swell Gtrs. 3 & 5
3
0
1
0
1
0
3
5
1
0
3
0
3
0
3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
11
Guitar Solo Gtrs. 1 & 2 tacet
Am Gtr. 4
G5
- round.
Yeah,
Gtr. 7 (elec.)
mf w/ dist. rake
15
1
yeah.
3
1
13
13 12
X X
Gtr. 3
let ring
1
2
1
let ring 1
2
1
0
3
0
let ring
let ring
2
0
3
0
0
G5
3
let ring
1
2
1
let ring
0
12
2
let ring 1
let ring
2 1
0
14
1
3
0
14
14
0
3
1 1/2
14
3
0
1
14
5 3
Fsus2
3
3
1
Am
let ring
Gtr. 5
12
12
12
And it
12
let ring
3
5 3
0
3
comes
0
3
0
3
0
3
Am
Fsus2
3
G5
3
a - round.
3
1 hold bend
8 10
8 10
8 10
10
10
0
2
1
2
0
let ring
let ring
5
Fsus2
Oo,
3
3
0
5
7
3
5
7
3
0
2 3
3
G5
oh,
3
5
let ring
1
2
1
2
7
5 7
let ring 1
5
0
5
7
1
let ring
7
5
0
3
5
7
(cont. in notation)
When
3
I
3 1 hold bend
7
9
3
0
oo,
4
let ring
3
1
Am
7
3
0
2
0
1
0
9
let ring
2
7
3
9
0
8
9
12
12
13
12
15
15 15
1
15 13
13
14
14
let ring
3
0
3
0 3
0
3
0
3
0
0 0 X 3
13
Chorus Fsus2
C
close
my
eyes
and you
and
I
G
are stuck on the Fer
-
ris wheel,
rock - in’ with the mo
Gsus4
-
tion.
And
12
14
15
X
14
12
12
14
X
3 1 0 3
0 1 0 3
3 1 0 2 3
3 1 0 2 3
*Gtrs. 3 & 5
rake let ring
Gtr. 7
0 0 X 3
3 3 0 0 X 3
0 X 3
14
0 X 3
3 0 0 0 X 3
3 1 0 0 X 3
15
*Composite arrangement
Gtr. 4
T
Fsus2
hand
2
hand
0
3
0
3 3 0 0
3 3 0 0
we cried
and laughed,
know - ing that love
C
G5
be - longed to
let ring
us
13
3 1 0 3
3 1 0 3
3 1 0 2 3
3 1 0 2 3
let ring
T
0 1 0 3 3 1
14
0 1 0 3 3 1
E5
3 3 0 0 X 3
let ring
2
3
0
girl, if
on - ly
14
0
3 3 0 0
for
15 14
13 12
2 0
3
a
mo
-
2 0
12
14
14 14
3 3 0 0 X 3
3 3 0 0 X 3
ment. “And
3 3 0 0
0 3
G5
12
15
3
in
let ring
0 1 0 3 3 1
0 1 0 3 3 1
12 12
Fsus2
ba
-
C
by, I’ll
a - gain,”
be back
you
G5
whis
-
pered in
my ear but now the win - ter
wind
3 is
the
Harm.
10
5
(Gtr. 5 cont. in slashes)
0 1 0 3
3 1 0 2 3
3 1 0 2 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0
3 3 0 0
3 3 0 0
T
3 1
0 1 0 3
0 1 0 3
2
0
3
0
Gtr. 7 tacet
G5
3
on Gtr. 7
3
Fsus2 Gtr. 5
let ring
3 1
Pitch: G
-
*grad. bend
ly
sound,
and
ev - ’ry - thing is
1
5
*Bend string behind nut.
let ring
3 Gtr. 4
3 1
0
1
0
1
0
1
0
let ring
3
0
3
0
3
0
5
0
w/ bar
Gtr. 3
12 12 12
15
Gtrs. 4 & 5 tacet
Fsus2
clos
-
Gtr. 3
ing
G5
3
down,
’til
let ring
0
3
1
1
0
comes
a - round.
let ring
0
0
5
F5
G5
sum - mer
3
Outro A5
1
0
’Til
sum - mer
comes
a - round,
8va
Gtr. 1
17
15
15
14
12
12
mp 17
Gtr. 2
mp
14
Gtr. 3
0 0
Gtr. 4
5 3
7 5
1 2
0 0
1 2
3
let ring
P.M.
16
0 0
7 5
1 2
0 0
1 2
0 3
1 3
1 2
3 4
3 1
3 1
5 3
12
12 12
13 14
12 12
15 15
17 17
12
0
A5
F5
G5
yeah.
Oo,
8va
17
14
1 2
0 0
1 2
3
let ring
P.M.
0 0
0 0
1 2
0 0
1 2
0 3
1 3
7 5
3 1
Harm.
1 2
3 4
3 4
12 7
5 3
7 5
7
12 7
Harm.
12 7 5
12 7
17
A5
F5
G5
’til
it
Riff B
comes
End Riff B
8va
17
Riff B1
End Riff B1
14
5 3
18
7 5
1 2
0 0
1 2
3
let ring
P.M.
0 0
0 0
1 2
0 0
1 2
0 3
1 3
3
3
let ring
1 2
3 4
7 5
3 1
3 1
5 3
3
3
5 4
3
5
3 4
3
Gtrs. 1 & 2: w/ Riffs B & B1 (till fade)
A5
F5
G5
a - round,
and
it
comes
a - round.
Hoo,
Gtr. 3
1 2
0 0
1 2
3
Gtr. 4
0 0
1 2
0 0
0
1 2
3
3
7 5
7 5
A5
hoo, Gtr. 7
0
3 1
2
let ring
3
3 4
7 7
12
14
let ring
Hoo,
hoo,
4
G5
hoo,
5 3
F5
hoo.
1 2
1
let ring
5 3
let ring
P.M.
0 0
hoo,
hoo,
w/ slight dist. 1
1
15
Gtr. 3
15
15
0 0
Gtr. 4
7 5
1 2
0 0
1 2
3
let ring
P.M.
5 3
13
0 0
1 2
0 0
7 5
1
2
3
1 2
0 3
1 3
let ring
1 2
3 4
3 1
5 3
3
3
4
3
3
5
0
10
19
A5
F5
12
14
12
12
12
12
13
0 0
1 2
0 0
3
7 5
0 0
12
0
1 2
1 2
1
3
3
3 1
3 1
hoo,
3
3 4
F5
3
4
5
5
4
3
3 4
5 3
G5
0
And
3
5
hoo.
let ring
7 5
1 2
A5
14
let ring
P.M.
1 2
Hoo,
0 0
hoo.
G5
3
10
12
12
12
10
9
9
7
5
7
I
miss
3
7
5
4
10
5 3
20
7 5
1 2
0 0
1 2
3
let ring
P.M.
0 0
0 0
7 5
1 2
0 0
1 2
0 3
1 3
3
3
let ring
1 2
3 4
3 1
3 1
5 3
3
4
3 5
4
4
5
5
Begin fade
A5
F5
you, ba
-
G5
by.
Oo,
and
I
miss
you ba
-
by.
’Til
let ring
12
5
7
1 2
0 0
1 2
0 0
3
1 2
0 0
7 5
3
0
1 2
7 5
Am
12
3
3
8
2
9
8
10
8
3
3 ’til you’re
3
1
0
1
0
0
1
1
0
let ring
2
1 2
3
let ring
P.M.
1 2
0 0
1 2
0 0
let ring 2
1 2
0 3
3
1
let ring
1 2
1
0
0
*Bend string behind nut.
0 0
com - ing back a - round.
1 2
10
15 15
15
7
0 0
Fade out
* 1
0
back a - round,
10
12
comes
G
12
4
2
3
F
1
3
0
5 3
let ring
P.M.
0 0
12
it
3 4
3
3
5 4
5
3
3
3
4
0
3
21
from Keith Urban - Days Go By
You’ll Think of Me Words and Music by Ty Lacy, Dennis Matkosky and Darrell Brown
[F'9]
[Am7]
3214
[Em]
2 1
[D]
23
[Fmaj7]
132
321
Gtr. 1: Capo II Gtr. 2: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow q = 88A5 * [G5]
(Drums & kybds.)
Riff A1 Gtr. 2 (elec.)
mf
2
4
2
w/ clean tone & reverb
0
Riff A Gtr. 1 (acous.)
mp
w/ fingers let ring throughout
3 0
0
3
0
0 3
F#m7 [Em7]
0
0
3
E [D]
3
0
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
0 2
3 0
2
3
0
0
2
4
0
2
0 2
3
2
End Riff A1
2
0
D [C]
0
2 4
6 7
3
2 0
2
0
0
0
3
0 End Riff A
0
0
0
0
0
1 0
3
2
3 0
2
© 2002 EMI APRIL MUSIC INC., TY ME A RIVER MUSIC, KARLES MUSIC and ORIGINAL BLISS MUSIC All Rights for TY ME A RIVER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for KARLES MUSIC Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for ORIGINAL BLISS MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC All Rights Reserved International Copyright Secured Used by Permission
1
0 3
0
2
0
1
1
Verse Gtr. 2 tacet
F#m [Em]
D [C]
1. I woke up
ear - ly this
morn - ing
a - round
four
a.
m.,
with the
2 2 4
Riff B
0
2
0
2
0
2 0
A [G]
2
2
shin
Gtr. 1
-
3
0
ing
0
bright
3
3
0
3
0 3
0
2
0
1
3 0
2
2
3
o - ver my
head and tried to
0 2
some
0
3
2
2
0
sleep,
but
let ring
3
0
catch
Gtr. 2
1
2
D [C]
I pulled the cov - ers
the in - ter - state.
F#m [Em]
3
0
Esus2 [Dsus2]
on
0
2
3
0
0
1
0
0
3
as head - lights
moon
0
0
0 2 2 0
2 4
Gtr. 1
4
0
0
2
2
0
0 0
2
0
0
0 2 0
2
2
1
3
2
3
0
2
1
0 3
0
2
0
1
A [G]
thoughts
of
us
kept
keep - ing me
E [D]
a - wake.
2
0
let ring
1
2
3
0
0
3
3
Pre-Chorus Bm7 [Am7]
Ev - er since
3
0
0
your - self
2
F#m7 [Em7]
in
0
3
2
-
’s
1 2
0 0
1
0 0 0
1
2
2
End Riff B
2
0
0
2
0
0
arms,
I’ve been
let ring
5
2
4
1 0
3
2
Riff C
5
3
some - one else
let ring
4
2
0
you found
3
0
0
3
3
0
0
0 0
2
2
0 0
2
0
0
End Riff C
0
2
2
0
0
3
G [F]
try - in’ my best
to get
Gtr. 3 (elec.)
a - long.
But that’s
o
G'9 [F'9]
-
kay,
there’s noth - in’
left
to
say
but...
mp * w/ slight dist. & delay 1 5
*Vol. swells
Gtr. 2
4
Gtr. 1
7
5
4
0
1
3
1 2
Chorus A [G]
1
1
2
1
rec
-
ords,
3
take
your
1
-
2
Take your
3
3
dom.
1 3
free
1
3
E [D]
3
1
2
Take your
mem - ’ries
1
3
2
3
I
don’t
need
5
let ring
5 2
0
Riff D
0
3
4
3 0
3 0
3
3
0 2
0
let ring
2
3
0
4
0 2
2
3
2
3
3
0
2
3
0
F#m [Em]
’em.
Take your
D [C]
space
and take
your rea
-
sons.
But
you’ll
think
of me.
7
5
let ring
4
0
2 2
A [G]
And take your
cat
2
2
and leave
my
0
0
3 2
5
2
0
0
let ring
5
2
0
7
0 3
2
Esus2 [Dsus2]
sweat - er,
2
1
0
0
3
3
E [D]
’cause we have
noth
-
in’
0
0
2
1
left
to weath -
9 9
6
2
1
let ring
2
0
0
3
0
3
3 0
3
0
3
0
2
0
2
2
0
3 0
2
3
2 2
2
0
2
5
F#m [Em]
-
er.
In fact, I’ll
feel a
6
4
2 4
4 6
6 7
D [C]
whole
lot
bet - ter.
0 2
2
0
0
2
2
2
0
of me.
You’ll
2
2
2
End Riff D
3 0
2
3
0
0
0
3
1
0
2
of me.
1
4
4
2
1
0
2
4
2
0
0
3
think
E [D]
think
6
3
1
0
you’ll
A [G]
But
0
3 2
0
0
3
3
3
0
3 0
0
3 0
2
2
0
3
2
2
0
3
2
0
4
2
0
Verse Gtr. 1: w/ Riff B Gtr. 3 tacet
F#m7 [Em]
D [C]
2. I went out driv - ing,
try’n’ to
A [G]
clear
my
head.
I tried to sweep out
Gtr. 2
all
the
ru - ins that
2 5 2 4
6
* E'9/G#
F#m7 [Em]
[D'9/F#]
e - mo - tions
Gtr. 4 (elec.)
my
left.
I
(I
guess
guess I’m
feel - ing
just
a
lit - tle
I...)
mp
grad. release
w/ clean tone 1
4
Gtr. 2
4
4
let ring
2 4
2
5
2
*Bass plays G#.
7
D [C]
tired of
this
Gtr. 3
and
all
1
the bag - gage that
seems
E [D]
to
still ex
-
ist.
1/2
12 10
12
Gtr. 4
A [G]
1/2
9
9
5
Gtr. 2
2
2
3
1 2
2 4
4 6
9
3
2
2
Pre-Chorus Gtr. 1: w/ Riff C
Bm [Am7]
It
seems the
on - ly bless
-
ing
I
have
F#m [Em]
left
to
my
name
is
not
7
2 3 4
8
0
4
2
5
2
Gtr. 4 tacet
G'9 [F'9]
know - ing
what
we could have been,
Gtr. 3
what we
should have
3
been.
So...
1
4
Gtr. 4
4
0
Gtr. 2
3
Gtr. 1
1 3
2
1
2
3
2
1 3
2
1
2
0
1
3
3
9
Chorus Gtr. 1: w/ Riff D
Gtr. 3 tacet
A [G]
E [D]
Take your
rec
-
ords,
take
your
free
-
dom.
Take your
mem
Gtr. 3
- ’ries,
I
don’t
need
2
Gtr. 2
let ring
2
’em.
Take your
space
Dsus2 [Csus2]
and
take
your rea
-
let ring
5
2
A [G]
And take your
Gtr. 3
cat
and
let ring 1
5
leave
my
sweat - er,
let ring
2
2
2
you’ll
think
of
me.
5
2
let ring
’cause we have
E [D]
noth
-
in’
left
to weath -
1
7
4
Gtr. 2
But
Esus2 [Dsus2]
7
4
sons.
0
4
10
4
2
F#m7 [Em]
let ring
0
Gtr. 2
5
let ring
2
2
2
Gtr. 3 tacet
F#m7 [Em]
-
er.
In fact, I’ll
feel
a
whole
D [C]
lot
bet - ter.
But
you’ll
think
of
me.
1
12
12
10
let ring
2
4
let ring
2
5
2
2
2
0
3
2
Bridge
[F'9] Gtr. 1
Some
Gtr. 4
-
Gtr. 2
8
day
I’m gon - na run
2
a
-
4
3 2
4
cross
your
mind.
3
5
2
let ring
2
let ring
5
let ring
7
[Am7]
4
3
5
2
3
11
[Em]
But don’t
wor - ry,
I’ll
be
[D]
fine.
be
right.
I’m gon - na
(Be
X X X X X
0 0 2 4 4
4
0
[F'9]
While
you’re sleep - ing with
[Am7]
2 4
4 6
your pride,
8
12
-
right.)
wish - ing
5
I
could hold
you
2
5
7
5
let ring
3
let ring
3 4 5
al
let ring
7
0
5
2
-
1 2
let ring
2
al
let ring
0 0 2 4 4
3
5
5
2
[Em]
tight,
I’ll be
o - ver you
and
0 0 2 4 4
2
on
with
my
X X X X X
0 0 2 4 4
(cont. in notation)
life.
3
[F,7]
3
3 4 5
5
Breakdown-Chorus Gtrs. 2 & 4 tacet
A5 [G5]
Gtr. 1
So take your
rec
3
0
3
0
0 3
-
ords,
3
take
your
3 0
free
3
0
Esus2 [Dsus2]
-
0
dom.
2
3
0
2
0
3
2
3
0
2
3 0
3
13
F#m [Em]
D'9 [C'9]
Take your
mem
Gtr. 3
- ’ries,
I
don’t
need
’em.
1
12
12
Gtr. 2
Gtr. 1
0
0
0
0
0
2
0
A [G]
0 2
2
0
2
10
9
3
2
11
9
0
1
3
Esus2 [Dsus2]
0 3
1
3
0
2
3
E [D]
And take your
cat
and leave
my
sweat - er,
10
4
6
9
9
1/2
9
-
in’
left
to weath-
9
4 2
0
14
1/2
1/2
noth
3
3
’cause we have
0
0 3
3
0
0
0
2
0
0
0
2
2
3 0
3
2 0
2
F#5 [E5]
D [C]
-
er.
In fact, I’ll
feel a
5
4
2
A [G]
whole
lot
bet - ter.
E [D]
But
you’ll
think
of
me.
1
5
3
2
4
4
let ring
2
0
0
0
2
0
3
2
0
let ring
5
3 0 0 0
1
0
5
0
2
2 3 2
0
0
4
0
3
Chorus Gtr. 1: w/ Riff D
A [G]
So take your
rec
take
-
ords,
your
* E/G#
[D/F#]
free
-
dom.
Take your
mem
- ’ries,
I
need
don’t
Gtr. 3
2
Gtr. 2
4
let ring
2
4
2
0 *Bass plays G#.
15
F#m [Em]
’em.
Take your
space
and
all
D [C]
your
rea
-
sons.
But
you’ll
2
4
me.
1/2
9
9
of
10
2
think
2
0
9
let ring
2
0
Gtr. 3 tacet
A [G]
And take your
cat
and
Esus2 [Dsus2]
leave
my
sweat - er,
Gtr. 2
2
16
er.
In
fact,
I’ll feel
Gtr. 2
’cause we have
noth
-
in’
left
to weath -
4
F#m [Em]
Gtr. 3
2
-
a
D [C]
whole
lot
bet - ter.
But
5 5
7 7
5 5
you’ll
think
of
me.
5 4
7 6
5 4
You’ll
Outro *Gtr. 1: w/ Riff A (5 times) Gtr. 2: w/ Riff A1 (2 times)
A5 [G5]
think
of
E [D]
me,
yeah.
Mm,
Gtr. 3
3
5
4
Gtr. 5 (acous.)
mf
2
3
5
5
4
2
4
6
6
*5th time, gradually fade out.
F#m7 [Em7]
D [C]
oh.
And you’re gon
-
na
think
of me.
Oh,
14
12
14
10
6
6
4
4
6
7
7
4
6
7
5
4
0
17
A5 [G5]
E [D]
yeah.
Oo,
12
14
9
10
10
9
10
12
12
2
2
2
3
5
5
4
2
4
6
6
0
F#m7 [Em7]
some
-
day,
ba
-
10
9
by,
some
-
9
Oh,
11
9
11 11
6
18
6
4
4
6
7
7
day.
1/2
9
D [C]
9
7
9
7
9
11
9
A5 [G5]
E [D]
oo,
Gtr. 5
11
11
9
7
9 9 9
12
3
5
12
12
1
9
7
12
12
10
10
12
10
6
4
4
9
7
Oh,
yeah.
9
6
7
9
10
7
6
9
6
Think
11 11
4
1
12
2
D [C]
4
mm.
6
10
Mm,
5
F#m7 [Em7]
2
9
let ring
9
oo.
Gtr. 2
Gtr. 3
9
7
7
7
9
7
9
9
19
*A5/E
E [D]
[G5/D]
of
Mm,
7
9
7
7
9
9
7
hmm.
9
11
2
3
Ba
-
by,
not
10
9
7
me.
5
5
4
4
9
7
5
4
7
5
*Bass plays E.
F#m7 [Em7]
D [C]
e - nough
no.
Doo, doo, doo,
doo,
no,
no.
6
4
12 12
5
4
4
7
7
7
5
5
9
7
5
7
5
7
7
7
20
10
6
7
7
7
let ring
9
10
11
7
10
10
6
4
4
Gtr. 5 tacet
A5 [G5]
E [D]
grad. release 1 hold bend
10
12
F#m7 [Em7]
12
12
3
5
1/2
10
9
9
7
P.M.
7
6
4
7
5
7
2
let ring
2
let ring
0
0
0
2
2
let ring
2
2
4
2
Free time Gtr. 2 tacet
D [C]
A
Gtr. 3
grad. bend 1
4
5
7
4
5
7 6
4
2
4
4
Gtr. 2
5
2
F#m11
Gtr. 3
2
4
4
1
5
let ring
2
2
E'4
2
5
Dsus2
5 4
5 4
grad. release 1
5 2
10
10
21
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