Joseph Brodsky

Joseph Brodsky Iosif Aleksandrovich Brodsky[2] (/ˈbrɒdski/; Russian: 2 Ио́ сиф Алекса́ ндрович Бро́ дский, IPA: [ɪˈosʲɪf ɐlʲɪˈksandrəvʲɪtɕ ˈbrotskʲɪj]; 24 May 1940 – 28 January 1996) 2.1 was a Russian and American poet and essayist. Born in Leningrad in 1940, Brodsky ran afoul of Soviet authorities and was expelled (“strongly advised” to emigrate) from the Soviet Union in 1972, settling in America with the help of W. H. Auden and other supporters. He taught thereafter at universities including those at Yale, Cambridge and Michigan.

Career and family Early career

So long had life together been, that once the snow began to fall, it seemed unending; that, lest the flakes should make her eyelids wince, I’d shield them with my hand, and they, pretending not to believe that cherishing of eyes, would beat against my palm like butterflies.

Brodsky was awarded the 1987 Nobel Prize in Literature “for an all-embracing authorship, imbued with clarity of thought and poetic intensity”.[3] He was appointed United “ ” States Poet Laureate in 1991.[4] from “Six Years Later”," Trans. Richard Wilbur

1

In 1955, Brodsky began writing his own poetry and producing literary translations. He circulated them in secret, and some were published by the underground journal Sintaksis (Syntaxis). His writings were apolitical.[7] By 1958 he was already well known in literary circles for his poems “The Jewish cemetery near Leningrad” and “Pilgrims”.[9] Asked when he first felt called to poetry, he recollected, “In 1959, in Yakutsk, when walking in that terrible city, I went into a bookstore. I snagged a copy of poems by Baratynsky. I had nothing to read. So I read that book and finally understood what I had to do in life. Or got very excited, at least. So in a way, Evgeny Abramovich Baratynsky is sort of responsible.” His friend Ludmila Shtern recalled working with Brodsky on an irrigation project in his “Geological Period” (working as a geologist’s assistant): “We bounced around the Leningrad Province examining kilometers of canals, checking their embankments, which looked terrible. They were falling down, coming apart, had all sorts of strange things growing in them...It was during these trips, however, that I was privileged to hear the poems “The Hills” and “You Will Gallop in the Dark”. Brodsky read them aloud to me between two train cars as we were going towards Tikhvin.”[9]

Early years

Brodsky was born into a Jewish family in Leningrad. His father, Aleksandr Brodsky, was a professional photographer in the Soviet Navy and his mother, Maria Volpert Brodsky, was a professional interpreter whose work often helped to support the family. They lived in communal apartments, in poverty, marginalized by their Jewish status.[5] In early childhood Brodsky survived the Siege of Leningrad where he and his parents nearly died of starvation; one aunt did die of hunger.[6] He later suffered from various health problems caused by the siege. Brodsky commented that many of his teachers were antiSemitic and that he felt like a dissident from an early age. He noted “I began to despise Lenin, even when I was in the first grade, not so much because of his political philosophy or practice...but because of his omnipresent images.”[7] As a young student Brodsky was “an unruly child” known for his misbehavior during classes.[8] At fifteen, Brodsky left school and tried to enter the School of Submariners without success. He went on to work as a milling machine operator.[5] Later, having decided to become a physician, he worked at the morgue at the Kresty Prison , cutting and sewing bodies.[5] He subsequently held a variety of jobs in hospitals, in a ship’s boiler room, and on geological expeditions. At the same time, Brodsky engaged in a program of self-education. He learned Polish so he could translate the works of Polish poets such as Czesław Miłosz, and English so that he could translate John Donne. On the way, he acquired a deep interest in classical philosophy, religion, mythology, and English and American poetry.[7]

In 1960, the young Brodsky met Anna Akhmatova, one of the leading poets of the silver age.[5] she encouraged his work, and would go on to become his mentor.[10] In 1962, in Leningrad, Anna Akhmatova introduced him to the artist Marina Basmanova, a young painter from an established artistic family who was drawing Akhmatova’s portrait. The two started a relationship; however, Brodsky’s then close friend and fellow poet Dmitri Bobyshev was in love with Basmanova. Bobyshev began to pursue 1

2 the girl and immediately Brodsky began to be pursued by the authorities; Bobyshev was widely held responsible for denouncing him.[6] Brodsky dedicated much love poetry to Marina Basmanova: I was only that which you touched with your palm over which, in the deaf, raven-black night, you bent your head... I was practically blind. You, appearing, then hiding, taught me to see.[1]

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CAREER AND FAMILY

making him a symbol of artistic resistance in a totalitarian society, much like his mentor Akhmatova. Since the stern art of poetry calls for words, I, morose, deaf, and balding ambassador of a more or less insignificant nation that’s stuck in this super power, wishing to spare my old brain, put on clothes – all by myself – and head for the main street: for the evening paper. “ ” from “The End of a Beautiful Era” (Leningrad 1969)

1. ^ Cite error: The named reference New was invoked His son Andrei was born on the 8 October 1967, and but never defined (see the help page). Basmanova broke off the relationship. Andrei was registered under Basmanova’s surname because Brodsky did not want his son to suffer from political attacks that he 2.2 Denunciation endured.[16] Marina Basmanova was threatened by the Soviet authorities which prevented her from marrying In 1963, Brodsky’s poetry was denounced by a Leningrad Brodsky or joining him when he was exiled from the newspaper as “pornographic and anti-Soviet". His papers country.[6][17] After the birth of their son, Brodsky conwere confiscated, he was interrogated, twice put in a mentinued to dedicate love poetry to Basmanova.[6] In 1989, tal institution[11] and then arrested. He was charged with Brodsky wrote his last poem to “M.B.,” describing himsocial parasitism[12] by the Soviet authorities in a trial in self remembering their life in Leningrad: 1964, finding that his series of odd jobs and role as a poet were not a sufficient contribution to society.[5] [13] Your voice, your body, your name They called him “a pseudo-poet in velveteen trousers” mean nothing to me now. No one destroyed them. who failed to fulfill his “constitutional duty to work hon- It’s just that, in order to forget one life, a person needs to estly for the good of the motherland”.[11] The trial judge live asked “Who has recognized you as a poet? Who has en- at least one other life. And I have served that portion.[1] rolled you in the ranks of poets?" — “No one,” Brod1. ^ Keith Gessen, “Joseph Brodsky and the fortunes sky replied, “Who enrolled me in the ranks of the human [7][14] of misfortune”, The New Yorker, May 23, 2011. race?" Brodsky was not yet 24. For his “parasitism” Brodsky was sentenced to five years hard labor and served 18 months on a farm in the village of Norenskaya, in the Archangelsk region, 350 miles from Leningrad. He rented his own small cottage, and though it was without plumbing or central heating, having one’s own, private space was taken to be a great luxury at the time.[6] Basmanova, Bobyshev and Brodsky’s mother, among others, visited. He wrote on his typewriter, chopped wood, hauled manure and at night read his anthologies of English and American poetry, including a lot of W. H. Auden and Robert Frost. Brodsky’s close friend and biographer Lev Loseff writes that while confinement in the mental hospital and the trial were miserable experiences, the 18 months in the Arctic were among the best times of Brodsky’s life. Brodsky’s mentor, Anna Akhmatova, laughed at the KGB’s shortsightedness. “What a biography they’re fashioning for our redhaired friend!” she said. “It’s as if he’d hired them to do it on purpose.”[15] Brodsky’s sentence was commuted in 1965 after protests by prominent Soviet and foreign cultural figures, including Evgeny Evtushenko, Dmitri Shostakovich, and JeanPaul Sartre as well as Akhmatova [5] [10] Brodsky became a cause célèbre in the West also when a secret transcription of trial minutes was smuggled out of the country,

Brodsky returned to Leningrad in December 1965 and continued to write over the next seven years, many of his works being translated into German, French and English and published abroad. Verses and Poems was published by Inter-Language Literary Associates in Washington in 1965, Elegy to John Donne and Other Poems was published in London in 1967 by Longmans Green, and A Stop in the Desert was issued in 1970 by Chekhov Publishing in New York. Only four of his poems were published in Leningrad anthologies in 1966 and 1967, most of his work appearing outside the Soviet Union or circulated in secret (samizdat) until 1987. Persecuted for his poetry and his Jewish heritage, he was denied permission to travel. In 1972, while Brodsky was being considered for exile, the authorities consulted mental health expert Andrei Snezhnevsky, a key proponent of the notorious pseudo-medical diagnosis of “paranoid reformist delusion”.[18] This political tool allowed the state to lock up dissenters in psychiatric institutions indefinitely. Without examining him personally, Snezhnevsky diagnosed Brodsky as having "sluggishly progressing schizophrenia", concluding that he was “not a valuable person at all and may be let go”.[18] In 1971, Brodsky was twice invited to emigrate to Israel. When called to the Ministry of the Interior in 1972 and asked

2.3

United States

why he had not accepted, he stated that he wished to stay in the country. Within 10 days officials broke into his apartment, took his papers, and on 4 June 1972 put him on a plane for Vienna, Austria.[7] He never returned to Russia and never saw Basmanova again.[6] Brodsky later wrote “The Last Judgement is the Last Judgement, but a human being who spent his life in Russia, has to be, without any hesitation, placed into Paradise.”[19][20] In Austria, he met Carl Ray Proffer and Auden, who facilitated Brodsky’s transit to America and proved influential to Brodsky’s career. Proffer, of the University of Michigan and one of the co-founders of Ardis Publishers, became Brodsky’s Russian publisher from this point on. Recalling his landing in Vienna, Brodsky commented “I knew I was leaving my country for good, but for where, I had no idea whatsoever. One thing which was quite clear was that I didn't want to go to Israel...I never even believed that they'd allow me to go. I never believed they would put me on a plane, and when they did I didn't know whether the plane would go east or west...I didn't want to be hounded by what was left of the Soviet Security Service in England. So I came to the States.”[21] Although the poet was invited back after the fall of the Soviet Union, Brodsky never returned to his country.[7][22]

2.3

United States

Brodsky teaching at University of Michigan, c. 1972

After a short stay in Vienna, Brodsky settled in Ann Arbor, with the help of poet Auden and Proffer and became poet in residence at the University of Michigan for a year.[21] Brodsky went on to become a Visiting Professor at Queens College (1973–74), Smith College, Columbia University, and Cambridge University, later returning to the University of Michigan (1974– 80). He was the Andrew Mellon Professor of Literature and Five College Professor of Literature at Mount Holyoke College, brought there by poet and historian Peter Viereck.[23] In 1978, Brodsky was awarded an honorary degree of Doctor of Letters at Yale University, and on 23 May 1979, he was inducted as a member of the American Academy and Institute of Arts and Letters. He moved to New York’s Greenwich Village in 1980 and In 1981, Brodsky received the John D. and Catherine T.

3 MacArthur Foundation's “genius” award.[5] He was also a recipient of The International Center in New York’s Award of Excellence. In 1986, his collection of essays Less Than One won the National Book Critics Award for Criticism and he was given an honorary doctorate of literature from Oxford University.[11] In 1987, he won the Nobel Prize for Literature, the fifth Russian-born writer to do so. In an interview he was asked: “You are an American citizen who is receiving the Prize for Russian-language poetry. Who are you, an American or a Russian?" “I’m Jewish; a Russian poet, an English essayist – and, of course, an American citizen”, he responded.[24] The Academy stated that they had awarded the prize for his “all-embracing authorship, imbued with clarity of thought and poetic intensity” It also called his writing “rich and intensely vital,” characterized by “great breadth in time and space” It was “a big step for me, a small step for mankind”, he joked.[7] The prize coincided with the first legal publication in Russia of Brodsky’s poetry as an exile. In 1991, Brodsky became Poet Laureate of the United States. The Librarian of Congress said that Brodsky had “the open-ended interest of American life that immigrants have. This is a reminder that so much of American creativity is from people not born in America.”[7] His inauguration address was printed in Poetry Review. Brodsky held an honorary degree from the University of Silesia in Poland and was an honorary member of the International Academy of Science. In 1995, Gleb Uspensky, a senior editor at the Russian publishing house Vagrius, asked Brodsky to return to Russia for a tour but he could not agree.[11] For the last ten years of his life, Brodsky was under considerable pressure from those that regarded him as a “fortune maker”. He was a greatly honored professor, was on first name terms with the heads of many large publishing houses, and connected to the significant figures of American literary life. His friend Ludmila Shtern wrote that many Russian intellectuals in both Russia and America assumed his influence was unlimited, that a nod from him could secure them a book contract, a teaching post or a grant, that it was in his gift to assure a glittering career. A helping hand or a rejection of a petition for help could create a storm in Russian literary circles, which Shtern suggests became very personal at times. His position as a lauded émigré and Nobel Prize winner won him enemies and stoked resentment, the politics of which, she writes, made him feel “deathly tired” of it all towards the end.[25] In 1990, while teaching literature in France, Brodsky married a young student, Maria Sozzani, who has a Russian-Italian background; they had one daughter, Anna. Marina Basmanova lived in fear of the Soviet authorities, until the collapse of the Soviet Union in 1991; only after this was their son Andrei Basmanov allowed to join his father in New York. In the 1990s, Brodsky invited Andrei to visit him in New York for three months, and

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3

WORK

Brodsky is perhaps most known for his poetry collections A Part of Speech (1977) and To Urania (1988) and the essay collection Less Than One (1986), which won the National Book Critics Circle Award. Other notable works include the play Marbles (1989) and Watermark, a prose collection (1992).[11] Throughout his career he wrote in Russian and English, self-translating and working with eminent poet-translators.

3.1 Themes and forms In his introduction to Brodsky’s Selected Poems (New York and Harmondsworth, 1973), W. H. Auden described Brodsky as a traditionalist lyric poet fascinated by “encounters with nature, [...] reflections upon the human condition, death, and the meaning of existence”.[5] He drew on wide-ranging themes, from Mexican and Caribbean literature to Roman poetry, mixing “the physical and the metaphysical, place and ideas about place, now and the past and the future”.[28] Critic Dinah Birch Grave of Brodsky in the Protestant section of the Cimiterio di San suggests that Brodsky’s " first volume of poetry in EnMichele, Venice, Veneto, Italy glish, Joseph Brodsky: Selected Poems (1973), shows that although his strength was a distinctive kind of dry, medthey maintained a father-son relationship until Brodsky’s itative soliloquy, he was immensely versatile and techni[29] death. Andrei married in the 1990s and had three chil- cally accomplished in a number of forms.” dren, all of whom were recognized and supported by To Urania: Selected Poems 1965–1985 collected transBrodsky as his grandchildren; Marina Basmanova, An- lations of older work with new work written during his drei, and Brodsky’s grandchildren all live in Saint Pe- American exile and reflect on themes of memory, home tersburg. Andrei gave readings of his father’s poetry in and loss.[29] His two essay collections consist of critia documentary about Brodsky. The film contains Brod- cal studies of such poets as Osip Mandelshtam, W. H. sky’s poems dedicated to Marina Basmanova and written Auden, Thomas Hardy, Rainer Maria Rilke and Robert between 1961 and 1982.[26] Frost, sketches of his own life, and those of contempoBrodsky died of a heart attack aged 55, in his New York raries such as Akhmatova, Nadezhda Mandelshtam, and [29] City apartment on January 28, 1996. He had had open- Stephen Spender. heart surgery in 1979 and later two bypass operations, re- A recurring theme in Brodsky’s writing is the relationmaining in frail health since that time. He was buried in ship between the poet and society. In particular, Broda non-Catholic section of the Isola di San Michele ceme- sky emphasized the power of literature to positively imtery in Venice, Italy,[11] also the resting place of Ezra pact its audience and to develop the language and culPound and Igor Stravinsky. In 1997, a plaque was placed ture in which it is situated. He suggested that the Weston his house in St Petersburg with his portrait in relief, ern literary tradition was in part responsible for the world and the words “In this house from 1940 to 1972 lived having overcome the catastrophes of the 20th century, the great Russian poet Iosif Aleksandrovich Brodsky”.[27] such as Nazism, Communism and the World Wars. DurBrodsky’s close friend, the Nobel laureate Derek Walcott, ing his term as Poet Laureate, Brodsky promoted the memorialized him in his collection The Prodigal 2004. idea of bringing the Anglo-American poetic heritage to a wider American audience by distributing free poetry anthologies to the public through a government-sponsored program. Billington wrote “Joseph had difficulty under3 Work standing why poetry did not draw the large audiences in the United States that it did in Russia. He was proud of I was born and grew up in the Baltic marshland becoming an American citizen in 1977 (the Soviets havby zinc-gray breakers that always marched on ing made him stateless upon his expulsion in 1972) and in twos. valued the freedoms that life in the United States provided. But he regarded poetry as “language’s highest de“ gree of maturity”, and wanted everyone to be susceptible ” to it. As Poet Laureate, he suggested that inexpensive anFrom the title poem in A Part of Speech (1980) thologies of the best American poets be made available in hotels and airports, hospitals and supermarkets. He

5 thought that people who are restless or fearful or lonely poet Henri Cole notes that Brodsky’s “own translations or weary might pick up poetry and discover unexpectedly have been criticized for turgidness, lacking a native sense that others had experienced these emotions before and of musicality.”[5] had used them to celebrate life rather than escape from it. Joseph’s idea was picked up, and thousands of such books have in fact been placed where people may come 4 Awards and honors across them out of need or curiosity.”[28] This passion for promoting the seriousness and importance of poetry comes through in Brodsky’s opening remarks as the U.S. Poet Laureate in October 1991. He says “By failing to read or listen to poets, society dooms itself to inferior modes of articulation, those of the politician, the salesman or the charlatan. [...] In other words, it forfeits its own evolutionary potential. For what distinguishes us from the rest of the animal kingdom is precisely the gift of speech. [...] Poetry is not a form of entertainment and in a certain sense not even a form of art, but it is our anthropological, genetic goal, our evolutionary, linguistic beacon.”[28] This sentiment is echoed throughout his work. In interview with Sven Birkerts in 1979 Brodsky reflected” In the works of the better poets you get the sensation that they're not talking to people any more, or to some seraphical creature. What they're doing is simply talking back to the language itself, as beauty, sensuality, wisdom, irony, those aspects of language of which the poet is a clear mirror. Poetry is not an art or a branch of art, it’s something more. If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological, indeed genetic, goal. Anyone who regards poetry as an entertainment, as “a read”, commits an anthropological crime, in the first place, against himself.”[30]

• 1978 – Honorary degree of Doctor of Letters, Yale University

3.2

• 1993 – Honorary degree from the University of Silesia in Poland

Influences

• 1979 – Fellowship of American Academy and Institute of Arts and Letters • 1981 – John D. and Catherine T. MacArthur Foundation award • 1986 – Honorary doctorate of literature from Oxford University • The International Center in New York’s Award of Excellence • 1986 – National Book Critics Award for Criticism, for Less Than One (essay collection) • 1987 – Nobel Prize • 1989 – Honorary doctorate from the University of Essex[32] • 1989 – Honorary degree from Dartmouth College[33] • 1991 – United States Poet Laureate • 1991 – Struga Poetry Evenings Golden Wreath Award

Librarian of Congress Dr James Billington, wrote “He • Honorary member of the International Academy of was the favored protégé of the great lady of Petersburg, Science Anna Akhmatova, and to hear him read her poems in Russian in the Library of Congress was an experience to make one’s hair stand on end even if one did not understand the Russian language. Joseph Brodsky was 5 Works the embodiment of the hopes not only of Anna Akhmatova, the last of the great Petersburg poets from the be- 5.1 Poetry collections ginning of the century, but also Nadezhda Mandelstam, the widow of another great martyred poet Osip Mandel• 1967: Elegy for John Donne and Other Poems, stam. Both of them saw Joseph as part of the guiding selected, translated, and introduced by Nicholas light that might some day lead Russia back to her own William Bethell, London: Longman[34] deep roots”.[28][31] Brodsky was also deeply influenced by • 1968: Velka elegie, Paris: Edice Svedectvi the English metaphysical poets from John Donne to Auden. Many works were dedicated to other writers such • 1972: Poems, Ann Arbor, Michigan: Ardis as Tomas Venclova, Octavio Paz, Robert Lowell, Derek Walcott, and Benedetta Craveri.[28] • 1973: Selected Poems, translated from the Russian by George L. Kline. New York: Harper & Row Brodsky’s work is seen to have been vitally enhanced by the work of renowned translators. A Part of Speech (New • 1977: A Part of Speech[35] York and Oxford, 1980), his second major collection in • 1977: Poems and Translations, Keele: University of English, includes translations by Anthony Hecht, Howard Moss, Derek Walcott and Richard Wilbur. Critic and Keele

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8 • 1980: A Part of Speech, New York: Farrar, Straus & Giroux

COLLECTIONS IN RUSSIAN

7 In music

The 2011 contemporary classical album Troika includes • 1981: Verses on the Winter Campaign 1980, trans- Eskender Bekmambetov’s critically acclaimed [36][37] lation by Alan Myers.–London: Anvil Press song cycle “there…”, set to five of Joseph’s Brodsky’s Russian-language poems and his own translations of the • 1988: To Urania : Selected Poems, 1965–1985, New poems into English.[38] Victoria Poleva wrote Summer York: Farrar, Straus & Giroux music (2008), a chamber cantata based on the verses by Brodsky for violin solo, children choir and Strings and Ars • 1995: On Grief and Reason: Essays, New York: moriendi (1983–2012), 22 monologues about death for Farrar, Straus & Giroux soprano and piano (two monologues based on the verses by Brodsky (“Song” and “Empty circle”). • 1996: So Forth : Poems, New York: Farrar, Straus & Giroux • 1999: Discovery, New York: Farrar, Straus & Giroux • 2000: Collected Poems in English, 1972–1999, edited by Ann Kjellberg, New York: Farrar, Straus & Giroux • 2001: Nativity Poems, translated by Melissa Green– New York: Farrar, Straus & Giroux

5.2

Essay and interview collections

• 1965: Stikhotvoreniia i poemy, Washington, D.C. : Inter-Language Literary Associates • 1970: Ostanovka v pustyne, New York: Izdatel’stvo imeni Chekhova (Rev. ed. Ann Arbor, Mich.: Ardis, 1989) • 1977: Chast' rechi: Stikhotvoreniia 1972–76, Ann Arbor, Mich.: Ardis • 1977: Konets prekrasnoi epokhi : stikhotvoreniia 1964–71, Ann Arbor, Mich.: Ardis

• 1986: Less Than One: Selected Essays, New York: Farrar, Straus & Giroux. (Winner of the National Book Critics Circle Award)

• 1977: V Anglii, Ann Arbor, Mich.: Ardis

• 1992: Watermark, Noonday Press; New York: Farrar, Straus & Giroux

• 1983: Novye stansy k Avguste : stikhi k M.B., 1962– 1982, Ann Arbor, Mich.: Ardis

• 1995: On Grief and Reason: Essays. Farrar, Straus and Giroux. • 2003: Joseph Brodsky: Conversations, edited by Cynthia L. Haven. Jackson, Miss.: University Press of Mississippi Literary Conversations Series.

5.3

Plays

• 1989: Marbles : a Play in Three Acts, translated by Alan Myers with Joseph Brodsky.–New York: Farrar, Straus & Giroux • 1991: Democracy! in Granta 30 New Europe, translated by Alan Myers and Joseph Brodsky.

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8 Collections in Russian

In film

A film based on his life has been made, A Room And A Half, directed by Andrei Khrzhanovsky.

• 1982: Rimskie elegii, New York: Russica

• 1984: Mramor, Ann Arbor, Mich.: Ardis • 1984: Uraniia : novaia kniga stikhov, Ann Arbor, Mich.: Ardis • 1989: Ostanovka v pustyne, revised edition, Ann Arbor, Mich.: Ardis, 1989 (original edition: New York: Izdatel’stvo imeni Chekhova, 1970) • 1990: Nazidanie : stikhi 1962–1989, Leningrad : Smart • 1990: Chast' rechi : Izbrannye stikhi 1962–1989, Moscow: Khudozhestvennaia literatura • 1990: Osennii krik iastreba : Stikhotvoreniia 1962– 1989, Leningrad: KTP LO IMA Press • 1990: Primechaniia paporotnika, Bromma, Sweden : Hylaea • 1991: Ballada o malen'kom buksire, Leningrad: Detskaia literatura • 1991: Kholmy : Bol’shie stikhotvoreniia i poemy, Saint Petersburg: LP VTPO “Kinotsentr”

7 • 1991: Stikhotvoreniia, Tallinn: Eesti Raamat • 1992: Naberezhnaia neistselimykh: Trinadtsat' essei, Moscow: Slovo

• 2000: Peizazh s navodneniem, Saint Petersburg: Pushkinskii fond • 2000: Bol’shaia kniga interv'iu, Moscow: Zakharov

• 1992: Rozhdestvenskie stikhi, Moscow: Nezavisimaia gazeta (revised edition in 1996)

• 2001: Novaia Odisseia : Pamiati Iosifa Brodskogo, Moscow: Staroe literaturnoe obozrenie

• 1992–1995: Sochineniia, Saint Petersburg: Pushkinskii fond, 1992–1995, four volumes

• 2001: Peremena imperii : Stikhotvoreniia 1960– 1996, Moscow: Nezavisimaia gazeta

• 1992: Vspominaia Akhmatovu / Joseph Brodsky, Solomon Volkov, Moscow: Nezavisimaia gazeta

• 2001: Vtoroi vek posle nashei ery : dramaturgija Iosifa Brodskogo, Saint Petersburg: Zvezda

• 1992: Forma vremeni : stikhotvoreniia, esse, p'esy, Minsk: Eridan, two volumes • 1993: Kappadokiia.–Saint Petersburg • 1994: Persian Arrow/Persidskaia strela, with etchings by Edik Steinberg.–Verona: * Edizione d'Arte Gibralfaro & ECM • 1995: Peresechennaia mestnost ': Puteshestviia s kommentariiami, Moscow: Nezavisimaia gazeta • 1995: V okrestnostiakh Atlantidy : Novye stikhotvoreniia, Saint Petersburg: Pushkinskii fond • 1996: Peizazh s navodneniem, compiled by Aleksandr Sumerkin.–Dana Point, Cal.: Ardis • 1996: Rozhdestvenskie stikhi, Moscow: Nezavisimaia gazeta, revised edition of a work originally published in 1992 • 1997: Brodskii o Tsvetaevoi, Moscow: Nezavisimaia gazeta • 1998: Pis’mo Goratsiiu, Moscow: Nash dom • 1996 and after: Sochineniia, Saint Petersburg: Pushkinskii fond, eight volumes • 1999: Gorbunov i Gorchakov, Saint Petersburg: Pushkinskii fond • 1999: Predstavlenie : novoe literaturnoe obozrenie, Moscow • 2000: Ostanovka v pustyne, Saint Petersburg: Pushkinskii fond • 2000: Chast' rechi, Saint Petersburg: Pushkinskii fond • 2000: Konets prekrasnoi epokhi, Saint Petersburg: Pushkinskii fond

9 See also • List of Jewish Nobel laureates

10 References [1] http://www.nobelprize.org/nobel_prizes/literature/ laureates/1987/brodsky.html [2] Also known as Josip, Josef or Joseph. [3] “The Nobel Prize in Literature 1987”. Nobelprize. October 7, 2010. Retrieved October 7, 2010. [4] “Poet Laureate Timeline: 1981–1990”. Congress. 2009. Retrieved 2009-01-01.

Library of

[5] Cole, Henri “Brodsky, Joseph”. The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton. Oxford University Press, 1996. [6] [7] Obituary pp. 4–6 New York Times “Joseph Brodsky, Exiled Poet Who Won Nobel, Dies at 55” 29 January 1996. [8] Scammell, Michael (18 May 2012). The New Republic http://www.tnr.com/article/books-and-arts/magazine/ 103341/joseph-brodsky-russian-literature-lev-loseff. Retrieved 4 June 2012. Missing or empty |title= (help) [9] Shtern, Ludmila (2004). Brodsky: A Personal Memoir. Baskerville Publishers, p. 63. ISBN 978-1-880909-70-6 [10] Natalia Zhdanova, “Timelessness: Water Frees Time from Time Itself”, Neva News, 1 August 2007. [11] Obituary New York Times “Joseph Brodsky, Exiled Poet Who Won Nobel, Dies at 55” 29 January 1996. [12] Remnick, David (December 20, 2010). “Gulag Lite”. The New Yorker. Retrieved 11 October 2011. [13] Cissie Dore Hill (trans.)Remembering Joseph Brodsky. Hoover Institution

• 2000: Novye stansy k Avguste, Saint Petersburg: [14] "«А вы учились этому?» Стенограмма суда над Иосифом Бродским" ["Are you trained to do that?" Pushkinskii fond • 2000: Uraniia, Saint Petersburg: Pushkinskii fond

Transcription of Joseph Brodsky court case]. TV Rain. 2014-12-03. Retrieved 2014-12-03.

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EXTERNAL LINKS

[15] Remnick, David (December 20, 2010). “Gulag Lite”. The New Yorker. Retrieved 11 October 2011.

[36] “Poetry and Song to Plumb the Russian Soul’s Depths” by Vivien Schweitzer, New York Times (14 February 2008)

[16] Russian writers since 1980, Volume 285 of Dictionary of literary biography. Editors Marina Balina, Mark Naumovich Lipovets︡︠ kiĭ. Gale publishers (2004), p. 28

[37] “Performing Arts: Chamber Orchestra Kremlin” by Joe Banno, Washington Post (p. C9, 18 February 2008)

[17] Иосиф Бродский и Марина Басманова. Роман в стихах и акварелях, Interview magazine: "В череде этих встреч и прощаний в 1968 году у Басмановой и Бродского родился сын Андрей. Поэт надеялся, что теперь-то уж Марина согласится официально оформить отношения, но она была непреклонна.” [18] Brintlinger, Angela; Vinitsky, Ilya (2007). Madness and the mad in Russian culture. University of Toronto Press. p. 92. ISBN 0-8020-9140-7. [19] D. Smirnov-Sadovsky, Song from Underground, Booklet of the Festival “Masterpieces of the Russian Underground”, Lincoln Center, New York, USA, January 2003, pp. 16-19 [20] Song from Underground, Wikilivres [21] Haven (2006) p84 [22] Loseff, Lev (2010) Joseph Brodsky: A Literary Life, Yale University Press (New Haven, CT) [23] Profile at Mount Holyoke College [24] Gross, Irena. “A Jewish Boy with a Head Full of Russian Rhymes”. Paper presented at the annual meeting of the Association for Slavic, East European and Eurasian Studies 45th Annual Convention, Boston Marriott Copley Place, Boston, MA. Abstract

[38] “Troika: Russia’s westerly poetry in three orchestral song cycles”, Rideau Rouge Records, ASIN: B005USB24A, 2011.

11 Sources • Bethea, David (1994) Joseph Brodsky and the Creation of Exile, Princeton University Press (Princeton, NJ) • Miłosz, Czesław and Haven, Cynthia L. (Ed.) (2006) Czesław Miłosz: Conversations. Includes “Interview between Joseph Brodsky and Czeslaw Milosz”. University Press of Mississippi ISBN 9781-57806-829-6 • Loseff, Lev (2010) Joseph Brodsky: a Literary Life, Yale University Press (New Haven, CT) • Speh, Alice J (1996) The Poet as Traveler: Joseph Brodsky in Mexico and Rome, Peter Lang (New York, NY) • Shtern, Ludmila (2004) Brodsky: A Personal Memoir, Baskerville Publishers ISBN 978-1-880909-706

[25] Stern (2004) p. 305 [26] Brodsky, Joseph. “New Stances” Ardis, 1983, USA [27] Stern (2004) p. 330 [28] 19 February 1996 “Death of a Poet Laureate: Joseph Brodsky Turned Exile into Inspiration” Library of Congress, obituary

12 External links • 19 February 1996 “Death of a Poet Laureate: Joseph Brodsky Turned Exile into Inspiration” Library of Congress, obituary.

[29] “Brodsky, Joseph” The Oxford Companion to English Literature. Edited by Dinah Birch. Oxford University Press.

• Sven Birkerts (Spring 1982). ""Joseph Brodsky”, interview. The Art of Poetry No. 28”. The Paris Review.

[30] Dingle, Carol (2003) Memorable Quotations: Jewish Writers of the Past p. 22 ISBN 978-0-595-27245-7

• Interview 29 January 1996 PBS (US)

[31] Martin, Eden (2007) Collecting Anna Akhmatova. The Caxtonian Vol. 4 April 2007, p. 2 Journal of the Caxton Club Accessed 2010-10-21 [32] “Honorary Graduates”. University of Essex. Retrieved 5 November 2014. [33] “Commencement: Dartmouth College”. New York Times. June 12, 1989. [34] Joseph Brodsky Bibliography. accessdate=2009-01-01

nobelprize.org (1987).

[35] Robert D. McFadden (29 January 1996). “Joseph Brodsky, Exiled Poet Who Won Nobel, Dies at 55”. The New York Times. Retrieved 2009-01-01.

• Profile, poems and audio files from the Academy of American Poets. • Brodsky Biography and bibliography, Poetry Foundation (US) • Obituary New York Times “Joseph Brodsky, Exiled Poet Who Won Nobel, Dies at 55” 29 January 1996. • Short Biography • Joseph Brodsky–Biography at Nobelprize.org • Written in Stone – Burial locations of literary figures.

9 • Finding aid for the Joseph Brodsky Papers at the Beinecke Rare Book and Manuscript Library, Yale University • Brodsky speaks about his life, with translated readings by Frances Horowitz - a British Library sound recording • Joseph Brodsky Collection at Mount Holyoke College

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