Jesus Christ Superstar (Computerized)
March 26, 2017 | Author: SzabóKároly | Category: N/A
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V ocal Score Andrew Lloyd Webber
JESUS CHRIST SUPERST AR (Complete) Please note that any markings other than lightly penciled bowings MUST be erased before return. Replacement charges will be made for any missing
Really useful group & Co. Ltd. Hire and Distribution Newmarket Road, Bury St. Edmunds, Suffolk. IP33 3YB. England Telephone:(01284)705705 Fax: (01284)703401 E-mail: hlre(a:muslcsales.co.uk Web' www.cheslernovello.com
----
2 ~I OVERTURE Andante J= 60 GUITAR SOLO
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HEAVEN ON THEIR MINDS
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Moderate Rock Temp9
GUITAR
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My
mind
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at the
clear er
now strip a. way
is
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last myth
all from
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well man
you
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If
you
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start cd
to
be
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The
things they say
of
you
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be Iieve
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24
You've be - gun
to
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They think they've cd Gets twist
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should have
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stayed
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Like his
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fa - ther carv - ing wood
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he'd have made good
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I Don't Please
you re
we
see
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that
musl I
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keep wanl
in us
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We But
placery live
are it's
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sad
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have you our chanc
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down we are?
put with
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PLA Y 3 TIMES "SOUL" ad lib.
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-poco a poco
morendo
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Jes- us!
gone
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Lis-ten Jes
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warn-ing
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WHAT'S THE BUZZ
14
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III (1) \J=1121 IAPOSTLESI
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B What's
Ihe
buzz~
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What's
me what's hap- pen. ing
the
buzz~
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me what's
hap - pen. mg.
Opt. 8va.
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"SOUL" accompt. ad lib. with discretion >-
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What's
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the
buzz
tell_
me what's
hap - pen - ing.
What's
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the
buzz
I
tell_
me what's
hap - pen - ing?
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should
Why Ma
should ry
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wanl
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know
want IS
to
know good
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Don't Wh while
you arc you
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me what's
hap - pen - ing
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the
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tell_
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IJESUSI 1\
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I Wha(s
the
buzz?
tell_
me what's
hap-pen-ing.
What's
the
buzzry
tell_
me what's
hap - pen- ingry
I I 1
you
facts
and
fig
-
ures
could
gIve
17
N.B. During MARY MAGDALENE's solo, i.e. 2nd time, the APOSTLES keep up a background of noise such as "oo's" and "ah's", etc. J7
-Iooiiiiioooo-oI
When do 3rd What's the " 11
we
151
buzz?
ride_ tell_
in
- to
-u
Jer
me what's_
- sa. lem?
hap - pen - ing
-
When do What's
-- -
we the buzz?
in . to Jer - u - sa. lem: me what's_ hap - pen - ing
ride_ tell_
-- --
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--
JMARY MAGDALENEI
"
11
2nd time only
.> Let lA
me
try
to
cool
down your face
Let
me
to
try
cool
down your face
a
bit.
I..:. you "
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and
plans
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When do we What's the buzz?
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ride_ tell_
in - to Jer - u - sa- lem? me what's_ hap-pen- ing
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When do
we
What's the buzz?
in - to Jer. u - sa - lem? me what's_ hap - pen - ing
ride_ tell_
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F .. t
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Let me
try
Ev
en
to cool
down your face
tell
a
bit.
Let
me
try
to
you
where
I'm
go
- mg._
cool
down your face
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D7
a
bit.
1 IX 21
When
do
we
nde-
In - to
What's
thc
buzz?
lell_
Jer - u - sa - lem"
me whars_
hap - pen - Ing
When \\/hat'5
do
we
the
buzz?
In . to me what's_
Jer.
u - sa - lem' hap - pen - mg
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me
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try I
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Whars When
11
the do
we buzz?
ride_ tell_
in - to Jer - u - sa - lem? me what's_ hap - pen - Ing ,
tJ
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When
we
ridc_
me
try
to
in - 10
Jer - u - sa - lern?
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the
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SEGUE
bit
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19
STRANGE THING, MYSTIFYING
.
L'istesso Tempo IJUDASI
... .. ... ..
It seems to Yes I can
... ...
me
a
un
der
strange stand
thing, that
sti
my she
a
RHYTHM
-
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MELODY
'3 ...
G7
G
C
... 4
3 ;
-
....
- ing
fy
;
mus - es
...
that a but to
man like you let her stroke
can
waste his
time
on
worn-en
you,
kiss your hair,
is
hard ly
-
of
her
in
your
kind.
..., ... ....
.
....
"3
Cm
-
G
D~
D~
G
.oi
9
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t=
I line.
It's not that
I ob - ject to her pro - fes - sion help us if you're in con sis - tent.
-
-
but she they on
- Iy
-
does n't
fit
in well
-
need a small ex cuse
with to_
t . t:t : ) t .t
G
F
C
G
1
C
,0
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f
F
:;
It does - n't
put us all a - way.
Who are_you_ to cri-ti-cise W.W.ISTRlNGS
f .
F. f :;. f
HORNrrROMBONE
F
G
F
G
Bb
Fm
her?
! 20
17
Who are_
you-
Bb
20
to des - pise her?
Fm
Leave her, leave her,_
Bb
Bb Fm
let her be now.
Leave her. leave her._
Bb
Bb Fm
Fm
she's with me now
Fm
Bb Fm
\Cl L'istesso Tempo L..=.J r-- 3---,
your slate
is clean
then
you
can throw stones.
If
your slate
is
not
then leave her
a - lone.
f
L-- 3 Abmaj7 Bb
J
Fm7 Gm Fm
L-- 3--.1 Abmaj7 Bb Fm7 Gm
Fm
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L--
3
Abmaj7Bb
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24
ISOLOI ADD GUITAR/BASS
('m a - mazed_
that men like you_
can
be so shal-Iow thick and slow_
mp
Cm
Fm
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...
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t!
,."
is
thl:re:
nol
a
-
man_
a - mong_
knows
you who
or care:s
if
come:or go._
1_
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32
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TUTII
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A
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Cm
you'rc:_
wrong,_
-..: you're:ve:- ry wrong,_ -
B
Fm
B
Fm
A
B
Fm
Fm
Bb
34
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No .....
you're:ve:- ry wrong,_
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wrong,_
:
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ICHOIR/ALL SAVEJUDASI
you'rc:_
..
You,
you're:_
wrong,_
you're:ve: - ry wrong._
No
you're:_
f I:
ul;::
wrong._
you're:ve:- ry wrong,_
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can
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say
that?
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Bb
Fm
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can
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you
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say
that?
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can
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say
that?
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say
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that?
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can
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IJESUS DECLAMATORY
A!,maj7
BI,
A!,maj7
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GUITAR MELODY
Not
one._
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not
one
of
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THIS JESUS MUST DIE Moderato
.= 72
liST PRIESTI
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Cal
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the eoun- ell
phas
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waits
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sees
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are
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for
you. ICAIAPHASI
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men
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f
Lis- ten
to
that
howl - ing
mob
block- heads
of
in
the
street!
A
(Rhythm)
,
Guide part: poco ad lib.
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Fm7
Fm7
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16
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trick or
...
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with
lep
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and
the whole_
town's on its fecl._
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dan ().
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whothey
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He IS
da11
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ger
E
Bb
23
man
IS
In
lown nghl now
'n
whip up
some
sup
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35
26
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think
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must
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ICAIAPHASI
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phas
they're nght OUI.Side our yard
QUIck CaJ' a - phas
go call the Ro-manguard_
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IANNASI
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we need a more per-man-enl sol,
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No wall,
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1 42
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We
dare nOI leave_
him
his own de - vic
10
es. HIs
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One
thing I'll
say_
Jes . us is cool._
for him,
-,..,
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Bb 46
Fm
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Fm
Fm
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half "
wit-ted fans_
-
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will get out_
of con- tro\._
J3RD PRIESTI
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how
.
can we stop_
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of the poll._
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the
crowd I
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him
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which
the
38
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t:
55
t:
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11-
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- mans would
Ro
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ban._
see
blood and des - true-lion. our
r--
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Blood and des \rue
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be
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cause
-
ICAIAPHASI
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of one man._
Our 1
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----JCONSPIRATORSI Bc-cause._
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be-cause,_
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of one man._
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e - hm-in - a - lion be - cause of one man._
Be-cause._
be-cause._
be-
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Did
you
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46
19
I
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t:!
r----.
I
E:! E:: in
you and
God, =-
=-
so
tell
me
that
saved.
I'm
=-
=-
=-
E::
El El
t:
21
G7
C7
G7
C7
E: E:
ISIMONI
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Christ what
E E
-
touch me touch me
Jcs us 1 am with you
Jes
-us.
Jes-us 1 am on your side. Kiss me, kiss me,
Jes-us.
E E E
=-
D
25"
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do
G
you
, need
to
con
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That
you_
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41-
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made: it
and you're: e:as
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as
as
filth
the:
from Rome: who rape: our
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And who'ye:
- try.-
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te:r - ror - ise:d
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me:
that
=>
('m
save:d.
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48 F:
ICHOIR: TUTnl 37
...
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---
F; Jes
-
us
I
am
with
touch
you
touch
me,
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Jcs
me:,
-
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on
your
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me,
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kiss
me,
Je:s
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must be
ov
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fif
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thou -sand_
scream - ing
love
and
more: for
E E E ~ E
Gm
F
Gm
E
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thou- sand_
Ev - er - y - one of fif. ty
you.
oo
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wo
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would
r
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do
what
ev
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you asked him
them
Keep
yell
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Slower
---nor the
thou-sand,-
Sim- on, nor the fif- ty
you 11
I nor the
Rom - ans,
Y' nor
Jews,_
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9
9
mp ad lib. colla voce
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F
Gf!}
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F
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tJ Ju - das, nor A
I
the twelve,
nor
the
I
Priests
nor
nor
the Scribes,
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doomed
Jer
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sa
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it
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all,
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all.
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poco rail.
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Bb
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Slowly & Sadly
......,
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all
If you knew 1\
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that I knew
my
poor
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Jer
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you'd see the truth-
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E~ I
!
E-'
" R
Eb
Bbm
v
I
El
F7
cb
Bb
Ab7
E-'
I
89 E:"!
---
-
1
you
close your
eyes
---
but
you close your
--
t:J
t:J t:~
n
F7
t:!
t=
Dbm
~ 92
E you
live your
trou
-
bles
are
ma
- ny
poor Jer
-u -
sa
- lem
E E ~ E
t
"... 53 .
. 95 n
...
I
..
-.. ....
to A
..
.
..
..
.
..
CJ
)
I
I
I
I
}'"
rail. ,
: u
cb
...
. .,; .
I
U/
(
..
you on - Iy have to
on - Iy have to die
con - quer death you
I
l
-
.
....
u
F7
98 :~ u
-
-
die
- -. ---
.:-
.~
molto raiL
pocodim.
, .~
-
... .. .. ..
. ..
.. ..
.. ... -
----
---
I I i
54
PILATE'S
DREAM
Moderately Slow GUITAR 1\
l.
I
....
tJ
-
I....
0.
(
3
3
met
dreamed
a
Gal
- i-le
- an
a
most
a - maz- ing man. 3
.,
6
3
. had that look_
the haunt-ing
you ver-y rare-ly fmd,
.
-,;
F7
cb
q hunt - ed
F7
F7+
9
1
asked him
to
I
r
.. I
what had hap - pened.
say
-
.
; B
~ f:! cl Cl E' E E E E E E E E 8 E E E E ~ I I I I
55
12
I
How it all be-gan.
he
asked a - gain_
nev-er said a word
....
cb
Bbm
F7+
F7
Gb
15
.., ...,
'1as
I
..
-
if
.' r
Ui
he
had
.
..
- n't
heard.
the
next
I; '1/i ; ./i i i
Ir:H.
F7
Ebm6
And
r
r
Bbm
i
Bb
18
:::
--
I
room
was full
of
wild and
-;,
;
-
;
- gry
r
F:
'1r
an
men.
.,
They
I; p
r:
1
seemed
P
.,
r
:
I
.
-
Bb7
Ebm
Ab
-
21
-
--
.., hate:
.- (
A
-
I
..,
;
-
I
this man_
F
they
fell
on
him
and
then
they
dis
- ap - peared
a
- gain. f.'\
r
r:
rail.
F
f.'\
: r
-.
-
Db --------
e
'-"
F7
to
;
....
56
'" 24
3 11
I
I
,
1
.... ...
---
tJ
thou -sands of 3
Then I saw 11
I
a tempo
mil - lions
cry - ing for this man. 1
I
tJ
i
..
mp
r
i
i
r:
..
I
r
r:
i B
r:--------
-----:r ..
e
"_-I
27
~ And then I beard them
men-tion-mg
my nwne
-
And leav ing me the
E
blame.
E E E E FINE
cb
F7
F7
E ~ E.
\
~
57
o
THE TEMPLE (Rhythm) :>
:>
:>
:>:>
:>
:>
:>
:>:>
:>
:>
:>
:>
:>
:>
>-
.. . ..
)
.
Gm
Gm
..
. .
1\
wmc.
Lay
.
.
Cm ..
Gm
your
bets
on
this
bird
of
mine.
, 58
E-
13
unis. E: Come
and
buy
it's all go
- ing
Bor - row
fast.
cash
on the flD - est terms.
E: E=
E :>
:>
E E E I
:>
E
:> :>
Gm
16 ..
Gm
Cm
E E
.
E
Roll
on
up
for my price
is down.
Come
on
in
for the best
in town.
E E E
:>
- - -
E E
-
:> Gm
Gm
E t
Gm
t t
19 I Take
your
pick
of
the
fm
est
"1nc.
I
I
I
Lay
your
bets
t
L...J on
this
mine.
of
bird
t
I
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.:
.:
III
III
.
-
-
1
_.
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Cm
Gm
-
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1J
11
I
I
.71 !
21
unis.
:>
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Gm
23
]
-
OD
the
fin
- est
terms,
Hur
now
ry
while
stocks
still
last.
J
poco a poco dim. (dissolve into noises)
:>
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Gm
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BRASSIW. W. :>
11 JI
Em
..
:>
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60
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....
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27
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29
11 BRASS
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Em
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Am
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Em
E
I 33
I I !cHOIR! IGIRLSI
Roll
on
up
for
my price
is
down.
Come
00
in
for
the
best
in
town.
I
I
BRASSIW.W. I
\~ l~
-
e
-Em
---
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e --
Em
-
61
4 -1 "
35
., .,
11
-
,
I
your
pick
tJ Take "
I
,.......,
11 11
11
I
I
of
the
I
11 11
I
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wine.
Lay
your
bets
I
I
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-
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,.......,
I
est
I
L.J
tJ
-
fm
n
I
,
I
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I
OD this bird
n
I
I
I
I
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l..::J
mine.
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r
r
-
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,
of
( tJ ,
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37 "
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Em
Am
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"
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Roll
OD
up
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11
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on
in
I
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tJ
.
...
,., 11
-...
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tJ
..
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I
my price
n
I
-
I
LJ I
11 11
for
is
down
I
I
r
r
Come
I I
I
,
for
I
the
best
in
town.
I
I
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r
r
n
-
I
L.J I
..
.
.
. . .
)
39 11
-
:
--
Em 11
1'":\ Screaming
-
-
-
Em
(motto ad lib.)
-.
..
My house should be
a house of prayer._
But you have made
it
a den of thieves._
1'":\
-. ...
\~
.
-. .
-.
:g sfz mp 1'":\
I .
col8va
Rft sfz
Slowly t:..
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t:..
t:..
t:..
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mp
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6'
col 8'a A
Em
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--
t:..
t:..
t:..
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t:..
62
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II
41
Sing
E
f out'
Get
Get
(
_il_ _u_
#8_-
sj'z mp
I
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II
---
--
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col 8va E
i
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17\
f:\
..
My
II
f:\
f:\
11 iI
out!
I
--
I I
Slowly & Sadly
43
n
..
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time
a1
is
-
-.
u most
through.
---
colla voce
" iI
-
Lit
tie
left
to
( 3
H
()8 P
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:
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46"
..
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e
..
do
Af
I
-
ter
all
I've
tried
----
11
for
..,
#
three
,
I
year.;,
I
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r
I
:
(
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v
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raiL
, Very Slow
raiL
49 i:
I
seems
like
thir
Seems
t)
like
thir
1)
---
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64
E
"..
58
,
,
I
be
-
lieve
can
you
make
me
well.
.-
lBOyl
"
.-
t i I
.-
I See 1\ 11 ,
-' ----:r:
--
-.
JP
..
I
I'm
purse
a
poor,
man.
poor
I
-------
{
my
>--
H-JP
--r:
>---
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I
e
--I
Am
Em
6'
A Little Quicker with accel. poco a poco throughout IALL SOLOISTS: Tun-I UNIS.I
60
I Will "
you
touch,
will
you mend
me,
I Christ.
Won't
you
will you heal
touch,
me,
Christ.
JI I
I
>-
"
(
I
.
>-
I
I
I
me,
Christ.
I
-'
-
...
Em
Em
62
Will
you
kiss,
,
1
you
can cure
me,
I
Won't
Christ.
you
kiss,
won't you
pay
>-
I I 1\ 11
I
{. r-J I
I
I
-
- - -
---- ---
>-
I
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(l
r
I
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Am
>-
6 Em
-
--
.--1
-. >-
65
01REMAINDER
OF CHOIRI
64 " 11 tJ
Ab
Ab
" 11
JALL GIRL SOLOISTS: TUTn( .
,
4
See
my
eyes
I
can hard
-
sce.
Iy
Sce
me
stand
I
can hard
-
walk.
ly
" 11 IBOYS TACETI
.. :;:
" 11
{
I
-
-
> I
1
"
,
tJ N.B. :- GRADUAL
..
; I
BUILD-UP OF EXCITEMENT:
-
-
--
......
.
acceL oco a poco
.ri'
Em
~
--
. .
Em
-.
.
-
-
. .
66
ii
Ab
.
Ab
. ..
be
lieve
you
me
can make
whole.
See
my
can hard
tongue
ly
talk.
. . ..
.
>-
, " 11
I
10..
I
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>
,
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I
l
..
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Am
Em
--
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66
68
"
---
JI
Ab
Ab
"
JI 'GIRLS
"JI.
-
IALL BOY SOLOISTS:
.
- ---
.
TUTIII
.
.
-- -e.
&-
Em
Em
ro~ Ab
M
~
lL
TACETI
.
-- -e.
67
"
72
11
.J Ab
Ab I
ALL SOLOISTS:
TUTTI UNIS.I
" 11 I
.J Will
you
touch,
will
you mend
me,
I Christ.
Won't
touch,
you
will you heal
Christ.
me,
.}
"
11
"'
.
.J
"
(
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>-
11
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..
>-
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,
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>-
I
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Em
Em
.. ..
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: Ab
.;
I
,j
I1
Will
Ab
you
kiss,
you
can
cure
me,
Christ
-
-
-
Won't
you
kiss.
I won't
you
pay
me,
Christ?
..
. l
"!
>..
II
I -
lr?
-
-
-
-
:>
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I
>-
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Am
--
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I
68
CD Tempo I 76" 11
-.
I> Ab
Ah
"
I
,
I
Sec
my
eyes
.
.
I
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---"
11
I
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1
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-.
I>
,,11
.
I>
I
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I>
Iy
sce.
I
I
See
I
me
.
.
I
I
stand
. I
-
I
walk..
I
I
>-
>-
>-
>-
>-
>-
>-
>-
>-
>-
>-
>-
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Em
I I 1
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can hard
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can hard
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11
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69
80
"
11
..
Ab
Ab
1
"
I
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11
I
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..........
I
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of
blood.
See
my
legs
..
..
..
I
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-
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.
-4.
..... . " u .
my
skin
..
.-
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I'm
mass
---"
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See
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stand
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11
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=-
{
g'
n"
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Em
...
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I
=-
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can hard
82 " 11 tJ
..., .....
Ab
Ab
r--1
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can make
\
11
:>
11 . "'-
.
tJ
me
I
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...
you
well.
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lieve
tJ
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-.-
be
I
:>-
:
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:>
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-
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See
my
purse
..
-
..
I
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,
I
=-
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:>-
,
I
.
.
..
\11
1
..........
I'm
a
I
I
I
poor,
poor
man.
I I
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-.
-.
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:>
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=-
-.
-.
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1
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Em
"
70
84
"
11
tJ
Ah
Ah
E: IALL SOLOISTS:
TUTfI
UNIS.I
" 11
E: I
tJ Will "
you
touch,
will
you mend
mc,
I Christ?
Won't
you
touch,
will you beal
E
me,
Christ?
E:
11 I
tJ
E
I
E
>-
" 11
(
I
tJ
( .
>-
I
I
-
E
,
I
I
I
.....
f
.....
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Em
Em
E
I I
..
mo/to ad lib. e rubato
'JESUSI
There's
Ab
Will
Ab
you
kiss,
you
can cure
me.
Christ
-
-
-
Won't
you
kiss,
I won't you
pay
me,
Christ?
I
II I,
.
>-
I Am
:>
:>
e Em
.
r
71
o 88
..
"_....
poco a poco
acceL e cresc.
---
gliss.
.no
,
..
tJ
-
too
..
00
too
ma
of
- ny_
you.
11 11
tJ
Ab
Ab
.. I
11 11
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tJ See
...
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..
tJ
my
eyes
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11 ... I
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:>
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see.
See
me
stand
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11
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11
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can bard
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pusb
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there's
11
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Ab
11
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be
1111.
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you
can make
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me
whole.
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my
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talk.
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Wild 92 =
y 100
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lit
of
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me.
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Don'L
don't_
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t) All ,.,
J1
All E
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See
my
skin
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a
mass
of
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blood.
See
my
I
-
-
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--
J1
>-
>-
>-
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leg.s
can
hard
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stand.
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11'
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....
Em
I
Em
I I I
94
I crowd
me
mm - mm
don't
me.
crowd
I
(ah)
I Ah
Ah
be
.
. r' -.
' :>
.
you
can make
me
well.
See
purse
LJ >-
:>
:>
('m
a
poor,
poor
man.
:>
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EVERYTHING'S
ALRIGHT
Moderato J= 130 IMARY MAGDALENEI
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MAGDALENEI
Close your
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close your eyes
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3 3 15
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I DON'T KNOW HOW TO LOVE HIM Slowly, Tenderly and Very Expressively
3 dOD'tknow how
3
to
love
him.
G
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What to
do,
how
to
In
these
3 3 3 3
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move
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past
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days_
when I've
seen
my-self
seem
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some - one
'WJ
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like
-
Bm
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77
36
down?_
Should I bring him ORCH. TUlTI 2nd time
Sbould
I
scream and
shout"
_
loye_
Should I speak of
Bm
G
Bm/A
Sing both times
39
let
my
-
out?
feel ings
_
ney
- er
come
thought I'd
f
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a
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dim. poco a poco
D
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all
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I should be in I'd be 10st_
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my
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ti
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show
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He He
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scares scares
me me
so.
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.....
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him
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so.
him
so.
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DAMNED FOR ALL TIME
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END OF GUITAR SOLO
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I
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don't
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Just
don't_
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Repeat this section ad lib. for improvised solo on the recording this is taken by the tenor sax. Play at leas! s~ times but longer:> if desired :>
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him.
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we've
not
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ings,
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blood
mon
1/1
Gm
D
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Gm
Bb
c
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it's
a
89
IJUDAS I
98
CD
Slowly
On
Thurs
- day
night
you'll find him where you
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no- thing,fcc,_
no-thing morc._
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colla voce
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102"
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want A
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END OF ACT TWO
--
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now
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wine
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blood.
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all
For
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this is my bo - dy you eat. If you would re - mem - her me when you eat J - 3 I"':'.
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(Rhythm)
be
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think
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re
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out
of
my
,
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40
my
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46 .'1
Look
head.
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Gm
at
your blank
fac - es,
Gm
will mean
my name
F
no
- thing
C
49
ten min
- utes
af
- ter
I'm
dead.
ODe of
you de - Dies me,
one of
you be - trays me.
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.
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F
. Cm
Gm
Gm
D
~
94
E:=-
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~
~
'JESUSI
65
Cm
F
Gm
Pet - er
N.B. This section is a duologue of argument and the interpretation must be veryfree.
will de - ny
me,
in
l,
a
just
few
three times
hours,_
will
de - ny
..
V"
me
1
1\
.
Gm
Gm
eJ
V
I
:
r
y
I
--
-
..
.. F7
Cm
.
I
Bb
Eb
E!nnaj7
I...J
Ab
Db
D\,maj7
chos
- en,
68
.. and that's
not all
I
see.
One of
you here
one
din - ing,
of
my twelve
71
will leave
to
be
- tray
me.
--.. Cut out
f\
the
dra
-
ma
tics
You know
I
ve
- ry
well
who.
I
\ (
!-
Cm
*
-\-
..
Eb Bb
Cm
--
Eb
Bb
-!
.
#
Cm
Eb
Bb
E E E E E E F E E ~ I f I I I
95
IJESUSI
74
Why don't
it?
do
go
you
Youwant
I
J
Hur-ry
IJUDASI
me
to
do
it!
Eb
Bb
Cm
do
it.
they are
- ing.
wait
"]
:J
:
Bb
Eb
Cm
Cm
Eb
Bb
., 77 ... .
1-
InlnAc:::1
don't
care why
..
you
=
=
If
you
knew why
I
do
it
To think
I
ad
- mired
you.
.
. ...
-
:;
. -
--Eb
Cm
,.
-
Bb
Cm
--Eb
,.
-
Bb
Cm
,.
--Eb
Bb
do
it!
Eb
B
.-
. .
80
;
I
.
I
"
I
-
You
pise
you.
li
ar.
you
Ju
-
das.
Shouting
-
For now
.
-
.
;
-.
-. -. -...
I
des
-
.
You want
to
5 \
)1
me
Ad u: (extempore)withdiscretion
.
Cm
Eb
B
- ---
Cm
-
E
-
B
Cm
E-
96
E= -
83
11-
_
-
11E:
just
stayed here and
-ined your
ru
bi
am
-
tion?
Christ
you
-
de serve
it! E: E:
E
ff ----
E
IJESUSI
86
Cm
Eb Bb
Cm
Eb
Cm
Bb
Eb
E
Bb
E
parlando
E you
ry :>
fool,
bur
I>.
sim
-
and
ry
Save
go,
me
speech
your
E
- es
E E E E
Fm
C
Bb
.---- 3--,
I
don't
E
-"
want to
Go!
know,
t
ENDOF ELECTRIC PIANO
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t " h, 11
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OBOE/BRASS
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& With Humour (but not too slow)
I APOSTLESI
I
I I
I
C
1
HeaiIy
Look i
Bb
Fm
at
- ways
all
my
hoped that
trials
and
tri
bu
I'd
be
an
a
la
- tions
sink - ing knew that
pos - tie,
In
a gen would make
- tie it
pool if
I
r
:
.
....
F
C
.I
r
r
I
I
i
r
.
I
Dm
.. F
F
of
97
97
-
What's that
in
the
Then when
we
re
C7
Gm
bread,
- tire
F
it's
gone
10
my
we
can
write
the
head,gos - pels
Dm
A7
'til
this
so they'll
F7
- --
-
died.
: .,;
-
o
;; 103"
Bb
C7
F
C
F
Subito [Little Quicker with 8 beat feel] J=108
iI IIIJUDAsl I
;
.J
tr-
f
You sad
pa
- thel- ic
.. man,
.. see
where you've broughl us
to._
Our
>!
;;
-
. I
.
..
f
. -
..
Free Style (8 Beat)
11
r
.
-er
J
:E9
~
I
I
D
F#m
.
-
-.
-.
-
a round
-
-. -" -.. ;
Bm
us._
All
and now
the
E
98
107_ ..
-
LL
sad - dest
cut
E::
has
Some-ooe
of ,all.
to turn
you
... like a
in,
E
E E E
-
D
F#m
f
109 o.
f A
I 1
B III
jad - cd
man - dar - in._
A
jad - ed
man-
D
113
..
Shouting
Get out!_
..
.
jad ed., jad f\ 11 *
- cd.
fad - cd.
I
.
.
.-- ..
jad 0 ed,
jad
. .
II!
):,
L'
-
.. -
cd
man - dar
m.
#
# ,;
Ci
Bm
--
They're
F#m
.:;,
. ----
.
99
,
-
115
---
!Sob!
fr.
Get out!
wait - ing!_
they're
wait
- ing!
Oh,
oh.,
oh.,-
they're wail - ing
J
..
D
Bm
J
"
J
.,
" n
@] Slower.J= 92
I
for A 11
Ab!
you
11
11
11
-
'JUDAS(
tr
- -
Ev' ry time A
11 11
11 11
..
tf...
. .
:
)
..
-
.,
--
,
......
..-
-
"
-
I look at
you
I
don't
:>
:>
3
-&
un
- der - stand._
.f
l' A
.
. -. .,
"''byyou let
.
A 11 11
the things you
did
get
so
out
of hand._
You'd have man - aged bet - ter
:>
:>
:>
u
e
e
if
you'd ,
.
..
.
.
I
"
'U _11
B
. -
. .-.
124
. . -
.
Oh!
it planned._
:>
.
.
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..
A
R
.
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A
J=64 I APOSTLES
" Ifn
I
t> Look AI
l
"
-
11
t>
.
=
17'\
I.
11
:;
(
all
my trials ways hoped that I'd I
I
r
-
:
I
-
at
and be
tri an
-
bu
a
-
la pos
- tions
- tie,
I
(
r
r
r
17'\
.,
.
...
- --
....
I
-'
I
101
.. 137
is
this
talk
a
-
moro
- iDg
bout
us
D
c
Largo
died.
fIDe.
life is when we've
G
D
G
J=60
-,
JJESUS'
Pet er?
143 n
John?
James?
,
,
"
.-
..
..
..
..
Will
none
of
you
..
I
wait
with
me?
Pet
- er?
John?
James?
17'\
I
( ____f1
(
:
I
r___Li
I - >- >- >-
,
t
-
t
>-
.mf
f>-
=
;jj
F 28 11 I
I should
see would
die, die
the I
sa
be
- ga more
through and no ticed
-
do than
the I
things you ev
- er
ask was
of
me.
be
- fore?
_11 I -.I
q
1
..
:
>v
..:: -;j
>F
;jj
0-= .'q;jj
q
r
r >-
>-
1
>-
.
b
q
r >-
>I Gp
...
F
.. = ...
-
r
104
7
31
Let
them
Wou!d the
hate
mc,
things !'ve
hit
mc,
burt
nail
mc,
me
I'd wan !'d bave
to their trec.
mat- \er an - y more?
said and donc-
>-
wan
-
na know,
I'd
to know,
I'd havc_
>-
>-
>>-
>-
>-
34
na know to know
>-
God Lord
my my
!'d I'd
wan have
na to
>-
>-
I'd !'d
know, know,
>-
wan have_
na to
know know
>-
>-
God Lord.
my my
>-
37
wan have
na to
>-
sce, sce,
!'d
wan
!'d
bave_
-
>-
na
sce
to
sce
>-
my my
God. Lord.
>-
!'d !'d
wan have
>-
na to
sec, sce,
>-
I'd
wan-
!'d
bave_
>-
40
!f
>-
C7
die
what will_
>-
be my
re - ward?
>-
>F7
105
./
43
If
die
what will_
be
>-
>--
my
re - ward?
>-
=--
>-
46
,...
- -
- -
- ---
-
I'd bavc
to know,
I'd
=F7
@]
ID
-
I'd
know,
havc_
>-
>--
Cm7
Lord._
49
I'd have
I=-
F7
C7
-
-
- to
have_
know
>-
-
-
Lord._
my
----
=-
Cm7
J~
-VOCAL: ad lib.
would
>>Cm
>Bb
Dot be killed in vain?
-
I 4
Show mc just
.....>-
>G
a
lit. tIc
>-
>Cm
>Bb
of your
106
56
om
- ni - pn:s -ent
Show me there's a
brain.
rea - son for your
=-
=G
You're
want-ing me to die.
=G
Cm
VOCAL AD LIB. : Hysterical Sobbing
59
on where and bow
and
not
so
bot
Al =-
on why.
right' =-
=-
G
Cm
Cm
-----------------------------------------------------------------------------------62
- - -- -- - - - -- - - -- -- -- -- - -
-- ---
- - - - - - -- - -- - - - --- - - -- - -- - - - - - -- - -- - - - - -------
65
Cm
Bb
=-
=-
Ab
G
---
Cm
-
=-
=-
Bb
Ab
G
107
A Little Slower
::-
::-
>-
Cm
Bbsus4
Ab
-
::-
Cm
Bbsus4
.. ..
::G
::-
::-
Ab
::G
::-
::-
::-
raiL ::-
::-
::-
Cm 77"
I
-.I
::-
::-
::-
::-
::-
Bbsus4
G
Cm
-
::- ::-
::-
::-
::-
::-
I
I
I
L-J
::-
Cm
,
::-
::-
.
::-
=-
::G
=-
BbsuS4
::-
::-
::-
I
I
::-
::-
::-
::-
Bbsus4
::-
::-
::-
G
h
::-
I
::-
..=-
:; ..
!.
Cm
o
Tempo I
Sadly & Wearily
.
-.I
, Then "
I
(
I
,
..
tJ
..
..
..
pp
..
..
was I
in
- spired.
r r r r
..
-
:
(
I
::-
-.
.
81 n
T ..,
I
::-
.
(
::-
::-
. , \. Cm
cmlBb
Cm/G
85
tJ
-.J Now
"
I
)
sad
and
I
.
tJ
('m
tired.
Af - ter
I
i
r
i
-.J
i
.. F
: .
Fm
I've
all
I
FmlEb
Fm/D
FmlC
----
Bb
Bbsus4
F
108
RR
for
three
year>
seems
like
nine
- ty.
a
a
Ebsus4
Why
am
then
Cm
91
what
start
- ed.
r
What
you
start
r
- ed
r
cm/a
D7
Majestically I
1
I1
94
"
I
,.
.J
I "
it.
God
thy I
.J
.,,
-
did n't start
I
t
qu
.
.
r:
will
is
I
hard.
r
:
'mf
But
,
I
I
i
r
\
I
a
Cm
Cm/G
97
will drink
your
cup
r Fm
FmlEb
FmlD
Fm7/C
Bb
Bbsus4
Ebsus4
. of poi - son,
109
01 "
, T
tJ
nail me to "
I
I
-
tJ
f
your I
cross
..
I
and break me.
r\
r'I
Kill me, take me
me, beat me,
I
r\
r\
.'
r"""-I
.'
. : ,:
r
'T1if'
-
3
.
Bleed
I
-'
0
0
0+
Cm
Ab
----,
Piu Mosso "
-i/
I
\
105
cm/a
,, ,
~
I change my
,
J ~
~
>-
f
07
.... ./ . 109 '"
IJUDust
I
tJ
f
A
(
I
,.._
b
A.
---
tJ
f
.
I
__
.
b,...
_
Therehe
is!_
they're all
a
- sleep_
the fools.
collavoce
A.
/1"
/1 /1
I
Slowly IJESUSt
112
Ju -
-
1"':\
das
must
you
be
-
tray
me
-----
with
kiss? 1"':\
a
--I
p
(
v: 1"':\
:
=t --
--
110
THE ARREST
o
J=84
18 beat)
'PETERI
the
buzz?
Tell_
me what's
hap - pen - ing.
What's the
buzz?
Tell
me
what's
IGuide part)
G7
C7
3
hap
- pen - ing,_
Tell
me what's
G7
hap-pen-ing._
Oh,
C7
5
What's
the
buzz?
Tell me me what's
-
hap pen - ing.
What's
the
buzz?
(p)~
G7
C7
Tell_
me what's hap- pen- ing.
III
7
Tell_
the
buzz?
_.
:=
Tell_
me what's hap - pen - ing.
------
-
) .
,
What's
me what's hap - pen- ing.
_. .
C7
07
::: 9
"'J
I
-
I
Lord,
we'rc_
J
j-
Jl
fI
gon- na
00
Lord,
on
Hang
we'rc_
Lord,
gon - na
fight for you.
h
-Hang
fight for you.
we're
gon
-oa
fight for you.
F
on
Hang
;0
-
-
-=
----
-
) .
.-
.. *
.J
-
07
*
*
.
*
C7
11
tJ
--
You
"
Jl
tJ
I.--...: Hangon
hang on
J
Lord,
we're gOD
1--r I
JJ
j
-
J
na
fight for you._
I
Now
-
I
hang on.
.
-
Lord,
we're
gon
-
na fight for you.
Hang
on
Lord,
we're
gOD - na fight for you.
fI
.
q.. : ..
(p)------- ..
... 07
C7
.. -; -
--
-
.
I
I
9~...
112
I
~.
,
r' sword,
a - way your-
don't you mow_
I
I
ov - er._
that it's all
E::;
~ EE: C7
G
E E
16
EIt
was
nice
but now
it's
are you ob - sessed with
Why
gone._
E'
E
G7
C7
G7
19
II
fight
Stick to
- ing._
fish- iDg
ITom now on.
L
)r
-._--
-
.
-
-
. -I
C7
0 .22
G
C7
J= 124 MEZZO SOP.
... Tell
me
Christ.
how
you
to
feel
night BARlTO:"[
.. Do
you
plan
10
put
up
a
fight~
E E E E E t t E t t t t I I I I 1
J
n___ u___ >-
Gm
_11'
--
n___
~--
-0.
Gm -
-
---
--
113
24
"
.::.::
Do
feel
you
that you've had
the
breaks? (11-
fI-
(11-
(11-
.
.
: What I
A
. .
-
(
-
..
. .
would you
.
say
.
mis
were your big
.
S
S
S-
-
takes?
I
J I
.
: e
-j. --
=--
n_
__z.
u
3.
..
.
I
-
.
-
-
..
.
..
.
.
Have
your
men
proved
.
s
.
$
al
all
S S
I
)1" L..
_
e ____ G
=---
Cm
---r ---
n__ U
=-----------
Gm
-: ----
wonh
.
- while?
J I 'I
----
-,
114
......
"
30
..
acceL poco a poco
@] IALLI
,.
I
..... to
us
with
Come
see
Ci
-
a
,
You'll
phas.
just
love
the
High
Priest's
house.
I
..... I
_1
I
I
t
r:
--
>-
---.
J
I
I
f'
t
p:
- I ....
I >I
I
.
.J
'
f'
)1
I
-
\-
.
----,
\
I
-
I
,
. .,
.....
-.....
Gm
Gm
.
-
32
-
You'll just
love
see - ing Cai - a - phas.
You'll
just
e I
.-
I in
the
High
Priest's
house.
-
11
E IJ
r-
t:
E
>-
.I
....: ,
I
)1
11
-: Gm
Cm J= 192 34
JCROWD I Solo Linesl TENOR
ICHOIR:
t God
Come on
ENSEMBLE
this
is
not
"
like
you
-
Ah
Ah
I
I
.' Gm
TE~OR
Let
I
-
)
I
I "
11
I
I
I
.
. Gm
us
know
what you're gon
na
-
do.
115
36
MEZZO SOP.
"
I
4V know
You
"
what
your
sup
- por
-
ters
feel.
BARITONE
I
:
f'-
f'-
You
es
f'-
#
.
#
cape
in
the fin
.-
..
aI
reel.
-.J
"
1
-I
J
j
I-
-
-
-I
.
I
- -
Ab
"
1
..
Ab
- -
-
(
I
,
! .....
. -
:
I
1
I
I
4V
.-,
1
l
V
L......J
I
,
.. Gm
Cm
38
I
TENOR 1 Tell
me
Christ, how you
feel
to
- night?
TENOR
-- J
...
-
-
-
Do
Ab
plan
to
a
put up
--
Ab
I
-
11
you
I
I
--# I
Gm
Gm
-
--
----
:
r
fight?
116
Bigger and Wilder
MEZZO SOP.
40
Do
feel
you
the
that you've had
breaks?
-.
Ah
I
I
; 11
I
.. .. .. ..
I
1*
I
What
--
I
I
I
1
- takes?
-,
----,-
--,-
------
I
V
I
L_
(
----,..---
--
--
-
I
-,
I
Gm
Cm
I
mis
were your big
I I
..
-
would you say
Ah
-
-
-
C I,
-
BARITONE
CROWD: ALLI
Come
ICHOIR
with
us
: ENSEMBLE
to
sce
Cai
-
a
- phas. :>
You'U
just
love
the
High
I
-
Ah
Ah
Gm
Gm
-
Priest's
house.
117
44
"
,
I
-;r
I
I
You'll
"
love
just
see - ing Cai
-
.
I
You'll
- phas.
I
the
High
Priest's
house.
>-
.
T
-
-".
. :
..> Ab
"
in
die
just
=>
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a
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Gm
Cm ..
46
., Now we've got
him!
him!_
Now we've got
him!
Gm?
C
--
")
f Now
we
have
him!_
Now we've got
c
Gm?
c
him!
Now
wc have
J
-
f
;
Bb
----
Gm?
c
Gm7
t 118
r:
'" ..
J.
48
j
r-F9
J'I
JJ
JJ
J.
t E
Now we've got
him!_
him!
Now
him1_
we have
him'
Now we've got
..
. .... we
Now
have
him!-
Now we've got
h.un.I
we have
Now
him!_
-'
him!
Now we've got
......
-
-"
E'
E
_1 --
Gm
F
Gm
Om?
Om?
F
I
I
--
Gm
I
I
Gm
Om?
Om?
11
e
t
50
ff
Now
we
have
him,
now.
Now
we
have
him,
now
r-
\
I
;;
,.,
I
)
ff r :
, 3
3
-
r
--, It.
\
I
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,
r
3
now.
got
him
now.
--, ..
.
-
I
-
!
I
B~maj7
1
3
him
r
C9
Am
--
Gm
Bbmaj7
C
C9
Am
Gm
119
SOLO
~
---
A
01CAlAPHASI
.
SOLO
--
:
...
-
. Jes
"
l
- us
you must re
-
a
- lise
the
&
ser
- i-ous
charg- es fae - ing
you.
You
say
you're the
Son
of
God
in
t:t:
'U
.J
mf :
I
Dm
Am
Gm
59
That's
all
band
your
- outs,
well
is
what you
say._
you say that
I
am,
it true?_
f
Am
62
.' There
Fmaj7
D
G
"..
..
you have it
G
gen
- tie - men.
What more
ev - i-dence
do
we needry
D F maj 7G
~
D
G D
b..
Ju - das. thank you for the vie - tim.
--
Am
Dm
--
Gm
---
120
.
h
'CROWD: TUTnl 65
f Now we have him!_
Now we've gOI him!
Now we have him!_
Now we've got him!
JBOYSI
f
Stay a while and you'll see
it bleed!_
AmF maj7G
D
G
D
Fmaj7G
o
G
D
, 1 '1,1 I' !I
111 F maj 7
G
Om7
G
Om7
F maj 7
G
Om7
G
Om7
12]
3
J
"
7o
j
L 10
him
Take
3
I
Pi!
I
I
3
I
-.>
I
I
ff,
Take
him
r-
3
I
:
J
J
"
Take I
J
him 3
to
I
I
-
Pi!
r
.>
Take
I
I
.....
Dm
Em
Dm
j
J
1
J
.
.. I
Pi!
to
3
I
I
I
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--
..
3
..
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,.
,
him
I
I
:
G
I
J
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)
J
ate.
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.....
I
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3
I
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3
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F maj 7
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3
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72
Em
Dm
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r
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ale.
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Pi!
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.
3
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to
I
r
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--
ate.
[
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ff
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-
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J
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T
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ff
-
3
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ate.
r
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,
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F maj7
G
F maj7
F maj7
G
F maj 7
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F maj7
F maj7
SOLO
74
( "
.
i ,
f
I
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-
:
I
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..
Am
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11
Dm
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,
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It
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Gm
--
r'\ -I
,
F= 122
PETER'S
J= 116
f=
DENIAL
0
IMAID BY THE FIREI
ttseen
think I've
you
re-mc:m
I
some - where.
ber._
you were E:
I PETERI
-
wrong
la
man
-
I
dy.
don't
know
him
and
E I
E
OPTIONAL BRASS
E (Rhythm)
I E
I
I
11
E 07
0
"
5
C
Cm
E I
11
E t
E with that man_
they
took a - way._
I
re - cog - wse_
face.
your
E
I PETERI
I I1 ,
E
11
I
ill
.;1 I' 11 'I
- n't
was
he
where_
was
ne-ver near the
to-night._
t
You've got the
\
rr rr rl
11 )1
rr
ii rl
rr
ii
.. .. .
i I.... ....1.......
t I1 I
I
: CID
0
CID
I
0
I 10
f2.
place
ISOLDlERI
That's strange, for
.
),
. . G
I
8.
-
am sure
I saw you
with him._
You were
right by his side_
. .n r'
9°
,
F
C
G
F
C
and
123
I
14 1\ ..
PETER
I
I 1
A
tell
you
I
I
,,
was
nev
-
er
ev
-
er
JI
.
yet A
you
de
I
I
JI
(
I
I
L
h
J.
T
'I
.,
. nied._
I
r
I
G
F
I
I
I
--
:
I
.
9' F
c
-
16 1\ "
-
,
....
-
with
him.
---
.
(
I OLDMAN
-
1\ "
.
...,
I
-tr
I
But I
.
L!
:
)
...,
I
saw
you
it
too._
-
I
-,
-,
"",
-
:
.... I
=---=
s
'f
I
;
c
F
G
=
I PETERI
....
18 ..,.
" 11
(Shouting his denial)
L I
-.. don't
-
know
him!
..,.
-..
I looked
-
(
..
,
-, C I) * 9s -.. -..
just
like
you._
,
I-I ----
t
,
I
'f .
-.
L I
f
F
G
f -
-
---
--
-
124
Slower
J=52
JMARYMAGDALENEI 20
Pe
- ter
don't
you know what you
have
said.
You've gone
and
cut
him dead.
Heavily
B
Gm
23
IPETERI
--had
Gm
26
j
to
do
it, don't you
see?
Or
else they'd
go
for me.
125
.,
PILATE & CHRIST .. ----
"
,,
l
I
I
I
I
L.J
I
I
I
I
I
L,JI
I
I
I
I
L.JI
f
I
.. .. .. ..
:
I
I
o
-
.....
-
......
I
Slowly J= 72
,J
TRUMPETS
-----
/
::
-...
.
-
Gm 12
. .. ..
this
.
bro
-
keD
man
dut - ter - ing
up
-
-.,.
-.~ -.
-.
Gm
F~
Gm
Gm
F~
-..
.
-
-.
Who
is
thiS
un
for
-
.
-.. -.
-.
-..
o
Gm
Gm
-. ---
-
tu
nate~
the
... .... 12h
~" ....
':
_n____
. __ ~-
_
8]
IPILATEI
_._ ___ _- _~ - __ _ - ._ - -~_ _ -
~___ _-0._ ----+ _
.
~-_--: ~
~
t-. . -,
~ -. _.:._~'--=---~
-';. __~_-o.-~
.
-===+= ~--=---j'=1
E
~
E
Oh,
ISOLDlERI
~~ -. ~
th15
Jcs - us
L~
am
Christ.
t:
,
- "
-, :..-=-~
.
I
so
- onc
Some
Christ,
t
King
of
Jews.
thc
~. ... E
E E E
D7
Gm
Gm
B
Cm
E E 21 E E
real - Iy
look
sur - prised you
quite
so
small.
all
at
not a \..ing
We
all E E
~ E
.
E
Cm
B
G
~
t IJESUSI
~
(spoken)
=-=-- --=. =-::3_
t
..) (spoken) M
..
kno\\'
that
1
.r.
. L11___ ''''--' - . -9I
\~, -
- -
-:v:
but arc
arc
--
-
~--
I ~.-J,. =-_:..~_c -~~-=
~
-- S
- ~~
--:
-
---
--
-
----t--
_.)
3---~ vou
--
, ""
.-":"'="=-=-1!
_ "':;J~__= ---e# -- .-
~
Cm
M. \ OU
That's what you
~
,
~~
.-- ~ ---
- -
ktng
Ktng
I!
"Ti!#
,-, - __IL~. --
of
f
thc Jcws')
-
---
-
-
:~~_
--
-
-'--
--
.
~
-~. _
---::0 -
--:=-. f I -'---:::::=1
r.
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.i~!!:-'
-
---
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j
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.:.--:_-=-===t~--==::-=5--F-~ ~. _ - =---=---=- --- ~- __7 -=- -- -:. _ -=--=.~#-::..:.. ~
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H
f .
f ~
f. , J
--.-
--
127
W'
.
".
W'
11
I
tf I
say,
~'
11
t:
PI LATE I
I
I
...
L
.
t)
... ...
11
do
you
J
J.
L.J)
I
I
lOo ...
,
'tJ
-' .. ...
What
I
't'
't'
mean
r
l'
by
that?
l'
" I
I
h .
E ( . E E
h1f:
.
,
.
I.A.
,
.
I.,A.
.... B~
Cm
G
u..
B
B
Cm
E E'
That
is
an
not
an
-
swer.
You're
deep
G7
Cm
B
in
E" E' E~ E Cm
Db
t E E'
trou
ble
mend
Some
- one
Christ
King
of
B
G7
the
Jews.
How
can
E
~ t t t
(;l 36
~
Cm
Cm
Cm B
parlando
E ---
E your
--
state
be
so
cool
a
-
bout
your
f f f f f
.
...---
--...
E
An a maz ..
-
. Fm
-
fate?
f
Fm
E
ing -i
I
9'
12X
r::"
.
'
I
I
r-'-.' I
--;r
1
.
'I x thiS
thing TRUMPETS
,
,
...
It(!
L:
It(!
b..-
t
J
;
----x sil
._
en!
.-
_ I.b_
IE'_
·
kmg
E!-
Smce you
h_
.-
--
,
.
,
I
E:,.
.
I
E" .
..I
I
E:' ,
·
I
EL I
E',
q.'
I..---J Eb
p.'
1---..J
I.......J
C
--
40
then you
E, . I
Eb
E
I
-
E1
El
I
___£_L
.:;;1_
I
E' E!
need
nOI
come
10
me.
You're Her-od's
race'_
I
E, E!I I
1----
I E'I
.I-
)
t:E
Fm
Fm
E!
E
E
short laugh
4'
t:.
-----'
-,;
t:. Ha ha'
You're
He- rod's
case'
t~ Ho
~ E
f
bTRL'MPETS
~~-:~
~
~
It(!. .. -= ~-~ ,- )... --=.' ... -~---+--:-~ ;-- .L_=':)~__.r.~_~1.,.-=~ --
j
"'-:~i;~-=-*~~~ ~
~---
~
'
-
C ~ E
..
.
E E
. f. - --
E
( j
I
129
l~ :r :r
44 11 I
tJ ha
O\~, .,~ 01 I
..
"*
#I
I
-
san
na.
hey
I
.v
san - na,
-,
San -
na,
San -
na,
Ho
-,
S
t
-
san - na,
-
I
1
.
. I
j
".,
.
.
,
I
.
-
,
C7
F
;.~
-
.-
fL
:1-='
\
-
F
46
--
:
-
Hey - san- na, Ho
--..
-r.
Hey
J.
TPTS.
E; O~
c-
48
~.
c.,
c.
please
ex
plain
tE8 EE-
.
f8 f8
r E· I'
-
ob
Om
10
mc,
you
had
t.1
I
lUUUIIO.4':0, ad lib. 54 "
'KING HERODI
.. "
L
-iJ Je "
- sus
JI 11
I
I
am
o
I
I
colla voce
p
to
I
I
meet you
face
to
I
I
l
I
r
r
I
- VeT -joyed
_I
I
--face.
You've been
name
--,
I
r
If
a
get - ting quite
r
"
,!
n
-,
....
F
u
D
F#mIE
A
F#m
F#mIE
57
i all
r a
- round
r
-----
-I
Heal- ing crip- pies,
the place._
i
)
I
'p-
-
rais - ing tram the dead.
!
1
r
r
If
I
1
I
-, -r:
"
v D
.. ,
A
F#m
--
---
C#m
.
'
1:) D
A
And
.
131 1 I I
60
.
I I
\t
I
now
\1
I
I
un
- der - stand
at
you're God..
least
that's
what
said.
you've
So
\I
.\'
I
I
I
Bm
A
I
I
1
I
I
V i
I
-
\'t
I' t
0
\-
o
t
,I . I
.
\
63
A/C#
Moderato,
D
A/C#
you're
the
Bm7
E7
Ragtime Style
.
.
I
you
are
the
Christ,
-
Je
great
sus
Christ._
I
; I
,I
B7
A
1 I
66
I
I
Prove
L1LJL_1L
{I
I
to
I
I
me
I
that
I
t
---...J
- vine._
di
you're
I
r----,
I
I
_-8
.
B7
E6(no
.
.
.
.
E
B)
69
Changemy
wa
J=
ter
-
.
in
to
,I
A
.-. wme._
. ..-.
.'
.
That's
all
.'
Is
you
--
I
A
------
Deed
-j
S
do_
S--i ----
I
132
72
" 11"
"..
I
and
I'll
know
it's
all
$
t
11'
,
t
I
true.
" 11 11
( vS
.-
no
"
:
(
-
..
....
B7
B7
75
- on.
C'rn
King
the
of
Jews.
r r E6 (no B)
79
L'istesso
tempo
" . "
Je 1\ 11
-
.
)
J=
you
A
,.r-)
just
won't
be
-
licve
hit
the
you've
I
I
I
made
'round
here. J
I
11
. I
sus
E9
E6 (no B)
E7
..
..
..
..
..
.
.
..
..
..
r
I
r
"
F
FmIE
D
A
81
----=" You 1\ 11 11
t.J
are
all
we
I
I
talk
a - bout
the
won - der
of
the \.ear.
Oh what
,
. .. .... ..
:
.. Fjim
..
'"
F~mIE
-
pit.
Y
-
'"
..
.. .. ..
:
U
S ,)
)
a
D
--
'"
I
D
..
A
-
.....-
133
".
..
.. "'
..'
84
:'
the
cy
- nies
if
you
:' .. .. :1 .", -
,
E" E-= E::J E::J E:J
r
E:I
mf
E':J A
E:1
Ei 90 n .. u
t:.
I
tt-
t=
great
p
Je
-
sus
I
I
I
Prove
Christ.
to
me
that I
'" 11 1+
,
t t; :
.
-.....u
"
t; 87
t
87
E6 (no B)
;;
P t; Walk
t f; t :; t ;;
i ..
I .. ---..
. E
A
a
cross
my
swim
ming
pool
if
you
13~
tha!
do
fur
m~
then
let
I'll
you
_ _
.
!
.
A
free
go
87
B7
100
Cm
- on
King
of
the
Jews.
E9
A
. E6 (no 8)
E7
E6 (no B)
Piano Solo (Razz-a-ma-tazz) Freely 2X 10.:
TPTJCLAR
t.
.
..
. t
.
9
.-
.
- ---t- ----.---0-
=--
C7
f-
(-
,.
.-.
C7
B;.
...
135
.
114"
I
I
"
on
- Iy
ask
ask things I'd
-
an
y
su 1"
I
- per -star,
,
.
..
to
be
BbfD
f
am wait-ins.
shown
that
you
GmIF
I'm
yes,
arc
not
just
an
-
a
cap - live fan,
I'm
So
man,
y
Bb
Cm
..
-
c Ragtime
147
G
Style (Come Sopra)
.
. J
..
-.. .
hun
1\
a
-
he's
way,
got
noth
.
l
-.
I
l'
Take
..
i
j
:
..
..
fraud._
....
.
..
*..:
..
--
TO'
f
I
--
'--
:
-
ing
to
say!_
.
I
I
-
..
..-
I I
,
:
I
c
D7 - -- -
E: 138
150"
(shout)
-
Gel
-
oul_
you
-
11
'OJ
L...J
of
King
I
. I
the...
I
Gel >-
out!_
>-
I
I
I
"
I
>-
.
~ ~ ~ E t
I
A
A
E
A E
:
)
G
B
G
E
G7
E
154A
-
-
E E
tJ mm >-
"
I
I
>I
Get out_
--
>I
L-J
C/
l
I i
A
i
you
King
.
I
I
I
of
the
I
I
l'
Jews!
,
!-::::::
Hooky Took Solo
t
:
)
E
E
,
A
A
-
I G
G
E
c
G7
I I
J
158 (shout)
I Get
OUI_
you
King of the
Jews!
Get
J
w
out
of
my
A
-
I
life!
A
I
: I
,
A
:
)
JI
-1
11.
I
07
A
162
07
A
..
p"lf
1 G7
-
-
--
G
A
.-
139
.....-,
COULD WE START AGAIN PLEASE?
:J :~
Firmly ALL " 11 tJ "
11
( tJ
p
.. ..
I
.
I
:~
D
D
00 ...
'MARVI No repeat ODD.S. 1SItime
"
;.. I
1£
-
I
tJ
I, .
('vc
been
liv
- ing
to
see you.
Dy
- ing
2nd "
.
I
1£ ...
I've been "
.ve -
ry
hope
see
you,
but
it
the
first
time
1
think
-
I
tJ
to
- ful_
so
far.
Now
for
1£
tJ
: D
a .
G/A
D
D
G
-
,.,. I
..
. should
we
-
n't
- Pre I.
like
be
go
-
ing
this.
WTong.
This
Hur
:
un
ex
ry
up
and
-
pec
tell
- ted.
me
---< A
I ----
-
was
Em
--
140 10 "
11
..
..
tJ
What do "
start
a - gain
-
11
tJ this "
Could we
do now.
I
..
a dream_
is
or
could we
stan
a - gain
Could we
please?
start
a
- gain
please?
..
-iJ Could we start
please?
a
- gain
please?
11
-
tJ
:
)
A7
G
13
"
D
D
G/A
l
11
tJ You've
IPETERI "
I
11
I
- ven gone
e
-...
I
I
too
far
to
too
far
to
..
"
.
think you've made
your
point_
DOW.
You've
e - ven gone
BASSOON
(
bit
I
tJ
(
a
..
:
.. "*
'"'
fI-f'I
-
. I
:
--
7:7"
,\7
Em7
- i'
qa"__
G
a
bit
...
141 D.S. al CODA
19
wc:
could
start
a
gain
please?
jL D
A7
G/A
I CODA r I MARV(
21
.-
.
.. -
Could
..
.-.
(
I ALL
we
start
a
- gain,
Could
pleasc:?
riL
wc:
start
a
- gain., please?
I'L
......
tt
I
:......
I H
):
-. -
A7
D
G/A
G/A
24
e--
-=:::e::::-
Ab!
: -~
/'7'.
e
.. .. ...
i I
/'7'.
:
-
-e -
G/A
G/A
D
. END OF ACT THREE
; -: -:;
-, -;
.
...
-.. ., ------
----
142
ACT FOUR JUDAS'SDEATH GJ J=184
8va opL sempre
!
A
..
l[ ., ,\
..
-.r
(Rhythm)
f
\-
I
:
(
.---'I
I
I
saw_
---God!
My
-
him._
.
..
r
I
He looked thn:e-
..
1
Gm7
-.
And
quar - ter.; dead_
I
I
I
f\
:I ;
.
I
:
he was so bad-
I had to
.-
turn
-I\.-
..
.. ..
I r 1
..
--
beat him so hard_
II
that he was
. ..
-.r
l\.-
I
1
--
--
)1
You
my head_
I
Gm7
Gm7 8
bent I
A
and lame._
-
I
I
.
...v
And I know who ev'-ry-bo-dy's
don't be -lieve he knows I act-
gon - na blame._
I
--
..
I\.-
I r1
.. ..
..
--
..
..
,
I
:
)
I
I\.... I I 1
--
-Gm7
GI1I7
12
for
"
I
)
I
save him all the suf - fer- mg
if
I couJd._
Don'!
.-
,
..
:
I'd
our good._
,
-r\-. I
.. I
...
jJ.., --
.'
---..
I
"'..
I
be-lieve_ r--"-'I
q '....:::.-15 --
,
--
.......,
Eb
Gm7
---
F
07
G7
----
., .
143
1
16
.
"
, I"
-;r
.
J
our-
..
"
........,
I
:
:
-........J C7
t:
.
F9
I
. -
..
--'-'.
'pi
t; ~
I
I
:
~
save
good_
.
\.
-
1'.
I I 1
him_
r-'i..:::..
I
.---..
I
--....
Gm7
D7
G7
t: 20
i; i:
=-
i.
.II
i:
.I
(Rhythm)
I:
:=- =-
-
I; C7
F9
,I
--
Gm7
Gm
D7
I; I. ,I
24
I: I
I. ,s
..
...
;
c
Bb
Gm
D7
Bb
F7
D7
27
=1
'.
I
i
\
All
that you've
said_
has
come
I
iI
UUe
with
a
ven
geance
The
mob
turned
a - gainsl_
j
:::j.
..
1 I -j
...; --. ..... --
. Gm
l.----"
.
D7
D7
.
- - - - - -
Gm
Bb
C
him, you
-144
30
backed
the right horse._
o
Gm
Gm
o
o
Gm
33
I
,.-,
,
.----
3 --,
.-
-
\1
,
. Bb
-
I... · .. #f
.
-
c
F
Gm
Bb 07
07
0
Gm
37
r--
3--,
i
r
.. Bb
D
c
Gm
41
r--)
#I .. Ab7
Gm
D
.
I
, -.
..
: 71
.: Eb
;
U
.: Et Eb
I Eb
Bb
--
-
145
45
rour- der of you._
I havebeen spat - tered with in - no-cent blood._
r,,; la
3---,
49
be
..
in -
o
Gm
dragged through the r--3----,
slime
and the mud._
D
tered
spat
with
Gm
-
.--3 I
no-cent blood._
.----3--..
shall
be
dragged through the
.--- 3 ----,
r--
r-3r
trr
slime and
the slime and
r-
3----,
..J
0
Gm
have been
C
Bb .
Gm
.----3--..
shall
52
07
Gm
Ab7
B
Gm
r.-..
o
Slower
(Motto
emozione
: A piacere)
to
MELODY CUE
-------
I---- 3----. ..J J
J
J
= 66
love
him.
d
I
G
3--,
*
don't know how
Gm
r----3----.
0
-
mud.
r.-..
C
c
---
G
--
c
the
3--,
G
. .. 146
63
just
1>
J..
.
r.'
as
C
scares_
-,. .. . J
J
- ,I -
.
Am
G
C
G
me
Am
--
. . .-=--.
so
-.
G
-
I
When he.s cold
and_
..
I
1~:E:~~~~
he
Ir
i
...
\~
know _
an - y-one
I
Em
Bm
66
the same-
dead
will he let
rr
f
-I
.
-..---
-
c - - - -
B
me
be'
147
69 3 does he love me too?
o
fI
me?
c
Em7
Em
72
Does he care for
oh oh_
F
G
Piu Mosso
(sob) ' ab
.
ORGAN[NoVib.) fI
I
I
I
I
I
.-3.., 111t'\m
--
3 I
I
I
I
I
I
I
r--,
r-... I
:
(
--
-
I
I
I
I
I
I
I
I
I
I
,....,
--1-i
--
"7
Gm7
Gm I
Gm6
Gm
Gm6
Gm
.J
,
79
(sob)
(sob)
ab
ab
'"'
-
I
ab
I -. "'
-I
>-
I.........
-t
.
82
-
(waiting)
3
-
-
I mind
My
is
3
in
dark - ness
AI
now._
My
.
(
. I
b'
-
:
>-
>-
;
i
I
i j,
.
-. ------
.
I'
148
86 f::1
r I
I
God, A
A
r--
I
am
sick.
I
I
('ve
been
used
and
you
knew_
-
-
II
I'
..J
:IJ
I
J
j
I
.
-U-f G7
89
"
, I
"
(sob)
-
,
the lime.
alI_
..
.......
-
1'\1 ncv - er ev - er
God!_
know.
Why
you
..
..
..
.
.
.
..
.
..
.
",
\1
;
.
.
r
.
(sobbing)
95
-
--' me
chose
::::::::
your
crime A A
your
'G7 9
J
L
-"
"
:>
:>
I
I
,
..
,
I
:>
What
you
, '1
"
do
"I
I
I II
"
i
f~
t; t :: t
mean?
You'd
cru
-ci
fy your
He's done no
king"
-
f: We have no
{
king
but
Cac
- sar'
~
f :: f~
t: f
..
-
1
'
r
t ,
J.-
- - ------
'
.. ..
.
156
49
"
11
.,
----tNo not the
wrong.
slight - est thing
"
I""
r
Well this IS
-I .,.
I
I
I ..J
We have no
r---,
I
L.:J
I but
king
Cae
- sari
Cru
-
ci
- fy
him'
"
/"" T
11
\
I
I
r---,
I
'
"
. -- . -
.. "
.
-
.. E
]I
:
I
-
..
...
..
!I
-
-
-
-
-
]I
-
..
..
- -
!I
-
-
E
E
53
CD 2
-
new_
Cae
re spect for
- sar.
Ii
Till
now this bas been no - tice - ab - ly
lack - ing
Who
!~ this
...
. ..
,.
ICHOIRI
57
We
-
.---. '. I
le
sus~
\\'h)
is
he
.
,..,..
)~~=O '
.
b.
...
"'--r~r I
. . .
I ~51~!~
b.,. ..,., ~,. f",. --
---
r I
I I
Je\'..
You
dl ITer - ent~
.
I
--
"
I
pro - duce Me - SSI- ahs b)
:
.
-
: I
s
the
sack - ful
: : :
I
. ,. . ,. .
I
lb. ====---
157
61
need
.,
him
cru
- ci - tied,
all
it's
you
have
to
do.
We
need
him
cru - ci - tied,
it's
J.
Very Slow 64
=
-
JPlLATEI -
A
.
-.I
~
all ............... '
(
-=
-
A
J.
-.I
('
:
I
have
you
do.
to
.
Talk to me,
Je - sus Christ. t7\
.
I
b_
_
...
...
...
.
mf
mp
L.::- "
l .--
t7\
..,.....
Om
. A Tempo 68
1\
,-
.
Look
..
.
-.
I
_
-
I
.-. -..
-.. ;
-. -. ;
-..
...
at
your
Je- sus
--.
Christ.
I'U
--,,-
a
-gree
he's
mad,
ought to
I be
locked
up
but
1\
\
..
-
.
.
--,,-
.
--.-
I
I
\
I
I
1
Om
Om
T Om
158
71
-
" t.!
..
..
......,
that is not a rea. son to de. StToyhim.
..
he's a sad lit- tie man,
..
..
nOI a king or god,
not a thief, I need a crime.
r
,.....-
"
I ..
..
tJ ......,
..
..
..
I
:
(
,
,
Om
Om
Random shouts
75 ... r
t.!
"
"
(
-
god He's a bias phem -er.
he says he's
-
-
---
-
I
Kill him,-
It.! ,I
Om
r
He'll con-quer you
and
us and ev - en Cae. sar.
"
r--I
I
-
,
,
(Drum Rhythm colla voci)
-
.
I
80
Be. hold the
Be -hold your
man.
(shouted)
-
+=-=-===1---r--. IMOBI
Cru
-
Cl
-
tY
him' .
Cru
.
Cl
tY
:.
him' .-
§ =hll1
=-
J
L._
I
I
~ '-.J
I 1'1
~eP -6
I "
I
-
--
I II III
,.
-
-
1
159
84
A
iI
-.:r shat
.
- tered
You
king.
r-
A
.
-.
.
,
..
I
r
I
We
have
I
J no
r--,
I
I
I
king
but
Cae
by - po -
- sar!
A
".
11. A
..
i
It)
; ,
.
I
,
'
r--t
I
I
ft
.' 11.
9',,:"
; ;0
I
iI
-
-
..
iI
..
..
11
..
I
..
..
-
iI
-
\
ri '
.'
87
!
"
11
,;;:J-4
. 1
;.
You bate us
crites.
more than him.
I see no
.
I
I
A
f
r I J
.
I
We have
I
I
king
but
Cae
,
tJ
f::
- sar!
Cm
- ci
- fy
him!
-
11
f
DO
r--,
I
I
11.
..
f .;
,
tJ
i :..
f=
I
I
I
r--"1
I
..
{
f
r-
JI
1\
:
l' 11.
'1''':'
11
-
-
-
..
11
..
..
..
.. .. ..
..
JI
..
..
..
.-
11 .-
.-
-
i i
.. I
r ;;
J ;;
91
-
i ;.. i :;
rea
-
son
I see no
e
, :;
I ;. ,;; ! j
I J...
- --
- viI.
This man is
hann - less. so why does he up - set
you'}
he's just mis -
,
160
." ...
" ..
95
t Ulinks he's irn - por - tan\.
guid - ed.,
But to
keep you vut- lures hap - py
I shall
flog
t.
him
,.. ...
...
..... E
E
E
99
E:
.. Cru
- ci
Cru- ci
Cru
fy.
-ci
fy.
E
~
~
E,
f:
~
~
El a E
103
.t:::::::
-
Crn ci
fy.
.
a
..
I Crn- ci
fy him.
.. -
fyhim
..
-=:::--
~
b
107
..
t.\
r-
~
-
Cru ci
Cru - ci
f)
~~
b.- -, .... .. I I
b
f!-...
~
.. fy
- ..
~. Crn
b~
-#
---.----. --== ..
~
'~
- Cl ~
f\.
JL..
I Ib
- --
Crn-~
..
fy
.. Crn- ci b~
fy him ..
t
t I !
---
-
161
t:. \.. .. .. 112
.. fy.
.
. 39LASHES · The Jawbone
~
Animoso
J=J
(or Quuda) can be used
to simulate the sound of the lashes.
IVOICE COUNTINGt 117
.
.
* lashes
E~
Two
One
"
~;;! I
.
.
r= .
,.b "
r.
E~ 123
ti;
..'
r: rl~
..
..
.
..
..
..
..
..
..
..
..
..
.
..
..
..
..
..
.
..
~.
't';, , t;
"
, i
.
..
..
..
..
.
..
..
..
..
't~
f;.
:
. Jliineteeo
!.I I
Tweoty-o!!e
!.I
, -
"
I-
..-.. i
=-
f
:--"l1
111
-J-
I. - - --
'
11
"l1 "l1
"l1
"l1
"l1
Twenty - two
..
I
162
.
139
Twenty
- three
Twenty
- five
.
.
-
Twenty seven
Thirty
Twenty-eight
- one
Twenty
-nine
.
.
.
.
Thirty
-three
Thirty-four
. . r.
.
15\
Thirty-five
Thirty-seven
\.
:----
-:."
."
."
- --
- -
."
."
163
154
Tbirty-nine
u DRUM SOLO ON RECORDING
@]
I
PILATEI
157
Where are you from
-
Je
-sus?
What
do you want Je
-sus?
Tell
me
well
be
..
--
--
--
---
Fm 161
--
--
-
You've got to be care
-
ful,
you
could be dead soon, could
--, ~
-----
I!
--
-.
Fm
-
[~} .. have your life in my
Why do you not speak when
~: p, ..
J;
;
().
---...;....
.
.
,
-
.
,
.
How can you stay qui - et?
" .. .
{-d' ! I
hands"
,
I
-~
---
*
- - - - - --
*
I
,
--
, (). r-
...
....
- -
.
.
I \
164
169
11
-
I
.
...
I" You have no -thing in your hands. I
11
I
--
,
I
I
don't be-lieve you >>11
An - ypower you h
un - der
-
stand b..
I
"
.
.
J
. .
...
(b)
)
collavoce
f
. Fm
172"
,
comes to you 11
I
I"
Y
Irom
far
be-yood_
Ev' - ry
thing
is
fixed
and
you
i
can't change
-A )
colla voce
:
.
175
-
You're a fool Je sus Christ.
How can I
halfsung
help you?
-
, halfshoutl
"
Pi -late' Cru - ci - fy
"
_\. 'Cv.. him' Cru - ci ::ry! ij.e-mem-bc "t; , . .
'"
\I
\I
!
. Fm
\0....
)
h
\
:
I
'"
.
. Fm
.
.
;"...- - ' .
--.3".'"
.-
-
- ---
. -. - . -
. 165
o
)79'/\
Agitato (Come Sopra) ,
,
""iJ
Cae
IVe -~ -.
- sar.
du - ty
You have a
to keep the
peace so
(
,
tJ
- ci -
bim.
fy
Re-mem-ber
,
.. h. .. . .. . .. .-
.. I.. .. .. .. .. .. ..
;
--~ -
cru
.
/\
~
I
i
I..
. .. . * . .. .
.
. .. .
\
;
::
183
o
:
"'~..I. ~:-,~':.~.
_.
_ ~-'
::::. Cae - sar.
::
You'Ube de - mot - ed,
youll be de - port - ed.
Cru - ci
fy
bim!
fy
him!
Re-mem-ber
;
-.. .. ;
G
187
-. -~ -..
Cae
- sar.
You have a
du
-
ty
to keep the
peace
so
cru
- ci
-
-
Re mem ber
. ...
-. -.. 191
-.
~r c-
Cae - sai.
You'llbe de - mot - ed.
you'll be de - pon - ed.
...,.,. ',.j§ ..
. . i ~..
.
, - - --
Cru
ci
fy
him'
Re-mem-ber
166
IQ;
Cae
You have a
. sar.
du
to keep the
peace
so
cru
-
him'
fy
Cl
Re . mem - ber
. t::
199
You'll be de - mot - ed,
Cae . $aI.
o
Meno Mosso
you'll be de - port - ed.
Cm - ci
him!
fy
- Adagio
IPILATEI (shouting) 203
Don't let me stop
~
your
if you want
des. truc - tion.
to.
you
mis . guid . ed
mar - tyro
-----:::: ff
)~
colla voce o Em
20i
great self
. ,·
---, b'"--J
I
- ...---. .---J -
?1.
I
wash my hands
of
u
e e
D
c
3_ · ---=::Jl '"--
your de. mo . 11- tlon
--._Die
F
If you want
10.
you
10 . no.
n
cent
pup. ~tl
167
SUPERSTAR
o
Maestoso
:::
,, -
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I JUDAS I
..1
....
.
- -
don't
Ev' ry time I lok at you I Ten me what you think a bout your
-,
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un
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Why you let the things you did Who d'you think be sides your-selts
-
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had_ it planned. he when: you arc?
get the
168
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If you'd come to-day you would have R.?_
Did
mean to die like
E
reached that
a whole a
mis
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Was
E
----
18
that?
.
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you
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Is - ra - el 4 B. C. had no mass corn -moo - i-ca - lion. a re - cord break- er'? did you know your mess-y death would be
tion. or
J
"SOUL" GIRLS'
Don't you get me
G
2
A7(9)
E7(39)
E7(39)
E
IJUDASI
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Don't you get me wrong. I
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169
23 I
1 Don't you get me
Don't you get
WTong._
me
wrong._
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Don't you get me
wrong.
wrong
now.
on
A
-Iy
want to
E
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on
want to
on - Iy want to
know._
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on - Iy want to
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know._
now.
on - Iy want to
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...
on - Iy want to
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on - Iy want to know._
170
29
us
les
11 11 11
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us
n__,
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les
Christ.
Who
Christ.
II_,
are
you~ What
have
you
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A
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32
cri - ficed._
--ca IIIIIH.-R
Jes - us Christ.
le
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Who
are you? What
bave
sa
you
-
cri
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Jes
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us Christ._
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sus
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OD- Iy wan - na
on - Iy wan - na,
on - Iy wan - na,
know.
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.. 176
{jt CODA 66
I"SOUL" GIRLS
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188
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