Katy Perry - Prism Songbook (Sheets)

May 9, 2017 | Author: Vitor Medina | Category: N/A
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Short Description

The partitures from Prism by Katy Perry...

Description

1

ROAR

Words and Music by KATY PERRY, LUKASZ GOTTWALD MAX MARTIN, BONNIE McKEE, and HENRY WALTER

Moderate Pop Bb

Bb[add9] 6fr

    

 

mf

   

  

 

 

 





 

  

 

 

 

  



Bb

 

 

 





 



Cm

                  

  



    

  

 

    

 









hold

3fr





my tongue and

I used to bite

my breath,



  





    

scared to rock

the

boat

  



 

    









Gm

  



and

make

a mess.

Eb 3fr

 

So

      

 

I

    

sat





     







qui



-

et - ly,







3fr



 



    

po - lite





    



a - greed

 

 







Bb

        

Cm





for - got I guess that I Now I’m float - in’ like

                



-

   

     I a

had but -

a choice. ter - fly.

 

    









      





 

  



   

  







let you push me Sting - in’ like a





3fr

     I

ly.

past the break bee, I earned

© 2013 WB MUSIC CORP., WHEN I’M RICH YOU’LL BE MY BITCH, SONGS OF PULSE RECORDING, PRESCRIPTION SONGS, BONNIE McKEE MUSIC, WHERE DA KASZ AT?, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I’M RICH YOU’LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for SONGS OF PULSE RECORDING Administered by DOWNTOWN DMP SONGS/DOWNTOWN MUSIC PUBLISHING LLC All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for BONNIE McKEE MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission

ing point. my stripes.

2

Gm

  

Eb 3fr

  I I

   

 

 



-

stood for noth went from ze

 



    

ing, ro

      







 

so

 



3fr



I to

fell my

   

 



    

for ev own he

-

-

     



held

me

     



 

 

but

down,



  

I

    







got

up,







 hey.



  

 

  

 

 

off

the

  

 







 

  

  



 

dust.



You





Eb





my

voice,



 

 

you hear

    



 that

 

 sound



 



  

   

like

3fr

    

thun - der gon - na shake

      





Bb

held



  

Al - read - y brush - ing



3fr

     



3fr

Gm

 

You

Cm

  

hear











Bb

  

’ry - thing. ro.





the





ground.





You





 Cm

 me



 

 

but

down,



I

     







got

up,









 hey.

   

   

Get

3fr

    



     



read - y ’cause I’ve had







 

e - nough.



 I



3

Gm

    

Eb 3fr

3fr



see

it

  



 



it

now.

 





 





I

see

   

all,

  









ger,

a

-

fight

            

er,

the

 





 







 

 

 



Eb

fire.

’Cause I

       









of

the

ti



 









        am

a cham

-

Bb

  

   

           

    



hear

Cm

me

roar.



      

       

       

         

Loud



-

er,

  

Gm

loud - er than

  



Eb 3fr

           am

a

cham

and

3fr

      

you’re gon - na

pion

                  

3fr

  

-

3fr

      



eye



Gm 3fr





got



danc - ing through the

   



I

Cm

          

 



Bb

-

 







- pion

and

                          

a



li



-

on ’cause I





Bb 3fr

        you’re gon - na

hear

me



 

      

    

         

roar,

          

  







  



4

Cm

Gm 3fr

  

 





3fr





  

 



oh,

       1

 





 



  







You’re

   

 

 

gon







- na





hear



me





  



  



  

 



  







 



2, 3



Bb



3fr









Eb

  



oh.













 





  

roar.







 





Eb



















Bb 3fr

   You’re

     





gon - na



 









hear

 



me

 



 



 





  

 



   

 



  







roar,









 Cm

Gm 3fr

  

 







 



 



3fr



  



oh,

    





 

To Coda 









  



  

 



  





oh.

 

 

  



   

  

 







5

Eb

  



You’re

     

Bb





 









  

  

 

3fr

gon

-







na

hear





 











me

Cm

 



roar.





Gm 3fr





F 3fr













oh,

Roar,

   

 

     



  

 

roar,

oh,

  

  







You’re

      









  

gon



 - na

 



I

   

        

hear

me



 





got the eye



  







roar.



      

of

the

ti -

            

Bb





       

3fr







D.S. al Coda (take 3rd ending)

Eb

CODA

  



roar.

                    



  





 

   

1

LEGENDARY LOVERS

Words and Music by KATY PERRY, LUKASZ GOTTWALD, MAX MARTIN, BONNIE McKEE and HENRY WALTER

Moderately fast Em

C

  



 



      

Un - der Go down

mf

 



















  



trop - i - cal tem - p’ra - ture, go down to - geth er

D

  

I feel in - to



  



























  











  



  



I want your your blush - ing

  



er. er.

   



 

Em







au ra. Ju - li - et,

    





-

  









  









you are my des - ti - ny, an - y - thing for your love,

  





   

Come clos for - ev

  G

  



my lo - tus bloom. in - fi - ni - ty





  



 

 

I want your en - er - gy, ra, Your Cle - o - pat

  

      

  



C

  

 

  

Em



  





  

 

 G

  

 

  





moon, sil - ver his - to - ry,



     

a in

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, SONGS OF PULSE RECORDING, PRESCRIPTION SONGS, BONNIE McKEE MUSIC, WHERE DA KASZ AT?, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for SONGS OF PULSE RECORDING Administered by DOWNTOWN DMP SONGS/DOWNTOWN MUSIC PUBLISHING LLC All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for BONNIE McKEE MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission

2

D



  



  a



 

ride

my or

C

 





-

tra.

man die.

(1., 2.) I

  

 



 





3



some - thing



  

3





3

so





clear - ly,





3







3







3









third

eye,



  



 





3







be

so

re - ward - ing

  

3

3



















bring

me

 

3



to





your

light.



  



 



gin - ning



   



3





of



3







3

some - thing





so





knew

I

could

see



3



3







3





 

knew

3





3





kar - ma

 could



3





3

















May - be

this

is

the



3

  

3

3







be -





Em 3





 

3



mag - i - cal



 



 3



nev - er



G





C 3



and



 3fr

3



Em

D[add4]



3



 











look - ing through my





 

G

  

3

nev - er



  













to



 -





night,

   

 



 

oh,

oh,



 



3

  







oh.











Take

    









 

me

C



 down

 





G

 



 

neath

the

    

 

 





blood





 orange







  



 



-

der

er

un

 







 



 



-

C











 





my

Say



name



 



 

like

   



Em

a





D[add4]



keep

my

heart

   







 





 



 

ture;













beat - ing





like

 a

drum.









Am

 -





ers.



 









 





We

could

be

   

 













Leg - end - ar - y



 





 













-

y.

La,

la,

la,

la,

  











 





 

 G

  

  



-



3fr

scrip -

  

 



sun.









riv



3fr







G

lov

the



D[add4]

  



to



Em



 

Em

 





  





 

leg - end

-

 

ar

  





4

D[add4]

  





     





Leg - end - ar - y

lov



la.







 









To Coda 

-

y.

La,

   



   





 



 





la,

la,





la,



 







ers.





We

should

be

 



 



 2

3fr

   





la.





-

D[add4]



   





 

 



G

 

1

Em



C

3fr



 



 



 

 









   







    

 

  



leg - end





 

ar -

  





-





ooh!

 





 -

   





ooh!



  

-

 

μ



(Ah

 

3fr

(Ah

Ooh!)





D[add4]

la.

 

 

 

    

  



    



Em

















Ooh!)







 

    

(Ah

 

  

 



 



    

-

Leg ooh!

   

-

end

       

-

ar -

  

5

  

 

y



lov

   

 

  

  

 

 -

ers.



Leg Ooh!)

 

-

 



 



 

end

 -

 

 

 

 

  

ar

 



 

 

-

Leg ooh!

   -

   

end

  

  



  

 -

 

ar

  

 

 

 

y

lov

 



 



 

  

 

 

 







 



 

 

  

      

-

 



ooh!)

  

 

 

 

 

 

 

  

 



G





the

riv





 



  

neath

the

  

 







orange

blood













sun.













un





-



-

der



C



Say

my





 



er

 

 





 

name

like

a





 

  



 

-

 

D

  





to

Em

   

 

down





me

-

ers.



  





take

ers. (Ah



Oh,





-



 



lov

    



 

 

C

  

 

Em

y

-

 

 

C/E

   

 

6

G

  





scrip - ture;

  



keep

my







   

Em

  





heart

   

beat - ing like





 







Leg - end - ar - y





 





 -

ers.



 

  

 





We

could

be

  





 









 

D[add4]







  





 

leg - end

la.



     



 

-











-

y.

La,

la,

la,

la,

  











 





ar

  

C





Leg - end - ar - y

lov







Em

 



 



 







 G

3fr

  



    

G

  

   



drum.

   

Am

lov

a



 -

 



 





We

should

be

 





ers.



 

 

 









 



  



leg - end

 



-



D[add4]

 



   



-

y.

La, la,

la.



   





 

    

 



la,



la,



CODA

3fr



Take

  me

   









D[add4]



 





3fr

la.

   

   

 (Ah -



 

 



μ







ooh!)

 



ar -

 

D.S. al Coda Em

 

1

BIRTHDAY

Words and Music by KATY PERRY, LUKASZ GOTTWALD, MAX MARTIN, BONNIE McKEE and HENRY WALTER

Pop Fmaj9

Dm7

         *

  Dm7



   

   

Fmaj9

    

C

   







Fmaj9

 









   



  

  

 



   





Why don’t you let me So hot and heav - y

Dm7



  



  

Dm7





  







 

  







Fmaj9



 



  

 

       





             

so we should par - ty All night they’re play - ing





noth - ing’s go - ing right. pop your Per - ig - non.

by. dawn.

    

   

     

C

Fmaj9

               

* Recorded a half-step lower



  

stop ’til



time, ball.



I heard you’re feel - ing Pop your con - fet - ti,

        run - ning out of a dis - co like



Dm7



     



           







  

  

 

 

Fmaj9



  









   





The clock is tick - ing, I got you spin - ning



Dm7

C





  

 

     



 

all your



night. song.



© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, SONGS OF PULSE RECORDING, PRESCRIPTION SONGS, BONNIE McKEE MUSIC, WHERE DA KASZ AT?, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for SONGS OF PULSE RECORDING Administered by DOWNTOWN DMP SONGS/DOWNTOWN MUSIC PUBLISHING LLC All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for BONNIE McKEE MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission

   

So We’re

  

2

Fmaj9

Dm7



      cov - er your liv - ing the

 

ap sat





 

pe - tite. is - fied.

If If

     

 





 

Fmaj9

 



 







I’m I’m

the the

girl girl

 

 









that that

  

Dm7

  I’ll









give

you

a

taste,

 



 











 

I you’re

   

   



hope you’ve got a health - y nev - er gon - na un be

 





       

  

-

  

Dm7

   



     

  





you want you want

to to

dance, dance,





 





you you

should should

 

 

 



make

it

 



you want you want

 

all, all,





you you

  

F



call. call.



 

 















   





Dm



 C





 





 

 

me,



 

 

 











Boy, when you’re with

ev



it it

         

like your birth - day

 



    



C





  if if

F

    

       

Dm7

know that know that

  

sur - prise, it right,





Fmaj9

  

    

have a do - ing

 

C

-

   

I we’re

eyes, life,

               Dm7

 

Fmaj9

 -

’ry

 

 day.



 

  







  I

  

3

F

Dm7



 

know you

    







 



like

it

sweet,

so

you

 



 



 Dm



 cel

 -











 





 



  make

it

like

    



 

So

make

 

  

















 

 















 -





day.



 





 



give

    

 

 

  



  

 









  





be

 

  





  

cel

 

 







 C



to

  



   









your

I’ll



you some - thing good

  





   

1 Dm



 



F



’ry



I’ll



C













  

F



 

wish,

  





ev

 





   

your birth - day







to

 



 

 



a



gift,

  





Dm7

 

 



Dm



Give you some - thing good

Dm7



F





 













F

e - brate.

  



can have your cake.



C







 





F

 -







e - brate.

 

  



  







4

2 Dm

C

  cel

 -

e

  









Am

 -





 

 







 









Dm9

  

   



brate.

Fmaj7



F/G

  









Csus

   

3fr



  





  





C

Am

 

 

 









  





  





Csus

3fr



 F/G

Dm9





3fr

Fmaj7



  

 C

3fr



Spoken: “Happy birthday.”

    











Am

  

  







  

   





F/G

        So

  

  

 

let

me

get

you

in

your

        

 



  

 

 







Fmaj7





birth - day

  

 







suit.

 

  

Dm9

     

bring out

the

        

 

It’s time

 

 

to



 

3fr

5

1

2 Csus

 

 

big

3fr

bal

   

C





-

loons.

  



 

 

  

Csus



 

big,



3fr





big,

 

  



  

 

big,





big,

big,

   





 

μ

 bal

 





-

loons.

 

    

             F

  make

 it

   











ev

 

 





  



Dm7

  you





 -

’ry

 

 can













  



  





 day.

  

   

a

taste,









F





  

  

  

  I



Give you some - thing good

have your cake.

 





      





F

   



I’ll give you

C





    

  

 



Dm

like your birth - day



 



Boy, when you’re with me,







 

Dm7

  



big,

 



F

 

  







 

know you

like

it

sweet,

so

 





 





 

1 Dm

cel

 

  



 C



to





 -









 

 



e - brate.

 

  







6

2 Dm

C

  cel

 -





 









e - brate.

  

F



make

 

  









So

 

Dm7









make

it

like

your

birth

  



 



 







ev

 

 











be

   

 





F

give

 you

    









some - thing good

  

 



 



 



    

 

 





-



’ry





I’ll

day.



 



 

 







Dm7

 







F

 



C



day



I’ll



Dm

 -

  









wish,

  



   







a

F

 







  





your

gift,

 

  



 

  





 





 

 





C

 cel

 



Dm

to





 -

e

 

 -





brate.

  

μ



Whispered: “Happy birthday.”

  

 



1

WALKING ON AIR

Words and Music by KATY PERRY, KLAS AHLUND, MAX MARTIN, ADAM BAPTISTE and CAMELA LEIERTH

Moderate Dance groove F#m

      To



 





 



to

- night,

      

  

    

mf



-

          

   

     

E

to

  

night,

 

I’m

walk - ing

                               

  



To

      

night,

to

-

to - to - night,

night,

-

to

-

to - to -

                  

      

          

E

                

         

 



air.

    

    

F#m

  on

-

          

   

D

 

 



night,

4fr





           

C#m

      



 



C#m

D

4fr



 

 

I’m

walk ing

                                                           

  



  on



air.

 

You’re

            

    



    

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KLAS AHLUND PUBLISHING AB, LATERAL MGMT LONDON STOCKHOLM AB and UNIVERSAL/MCA MUSIC PUBLISHING SCANDINAVIA AB All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KLAS AHLUND PUBLISHING AB and LATERAL MGMT LONDON STOCKHOLM AB Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for UNIVERSAL/MCA MUSIC PUBLISHING SCANDINAVIA AB in the U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission

2



F#m

E

     

giv - in’ me This

sweet, sweet is pure

        

 





D





to - pi - a. of our love.

               

 

  



   

me on

 



  

  



read Yes,

  

me



to jea

me is

u lous

              -



  

e - rot - i - ca. make an - gels cry.

  

    

  

 

like we

 

    









 

Boy, Rain

-

  

you ing

 





D



 



y - more

   

           F#m

           -



ex - ot - ic, yeah. from up a - bove.

feel us

       

 

an





C#m

    

  

take

   

take heav - en

 

4fr

make down



you ven

    



E

    

Yeah, E -

    

F#m

You

 

  

   

ec - sta - cy. par - a - dise.



4fr

   

  

 



C#m

 

 

 

we

go

                 

 

  

  Just



       

deep - er

and hot - ter

when

  



than

             

      I

think

I

can’t

       





       

ev - er

be - fore.

We

go

             

3

E

          high - er

and high - er,

       

I

feel

                  

To Coda 

      

I’m walk - ing

on

E

   

    

   

  I’m

  

 















  





  

air

to

  

-





night.

      I’m walk - ing

   

  



on

air.

     



D















walk - ing, I’m walk - ing

on

air.

   





I’m walk - ing

on

air.







    







4fr



  



 

D

F#m



there.



C#m



     

  

y



F#m

     

-





  

al - read

   

     

  

I’m

 

         

     



like

  



  



 









   





  

To









-

night,







E

C#m 4fr

     



  

     







I’m walk - ing

on

  





 air



4

D

F#m

  

to

    



   -



night.

C#m

  







      I’m walk - ing

           





on

  



    



          walk - ing, I’m walk - ing

on



F#m

E

To

  

C#m

   



-



  

       

   

 

night,



  



  

   

    

  

to

-

  

D.S. al Coda

on





on

air.



     to - to - to - to -

  







air



            

D

  

to - to.

   



        

 

     

             

  

     

 



F#m

CODA

 



I’m walk - ing

           

I’m walk - ing

        



night,

D

4fr





  

air.

                    

   

      

I’m

D

4fr

   

 



air.

       

E

 to

      

 







-

night.

 

   

  



5

F#m

  

       I’m walk - ing

   

  







C#m

I’m

   

         

    

D

4fr

  

air.

          





on

E

       

walk - ing, I’m walk - ing

 To

      



C#m





-

night,

 

  





  



  

 







   

on

 









I’m walk - ing

on

air.

   

E





  









        

 







E

C#m

     

 

 

          



  

to

air

I’m

    



     





      I’m walk - ing

F#m

  



  









   

  

   



D

4fr

      



air.

               

F#m

  

on

-





night.

      I’m walk - ing

           

on

air.

             

   

D

4fr

       



               

 

walk - ing, I’m walk - ing



 



on

air.



  

To



-



night,

            

6

F#m

  

I’m walk - ing

   

  

on

D

        

4fr







I’m walk - ing

  





C#m

air.

          







     



E

     

    





 

 F#m

        

    

 

                         night,

to

C#m

- night,

           

walk - ing on

 



 



 E

    

 

           

- night,

 





I’m

 



                   

μ

 

air.

To

- night,

                     

  



to



D

       

night,





4fr

   

 

air. To -

      

   

on

  

-

to - to - night,

to

-

to - to -

                  















F#m11





    

to



  I’m

  

      walk - ing

on



air.





  

  

  

Heav - en

      





 



is

7

F#m

   

jea

Esus

  



        

-

lous





of

our

    







E

 



love,



D5(add#4)

 ooh,

  

  





   



D

  

 An

      

- gels

 

are

cry



  



   



 

 

-

ing

from

   







up

a





3

 -





     

  

Hey,

yeah.

  



 

  







 

I’m walk - ing

on



C#m

  

air.

           



E

I’m

   

    



          



   -

To

           

      





  

F#m



  

bove.



μ



  

 



D

  

     

    

4fr

3

C#

  

yeah.

C#sus



 



  

night,

            D

4fr

       

walk - ing, I’m walk - ing

on

air.

                

 





8

F#m

  

 To

      

 

 C#m

  







-

night,

 

  

  

  





on



 



 C#m

 



I’m

     

    



 



E

   

         



      I’m walk - ing

 





I’m walk - ing

on

air.

   



  









   

  

  







on



-





night,

      I’m walk - ing

           

on

air.

             

   

D

       



               

 

walk - ing, I’m walk - ing

 

 

on

To





E



night,

D

4fr



-

          

C#m





         

I’m walk - ing

   

    

      



   



  

air.

air.

           



  

4fr

F#m

     





To

air.

        

F#m

  





     





     



I’m walk - ing

 

  



D

4fr

      



E

on

air. To -

        

 





9

F#m

        

    

 

                         night,

to

C#m

  





  

walk - ing

on

air.



      



   







  

 

C#m

 

 

 

D

walk

      



 - ing



 

on

 

  

air. I’m

   

-

  

  

to

-



to - to

   

  

 walk

   

-

night,

 





 

 F#m

 -



 

ing

on

 

 



  

 

 

E

 



night,

 

  



4fr

   

      



 



 





 

night,

 

      

- night,





To





      



 

  I’m

 



D

4fr

       

to

                

    

 

- night,

E

 air.



       

   

 

 

to

-



to

 -

to -

 





      



  I’m

 

 



1

UNCONDITIONALLY

Words and Music by KATY PERRY, LUKASZ GOTTWALD, MAX MARTIN, and HENRY WALTER G

Moderate groove Em7

C[add9]

        mp             D





    

Em7





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      



       

     



    

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no,

did

 

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 

 

      

Oh,

did



 

     

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I

al

-

get

too

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       



see

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     

I

Em7

         

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     -

    

ly

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the

     

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what’s

       

G

      

 

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C[add9]

real



Oh



close?

      

C[add9]

D



  

 



G



 

 

D



   -



side?

     

 

   

       

     

© 2013 WB MUSIC CORP., WHEN I’M RICH YOU’LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I’M RICH YOU’LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission

    

2

Em7

C[add9]

  



All

     

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your

in



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D







the

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ties,

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Em7

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dirt - y

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-

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  

     

 

   

 

made

 

me

blink

      

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time.

3

one

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Un - con - di 3

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  







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al,

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3





     

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D

 - tion

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Em7

C[add9]

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er

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nev

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all

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ly,

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will

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3

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3

Em7

C[add9]

  



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is



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be



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al

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free.

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3



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go

and

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 

3



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   





will

love

you

3



 

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  

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let



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ly.

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ly.

C[add9]



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    

       

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4

Em7

C[add9]

  



Come

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o

       

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to



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Know

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me,

Em7

G



 

        

you

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     

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    

Em7



 





I’ll

take

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       G

           

days

with

your

      

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Walk

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5

Em7

 

 

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  

    

     I

do

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it

all

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     

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love

Em7

    

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 



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I





   

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  

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love



 

  

    

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   



will

love

you

3





3

 



 



3





 3





-

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tion

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-



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Em7



3

 

3



G



 

un - con - di -

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un - con - di



you.





D



 

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   tion

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I

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    

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   

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6

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     

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C[add9] 3





  



let

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 

you

  

    D

   

 just

no



3

 



3



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fear

   



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    

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be

  

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now,





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free.

I

will

love



3

 





So

o - pen

     di - tion

-

al

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up your

       

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                  



   

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



   

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   

C[add9]

        heart

3

 

ly.

Em7

     

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G

-

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3

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un - con

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is

C[add9]

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There

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

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Em7



 







G

  



3



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Em7

and

just

let

it

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              









   

O - pen

up your

   

    



7

G

D

          heart

and

just let

it

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C[add9]



 

O - pen

gin.

up your

  

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    

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to

be

 



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it





ance

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is

the



 

  

  

tru

-



ly



 



 

  

key



free.



 





to

be,



  

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



    

C[add9]



  

  

      



  

  



 





Will

you

do

the

 

 



 



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Ac -

       



 



G





be -



    

  

Em7



just let

         

C[add9]

cept



and





    



    



heart.

    

  



heart

D



   



Em7



       

G

  

      

 



    

  

O - pen up your

be - gin.

            

   





Em7



same



8

G







for

    







me?

   

  



 



  





CODA

  



D.S. al Coda



3







Un - con - di -



 







3





C[add9]

Em7



   





D

Oh,

       

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      

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D

   

    







Em7

  



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 





 





C[add9]

 

you

      

 

 

  

  

un - con

  

   



    

3











    

 

oh,



 



G









 







I

will

love



3

 



3

  

G

-

  

di - tion

-

      



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al

 

 

-

ly.

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        



9

D



  

    

 



Em7

C[add9]











I

will

love

you,

oh,



3

3

 

 

3





   

 

 







  





    



G

  

   

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 











Em7



you

    







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un

- con











 -

  

will

love



3

 

3

 





 







di

- tion

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al



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   

  

 



  

 

 

  

 



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ly.

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I



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C[add9]

  



3





oh.



 D







1

DARK HORSE

Words and Music by KATY PERRY, JORDAN HOUSTON, LUKASZ GOTTWALD, SARAH HUDSON, MAX MARTIN and HENRY WALTER

Half-time groove Gmaj7

    



*



mf

Bm/D



    











Bm/A













Gmaj7





Spoken: “Yeah, you all know what it is.”

           





Bm

 





Bm/D

“Katy Perry,

       

       





Bm

 



μ



Juicy J,

    



Uh huh.”

         

Let’s rage.

       

  









I

 





Bm

       knew you Mark my

were, words,

              

* Recorded a half step lower.

 

  this

  



  



        

    

 





       

you were gon - na come to me. And love will make you lev - i - tate

  



here you like a

are, bird,

  

© 2013 WB MUSIC CORP., WHEN I’M RICH YOU’LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING, ONEIROLOGY PUBLISHING, ITALIANS DO IT BETTER and DEEETTA MUSIC All Rights for WHEN I’M RICH YOU’LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission

 

but

you

  

2

     

  





bet - ter choose care - ful - ly. ’Cause I, like a bird with - out a cage. But down to

              

   

  



  



   

  

  



di ba

-

     



 







te. by.





It’s

a



  



 



don’t just be

        





 

Make yes

me or

 





your a

 

  

 





 



one no,

 













me of

 





and no

on may



  







en - e - my, all to me,

 

  





 



your Aph - ro your hand now,







  



Make palm



  

make me your be - fore you give it

sure,

 





 





 

 

      

 

ev - ’ry - thing. It’s in the

  

add cued notes on repeat







    

ca - pa - ble of an - y - thing, if you choose to walk a - way,













 

 

  

and



  

  

of an - y - thing don’t walk a - way.

  

 





  I’m

earth,

    



 



  

  



  



 -

ly. be.



 







   your

 

But So

 

 





   







en - e - my, all to me,

      



3

G

 



 

     

give



   your it

en all



 

 -



 

 boy,

    

 

  





you should



 





to

do



 

 





 

 to

play



 





know





what you’re fall

 

  



 



-







 



 



’Cause I’m

 

for.





Are

you

 









 

-

ic,

     





Ba - by,





do

you













at - cha

 



 







like

a



dark

 



 



  

 



horse.

Bm



read - y

 



  



com - ing



 





with mag





ing

 



this?





A



     



G

D

   

you want

 



G

 

So,



Bm

    







D

   





A

  

dare

 



Bm

  



e - my. to me.

  





D



 for,



 

read - y







for



 

  







  a

  



  









  

4

A

G

    

  

per - fect storm,

D





’Cause

per - fect storm?

      

    

 

          











 















once you’re mine,

 











once you’re mine,



 







 

1 Bm

Bm

 

μ











 





    



 























 

 



  







go - ing back.

there’s no

    

















 











  

















 



2 Bm

 μ  





there’s no

    







go - ing back.



 





Uh,

 









she’s

a

beast,

   

 





  I

 







call

her





Kar - ma,





  



5

  

 







she’ll eat

    



   not



to

lead

her

on.

   

    love

    

get

   

so

     the



 

chance,

you



  



You may

fall







y

heart

 







is

on

ster

her.

She’s

 

sweet

 

  



 -

her,

but



  

  if

you

  

if you break her



 

       pie,

’cause



  





meet

as



oids,











when you

try



     love

 

care - ful,



in





  

 

 





 





 



bet - ter keep









Be





strong.

   













Jef - frey Dah - mer.

  















  

 

is



Short -











 

her

 





like







 

out



  

    

your heart













heart,

 she’ll

 

6

   



turn

cold

    





as

a

knight

 

in





That







-





y

tale















she

can

be

my





 









Sleep - ing





end - ing







 

fair





ar - mor,









shin - ing

  

 

  





freez - er.





  

 





with

a

 







I’m

gon’





 





Beau - ty.







G

  







put

her

in

a

co - ma.

  











 

 







 

 D

   sprung

    

   



     











and

I

don’t

care.







 

 





Now

I

think

I

  

love her,





Short - y



 

 





so

bad,









Bm





She ride



 









me

like

a

rol - ler



 







 

 





coast - er,

  







turned

the

 



7

A

  







bed - room in - to

a

fair.



 

     

G









 



 





 















Her

love

is

like

a

drug,

I

was



 







 

 







D



















try

- na

hit

it

and

quit

it,

but

lil’

    







 







 









ma - ma

so

dope,

I

messed

a

 



 







 

boy,

    

  







you should

  



 know



     



So, you want to

play





with mag

-

ic,

        

  



A





   

         



Bm

  



-

D

ad - dict - ed.

  











            

 





G

          round and got







A

 



Bm

  

   









G







what you’re fall

 

 







  

-



ing

  







 

for.







Ba - by,

  









do

you

 





8

D

   dare

      

Bm

  





to

do



 



 



 



  













 







 





Are

you

 

 









per - fect storm,







read - y

 





 for,



 

read - y

  

 

  

horse.









 

 







a

  



  









  

D





 

’Cause

    

          



















once you’re mine,

 







      

μ







 





  



 











there’s

no

go



 







 

-



once you’re mine,



 

Bm

 

 



for









like



per - fect storm?

      

dark



Bm



  

 

a







 

G

    



at - cha



D

A

 



’Cause I’m com - ing

     



  



this?

G

 

A





ing

back.

1

THIS IS HOW WE DO Moderate Hip-hop Am

G

 

Words and Music by KATY PERRY, KLAS AHLUND and MAX MARTIN

 __ = 3 

C/E

F

G

Am

G





     (This

           mf

            With pedal

C/E

  This

     

sun

    

    

  

 

        

  

F

G









is

how

we

do.)

 

 

 



 

 

 



C/E

 

 

Am









(Oh,

Am













Sip - pin’



all

 



up



la - zy.

  



  











       



ro



 

-









   

sé,







Sil - ver - lake













G

 

  



 

  







Slow - cook - in’ pan - cakes



do.

       

on

Am

  

com - in’



oh.)

F

how we

G



 

 

is



  

still

  



for

my boy,





© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KLAS AHLUND PUBLISHING AB and LATERAL MGMT LONDON STOCKHOLM AB All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KLAS AHLUND PUBLISHING AB and LATERAL MGMT LONDON STOCKHOLM AB Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission

2

C/E

F

  up,





still

fresh

Am

  

    

as

a

 

dai - sy.





    





C/E



    



thing’s

girls









and

ha - zy.

   

  









  





  

vin - tage Chan - el

  



 



no

 

 

   





big

 

  























all

night

long,







 

ev - ’ry -



 



 









  

that,

hell



yeah,



all

 

  

 





 



  

μ

big

 



no

big

 

















deal.

  







  

no oh.)



It’s



 

this, Chan - el

  

deal.



 

It’s





Chan - el



 

  

ba - by.



G

(Oh,

    







F



  

Am

 

C/E

 

 

  

ne - on



Play - in’ Ping - Pong

F

 

   

oh.)

(Oh,

    

G









my

  It’s

 





deal.

 

 

 





 









This

is









3

Am

   





no

big

deal!













(This

 

it

like









 F

 

how

we

do.)



is







 

 











C/E

   

do

it

that.















 



back, straight





G

   



is





how we



 

do













 

do

do

 



Am

do.

 



G



  

how we

do,

yeah,

chill - in’, laid

  









   

 







   



is

how we







back, straight



G

do,





Am

   

This

 



G





Am

do,



like



   

This is

      







            



    

F

stunt - in’, yeah we

   

G





chill - in’, laid

This

that.

    

C/E

 

do

  

yeah,

G





do,

F

is



how we



            

This

    

C/E

stunt - in’, yeah we

   

G







 

do

 

 

do

do

  

  

To Coda 



do.

 

 

4

C/E



F







(This

is

how

 we

G

 



 

 

 

 







 



hop - ping in



my

   

Ma - se - ra - ti.

 

    















and

ma - roon

μ



  



   

C/E



 

San - ta







lips,

my

clique







   











μ













Bar - bara - chic

 

  

  



 

hot - ties.

    



grab - bin’

     



 

at

  

  

 

did

all





    





 

 

Jap - an - ese - y.



Ri - ca,



G

   

    

  

     

Now we’re talk - in’



as - trol - o - gy,

   get - tin’ our



 



   

G

 

Day



Su - per



Am

   

La

 

oh.)

F





μ

(Oh,

    

hoops

Am

ta - cos, check - in’ out

nails

Big

  

oh.)

C/E

 

 

G



      

    

 

F

   

 

G

 

do.)



C/E

Am

    (Oh,



Am

 

    



suck - in’ real

    



  

drink - in’



at

the Wild - cat,



  



5

C/E

  bad

F

C/E

      

at Ma - ri - ah Car - ey



D.S. al Coda

       

-

o - ke.

F

CODA



It’s



(This





is

how





we

do.)

(Oh,

      



      

 Am

     



G

 



G



 

 

  











C/E

   





F



Am

G

Am



(Spoken:) This one goes out to the ladies... at breakfast... in last night’s dress. Yo, this one goes out to all you kids that still have their cars at the club valet.... and it’s Tuesday. Shout out to all you kids buying bottle service with your rent money!

     

    



 

 

 

 

 









 



 

 

 

 

 

 

 



 

 

1, 2 C/E

G

 

 

(It’s

how

we

do,











 

 

 

 

 

 

 

Re-spect!

   

    

Uh-huh.

F

stunt -

straight

in’

like

that,







 

 





 

 

 





G

Am

uh -

huh.)

















 

 

 I see you. Yo.



3

μ

 



   

 

   



This

 

 

   



 



is

Am

G



  







   

 



how we do, yeah, chill - in’, laid back, straight (Spoken:) This goes out to all you people goin’ to bed with a ten,



 









6

C/E

F

        stunt - in’, yeah we do and wakin’ up with a two.

    

like

      





C/E



it

(This

is

how







   

 

 



 









    

This This

do



 F

is

how we

    

do, do,

do do



 



 

do do





 



 

do do

 

Am

do. do.

 

 

G

it





  

how we

do,

yeah,

chill - in’, laid

  





   





like



G



that.







do,

   



is

how we



2 C/E

Am

      











do









 



  





 



 

do

do

 

do.

 

F



 

μ

(Oh,

 



back, straight



This is how we

   



G

   





 Am

This

do.)

      

how we how we









G

     

is is





   



This is

     

1 C/E



that.

    

       



   

F

stunt - in’, yeah we

G

do.)

we





Am

G

C/E

(This



F

Ha, not me!



G

  

    

  











oh.)





 

1

INTERNATIONAL SMILE

Words and Music by KATY PERRY, LUKASZ GOTTWALD, MAX MARTIN, and HENRY WALTER

Moderately fast Cmaj7

D Em7

G Am11

                

f

           



Cmaj7

D Em7

G Am11

 

3fr





 









Flow je



        Cmaj7

D

  

 



Cmaj7







D

Em7

  

 



   





in sais

  

 

       

  

  

 

 pink trés

    



   

3fr

    



her hair, she don’t quoi, you know

care. it.

                 Am11 3fr





yeah, yeah,

lips, chic,



You



ers ne

G



Peach So

 

 

-

Em7



  

 



She’s got that

         

D Em7

                                

          

G Am11

Cmaj7

3fr

  

 





 









  



G

Am11







ev - ’ry - bod she’s a clas

 -

y -



stares. sic.

 



3fr





think you’ve Oh, she’s

 

 





seen her foot - loose,

 

 





in and

a so

 

 

mag - a fan - cy

  

 

 zine. free.

  

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission



2

Cmaj7

D

Em7

G

  



    



Cmaj7



  

    

  ’Cause

Cmaj7

   



  Cmaj7



It’s

like Yeah,

she she

 



















D

Em7



 Black she’s





D

Em7

 









 -





D

Em7







 

 





 

 

   

 

walked right danc - es

  





 









out to

of her

your own

dreams. beat.

 







 

G

Am11









  



3fr

   







with art

the -

band. ist;

 













 



 





G

Am11







you and

know

she’s the



 







G

Am11













3fr





she’s a

stamps; leaves

  



  

 



cos - mo - pol trail of star







-

i -



-

tan. dust,





3fr

  ’cause











Bans; muse

port ways

-

     

 

 Ray the







 

Pass al



3fr



  

 

Am11







Yeah, she’s

she a













the runs lit - tle

  

 





place bit

like

  

 

Pen - ny Yo -

  

 

Lane. ko

 



3

Cmaj7

D

Em7

Am11 3fr

  

 



 





 

 













 







luck - y lit - tle

Yeah, you’re she’s a

and

    

G

 

















if bit

you’re

on ‘Oh

her

plane. no.’

 



 



 











Am7



     

 





     

From To - ky - o From L. A.,







    





to Mex - i - co Mi - am - i,



to

 

Ri - o. to

                 

               

               

        

       

       



Cmaj7

   New

 York





Cit - y.



 That

                       Cmaj7

  

D Em7

    

  

Em7

G Am11

  a

girl’s

 

  

 

        

3fr





tick - et

takes

you

 

         



       



3fr

  

trip.

G Am11

 

way



D

       

A

one

                     Cmaj7



D Em7

  high

miles

 

  

 

       

4

G Am11

  

Cmaj7

3fr

  



(so high),

   

’cause she’s

  

       

if

        



takes

you

       

 

D

 



that

one

   



  







got

     

   



     





  

Catch

 

        Cmaj7

D Em7

   



in

de - mand,

so

            

 

       

       

D Em7

 

   3fr



high

 

 

  

          in

       

G Am11

miles





ter - na - tion - al smile.

 

1



 

she’s

Em7

3fr

Yeah, she’s



       

Cmaj7

-

  

    3fr

Cmaj7

3fr

 



         

you can.

       





in

that one



G Am11



got

G Am11

her



  

 

   

   

G Am11

   

D Em7

  





 

        

Cmaj7

D Em7

To Coda 



-

G



-

ter

na

 











 

(so high),

’cause

       

 

        Am11





 

 







3fr

-



 



tion - al

smile.

  









5

2

G

   na

  -



tion - al

  

D[add4]

3fr





Am11















    G



the runway, so get







 



 



  

 





 Em7

3fr

 We

  

are

now

approaching



 





    

D[add4]



 



 

D[add4]

3fr

G

 

that





ready for takeoff.

G5

  



 

  



G5

   

C[add2]



  



champagne glasses are empty.





 

and make sure your







C[add2]



 Spoken: Please fasten your seatbelts

    

G





smile.

  

Em

3fr

Em7

3fr



got

(She’s

   

      







 



C[add2]

 

G

3fr

 



  

 

   









 



 



 -

in

 





ter - na -







 

6

D[add4]



 

Em7

G

C[add2]

3fr

 

-



tion



      

-

  





al

smile.)



 

 





 













  

    



 

   

 

 





 

 

 

 

 

 

 

 

 

 



   

   

        

       

                

               

             



Cmaj7

D Em7

  

G Am11



   



Am11



   





D.S. al Coda



     

  

 

  





 











na





   

        G

That

  

D Em7

  

    

 

  

Cmaj7

Play 3 times

CODA

3fr

(Solo ends)



  

       

  



  

   

G



3fr

Synthesizer solo ad lib.

  



Am11 3fr

-

 



tion - al

smile.

  





          



 

 

 

1

GHOST

Words and Music by KATY PERRY, LUKASZ GOTTWALD, MAX MARTIN, BONNIE McKEE and HENRY WALTER

Moderately fast D

G

             

   

mf

   

  

Bm

D

 



       

 

   

 

Bm

 

 





it’s

like

the

wind





   

  

 

D







   

 

 







a

    

A

  

 

 

You sent

   

 

G[add2]





  

G[add2]



     

   

 

We were best

    

            

         

A

 



        

text;

    

  

 

 

changed

 



your

 

 

 



mind.

 



Bm





 



friends;

 



           



A



    yeah, we were



 

           

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, SONGS OF PULSE RECORDING, PRESCRIPTION SONGS, BONNIE McKEE MUSIC, WHERE DA KASZ AT?, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for SONGS OF PULSE RECORDING Administered by DOWNTOWN DMP SONGS/DOWNTOWN MUSIC PUBLISHING LLC All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for BONNIE McKEE MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission

2

D

        build - ing

a



life

   

 

Bm7

   ev





-

of

   

 

 gift  kiss

’ry





ise





and

ev



  

 



       

A

prom

-

     



’ry

   





ev



 -

    with

        

Gmaj9

 

         



 for for



 -

-







send sight,

   







 

   front nev

   

   

-



er. er

 









of er

my a





 











 -



eyes. live.





 



 

but you hit is out of

  

    

          and





G[add2]

 







ter,

A

  



-

Oh, now



 

let



       



’ry



D

Bm

 



       



ev ev

-



 









 dis -

   





ap - peared like you









D

 in were

    G







And

now

you’re



  



 













just

3

Bm

  



 





 

 

a

     







ghost.



D

 





look

back,

 







 















(When

I

 

You







could

be



 

 

























   



van - ished

 



 a

va





like











A



so

 

cold.





 



 

















 

(Like



a

stran -

-









heart used

   

 







to

be;



 







There’s

just

an

ech





 

















now

  





por.)





  



ger,

 Gmaj9

Bm

 

that.)

would have known

Dmaj7

  



Bm



    



nev - er

G

   

 

A

-







o

where

your











 A







   



















I

see

it

clear

 

 











  -

ly.



And



4

Dmaj7

   there’s

      



Gmaj9

    just





pil - low where your

a

Bm

  

head used

to

my

   





      



















-

ty.

       

 











I

see

through

 













To Coda 



you



 





 

  

twen -

twen - ty



 

 



  G[add2]

 







Some - thing

 



 



has



   



    

my

 

I

have

made

    

 

up

 

               

mind.

        

G[add2]



 

 



   

D

 

 

 

A

now that

   

 



vi - sion’s

 

 

       



now.



died,

    



D

Bm

 

 

sleep;

1

 



 

A



  I’ll









 







be

 



al

  

-









right;

   

 





 

 













5

Bm

A

  















    

it

       

 

 





 

does - n’t





 











  









haunt

me

at



 

 

 

  



night.



’Cause





2 D

  

now,

G



now,

now,



 

     



   









now,

     

 

 

Bm





now,

now,



now,



now,



now,

 









 



D





   

 





   

 

A[add4]



 

I’ll

 



 

Bm

  

  So



 







rest

in



   















  

see

you

on

the

oth

-

er

side.



  





   



 

G

now.

   

A

  





  

 



 



peace;





 

  

  

 

 

6

CODA

  



  



D.S. al Coda



And

  



 

 Bm7

now,

now,

now,

   









   

D[add4]



   



  















  



now.

  





now,



now,

 



now,

A



G[add2]

now,

 



D

3fr

now,



G/B

  

D[add4]



D

now,

    

(I

 









  



   

 









see

through

you









 



G[add2]

Now,

       

   





now,

now,

now,



  





G/B

 





Bm7





  



now,

 









  



 

  





 

 

 





A



now,



 now,

 

now,







now,





now.

  





  I

  





μ



see through you

  



 



now.)

3fr

   







now.



 



1

LOVE ME

Words and Music by KATY PERRY, MAX MARTIN, CHRISTIAN "BLOODSHY" KARLSSON, VINCENT PONTARE and MANGUS LIDEHALL

Moderately fast

*  μ    

  

mf

  

 







 F#m

-

     D

ing cos

  



     

-



Bm7



 

lost times





   







G



do, un - zip

         

* Recorded a half step lower.

D

  

 -

self wish

     











 









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I could

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but I did. strip. and

 

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A5

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of was

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fear skin



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Gsus2

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I

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F#sus

 

With pedal

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did - n’t just

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

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© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB and UNIVERSAL MUSIC PUBLISHING AB All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS and MXM MUSIC AB Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for UNIVERSAL MUSIC PUBLISHING AB in the U.S. and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. and UNIVERSAL - POLYGRAM INTERNATIONAL TUNES, INC. All Rights Reserved Used by Permission



2

Dsus2

D

Dsus2

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Gsus2

G

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for it’s

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-

    for me. in love





i I’m

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had have



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self self







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ond

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love love



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me. seat.

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ing;

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one

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Gsus2

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G



chang - ing





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Bm7



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feel

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ings,



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gon - na

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na

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D



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 

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love

my - self



the



way





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A5 5fr





 

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ing

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I’m



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1

you

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Gmaj9

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5fr



gon

I’m

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ing

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



D

Gmaj9





 love



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





μ







me.

  

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5

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2

A5

  



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 

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Bm



 love

me.

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 

 



         



(Let’s go

    



deep -

 

  



in

my

  



     

 own



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No

more

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 

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way

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want

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more

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stand - ing

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way.



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er.)

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my

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get

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way. (The



er,

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A





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 me.)

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6

Bm

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No

more

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

 



 

         Dsus2

 



   

   Gsus2

   no

        G

    who

         



 

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D

sec

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G

   





 





ond

guess



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  

  

-

 

ing;

Dsus2



gon

  

  

me.)









F#m



no, there’s



 





be

the

one

de

  







  Dsus2

 





 



Bm7







love

D

  





 



I’ll

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



A5









  



F#sus

D







ques - tion - ing.

I’m

    

  



to

Bm7



Gmaj9

 

-







Dsus2





  



 

 you

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more



want



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 



Dsus2



G

stand - ing

D

  

  

2

A

-



fin

 -

ing





  

 

D



Dsus2

5fr

-

       

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 

 

   

be.

 

 



    

 No

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 



 

 con -



7

D

  

Bm7





ceal - ing

      

my



feel











 

Dsus2

 

D

  

   I’m

  

 

 

A5

  



  

  

ings,

 

 



  

  

Dsus2 5fr





            CODA

 





the

way

I

want







 

 

 



 

  

5fr

  

  







to

    

 

 

  

 

 

Bm7

No

more

 

 

 

















sec - ond

guess





love



me.













you







son - ’ly.



 

μ

-

  

D





Gmaj9

  

Dsus2



sea



my - self



ing

G





-

   











me.

 

chang



A5



        

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or

G





 

love







D





Bm7



love



Gsus2



D

gon - na

  



   

-

F#m





Dsus2



  

F#sus



D.S. al Coda

 -



 ing.

 

1

THIS MOMENT

Words and Music by KATY PERRY, TOR HERMANSEN, MIKKEL ERIKSEN, and BENJAMIN LEVIN

Moderate Pop Rock G

    





mf

































C







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Can

you

tell

 









© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, EMI MUSIC PUBLISHING LTD., MATZA BALLZACK MUSIC and WHERE DA KASZ AT? All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI APRIL MUSIC INC. All Rights for MATZA BALLZACK MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission



2

G



    

me, that



    

think

  

















 

















we’re

just

who chas







 



race? tails?

Can Like

   



 





 















an life



y is





one one

stay big





   in fast



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a our

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C

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place? mill

And

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when and

you we

get pop













 to what

 



 the

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fin - ish is pre

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line scribed



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C

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 

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 







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will if

you it

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wish gets

 



for us

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 

 more first

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time? prize.

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 





Or But

say you

one know











 

3

G

   



who

day, I,

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C

  

  





 

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

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    

but

will, win





who

   











 















may - be are the











 

one I

day think

   







one ones

day that

 

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you will

  





  

you let



will love

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









find in,



Em

  



     

























that are

you the

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can’t that

push take

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 re the

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 wind. time.

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C

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All

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we

have

is

this

mo -



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



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4

G

 

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C

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

-

ment.



   





  

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 

 









To - mor - row’s

un - spo

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

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

-

ken.

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  

 

 

 

  

Em











Yes





-



ter - day

 

 

  



 





is

his



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  

 -





to

-

 



ry,



so

  

 

 

 

C







why don’t





 











you

be

here

with

me?





 



  

 

   G



   -



  







  

 

  





to

ment

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 

  





 







  



All

we



have

is

this

mo -















a

love

in

 























put









 -

to

 

  mo -

  

5

C





  -







   





   



  





 







 

  

    







 



ry



  







is

his -

to

    



 







Yes - ter - day

tion.

Em

































so

why

don’t

you

be

here

with

 

 



 



 

 



















 

-





1 C

  







me?

     

















   





Be



here

 

 

  

   

 







me

with



 



G













now.







   

 



























Do

you

ev











 





-

er

  

6

2 Em

  





 

Be

      

here





with

  

  







G/B





   



Be here





   

  

       C

the

fu

    

-

 

   with

now.

  

 

is

   

 



  

tell

    

     

you what to

do.

      

        







Em







  







 ’Cause

     

  

  

  

C

    

right

in front of

Don’t let

you.

                  fu

   

-

   

is

   

  right now,

  

       

D

  

 

the clock,

the

   

clock

  

       

D

  

ture

Em

  

    

Em



       

G/B

the

  

D



C

   



  

       

right now,

        



 



me

 









now.

D

  

ture



me

C

Em

   

 



D

G/B

   right

    

    

in front of

you.

      

       

7

C

Em

    

D

 



Ba - by, don’t

blink



     

G

and







        

  



this

miss

 







mo

-

ment.

    

 

 

       











  





C



 



    







 

  





To - mor - row

is

un

 

 





  



 -

spo

  







-



 



  

 

ken.









 



Em

  



  







is

his -

to

    



 







Yes - ter - day

    



  





 -

ry,

  









   







so

   

   







C

  













don’t

you

be

here

with

me?

  



 



 





 

  

why

















    





  

  





8

G

  

   All we have

    



  







C

 

 







-

tion.

 

  



this

mo

  

 









is







  



-



ment

to

  



       



  













  







 

  









love in - to

mo -

















is

his -

to

    



 







Yes - ter - day

 

a

          

 



put







Em





 



ry,

     

  

   











 













so

why

don’t

you

be

here

with

 

 



 



 

 







C

  







me?

Be

     



 

     







  

  







  















G



 

here

with

    



    







me

now.

 

  



 





-

1

DOUBLE RAINBOW

Words and Music by KATY PERRY, SIA FURLER and GREGORY KURSTIN

Moderate Pop C

 









You’re

  

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mp

  





 



       one lot

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hit

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that

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Fsus2

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on - ly bright - er

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once all

in of

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life north - ern

    

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time. lights.

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 



Made You speak

  





to to

fit me



 



like e -

  

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, EMI APRIL MUSIC INC., KURSTIN MUSIC and EMI MUSIC PUBLISHING LTD. All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for KURSTIN MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved Used by Permission

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we

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light

 

-

   



ning,















it

 





was









strik

   



ny

 it.

They

  

 



  

 F

oth

   

-



 





er

man’s





 





one



 



    

  



 

treas - ure.



The





two









 



- ’ry - thing



glit

 





man’s

trash

 

 



-

ter.



 

  

 





is

an





-

Cmaj7/G







of

us

to



 



 -

geth

 











de -



 





3

 



Am





you could - n’t





-





er

make



 



F

ev

ing,

 





Cmaj7/G



say







 



Am

 

 

-





Fsus2





3

    



D.S. al Coda

  

’Cause

I







un - der - stand









 



6

Fsus2

CODA

Am



 



   

 







       



F

  go

   

   to

find

 



  





 



 









  

 

   





Am

  









 

 

  

 









keep - ing













you

in

mind.





 





 













 

peak

 

to

be

 

 





Am/C



  

the sea,

Am/C



  





Ev’ - ry

I

take,



 

step

    



C/E

   











I’m









F

 

I’d

     

you.

      

To the bot - tom of

Climb the high - est



be - side



 



G

  

      



you.

     





Am



F

right





G



 



 



Am/C





Am7

 



 G











 



 

7

G

  



C































G

  













 









 



 

 



 



 







 



ooh,





        

ooh.

   



’Cause I

 

un - der - stand

     

   

G

Dm





     

like

  

  



  

a

dou

-

ble

rain

      









 

you,





 

C

 











Ooh

  





Dm

F







we

  

 



-

bow

  

  







see

 eye

 

   









 in



 

  





  to

eye

   

  the

sky.

   

8

F

C



 

And wher - ev

  

 









G

  

 





  





you

  



 





dou

-

ble

rain

       



F

  





 



-

bow

  

  



       

       



 

It’s

   

is





 





Dm



 

 





















 I.

 

 

hard



to

find.

  





   



 

 

 

it’s

hard to

     

  

 

 





   

 

Optional Ending C

   

Repeat ad lib and Fade

  Once in

 

 

  



 

find.

 

will

oh,

  

so

  

F

 



  

hard to find,







G

    

    

 

C

 

    

go,

     

 



er





Dm

’Cause a

 

-

      





 

     

 

 







   

  a

life

-

time.

      

    









1

BY THE GRACE OF GOD

Words and Music by KATY PERRY and GREG WELLS

Ballad Gm9

     

Ebsus2

3fr

 

p

Gm9

     





  

 







 



 



Ebsus2

Bb

6fr

   

  

Was twen - ty I thank my

  

sev sis

-

en, ter

     

 

 

sur - viv - ing for keep - ing my

my head

 

 

   



Ebsus2

3fr









re - turn a - bove

   



   



of the

Sa wa

-

turn. ter

Fsus

6fr

  

A

   



3fr

Gm9

    

  

Fsus

 

Gm9

    

 

6fr



     



Ebsus2



    

 



3fr

   

   

  

    

        

Bb

6fr



long when









va - ca the truth

   





 

 tion was









did - n’t sound like swal - low -











so ing



 bad. sand.

 









 

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, BMG GOLD SONGS and FIREHOUSE CAT MUSIC All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for BMG GOLD SONGS and FIREHOUSE CAT MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC All Rights Reserved Used by Permission



2

Gm9

   

Ebsus2

3fr

   

   sec morn -

Was full of Now, ev - ’ry

    

Bb

6fr

 



   

  

Gm9

  





locked

up

tight there

like is

   











   

 

   







emp see

-

 

 

   

Ebsus2

 ty, my

-



 





   









  I



Oh,

I





of a

-



 





 



gas. gain.



 Gm

3fr

3fr

know

was - n’t am I



    



 

    Thought I

 



so out self

Eb

6fr

e e

-



nough, nough,

 

   

Bb

  

tain. ing.



Fsus



Run - ning on fi - nal - ly

can

    

I - ron Moun no more mourn -



6fr



  



   



Ebsus2

  

       



 

 

3fr

   

rets ing,

 

 



found I pos - si

 

  

 -

 

  

was - n’t ble to

 

so be

 tough loved.

    

 

 



Fsus/A







 



lay - ing It was

 



on not





the





 



bath - room a - bout





floor. me.





 



 



3

Ebsus2

  

6fr

Eb

Gm 3fr

 



We were Now I

        

 

3fr



  

  

  

liv - ing on have

a fault line to rise a - bove,

   

    

and I let the

 



       



  

Could - n’t take Yeah, the truth

    



  

    

 

was call

all the

 mine. bluff.

    

 

   

it will

an set

-



y you

more. free.

   

 











 



 







Ebsus2

Bb

Fsus

Gm7

6fr

By







the

grace

of



    



 

  







Ebsus2

  

the fault ni - verse

  

Fsus

  

  

felt u -

   

Bb



    









  

   

there

no

 

 

    

God,



Bb

was





oth - er

way.

      



Fsus

I

 









Gm7

6fr

 my

picked

-





self

back



    



 

  















  

   

I

I

 

 

    

up,



knew





had

to

stay.

      



I

  



4

Ebsus2

  

Bb

Bbsus2/D







put

one

foot

in

   





   

 







Ebsus2

  

 

  

Bb

 



looked

in







  



-

ror

  



the

mir









of

the

oth

-



 

 

 





   er



and

I

   









Fsus

  and



6fr

Gm7



Was - n’t

    











gon - na

let

love



 



   

        





take

me

out

 









  

stay.





1 Fsus













that

 

way.

Bb





     



to

6fr

 





 

Ebsus2

3fr

  

To Coda 



 

Gm9

 



  









de - cid - ed

Bb





 



Ebsus2

 



front







6fr

          

Gm7

6fr

   

 



  

  

     



 

5

2 Fsus

F#(b5)

Gm

Fsus2/A 3fr

that

Oh,

  

 

way,

  

       

     that

   

no.

way,

  

no,

that

way,

    

      

 

      





















Cm

Ebmaj9 3fr

in

the

in the name of love.

in

the

       

   of

name

love.

That

        

 

          

  

 







 

F/A









Gm

3fr

name,

          Not

no.

    

Bb Not

        

3fr

       

    that

no,

way,

That way,

way,

 

       

   







Bb





Cm 3fr

no.

   

   







no.

    

   

  





 

 













I

am

not

giv

 



 









 -











 

ing

up.

 



 

  









6

Ebmaj9

   











  

Ebsus2

Bbsus2

6fr



picked

my

   

-





By

the

grace

of

 



 





self

back

 



  



Fsus







 

up.









 





CODA



 

I

          

in

 



 

 



Fsus

that

 

looked in

 

  



 way.





front

 

    

Gm

         3fr

the mir

-

     

rit.

 

D.S. al Coda

looked in

ror,

  

the mir

 

Ebsus2

ror.

Bb

6fr



  

-

              

3fr





foot

Bb

Gm9





one

6fr

Fsus





 

Ebsus2

and

Bb

put

              

er

6fr

I

             

-

 





        

the oth

I

 

          of

 



Ebsus2

  

Gm7



God,









Fsus





Fsus





     

Bbsus2

3fr

 

 

  



     

     

1

SPIRITUAL

Words and Music by KATY PERRY, GREGORY KURSTIN and JOHN MAYER

Moderately

G

   

 

mf

 

   Dm



Dm7



With pedal











    

 

Bb5

  

me

this

   



 

me speak

-

ing

in





  

tongues.



 

Your e -

lec

 

 







  



  

tar,

 

Bb5

     

-

 

G

love.

Dm7

Dm7

 

Dm

   



slave to

al



   

               

   

a

your

  

               

I’m

down at



   



  

   



 



  



 

G

Lay



  



  

Bb5

ba - by;

   



-

  



   



tric

lips

have

               

Dm







                               

got

   



  

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, EMI APRIL MUSIC INC., KURSTIN MUSIC and GOODRUM MUSIC, INC. All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for KURSTIN MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved Used by Permission



2

G

Dm7

   





I Fly

-

    

   









 -

have ing

prayed high

for as

a a

pow kite



 









  





Bb5



  

er on



like your















   



               

   



see lost

deep in

   







 

Dm7



  

 



Oh, you

make Found

 

 

er, a,

      a

des fi

-

G

   

 

Mag - ic - al

      

one,

   



ert rose. nal - ly.

                   

   





  











   



bloom like

a flow nir - van -



 



 





  

3fr

ter - y,

        

me a

Dm7[add4]

all







  

a



 



 

-

to

Dm

     mys

 

              

Bb5

   





G

down in my soul. sweet ec - sta - sy.



you love;



Dm

  

-





of

   





 

 

your charms have worked



  

 

on

  

  





me.

    



3

Bb5

Dm

  

 



  



I

will

  











sur - ren - der







  



my

-







 

   

Ho - ly

hell

    

and heav - en





you have

high,



   

  

  



o





 

  

and

       

 

I

     





Ebmaj7

fi - nal - ly

-

i





      

3fr

 

am

     



-

  



 

   





 

    This

 



  



spir -

       





  



     

 un

  





is

F

    



G

healed.

tual;

    

      



Bbmaj7

 

eyes,









my





  

-



 

pened up



Dm

  



 



Bb5

   





3fr

   

        



  

 

Dm7[add4]

   





self.

G







 









  

-

der

your

spell.

                 

4

G





Ebmaj7





 

 

 3. So







1.2. Phe - nom phe - nom







  

 



  

  

 

 

 you

way



  

    make me

-

  





  





      









 



 

       



   

  

             

   -



   

 

     

   

  

  

  

er,



 

      



   

 

     

   

-

  

 



gel,



  

    





    Like

 

 



a

feath -

       



1F

Bb

3fr



a - glow.



Ebmaj7

 









the

G

all





3fr

an

F

   

   

  

  

nal, nal,

Like an

 

  

   

feel.

Bb





     

 

Ebmaj7



                

   

e e

Bb

G

  



-

 

F



   

3fr

To Coda 

   

  







you

make



 

  



    me

float.

      



5

G





Dm7







2



Ebmaj7

  

3fr

make

    

   

  

 



me

  







 





    

3fr





  

 



make

 

  

Dm7

me



float.

    



 



  

   



You

 

  



Ebmaj7 3fr







 

  

  





  



 make

     

 

 

  



 

 

 

    me

  





   

  

 



       



F



 

  

D.S. al Coda





float.

    



  



  

F[add2]

3fr

 



You

  

Gm9



  



F[add2]





Gm9

float.

   





      

   

F

you

  



      

Dm7





      

Bbmaj7

   

 

 

 

           



6

F

G

CODA

  



you

make



   









me



 

 

 









 



   

 





















  

 





you



   



make



  

me





  



Ebmaj7

     

3fr

     



oh

oh.







  



 

 







  

  



 











G





make

  

 

 



Oh,

 





   me





  



   

    

 

float.

  

  

Bb

  



F

you





 

 

float.

   



 

 



 

  

2



 

 

F

  





  

Bb

3fr

     

1

 



Oh,





float.

Ebmaj7

  





  

F



 

 

    

μ

 



1

IT TAKES TWO

Words and Music by KATY PERRY, TOR HERMANSEN, MIKKEL ERIKSEN, BENJAMIN LEVIN and EMELI SANDE

Moderately Ab5

    

4fr







  

Mer - cu - ry

  

  

Is

    







f

             

 





    

ret - ro - grade,

  

 

     

or is





that the

    

     

 





 



 

ex - cuse

 

Db5

             

 

 

that

   

   in



  

        

F5

  



  

 

 



 



I’ve al - ways made,

 

  

 



’cause



    

Eb5 4fr

  I



  

want

to

 



   

 

 

blame









you.

 



 

6fr

 

But

 I

can

 





 







blame







on - ly

 





my -



 

© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, PRESCRIPTION SONGS, STELLAR SONGS LTD., EMI MUSIC PUBLISHING LTD., MATZA BALLZACK MUSIC and WHERE DA KASZ AT? All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS Administered by KOBALT SONGS MUSIC PUBLISHING All Rights for STELLAR SONGS LTD. in the U.S. and Canada Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI APRIL MUSIC INC. All Rights for MATZA BALLZACK MUSIC and WHERE DA KASZ AT? Administered by SONGS OF KOBALT MUSIC PUBLISHING All Rights Reserved Used by Permission

2

Ab5

     



      



4fr





    

 

- self.

eas - y

Yeah, it’s





 





un - der

  





     



the







bus.



 



  

 





Or

call

you

 









fill - ing

my

   



      

     



 





  



cra - zy





 

while

  



 

 





 

 



4fr





cup.



 



 

I

say



these



things

to









   

 

 Eb5

6fr

 





but

I

on - ly

 





 

 

 





hurt

my





 

   



Eb5

   

you

Db5

   

   

 

 

 

        

F5



throw

    

                             

to



 

-

   

 

 

6fr



hurt

 



you,



 





self.

  

   

  

 

3

Fm

   







Oh,

        

  

Ab

     





  

  

Eb 4fr

bil want

 -

i to

     



     



 Absus23fr

-

 



  

Ab

Absus2 4fr

    two sides to

two,

             



Fm(add4)

    keep

  



Fm



ig - nor - ing.



  

    



Db





for to

me. see.

 

 

 

 

 

 











 

Fm(add4)

-

’ry

sto - ry. Not just





  

          half of

         

takes





               

  



Ebsus

4fr

ad - mit

It

I can’t



Ab/Db



  

you.



 

Fm



    

            



re - spon - si the change you

4fr

I



    

Ab/C

3fr

  

 

    

3fr

can on - ly take can on - ly be

Ab

 ev

    

 

3fr

Absus2

                     

yeah,

 

   

   





ty see,

  I I

Db 3fr

Eb/G

  



        6fr

it;

I’m not that

in - no - cent.

          



  



4

Absus2

   

Ab5

3fr

Absus2

  

4fr





  

Absus

   



-

    

’ry

 

 



Bbm/F

  

 two,





sto -

ry.

 

 









Not

just

me.



 

 











two sides to





  

 

keep

 



 

 











 



   



Ebsus

Ab/Eb

           to

say I’m sor

-

  



ry.

            





6fr

Ab

To Coda 

4fr

     (I’m sor

-



 







 

 







me

be

 

  



first,

ba -

by,

















1 Bbm/Ab







Ab

6fr

4fr





ry.)

           







Bbm/Ab

6fr

  



can’t

4fr

Let





Ab/Db

ig - nor - ing.

    

 

 









 

You

3fr



  



Fm7

Absus2



   

             

Bbm/F

Fm7

    

   



4fr

4fr

ev

  



Ab

4fr

  

            



Ab

4fr

it takes

yeah,

             

Absus 4fr

  

Oh

  

Ab5

3fr



 

I’ve

           



  



5

Absus

     

Ab

4fr

Absus 4fr





faced

my





     













de - mons,

 

Db6/9/F

Fm7

Eb7sus

  

 

Ab/Eb

on - ly

save my

              

       



my













 



  



 

Ab/Db

 

-

self.





   

   

 

 

to save

you

          

Absus2 4fr

  



    

Ab5

3fr

4fr

want - ed

 





       

I

       

  





    

Ab5

3fr

4fr

  



Oh,

   

   





  I

 

I

 

Absus2/Db

 



  

 

  

   





Fm 4fr

 

dues.

 

wish you could too.

Ab

6fr

paid



Fm7

              

Bbm/Ab

 

Absus2

           

2





    

I

 

I can

I

4fr

8fr

6fr

but

yeah,



Db6/9/F

grow up;

 

 

 

                     



 

        had to

 

Ab

4fr

  

  

  

 

  

  





point

my

 







 



fin - ger,





but

it

 

 



6

Eb[add4]

Eb

      does me

Dbsus2 3fr

no





good.

I

 

 

              



Eb

4fr

       

look

in

the

mir - ror

 

tells me

 

         





are

these

  

 







 



les - sons





 

 



al - ways

C5

   



    

 

3fr

it

       

truth,

 

Eb

too late to

 



 

Eb/G

     







 

   

Ab

6fr





Ab 4fr

      (I’m sor

-

ry.)

              



 

Eb 4fr



Bbm/Ab

it takes

3fr



 



         

way?



     Oh,





hard

D.S. al Coda

 

Fm7



CODA

change?





the

 

yeah.

   

 

learned



Is

the

3fr

Why

      

   

  

Eb[add4]

    

    

it



Fm

    

and

  

       





3fr

Db 3fr

 



  

 



   





  



1

CHOOSE YOUR BATTLES

Words and Music by KATY PERRY, JONATHA BROOKE and GREG WELLS

Rhythmically Bm

                 mf

   





             

               











 

     

     

 









G/B

    

 



     

     

 







Em





 

  

lock your

    

-





 



 

er red

    





 

lov flags

 

er, while

   

 

 

     

     









 

keep danc

   

 

 



 

-

me ing

    



walk on

 

-

ing on

   

   

 



on bro

   

 



 

   

 

  

are to

You tried

     

 

 Bm



       



 

C/E





 



  -

my pick

hurt off



a ken

wi glass.



 

   

 

  



© 2013 WB MUSIC CORP., WHEN I'M RICH YOU'LL BE MY BITCH, BMG GOLD SONGS, FIREHOUSE CAT MUSIC and NAUGHTY PUPPY MUSIC All Rights for WHEN I'M RICH YOU'LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for BMG GOLD SONGS and FIREHOUSE CAT MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC All Rights for NAUGHTY PUPPY MUSIC Administered by NAUGHTY PUPPY MUSIC All Rights Reserved Used by Permission



re. Your

2

G

Em

  

 

Don’t mind

know games

     

 









C

  

 

 

 

  

hit

when like







you’ll gre

  

 

-









Bm



  

blow. nades.

  



 

    



So





I We’re

 tip cursed

  







 



toe just

through like

   

 





 

 

your the

trig - gered Ken - ne -

  

   

  











 

mind, dys,

 

you

but you

   

G

  

fight some

     



-

 



 

   

 

  

me how



but get

I’m me



 



 

  

   

 

  

on on





your my

side. knees.



ed, ed,

   



   



now now



 



re re





treat treat

  

-

feat feat

-

   





C

 -





Em

   

De De

-



  







  

ing. ing.

  

    





3

Em



Bm





    

Why you try’n’ to make

      



   









me your

en - e - my?

All

I

real - ly need



      



a

     





   

G/B







 











  



       is

not

a



















 

















I

just

want

to

be

your

 



 



 

 







 











   

  



com - pe - ti - tion,

  







 



er.

Bm

     



-

   



Em



lov

this



D

  





lit - tle peace.

 



C6

    

is

 

    

Cmaj7

      



    

Oh,



 





 

so

ba - by, why the am - mu - ni - tion?





    







  













4

Cmaj7



C6





    

 





D

      









babe,

    









G

the

last

one

stand

   

 



 

 

 





to









your



  



 

 

  













ing.

Choose

your

bat

-

tles,

  

 



 











 











the

war.

 



 

 

 

grave













 

Stop







 







 





Em

 when



  









win

own



C

you’ll







then





-

G

 

 





D

dig - ging



be

don’t want

Em

  







D

  





-

  



C

  





I

    

G/B









so

there’s

  



  









much

to

live

 



 











5

C

G

  





       

  















bat

-

tles,

babe,

 





 













  

an





ing



-

y

  

 

 





 



-



 











I’m

not

 









-



more,

   





3fr



    

















Bm

  





  

   



’cause

Dsus



 



To Coda  Csus2/A

Em





Choose your

for.

fight

D





            



 



I’m

not

fight



 

 





-







 

  







ing

an

-

y



 

 





 -

  





 

      

      

 



  

 

more.







    





   

 

  

 

      

      

6

G/B



Em





C/E







D.S. al Coda





 

I’ve

               



           











C

CODA

            

G



  

















   











ing

an

-

y

 



 

     













If you want to stay,

     

then



  







 stay.

 



























go,

then

go.





 

  

  



    





 





I

am

not



 







G





    







Em

      





more. If you want to







      

D





C

-





 

Em

fight



No,

   

  



D

more





           









  









C

  ’Cause



    





I don’t want to fight

no

more

   



 



  







7

G

  





  



  



-

 







 an - y - way. ba

   

1 Em

D

by.





















 







I

am

not

fight



 



  





-









ing

an

-

y -













2 Em

C



  fight

-

   

G

       If













ing

an

-

y



 

 







-

you want to

   



then

go.





more.

D

 











If you want to stay,

then

 

babe,

stay.



 

then you’ll

win

the

war.











 

 















 

Choose your

bat

-

tles,

 















C

 

 

 



 

  

   

 

Em

       



go,

 





’Cause

 

I don’t want to fight

     

no

more

 

  



 





 









Stop



8

G

 

 



D

dig - ging

 

 



 





C

If you want to

grave









own

your





then

go.





for.

  

Em





 

  

fight







-





    

ing

an

-

y



 

  



’Cause

 









 







Choose your

bat

-

tles

 







much

to

live

 



 









 











If you want to stay,

     

babe,



 







     

no

more





then





’cause I’m

not



 







stay.

 

 

G

I don’t want to fight





an - y - way.







  

 

 





more,

 

 



 







I

am

not

fight



  















 

  









Repeat and Fade C

Em





-





 

C



D

 

D







 







so

 

 

 





there’s







G

go,







 



when





             

 

ba - by.

 

 

Em

an





ing



-

y



 

  





-







 -

  

more.

 



Optional Ending Csus2/A

   

3fr

          more.

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