Jesus Christ Superstar (Computerized)

March 26, 2017 | Author: SzabóKároly | Category: N/A
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V ocal Score Andrew Lloyd Webber

JESUS CHRIST SUPERST AR (Complete) Please note that any markings other than lightly penciled bowings MUST be erased before return. Replacement charges will be made for any missing

Really useful group & Co. Ltd. Hire and Distribution Newmarket Road, Bury St. Edmunds, Suffolk. IP33 3YB. England Telephone:(01284)705705 Fax: (01284)703401 E-mail: hlre(a:muslcsales.co.uk Web' www.cheslernovello.com

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should have

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WHAT'S THE BUZZ

14

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III (1) \J=1121 IAPOSTLESI

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buzz~

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What's

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me what's

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buzz

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tell_

me what's

hap - pen - ing?

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should

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want IS

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you arc you

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the

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tell_

me what's

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What's

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buzzry

tell_

me what's

hap - pen- ingry

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you

facts

and

fig

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ures

could

gIve

17

N.B. During MARY MAGDALENE's solo, i.e. 2nd time, the APOSTLES keep up a background of noise such as "oo's" and "ah's", etc. J7

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When do 3rd What's the " 11

we

151

buzz?

ride_ tell_

in

- to

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Jer

me what's_

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hap - pen - ing

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When do What's

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we the buzz?

in . to Jer - u - sa. lem: me what's_ hap - pen - ing

ride_ tell_

-- --

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JMARY MAGDALENEI

"

11

2nd time only

.> Let lA

me

try

to

cool

down your face

Let

me

to

try

cool

down your face

a

bit.

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When do we What's the buzz?

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we

What's the buzz?

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ride_ tell_

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Let me

try

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tell

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go

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cool

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1 IX 21

When

do

we

nde-

In - to

What's

thc

buzz?

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Jer - u - sa - lem"

me whars_

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we

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Jer.

u - sa - lem' hap - pen - mg

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Jer - u - sa - lern?

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19

STRANGE THING, MYSTIFYING

.

L'istesso Tempo IJUDASI

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It seems to Yes I can

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me

a

un

der

strange stand

thing, that

sti

my she

a

RHYTHM

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MELODY

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fy

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mus - es

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that a but to

man like you let her stroke

can

waste his

time

on

worn-en

you,

kiss your hair,

is

hard ly

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of

her

in

your

kind.

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Cm

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It's not that

I ob - ject to her pro - fes - sion help us if you're in con sis - tent.

-

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but she they on

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-

does n't

fit

in well

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need a small ex cuse

with to_

t . t:t : ) t .t

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F

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f

F

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It does - n't

put us all a - way.

Who are_you_ to cri-ti-cise W.W.ISTRlNGS

f .

F. f :;. f

HORNrrROMBONE

F

G

F

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Bb

Fm

her?

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17

Who are_

you-

Bb

20

to des - pise her?

Fm

Leave her, leave her,_

Bb

Bb Fm

let her be now.

Leave her. leave her._

Bb

Bb Fm

Fm

she's with me now

Fm

Bb Fm

\Cl L'istesso Tempo L..=.J r-- 3---,

your slate

is clean

then

you

can throw stones.

If

your slate

is

not

then leave her

a - lone.

f

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24

ISOLOI ADD GUITAR/BASS

('m a - mazed_

that men like you_

can

be so shal-Iow thick and slow_

mp

Cm

Fm

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t!

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is

thl:re:

nol

a

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man_

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knows

you who

or care:s

if

come:or go._

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you'rc:_

wrong,_

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No .....

you're:ve:- ry wrong,_

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ICHOIR/ALL SAVEJUDASI

you'rc:_

..

You,

you're:_

wrong,_

you're:ve: - ry wrong._

No

you're:_

f I:

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wrong._

you're:ve:- ry wrong,_

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IJESUS DECLAMATORY

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BI,

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GUITAR MELODY

Not

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,

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mp j \

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.

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94

E:=-

E:E:

~

~

'JESUSI

65

Cm

F

Gm

Pet - er

N.B. This section is a duologue of argument and the interpretation must be veryfree.

will de - ny

me,

in

l,

a

just

few

three times

hours,_

will

de - ny

..

V"

me

1

1\

.

Gm

Gm

eJ

V

I

:

r

y

I

--

-

..

.. F7

Cm

.

I

Bb

Eb

E!nnaj7

I...J

Ab

Db

D\,maj7

chos

- en,

68

.. and that's

not all

I

see.

One of

you here

one

din - ing,

of

my twelve

71

will leave

to

be

- tray

me.

--.. Cut out

f\

the

dra

-

ma

tics

You know

I

ve

- ry

well

who.

I

\ (

!-

Cm

*

-\-

..

Eb Bb

Cm

--

Eb

Bb

-!

.

#

Cm

Eb

Bb

E E E E E E F E E ~ I f I I I

95

IJESUSI

74

Why don't

it?

do

go

you

Youwant

I

J

Hur-ry

IJUDASI

me

to

do

it!

Eb

Bb

Cm

do

it.

they are

- ing.

wait

"]

:J

:

Bb

Eb

Cm

Cm

Eb

Bb

., 77 ... .

1-

InlnAc:::1

don't

care why

..

you

=

=

If

you

knew why

I

do

it

To think

I

ad

- mired

you.

.

. ...

-

:;

. -

--Eb

Cm

,.

-

Bb

Cm

--Eb

,.

-

Bb

Cm

,.

--Eb

Bb

do

it!

Eb

B

.-

. .

80

;

I

.

I

"

I

-

You

pise

you.

li

ar.

you

Ju

-

das.

Shouting

-

For now

.

-

.

;

-.

-. -. -...

I

des

-

.

You want

to

5 \

)1

me

Ad u: (extempore)withdiscretion

.

Cm

Eb

B

- ---

Cm

-

E

-

B

Cm

E-

96

E= -

83

11-

_

-

11E:

just

stayed here and

-ined your

ru

bi

am

-

tion?

Christ

you

-

de serve

it! E: E:

E

ff ----

E

IJESUSI

86

Cm

Eb Bb

Cm

Eb

Cm

Bb

Eb

E

Bb

E

parlando

E you

ry :>

fool,

bur

I>.

sim

-

and

ry

Save

go,

me

speech

your

E

- es

E E E E

Fm

C

Bb

.---- 3--,

I

don't

E

-"

want to

Go!

know,

t

ENDOF ELECTRIC PIANO

I

.

...

.

I

I

-

1180

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C

C

o 94

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OBOE/BRASS

Al I

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i

:

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& With Humour (but not too slow)

I APOSTLESI

I

I I

I

C

1

HeaiIy

Look i

Bb

Fm

at

- ways

all

my

hoped that

trials

and

tri

bu

I'd

be

an

a

la

- tions

sink - ing knew that

pos - tie,

In

a gen would make

- tie it

pool if

I

r

:

.

....

F

C

.I

r

r

I

I

i

r

.

I

Dm

.. F

F

of

97

97

-

What's that

in

the

Then when

we

re

C7

Gm

bread,

- tire

F

it's

gone

10

my

we

can

write

the

head,gos - pels

Dm

A7

'til

this

so they'll

F7

- --

-

died.

: .,;

-

o

;; 103"

Bb

C7

F

C

F

Subito [Little Quicker with 8 beat feel] J=108

iI IIIJUDAsl I

;

.J

tr-

f

You sad

pa

- thel- ic

.. man,

.. see

where you've broughl us

to._

Our

>!

;;

-

. I

.

..

f

. -

..

Free Style (8 Beat)

11

r

.

-er

J

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F#m

.

-

-.

-.

-

a round

-

-. -" -.. ;

Bm

us._

All

and now

the

E

98

107_ ..

-

LL

sad - dest

cut

E::

has

Some-ooe

of ,all.

to turn

you

... like a

in,

E

E E E

-

D

F#m

f

109 o.

f A

I 1

B III

jad - cd

man - dar - in._

A

jad - ed

man-

D

113

..

Shouting

Get out!_

..

.

jad ed., jad f\ 11 *

- cd.

fad - cd.

I

.

.

.-- ..

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jad

. .

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m.

#

# ,;

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Bm

--

They're

F#m

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. ----

.

99

,

-

115

---

!Sob!

fr.

Get out!

wait - ing!_

they're

wait

- ing!

Oh,

oh.,

oh.,-

they're wail - ing

J

..

D

Bm

J

"

J

.,

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@] Slower.J= 92

I

for A 11

Ab!

you

11

11

11

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tr

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Ev' ry time A

11 11

11 11

..

tf...

. .

:

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--

,

......

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-

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-

I look at

you

I

don't

:>

:>

3

-&

un

- der - stand._

.f

l' A

.

. -. .,

"''byyou let

.

A 11 11

the things you

did

get

so

out

of hand._

You'd have man - aged bet - ter

:>

:>

:>

u

e

e

if

you'd ,

.

..

.

.

I

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124

. . -

.

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it planned._

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" Ifn

I

t> Look AI

l

"

-

11

t>

.

=

17'\

I.

11

:;

(

all

my trials ways hoped that I'd I

I

r

-

:

I

-

at

and be

tri an

-

bu

a

-

la pos

- tions

- tie,

I

(

r

r

r

17'\

.,

.

...

- --

....

I

-'

I

101

.. 137

is

this

talk

a

-

moro

- iDg

bout

us

D

c

Largo

died.

fIDe.

life is when we've

G

D

G

J=60

-,

JJESUS'

Pet er?

143 n

John?

James?

,

,

"

.-

..

..

..

..

Will

none

of

you

..

I

wait

with

me?

Pet

- er?

John?

James?

17'\

I

( ____f1

(

:

I

r___Li

I - >- >- >-

,

t

-

t

>-

.mf

f>-

=

;jj

F 28 11 I

I should

see would

die, die

the I

sa

be

- ga more

through and no ticed

-

do than

the I

things you ev

- er

ask was

of

me.

be

- fore?

_11 I -.I

q

1

..

:

>v

..:: -;j

>F

;jj

0-= .'q;jj

q

r

r >-

>-

1

>-

.

b

q

r >-

>I Gp

...

F

.. = ...

-

r

104

7

31

Let

them

Wou!d the

hate

mc,

things !'ve

hit

mc,

burt

nail

mc,

me

I'd wan !'d bave

to their trec.

mat- \er an - y more?

said and donc-

>-

wan

-

na know,

I'd

to know,

I'd havc_

>-

>-

>>-

>-

>-

34

na know to know

>-

God Lord

my my

!'d I'd

wan have

na to

>-

>-

I'd !'d

know, know,

>-

wan have_

na to

know know

>-

>-

God Lord.

my my

>-

37

wan have

na to

>-

sce, sce,

!'d

wan

!'d

bave_

-

>-

na

sce

to

sce

>-

my my

God. Lord.

>-

!'d !'d

wan have

>-

na to

sec, sce,

>-

I'd

wan-

!'d

bave_

>-

40

!f

>-

C7

die

what will_

>-

be my

re - ward?

>-

>F7

105

./

43

If

die

what will_

be

>-

>--

my

re - ward?

>-

=--

>-

46

,...

- -

- -

- ---

-

I'd bavc

to know,

I'd

=F7

@]

ID

-

I'd

know,

havc_

>-

>--

Cm7

Lord._

49

I'd have

I=-

F7

C7

-

-

- to

have_

know

>-

-

-

Lord._

my

----

=-

Cm7

J~

-VOCAL: ad lib.

would

>>Cm

>Bb

Dot be killed in vain?

-

I 4

Show mc just

.....>-

>G

a

lit. tIc

>-

>Cm

>Bb

of your

106

56

om

- ni - pn:s -ent

Show me there's a

brain.

rea - son for your

=-

=G

You're

want-ing me to die.

=G

Cm

VOCAL AD LIB. : Hysterical Sobbing

59

on where and bow

and

not

so

bot

Al =-

on why.

right' =-

=-

G

Cm

Cm

-----------------------------------------------------------------------------------62

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-- ---

- - - - - - -- - -- - - - --- - - -- - -- - - - - - -- - -- - - - - -------

65

Cm

Bb

=-

=-

Ab

G

---

Cm

-

=-

=-

Bb

Ab

G

107

A Little Slower

::-

::-

>-

Cm

Bbsus4

Ab

-

::-

Cm

Bbsus4

.. ..

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::-

::-

Ab

::G

::-

::-

::-

raiL ::-

::-

::-

Cm 77"

I

-.I

::-

::-

::-

::-

::-

Bbsus4

G

Cm

-

::- ::-

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::-

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I

I

I

L-J

::-

Cm

,

::-

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.

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=-

::G

=-

BbsuS4

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I

I

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::-

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::-

Bbsus4

::-

::-

::-

G

h

::-

I

::-

..=-

:; ..

!.

Cm

o

Tempo I

Sadly & Wearily

.

-.I

, Then "

I

(

I

,

..

tJ

..

..

..

pp

..

..

was I

in

- spired.

r r r r

..

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I

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.

81 n

T ..,

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.

(

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cmlBb

Cm/G

85

tJ

-.J Now

"

I

)

sad

and

I

.

tJ

('m

tired.

Af - ter

I

i

r

i

-.J

i

.. F

: .

Fm

I've

all

I

FmlEb

Fm/D

FmlC

----

Bb

Bbsus4

F

108

RR

for

three

year>

seems

like

nine

- ty.

a

a

Ebsus4

Why

am

then

Cm

91

what

start

- ed.

r

What

you

start

r

- ed

r

cm/a

D7

Majestically I

1

I1

94

"

I

,.

.J

I "

it.

God

thy I

.J

.,,

-

did n't start

I

t

qu

.

.

r:

will

is

I

hard.

r

:

'mf

But

,

I

I

i

r

\

I

a

Cm

Cm/G

97

will drink

your

cup

r Fm

FmlEb

FmlD

Fm7/C

Bb

Bbsus4

Ebsus4

. of poi - son,

109

01 "

, T

tJ

nail me to "

I

I

-

tJ

f

your I

cross

..

I

and break me.

r\

r'I

Kill me, take me

me, beat me,

I

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r"""-I

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cm/a

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f

07

.... ./ . 109 '"

IJUDust

I

tJ

f

A

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I

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b

A.

---

tJ

f

.

I

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.

b,...

_

Therehe

is!_

they're all

a

- sleep_

the fools.

collavoce

A.

/1"

/1 /1

I

Slowly IJESUSt

112

Ju -

-

1"':\

das

must

you

be

-

tray

me

-----

with

kiss? 1"':\

a

--I

p

(

v: 1"':\

:

=t --

--

110

THE ARREST

o

J=84

18 beat)

'PETERI

the

buzz?

Tell_

me what's

hap - pen - ing.

What's the

buzz?

Tell

me

what's

IGuide part)

G7

C7

3

hap

- pen - ing,_

Tell

me what's

G7

hap-pen-ing._

Oh,

C7

5

What's

the

buzz?

Tell me me what's

-

hap pen - ing.

What's

the

buzz?

(p)~

G7

C7

Tell_

me what's hap- pen- ing.

III

7

Tell_

the

buzz?

_.

:=

Tell_

me what's hap - pen - ing.

------

-

) .

,

What's

me what's hap - pen- ing.

_. .

C7

07

::: 9

"'J

I

-

I

Lord,

we'rc_

J

j-

Jl

fI

gon- na

00

Lord,

on

Hang

we'rc_

Lord,

gon - na

fight for you.

h

-Hang

fight for you.

we're

gon

-oa

fight for you.

F

on

Hang

;0

-

-

-=

----

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) .

.-

.. *

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-

07

*

*

.

*

C7

11

tJ

--

You

"

Jl

tJ

I.--...: Hangon

hang on

J

Lord,

we're gOD

1--r I

JJ

j

-

J

na

fight for you._

I

Now

-

I

hang on.

.

-

Lord,

we're

gon

-

na fight for you.

Hang

on

Lord,

we're

gOD - na fight for you.

fI

.

q.. : ..

(p)------- ..

... 07

C7

.. -; -

--

-

.

I

I

9~...

112

I

~.

,

r' sword,

a - way your-

don't you mow_

I

I

ov - er._

that it's all

E::;

~ EE: C7

G

E E

16

EIt

was

nice

but now

it's

are you ob - sessed with

Why

gone._

E'

E

G7

C7

G7

19

II

fight

Stick to

- ing._

fish- iDg

ITom now on.

L

)r

-._--

-

.

-

-

. -I

C7

0 .22

G

C7

J= 124 MEZZO SOP.

... Tell

me

Christ.

how

you

to

feel

night BARlTO:"[

.. Do

you

plan

10

put

up

a

fight~

E E E E E t t E t t t t I I I I 1

J

n___ u___ >-

Gm

_11'

--

n___

~--

-0.

Gm -

-

---

--

113

24

"

.::.::

Do

feel

you

that you've had

the

breaks? (11-

fI-

(11-

(11-

.

.

: What I

A

. .

-

(

-

..

. .

would you

.

say

.

mis

were your big

.

S

S

S-

-

takes?

I

J I

.

: e

-j. --

=--

n_

__z.

u

3.

..

.

I

-

.

-

-

..

.

..

.

.

Have

your

men

proved

.

s

.

$

al

all

S S

I

)1" L..

_

e ____ G

=---

Cm

---r ---

n__ U

=-----------

Gm

-: ----

wonh

.

- while?

J I 'I

----

-,

114

......

"

30

..

acceL poco a poco

@] IALLI

,.

I

..... to

us

with

Come

see

Ci

-

a

,

You'll

phas.

just

love

the

High

Priest's

house.

I

..... I

_1

I

I

t

r:

--

>-

---.

J

I

I

f'

t

p:

- I ....

I >I

I

.

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f'

)1

I

-

\-

.

----,

\

I

-

I

,

. .,

.....

-.....

Gm

Gm

.

-

32

-

You'll just

love

see - ing Cai - a - phas.

You'll

just

e I

.-

I in

the

High

Priest's

house.

-

11

E IJ

r-

t:

E

>-

.I

....: ,

I

)1

11

-: Gm

Cm J= 192 34

JCROWD I Solo Linesl TENOR

ICHOIR:

t God

Come on

ENSEMBLE

this

is

not

"

like

you

-

Ah

Ah

I

I

.' Gm

TE~OR

Let

I

-

)

I

I "

11

I

I

I

.

. Gm

us

know

what you're gon

na

-

do.

115

36

MEZZO SOP.

"

I

4V know

You

"

what

your

sup

- por

-

ters

feel.

BARITONE

I

:

f'-

f'-

You

es

f'-

#

.

#

cape

in

the fin

.-

..

aI

reel.

-.J

"

1

-I

J

j

I-

-

-

-I

.

I

- -

Ab

"

1

..

Ab

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-

(

I

,

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:

I

1

I

I

4V

.-,

1

l

V

L......J

I

,

.. Gm

Cm

38

I

TENOR 1 Tell

me

Christ, how you

feel

to

- night?

TENOR

-- J

...

-

-

-

Do

Ab

plan

to

a

put up

--

Ab

I

-

11

you

I

I

--# I

Gm

Gm

-

--

----

:

r

fight?

116

Bigger and Wilder

MEZZO SOP.

40

Do

feel

you

the

that you've had

breaks?

-.

Ah

I

I

; 11

I

.. .. .. ..

I

1*

I

What

--

I

I

I

1

- takes?

-,

----,-

--,-

------

I

V

I

L_

(

----,..---

--

--

-

I

-,

I

Gm

Cm

I

mis

were your big

I I

..

-

would you say

Ah

-

-

-

C I,

-

BARITONE

CROWD: ALLI

Come

ICHOIR

with

us

: ENSEMBLE

to

sce

Cai

-

a

- phas. :>

You'U

just

love

the

High

I

-

Ah

Ah

Gm

Gm

-

Priest's

house.

117

44

"

,

I

-;r

I

I

You'll

"

love

just

see - ing Cai

-

.

I

You'll

- phas.

I

the

High

Priest's

house.

>-

.

T

-

-".

. :

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COULD WE START AGAIN PLEASE?

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Firmly ALL " 11 tJ "

11

( tJ

p

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.

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D

00 ...

'MARVI No repeat ODD.S. 1SItime

"

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-

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('vc

been

liv

- ing

to

see you.

Dy

- ing

2nd "

.

I

1£ ...

I've been "

.ve -

ry

hope

see

you,

but

it

the

first

time

1

think

-

I

tJ

to

- ful_

so

far.

Now

for



tJ

: D

a .

G/A

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-

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..

. should

we

-

n't

- Pre I.

like

be

go

-

ing

this.

WTong.

This

Hur

:

un

ex

ry

up

and

-

pec

tell

- ted.

me

---< A

I ----

-

was

Em

--

140 10 "

11

..

..

tJ

What do "

start

a - gain

-

11

tJ this "

Could we

do now.

I

..

a dream_

is

or

could we

stan

a - gain

Could we

please?

start

a

- gain

please?

..

-iJ Could we start

please?

a

- gain

please?

11

-

tJ

:

)

A7

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13

"

D

D

G/A

l

11

tJ You've

IPETERI "

I

11

I

- ven gone

e

-...

I

I

too

far

to

too

far

to

..

"

.

think you've made

your

point_

DOW.

You've

e - ven gone

BASSOON

(

bit

I

tJ

(

a

..

:

.. "*

'"'

fI-f'I

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Em7

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G

a

bit

...

141 D.S. al CODA

19

wc:

could

start

a

gain

please?

jL D

A7

G/A

I CODA r I MARV(

21

.-

.

.. -

Could

..

.-.

(

I ALL

we

start

a

- gain,

Could

pleasc:?

riL

wc:

start

a

- gain., please?

I'L

......

tt

I

:......

I H

):

-. -

A7

D

G/A

G/A

24

e--

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Ab!

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e

.. .. ...

i I

/'7'.

:

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G/A

G/A

D

. END OF ACT THREE

; -: -:;

-, -;

.

...

-.. ., ------

----

142

ACT FOUR JUDAS'SDEATH GJ J=184

8va opL sempre

!

A

..

l[ ., ,\

..

-.r

(Rhythm)

f

\-

I

:

(

.---'I

I

I

saw_

---God!

My

-

him._

.

..

r

I

He looked thn:e-

..

1

Gm7

-.

And

quar - ter.; dead_

I

I

I

f\

:I ;

.

I

:

he was so bad-

I had to

.-

turn

-I\.-

..

.. ..

I r 1

..

--

beat him so hard_

II

that he was

. ..

-.r

l\.-

I

1

--

--

)1

You

my head_

I

Gm7

Gm7 8

bent I

A

and lame._

-

I

I

.

...v

And I know who ev'-ry-bo-dy's

don't be -lieve he knows I act-

gon - na blame._

I

--

..

I\.-

I r1

.. ..

..

--

..

..

,

I

:

)

I

I\.... I I 1

--

-Gm7

GI1I7

12

for

"

I

)

I

save him all the suf - fer- mg

if

I couJd._

Don'!

.-

,

..

:

I'd

our good._

,

-r\-. I

.. I

...

jJ.., --

.'

---..

I

"'..

I

be-lieve_ r--"-'I

q '....:::.-15 --

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.......,

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Gm7

---

F

07

G7

----

., .

143

1

16

.

"

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.

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our-

..

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........,

I

:

:

-........J C7

t:

.

F9

I

. -

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--'-'.

'pi

t; ~

I

I

:

~

save

good_

.

\.

-

1'.

I I 1

him_

r-'i..:::..

I

.---..

I

--....

Gm7

D7

G7

t: 20

i; i:

=-

i.

.II

i:

.I

(Rhythm)

I:

:=- =-

-

I; C7

F9

,I

--

Gm7

Gm

D7

I; I. ,I

24

I: I

I. ,s

..

...

;

c

Bb

Gm

D7

Bb

F7

D7

27

=1

'.

I

i

\

All

that you've

said_

has

come

I

iI

UUe

with

a

ven

geance

The

mob

turned

a - gainsl_

j

:::j.

..

1 I -j

...; --. ..... --

. Gm

l.----"

.

D7

D7

.

- - - - - -

Gm

Bb

C

him, you

-144

30

backed

the right horse._

o

Gm

Gm

o

o

Gm

33

I

,.-,

,

.----

3 --,

.-

-

\1

,

. Bb

-

I... · .. #f

.

-

c

F

Gm

Bb 07

07

0

Gm

37

r--

3--,

i

r

.. Bb

D

c

Gm

41

r--)

#I .. Ab7

Gm

D

.

I

, -.

..

: 71

.: Eb

;

U

.: Et Eb

I Eb

Bb

--

-

145

45

rour- der of you._

I havebeen spat - tered with in - no-cent blood._

r,,; la

3---,

49

be

..

in -

o

Gm

dragged through the r--3----,

slime

and the mud._

D

tered

spat

with

Gm

-

.--3 I

no-cent blood._

.----3--..

shall

be

dragged through the

.--- 3 ----,

r--

r-3r

trr

slime and

the slime and

r-

3----,

..J

0

Gm

have been

C

Bb .

Gm

.----3--..

shall

52

07

Gm

Ab7

B

Gm

r.-..

o

Slower

(Motto

emozione

: A piacere)

to

MELODY CUE

-------

I---- 3----. ..J J

J

J

= 66

love

him.

d

I

G

3--,

*

don't know how

Gm

r----3----.

0

-

mud.

r.-..

C

c

---

G

--

c

the

3--,

G

. .. 146

63

just

1>

J..

.

r.'

as

C

scares_

-,. .. . J

J

- ,I -

.

Am

G

C

G

me

Am

--

. . .-=--.

so

-.

G

-

I

When he.s cold

and_

..

I

1~:E:~~~~

he

Ir

i

...

\~

know _

an - y-one

I

Em

Bm

66

the same-

dead

will he let

rr

f

-I

.

-..---

-

c - - - -

B

me

be'

147

69 3 does he love me too?

o

fI

me?

c

Em7

Em

72

Does he care for

oh oh_

F

G

Piu Mosso

(sob) ' ab

.

ORGAN[NoVib.) fI

I

I

I

I

I

.-3.., 111t'\m

--

3 I

I

I

I

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I

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r-... I

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I

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I

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,....,

--1-i

--

"7

Gm7

Gm I

Gm6

Gm

Gm6

Gm

.J

,

79

(sob)

(sob)

ab

ab

'"'

-

I

ab

I -. "'

-I

>-

I.........

-t

.

82

-

(waiting)

3

-

-

I mind

My

is

3

in

dark - ness

AI

now._

My

.

(

. I

b'

-

:

>-

>-

;

i

I

i j,

.

-. ------

.

I'

148

86 f::1

r I

I

God, A

A

r--

I

am

sick.

I

I

('ve

been

used

and

you

knew_

-

-

II

I'

..J

:IJ

I

J

j

I

.

-U-f G7

89

"

, I

"

(sob)

-

,

the lime.

alI_

..

.......

-

1'\1 ncv - er ev - er

God!_

know.

Why

you

..

..

..

.

.

.

..

.

..

.

",

\1

;

.

.

r

.

(sobbing)

95

-

--' me

chose

::::::::

your

crime A A

your

'G7 9

J

L

-"

"

:>

:>

I

I

,

..

,

I

:>

What

you

, '1

"

do

"I

I

I II

"

i

f~

t; t :: t

mean?

You'd

cru

-ci

fy your

He's done no

king"

-

f: We have no

{

king

but

Cac

- sar'

~

f :: f~

t: f

..

-

1

'

r

t ,

J.-

- - ------

'

.. ..

.

156

49

"

11

.,

----tNo not the

wrong.

slight - est thing

"

I""

r

Well this IS

-I .,.

I

I

I ..J

We have no

r---,

I

L.:J

I but

king

Cae

- sari

Cru

-

ci

- fy

him'

"

/"" T

11

\

I

I

r---,

I

'

"

. -- . -

.. "

.

-

.. E

]I

:

I

-

..

...

..

!I

-

-

-

-

-

]I

-

..

..

- -

!I

-

-

E

E

53

CD 2

-

new_

Cae

re spect for

- sar.

Ii

Till

now this bas been no - tice - ab - ly

lack - ing

Who

!~ this

...

. ..

,.

ICHOIRI

57

We

-

.---. '. I

le

sus~

\\'h)

is

he

.

,..,..

)~~=O '

.

b.

...

"'--r~r I

. . .

I ~51~!~

b.,. ..,., ~,. f",. --

---

r I

I I

Je\'..

You

dl ITer - ent~

.

I

--

"

I

pro - duce Me - SSI- ahs b)

:

.

-

: I

s

the

sack - ful

: : :

I

. ,. . ,. .

I

lb. ====---

157

61

need

.,

him

cru

- ci - tied,

all

it's

you

have

to

do.

We

need

him

cru - ci - tied,

it's

J.

Very Slow 64

=

-

JPlLATEI -

A

.

-.I

~

all ............... '

(

-=

-

A

J.

-.I

('

:

I

have

you

do.

to

.

Talk to me,

Je - sus Christ. t7\

.

I

b_

_

...

...

...

.

mf

mp

L.::- "

l .--

t7\

..,.....

Om

. A Tempo 68

1\

,-

.

Look

..

.

-.

I

_

-

I

.-. -..

-.. ;

-. -. ;

-..

...

at

your

Je- sus

--.

Christ.

I'U

--,,-

a

-gree

he's

mad,

ought to

I be

locked

up

but

1\

\

..

-

.

.

--,,-

.

--.-

I

I

\

I

I

1

Om

Om

T Om

158

71

-

" t.!

..

..

......,

that is not a rea. son to de. StToyhim.

..

he's a sad lit- tie man,

..

..

nOI a king or god,

not a thief, I need a crime.

r

,.....-

"

I ..

..

tJ ......,

..

..

..

I

:

(

,

,

Om

Om

Random shouts

75 ... r

t.!

"

"

(

-

god He's a bias phem -er.

he says he's

-

-

---

-

I

Kill him,-

It.! ,I

Om

r

He'll con-quer you

and

us and ev - en Cae. sar.

"

r--I

I

-

,

,

(Drum Rhythm colla voci)

-

.

I

80

Be. hold the

Be -hold your

man.

(shouted)

-

+=-=-===1---r--. IMOBI

Cru

-

Cl

-

tY

him' .

Cru

.

Cl

tY

:.

him' .-

§ =hll1

=-

J

L._

I

I

~ '-.J

I 1'1

~eP -6

I "

I

-

--

I II III

,.

-

-

1

159

84

A

iI

-.:r shat

.

- tered

You

king.

r-

A

.

-.

.

,

..

I

r

I

We

have

I

J no

r--,

I

I

I

king

but

Cae

by - po -

- sar!

A

".

11. A

..

i

It)

; ,

.

I

,

'

r--t

I

I

ft

.' 11.

9',,:"

; ;0

I

iI

-

-

..

iI

..

..

11

..

I

..

..

-

iI

-

\

ri '

.'

87

!

"

11

,;;:J-4

. 1

;.

You bate us

crites.

more than him.

I see no

.

I

I

A

f

r I J

.

I

We have

I

I

king

but

Cae

,

tJ

f::

- sar!

Cm

- ci

- fy

him!

-

11

f

DO

r--,

I

I

11.

..

f .;

,

tJ

i :..

f=

I

I

I

r--"1

I

..

{

f

r-

JI

1\

:

l' 11.

'1''':'

11

-

-

-

..

11

..

..

..

.. .. ..

..

JI

..

..

..

.-

11 .-

.-

-

i i

.. I

r ;;

J ;;

91

-

i ;.. i :;

rea

-

son

I see no

e

, :;

I ;. ,;; ! j

I J...

- --

- viI.

This man is

hann - less. so why does he up - set

you'}

he's just mis -

,

160

." ...

" ..

95

t Ulinks he's irn - por - tan\.

guid - ed.,

But to

keep you vut- lures hap - py

I shall

flog

t.

him

,.. ...

...

..... E

E

E

99

E:

.. Cru

- ci

Cru- ci

Cru

fy.

-ci

fy.

E

~

~

E,

f:

~

~

El a E

103

.t:::::::

-

Crn ci

fy.

.

a

..

I Crn- ci

fy him.

.. -

fyhim

..

-=:::--

~

b

107

..

t.\

r-

~

-

Cru ci

Cru - ci

f)

~~

b.- -, .... .. I I

b

f!-...

~

.. fy

- ..

~. Crn

b~

-#

---.----. --== ..

~

'~

- Cl ~

f\.

JL..

I Ib

- --

Crn-~

..

fy

.. Crn- ci b~

fy him ..

t

t I !

---

-

161

t:. \.. .. .. 112

.. fy.

.

. 39LASHES · The Jawbone

~

Animoso

J=J

(or Quuda) can be used

to simulate the sound of the lashes.

IVOICE COUNTINGt 117

.

.

* lashes

E~

Two

One

"

~;;! I

.

.

r= .

,.b "

r.

E~ 123

ti;

..'

r: rl~

..

..

.

..

..

..

..

..

..

..

..

..

.

..

..

..

..

..

.

..

~.

't';, , t;

"

, i

.

..

..

..

..

.

..

..

..

..

't~

f;.

:

. Jliineteeo

!.I I

Tweoty-o!!e

!.I

, -

"

I-

..-.. i

=-

f

:--"l1

111

-J-

I. - - --

'

11

"l1 "l1

"l1

"l1

"l1

Twenty - two

..

I

162

.

139

Twenty

- three

Twenty

- five

.

.

-

Twenty seven

Thirty

Twenty-eight

- one

Twenty

-nine

.

.

.

.

Thirty

-three

Thirty-four

. . r.

.

15\

Thirty-five

Thirty-seven

\.

:----

-:."

."

."

- --

- -

."

."

163

154

Tbirty-nine

u DRUM SOLO ON RECORDING

@]

I

PILATEI

157

Where are you from

-

Je

-sus?

What

do you want Je

-sus?

Tell

me

well

be

..

--

--

--

---

Fm 161

--

--

-

You've got to be care

-

ful,

you

could be dead soon, could

--, ~

-----

I!

--

-.

Fm

-

[~} .. have your life in my

Why do you not speak when

~: p, ..

J;

;

().

---...;....

.

.

,

-

.

,

.

How can you stay qui - et?

" .. .

{-d' ! I

hands"

,

I

-~

---

*

- - - - - --

*

I

,

--

, (). r-

...

....

- -

.

.

I \

164

169

11

-

I

.

...

I" You have no -thing in your hands. I

11

I

--

,

I

I

don't be-lieve you >>11

An - ypower you h

un - der

-

stand b..

I

"

.

.

J

. .

...

(b)

)

collavoce

f

. Fm

172"

,

comes to you 11

I

I"

Y

Irom

far

be-yood_

Ev' - ry

thing

is

fixed

and

you

i

can't change

-A )

colla voce

:

.

175

-

You're a fool Je sus Christ.

How can I

halfsung

help you?

-

, halfshoutl

"

Pi -late' Cru - ci - fy

"

_\. 'Cv.. him' Cru - ci ::ry! ij.e-mem-bc "t; , . .

'"

\I

\I

!

. Fm

\0....

)

h

\

:

I

'"

.

. Fm

.

.

;"...- - ' .

--.3".'"

.-

-

- ---

. -. - . -

. 165

o

)79'/\

Agitato (Come Sopra) ,

,

""iJ

Cae

IVe -~ -.

- sar.

du - ty

You have a

to keep the

peace so

(

,

tJ

- ci -

bim.

fy

Re-mem-ber

,

.. h. .. . .. . .. .-

.. I.. .. .. .. .. .. ..

;

--~ -

cru

.

/\

~

I

i

I..

. .. . * . .. .

.

. .. .

\

;

::

183

o

:

"'~..I. ~:-,~':.~.

_.

_ ~-'

::::. Cae - sar.

::

You'Ube de - mot - ed,

youll be de - port - ed.

Cru - ci

fy

bim!

fy

him!

Re-mem-ber

;

-.. .. ;

G

187

-. -~ -..

Cae

- sar.

You have a

du

-

ty

to keep the

peace

so

cru

- ci

-

-

Re mem ber

. ...

-. -.. 191

-.

~r c-

Cae - sai.

You'llbe de - mot - ed.

you'll be de - pon - ed.

...,.,. ',.j§ ..

. . i ~..

.

, - - --

Cru

ci

fy

him'

Re-mem-ber

166

IQ;

Cae

You have a

. sar.

du

to keep the

peace

so

cru

-

him'

fy

Cl

Re . mem - ber

. t::

199

You'll be de - mot - ed,

Cae . $aI.

o

Meno Mosso

you'll be de - port - ed.

Cm - ci

him!

fy

- Adagio

IPILATEI (shouting) 203

Don't let me stop

~

your

if you want

des. truc - tion.

to.

you

mis . guid . ed

mar - tyro

-----:::: ff

)~

colla voce o Em

20i

great self

. ,·

---, b'"--J

I

- ...---. .---J -

?1.

I

wash my hands

of

u

e e

D

c

3_ · ---=::Jl '"--

your de. mo . 11- tlon

--._Die

F

If you want

10.

you

10 . no.

n

cent

pup. ~tl

167

SUPERSTAR

o

Maestoso

:::

,, -

--

.., ,

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