Indian Classical Music Theory and Raga
October 15, 2017 | Author: Chinmaya Rath | Category: N/A
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indian classical music theory...
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Indian Classical Music Theory and Raga (Raag/Raaga/Rag) & Tabla Tal (Taal - rythm) brief: Thaat: All Ragas have been derived from one of the following 10 Thaats: Bilaval - SA RE GA MA PA DHA NI SA. - All pure notes Kalyan - SA RE GA MA' PA DHA NI SA. - MA' tivra Khamaj - SA RE GA MA PA DHA ni SA. - ni komal Bhairav - SA re GA MA PA dha NI SA. - re and dha komal Poorvi - SA re GA MA' PA dha NI SA. - re and dha komal and MA' tivra Marva - SA re GA MA' PA DHA NI SA. - re komal and MA' tivra Kafi - SA RE ga MA PA DHA ni SA. - ga and ni komal Asavari - SA RE ga MA PA dha ni SA. - ga, dha and ni komal Bhairavi - SA re ga MA PA dha ni SA. - re, ga, dha and ni komal Todi - SA re ga MA' PA dha NI SA. - re, ga and dha komal and MA' tivra
Thaat
Aroh Avroh Pakad - Mukhyang (ascending (descending (main structure of ) ) raga)
Vadi (mai n note)
Samvad i (second main)
Time of singing Remark or s playing
1 Aabhogi
Kafi
S R g M D S. n D M g S. RS
.D S R g M R S
S
M
morning
Abhogi Kanhra
Kafi
S R g M D S. D M g R S. S, .D S
MgRS, .DSRg, MDMg, RS, .D S
S
M
10 am to 1 pm
Asavari
S R M P, d S. d n P M N S. P, g M R S
S. d N S. , d , n PMP, S. gMRS
P
1 to 4 am
Raga No.
2
3 Adana
4 Ahir Bhairav Bhairav
5
Alahiya Bilaval
Bilaval
S r G M, P S. n D P, M G M r S, .D .N r S D n S. GrS
M
S
morning .
SR S. NDP, GMGR, DnDP, MG GP, D N S. MRS
D
G
remove morning komal n for
G R GP,MGMR, GPDnDP
bilaval 6 Asavari
S R M P d S. n d P M g R M P, n d P, d M P, Asavari D S. RS gRS
7 Bageshri
Kafi
S g M D n S. n D M g S. RS
S .n .D S, M g, M D n D, Mg, M g R S
8 Bahar
Kafi
.n S, g M S. n D n P, P, g M, n D M P g M R N S. S
M P g M D N S.
9 Basant
Poorvi
10 Bhairav
Bhairav
11
Bhairavi
G
10 am . to 1 pm
M
S
10 am to 1 pm
M
S
10 am to 1 pm
r. N d P, M' S G M' d r. M' d r. S., r. N d P, G, M' d M' S M' G M' G G,rS
S.
P
4 to 7 am
S r G M P S. N d P d N S. MG r S
D
R
7 to 10 am
M
S
morning
DM r , GMP, MG, r S
Bhairav S r g M P d S. n d P M g S g M P, d -- p i n S. rS
12 Bhimpalasi
Kafi
.n S g M P S. n D P M n S. gRS
.n S M, M P g, M g R M S
S
10 am to 1 pm
13 Bhupali
Kalyan
S R G P D S. D P G R S. S
GRS.D, SRG, PG, DPG, R S
G
D
7 to 10 pm
14 Bihag
Bilaval
.N S G M P S. N D P M .NS, GMP, GMG, RS G N S. GRS
N
7 to 10 pm
15 Bihagra
.N S G, G S. N D, n D GMPDnDP, Bilaval M P D n D P, G M G R GMGRS P, N S. S
M
S
Some 10 pm use M' to 1 am also
Bhairav S r g, M G, S. r. n d P, i P d, n d, S. M g r g r S
d
g
10 am to 1 pm
D
G
morning .
g M N d M g M g .N M S
S
mid night
S. NDP, M' S, RGMP, PDP, Kalyan DP, ND, S. RGMP, GMRS
P--R, RGMP, MG MR, S
R
P
7 to 10 pm
.n S R g R S. d n P, M Asavari S, M P d n P, g M R S R. S.
g M R S, .d .n S R S
R
P
10 am to 1 pm
16
Bilaskhani Todi
17 Bilaval 18
Chandrakaun s
19 Chayanat
20
Bilaval
Darbari Kanhdra
.d S r g, Mg, r g, r S
S R G M P S. N D P M G R GP, DNS. D S. G RS .N S g M d S. N d M g N S. MgS
21 Des
Kamaj
S R M P N S. n D P M S. GRGS
P
R
7 to 10 pm
22 Deshkar
Bilaval
S R G P D, S. D P, G R D D P, G P D P, G R D S. S S
G
7 to 10 am
23 Desi
R g R S R S. P -, D M RgRSR.nS, Asavari .n S, R M P P R g S R .n RMPDMPgRgRSR.n P n S. S S
R
10 am to 1 pm
24 Dhanashri
Kafi
S
1 to 4
.n S, g M
RMP, nDP, DMGR, G.NS
S. n D P, M .n S, GMP, g ,
P
Some consider R vadi and P samvadi
P, n S. 25 Durga
P g, M g R S MgRS
R G R M, G R S, M R P M P, D S.
S. n D n P, D G P M, R RGRM, GRS, PM, G R M G R PD, S. , D P M S
26 Gaur Malhar
Kafi
27 Gaur Sarang
S, GR, M' S. DNP, Kalyan G, PM' , DM' PG, DP, ND, S. MR, PR, S
28 Gurjari Todi Todi 29 Hamir
pm
S R M P D S. D P M R Bilaval DMR, MPDMR, .DS M S. S
S r g M' d N S.
SRS,G Kalyan M D, N D S.
S. n d M' g r, g r S
S, GRMG, PRS
S
10 am to 1 pm
M
S
1 to 4 pm
G
D
7 to 10 am
r
10 am to 1 pm
G
7 to 10 pm
.d .n S r g, r S, M' g r d grS
S. N D P, M' P D P, G M S R S, G M D RS
D
Some consider thaat Bilaval
P
7 to 10 pm
Some consider G - Vadi and NSamvadi
D
G
7 to 10 am
N is used less to avoid Sohni
R g RS, .n.D.P, R, GM, R g R S
R
P
10 am to 1 pm
S RM P d n S. n d P, M S. gRS
RMP, n d P, d M P, gRS
d
g
10 am to 1 pm
Khamaj
S R G M P S. n D P M D n S. GRS
.DS, RM, G, PMGR, G S.n.D.P
n
10 am 10 am to 1 pm to 1 pm
35 Jogiya
Bhairav
SrMPd S.
S. N d P M r M, r S, S r r M r S S
M
S
morning
36 Kafi
Kafi
SRgMP D n S.
S. n D P M gRS
P
R
1 to 3 pm
37 Kalavati
Khamaj
S G M P D S. n D P M n S. GRS
G M P D n D, M P D P MG
S
10 pm . to 1 am
38 Kamod
Kalyan
S.NDP, M' S, RP, M' RP, M' PDP, PDP, GMP, PDP, NDS. GMP,GMRS GM, RS
P
S
7 to 10 pm
Kausi Kanhda
Asavari
SRgMP D n S.
S. n D P M gRS
M
S
10 pm Bageshri to 1 am Ang
40 Kedar
Kalyan
S M, M P, D P, N D S.
S. NDP, M' PDPM, PMRS
S M, M P, D P M, P MRS
S
M
7 to 10 pm
41 Khamaj
Khamaj
S G M P D S. n D P M N S. GRS
G M P D n D, M P D,MG
G
N
10 pm to 1 am
42 Lalit
Marva
.N r G M,
.NRGM, DM', MG,
M
S
4 to 7
S G R, G P, N S.
S. N P, G P SGRS, .N.P, GR, G R, S GPGR, S
30 Hansadhvani
Bilaval
31 Hindol
S G, M' D Kalyan N D, S.
32 Jai Jai Vanti
Kamaj
S, R g R S, S. n D P, G .n .D.P, R, M, R g R S GMP, NS.
33 Jaunpuri
Asavari
34 Jhinjhoti
39
S. , N D , M' SG, M'DND, M'GS G,S
R. N D, M'
SS RR gg MM P
S
.
.
43 Madhuvanti 44
Todi
Madhyamad Kafi Sarang
M' M G, M' D S.
D M' M G, RS
M'GRS
.N S g M' P N S.
S. N D P M' .NSGM'P, M'GRS gRS
.n S R M P S. n P , M R .nSR, RMRPR, nP, n S. S MRS
am P
S
4 to 7 am
R
P
7 to 10 am
45 Malgunji
Kafi
.D .N S R S. N D P M G M, G M, GMgRS, .D.nSRGM S G, M g R S D N S.
M
night
46 Malkauns
Bharavi
.n S g M d S. n d M g n S. MgS
M
S
1 to 4 am
Maluha 47 Kedar
.N R S, G M P, D P Bilaval M, M P N S.
S. N D P, G .NSGMP, GMRS, MPGMR .D.P.M.P.NS S
M
S
10 pm to 1 am
48 Mand
SGRM Bilaval G, P M D P, N D S.
S. D N P, D S, RG, S, R, MMP, M P G M S D, PDS.
S
P
all time
49 Maru Bihag
Kalyan
M' G, RS, RS, .N S G M P S. N D P, M' SMGP, M' G M' G N S. G M' G R S RS
G
N
10 pm to 1 am
Marva
.N r G M' D N S.
S. N D M' G D, M' G r, G M' G r S D rS
R
It is a Sandhi evening Prakash Raga
Kafi
S R M R, S. n D n P, SRS, .nD.nP, M P n D N M P, M R M .M.P.n.D.NS, R, MR, R S. R, S .N S PMR.NS
P
10 am to 1 pm
52 Miya Malhar Kafi
R M R S, S. n D, n M RMR S .n .p, .M .P .n M R P, M M P, g M R S .D .N S, P g M R S P n D, N S.
S
10 pm to 1 am
53 Multani
Todi
.N S g M' P S. N d P M' .N S, M' g, P g, r S N S. grS
P
S
1 to 4 pm
Nand Anandi
Kalyan
SGM,P D , N P S.
S
P
10 pm to 1 am
55 Pahadi
Bilaval
S R G P D S. D P , G P, G, RS, .D, .P.DS S. GRS
S
P
all time
56 Paraj
Poorvi
S. N d P, M' .N S G, M' S., N d P, M' P d P, P d P, G M d N S. GMG G, M' G r S
S.
P
4 to 7 am
Kafi
S g M P N S. N D P M D P, g, M P N S. S. gRS
S
1 to 4 It's N is pm little (toward sharper s 4 pm)
Kafi
.N S G M P N S.
N
1 to 4 pm
50 Marva
51
54
Miya Ki Sarang
57 Patdeep
58 Piloo
M g, M d n d, M g, M g, S
S. D, N P, D M' P, G M GMDP, RSGM DPRS
P
S. n D P n d .P .N S R g S, G M P PdPMgS G g S, .N S .N S
All 12 notes are used in this raga
M'
It is a Sandhi evening Prakash Raga
r
It is a Sandhi evening Prakash Raga
G
N
It is a Sandhi evening Prakash Raga
M
S
10 pm to 1 am
M
S
rainy season
P
S
morning
S R M D N S. N D M, D S. MRS
M
S
midnigh t
R. n D P M' S R M' P, n R M P, M' R D P, n D S. S
P
R
midnigh t
G
N
10 pm to 1 am
P
S
midnigh t
P
It is a Sandhi evening Prakash Raga
D
7 to 10 pm
Marva
.N r S, G, M' D, N r. S.
S. N D M' G G, .N r S, rS .N.D.N.M'.D, r S
Poorvi
.N r G M' P, D P, N S.
S. N d P, M' .N r G, M' P, DP, M' G M' r G, r G, M' r G, r S S
61 Poorvi
Poorvi
.N r G, M' P, d N S.
S. N d P M', .N, S r G, MG, M' G GMG, r S rS
62 Rageshwari
Khamaj
S G M D N S. n D M G S. RS
Ramdasi 63 Malhar
Kafi
S. n D n P, .N S, R G D P M, P g, M, n D n P RPMGM, nPgMRS M P g, M R N S. S
64 Ramkali
Bhairav
SrGMP d N S.
65 Rasranjani
Bilaval
66 Saraswati
Khamaj
67 Shankara
S. NP, ND Bilaval S G P N S. S. NP, GPGS
68 Shivranjani
Kafi
SRgPD S.
69 Shri
Poorvi
S. Nd P, M' S r r S, r M' S r r S, r M' P, d M' G P d M' G r, R P N S. rGrS PrGrS
Shuddh 70 Kalyan
S. N D, N D S R G P D P, M' G R, GRS, .N.D.N.D.P, S, Kalyan G S. G R P R G GR, PR, GRS RS
59 Pooriya
Pooriya 60 Dhanashri
GMDN S. n DM, GMRS, .D .n S G M
S. N d P, M' d P, M'PdndP, GM', P d n d P, G r PMG r S MrS
S. NP, ND S. NP, GPGS
S. D P g R S
G
P
71
Shuddh Sarang
Kafi
S R M P, M' P N S.
S. N D P M' GRS
R
P
10 am to 1 pm
72
Shyam Kalyan
Kalyan
.N S R M' P N S.
S. N D P M' .N S R M' P, G M R P G M R .N .N S S
P
S
7 to 10 pm
73
Sindhu Bhairavi
Asavari
SRgMP d n S.
S. n d P M g RS
M
S
10 am to 1 pm
Marva
S G M' D N S.
S. r. S. N D, S. N D, G M' DNS. G M' D, G r. S. M' G, M' G r
D
G
4 to 7 am
74 Sohni
S 75 Sughrai
Kafi
S. D, N P, .n S R g, M M P, g , M P, N S. RS
.n S R g, MP n P, DP, MP g MRS
P
S
10 am to 1 pm
R
P
10 pm to 1 am
G
N
10 pm to 1 am
S. N d P M' .d NS, r , g r, s, M'g r d grS grS
g
10 am to 1 pm
S R G S, R S. P D M G, .P.NSRG, S, RPMG, 76 Tilak Kamod Khamaj M P D, M S R G, S .N S.N P, S. 77 Tilang
Khamaj
S G M P N S. n P M G S. S
.NSGMP, NS. , S. nP, GMGS
78 Todi
Todi
S r g M' P d N S.
79 Vibhas
Bhairav
S r G P d P S. d P G P d S. P, G r S
d , P , GP, G r S
d
G
morning
.N S R, MR, PMR, S P
R
10 am to 1 pm
80
Vridavani Sarang
Kafi
S R M P N S. n P M R S. S
81
Yaman Kalyan
Kalyan
S R G M' P S. N D P M' .N R G, R S, P M' G D N S. G RS RS
G
N
7 to 10 pm
Bilaval
.N R G, M S. N D P, M' .N R G, M' PMG, R G P, M' P M G, R G RGRS P, D N S. R S
P
S
morning
Yamani 82 Bilaval
Taal 1. Teen Taal - 16 beats , most important taal in indian classical music Dha Dhin Dhin Dha
Dha Dhin Dhin Dha
Dha Tin Tin Ta
Ta Dhin Dhin Dha
1
5
9
13 14
2
3
4
X
6
7
8
2
10 11 12
0
15
16
3
2. Dadra - 6 beats , used mostly in bhajan, thumri and some film songs Dha
Dhi
Na
Dha
Ti
Na
1
2
3
4
5
6
X
0
3. Keharwa - 8 beats , most popular taal used in film songs, bhajan etc. This taal has many variations and is used differently in songs Dha
Ge
Na
Ti
Na
Ka
Dhi
Na
1
2
3
4
5
6
7
8
X
0
4. Roopak - 7 beats Ti
Ti
Na
Dhi
Na
Dhi
Na
1
2
3
4
5
6
7
0X
2
3
5. Jhap - 10 beats Dhi
Na
Dhi Dhi Na
Ti
Na
Dhi
Dhi
Na
1
2
3
6
7
8
9
10
X
4
5
2
0
3
6. Ek - 12 beats Dhin Dhin DhaGe Tirkit Tu Na Kat Ta DhaGe Tirkit Dhi Na 1 X
2
3 0
4
5 6
7
2
0
8
9 3
10
11 12 4
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