Involuntary Attraction Bombs Month 4

Involuntary Attraction Bombs Month 4

Month 4: Escalation Express Moves Revealed.. Damn man. Look at you. Here, with me, on Month 4 inside the MOD Inner Circle. Focused, dedicated, reading the info, studying the info, practicing the info, and best of all….seeing the results from the info. You know how’s proud? THIS GUY, here, writing to you And look where we are in your development. You know how to put together Attraction Express Moves, you know how they work, you know why they work…you have some serious power there. You know how to put together more deeper, connection-based Express Moves and have a simple, proven method to lead a conversation to a place where she can really open up to you and feel that deep sense of rapport and bond (and vice versa with her). And now we’ve come to the part of the interaction where you guys will really open up to each other. Or to put it better, where she can open up to you and you can fuck her brains out. Escalation Express Moves. Let’s begin. This process is going to take you 7 steps. As you remember, we finish up the Connection Express Move with the Question Game, which is always my favorite game to play to really get to know somebody’s truth and steez.

That’s where we start here. I’m going to run through a typical Escalation Express Move for you here, then break down exactly how it works and how you’ll be using it for yourself too. Me: OK, tough question for you….How good are you at dancing? Her: (her answer, probably qualifying herself as to how good at dancing she is, probably wants to know why I want to know) Me: There’s just something about it when a girl can really be sensual and seductive when she dances, it just really turns me on, I don’t know what it is. And its funny, most girls think they’re really good dancers but they suck. It’s rare to find a girl who can really control her body in that way but when I see it, its like I can’t help it…my panties get dripping wet. Her: Haha. Something about her being pretty good but not like amazing. Me: When I’m dancing sometimes, I just get in the zone and it’s like I lose myself during, I’m just so free and awesome and happy, I love it. What do you like most about dancing? Her: Some answer about how good it feels, how freeing it is, how much fun it is, etc etc etc. Me: That’s awesome, I could tell when you were just taking, there was a lot of passion behind it. So many people have none of that today… It’s actually kinda hot….you know what, that’s it, we’re dancing right now. (pull her up and lead her to slow dance with me, doesn’t matter where you are). Just one thing: I want your hands where I can see ‘em. Her: Haha, omg you’re crazy etc etc etc Me: (now we’re slow dancing, put her hands around neck and your hands around her waist) So you’re not terrible at dancing. I mean, you’re not great or anything but you’re OK. Her: haha you jerk blah blah Me: I have a question: Would you consider yourself a good kisser? Her: Yes Me: On a scale of 1-10, how would you rate yourself as a kisser? Her: whatever she says Me: Close your eyes. (if she doesn’t do it, say “I’m not gonna kiss you, just close em).” (With her eyes closed, brush some hair off her face, pause for a second or two, let the tension build for a second, then kiss her…..then slowly pull back first)

Is that the best you’ve got? (sly smirk) At this point, she’ll probably rush back in to prove to you she’s a better kisser than she just showed. Don’t let her kiss you right away, tease her for second, then kiss her again, pull back first again and say, “There…that’s much better.” Stare deep into her eyes, let the tension build, bring your lips close to hers again but don’t kiss her. Make her WANT it. Then, lean in to her ear slowly and whisper.. “You don’t even want to know what I’m thinking about doing to you right now.” Now here’s the key, DON’T tell her right away. Tease her. Make her beg. Make her plead. Tell her you don’t think she can handle it. Challenge her. Then, after maybe 30 or 60 seconds of that, tell her what you want to do to her. Future pace her. Describe what you want to do to her. Use all the senses at your disposal. Tell her how you want to take her somewhere hidden, where no one can find you two, so you can push her against the wall, wrap your arms around her waist, brush all the hair off her neck and bite deeply into her soft skin. Tell her you want to throw her over your shoulder like a caveman, carry her back to your cave, lay her down on your bed and go to work exploring every inch of her body. Tell her you want to rip her panties off and slowly slide your manhood deep into her as you interlace your fingers with her and lay kisses all over her body. Tell her you want to fuck her so hard your dick penetrates her heart and she falls over from cardiac arrest. Self-amuse with it And then, when you’re done telling her, you’re going to release the tension (which makes it increase even further) by blaming all of this sexual energy and desire ON HER. Look at her and say, “God, why are you putting these thoughts in my brain? You’re so bad. Why are you doing this to me? Fuck, I hate you so much….No, I hate you more etc etc” All of this obviously said with a subtle tone of playfulness as you physically stay connected with her, whether its dancing still, or having her on your lap, or having your fingers interlaced or just talking with your heads only inches apart. And THAT is how you escalate on your girl and make her DYING to fuck you. Here’s the process:

1. Question Game into discussing Dancing Ask her about her dancing, describe why you like a woman who can dance, state your standards for it and tell her that most girls think they’re awesome at it but actually suck. Women relate dancing to sex. So do men. So when you’re talking about this, not only are you implying that you’re someone who knows a thing or two about dancing (aka you know good sex) but you’re qualifying her on her ability, and somewhere deep down she’s realizing this. 2. Talk to her about the process of dancing and what it feels like for her (what she likes most about it, how it feels for her, about a time where she was going crazy on the dance floor, anything like that where she’s going to have to retrieve the experience and the EMOTION of it) There’s two types of conversations: Process vs Data. Data is when you’re just getting the data from her. The place she’s from, her age, what music she likes to dance to, the last time she went dancing….it’s all dancing, it’s all boring, it’s all data. Do NOT ask or talk about questions like this. Instead….ask PROCESS questions. This is where you discuss the process of the activity or memory, what she’s feeling during, what it reminds her of, what she likes most about it, how she knows its good, what she gets internally when she has that much fun dancing, etc. These are the questions that get you laid. So you see me ask her, “What do you like most about dancing yourself?” This is a PROCESS question. She has to go inside to figure out what she likes most about it. Remember to remember this. 3. Compliment her on how she answered the question, make a statement of intent and act on it (as in spontaneously wanting to lead her to dance) and then release. Next, you control the frame and compliment her on the WAY she answered the question (conveys how IN THE MOMENT you are) and then, as if you were inspired by the passion behind what she just said, you spontaneously want to make a move of intent. And to make the move smoother, you release at the same time, by saying something like, “Just one thing: I want your hands where I can see ‘em.”

This is where LEADING and being nonreactive come in handy. You know you want to lead her up into a socially unacceptable position (slow dancing somewhere, I do this on public sidewalks all the time, what a fucking experience for these girls) and you do it BOLDLY and with the blinders on. This means, even if she protests, your frame overcomes her and you led her up. A lot of times, if a girl protests here, I’ll just tell her, “No, we’re doing this right now. Get up.” and when they FEEL the strength of your frame…they’re in. 4. Push her away to create space for the question How good of a kisser would you say you are The is a money question to ask, qualifying her before the kiss, while also building up the tension. However, it’s definitely a “Pull” question and as you know, this game often comes down to being a master of PUSH and PULL. So before we “pull” her in with the question, we lightly push her away by commenting on her dancing (“you’re actually not that bad etc”). Then we ask her how good of a kisser she would say she is. Notice the wording I use, VERY IMPORTANT. Memorize that one f’sho. It’s not how good of a kisser you are, it’s how good of a kisser WOULD you say you are.. And then you always follow it up with, “On a scale of 1-10, how would you rate yourself as a kisser?” Don’t act impressed or unimpressed by her answer. Just stare her down like you’re considering something about her. 5. Tell her to close her eyes. If she protests, tell her you’re not gonna kiss her. This is a full blown lie, but t doesn’t matter because if she closes her eyes, she’s saying she wants you to kiss her. With her eyes closed, let the tension build for a couple seconds. When our eyes are closed, our sense of emotion is heightened dramatically so a couple drawn-out seconds here will go a long way in the rising sexual tension she’s feeling. Brush the hair off her face, put your hand behind her head/neck, you can even run your thumb down her bottom lip slowly if you want. If she tries to open her eyes too, just tell her “CLOSE EM.”

Slowly move in, and kiss her. Kiss her deep, and kiss her well. 6. Pull back FIRST, ask her is that all you’ve got and then let the tension build before whispering in her ear, “You don’t even wanna know what I’m thinking about doing to you right now.” Slowly pull back FIRST. This leaves her wanting more and more and more, and you the one LEADING the interaction. Then slyly ask her, “Is that all you’ve got?” This is beautiful, challenging game right now. She’s never been so turned on by someone she just kissed for the first time in her life. Then let the silence build the sexual tension. Just stare into her eyes, brush her hair off her face, slowly lean in like you’er going to kiss her, pause an inch away from her lips, hold it there, then slowly pull back away and move over to her ear and softly, deeply whisper, “You don’t even want to know what I’m thinking about doing to you right now.” 7. Make her EARN it, then future pace to her what you’re going to do to her before releasing and blaming it all on her. She’s dying to know what it is you’re thinking about doing to her right now. Think about how good of a position this puts you in: You’re directly insinuating to her you want to fuck her, and that you’re going to fuck her. Not only is she accepting this passive frame, but now she’s begging you to find out more about it. She’s DYING for you to tell her how nastily you’re going to pound her pussy into submission. Awesome. But you don’t tell her right away. You make her earn it for a second, and then…you go into pure seduction more, future pacing all the things your brain can think of.

To get better at this type of dirty talk, I recommend you check out Nancy Friday’s Secret Garden, all the books from Alan Roger Currie and some of the shit from my homeboy David Wygant. I’ve also got some stuff on this coming out soon. Now, if she’s WAY into it, you don’t have to release at all, you can just LEAD LEAD LEAD from there, take her on an adventure back to your house and fuck her. If she’s sort of into it but is the kind that really likes to be teased a little bit, do a Release and BLAME YOUR DESIRE FOR HER, ON HER by saying something like, “Making me feel this way, this is all your fault. You’re so bad.” Blaming it on her is probably the best escalation principles known to man right now (besides smacking her ass if you’re getting LMR) , and if there’s only one thing you’re going to remember from this article, let it be that (that blaming your desire for her on her is the shit, not the smacking ass part). Every step of the way, every escalation you make, every statement of intent…BLAME IT ON HER. She made you do it, she made you feel this way, she’s making you put your hands there and she’s the one who’s making you kiss her and even though you now have to, “you do’t have to like it”. You get the gist. And that’s it man. That is how you smoothly escalate on a girl and make her DYING to fuck you in a step-by-step process. I will again reiterate, you DO NOT have to do all this for every girl you fuck, nor will this work in every singe situation. But this process works more consistently, more fluently and with almost zero obstacles along the way than anything else you’ll EVER try. Learn it, internalize it, USE IT. I’m out. See you next week. -Jason