John Duarte - Six Easy Pictures Op.57

P- ¿o1

THE TEACHER SERIES OF GUITAR PUBLICATIONS

Gr.lITAk.tol,o-t ELEMENTARY

Six easy p¡ctures opus 57

b1 /or{¡,/ fY, DUAKTE

NOVELLO PUBLISHING LIMITED 8/9 Frith Strcet,London WIV 5TZ Exclusivcdist¡ibutors: MusicSalcsLimitcd NcwmarketRoad,Bury St Edmunds,Suffolk IP33 3YB

rsnnrnlsru¿ kü¡¡.qrou;tCii i orderNo:Nov t2043s04

|

It" _

t¡\DFllD

niBLrcrECA _:1y_::l:::t____J pe ,%a. 6tg

I

I

SIX EASY PICTURES by JOHN W. DUARTE Opus 57

Folk Song Cheerfully

Make the tune stand out clearlyeach tíme it comes-once i n t h e t r e b l e ( b a r s5 - 1 2 ) a n d o n c e i n t h e b a s s ( b a r s1 5 - 2 0 ) , moving back to the treble at the end (bars 21-22).The other s e c t i o n s ,a t t h e b e g i n n i n g ,i n t h e m i d d l e ,a n d a t t h e e n d , a r e l i k e t h e f r a m e i n w h i c h t h e p i c t u r ei s s e t ; t h e i r p r o p e r n a m e s w o u l d b e ' i n t r o d u c t i o n ' ,' b r i d g e ' a n d ' c o d a ' . H o l d d o w n a l l 20098

c h o r d n o t e sf o r t h e i r f u l l , w r i t t e nv a l u e ; i f y o u l o l l o w t h e g i v e n f i n g e r i n gy o u w i l l n o t f i n d t h i s h a r d . T h e r e i s n o m i s t a k ei n b a r 1 1 - t h e s e c o n d f i n g e r h o l d s d o w n E , t h e f i r s t m o v e si n b e h i n d i t t o p l a y t h e A , e v e n t h o u g h t h i s i s t h e o p p o s i t et o t h e u s u a l w a y r o u n d . A t f i r s t , p l a y i t s l o w l y a n d c l e a r l y ,i t does not needto go fast.

@ Nonello I CoiinfarryLimited tttz;

Lullaby Soothingly

'fo

r

nyfan.

oT t) I

cTes c .

Tf/

'fo

TI I

_p

: ngf ., an.

ngf dirn.

r

'r' r rrgfam.

rngt dim.

T h e b a s s ( l o w e s t ) n o t e s r í s e a n d f a l l i n a l m o s te v e r y b a r , r e p r e s e n t i n gt h e r o c k i n g o f t h e c r a d l e ; o v e r t h i s t h e g u i t a r 'sings' the lullaby. Leave fingers ol the left hand pressed d o w n u n t i l y o u h a v e l o m o v e t h e m . I n t h e f i r s t f o u r b a r s ,f o r e x a m p l e ,t h e s e c o n d a n d t h i r d f i n g e r sa r e n o t l i f t e d a t a l l ; i n bar 7 the second finger is held down all the way through. When you play the D that leads to the final four bars (last

n o t e o f b a r 2 5 ) , l e a v et h e f o u r t hf i n g e ri n p l a c e a s a ' s t e p p i n g s t o n e ' o n w h i c h y o u r h a n d b a l a n c e sw h i l s t t h e o t h e r f i n g e r s a r e m o v i n gi n t o p l a c e f o r t h e G a n d A i n t h e n e x t b a r . T h e r e a r e s e v e r a lp l a c e s w h e r e t h i s k i n d o f t h i n g w i l l h e l p y o u t o p l a y s m o o t h l yi n b a r s 1 1 - 1 2 ;s e e i f y o u c a n f i n d t h e s e l o r yoursell.

Toy Soldiers Neatly and precisely

percussion

I n t h e b u g l e c a l l s , a t t h e b e g i n n i n ga n d e l s e w h e r e k, e e p y o u r l e f t - h a n df i n g e r s u p r i g h t ,s o t h a t t h e y d o n o t l e a n a g a i n s tt h e h i g h e r ,o p e n s t r i n g a n d s t o p i t s o u n d i n g .P l a y t h e m w i t h y o u r right hand nearer than usual to the bridge,to give them a s h a r p e rs o u n d .G i v e e v e r y c h o r d i t s f u l l t i m e - v a l u ea n d d o n o t l i l t y o u r f i n g e r st o o s o o n , e s p e c i a l l yi n b a r s 1 1 - 1 2a n d 1 5 - 1 6 .

fn bars 27-28only a rhythm is shown (the note is not meant t o b e C ) a n d i t i s m a r k e d ' p e r c u s s i o n ' .P l a y t h e r h y t h m b y banging (not foo hard!) on the wooden front of your guitar w i t h y o u r r i g h t h a n d . T h i s i s a d r u m , a n s w e r i n gt h e b u g l e c a l l in bars 25-26.Play the piece in strict lime, but not too quickly.

------: in i cnnl i iii irli"1üEffü*$i r n':'*lTfl,',r,qr -

r-j\Jtrt,rioi¡'¡'D'--

I

1 I

r

i

t'¡ADRil-l

-rr:i

ir-r-T'ijl--,¿-\'

Bilj:*iJj'':C¡\

1 "-*-!

i

The Clock GentlY but very evenlY

boldlY

m 1t s udd tn l Y

gentlY

'r ?I \

,n1)

I

suddenlY

b9\dly

*H. l2

'r

4

I

f gently

>

,nr)

a little slower

..-u i f too d i f f i c u l t . * T h. t wo b a rs o f h a rm o l i c s ma y b e l e ft out the 'tick'tock' of the top Es and..Bs continues almost The little tunes appearing witÑ whole way tnrougn'"tnJ'piáce, ( b a r 8 ) . t h e - t u n es l i P s b e n e a t hi t . w n e r e ' i i ¡ t ' á i l " o : o o l o t y ' bars' but it s o u n d s ' s t r a n gfeo r a l e w into the wrong ftey'anO think everythinshas oJn't to ü' sets ¡tself r¡sht adai;'i";;;

agai nin bar'22' bvl qonew ronglThe samethi ng hl nR gns realwork in this tÉé you are usrng ónlythe oo.n "n¿'1ne sure to make "'.'ngl'"i""r"ri"t ¡.'gXtln;';d'inuto' pieceis for the tip its io¡nt' at it ii'"áir"",rvand not witgring *-::::::1

:'rij,'iliilüTiit[,",4BEn0/{NZjl' ;,.iAiRli--) /-.

--

--

/-\

r\

; _ ; i- - i i . - ii . _ i I r : { , r = ,

The Wind Gentle

unhurried

ur'rr :,?-¡l,rftl'qi?--

o?'-7'

,7--Í rl

-

-

,fif-f-T

| ,qr

3T

the when you first learnthis piece you will play it slowly and windwi||beagent|eone,sighingthroughthetrees.Later t i t t l e l o u d e r .s o t h a t i t b l o w s m o r e f o r - " r n p l a y i t f á s t e ra n d a about all luáürv ánó mates waves on the take. Don',tworry they latl and 32-33; 6-7 in bars accidentals with rioies tne a n d severa| 1 1 . 1 2 , b a r s b a s s , t h e I n f i n g e f s . y o u r e a s i | yu n d e r othei times aiter that, two notes are joined by a.straight line' T h e l e l t - h a n dl i n g e r i s k e p t p r e s s e d d o w n a n d i s s l i d a l o n g the string from one note to the other; this is called a

t7

.glissando.or.portamento..onlythefirstnoteisstruckwith E in t É e r i g h t h a n d . n o t t h e s e c o n d ;i n m o v i n go n t o t h e b a s s you w h e n t h e s t r i n g o f f s i d e w a y s f i n g e r p u l t y o u r bar e-0, playthe r e a c ht h e E , t ó n e t p i i t o s o u n d c l e a r l y .W h e t h e ry o u p i e c e l o u d t yo r s o f i l y ,s l o w l yo r q u i c k l y .d e p e n d so n w h a t k i n d very ol wind you mean ii to Oe; whatever kind it is, play the ll last four bars softer and slower, letting the wind die away. 4 and 30 with your V o , . " n s t r e t c hw e l l , p l a y t h e G f i n b a r s í o u r t hf i n g e r ,a n d t h e b s w i t h y o u r f i r s t ,o n t h e s e c o n ds t r i n g .

Eastern Dance

r r rr t rrr

?

T r rr rr rr ?t t l

7-

;,f

ll

7I ----

TT l l

tl

tQ

77

?

7I

?---ti

==

-?. -JJ

i7

? ? llt-,olllll

I

___n!/

ln

Z-----o I

: /-"---

a:t

I

rrrr

Cj+===

tt ttt tt ttl t l

ltl

+++t

?

4l C

I

r

á

?----? tl

= I

---_-*

eI gpP

I

S o u n d s o f t h e m y s t e r i o u sE a s t ! S l a v e - g i r l sd a n c i n g , m e n c h a r m i n g s n a k e s ,A ¡ a b s i n t h e d e s e r t ,w h a l e v e ry o u l i k e t o imagineit to be. Not too fast-one crotchet(quarter-note) ' d i d d l e ' ,s o s h o u l d t a k e a b o u t a s l o n g a s i t t a k e sy o u t o s a y ' d i d d l e ,d i d d l e ,d i d d l e ,d i d d l e ' !T h e b a s s the first bar will be

n o t e s h e l p y o u t o c o u n t t h e l o n g n o t e s i n t h e m e l o d y .T h e ' e a s t e r n 's o u n d o l t h e t u n e i s g i v e n b y t h e s t e p s o f G f t o F , a n d D f t o C , i n t h e s c a l e s ;t h e y m e a n t h a t t h e t u n e i s w r i t t e n i n t h e h a r m o n i cr n i n o rs c a l e a n d n o t t h e m o r e u s u a l m e l o d i c on6.

Printed and bound in the United Kingdom by StaplesPrintersRochesterLimited

rv9s(229s8)