Inked - July 2016 PDF
October 4, 2022 | Author: Anonymous | Category: N/A
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HOT TATTOOED SUMMER GIRLS
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A M I N A B L U E TATU BABY LEAH JUNG JU NG REFEN DOE AMANDA CHU ALES AL ESANDRA ANDRA NICOLE NICOLE ASHLEEY MICHELL ASHL MICHELLE
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S o s ttaa rt r ts tthh e 1 9 7 2 d o c u m e n ta t a ry r y W a y s o f S e e i n g b y J o h n B e r g e r . T h e r e ’’ss p le l e n ty o f th iinn g s d r e a m o f: th e M e ts t s w in n in g th e W o r ld S e r iiee s , h a v inin g B u ff f fa lo lo s a u c e o n t a p in m y h o m e , s ttaa rrtt in g a t c e n ttee r fi e lldd fo r th e W o r lldd S e rriie s M e ttss s q u a d r o n , h a v inin g a s a n d w ic h o r a c o c k ta il il n a m e d a ft f t e r m e , th e M is fi t s g e t ttiin g b a c k ttoo g e t h e r ...R io t F e s t o r g a n iz e r s , a r e y o u r e a d in g m y d ia ia r y ? B u t c e r t a in in ly ly th th e m o s t w e lc lc o m e v is is io io n a m v isis it ite d b y o n a n ig h tly b a s iiss iinn v o lv e s t h e ffaa iirr e r s e x (a (a h e m , o n e g ir l in p a r ti tic u la r ). ) . W h e n w e s ttaa r te te d p la n n in in g th is is is s u e w e d id n ’t ’ t r e a lly h a v e a th e m e , p e r s e . T o lift t h e I n k e d c u r ta iinn , e a c h is s u e w e s h o o t a h o s t o f ta tt t to o e d g ir ls a n d t h e b e s t o ffe r iinn g s m a k e th e m a g a z iinn e — th iiss e n s u r e s th t h a t w e d o n ’’tt p r e s e n t la y o u t s to t o y o u th a t a rree n ’t b a n g in g . T h is m o n t h , a s t h e g ir ls ’ p ic t u r e s s t r e a m e d in , w e k e p t fa llllin g in lloo v e . T h u s llyy h e r e ’s o u r H o t T a tt t to o e d S u m m e r G ir ls s s u e . T h e e n c h a n tr e s s o n th e c o v e r is A m in a B lu e , th e g ir l w h o w e n t fr o m t h e s ttrr e e t s ttoo t h e r u n w a y ttoo w h e r e v e r s h e w a n ttss a s s h e ’s n o w th e t G ir l o f h iigg h fa f a s h io io n a n d u r b a n c u lt lt u r e . S h e s h o t w it h Z a v iiee r D e ’’AA n g e lloo ( 2 ) fo r u s . T h e is s u e r e a ll lly rree v s u p w it h A m a n d a C h u llee a d in g s o m e h o t la p s fo fo r R o b e rt r to C h a m o r rroo ’’ss ((77 ) c a m e rraa . R ic c a rrdd o D e lllla N in a ( 6 ) w a s a ls ls o p a rrtt o f t h e p r o b le m ( o f h a v inin g a g lu t o f b e a u t ifu l w o m e n p ic t o rriia ls ls ) , fr o m ta llyy h e s e n t in s t u n n iinn g s h o t s o f R e fe n D o e w h o is n o w a p p r e n t ic in g t o b e a ta t ttoo o a r ttiis t . A m o n g th e t a le le n te d a rt r t is ts t s w h o d e c k e d o u t S te ts t s o n h a t s in in th iiss m o n t h ’’ss a r t p r o jjee c t is A lly S o lloo m o n ( 3 ) w h o h a s a n a m a z in g e y e fo r d e s ig ig n A n d a m o n g M e g g s ’ ( 1 ) s o c ia ia l c o m m e n t a ry r y a r t w e a rree p r o u d to fe a tu r e h iiss “ A ll D iffe r e n t, t , A ll E q u a l,” t h e w o m a n ’s e y e s in i n th e p ie c e a re r e in c r e d ib ly e x p re r e s s iv iv e . s ti t ill d o n ’’tt h a v e a d r in k n a m e d a ft f te r m e , b u t h a d a p e r s o n a l d r e a m s h o o t b e c o m e r e a li lity w h iille p u ttttin g t o g e th t h e r t h iiss is s u e . T o h e lp y o u in v iiss iioo n w h a t t h e s c e n e w ill b e li lik e d u r iinn g t h e P u n k R o c k B o w lin g & M u s iicc F e s t iviv a ll,, th e p h e n o m a l p h o t o g r a p h e r M e l D . C o le ((55 ) a n d th r e w a p a r ty ty w it h ro r o c k e r c h ic k s a t o u r fa v o r ite lloo c a l d iv e , L u c k y 7 T a v e r n . J e s s ic a E p lin (8 ( 8 ) b r iinn g s y o u in to t o a n o t h e r c ra r a z y b a rr,, T a m p a ’s ’s C o y o te U g ly , to m e e t t h e s p ic y b a rrtte n d e r S a m m a n tthh a S n o w d e n . A n d it is th t h e v o lu p tu o u s A le s a n d r a N ic o le ( 4 ) w h o p la y s s e x y s e r v e r a t o u r I n k e d 4 th o f J u llyy B B Q fo r R e d , W h i t e a n d B o o z e . Y o u a r e in in v iitt e d to o u r c o o k o u t , t u r n tthh e p a g e a n d m e e t o u r t a tt t t o o e d d r e a m g ir ls .
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KILEY BROOK Tisha Cronister-Reed I wish I would have recorded you saying “I wil willm lm ake it so som m eday T ish, I pr promise. omise. And i f only to pr prove ove to m y m om that I am some body.” You al always ha have ve bee n some body, it’s just that now yo yourface urface is everywhere! So proud of you girly Yourslee ee ve is ge tt tting ing Oranoos Arian Yoursl coolerand cooler
M ic ich he Ahhhhhhhh!!!!
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you! Congrats, Beautiful you deserve eve ryt rything hing and m or oree
A R Smith P.S. Betterkeep your phone hooke d up to the char charge ge r cause its gonna blow blow up wi with th a alllthe AT TA G IRL S!
TWI STED M ETAL. “I’M ON THE COVER OF INKED MAGAZINE!” Kiley
Brook exclaimed on her Instagram account (@kileybrookthomas). “This is a dream of mine and I want to thank everyone at Inked for helping making this come true!” Tattoo artist Jayce Cogburn broke our hearts by writing to Kiley, “So I was at the grocery store earlier and got stopped by your grand parents. Your grand grandpa pa start started ed out by te telling lling me he isn’ isn’tt the biggest fan of tattoos, but after seeing all of mine, they decided they wanted to show me something. They pulled up this photo on their phone and started gushing about how happy they are for you. I just thought I would tell you that your grandparents are super cool people who are very proud of you!”
INKED STAGRAM: STAGRAM: HASHTAG HASHTAG YOUR SELFIE #INKEDMAG
@ ELP PO ORTER
SHANE MCMAHON (GUY ON LEFT) Josh Haha, that’s where you work out? Go gure
NIKKI NICHOLE Scott Young I’ve always said that I’d never get m arr arried again...wel again...wellfuckity lfuckity fuck fuck fuck it, what’s yourring size and preferred cut?
TAT TA TTOO OF THE M ON TH
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W h i le m o s t o f u s w a i t w it h b a t e d b r e a t h f o r t h e d o g d a y s o f s u m m e r t o ki c k i n , A s h l e y M i c h e l l e i s a l r e a d y t h e r e . Ev e r y d a y is a d o g d a y f o r t h is a n im a l lo ve r, m o d e l, fi t n e s s fr e a k a n d p o o c h m o m , a l o n g w i t h h e r b e s t f r i e n d a n d m u s e , K a i n . “W e a r e b a s i c a l l y t h e s a m e p e r s o n ,” A s h l e y e x p l a i n s , “ b u t h e ’ s a d o g ! W e a r e b o t h m o o d y , e m o t io n a l a n d n e e d y ,a n d n o m a t te r h o w m u c h w e m a k e e a c h o t h e r m a d a l w a y s g e t p u p p y c u d d l e s !” !” t s h o u ld c o m e a s n o s u r p r is e t h a t h e r lo v e f o r h e r c a n in e c o h o r t w o u ld in e vit a b ly o ve r la p a n o t h e r p a s s io n o f M is s M ic h e lle ’s , h e r t a t t o o s . “M y d o g i s a h u g e p a r t o f m y w o r l d a n d m y s u p p o r t s y s t e m . H e ’s m y b e s t f r ie n d a n d w a n t e d a w a y fo r h i m t o a l w a y s b e w i t h m e . t ’s a r e m i n d e r t h a t a l w a y s h a v e m y b e s t f r i e n d b y m y s i d e .” As h l e y ’ s p a s s i o n d o e s n ’ t e n d w i t h h e r p u p . H e r t a t t o o s c o m m u n i c a t e a n e xp a n s i v e a p p r e c i a t i o n f o r t h e f u r r y t h i n g s i n l i f e , a s s h e t e l l s u s : “T h e s i g n i fi c a n c e o f t h e l i o n i s t h a t a m a L e o t h r o u g h a n d t h r o u g h , a n d i t h a s jjuu s t b e e n a r e o c c u r r i n g s y m b o l in m y lif e . T h e t w o p a w p r in t s c o m m e m o r a t e m y t w o g ir l d o g s t h a t h a ve p a s s e d . T h e r a b b it is a Fr id a y t h e 1 3 t h t a t to o . H is f e e t a r e c h o p p e d o f f a n d n a m e d h im B e n vo l io .” T h e m a jo r i t y o f i n k e d - p f o l k s j u s t g e t t o l o o k a t t h e i r t a t t o o s , b u t A s h l e y g e t s t o l i v e w i t h h e r s , t a ke i t f o r w a l ks a n d l o n g d r ive s , a n d b o o p it o n t h e n o s e . S h e t o o k w h a t w a s in h e r h e a r t a n d c h o s e t o w e a r it o n h e r s le e ve w h ile m a n a g in g to le a v e r o o m f o r w h a t e v e r m ig h t in s p ir e h e r d o w n t h e r o a d . “ ’m a b s o l u t e l y p la n n i n g o n g e t t in g m y o t h e r a r m t a t to o e d . w a n t a ll c o lo r ! ’m t h i n k i n g a b o u t d o i n g a r a i n b o w u n i c o r n ! ” — N ic k F ie rr r ro
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MOVING IMAGES T he m ov ovee m e nt in th thee ar artw twor ork k of M e ggs is a societal call to action. f a p ie c e o f a r t e n te rta in s y o u , th e c re a t o r h a s ffuu lfi lllle d h is o r h e r ro le a s a n a r ttiis t . f a p ie c e o f a r t m a k e s y o u th in k , th e c re a t o r h a s ffuu lfi lllle d h is o r h e r ro le a s a n a r ttiis tt.. f a p ie c e o f a r t e n te r ttaa iinn s y o u , m o v e s y o u to th iinn k a n d in s p ire s y o u , th e c r e a t o r h a s tra n s c e n d e d th e title o f a rt r tis t a n d h a s b e c o m e a s te w a rrdd o f m a n k iinn d . D a v idid “ M e g g s ” H o o k e is a n A u s t rara lliia n a rrttis tt,, c u rre n tly b a s e d in L A , w h o s e a rrtt fe e d s tthh e s o u l o f s o c ie ty . W h e th e r h e is w o r k iinn g o n a p ie c e o f s ttrre e t a rrtt o r fi n e a rrtt, h iiss iimm a g e s a rree e m in e n ttlly m o v in g . M e g g s ’ p a in in t e rrlly s t y llee in c o rp o ra ttee s in c re d ib le le t ttee r iinn g , re a lis m a n d a m o rp h o u s fl o w in g s h a p e s , o r a s h e p u t s iitt, “ ffoo rm a n d a b s ttrra c tio n ..”” H is s u b je c t m a tttte r a lmlm o s t a llww a y s c o n t a inin s a m e s s a g e o n p o p c u ltu rree , e n v iirro n m e n t o r s o c iiee ttyy , u s iinn g th e fe e lin g o f m o ttiio n to p ro v o k e e m o ti t io n . T h e p ie c e t o tthh e le le ft w a s c re a t e d fo r th e M a n ife s t J u s t icic e e x h iibb itio n a s p a r t o f th e A rt fo r A m n e s ty inin itia t iivv e . T h e m ix e d m e d ia o n w o o d e n t iittle d “A ll D iffe re n t, A ll E q u a ll”” is c h illin g a n d e m p o w e ri rin g . O n th t h e n e x t p a g e y o u ’’lll s e e “ R is iinn g U p , B a c k o n th e S tre e t,” (d a m n , n o w “ E y e o f th e T ig e r ” is s t u c k in m y h e a d , a n d a llss o y o u r s ) a v e rs iioo n o f w h iicc h a d o rn s a ffoo u r --ss ttoo ry b u iilld in g in D e t rroo it. “ t w a s c re a te d a s m y h o m a g e a n d d ire c t re ffee r e n c e to th e c iitty o f D e t rroo it,” M e g g s s a id . “ T h e tig e r , n a m e s a k e o f th e D e t rroo it T ig e r s b a s e b a llll te a m fo r o v e r a c e n tu r yy,, is a s y m b o l th a t D e t rroo ite r s rree la la te t e to a n d fe e l p ro u d o w n e rs h ip o f. t w a s b o rn fro m th e c iitty ’’ss p a s t g lo ry a n d s u rv iviv e d th r o u g h its u n ffoo rtu n a ttee lo s s e s . T h e p o w e r o f a tig e r a n d its re llaa ttiio n s h iipp w ith D e tr t ro it it n o w re p re s e n ts t s a c o n ttiin u in g s y m b o l o f te n a c ity a n d h o p e fo r a n e w e r a o f p o s itiv e c h a n g e a n d re - g rroo w th .” .” H e is a m a n w ith a s in in c e rree u n d e rrss ttaa n d in g o f p la c e m e n tt.. T h e la la s t p ie c e w e a re b le s s e d to b e a m o u t th rroo u g h o u r p a g e s iiss “ R is e & F a ll,” th e s iigg n a tu r e p ie c e o f h is is s o lo e x h ib it in L o n d o n th a t to u c h e d u p o n a u n iv e r s a l tru t h s . “ T h ro u g h a llll o f th e m a n u ffaa c tu t u ri r in g a n d c o n s u m e rriis m , w e h a v e m o v e d a w a y ffrro m m o rree g e n u in e , s iimm p llee iidd e a ls ls s u c h a s c o m m u n ity … a n d p e r h a p s tthh iinn g s tthh a t a rree b e tttte r fo r u s ,”,” h e e x p la iinn e d . “ Y o u b e g in to re a liz e tthh e d is c o n t iinn u ity o f c e rta iinn c h iilld h o o d id e a lis m s w h e n y o u b e c o m e a n a d u lltt.” O fte n s e e a p ie c e o f a rrtt a n d w a n t to o w n iitt— p u t it u p in m y o fffifi c e to e n jjoo y . B u t w ith M e g g s ’ p ie c e s , d o n ’t ’t w a n t to jjuu s t lo o k a t it, w a n t to m a k e s u r e thth a t e v e ry b o d y s e e s h is m e s s a g e . ’d’d e v e n c o n s iidd e r a M e g g s ttaa tttto o b u t h e p u t th e k ib ib o s h o n th e m d u e ttoo h is rree v e r e n c e fo f o r tthh e m e d iu m . “ g e t p e o p le a s k iinn g fo r m e ttoo d e s iigg n ttaa ttss ffoo r th e m , b u t d o n ’t th iinn k m y o wo oarrt. k .”w o u ld ld tra n s llaa t e iinn to a ta t ttoo o ,” h e t o ldld H iFr tos e “ d o n ’t like g ra f ta tto o s: ltihk ae t tatto tatt rt f y o u a re r e n ’t ’t lu c k y e n o u g h ttoo liv e iinn a to w n h e h a s a d o rrnn e d , w e c o m p e l y o u to c h e c k o u t Ro b e r t C or m ik h is is p o w e rf r fu l p ie c e s a t h o u s e o ffmm e g g s ..cc o m . — Rob
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THE RIGHT KIN KI NDOF WRONG: SAM M ANTHASNO NOWDEN AT COYOTEU E UGLY
IS THE BAR TATT TATTOO-FRI OO-FRI E ND LY LY? ?
M ost de fin finiite ly !A llof m y barte nde rs and m y boss bossee s have tattoos tattoos. . WHAT’S YOU R FAVO RI TE TATTOO?
C an I j u st say m y e ntire le ft sl e e ve ? I re ally love it.It’s j u st a c olle c tion of ne ot otr rad adiitionalartw ork tha thatt m y artist P e te Tay lorand I cam e u p w ith.It’s fuu llof colorand bol f d line s. HOW WOULD YOU DESCRIBE THE BAR TO TO SOME BODY WHO WHO HAS NE VER BE E N T0 COYOTE COYOTE UGLY?
ItIt’ ’s a saloo oonn-sty le barw ith a “ le t’s fu ck fu ckiin' n'pp arty ” vibe . ve ry C oy ote U g ly is a l ittle di difffe re nt.You m ay g e t w e t, y ou m ay g e t sp anke d or ory ou m ay lose y ou rbra, a,bu bu t y ou w illg e t dru nk and an d y ou w illg e t u g ly ! IS IT LIKE THE MOVIE?
It’s j u st l ike the m ovie !B !Buu t w e like to m e ntion that that the the bar barcam cam e first and the m ovie de fini nite te ly di did du sj u stice . SO YOU DANCE ON THE BAR...
O f cou rse !A s l ongg as the bar on is op e n,the re ’s g irls on the th e bar .W he th thee rit be th thee C oy ot otee s the m se lve s orallof the fe m ale cu sto tomm e rs— th thee y g e t on on th thee ba bar rw ith u s!W e do al lthe chor e og rap he d dance dan ce s,as se e n in in the the m ovie , and w e fre e sty le to othe othe rso song ng s w he ne ve rw e w ant ant. .A s w e llas sing ing and bar b arte ndi nding ng allat the sam e tim e ! s r e f f e J n a s u S y b o o h P
WHAT OTHER CRAZINESS GOES DOWN THERE?
A littl e bi bitt of any thi thing ng and e ve ry thi thing ng . W e cu ss ss, ,y e ll,danc dancee ,si sing ng ,drinka nkand nd p arty !W e ’ve g ot p ooltabl e s,be e r p ong tab tabl les, s,co cor rnhole ,darts, ts,othe othe r g am e s.W e barte nde rs w illfu ck w ith y ou and w e ’llbe y ou rfavorite barte nde rallat the the sam e ti timm e .
22 | INKEDMAG.COM
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a c o ve r- p g o t w h e n w a s y o u n g e r — a n d ju s t w e n t f r o m t h e r e . M y f a v o r i t e m o v i e i s T h e L ittle M e r m a iidd a n d d e c i d e d w a n t e d t o g o w i t h a n ““uu n d e r th e s e a ”th e m e . w a s o b s e s s e d w ith t h e m o v ie a n d e ve n w a n t e d t o c h a n g e m y n a m e t o Ar i e l . D o you feellike thati hat is your yourm m ostval ost valuable
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t w o y e a r s f o r t h e b a c k. ’ m a s h a m e d t o a d m it it , b u t c a n o n ly s it fo r t w o - r t h r e e h o u r s a t t h e m o s t ! ’d s a y h a n d le d t h e p a i n p r e t t y w e ll, b u t a f te r w a s o ve r it , w a s c o m p le t e ly o ve r it u n t il t h e n e xt s e s s i o n . B u t m y t a t t o o a r t i s t B o M c C o n a g h i e a l w a y s h a d s t o r ie s t o s h a r e t h a t h e l p e d t a ke m y m i n d o f f t h e p a i n a n d m a ke i t g o b y f a s t . S peaking ofgoi ofgoing fast,w hatki hat kind ofdri ofdrivera verar re you? y f r i e n d s w o u l d s a y d r i v e l i ke a g r a n d m a . B u t g u e s s it d e p e n d s o n
w h a t ki n d o f d a y ’ m h a v i n g . m e a n , t h in k w e a ll c a n h a v e a lit t le r o a d r a g e a t t im e s r ig h t ? W hatw hatwas asy yourfirstca stcar r? M y fi r s t c a r w a s a b r ig h t g r e e n ‘ 8 C h e v y C a v a lie r ! t w a s a g o o d c a r ... u n t il t o t a le d it s h o r tly a f te r g e t t in g m y lic e n s e .
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A MI Clubwe wea arb rbi ikinitop,AM I denim overalls JULY 2 01 6 | 3
D O O M E D nyc nyccust custom vest,L evidenim shorts,A M I Cl Clubwear ubwearsand sandals,B s,Bet etsey seyJJ ohnson ongol gold bracelet
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P 7 5 5
Aut okinet ic Literankh Pendant 57.75
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Black R osif sifix ix
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The Shadow Of Zennor N ecklace 78.75 E 3 7 3
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An kh Of Osiris Stud E arrings (Pair) 21.00
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Vil la Di odati N ecklace 52.50
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Black Swan W rist Strap 63.00
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The St Peter Peter sburg Tear C hoker 68.25
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B R IM M IN G W IT H S T Y L E M u c h l i ke a n A m e r i c a n T r a d i t i o n a l t a t t o o , a S c u l t u r e . T h e h a t m a ke r i s a p a t r o n o f t h e a r t s P r o je c t u s i n g S t e t s o n h a t s . W e s e n t S t e t s o n a n d r e ve r e d s t re e t a r tis t s , t h e n t h e y r e t u r n e d t a t to o , e a c h h a t o n t h e fo llo w in g p a g e s is a o y o u n g c r e a t i v e s ! P i c k u p y o u r n e xt c a n v a s o n Photosby Michael M ichael Kraus Kraus
t e t s o n h a t e m b o d ie s t h e a u t h e n t ic s p ir it in w h i c h i s w h y t h e y a s ke d I n k e d t o c u r a t e a ’s O p e n R o a d Fe lt W e s t e r n H a t s t o in c r e d w i t h t h e i r r e m a r ka b l e h a t s i n h a n d . A ki n t o n e - f - n e o r ig in a l w o r k o f s t a g g e r in g a r t . s te ts o n .c o m a n d c o w b o y u p .
h e r e n t in o u r H a n d m a d e Ar t ib le t a t t o o e r s a c u s to m G o W e s t,
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WHO YOU GONNA CALL? T y p e “G h o s t b u s t e r s 3 ”in G o o g le a n d y o u ’ l l fi n t h e l a s t t w o d e c a d e s t e a s i n g a s e q u e l . D a n Ay o f t h e t a l k, a l w a y s p r o m i s i n g a t h i r d fi l m b u t n e o m e o f “d e v e l o p m e n t h e l l . ” W e l l , t h e u n f o r t u n a s e e m e d t o c r u s h w h a t e v e r h o p e s w e h a d le f t .
d c o u n t le s s a r tic le s f r o m krk r o y d s p e a r h e a d e d m o s t v e r d e l i v e r i n g —i t ’ s t h e e p i t t e d e a t h o f H a r o ld R a m is N o w , P a u l F e i g (S p y ,
r id e s m a id id s ) b r i n g s u s t h i s K r is t e n W iig , M e lis s a M c C a t h e y c r e a t e t h e s a m e m a g ic o r ig in a l c a s t is r u m o r e d t o c t o , b u t h o p e f u lly it ’s n o t t h e
a ll-e m a le r e b o o t o f t h e f r a n c h is e s t a r r in g r t h y , K a t e M c K in n o n a n d Le s l ie J o n e s . C a n a s t h e o r i g i n a l ? W e ’ r e s ke p t i c a l . M o s t o f t h e a m e o . At l e a s t t h a t ’ s o n e t h i n g t o l o o k f o r w a r d o n l y h i g h l i g h t o f t h e m o v i e . — G il M a c iaia s
ONE PIT TO RULE THEM ALL
TH THR RILLING MACHINE
S o y o u r n e ig h b o r s h a ve a fi r e p it . T h e y o n e - p p e d y o u o n C h r is t m a s l i g h t s a n d t h e y m a s t e r e d a n e n via b le c h o c o l a t e c a ke r e c i p e . S o le t ’s t u r n u p t h e h e a t o n t h e c o m p e t it io n . B e h o l d : a m e n a c in g fi r e p it b y m a g in e M e t a l A r t ( m a g i n e m e t a l a r t . c o m ). B a s e d in C a n a d a ( a y b e n o t
“ L i v e e v e r y w e e k l i ke i t ’ s ‘ h a r k W e e k. ’ ” S e a b r e a c h e r s i m u l a t e s t h e e xp e r i e n c e o f b e i n g a f u c k i n g s h a r k! k! T h e y c r e a te c u s to m d ive b o a t s , a v a ila b le i n b o d y s t y le s s u c h a s D o lp h i n , S h a r k a n d K i lle r W h a le . Ea c h b e a s t c o m e s e q u ip p e d w it h 2 6 0 h p e n g in e c a p a b ilit ie s ,
o u r n o r in c th e h o n
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INDEPENDENCE DAY: RESURGENCE D i r e c t o r R o l a n d E m m e r i c h (In d e p e n d e n c e D a y , T h e D a y A fte r T o m o rrrro w ), t h e g u y o t h e r t h a n M i c h a e l B a y w h o l i ke s t o b l o w s h i t u p , i s b a c k t o b lo w m o r e s h it u p in t h e lo n g - w a it e d s e q u e l t o t h e m e g a h i t t h a t r o c ke d t h e 4 t h o f J u l y o f o u r y o u t h . S e t e xa c t l y 2 0 y e a r s l a t e r , t h e
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ra e l i i e n n f o i rn c v e a m d e e r n s t s w , e b un t a lr u r oc wk y l y f o d r e u f e s ,a t m e ad n h ka i n v de s h e a n s t u t i l i ze d s o m e o f t h e a l i e n t e c h n o l o g y l e f t o v e r f r o m t h e fi r s t in v a s i o n w h e r e Am e r ic a s a v e d t h e w o r ldl d . B i l l P u l l m a n , J e f f G o l d b l u m , a n d V i v i c a F o x r e p r i s e t h e i r r o l e s f r o m t h e o r ig i n a l . N o R a n d y Q u a i d , o b v i o u s l y . — G .M .
P R I C E D R O P ORDE R N OW F or m ore ore in form orm ati ation p le ase contact your local local distr distribu tor
M A D E IN IN G E R M A N Y c h e ye n n e ta tttto o c o m
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tw o b elo ved villains ns— — w ho aream utantrhino an d w artho g — m ake ake the irb ig -scree nd eb ut. T he yo d d ly ne versho sh o w ed up inthe‘9 0 seram o vies.W hiletheTur Tu rtlesan d S hred d er’sfo rcesd uke ukeito ut,an eve n b ig g erthreatarrives… ve s… K rang !Inthecarto o ns,hew asad ise m b o d ied alienb raininsid eo fagiantro b ot. S ow e’recurio usastohow he’llb erealize zed d inthem o vie.M eg an F o xreturnsasA p rilO ’N eill. S tep henA m elljo insthecas ast tas as C asey as eyJon es.N oV an illa IceinthisT M N Tse q uel.
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GOOD CHARLOTTE C hange nges” s” “Life Cha This song kicks off the Madden Bros’newof ros’newofffering ering and will get thingshopping. DIE ANTWOORD (FT GOD) “BUM BUM” Obviously it is quirk quirky, y, obviously it it is is fantast fantastic. ic.
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ter eroc cu p ied b yasusp sus p iciou s,hu skym anna nam m ed H ow ard (p layed aye d b yJohn Joh nG o o d m an an infull-oncreep cree p m o d e).H e claim stha hat the he res escu cu ed he rfro m the w rec kag em o m en ts b efo reaninva vasi sio nofso m eso rtthathaslefttheatm o -
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sp hereto xic.Isheakid nap p ing liar? ar? M entallyinsa san ne? T hism ys yst tery-thrillerd elive ver rssu sp ense se an d tensio nin sp ad es— an d w henitreac hesab o iling p o int,b o y,d o esit g etintense .Inthevei ve ino fclassicS p ielb ergm oviesw itha to ucho f
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FILTER “Crazy Eyes” Richard Pat Patririck ck harkensback to to his roots with it h heavy industrial sound and heavier guitars.
G .M .
^ KREWELLA X DISKORD “Beggars” The perf erfect song to put onwhen the part partyy gets weir weird. d.
Also the perf perfect ect song to play tto o get the t he party art y weird. ird. BJ THE CHICAGO KID (FT KENDRICK LAMAR] “The New Cupid” Do you want to get amorous? Thi This s is how howyou you get amorous. LIGHTS “Meteorites” By nowyouar are e curled upnext tto o the other sex. This will help keep things things going.
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b attle eld ,g aining sup su p er-hum -hu m an an p ow ers.P ret-
It’satanning interven rventio n!F un!M ayb ealittlenud g e
tyb ad ass as srig ht? T hisisp ro b ab lyw hatS w iss ss
w ithyou yo urg irl fri end w illb ehelp ful.M ayb eitw illb ack re
d e sig ne rsB o lling er& M ab illardhad inm ind
and sh ew illb ep isse ss ed .Id o n’tkn ow .
d uring theco nstructio nofthew o rld ’slarge arg e st (2 2 3 feet)and fastest stest(7 5 m p h)ro llerco aster, no w op en en atthe he m ec ca ca ofco asters,C ed ar ar P o int. T hethri llri d eshatterstheairand 10
L a s t w e e k m y ro ro o m m a t e a n d h e r b o y ffr ri e n d a s k e d m e i f I would woul d have a threesom e with them . I’m really eally cur curious, ious, but do you think it could ruin ruin a friendshi p?
— e s s icic a
w o rl d rec o rd rdsi sinto tality.Itfeelsl ike ke yo uare
A sk skyou yo urse lf,ifIsaw sa w m yro o m m ate’svag vag inaw o uld it
rid ing ina g hterp lanew iththew ind sh ield
b eaw kw ardafter?W hat ha tab o uthe rb oyf oy frien d ’sp en is? s?
b low no ff.—
W hat ha tab o utw atch ing the m b otho rg asm as m asI’m inthe
C ather i neL ago a
fro ntseat se atnake d ? Ifallthe se se q uesti o nsso und “A -O K ” toyou yo uthenhaveat aveather!T heo nlyd o w nsid etothe se situatio nstend stob ejealo usy,so ifyou yo uthinkyou yo ur ro o m m atew illend up trau m ati zed b ythefac tthat ha tshe sh e sh ared ared herp artnerw ithyou yo u,thenp erhap skee ke ep itin you rp ant an ts.
I’m 1 9 and stil stilll a vir virgin. gin. I ’m scared to tell anyone if the the chance com es up . Should I ttell ell them or just pretend I’ m not a virgin?
— a ssoo n
I’ve vealw ays ays fo und itend earing tohearo fam an ’s
LA GHNOW , DIELATER R em em b ertha hat ttim einc o lleg ew he n you yousto letheM ilw au kee’ ke e’sB e stneo n
virgi rginity.H ow sexyisitfo rhertob eab letoteachyo u thing s?Tokno w you you have have no othe other rw o m an an toco m p are hertoinb ed ?
M y boyfriend boyfriend wan ts to to get a m atching tatt tattoo oo with m e. I think its cute but I’m not sur suree if it’s a good idea. W ould ould you ge t a m atching tattoo with your partner?
— M e llaa n iiee
sig nfro m you yo urlo c alliq uo rstore? store? G as
D und und unnnn unnnn. .T here’sasu p erstitio nb ehind g et-
lig htsha have veco m ealo ng w ay.C he ck ck
ting m atching tatto o sw ithal o ver ve r.T heysay sa yitw illm ake ke
o utthisaw es eso o m ep iec eb ytub e-an d
suretherelati o nship w o n’tlast.Id o n’tb elieve ve inthat
m ind -bend -be nd erM ikeH eist(ne o nd ist.
b lack-ca k-c atstuf stuffp erson rso nally,b utIalso tho ug htm y7 th
co m )o uto fP o rtland .
g rad eb o yfrien d w o uld b em yhu sb an d o ne d ay.H eh .
46 | I NKEDMAG. COM
46 I NKEDMAG. COM
E G A M O H
| D E K N I
IN
M A S T E R ’S T AT U BABY R O M AN T I CI Z E S T H E O .G . R I DE - O R - DI E CO U P L E .
phot ph otos by
LEG A CYPH O TO G RA PH Y
featuring
TA TUBA B Y CA RLKING
Hai iran and d Make Makeup up by Aaron R Escob scobar ar;Gu Guns ns by by Gorilla Cust Custom s; s;Ca Car rfrom Florida Hot HotRo Rods ds Ha
48 | INKEDMAG. NKEDMAG.C COM
JU LY 2016 | 49
50 | I N K E D M A G C O M
JU LY 2016 | 51
52 | I N K E D M A G C O M
E R U T A E
| D E K N I
DM AG CO M 54 | IN K E DM
s s h i i ' p SS h p ' p i ' h s - a a - -a a - R c k c i k k i RR o ocki ock i n n ' ' n o o c ' F logging M ol olly ly sails sails the Atl A tlantic antic with thei their r fav favor orite ite bands and a crew of lovabl lovablee dr drunken unken pir pi rates BY J O N CO CO E N
| P H O T O S BY BY R IC I CH J O H N S O N
JU LY20 2016 16 | 5 5
O na nyc ruisesh se sh ip th atle avesa ave sanyp nyp o rt, th e reisam an d atorylife b o atd rill.E ac h p a s-
B utthisw as asaf afardi ardifferent eren tvoyag vo yag e.A nd c o rrallin g th isc ro w d ,w h o h ad b e e n d rin kin g
ever eve ryon etothe othe S ailA w ayP arty.Th en ,as N orw eg ianC ruiseLine’sS kycruised pa st
seng se ng er erha ha stob ea eacc cc o un ted fo rtos atisfy
fo r veho ursan d w asalrea d yha lf-m utino us us
the sout so uthe he rnp o intofK eyB isc ayne ,Frank
sa saf fetyreg ulati atio ns .T ha tg o e sfo re even ven the
w h ile stilltie d o ff,w o u ld b en o sim p leta sk .
Turne Turne rco m m and ee red them hem ic.
S altyD og C ruise, the rauc ous three-day hree-day flo atin g p u n kro c kth ro w d o w nth atsa ilsfro m
T he ship ’s stew ar ard d s— tall, d isting uishe d N o rse sem m e ninp res se d w hitesai esa iling suits—
“Lad “La d ies es an d g e ntl em e n,”the E ng lish sh p un k fo lksing erd ec lared ,“W “W eareon afuc king
M iam ito th eB ah am as as o nS t.P atrick ck’ ’sD ay,
b eg antoc ajolethem asse s.Th eyhe rd ed
b oa t!” T he assem ass em b led m is ts raised se d their
ho sted b yC elticro cke rsF lo g g ing M o lly.
m oh aw ksan d g ree n fed oras,p in-up g irls
g lass e sw itharo arlike ke th e se a .
T h ed rillitsel tse lfissim p lee n o u g h .B u tke e p in
an dskinh ea d s,ch ub b yw eird o sinS p ee d o s,
A nchorsA w eigh… .
m in d th atth isisn o sim p lec ru ise .A n d th e se
an d m ile sof so ftatto o e d lim b s,allw h ile m ain -
Flog ging M olly, the C eltic rock band
are areno no rm alp ass en g ers.
taining asm ile.O nc easse m b led ,the sp ike-
fo rm e d b yD ave K in g inL A 2 0 years ye arsag o , rst
Ih ave n ever ve rb e e no nacruise inm ylife .M y
b elted m ob b ro ke keo o utinsoc ce rch an tsan san d
to o kto th ehig hse hseas as in20 n2 0 1 5 ,th e nde nd e c id e d
ow ntravelsavoid ed area area sw he resunb su nb urned
sq uirt gu n g hts, calm ly q ue lled b y the
to up th eant an teth isye syea ar,bo lsterin g th epa s-
sh e e p arele d into th estre e tsto “exp e rie n c e”
stew ardsun til2 ,0 0 0 p eo p lesim ultan e o us ly
sag ew ew ithi hinflue nfl ue nc esfrom ac ro sst ssthe scop sc op e
afo re ig np o rt.M ym in d c o u ld o nlyc o n ju reu p
le arne d h o w to p u to n alifeve st.
of ofind ep en d en tm usi us ic.
im ag e sofle th argi arg icto u ristsinC ro c slo u n g -
S om eh ow w egot egotthr hrou ou g h ht thedri hedrill.W he n
T he res im p lyar yaren en ’tto om o m anyo an yop p p o rtun itie sinlifeto b eska sk an kin g alo n g to F ish b o n e
ing toa lam eb and b eati eating B ob M ar arl ley’s
the lea the rjac kets,piratew en ch e s,chec ch ec k-
“Le g e n d ”to aslo w d e atho rad ru n ke ken nh o u se se
e re d V an s,an d h alfo fB o ston w e reallb ac ko n
w he ntro m b o ne player aye rF lyin’Jayd ec id es es to
w ife tryin g to sin g A d e le ka rao ke. ke .N o th an ks. ks .
th epo o ld e c k,th e c ru ise d ire c to rw e lc o m e d
su rfac ro ss ss th ecrow d to b e to sse ss e d intoth e
56 | IN K E DM DM AG CO CO M
p o o l,m iss in g th e c o p in g b yin c h e s.A n d h ed o e sn ’tsu rfac erig h taw ay b e c au se ,at4 ’11 ,everyt ve ryth in g isth e d e e p e n d to Jay,an d h ead m itte d ly d oe sn’tkno w ho w tosw im . S o yo you ud an c eyo you u rw ayd o w ntw o le ve vel lso fash ip ,so m e w h e reinth e A tlan ticO ce an ...he y,istha tS teve eve C ab allero? ero? Y o u’resw ep tthrou g h aro o m lle d w ithth elo ve vel lyso u n d o fC e ltic m u sicin to ave ven n u ew h e re R an c id iste arin g into th e irse t.A n d you yo u p u sh u p to th efro n tan d n d you yo u rsel rse lfsin g in g alo n g n e xtto F ran kTu rn e r.“H e y!Iw an n ario t!” F lo g g in g M o llyha d lo ad e d th eb o atw ith th e irfavo riteac ea c ts,fro m trad itio n alIrish shfol folk kl like kethe theT To o ss sse e rs,third -w ave s ska kal le g e n d s sT T h e S lacke rs, ori g inal skate roc ker kers s Th e Fa ct cti ion and rad ica l p un ks A u th o rityZ e ro ,to ro o tsre g g ae artistC h risto p h e rE llisand san d B o sto n’s w or orki king classbo ot otboys, boys,theS tree tD og s.A m azing pe rform anc es ha p p en ed eve ever ryw he re,like kew w he nS nS hine he ad joine d Th eS eS lac ackers kerson stag eforP un kR o ckK arao arao ke. “M yfavo ritew as asj ju staran d o m sh sho o w Ip pl laye d inaj na jac u zzi,”atie d yed -tan k-t k-to p -clad F ran kTu Tur rne rto ld m e. A lso so p laying w as as L arryan d H isFlas ask, k,T he R eve ren d P eyton’sB ig D am nB nB and ,191 6 ,Th eD eD on ots,B ean sO nToast nToast, ,theB unnyG unnyG ang , A nd yTho yTho m as’D ustH eart eart,andstow aw aysM aysM ickeyR ckeyR ickshaw ,w ho sn u c ko n b o ard ard ayear ye are arlie ran d w o ne n o u g hh e artsto g e tan o f c ial slo t. Itw as as latem o rning an d the sh ip w as as o fflo ad ing th eD o cM arten s, sc allyc ap s,re tro b ikin isand san d d re ad lo c ks kso n to te n d e rsfe rryin g to th e sh o re so fG re atS tirrup C ay,B ah am as ,w he reastag eaw aite d o nthe b ea ch .P un ksan d p irate sflo ated inap ro tec ted c ove w hileF ish shb b o ne b ro ug htt htthe he avies tblen d ofsou l,ska,fun kand reg g ae aeund und erthe trop ic alsu n . A sF lo g g ing M o llyp rep ared to rip into nto the irw hiskey-f ske y-fue le d se t, F ish b o n e b as sistN o rw o o d F ish e rp u th is n g e ro n th epu lse se o fitall. “T h isisl ike
h e L o v e B o a t w ith o u tth eche ech e e syp arts,”h em arvel arve le d .
“Iw as as rstexp o se d to p u n kin ,like ke, ,th e1 9 7 0 satah o u se se sh o w o n m y g ran d m othe othe r’sb sb lo ckina naCC rip ne ig hb orhoo orho o dofW est es tLo sA sA ng eles , an d the nsee ing the C lash ontou r.B utIneveri neverim ag ine d tha tpu punk nk ro c kw o u ld e n d u p o nacruise se sh ip .T h isisth em o stb e au tifu lth in g I’ve eve e ve rse e n .P u n kiss kissti tillg n arly.It’ssti stillg o tte e th th. .It’sju stalittle o ld er erno no w .Ifw eh ad n’tgrow nu nup p alittle,the rew o uld b beb eb lo o d in th epo ep o o lan d m iss ssi in g te e th inth eho ttu b .A n d th e re areth e se g re at in te rac tio n sb e tw e e nth e artistsan d th ep e o p lew h o c o m eo u tto se e th eb an d s.” B ut utanysea anyseaw w o rthyad ven tureisallab o ut uty yo o ursh ip m ates ,and the crew o nthisvoya svoya g esp o kevolum es .T he yw e resailo rsfro m allo ver the U S ,E urop ean ean d A ust us tralia,an d tho sesm ug C an ad ian sw itht hthe ir red -an d -w hiteflag eflags ssew nonv nonves est tsb etw ee nO p eratio nI nIvyan d R ea l M cK enziespatche patche s. “I’veb ee n into Irish an d p un km usi us ic m yw ho le life.I’m see s ee ing F lo g g ing M olly,the S tree tD o g sand Th TheTo eTosse sse rs,and the alco ho l isinc lud ed !”raved K risten K ellyofS anC an C lem en te,C A ,w ad ing in th ece rule an se a.“O ursh ip p ulle d up upi i nN as assa sau, u,B ah am as ,yes yest terd ay,rig h tn e xtto aD isn eyC ru ise .E ve veryon ryon eon eon th atD isn eybo atw a s w atch in g ab u n c ho fIrish ,tatto o e d m o th e rfu c ke rsw alko ffo u rsh ip .It jus tm ea ns ns so m u ch tobe o n na ab o atw ithpe o p lew ho love the m us ic as as m u c h as as Id o .” W atch atchi in g F lo g g in g M o llyfro m th esan d yb e ac h ,S c o ttJab lo n ski sk i,o f N o rthC arolin asaid (b arely)th ath e h ad lo sth isvo voi ic etw o d ays ays ag o , “Ica nba barelytalk.Th Th isisju ston e bi big ,crazyf crazyfam ily,an d crazyt crazyth in g s ke e p h ap p e n in -”Ju Just stashe said th at,ach ic ke nb o n elite rallyfe llfrom th esky sk yan d lan d e d ath isfe e t.“S e e!”h elau g h e d . A nd sinc ethe rew ere ereaf afew se am en (ins ertho ttub jo kehe re)an d m erm aid sw sw ho m ig ht htno trem em b er er the triptha nkstofree w hiskey, F lo g g in g M o llyp ro vid e d th eultim ateso u ve ven n ir.R ic kJanu Jan u s,ak aka aA g g ro ofLo w b row A rtP ro d uc tion s si inO rlan d o,an d R o bH os tetter, er,of of S an an D ieg o’sLifetim eTatto ow ereo nb o ardd o ing tat att to o stoco m m em o rate th isc ro ss ssi in g .T h e irin kyc an n o n sn eve rsto p p e d rin g . “To “To b ein ap o sitio n w h e rew ec an h ave F ish b o n e ,F ran kan d R an c id w an tin g to j o inuson nu son ash ip ,th at’sju stanaf rm atio no nof fw h atw e’re d o in g ,”sa id M o llyb as sistN athe athen nM a xw e ll,w h o w a salso fro n tin g T h e B un nyG an g ,hisrevo lu tio nreg g ae b an d .
J U L Y 2 0 1 6 |57
“Im e an ,R an c id … th eyd o w h at th e yw an tto d o .F o rth e m to g iveu sth e no d o fap p ro val,w h atm o re c an w eas kfo r? ” M axw ellw as asst stan d ing b en ea tha hasw aying p alm ,w ea ring so m e fan tastictrad itio n alin kw o rkan d am arin e r’sca scap p ,a s w ed isc scus usse sed d ho w the se sed d run ken rud eb oysan d g irlsw ere treat rea tin g th e irsh ip m ate sso sso w e ll. “It’sag re atfe e lin g to kno kn o w th atyo you u ’re he lp in g p pe e o p le h ave to n soffu n th ro u g hpu hp u n kro c kan kand d S t.P Patr atric k’sD ay. A n d m ayb ew h e npe np e o p lege to ffth issh ip ,th ey ey’ ’rego eg o in g to sp rea d th atinto th e irres to fthe irw o rld .” It’sver sve rypo yp o ss ssi ib lethat etha tth eh ig h p po o in to of fth isse a-b o u n d so jo urnw as as F lo g g ing M o lly’sp rim et etim e eS S aturda yeve ning se to nth epo o ld ec k.M a xw ell,d rum m erM ikeA lo ns o , d d le rB rid g etR etR eg an ,gu itaristD e nn isC as asey, ey,acco ac co rd io nist M attH en sley,b anjostr ostrum m er erB B ob S ch m id t,an d fron tm an K ing had bee b ee no naw hirlw ind ar arou ou nd S t.P atrick’s D ay.T h eyrip p e d in to “W h at’sLe sLef fto fth eFl eF lag ,”“Tob “To b ac c o Islan d ,”an d o fc o u rse, rse ,“S altyD o g .” A cruise sh shi ip ,ro c k‘n’ro llorn o t,m akesf ke sfo rada m n n e m usicvenu e.Th esce neo f2 ,0 0 0 pe op lew asw ild ,the e nti rem ezzani ezza nin esho esh o uting alo ng .O nthe po rtsid eoft eofth e d ec k,folksstep -dan ce dto“R eq uiem foraD ying S o ng .” O n th estarbo starb o ard ,th eyd id d ru n ke njig s,w h ileth ed ie -ha rd sw as ashb hb uc klerspressed erspress ed up agai ag ains tthe stag e, stsinth e air,sla m m in g u n d e raraino fG u in n e ss . A n d o nth isg re ate xpan xp an se o fse a ,yo your ure alizeso m e th in g . Y e s,th e re’sam an inast na starch e d w hite hat ha tw ithad ha di isti ngu ished N orw orw eg ianacce ntw hohasus hohasusset setonaco onaco urse urse fo ratinyd o tam id the Lu c ayanA aya nA rch ip aleg o .B utat utatthis m o m e n t,D ave K in g isth ec ap taino fth issh ip . ...A n d ifth isshi ssh ip take son aro g u ew ave, ve ,d e sp iteth atlife b o atd rill,w e’re reall o o o o k e d .
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L R I G R E V O
| D E K N I
A M I N A B L U E D I P S M O R E T H A N A T O E I N T O T H E W O R L D O F H I G H FA S H IO N Photos osby byZZ avierD e’A ngelo S tyling ngby byN N adia D urham H airand M akeup eupby byM M onae E verett L ocation:R oom M ate G race aceH H otelin N Y C
O utofthe b lue ,the w o m an an you se seebe ebe fo rey eyo o ube ca m efash io n’s ItG irl.A m inaB na B lue had ap p ea red inafew rap vid eo sand ur urb b an p ho to sh sho o o tsb ut,am o ng stase ao f4 9 m o d els(inc lud ing K ylieJen ne r)show ing Yee zyS ea son 1’s sw w earsdu ring Fash ion W ee k,she b ec am ethe m o sttalked ke d -abo -ab o utp arto fK an yeW es t’sco llec tio n.S he c a nda zzleon eon aru n w ayw h ilero c kin g in k,m ak aki in g th isA m e ric an g irl (o fP ak aki ist stan an ian d G e rm an d e sc en t)the m o sttran sc en d en tm o d e lo f them om ent. ent.
W h a t m a d e y o u d e c id e o n t h e p h r a s e “ I A m fo r y o u r In s t a g ra m b io ?
th e In fl u e n c e ”
Iha veinflue nfl ue nc ed m anype an ype op leinm anydi an ydifferentw ays.Irec eive e m ailsan d talkto p e o p leo fallag e sw h o te llm eh o w I’ve ve c o n trib u te d to c h an g e sth eyh ave ve m ad e inth e irlife ,w h e th e ritb etran rans sitio n in g to aveg an lifes tyleo eo ryoun yo un g w o m an g aining c o n d e nc ebyse eing m y p o stsan d p ic tu re s.
P h ilo s o p h ic a lly , d o y o u s e e a fu tu r e in w h ic h h i g h f a s h io n w ill in c lu d e u r b a n c u lt u r e , o r w ill t h e t w o f o r e e r o p e r a t e in d e p e n d e n tly ?
Istro n g lyb e lie ve ve th atth etw o w illc o llid e inso m e w ay ay, ,sh ap eo rfo rm . Ife e lasi as ifI’ved e n ite lyco n trib u te d to m e rg in g hig h fa sh io na n d u rb rba anc u ltu re.Ith in kth ato ld e rg e n e rati o n sareth eo n lyp e o p lesto stop pp in g h ig hfas h io nan d u rb an c u ltu refro m c o llid in g .H o p e fu llyso o n w ec an allse eth etw o c o m eto g ethe ran d m ak ake eso m ethin g b e au tifu l.
W h e n y o u d o e in t o m o d e lin g d id y o u w o u ld k e e p y o u o ff th e fa s h io n r u n w a y ?
t h in k y o u r ta t to o s
Id id n’tth in kI w o u ld ’ve ve g o tte nth isfarb e c au seo fm ytatto o s.Iw a s ab abi ith e sitan tb e fo reg ettin g m y rsttatto o .Id o n’tre g re tan ytatto o I’vego veg o tten ,Ithinkth eym ake m estan d out ou tm u ch m o reno w tha tI havethe m .
H a
e a g e n t s to ld y o u t o s t o p g e t tin g t a t to o e d ?
I’vebe en luc kyen kyen o ug htow o rkw ithsom hso m eofthe b e stp eo p lew ho like ke m ytatto o s.Id o ,h o w ever ve r,th in kso m eo ld e rg e n e ratio n sm ay ayn o t likem ylo o kbec kb ec au seof se ofthe tat att to o s.B utno tever eve ryon ehas eh ast tolike th e m ;Id o ,th at’ salltha that tm atte rs. Lu c kily,I’vene verc am eac ro ssso m eo n etha tad advi vise d m eag ains t g etting anym o rein k.E ve nifth e yd id Iw o u ld n’tp ayth e iro p in io nany m in d .Ilo ve ve tatto o s— itisj u stth atsim p le .
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64 | I N K E D M A G C O M
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D o yo u th in kt ktatto o sareb e in g m o rea ea cc e p te d b yh ig h fa sh io n?
d o t h in k t a t to o s a r e b u t s l o w ly . ’ve b e e n a n y —m —m o d e l s t o h a v e fa s h io n p h o to s h o o t s m y t a t t o o s a n d m a ke w o rk h a rd to m a in t a
b e in g a c c e p t e d m b le s s e d t o a d d t o s le e ve s o f in k a n a n d c a m p a ig n s . it a b it b o ld e r . a m in m y im a g e .
o r e b y h ig h f a s h io n t h a t. ’m o n e o f th e d b e f e a t u r e d in m a w o u l d l i ke t o a d d t o ve r y p ro u d o f th e w a
,s fe n y o y
u r w h n e lo
e ly , —i f ig h o f o k.
W h a td o yo u th in k isth e m o stsig n a tu re p a rto fyo u rlo o k ?
B e s id e s m m y lo o k w to o b e c a u e vil e y e ” o a w a y fr o m t h i n k it ’s s
y e y e o u ld b s e fe r b a d m e . o m e th
s a n d b o d y s h a p e , th in k th e e , t h e Ey e o f H o r u s t a t t o o o n l t a s if m a n y p e o p le a r o u n d m lu c k a n d t h is w a s m y w a y t o t h a s a ve r y s p e c ia l m e a n i n g i n g t h a t e n h a n c e s m y l o o k.
m o m y e g ke e to
s t s ig n a c h e s t . a ve m e p th o s e m e a n d
tu r e p a g o t th e s o rt o f b a d s p d e fi n
r t o f ta t“t h e ir it s ite ly
W h o isyo u rcu rren tta tto o a rtist?
B o o g ( k a B o o g S t a r ). A s i d e f r o m h i m b e i n g a n a m a z i n g p e r s o n , h e i s a g r e a t a r t is t . lo ve t h a t h e f r e e h a n d s e v e r y th in g a n d t a t t o o s s u p e r q u i c k! Y o u areve ryvo ca lab o u tve g an ism ,d o yo u u se ve g a n in k ?
O f c o u rs e . W h ereis st th esexie esexie st stp lac efo ram an o rw o m an to b etat attoo ed?
t h i n k a n y t a t t o o s o n m e n a n d w o m e n a r e s e xy . ’ d p r e f e r m e n t o b e s le e ve d u p . T a t to o s in a n y p la c e lo o k g o o d o n w o m e n . W h o d o p e o p lesay esayyo u lo o k kl like ?
g e t th a t
r e s e m b l e An g e l i n e J o l i e , J e s s i e J , S o fi a R i c h i e … .
W hi hil leyou eyou m ak eyou eyou rna m ekn ekn o w n nas asm m uc h has ast the irs,w ha t ar are eyou w o rking king o nno nno w ?
lC i n u e r . r e ’ n m t l y e x t ar e m m fe o l cy u e s xe c d i t e o d n t t o h e b r r i ne lg e a v s e e g a o n f i s m m y a w n o d m f e a n s ’ h s i o v n e g t o a ng e s t hh o e re , c r e a t in g a m a zin g h e e l s t h a t w o m e n c a n w e a r w it h o u t c a u s in g a n y h a r m to a n im a ls ! W h a tareyo u ro th e ra sp ira tio n s?
a s p ir e t o n o t o n l y b c h a n g e t h e ir live s f o r t o b e s u c c e s s f u l in a n w o r ki n g o n m y s e l f t o m e n t a lly .
e g r e a t , b u t to t h e b e t t e r . L i ke y th in g c h o s e b e th e b e s t p
c o m o to d e r s
n t in s t p o b o n
u e e o u t c
in fl e p le , a ls o a n b e
n c in g w a n t w a n t —p h y
p e o p le t o c o n t in t o c o n t in s ic a l ly a
to u e u e n d
6 6 | IN K EDM
AG COM
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| I N K E D M A G C O M 70 |
THEM EYES, DOE PHOTOS BY RICCARDO D ELL A NINA
T he canvas has be com e an appren appren tice. O ne of our favor favorite ite Inke I nke d G ir irlls, R e fen Doe, is trying her hand at tattooing. W e are are stoke stoke d to to se se e m ore ore and m ore ore wom e n jo joining ining the industry, industry, but be for fore her portfolio is polished enough to warrant a spotlight in
n k e d , we provide
a look at the tattoos that have inspired he r to e m bark on the the arduous arduous jour journe ne y from from appr app re ntice to artist artist.. T he fol following is her personal body of work.
JULY 2016 |
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JU LY 2016 | 7 3
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| D E K N I
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# inke d sho shop p 2 6 ,6 6 6 p o sts F in d Y o u r O a s is
S o m e arel u c kye n o u g h to live ve b yth esh esho o re ,o th e rsh ave to b re a k in to an a b a n d o n e d b u ild in g w ithakid d ie p o o l.E ith e rw ay,d o n o tle t g e o g rap hyd ic tate ateyo your urm in d se tth isw e t,h o tA m e ric an su m m e r. S w im su its,tan ks, ks ,to p s,w ra p san d th e “ItA in’tG o n n aS p an kItse lf” b o tto m sareallava ilab leat atin ked ke d sh o p .c o m .H as htag you yo uan d your yo ur frie n d sin In ke d S h o p w a re san d w em ayin vite yo uto o u rn e xtflin g ....
P h o to s b y @
a s s a n k in in le le y c re re a ti tiv e | S t y le d b y @
a r iu iu s b a p t is is t
M a k e u p b y @ c o o p e r m u a (u s iinn g M ACC s m e ti tic s ) | H a ir ir a s s iiss t a n t @ _ M o d e ls ls : @ lin a a le le n t iinn a , @ ih e a r t d jjkk s t y llee s , @ lo la la v f o rrdd , @ T h e _ irl_ o e , @ H a ir ir
b s o lluu t e ly ly f a b 1 tg re re e n e_ resh
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E L Y T S E F I L
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CO M DM AG CO 80 | IN K E DM
ock hisis the P unkR h es?”Yup, t gsho owlin A ndb gsho es.“ owlin , best band shirt andb s s eCh ucks iteC o nver i kout your favor Brea s l ls. c kg ir n kr o yp u y u mm m my , i t t hy u i l dw g e t w trike s and o rite b and, rolls rf fav oyou r oy ogo t a l.Ge t read ytop e stiv sicF wl w ling & Mu Bo | Lo ca tion : J ,N , N se yC ity s n, Je Jer r a ver ky y 7 T :Lu Luc c k leA do re | l | Fe a tur n w, ,El ena Te w ay a y,Le ah Ju ng,G leyGr ng :Ha : Ha y i .C . C ole | lD D Ph P ho to s:Me l
T h e D e s c e n d e n t s m a d e s o m e b o ld s t a te mD o e n n ’ t t s W 3 a 1 n ty e t o a r G s r ao g w o U w i .”t h F t i hr s e t l yr e , lt e h a e s y e n oe vf e “ r I m a t u r e d , a n d t h e y c e r t a i n l y d i d n ’ t l e t t h e m u s i c d i e . T h e D e s c e n d e n t s j o i n u w i t h o t h e r i n c r e d i b l e a c t s w h o a r e s t i l l r o c k i n ’ s u c h a s .. . a r e y o u r e a d y f o r t h i s ? T h e s e a r e t h e a c t s r o llin g t h r o u g h t h e P u n k R o c k B o w l i n g & M u s i c F e s t i v a l — w e ’r e b u y i n g
a b e e r fo r t h e fir s t e r s o n w e s e e in t h e h o is s t ill w e a r in g b o w lin g s h o e s — i t w t a k in g la c e in Ls Ve g a s ,A s b u r y P a r k a n d D e n v e r . C h e c k o u t u n k r o c k b o w l i n g .c o m fo r d a te s a n d d e t a ils , a n d h u r r y , a lt h o u g h T h e D e s c e n d e n t s a ls o c la im e d t h a t t h e y “ c o u l d n ’ t s e l l o u t a t e l e h o n e b o o t h ,” t h e s e t ic ke t s a r e s e llin g o u t qu ic ke r t h a n G r e e n D a y w h e n t h e y g o t s o m e r a d io la y .
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y y t i y C i y e e s r r e e , J , e e p p a V a m i h h p p a r r y S e y b d d e e d i i v v o o e P r e p p a V a
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N O I
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CO M DM AG CO 86 | IN K E DM
JU N
HA
J un Chaisthe M edusa oftattooing. T he artistdoesn’ n’t thave snakes for hair,but ,buthe he w illturn your yourbody body to
BY CHARLIE CONNELL PO R T R A I T B Y M I K E M I L L E R
J un Chabuilth thi islegendary reputation by creating tattoosbased on statuesthatare so rem arkable they w ould look perfectly naturalresting atop the Parthenon henon or oral alongside the w orks of ofM M ichelangel angelo.L ooking at atC C ha’ ha’s s portfolio is like taking an arthi arthistory orycl class assf filtered through the lens of ofC C hicano-style tattooing, ng,and and the resultis purely m agn agni ificent. I tis notj notjust ustt the high-m gh-mi inded subjectm ectm atterC erC ha tattoost oos thatset hatsets him apartfrom other artists,but s,butal alsohi so his pointof ntofvi view on the creativepr ve process.C ha sees seesever every tattoo ascol as collaboration bet betw een artist stand and clientw entw ith the ultim ate goalof goalofcr creating a harmoni harm onious piece of art.“T .“The he idea ofcr ofcreating som ething togetheron heron a person in one m om ent entt that hatw w illexistfor theirlife untilthey die is somet som ething thatspeaks hatspeakst to m e,” C ha explains.“You ns.“You can argue that otherm her m edium s like painting,scul ng,sculptureor ure ordesi design can hold a al lasting im pact,but pact,buti it’s som ething elsew se w hen it’s on a hum an being.” Frustration atn tno otb tbe eing able to properly m im ic D a Vinciignited Cha’spassion fora rar rtand thatf hatfire has been burning bri ghtl y eversi eversince. Y o u s t a r ttee d t a t to to o in in g w e ll ll b e fo r e it it w o u ld h a v e
Y o u h a v e a v e r y s ttrr o n g r e v e r e n c e fo r tthh e f a c t tthh a t
b e e n le g a l f o r y o u t o r e c e iv e a t a t ttoo o y o u r s e l ff..
it is a h u m a n b e in in g w a lk lk in in g a r o u n d w it h y o u r a r t
H o w d id id t h a t c o m e ttoo b e ? Is t art edat aroun d
o n t h e ir b o d y u n t il il t h e e n d o f th th e ir d a y s a s w e ll ll
a s a n a t tr tr a c t iioo n t o tthh e i d e a o f t h a t p e r m a n e n c e . 16 years ears ol old d B ef efore oret hat Iwas alw alway ays Bu t p e o p le le d ie a n d in in a w a y y o u r ta ta t to to o s d ie ie w it h drawi wi n g, s ot hat ledm ei nt ot at t ooi ng t h e m . H o w d o y o u f e e l t h is is a f ffee c t s y o u r a r t iiss t ic ic Ic am ei n jus t beforet ec han ds oci al a p p r o a c h ? A s o m e o n e w h o h a s s u c h a rree g a r d ffoo r m edi edi abeg abegan an t ot akepl plac ac e,s oIwas th e o lldd m a s t e rrss h o w d o y o u f e e l a b o u t th th e id id e a luc lu c kyen ought os t i ll llexperi en c et heol eold d t h a t y o u r w o r k w ill b e g o n e w it h in in a g e n e r a t iioo n ? s c hoolways of of LA blac k-an d-grayc ulThat ’s agrea at t qu ue es t i on A n dt herev vt ure At At firs t i t wa was cu c uri os i t y;t hat qui ui c kly ly s n ot duali li st i c, but m oreof f t he t urn ed ed i nt oob obss es s i on an dled led m et ohun t eren c ei wh ole t heot herhalf alf of of perm an en c e down al alm m os t every everys hopi n t own t ot ry bei n gi m perm an en c e Th The en at uralc yc le an dle lear arn wi t hn olu lucc kIs pen t ayearon rt han ddea eat t h, whi c haff af fec t s m y m yown run n i n garou ounn dLA learn i n gfrom ofbi eat t i ve“i n t hem om en tapproa approacc h, t o t ri alan derror, t at t ooi n gdoor-t o-doorout c rea an s weryourfirs t qu ques es t i on , has t odo ofaki tFi n al ally lyIwas bles bles s ed ed en ou oug ght o t ht hefac t t h at allofus wi lldi e Iff you u m eet eet B ab aby yRaywhoIowealo lot t i n hel elpi pi n g wi pecc t dea eat t has an abs abs olut erea eali li t y m eun eun derst ers t an dt h ec raf aft t of t at t ooi n g Thi s res pe t owhat i n form s li fe,you ou have aveam uc h evol evolve ved di nt oan ew ew ph phas as ewhen Im et eeperun ders t an di n gof of t hi s c yc le le, , s o Jos eL opezwhowelc om edm ei n wi t hou out t deeper t en t i on t owhat what ’s ha hap ppen i n gn ow ow qu ques es t i on an dh elpe elped dexpan dt hat i n si ght yourat i s t hat m uc hm orepo pot t en tE verym ark, t oan ot herlev level That foun dat i on oflo lov ve, eve veryac t i on , i s i n form edoft hegreat at er res pec t an dpas s i on f orblac k-an d-gr d-gray t ot ali t ywi t hout t hi s c li n gi n gegon eedt o t at t ooi n gan dwhat i t m ean s t om ark
s om eon eun t i lt heydi ec am efrom t h os e da day ys A n dt hepat h un fol olde ded dfrom t here G iv e n t h e c la s s i c a l n a t u r e o f y o u r w o r k a n d y o u r r e v e r e n c e fo fo r a r t I im a g i n e tthh a t y o u h a v e w o r k e d in m a n y d iffe r e n t m e d iu iu m s . W h a t iiss it it a b o u t t a tt tto o iinn g t h a t s p o k e t o y o u a n d m a d e y o u c h o o s e it a s y o u r p rriim a r y a r ttiis t ic ic m e d i u m ? Thepe per r-
m an en c ean dabs ol olu ut equali t ydrewm e i n an di s s t i llalar largepart ofwhat keep eps m ego goi i n g Th The ei deaof of c reat i n gs om et hi n g t og oget et heron apers on i n on em om en t t hat wi wi llex exi st fo fort hei rlli i f eun un t i lt heydi di ei s s om et hi n gt hat s pe peaks aks t om e In t heea ear rly days s Iprob obablyc ouldn ’t art i c ulat ei t i n c on t ras t t ot odaywherei t ’s s oc leart o m ees pec i ally allyi n ou our rm od oder ern , pol polar aroppooppo-
worryab abo out your“leg “legac ac y”Sot oan s wer yours ec on dque uess t i on , t hefac fac t t ha hat t t he he art wi llpa ass s does n ot m at t erIt ’s s i mi lar t ot heTi bet an m on ks an dm an dalas dalas wh eret heri t ualoft hos ei nt ri c at edes i gn s arebot bot hc rea eat t ed ed an ddes t royed ed as a refl eflec ec t i vet oolon t h et ran s i en c eofallli allli fe W hat m at t ers s i s t hi s t at t oo, t hi s cl c li en t , t hi s art n ow D y o u h a v e a s p e c iiaa l te r m th a t y o u u s e t o d e s c rib e y o u r s ig ig n a t u rree s t y llee o f b la la c k - a n d - g ra ra y ? H o w d id id y o u c o m e t o t h iiss s t y llee o f ta ta t to to o in in g ?
I’m n ot afan of“s t yle”t oc at egori ze et hehow, whyorwhat i n an yt hi n gIdo,s oIgues s t hem os t hon es t t erm i s “n os t yle ”It hi n kbla lac k-an an d-gr gray i s t heon lylab abel elt hat m akes s en s e,but ut , of
stone w ith skills that hatar are m agical.
C hi c an oi n flu fluen en c eIwas s urroun oun dedby Th Then en when Igrew ew i nt om orec las s i c al t hem es , ev ve eryt hi n gleadi di n gupt oi t evolved i nt os om et hi n gellss e Son owt hebes bes t res ult s arewhen Ic om ple plet t el ely ylet goan dallo allow wt he workan di nt ui t i on t ogui dem erat hert han bloc ki n gi t i nt oon et hi ng Al o f y o u r w o r k a p p e a r s a s if it h a s b e e n c h i s e llee d ou t of m arb le. Can yo u te ll u s a littl ttlee b it ab ou t h o w y o u h a v e p e r ffee c t e d t h iiss p r o c e s s ? It hi n kkeepi n gt ha hat t open n es s t owha what t I s ai dabo bout i nt ui t i on gui di n gyouvers us t ryi n gt odi s plla ays om es ort ofs t yle e i s what ’s i m po or rt an t i n m as t eri n gan yproc es s W i t hen oug ou ghwork, t i m ean dexperi en c eyou’ ou ’llll gradu adually allydev evel elo opi n si ght i nt ot hes ubt len uan c et hat c on n ec t s ev every eryt hi n g, an dals als oyourown un i que que expres s i on ofi tSoalot lot oft hesu es urfac e res ult s out si ders ers us uall allys ee ee i n rea eali li t y requi ui ret heart i st t oput ut i n ahugeam oun t of workIfin dt hebreakt hroug ou ghs happen appen when t hefoc us has les s t odowi t hpu pulllli n gs om elook lookoff of fan dm oreabou about bei n g i n ali li gn m en t wi t hi nt ui t i on an dflow Y o u r M o n a r c S t u d io io s lloo o k s m o r e lliik e a fu t u r iiss t iicc m u s e u m t h a n a t a t to to o s h o p . Ca n y o u t e llll u s a b it it a b o u t th e a t m o s p h e r e tthh a t y o u c u ltiv a t e d a n d w h y iitt is im im p o r ta ta n t t o y o u r c r e a t iv iv e p r o c e s s ? I s ee ee t at t ooi n gas ac ollab llabo orat i veproc es s bet ween t hec li en t an dm ewherewe workt oget hert oc reat eso s om et hi n gs pe eci al Th That at proc es s t om ealway alw ays rev evol olve ved d arounn dan experi arou en c et h at ’s s i n gular lart o ev ve erype er rs on t hat n ee ed ds t obet reat ed d wi t hc arean dres pe pecc tN ot jus t on t he ac t ual lt at t ooi n gs i debut als oi n every as pe ecc t oft hes t udi oi t s elf Thi s qu ua ali t y
t en ds t oget los t i n t het radi di t i on alwalk-i n parlor lorm odel odelwheret hef oc us i s les s on t hec ecr raft af t an dm oreabo eabou ut t het raffic af fic Sot hes t udi oat m os ph pher erefoc us es on a balan c eof of allt hos evalu values es O ut si deof of t at t ooi n g, t heot herc reat at i vesp s pa acc es c om e i n :pa ai i nt i n g, des i gn an dt helab Thi s pa ar rt of t h es t udi ohas be becc om ean i m po por rt an t po poi i nt ofac ollllab abo orat i ve veec os ys t em of di fferen t c rea eat t i ve vepeopl people, e,bran ds an d en t repren eu eur rs from all allki n ds of i n dus du s t ri es c om i n gi n an ds hari n gn ew ew ways of of doi doi n g t hi n gs beyon dt at t ooi n gt hat at t h es am e t i m efe feedi nt oi t Y o u ta lk lk a b o u t h o w y o u s e e e a c h ta t to to o a s a c o llla b o r a t iivv e p r o c e s s b e t w e e n t h e a r t iiss t a n d c li lie n t . Ca n y o u t e ll ll u s a li lit tl tle b it m o r e a b o u t h o w t h a t
si eue e i nt sht at nt ar t i fi i o rle dp Ya oi cn a a rt g u, a og t hre mc eadt i unmw s o li k ai nut i gn, s c ulpt ureorde dess i gn c an hol old dalas t i n g i m pa acc t , but bu t i t ’s s om et hi n gellss ew wh h en i t ’s on ahum an bei ng
c oork ursheas ,o vt er e r t i mon ep eo op leof le ’s p rc w ak en a li fp e of i t serce own owenpt i Won ho enfmIy firs t s t art edt at t ooi n gIdi deveryt hi n gfrom om t radi di t i on al, l, A s i an , c olor or, et c O n c eIhon ed d i nt oblac k-an d-gr grayi t t ookon t hefin e-lli n e
w o rk rk s ? Fo or rm
e, t hat c ollaborat i on s t art s wi t ht hec li en t , bec aus u s et h at ’s t heso s ourc e of i n s pi rat i on Regardle les s i f i t ’s on et at t oo oran en t i reproj ojec t t hat wi llc on s i st of
JULY 2016 | 87
ye yea arso fw o rk,that rstd irec tive ve issin-
realize zethere’san san interco nnected artto
g ularto thatind ivid ual— h isorherstory
ever ve rything in o urlivesr ve sreg ardl ard less ss o fthe
an d exp erien ce s.S o Ialw ays ays aim to w o rk
co ntent.T hefac tthatso m eo ftheearli-
w ith th atb ase to thenb uild o ffo fand
estfo ssi ss ilso fhum an shad tatto o sto m e
im p ro vise se m yvisio nto w o rkinh arm o ny
says sa ys allcreative ve expr xp ressi ss io n ing en eralis
w ith th eclient.A n d d uring thisble nd ing
so m ething e sse nti alto o ursp e cies. es .
o fco nc ep tsan d ins nsi ig hts,I nd the m o st un iq ue res esul ultsco m ew he nb o thofus us
W hat artist artistss hav havee in uence d you the m ost?
areo p ento w hatisan d atthesam sa m etim e
N atu reitse lfisth eo n eartistan d th e
aw areoftheb ig g ervisio n.
p u rest res tso u rce rce o fallin sp iratio nfo rm e , an d th estud yo fp h ysic sh as as b e e nth e
On that note, what should should the ide al clien clien t be able
m o ste nlig hten hten ing inun d erstan d ing ho w
to contribute towards this end, especially if they
itw o rks. rks.Ith in kth at’ sw hyth eo ld m as-
have a disagree disagree m en t with with the artist artist? ? M any cl clients ients
te rssto o d o u tto m eb e c au se th eo rig -
ar aree likely too too intim idated to say anything. H ow
in a lS to ic s,T h eTao ,R e n aissan ss an c e ,Z e n
does an ar artist tist encourage encourage their participation? participation? In
B u sh id o ,e tc .w e rere fe rrin g to p e o p le
m yp ro c es ess sIem p ha sizethisco llab o ra-
w h o w e re stud e n tso fallth e artsre la-
tive ve effo rtso fro m b o ththeartistand the
tive ve to N ature ature, ,no tju sto n e .T h e se w e re
clientsid e it’sim p o rtantto b eb rutally
p eo p lethat ha td evel eve lop ed an an en ha nc ed
ho nest.T heclientsh o uld d e nitelyno t
stateo fb e in g w h e reartw as as in te g rated
fe elin tim id ated ,an d eve ven nm o reso it
in th e irlive sw ithth e in sig h tin to th e
sho uld b e th eartist’sres resp p o nsib ilityto
e b b an d flo w o fb alan c einallth in g s.
no tm ake the m fee ltha tw ay.I nd the
T hisc an b efullyem b rac ed w h en you’ yo u’re
be stco m m unicationhap pe nsw hen
h u m b le d to th etruthofth isre ality
tw o p eo p lecu ltivateaco m m o ng ro un d ,
th ro u g hsc ie n c e .A n d o u rim ag in atio nis
an d in th iscase as etheo nlyfo cussh o uld
n o thin g c o m p ared to N ature’sc re ativity.
b em aking su sur retha tw h ateve ryou’ yo u’re
crea reat ting istheg rea reat testartp o ssi ss ib le.
W e’ re curious if this connec tion, a harmon y
E ver ve rything e lse se issec se co nd ary.
am ong things, is some thing that you str strive ive forin yourwork yourwor k orif it cam e about m ore ore as an ep iph-
C lassical and bar baroque oque art clearly clearly in ue nce
any while working. I’d saya sa ya littleo fb o th.
yourae sthetic. Do you r recall ecall the fi rst ttim im e you
Ifyo u’retrulyco m m itted inanything yo u
were exposed to this art? M y rstm em ory ory
d o ,there’sthisna snat turalflo w thato ccurs
o ftheo ld m ast as terw o rks ksisw he nIw as as
alo to fth etim ew ith o utyou yo ueven ve nb ein g
three,trying to d raw Leo nardo ard o D aVi aV inci’s
aw areo fit.W ithco ntinued p racticealo t
“La stS up p e r.”B utit’sno tasro m antic
o fw hatap p earsto b e te chnicalinthe
asyou syoum ig htthin k.T heo nlyre aso as o n I
b eg inn ing stag e so flear ea rn ing so m ething
rem em b erthisisb ec au ause se Irem em b er
ne w event eve ntua ual llyb ec om es es aut au tom aticand an d
crying infrus rust trati o nasakid b ecause I
w ith o uttho ug ht.W he nyou yo ug o eve nfur-
co uld n’td raw Jes Jesu us“rig ht.”F o rw hat-
ther,th ere’sthism o m e nto fc larityw here
eve ver rre as aso o n,thisw asg sgi iving m eareally
you yo u realize zethatthere’sso m uch m o re
ha rd tim ean d Irem em b ererasing h is
in yo urlifethatco ntri b utesto thatsa m e
fac e o veran d o verag ain.S o m ayb e
harm o nyou tsid eo fth ecraftitse lf.
su sub b co nsci ns cio uslytha hat tsp ar arked ked som so m ethi ething thatlaterevo vol lve ved d in to ano b se ssi ss io nto le arn arn. .W he nIactuallystarted to stud y
D o you think you will still still be tattooing in an other 25 ye ars, ordo you think you will give it up to
thew ay[theo ld m ast as ters]w o rked ke d ,their
pursue different ventures? Tat Ta tto o ing isin
hid d en scien ti cap p roa ch inun d er-
m yb lo o d and Ilo ve ve itto o m uch,so I
stan d ing N aturethrou g h d isse cti o nof
kn o w Iw o n’tg ive ve itup .T he tri cki sto
an atom y,arch ite cture,en g ineering an d
co ntinueto d o itw iththesam sa m e lo ve ve an d
theun ive ver rse ing eneralisw hatinsp ired
p assi ss io n Istarted o utw ithd ecad esl ate r,
m e.T he p o lym athp erspe ctiveon ho w
so that’sac sact tu allyw he re m yhead isat
the yview ed th ew o rld throug hrou g hartan d
no w .I’vew atch ed so m e o fth eo ld e r
sc ienc eism o re interesti ng attim esth an
g eneratio n sg o th ro ug hthisstrug g leo f
theen d res resu ulto fthew o rkitse lf.
trying to b alancelifean d w o rkan kand d I’ve ve le arne arne d alo tm o reo fw h atno tto d o that
D o you think tattooing is an a rt form form that
has as help ed m e realize zew h atInee d to d o .
deserves to to be lauded lauded in fi ne art art museum s?
W hichatthispo spo intisreal rea llyab o uthe alth,
T he p ercep erce p tio n o fvaluing so m ethin g as as
ha p p ine ssan d p rep aratio nfo rasussu s-
hig horlow b ro w isd ep en d en to nhu m an an
tainab lew ayto co n tin uethatstan stand d ard ard
b ein g sthatarecon areco nd itio ned b ythe iro w n
o flife.Ib e lieve ve e ver ve rything — tatto o ing ,
su b jective ve p syc h o lo g ical,so cialan d c ul-
art,d esig n,career ree rg o als,relatio nship s,
turalb iase s.A llo fw hic h,to m e,isd elu-
fam ily— ism eaning less ss ifyo you u ’ren o tful-
sio n .O nc e yo you ure allystep b ac kan d see se e
lled w ith inyo urse lfo n ap hysi ysic al,m e ntal
theb ig g erp ictureofN aturei tself,yo u
and sp iri tu allevel ve l rst.
8 8 | IN K EDM
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V I S I T : I N S T A G R A M .C O M /G I B B 0O 0O
Y O U H A VE VE A V VEE R Y U N I Q QU UE STYLE, ,W W HE RE D O YOU DRAW I N S P I R AT AT I O N F O R Y O U R W O R K K? ?
r a t io n c o m e s fr o m w a y th e y a p p ro a c h u s u a l w a y y o u ’d s e th e u s e o f w e ird a n l i ke t o t h i n k d o m s e e n o u t th e r e .
’d s a y m y m a i n i n s p i Eu r o p e a n d Au s t r a l i a . T h e t h e ir w o r k is d iff e r e n t t o t h e e i n A m e r i c a n a t a t t o o s . l i ke d c r a zzyy c o l o r c o m b i n a t i o n s . y o w n t h in g w it h w h a t ’v e
I F Y OU OU H A D T O D E S C R I B E Y O U R S T Y L E T O S O M E O N E W HO HAS NEV VEE R S E E N Y O U R W O R K, K,H O W W O U L D Y O U D E S C R I B E I T ?D
e s c r ib i n g m y s t y l e i s a l w a y s t h e h a r d e s t ; it ’s a m ix o f a lo t o f s t y le s . u s e s t r o n g o u t lin e s , w h ic h a r e u s u a l ly s e e n in t r a d it io n a l t a t t o o in g , b u t t h e n b le n d m y c o lo r s r a t h e r t h a n w h i p s h a d i n g l i ke y o u w o u l d i n m o r e r e a l i s t i c w o r k. T h e s t y l e i s b r a n d e d ‘ e o t r a d i t i o n a l ’ b u t ’m n o t 1 0 0 p e r c e n t s u r e o n t h e w h o le b r a n d in g a s t y le . t ’s h a r d t o c o m p a r e a r tw o r k t o a n y o n e e ls e b e c a u s e it ’s a ll s o t o t a lly d iff e r e n t . f e e l l i ke th e y e a r s ’v e b e e n w a s juju s t d o i n g s o n to le a rn , b u t h o l e EEuu r o p e a n e d to h o n e in o n lo t o f t e c h n iq u e s a d d e d m y o w n fl ir
HAV VEE Y O U A L WA Y S W O R KE D I N T H I S S T Y L E ?
m y s t y le h a s d e v e l o p e d o v e r t a t t o o in g . W h e n s t a r te d o u t w h a te ve r c o u ld g e t m y h a n d t h e n w h e n d is c o ve r e d t h e w m o v e m e n t o f t a t t o o in g w a n t t h a t a lit t le . t h in k t o o k o n a fro m th a t m o ve m e n t b u t th e n t o it , o r a t le a s t h o p e h a v e !
Y O U A R E B A S E D I N L E E D S ,U ,U K A N D I T I S S A F E T O S A Y Y O U A R E A TR A VEL E R ,W H AT C O U N TR Y H AVE YO U VIS IT E D TH AT
h a ve n ’t v is it e d e v e r y c o u n t r y in t h e w o r ld b u t th e U S s e e m s H A D T H E M O S T S T R I C T T A T TTO OO LAW S?
tp h r e e t Ut y S t i g b eh t c ao u n s s e t r i c w t no e u s l d s n ! ’ t ’ v we a n n e t v t e o r g w e o t r b keka e nd n i e n d f r o m e v e n vis it in g t h e c o u n t r y ! M a y b e o n e d a y b u t w e w ill h a ve t o s e e w h a t h a p p e n s .
TO SE E M ORE TATTOOS VISIT INK KEE D M A G .C O M
92 | INKEDMAG.COM
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Bactine h as b e e n an e ssen tial p ar art t o f yo u r fi rst a id n e e d s fo r o ve r h a lf a ce n tu ry. It g e n tly c le an s an d so o th e s th e sk in to p re ve n t a n in fe ct cti io n .
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V I S I T : I N S T A G R A M .C O M /S T E V E W I E B E
M y fi r s t s h o p e xp e r i e n c e w a s d i f f e r e n t f o r m e i n t h e s e n s e t h a t w a s p r e t t y m u c h t h r o w n in t o a n a r t is t ’s p o s i t io n w it h o u t a n y r e a l a p p r e n t ic e s h i p . N o t lo n g a f t e r w a s b r o u g h t o n a s a s h o p h e lp e r ,m y e m p lo y e r le f t t h e s h o p a n d w a s le f t i n h i s s t a t io n . n t h e m e a n t i m e , h a d b e e n t a ki n g s h o r t t r ip s t o L A t o g e t t a t t e d a n d w a s s o a kin g u p kn o w l e d g e t h a t w a s a b l e t o a p p l y b a c k h o m e . R e a l i s t ic a l l y , l e a r n e d m o r e f r o m t r a v e l i n g t o o t h e r s h o p s t h a n c o u ld ’ve le a r n e d a t h o m e . T h e s c e n e o u t h e r e w a s n ’ t t h e s t y le o f t a t t o o in g w a s i n t e r e s t e d i n . h a d t o g e t t h a t b l a c k- n d g re y f ro m th e s o u r c e a n d C a li w a s it. W HAT W AS YOU R FIRS T SH OP EX XP PE R I E N C E L I KE KE ?
W H A T B R O U G H T Y O U T O W O R K I N B L A C K-A N D -G R A Y ?
B l a c k- n d - r a y h a s a l w a y s h a d a c l a s s i c l o o k t o it a n d t h in k t h a t ’s w h a t d r e w m e i n t o t h a t s t y le . u s e d t o a d m ir e M is t e r C a r t o o n ’ s w o r k b e c a u s e it a l w a y s t o ld a s t o r y . W it h r e a lis m y o u c a n b r in g a l m o s t a n y t h in g t o life , a n d a l w a y s t h o u g h t t h a t w a s m e a n i n g f u l t o t h e p e r s o n w e a r in g it . Es p e c i a l l y w i t h p o r t r a i t s , t h e r e ’ s s o m u c h a t s t a ke , b u t w h e n i t c o m e s o u t r i g h t , it c a n m a ke y o u f e e l l i k e t h a t p e r s o n i s a l i v e o n y o u r s kkii n . W HAT K KII N D O F T A T T O O S D O Y O U L O O K F O R W A R D T O DOIN G? A n
y t h in b e s p e c i fi c th o a n y r e lig io u s , s c a n p r e t ty m u
g t h a t h a v e n ’t d o n e u g h , w o u ld s a y e n p o r ts - e la t e d , o r a n im c h h a v e f u n w it h a n y
b e fo re . T o jo y d o i n g a l ta tto o s . s u b je c t
m a t te r a s lo n g a s t h e r e ’s a w a y t o p u t a lit t le o f m y s t y le in t o it . H O W D O Y O U S E E T H E B L A C KK-A N D -G R A Y S C E N E E VO L V V-
T h e b l a c k- n d - r a y s c e v o lv in g . T h e r e a r e s o m a n t h e r e n o w a n d i t ’ s n o t ju s t r e p lic a t e a r e a lis t ic i m a g e . s i ze i t o u t a n d m a k e i m a g e t h a n a t o t e m - o l e - o o ki n g ING?
e n e i s c o n s t a n t ly y g o o d a r tis t s o u t a b o u t b e in g a b le t o t ’s a b o u t h o w y o u s fit th e b o d y ra t h e r s le e ve o f p o rtra its .
TO SE E M ORE TATTOOS VISIT INK KEE D M A G .C O M
CR E A E IN CO M E AN D IN CR E AS E Y O U R N E T W O R T H T , S T O S C O W - C O W L O S L H I S H T H I T H I T E W I C E A C T P S T A S F A Y F R Y E R V E A V T A A T A . L . E L D E O D M O S M S S E S I N N E S I U S B U E N B V E N R O V P R O •
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y s p e c ia l t y in c o l o r c o m e s f r o m s t u d y in g c o lo r t h e o r y a n d a p p ly in g w h a t le a r n b y p r a c t ic in g w it h c o lo r e d p e n c ils a n d o ils . t e n d t o w o r k s lo w ly in o r d e r t o b u ild u p m y c o lo r s a t u r a t i o n w h i c h c r e a t e s m i n i m a l t r a u m a t o t h e s ki n o r p a p e r . h a v e f o u n d t h a t t h is te c h n iq u e a l lo w s m e t o a c h i e v e m u l t ip le l a y e r s a n d c r e a t e s m o r e vib r a n t p ie c e s . W H A T D O YYO O U F I N D T H E M O S T C H A L LE LE N G I N G A S A N
T h e m o s t c h a lle n g in g t h i n g fi n d a s a n a r t i s t i s t h e s e n s e o f a c h i e v e m e n t w i t h m y w o r k.
A R TI S T?
b ’ m e t a o l ow a c y r is t i c t r a y l i n o g f m t o y b s e e lc f o b m y e r i p b p e i t n t ge r p ie c e i n s t e a d o f g iv in g m y s e lf c r e d w e ll d o n e . g u e s s it ’s t h e r e le n t le s h a v e t h a t w ill n o t a l lo w m e t o s e e h a ve d o n e w a s g o o d e n o u g h .
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d o a lo t o f d r a w in g a n d a s p e c ia l t e c h n iq u e c r e a t e d c a l l e d “b r e a k d o w n . ” l o o k a t a p h o t o o b je c t f r o m a d i s t a n c e a n d b r e a k d o w n s h a d o w s , c o l o r , b l e n d s , a n d l i ke n e s s . B y d o i n g t h it a llo w s m e t o s t u d y m y p i e c e s a n d t o g a in a s e n s e o f d ir e c t io n t o t r a i n m y e y e s t o s e e w h c o l o r s i t w o u l d t a ke t o m a n i p u l a t e t h e p i e c e .
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w a n t a ll m y c lie n t s t o b e b lo w n a w a y b y th e ir t a t t o o . w a n t a n y o n e w h o s it s in m y c h a i r t o f e e l l i ke t h e i r t a t t o o i s i m p o r t a n t a n d t h a t it is a n h o n o r fo r m e t o t a t to o t h e m . h o ld e ve r y o n e i n t h e h i g h e s t r e g a r d a n d w a n t t h e m t o t a ke h o m e a p ie c e o f m e , a n d t o s a y t h a t , n o t o n ly w a s t h e a r t w o r k a w e s o m e , b u t t h e e xp e r ie n c e w a s s o m e t h in g t h e y w ill n e v e r fo r g e t . TATTOOS ?
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