Humo Hamza - Grozdanin Kikot
April 8, 2017 | Author: Ismet Korac | Category: N/A
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Hamza Humo
GROZDANIN KIKOT
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V_-S r ARªJS3-SRWUW63 rt. 7^ r.s ffi a" o Si 33 s: 9 3 2*. to R3-(61,..$235,329-('$ý RGORPFL U YULMHPHNDGMHSLVDR*UR]GDQLQNLNRW+XPRMHQDSLVDRLVYRMXPRåGDQDMEROMXNUDWNXSULSRYLMHWNX6HY-dalijina OMXEDY 6USVNLNQMLåHYQLJODVQLN XNRMRMMHNDRSULSRYMHGDþWDNRÿHUJRYRULRMH]LNRPSMHVQLND.DGDVH SRMDYLODXNQML]L3RGåUYQMHPYUemena (SaraMHYR SUYRM+XPLQRM]ELUFLSULSRYMHGDND-RYDQ.UãLüMHRQMRM napisao: 6HYGDOLMLQDOMXEDYXPHWQLþNLQDMXVSHOLMDSUL-SRYHWNDLVSDGDGRQHNOHL]RNYLUDLDWPRVIHUHüHOH]ELUNH8VHYGDOLML %LEHUXURÿHQRPEUDWXûRUR-YLüHYD=XOXPüDUDDQDliziran je pun pojam sev-dalije. To je orijentalni Don Zuan koji YROLVYHåHQHLNDGDJD]DþDVDN]DQHVHLRSLMHOMXEDYMHGQHåHQHRQüHXWRPRVHWLWLVODERVWNRMXüHSREHGLWL VQDJRPSUHJDUDQMDLXWHãLWLVHSHVPRPLYULVNRPNUR]PDKDOX6HYGDOLMDMHþRYHNNRMLåLYLXVYHWXVODWNRJþHPHUDL åDOEH]DåLYRWRPMHUMHYHþQRåHGDQåLYRWDLDNRJDVWDOQRSLMHQDQMHJRYLPQDMþLVWLMLPL]YRULPD -RYDQ.UãLü3RGåUYQMHPYUHPHQD- pripovetke Hamze Hume" (1928), Sabrana djela, 1, Sarajevo, 1979, str. 167. - 3RYRGRPLVWHNQMLJH$ORM]6PDXVMHXþDVRSLVX0LVDR]DSLVDR $NRVHXRYRPSULND]XQLMHSRVHEQRJRYRULORR 6HYGDOLMLQRMOMXEDYLLQDþHMHGQRMRGQMHJRYLKQDMOHSãLKSULSRYHGDNDWUHEDVHVHWLWLGDMHWDSULSRYHWNDUDÿHQDX åDQUX*UR]GDQLQRJNLNRWDLNDUDNWHULãHVWRJDVDPRUDQLMHYHüLVWLFDQHRVRELQHSLãþHYRJWDOHQWD 0LVDR VY 5/6, str. 362). 2WDNYLPOLNRYLPDSULþDRMHGRGXãHYHü6YHWR]DUûRURYLü 0RåGDYLãHQHJR]XOXPüDU+XPLQRPVHY-daliji %LEHUXMHURÿHQLEUDWRQDMûRURYLüHYPODGLDGåD-mija Osman-beg, iz pripovijetke "Osman-EHJRYDãDU-gija", kojeg åHQVNDOMHSRWDRSþLQMDYDVDPRGRNPXQLMHXSRVMHGXLVDPRGRWOHGRNMHSMHVPRPLãDUJLMRPPDPL $OLGRNMH ûRURYLüRWDNYLPOLNRYLPDSULþDRNDRR]DQLPOMLYLPLþXGQRYDWLPOMXGLPDNoji su po svojoj neoELþQRVWLYULMHGQL SULþH+XPRMHXVHYGDOLMLQRMOMXEDYLVDåLYOMHQRXURQLRXVDPVYLMHWGHUWDLVHYGDKD,WRQLMHELODDQDOL]DWRJVYLMHWD NDNRMHSRPLVOLR.UãLüYHüQHSRVUHGDQLGXERNGRåLYOMDM
8SUDYR]DWRãWRMHNRQFLSLUDQDNDRGRåLYOMDMDQHNDRGLVWUDQFLUDQLDQDOLWLþNLSULND]WD+XPLQDSULSRYLjetka je XPMHWQLþNLYUORXVSMHãQRULMHãLODRVQRYQLVWYDUDODþNLSUREOHPNRMLMRMMH]DGDRVDPVYLMHWRNRMHPRQDJRYRUL-HUWDM VYLMHWMHVDY]DSUDYRVDPRMHGQRUDVSRORåHQMHLYLãH]ELYDQMHXGXãL XLVWLQXXGYLMHNRPSOHPHQWDUQHGXãHXGXãL VHYGDOLMH%LEHUDLXGXãLGMHYRMNH,ãH QHJR]ELYDQMHXYDQMVNRPVYLMHWX$RQRVWRMHXFMHOLQLVD]GDQRRGWDNYHslikovno neuhvatljive i pojmovno neshvatljive - GXãHYQHJUDGH]DKWLMHYDRGXPMHWQLNDDGHNYDWDQL]UDåDMDQREOLNX NRMHPQHVPLMHGRPLQLUDWLQLãWDãWRLVDPRQHWUHSHULNDRGXãDQLãWDãWRMHRGYHüþYUVWRLSUHFL]QRQLNDNYDMDVQDL zausWDYOMHQDVOLNDQLNDNYDORJLþQRUD]YLMHQDSULþD86HYdalijinoj ljubavi Humo je zaista uspio da iznese pred nas MHGQRåLYRVWDQMHGXãHQHGDELJDXþLQLRSUHGPHWRPSURPDWUDQMDLSRLPDQMDYHüGDELJDL]ORåLRQDãHPQHSRVUHGQRPGRåLYOMDYDQMXNDR]ELYDQMHNRMHVHSUHGQDma - WDNRUHüLXåLYR- RGYLMD=DWRNDGþLWDPRWXSULpovijetku, PRåHQDPVHXþLQLWLGDRQRãWRVHGRJDÿDXGXãDPDQMHQLKMXQDNDRVMHWLPRQHSRVUHGQRXWHNVWXNDRUHOLSXOVMHGQH silovite ljubavne strasti, istovremeno 208 PHNHLGLYOMHRPDPOMXMXüHLUD]RUQHEROHüLYHLYDWUHQHVMHWQHLPUDþQHVUHüQHLIDWDOQH U stvari, Humo je u WRMSULSRYLMHFLXPMHWQLþNLNRQNUHWQRREUDGLRRQRRþHPXMHWULJRGLQHNDVQLMHX6SRmenici *DMUHWD XRSüHQRGRND]LYDRWYUGHüL]DVHYGDOLQNXL]PHÿXRVWDORJLRYR 2QDREXKYDWDRQHQDãHXQXWDUQMHSRULYHVNRjima smo mi nekoji, pod uticajem ZapaGDIRUPDOQRYHüUDVNLQXOLDOL NRML]DSUHWDQRWLQMDMXXQDPDGDUD]EXNWHQDPDKRYHVQDåQRLIDWDOQRXNUYLLSORWL7RMHRQDVHYGDOLQNDNRMDMH XSURSDVWLODQDKLOMDGHHJ]LVWHQFLMDLåLYRWDX]VD]LþDãLFXRGYRGHüLXQHNLOMHSãLLþDUREQLMLVYLMHWGHUWDLVODWNHåDOEH GDþRYMHND]DQHVHXYUWORJUD]GUDJDQHEROLLRPDPOMHQRVWL %LEHUMXQDNSULSRYLMHWNH6HYGDOLMLLQDOMXEDYMHGDQMHRG]DWRþQLNDWRJVHYGLVDQMDNRMLVHRPDPOMXMXSMHVmom i OMXEDYQRPþHåQMRPOMXEDYQLPRVYDMDQMHPLGHU-tom i koji ne prHVWDMXGDVHSUHGDMXWRMRPDPLXYLMHNL]QRYDYROHüL þH]QXüLLOLRVYDMDMXüLNDRGDVHYGDKLQLMHOMXEDY WMRVMHüDQMHDIHNFLMHSUHPDGUXJRMRVREL YHüVWDQMHHNVWD]H "vrtlog razdragane boli i omamljenosti". I cijela ta pripovijetka o sevdaliji Biberu zapravo je poema o jednoj takvoj VHYGDOLMVNRMOMXEDYLNRMX+XPRSUDWLXQMHQRPUD]YRMXRGWUHQXWNDSUYRJOMXEDYQRJQHPLUDLQHVDYODGLYHåXGQMH SUHNRþDVRYD]DQHVHQRJOMXEDYQRJRVYDMDQMD LSRGDYDQMD GRNRQDþQHWXåQHSUD]QLQHLSXVWRãL3RWHPDWLFLpo RVQRYQRPRVMHüDQMXNDRLSRNOMXþQLPSUL]RULPDWRMHGDNOHL]UD]LWRHURWVNDSULSRYLMHWND,SDN]DQMXVHQHPRåH UHüLRQRãWRMH+XPRUHNDR]DVHYGDOLQNX QMHQJODYQLHOHPHQDWHUR1 Gajret 1903-1928, uredio Hamza Humo, Sarajevo, 1928, str. 35. WLNDSRGUHÿXMHVYHRVWDOH,VWLQDPQRJLNULWLþDULVXELOLVNORQLGDWDNRQHãWRNDåXL]DRYXSULSRYLMHWNXL]D FLMHOR+XPLQRNQMLåHYQRGMHOR,QHEH]UD]ORJD-HU+XPRMHLXVYRMLPSMHVPDPDLXVYRMLPSULSRYLMHWNDPDþHVWR SRND]LYDRQHRELþQXRSVMHGQXWRVWHURWLNRPNDRGDMHLVDPSDGDRXHURWVNLWUDQVNDNRMHWRSULPLMHWLRMRã.UãLüL NDRGDVHLVDPSUHSXãWDRRQRPYUWORJXVHYGDKDLVHYGDOLMVNRJGHUWD$OL6HYGDOLMLQDOMXEDY XRVtalom, kao ni *UR]GDQLQNLNRW XRSüHQLMHSRVYRMRMVWUXNWXULXVUHGVUHÿHQDQDHURWLNXNDRQHNLFHQWUDOQLPRtiv, kojem bi sve drugo ELORSRGUHÿHQR QHVDPRXåLYRWXþRYMHNDLåLYRWXGXãHYHüLXQDUDWLYQRMVWUXNWXULSULpovijetke). U tom pogledu ilustrativno je sa Sevdalijinom ljubavlju uporediti raniju Huminu erotiku pripovijetku, Strast ("Raskrsnica", 1923). 1DSLVDQDXHNVSUHVLRQLVWLþkom maniru, ta pripovijetka zaista pokazuje Huminu opVMHGQXWRVWHURWLNRPNDRQDJODãHQR þXOQRPOMXEDYQRPVWUDãüXNRMXSRNUHüXQHNLQHVKYDWOMLYLWDPQLQDJRQL$OLXQMRMHURWLNDGRLVWDVHELSRGUHÿXMHVYH RVWDOR(YRNDNRMHWXQDUXUDOLVWLþNLRJROMHQRSULND]DQþLQþXOQHOMXEDYL 3LOLVXWDNRGXJRGRNYHüQLVXGRVSHOLGROXGLOD$QDVHQHQDGDQR]DFHUHND]EDFLNRãXOMXVDVHEHLSRþHSOHVDWL SRVHQLFL1MHQREHORWHOREOHãWDORMH VUHEUHQRQDPHVHþLQL,]JOHGDODMHNDRSREHVQHODPODGDÿDYROLFD5DVSOHWHQLK NRVDLXåD-JUHQLKRþLMXNUHWDODVHRQDXOXGRPLYUDWRORPQRPULWPXSRVHQLFL&UQþLüMHVHGHRQDVWROLFLLEXOMLRX QMXNDRXNDNYRSULYLÿHQMH7DNRSOHãXüLRQDVHSRQRYQR]DFHUHNDVNRþLQDNUHYHWLSRþHVHSUHYLMDWLL]DYLMDWLNDR EHVRPXþQLFDD&UQþLüREH-zumljen, zanjiska i baci se na nju (...) 1 Hamza Humo, "Sevdalinke", Sabrana djela, VI, str. 108. 210 .DG]QDPRGDMHLPXåWH$QHQHJGMHXEOL]LQLLGDRQD]DYRGLQMHJovog prijatelja, onda nam postaje jasno daje erotika tu zaista podredila sebi sve drugo, i to do mjere u kojoj sve unaokolo postaje prazno i pusto, pa ta okolna SXVWRãX]YUDWQRGMHOXMHQDRVQRYQLPRWLYSUD]QHüLQMHJRYXHURWLþQRVWGREHVPLVOHQRVWL86HYGali-jinoj ljubavi, PHÿXWLPVYHVHGHãDYDGUXNþLMHDLVDPþLQOMXEDYLNDRGDWXL]VHEH]UDþLQHNDGXEOMD]QDþHQMDLãLULLKXQDRNROR kao panerotski smisao sveg okolnog svijeta: ,NDSLGåLNMHãNULQXR3RGãDQGXGRPQDþL-menu igrale su sene pritajene i naVPHMDQHVOXWHüLaaQHãWRLãDSüXüL 0HVHFVHSURYODþLRNUR]JUDQMHLSRWRNSRLJUDYDRLþHUHWDRSUNRVQR6NULYHQLSULWDMHQãDSDWLVSRGãDQGXGHãXOMDRVH SRGVWDEOD$,ãDVYDXPRWDQDX]DJUOMDMSUHGDYDODVHPLORYDQMX2QDMHþXODVDPRQHNLSLMDQLãXPunaokolo, koga QHVWDMHLQHVWDMHQHJGHGROHL]DQMHGRNMHQMHJRY]DJUOMDMX]GLåHLQRVLL]QDG.DPHQMDNDL]QDGEDãWDXPHVHþLQX SXW]YH]GD$]YH]GHVXVLãOHVPHVHFRPLVPHMDOHVHXNURãQMDPDãDQGXGH2QHVXVYHYLGHOH%LEHURYãDSDWLWRSOR milovanje SUHWYDUDOLVHXEHVXXMHGL,ãDMHQHQDGDQRSRþHODGDJUFDGDVHGDMHLRWLPD%LEHUMRMNLGDKDOMLQXORPL
MHGLYOMHLRYODGDQMRPüHORP=YH]GHVXSRþHOHGDNDSOMXNUR]JUDQMHLGDVHSURVLSOMXSRQMLPD0HVHFVHJODVQR cerekao, a potok kikotao kao dDJDQHNRJROLFD,VYHMHRGOD]LORãLULORVHXQDRNRORSREDãWDPDLVWLãDYDORVH 2YDMOMXEDYQLþLQNDNRMHPMHMXQDNHSULSRYLMHWNHRWSRþHWNDYXNODQHRGROMLYDHURWVNDþHåQMDSULND]DQMHRYGMHYLãH NDRHNVSOR]LMDGXãDQHJRNDRNRQYXO]LMDSXWLGRLVWDNDR VWDQMHGXãHNRMHMHVSRVREQRGDVHãLULXQDRkolo i da postaje stanje svijeta: "...I sve je odlazilo, ãLULORVHXQDRNRORSREDãWDPDLVWLãDYDORVH,VYHSRQRYR]DJUFD]DJUFDNDRXEROXNDRXEXQLOXPDODNãXüLX SULJXãHQLPNULNRYLPD6YHVHVWLãD L]DPRUDQãXPSROHåHSRãLULQL1HJGHYULVQXWLFD8WRPSDQHUR-tizmu, i u VYHRSüHPRG]LYXVYLMHWDQD]RYOMXEDYLQHVXPQMLYRLPDLQHNRJRULMHQWDOQRJPLVWLFL]PDNDNRMHWRYLãHSXWDUHþHQR za Huminu implicitnu filozofiju erotiNH0HÿXWLP]DQDUDWLYQXVWUXNWXUXWHSULSRYLMHWNHYDåQLje je da je to erotsko VWDQMHGXãH- i panerotsko stanje svijeta - +XPRXVSLRXNOMXþLWLXVDPWHNVWSULSRYLMHWNHNRMDMHQDWDMQDþLQSRVWDOD poetka evokacija, a ne pojmovna elaboracija, jednog sveobuhvatnog, erotskog raVSRORåHQMDNRMHPQLVDP SULSRYMHGDþQHRGROLMHYD 2VMHüDMXüLYDOMGDGXERNRXVHELXNUYLLSORWLGHVWUXNWLYQXVQDJXVHYGDOLMVNHUD]GUDJDQHEROLLRPDP-ljenosti", Humo u Sevdalijinoj ljubavi doista nije ni prikazivao ni analizirao "sevdaliju" kao tip ljudskog ponaãDQMDYHüMH VDåLYOMHQRHYRFLUDRVDPRWRVHYGDOLMVNRUDVSRORåHQMH2QWX]DSUDYRLQHSULSRYLMHGDRVHYGDOLML%LEHUXEDUQHQD QDþLQQDNRMLMHQDSULPMHUûRURYLüRSULþDYDRVYRJ2VPDQ-bega u pripovijeci "Osman--EHJRYDãDUJLMD1Dprotiv, on ukida pripovjednu disWDQFXNRMDWUDGLFLRQDOQRUD]GYDMDSULSRYMHGDþDLSUHGPHWSULSRYLMHGDQMDSDVYLPVYRMLP ELüHPXOD]LXVYLMHWRNRMHPJRYRULGRåLYOMDYDMXüLJDL]QXWUDNDRUDVSRORåHQMHNRMHMHSURåHORLQMHJDLVYH unaokolo. A pri tome on QHJRYRULXOLFXNDRXQXWDUQMLSULSRYMHGDþNRML- kao stanovnik svijeta o kojem govori - SRODåHSULURGQRSUDYRQDUDVSRORåHQMHNRMHXWRPVYLMHWXYODGD6HYGDOL-jinu ljubav Humo ne struktuira u Ich-formi, NDRãWRMHþLQLRX*UR]GDQLQRPNLNRWXJGMe je glavni junak istovremeno i narator. Uprkos tome, Humo i u ovoj priSRYLMHFLXVSLMHYDSRVWLüLL]UD]LWRHNVSUHVLYQXYULMHGQRVWQDUDWLYQRJJRYRUDLDNRQLJGMHQHRGDMHL]YRUHWHQHsumnjive HNVSUHVLYQRVWL2YGMHRQWRþLQLQDWDMQDþLQãWRVDPJRYRUVWLlizuje kao poetsku ekspresiju, u kojoj 212 VHSRQLãWDYDLGHQWLWHWJRYRUQRJOLFDDOLVH]DWRXVSRVWDYOMDSXQDMHGQRGXãQRVWVXEMHNWDLREMHNWDJRYRUD0L RVMHüDPRXPHORGLMLUHþHQLFHXULWPXVLQWDNVLþNRJVHJ-mentiranja, u epitetima i metaforama, u personificiranju i VYHXNXSQRPVDJODVMXSULURGHLGXãHGD+XPRQHSULSRYLMHGDRQHþHPXYDQVHEHDOLLGDQHL]UDåDYDQHãWRãWRMH VDPRXQMHPXYHüGD- SRVWXSNRPSMHVQLþNHHYRNDFLMH- SXãWDGDSRWHþHPDWLFDMHGQRJUDVSRORåHQMDNRMHVHãLULLVYH preplavljuje: A NDGVHPHVHFX]GLåHSDVHSXQ]ODWDQLWLK]DXVWDYLQDGWDPQLPNRQWXUDPDEUGDQHNLYHOLþDQVWYHQLQHþXMDQ VPHKSUHOLVYDVUFDDQDãJUDG]DVWDLSUHREUD]LVHXVYHWOXQMHJRYX6YHVHSULWDMLL]DQHPL1RüVNLGHKDOMLQXEOHVQX LURGLVHVHYGDKWHåDNLQHSUHERODQVHYGDKSXQGHUWD]DEH]GDQRRSRMQLPLQHGRVWLåLYLP$RWXGLVSRG+XPDVD 5DOMHYLQDGRQHVHWLKDQRüPHNDQL]DQRVDQJODVSHVPHJODVãWRSDGDQDGXãXNDRPHOHPOHFLLRSLMDRVHüDQMDGDLP SUREXGLMRãEH]GDQLMHLQHGRKYDWOMLYLMHåHOMH2QVH]DWDODVD]DWDODVDL]DVWDXYLVLQDPDQRVHüLGXãXQHNXGXãLULQH OMXOMQXVH]DQRVQRLUD]OLSRWLãLQL,GDKOLãüDSULWDMLVHXPDKDOL 8VWYDULX6HYGDOLMLQRMOMXEDYL+XPRMHMRãMHGQRPSURJRYRULRNDRSMHVQLNNRMLQHSRVPDWUDVYLMHWQHDQDlizira, ne ]DX]LPDVWDYYHüSXãWDGDJDQRVLMHGQRUDVSRORåHQMH7XNDRGDVHGRJDÿDRQRãWRMH+XPRUHNDR]DGHMVWYR VHYGDOLQNH 1HãWRYDPXVWDQHXJUXGLPDWRSORPEXMLFRPREX]PHYDV]DQRVLYLQLVWHYLãHVYRML1RVLYDVSOLPD nosi vas u neke krajeve koji su vam i poznati, ali opet tako lepi kakve ih u stvarnosti niste nikada videli."1 U 6HYGDOLMLQRMOMXEDYL+XPRJRYRULXOLFXDOLSULWRPHQHRGUDåDYDVYLMHVWRVHELNDRSUL1 Isto, str. 98. SRYMHGDþXNRMLQDPSRVUHGXMHVYLMHWRNRMHPSULSRYLjeda. Zato se tu potpuno gubi ona naspramnost pripoYMHGDþD LSUHGPHWDSULSRYLMHGDQMDNRMDMHLQDþHNDUDNWHULVWLþQD]DQDUDFLMXX(U-formi. Umjesto toga, tu se, kao u pjesmi, sve UDVWDSDXUDVSRORåHQMXNRMHãLUHüLVHSURåLPDVYHþHJDVHGRWDNQH(YRNDNR+XPRHYRFLUD,ãLQXOMXEDYQXþHåQMXL HYRNDNRWDþHåQMDL]OD]LL]QMHLãLULVHXQDRNROR VUFH]DGUKWLNDRSUHSODãHQRWLþH%HOHUXNH,ãLQHSROHWHãHQDJUXGLGDXPLUHWDMGUKDWGD]DXVWDYHWXSOLPXãWR omamljuje i nosi, nosi nekud k njemu u pijane zaJUOMDMHXEHVYHVW,UXNDSULWHåHJUXGSULWHåHL,ãD]DWUHSWL]DWUHSWLL ma-ODNVD-HGDQX]GDKãDSQXXFYHWXXOLãüXQDRGUHQL,ãDOHåL]DWYRUHQLKRþLMXPDODNVDODVDVPHãNRPQDOLFX 3RWRNVHEXGLRWLPDLJUFDNDRMRJXQDVWLVODGDNGHþDN NemDWXQLVOLNHQLQDUDFLMH VYHMHVDPRVWDQMHGXãH$OLQLRQRQLMHSUHGPHWSURPDWUDQMDLDQDOL]HYHüMH UDVSRORåHQMHNRMHMHSURåHORQHVDPRVYLMHWRNRMHPVHJRYRULYHüLMH]LNNRMLPVHJRYRUL6WLOL]XMXüLSULpovjedni iskaz kao poetsku ekspresiju, Humo XVSLMHYDGDSUHGQDPDSRNUHQHUDVSRORåHQMHDOLLGDJDSUHYHGH\x jezik, koji QDVRQGDNUR]QMHJDSURQRVLNDRNUR]VYRMYODVWLWLVHPDQWLþNLDPELMHQW$GDELWRPRJDRWDMMH]LNPRUDRGXVWDWLRG VYLKJUDPDWLþNLKORJLþNLKLRSDåDMQLKSRYH]DQRVWL ,UXND SULWHåHJUXGL,ãD]DWUHSWL-HGDQX]GDKãDSQXX FYHWX,ãDOHåL]DWYRUHQLKRþLMXPDODNVDOD3RWRNVHEXGLRWLPD'HãDYDVHEDãRQRãWRMHâWDMJHUUHNDR]D lirsku evokacija i lirski stil: "jeziku nisu potrebne nikakve povezanosti, jer je YHüVYHVMHGLQMHQRXUDVSRORåHQMX$
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$NUR]VDQNUR]QHNHGDOHNHNRQDNHYLGLRQNDNRVHQDG,ãRPEOHGRPLXSODNDQRPNH]LQHNDNYDMDUþLMDEUDGD FHUHNDVHNPHNHüHLWU]DJDL]VQD 7RQHJGHQDL]YDQXOXSDQHSULWYRUHQNDQDWLEXUD]YLåGLXGUYHüX 7DNRVHVWLPSRJOHGRPQDPUWYLSHSHRLVMHüDQMHPQDEOHGXLXSODNDQX,ãX]DYUãDYDSULþDRVHYGDOL-jinoj OMXEDYLSULþDNRMDMHSRþHODVRQROLNRYUHOLQHLVYHREXKYDWQHåXGQMH 1DãJUDGEOHãWLXSRGQHYQRPVXQFXGDKWL SRGåHJRPäLYRWSLVWLXQMHPXLãDND]HPOMHFYLOLRGåHÿLLåHVWLQH$VYHVWRMHEXGLORåHOMHX]EXÿLYDORL RPDPOMLYDORSURãORMH VWLPEOMHãWDYLPYUHOLPOMHWRPLRVWDYLOR]DVRERPSXVWRãVODWNLþHPHUVMHüDQMDL- pjesmu, NRMDREQDYOMDSURãORVWDOLQHGRQRVLUDGRVWYHüEROQXRPDPX ,VWDNDYãLWHNVWSULSRYLMHWNH6HYGDOLMLQDOMXEDYRGQDMILQLMLKQLWLþLVWHGXãHYQRVWL+XPRMXMHipak struk-tuirao kao QDUDWLYQRUD]YLMHQXLVPLVDRQR]DRNUXåHQXSULSRYLMHWNXXNRMRMMH- kao i u Grozdaninom kikotu, uostalom - matica UDVSRORåHQMDSULVLOMHQDGDWHþHWRNRYLPDMHGQHSRWUHVQHSULþHSULþHROMXEDYLSRGåUYQMHPYUHPHQD NDNRMH+XPR nasloYLRNQMLJXXNRMRMMXMHREMDYLR $PRåGDMHXSUDYR]ERJWHL]PLUHQRVWLOLUVNRJLQDUDWLYQRJSULQFLSD NQMLåHYQRXPMHWQLþNRJGLVNXUVDNDRL]ERJWH]DRNUXåHQRVWLLFMHORYLWRVWL6HYGDOLMLQDOMXEDYVSUDYRPVPDWUDQD jednom od najboljih Huminih pripovjedaka: u njoj je on govorio kao pjesnik, koji sa-RVMHüDLGXERNRGRåLYOMDYDD LSDNMXMHVWUXNWXLUDRNDRSULSRYMHGDþNRMLVYHYLGLXUD]YRMXLVYHXREOLþDYDNDRUD]YRM Smisao te tvrdnje postaje jasniji kad se sa Sevdali-jinom ljubavi uporede neke druge Humine pripovijetke, koje su joj WHPDWVNLVURGQH8NQML]L3RGåUYQMHPYUHPHQDWDNYDMHGRGXãHMHGLQRSULSRYLMHWNDĈDXULQNRMXMH+XPRQDMSULMH REMDYLRSRGNDUDNWHULVWLþQLPQDVORYRP3RGNRUDFLPDYUHPHQD 3ROLWLND ,WRMHXL]YMHVQRMPMHULSULþDo ]DSULMHþHQRMLRPHWHQRMOMXEDYL VWLPãWRMHRYGMHWD]DSUHNDYDQMVND VWURJLGMHYRMþLQ 218 RWDFQHSULKYDWDPODGLüDNRMHJVPDWUDRGURGHQLP ,WRMHSULþDRX]DOXGQRPSRNXãDMXGDVHOMXEDYOMX]DXVWDYL YULMHPHNRMHLGHXQHSRYUDW 2VHüDPGDKSUROHüD-NDåHSULSRYMHGDþ- LVWHåHPLVHVUFH=DãWR"%RJüHJDVDP ]QDWL0RåHELWL]DRQLPãWRMHPLQXORXQHSRYUDW ,XWRMSULþLPODGLüLGMHYRMNDVWUDVWYHQRVHSRGDMXþLQXOMXEDYL RVOXãNXMXüLQHSUHVWDQRNRUDNHYUHI ona se pripija uza me i strepi kao tiþHQDROXML$MDMHVYXJUOLPLPLOXMHPLRQD]DERUDYOMDQDVYH LQDRFDLQD]OH VOXWQMH2SLMHQDX]YUDüDPLPLORYDQMHLSUHGDMHVHVYD3RVOHGROD]LPRNVHEL1MHQLSRJOHGLOHåHXPRMLP]HQLFDPD - Reci! - ãDSüHRQD - âWD" - 5HFLPLGDPHYROLã LGDüHãRYGH]DXYHNGDRVWDQHã - ûXWL.R]QDãWDQDPMHVXÿHQR- odgovaram ja, pun neke zloslutne strave (...) 0HÿXWLPLDNRVDGUåLþLWDYQL]LVWLKPRWLYDSULSRYLMHWNDĈDXULQ RGQRVQR3RGNRUDFLPDYUHPHQD GDleko zaostaje za Sevdalijinom ljubaviMHUQHGRVWLåHQMHQX]JXVQXWRVWLFMHORYLWRVW7RMHVMHGQHVWUDQH]DWRãWRVHXQMRMOLUVNL PRWLYLXNOMXþXMXXFMHOLQXQDUDWLYQHVUXNWXUHQDOLUVNLQDþLQWMXVSOHWXVORERGQLKDVRFLMDFLMDNRMHVHUD]YLMDMXQD liniji jedne emocije, a ne narativno, WMXVNORSXGRJDÿDMDNRMLUD]YLMDMXSULþX$OLWRMHVGUXJHVWUDQHL]DWRãWRMHWD pripovijetka tematski "ras-FLMHSOMHQDQDGYLMHUD]QRURGQHSULþH RRPHWHQRMOMXEDYLLRGMHYRMþLQRPRFX$ULIDJL $JDQOLüXNRJDMHWDNRÿHUYUHPHSUHJD]LOR SRNRVLORJDNDRROXMDKUDVW DOLMHGQRNDWHJRULMDOQRGUXNþLMHYULMHPH SRYLMHVQRYULMHPHXNRMHPMHRQL]JXELRIHXGDOQHSULYLOHJLMHNPHWRYHLþLWOXNHERJDWVWYRLPRüDVDþXYDRMHGLQR QHNDGDãQMX WYUGRNRUQRVW 8YHNJDMDLPDMNDVDQMDPRNDNRNUYDYMXULãDQDRJDQMNDåH]DQMHJDQMHJRYDNüL .DRGDVH +XPRNROHEDRãWDGDSRVWDYLXVUHGLãWHSULSRYLMHWNH MHGQXOMXEDYNRMDQLMHPRJOD]DXVWDYLWLWUHQXWNHVUHüHLOL þRYMHNDNRMLMH]DRVWDR]DVYRMLPYUHPHQRP $WRVX]DSUDYRLGYLMHRVQRYQHWHPHVYHXNXSQRJHuminog SULSRYMHGDþNRJGMHOD 8RVWDORPWRVHNRGQMHJDþHVWRGRJDÿDOR]ERJþHJDVHPQRJHQMHJRYHSULSRYLMHWNHQHGUåH ucijelo kao tematski jedinstvene ili bar emocionalno cjelovite narativne strukture. Otuda i onaj utisak koji je IRUPXOLVDRMRã.UãLüNDGDMHSRYRGRPNQMLJH3RGåUYQMHPYUHPHQDQDSLVDR $OLNDNRQMHJRYDIDQWD]LMDQLMHHSVND RQSULSRYHWNXVNODSDGRVWDQHYHãWRLLVSXQjava je lirskim refleksijama i opisima."1 Naravno, taj utisak je samo GMHORPLþQRRSUDYGDQMHU+XPRQDMþHãüHQLMHQLKWLR GDSULþDSULþXLGDQDRVQRYXWHSULþHVNODSDSULSRYLMHWNXYHü MHUDGLMHHYRFLUDRQHNDVWDQMDGXãHLQDWDMQDþLQVWUXNUXLUDRYLãHHNVSUHVLYQHQHJRUHIHUHQFL-jalne pripovjedne forme. 8WRPVPLVOXVHNDRSULPMHUPRåHQDYHVWLSUR]D5DVSHYDQLJUDG 3ROLWika", 1927), u kojoj je Humo potpuno RGXVWDRRGSULþHLIDEXODUQHSRYH]DQRVWLPRWLYDSDMHXPMHVWRWRJDMHGQX]DGUXJRPQL]DRSRHWVNHVOLNH VOLNH JUDGDUDVSMHYDQRJSRGKHUFHJRYDþNLPVXQFHP NRMHVXVYHLPSUHJQLUDQHLVWRPHPRWLYQRPRWRSLQRPLVYHXURQjene XLVWRUDVSRORåHQMH6YHXWRMSULSRYLMHFL- LYLQRJUDGLSRSULVRMLPDSXQLVRNDLVODVWLLPLQDUHWDJRODLRVORERÿHQDL NLNRWDYDULMHþLFD5DGREROMDLUD]-JROLüHQLSURSDOLEHJ,üLEHJLJROLNXSDþLQD1HUHWYLL0UDKRURYD8PLKDQDNRMD omamljena slXãD%LEHURYXSMHVPXLRQLNRMLX$GHPDJLQRMEDãWLDNãDPOXþHX]VD]LPHUDNOLMVNLSRSLMHYDMXLOMXGLL NXüHLSULURGD-RYDQ.UãLü3RGåUYQMHPYUHPHQD- pripovetke Hamze Hume" Sabrana djela, 1, str. 165.
220 L]ORåHQRMHMHGQRPVYHRSüHPSUHREUDåHQMX,þLQLVHNDRGDMHFLMHOLJUDGRVYLMHWOMHQQHVDPRåDUNLPKHUFHJRYDþNLP VXQFHPYHüMHGQRPLVWRPVYHREXKYDWQRPHPRFLMRPNRMDVHUD]OLYDQDVYHVWUDQHLVYHSUHOLYDYODVWLWRPVYLMHWORPD JXVWRPERMRP6YXGDPQRJRPQRJRVYMHWORVWLERMDLWRQRYDýLQLVHGDüHVHFHRJUDGSUHWYRULWLXMHGDQYHVHR X]YLNGDüH]DGUKWDWLRGSUHQDSUHJQXWHUD]GUDJDQRVWLLSROHWHWLSXWSODYLKYLVLQD6UFHMH- dodaje Humo - fino ogledalo. U njemu sve titra, ogleda se i peva. Sve je tako bistro kao radosna suza u oku." $NDRQL+XPRQLPLYLãH QH]QDPRGDOLWDMEOMHVDNNRMLMHUDVYLMHWOLRJUDGLXþLQLRJDUDVSMHYDQLPGROD]LRGVXQþDQRJVMDMDLOLRGUDGRVWLVUFD Kao i u govoru pjesnika, i Huminom pripovijedanju nikad se ne mogu do kraja odijeliti stanja svijeta i staQMDGXãH ,QDþHVWRPSRHWVNRPSUR]RP5DVSHYDQLJUDG+XPRMH]DNOMXþLRVYRMXGUXJX]ELUNXSULSRYMHGDND^3ULpovetke, 6USVNDNQMLåHYQD]DGUXJD%HRJUDG XNRMRMMH- SRG]DMHGQLþNLPQDGQDVORYRP0HVHFXJUDQMX- sabrao i svoje najbolje ljubavne SULþHNRMHMHGRWDGREMDYLR 0HÿXQMLPDLQDMEROMXRGVYLK6HYGDOL-jinu ljubav). ,DNRVXVYHRQHUD]OLþLWHSRQDþLQXVWUXNWXLUDQMDLSDNVXPHÿXVREQRVURGQHLWRQHVDPRSRVYRMRMRVnovnoj temi YHüLSRMHGQRMILOR]RILMLOMXEDYLNRMXVYHRQHSRGUD]PLMevaju. 0RåGDMHWD+XPLQDILOR]RILMDOMXEDYLQDMGLUHNWQLMHL]UDåHQDXSULSRYLMHFL3DPUDYNRMDMHSUYLSXWREMDY8VWYDULWDMFLNOXV0HVHFXJUDQMXX]ELUFL3ULSRYHWNH %HRJUDG VDGUåLQDMEROMH+XPLQHOMXEDYQHSULþH XRSüH8RVWDORPX,]DEUDQLP GMHOLPDNRMDMHSRVOLMHUDWDXUHGLR%RãNR1RYDNRYLü 6YMHWORVW6DUDMHYR WDM FLNOXVMHSURãLUHQVDPRVMHGQRPNDVQLMRP+XPLQRPOMXEDYQRPSULHRP 3HULãLüHYDOMXEDY 221ljena u "Politici" 1928. U njoj Humo govori o Ademagi Mrahoru, "ocu, muåXLSRVHGQLNXNRMLVYDNRJSUROMHüD "kad prvi slavuji zapevaju u bademima", osjeti neki "pa-PUDYXVHELSDPXXNUYL]DVWUXMLQHãWRQHLVND]DQRãWR PXUHPHWLVYHãWRMHQDXPLRNUR]GXJH]LPVNHQRüL.DGDVHWDNRXNUYLXþXOLPDLQDJRQLPDSUREXGL snaga Erosa, WDGD$GHPDJXRSLMHQHNDPLOLQDNDRWRSODRPDJOLFDLSRQHVHJDNDRQDNULOLPD$OLRVLPãWRMHVSRQWDQDSOLP VWUDVWLLPDOLWDHURWLþNDRPDPDLQHNHVYUKH"3R+XPLL]JOHGDGDLPD-HUNDG$GHPDJXX]nese ta omama, "sva ona zapletena svakidDãQMLFDLãþH]DYDSRGQMLPLSDGDX]DERUDYLWRRQDVYDNLGDãQMLFDNRMDPXLQDþHNDRQHND WHãNDEHVPLVOLFDRGQRVLåLYRWQHJGHXRWXåQXSURYDOLMXYUHPHQD,EDãRQGDNDGDSRþQHPLVOLWLQDWXYUHPHQLWRVW åLYRWDNRMLVHQHXPLWQRREUXãDYDXSURãORVW, i kada ga zbog toga "spo-SDGQHWHãNDþDPDLERO]DPLQXOLPGDQLPD $GHPDJDVHYLãHQHRWLPDVODYXMHYRMSHVPLLSRþLQMH]DERUDYOMDWLVYDNLGDãQMLåLYRW âWDMHLPDQMH"6WDMHNXüD åHQDLGHFD" 7DGDRQRGOD]LXNUþPX0DUH3HWOMDQRYH0DULX]DJUOMDj, koji mu postaje "melem-lek" i "sve na svetu, svrha i razvrha svemu". Jer tada SUHGQMHJRYLPRþLPDSRþLQMHVYHGDUDVWHGDRåLY-OMXMHLSORYLQHNXGXVYHWVHYGDKDLþHåQMH]DQHþLPãWRQLNRQLNDG nije dostigao. Ceo svet samo je jedan razliven i pritajHQX]GDKQDGNRMLPWUHSHULPLULVSUROHüDNDRåHOMDQDG UD]JROLüHQLPåHQVNLPJUXGLPD1HPDEULJDQHPDPLVOL6YHMHSUREXÿHQDåHOMDXWLãLQLNUR]NRMXJUJRUHSUSRãQL ãXPRYL5DGREROMHLNDR]DJROLFDQLUD]EOXGQRPSRPLVOLEHåHXVXWRQ]YHNRPVUHEUQLPGHUdana. 7DNROMXEDY þXOQDOMXEDY LOMXEDYQL]DJUOMDMGRQRVH]DERUDY QHPDEULJDQHPDPLVOL ]DXVWDYOMDMXVYDNLGDãQMLFX NRMDRGQRVLåLYRWXSURYDOLMXYUHPHQDL 222 VWYDUDMXLOX]LMXEH]YUHPHQRJSRVWRMDQMD 2QRLLQDþHþHVWRXSRUHGHQMHHURWVNHVODVWi sa "edenskim vrtovima" YMHURYDWQRLQHQDJODãDYDWROLNROMHSRWXNROLNREH]YUH-PHQRVWRGQRVQRRQR]DXVWDYOMHQRYULMHPHNRMHMHYMHþni san ]GUDYDLVUHüQDþRYMHND /MXEDYQLNRULMHQWDOQRJUDILQPDQDLXNXVD$GHPDJDVYMHVQRRGODåHWUHQXWNHNUDMQMHJ ljubaYQRJXåLWND RQPH]HWLVDPRPLULVRPUXåHLOLIHVOLGåDQDLJRYRULWLKRGDQHSREXQLVYRMHSULWDMHQHåHOMH $OLQHþLQLOLRQWR]DWRãWRL]LVNXVWYD]QDGDSRVOLMHYLOHQRJYUXüHJYMHWUDNRMLUDVSDOMXMHVWUDVWQHPLQRYQRGROD]L "tamna senka smirenjaLQHNDSXVWDSUD]QLQD"1HERMLOLVHRQWHNRQDþQHSUD]QLQHNRMDRVWDQHNDGRQDMSLMHVDN RWHþHXNOHSVLGUL"1HEMHVQLOLRQRQDNRPDKQLWR]DWRãWRJDMHQDVWDODSUD]QLQDSRQRYQRGRYHODSUHGRWXåQX provaliju vremena"? Humo nam ne daje odgovore na ta pitanja. (Uostalom, otuda i utisak daje u toj do kraja QHLVND]DQRMSULþLR$GHPDJL0UDKRUX+XPRQDVOXWLRQHNHVNULYHQHSRQRUHåLYRWDLOMXEDYL 8VYDNRPVOXþDMX QMHJRYMXQDNQLSRãWRQLMHWHNQHNLQDVWUDQLVODGRVWUDVQLNNRMHJPXþHSDPUDYLXNUYL2QMH ]DWRþHQLNRQHåLYRWQH ILOR]RILMHNRMDXHURWLFLWUDåLDOLQHQDOD]L]DXVWDYOMHQRYULMHPHHGHQVNRJYUWD 8VWYDULVYH+XPLQHOMXEDYQHSULþHUD]YLMDMXVHSRMHGQRMNRPSR]LFLRQRMVKHPLNRMDXSRWSXQRVWLRGJRvara osnovnoj liniji te njegove filozofije ljubaYL$SULWRPHMHNDUDNWHULVWLþQRGD+XPRNRPHVXþDNSULJRvarali SUHWMHUDQXþXOQRVWLRSVMHGQXWRVWþXOQLPVYRMHSULSRYLMHWNHQLNDGQH]DNOMXþXMHSUL]RULPDOMXEDYQHRPDPH2QLK VDPRVWDYOMDXVUHGLãWHSULþHNDRNXO-PLQDWLYQXWDþNXHURWVNHþHåQMHNRMDQRVLQMHJRYHMXQDNH1DWDMQDþLQQMHJRYH SULþHGRELMDMXWLSLþQRWURGMHOQXNRPSR]LFLMX1DSULPMHUXSULSRYLMHFL.UQDWDQDMSULMHVHJRYRULROMXEDYQRMþHåQMLX kojoj se zaboravlja svakiGDãQMLFD ]DWLKLKOMHWQLKQRüLSRGPMHVHþLQRPâHPVD 223Muharemagina zDQHVHQRRVOXãNXMHPHORGLMHNRMHQDNU-QDWLL]YRGL0HVD&DNDQVYLUDþLSURELVYLMHW=DWLPWD þHåQMD- WDNRUHüLSULURGQR-kulminira u dodiru dva tijela koja se predaju "bezdanoj provaliji slatkog zaborava". Na NUDMXQDNRQEXÿHQMDL]WHOMXEDYQHRPDPHXNRMRMMHYULMHPHELORVWDORGROD]LGRWXåQRJRWUHåQMHQMDDOLLRVMHüDQMD SXVWRãLNRMDMHRVWDODXGMHYRMþLQRMGXãLLXQMHQRMRNROLQL âHPVDMHSREMHJODVDVYLUDþHP0HVRPURGLWHOMLVXMRMVH
]DYLOLXWXJXDEDãWDXNRMRMVHRGLJUDRNXOPLQDWLYQLSUL]RUOjubavi, zarasla je u korov. Kao i u Sevdalijinoj ljubavi, i RYGMHSRVOLMHVYHJDRVWDMHSXVWRãLRVMHüDMSUD]QLQH$OL+XPRMHRYGMHQDNUDMXGRGDRMRãMHGDQSUL]RUQHNXYUVWX SRHQWHNRMDHNVSOLFLUDRQRãWRMHLPSOLFLWQRYHüELORLVND]DQR7LPHMHGRGXãHFLMHODWDSULþDQHSRWUHEQRSUHYHGHQD QDMH]LNGRVORYQRJVPLVODDOLMHWDNRL]ULþLWRSRWYUÿHQDNUDMQMDPLVDR+X-mine filozofije ljubavi, koju smo bili samo naslutili. NaiPHSULSRYLMHWNX.UQDWD+XPR]DYUãDYDGRGDWQRPRSDVNRPSULSRYMHGDþDNRMLQDVREDYMHãWDYDGDMH YLGLRâHP-VXX%HRJUDGXNDRSMHYDþLFXXNDIDQLNDNRDSDWLþQRVOXãDJODVNUQDWHNRMLNDRGDJRYRUL âWRXåLYRWX jedQRPSURÿHWRVHYLãHQLNDGQHSRYUDWL2VWDMHQDPVDPRXVSRPHQDNDRVDQLåDOEDXGXãDPDWHãNDNDRXPRURG åLYRWD)RUPXOLVDQDQDWDNDYQDþLQLXWDNYRPNRQWHNVWX+XPLQDPLVDRRåLYRWXLOMXEDYLVDVYLPRGUHÿHQRRWNULYD svoj pravi izvor: bez svake sumnje, Humo se u svojoj filozofiji ljubavi inspirisao duhom sevdalinke (ukoliko nije WDþQLMHUHüLGDMHRQVDVHYGDOLQNRPGLMHOio istu filozofiju ljubavi). ,QDþHWX+XPLQXPLVDRROMXEDYLNDRLDGHNYDWQXNRPSR]LFLRQXVKHPXNRMXMHWDPLVDRGRELODXQDUDtivnoj strukturi njegovih pripovjedaka, lako raspoznajemo i u drugim pripovijetkama ciklusa "Mesec u granju" u zbirci PripoveWNHEH]RE]LUDãWRVXVYHRQHQDUD]OLþLWQDþLQVWUXNWXLUDQH 224 3UYDRGQMLK3ULþDR-DVLFLSDQGDQMH*UR]GDQL-QRPNLNRWXVDPRãWRQMHQSULSRYMHGDþþH]QHGDLVDPXÿHXVYLMHW OHJHQGHLQDÿHVHVOHJHQGDUQRPYRGHQLþD-UHYRPNüHUNRP-DVLNRPNRMDOMHWi "mami momke seoske i pali im krv u snovima", a kojoj zima svaki put iznova - kao i Grozdani i Grozdanu - RGQRVLGXãX8WRMSULSRYLMHFLVHYLãHQHJR LJGMHNRG+XPHPLMHãDMXLXNUãWDMXQLYRLVQDLVWYDUQRVWL0ՠ焦⁆唀阍ꀀSRYMHGD焀退ÓRYM⋰Ҁ笁圁薂GREL00ՠDðSRƅ蔄
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