I Will Follow Him

August 31, 2018 | Author: Antonieta Giovanni | Category: Entertainment Award, Entertainment (General), Leisure
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Descripción: I Will Follow Him from "Sister Act" Piano score and SATB...

Description

I Will Follow Him from the Film “Sister Act”

Chorus (SATB) & Piano Arr.: John Glenesk Mortimer

F. Pourcell / J. Plante / P. Mauriat EMR 14561

EMR 14561 Chorus (20 parts) & Piano EMR 2755 Chorus (20 parts) & Brass Band EMR 10038 Chorus (20 parts) & Wind Band

Print & Listen Drucken & Anhören Imprimer & Ecouter

www.reift.ch

Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail : [email protected] • www.reift.ch

DISCOGRAPHY

Cinemagic 4 conducted by Marc Reift

1

Star Wars *

John Williams / Arr. J.G. Mortimer

2’57

2

Flashdance... What A Feeling ** 2’42

3

Mission Impossible **

Giorgio Moroder / Arr. J.G. Mortimer Lalo Schifrin / Arr. Jérôme Thomas

4

Henri Mancini / Arr. Jérôme Thomas Saxophone Solo: Borys Secký Trumpet Solo: Miroslav Surka Trombone Solo: Svatopluk Kosvanec

6

7

4’42

10

Bodyguard (I Will Always Love You) ** 4’20

Vincent Youmans / Arr. Hardy Schneiders

Dolly Parton / Arr. J.G. Mortimer Vocal: Carole Rey

11

Sun Valley Serenade **

3’37

(Moonlight Serenade) 12

My Name Is Bond *

5’18

Chariots Of Fire *

3’08

Chess (I Know Him So Well ) * Well)

3’30

Chess

3’20

Norman - Bart / Arr. J.G. Mortimer

13

Benny Hill

14

**

1’57

La Grande Vadrouille (Tea For Two)** 2’18

(I Will Follow Him) ** 2’44 Pourcel - Plante - Mauriat / Arr. J.G. Mortimer (Yackety Sax)

**

Glenn Miller / Arr. Jérôme Thomas

Sister Act

Rich - Randolph / Arr. Hardy Schneiders Saxophone Solo: Borys Secký

(Summertime)

9

Hair (Aquarius - Let The Sunshine In) **4’41 Peter Gunn **

Porgy and Bess

George Gershwin / Arr. Hardy Schneiders Trombone Solo: Stanislav Penk

3’27

Galt MacDermot / Arr. Jérôme Thomas

5

8

1’43

* Philharmonic Wind Orchestra ** Marc Reift Orchestra All compositions published by Editions Marc Reift Route du Golf • 3963 Crans-Montana (Switzerland) Tel.: 027/483 12 00 • Fax: 027/483 42 43 • E-Mail: [email protected] Warning : all rights reserved Unauthorized duplication is a violation of applicable laws. C & P by Marcophon / Editions Marc Reift

Vangelis / Arr. J.G. Mortimer

Andersson - Ulvaeus - Rice / Arr. J.G. Mortimer

15

(Anthem ) Anthem)

*

Andersson - Ulvaeus - Rice / Arr. J.G. Mortimer

MARC O • PHON

LC

1374

CD 7022

Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

I Will Follow Him | Photocopying is illegal!

from the film “Sister Act”

Franck Pourcell / Jacques Plante / Paul Mauriat

Slow q = 88

Arr.: John Glenesk Mortimer

p

Chorus (SATB)

    



I will fol - low

     



him,

    







fol - low himwhere -ev - er

Piano

p

 

4

  

        



And near him I

   

  

al - ways will

         3

         

 

may go.





     

 







  

        

       



3

3

be,

for

no - thing can keep me

3

     3



a -

        



3

3

            

3

3

he

     



       

  



p

   



     3

  

EMR 14561 © MCA MUSIC FRANCE / MCA MUSIC GMBH HAMBURG EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED

3

3

         

  www.reift.ch

4 8

 

   3

way,

he

 

is

my

des

   3

3

 



  



12

-



      

  





ti - ny.

 

 



  

      

  

      

  

       

   deep,



  

              

   



knew,



 

3

 

    3

high it

can keep,

   

3

     

 



  



  

     

  

3

there is - n’t an

3

          



3

 

 

3

 

keep

me

a

3

 

 

 



    

3

o - cean too

3





him,

   



      

a moun - tain so

   

I



   



  



16





        

3

   

I will fol - low

  

e - ver since he touched my heart

 



3

     

 

  



  -

way,

 

3

      cresc.

 

  



                          f              EMR 14561

www.reift.ch

3                    

20

3

a - way from his

from his love.

love.

3                     3

    

          

   

     

25

 

 

  



  



       







p

 



Bright q = 138



 

   

f















                                                                                                       love him,

I love him,

I love him, and where he goes I’ll fol - low,

I’ll fol - low,

f

29

    

   



      

   



fol - low.

        

I

  





f                                          



I



5

willfol - low



fol - low himwhere - e - ver

he

EMR 14561

 

    

may go.

        

                                         

    

  

        

him,

I’ll

  

                  



 

www.reift.ch

6 33

  

  

There

     

37

  keep,



 



   3

keepme



41



 



 

    

   

 

        







      

      



he

will fol - low



may go.

  



                          







EMR 14561

can

3

3

   



him,

                  

 



so high it

     



    

  

          



mountain

          

 

3

3

    



    

         

        



     

     

I













fol - low himwhere - ev - er

  

       

a - way.



a

  

3

3

3



 

o - cean too deep,

   



  

   

 

3

is - n’t an

   



      

   

3



    

3

     

there is - n’t an

     

 

     









3

  

o - cean too

   3

 

3

  



 www.reift.ch

Bearbeitungen für Chor (SATB) und Blasorchester / Brass Band Diese Bearbeitungen sind in erster Linie als Blasorchesterwerke mit fakultativer Mitwirkung eines Chors konzipiert. Die Instrumentenstimmen sind selbständig, so dass der Dirigent ohne weiteres den Chor streckenweise auslassen darf. Andererseits kann er auch gewisse Instrumentalverdopplung streichen, um eine grössere Transparenz zu erzielen. Schliesslich kann der Chor ganz oder teilweise durch eine Solostimme ersetzt werden.

Arrangements pour Choeur (SATB) et Harmonie / Brass Band Il s’agit d’arrangements qui sont conçus au départ comme oeuvres instrumentales avec la participation facultative d’un choeur. L’écriture pour harmonie est ainsi complète en elle-même, ce qui permet au chef d’adapter la partition en supprimant le choeur à certains moments s’il le désire. Par contre, il pourrait aussi éliminer certaines doublures instrumentales pour alléger l’accompagnement. Le choeur peut être entièrement ou partiellement remplaçé par une voix solo.

Arrangements for Chorus (SATB) and Concert Band / Brass Band These arrangements are conceived primarily as band works, with optional additional chorus. The band parts are self-sufficient, so the conductor should feel free to adapt the score as he wishes by leaving the chorus out at certain moments, or on the contrary by reducing the band’s doubling of the choral parts to lighten the texture. The chorus may also be entirely or partially remplaced by a solo voice.

Titel

Composer

Edition N° Concert Band (Price)

Edition N° Brass Band (Price)

1492 «Conquest of Paradise» Alexandrie, Alexandra Amen from the «Messiah» Anvil Chorus Auld Lang Syne Ave Maria païen Bohemian Rhapsody Chess (Anthem) Choral / Sinfonia + Gavotte Conquistador Dona Nobis Pacem Don’t cry for me, Argentina (+ Solo Voice) Egyptian March Gloryland (+ Solo Voice ) Gospel Train Greensleeves Hark, The Herald Angels Sing Highlights from Carmen Hymn To Red October I Will Follow Him (Sister Act) Ihr Kinderlein kommet / Lasst uns Il est né, le divin enfant Irish Eyes Jingle Bells Joy To The World La Mer Les anges dans nos campagnes Les Lacs du Connemara Les Trois Cloches (+ Solo Voice) March Of The Three Kings Merry Christmas Money, Money, Money Moscow Nights Music Non Nobis Domine (Henry V) O Come, All Ye Faithful O Du Fröhliche O Holy Night O Tannebaum / In Dulci Jubilo Ode To Joy Oh Happy Day One Moment in Time Pie Jesu Pomp And Circumstance Nr. 1 Qu’est-ce qu’on attend pour être heureux Requiem Aeternam Samba Olé Stille Nacht / Kommet Ihr Hirten Süsser die Glocken nie klingen The First Nowell Time to say Goodbye / Con te partirò Triumphal Scene From Aida Troy Viva Verdi Vom Himmel hoch / Leise rieselt We are the Champions We Are The World We Have A Dream We Wish You A Merry Christmas

VANGELIS FRANCOIS, Claude HÄNDEL, Georg Fr. VERDI, Giuseppe ARMITAGE, Dennis PLAMONDON / COCCIANTE QUEEN / MERCURY ANDERSSON / ULVAEUS BACH / HÄNDEL MORTIMER, J.G. BACH, Johann S. WEBBER, Andrew L. STRAUSS, Johann RICHARDS, Scott TAILOR, Norman TRADITIONAL TRADITIONAL BIZET, Georges POLEDOURIS, Basil POURCEL / MAURIAT TRADITIONAL TRADITIONAL TRADITIONAL TRADITIONAL TRADITIONAL TRENET, Charles TRADITIONAL SARDOU / DELANOE / REVA GILLES TRADITIONAL SCHNEIDERS, Hardy ABBA MORTIMER, J.G. MILES, John DOYLE, Patrick TRADITIONAL TRADITIONAL TRADITIONAL TRADITIONAL BEETHOVEN, Ludwig van TRADITIONAL HAMMOND / BETTIS WEBBER, Andrew Lloyd ELGAR, Edward HORNEZ / MISRAKI TAILOR, Norman NORIS, Günter TRADITIONAL TRADITIONAL TRADITIONAL BOCELLI, Andrea VERDI, Giuseppe HORNER, James VERDI, Giuseppe TRADITIONAL QUEEN / MERCURY JACKSON / RICHIE BOHLEN, Dieter TRADITIONAL

EMR 1579 (Pa) EMR 10093 (Na) EMR 1342C (Gf) EMR 10137 (Ma) EMR 1674 (Ma) EMR 10094 (La) EMR 1573 (Sa) EMR 1578 (Oa) EMR 1358C (Gf) EMR 10163 (Ua) EMR 1344C (Gf) EMR 1545 (Pa) EMR 1951 (Na) EMR 1547 (Ma) EMR 1535 (Ta) EMR 10317C (Oa) EMR 1760C (Ma) EMR 1581 (Ua) EMR 10240 (Na) EMR 10038 (Oa) EMR 1366C (Ma) EMR 1368C (Ma) EMR 10329 (Ma) EMR 1758C (Ma) EMR 1772C (Ma) EMR 10331C (Na) EMR 1759C (Ma) EMR 10082 (Qa) EMR 10046 (Na) EMR 1765C (Ma) EMR 1770C (Ma) EMR 10081 (Oa) EMR 1574 (Sa) EMR 1576 (Ua) EMR 10185 (Ja) EMR 1771C (Ma) EMR 1764C (Ma) EMR 1773C (Ma) EMR 1762C (Ma) EMR 10156 (Ma) EMR 10041 (Ma) EMR 1575 (Oa) EMR 10324C (Ma) EMR 10124 (Ua) EMR 1826 (Ka) EMR 10085 (Pa) EMR 1843C (Ma) EMR 1757C (Ma) EMR 1769C (Ma) EMR 1761C (Ma) EMR 1577 (Oa) EMR 10126 (Va) EMR 10182 (Oa) EMR 1582 (Xd) EMR 1763C (Ma) EMR 1580 (Oa) EMR 1865 (Na) EMR 10057 (Na) EMR 1767C (Ma)

EMR 1636 (Na) EMR 1343C (Ga) EMR 2970 (La) EMR 2582 (La) EMR 2973 (Ja) EMR 2560 (Qa) EMR 2547 (Na) EMR 1359C (Ga) EMR 2914 (Ta) EMR 1345C (Ga) EMR 2546 (Oa) EMR 2761 (Ma) EMR 2583 (La) EMR 2580 (Sa) EMR 2778C (La) EMR 1685 (Qa) EMR 2755 (Na) EMR 2776C (La) EMR 2633C (La) EMR 2757C (La) EMR 2626C (La) EMR 2763C (La) EMR 2768 (Ma) EMR 2653C (La) EMR 2762C (La) EMR 2991 (Ma) EMR 2579 (Ra) EMR 2538 (Ta) EMR 2969 (La) EMR 2764C (La) EMR 2771C (La) EMR 2772C (La) EMR 2774C (La) EMR 2758 (La) EMR 2518 (Na) EMR 2974 (Qa) EMR 2880 (Na) EMR 2542C (La) EMR 2777C (La) EMR 2775C (La) EMR 2652C (La) EMR 2570 (Na) EMR 2972 (Ra) EMR 2933 (Na) EMR 1680 (Ua) EMR 2773C (La) EMR 2571 (Na) EMR 2769 (Ma) EMR 2867 (La) EMR 2770C (La)

Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

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