Jazz Standards Vol. 1
January 26, 2017 | Author: leornidas | Category: N/A
Short Description
Download Jazz Standards Vol. 1...
Description
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FOREWORD The Real Book i~ the answer to the fake book. It i5 an alternative to the plethora of poorly designed, illegible, inaccurate, badly edited volumes which abound on the market today. Th8 Real Book is extremely accurate, neat, and is designed, aboye all, for practical use, and every effort has been made to make it enjoyable to use. Here are some of the salient features: 1. FORMAT
a. The book is professionally copied and meticulously checked for accuracy - in melody, harmony and rhythms. b. Standards and other short forms are on wide spaced, 9 stave papero All others are on double staff system with chords underneath for easy reading. . c. Forro within each tune, in terms of both phrases and larger sections are clearly delineated and placed in obvious visual arrangemento d. All two page tunes open to face one another. e. All standard type tunes remain true to their original harmonies with little or no reharmonization except for modern notation and in the case of sorne turnarounds. Many of the modern jazz tunes were taken directly from the composers' 'o~n lead sheets or individually transcribed from their recordings. 2. SELECTION OF TUNES AND EDITING a. Major jazz composers of the last 30 years are concentrated on, with special attention to the last dec~de. b. Many standards and Broadway show tunes which have become part of the jazz repertoire vis-a-vis Bill Evans and others are included. c. While sorne cornmonly played tunes are absent from the book, many of the classics are here, including bop standards and a good helping of Duke Ellington masterpieces. d. Special attention has been paid to the giants of the last 15 years or so - Miles, Coltrane, Wayne Shorter, Mingus, and to the new wave of current writers - Carla Bley, Chick Corea, Mike Gibbs, Keith Jarrett, Steve Kuhn, Steve Swallow. e. Complete transcriptions of many current album cuts, sorne as yet unreleased, complete with horn arrangements and written rhythm figures, are included. 3. SOURCE REFERENCE a. The composer(s) of every tune is listed. b. Wherever possible, one or more examples.of jazz recordings of the tunes are listed. (Thetunes are not necessarily taken from those particular sources, however). . The Real Book was painstakingly created beca~se, the editors care about music and want it to be well playeq apd fun to play by you, the musician. "Enjoy:"
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B Cont.
A
A CALL FOR ALL DEMONS •••••• A CHILD IS BORN •••••••••••• A FAMILY JOY ••••••••••••••• A FINE ROMANCE •.•••.••••••• A FOGGY DAY •••••••••••••••• A NIGHT IN TUNISIA •••••••• AFRICAN FLOWER .•••••••••••
1 2 4 3 6 7 8
AFRO BLUE •••••••••••••••••
9
AFTERNOON IN PARIS •••••••• 10 AlREGIN ••••••••••••••••••• 11 ALICE IN WONDERLAND ••••••• 12 ALL BLUES ..•.•••••••••••• 13 ALL IN LOVE IS FAIR .•••.• 14 ALL MY TOMORROWS ••••.•••• 15 ALL OF ME .••••••••••••.•• 16 ALL OF YOU •..••.••••..•.. 17 ALL THE THINGS YOU ARE ••• 18 ALONE TOGETHER ••••••••••• 19 ANA MARIA •••••••••••••••• 20 AND NOW, THE QUEEN •••••.• 22 AND ON THE THIRD DAY ••••• 23 ANGEL EYES .•••••.•••••••• 24 ANTHROPOLOGY ••.•••••••••• 25 APRIL IN PARIS •.••••••••• 26 APRIL JOY ..•••.•••••••••• 27 ARISE, HER EYES ....•••••• 28 ARMAGEDDON ..••.•••••••••• 30 AROUND AGAIN ••••••••••••• 22 AS TIME GOES By •••••••••• 31 AU PRIVAVE .•••••••••••••• 32 AUTUMN IN NEW YORK ••••••• 33 AUTUMN LEAVES •••••••••••• 36 . AY, ARRIBA: ..••••••.••••• 34 B
BALLET
.. ........... .... ..
BATTERIE ..••..••••••••••.
BEAUTIFUL LOVE •.•.••...•• ?EAUTY AND THE BLAST •.•.. EENEATH IT ALL ..••••••••.
37 38 39 40
41
...............
BESSIE'S BLUES BEWITCHED ••••••••••••••••••••
42 43
BIG NICK ••••.••••••••••••••••
44
BITTER SUITE IN THE OZONE •••• BLACK DIAMOND ••••••••••.••••• BLACK NARCISSUS •••••••••••••• BIACK NILE ••••••••••••••••••• BLACK ORPHEUS .•••••••••••••••• BLESSED RELIEF •••••••••••••••• BLUE BOSSA •••••••••••••••••••• BLUE COMEDY •••••••••••.••••••. BLUE IN GREEN •••••••••••••••• BLUE MONK .••••••••••••••••••• BLUE ROOM •••••••••••••••••••• BLUESETTE .••••••••••••••••••• BLUES FOR ALICE •••••••••••••• BLUE TRAIN ••••••••••••••••••• BODY AND SOUL •••••••••••••••• BOPLICITY •••••••••••••••••••. BOSTON MARATHON •••••••••••••• BRAINVILLE ••••••••••••••••••• BRIGHT SIZE LIFE ••••••••••••• BROADWAY BLUES •••••••••••••••
45
BROWNOUT •.•••••••••••••••••••
BUT BEAUTIFUL •••••••••••••••• BUTTERFLY .•.•••••••••••••••••
46 47 48
49 50
51
52 53 54 55 56
57 58
59 60 61 62 64 65
66 67 68
C
CANYON SONG •••••••••••••••••• CAPTAIN MARVEL •••••••••••••••
72
CEORA ••••••••••••••••••••••••
73
70
CENTRAL PARK WEST •••••••••••• 156 CHEGA DE SAUDADE ••••••••••••. 74 CHELSEA BELLS •••••••••••••••• 76 CHELSEA BRIDGE ••••••••••••••• 77 CHEROKEE ••••••••••••••••••••• 78 CHICKEN FEATHERS ••••••••••••• 79 CHILDREN'S SONG ••••••••••••.• 80 CHIPPIE . . . . . . . . . . . • . . . . . . . . . .
COLORS OF CHLOE ••.••••••••••. COME SUNDAY ••.•..•.•••••••••.
85 82 88
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COMO EN VIETNAM .•........... CON
A~
••••••••••••••••••••
CONCEPTION ........••.......• CONFERENCE OF ~HE BIRDS ....• CONFIRMATION •..•••••••.•.••. COR.AL ••••••••••••••••••••••• CORCOVADO
••••••••.••••••••••
COTTONTAIL •.•••.••.•.•••.••• COULD IT BE YOU .•••.•••.•.•• COUNTDOWN ..••..•••••••.••.••
COUNTRY ROADS ..•.•.•........
e RE SCENT
•....••.••.....•.•••
CRYSTAL SILENCE
86 89 90 91 92 93 94 95 96 97 98 99 100
D DAAHOUD
•••••••••••••••••••••
DANCING ON THE CEILING . DARN THAT DREAM . DAYS AND NIGHTS WAITING . DAYS OF WINE AND ROSES, THE . DAY WAVES •..••....•......... DEARLY BELOVED . DEAR OLD STOCKHOLM ..••...... DELORES . DELUGE .•.••••••..•.....•..••
DE POIS DE AMOR O'VAZIO ..... DESAFINADO ••..•............. DESERT AIR ....•.....•....... DEXTERITY . DJANGO . . . • • . • . • . . . . . . . . . . • . .
DOIN' THE PIG . DOLPHIN, THE . DOLPHIN DANCE .•............. DOMINO BISCUIT . DONNA LEE . DON'T BLAME ME . DON'T GET AROUND MUCH ANYMORE DUKE,
THE .••..•.•••.•...•••.
12-4 2-4/DUPLICITIES
101 102 103 104 105 106 107 108 109 116 110 112 114 117 120 118 121 122 123 124 125 126 127 128
E
.................
129 EASY LIVING EAS y TO LOVE •••.....•.•..•.. 130 ECCLUSIASTICS .•.•........... 13-1 EIDERDOWN ...•••••••••.•••••. 132 EIGHTY ONE ......•.•......••. 134
EL GAUCHO
. 135
ELI ZETE . . . . • • . . . . . . • . . . . . . . . . . 136 EMP ATHY
••••.•..••••••••••••.••• 137 EP I STROPHY .............•...... 138 EQUINOX .••••••..•••••••••••••• 139 EQUIPOISE .•.•......••.•....... 140 E.S.P . 141 EXERCISE #3 142 EXERCISE #6 143
................... ................... F
FABLES OF FAUBUS ...••••....... 144 FALL . . . . . . . . . . . . . . . . . . . . • . . . . .
146
FALLING GRACE ••...•.•.•..•.... FALLING IN LOVE WITH LOVE ..... FEE-FI-FO-FUM ...•..••..••..•.• FEELINGS AND THINGS FIELDS WE KNOW, THE FIVE HUNDRED MILES HIGH 502 BLUES .........•.••........
147 148 149 150 151 152 153
FLAGS . . . • . . . . . . . . . . • . . . . . . . . . . 156
FOLLOW YOUR HEART ...•..•...... FOOTPRINTS FOREST FLOWER .......••.••.•... FOR HEAVENS SAKE ••.•.••••...•. FORTUNE SMILES •.....•••.......
154 157 158 159 160
FOUR . • . . . . . . • . • • . . . • • • • • . . . . . .
161
FOUR ON SIX .......•...•..•...• FOUR WINDS ....•••.••.•..•..... FREDDIE THE FREELOADER FREEDOM JAZZ DANCE
162 163 164 165
G
GARY'S WALTZ ..........•....•.. 166 GEM 1 NI. . . • . . . . . . . . . . . . . . . . . . ..
167
GENERAL MOJO'S WELL LAID PLAN. GENTLE RAIN GIANT STEPS . . . . . . . • . . . . . . . . . . . GIRL FROM IPANEMA, THE GLORIA'S STEP GOD BLESS THE CHILD GOLDEN LADY .•..•......•....... GOODBYE PORKPIE HAT .•.•....... GOOD EVENING MR. AND MRS. AMERICA .....
168 169 170 171 172 173 174 175 176
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I Cont.
GRANO CENT~.L ....•...••••• GREEN DOL?fiIN STREET .•••.. GREEN M00N?AiNS ...•..•...• GROOVIN I RI:;H .•... ,....... GROW YOUR OWN .........••..
178 179 180 181 182
H
HALF NELSON ......•...••••• HASSAN'S DREAM •....•.••... HAVE YOU MET MISS JONES •.• HEAVEN .•..........•..•.•.• HELLO, YOUNG LOVERS .•••••• HENNINGER FLATS ..•..•••••. HERE'S THAT RAINY DAY •••••
184 185 186 187 188 190 191
HERZOG •••...•.••.•••••••••
192
HEY THERE ......•..•.•.•..• HOLD OUT YOUR HAND •••••••• HOTEL HELLO .......•••••••• HOTEL OVERTURE ••.••..••••• HOTEL VAMP ..•••.•.•••••••• HOUSE OF JADE ..•.••••••••• HOW HIGH THE MOON .•..•..•• HOW INSENSITIVE .•..••••••• HOW MY HEART SINGS .....•.• HULLO, BOLINAS ........•.••
194 195 19 8 196
197 201
202 203 204 205
INNER URGE •••••.•••••••••••• INSIDE IN .•••••..••••••••••• INTERPLAY •.•..••.•••••.••••• INTREPID FOX .•...•.•••.••••• IN YOUR OWN SWEET WAY ••••••• IN YOUR QUIET PLACE ••••••••• INVITATION •••••••••••••••••• I REMEMBER CLIFFORD •••..•••.
229 226 230 231 232 233 234 235
IRI S
236
1 SHOULD CARE ••..•.••.•••••• 237 ISN'T IT ROMANTIC •••••••.••• 238 ISOTOPE •••...•....•••..•.•.. 239 ISRAEL •••••••••••••••••••••• 24 O
IT DON'T MEAN A THING ••••••• 241 IT'S A RAGGY WALTZ •••••••••• 242 J
JELLY ROLL •••••••••••••••••• JINRIKISHA •••••••••••••••••• JORDU ••••••••••••••••••••••• JOURNEY TO RECIFE ••••••••••• JOY SPRING •••••••••••••••••• JU -JU JUMP MONK .•.•.•••••••••••••• JUNE 15th, 1967 ••••••••••••• JUST FRIENDS ••••••••••••••••
243 244 245
246 247 248
250 252 249
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1
L
I CAN'T GET STARTED
208
206 I COULD WRITE A BOOK ..••.• 209
IC.ARUS ••••••••••••••••••••
38 IDA LUPINO •.....•••••.•••• 210 ICTUS . . . . . . . . . . . . . . . . . . • . .
IF YOU NEVER COME TO ME ••• 1 GOT IT SAD .......•.•• 1 LET A SCSG (/) CliT OF MY HEART • I LOVE YOU •.•...•••••••••• I'LL REMEMBER APRIL ...•••• 1 1 M ALL SMILES ...••••••••• I MEAN YOU .•••••.••••••••• IMPRESSIONS .....•..•.•.•.• I'M YOUR PAL .............• IN A MELLOW TONE .•..•••..• IN A SENTIMENTAL MOOD •...• I NC HWO &"1 •••••••••••••••••• INDIAN LADY ........••..•••
iv
212 213 214
215 218 216 219
220 221
222 223 224 225
LADY BIRD ••••••••••••••••••• 256 LA FIESTA ••••••••••••••••••• 254 L.AMENT •••••••••••••••••••••• 257
LAS VEGAS TANGO ••••••••••••• LAZY BIRD •••..•••.•••.•••••• LEROY THE MAGICIAN •••••••••• LIE AWAKE ••••••••••••••••••• LIKE SOMEONE IN LOVE ••••••••• LIMEHOUSE BLUES •.••.••.••••• LITHA •••••••••••••••••••••••
LITTLE B'S POEM ••.•••.•••••• LITTLE NILES •.•••••••••••••• LITTLE WALTZ •.•.••••••.••••• LITURGY •••••••••••.••••••••• LONG AS YOU KNOW YOU'RE LIVING YOURS ••••• LONG AGO AND FAR AWAY ••.••••
258 259
260 261 262 263 264
266 267 270 268 271
272
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L Cont. [ 1
L
LONNIE'S LAMENT ••••••••••• LOOK TO THE SKY ••••••••••• LOOKING BACK •••••••••••••• LUCKY SOUTHERN ••••••••.••• LULLABY OF BIRDLAND ••••••• LUSH LIFE •••••••••••••••••
N Cont. 273 274 275 276 277 278
I M
I
MAGICIAN IN YOU, THE •••••• 280 MAIDEN VOYAGE ••••••••••••• 281 MAJOONG
I I
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J I I (
I I
•••••••••••••••••••
. ...... .. .......... . ..
NARDIS NEFERTITI •.••••••••••••••••• NEVER WILL I MARRY ..••...••• NICA' S DREAM .•.•••••••.•.•.. NIGHT AND DAY •.••••.•••••••• NIGHT DREAMER •••••••••••••.• NIGHT HAS A THOUSAND EYES ...
320 321 322 NIMBUS . . . . . . . . • • • . . • • • • . . . . . 323 NONSEQUENCE .....•.•........• 324 NOSTALGIA IN TIMES SQUARE ... 326
o
2e 6
MALLET MAN •.••••.••••••••• MAN IN THE GREEN SHIRT .••• MAY DANCE .•••••••••.•••.•• MEDITATION •.••.••••••••••• MEMORIES OF TOMORROW •.•••• MEMPHIS UNDERGROUND ••••••• MEVLEV lA •••••••••••••••••• MICHELLE ••••••••••.•...••• MIDNIGHT MOOD •.••.•••....•
282 284 287 288 ·289 305 29 O 29'2
MILANO .••••••••••••••••..•
294
293
OLEO •••...•..•••••••••••.••.
327
OLHOS DE GATO ••••.••••••••.. ONCE 1 LOVED .•..•••.••.••••• ONE FINGER SNAP ••••••••••••• ONE NOTE SAMBA .••••••••.•••• OPEN YOUR EYES, YOU CAN FLY •
328 329 330
ORBITS
...........••....•..••
MISTY . • . . . • . . . . . . . . • • . . • • . MIYAKO .••.••.•.•.••••••••.
296 297 MOLTEN GLASS .•••..•••••.•• 298 MOMENT'S NOTICE ••••.•••••• 299 MONTAGE •.•.••.•••••••••••• 3 OO
MR. P. e .
MY MY MY MY MY MY
93
3 02 303 304 305
FAVORITE THINGS .••••••• FOOLISH HEART •••••••••• FUNNY VALENTINE •••••• ~. LITTLE BOAT •••••••••••• ONE AND ONLY LOVE •..••• ROMANCE •••••••••••.•.••
MY SHIP
301
...••••••.••...•...
306 307 308
309 310 311
P
PASSION DANCE ••.•••••••••••• 337 ••••••••••••••••••••••• 340 PEACHES EN REGALIA •.•....•.. 338 PEARLIE'S SWINE ••.••.•••.••• 341 PEE WEE •••••••••••••.••••••• 342 PEGGY'S BLUE SKYLIGHT .•••••• 343 PENSATIVA •••.••••••••••.•••• 344 PENT-UP HOUSE •.••••••••.•••• 346 PERI'S SCOPE .•••••.••••••••• 347 PFRANCING (NO BLUES) •••••••• 348 PEACE
PINOCCHIO •••.••••.•••••••••• 349 PITHYCANTHROPUS ERECTUS .•.•• 350
PLAYED TWICE ..•.•..••.•••••. PORTSMOUTH FIGURATIONS •.•••• PRELUDE TO A KISS ••••••••••• PRINCE OF DARKNESS .•.••••••• PUSSY CAT DUES ..•.....••••••
351 352
353 354
355
314
Q
QUIET NOW
N
. . . . . ............ ... .
332 334
...... .... . ...
MYSTERIOUS TRAVELER ••••••• 312
NAIMA
331
ORNITHOLOGY ••••..••••••••••• 335 OUT OF NOWHERE 336
MINORITY .••.•••••••••••••• 295
MOOD INDIGO ••••.••.••••••• MOONCHILD ...••••.••••••••• MOON GERMS •..•••.••••••••• MORE I SEE YOU, THE ••••••• MOTHER OF THE DEAD MAN ••••
316 317 318 319
315
356
Ji S Cont.
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RAVEN, THE •••.•••••••.•••• 357 REAL GUITARIST, THE ••••••• 358 RECORDAME ••••••••••••••••• 359 RED CLAY .•••••.••••••••••• 362 REINCARNATIO~ OF A LOVEBIRD 360 RESOLUTION ••••••.•.•.••••• 363 'ROUND MIDNIGHT 364
...... ..... s
SAGA OF HARRISON CRABFEATHERS •••••••••• 365 SAME SH.AME •••••••••••••••• 366 SATIN DOLL ••••••••.••.•••• 367 SCOTCH 'N' SODA ••••••••••• 368 SCRAPPLE FROM THE APPLE ••• 369 SEA JOURNEY .•.••••••••••••• 370 SELF PORTRAIT IN 3 COLORS • 372 SEMBLENCE .••••.••••••••••• 373 S~R MOUSE ••••••••••••.•• 374 SERENADE TO A CUCKOO •••••• 377 SEVEN COME ELEVEN ••••.•••• 378 SEVEN STEPS TO HEAVEN ••••• 379 SRADES OF LIGHT ••••••••••• 380 SHADOW OF YOUR SMILE •••••• 381 SIDEWINDER •••••••••••••••. 382 SING ME SOFTLY OF THE BLUES 383 SKATING IN CENTRAL PARK ••• 384 SLOWLY GONE, BYGONE ••••••• 385
:(
STEPS ••••••••••••••••••••••• 409
~j'
STOLEN MOMENTS •••••••••••••• 410 STOMPIN' AT THE SAVOY ••••••• 411 STRAIGHT, NO CHASER ••••••••• 412
.......J
STUFF ••••••••••••••••••••••• 413 SUGAR •••••••••••••••••••••••
414
SUMMER SAMBA •••••••••••••••• SWEDISH PASTRY ••••••••••.••• SWEEPING UP .•••••••••••••••• SWEET GEORGIA BRIGHT •••••••• SWEET HENRY ••.•••••••••••••• SWEET RAIN ••••••••••••••••••
415 416 200 417 418 419
TAKE FIVE ••••••••••••••••••• 420
TAKE THE "A" TRAIN •••••••••• TAME THY PEN •••••••••••••••• TELL ME A BEDTIME STORY ••••• THE RE I S NO GREATER LOVE •••• THERE WILL NEVER BE ANOTHER YOU • THEY CAN'T TAKE THAT AWAY FROM ME ••• THINK ON ME ••••••••••••••••• THREE FLOWERS .•••••••••.•••• TIME REMEMBERED ••••••••••••• TONES FOR JOAN'S BONES •••••• TOUGH TALK .•.••••••••••••••• TRAIN SAMBA .•.••••.••••••••• TRANCE .•••.•.••.••••••••••••
421 422 424 423 426
SOLITUDE ..•.••.•••••••••.• SOMEDAY MY PRINCE WILL COME SOME OTHER T~ .••••••••.• SOME SKUNK FUNK ••••••.••.• SOMETIME AGO •••••••.••••••
387 388 389 390 392
SONG ••••••••••••••••••••••
393
U
SONG FOR MY FATHER •••••••• 394 SONG IS YOU, THE •••••••••• 395 SON OF MR. GREEN GENES •••• 396 SOPHISTICATED LADy •••••••• 397 SORCERER, THE ••••••••••••.. 398 SO WHAT •••.•••••••••.••••• 399 SPACE CIRCUS PART 1 ••••••• 400 " 11 " 2 ••..••• 402 SPEAK NO EVIL •••.••••••••. 404 SPlRAL DANCE .•••••••...••• 405 SPRING IS HERE ..••.••.••.. 406 STAR-CROSSED LOVERS ...••.. 407 STELLA BY STARLIGHT ••.•••. 408 vi
JI JI ilíJ
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427 428 429 432 430 433 434 435 TRISTE •••••••••••••••••••••• 436 TUNE -UP ••••••••••••••••••••• 437 TURN OUT THE STARS 438
SOIAR ••••••••••••••••••••• 386
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. .... .... .
UNQUITY ROAD •••.•••••••••••• 439 UP JUMPED SPRING •••••••••••• 440 UPPER MANHATTAN MEDICAL GROUP 441
v
....... ..... . ........
VASHKAR 442 VERY EARLY .•..•.•.••.•.••.•• 443 VI RGO ••••••••••••••••••••••• 444
I ,.
-.JS
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c.....)
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WAIT TILL 'lOU SEE HER ..•..... 445 WALKIN' •••••••••••••••••••••• 446
WINOOWS •••••••••••••••••••••••••• 466
WINGS OF
~ARMA
463
WALTER L.........•.......... 447
WITCH HUNT....................... 469
WALTZ •••••••••••••••••••••••• 448
WOOD'l IN
WALT'Z FOR A LOVEL'f WIFE 449 WALTZ FOR DERB'l ..••.......•.. 450
'fOU......................
470
y
WALT ZIN' • • • • • • • • • • • • • • • • • • • •• 4 51
WAVE .•........••...•......•.• WEILL BE TOGETHER AGAIN .•.•.. WELL 'lOU NEEDNIT .••..••...... WEST COAST BLUES............. WHAT AM 1 HERE FOR ...••....•. WHAT ARE 'fOU DOING THE REST .. OF 'lOUR LIFE WHAT IS THIS THING CALLED ...• LOVE. . . • •.
452
YES OR NO ••••••••••••••••••••••••
471
453 454 455 456
'lESTEjU)A'l. • • • • • • • • • . . . . . . • . • . . . .. 'lESTERDA'lS. • • . . • . • . . . • . . • . . • • . . .. 'lOU ARE THE SUNSHINE OF MY LIFE .. 'lOU ARE TOO BEAUTIFUL •••...•..... 'lOU DON 1.1 KNOW WHAT LOVE IS...... 'lOO TOOK ADVANTAGE OF ME .......•.
472
457
460 WHAT WAS..................... 458 WHEN 1 FALL IN LOVE 461 WHEN SUNN'l GETS BLUE 462 WHERE ARE 'lOU 463 WILD FLOWER 464
473
474 475 476 477
Untit1ed Tune •••••••••••••••••••• 478
"
"
"
... . ............. . . . . .
480
" ...................... 481
ADDITIONS ALFIE BLACK MONDA'f CONTEMPLATION THE DISGUISE, THE SPHINX KELO 1 1 M AFRAID
MR. JIN OLINOQUI VALLE'l PERFECT LOVE, JAMALA PLAIN JANE REFLECTIONS ROAD SONG VALSE HOT
1 2 3
4 5 6
7 ~
9
10
11 12 13
vii
-----------------------------------
---- -------------------------
C;ORREC"fJONS FOR REAL
::aval{
Nov. 16. 198&
F1FTH ED1T1CN
P\(,E :
TIllE
'1
()RRECTIQ~
.
~3.l:'S 2 Se 3, : c#o I J_6 \ cal:' 10, ~c07 (add J); bar 14, F7 last. ':'':':'.e ba:-s 1 &2, I E-7 Eb 7 I D_6
G7
1
3l:'d bal:' o~ bl:'idge, G- D7 3l:'d & ~t~ Dar of interlude,
2nd cal:' of lsr. ending, 10th bar cf
. ..,
B,
I D-7
G7 I
F#o7
li:1e 6 bars 3 & 4
!
C-7
A-7 !; bar 7,
D7b9 / /
l>J)7 G7 I
I
2nd bar
As ':" ~r:-.e ... 3y 33
;'.t.:tUmI"'.
in
~JY
2nd bar 1st er.ding,
I G-7
C7 I
bar 1 1-, 1 Ab ma j7 Db 7 I Eb 7 I Abmaj7 G7 b 9 bar 13 &14, 1 C-7 bar 25 through 28, I F-7 Bb 7#9 I C7 1 F-7 ! F-7 E-7 Eb_7 Ab 7 I Db rna j7 /1 I I I II I / I ~
I
~3
-~ 56
l>J)-7 II
3ewitched
car 2, & last bar line 5, last note is F#
Blue Bossa
bar 6,
Blue Room
bar 7, I F6 D-7 I bar 1,2,3 of bridge,
31~esette
(sarne for 3rd bar frorn end)
G7#9
i G-7 I C7 I B-7 b S
head should be repeated
1
E7 I
60
Boplicity
bar 2
67
But Beaut.
bar 3 2nd ending,
73
Ceora
11th bar of B, the 1st note, Gb, is a half note, not a dotted half
77
Chelsea Brdg.
2nd bar of last 8,
&
Line 2 bar 3
&
I D7
I G-7
C7 I
D7/C
I
.J
line 7 bar 2,
I --..!
Countdown
bar 3, beats 3 & 4,
101
Daahoua
no aouoie bar line at the end of line 5, last 4 bars on head and ending only, not during blowing choruses
103
Darn ... Dream
line 4 bar 4, I A-7
97
/
A7t9
D7 b 9
G-6 1//
112
Desafinado
all of line 6 is repeated
122
Dolphin Dance
last 7 bars, I O/E I C/E I O/E I C/E I I Db/Eb I ab/Eb I Db/Eb I D'-7 b S G7 b 9
129
Easy Living
last 2 bar s of bridge,
1 G-7 b S
C7 I G-7
C7
I --..!
130
Easy To Love
bar 6,
159
For Heavens S.
line 3 bar 3
161
Four
bar 3 & 4,
184
Half Nelson
last bar,
194
Hey There
209
1 ... Book
I
F7
1¡
&
bar 1, 1st ending, line 4 bar 1, I Eb_7
Invitation
Gb/Ab 1
¡ --..!
line 3 bar 3
&
4,
I Ft-7 b S
/ / 234
I A7 b S
B7 I E-7
//
2 bars before repeat, melody note is Eb, not F
...
235
l ... Clifford
240
Israel
bar 4, D7t9b 9¡ bars 6 through 9, I C9 I Fmaj7 I abmaj7 I E-7 b 9 I
241
It Don't Mean
last bar of bridge, melody note i5 Ft, not G
2
I
-.J
Joy Spring
2.ine 4 bar 1,
Bb_7
A7 ;;
~a..:-
6
&
30,
3
f~~~ oa.:- 14,
~4;' ~
-
:
.
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Just Friends
I B7 I
=.a ? :.esta E0 7
=..adybird
last 2 bars,
=..azyoird
2nd bar of bridge, ct not C natural 2nd bar of coda, I E7 0 9 I
L'Jsn Life
2.ast 2 bars,
~y
~1y
Foolish Ht. Rcmance
-.~ ':;
~
_..: ...
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f
Cmaj7
Db m.j7
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~.I
4th line bar s 2 through 4, i G-7 G-7/F I E-7 b S A9 I D-7
G7+
1st bar 2nd ending 4th beat, melody 1s Eb F 2nd last line, bar 4,
>1y Ship
': 94
6 oars from end,
--
\I.~
2nJ iase iine bar 2 beac 4, meloay
'Round Mid.
bar 6 & Last line bar 2, I Gbma j7 line 4 bar 3, I C-7 b S B7 I
50ng ... Father
1 st bar 2nd triplet,
e
is
e,
not B
Ab 7
natural, not Cb
4th bar from end, F not G ~97
Sophist. Lady
2nd bar of 1st ending,
1 AO
1;
1st bar 2nd ending,
melody is F Eb Ab, not G F Ab :99
• •1
So What
2nd & 3rd bar s from the end should be the s, the 2nd & 3rd bars of line 4
Sugar
line 3 bar 3,
:'here ... Love
lir.e 2 bar 3
I I
&
3
Gb 7 4,
C-7 I F7 I
.l.;
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...-,
426
... Another U
5 bars from end, 3 bars f:-om end,
427
They Can't .. Me
Bridge,
430
Tones ... Bones
bar 11, I Eb 7#9 1; p.430 2nd last bar IOb-ma j7 p.231 4th line bar 1 I E-7 F#-7 I
I A-7 D7 I I G7#9 C7 I ,
"-'
G-7
D7 I G-7
D7
G-7
A7+ I
last line,p. 431, E-7
F--7
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A7sus
Ebmaj7(-11 )
_~l@ J .; 3 2
T ime
436
Triste
bar la,
441
U.M.M.G.
line 4 bars 3 & 4, I F 0 7 I Fmaj7 I from line 6 bar 4 to end,
~emem.
I A-7 b S
D7 I
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D7 b 9 I
462
When ... Blue
1st ending,
476
You Don' t ...
pickup note, middle C (like last note of 1st ending)
477
You Took Adv.
bar 1, 2nd note is G, same for 8th bar from end
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