House of the Sleeping Beauties

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House of the Sleeping Beauties...

Description

KRIS DEFOORT

HOUSE OF THE SLEEPING BEAUTIES Opera in three « nights » Libretto by Guy Cassiers and Kris Defoort based on the novel by Yasunari Kawabata

FULL SCORE version première, 08/05/2009

(January 2007 - March 2009)

Copyright ©2008 by Pentimento Publishing

To my father, Antoon Defoort To my mother, Lutgard Dewilde

Commissioned by LOD (Ghent), De Munt/La Monnaie (Brussels) and Toneelhuis (Antwerp)

First performed on the 8th of May 2009 at the opera house La Monnaie/De Munt (production LOD, De Munt/La Monnaie, Toneelhuis) with Asko|Schönberg (Amsterdam), conducted by Patrick Davin : Old Man :

Omar Ebrahim (baritone) and Dirk Roofthooft (actor)

Madam :

Katelijne Verbeke

The Women :

Barbara Hannigan

The Sleeping Beauties :

Susanne Duwe Alice Foccroulle Susanne Hawkins Els Mondelaers

Dancer :

Kaori Ito

Stage direction :

Guy Cassiers

Design and lightning :

Enrico Bagnoli and Arjen Klerkx

Choreography :

Sidi Larbi Cherkaoui

Costumes :

Tim van Steenbergen

Duration : approximately 105 minutes

CHARACTERS

OLD MAN MADAM THE WOMEN THE SLEEPING BEAUTIES

Actor and Baritone Actress Soprano Chorus of 2 Sopranos and 2 Mezzo-Sopranos

(At the beginning of each « night », during the dialogues between the OLD MAN and MADAM, a prerecorded CD with improvised piano music by Kris Defoort is played softly from the back of the stage.)

INSTRUMENTATION / The score is in C Flute ( doubling Piccolo* & Bass Flute** ) Oboe ( doubling English Horn*** ) Clarinet in Bb *** ( doubling Bass Clarinet*** ) Bassoon ( doubling Contrabassoon** ) Trumpet in Bb*** 2 Horns in F*** Bass Trombone Harp ( harmonics sound one octave higher than written ) Piano ( doubling Celesta*) These two instruments should be placed in an angle so that the player can play both instruments simultaneously without loosing sight of the conductor. Percussion ( two players ): percussion instruments are listed separately. The two percussion players should be placed respectively to the left and to the right of the conductor, as far apart as possible. Percussion 1 (Vibraphone) should be placed close to the Piano/Celesta and Harp. 4 Violins 3 Violas 2 Cellos 1 Double Bass** ( 5-string with low C )

All artificial harmonics in the strings sound 2 octaves higher than written. * sounding one octave higher than written ** sounding one octave lower than written *** written at sounding pitch ( in C ) in the score

LIST OF THE PERCUSSION INSTRUMENTS - All mallets, sticks,brushes etc. are indicated in the score and should be chosen ( and eventually changed ) by the player to obtain the most adequate, efficient sound. - The two percussion players should find a set-up which allows to change very quickly from one instrument to another. - Crotales and Glockenspiel sound two octaves higher than written.

PERCUSSION 1 Vibraphone (with two bows) Glockenspiel : Tam-tam (large, with triangle bat) Sizzle Cymbal (suspended) Cymbal (suspended) Pair of Cymbals Crotales (large set) : Bamboo Wind Chimes Glass Chimes 1 Bongo (low) 1 Tumba Maracas Rainmaker Whip (slapstick)

PERCUSSION 2 Marimba : Bass Drum (with brush) Tam-tam (with triangle bat, sandpaper and bow) Timpani 32' (with large Bb Cowbell and hard brush) Snare Drum Sizzle Cymbal (suspended) Cymbal (suspended) Crotales (large set, with two bows) : Glass Chimes Bamboo Wind Chimes Tuned Thai Gong : 1 Bongo (low) 1 Tumba Triangle (small / high) Maracas Rainmaker Ocean Drums Sandpaper Blocks (or Izomo Blocks)

(synopsis)

House of the Sleeping Beauties

Fl.

  

Ouverture

q ≈ 112, energetic, full of life

Kris Defoort





 

Ob.

 





 

Cl. in Bb

 





 

Bsn.

  

Tpt.

Hn.1

    





ppp

    



 

Hp.







Perc.1

Perc.2

  

  

  Vln.1   Vln.2

 

pp

    (sempre)

Tam-tam





ppp

Vln.3

 

Vla.1

Vla.2

Vla.3

Vc.1

        

pp

 







 



pp





f





f









pp

7

pp





f

pp

 

  

3



3

  loco

 



mp











 



10





  

 





 

 

pp

   

   3

 





  

fp





sfz





3

    





           

6

        5

             3

          

pp

         

pp

3







5                  

sfz

                       5

5

3

                        5 5

pp

Copyright ©2008 by Pentimento Publishing

    

 



mp

3

 

 



3



 



5



 

 

                     



 



3



 

pp

 

pp Db.

f

 

 



q ≈ 112, energetic, full of life

pp Vc.2





 



 

 

    

ppp

ppppp (almost inaudible)

pp

 



 

pp

 

 



pp

G.C.

pp

Vln.4







pp

 

 



pp

mp



(both hands)



mp



 

l.v. sempre

 

mp



ppp

 

 

 



        

Pno.



pp

mp





ppp B. Tbn.





ppp

Hn.2



 

  

5







6           



3

pp

             



      mp





sfz p

   

fp

   

fp

mf

 





7

fp

6

fp

                   6

mf

fp 6

         

pp

 

sfz

 

sfz

 

     

 

 

 

 

pp

pp

     6

fp

 

    

              

5

 

             





 6







mp

  



 



f

  

 

 

  

  

pp

 



 



f

f

  

pp

pp



  3





 

       fp

  

 

 

 

  

 

f

f

f

2

  Fl.  



  

 



 

3

Ob.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

   

 

f

  

 

   

 







f

  

 

 

 

 

 

 



pp

 

 



f



 





 





f

f

MNMOMNMM



                                             

Pno.

  

Tam-tam

    

Vln.4

Vla.1

Vla.2

        





6

mf

             

 



 



6

      ff                 

 

pp

ff

5

gli

5







  

gliss.







 

pp

 ss.



  

gliss.

          



   p  

Cluster, black and white keys











    6



  



 6

 

 

  

 

 

 

 

 

 

     

f

 3



  

       

 

  

   

  

   

     

  

  

  

 

 

  Db.  

  

  

pp

pp

pp

f

  



  



  

 

 



  

 

f

f

  

f

f sul G'

    

p

gliss.

gliss.

3

3

              3

 

      

 

 

      

 

 

      

 

 

p

 

 

p

 

 

p

 

 



 



 



 

p sub.

p sub.

p sub.

p sub.

             3 5

 

   

    

   

sul pont.

gliss.

   

sul pont.

gliss.

pp

pp

 

             3 5

pp

sul A' sul E'

      

             3 5

   

sul C'



3

 

sul C'



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

3



 



             

      

   

sul pont.

gliss.

  

3

 

3

      



 

          

      

 



      

      

   

 

3

      

 

  

soft mallets

          

f





 





      

3



  

 

        

  

ppp

3

  

sul G'





 



3

                            fp

Tam-tam

3

  

 

 

  

 

       

5

f

5

mf

 6

 

                

  



 

  

pp

(sempre)      

 

p sub.

  

ffff

 

f

f         

  

Vc.2



pp

    



f            

fp

Vc.1



 

        

 

f

Vla.3



ff



        Vln.1  

Vln.3

ff

 



Crotales (metal sound)



ppp

Vln.2



      

ff

  Perc.2

Vibraphone (metal sound)



ff



   



   

    5

 



   

5

5

5

5



Perc.1

mf

pp

(bouché)



 



  



 

3

pp

pp

f

3

 

             

Harmon mute

 

pp

       



  

 

f

f

  

f

 

 

pp sub.

     

pp



pp



   



sffz



   

 

  

     

3

  Fl.   6

Ob.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1



  

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

 

  

    

  



  



 

 



     





 



  

                 

f

 

   

      Crotales

 

        f         f         f         f         f         f         f

 



 

mf





                                   









p

pp

mp

    



f

pp

mp

    



 

p



 

p



p







 



gliss.

 

 p





    











 



f



    



      ---        

 

 pp

 



p





 

       



gliss.

 

 





 



 



 

pp

   

Crotales

 

Tam-tam

                                                                             

      

 p sub. 6



p sub. 6



p sub. 6

      



p sub. 6



p sub. 6



p sub. 6



p sub. 6



pp



ppp

            

7

  7

 



7

 

          





7

  7

  7

  7

 



  :::::::::::::::::::::::::::::::: p

 



 



  ::::::::::::::::::::::::::::::::

 

G.C.





 

pppp

                                          6 f                           3                 6 f                           3                 6 f                           3                 6 f                      3                      6 f                           3                 6 f                  3                       6 f

(sul pont.) (cf. Horn 1)

(sul pont.) (cf. Horn 1)

p





mp

pp



pp



    



 

                         

G#

 

 

mp



p







pp

 





 

 Db.  

mp

pp



             p (like before)       ppp      5       

pp





 ::::::::::::::::::::::::::::::::

 



    



 



p





  





  :::::::::::::::::::::::::::::::::



      



 



p

p

        

 

3



 (cf. Horn 1)



            

 

    

p

                        6 f legato

7

  



     

 

6

  

 (irregular little glissandi; almost dark noise)



 



p

            

  

     



     

f

   

 

   



  

  Vln.1    Vln.2



      

  Perc.2

 

   :::::::::::::::::::::::::::::: (sul pont.) (cf. Horn 1)

p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

3

              

  

  p

 

 

 

ord.

ord.

p

 

sul A' ord. sul E' p

gradually

gliss. gradually

gliss.

 

gradually

gliss.

             

 

 

  

 

sul pont.

sul pont.

 

sul pont.

 

4

  Fl.   11

Ob.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3



   



  

                 

Vc.1

 

Vc.2

 

  

     

mf







 







 





        6          

 



 



 





     



mf





       



sfz pp

sul pont.         6               sfz pp

        6  punta  d'arco                  6        





 





 

ord.

punta d'arco

3

   

3

ord.

  ord.

 

  

 

 ord. punta  d'arco         



     

ord. sul pont.

  sfz   

p



    

         

 



f



 Crotales

 



f



 







 



 



 





  



  

mf

ord.

  

sfz

    



10

p sub.

sfz p

sul pont.



 

p sub.

sul pont.



  

ff

       

   



punta d'arco

ff

sul pont.         6              

sfz p

 

       

sfz p



mp

        ord.

 

6

mf

      



punta d'arco         6             

 





 

sfz p

 





punta d'arco

 







pp

sfz p

 

p

  

        6          p sfz          f           f 

           





Tam-tam

p

 

 



p



 



 

 

 6



 



  

 



   

 



  

p



 



 

       p        



pp



  

p



 

 

  

   

mf

    





7

  

  

  

3

          

 

 



mf





  

   

        

     

 

 

p

f









  

   



  

  

   

 

         mf    

 

p

          

p

p



3

  

sfz p

  



legato

  



p

Flttz.        6            

   

  

 

p

   

 



  

  

 

Db.

 

 

mf

3

mp ord.

 

3

mp

 

  

 

  

 

p



  

  











mp



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

   



 3

           7

mf

6

mf

6

6

              

 3

6













 

              5

sfz p

ord.

         

              

3

mf

      







ord.

ord.

 

3

   

   



mf 3





 

 

        6

mf

 



 

 



 

 



 

5

                 Fl.   15

3

f

Ob.

Cl. in Bb

      

sfz

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

 

Perc.1

  

    



sfz









p

gliss.

mf

pp

 

   



p

Vc.2

sfz

p

arco ord.      Db.    sfz p

    

   

  

     

 



  



     

 



 

   



    

        f

         

 

f







 



 







 



 





 



 







 



 



(Vib.) arco





 



 



Crotales



 



 



Thai gong





mf

 

mp

    

 



gliss.

  

   

   

 



gliss.

sul pont.

mf

mf

mp

 

sul pont.

mp

    

  

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

  

 

pp



pp

    

 



            Eb mf







 



 



 

 



 



 

   

 



 



 soft mallets  

   

 



 



 

    f

 



 



 

ff

f



  



      





  

f



 





         



mp

f

ff

5

    

gliss.

pp

f

 

mp

 





pp

  

 

sul pont.

mf

  







mp



p sub.

 

 

pp

  

f

arco ord.

  

 

pp

    

    

   

p



p

  



pp

sfz



sfz p



                                    5 Vln.1        3 7 f 5 p sub.                                    5 Vln.2        3 7 f 5 p sub.                                    5 Vln.3        3 7 f 5 p sub.                                    5 Vln.4        3 7 f 5 p sub.                                                5   Vla.1        3 5 5 f  p sub.                                          5   Vla.2        5 3 5 f 5  p sub.                                            5   Vla.3        6 3 5 Vc.1

  

 

 



 

  





 

 



gliss.

mf

G.C.

arco ord.







p

Tam-tam

    

change to Piccolo

  

             

 

    

   

  

 







 

p sub.

 

       mf        



Flttz.                    5              7  p f 5



       ff          

 

  



  Perc.2

 

p sub.

 

Pno.



   

sfz

mf



   

   

sfz p



f

6

 

 

      

 

         

sul pont.



  



  

 

       

    

p. d'arco

sfz p

p. d'arco

sfz p

          p. d'arco

p sub.

ord.

p. d'arco

ff

        p

ff

sfz pp

p

    

sfz pp

 

 

punta d'arco

sfz p

sfz p

        p sfz       

 

sfz p

 

 

f

  

     sfz p    

   

   

ord. sul pont.

  

        f

sfz

       

sul pont.

 

    



         

 



 



 

ord.

 ord.

 

3

mp ord.

 

3

mp

ord. punta d'arco

sul pont.

    

3

 

B#

ord.

p sub.

sul pont.

       

3

 

p

       

 

 

   

   

 

 

ord.

sfz p

ord.

  

  

mp



  

 

     

6



  Picc.    21

Ob.

Cl. in Bb

Bsn.

 

pp

   



 



      





    

3

pp

Hn.1

  

Hn.2

  

Pno.

  





 



6



mf





  

       f

                  Perc.1     mp   Crotales       Perc.2

  

mf

Vln.4

Vla.1

Vla.2

Vla.3



f

 

f

 

6

                     



6

pp



       

   

 

pp

p

 

   

  

        

p

 

  

3

 

          



 

 

 



 











 

 

 

 



 











 

 



 



 





 

 

  

f

  

 



 



 



f

  

ff

  6







     



      

mf

(l.v.)



  

         f

  

p

Crotales

f

 



f

f





    

f

 3      3             3

 

  







mf







 

 

f

p

  





pp

6

            

3



  



       

9

 



    p

 



p

6

    

   



3

               pp

3

    





 

 





 

Crotales





mf

         



 Thai gong     



           3



f

mf

mf

Vln.3



 

 

                   6

p

  

  



 



  Vln.1    Vln.2



p



  

f

  

f



 

 



 



     



  

f

 

 



          

  Tpt.   

Hp.

   

pp

pp

B. Tbn.





                                                   



       

10

7

3



 

      

3     

   

3    

            

mf

6

    

f

6

6

    

f

    

f

6

6

6

f

(pp) 3

   

 

     

6

6

sfz pp sub.

sfz pp sub.

5

3



   

f

5

sfz pp sub.

3

sfz pp sub.

(pp)

  7



 

3

                   

      7



3

                 

  7



5

  7



sfz pp sub.

  7

 (pp)                    

f

p sub



(pp) 3

                 

f



(pp) 3

                                sfz pp sub.



(pp) 3

                               

f

mf

sfz pp sub.

                             

       ord.        3                    p sub f mf    5                                     5 f p sub mf        6 3                                mf

6



 

3

7

 

3

7

         

(pp)

Vc.1

 



 



 



 





 

Vc.2

 



 



 



 





 

Db.

  



 



 



 





 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

7

  Picc.   

     

26



pp

Ob.

Cl. in Bb

    





Hn.2

B. Tbn.

Perc.1

      

   

   









 



 











 



 











 



 



  









 



 



    









 



 



6

f

mf

pp

 

 



6

f



pp

f

    pp

 



 



  



f

  

   









 



 



  

   









 



 



   

   









 



 



     f        f       









 



 











 



 











 



 









 



 











 



 











 



 











 



 



pp

f

pp



 3







 



7



pp



  

  7

mp

   

   

gliss. « white keys »



  

p

   

 glis

s.



f

      



   

f

pp

gliss.



   Perc.2

change to Flute

mf pp f                          p



    

Pno.







  

   

Hp.

         

  

6

p

mf

Hn.1



pp

pp

(open)

Tpt.



 

 6                           

mf

Bsn.

  

f

 gli

 

   

ss.



        p

 

mp

p



Crotales

 

p



f

            



f

(change to metal sticks)



 



f



Crotales    

(change to metal stick)

 



 



f Tam-tam



    mf

ord.  sul pont.                                Vln.1        7 sfz pp sub.

Vln.2

p

sfz pp sub.

Vln.3

p

p

Vc.2

Db.

p sub.sfz p

f

 

p sub.sfz p

p

f

p sub.

sfz p

p

f

p sub.

sfz p

 sul pont.   ord.                                      7       

p

  

f

   

p sub.

arco ord.



pp arco ord.

 

pp ord.

     pp

   

 

ff

  ff

     ff

 

 

 

 

sul pont.

p sub. sul pont.

 

p sub. sul pont.

p sub.

 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

sfz p

               

 

gliss.        





         



glis

         



. gliss

       



. gliss



. gliss

  p



 



p



 



p



  

       

p

 sul pont.   ord.                                      7

sfz pp sub.

Vc.1

 

 



iss.

p

  ord.                                       7

sfz pp sub.

Vla.3

sfz p

f

p sul pont.

sfz pp sub.

Vla.2

f

  

gliss

p

 sul pont.   ord.                                    7 sfz pp sub.

Vla.1

sfz p

 sul pont.   ord.                                    7 sfz pp sub.

Vln.4

f

 





 sul pont.   ord.                                    7

.   

       

(sul D') gliss.

 p



ord.

p



ord.

p

(sul A')

mf

gliss.

p

gl

mf

p

s.

glis

mf

gliss.

p

s.

mf

 

gliss.

p

  

mf

gliss.

p

   

 

  

 

 

 

mf

        gliss.

          mf

gliss.

           mf

 

gliss.

p

gliss. 

mf



 

 

p

  .

gliss



p

  

 

 p



 



8

  32         Vln.1  mf

Vln.2

         

sfz

pp

 

 

mf

mf

pp

sfz

pp

          

Vln.4

 



         

pp

 

         

 

mf

Vla.2

sfz

mf

Vla.3

 

sfz

mf

pp

sfz

 

pp

              mf sfz pp

Vc.1

         

Vc.2

mf



 

sfz



 

pp



 



ff

   



 





 

 

ff

 





p



ff



 

p

ff

p

 

ff



ff

p

 



ff

p

 



ff

p

ff

  ff



  



   



 

 p



 

p

 p

 

p

ff



 



  

 

p

ff

 

p

ff

  



 

p

 



 

pp

    ff

 

pp

 

    ff

 

pp

 

   

 

 

 

 

 

 

   

p

 

ff

ff







ff



   

   

p

ff



 

 



ff

 

 

   



ff

 

   



 





ff

p



    ff



p

ff

 



p

ff



pp

sfz

 





           

Vla.1



 

mf

Db.

 

sfz

      

Vln.3

 

ff

pp

pp

 



ff

    

      

    

sfz p

f

  

    

    

      

    

sfz p

        

f

  

         

      

   

sfz p

      

f

  

         

    

   

sfz p

      

f

  

 

    

   

      

p

 



 



 



 



ff

ff

p

ff

ff

p

p

 

   

 



  

 

   

ff

    

  

 

   

    

p

ff

p



ff

p

ff

 



  





  





ff

p

ff

p

ff

 





p

 

p

 

p

ff

 



 

 

 

 

ff

p

p

ff

sfz p

ff

ff

p

ff

 



p

 

ff

 

ff

 

p

 

 

 

 

ff

sfz p

p

sfz p

sfz p

sfz p

ff

ff

      

sfz p

sfz p

       sfz p

ff

p

ff

p

ff

sfz p

sfz p

sfz p

f

sfz p

 

 

 

 

   

 

   

 

sfz p

f

f

f

sfz p

  

sfz

  

sfz



sfz p

 



sfz p

sfz p

f

          

sfz p

f

f

sfz p

        

 

 

           p ff p ff

 



p

p

ff

   

     p

ff

p

ff

ff

  

f

 

sfz

 f

   sfz





    38

Vln.1



f

  

Vln.2

  p



 



f

Vln.3

p

  



 





 

f

Vln.4

p



 

f

 

Vla.1

p



 



f



Vla.2



  p

Vc.1

 

 

Vc.2

 



 



p Db.



 









   





  





 



ff

ff



 

pp

   

  

 

    



 

 

 

 

    



 

  

 

    



 

  

  

   

    

 

pp





  

 



 



  

pp

 

 

pp





pp

  



pp



     

   

  

pp



pp





 

   

pp

ff





  

ff

  



pp

ff





ff

ff

 

pp

ff

pp

  



ff

pp





ff

pp

pp





ff

  

ff

 



ff

pp

ff



ff

ff

 

pp

   





ff

   

 

 





ff

  p

   

p

p

Vla.3



   

 

  

pp

  





pp

  

  

  

 

   

 

 

 



  







ff



ff





ff



  



  



ff

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



ff

      



pp

       

  

pp

  

ff

    

 

ff

sfz

pp

    



 

ff





 

  

  

ff

 

  

pp

 

sfz

  

pp

sfz

pp

  

  

 

  

 



sfz





ff



ff

  

ff

  

ff

  

ff

pp

ff

pp





  

pp



pp





 

pp





ff

pp

 

 

ff

  

ff

 

  

  

  

   

sfz



     

pp

  

   

ff

  

pp

        

 

sfz

  

pp

 

 

 

   

sfz



 

 

  

sfz

 

  

pp

sfz

pp

ff

  

 

  



ff

  

sfz

pp

ff

    

  

sfz

    

sfz

pp

 

pp

sfz



pp

 

9

  Fl.   44

Ob.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

(Flute)

 

 





 

        



 



 

        



 



 

           



  



 



        



 



 



 



 



 



 



 



 

 



 

  



 



sfz

pp

sfz

sfz

pp

pp

       

 

  

      

 

  

 

  

sffzpp

       

pp

sfz

pp

sfz

pp

                   sfz

pp

                sfz



     

                  

  

 

f

 

                    

ff

    

sffzpp

pp

pp

 

 

sffzpp

 

f

     

 

 

        

 

 

   

 

f

f

     

 

sffzpp



sffz

f

sffz

f

sffz

f

     

sffz

f

 



pp

   

   

      



 



 





 





 





 





     p

3



f

 



 





pp

f



pp

f

          sfz pp f                             5  5 5 9 ff

5







 

 



f





 

gliss.

    sffz

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.



  

  



  

  



 



sffz

p

   

p

       sffz p        sffz p           

sffz

gliss.

  

p

sffz

gliss.

  

   

sffz

 

 

          

 

3





f

     

sffzpp

 

   

          

                     

 

       

f



f

sffz



p

5

 



   



        

sffz

 



     

   

Crotales (« wooden » sound)

      

sffz



 

  



   



6



 

sffz



  





(change to soft mallets)

 

sffz

MNMOMNMM



pp

sfz

ff



sfz

  

       



        



sfz

ff



6

 

 

       



      

sffzpp

 



3

sfz

       

ff

           sffzpp

         



 

f Thai gong

sffzpp

           sfz

 

ff

sffzpp

           sfz

p sub.

       

ff

p sub.

     

        

           

ff

Db.

ff

f

ff

p sub.



3

ff

p sub.

ff

        

ff

p sub.

ff

 

          

ff

Vc.2

ff

       (Vib.) (metal sound)        f    (sempre) Crotales (metal sound)       



ff

Vc.1

f

ff

  



 

f

  







ff

 





         

f

 

5



ff

(open)

5

                ff



ff

Vla.3

             

  

ff

Vla.2

f



ff

Vla.1

ff

 

ff

Vln.4

f

 

ff

Vln.3

ff

 



           Vln.1  

Vln.2

                  

     

p

  

  

p

       sffz p        sffz

p ord.

 

sffz

  

  

 

p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

   



 (sul D' sul G')

  

gliss.

f

gliss.

gliss.

    f

  

  

  

f

  

gliss.

gliss.

gliss.

p

  

 

gliss.

         7

gliss.

         

   sfz

 



sfz

 

p



 

sfz

 

p



 

 



 

sfz



7

p





gliss.

        

sfz





7

gliss.

 

sfz

gliss.

gliss.

 

 

ff

p

p





10

 Fl.  48

            (p)

       

    

Ob.

p

    

 



3

mf

5

pp

f

 

   

             6       Cl. in Bb   p pp f legato   (with Viola)     Bsn.  Tpt.

 

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

mp

 

Hn.1



    

      

mf



  



  





  f     





 

    (sempre)          ff  Crotales    







  







gliss. white

k keys







keys

gliss. blac









  

   



 





    mf

     

mf



mp



         



 

Vla.1

f

  

Vla.2

 







(with Bassoon) legato



     





   







pp





 

     







 

 

    

Tam-tam

pp

   





 3





  

G.C.

 



p

        p

5

         p

5













mf

  



f











  

---

  

   



 

  

 







 

Sizzle-cymbal (with hand)



mf

            

                3 3

 

   

 

 



  



pizz.



pizz.



pizz.



pizz.



pizz.

ff



pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 



ff

  

pp





   

   

pp





p

  

 

  

 6          

(with Clar.)



pp



short

p

pp

  



      

7                  5 

  



 



  





f



   

 



  

  



f

  



pp



pp



 

f

  





f

  



 

f

pp

mp





pp

F#

f

Db.

  

 



f

Vc.2



  

f

f

Vc.1

  

f

 

mp

f

Vla.3

 



p

f

f



 

f

 

         6                       Vln.1       3a 5 5  f                        Vln.2       6 6 3a  f                        Vln.3    5   

 

f

 

Vln.4



f



f





f Thai gong

                    5 7

  





p

  



ff

f

 









3

                   3            7 p p sub. f           6                  6 p fp f (with Piano)                             6              5 5 3

     

f



ff

f



ff

   

ff

 

f



ff

   

  

  

f



  f

11

 Fl.   51

 



                      sfz p sub.

Ob.

Cl. in Bb

f

(with Piano)                                  



 

          Bsn.   7  Tpt. 

p



Hn.1

Hn.2



B. Tbn.







 

 



 



     



      f sub. 

 Perc.2

p

  (with Cello)





pp

  pp       f       

Vln.2



 

          mp

f

     mp

 

   

 

  

 



 



p (with Bsn.)

       

 

  



f



     mf



 p

f



Crotales





 



 

 



mf

   

mf

     





(l.v.)





    



5

p

  



 

      

p

5

(sempre)



 



 





 

 







 7               

 

 

3



  





3

 



f

 

  

 

 







(bouché)

  





     

 



p

legato

 

 3



  



3

 

  













                 





6



  



  

3

6

mf



  



(G.C.)

f

mp

   

            

   

mf

pp

mp

f

   

mf

     

7

      

3



                



   

 



(with Horn 1.)

 

   

---





mf

f







pp

         



legato



p

f p sub.



Vln.3



                        p



p

             

  

(with Bassoon)

      7     Vln.1  





                6

          gliss.        7           sfz p sub.

mf

sfz p sub.

sfz

p

mf

sfz p sub.

sfz

p

mf

sfz p sub.

sfz

p

mf

      gliss.                   

                    gliss.              

Vln.4

mf

6

   (with Bsn & Horn 1)      gliss.                

              3 sfz p sub. sfz p mf  p f      gliss.           arco               p sfz mf  p             gliss.   arco                 (with Bassoon) 7

Vla.1

Vla.2

Vla.3

p

Vc.1

Vc.2

Db.

3

   



f

p













Perc.1



f

p sub. (with Viola 1.)

Pno.

6

    

                                         sfz p sub. f p                        6                          3 3 6 6 (p)

Hp.

f

    



 

arco

 

arco



sfz

(with Piano)

     p

        

(with Piano)

      p



 

 

   



 

 

   



        

 

   



sfz

p sub.

      

sfz p sub. arco

sfz

p sub.



   

 f

f





f

p

gliss. a s as poss low ible

      



f



f

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



 

mf

  

 

gliss. as low as possible

 

gliss. as lo as possib w le









12

  Fl.   55

Flttz.

 

 

  

          sfz

Ob.

p

mf

6

         

Cl. in Bb





(with Violas)

p

                 7

     



mf

 

 B. Tbn.  

    

Pno.



Perc.1

 mf

    mf    

Crotales

Perc.2

mf Thai gong

   

 

   









mf

 







 





  

mf

f

6

7

         

(like a chorale)









    



ff

   

 

        ff    mf 





7          

 







mf (with Bsn.)

7           

Vla.2

mf (with Bsn.)



Vla.3

          7

mf

    gliss. as lo  w as po  ssible 

Vc.1

f

    gliss. as lo  w as po  ssible 

Vc.2

f

Db.







 

f

      f

      

 

f (with Piano)

al talone

al talone

al talone

        f

        f

       



(with Piano)

  

f

          p 

sfz

         

 

p

 

p

sfz

p

  

 

 

sfz

 

p

                     







 

 3





mp



 



p

legato

 







(like a chorale)

p



6

       



 

mp

          



   





(l.v.)

p

mf

p





 





 mp

  5





 

6

6

6

3             

             3

3             



f



   





   



f



6

6

pp

6

6

 

      

ord.

ord.

 

p sub.



 

pp

p sub.



 

 

                             

     

   

                              pp

 



                             

     

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



6

pp

     

f

  

                             

     

   

     

   

  

 

6

3

p

 

 

     

6



   



Tam-tam



  

3

(with Bsn.)

3

p (like a chorale)

legato

 

 

      



3



mf





  



     

   

 



p (like a chorale)

legato

 

f



mf

p

   



         (sempre) 

G.C.



legato

          

f

Vla.1

legato

mp (with Fl.)

                                 Vln.1   f                                     Vln.2    f f                               Vln.3       f                                 Vln.4       (with Bsn.)



mp



pp 3

(with Horn 1.)

mp

ppp

.



   

(like a chorale)

          

p

  



  (like a chorale)

iss

     

f

mf

ppp

gl

f

 



(open)

    

 

7

ppp

mf sub.

 

 (open)









    

gliss.



ff

   

 

pp



3

  



 

mp

 

                   

                   

p

p



6

                     

  

6

         







  

 

pp

p

Hp.



legato (with Cl. in Bb)

mf

Hn.2

3

f



mf (with Clar.)

 

 

                    

p sub.

(with Tpt.)

  



sfz

    Tpt.   Hn.1



    

6

p

f

(with Horn 2.)

Bsn.

     

ord.

 

  

               

p sub. sul pont.

3

pp sul pont.

mp

3

mp ord.



 

     



 



 

f





      f







gradually

    

mp

3









      f

6               6

gradually

ord.

                    5 pp sul pont.

 pp

5

3



gradually





5

ord.

 

    



   

13 58      Fl.  

Ob.

   3                5 f mf p mf f      5                     3

f

Cl. in Bb

    

p

   

f

Bsn.

Tpt.

    

mf

   

3

mf

3

   



Hn.1

  

(mp)

Hn.2

3

 

  



   

Hp.

Pno.







3



Perc.1





ff

        

f sub.

 (l.v.) 

    

 



f sub.

p sub.

       



G.C.

f sub.

p sub.

        f sub.

p sub.

        f sub.

p sub.

            al talone

Vla.1

f al talone

Vla.2

            f al talone

Vla.3

            f

Vc.1

ord.    

f sub.

    

ord.

Vc.2

f sub.

 ord.     Db.  

f sub.

     

     

 



 

      

gliss.

   



   



         6

        6

        6

        6









ord. 3            ord. 3           



gliss.



sul pont.

       pp sul pont.

 

pp sul pont.





 3

    











p

 



















     --      

    

6





          



         



         



f

f

f

 

 

gradually

6

      

 

        

gradually





     



  









5







   



 

      







f





3









    

 

mf











Sizzle cymb.



Tam-tam

  

 

  

 

(with hand)

mf



  

 

 



                        7 pp mf f                          7 pp mf f                          7 pp mf f                           7 pp



 

 



pp

  

     



p



     









  

  

6

gradually

5









mf

mf

f



      

         

  



         



 





    

5

 



f

Thai gong

    



 



gliss.

p

5

p sub.

Flttz.

f



 

5

p sub.

 

 

p



    



 

 

pp

 

Crotales

5





sfz

pp

 



p

 



f

p





(l.v.)

p sub.

gliss.

p



f

            

gliss.

mf

 

pp

p

ord. 3



 





   



 

 

  

pp

ppp

        Vln.1  

Vln.4

 



mf

Vln.3

 

p

Flttz.



p

mf

f Sizzle cymb. (with hand)





              







p







p

    

   

Vln.2





Crotales

Perc.2

3



p





mp

 



3



    

7

p



mp

B. Tbn.





3

mp



mp





sfz

 

Flttz.

 

 7              mf p f               mf

        

6

 

p

5

p

        







 

7

p

5

    

f

             3

6

p

mf

             3

6

p

mf

             3

6

p

mf



    p

  



       

       

           f

sfz p sub.

          f

sfz p sub.

            f

sfz p sub.

                          sfz p sub. sfz p sub. f  ord.   6                           sfz p sub. sfz p sub. f  ord.              ord.

pp

6

sfz p sub.

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

f

Piano music is heard in the background. [The pre-recorded piano music (cf CD) should come softly from the stage like coming out of a radio or stereo.] (indefinite pitch) Sub. q ≈ 96 (whistle-tone) blowing wind in one breath (no attack)

14

  Fl.   61

Ob.

Cl. in Bb

q = e (q ≈ 56) change to Piccolo

 







    

 







 



Tpt.

Hn.1

  

 

mp pp blowing wind in one breath (no attack)

 











 





  





 







 







 



 





pppp

f



pppp

f



f



pppp

f



pppp

f



 

blowing wind in one breath (no attack)

B. Tbn.

Hp.

Pno.

Perc.1

 



  



 





      



f

blowing wind in one breath (no attack)



 



          

   



  



mp

  















ppp













  

Tam-tam













(prepare Timpani 32' and Bb Cowbell)





 



 



 



    



 



 



 



 



 

 



    

 



 

  



 

Sizzle cymb.

indefinite low pitch

Vln.2

Vln.3

Vln.4

Vla.1

molto diminuendo



 





arco con sord.

 





arco con sord.



pp sul pont.

molto diminuendo

Timpani + Bb Cowbell

pp

Sub. q ≈ 96

    :::::::::::::::::::     gliss. till indefinite pitch



pp sul pont.

molto diminuendo

pp

molto diminuendo

morendo

gradually sul pont.              :::::::::::::::::::    gliss. till indefinite pitch   molto diminuendo

molto diminuendo

morendo

morendo

  tch           :::::::::::::::::::     gliss. till indefinite pi  sul pont.

gradually sul pont.              :::::::::::::::::::    gliss. till indefinite pitch      pp

molto diminuendo

morendo

gradually sul pont.                :::::::::::::::::::     gliss. till indefinite pitch     pp

Vc.2

morendo

gradually sul pont.            :::::::::::::::::::     gliss. till indefinite pitch   

gradually

Vc.1

morendo

molto diminuendo

pp

 Db.  





con sord.

 

pp

Vla.3

morendo



    :::::::::::::::::::    gliss. till indefinite pitch  

pp

Vla.2

mp

 pp



molto diminuendo

 

morendo

morendo

 

gliss. till indefinite pitch

molto diminuendo

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

 

l.v.



morendo

     

                   

  

  



  h   :::::::::::::::::::     definite pitc gliss. till in  

sul pont.

  

 

ppp

gradually sul pont.     pitch e t i n i f Vln.1   e          :::::::::::::::::::     gliss. till ind arco con sord.

 



(All strings with :::: sign: make irregular, slow moving glissandi between a ½ step above and below the written note)

 



 

    

q = e (q ≈ 56)

pp

 

wind in one breath (no attack)  blowing 

 

ppp



blowing wind in one breath (no attack)



 



 

 



 



 

 

 



 







 

   Perc.2





 

wind in one breath (no attack)   blowing  

pppp

Hn.2

Change to English Horn

f

 

pppp

  

 



blowing wind in one breath (no attack)





f

pppp

f

Bsn.

 

 

 





 



                   



15

(There is no sign on the door; the secret nature of this house forbids such a thing. Water boils in an iron kettle on a kiri-wood stove. Piano music is heard in the background. The lady of the house doesn’t look the old man in the eyes.) Madam Try not to wake the girl, please. Anyway, she is unlikely to wake...She sleeps deeply. The sleep of the innocent.The girl sleeps on. She knows nothing, even with whom she sleeps...There’s no need for her to worry about any of that.She is so lovely. And all our guests are trustworthy.The older gentlemen all go to bed early and rise early in the morning. Everything is ready for you. Here is the key; go to bed when you’re ready. In case you have trouble sleeping, I’ve placed sleeping pills on the cushion. We are not able to offer you any strong liquor.You know the rules.The girl in the next room is fast asleep and waiting for you. Old man She is? Madam Will you undress out here? (The old man is silent) Madam You can hear the waves. Also the wind...Sleep well. (The woman stands up, pours out the tea, unlocks the door to the adjoining room and leaves. The old man looks around. He takes the key the woman has left him and examines it. He lights a cigarette with the same hand that holds the key. He takes a few puffs and extinguishes the cigarette in an ashtray. But the second cigarette he smokes at his leisure. Red curtains are hanging along the four walls of the room. The old man enters through the door where the curtain has been drawn aside somewhat.)

↓ ORCHESTRA (timing decided by the staging)

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

House of the Sleeping Beauties

(Piano music stops)

16

   1

Bass Flute

English Horn

Clarinet in Bb

Bassoon

Trumpet in Bb

Horn 1 in F

Horn 2 in F

Bass Trombone

Harp

 

ppp

ppp

 

ppp

  

ppp

      



  

q ≈ 48

 

  

   

ppp



  



f

p

mp

  



pp

f

p

mp

  



pp

f

p

mp

  



pp

f

p

mp

  



pp

p

mp



pp

mp



pp

mp

pp

   

f





  

ppp

f



p



  

ppp

f



f

mp

l.v.

f

Bamboo wind chimes



ppp

  

Aaa  

(h)

Aaa  

(h)

Aaa  

(h)

 



iss

gl

Viola 1

Viola 2

Viola 3

       

Violoncello 1

 

Violoncello 2

 

 Double Bass  









     



10

  

  

 









  p



ppp

p

pp

 

 

 

 

Thai gong



ppp

 



    



12

     pp

    











 



 



 







pp



 

 









 

   







 

   







 

   







 

      mp pp           mp pp         mp pp          mp pp           mp pp          mp pp          mp pp     gli  ss.     mp



 

 

   

.

Violin 4

 

pp

 

 

                3

 



 

 

 

.

iss

gl

Violin 3





    

ppp





pp (slow movement)

poco sul pont.

        

   

ppp

mp ppp pitch) All strings, exc. Vl.1, Vc.2 and Db.: con sord. p. d'arco

Violin 2



 

 



Aaa - (h)

 

3



 

 



 pp  3        gl      iss     Violin 1   . (low indefinite  



    





              

     ppp





mp

 

3



 



.

iss

gl

q ≈ 48

    



3

ppp



 

(He enters the room. When he first realizes that the glow in the room is coming from above, he looks up to see that the light, filtered by Japanese rice paper, comes from two openings in the ceiling. The old man locks the door and while drawing the curtains again, he looks upon the sleeping girl. He can hear by the sound of her breathing that she is clearly deeply asleep.

.

iss

  

(h)

gl

4

 

Aaa  

   

3

p





.

3

(h)

iss

Chorus

 

Aaa  

gl

2

 

   

.

1

iss

Baritone

 

gl

Soprano

     

           

pp All voices: mp (high indefinite pitch) (low indefinite pitch)

  









p

    mp                   pp 3   MLLOLMMM Ab F#          f   Celesta 6              ppp

Kris Defoort



                 pp  Vib.       Vibraphone           mp Tam-tam   strike with triangle bat         Percussion 2       Piano

The First Night

All winds: blowing wind in one breath, no attack

                        3 11

 

 

 

ppp

 

 

 

 

       

ppp

 

(low indefinite pitch) ppp pp

  

 

gliss.

  

 

pp lowest possible indefinite pitch, like dark noise

 

 

 

ppp

 

gliss.

ord.

     6

         

 

ppp

 

gradually

 

ppp

 

 

s.p.

 

ppp

 

  

 

ppp

 

    

 



 

 Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

  gliss.

 

 

 

 



     

   5

B. Fl.

Eng. Hn.

 

Cl. in Bb

 

Bsn.

Tpt.

17



 ppp



 



poco rall.









ppp

A tempo (q ≈ 48)

poco accel.

 





 















  

gliss.

p



pp









 





 









  



p



  



poco accel.



Hn.1

 





 







Hn.2

 





 







B. Tbn.

  





 







    

 





 

 

Hp.

 

Perc.1

       ppp      

      

Perc.2

  

    

mp dolce



 

Cel.

(with Choir)











  



go to Piano

;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;  mf 

 



 







 





     

 

1

2 Ch. 3

4

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

 



    





     mp

 

 

ppp

 

        

      

     

 

 

             

Vc.2

 



 

Db.

  



 



She

    mp



poco accel. is





 







 





 

   

 

 



 





on



 

on



 



 

 mf

ly - ing

mp

 

  







     

 

mp  

is - (s)

 

  



 

(As if to apologize for touching her hand, his own hand begins to tremble. But he understands that the







her hand, the old man gazes upon her. He forces himself to undress)  girl will not waken. Still holding   Bar. Solo 

 





pp





 

 

A§ C§







ppp G.C. with hard brush (like wind)

           

     E§ p  Db 

left



her

 

her

left mf

  

gliss.

gliss.

  left

 

 



 

 

side

 (q ≈ 48) Atempo gliss.   

 



side mp

left

  rall. poco



side mp

left mf

  

 

mp

gliss.

        pppp    Sizzle    cymb. with brushes     pp

mf

mp

left

side

 



    

(slowly and whirled, stirred)





 mp





Her

face

mp





Her

     turned

 



face

 mp   



[whisper]

f



[whisper]

face (s) f mp

 

turned

    poco  accel.

face (s)





 









 









  





















  

pp

  

pp

  

gliss.



gliss.



gliss.

pp

  

pp



ppp



ppp





ppp

gliss.



ppp



   



 





 





 







 





 









Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



p





 

Maracas



to - wards

   

to - wards

18

 B. Fl. 

poco rall.

10



 

A tempo (q ≈ 48)



 

Più vivo q ≈ 52





 



 



 



 

Eng. Hn.





 



 





 



 



 



 

Cl. in Bb





 



 





 



 



 



 





 



 





 



 



 



 



 



 





 



 



 



 



 



 





 









 



 





 



 







 



 





 



 









 









 





 





 





 

Bsn.

Tpt.



  

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

1



 









 











Tam-tam

mf

 

 mf    

p

 

him (m) mf

     

2

 

mf

        

3

to - wards him (m)

mp

4

Vln.1

mf

         

Vln.2

Vln.3

Vln.4

 



f p      



p      



p     

   



 







f



 

 







 







con sord.



Più vivo q ≈ 52

A tempo (q ≈ 48)

mf

 



The

  

    

bo - dy

 s.v. 





 s.v. 



 



 s.v. 





 



 s.v. 



 

ppp

ppp

ppp



ppp

           ppp s.v.



 



Vla.3





 

Vc.1





Vc.2

 

mf



re - mains

vi - si - ble p

in

vi - si - ble p



-

mf

3            

in

-

 



 

      p    

 

 



 



 



 

 



 



 

 



 



 



 



 



mp           

mf

3         

 



vi - si - ble p

in mf



 

   

          

 



mp strike with sandpaper

3

 

 

        

p





             pp       

 

     

ppp

6              mp       

3         

in mf

f











Hi -(m)

p

Vla.2

Db.





 

Hi -(m)

p

poco rall.







Vla.1

to - wards him (m)

ppp

F#

(soft mallets)



Hi -(m)

p

him (m) mp

Ch.

7                 pp           metal sound              pp    strike with sandpaper               

f





6                 mp           

   

 

Her neck

 

shoul - ders

             mp



Her neck

 

vi - si - ble

shoul - ders

 

     

 

mp     

mp

and shoul - ders

and shoul - ders

              pp ppp



 



 

   



 



 

    



 



 



 



 

3

           pp ppp 3             pp ppp 3

3                 pp ppp       

s.v.

  

ppp

 





 



 





 





 



 

 



 





 





 



 





 



 



 





 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

     



 

 



 



 



 

 



 



 



 



 



 



 



 



 

19

  



 



Eng. Hn.

 



 



Cl. in Bb

 



 

17

B. Fl.

  

ppp

     





 



 

Hn.1

 



 



 

Hn.2

 



 



 B. Tbn.  



 

 



  Tpt.  

Perc.1

Perc.2

S. Solo

Bar. Solo





 



        

    

1



 



 



 

 





ve - ry

       are f

3

ve - ry

     



are



ve - ry

f

4

  Vln.1  



are



ve - ry

     

young mp

  

young

p

   



p

    





 



 

Vln.4

 



 

Vla.1

 



 

Vla.2

 



 

Vla.3

 



 

Vc.1

 



 

Vc.2

 



   

   

    

 



 

pp     Celesta



   gl



   g

   p

ppp

-

   g

Aaa mp

   g

Aaa mp

-

   g

Aaa mp

s.

-

s.

-

lis

s.

-

lis

mp

   sul E'

3

6        



 

Crotales



pp

    

              pp

pp



 

mp

p

   ppp

  

 

ppp

  

   

3

pp

   

  

3



     

    



3

pp

    





  



Crotales

 

ppp

 

   

ppp

 



 

 



 

   



 



  

    



 



  

   



 



    



 



 

 

 

      

  

ppp

 

 





 

 

 

 



 





s.

 

     

 

    (low indefinite pitch)

(h) pp

 

 

 



(h) pp

 



 

(h) pp

 

 



(h) pp

 

     

                    mp

 

(h) pp

.

lis



      

  

     



lis



pp

  



   

  

p

3

pp

p



      

G.C.

iss

Aaa mp

  

mp

  

mp

pp

pp

  

Aaa mp

f

pp

  

  

     young Aaa - (h) s.v.           mp   ppp sul A'        mp    pp sul D'   gli    ss.      mp sul G'   pp   gli     ss.   mp pp    s.v.         mp ppp   sul G'    gliss       .  mp pp sul C'   gliss       .  mp pp   g sul D' lis  s.       mp pp con sord. s.v.           

   



.

Vln.3

  

p

p

iss

 



   p

mp

  

pp

    pp   

mp

gl





p

  

 

  



young

Vln.2

Db.

   

p

mp

 

 

 mp



p

p

mp pp All voices: (high indefinite pitch) gli ss.

mp

      

  

f

 

f

Ch.

mp

 

are

2

Ab D§

 



    



 

 

f

  

  



 



mp

  

ppp f blowing wind in one breath, no attack

    

 



 

p

   



mp

blowing wind in one breath, no attack

         mp                   mp    Tam-tam strike with triangle bat       





  



mp

mf

f Harmon mute

ppp

  



  

ppp

  



 

Eb Cb

mp

  

  

ss.

Pno.



 

p



gli

Hp.

f

  





  

  



blowing wind in one breath, no attack

 

Bsn.

  

  

blowing wind in one breath, no attack

      

mp

The

  

mp

  

The mp

  

  

The

  

mp

  

   

The



 



 

      



 



 



 



 



 



 

  

   

 



 

      



 



 



 



 



 



 

  

ppp lowest possible indefinite pitch, like dark noise Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

     

   

 

         

20

  B. Fl.  



Eng. Hn.

 

Cl. in Bb

23

Bsn.

Tpt.



 



 





 



 





 

  







  

poco accel.

rall.

A tempo (q ≈ 52)

      



     



  

 



 



 





 



 



 



  

 



 



 



 



 



 



 



 



 



 



 



 



ppp

p

 



 





ppp

 



 

pp

Hn.1

 





 



 



 



 



 



 

Hn.2

 





 



 



 



 



 



 

B. Tbn.

  





 



 



 



 



 



 



 



 



 



  



 



 



 



 



     



 

 



 



 



 



 



 



 



 



 



 



 



  

Hp.

Cel.

Perc.1

Perc.2

1



                  p   



     

 

    

3

  

      

white

Vln.1

Vln.2

Vln.3

ppp

     

white

4

p

   

  

 

 

Vln.4

 

Vla.1

 

Vla.2

 

Vla.3

 

     

        

white

Ch.





  

white

2

pp

      

     

 skin

 skin

 

   pp   - - -  Crotales      pp

looks





soft

looks



soft

       looks



soft

    

skin

looks



senza sord.



soft

The right hand

p

mp

soft p

The mp

a

     

   

     

   

soft

The

p

mp

      soft

    The

 



hand

a

a

    hand

pp



 



hand



a

-

long - side

 

   

 

   

-

-

 



   -

   





  



  

  

 



   

  

ppp



s.v.

ppp

side

the slee

-

-

 

face

pp

   

pil - low

(w)

face p sub.

on the mp

pil - low

(w) p gliss.

pil - low

(w) p gliss.

ping

face

on the

mf

p sub.

mp

               

rall.

ping

A tempo (q ≈ 52) face

       

on the

gliss.

   

 

pp

 

pil - low

(w)

     



   

senza sord.



ppp

   senza sord.



  

pp

             

  

 



           





 



 



Vc.1

 





 

Vc.2

 





 



 



Db.

  





 



 





 

mp







3            

mf

The fin - ger tips

lost to

           

gliss. p



p

 

                

ping mf

p

pp



   

mp



p

 

                p sub.

gliss.   

pp



p

p



p

           

gliss.           

pp

      

      

pp Crotales

          on the

 

mf

ppp

  

ppp

the slee

-

ping

senza sord.

    s.v.

side

the slee

-



 

s.v.

side

    poco accel.





the slee

    

  

  



mf





 



mp p sub.                                 

ppp



 



p

    



 

soft

      

skin

       Piano mp        



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

pp gliss.

p

pp gliss.

p

pp

gliss.

pp

mf

The mf

fin - ger tips

The

fin - ger tips lost

            The

     





                       



 



 



 



 



   

pp

 

pp

fin - ger tips lost

   



p

lost to

mf

       

pp

3       





 





 





 





 





 



 

 



 

 



 

21

  B. Fl.  



 



30

Eng. Hn.

Cl. in Bb

   

 Bsn.  

ppp

  Tpt.  

Hn.1

Hn.2

 



Perc.1

Perc.2

S. Solo

 



 



        



  



     

sleep



     T-tam     

3

 

p

4

   

  Vln.1   Vln.2

Vln.3

 

Vln.4

 

Vla.1

 

Vla.2

 

Vla.3

 

Vc.1

 

Vc.2

Db.



ppp



 

 

 

pp

 

 

 

mf



   

A tempo sleep

 













senza sord.



senza sord.



senza sord.

 

 



 



  

 



 

 



 



 

 

  

mp

arco

   



 

p

















p



   

is

pin - ker





skin

me - ring un - der the



p

skin

is

ring

skin

un - der the

skin

3

 



 







pin - ker

p

6

ppp

sul pont.

ppp

pp

p

6



(senza sord.)



(senza sord.)

pizz. p

pizz.

p

3

 is p 3

 is

gliss.

3

the



 

3

to - wards

the

 

pin - ker 3

 

pin - ker





to

-

wards







to

-

 

3            

mf sul A'

3              

mf

p

 

       :::::::::   ::::::::::::::::  p

 



 

the

3

wards

the

       

 ::::::::::::   ::::::::::::::::        





    :::::::::    ::::::::::::::::        p



3

pp

 



to - wards

 

   

-

un - der the

  



  

  :::::::::::::::::::  

sul pont.



   

           

glim - me

ring



 





-



   



 



 

 

 









 

 

 





 

sul A'











 

 

  



 

 

 

 

 







 

       



glim - me

pp

  

 



mf





 

     







3



           

(senza sord.)

p

 





 

 



                 

mf

The warm blood (senza sord.)

 

3



me - ring un - der the

-



                3



 

 

 

blood glim



3

3



 



   

6 3               



    



 

   



The warm blood mp mf

 



mp

[whisper] mf

    

 



ppp

mf

mp



 

 



-







6  3                      











 

 

mf

glim





 

The warm blood

3

 

 

    

 

mp



gliss.

 





pp

 



     

 

 



« yo - shi-o »





 



3

 



pp

3

 



 







 



 



 

 

mf

 

 Vib.



sul pont.

ppp

 





    p   

  



s.v.

 

 

 







 

                  

 

 

 

Harmon mute

 



     





 

    

sleep

 



 





    

 

 

pp

 

 

 

pp



3

3                     



 

   

 

 

   



 

      



 

pp

      

T-tam (fast strike with sandpaper)

sleep

poco rall.

sleep

  

G.C.

pp

 





sleep

 

[Hidden, invisible, sounding very soft from far away]



   

pp

mf

pppp

cute dim - ples in her hand

sleep p

Ch.

pp

  

  

 

  



pp

 

mf



        

   

  

  

        

pppp

 



mf

ppp



mf

mf

pppp



 

 

  

          

p

2

 

 









           

 

pp

  

 





p

1



 

mf

 

open



  

 







 









 





 

 

Pno.

A tempo



 B. Tbn.  

Hp.

poco rall.

3



     

gradually

 

gradually

 

gradually

 



 



 

 



 



 

 



 



 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

22

   B. Fl.   



36

Eng. Hn.

Cl. in Bb

Bsn.



   

3

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

1

  

3

p

3

  

pp



     

F#

    mf        f

  

  

 

f

 6       

        

   

    

mf

ger

 -

3

ger

3



-

ger 3





fin -



 

ger - tips mf

 

3

fin - ger - tips mf

 

3

 



fin - ger - tips mf

 

3



   :::::        Vln.1   fin

-

ger

fin - ger - tips

6

Vln.2

  

(senza sord.)



pizz.

 3

         

mf

Vln.3

3



mf

Vln.4

         

Vla.1

  

3

ord.

mf

3



pp ord.

Vla.2

  

Vc.1

Vc.2

       

  f

 

f

  f

 

pp ord.

Vla.3

p



pp

 

f

3

      

 









  

 

 



 



 

mf

 

 (strike with triangle bat)



  

mp

         



      

 



      



gliss.

 

gliss.

  



        

mp

 

f

              p    

 

           mf T-tam      



p



 

 



 



 



 



 



 



 



 



 



 



 



 











     





   



arco

 

ff

p sub.

   

ff

p sub.

arco

ff

p sub.

arco

ff

       



f



f



p sub.



3







3

   

      ff





p sub.

p sub.











    

 

   

 



slow even gliss.

 

 



slow even gliss.

   

 





3

  



3

  



3

     

 

  

 

ff

ff

ff

  

3

f

ff



 

slow even gliss.

 



   



 

  

ff

ff



ff

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

slow even gliss.





 

 







e = q (q ≈104)





 

 



  

gliss.

mp

               



 

gliss.

mp







mp

pp sub.

gliss.

sffz



pp sub.

  p

            



 

3

5

 

 



mf

            

pp sub.

ord.



  

 

 

f

 



     

pp sub.

       

 

mf

  

f







    





ff

 

f

pp sub.

   

f



   



   



f

pp sub.

          f          

T-tam



  

ff

 

pp sub.

      f pp sub.     

g . re liss g





  





   r    ula

  

    arco        



 f

p.d.l.t.





     

f

  

 

3

 

 



 

mf

 





3

    

f





3

mp



f



            

 

ppp



ppp

  

mf



 

     







 

e = q (q ≈ 104)

  

 





fin

4

 



 

fin

Ch.

3



 

p

fin-

2





 

p





3

  Tpt.    Hn.1

3

3

  









 

     

gliss.                5

(lowest indefinite pitch)

     

  

 



 



gliss.              5 sffz pp sub.

              5 sffz pp sub.

 

  

sffz pp sub.

slow even gliss.

slow even gliss.

  

 



23

B. Fl.



(blowing wind in one breath, no attack)

  

ppp



Eng. Hn.

mp



3              

pp Bsn.





B. Tbn.



 





 





 





Hp.

Pno.

Perc.1





mp

ppp mp ppp (blowing wind in one breath, no attack)

mp

ppp mp ppp (blowing wind in one breath, no attack)

mp

mp

Vln.1



 











 



 















































mp





  





  





  





p











  (G.C. with hard brush, like wind)

  

p







p



ppp



p















ppp

mp

p

pp

p

   



  

 

    

 



 

 



 

 



 

Celesta    p

    

 

p



Piano





 







-

mf



eye

mf





Her



q ≈ 96

poco rall.





-

        

brows

eye

mf

 

-

brows

 

  

 

 

 

  

    

mp

    3

p



Piano







 3   









       

are not made

The

up

la

  The

                 

   



 

  

are



 

         

eye - brows s.v. con sord.



not made up

  

    

   



-

shes

lie

  la

  The



-



 -

la

 

long

 

shes

   

The

  

-

and





lie

        shes

 

long 3

lie

     la

3

- shes s.v. gliss.

   

    and



long

  





 

3

  

and close

pp ppp





 



 











 



 











 



 











 



 









Vc.2









 



 















 



 







Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

close

and close

   long

close





p

     

Vc.1

Db.

  







  

   

 

 

 

are not made up

   

Her





are not made up

   



Her



brows

Celesta



p

 

 

pp

        

     eye

  



mf

     



p





Her

  

Vla.3



pp

ppp

Vla.2



;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;

 

Vla.1



pp

 



pp



p

 

pp

mp





Ch.

4



 













3











 





2







Perc.2



pp



 



 









 







  



p



ppp mp ppp (blowing wind in one breath, no attack)

ppp



1

pp

 

Hn.2



ppp

  

Hn.1





(blowing wind in one breath, no attack)

Tpt.



p

pp

 

Cl. in Bb

q ≈ 96

poco rall.

   40



24

 B. Fl.  47

 



Eng. Hn.

poco rall.

q = e (q ≈ 48) poco accel. q ≈ 56

 





 





 





 

pp

   



 

  



ppp

p

 



q ≈ 48

poco rall.

   





pp





 

 



  

    pppp





Cl. in Bb

 





 



 





   

p Bsn.

Tpt.







 



 





 



 





 



 





 











 





 



 





   



pp





Hn.2

 





 



 





 



pp B. Tbn.













Hp.







Perc.1



           3  mp

Eb

p





Pno.

 



  3

      pp

 





p

Piano

Celesta







  



p

    



3

p



 

 



pppp

 



 

 



 

 



 

p

 

  

pp



 

 



      



  

 



    

(Piano)

 

  

G.C.





 p





Celesta

Piano

    pp    

    pppp



C#

     



  

pp

     

Celesta

  





pp

      

p

pp

 

S. Solo



 



   

1

close



to

    

2

to

Ch.

   

3

4

Vln.1

to

          

Vla.1

Vla.2

Vla.3

Db.





to



 



 

3

-

    ge

ther

3

-

    ge

    ge

    poco rall. ge ther





ther

3

-



ther

3

-



3

gliss.

  

pp

ppp





 



 

 



          

 





   

 mp

The

mp

      The

 



skin (n) skin

skin (n)

of the

The skin



of

poco accel. The q ≈ 56 skin

 



of

 



 

hand

is

of the



the



the

 

so

fine

hand



hand

is

 

    hand

is

  is

so



 the



you can not see

the

3         

so

fine

you can not see

  

gliss.

     

ppp

pp



 

p

« yo - shi - o »



 



 





 







 



 



 







 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

p

 



pp



   



 

 



 

pp

 



 

pp

 



 

pp

 



 

 



 

pp

sul pont.

mp

     

pp

   



pp

 



ff









q ≈ 48

poco rall. tis - sue



 



the





    

   

 

 

mf

f







    

 

tis - sue



s.v.

 



   

 



 

   

tis - sue







 

   

 



 



tis - sue







 



the

you can not see

fine

 

 

[Hidden, sounding from far away]



3             

so







you can not see

fine

 

 

arco

    





  

Ab Cb





(fast strike with triangle bat)







T-tam

3                    

mp

   q = e (q ≈ 48)  

 

        mf

 3                            

mp

  



         mf

mp

pp

 

         mf

 



         mf





         



 

 

Piano

pp

 



    

      

Perc.2



 



pp



pp





(blowing wind in one breath, no attack)



pp Hn.1



pp

 

       



f pp sub.

  

f

f



  

 

 



 

 



 

 



 

25

  B. Fl.   55

Eng. Hn.

e = q (q ≈ 96)



  



   

 

  





 

  Tpt.   





  

Bsn.



Perc.1

 





 



 pp

   



una corda

p

  Bar. Solo  

   

     

straight mute



          p          



 

Celesta

   

Crotales





    

 





(con sord.)

 



   





Piano



    6



6



 

        / 0 pp

       

 







 gliss.   

 

mp

   

 



f

 3

       6

 

 Celesta



Vla.1

 



   

 

 

   

  

   

3

p

              3

Vla.2

 

   



   



   

gliss.





   

gliss.

*)

    arco

Vla.3





arco

*)

pp

   



*)



   



   

*)

   pp

Vc.1

 





   

*)

pp

Vc.2

 





  





   

 

         

 



 

                3

 

gliss.



 

gliss.



 



 





*)

   

gliss.

 

gliss.

 

gliss.

 

  

pp

Db.

    



pp

 

9

 



*)

pp

mf

 

Glass chimes



                 3

  



p

                     6

pp

Vln.4



pp



 



  



p



p

 

 

ppp

ppp

 

gliss.

ppp

p



 

(Afraid of the girl, who most certainly will not awaken, he crawls carefully under the coverlet. The girl appears to be completely naked. While the old man rests his head on the pillow, he lifts her with both hands until both ears are showing. He covers her naked shoulder

p









p

             p p   



 

mf

e = q (q ≈ 96)

 



 

p





 





ppp

(straight mute)

     

3

 









pp

T-tam

Vln.3

mp

 





gliss.

 

p

             pp 3                      mf (arco)



  Perc.2       

Vln.2

    

  





mp

mp

7

        

  Vln.1  

 

gliss.

  



  





 





mp

 

Pno.



ppp

 

Hp.

ppp

 

mf

 

Cl. in Bb



   

p

 



 



* : Make soft, irregular glissandi (slow↔fast), not together. Re-attack pp, going to the lowest possible, indefinite pitch, finishing al niente. Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



26

   B. Fl. 

 

 

 

 

 

60

p

Eng. Hn.

p

Cl. in Bb

p

Bsn.

Tpt.



Cel.

Perc.2

 



   

 





  

 Bar. Solo

    (Vib.)



4

 



 







 



         







 



 



 







9



  



    



p

    

pp



   

            

 

p

 

  F§   



6

3



 





 



 

   

gliss. (slow

ular)

d regular)

     

gliss. (slow and regula r)

pp

gliss. (slow

and regular)

pp

      pp

gliss. (slow

and regular)

 

 





           

  

              

mp







       





   

  

Be - hind

the ears,

  

  

Be - hind

the ears,

mp

  

  

Be - hind mp

the ears,

mp

mp

  

  

Be - hind

the ears,

q ≈ 64

 



       

mf

 



  



arco



 





 





   the

   the

        



skin be - neath the hair

is

       



skin be - neath the hair

 is

         



        



the

the

skin be - neath the hair

skin be - neath the hair

rall.

senza sord.











p

white

p

       white

p

is

        

is

 pp

    

      

 pp

white p

     q ≈ 52

         



 







 







 







 







 













 













 





   













    



    

pp

pp



white







mp

   

 ::::::::::          :::::::::::::        pp sub.

pp

   



q =e (q ≈ 48) poco accel.

and regular)

gliss. (slow an



 



 

gliss. (slow and reg

 



 

gliss. (slow and reg ular)



       

mf

p



 



  Gb   

p

 

mp



mf







    







pp

Vc.2



 

pp

Vc.1







    

Vla.3

 

 

pp

Vla.2







   



 

and closes his eyes. The old man props himself up with his elbow on the pillow, mumbling as he looks searchingly at the girl’s hand.)

  

Vla.1



 

pp Crotales

            Vln.1 

Vln.4



mf



Vln.3





f

arco





Vln.2

 

 

gliss.

      

 





mp

  Piano 

Ch. 3

   

 





2



p

6



1

 

 

             



 

q ≈ 52





 



 

 



 



 

rall.



 

gliss.



q ≈ 64



p

ppp





   

 

 

q =e (q ≈ 48) poco accel.



p

   

 

p



  



Perc.1





 

Hp.

 

   

gliss.

 

  

 

   

 

  

ppp

 

 



 



 

 

pp

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

27

 







 





  



 

66

B. Fl.

Eng. Hn.

Cl. in Bb

Bsn.



pp



straight mute      Tpt.  pp

   pp

con sord.

Hn.2

B. Tbn.



Hp.

Pno.

Perc.1

Perc.2

Bar. Solo









E§ D#





 

  

4

Vln.1



Vln.4

   

3



                        Eb

     

  





 



      

   



  

       mf

mf

lit - tle

The

  

lit - tle

ear



lit - tle



 



ear

ear

     3

  



ear

-

 

 -

-

 

lobe





      

gliss. -



 



3







  







 





 



 







open



open



open



open



                6







 

  

3



  



 



 3

 

  



pp

mp

pp

mp

      pp





  

   

 (low indefinite pitch) 









mp

       

gliss.











gliss.

as





as



pink

3







the

fin

as

3

pink

as

3

 

pink

fin -

3

  

3



the

  

3



 





as



the



the



fin



fin



 3

 

ppp

 

ppp

 

6

 

pizz.

ger

   

 -

ger

-

-

ger

ger

fin - ger - tips

fin

-

ger

 

-

tips

fin

-

ger

-

tips

fin

-

ger

-

tips

 

 

mp

 

Eb D§

F#G§







 









 

. gliss

 



 

    

mp

      mp     

 



 



f

the

   



       

as

   



f

mp

 f  

     

 f  

mp

  

      



 

 

  

    



 

             

3               



  

 

mp



  mp 

 







Timpani with Bb cowbell

  

      pp

mf



    

     

       

     



3

gliss.

   

 

3

 

     



as

 

    

pink









 



as

lobe

  

p

  

lobe

6

pp





-

pp

as

3



 

  

3



       





-

 

lit - tle

 

lobe

 

   

    

-

lit - tle

lit - tle

  



   

lit - tle

  

The mf

 

  



  











 

(Although this is already satisfactory, he lifts the coverlet and peers under it.)

 mf

 

gliss.



p

gliss.

 

 



 



 

Vla.3





 

 



3

3

 

3





Vla.2





 



  

 

Vc.2



3







Vla.1

Vc.1









3

pp



3

 

 





     

p

pizz.         mp pizz.        mp

 

Vln.3



The

  

Vln.2

  

The



 

3

   







pp







 



 



pp







Ch. 3

p

  









   

p

(arco)



 



6

 



p

 





2

 

gliss.

 

     

         mp

1

   

   

pp

gliss.



  

 

ppp

  



 



   pp con sord.

 

gliss.

p

   

con sord.

Hn.1

   

  



 



 

   

    



 

 

   mp

  

   



 

mp pizz.









 









 







 

 gliss.

 gliss.  









gliss.

 

gliss.















gliss.

p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



 gliss.  gliss. 









gliss.



gliss.

           

28

  B. Fl.   71

Eng. Hn.

Cl. in Bb

e=e

 

 

 

B. Tbn.

 

ppp

 

 

 

 

p

 

 

 

p

  

    p           

 

                  p Pno.           T-tam  Perc.1    ppp  Hp.

Perc.2

mf

  



   

 

p

 

 



  

         



  

  

  

pp mp pp



ppp

change to Contrabassoon



   mf

   mf

   mf

mf

 

  

A§ f

 

       pp         







  



 

1

2 Ch. 3

4

 

mp

 

 

 gli

ss.

Aah mp gli s

The girl mf

 

 

s.

Aah mp gli s Aah mp gli s

  

e = eAah

      

s.



ss.

gli

Vln.4

arco p con sord.

pp

           pp

        

Vla.3

 

ss.

con sord.

Vla.2

gli

 

p

pp

        

p

pp

con sord.          p

Vc.1

pp

   

ppp

Vc.2

Db.

    

 

ppp



 

      

     

shi - o

 



gliss.       

 

 



  



mp



p













mp

  

p

pp



con sord.



con sord.

mp



  

 



pp

 

pp

  

           

   

   

pp



  

 



lank

long lank

long

lank

long

    ppp

open



 



f

    



 





    

    

 

  

    

fra - grant



3

fra - grant

hair

mf

mp

fra -rall. grant poco

fra - grant

            3

mp

  

             p mp           p

p



mf

f

mf







 





 



LLLOMMLM

 

   mp

  





[Soprano becomes visible on stage]

 

 



pp

 





arco









   







  

Tam-tam

ppp















 

 







  

 







 

 



 







  

q = e (q ≈ 104)

 



 

 

gliss.

 

  

pp

rall.

    

 



   

 



gliss.

 



gliss.

 



pp

pp

pp

pp

        

gliss.

 



  

   

 

  

gliss.

 



   

   

 

  

gliss.

 



  

  

  

   

mp

     

p

3

mf



            

mp





p

3

f

 

p

mp



  

 





mf

 

yo - shi- o

pp

mp



Ahair tempo (q ≈ 52)

3              

  

 

hair

mp

                   

   

p

fra - grant

mf

3

  

  

hair mp

p

mf



yo - shi - o

    



  

 



f



  

 





 3 



3

  



p

 

mf



p



mp



ppp



p (legato)

  



ppp

 







ppp



p



 

3                    

  



  

fra - grant

3

long lank

 

  

3

fra - grant mf

  

rall.

p

 



   3             

long lank

lank

 

3

fra - grant 3

long lank

lank

long

3



f

ppp

mp 3 3 mf                                 long

  

3         



[still hidden, but more closer]





  

      open         open        







  

f

 

pp

 



3





pp

yo - shi - o



p



p

            ppp con sord.    

     mp             

 



(The old man takes the girl by the shoulders and shakes her. Then he lifts up her head. When the old man’s hand is supporting the girl’s head, she calmly turns her head, the shoulder follows, and, now on her back, she continues to sleep.)

 

 

     mp  mp     

 

p



mp

take off cowbell

-

f





Harmon mute

 



arco

mp

yo

      





con sord.

Vla.1

 



 



mp

ppp



q = e (q ≈ 104)

ppp

ppp

Contrabassoon

 



 



         p

 

has



glis

Vln.3

pp

 

            

e = e The girl

arco p con sord.



has

       

        Vln.1     pp arco p con sord.         Vln.2     arco con sord.

 

          

mf



 



     

p

 

 



   



has

The girl

s.



          

mf

s.

 

       

p

 

 

has

The girl

 

 

mf        



mp



A tempo (q ≈ 52)

     

p

3

      pp        pp        pp        pp    

 



 

3

 



mp

hidden, but closer]  3    [still      

 

 

   

yo - shi - o

Bar. Solo

mp

arco

Vib.

p

S. Solo



      mp       



(till highest possible indefinite pitch)

 



  

  

poco rall.

    

pp



  Tpt.  

Hn.2

 

 

 Bsn.  

Hn.1

e=e

 

pp

    pp



  

  



  

  



  

pp

sul 'C

pp



pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

gliss.

gliss.

     

  

29

 B. Fl.  80

q ≈ 92 (sempre poco ritenuto)



Eng. Hn.



Cl. in Bb



 



 



 



 





 



 



 



 



 



 





 



 

change to Bass Clarinet



 

 





 





Bass Clarinet in Bb

 



pp

Cbsn.

Tpt.





  

Hn.1

 





Hp.

Pno.

Perc.1

Perc.2

S. Solo







 



 

  

 





 



 



 

 



 



 



 





 



 



 

 



 



 



 





 



 





 



 



 



 





 



 



 



 



 



 





 



 



 



 





 



 



 



 



 



 



 



 





 





p

p

     pp

      



   

      

 



 



 



 



       

 



 

p sub.

shoul - der

    

 

p



 





 





           He

clo

ses

 

 



 

   



 

Tam-tam

ppp

3           

his

eyes

      



     



-

  

 

pp



3





mp

p

G#

his

eyes

 



 

 

  

   

 

      :::::::::   :::::::::  ::::::::::::: 

pp

ppp

pp

   

  

      :::::::::   :::::::::   ::::::::::::: 

 



 

  

 

     :::::::::  :::::::::  ::::::::::::: 

p



pp

 

  

 

       :::::::::   :::::::::  :::::::::::::





  

  

 

     :::::::::  :::::::::  ::::::::::::: 

p

pp

  

  

 

     ::::::::: :::::::::  ::::::::::::: 

 

  

 

     ::::::::: :::::::::  ::::::::::::: 

  

  

 

  ::::::::: :::::::::  :::::::::::::    

 

  

     

pp



ppp

ppp

ppp

ppp

ppp

pp



p

pp





p

pp





 

  





 

  

p

pp

p



bare



p

  

p

Db.

her

mp



 



           p

mp

    

 

  

Vc.2

 

  



Vc.1





 

Vla.3

 

 

p

Vla.2

  

p



p

Vla.1

pp



 

p

Vln.4





 



 

Vln.3

  

 

 

(flexible) mf     

Vln.2

mp

  





He co - versritenuto) up q ≈ 92 (sempre poco

Vln.1

3

p

p

B. Tbn.

            

(pp)

p

Hn.2

  

3



3

pp

      p

ppp

ppp

 

(pp)



 

 



 

 

ord.

   pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

30

  B. Fl.    

87

Eng. Hn.

B. Cl.

Cbsn.

e=e

       

e=e



 



 







 



 



 



 



 







 



 



 





 



 



 





 



 



 

 

  



pp

3

   









p

 





pp

    



p

pp





  



 



 







 



 



 

Hn.1

 



 



 







 



 



 

Hn.2

 



 



 







 



 



 

B. Tbn.

  



 



 







 



 



 

 



 



 





 



 



 

 







 



 



 

    





 



 



 







 



 



 





 



 



 

Tpt.

Hp.

Pno.

Perc.1

S. Solo

Ch. 1



         



mf



 



 

 



 

   



line

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

  -

cross

e=e gliss.

     :::::::::: 

gliss.

  :::::::::: 

gliss.



pp

       

fresh

   s.v.





  

mf

  

breast

     

  :::::::::: 

gliss.





soft - ly





slen - der neck







  s.v.   



   









s.v.

gliss.



   

(pp)

  :::::::::: 

p

 gliss.

(pp)

s.v.    

p



s.v.    

 

(pp)

gliss.

s.v.     

 gliss. p



 gliss.  p

(pp)

 

   

 Db.   

 

   

p

p



pp



 

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

his



her

 

 

hand

gliss.

 



   

 

gliss.  



p

pp

p

pp





 





p

pp

 



 

  

  

  



  

  



 

  

gliss.    



 

 

  

  



  



 pp

pp









 



in



  

pp

 



3      

gliss.    

(pp)

gliss.

 

mf

  



(pp)

s.v.    

  

 

(pp)

  

Vc.2



  

Her

p sub.

 

p



mp       her

      

(pp)

gliss.

   ::::::::::   

 

   

s.v.

   :::::::::: 

  :::::::::: 

mf

 

  a

      





   Vln.1    ::::::::::   e=e





 

         de - li - cate

  

     

p

A

       

pp

              p   

FbD§ Eb

6

p



pp gliss.

p



gliss.

   p

pp

 

 

gliss.

   

pp

 

 

 

 



  

(legato)



  

(legato)

pp

pp

31

  







 







Eng. Hn.

 







 







B. Cl.

 





Cbsn.

  

94

B. Fl.

  

 

ppp



  Tpt.  







  

 



ppp



legato

3



  legato







 







p

   

p

 







 







Hn.2

 







 







B. Tbn.

  







 







  

 

Hp.



 





  mf

Perc.1

1

  

   

heart



-

beat

gen



and







   



gliss.

   



gliss.

pp



p

pp





p

pp







gliss.

 





   



  

gliss.

      





p

pp

3







p



 p

3



 



mf



mp





[spoken naturally] mp



  

  

  

  

  

  

  

  

The scent [spoken naturally] mp





The scent [spoken naturally] mp





The scent [spoken naturally] mp



 



 gliss.     gliss.  

    



p

gliss.





p





 

    

gliss.



gliss.

    











gliss.   





gliss.

    gliss.

 

gliss.







p

gliss.



mp

 

p



gliss.

pp

 

  

mp

3

     gliss.

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

of her 3

of her 3

of her 3

of her

gliss.





gliss.     





p





gliss.

gliss.

 

gliss.  gliss. gliss.   pp gliss.

gliss. gliss.          





  gliss.       p

gliss.



 

  ::::::::: 

 3

    

 



pp

gliss

.

gliss.

pp

 



3

gliss.



p

lamento gliss. p

 

 

gliss.

p









   



gliss.

      

pp



p

   

 

gliss.

  

 

  



    



The scent

  







  



 

mm

 



 







pp

 

[lips closed] p

 











pp



p



p

 





  

 





 

p

   

   



p

 













 

 



p

p

   

re - gu - lar



gliss.









  

3





gliss.

    



3





Vln.4

Db.

tle



Vln.3







   



p

 

  pp     





  

Vc.2

 



  Vln.1  

 

Bb mf



pp

   



4

Vc.1

T-tam





  

Vla.3

     

p



Vla.2





 

Vla.1





3

Vln.2







Ch.





 

2

 





pp

 

 





 Perc.2    S. Solo





 

Pno.









Hn.1

 



  

gliss.     

gliss.

gliss.

32 like a butterfly

 B. Fl.  100





Eng. Hn.

 

B. Cl.



(p)

    3

Cbsn.

 Tpt. 

 

(p)

   





 

gliss.

        

gliss.

3

5



Hn.2









B. Tbn.









Hp.

Pno.

Perc.1

Perc.2

S. Solo

























 

    



breath

2

 

3

 

breath

  Vln.1 

pp

  

Vln.2

pp

  

Vln.3

pp

 

Vln.4

pp

  

Vla.1

pp

 

Vla.2

pp

 

Vla.3

pp

Vc.1



Vc.2

Db.











3

       



3

3

3

3   3       3   3      

3       



      





3       





3

3       



gliss.

gliss.

  

 

mf

 

  

 

mf

 

  :::::::::::   :::::::::::: 

gliss.

  :::::::::::   :::::::::::::    :::::::::::   :::::::::::: 

gliss.

gliss.

ppp

  :::::::::::   :::::::::::::    :::::::::::   ::::::::::::    :::::::::::   ::::::::::::  3

   

            













mf

[lips closed]



[lips closed]



[lips closed]



[lips closed]

       

gliss.

gliss.



    pp

       pp

pp

       sfz pp        pp

     sfz pp       sfz pp       

pp

     sfz

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

mf



      

 

 

pp

      pp





   

3



 

mm pp

mp

mm pp

mp

mm

   

   

 

 

mp

  



   



mm pp

  

  

 

 

mp

  

6



pp

  







(« wooden » sound)

 

 



   

           

 

  

 

 

  

 

 

   

 

   

 



 

 



 

 



 

 

 

 

pp

       sfz

 

 

 

 

 



 

 





sfz

 



 

sfz

gliss.

ppp



pp



sfz

ppp



ff

 

sfz

ppp

5

      

f

sfz

ppp

   

 

  :::::::::::   ::::::::::::: 



 

mf

 

ppp





 

 

than from her nose

3

 

(Being careful not to touch the girl, he also lies on his back and closes his eyes. )



 

 

 

than from her nose

pp



        6                     6





mp

 

p



pp



p



mp

 

p

than from her nose 3

p



p

than from her nose 3

       sfz      

 

  :::::::::::   ::::::::::::: 

ppp



3   3      

is stron - ger from her mouth

pp







                       ff  mp (metal sound)     f        f

(make irregular, slow glissandi, not together, any interval)

ppp





is stron - ger from her mouth

  

suspended cymbal



is stron - ger from her mouth

breath

4



is stron - ger from her mouth

breath

Ch.



 



Glockenspiel

change to Glockenspiel

p

  

mp

G§ Ab

 

  

 





  

1





sfz

 

 

6    3                 

  

 







Bar. Solo





 

   

3

Hn.1



5

       









 

     







 

  

 

33

 104           B. Fl.   

                               

ppp

mp

ppp

pp

p

Eng. Hn.

 



 



B. Cl.

 



 







 

Cbsn.

  



 







 

 







 

 







 

 







 

 







 

 





Tpt.

Hn.1

Hn.2

     p



p



     



p

B. Tbn.

   

 

p



  

Hp.

 



mf

 

       

 



 



       sound)    (metal    Perc.1   Pno.

p

small Triangle

Perc.2

    

 

p

1

   p

2 Ch.

   p

3

   p

4

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.

   

             

            

mf

 The

   

 



mp



ppp

p

scent

 

 

 

 

 

 

 

 

 

 Cb



 

      mp











      of



 





 



pp





gliss.



a

ba

-

by





 

 

comes

to











him















  p



mm p



 

 

   

 

  

 

pp

   

 gliss.  mp

 p

 

pp

 

  

 



 





mm p

mp



mp



mp



       

 

 

 

 

 

 

 

 

 







  

 

p

pp

p

ppp









   



  





mp

p

 

p

pp

p







Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



 



pp

mp

 



p

 

 

 

pp





p









mm p

 

  





mm

   







 

   

 

 

   

    



 

 

3



T-tam

 



p

 



pp sub.



        



  

almost inaudible

pppp

S. Solo

      





 

ppp

   





p

   



 



 

pp

pp

34

molto rall.

A tempo

6 108                                  B. Fl.         

 

B. Cl.

 

Cbsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

1

2 Ch. 3

4

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3



 























  

   



   





 





 



 





 



 





 



  



 

   

           

     

   

                 

    

Vib.

      

    pp 

mp



The p

  p

  p

  p

 





pp

 

 







               

  

-

ky

scent

    

of

a



mf

nur - sing

  

  

  

 Db.   

  

mm p



mm p



mm p



molto rall.

  

ppp

 

p





ppp

 pp



pp

pp

 p



pp



 

pp

p



 

pp



gliss.



p

gliss.



p

 

pp

     



mm

    

    

p



ppp

   

 

  



pp

     

   

 

 



 



 



 



 



 



 



p

3

and

    



   

ri -

   



p

   p

 



 

 



 

   

pp



  



   



p

  

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

 

 

 

    

pp

 

pp

p

   

 

gliss.

   



 

gliss.

pp

p

    pp  .  gliss

 

gliss.

 

     pp pp

 

gliss.

  



pp



the

 

     pp   gliss.  

p

p

 

than

 



gliss.

senza sord.

cher

p

 

 







 

 

gliss.

senza sord.



 









3

 

    

 

   p senza sord.     

 

mp

      

 mp 

swee - ter



senza sord.

   









 

 

   

senza sord.

 







senza sord.

 



   



 



  



 

 





    

senza sord.

 









 



 

A tempo

 

 



   

senza sord.





mf

by



 

ppp

-



           ---                 mp     - - -  Sizzle cymbal (fingertips)         mp 





 



 

 



              

 

 



mf

G# A§



 



     

 

 



  





 

  

pp

 

p



 



 



  

    

 





 

p



p

p sub.

ba

ppp

   

 

       mil

   



  

  

Vc.2





  

Vc.1

p (with choir) dolce



   

mp

 



  

pp



  

     Vln.1   Vln.2

ppp



Eng. Hn.

pp

  

pp

   

 

B. Fl.

Eng. Hn.

B. Cl.

 



  



  Tpt.   Hn.1

 

Hn.2

 

Hp.



  

p

 

 



 

(with choir)





 

p

  p





 



mp

mf









p







pppp









p

mp







mp

mf

mp

p

mp



mf





p





mp





p

mp

mf

mp

p

 

p

mp



mf

mp

p















mf

             mp         (T-Tam)  

  

35

  



mp



p

         





mp



 

mp



p

 







(blowing wind, one breath)



      



       



(blowing wind, one breath)

Clarinet in Bb





 B. Tbn.    





q ≈ 87



          poco rall.

113

p

 

 



 



 



 

pp







mf





 



      

p

 

 

 

 

pp

p



 



 



 





 



 



 



 

p.d.l.t.  

 







 









 





mf



 

   

mf



 





                     T-tam Vib. motor onsoft mallets                   Perc.1          ppp p   () p Marimba (soft mallets)                                  Perc.2      Pno.

ppp

S. Solo

  

1

 

2

 

Ch. 3

4

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

mp

        scent

girl

   

                       

 



the



  

 

of





 

  Vln.1  

p

    

poco rall.

          

       

      

  

 



 

 Db.    







mp

p

 



p



  (with oboe)  



 

(with oboe)



 

(with oboe)



 

(with oboe)

gliss.

   

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

gliss.

mm p



mm p



mm p





mp





mp





mp







       

p

 

 

   

     

     

      

 

(pp)



(pp)

 

ppp p sub.

very slow

gliss.



ppp p sub.

s. ry slow glis

ve



ppp p sub.

iss. ry slow gl

ve



ppp p sub.

.

very slow gliss



ppp p sub.

. very slow gliss



ppp p sub.

very slow

gliss.



ppp p sub.

very slow

gliss.

mp

mp

mp

mp

mp

mp

mp

slow gliss.





slow gliss.





p





p





p

   p



p



p



p



       

p

 

p

 

p

 

ppp p sub. mp p (like noise, no pitch)







mm All strings, exc. Vc.2 and Db.: toneless, on bridge q ≈ 87 gradually sul pont. very slow gliss.

  

mp



 

mf

    





pp

mp p sub.



 



 





 



 





 



 





 



 





 



 





con sord.

       mp

 

 

  

 

p

pp

p sub. mp







 



 









 



 









 



 









 

mp

pp







 



 









 



 









 



 









 



 



pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 



 



           pp

 (like noise, no pitch) 

p

p

 



36

     B. Fl.    120

mp

 

Flttz.

pp sub.

 

   

  p

e=e

    

 

pp





 



 







 



 







Eng. Hn.





 



 

Cl.





 



 







 



 





 



 







 



 

 



 



 







 



 

Cbsn.

Tpt.



 

Hn.1

mp

Hn.2

B. Tbn.

Hp.



Perc.1

Perc.2

S. Solo

Vln.1

p





pp

 

mp

   





  

p

 



 



 







 



 





 



 







 



 





 



 







 



 

 







 





 



 

 





 







  

   

---

    mp

 

pp



E§ F# D#

  

mf



  



  





Pno.





p

 



pp



 ---

   







  

 

 



 

 



 

               p p                               

    





p



mf



He



had

 





pp

 not



   

 



p



mp

p

p  

  



for - got - ten

e=e

how

  

 

he

had

 

 held

his

  

own



 



 



 







 



 

Vln.2





 



 







 



 

Vln.3





 



 







 



 

Vln.4





 



 







 



 

                          

Vla.1

pp



Vla.2

p

  





  



ppp

pp

pp

mp pp sub.

 

   

mp

 







 

gliss.

gliss.

 

p



 



 





 



 







 



 

Vc.1





 



 







 



 

Vc.2





  

Vla.3

Db.













 

con sord.





 

p

    

sul pont.

gradually

mf

 

 

 

ord.

pp



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



   

 

  

 

37

   B. Fl.   126

q=q

poco rall.

Sub. a tempo (q ≈ 87)

      pp

Eng. Hn.

Cl.

Cbsn.

Tpt.

Hn.1

 

p

mp

 



pp

         



      mp

 

mp

  p





p



  

 



mp

 

 







 







 







 

     



ppp

p

 



p







 



(with Vl.1)

  



 

 



pp





pp

mp

 







 







 





pp

 



mp

p



 

Hn.2

 







 







 

B. Tbn.

  







 







 

 







 







 

     





 



Hp.

 

mp

 

Pno.

Perc.1

Perc.2



  



ppp



    



 

  



   



 

6

  

    mf

    





 arco

 



ppp

      







   

  

mf

mf

  



    

pp



  



 



 



 

p











p

p

        

 -

ters

mp

mp



   

mf



p





Sub. a tempo (q ≈ 87)

(con sord.) (with Cl.)

Vln.2

 

Vln.3



pp



gliss.



mp







p



  

 



mp



 

mf pp sub.

 



poco rall. ba - bies nur - sing

as

p

 



                               

q =daugh q

Vln.1

 



p

S. Solo



p





was





this



p

3

 



  

mil - ky smell

of

his

own



 





 





mp

       

 









 

 







 







 

Vln.4

 







 







 

Vla.1

 



 



 



 





pp

Vla.2

 



gliss.











 



        sul pont.



gradually



ord.





mp

Vla.3

 







 

Vc.1

 







 

Vc.2

Db.

  







 mp p                p

    



pp sub.



  







gliss.

pp







 











 





Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



(con sord.)



 



 



 

38

      132

B. Fl.

Eng. Hn.

 

Cl.

 

p

pp

 

Cbsn.

Tpt.

Hn.1

pp

change to Bassoon



 



 

p

  

  



 



 



 





 





Bassoon



mp

 





 



   



 

pp







ppp

pp











p

 

 

 





mp



mf pp sub.

 



p

  

   

pp

  





   

pp

 





 



 





 



Hn.2

 



 



 





 



B. Tbn.

  



 



 





 



 



 



 





 





 



  

 



 



 

Hp.



 



  

  

Pno.

Perc.1

Perc.2

mp

  

 

p

S. Solo

Vln.1

  

flesh



mp

   

mp

 

 





and blood

mf pp sub.

 



    

    



 



  

 

   

e - mer - ging

  to

 



  

  



 re

-

proach

 











1 soft mallet







(with Soprano)



 

pp

p





 





mp



Or

was

it







       mp

     p

pp

    the

smell

(con sord.)

  



  of



 



 



 





 



Vln.3

 



 



 





 



Vln.4

 



 



 





 



Vla.1

 



 



 

mp

pp

 









  

mf pp sub.

mp

  p

Vla.2

 



 



 





 



Vla.3

 



 



 





 



Vc.1

    

 

(pp)

    

sul pont.

Vc.2

mf pp sub.

Db.

  



gliss.

 

mp

     pp

 

 



 

mp

    

pp



slow gliss.





  

  

mf pp sub.



 

   

 





 

 





 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

his



Vln.2

      



sul tasto

pp





mp

 p



     

pp

 



G#

mp

 

pp

him







p

p

 



   

  

pp

mf

pp

3

mp

mp

 





   

 

p

mp

 







 



39

 B. Fl.   



mp

Tpt.









Hn.2

 







Pno.



Perc.1

Perc.2

 

p

  

Vln.1



 



 

  

pp

p

 



 



6

 

pp

p







    



mp

 

pp

 

    



pp







 

 

 



 



 

mf

 



 



 



 



 



 





 

    

 



 



 





 



 



 



Gb

  

     

   



  





mp



F§ D§

    

       

   mf



 



 





mf

 

ppp sub.

         pp

        

            mf

arco

    

 con sord. 

  

mp





   











(soft mallets)





pp

     



mp f                               

    



own

pp

     that

gliss.



pp

p





feels

     

com - pas - sion for

rall.

 



    



Vln.2



heart

p

the



  



  

con sord.



    

  

s.v.



slee - ping girl

 



pp

mp

    



        

 



Vln.3

  

Vla.1



Vla.2

 

Vc.1



ppp

pp



mp

p

 







 

 

   

     







 

 

f

f





 

                   

 





 





 

gradually

 ord.

pp sub.

p





 



 



  





 

 



it





pp

was



 



Or

 









     

 

(with Cl.)

mp

   



con sord.



 

sul pont.

con sord.

         mf



ord.

5

p

p

 





Vc.2

  

s.v.



mf

Vla.3





 

  



sul pont.



f s.v.

ppp

sord.  con  





Vln.4

con sord.

p



q ≈ 67

ppp

Db.





f



   

 

Flttz.

 

 

mf

 



pp



   

 



  



 

 

 



mp

S. Solo



mp

  

mf

 





 

mp







  

 

 



p.d.l.t.





 

ppp

 

Hp.

Harmon mute



 

 

pp

   

B. Tbn.



 

Hn.1



p

 

Cl.

Bsn.





Eng. Hn.

q ≈ 67

rall.

137

  



  

mp

 

pp



pp

    

      mp



 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



 mp

 

pp



p



  

 



 

40

   B. Fl.   

 

142

                  q ≈ 87

accel.





mp

pp

mp

pp

p

Eng. Hn.

 







 

Cl.

 







 

  

 



Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

      

Perc.1

Perc.2

S. Solo

Vln.1

Vln.2

Vln.3

Vln.4



 

Vla.2

pp

(Harmon mute)



   

  



 

pp

  





  



 

 



 

 

 



 

mp

p

Vc.1

Db.

 

pp



 



 







 



 



 



 



 



 

       5

 

  

mf 6

   

      







f

 



 



mf



  



   



mp

mp

mp

p

pp

       



5       





     

  

ppp

   

  



mf

 



  mp



F#

 

    



 



 





 



 

   mp

 



 



                                p p pp mp                              

  

pp

per - haps



mf

  a



me

(con sord.)

 pp



(con sord.)

 



(con sord.)

 



 

  pp

(con sord.)

-

lan - cho - ly com - fort

mp



p



 



for



mp

p

p

p





sul pont.

            

 



3      

pp

 

 





pp

 

mp

p



sunk

   

in

 



 

 



 

 



 

 



 

 



 

 



 

 





 



 

  

 



 

pp

pp sub.

mf

q≈ to 87 be

accel. man

pp



mp

old

pp

 mp

an

mp       



pp



        pp mp p pp mp pp

  

     gliss.        

p

p

  pp

p Vc.2

  

 



mp

 

(con sord.)





 

        

 

pp (con sord.)

 







 

  







 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

pp sub.

   



 



  



ppp



    

       

 



  

ord.

pp

mp Vla.3

  











 





(with Soprano)

   



 





       

p

p

p

 



 



pp

mp





pp

Vla.1



ppp

  

Pno.

mp



(with Soprano) gliss.



pp

 

Hp.



  



 



 

 

    p



   

41

  B. Fl.   147

                    

pp Eng. Hn.

q ≈ 67

rall.

mp

 

p

 



pp

mp

 







pp

    

 gliss. 

pp

p



mp



p

Cl.

 



                        pp mp p pp

Bsn.

  





Hn.1

pp

   

 

(pp)

Hn.2

B. Tbn.

Hp.

Perc.1

Perc.2

 



 









 





 



 



 





    

 





    

pp

3    3         

  Vln.1   Vln.2

Vln.3

Vln.4

  

me - mo - ries of wo - men



(con sord.)

 



(con sord.)

 



(con sord.)

 



(con sord.)

Vla.3

Vc.2





pp

p

 

 

    

  



mp





 









5       

       

       

p



5

 

Db



3

 



    

     

mp

  

Crotales



p sub.

3

  from

an

pp

mp



  

 

ir - re - trie

-

p

  

  

  

  

  

  

pp

mp

va - ble



q ≈ 67

past

pp

mp

mp pp sub.

mp

   



pp

mp pp sub.



p



   





p

pp

p

         rall. 3

  



pp

mp pp sub.



  



                     pp

p

mp

pp

mp pp sub.

                        (pp) mp p pp              mp

 

p

       

  

pp



  

  

pp

p

   



(pp)

Db.

mf

 

pp

Vc.1

 



 



mp





           mf  mp mp                  mp p pp mp pp 

(con sord.)

Vla.2



       

(senza sord.)

Vla.1



mp

p

S. Solo



mp

    

    p               (pp) p         

 con sord. 

p

     

G#

7





f

      

mp

p



 



mp







pp









  





 









 

     

mp

  

 

 

 

Pno.

p



    

 

  



Tpt.



gliss.

p

mp

pp

mp

 

  

pp



 





 



 





mp

pp

pp

  

mp pp sub.

mp

 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

pp



 

p

 

p

 p

 mp

42

  152    B. Fl.     

q ≈ 60

rall.

 

Eng. Hn.

(with Soprano)

   

Cl.



   pp

Bsn.

Tpt.



 

Pno.

Perc.1







3







change to Bass Clarinet





 







 









p



 



 



   







   

(pp)

 

 rall.



Vc.2



ppp

 

 

 

 





ppp



 

 

 







     















 



































































 



(senza sord.)







(senza sord.)





   



(senza sord.)

q ≈ 60

  

ppp

  

 

  

 

  

 

  

 

  

mp





p

       



 



pp

 

 



 

 



p



 

G.C.

 

(p)





 

(p)





 

   







 

(pp)





  

(pp)

 

 

  

(pp)

 



pp

        (pp)



















mp

 

mp



  







T-tam



LLMOMMMM











(pp)

Vc.1

pp

 



(pp)

Vla.3





    

Vla.2







Bass Clarinet



ppp



past

Vla.1



 





ppp



   Vln.1 

Db.





   

Vln.4





  



Vln.3





mf

 

Vln.2







pp

S. Solo



 

 









mp













 

pp

  Perc.2

  



Hp.

 

  

Hn.2

B. Tbn.

 

pp



Hn.1

 



pp

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

G.C.

  

 



(senza sord.)



  

43

 



 



 





 







 



 





 







 



   

158

B. Fl.

Eng. Hn.

B. Cl.

pp

Bsn.

Tpt.



pp

 





 



   



 



 





 



   





 

 





 

 





 

 

 



 



 



 



 



 





 





  



 



 



ppp

 



      

Perc.2

S. Solo

 

ppp

   













mf





 



T-tam

   







pp

   

 

p

 G.C.

 



ppp

pp



 



 

ppp

pp





 





          



ppp

   





Perc.1



 

p

Pno.

 



Hn.2

Hp.



 

Hn.1

B. Tbn.









 

 



 



 



 





Timpani



(The old man takes her wrist and bends her arm so that it rests along her body. He feels her pulse by holding two fingers on the vein in her wrist.)

  

    p

mp



 





 



 





 



 



 



 





 



Vln.2





 



 





 



Vln.3





 



 





 



Vln.4





 



 





 



Vla.1



 



 

 



Bar. Solo

Vln.1





s.v.

 

pp

p

 







s.v.

 



p

pp

 







Vla.2





 



 





 



Vla.3





 



 





 



 



 s.v.  



 





 





 





Vc.1



pp



Vc.2



p

s.v.



pp

Db.

 

s.v.

p

s.v.   pp

p

   













  

   

 





 

p

pp

 s.v.    p



pp



 

  s.v.  





p

pp

 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

  



44

 B. Fl.  163

Eng. Hn.

B. Cl.

Bsn.



Senza misura (q ≈ 48)

 



 



 

➀ ↓



p

mp p

 pp

 



 



p

 

pp











p

  





➁ ↓

 pp



mp





G

p





p

pp







 

Hn.1



 

 

 

Hn.2



 

 

 



 

 

 



 

 



 

 



 

 



 

 

 

 

 

 



 

 

 

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2



 

p

pp

 

pp

quasi parlando (hesitating)

Vln.1

 

and pink

pp



 G

G

➀ ↓





 



blood

 





in

trance

  G

G

G

➁ ↓



 

mp

The

   3

 

 

Vln.2



 

 

 

Vln.3



 

 

 

Vln.4



 

 

 

Vla.1



 

 

 

Vla.2



 

 

 

Vla.3



 



Vc.1



Vc.2

Db.





     

pp



pp



pp



pp

p

p

p

p





pp

 

pp

 

pp

 

pp















  

G

  p



pp



pp



pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

mp

p

p

p

 

p

 

pp

 

pp

 

pp



















nip - ple

 

 



 



G

 

 



p



 

 

 

small

 

p

 

   

3     pp  Bar. Solo  Senza misura (q ≈ 48)  

pp







 

Tpt.

pp

 

 

pp

 



 

blood

   

pp



3

    a

-

round

 G

45

 B. Fl.  166

➂ ↓

 p



B. Cl.

Tpt.



 

Hn.2

Hp.

Pno.



 

Hn.1

B. Tbn.

mf

p















pp



pp

mp

mp

 pp



pp



pp

 

pp

 

pp

  mp

mp

mp

pp

 

pp

 

pp









Bar. Solo

  mp

 pp





pp

 

p

p

p

 

pp

 

pp







  











 



 



 

 









pp

 

 

 



 



 



 p



 



 



 

pp

     

    

                       

Irregular, very soft, very fluid, little stops whenever

 - - -  (light pedaling)     

Glcksp.





p

 

T-tam







 

 

ppp

 

 Vln.1 



                         G mp

in

pp

trance

Aah !

mf mp

pp

The

a - re - o - la

 

➂ ↓

G

  p

G

small



  and

 



pink

 



↓  pp



Vln.2



Vln.3



 

 

Vln.4



 

 

Vla.1



 p



 p

 

Vc.1

Vc.2

Db.





p

mf

mf

mf





p

pp





p



p

 

pp



pp

  



 



 

 

 

   G 

 

  G     G  

  

pp



pp



pp

  p

p

p

pp

 

pp

 

pp













Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

  

p

mp

p mf gliss.

a-

round

Aah

pp

              mp

blood

 

Vla.3

   

pp

   

Vla.2

   



pppp < pp > ppp (little dynamic changes, relief)

 





p



Perc.1

Perc.2

➃ ↓

 



Eng. Hn.

Bsn.

 

   

46

↓   B. Fl.  ➄

168

 

p

mf

p







   



 

5               



p

 



Eng. Hn.

q ≈ 56

   



 



mf pp sub.

mp



     



ppp

    

Irregular (slow ↔ fast) very soft, very fluid, little stops ad lib.

B. Cl.

         



pppp < ppp > pppp (almost inaudible)

  Bsn.  

pp

mp

con sord.   Hn.1 pp

 

mp

con sord.

Hn.2

pp

B. Tbn.



  



pp

mp

mp

 

pp

 

pp

p

  





  





pp

 

pp

p



 

 



            MNMONNNM f





       

(with Baritone)

 

p

pp

 

  

 

  

 

 

 

 



 



 



 





     

 



Hp.



 





ppp

pp

 pp

 pp

 

  



   



mf

5

mp





f







mf



Pno.

Irregular (slow ↔ fast) very soft, very fluid, little stops ad lib. (sparsely one accent, here and there on A or Ab)

  

 

Perc.1



 



         

ppp < pp > ppp (make dynamic relief)

 





S. Solo

Bar. Solo







 



 





 



 



 





   



pp

 

 

            

 







p

 

 G

 Vln.1  Vln.2



Vln.3



Vln.4



 

Thai gong



Sizzle cymbal (with fingertips)

 

G



 

mp

The

➄ ↓

  

 

3

mf

      

nip - ple



p

    

 

3

a - round the nip - ple

q ≈ 56

 

 

 

 

 

 

 

  





       

mp

no pain

     

 



  



(n)





in

trance













 



 







 



 







 



 





 



 

 



 

               



ppp < p > ppp (make dynamic relief)

  

Vla.2

p

 

mf

  

Vla.3

p

 

 

p mf p Irregular, very soft, very fast, fluid, little stops whenever. Use ad lib. sul pont. ↔ ordinario

     

Vc.1



Vc.2

Db.



mp

     

p

                       

ppp < p > ppp (make dynamic relief)



p

  p

mf

mf

 



p



p





 

 

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

   

mp



   p

An

mp

Irregular, very soft, very fast, fluid, little stops whenever. Use ad lib. sul pont. ↔ ordinario

Vla.1

6

       

p

  

soft mallets



p

Perc.2

               mp

 

Vib. motor on (poco)

T-tam

    

 

pp

      

sul pont.

mf p sub. pp



47 172        B. Fl.    p pp             Eng. Hn.    pp p pp ppp

Tpt.



 

 

Hn.2





 

 

 

 









Harmon mute

 







6



 



     



 

Perc.1

 Perc.2

S. Solo

 

 



 



          mf

                   5

p

E§ F§



3

 





 









  



pp

  Bar. Solo  





love



 



 

mp



  

 

came back

to

pp

 

trance

            sul pont.

ppp



  p

 



pp



 





 



gliss.     

E# F#

ppp

7

 

pp



pp

9

     

 



          5              mp



 









mp



 

 





 

 



    p

 



3

 

              





ppp < p > ppp (make dynamic relief)









Crotales





   

5

mf

spoken question

 

 





 

 



mp

    

3

The blood

      



   



a pas - sing spec - ter ?

   





mp



 



 

Irregular, very soft, very fast, fluid, little stops whenever

 



p

           

him

Aah

 



 



mp

 



 

 



  

 

 

p





ppp















➁STOP

old

Vln.1



(with Soprano)





p





Pno.



➂STOP

 



 

Hp.

 

 

Hn.1

B. Tbn.

change to Flute



B. Cl.

Bsn.

 



 



    



 





Vln.3







 





 

Vln.4







 





 

Vla.1



Vla.2

 



 



 



 



 

Vln.2



5

       

mp



Vla.3





gliss.





 

 

 









pp



Vc.1

  

Vc.2

Db.

pp sub.





5









ord.

  





 gliss. 



mp pp sub.





Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

   

 







con sord.

48

   176

Fl.

B. Cl.

Tpt.

Hn.1

Hn.2

B. Tbn.

  

Flute

change to Clarinet in Bb



  



 



 

 



 



   

 



 



   

   



 

pp sub.

 

gliss.



pp

11

           pp

p

pp

   G

        G    

       

        

   

 



ppp < p > ppp (make dynamic relief)

 

      



   Perc.2 T-tam     



ppp



3       

mf

   G§ Db Bb Cb

(naturally spoken)

 





 



 



 



 it





had come





through

the

3





 



  

o - pe - ning

left

p

  Bar. Solo    

 

mp

 

 

a - round the

nip



3

-







ple

  trance







by

a

 



sud - den

mf





    

emp

-

ti





mp

 -



    

pp

(singing) p

3

       mp 



Crotales     

 

ness

3      

in

his

heart

  

mp

 

 

   

  

pp





mf





Her

   



p

 

pp

Vln.3

 



 



 





Vln.4

 



   



 





Vla.1



Vla.2

 



 



 







pp mp

p

 



 



 







p

 



 



Vla.3

Vc.1

pp mp

 Irregular, very soft, very fast, fluid, little stops whenever. Use ad lib. sul pont. ↔ ordinario

Vc.2

Db.

     

                 

ppp < p > ppp (make dynamic relief)







                 







pro - ba - bly

Vln.2



pp

 

Vln.1

G

p





   

 

pp



 

   

p



pp mp

     

         

Irregular (slow ↔ very fast). very soft, very fluid like waves, little stops where indicated but not systematically.



     

 





     

pp



 





pp

 



  

  

 





Clarinet in Bb

pp

  



p

Eb F§

 





Perc.1

S. Solo



 

  

Pno.

 





  

Hp.

 



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



con sord.

 

49

   180

Fl.

pp

   

Eng. Hn.

Cl.



 



pp



 

 Tpt.  Hn.1







senza sord.



Hp.

Pno.





     

  

 



  



  

            

p

pp

 

3

ppp

ppp

pp

   

pp

p

   7          p

 

 



f     

Perc.1

 





                  6 ppp





  

Crotales

 





ppp

 



3

mp

  



  

pp



7

   

 

p

pp

                                            6 6

 



 



 



 



 



 



mf

Perc.2





 

Vln.2



Vln.3



    



3

wet with blood

       

mf

  

   

ppp sub.

 

 

gliss.

pp

(Vln.3)

 

Vln.4

5

        In his me - mo - ry

breast

 

(spoken) mf



  Bar. Solo  

 

  

         mf ppp sub.

mp



 he



 



with - drew

his

mf





in

   

 

3

 

face



trance



(singing)

 

and

   

mf

p

 

pp sub.

 mp



pp

p



con sord.

 

    pp



saw

 

 





  



Vla.1



Vla.2

 

  

 



 



 

  

 



   



 



pp

Vla.3

pp

Vc.1



Vc.2



Db.



ppp

pp

 



ppp

 

p



ppp

p







 

ppp



ppp

pp



pp

pp

 

p





pp

 



 



(Harmon mute)

pp

 

p

pp

3          mf    







ppp



 



 

Vln.1

 

  



 

S. Solo

  







 



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

(spoken)





that

her

50

  183

Fl.

Eng. Hn.

Cl.

Bsn.

Hn.1

B. Tbn.



change to Picc.



 







 











 







 

(with Baritone)

 





Pno.

Perc.1

 p

      



 



     

p

pp

mp





   

   



6

ppp

    



   

mf







breast







mf



with



 

        

pain

    

















  

G#mf

 



 



 



 

Irregular, very soft, very fast, fluid, little stops whenever

  

ppp



   



arco

pp

 



p

 

pp

 



  





 

   



ppp

pp

pp





p

     





(Crotales)





  

T-tam



pp



He

   p

Aah





brought

his

mf





mp



mp

   



3





with

his

 

 

lips,

 



 



 

 (Crotales)

 

back

  3    

  p

 

   face



 

p

mf

  

 

mf pp

mp

 



  





     

6



mp pp sub.



 

p

blood



no





  

 



was light - ly stained

 

  Bar. Solo 



5

mp

 

 



   

 Vln.1 



(pp)





Crotales

S. Solo











                     



Perc.2



pp

11

6

mp

(pp)

 





Hp.



pp

 



 



 



    



gentl - y

    

a man could draw blood from

Eb B§

(arco)





and

F#

al - most

   

a - ny part

       

  



ppp < p > ppp (make dynamic relief) Irregular, very soft, very fast, fluid, little stops whenever

  

      

Vln.2













ppp < p > ppp (make dynamic relief)



Vln.4

  ppp

 mp



    

 





Vln.3



  

 

pp

mp

  p

mp









  





p



Vla.1



Vla.2



Vla.3

 

   

sul tasto









pp

 p

Vc.1



Vc.2



Db.

 









 

  

mp

 p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

punta d'arco

  

mp



mp

p



mf pp sub.

 

    

ord. p.d'arco

          pp



 

mf pp sub.

 

mp pp sub.



mp

     

mppp sub.



p

  187

Fl.



  

p

Hp.

Pno.





mp



pp



 

mf

p



pp

p

 

    





mf

mp

 

 

  



 

3

licked

3     Bar. Solo 

of

a



 



f







 



  



f        

  bo

-

-

 

-

way





 



 







ppp

pp

p

pp





  



mf

mf p sub.

 

mf

 

p

  

senza sord.

  

 

f



p sub.

mf



mp

mf

f

    3

mp ord. 3

 

pp mf pp sub.

    mp

  

p



mp

 

  p

  

mp

 

    

mf pp sub.

 f

 

ppp

ppp



pppp

-

-

3





pp

p sub.

p

pp

mf

mf



p

pp

 

mf

mf



p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

way



3 3

6





f

-





eAah = q (q ≈ 112)

 



mf

    

       ppp sub.



f



mf sul pont.

p s.p.

   

 

mp

pp sub.



gradually

        p

mp



f



f sul pont.

p

 (s.p.)               

p

  

 

G.C.

    

mf



Vc.2

-

 (with  Soprano) 

 





pp

sul pont.



mp

           

sul tasto

Vc.1

 

  





Vla.3

-

 



p

mp T-tam



f (with Soprano)   

 





(with Baritone)

p

 

A f

dy

mf

5

  









pp

 

a







          

        



f

wo - man's

ppp

Vla.2

3



 

it





p

 

mf

mf

mf

  

pp

  

 

(Crotales)

    

Vla.1

3



mf

(arco)

 

 





f

mp





mf (with Baritone)



p

Vln.4





ppp

 Vln.1 



mf





f

mf



p



  

p sub.

pp



  

STOP



Vln.3

 



mf

e = q (q ≈ 112)

  (with  Soprano) 





Vln.2

 

pp

                   p

C# D§



11



Db.

 

p





mp



mp

mf pp sub.



p

  

mp

10

   

  



 

Perc.1

S. Solo

pp



   

Perc.2





 

p



 



  

(with Baritone)

p

51

pp





 

   

mp

p

  



p

B. Tbn.



       

                    

mp

ppp

 

    

12



mp



 

 

 

pp

3

p

Hn.2

 



 

Hn.1



mf



Cl.

Tpt.



(with Soprano)

 

Eng. Hn.

Bsn.



Piccolo

pp

   

3

6

pp



 

mp

ord.

   mp 3

pp sub. s.p.

            mp



gliss.

 

f

 

p sub.



52 (The girl is in such ecstasy that she is blissfully unaware of his action.)

 Picc.  

        6

190

pp



Eng. Hn.







mp



p

Tpt.

pp

 

 

pp sub.





mp

pp sub.

Hp.



mp







Perc.2

S. Solo

Bar. Solo

6

mp

 

Pno.









 

        13

mp







 

        

 

ppp

pppp

mf







        

pp sub.

mp

 

     p

     

  p



p

sul pont.

ord.

Vla.2

6

sul pont.

 

Vla.1

mf





Vc.2

(sul pont.)



p



  

pp sub.

   

  



  5

mf

pp sub.

pp sub.



f

 



p

 





 

   6

p



   

6

 

 



 



 

 



 



 

 

   

 

     



 





 



                  



mp

mf ord.

mf

mf

mp

  

    

sfz

 

   mf







 

   6

 

6

 



     

p

mf

6

6

mp

            

mp

 s.p.      

pp sub.

6

mp

6



p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

 

sfz

  pp sub.

      

mf pp sub.



mp ord.

mp







 

mp

   6

   

f



mp

 

 

 

         

pp sub.

          

  

6



ord.

p 3

mp

 

ord.

p

pp

mf

     



senza sord.

mp

pp sub. sul pont.

  

6



 

 



mf

mp







  

     

5

 

 

pppp

mp

mf





 

mf

   





mp

         

mp

 

11

  

ord.

  

 



 

6                                      

 

mp



 

mf

6        

Vc.1



ff





mf

  

Vla.3

f

    sul pont.              



pp

 

Vln.4







3

mp

Vln.3

f

p

  

      

Vln.2





 



mf



mp



ppp

   

p

  

  





p

  

p

  

 

 







mp

mf



  Vln.1 

Db.



       



p

  

 

 



  

 

11

p

  

 

   

 



mp

B. Tbn.



mf

mp

  

Hn.2

       

  

 



mp

  







7

  

Hn.1

  mf

mf

pp

Bsn.



 

  

                          mf

Cl.

         

3

  

6

 

pp

 

 

 





            



mf

mf

 

mf

   3

   

f

h = q (q ≈ 56)

      Picc.   193

ff

Eng. Hn.

Cl.

   

 

f

ff

f

  Bsn.      Tpt.  

Hn.1

f



mf

   

mf

   mf    B. Tbn.   Hn.2

Hp.





  ff





 

.

gliss

.

gliss.

 

gliss.



   ppp



 



change to Bass Clarinet

   ppp





pp



mf

f







  ppp

pp

gliss.



glis

s.

mf





en

ss.

Perc.2

 

  

2 Ch. 3

4

     

  

  Vln.1   Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

     

 Aah



Aah



Aah



Aah

mf

Vc.2

 

 

  





















ppp

p



     (lowest indefinite pitch)



ppp



mp

p









mp

     arco    pp



 T-tam

  





p



 

p



 







 









 

 





 



 





 



 





 



 

    

 

    





mp

mf     

Vib.

pp



ppp

ppp







(wind)



 



    



     p

mp











    













Thai gong mp

   

pp







 





mf



ppp



ppp









 



     p

p

 

p

   



  

The

ve - ry first

mp



 

           



p



 



    

 



 

arco

   pp









    



girl

 



mp

     

      That

 

first

 











 





 





 





 

gliss



 

 













 





 

gliss

 

 











 





 

.

.

h = q (q ≈ 56)

 

gl



gl

iss

.

iss

.





 





 





 







 





 









   

 













 





 















 





 













 





 













 





 







    ppp









    ppp







    ppp





gliss.

    ppp



gliss.

    ppp pizz.

ppp





pizz.

mp









con sord.



mp

     ppp   

   

 



      

 





.

poco rall.

p. d'arco sul pont.



    ppp

.

q ≈ 89 Quasi rubato molto rall. q ≈ 72

 



s.





molto accel.

    ppp

s.

f

pppp



   pp 



 

     







 



mp



gliss.

 Db.    





 

p



ppp



G.C.





p





f







 

    



f

 







p



  





gliss



mp











   



p

ppp

con sord. (straight mute)







English Horn



 

f

f





 

.

gliss







Bass Clarinet in Bb

ppp

  p    p 

Flute

53

poco rall.

gliss



 

mp





q ≈ 89 Quasi rubato molto rall. q ≈ 72 s.v.





f

p

   p



ppp

glis



f





 







  f



mp



pp

glis

f

p





   

.





G.C.

gliss









f

Vc.1





mp

p

 

 

 

pp



p

mp



f





f



  Bar. Solo  1

mp

f



mf

           ff  mp Pno.                Glass Chimes T-tam         Perc.1          pp





gli

ff



pp

pp

ev



change to English Horn

(blowing wind in one breath)

gliss.

mf





(lowest indefinite pitch)

gliss

mf

      

molto accel. change to Flute



mp



p



    

pizz. (keep finger)





mf

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



 

arco (with Baritone)

p



 mp

ppp

s.v.



ppp

pp

  

    p

    



  p



 

54

  

A tempo

202

Fl.

Eng. Hn.

B. Cl.



Tpt.

pp

      con sord.

Hn.1

Hn.2

B. Tbn.

Pno.

Perc.1

Perc.2

Vln.1

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

 





 



  

    



 



  



 





 



  



 



 



 







   



   f

    f







    



pp

Thai Gong

   



     

 mp

  



    

 



 



  

    



mf



mp

 

3  



 



  





  

3

    



pp

 



3

 



 

 



  

 







  

T-tam

 





3

 

p

q ≈ 82 Ne

-

mp





ver

p

 3   

has the beau

pp

 -

ty

 

p

 

mp

 

mp

mf

         5



 



 

           6 6

pp

   

        

  

            

ppp



  



mp

Glass Chimes (with T-tam stick)





mp

pp

pp



 

mp

       



 

mp

mf





mp

 3 5                      

     

  

p

 



p.d.l.t.

6

  

mp

 

 Eb

 

  



pp



mp

accel.

3

 

mp

  

pp

  



 



  

     



  

3

mp

    



pp

pp

(con sord.)

 pp



 

       







  



p

A tempo time

 

mp





pp

(con sord.)



p.d.l.t.

p

(con sord.)

 

mf

3

pp



  





  



    

  



      





 



  

 



pp sub.

  

pp



ppp



 pppp

3 3                    Subito q ≈ 72

 





  

 



  

 

of her

se - cret parts

been

3

love

-

3



li - er

 



 

      

 





 



  



 



 





 



  

3  

 



 





 



  

  



   

 

 



 





 



  





  

 

  



p

Vln.2



3

mp

  



  

  Bar. Solo  

mp





 

mp

 

    pp 





(with Baritone)

 







  



  

  

Hp.

  

pp

      



  s.v.



  

ppp

Bsn.

Subito q ≈ 72

 



   

q ≈ 82

accel.

 

mf

(con sord.)

pp

pp 3

pp 3



pp

 



 

 



 





 



  



 



 





 



  

 

    



ord. s.v. gliss.



p

mp p

pp

  

3

mp



3

pp 3

pp

arco

 

 



  

 



   

 



 

 



 





 



  

3  



  

 

 



 





 



  







  

 

   Db.  

    

(with Baritone)

   p



3

   

mp

 p

   

  

pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

pp 3

pp

 



 



 

Fl.

   

 

  

 

   

 

p

Eng. Hn.

Bsn.

 

  

 

  

 

p

Hn.1

Hn.2



     

Hp.

Pno.

Perc.1



f

                    pp

     

 

 mf

 



ppp

arco



          p

mf





 



 



 







 



  



 

Bb

  

  pp



  







p

 

p

mf

  



  

   

pp



mp



mp

pp

 



 





 

 



 



 







 



 



 





mf        

mp

     





  

 



 



  





 

  

   

  



  

 

  

  

  

  

 

    p

    p

 

  

 





 



 



     mp

 



    





     



 

f



   







 



   mp



 









    





 f





mp

    

arco



   





  

 

 



pp



mf





 

 

 

3

ppp







 

 



 ppp



 

   



    

Crotales

Perc.2



  



 







pp

 B. Tbn.  

 



pp

p





pp

p

 



pp

   





 

p

Tpt.



pp

   

 



pp

p





pp

p

B. Cl.

A tempo q ≈ 72

rall.

208







p

  Bar. Solo   Vln.1



mf

Vln.2

mp

mf

Vln.3

mp

mf

Vln.4

mp

mf

Vla.1

Vla.2

  



s.p.

     f

   mf

Vla.3

Vc.2

pp

 



 



 









 



 







 

 



 







  gliss.   mf

pp





 



 







  



 



 







   

   



 



 





 



 



 





   

  

mp

 

mf

p

p

p

 p

 mp

ord.

mp

pp

pp

pp

   

pp

   p

p

  

   

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

mp

 p

 





 



 

mp

pp





p

p. d'arco



  

pp

 

sul tasto

her

 

  

p

of

A tempo q ≈ 72 heart





pp

rall. - ty beau



 

 

p

   



   



 

mp







pp

was the

mf

 

 

p

place

 

   

  



of that



 3 



mp



ri - ty

       3

  

   

  Db.  

  

-

  

  

  

mf

pu

3

 

  

mf

The

 



  

mp

mf

Vc.1

p sub.

mp

mp

  

senza sord.

  

con sord.

 

 

pp





55

 

change to Bass Flute



 



 



 



 



 



 



   

pp

 



     mp



 



      



pp

 

 G.C.

    



ppp

pp

  

3



A

   3

re - a - li - ty

 



 



 



 



 s.v.    p

 



 



 s.v.    p  pizz.     



mp

    

pizz. (keep finger)

mp



56

poco accel.

  215

Fl.

 



 



  



 



 



 



 





change to Contrabassoon

Bsn.



Tpt.



 



(con sord.)

 

Hn.1

  

ppp



Hn.2

B. Tbn.







 





Pno.

Perc.1

Perc.2

S. Solo





 



mp



 

      p    p





 



     





  



 

Bar. Solo

whose

flow



 



p

   

mp

 p





 



 



ppp



 p

     - - - 

 

pp



 

--(with Baritone) T-tam

     p





mp

Cymb. susp.





p

by

de - si

 









  - - - 



-







 

mf

    

 



 







4





 



 







Vln.2





Vln.3





Vln.4





 



 

Vla.1



    



  



 

(con sord.)sul pont.

 

Vla.2

p



Vla.3



   

Vc.2



 



  

mp

 

 







Db.







   p



mp

p



p

 



 





     f

              pp

 ---



  





          pp

 

   

Sizzle cymb. (soft stick)







pp

 

The

sound

gliss.



p

mm



pp

p



mm



pp

p

 mm pp

p





mm



































 







p





mf













pp

 

p

    





     pizz.

mp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night





p









con sord. arco s.v.

























ppp

mp

arco



p

sound





  

mf p sub.

   

p



s.v.

   

mp



[lips closed] pp





ppp





mp

 



mp







Sub. q ≈ 89



   





 









 



 



pp

 

p

arco



   

     mp  (pizz.)          

Vc.1

 



 

 

 







re











 

---



3

Vln.1

Vib.

pp

   



Sub. a tempo (q ≈ 72) rall.



pp



poco accel.



           





Ch.



 



2



mp



1

 



     



   p pp      



pppp

pp

 

    





mf

mf

 



shared

f

         



mf







mf

f







mf









f



   

mp



ppp

mf

   

f



 

p



(blowing wind)

ppp

3

 





mf

ppp open

open

         was



p

open



 

mp







soft mallets



p

mp

open

   

ppp

     





  



G.C.

    



pp

pp

 





 



p

 





  



(prepare T-tam stick)

  

p

        mp



rall.

  



 





Hp.

p

 

  



B. Cl.

Sub. q ≈ 89

Sub. a tempo (q ≈ 72) Bass Flute



pp





p

pp

   

mf

ff

57

  222

B. Fl.







pp





B. Cl.







Bsn.







Eng. Hn.



 Tpt. 



 

Hn.1



pp Hn.2



B. Tbn.



Hp.

Pno.

Perc.1

Perc.2



mp



 Bb

p



 



mp





   

of



2 Ch.



3

  

  - - -   



  

mf



Vla.2

Vla.3

Vc.1

p

pp

p

 

p













   

p

     sound





mf

f





mf

f











f



 



mp

of

waves



mp

-

ri



 -

3

brea - king



a - gainst the

p



ty







mf

p

pp







mf

p

pp







p

 

 

pp





  s.v.  ppp s.v.





ppp s.v.















con sord. s.v.





con sord. s.v.





















Db.





mp



p











ppp con sord. s.v.





ppp





mp

p

p

pp

  - - - 



ppp s.v.



   

 

p

  



waves



 

The

nip - ple

p



















 



pp



pp





pp





ppp

pp

mp

   

mf









p

mp

   

mf









p

mp senza sord. (with Soprano)

   





   

pizz.

mp





    





p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



  

mf

f p sub.

mf f

    

  









ppp



             









p

mp









f



pp





p

cliff







    





f





mf

    blood



p



high p

pp





f



  

p

mf

---

p sub.



pp



p

mf





        arco   Crotales mp     

  

p



                

  

(metal sound)

mf





mp







           p







pp

pp





       







mf (blowing wind)





p



pp



  - - - 



T-tam

mf

  



mp

   

The



 - - -   (soft)     

mp



   

       

  



mp



mf



f

   

ppp







 







ppp



Vc.2









  (soft)       

f



Vla.1







     ff    

mf

   Vln.1 

Vln.4



mp

p.d.l.t.



4

Vln.3



ppp

p

mf

Vln.2

ppp





Pu



p

p

T-tam (strike with Triangle bat)

p

waves



1









mf

       



    

Bar. Solo

   

 (metal sound)







f





mp

S. Solo





     

---

Contrabassoon







 







ppp

 



pp





ppp











mp



(Harmon mute)







(blowing wind)

       





p sub.

mf









58

 B. Fl.  



228

mp



B. Cl.

Cbsn.





 Tpt.  

Hn.1



Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

p

 

Eng. Hn.











 

p

pp



p



mp







is

ears

3

thun - de - ring in

Ch.



4



Vln.1



Vln.3

Vla.2

Vla.3

mf

   

mp





p





arco



 



 

  

 gliss. 

mf

mp

mp



No

mf

   





--(soft mallets)

  

one



























 mm



 mm  

mm pp

mm pp

pp

in

mp





p

p



   

mp

mp



mp



mp



mp

  























con sord.







con sord.





  

    

  

mf



ff



-







beau







in - com - pa - ra - ble



(con sord.)

   

knows this





(pizz.)

p sub.

   3    

  







  

con sord.

mf



mp



mp

f

(soft)





ppp

p sub.







f



con sord.



pp





mf

p













con sord.

mp

 gliss. 

p





ppp

mp

world

   

 

 





 

 



   

 

mf

 gliss.  





mp

      

  - - - 





ppp

the



f

pp





(with Soprano)

  

mp







           





 



mp

p

 



     





mf



p





 







mf

p



p

 

mp



mf

             pp

 



 3      

 

pp



pp



p





pp

mf











pp

[lips closed] pp



  





p



mp

mp



Db.



  

(con sord.)



  - - - 

 



  

mf



p



pp



p

f

p



p



pp

f

p





f





mp







 

mf

pp

mf

pp



pp





p





Vc.2











mf

mp









mf





mp

mp

(con sord.)

Vc.1

 

 



Vla.1





  

Vln.4

 







  

--- 



mp



p







mp Eb                                       



   

Vln.2



pp

pp



p

mp

mp

  





  gliss.  





3

his

p sub.





2

   

f

trance

1



 

      

pp



ppp

mf



ppp

mp

Susp. cymb.

 p



   - - -  (metal sound)    



mp



        



pp

(with Baritone)

 

f





 

   



(metal sound)

 

pp





mp



p

pp

ppp

pp



E§ Db





p

mp



pp





pp



--- 



 



p (Harmon mute)



mp





ppp





  







f







 







ppp

 



      ppp 

Bar. Solo

 



mf

      

pp

mp

mp



 



     mp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night



  234



Eng. Hn.

Tpt.



mp



mp

p





mp



p

mp

p



       mp Pno.             - - -   Perc.1        p

Perc.2

 

(Susp. cymb.)



ppp

 Bar. Solo

mp

 -



1



2 Ch.



3

4





  

ty





as

 I



3

Vln.3

Vln.4





f

mp

p













3

pp

3























pp

pp















pp Db.





   

(pizz.)

mp





mf pp sub. 3





mf pp sub.



3

3



mf pp sub.









mf pp sub. 3

p

pp

mp

 

p

pp

p

  



mf

 

f





 

    



 

3

   

arco

p

f



pp



 3

     

       3



 [loud whispering]









mp

p



p

mf

mp

pp









p

mf

mp

pp











pp



mf



mp



pp





p

mf

mp

pp









mp

pp

mf pp sub.

p

mf

mp senza sord.

pp



3

  













p

mf

p

 

p









 

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night







 

i - ta





p

3



mp





mf





  

(Crotales)





mf





3





 

mu - su - me no shi - roi ha - da - wa ya - wa - ra - ka - ku hi - ka - tté

s.v.

 



mp







      

 



mp



mp

 

pp

pp

p

mp

pp



mp









[loud whispering] mf (« Her white skin glowed softly »)

   



pp

mp



 



pp

pp

   









p

mf

     mp



 

  

59

pp



p



mf pp sub.



 





mf pp sub. 3

pp

Vc.2



mf pp sub.



pp

 

p

p

   

  

    

pp



 

6



p



 

           6

con sord.





pp

 

p

  



p







Vc.1





p

p





p

p





Vla.3



mp







f





mp



p

                 



mp

mf

 

mf Crotales





pp Vla.2

                 6    pp



 

p

5

6



mf





p

 

mp



pp



         







mp

   

mp

do







Vla.1





pp

    

p



                  

mp

mf

 

pp

5

mp

    





pp

mp

mf





f

      Vln.1  Vln.2

pp

mf

 



p

f



ppp



mf

 



mp mp



p

             

     



pp

6

        - - - 



 





p

    

p p







 

pp



con sord.

con sord.

 



ppp

pp



mp < mf

 

p

Cb

3

p

(Harmon mute)

 Bb

 

p











mp pp sub.





p







 













pp

p



mf







 







 









Hn.2

Hp.



 

Hn.1

B. Tbn.

 





B. Cl.

Cbsn.





B. Fl.

         5



mf (« The sheen of the hair

 3       

mi - mi - no



pp

 



 



 



 

sul pont.

 

ppp

 



 



 





 

pp







60

 B. Fl.  239

change to Piccolo



Eng. Hn.

p



 

 Tpt. 

p

Perc.1

Perc.2

Bar. Solo





pp





 

mp

 











p





   







 

       and with 3

3



  my

3

             



















  



f



ppp







  

p

f

                    pp

  - - - 







(G.C.)









[naturally spoken]



 p



ppp



 

Vib.

mp

pp



 - - - 

  

3

 





mp

G



mu - su - me no shi - roi ha - da - wa ya - wa - ra - ka - ku hi - ka

-

                  

    pp



---





pp



p

G

   



3



ppp



  



mp

    p



it 3

3



will quite

       3

3

mu - su - me no shi - roi ha - da - wa ya - wa - ra - ka - ku hi - ka - tté i - ta







3





















  

 

u - shi - ro

no

ka - mi

no ka - gè



 



3



    

 

 gliss.

  

 

senza sord.





(con sord.)

Vln.3







Vln.4







Vla.1

  

 

Vla.2





Vla.3





Vln.2

mp

Vc.1

Vc.2

Db.





 





ppp

 

pp



p

ppp



 gliss. 



pp arco



pp

 3       









mi - mi - no

u - shi - ro

no

ka - mi

   





3

   no



ka - gè

  

     



shi - ro - kát - ta















































mp

 

 

p

  p

pp

 

pp





mp





shi - ro - kát - ta



Vln.1

   

 

p

p

p



dis - ap - pear

3

            

tté i - ta

    



 

arco

mf



4

pp



p



behind the ear was white »)

   



2 Ch.



ppp



mp

Not far away now

death

p

                  

   



mp (with hard brush, like wind) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;; ppp

  







mp





ppp mp







  







G.C.





 

    

mp







p







   

pp





 - - -  (Crotales)   

ppp





         pp



 



mp

  pp





    



p

pp



1





 

  



change to Clarinet in Bb



(Harmon mute)



s.v. Piccolo







p



 

pp

 







   

p

Pno.





 

Hn.2

Hp.



pp

 

Hn.1

B. Tbn.



      

B. Cl.

Cbsn.





mp



pp

  

mf

 

p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

(con sord.)









pp

p

 

(with Baritone)gl iss. mp

 

pp

p

 p

61

   244

Picc.



Eng. Hn.

Clarinet in Bb



Cl. in Bb

Cbsn.

 



 







Hn.2





Hp.

Pno.

Perc.1

Perc.2

S. Solo







mp

 

        

 

pp



  

   

arco



ppp

---

p

mf

 

 



p











 

f

mf

 p

 



 from

[loud whisper]

 

2

3             3

pp

mp

     s.p.       Vln.1 

mp

p





Vc.1

Vc.2





ppp

pp



no

ka - mi



pp





3

   no





  

p mp

p



pp

 



cho

of

3



 

hi - ka - tté



 

pp



-

ka - gè

  

senza sord.



senza sord.

 

senza sord.



 



    





 

 



    pp



arco

 





   

ppp



mp





 

 

mf

waves

p

 





 

i - ta 3

    

  

    



shi - ro - kát - ta

  

 



na

shi

 

 

pp

     

roi

te

 



mp

f

mp



dat











 

ta

        f

f

quasi con sord.

         

      3

pp

3

 







 



     

3

3

               

pp 3

-





p

mp









3

3







 

  

pizz.

p

ppp









  3

    



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night





mf

f

         pp sub. p

-

 





  

   

p

 

 

s.p. s.v.

s.p.

pp

mp







ppp

pp

  

Vib.

  

the



senza sord.

p

3



  

3          

  

mf

 





pp



Viola 2 & 3: like little waves, no accents, use sul pont./ sul tasto/ ord./ p. d'arco ad lib. senza sord.

 

    







 

na - me - ra - ka - sou



ppp

p

f

Crotales



u - shi - ro

 

 

---

dat - ta

mi - mi - no



  





  







 e

3



(con sord.)













ppp







 









Vla.3



mp

  

te







na shi - roi

p

 







The

3

 

mp

pp



 

 

            





Vla.2











pp

---

  



       

    

 3       





Vla.1





p



Vln.4

3

  



mp

p

3

    

4

Vln.3

world

mp

  

 



 

mp









mu - su - me no shi - roi ha - da - wa ya - wa - ra - ka - ku mf (« It was a smooth glowing white hand »



Vln.2

this

na - me - ra - ka - sou

Ch. 3







1

3





mp



pp

f

 



  

ppp

   3     

p

ppp







;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;

Bar. Solo

Db.

pp





pp

                  

    

p

  



(con sord.) 3

mp





pp

 

pp

(Harmon mute)

 (with Soprano)



pp

p f

--- 

 



ppp



     





ppp









(con sord.)





  

 

 

 













Hn.1







 Tpt. 

B. Tbn.



        



pp

p



62

pp

 

mp









 







  Picc. 



248



Cl. in Bb

Cbsn.



mp

(ppp)





  Tpt. 

pp

Hn.1



Hn.2



B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo









mp

       









 - - -   (arco) 

 

mf





2 Ch.



3







    

  

pp

mp

p

pp

p

pp



pp







  mp

    



ppp

 

pp



   









pp

---

ord.

 

       







 



 



mf

   



    

ppp

    

 

pp











f





 

  



p.d.l.t.



f

   pp 

p





p





 

   pp 

p





p









come up





 

mu

-





from

the









ppp



  - - - 



o

 -



cean

 pp

    pp



arco











mu



 

p



sic

soun







 [naturally spoken] mf    G mp



mm









pp

mp

mf

f

mp



mm









pp

mp

mf

f

mp

 mm









pp

mp

mf

f

mp











ppp s.v.

 mp







 

  

pp

mf













        

ord.

mp

  p

 





 

3



     



(pp)

mp

mf

  

mp











3



 

pp



    

f

pp

mf

 



p

   

 



pp







s.p.

gradually



5

                 5

  

mf







pp

3

mp

pp









pp

 

p





Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

  

pp

3

mp







ord.

 p

3

pp

    

5

3



 

mf



 

pp

  

    mf

p

        s.p.

             

the





3

mp

mf p





5





  

mf

                                    gliss.

  

s.p.



                 

pp

dy

 

in



3

5

 





pp

f

 



ding

The thought of a

f



-

-

 

-

mf

gliss.

  

-

mp

gliss.

the



bo

s.p.

in



as

  



sic

pp



pp

   



                  



ppp

mp



girl's

(pp)

Vc.2

p









hear

5

Vla.3

pp

f



  

[lips closed] pp

     

Vla.2

p





ppp

 mp

    

mf

pp



mp

to

 

 

Vla.1

pp





ppp



pp

  

Gb

   

seems

mp p

Vln.4







on the crotales

  

 3    Vln.1 

Vln.3







sul tasto

Db.



   mm

Vln.2



 

p.d.l.t.



mp

I



mf



pp

ppp



  

1

  

(con sord.)

From time to time play

  

Bar. Solo

pp





Improvise sparsely with sounds evoking WIND, WATER (waves), EARTH (sand, bruitage), almost inaudible with litlle dynamics (pppp ↔ pp).







---

p

















  







senza sord.

f



pp

senza sord.

 

 

mp

4

p





pp

       

mp

pp



p



 



 

p

3

 

    







mp pp sub.

 3



63

  



252

Picc.



Eng. Hn.







 Tpt.  

Hp.

Pno.

Perc.1

Perc.2

S. Solo

pp



mp

pp



---

  

 

     G

cold

 

Ch.



4

Vln.1





ppp



sense

of

guilt



   

ppp

Vc.2

 

mf



f

mp



         

    

ppp

pp



pp

---

 

 

  

G

turns

 

p

pp



 

p

pp



 

p

pp

 s.p.



 

 



pp



   

---

  



p

         

    

ppp

away

in

        

p

    





3                

ord.

mp

3

          

mp

mp

(pp)

  

another

p







pp

pp sub.

[loud whispering]





3



3

   

  





   



ppp





Crotales

 





  



      

ha - da - wa ya - wa - ra - ka - ku 3

  

 



hi - ka - tté



 

(con sord.)





 

 



te

dat

mp

p

     

3

(with Soprano and Baritone)

3

3

3

3

   

  

p



pp

mp





 -

ta

3     

 





  3

      



 



3  

mi

-

mi

 

 

 



(legato)



5





p

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

pp

no

 

 

 3

         mp

3







 

-



mf







pp

p



         

 

  



  

 

feel

mf



p

   

pp

to

mf

s.p. s.v.



 quasi con sord.





 

[loud whispering]

 

pp



i - ta





 

ppp

the







p

 



na shi - roi





arco

3

   

with

3

seem 3







        

pp



na - me - ra - ka - sou

pp

ppp



mf



3



Vib.



mf

time



    pp

 

  3

mu - su - me no shi - roi [loud whispering] mf

                 



pp





I

mf

3

  







 

direction.



3

mp







 

3   3        

pp

mp



    

mp





f

3



mp







pp

(Harmon mute)

 

 









p

pp

3









pp



In

suddenly

          









dy



 

Vc.1



 

p

(pp)

Db.

 

 



p

(pp)

Vla.3







   



bo -

 

Vla.2





pp



      

p

    



Vla.1

arco





Vln.4

    

---



Vln.3







 

       

pp



 

Vln.2

mp



    

girl's

3

pp











2

mp





          

1



3



Bar. Solo

pp

p



   









legato





Cl. in Bb

Cbsn.



 

p





 3



     



64

  Picc. 

 

256

p

mp





B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

mp

pp

pp

 

 







mp





ppp

pp

mp

mp



p











ppp

pp

mp













mp

p

ppp





mp

   



 

    



ppp



    

pp



---

     



arco













 mp





   

      

    

ppp



   



f



pp



p

mf



       

    



ppp

pp





 p.d.l.t.    ord.    

mp

     

f





     

ppp



  

f



    pp



--- 

  











 



f



pp

---



  

 

p.d.l.t.

 





mf



       



pp

  



 

 





pp

---

mf

p

    

pp



pp



p









   

pp sub.



mf



mu

1

2

-

-

mf

-

3











 







u - shi - ro

no

ka

mp



Vln.3



-

sic mf



-

3



  

mi

no ka - gè

 



no mf

3





mp

 



shi - roi

3







in

the



pp

 

shi

 

sul tasto









3

shi - ro - kát - ta



p

    

ppp

te

s.v.



gliss.



  

pp





pp

mf

      

arco s.p.



6

gradually

mp

5

                 mp

5

3







pp

p

pp



-

pp

 

mp



pp

mf



3

  

3

 

  p

 



ta

pp



p



pp







 

pp





pp

mp

ord.

mf pp sub. s.p.

p

pp

 



p

3



3

  pp



pp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

     mf

p



sfz pp sub.

   

 

  

   

 

 

 





 3

pp

mp al ord.

p



pp ord.

3

  

3

3

      3

            mp



mf

pp



mp pp sub.

 

     

mp

     









mf

                

               



pp





dat

mf pp sub.

5





 

pure

pp

  

roi



dy



mp

s.p.

3

p

-







3



gliss.



s.p.



pp

ppp

-

  



                                     gliss.

 



      

 

   A

bo

3

3

p



sic

   

girl's

na

p

5

mp

 

  

ya - wa - ra - ka - ku hi - ka - tté i - ta



    

-



    

ha - da - wa



3



    

mus 3

p





 

pp





                 



 



mp

5

Vc.2





mp

 

     

Vc.1



 





pp

Vla.3

3



f

  

Vla.2



sic

p



  

ord.

Vla.1



-





Vln.4



na - me - ra - ka - sou

     

p



mu - su - me

 

Vln.2

-

-

Ch.

Db.



  

  

(con sord.)

     f 

Bar. Solo

Vln.1





mu pp sub.

4



mp

 



mp





ppp

  3         



 Tpt.   Hn.1

  





pp

 





 

Cl. in Bb

Cbsn.



  





 



 

pp

        pp

mf

p

pp

65

  



260

Picc.



ppp



Cl. in Bb

Cbsn.

Tpt.



   pp 

p

  

pp

Hn.2



   pp  

pp

Hp.

Pno.

Perc.1

Perc.2

S. Solo



pp













---



pp

mp

p

pp

mp

p

pp



ppp



 

   

     pp



arco

     

---





pp

 

ppp

pp





pp

 





---



     3

    



ppp



---

 



p

   



 



ppp

    3     

mf

f



     

pp

  



f

    



  

ppp

p







  

pp



  



p

p





  

pp

3   3 

mp

    

but -



Bar. Solo

ter



  



1



2



3



4



Ch.

  p

  p

  p

 

 s.p. 

   mf

p





  

Vln.4

Vla.1



a

mu

 

mp

sic

mp

p







mp

mf

mp







mp

mf

mp



    s.p.



mp p







p quasi con sord.

mp

          3

pp

3

3















  p







mp

p



 

pp





5



 

 









mp

p

 



ppp

pp

 

p





pp

 ord.

  pp

3

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

5

        

3

      

5

3

5

3

                  



mp

 

  





 







p mp









mp



 

sic

 

ppp

           

3

    -

                    

       

 



 

3

     senza sord.



3     

pp

3

(con sord.)

  



past

 -

mp

3

3

-

mf

 

       

-



mp

s.p.

 



mu



 











 



 

mf pizz.

-

 



                  

pp



mp



flut - ters

mp



   

Vc.2

was

  



Vc.1



mf



mp

pp sub.

mp

Vla.3



 

mp

Vla.2



        pp

mf

mf





     



mp





Vln.2

mf

flut - ters

(mp)



p

    



fly

It

Db.

    

pp









 



    

 







p

white

Vln.1



 









  



p









pp

 

mf



p



 

 



    



pp



 





 

     



p

p





mp

  

Hn.1



p



66

 Picc.  



 



264

Eng. Hn.



Cl. in Bb

Cbsn.







pp

Hp.

Pno.

Perc.1

Perc.2



     









 



p



          3

pp



    mf            





Crotales

  

mp

--Vib.

mf







    



mp

   





arco



  

 

  

 

2 Ch.



3

 

pp

     

mp

 mf





[loud whispering]



[loud whispering]







 



f

   pp





 



 

p



gradually

mp

           mp

pp

 



(p)









  

p







mf

3

3

   

3

  

 

mi

mi

-

  

-

no



 





pp









      

  

ha - da - wa ya - wa - ra ka - ku

 

  

te







p

pp

3

     





3

 

 

  



     



p

3





 





u - shi - ro no sul tasto

   

p





 

 

mp

p



ord.

s.p.

3

p

mp

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

shi - ro - kát - ta

 

pp

3

        

pp sub.





  

mp



 





pp

  pp

 

pp







pp

3



mp

3



             

mf



mf

    



 

pp



pp

mp

ha - da - wa ya - wa - ra ha - ku hi - ka -





pp

       



mp

 s.v. 

pp

  





 





ppp

 

5

na shi -

p

ppp

  

3

  

 







i - ta

 

  

        





ka - mi no ka - gè gliss. gliss.

s.p.

3



     5

pp

3



hi - ka - tté

     

    

 



3

  

na - me - ra - ka - sou

3

mppp sub.





mu - su - mi no shi - roi

mp p

s.p.















ord.



3

dat - ta

3

p ord. s.v.



 



  

p

 



f

   





3

    

na shi - roi





s.v.

            

pp

Vc.2

  



5







        

pp

 



ha - da - wa ya - wa - ra - ha - ku hi ka - tté i - ta mf 3 [loud whispering]

mp (with Baritone)

5

Vc.1

5



mf (with Soprano)

pp

Vla.3

3

    

5

mp

                          gliss.

Vla.2



mu - su - me no shi - roi

mf

     

 



s.p.

Vla.1

[loud whispering]

na - me - ra - ka - sou mf « Her white skin glowed softly »



pp

   

p.d.l.t.

   

mu - su - mi no shi - roi





Vln.4



ppp

love



 



Vln.3





s.v. s.p.

  



with

  

  

eyes







p



p



p



 

pp

Vln.2

- (i)lled

 

pp

p



 

pp

 

 





clo - (o)sed

mp

 

1

 

ppp



            



mf









pp



mp



  

 

   



  

 







p





mp

ppp

pp



pp

  





fi

Db.



pp



p

   





Bar. Solo

Vln.1







➁ STOP

his

4

   



mp

S. Solo

mp







    ---



f

ppp





 





mp

pp



mp



p





pp



   3          3



 



pp

mp





p

   



mp

  



pp

 

pp

(Harmon mute)

Tpt.

 

    

pp





3

 

 

3

     

 

mf





  

 

268

Picc.

Cl. in Bb

Tpt.



ppp

   mp









ppp

p

pp

ppp

 







pp

p

pp

ppp





p

pp

 

  

pp



Hn.1

67

ppp



change to Bass Flute





 







 









(open)



(blowing wind)



ppp



Hn.2









(blowing wind)



senza sord. (blowing wind)



ppp

B. Tbn.









        mf





Perc.1



 

1

mp

 







  







 3



ppp





 3



te

tté



pp



5

-

mi

3

  



no

u

-

s.p.

  



 

ppp



 

 -

shi

-

  

mf

p

3

3

  

 



 

na shi - roi

3







  

ro

no

ka - mi

te

        

 dat

-

no ka - gè

 



 



p





pp

(pp)

5

     

ppp

mp





 

ppp

 

mp

5

ha - da - wa ya-wa - ra - ha - ku hi - ka -

 3       



mi

      3

mp

 

pp

ppp









 









ppp

















 



 





ppp

p

pp



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night





na shi -

         

shi - ro - kát - ta

(s.p.)

3

  

    

ppp



        

i - ta

na-me - ra - ka - sou







hi - ka - tté

ta

      





3

  

mu - su - mi no shi - roi



3

      

3

 





3

3



3

ha - da - wa ya - wa - ra - ha - ku hi - ka - tté i - ta



(pp)



3

              

pp

         

Vc.2

3

mu - su - me no shi - roi ha - da - wa ya-wa - ra - ka - ku



  





      



mp

 

pp

 



i - ta

5

 

pp

  

Vla.3

        

soft mallets



G.C. with hard brush (wind, waves) ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;



pp

Vla.2





    

     

 

p

na-me - ra - ka - sou



 

Vla.1

hi - ka - tté

mu - su - mi no shi - roi

mi

mp

  



pp

Vln.4







3



dat - ta

    

 

Vln.3





 





ya-wa - ra - ka - ku

i - ta



3

    

   

     

Vln.2



 

arco



3

roi

 Vln.1 



pppp



       

  

3



ppp

  

Ch.

    



ppp

2

Db.

   ppp

mu - su - me no shi- roi ha - da - wa

4



ppp





mp

  

Crotales

Perc.2





ppp

 



 

Pno.

p.d.l.t.

ord.

 

Hp.



mf



-

mi

-

no

68

  



272 Bass Flute

B. Fl.

 

Eng. Hn.

Cl. in Bb

Tpt.

mp





(open)



p

  



p

 





 



f



mp



mp









mp





p

mf





mp

f











mp









p

f

Perc.2

1

3





  

mp

f



p



pp

 





mp



f







 

f





f



p

pp

pp

pp

   

u



Vln.2









3



  te







-

shi

-



3







hi - ka - tté



3





mf



pp

  



mf

       

T-tam

 



5

      mu - su - mi no shi - roi 3















ro

no

ka - mi

no

ka - gè



  gá



5



na

shi - roi

          ha - da - wa ya - wa - ra - ha - ku

    

 







    

hi - ka - tté



       





dat - ta



i - ta



 



 

shi - ro - kát - ta



 

mp

gli



gli



gli



gli

ss.

ss.

Aah

 

mp

 

mp

Aah

ss.

ss.

                  





 







 



 



  

mp

 



pp





mp

Vla.1









 

Vla.2









 

Vla.3









 

Vc.1









 

Vc.2









 

Db.









 



Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

   

let sound die out





 

let sound die out





Aah



  

let sound die out

fast strike with triangle bat

mp

   te

  

 

Aah 3

  

 



pp

i - ta

na - me - ra - ka - sou



sticks

 

  

Hit with palm at bottom of bass strings. mf







    

dat - ta

i - ta



Sizzle cymb.

pp

Vln.4

  

  

 





no shi - roi ha - da - wa ya - wa - ra - ka - ku



Vln.3

pp





      tté

Vln.1

 



         

roi

4

pp





3

mu - su - me

3



f

  

Ch.







;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;    f

2

pp

pp





f



Perc.1





f



mf

 





p



p





f



Pno.

f

f

mp

B. Tbn.





mp



f



 

Hn.2

f

mp

  

Hn.1









f



p





69

(Madam knocks at the door) Madam It’s eight o’clock. Old man The sleeping pills seem to have worked. Madam Are you awake? Your breakfast is ready… Old man I’m awake. Madam Aren’t you pleased I’ve brought your breakfast? Old man Yes. (The old man rises up on one elbow and as he slides out of bed, he softly strokes the girl’s hair.) Old man What a sweet child! Madam Certainly. Did you have sweet dreams? Old man She was the source of all my dreams. Madam The wind and the waves are calm this morning; it appears it will be a spring-like day.

↓ ORCHESTRA (Prelude to The Second Night; timing decided by staging)

Kris Defoort: House of the Sleeping Beauties - Ouverture and First Night

The Second Night Prelude

q ≈ 60

Picc.

Hp.

   



 





    



Perc.1

 











3

 3       3

pp







  



una corda sempre

  

pp





 





 





pp

 

   

 

  3         

ppp

MMMOLNML pp

 

Pno.



Vib.



Thai gong

Perc.2



   3



pp

       T-tam







ppp



 



   



 



 

3

 

 



   

 





     



3



 

pp

 









pp

Vln.2

Vln.3

 

con sord.

 

con sord.









 





 



con sord.

  

s.v.

 





 



 



ppp



  





 

  

 

   



 

  



ppppp

con sord.

Vla.1

  

ppp

con sord.

Vla.2

s.v.



s.v.

  

3

con sord.

  

s.v.

3

  

ppppp ppp



con sord.

Vc.1

s.v.

  





 

  



 

 

ppp

con sord. s.v.

Vc.2

  

 

ppp

    

con sord. s.v.

Db.

ppp

Copyright ©2008 by Pentimento Publishing











  



  

s.v.

ppp

s.v.

 

  

ppp



  

    

  

  

  





ppp

ppppp

Vla.3

ppp

s.v.

ppp

3

ppp

ppppp

3



ppppp ppp

 

  

    

  



  

 

ppp

3

ppppp



 

  3   



 

  

ppppp ppp

ppp

ppp

  



   pp



 

3

  



 

 

 



ppp













ppp

Vln.4





ppp

s.v.



 



p

pp



pp

 

  

  

T-tam





ppp

Thai gong

s.v.

pp

    



 

     

     ppp

         ppp

q ≈ 60

  con sord. Vln.1  





       





Kris Defoort

ppp



   

 

ppp



   ppp

3

 

pp

 

 

   

p

 

Piccolo

2

 Picc.    6

 

(ppp)

Cl. in Bb

 

s.v.



ppp

Hn.2









 



3

 

Hp.

 

pp



Pno.



  ---

 Perc.1 

6

   

 

 

 

 

 



 

 

(ppp)

Vln.3

(ppp)

 

Vla.1

 

Vla.2





 





Vla.3

(ppp)

Vc.1



Vc.2





 



(ppp)

Db.



(ppp)







muted



 





    ppp

 





pp

  







 

 



 

ppp



3

ppp





  

ppp

 

 



 3



Crotales



  

pp

   ppp

 

 

 T-tam

   ppp





  

   

 

 

3

 

 



 

3





 



 

 

 









  



ppppp

 

  

 

  



 

 

 

  3  





 

    

 

      ppp

  



 

   



 



 

ppp

   ppppp ppp

  3

senza sord.





ppp

ppppp



ppppp ppp

ppp



              

 

  

 

 



 

 



pp

  

  

 



Crotales

 

 







 

 

  

          

  

  

ppp

  

 

 

   

  

ppp

ppppp ppp

 



 

  

  

ppp



 

s.v.

 



 



 

ppp

ppppp ppp



ppp

3

ppp

3



 

ppp



s.v.



     

 pp

3

 





 

ppppp ppp

 ppppp

ppp

 



3



  

 

    



3

3



 ppppp

  

ppppp



(ppp)

ppppp

   



(ppp)

 

3





3

 

  

ppp





(ppp)









 





(ppp)

Vln.4

  

 



(ppp)

  

 



 

 



muted



      



 

 



ppp

  Vln.1 

  

    

Vib.





Vln.2

 

 

 

       

3

 Perc.2

ppp

  

 

 

    pp









 

 



 Hn.1



 

   

 

 

  

 

 

  

 

 

  

 

ppp

ppp



 

 

 

   



 

ppp

ppp

Kris Defoort: House of the Sleeping Beauties - The Second Night



3

   11

Picc.



 



 



pp

  



 

 ppppp

  

  Tpt.  

 



(ppp)

Cbsn.



 



(ppp)

Cl. in Bb

q ≈ 82

accel.

mute

ppp



p





 





  



B. Tbn.

 





 

p





 

Hp.

 



 

Pno.

 

  Perc.1  

  Perc.2

pp 3

 

    

 3

   



 









 

 

  

Vc.2

Db.

      



        



 







ppppp

   





3 ppppp pp



ppppp pp



 

ppp



   

 



 

 

 

con sord.



 mf



mf

mp

  p

        p





 





 

p

p

 mp



mp

 mp

 



  

 

 



     



mp

 

3           

 

 

 

   

Thai gong





(mp)



 3        

Vib.

 pp



mp

pp



 ppp

 



p

ppp

 



p

ppp

 



p

ppp senza sord.

 

 





 

senza sord.



pp

ppp



 



 

pp

ppp

 pp

pp

ppp

pp

    

3

3

            3 3

   Glcksp.  

pp



ppp Crotales

  



ppp















  

 senza sord.



 



  



  



  





 

 





    3



  



  p

 



       

   

   

    



   

    



   

  



   

   



   

  



 

 3

     



p

 



3     







   

(p)



3

p

 

    

  



ppp p senza sord.

3

   ppp

ppp senza sord.





 



p senza sord.

ppp

pp

 

ppp

(senza sord.)

3

 

ppp p

senza sord.



senza sord.



3



      



p









p









  



 

ppp

mp





 



 



  



 





       

 

Change to Bsn.

   

     





 

p





  

 







ppp

p



q ≈ 82

p

p



  

ppp

pp



p

ppp

 

T-tam



p

  

     ppppp ppp   ppppp ppp

  



3

3





ppp

   



        

pp



 

 



 



p

3

p

 

ppp

p



     

ppppp

ppp



     





  

  



pp

ppp

 

 

3

    







pp

 

 



ppppp

Vc.1

 



    





  

 



 







(ppp)

Vla.3

ppp



        



pp

 

Crotales



senza sord.

  

 

Glcksp.



(ppp)

Vla.2



 

pp

(ppp)

Vla.1



3

 

accel.

(ppp)

Vln.4

  

p







 



 

 ppp

ppp

 

mp

(ppp)

Vln.3

     

mp

pp

  

 

       

 

    

   Vln.1    

Vln.2

 



ppp

  

p

mp

p

 



 



ppp

 

ppppp ppp

Hn.2

 

 





ppp

   



ppp

Hn.1



p

mp

  s.v.



 

mp

 







 p

  



p

pp

Kris Defoort: House of the Sleeping Beauties - The Second Night

ppp







4

 Picc. 



 





  

17

Ob.





 Tpt. 



Cl. in Bb



Hn.1



 

 

 

ppp

pp

s.v.

 

 



  

(con sord.)

   p

 

mp

  

  

ppp



(s.v.)



ppp

 



 



  



 

   

 





 





 



 



 



ppp

 



(c.s.)

  

 





 





(c.s.)

  













Perc.1



 

 



Vln.4

Vc.2



 

   

  



 



ppp

  

   



 

   



  

   



       pp

    ppp



 

   



pp

ppp

  

   

pp

 p

 



mp

G#

 Db    

      

             6



 





 

     



 

  

  

 

  

pp









 6

mp





 p

    

 



 

con sord.



  

 

con sord.



  

 

con sord.

  

     

 

pp



  

   

Crotales

pp

 

     

 

 



 



 



 

    ppp 3

ppp

ppp

ppp

ppp

ppp

ppp



 

      



 

(s.v.)

ppp



(s.v.)

ppp



(s.v.)

 



con sord.



  



(s.v.)

con sord.

 

con sord.

 

     



(s.v.)

ppp



(s.v.)

con sord.

 

con sord.

 

 

con sord.





 

 



6

 

p







 

mf

6

mp

 



 



 

 



 



 



 

 

  

   

 

  

   

 

  

  

 

  

  

 

  

   

 

  

  

(s.v.)

 



 



 



 



 



 



 

senza sord.

 



 





 





 

 



 



 

 

 

p

(s.v.)



p

 

   

(s.v.)



 

mp

p

mp



senza sord.

  

(s.v.)

  

mp

Kris Defoort: House of the Sleeping Beauties - The Second Night

 



                  

mp

 

 

mp

 



ppp

 





 

ppp

 





p

ppp

 

        

        

      



   

mp





      





  

G§ D§

mp



 



   

   

 

 



  

ppp

pp





  

 

pp

 T-tam

A#

  





 

 



 



   

pp

pp

Vc.1

Vib. arco

mf

     



pp

Vla.3









Vla.2

mp



   

pp

pp

Vla.1

(c.s.)



 

mp

  

  

   

  

      

 





Vln.3



 



    

 Vln.1 

Vln.2

 

 Perc.2

       

mp



 

 

mp





Pno.

 



ppp



Hp.

 



B. Tbn.



3

     

 

ppp

mp

 

pp



 

3

      







 



         

  



ppp

Hn.2

 

p

 



 

 p

 

5

 

24

Ob.

Change to Fl.





mf

   





f sub.

Cl. in Bb

    

 



 





    Tpt.     



 







ppp

pp

(s.v.)



      ppp

(s.v.)





  



Hp.



 



f



f sub.



Perc.2

  

 



   

    

mp



 

 











  mp

 

 

T-tam (with triangle bat)

motor on









    



Vc.1

    



ff

     

 arco (two bows)       

  

ff

   



  

  



 

  

  



pp

ppp



 

ff

(arco)

(arco)

 

 

  

    

 

mf



 

      

  

     

pp



ppp

pp



ppp

  



ppp



       

  





 

p



ff

 



pp

ppp

p

(p.d.l.t.)      







pp



  



  

ppp

         



 



 



       

  

 

       f p sub.  

    

          f p sub.

 

 

   

 

 

  

 

  

  

  

  

   

  

pp

pp

   

   pp

f

 





p sub.

f

    f

f

p sub.

f

  

f

f

p sub.







 



 



 



f

p sub.

f

  

 

f

f



p sub.

  

p sub.

  

      

ff   

p sub.

 

        

  

p sub.

 

        

ff

 

   

 

f

  

p sub.

  

      

ff

p sub.

 

 

     

 

     

 

     

 

     

ff

ff

ff

ff

  ff

ff

ff

ff

arco

 



 

 T-tam

  

    

p sub.

  

 

  

ppp

mp

pp



ppp



mp



pp

  

 

  







  

 

  

ppp

mp

pp







ppp

mp

pp Kris Defoort: House of the Sleeping Beauties - The Second Night

 

  



f



 



 



 





 



 



 



 



 



 





  

ff



ff



ff

ppp

mp

 p



ppp

  

p



   



ppp

  



 

ff

p sub.

 

ff



p sub.

 



ff

p sub.

 

ff



p sub.

 



ff

 

        

ff

 

    f

 

f

  

  

ff

 

   

 

         f p sub.

f   

 

       f p sub.

 

   



       f p sub.

  



      

mf

(grace notes on the beat)



mp



mf



mp ord.

 



ff



ff

ff



ppp



 



ff

  

 



   

    

(p.d.l.t.)

 





pp

Vc.2



  





  

 





  

 

ppp

 

ff

ppp

Vla.3



ppp

 

ppp

Vla.2

    



ppp

Vla.1

  

    ppp

Vln.4





Ab ff

 

arco (two bows)

ppp

Vln.3



 

pp

p



 

 

mp



p

p





 

f

    Vln.1   

Vln.2

     

mf



 

     ff

mp

 



p



p



Bb

mp

 



 



p

 



mp

 





p

p

s.v.

p.d.l.t.



(grace notes on the beat)

Crotales (with triangle bat)

  

 

 

     

     

  Perc.1  



ff

mf



 



 

Pno.

       

 



 

pp

 

   

 

pp





Hn.2





f

Hn.1

  

Flute

pp

 

ppp sub.





  Picc.   

 ppp

mp

mp

  

mp



p

 p

 

  

6







31

Ob.



ppp

mp





ppp    

mp   

 





Cl. in Bb



ff

Bsn.

Tpt.







ppp

mp

f





Hn.2

p sub.

B. Tbn.



Hp.



 Bb







 Perc.1 

     ff

    

  

  

  

ff

    



     

Perc.2





Vln.3

Vln.4

Vla.1

  



















 

ff   



ff p. d'arco





pp

ppp

ff

p sub.

p sub.

 



ff

   

ff

p sub.

ff





  





mf

    



  

p

   



p

f



   

  





 

(grace note on the beat)

f

p sub.

(muted)

   



f



     



ff

(muted)

(c.s.)



p

pp





pp

ppp

   



 ::::::::  :::::::  :::::::::::::::

p. d'arco

p. d'arco

  



    



  

ff

     

  



 



 

p sub.

p sub.



ff

ff

   





    

ff

mp

 ff

(arco)



     



 ::::::::  :::::::  :::::::::::::::



 

       ff

  

     ff

p sub. ff









   



  























mf

 

ff

     



F#

mf

 ff

 

  

 



p sub.

 

p sub.

 



 

ff

(arco)

  

mp

mf

  

 



     

 

   

ff



p sub.

(T-tam)



   

ff

p sub.

p

p





ff



ff







 

 

 

 

 

p





pp

 





pp

 



ff

 

 

mf

 



ff

mf

  

pp



  

 







p sub. ff

 

 

ppp



ff



  

 

pp

ord.

ff

 

mp

ppp



mf

(Crotales) (arco)

 

mp

pp

(very soft little gliss. between Ab and G, like crying, sobs)



ord.





 

ppp

mp

mf

  

pp

(very soft little gliss. between Bb and Ab, like crying, sobs)

  

       



 

(very soft little gliss. between C and Bb, like crying, sobs)

ppp

(p.d.l.t.)



 

  ::::::::  :::::::  :::::::::::::::

 

 





ppp

ff

  

  

     



ppp





pp





  

 

ppp

pp

Vc.2

ff

 

 

mp

pp

Vc.1



  



 

ppp

 

Vla.3

p

    

  

ppp

Vla.2



mf

 Vln.1 

Vln.2

ppp

mf

 

ff









mf

pp

 



(Vib.)(arco)

p

f p sub. f





mf

f



 









f pp sub.

 p.d.l.t.



Pno.

p sub.







      





  

f

f



  

   



 







  

ff







Hn.1

p sub.



 

 

  

 



 Fl. 

ppp

ppp

 

pp

ppp







ppp

mp

p

pp



ppp



mp



p



pp













ppp

mp

p

pp









p

pp

ppp

mp

Kris Defoort: House of the Sleeping Beauties - The Second Night



    



7

 Fl. 







37

Ob.

Bsn.

Tpt.







 

 







:::::::

 

 



:::::::

(ppp)





 Perc.1 

 



   



f p sub.

  



f p sub.

 







     mf



 Vln.1   

Vln.3



Vln.4



Vla.1

 

Vla.2

 

Vla.3

 

Vc.1

Vc.2







f





 

     

 

f p sub.

 











(Vib.) (arco)



  



  

   





f

 





















     

  

ff   

ff   

ff   

ff   

    

ff









 



       



 

 

 

 

 

ff





     p sub.

p sub.

ff



ff

    



ff

    



ff

ff

     

   ff



p sub.

  

ff

    

p sub.



ff

     p sub.



  

   ff

 







pp



    

















ff

      

 p sub.

 p sub.

 p sub.

 p sub.

  



 

 



 



 



 



    



   





ff

 

  

     

   ff



ff

  

 



  





ppp

mp

 

      



 

f

 





ff

    

  

   

  

    

 



   

      

   







mf







ff



  





f

     

 



p sub.



 

  

   



ff







f



ff



(p.d.l.t.)

  

ff

ff

  

p sub.



 

 

  



 

ff



 



ff

ff

  

  

f p sub.



       

 

 

mp

f



mf



ppp   

 

mp

ff

ppp

f

 



ff p sub.

 

  

ff

   

 



   

ppp



 



  



f

 



  

ppp

  



f p sub.

ff

 

ff



ppp

ppp

pp



   

 



   

f



mf



pp

f p sub.





mp

f p sub.



      





 

(p.d.l.t.)

  

ff

 (Crotales) (arco)       







    

f



        Bb Db

pp

mp

    

f

mp

  

f p sub.



      





Vln.2

 



  



p sub.

mf

Perc.2

 

f p sub.





mp



   (grace note on the beat)



  

   





 

 

  



mf









 

ff p sub.

 

p.d.l.t.



Pno.



 

 

:::::::



Hp.

  



f

(ppp)

B. Tbn.

 



 

p sub.











(ppp)

Hn.2

  



ppp





ff

 

Hn.1



ff p sub.



Cl. in Bb

  



  

   ff



  

   ff





p sub.



 

p sub.

   

mp



 



  



 



  



 



ff

 

pp

  

 

  

 

  

 



 

 

  

 

 

 

 

 

ff



ff



 

   ff

p sub.





ff

p sub.



  

  

  



ff

ppp

p sub.

p sub.



ff

ff

mp

ppp

mp

 

 

ppp

ppp

mp

 

  

  

  



 

ppp

mp

p



ppp



mp



p

  

  

  



 







mp

p

  

  



ppp

  

 







  

  

  



 

ppp

mp

p

pp

pp

pp

pp

Kris Defoort: House of the Sleeping Beauties - The Second Night

8 43     Fl.  

mf

Ob.

    mf



ff

p sub.

   



  

ff





Hp.



pp sub.

p

f



  

  

  

     

(p.d.l.t.)





ff

 



ff

    



Vc.1

Vc.2





ff





      

B§ ord.

p sub.

  ff



Change to B. Cl.



 



 

(grace note on the beat)

f

p sub.





 

(muted)



(muted)



(c.s.)



f

  

   





    

ff

(Vib.) (arco)

mp

 ff



   

(p.d.l.t.)





ff



     



ff   

p sub.

ff

p sub.

      



 ff

 ff

  

 



   







p

pp

ppp





pp

ppp

 

 ::::::::::  :::::::: 

::::::::::::::::::

  ::::::::::  :::::::: 

::::::::::::::::::

ppp

pp

pp

ppp

ppp

 ::::::::::  ::::::::  pp

ord.

::::::::::::::::::

  

  ::::::::::   ::::::::::    :::::::::: 

ppp

  













   



  



































 

ff

mf

     

 ff

 (T-tam) (arco)







p sub.

 p sub.

ff

 ff

 



 

  

 



p sub.

ff

p sub.





p

ff







 









 











ff

ff

 

 

 

 

 

p





pp

 







 

pp

 





ff  

p

   

   







    

  





mf

mf

  

 



mf   





  

 

mf

ff

  

Change to Picc.

mp

ppp

Vla.3



ppp

mf

Vla.2

ppp

p sub. f

mf

Vla.1

pp  





     Vln.1   

Vln.4



   

 



ff

  

Vln.3



ppp

mf

Vln.2





     Perc.1   

Perc.2



  

 



p

   



   



ppp



   

Pno.

pp



   



p

mp

f

B. Tbn.

ff

 



f

Hn.2



p sub.

mf

Hn.1



p

  

 Bsn.  

Tpt.





Cl. in Bb



ppp

ppp

 

 

pp

ppp









mp

p

pp



ppp

mp



p

pp



















ppp

mp

p

pp













p

pp

ppp

mp



Kris Defoort: House of the Sleeping Beauties - The Second Night

  

9

[Piano music (CD) is heard in the background]

B. Cl.

 







 



p

Bsn.

Tpt.







 

 





(con sord.)





(muted)









pp





p

pp





 



p Hn.1

Hn.2

B. Tbn.











 



 

 

 

  





senza sord.





 

senza sord.

 



 

  



ppp

 

Vla.3

ppp



 

Vc.1

 



 

ppp

 

Vc.2

 



ppp

Db.









 







 



















             

        

         





   



 

Crotales

 

       

arco

     ppp



senza sord.

 

 

senza sord.

p

       

senza sord.

(con sord.)

 

senza sord.

 

  

 



senza sord.

 









 









 









 





 





ppp







ppp

  

 

Vla.2



 







 







pp









(senza sord.)



Vla.1

 

mp

(senza sord.)

Vln.4



     

 

 

Vln.3







Vln.2

 

6









p



 





 Vln.1 





ppp



pp

 



 (T-tam) (arco)



 

mf

 



 



       





 

p







ppp







 

ppp

3

 



pp





 

 

 

 







     



ppp

 

3

 

pp

pp

 





p









p



 









ppp

              





 

3





ppp



mp





pp

 



 

p









 Perc.1 

Perc.2

(con sord.)





Pno.

(muted)







p



Hp.



h = q (q ≈ 41)

   

p

 h = q (q ≈ 41)

ppp

  

 mp

mp

  



ppp

mp

  



ppp

mp

  



  



 



  



ppp



ppp

  

ppp

ppp

ppp



 



  



ppp

mp

  



ppp

mp

   



   





  



ppp

  

ppp

mp

ppp

mp

  



ppp

mp



 



pp

ppp Kris Defoort: House of the Sleeping Beauties - The Second Night

ppp

ppp

ppp

  



ppp







 



        

10

(Only when the old man has passed through the door of the House of Sleeping Beauties, does he notice that the misty rain has turned into wet snow. Water boils in an iron kettle on a kiri-wood stove. Piano music is heard in the background. Madam doesn’t look the old man in the eyes.) Madam Be careful. (With one hand she holds an umbrella over the old man’s head; with the other she grabs his hand.) Old man I don’t need any help. I’m not so old I need to be taken by the hand. Madam It’s only that the cobblestones are wet. Old man Do decrepit old men come here? Those who’ve lost control of their limbs and must be taken by the hand? Madam I’m not allowed to say anything about the other guests. Old man But now that winter is on its way, it can be dangerous for such old men. What would happen if one of them had a heart attack or a stroke? Madam It would be the end of this house. But for the guest himself, perhaps it would be a most blissful death. Old man But you wouldn’t get off scot-free. Madam Perhaps not. You’ve turned up so suddenly again. Did the previous girl displease you? (Deftly, she pours her best tea) Old man In fact, she pleased me all too well. Truly! (A sarcastic smile hovers on the woman’s lips.) Madam I imagine you’ve broken many women’s hearts in your time. Old man Whatever makes you think that? Madam Your defensiveness is awfully suspicious. Old man If what you say is true, why would I come to a house like this? Aren’t all the old men who come here possessed by a helpless desire for women? Old men who are past their prime, for whom it is no longer possible to turn back the clock, whatever they might do, however much they may regret? Madam Well, what can I say? Old man Tell me, what are the old men allowed to do here? What are the restrictions? Madam They are allowed to lie next to sleeping girls. Old man Can’t we have the same sleeping pill as the girls? Madam The sleeping pills are only for the girls. It’s already cold. I’ve laid an electric blanket on the bed. A double blanket with a switch on both sides so that the guests can adjust the warmth to suit their needs.

Kris Defoort: House of the Sleeping Beauties - The Second Night

Old man I have never used an electric blanket.

11

Madam If you don’t like it, you can turn it off on your side, but if it’s not switched on where the girls are lying... (The old man nods) Old man A nice invention, isn’t it? Two people under the same blanket, each adjusting the warmth as he pleases. Madam It’s American....but – listen, you mustn’t shut off the blanket on the girls’ side! You must understand that she won’t wake up, no matter how cold she gets. Old man… Madam Tonight’s girl has less experience than the last one. Old man Does she? Madam But she is still a very beautiful girl. Because nothing bad happens to them. Old man A different girl? Madam It is for the girls’ well-being that you and the other men must sleep with different girls. You don’t object to having a different girl, do you? Old man No. I’m not much of a womanizer anyway. Madam Surely you don’t do anything to her? None of our guests does anything to the girls.If that rule is broken only once, then this house would be nothing but an ordinary brothel.Then the pitiful desires and transporting dreams of the old men will disappear forever. Old man However guilty I may be, I have never in my life spent such a night of pure bliss with a woman. A childish feeling swept over me that the girl thought me sweet. Madam She sleeps and she knows not with whom she sleeps. Even if you believe you’ve had relations with her. She has no idea who her partner is. And another thing, speaking of ‘relations’.... Old man Yes, yes. Real human contact isn’t a part of it. Madam What do you mean? Old man What’s the point in calling it ‘human contact,’ this coming together of sleeping girls and old men that are no longer men? Madam Isn’t it true that the sleeping, silent girls speak to the old men in a way they find delightful? Old man What is the very worst thing the old men could do? Madam Nothing bad happens in this house. Old man Nothing bad? Madam Have you been drinking tonight? You say such strange things. Old man The force of habit makes even the most inhumane world seem normal.

Kris Defoort: House of the Sleeping Beauties - The Second Night

12

(Outside the falling wet snow is barely audible. The sound of the sea seems to recede. Before him the old man sees the vast dark sea. The wet snow falls into it and melts away. A large bird of prey glides above the waves. The bird holds something bloody in his beak. Is it a newborn baby? A symbol of human deprivation? The old man raises his head. He shakes it back and forth and the vision disappears.) Madam Go on now. Sleep well. (The woman stands up, opens the door to the other room, looks inside and sets the key down for the old man. Left alone, the old man pours hot water into the tea kettle and gulps his tea with pleasure. He would like to feel calm, but the teacup trembles in his hand.)

↓ Orchestra (timing decided by the staging)

Kris Defoort: House of the Sleeping Beauties - The Second Night

13

The Second Night

(The piano music stops )



         

Pno.



         f







          ff           

    Vib.     Perc.1     











 



p













  pp

 



      

 



mp

Perc.2

 



NMLOMMNM



Hp.

     

q ≈ 60



Susp. cymb. (slide with triangle bat)



 

 



   

 

 



 

     



 



 



       

 



 



 



 



pp

 



 NNMOMNMM

 





 

 

 

     

 



 



 



       

 



 



    

 



 



pp





 





 





 





 

p

Crotales     

 



 



 



 



 





 



 



 



 



 





 



  



 



mf









p



 



 

ff

Actor (old man)

1

2

   

[enters the room]

    



 



  





 



 



 



  

mp

 

(very articulated, poco vibrato, like thin air)

The

lit

mp

(very articulated, poco vibrato, like thin air)

The

lit

 





-



tle



-

tle

  

girl

 

girl





has

a

ti - ny







has

a

ti - ny





« I am certainly not a trustworthy guest. »

 

   

 



 

 

   

 



 

   



 

   



 

face



mp

face

Ch. 3

4

 

    Vln.1  







q ≈ 60

p

Vln.2

Vln.3

 

p

Vla.1

Vla.2

Vla.3

   



   

   

   

   

pp

pp

   

  

   



   

   

  



   

   

     



   

  

p

pp

pp

pp

pp

pp

    

has

a



ti - ny face,

The lit - tle

girl

    

has

a

ti - ny face,

3 3         

a

mf (very articulated, poco vibrato, like thin air)

   



p

girl

     

  

p

The lit - tle

[whispering]



p

mf (very articulated, poco vibrato, like thin air)

     

  

     p

Vln.4

[whispering]

  



ti - ny face,

3 3         

a

ti - ny face,

face

face

   

  

    



   

  

    



 

   

 

   



 



   

  

     



 



   

  

    



 

   

 

   



 

   

  

    



 

p

 p

 p

p

p

 p



p

Kris Defoort: House of the Sleeping Beauties - The Second Night

pp

pp

pp

pp

pp

pp

pp

 



8

 

Hp.

 



 

Pno.

 

  Perc.1  

Perc.2

 

 

    





(Vib.)







  

  

Her

Ch.

4

  Vln.1  

Vln.2

Vln.3

 

 





 



     

Piano

   

 

  

 

Crotales



draped





hair,

  

3

Her hair





hair,

(mf)

(mf)

  

Her hair

draped

     

a - cross

     

a - cross

 one

Vla.2

Vla.3



   



---







 one

cheek

pp (like an echo)

draped

 

a - cross one

cheek.

a - cross one

Draped

cheek

  



p

 

(punta d'arco)

ppp

  



 



 

 

  



 



  



 

p

  

 





 





  





 





 



 



         



 

 



  

 



pp



 



 



 

 

 





3   

The

back

of

 



The

back

mf

       





mf

       



The back of her hand

   

pp

 

gliss.

 

gliss.

 

 gliss.  

gliss.

 

gliss.

 

gliss.

   

lies a - cross her

  (ord.)   



   

 



   

 



   

 

    



   

 

     gliss. 



   

 



   

 



   

 

p

 



gliss.





gliss.

 pp



 



gliss.

mp

mp

p

p

    

(ord.)

mp

p

(ord.)

mp

p

(ord.)

mp

p

(ord.)

gliss.

    

mp

p

(ord.)

Kris Defoort: House of the Sleeping Beauties - The Second Night

     

 

  (ord.)     gliss.    

pp

lies a - cross her

   

mp



     



p



 

her

  (ord.)    

gliss.

 

(ord.)



pp

of

 

 

pp

pp

3

 

   

  



her

 

 

 

pp

Vc.2

 

 

pp

p

 







pp

  

 

The back of her hand

 

cheek

  

    



pp (like an echo)

a - cross one

p

 

cheek

3

 



cheek



 



         

Draped

   



 

     

cheek.

 





  

     

a - cross one



« In this house, where old men are insulted and humilated, I could easily overstep the rules. »

 

3

 



(mp)



 

 

      p

 

         

p

Vc.1



pp

  

    

 



  

     

p

Vla.1

       



p



cheek

 

pp

 

      draped

3

 





     

 



       

ppp



p

B#

  

 

p

Vln.4

pp

 



 



ppp



     

  

 

   



pp

(mp)

3

Celesta





  (mp)    

 

Change to Cel.

 



     

pp

Her

2

 



p

  Actor  (old man) 

1

   



      mp     





14

gliss.

     

mp

p

 

Hp.

 



 

Pno.

 

  Perc.1  

Perc.2

Actor (old man)

1

    

 

   



   





 

 

    



pp



   



pp

 

(mp)





hand

  



hand

4

 

(mf)

  

(mf)

Vln.2

 

 



 



       

       

Vla.3

Vc.1

Vc.2

Vib.



 



 3   lies 3

a - cross

    lies

 

a - cross



 

her

o - ther

 her



   

The

hand

   

The

hand



o - ther



 



 





 



 



 





 

mp



mp

 

      



 

      



 

  



Piano

     

Vib.



    

    

 

 





 

 





p

mp

   

 





 

pp

mp

(slide with triangle bat)

 



 





 

 



 





 

  

 



  





 

  







cheek

cheek

             

    

lies a - cross her

o - ther cheek

o - ther cheek

 

   

  

  

   

   

(p)

« Are you awake ? »

  

    

lies a - cross her



 

pp (echo)

cheek

pp (echo)





cheek

   

 

The

 girl

rests

  

The



  

girl

rests



 

3 3      

the tip

of her fin - gers

 

3 3      

the tip

of her fin - gers

3

3

 

  



5         



 

  



5         



3

The girl rests 3

The girl rests

the tip of her fin - gers

the tip of her fin - gers

    3

on the edge

    3

on the edge

   

   

of the

   

of the

   

  



  p

   

  



 

  

  p

   

  



 

   

  



   

  



 

   

 

 

   

 



 



   

  



 

  p

p

 

p

(p)

Vla.2



Glcksp.

Susp. cymb.

  



(p)

Vla.1

3

o - ther cheek.

(p)

Vln.4

3

o - ther cheek.

(p)

Vln.3

Celesta



   

  Vln.1  



      

pp



Ch. 3





mp

(mp)

2

 

   

   

LMLOMNMN

 

 Change to Cel.



 



 

pp

 



 



  

  

 





14





15



   

  



   

  

 p

   

  



 

  

(p)

   

  



   

  



 



   

   

 p

   

   



   

  

(p)

(p)

(p)

p

p

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

16

  Picc.   

(like a whistle-tone)

21









 





Vib.



 



          (mp)

  Vln.1  

Vln.2

3

on

(mf)

  

bed.

(mf)

  

bed.







the edge

      

Ch.

  

p

 

3

3

the



of

the

       

The tip of her fin - gers on the

       

The tip of her fin - gers on the

 



Vla.3

Vc.1

Vc.2



 

 





 



gliss.

 

 

gliss.

gliss.







  





 

gliss.

gliss.

(p)



gliss.

mp

ping

3



  



-

ping





slee - ping

  



slee - ping



ppp





   

  





p





 

 

child - like

  child - like



child-like





 

 

pp



---





3    

p

lit - tle



3    

lit - tle

       



gliss.



child-like

       







gliss.



p

  







 





 



 

 





gliss.



 





gliss.

 

 







  



mp

mp

  



A

p







girl.

 

 

girl

A



mf

girl

A







gliss.

gliss.

gliss.







gliss.







gliss.

p

 



 



pp

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

pp

 



   

     



 



 

mp



 

mp

gliss.

 

 

mp

gliss.



 

mp gliss.



 

mp

pp



 

mp



pp

 mp



gliss.

  mp



pp

 

   

pp (like an echo)



pp

 

  

mf



gliss.

gliss.

 

A



pp

 

mp

pp (like an echo)

 

pp

gliss.

  

mf

        p mp 

pp



   

         mp         pp

girl.

lit - tle lit - tle lit - tle girl



p



lit - tle lit - tle lit - tle girl

p

p

mp

 

pp



gliss.



  

       slee



 

p

mp

 

-

    

 

p

mp

 



  

 

gliss.

mp



 

p

mp

 

A§ C#

   

pp



p

mp



slee

A

mp

 



p

A

mp

 





3       

edge of the bed.



muted







A

     



  



3

 

(p)





     

edge of the bed.

 

(p)



A

     



 







3



(p)

---

bed

  





        pp  

  



 

 



p

  

bed

(p)

Vla.2



   



 

the edge







of



---

              

 

(p)

Vla.1

   

pp





(p)

(p)

Vln.4





mp

(p)

Vln.3





p

   



p

3

on

 

 

          



3

Crotales

    



  



 mp

    





(mp)

4



     





mp

 Perc.2   

3



 



mp

  Perc.1  

2



 









 

 

  



 

1



(s.v.)

 

Pno.





pp

  Hn.1  

Hp.



 





mp

 

17

  Picc.    26

Hn.1

Hp.

Pno.



     





p

Actor (old man)

4





 



     



 



 



mp



   



  

-

  

Crotales

3

young slee -ping si

-

(mp)

  

3



  

3



young slee -ping si - ren

 



 





    



 



p

Vc.1

 

    

p



      

   



 







mp

 

mp

brows

          eye

3

-

 

brows





3

 

  



are

free

of

 





are

free

of





3

eye-brows are free of paint.

3         

The

          3

3      

  



  





eye-brows are free of paint.

     



 

3         

 

Her

Her

eye - la - shes,

eye - la - shes,

   



     



   





gliss.





   





gliss.



 



 



    







  

     

 

    



   





  

3      

     



   

mp

mp



     mp

 

   

mp

mp

    

mp

p

p

3      

3

p



p

 



p

3             

 





        

 

  



   

 

p

3

 

s.p. (punta d'arco)

p

ppp

Kris Defoort: House of the Sleeping Beauties - The Second Night

p

   ord.

(p)

s.v.    





s.v.





ppp

pp

p

s.v.    





ppp

pp

p

s.v. gliss.     p

       

ppp



mp

  

3        



 

 

Her



 

 

Her

paint.

mf

  

 



paint.

3         

The

 

p

mf

  



    

pp

pp

-

  

 

mp

 

 

  

  

mp

   

pp

eye

 



  

  

The

3



p



 

   

 

 

pp

  

3         

   

mp

       

mp

 



 

 

 

 





p

mp

p

 





p

p

p



  



   

 

mp



   

p

pp

 

 

  

mp

pp





 

 

 

  



pp



    



pp

mp

 







mp

 

  

pp

The

mp





pp







   

 

     

  

 







 

 

         

 



 

 



 





 

 

 

p

(Vib.)

    



       pp

 

 

    





ppp

mp

p

 Vc.2  



mf

 



mp

    

    

mp

 



si - ren



   

  

ppp

 

(echo)

p

p

Vla.3

  

si - ren

p

Vla.2



     

   



(echo)  

     

 

---

ren.

pp

   

    

ren.

young slee -ping si - ren

(mp)



pp

   

p

        



« I still possess so much masculine stuborness that I can get her to wake up. »

p

   

   



p

(mp)

p

Vla.1

      p

pp

   3   

 

       



  

 

    

p

Vln.4

     pp 

 

p

Vln.3

p

 

  

   

 



  Vln.1  

Vln.2



ppp

   

 

Ch. 3

  

 



young slee -ping si

2





(mp)

1

  

 

  Perc.1  

Perc.2





     

18 32   Picc.  

Ob.

 

 





 

ppp





  

 



  

  



 





f

ppp Cl.

Change to Fl.



  

 





  Tpt.   





ppp

 

Hp.

Pno.

Actor (old man)



 





 







  

-

(mp)

  

eye

(mf)

3

       mp  (Crotales)    

  

(mf)

-

la



   

  Vln.1   





la

- shes

  

3

  

3

 

         

Vc.1

 



pp

p



 

 

 









p

pp

ppp

 







 



mute (put a cloth in the bell of the instrument)

 



(straight mute)









3



3

  

 

   

 

ppp

 



 

 

f



 

 





 MMMOMMNN

mf

 



 



 







 

 



 



 







 

 



 



 







 

 



 

 







 







 

 

arco

p

mp

 



 



 

 



 



 

      

pp

a

row

     in

a

p

 

« In this, my sixty-seventh year, how deeply have I penetrated the depths of my sexual desire ?





 



 







 

  



 



 







 

 

p

row

 



 



 







 

 

3    



 



 



 







 



con sord.



 



 



 

lie

lie

in

in



a

a

row.

row.

  mf

 

mf

   p





mf



mf

  

mp







p

mp



p

  p



mp



 



   



p

p

    p

 

mf

mp

(p)

pp

Vc.2







pp

Vla.3



3    

   

(p)

Vla.2

  

 



(p)

Vla.1

  

3

lie

   

(p)

in mf



(p)

Vln.4

3



ppp



  

mf

lie

(p)

Vln.3



pppp

 



 



3     

  

- shes

eye - la - shes

Vln.2

(Vib.)



eye - la - shes

4

   mp



     

Ch.





mp

eye

2

   





   

mf





(mp)

1

     





  Perc.1   Perc.2



 







 

Flute

pppp

 



 

 straight mute



f

pppp Bsn.

 

p

 



pp

   

 



 



pp

pp



  





 





    



 







 







ff

ff

    



 

con sord.

s.p.







3

ff

  





 



 



 



  



 





 



s.v.

f

f

  f



ppp



   

ppp



       



     

Kris Defoort: House of the Sleeping Beauties - The Second Night

con sord.

 

s.v. flautando







ppp

mp

pp

pp

 

mp

pp





pp



mp







s.p.

  



ppp



 



mp



ff

f

p.d'arco sul tasto

ppp

ff

 

pp

  



ppp



 

  

s.v.

ppp



 

  

 

mf



 



 



3

  

 



 

ppp

p

19

  Fl.    39

 

ppp

Ob.

   

 



Cl.

Bsn.

Tpt.

pp

    

Hn.2

Hp.





mf





3



  

 

 p

 

pp

  



 





ppp

 



 

 



 



p

ppp

 



  

mf



ppp







p

pp













 

    

ppp

ppp

  

3

 

 

p

ppp

 



 



  

 

ppp

 

pp

p

 

pp





    

pppp

pp

ppp

 

 

 

 

p

  

 



 

 



 

  p

  

MNMOMMNN

 

 

ppp

 



 

 

ppp



 



  



ppp



 

    ppp  ppp



 

pp

p

pppp



p

3





ppp

 



pp





 

pp

   pppp

 

p

  



p



 

 





pppp

3



ppp muted



p

 muted

  p

p





ppp



 





ppp







 

pppp

pp

Hn.1



 



 



 

ppp

 





ppp

 

p

 



mf

3

 

   

 



 



 





 



 



 



 



 





 



 



 

 



 



 





 



 



 

  Perc.1   



 





 



 



 



 



 

 



 

 



 

 



 



Pno.

Actor (old man)

1

2



          

Ch.

mf

 

The





nails

are

 





The

nails

are

mf

f

3

4

3          

     

3           

  Vln.1    

Vln.3

 

Vln.4

 

Vla.1

 

Vla.2

Vla.3

Vc.1

        pp

Vc.2

      pp

po-lished

 

      

 



     

 

 

pale

pink

  pale

pale pink

pale pink

 

(con sord.)



 

(con sord.)

 



 

(con sord.)



 

(con sord.)



 

con sord.

  

ord.

(punta d'arco)

ppp ord.

  

(punta d'arco)

ord.

(punta d'arco)

ppp ord.

(punta d'arco)

ppp





 



 

con sord.



  

 



 



 

 



 

 



 



 

 

 

pp

 

pp

  



s.p.

 

 

ppp







f

f

 

pp

 



  

    (pp)

p

 

s.p. ppp

 

(pp)

 

 

p

 

  



p

  





p

  



(con sord.)

  





ppp





pink



 

« And to think that all around the old men, a continuous stream of young women's bodies, a continuous stream of beautiful girls is born. »



po -lished

po-lished

 

p



   

    

f



pp





3

     

arco   

 

po -lished

The nails are po-lished pale pink,

The nails are po-lished pale pink,

Vln.2

3    

(Vib.)

3

pp

s.p.

   

ppp

 

 

 



  p

 

p

   3

p





ppp

  

      ppp    

ppp

   

ppp



pp

Kris Defoort: House of the Sleeping Beauties - The Second Night



p



pp

3      

mp

Her

lo - wer

 



 



3

f

   

Her 3

f

   

Her

 

 

 

 

s.v.

 

p

pp





  



ppp

 

3

  

ppp

 

 

 

 

ppp s.v.

 

pp



lo - wer

ppp s.v.

   

p

Her

 3  

s.v.

p

p

 

ppp

   



ppp





 

mp

  p

 

 

p

ppp

    

 ord.

3



(s.v.)

(s.v.)

 

ppp

  



ppp

pp

ppp

pp

 

ppp

 

ppp

 

ord.

   

(s.v.) ord.

3



3

       

20

  Fl.  



 



  



45

Ob.

Cl.

Tpt.

Hp.

   



 





 



   (mf)



 

Pno.

Perc.1

Actor (old man)

1

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Db.

 



 



  



 

 

  

3

 

   



 

 (mp)

 





lip

    

pp

(s.v.)

  



ppp

 

p



 



(straight mute)

 





 





 







 



 

(Vib.)

 

 

       

 

is









slight

-

ly

mf

       3



is

slight

 -

ly

thi - cker

   

          

(f)

lo - wer lip

3

mp

          

lo - wer lip

is slight - ly,

slight - ly,

 

slight - ly,

3

-

(ppp)



slight

-

  

 (ppp)



   

(ppp)





(ppp)

pp

pp

  

mid

3

 

in

the

  

mid

ly

thi - cker in

ly

thi - cker in

 



 

ppp

the



 

ppp

  

 

       

  

  

 

  

  

(ppp)

pp

 ppp

 (ppp)

ppp



ppp

 

-

 



 pp





 

 



Aah

pp





dle.



 



Aah

 pp

   



dle.

 

  

pp ppp



mp

mid - dle.

 

  

-

 

mid - dle.

       

ppp

3

the

  

 

mp

f

       



  

(ppp)

f

f

3

  



the

 



f

slight

mp

is slight - ly,

in

     

   

(f)



3

thi - cker

mf

 

 



 

  

p

 



  

 



 



 



 pp

 pp

 pp

 pp

 pp

 pp

             



 



 

pp

pp



Kris Defoort: House of the Sleeping Beauties - The Second Night

 

pppp

   

   



 

« Aren't their endless dreams and desires, all tied up in the sins of this secret house ? »

 

 



 





 

 

 



mf

f

         

p



 







  



 





 



 

 

(con sord.)

mf



f





 

 







 

(con sord.)

 

(con sord.)

 

(con sord.)

 

(con sord.)

(con sord.)

f

 







f

 



mf

f

 



mf

f

 







 

  





 

con sord.

  



 

con sord.

f









f



f



 

     

mp



mp



mp



s.v. 



 

s.v.



 



 



 

   

pp



pp s.v.

pp s.v.

pp

s.v.  pp

s.v.  pp



 

s.v.



 



 

s.v.

 

s.v.

(senza sord.)



mp



Her







Her

 





Her







Her

 



(con sord.)

mf

  

mf

mp

 

 

mf

 



 

f

mf

s.v.

 



f

mf

pp

 

      



mf



 





 

pppp



 

 

 

 

 

 



s.v.

 



          

 

pp

 

 

f









 

mp

   

 



 



 





 

 

 

 

 

p





 

ppp

 

 

B# mf

 

 

  





 

pp



       

   

  

p

 





 



 

 

  

 



ppp

Vc.2





 

  Vln.1   Vln.2

 

 



lip

4



 

Ch. 3





(mp)

2

 

 

pp s.v.

pp



pp

 p

       

                   

21

  Fl.    51

Ob.

  

 

pp

ppp



p

Cl.



 

pp

   

Tpt.

Hn.1

 

Hn.2

Hp.

Pno.



 

pp

ppp

  



 





 

(muted)



 

ppp

pp

 



   



p









 



 



mp

f (open)

   

p



pp

 



 



 

 

Change to Cbsn.



 





 



 

 



 



 

    



 



 

 



 



 

 

 

(s.v.)

 

   



pppp



 

f

   

   

p



 

ff



 



  

f pp sub.



mp

ord.

 

   

ff

 

 

f

       f

   f

f



 

 



MNMOLMNM



 



  

 



 



 



 



 



 

 



 



 



 



 



 



 

 



 

 



 



 

 



  

 



 



 



(Vib.)

    

               



p

mp

 



mp

   

       



   

3        



3         



3         



is

mp

   

arco

 



is

mf

mp

tongue

is

mf

mp

tongue

is

  

 3        

   

 3        

3

curled

curled

curled

curled

up

up

up

up

in - side

in - side

in - side

in - side

her

her

her

her

  

  



  

  



 

  



 

  

mouth

mouth

mouth

 

 

  

 

 





(pp)

     (pp)

(pp)

 

 

(pp)

 

(pp)

    (pp)

p

p

p

p

   

p



p

  p

  p

ppp

ppp

ppp

ppp

 

ppp

 



ppp

 

ppp

 

ppp

   

 

 

    

  

  

(pp)

(p)

p

mp



mouth

   

 

(pp)

Db.



e=e

   

 

 

Vc.2

   



 

Vc.1

(mute)

pp

pp

senza sord.

 





Vla.3

 

 



(pp)

Vla.2





 

Vla.1

 

 



 

Vln.4





    Vln.1  

Vln.3

 

Flttz.



 

tongue

Vln.2



e=e

 

mf

Ch.

4





 

 



tongue mf

3

 



mf

2

 





p

p

  arco  Perc.1      p 1

 



   



 

ppp

  

 

 

ppp

pp

Bsn.

 

ppp

ppp

  

arco



mf

 



 



 



 



e=e

 



(s.v.) e = e

mp



A

sweet

  

mp



A

sweet

mp



A

sweet

mp



A

sweet

   

 3   



 

 3   



 

   



 

3    



 

hol - low place

hol - low place 3

hol - low place

hol - low place

    

 

 



    

 

 

 



    

 

 

 



    

 

 

 



 



 

 



 



 



 



 



 



 

 



 



 



 



 

 



 



 



 



 

 



 















ppp (s.v.)

ppp

(s.v.)

ppp (s.v.)

ppp



pp





 



Kris Defoort: House of the Sleeping Beauties - The Second Night

 

s.p. punta d'arco

    

 

mp

 



 



   

 

p

   

pp



  

s.v.

ppp



 



     

22

Fl.

  

Ob.

  

Cl.

  

 Cbsn.  

 

 (s.v.)





pppp



mp



  

pp



 

 

  

 



 

 



 

ppp





 



 

Hn.1

 



 

Hn.2

 



 

 B. Tbn.    

Tpt.

Hp.



      



Perc.1

 

1





 



 



 







 



 



 

     

 





de

-

li

 

de

-

li

de

-

li

-

li

G.C.



pp



tongue



tongue



 



 



 



 



 



ppp



 

mp



   



 



 

    

ppp

        

f



 

        

  

 

    



p



 



   

ppp





   

  



 





 

  



 





 

  



 





 

    





  



   



  

  

 

 

  

  





e=e

  



 

 

  

p

 

  

 

 

 

(Softly he lies next to her. As if she's been waiting for him and wishes to embrace him, the girl willingly turns, pulls her hands from under the blanket and reaches out toward him.)

 

tongue





  



 



3      / 0       



   

« Can you hear me ? »

p

  

   



tongue

p

 

pp



    

 T-tam



 p

- cate

 

punta d'arco



  

- cate

 

ord.     

 

- cate

 

   

f

de



- cate

e=e

   

  



ppppp

(ppp)

Db.



very slow gliss.

p



 

(ppp)

Vc.2



 



 

pppp





pp

   

 





 

(ppp)

Vc.1

 pppp



   

mp



   

 



 



pppp

           

pp





    

 

 3  (mp)  3                       

Vla.3

 

p

   

 

 



pppp



 (mp)  3                     

Vla.2

     



(con sord.)

 



(mp) 3 3                        

 





(mp) 3               3          

 

 





   

Vla.1



 

(ppp)

Vln.4





   Vln.1   

Vln.3

 

 

is in the mid-dle of that ve - ry

Vln.2





is in the mid-dle of that ve - ry

4



  

 

3

3

(muted)



is in the mid-dle of that ve - ry

Ch.

 



is in the mid-dle of that ve - ry

2





pppp

pppp

   

pppp







  







 

ppp





 







 

p

(muted)

 

 

pp







pppp

 

 







 

 

 



ppp

   

  





 



Piccolo



(con sord.)

 

    



 

ppp

 Perc.2    Actor (old man)

 





      





mp







Change to Picc.

ppp

pp

 



mf

(Vib.)

pp

 

   



 

 

mp

 

 

 

  

Pno.

mp







 

e=e

e=e

57

 



(con sord.) sul E'



(con sord.) sul E'



(con sord.) sul A'



(con sord.) sul A'

 



 



   

 



(con sord.)



sul G'



(con sord.)



sul G'



(con sord.)



sul C'

(con sord.)



sul D'



(con sord.)

sul C'



(senza sord.)



 

  s.v. 



ppp s.v.

mp

ppp

mp

 s.v.  



  



ppp s.v.

mp

  

ppp

  



s.v.

ppp



 

very slow gliss.

 

very slow gliss.

 



very slow gliss.



 

s.v.

very slow gliss.

 

mp



ppp

mp





ppp

very slow gliss.

 

mp

  s.v. 

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

very slow gliss.

ppp

  

 



mp

ppp

very slow gliss.

mp

ppp s.v.



 

mp

  s.v. 

 

very slow gliss.

mf

very slow gliss.

 

   

23







  



p

(like a whistle-tone)

  Picc.   64

Ob.

mf

  







mf

Cl.



  Tpt.   

mf

Hn.1

 

mf

Hn.2

  



 B. Tbn.   

mf



mf

 

Hp.

Perc.1

2

 



 

 



p

f

mp

      p

    

 

ppp





     

pppp

 



T-tam

pppp

ppp

 

  Actor  (old man)  1

 



 

Perc.2







ppp

  

pppp





   MNMOLMMM p               *) *): grace note on the beat       















 

(Crotales)







 





 

 



ppp

pppp

 

q ≈ 54



 

  

     

  

  

4

  

  Vln.1  

 

Vln.2

Vln.3

Vln.4

Vla.1

     

Vla.2

Vla.3

Vc.1

 





 

  

 





 

   

ppppp

 



  

 Db.  

f

mf



Vib.





 



(whispering) mf

     Her throat is

 





  





mp





 





 





 











  mp



mp

 

mp

mp

   



mp



mp

 

mp

mp



 





mp



mp

           



 

p

pp



p



 

pp

 

pp

p

p

   

 

p

   

ppp

pp

 

p

ppp

 

 

p

 

p

    pp





ppp



(s.v.)

ppp

p

   

 



ppp

s.p.

  p



ppp



  

  

     (s.v.) pp  ppp



ppp

 



pp

Her

 



senza sord.



p



mp

is



mp



so



p

Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

white

it

it

 p



p





white

 3   

mf

3

re - flects



re - flects

 

senza sord.





 





 





  

   

mp

ppp

pp





p senza sord.

senza sord.



  

 





re -

the co - lour of the





 

it

the co - lour of the

senza sord.

p

 

3





re -

p

ppp

   

it

        

 

 

  

3



p         





p



3

white

  

mf



3

so



white

 3          

is

 (ord.) 

ppp





p. d'arco



f

so mp

mf

  

 



so

 mf

    

mp

senza sord.



throat

white

 



mp

 

f

          

 

 

  



 

white

3

mp

mf



pp

  

so

q ≈ 54

mf

   

p

 



   



throat

mp

poco rall.

   pp

p



  

Her

 



    

mp



 

(whispering) mf

Her throat is

 



so



 



arco





f





 

f

 

Vc.2





mp

 









f

 

 

f

f





  *)      





   f    

 





f



(He reaches past her and shakes her by the chin. The nail on his index finger grazes a few teeth.)



   





Thai gong





 





 

        

 













  awake ? »  « Hey, are you

 

  

pp



pp



p









 

(T-tam)



ppp





mf



 

   



 



f

 









f

p







 



ppp

Ch. 3

 



(s.v.) (con sord.)

 



p



 





pppp

 







 



(s.v.) (muted)

(s.v.)

 





pp



      Change to B. Cl.     

 

pp





pppp

ppp

 

  Pno. f      Crotales     



 

p



pppp

 

 

p



 

ppp

p



pppp

ppp

 

p



pppp

 



mf

 

ppp

p



 

ppp





poco rall.

 

p

mf

 Cbsn.  

 



 

71

B. Cl.



Cbsn.





 Tpt.  

Hn.1











Perc.1

ppp

pp



 

(p)



Perc.2

Actor (old man)

1

  

  

2 Ch.

 Vln.1   



 





 





 

Vc.1



Vc.2



Db.



  

mf

mp

 (s.v.)

mf

  

   p

ppp

 (s.v.)







mf



 



 



 



mf

  

mp

 

   







 



p

ppp

p p.d.l.t.

 

E§ C§



 





 





 





 

 



ppp



ppp







        











        mp         

 





 





 





 



 



 

pp

   





      ff









 

 

    

   





mp



slide with triangle bat







 



 

 



 

  

          

      

(When he tries to stick his finger in her mouth, he fails, because even in her sleep, the girl clamps her teeth tigh together. There is





 



 

3           





 



 





 



(mf)

flects

the





(p)

co - lour of

 



ppp

 pp



pp

vet

-

vet

cur

cur

vel - vet

vel - vet

-

-

cur - tains

cur - tains



  



 



 





 





   



 



 





 



 

   

 

   

  

tains

tains

  

(s.v.)

p

f

 

  

(s.v.)

p



  

(s.v.)



  

(s.v.)



 



 



sord.  senza 

ppp

pp

  

pp

red

mf    

-

3

pp

     

the

  

ppp



red



vel

 

the

mf    

3

vel

    ppp 

(p)

co - lour of



p

p

   



 

 



 

f



 

f mf sub. (s.v.) f

(s.v.)

 f



(s.v.)



(s.v.)



(s.v.)

 

f

(s.v.)

p

f



mf



mf

   

mf

    mf

mf

   mf

    mp

    mf

    mf

mf



q ≈ 60





p



mp





p



mp



   



   

p

     

pp



mp

  

mp

mp

  

  

  

  

mp

 

mp



mp

p

 

    p    

poco accel.

 

   

 



mp



the





 

flects



ff

 



Eb C#



 

 



pp

ord.

   *)



Vib.



f

ff

 

Sizzle cymb.



      f                

 Can you hear me ?  «I won't  hurt you. »



ppp

  

mp

 

p

p



f

  

T-tam

mp

mp

                         mp f   

G.C.















 

 





Vla.3



ppp



 

    

Vla.2

 

p

mp

     



 





red

Vla.1

 

mp



  

  (s.v.)



 



  

 

 

   

Vln.4



ppp



 

p





mf

mf



 

mp

  



mf



ppp





mp

Vln.3

 



p

 



red

Vln.2



(con sord.)

(muted)



3           

mp

4

 



q ≈ 60

 

(mf)

  

3

mp



p





(muted)



           Crotales   

 

  (s.v.)

(s.v.)





 (s.v.)

mf





  

mf

poco accel.

  

mp



 

 



  mp           



p

 

(s.v.)



 





mf

   

  



(s.v.)

p



pp

 

 



 

Pno.





Hn.2

Hp.

(pp)

 



Ob.

B. Tbn.

 



 Picc. 



24

p



p

Kris Defoort: House of the Sleeping Beauties - The Second Night



mp

 

ppp

pp



pp



pp



pp



pp



ppp

             

p

p

pp



 

s.p.

   pp

pp s.p.

 

pp senza sord.



p



p

         





senza sord.







 

 

    

pp

pp

p



p

25

 



 





 







 





 



77

Picc.

Ob.



B. Cl.

Cbsn.





ppp



pp

 Tpt.  

Hn.1

B. Tbn.



Hp.



Pno.







      



Actor (old man)

1

 

  

pp

G.C.

  







Vln.1

   

Vla.1



Vla.2

 

 

 





 

 





 







 

 



ff



Vib.





mp

     arco     mp



mp

  

mf

mp

mf



  

sa - li

mp

  

-

(p)

-

   va

 



pp

-

 -

 

from- her

mouth

wets her

wets

      mouth



  

wets



 







 







 





 





 





 





 







« Her body awakens to womanhood,

 

pp





 





  

repeat this phrase (whispering, irregular) untill cue conductor

            mf   

« Hey, are you awake ? »

T-tam



  





 

« She lives even in her sleep. »

 

« She feels the hand of the old man, the one that strokes her hair. »

repeat this phrase (whispering, irregular) untill cue conductor

 

« She seeks him with her arms. She wraps her arms around him. »

mf

 



 







      



 



 



 





her

her

lips

lips

       

                   

 



      

ff

   

ff

ff

   

    ff     ff

    ff    ff

   

ff

ff

  

f

Kris Defoort: House of the Sleeping Beauties - The Second Night

e=e

 

(senza sord.)

 

(senza sord.)



e=e

   

  

 

pp

   

 

pp



 (senza sord.)    (senza sord.)    (senza sord.)    (senza sord.)  

     

 

   

 

(senza sord.)

 

   

(senza sord.)

 

(senza sord.)

 

pp

pp s.p.

ppp s.p.

     

ppp

 ppp

   

   

  

 

   

pp

   

 

   

pp

 (senza sord.)   

  

  pp   

 







   



  



 





 











  

 

        *)                 ff   



      

  



f





mp

     





   

ppp ord.

mf

lips.

 

  

(p)



3

 

  

 

from her

3       

     



 

 

 

wets,

  

  

 



va

mp

  

(p)    



3

 

 



    p

       







pp





 

lips.

 









wets her



Change to Bsn. (with cloth)

 

mf 3        

wets,

 

 







3

C#

 



pp

 

 

mf







 

mp

(c.s.)





 

 

 

ppp





sa - li







(p)



 

 

(p)







Sa - li - va from her mouth



 

 

Sa - li - va from her mouth



     ff     p.d.l.t.

 *)       



 

  



3       









 

 



 





 

f



      





pp



 

 

(p)

Db.





   

ppp





(p)

Vc.2

 

 



 



 



(p)

Vc.1

 

 



 

   

pp

e=e



f



  

Vla.3



 



(p)

Vln.4



 

 

     

Vln.3

 





 E§ C§

pp

 

 

(s.v.) ppp



 



ppp

  

ppp a red spot on the man's finger when he withdraws it. He wipes his finger on her bangs. While still holding her hair between his thumb and forefinger, the old man sticks his whole hand into her hair. His fingers roam freely and with abandon.)



Vln.2

 



(s.v.)

  





Ch.

4









 









3

 



 

2

(c.s.)



p

T-tam



 



 

f

 

 

pp

  



e=e



  



ppp

 



     

Perc.1



(s.v.)



  

mp





 

ppp





    







 

 



 

 

Perc.2

 





(pp)

 



(pp)



Hn.2

 



 

(s.v.)

 

mp

 

mp

 

   

 

pp

    



 

pp





mp

pp

 

26

   Picc.  85

(pp)



Ob.

B. Cl.





 Tpt. 



(pp)





Hn.2

 







1

 



      mf

 

 

G.C.

p

  



f

  

(pp)

(pp)

  

(pp)

 

 

 



 

        











 

 

 





 





  





 













mp







     





mp



 





 

(pp)

    



(pp)

pp

   

mp

 

ord.

 

   

f



 



p

    

next



to each o - ther

(s.v.)

 

 





mf

p sub.



mp



pp sub.

mf

p sub.

mf



mf

f

on

the

 

mp

     

 

on



the

 



 



G.C.

   

p

 

con sord.

 

 



mp



 



p

mp

p

 







p sub.



f









  



mp

p

pil - low

case

 



fppp sub.

3

pp

       3

con sord.

pp

fppp sub.

gliss.

gliss.



mfppp sub.

gliss.

p

    

p

 



mfppp sub.





p

 

fppp sub.

p





gliss.

p





gliss.

p



 fppp sub.

p

     

 

gliss.

p

      ::::::::::::::: :::::::::::::::::::::   :::::::::   

(little irregular gliss. between G§ and A§ )



mp

 

case

      

 

  3   

pil - low

 :::::::::::::::   :::::::::::::::::::::   :::::::::  

con sord.

ppp sub.

gliss.



fppp sub.

gliss.



fppp sub.



ppp sub. Kris Defoort: House of the Sleeping Beauties - The Second Night

 



    

      

mp



  

 



 

 

(little irregular gliss. between A§ and B§ )



 



f

 3         white

 

T-tam

mp

mf



Crotales

  

white

      



  3   

3      

p sub.

 



mp



(s.v.)



p



to each o - ther

   

lie







ord.

 

mf

pp

 

p

next



f

pp

lie

mf

 

f

nails

p              mf

pp

 

 

nails

         

f

 





 

ff

 





 



mf







 



 

f

pp

mp

(pp)



mp



 



pp sub.









mp

(pp)

Db.





mp

       

 

 

Vc.2

 

pp sub.



Her four pain -ted

(pp)

Vc.1



mp

Her four pain -ted

  Vln.1  

Vla.3

 



 



Vla.2





(mf)



Vla.1



 

 



Vln.4



 

(mf)



Vln.3





mp

Vln.2

 

(s.v.)





Ch.

4









even while her spirit slumbers. »



3



pp

mp





(s.v.)

f

     

 





ppp



pp





(She feels the hand of the old man, the one that strokes her hair. She seeks him with her arms. He places his hand around one of her knees and draws her to him. She wraps her arms around him.)

 

2

    

  







pp sub.

 





(s.v.)

pp sub.

ff



Actor (old man)

MMMOLMNM



pp

  

sfz



Vib. arco





sfz



   



    Perc.1

Perc.2



f

(muted)

*)   

(straight mute)









f

(muted)



 









(s.v.)

f



 





f

 

Hn.1

Pno.



(pp)

(pp)

Hp.



27

 Picc.  90







(ppp)



Ob.



B. Cl.

Bsn.

Tpt.



Change to Cl. in Bb



 







Clarinet in Bb









(c.s.)

pppp

pppp









(c.s.)

Hn.2





























 Perc.1  Perc.2

Actor (old man)

1

  



2



3













pppp



pppp

     p     Vib.



Crotales

     p    

   

Change to Fl.



 

f

 

mf

  pppp

mp



p

 

 

 

 

 

pp

mf

 



pp



mf

  





mf

  



pp





  







  



pp



 



 

 



 

mf

 

 

 



 



 







 



 



 







 



 



 







 



 



 



 



 



 



 



 







(The old man presses her tightly against him, as if he wishes to wake her from her dream. She is lying so close to him that her breasts are nearly flattened against his body. He feels her toes with his foot.)



 

 pppp



pp

 









 





Hn.1

Pno.

 

e = q (q ≈ 120)



(ppp)



(c.s.)

Hp.

 



« No longer a human spirit, merely the body of a woman. Even in her sleep, she seems to speak the language of love with her toes. »

arco

   mf

(mf)

 

 

 

(mf)

 

 

 

 

 

 

 

 

 





f

Ch.

4

Vln.1

  

mf

mf



repeat this phrase (whispering, irregular) untill cue conductor

« Her breasts are merely flattened against his body. »

 

(ppp)

Vln.2

repeat this phrase (whispering, irregular) untill cue conductor

« She is lying so close to him »



 

 

 





(ppp)



Vln.4













(ppp)





(ppp)



Vla.1



Vla.2



(ppp)

 

Vla.3

(ppp)



Vc.1



(ppp)



Vc.2

Db.





 

 













(ppp)

(ppp)

e = q (q ≈ 120)

 

  

pp

(ppp)

Vln.3

 



Kris Defoort: House of the Sleeping Beauties - The Second Night

  



   

f



 

s.p.

  

 

 

f

 









   



   

 

mp

 



  

 

    

pp



 

pp

mf



   

 



   

pp

 

  

mf s.p.

   

 

f

p

  

   

mp

    f

 



 

 



 



  

 



 

 

  p



  

mp

mp



28

q = e (q ≈ 60) poco accel.

  96

Fl.

 ppp



Ob.



pp

  

Cl.



Tpt.



mp

 





Hn.1

Hp.

Pno.

Actor (old man)

1



    ppp 

p



p





pppp

p



p





 p



 

 



 

ppp







  



  

(c.s.)



  

ppp

pppp

   ppp 

pp



    ppp

 ppp

3    



ppp



   ppp  



 





ppp

p



 



3

  



pppp



  

ppp



 

 

ppp



 

    ppp

pp



    ppp 

pp



p

p



  

p

pppp

p



 p





  

     

ppp

   ppp 



3



ppp





 





     pp 

   



    ppp 

p Hn.2

   ppp 

p

   ppp 

p

Bsn.

q ≈ 64











 











 















 















 













 



 





 

(He shakes the girl’s head with his hand. The girl seems to frown with pain. She makes a quarter turn towards him and lies closer against the old man. Her left hand lies almost under the old man’s eyes.)











➀  ↓(mf) 

2



3



 

« He shakes the girl’s head with his hand. »

(mf)

 

« The old man lays his cheek against the back of her hand. »

Ch.

4



(mf)

(mf)

 





 

Vln.2



Vln.3

pp (s.p.)

 

   ppp 



 

Vla.1

(s.p.)



Vla.2

  pp

 

   ppp 

p



Vla.3



Vc.1

(c.s.) s.v.





 f





   

pppp



      ppp  pppp

 

p



ord. (s.v.)







ppp

   ppp 

senza sord.



   ppp    

ppp







     



 3



s.p. (s.v.)



sul tasto.

s.p.

     pppp

ppp



 p

















    ppp 







p

pp

 

pp

 

 

 

 



ord.

  



ppp

  

(s.v.)





ppp

senza sord.



  

(s.v.) ord.





p

Kris Defoort: House of the Sleeping Beauties - The Second Night

ppp



3

  

s.p.

      

mp pp sub.





     

 





p

s.p.

    ppp

 

 

ppp

(s.v.)







p





 

       

 (s.v.) 3

 



pppp



 

 

pppp



 

ppp

 

 

 

ord.

 

p

gliss.

   

3

p

ppp





ppp

    ppp

s.p.







 

mp ppp sub.



ppp





    





 ord.  





 

p

ppp ord. (s.v.)



ppp



 

p





 

p

ppp senza sord.

    pp 

f

Db.

s.p.

pp

 

Vc.2

3

q ≈ 64





p Vln.4

 

« His lips move from her hand along her arm. The girl’s skin cleaves to him. »

q = e (q ≈ 60) poco accel.

Vln.1

 

« He pulls the blanket over her shoulders and places his hand gently on the curve of her flesh. »



   

e=e

   Fl.   102



pp

Ob.

ppp

 

    (pp)

Bsn.

 



ppp



   

ppp

  



p

ppp

 



 B. Tbn.  



Actor (old man)

1

      

2

 

3

 

4

  

Ch.

Vln.1





(mf)

(mf)

(mf)

(mf)

    

ff



(ord.)

 

  

 

mf

     





    

mp

   

mp



mp





ppp

ff

  





 



  

3

ppp

 

ppp





mp

3   

ff

   

p

 

(muted)





mp

  

pp

mf

   





sfz ppp sub.



 

(muted)

mf



 



  

  

sfz ppp sub. (c.s.)



p

   

sfz ppp sub.

p



f



f

 



f

 



 

 

 

 

 

 

 

 

f

3

3

      

(ord.)

(ord.)

     mf

   f

3

3

      

   f

3

3

       mf

   f

             ppp  mf f (ord.)

(ord.)

3

3

3

3

      

(ord.)

f

3

3

       mf

 

      f



  p. d'arco           ppp    p. d'arco           ppp  e=e



 

  

arco

mf

  p

ppp

arco         ppp arco           ppp arco           ppp 

 

   

arco

  

p



   





    ppp

s.p.

 

ppp

  



     







sfz ppp sub.

  

p



f

  

sfz ppp sub.



  

 

    

mf

pp

Vc.2

  

Change to Cbsn. 

mf

      



         3  pp



Piccolo

ppp



mf

mf

Vc.1





s.v.

ff



mf



      

p

Vla.3



    

3 3 (ord.)             

 

(s.p.)

Vla.2

mp

e=e

pp

Vla.1

sffz pp sub.

 

mf

Vln.4

 



sfz ppp sub.



pp

Vln.3

mp

Change to Picc.

 

   

s.p.

ppp









3

 

   



ppp







mp





p

pp









mp

sfz ppp sub.

ppp

(The old man lays his cheek against the back of her hand. The weight of his head shocks the girl all the way to her shoulder. The old man lies in this position for a while.She holds both arms above her head, her shoulders are raised up and a tender swell is visible where the arm starts. )

pp

Vln.2

 



  

 

(c.s.)

 

pp

Hn.2



mp

 



f

  Tpt.  

Hn.1

f sffz pp sub.

p sffz pp sub.



p



    

 

pp

Cl.



e=e

        

29

p

pp

   ppp 



   ppp 



 



 

ppp

mf

  

open





ppp

  

open





ppp



(He pulls the blanket over her shoulders and places his hand gently on the curve of her flesh. His lips move from her hand along her arm. The fragrance from her shoulder and throat overwhelm him. A shiver creeps along her shoulder to the tendons, but disappears, and the girl’s skin cleaves to the old man.)



 

mp

 

 

pp



 

mp







mp







mp

 mp



mp

 

mp

 

mp



 

   

 

 s.p. 

 

mp

ppp ord.

p

ppp

 

mf

 

     



mf

s.p.

 



s.p.





 

 

 

ppp

Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

3





pp



pp

mf

 



 

 

    mf

 

p

mf

mp



ppp



pp

 



ord.



       

ppp

 

 

 

 

ppp

pp

ppp

 

3

ord.

   



 

ord.

3

s.p.

 

ppp

 s.p. 

pp



mf

pp

 

 







mf

     

pp





pp

     

pp



mf



 

 



  

3 ord.s.v.



senza sord.



p

 

3

    ppp



3

  

ppp

 

   pp 

30

  

Picc.

mf



Ob.

pp

 

 

p

 

 

Cl.

p

Cbsn.

Tpt.



 



 

p

mf





mp

mf





sfzppp



 

  



  





sfzppp

mf

ppp



➁ ↓

3

  

he comes up 3

  

Then, un - ex - pec - ted - ly,



he comes up

        

3

  

Then, un - ex - pec - ted - ly,

 



(pp)

 

 



mp



  







mf



ord.

p

 p





f



pp

 

pp



3

   



sfz p sub.

sfz

pp sub.





he comes up

 

   

pp





f

(ord.)





  



   

pp





 

ppp



sfz







f



ppp

 

ppp

mf

 mf











p



 

  



 

  

  





  



p

 

Are you awake ? »

    

a - gainst what clear - ly

is



a

sign

p

    

a - gainst what clear - ly

is



a

sign

    

a - gainst what clear - ly

is



a

sign

    

a - gainst what clear - ly

is



a

sign

e=e

 



 

     

 





     

 

sfz p sub.

  

pp

 

He gasps

-

-

of the girl's vir - gi - ni

(ord.)

ty.

He gasps

He gasps

 

 

  f







 

p



Kris Defoort: House of the Sleeping Beauties - The Second Night

(ord.)

He gasps



and his heart starts to





   

sfz

pp

 

 

 

    mp

 

 

  

 

mp

 

  

 

 

 

 

 

  

 

 

   

 

 

mp

(ord.)

   

  

 

  

pp

and his heart starts to

  

mp

 

   

  

 

mp

(ord.)

and his heart starts to

   

mp



   

  

keep low register

ty.

ff

and his heart starts to

keep low register

ty.

   

p

(ord.)   

-

  

keep low register

            

f

pp

pp

of the girl's vir - gi - ni

   

 

ty.

            

sfz p sub.

 

  

of the girl's vir - gi - ni

    

p sub.

 

 

-

     

keep low register

            

 

pp sub.

pp

of the girl's vir - gi - ni

 



            

f

   

sfz



f

   

 

 



f

   

 

p

f

   

 



sfz pp

« Are you awake ? ...

pp

pp

mp

 

 

    

pp





(Then, unexpectedly, he comes up against what clearly is a sign of the girl’s virginity. He gasps and his heart starts to pound. )

 







pp



mf

  

  

mf







p

(ord.)



mf



 

p

pp sub.

pp



 

 



  

 



senza sord.



 

    



    

mf



sfz pp sub.

mf

f

 

ord.

ord.     

 

 



mf

ord.    



he comes up

        



sfz pp sub.

Vc.2

  

Then, un - ex - pec - ted - ly,

sfz pp sub.

Vc.1

3

        



    

Vla.3

 

 

 



Then, un - ex - pec - ted - ly,

f

Vla.2



ppp

ppp

        



  

ppp

mp

« Have you been awake all this time ? Are you awake ? »

    

Vla.1







mp

Vln.4

 

 

ppp

mp



 (s.p.)    

Flute





  







Vln.3



 

mp



Vln.2

ppp





(f) (Roughly, he goes to work, because he would rather the girl was awake.)

 Vln.1 

  

mf

Ch.

4

ppp



sfzppp



3

Change to Fl.

  

mf



 

2

 



(ppp)

 Actor (old man)  1

pp

 3     

p

B. Tbn.



   



sfz

 

Hn.2



 

e=e

f



p





  



  

Hn.1

        sfz p sub.



108

mp

mp

31

e=e



    114

Fl.

     f

q ≈ 54

rall.





 



 



 





 



 



 

 



 



 





 



 



 



 



 



 





Change to Eng. Hn.









 Cbsn.    





 



 



 









 



 



 











 



 



 









 



 



 

    





 



 



 



 



Ob.

ff

Cl.

    f

  Tpt.      



Change to B. Cl.

f

f

Hn.1

    f

Hn.2

    f

B. Tbn.

Hp.

Pno.



f

 

f MNMOLMMM

      



      f

  

 

1

2

3

      



Vc.2

 

 





 





 



 

 







 

 

 

 



 



 



 

 



 



 



 



 



 



 



 



 

mp



  

 

 





 



 





 



 

 



 



 





 



 

mp

   

 



 

 

 

  p



 



 





 



 



 



 



 



 





 



 



 

 



 

« Uhh... what's this ? »

 



 



 





 



 



 

p



He

 





  

clo - ses





his

eyes

 





 





soft

-

  



ly

  

he strokes

 

the

 

 



 



 





 



 



 

   







 



 



 





 



 



 

   







 



 



 





 



 



 

      







 



 



 





 



 



 

pound. ff



     



q ≈ 54

rall.

 

ppp

 



 

pp





 



 



 







 



 



 





 



 



 









 



 





 



 



   

 

 







 



 



 





 



 



 

   







 



 



 





 



 



 





 



 



 





 



 



 





 



 



 





 



 



 





 



 



 





 









 



 



 





 



      

      ff        ff

Vc.1

pp



 

 

 





ff

Vla.3

ppp

 



ff

Vla.2

  



ff

ff

Vla.1

molto legato (no accents)

  

  Vln.1  

Vln.4



3

 

e=e

Vln.3

 



 

pound.

Vln.2



Bass Clarinet





pound. ff

4



f

pound. ff

Ch.



Whip

  S. Solo  

 



3

      Perc.1    ff  Crotales arco    Perc.2   

Actor (old man)





 

  

ff

ff

    

 Db.  

ff



ppp



 



 



pp

 





Kris Defoort: House of the Sleeping Beauties - The Second Night

 



con sord.



con sord.

   



ppp







pp



p

     

32

  Fl.  







 







 



 



 







 







 



 





  3  

121

Eng. Hn.

B. Cl.

  

(pp)



p

 



 

 

pp

pp

3





 3  



      3



   



 



  







 







 



 



Hn.1

 







 







 



 



Hn.2

 







 







 



 



B. Tbn.

  



 



 



 



 



 



 



 



Tpt.

Hp.

Pno.

con sord.



(p)

   

---

 

3

mp

  

 



---

       

   3



  

Crotales

  

Vc.1

Vc.2

Db.

 



   



 









pp





pp





p



 

s.p.

3

ppp



 

 

ppp



   ppp 









mp





mp



 



p

     

3

Gb

                  

mp

3

 



     





 



 

    

 



 



 



 



(arco)

 



 



(arco)

p

   - - - 





Vib. arco



 

3







  

pp

mp

    









     p     p

   

3

   

o - pens

 





his

   

  



eyes

a

pp

 -

 



gain

p











pp

   

ppp



3

ppp



 



  





p



pp

mp





 

ppp

 

(pp)



 



   

 









pp



arco



 

  

 



(He caresses her back till he reaches the hollow at the base of her pine.)



p



and

(pp)

  





hair

    Vln.1  

Vln.4

 

    

p



 

      



pp



mp





girl's

Vln.3





p



 (p)

Vln.2



 



mp





 Perc.2   

Bar. Solo

 

pppp

  Perc.1  

S. Solo



pppp

 



 



  

Cbsn.

 



  



 

 3      Is

  

this

 

pp



 





ppp

  

mp

 



pp

 

pp





p









 

(s.p.)

ppp

 Kris Defoort: House of the Sleeping Beauties - The Second Night



 

pp

 

p

 

  





      3



ppp

   





 





 





dy

 



3

 

-





molto legato



bo





 

of here









 



 

    

3

  

 







  

 

 



stiff - ness

 

 



ppp

   ppp

   ppp

 

p



 

 

ppp

 



gliss.  gliss.           

pp

 



p



mp

33

poco accel.

Fl.









 



 



 













 



 



 

(molto legato)

Eng. Hn.

 

B. Cl.

Cbsn.

Tpt.





  

Hn.1

Hn.2



B. Tbn.



Hp.

Pno.

q ≈ 60

  129



    

(pp)

  

ppp







ppp

pp











 



    



3

 











 







mp 3









   









Perc.1

     p arco





 

 



 



 



 

pp

p

    pppp

  

 





 

 



 





 



 



 



 





 



 

p

(molto legato)

 



 



    

   

(con sord.)

 



p

mp

Ab

 



       p 



 









 



T-tam



pp



 



 





 

   



 



   

mf

 



 



 



 

 

3    

mp



 



 



 

3   

ppp

             

ppp

Vib.

 

ppp















3

 











 

 

   





p

 



 







 



pp

  









 



 

(open)





   pp









molto legato

 



---



p

Vib.

 



 





 

   



 





 



 





 

pp

Perc.2





 S. Solo 

Bar. Solo







Vln.2



Vln.3



Vln.4





Vla.2

  





to

her

Db.



men

  

poco accel.

 



q ≈ 60

 

 

 

 

 

  







pp



 

s.p.



(pp)

  p

     p

(molto legato)





pp

    

     



3

 

pp

 

 

  





p

mp

pp



(molto legato)





3



ppp



   pp

 







   ppp

   

ppp

  





  



  



 

ppp

ppp

ppp

ppp



 









 



 

a - bout the hope -less









p

pp

  

   



p



p



p



p

 

 

3    

 

 



(con sord.)

   



p

 

pp





 

pp

   

 

pp

  

   

 

pp

  

   

 

pp

  

 

s.p.

ppp







p

      

pp

   



pp

   



p

   

     

more

 

   

 

pp

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

mp

says



  





pp



   





                   



 

   



  



3

vir - gi - ni - ty

    



p



   



arco     

girl's

   

  



   





the

 

pp



Crotales

     

 



 

pp

  

have pre - ser - ved

 

   

 3   

    3

  

(pp)

Vc.2

  

pp

vir - gi - ni - ty ?

pp

 

Vc.1

  

  

ppp

Vla.3



That the old

(p)



Vla.1

 p

due

 Vln.1 



 

3

   

34

poco rall.

   137

Fl.

Eng. Hn.

 

 



B. Cl.

p

Cbsn.





 

 



 



 

  

  Tpt.   Hn.1

Hn.2

 



Pno.



Perc.1

Perc.2

 

  

  

  S. Solo      Vln.1  

Vln.2



Cb



 mp

  



 



 



  



p

  









p





mf

mp







ru - in

 



of

Vln.4



(pp)

  (pp)

Vla.3

Vc.1

    

(pp)

 



(p)

Vc.2

Db.

    

 

(pp)

  

(pp)





 









 





pp

p (open)





 



p

pp

      

 

mp

 





 

(muted)





 

 

 

  



  



 

   pp

p







 

 







 

 



mp

        

F# C§







 



 



 







     mp

 



 



 





 



 



 











 

bo

-



 

 



   



 

dies

than

 

    p

    p

 

  

p



p. d'arco (molto legato)

 

pp

   



   ord.   mp

 



p

-

bout

  pp

    

 

(Vib.)

mp

  

G.C.







 

their





own









       

  



 

  



  

  



  

    

 

 

 







p



senza sord.

mp



 



 

 

 



 







 



 



mf

  

 

p

   

a

     (arco)   p

  

mp

   

p

  

 



p

  

 

   3

 

 

 

 

 



3



3





 

 

 

p



 

 

pp

3

 



3

molto legato

ppp

 

pppp

molto legato

3





 



 

ppp



ppp



  

  

   

 

ppp



  

(pp)

Vla.2





 

 

 

    

 

 



 

molto legato

 



 





     







        

 

(pp)

Vla.1



 

their

      

ppp

 



---

   arco

  

 



(pp)

Vln.3



  



 

 



(muted)

 

 

(con sord.)

 



 B. Tbn.   

Hp.



 



  



(p)

   

 

 







s.v. molto legato





self







 

re

 

  -

poco rall. *) gli

ss.

*)

gli

ss.

*)

gli

ss.

*)

gli

ss.

*)

gli

ss.

*)

gli

ss.

      











 

ppp

 

 

ppp



 

ppp



 

ppp



 

ppp



 

ppp



ord.

 

ppp sub. (con sord.)

ord.

 



ppp

 



ppp

 

pizz.



Kris Defoort: House of the Sleeping Beauties - The Second Night



    mp



*) gliss. till indefinite low pitch

 

35

q ≈ 54

     Fl.   143



mp

Eng. Hn.

  

p



Cbsn.

  









p

  





  Tpt.  



     

(p)

   



3

   





 



 





  

  

3

   



(p)

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

  



 





  

  









 



 

Vln.3

  



        

Vla.2

Vla.3

senza sord.





 



MMMOLMMM

 









 





 









 





  





 











    Vib. arco    mp

   

T-tam



   



 

 

 

 

q ≈ 54

p

 p. d'arco   

 

    



     

Vc.1

Vc.2

 

3       

What for de - spair

p









  

p



p



p



 

   (molto legato)  

pp

arco



ppp





 

p

 

p

      

 

 



  

 

 

pp

 

p



 

   

  

 

 

 

 



p

pp

 

p



 

pp

  



 

p

  

 

p

        

 



p



 



p

 

 mp



           3                 



 

 



          p      arco      G.C.

    

 

p







poco accel.



 

 

   









    

Kris Defoort: House of the Sleeping Beauties - The Second Night



 

p

p



 

 



 

 



 

 



 

 

 



 

mf

now ?

A tempo (q ≈ 54)

   

3             

   

 

pp

  





    

 

      

mp

p

mp



pp



   

 

pp

mp



pp

 

    p

mp

p



     

 

pp

pizz.

   

 

s.p.

 

pp

 

pp

 

  

  

   

mp

3

 

s.p.









pp

3





her

rall.

3





de - flo - wer

 



   



mp

        



 

    

mf

3

I

   

     

 



 

3



if



 

 





 

p





 





 

bring to her to - mor - row



p

   

3

(molto legato)

ppp

will I

 

pp

mp

mp

pp

mp

  

 

p

mp

p

     

 

Crotales



  

pp

pp



 

 

Db.





p

Vla.1

3

p



p

Vln.4

 

 

pp



 

  Vln.1   Vln.2







spect

Bar. Solo



 

 

(with Baritone) open

  

ppp

senza sord.



 

mp

(mf)

S. Solo

 

    



A tempo (q ≈ 54)

 





 

rall.





3

(p)

Hn.2

  

3

 



poco accel.

  

 

  

   





pp



  

(molto legato)

p

Hn.1

 

 

(p)

B. Cl.

3

    





 mp

(p)

     



 

p



 

p

   



 



 



p arco



s.p.

  

ppp

pp

   

 

36

  Fl.   149

Eng. Hn.

B. Cl.

 

ppp



ppp

  

ppp

Cbsn.

   

 



 



 



 

 Change to Ob.

 

   

 

    

ppp

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

   

 

ppp



ppp

   



ppp



  



 



 



 

 



 



ppp

   





 



 



 







 

 



 



 



 







 

 



 



 

(con sord.)

 



gliss.

  

ppp

 

 



 





 

mf

      

Vib. arco

 



 

mp

 



                   *)              f     



 



 



 



will

3

mp

 

 





mf

Timpani



    



life

take

        

   

p

pp

 







 

 

(p)

her ?





    

 





p

 

 



 



 



 



 



 



(p)

 Db.     p

         



  

     



 

     









 



f



 

 

 









 

pp

  

f

 

(make glissandi)

mp

mp

 

pp

mp





      3

3

mp





ord.



mp



mp

 

mp 5

     

mp

mf



3

3







mp



p

pp

  

3



 

  mf



   



 

 

 



 

mf

6                                                    6

mf

mp

slow gliss.



mp





slow gliss.





3

mf







mf

 

   

 

  3      

 



 

  

mf



      

pp





  

 

mf p sub.



mp

 

3

              5 6

3

pp

ord.         



mp

         



 

 

   

  



3

p



     



 

 



mp

    



 



mf

 

NMMOMMNN

 

     

    



 

3

p



pp Vc.2





ppp

  

 

gliss.

mp

f

pp







 

  

con sord.



gliss.



pp

p

 

 



pp



 

gliss.

(The girl's shoulders tremble and she turns to lie on her stomach. Only the arm that is draped across his face appears to search nervously for a place to rest.

    







 

    



 

3     



e = q (q ≈ 108)

    

 



                              

 

(p)



     



p. d'arco

 



 

(p)

Vc.1

6



   

 

mf

 

(legato)

Vla.3

mp

5

 

  

 

p

 

  



(with Baritone)             Vln.1       

Vla.2

  





 

         



Which di - rec-tion

Vla.1

5

 

              Bar. Solo     3

Vln.4

 

pp

 



ppp

Vln.3

pppp

mp



       

         



Oboe

 

mp

Vln.2

ppp

6 3                   

3





pppp

 





mf



 



mp



 





 

 

 

 

      



ppp

pp

Tpt.

    

e = q (q ≈ 108)



Kris Defoort: House of the Sleeping Beauties - The Second Night

mf



gliss.



    mf





gliss.

 

  

  Fl.   155

Ob.

37

➀ ↓  Tutti I:

   

 

             

mp

 

p

mp

ppp

p

ppp

 



 



 







 



 





Senza mesura. Repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p)

B. Cl.

 

3





p

Cbsn.



 



 

Pno.

 

  

Perc.1

Perc.2

    

  

  Vln.1   Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

pp

 

         

 

ppp Senza mesura. Repeat till cue conductor, in this order, phrasing ad lib. , irregular, lots of space, very soft (ppp ↔ p)

Contrabassoon

 ppp

Senza mesura. Repeat till cue conductor. Make different glissandi between C and F# (short, long), irregular, (slow ↔ fast), phrasing ad lib., lots of space, very soft (ppp ↔ p)





        

Change to B. Tbn.





pp

(p)

f













mp



   

     



             

Bass Trombone



gliss.

ppp

 



p



     f                            

p



mf

Crotales



   

 

Change to Perc.



   

Tutti I:

 

Vc.2

 

 Db.  









 



 







 



 





 





   

Some

-

mp

f

  

mp

f

  

mp

thing

f

mf

3

buz - zess

 



gliss

.

gliss.

 

 

mp

f

mp



ppp

glis



s.

sweet



 

           gliss. - ly

in

the

great



 



ppp



gliss.

   



ppp

 

f

mp

p

           

Senza mesura. All strings (except Vc.1 &Db. ) gliss. till lowest possible indefinite pitch. Re-attack the gliss. (without accent) until cue conductor. Irregular (very slow ↔ fast), very soft (ppp ↔ p)

➀  ↓

f

  







 

ppp

gliss.





ppp

gli

ss.







ppp

gliss.





Senza mesura. Repeat till cue conductor, in this order, phrasing ad lib. , use different bowing techniques, irregular (slow ↔ fast), very soft (ppp ↔ mp)

Violoncello

ppp

 

f



 

 

mp

  

 

mp

gliss.



ppp



Senza mesura. Repeat till cue conductor. Make different glissandi between C and F# (short, long), irregular, (slow ↔ fast), lots of space, very soft (ppp ↔ mp)

gliss.



Percussion

f

           

 

ppp

Vc.1



 

 

 



 



Senza mesura. Repeat till cue conductor. Make different glissandi from C (short, long), irregular, (slow ↔ fast), lots of space, very soft (ppp ↔ mp)

    







mp

f





mf



 



pp

With both hands, he places her arm over his eyes.)



 









ff sub.

 

p

 





f

Glass Chimes

  S. Solo  

Bar. Solo







 



3

      

  

  B. Tbn.  

Hp.



Double Bass

 pp

Kris Defoort: House of the Sleeping Beauties - The Second Night



  

38

Tutti I:

Fl.





 



 





 









 



 





 









 



 





 









 



 





 



Ob.



B. Cl.

Cbsn.

B. Tbn.

Hp.





 





(with Soprano)

  

Pno.

mp



 

 

 

     







 

 

 



 



 



 

             p        

 



 









mf

ca

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

                    

 

p



 



 





ppp

 - mel

 -

lia

 hedge

  





 

 



Per - haps

  



       it's

a

swarm



  of

  

f







gliss.

mf

  

 

Tutti I:

➁ ↓

bees



  

pp



 



  

pp

pp



  



  



 



  



  

pp

pp

pp

pp

pp

  



Vc.2

pp

Db.





Susp. Cymb.

 

Vln.2

 



  S. Solo  

Vln.1

 



Perc.1

Perc.2

➁ ↓

  161

 Kris Defoort: House of the Sleeping Beauties - The Second Night

      

Tutti I:

39

Senza mesura. Repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p), lots of space. After a while, play the phrases in any order (also repeating phrases).

➂ 167↓

Tutti I:

Fl.

➃ ↓

 

poco rall.

ppp

Senza mesura. Repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p), lots of space. After a while, play the phrases in any order (also repeating phrases).

Oboe



Ob.

ppp



B. Cl.

Cbsn.

B. Tbn.





 

Hp.



Pno.

MNMOMMNM







   

 

 



f

 

Perc.2



 



 





     



 







 







 



 



 

 

 



 









 



 



 



 



 



 

f

 g          liss.    

 A

mp sub.

 Vib. arco

clus

-

ter

of

ca

-

mel - lia

mf

 





  

 7

mf

         mp

    p



 



 

 



 

 





mp





mp



 

     

 

   

  

  

   

 

   p

 

pp

 



   

 

  

  

  



  

 

  

 

 

  

 

   p

 

pp

 

  

 

   

   

   

  

 

  

  

  

f

f

f

f



f

pp sub.

pp sub.

pp sub.

pp sub.

pp sub.

pp sub.

pp sub.

pp sub.





falls

Tutti I:

 

pp sub.

            mf

mp

blos - soms

  







 

 

f

Db.



  



Vc.2

 

  

f

Vc.1



 

f

Vla.3

 



➂ ↓



Vla.2



 

f

f

Vla.1

 



     Vln.1 

Vln.4



 

    

     

 





Tutti I:

Vln.3





 S. Solo   

Vln.2



mf



Perc.1



     





p

p

p

p

p

p

p

  

pp

  

ppp

 

➃ ↓

 

con sord.

to the



ground

 

  





      

As before. Don't start exactly together

pp

pp

pp

pp

pp

pp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

 

Violin

Violin

 

Violin

Violin

 

Violin

 

Viola

 

Viola

 

Viola

 

Violoncello

 

Violoncello

 Kris Defoort: House of the Sleeping Beauties - The Second Night

 like

p

6

mp

           wine

go - blets

          mf

pp sub.

poco rall.

 

 

gliss.

40

 

q ≈ 104

rall.

A tempo (q ≈ 104)

174

Fl.



Ob.



B. Cl.

Cbsn.

Tpt.





 

 



  

ppp

B. Tbn.

pp



Hn.2







f

 





    

mp

   Perc.1   mf   Perc.2  S. Solo

Bar. Solo

Vib. arco

  









p

mp

 

pp





 

ppp

 

Vln.2



Vln.3



Vln.4



Vla.1



Vla.2



Vla.3



Vc.1



Vc.2



 



p

pp

  ppp

 







mp

 pp

 

p

 pp

ppp sub.



mf



mf

 



 



 



mp





mp

 









 





 



mp

 



 mf

 





   

pp





 



mp



 



mf



mf

   

   





 









      

   



mf



D#

Crotales arco



f

      f

 

 



 



  



 





          



mf

Db.



(irregular trill, fast ↔ very fast)

q ≈ 104

Vln.1

 

pp



Pno.

 



    

Hp.



ppp

  

Hn.1



gliss.

     p

mf (very articulated)

3      

How

lit - tle

 



a girl's

 bo

 

  



- dy

     

gradually gliss.

mf

ca - pa - ble of

re - sis - ting the sud - den

s.p.

   mp

 Kris Defoort: House of the Sleeping Beauties - The Second Night

 



3 3 3   3             

is

gliss.



 

gliss.

   fie - ry

  p

 mp



pas - sion

rall.

  

  of

 

pp

a

man

  

A tempo (q ≈ 104)



 

   

ord.

p

41

 Fl.  180



Ob.



B. Cl.

Cbsn.

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2





 



         

glis

s.

                       



 

 



 



 



 

6



glis s.

     



 



 

 



 



 

 



 



 



  









 



 



 



 











 



 



 



 



 

 

f

  

mp

mp









mp

f



6

mp

f





  

 





  



mp



 f



Ca - mel

 -



mf

gliss.

-

-

-



lias



  in five

 co



-

lours,

  

    the

ones

f

  he



 

saw

ord. ord.  s.p. s.p.                                             Vln.1   mp

Vln.2



Vln.3



Vln.4



Vla.1



Vla.2



Vla.3



Vc.1



Vc.2

 





f

  S. Solo    

Db.

    

  





     



6

f

6

mf pp sub.

p

mp

5

f

6

mf

mp

 Kris Defoort: House of the Sleeping Beauties - The Second Night







gliss.

  

long

mf

   

a - go

mp

   

mf

    with

 

his

                        

mf

3

f

6

mf p sub.

mp

42

Tutti I:

  187

Fl.



Ob.



B. Cl.

Cbsn.

Tpt.



Pno.





 



  





 



 



 







       mp



 



  

 



 

Hn.2

Hp.



  

Hn.1

B. Tbn.

 

 

pppp

pp

(senza sord.)

   pp



(open)





pp

mp

 



mp



mp

   

      



p

---

    



 









mf

STOP

young

 Bar. Solo  

-



 est

    



 (mf)

 





Vib. arco



      S. Solo  

pp

 

   



 

mp

 

pp

   

daugh

-

    

   p



 (arco) 



  ➄ ↓

My



 

mp

  

 

   



       

f

 





 

 





 

 







 





 



 





 



 





 









young - est

   









---

ter





    mp  (arco)   

p

 

mf

 



f

mp

Tutti I:

mp

  

daugh - ter,



    



f



mp

 



   

Crotales

 



 

 



 

 



 

 





 (soft mallet)   



 



p

3

   mp

 

 



 



 







 



 



 

f



    



mf

preg - nant



 

                               mf

Vln.2



Vln.3



Vln.4



Vla.1



Vla.2



Vla.3



Vc.1



Vc.2



Db.



 



    





Vln.1

 



(open)

pp



 





  Perc.1  

Perc.2

➄ ↓



mp

p

f

mf

 Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

43

 Fl.  194



Ob.



B. Cl.

Cbsn.

Tpt.





   







mf



Hn.1

mf



Hn.2





Pno.







pp



ppp



pp



ppp





p



pp

ppp





f







       



 

 NNMOLNNL

 

  Perc.1  

Perc.2



p

mp

 

Hp.

p

mp

   





mp

mf

B. Tbn.



mf

  

f







  Glcksp.  





 Susp. cymb.     

 

pppp

   Bar. Solo  

f





   

Her

skin

  

 



f

  



 



f

    f

 

pp f





   



p



 



mp

       



 

 

3

glowed







     







    



like

the

  

mor

 





 

 3

Vln.3



Vln.4



Vla.1



Vla.2



Vla.3



Vc.1



Vc.2



Db.



  





mp

-

ning

 Kris Defoort: House of the Sleeping Beauties - The Second Night



  

do lissan slow g lly faster a u grad

      mp

 

   





mp

pp

mp

 

     p

mp

mf



mp











muted

    



dew,

                      Vln.1      Vln.2

muted

fa gra st gli dua ssa lly ndo slo we r

  

mf





mp

    3

mp

  

 







f

     

   

   

mp

  

 

f



   

  

 



 



do san r glis y faste w slo duall gra

 



    



as

she

if



     were be - ing

mf





washed

        

44

q ≈ 92

rall.

Fl.

 

↓ stay ppp



Ob.

q ≈ 60

Tutti II : ➀ molto rall.

201

stay ppp



B. Cl.

stay ppp Cbsn.



 stay ppp

 Tpt.  

Hn.1



Hn.2





mp

p

 

Hp.





 





 Perc.1 



 

  

p

 







straight mute

 

pp

 pp

mf



mp

          

    p

9

mp

      

3







ss.

gli

     

   

s. b

     

glis

k lac

key

       

s

pp





  

     

  

 side

mp





 



 

 





 



 

 





 



 





 

 



 

 





 



 

  

 





 



 

    

 





 



 

pp

 







 



 

ppp p

 

mp

 





     

out

q ≈ 92

rall.

Crotales

pp

-

 

mp

 



in

pp

mp

 

   

from the

pp

mp

p



       

mp

 

mp

clean





p

  

mf

 



    



    Bar. Solo 

 

ppp

 

stay ppp

mp

(both hands)     

9

fast gradu glissando ally s lower

 



pppp



 

                 

(Susp. Cymb.)

Perc.2

 







Pno.

 



mp B. Tbn.

 



She was as

Tutti II : ➀

   3         

ripe

as

a

3

bud

q ≈ 60

molto rall.   ↓                             Vln.1       p

Vln.2

Vln.3

Vla.2

Vla.3

pp

mp

            



            



Vla.1

mp





Vln.4

mf

ppp

ppp

sul G'

sul C'

pp

pp

p

p

             ppp

pp

p

ppp

pp

p

            



           



           

ppp

ppp

pp

pp

p

p



Vc.1

stay ppp



Vc.2

sul G'

              ppp

Db.



 stay ppp

Kris Defoort: House of the Sleeping Beauties - The Second Night

pp

p

45

Fl.

 

Ob.

B. Cl.

Cbsn.

Tpt.



➁ ↓

Tutti II :

207

 

 



 

 



 

 

 

 



    

  

p

B. Tbn.

Hp.

Pno.



ppp



 

mp

 

mp

 

mp



ppp



mf open

mf

 

mp



 



  





 



  





 



 T-tam   



 



 

Susp. Cymb.

 mf

to

flo

-



  

6



mf

mp

 

       (mp)

Vln.4

(mp)

    

Vla.1

(mp)

    

Vla.2



      (mp)

Vla.3

(mp)



Vc.1

      

Vc.2

Db.





(mp)



    





f

 

gliss.

 

 

      



f

Glcksp.



         5

 

mf

     



       



 

f



wer

➁ ↓

 

 



 q ≈ 104

      

f

ff

mf

f

ff

        

mf

f

ff

mf

f

ff

accel.

mf

    gliss.                 

Vln.3



mp

                gli ss.                      Vln.1    

(mp)

     

ff



mp

Tutti II :

      



NNMOLNNL

 



   

ppp

        3    Bar. Solo  

 

  

mf



mp

Vln.2



     

 

 

(mp)



open      





bout



 

 

a -

mf





  

gradually

mf





 

mp

mf

 





gradually

mp

 

 



mf

 



  

muted





mp

   



  

Perc.2





 

Perc.1



 

mf

 

Hn.2



muted

 

Hn.1

q ≈ 104

accel.

mp

mp

  gliss.            

        

             gliss. 

        

ff

   gliss.          

        

 gliss.           

        

         gliss.     mf f

mf

f

ff

mf

f

ff

 

 

mp

mf

  

ff sub.

     gliss.         

 

mf

 

f

mp

 

ff

mf

Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

mp

         mp

mp

mp

           mp

         mp

46

Tutti II : ➂



 

As before: repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p), lots of space. After a while, play the phrases in any order (also repeating phrases).

211

Fl.

ppp As before: repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p), lots of space. After a while, play the phrases in any order (also repeating phrases).



Ob.

ppp As before: repeat till cue conductor, in this order, phrasing ad lib. , irregular (slow ↔ fast), very soft (ppp ↔ p)



B. Cl.

ppp As before: repeat till cue conductor, in this order, phrasing ad lib. , irregular, lots of space, very soft (ppp ↔ p)

Cbsn.



 ppp

 (straight mute)  Tpt.      Hn.1 p

Hp.



 

mp

 



p

B. Tbn.

p 3

pp

 

Hn.2

(in dialogue with Soprano)           



pp



 

      

  



 



 

p



 



 



ppp

mp



   

 



 

mf

mp

       

p



3

3

 



 



 















   





   

   





 



As before: repeat till cue conductor. Make different glissandi between C and F# (short, long), irregular, (slow ↔ fast), phrasing ad lib., lots of space, very soft (ppp ↔ p) (after a while. take out the mute and continue very softly till cue II➃ )



ppp

      mp

 Pno.      mp   Perc.1   







 

 Vib.



mp



 



mp



   A

Tutti II : ➂

 3     vi - sion

 

   



 



       

     of

3

a

doub - le

 

mf

 ca

 

s.





   



glis

 S. Solo  



   

  



   

- mel -

lia

mp

mf



 

   



 



        in

full

 

 s.p.                 ord.                           Vln.1      ↓

mp

mf

p sub.

mp

6

As before: don't start exactly together

Violin



Vln.2

Vln.3



Vln.4



Vla.1



Vla.2



Vla.3



Violin

Violin

Viola

Viola

Viola

As before: repeat till cue conductor, in this order, phrasing ad lib. , use different bowing techniques, irregular (slow ↔ fast), very soft (ppp ↔ mp)



Vc.1

 p

ppp As before: don't start exactly together

Violoncello



Vc.2

As before: repeat till cue conductor. Make different glissandi between C and F# (short, long), irregular, (slow ↔ fast), lots of space, very soft (ppp ↔ mp)

Db.



 pp Kris Defoort: House of the Sleeping Beauties - The Second Night

pp

mp

47

Tutti II:➃

 Fl. 



217

Ob.

B. Cl.

Cbsn.



 

 



 

 



 

 

 

 



 Tpt. 

Hp.

Pno.

Perc.1



mf



mp





Hn.2

3

p



Hn.1

B. Tbn.

               



 

   







        p

mp

 





pp sub.

 



(open)

(open)







mp

p

pp

 

 



legato



 

legato







legato

    

















 











 













 







 







 



     

 Vib.





 



mf

MNMOMNMM

 3

  mp





 

    

 





 Perc.2





 mf

  gliss.   S. Solo  

  

f sub.

mf



   

bloom

  

 

 

      

a - rose

in

    



mp

  

his

mind

3



  

mp

mp

 



      

 mf

p

      

 mf

p

 



     mf

ff

  

f

gli

ss.



      

Crotales         

 

      



ff

 

 

mp

     

6

f

 T-tam

 

      

                   3

mp

 

 



ppp

 

 

ppp

mp

   

ppp

STOP



senza sord.

mp

f

   



 

 



 

 

senza sord.

 

Tutti II:➃

↓                             Vln.1   p

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.



mf pp sub.

p

mf

6

pp sub.

mf

mp

p





 

 



 

 



 

 



 

 



 

 



 

 



 

 



 

 



  

STOP

legato

p

Kris Defoort: House of the Sleeping Beauties - The Second Night



 



mf

mf

mf

mf

mf

mf

mf

mf



f

 

48

 

poco rall.

223

Fl.



Ob.

ppp

ppp



B. Cl.

ppp

Cbsn.



 ppp

  legato Tpt.    p

 

Hn.1

legato



  

   





  



p

 

Hn.2

legato





p

B. Tbn.



 

 

  Perc.1   

p

The

mf

 



pp

pp





 

pp



pp



 

mp

mp

         

   



      

   

 legato

3

p

pp

 

   

p

 

p

3

p



mp

p

mp

p







 



 



 



 



 





 



 



 





 



 





 



 





 



 



 

mp



pp

f

3

-



lo

-

 

  

Vib. arco

me



 



      ted

 

p

 



-

p

 

3          

pp



   



 

en - chan





 3      

 

 



   







ppp



p

mp

 



 

3              

 mf

  



pp



mp

pp



  S. Solo    

mf



p





mp

  

 

       mp

mf

    

p

    

Pno.

  

    

Hp.

  

 

mp





mf

 

mp





dy

 of



p



mp



life

    and

          mp p          



mp

re



   

-

ne



  

mf

3

life's

p

 

      

MNMOMNMM

mp

-

-

poco rall. 3              3    6                                        Vln.1            (senza sord.)

p



Vln.2



Vln.3



Vln.4



Vla.1



Vla.2



Vla.3

mf

f

6

p sub.

mp

pp

p

mp

mf

mp

ppp

ppp

ppp

ppp

ppp

ppp



Vc.1

ppp



Vc.2

ppp

Db.



   p

 

pp

 

ppp

 





Kris Defoort: House of the Sleeping Beauties - The Second Night

 



 



 



Tutti II: A tempo

  230

Fl.

STOP

STOP



STOP

Cbsn.



STOP

Tpt.



  

  



 



 

Perc.1

Perc.2

   



 

gliss.



    







 S. Solo  



p

     

3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.



 





 











  

G.C.

(open)



(open)





3

  

ppp

 ---



        mp 



 

 

   



 

mf



mf





3



 













 

 p



 



 

p

ff

                    ff

         ff      

Crotales

p

 

p

      

   



Eb







 







 



 

ff







Change to Bsn.

     

C#





  

 



  

 

MMMOMMMM











  



3



  

ppp



Change to Cl.

 



(senza sord.)

mf



ppp

    ppp

 

       

  

  

 

      

keys

              

p

ppp

 



gliss. white ke ys

ppp





pp

   

- wal

Tutti II:



7



➄ ↓

           5

 



 



 



 



 



 



STOP



STOP



  

mp







ppp

          Vln.1 

Vln.3

ppp

p

A tempo

Vln.2

black



p

 

  



  

p



 



ff

6

 

mp

Vib.

6

p

6



 



pp

 

f

 



           p

even gliss.

p







3

f

ppp

       



 

f

                               

ppp

pp

mp

                            

6

6

6

  

  



mf

mf

ppp

pp

mp

 

6 6                                  

   



p sub.   

6

  

Hn.2

mf

3

pp

pp

Pno.

    

   

Hn.1

Hp.



pp

pp

B. Tbn.

q = e (q ≈ 52)                                               

p

B. Cl.

49

Tutti III: ➀

p



Ob.

➄ ↓

 



  

f

mp

 

pp

 

pp

 

pp

 

pp

 

pp

 

pp







 



Tutti III: ➀

q = e (q ≈ 52)

  



mp

f

f

f

    mp



f

 

f

     mp



f

f

     mp



f

 

f

     mp



f

 

f

    mp



 

 

ff

mp

6                               6

p (solo)

    p

6

    ff

gliss.

gliss.

ff

Kris Defoort: House of the Sleeping Beauties - The Second Night

f

 

 

6

 



6 6                                

p



     mp

6

6

 

mp

   

mp



pp



pp



   f

f

 

 





 





 

 

 

50

  

  Fl.  



 



 





 



  

Ob.

 



 



 





 



 



 



 



 

Cl.

 



 



 





 



 



 



 



 

Bsn.

  



 



 





 



 



 



 



 

  



 



 





 



 



 



 



 

 

 



 





 



 



 



 



 

 

 



 





 



 



 



 



 

 

 



 





 



 



 



 



 

 



 





 



 



 



 



 



 



 



 

234

Tpt.

Hn.1

Hn.2

B. Tbn.

   

 pp

 pp

    



pp

 

Hp.

 



 

Pno.

 

 mp



  



 

      3



3



  Bar. Solo  

Vln.1

 

mp

Vib.    Perc.1  

Perc.2

    

3

  

mp

Vln.3

Vla.2

Vla.3

Vc.2

Db.

 

  

arco

 

pp



mp

 

  

 

   

 

  

 

  

 

 

Are there men

 

who

   mp

Ab



     



pp

che - rish

3

 

the

 



      



 



 



 

 



   





 



 



 



     



 



 



 

 



 



 



 

  

    

   

 



 



 3     

     



pp







se - cret

 





    p

  

 

   

  de

-

mp

pp





pp

ppp

 

 



   

pp

   

  

  

   

Crotales arco



p





pp

mf

  

sire

to

pp

mp

      

3      

   

  

 

 

sleep

for

-

e - ver

be - side

a



slee - ping

 

 

 



  

 mp

  

   

  

 

p

  



  

 mp

  

   

  

 

     

    p

   



   

mp

   

   

   

 

  

mp

   



p

  



  

  mp

  

   

  

 

 



mp

    p

  



  

 mp

  

   

  

 



   

   



   

   

 

 

   

   

   

 

 

p

mp

 

mp Vc.1

   pp

mp    3   

mp

Vla.1

   

 

mp

Vln.4

  





mp

Vln.2

mp

F#

pppp

 

p

 



 

 



 

    

mp

 



p



   p

   

  p

  

   

 

   



 

Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

mp

p

p

p

p

p

p

p

     

   

  

  

   mp

    

p

  

 

  

 

 

 

51

  Fl.   242

e=e









p

mp

p

pp

e=e

  

 

 

ppp

 



 



  





 





s.v.    

Cl.

 





 



 



 



 





Bsn.

  





 



 



 



 









 



 



 



 







 

Ob.

Tpt.

  



pp

  

mf

muted

mp

 

p





s.v.









 

Hn.2

 





 



 



 



 





B. Tbn.

  





 



 



 



 





 





 





 



 









 

 





     

  



 



 

Pno.

Perc.1

 

    

Perc.2

 



mp

Crotales



  

  

  

arco



beau

  Vln.1  

mp

-

Vln.3

 



ty

  mp

Vln.4

      

(p)

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.

          

 mp

(p)

(p)

 

3

such



 

 

 T-tam

 mp 

mp

as





   



   

this

 



p

pp



p



p



p



pp



pp



pp

  

con sord.

     f

     f

      p

pp



 mp





   

(p)

 

(p)

 

(p)

    

(p)





p

pp mp

p

ord.

 

pp mp

 

pp



pp



p

pp







mp

p

pp

p

sul G'      f

   

sul G'

p

 

f

p

   f

  



gliss.



gliss.



con sord.

p

f

gliss.

p

sul D' f

 

p

(p)

 mp  ord.  





 



 





     p



 



 





    



 



 





 



 





 



 





p

T-tam

p

 G.C.

    



p

 



     



A

girl's

mp

young

 



e=e

   





 





pp

 

(The old man shifts toward her carefully. She doesn't move.)



p



 



  mp

(p)



e=e



 

 

slide with triangle bat

  p



mp

p







f







f



(p)

Vln.2



 (mp)

   

              

Sizzle Cymb. slide with triangle bat





  S. Solo  

Bar. Solo

     

     



 

  



Hp.

pp

 



 

Hn.1

 



     

gliss.

 

 

gliss.



gliss.

p

mp

 

mp

mp

 

gliss.



   

 

 

 

 

 

 

 

 

   

p



mp

 

  

mp

 

 

   

   





  

    mp





  

   





gliss.





  E

 

 -

pp

ter

-



 

 

   

 

  

 

 



(with Baritone)

 

p



  

  

p

 

 

  

 

 



 



p

p

p

Kris Defoort: House of the Sleeping Beauties - The Second Night

p

 

is

mp

   

   

 

 

  

mp

p

 

  

p

   

 

mp

     

p

 



mp

gliss.

 



bo - dy

 (with Soprano)



    

 

  ca



 -

pa -

nal

 

p

gliss. 

pp



52

e = q (q ≈ 104)

  249

Fl.



Ob.

Tpt.





 





 



 







 





 





 





 



 



 





 





 





 



 





 





 





 













pp

ppp







 





 





 





 







 





 





 





 







 





 





 





 





 





 





 





 





 





 







 



 





 





     mp

 





 





 





 



 







 





 



 





  

3       

p





of





    

 

  

pp

ppp

 

pp

ppp

  

 

 

ppp



 

  

 

 

pp

  

pp

pp

  



  

 

  

pp

 

ppp

ppp

 

ppp



ppp



ppp

  

 



   



an

  

   mp

sleep

3

  gliss.  

     

mp

old



p

pp

man

   

E - ter - nal





    

p

sleep,







 





 





 





 







 





 



 





 



    

 3   

 



to

p     



3

sleep,

 3     his

  

  

3

sleep,

sleep

mf     

 

  

G.C.

ppppp







death

 

  



for - e

   mp

-

pp

 

ver





e = q (q ≈ 104)

    

   3

pp

p

pp

    3

p

pp

    

 



p





ppp

 





 





 pizz.     





 



 





 





 pizz.      pp





 



 





 





 pizz.      pp





 



    



 

pp



  

se - du - cing

p

sleep

pp

Db.





pp

Vc.2

 



pp

Vc.1



 

p

Vla.3





pp

Vla.2

 



(p)

Vla.1



 

(mp)

Vln.4

 



ble

Vln.3





  S. Solo  

Vln.2



ppp

(mp)

Vln.1

 

pp



Bar. Solo



Change to Eng. Hn.

       Perc.1  

Perc.2







Pno.

 

 

Hn.2

Hp.





Hn.1

B. Tbn.







Cl.

Bsn.

 



 

  



p



pp

  p

    

pp

 

3

  



3

pp

 





    







 









 



  

pizz.

pp

  

pp

 

   p





ppp

 





 





    

 





 





 





 



 





 





 





 



 





 





 





 



Kris Defoort: House of the Sleeping Beauties - The Second Night

pizz.

pp

53 (Dialogue from the past. A hotelroom, three years ago; he is sixty-four, the woman between twenty-four and twenty-eight)

English Horn

Cl.

Bsn.









 



 

 Tpt.  

(blowing wind)

pp



Hp.

Pno.

Perc.1

 

    

mf

  

 

 

  

 

ff





ff

 





 







 







 





  

   

  

   

Thunder Sheet

(G.C.)

mp







MNLOLLLM



mf



f

 



mf



f

 





 

f

f

 

f     

mf

  

 

f

  

f













 

 



 



           



mf

mf







 

 

 



   

 



  

 

 



  

 



p

p

p

 

mf      



      





   





G§ B§











   





 

arco



senza sord.



 



   





 

 



 



   



 



   



 







 



arco    





 

 



 



   



 



   



 





 



   





 

 



 



   



 



   







 







 

 

  



   



 



   



 



 

 

 

   



 



   





   

 

 

   



 



    





Vc.2

Db.





 

 

     



Vc.1

mf

mf



mf

 



pizz.

pizz.

mf pizz.

pp

pp

p

  

p

  

                                

 

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

 







arco    



 





 

arco

  

 

 





 

arco

  

 

 





 

arco





 

 



 

arco





 

 



p

   

    





Vla.3

 

                                  

 

pizz.

    

 



arco

 





mf





arco

pizz.

  

                                



Vla.2

 



mp

 

mf



                                  

pp



pizz.

 

 



Vla.1

 



arco

                 mp



  





 

 

mp

 

Vln.4

 

   

pp



                mp

    

 





 

p

  

 





Vln.3





 

(G.C.)



 

 

 

mf

 



   

(Thunder Sheet)



                mp

mp





 





  



Vln.2

mp



senza sord.

  

   



 Vln.1 

                 mp



mp



mp

  



     

mp





mp

 

 

 

 





 

 



 



   

mp

  

mp

mp

 

 



mf

mp

           







p

mf

  

                 

  



 

mf



mf      



 



 

 

mp

mf

q ≈ 120

accel.

  

mf

      

     

   

mf



pp

Perc.2



   

   



mf

 

 



   



  



  

mf

 

 

pp

                  



ff

(blowing wind)



  

mf

 

pp



               

  

(blowing wind)

B. Tbn.



 

pp

Hn.2



ff

(blowing wind)

Hn.1

 









Eng. Hn.

 





 



 Fl. 

q ≈ 120

accel.

257

p

p

p

p



p



   



arco

 

54

  

      

           

mf

Bsn.

Tpt.

   

 



 

pp

        

 

            



         



 



mp

 

mp

Pno.

Perc.1

Perc.2



 



 





 



 



  



  



    

   



 

mf

mf

   

 



Hp.

mp

  





     B. Tbn.    



  



mp

mf 5

    

        

  

      



   

        



  

 



 

 



 





Vc.1







   

p

mf

f







mf

f

f

p

pp

 







mf



 



  

   



 



  

   



  



  

mf

p

mf

p

mf

   

p

  

     





    

      



mf

         





mp

mf

mp

      mp

p



  

G# B§



     mp

 

     

mp

 

 

     

 

 

     

 

   

 

 

   

 

 

(Thunder Sheet)

 

(G.C.)

pp

mp

pp

mp

mf

pp



mf

    

pp

                                   



mf

    

pp

                                   



    

                                   

5

 





5

 



  

                                       

5

 



    

mf

 



mf

mf

mf

mf

mf

pp

mf



   

        



           

 



  

        

  



   



 





 

         



 



   

        



           

   mf

  

        

  



   



 





 

           

  

 

        

  



   



 





 

           

  



pizz.

              





pizz.

              

 

        mp

  

  

   

        



       

 

 

  

      



  

   

        



 

   

        

         mp

Db.

f

            

 

mp

Vc.2

mf

mf



mp

Vla.3

p





       



          mp

Vla.2



  

   pp 



 

    

5

 

 



                                      mp







           

Vla.1



 

p

mp

                 





       mp

mf

   



p

f

(blowing wind)



mf

mf

(blowing wind)



 

p

(blowing wind)



mf

           

Vln.4







pp

(blowing wind)

   



       mp



   

p



           

Vln.3

mf



p

         

mf

mf

  

mp

              

                 



  

mf



mf

   

 

    mp

pp





 



    



           

Vln.2

pp

            

 

      Vln.1   mp

mf



Gb Bb





 

  

mp

5

 





Hn.2



           

mf

Hn.1

  5  

  

       mf

  



Cl.

5

 

  

             mp









mf

mf

mf

mf

mf



mp

mp

mp

p

p

p

pp

pp

pp

mf

mf



Eng. Hn.





mf

           



263       Fl.  

mf

mp

mp

mp

p

p

p

pp



pizz.

pizz.

pizz.

mf

pp

pp

          



 



   



 





 

          



 



   



 





 



 



    



 





 

mf

mf

Kris Defoort: House of the Sleeping Beauties - The Second Night





         

pizz.

55

Cl.

mf

            mp

 Bsn.  

mf

     

mp

mf

    

        

     

       

     

       

Hn.2

(mp)

B. Tbn.



(mp)

 

Hp.

Pno.

Perc.1



 



 



 





 



    

 



         

 



       

 



(mp)

pp

             Vln.1    p

Vln.2

mp

            p

Vln.3

mp

           p

Vln.4

Vla.1

mp

     



     

p

         p sub.

 p sub.

 p sub.



Vc.1

Vc.2

mp

arco               p

Db.

      

mp

arco

         mp

        

          

5

mp



  

    

   

    



       

       



  

   

   

   



     

       

         

      



   mp

   

   

   



      mf mp

        

        

 



 



 

 



 



 

      

    

mp

mp

 

    

mp

       



 



    

  



 



     



 



   

f

     

      

   

   

   

Thunder Sheet

pp G.C.

ppppp

mf



mp

mp

   mf

mf

   

mf



     



      

mp

 

mf

ppp



       

A#

mf

            

            

        

        

   

   

 

p

pp

    p

   

mp

    

mf

    

mf

    

       

        

             

 3      

    

       

        

             



  



  

     

       

        



  



  

     

       

        





  

     

       

        



  



  

    

       

         



  



  

     

        

        



  



  

p sub.

  



  



  



mf

mf

p sub.



mf

p sub.

  



mf





  







  



p

             

 3      

p sub.

p sub.

        

                 



p

mp

        

        



arco             

mf

        

       



mp

3

     



    



p

mf

 

 3      

arco

Vla.3

       

5

                 



            



  



mp

        



mp

                 

5

       



p

        

3

    



arco

             

5

 3      

arco            

           



mp

mf

p sub.

mp



      p

        

mf 3

     

p

               

       

p

                 

mf



     

            p mp

p

Vla.2

p sub.

mp

    

pp

Perc.2

F# D#



 

    

  





(mp)



p

   Tpt.             mp mf Hn.1

 

p sub.





3



        

mf 3

      

p sub.

       



mp



    



          

p sub.





Eng. Hn.

mf

 



mp





  270            Fl.   

mf

mf

mf

mf

mf

mf

 

3

3

3

3

Kris Defoort: House of the Sleeping Beauties - The Second Night

5

5

5

5

     

mp

mp

mp

mp

       

        



56

 

➀ ↓

Senza mesura

278

Fl.

A tempo q ≈ 120

 

 



 



 

Eng. Hn.



 

 



 



 

Cl.



 

 



 



 



 

 



 



 

 

 

 



 



 

Hn.1



 

 



 



 

Hn.2



 

 



 



 



 

 



 



 

 



 

 



 

 



 

 



 

Bsn.

Tpt.

B. Tbn.

Hp.

Pno.









 



 





 



 

 S. Solo (as a young woman)   Vln.1 

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Db.



p

 

Oh !

     

 

    

  

 

 

 

    

  

mp         G  I

Senza mesura

  

mp

p

3

 

mp

G 

mf

 

have slept

➀ ↓

mf

mp

         the

sleep

6         6



mp

mf

6          6

mp

G 

mf

mp      G     of the

dead



 

 mf

     



       mp      



        mp

mf



     

 

Tru - ly,

A tempo q ≈ 120

 

  

 

 



 

arco con sord.



 

  

 

 



 

arco con sord.



 

 

 

 



 

arco con sord.



 

 

 



 



 



 

  

 

 



 



 



 

 

 

 



 

arco con sord.



 

pizz.  

 

 



 

arco con sord.



 

  

 

 



 

arco con sord.

 

pizz.     

 

 



 

arco con sord.

 

 

 

 



 



Vc.2

f

 

  



pizz.

mp pizz.

mp pizz.

mp pizz.

  mp

pizz.

mp pizz.

mp

mp

pizz.

mp

mp

pizz.

mp

Kris Defoort: House of the Sleeping Beauties - The Second Night

      mp

      mp

      mp

      mp

      mp



mp



mp





 



   

57

Sub. q ≈ 96

poco rall.

  



 



 



 



 



 



Cl.

 



 



 



Bsn.

  



 



 

  



 



Hn.1

 



 

Hn.2

 



B. Tbn.

  

Eng. Hn.

Tpt.

Hp.

Pno.

Perc.1

S. Solo (as a young woman)



 

 



 

 



 



 

 



 

 



 

 



 



 



 

 



 

 



 



 

 



 



 



 



 

 



 

 



 



 



 

 



 

 



 



 



 

 



 

 



 



 



 



 

 



 



 



 



 



 



 



 



 

 



 

 

   



       tru - ly,

  





tru - ly,

tru

-

p sub.

 -

-

     -

 

ly

mp



a

 

  fa

-

   tal -

Vln.2

mf

 

     

  

                    

 

 

     

  

mf

Vln.3

                    

mf

(mp)

Vln.4

Vla.1

Vla.2

arco con sord.   



  









 

  

  

mf

  

pp sub.

pp sub.

pp sub.

p

p

  

mp

p

p

mp

                    

mf

  

 

  

   

  



  

  

   

  

  

  

     

(mp)

Db.

mp

  

(mp)

Vc.2



                    

mf

mp

  

 

   



















mf





mf

 

pp sub.

pp sub.



pp sub.









mp

p

mp





 

arco con sord.

p

p

p

p

 



mp



mp



mp



mp



Kris Defoort: House of the Sleeping Beauties - The Second Night

      p 

 G          p

 



deep

  

pp sub.

              

  

mf



     



mp

mp

 

 

(mp)

Vc.1

pp sub.

                

(mp)

Vla.3

pp sub.

 



poco rall.

 

(mp)

Vib.

ly

                       (mp)

            

mf

Sub. q ≈ 96

Vln.1

A tempo q ≈ 120

molto rall.

 



Fl.

Senza mesura

 

281



   

Senza mesura

pp

pp

pp

   

mf

  mp



p

      

  slum

-

3

-

ber

     

via sord. (in silence)

pp

pp

pp

     



 



 



 



via sord. (in silence)

 



 

via sord. (in silence)

 



 

via sord. (in silence)

 



 

via sord. (in silence)

 



 

via sord. (in silence)

 



 

 



 

via sord. (in silence)

via sord. (in silence)

via sord. (in silence)

pp

  pp

 

mf

 

 

pp

 

 

A tempo q ≈ 120

molto rall.

 

 

 

 

 

 

 

 

 

 

mp

mp

mp

mp

58

Eng. Hn.





              

mf

  

(mf)

Bsn.

Tpt.

Hn.1

        

mp





 

    





 

    





 



mp

 

Hp.

Pno.

Perc.1







mf

 

 

 



 





Vc.1















  

Db.

 



 



      



 



 



 





 



 



 





 



 



 



   



 



 



 



   





  



  



 



    



pp

p







pp



 

   

p

 



 



  



 



 



 

 



 



 



 



 



 

       

 



 



 

 

 



 



 

 



 



 

 



 



 



 



 



 











  



  



 

   



   



     



   

   







   



 



 



 



 



 



 

        

































 





 

  

    

mp

rall.

    

p





 



mf





  I

  mp   





Marimba (soft mallets)





 

      



have

to

go

    









    

 

   

    

p sub.



     

ta ta [choose « sounds » as you wish]

A tempo (q ≈ 120)

                      



 





   





 

 

                     

  p





 





   





 

 

                      

  p



 





  p

   





 

 



 





  p

   





 

 

  



 





 

   





 

 

  



 



 

   





 

 

  



 



 

   





 

 

  



 



  

   





 

 

  



 



 

   





 

 



 

p

p

p

                       p







             



               



 

              

  



pp

pp





pp



  

pp

  

     

mp

pp







 







              

mf



     

                

mf

 

   



mf

Vc.2

p







mf

mp

    

 



 

mf

Vla.3

   

pp

 

mf

Vla.2

 



mf

Vla.1



 

mf

Vln.4





mf

Vln.3

 

 

mf

Vln.2



mf

  S. Solo (as a young woman)  

Vln.1



f

           

  





     

  Perc.2



    

mp

B. Tbn.





mp

Hn.2



 

 



A tempo (q ≈ 120)





Cl.

rall.

                      



Fl.

 



    286

   



   



   



  



  



   



      

   





p





p

 

 

p

p

 

 

 

 

p

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

 p

p



p



p

p

p



 



 

59

molto rall.

A tempo

  

  Fl.  



Eng. Hn.

 



Cl.

 



  







 

  







 



 



 

Hn.1

 







 



 



 

Hn.2

 







 



 



 

B. Tbn.

  







 



 



 

 





 

 









 

  



   

      (mp) Perc.2        

   

(Marimba)

   

(p)

S. Solo (as a young woman)

Bar. Solo

Vln.1

mf

Vla.1

Vla.2

        

molto rall.

      

   

-

ta



     

 p

 



    



      pp   

p sub.



-

da

-

-

-





  

p





ti - da

           

ti - da



 

 



          

 

 

p

           

 

          

 



 



 







 



 



 



 

   mp     

mp

to

-

ti - ta

to

-



                        

ta

  

  

 

why ?

 



     

ti - ta - to

   

mp

mf

              



  



ta

 



 



 

mp

       to

-

ti - dè

 



            p



 

    



 



 



           p



 

    



 



 



            



        p



 



 



             p



          



 

          

p



 



(p)

  

mp

       

  

           

p



  





     

           

         

 

  

          

    

mp



mp

          

   



 

(p)

          

  



p



  

mp

mf



            p

    

p





A tempo

p

mp

mp

  



mp

          

(p)

Db.

ti



Al - rea - dy

(p)

Vc.2

Vib. (soft mallets)





(p)

Vc.1





  

(p)

Vla.3



pp

mp

 

p



-



 

mp



          mp        



mp

(p)

Vln.4





ta

(p)

Vln.3



        

ti - da

pp

 



    







  

(p)

Vln.2

G§ D§

        

  

     



    p            



mp

  Perc.1  

pp





Pno.



       pp

p

 





  

   

pp

            











Hp.

pp





   



Tpt.

p





Bsn.

         



291

p

   

 



 





 



 





 



 



mp

       

         



 

  



 



mp

      

 

          



 

  

      



 



 

         



 



 

mp

mp



p

p

p

p

p

 Kris Defoort: House of the Sleeping Beauties - The Second Night

p

p

p

p



 



 

60

   296



  





  





 



  



mp

    mp

  





   





(mp)

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

  



 





 



 





    





 





 



 



  



 

  





 





 



 

 



 

 



 

 



 

 



 





 





 



 



 





 





 



 





  





 



 





 







p

 



mp

  



p

mp



 

p





 mp

 

 mp

     mf    

 C§



  

      

  

(mp)



 p 



      



         



mp

mp

 (Marimba)

 mp

   

p

tè - di

ta

poco rall.

A tempo

  

 

pp mp



 



  



mp



  



  



mp

mp

  

  





   





mp

mp

   

mp

 



 





 



 



              







f

ta

  

pp mp



pp mp

ta

ti

ti

 

 





 

  





mp



    



    





 











   

 

   mp

 





chil - dren



 

      mp      

         

 

   

    

       



                                                    p                    





    





          





    









   

                p





          

  





                  

      

 

 

    

           p

p



 

 



 





 





 



 

mp

 



    mf     

 

 

  

 





 



        

p

Kris Defoort: House of the Sleeping Beauties - The Second Night



  

pizz.



   

p

How





 

pizz.     



 

     



 

     mp

pizz.



 





 

pizz.



 



mp





ma - ny ?

mp





mp









 

pizz.





     mp



 





     mp

pizz.



 







      mp

pizz.



 







     

pizz.



 



 





p

p





Chil - dren ?

   

   







p



   

Change to Cel.  

mp

p







p



  



p

 









pp mp

The

   



 



pp mp



  

  

pp mp

pp

  







 

  

pp mp



 



 

  



mf



mp



                   

 

 

mp



       



         



mp

 





  

  

 



 



 

Flttz.



p

pp mp

Db.





mp

Vc.2

 

 



Vc.1





pp mp



Vla.3

 



pp mp

  Vln.1    

Vla.2



                pp

 Bar. Solo  

Vla.1





to

Vln.4

 

 

mf

Vln.3





   S. Solo (as a young woman)   

Vln.2

   





  

Perc.2

mp

   



 

pp mp



Cl.

  



Eng. Hn.

A tempo



Fl.

poco rall.



 

  

pizz.

mp

mp



 p

 

 mp

 

61

  



 



 



 



 



 



 



 



302

Fl.

Eng. Hn.

Flttz.

Cl.

  

pp

Bsn.

mf

Hp.

Pno.

Perc.1

Perc.2

S. Solo (as a young woman)

                             





            

mp

                              

mp

   



p

mp



 



mf

mf

p

mf

                 

 

pp sub.

 

                 pp p



mf

      

 



 







 



 



 



 





 



 



 

  



 



 



 



 



        

     



hard mallets

            

 mf

  



Two,



mp

mp

mp



lit - tle



                         





          



                         





           p

f

                         





           p

f

pp sub.

mf





         



                        





         



                        





arco           



                        



      p



  



mp

mp

mf

mf

mf

arco            p

mf





pp sub.

mf

pp sub.

mf

pp sub.

mf

pp sub.

mf

pp sub.

mf

                         mf

pp sub.

                         mf

pp sub.

p

mf

                        

mf

mp

 f



p

h = q (q ≈ 60)

p

mf

pp sub.

    mf



mf

 





 

mp





         

mp



          mp

girls



p

 

     

mf

G.C.



          mp

    

ppp

two

pp sub.

f

      

 

mp



          

arco

   mp   



mf

mp



pppp

p

f

 6     

 





6





           



   mp

Change to Pno.

        

pp



mp

 6     

6



           

Thunder Sheet

mf

                         

mf







          

mf



 

pp



mf      

mf pp sub.                 

              

Celesta

 

mp





mf



p



              

pp sub.



mp



mf





p

 

arco

mf



mf



mp

p

                        

pp sub.

 

           





mf



          







           

mf











 

   

p

mf



(Marimba)

mf

                 

 

  

p

p





molto rall.

                             

 

p

Db.

pp sub.

p

      



arco

Vc.2

mf



 

p

Vc.1

pp sub.

mf

arco

Vla.3

mf

mf

mp

p

Vla.2

p



arco

Vla.1

pp

              

mp

p

Vln.4



p



arco

Vln.3

          

pp



p

Vln.2

 





arco

Vln.1

mf



           

 

p

B. Tbn.

pp

 

p

                 

 

p

Hn.2

Flttz.

  







p

Hn.1



pp

h = q (q ≈ 60)





    p

Tpt.

 



            

      

   

      

   

p

p

p

arco                    pp p p

arco                     pp p p arco    pizz.                      pizz.

Kris Defoort: House of the Sleeping Beauties - The Second Night

f

 

f

 f

          

pizz.

pp

molto rall.

p

f

 

f

  

pp

 f

 

f

 

pp

62

q ≈ 44

   309

Fl.

Eng. Hn.

Bsn.

Tpt.





 



 



 



 





 



 

   ppp 





 



 



 



 





 



 

 



 



 



 







 



 



 

 ppp 









Perc.2

     

 

p

mp

   



p

 

 

 

p

 

mp

   

mp

 

  

mf

mp



 

   

mf





 



 



 



 





 

  

 ppp 





 



 



 



 





 

 

 ppp 





 



 



 



 





 



 



   ppp 





 



         

  



 



 



 



 



 



 



 





     

 



 



       





 





 



 



 



 





 



 





 



 



 



 





 



 

 



 



 

               



 

  

      

 



 







Pno.



  ppp

Hn.2

Hp.

Change to B. Cl.

  

Hn.1

B. Tbn.

 ppp 

 

Cl.

poco rall.



      ppp

  S. Solo (as a young woman) 





pp

mp

 



Do

you

mp

love

p

me

 

   

mp

pp

Marimba (soft mallets)



 

lit - tle



mf

  

   

muted

p

   ord.                mp

    





               just a



mp





 



q ≈ 44

poco rall.

  





 



 



 



 





 



 

Vln.2

 





 



 



 



 





 



 

Vln.3

 

 ppp 





 



 



 



 





 



 

Vln.4

    ppp 





 



 



 



 





 



 





 



 



 

con sord.

Vla.1

  



      



  

  



 



 

 





 



 



 

con sord.



      



 

  



 



 

   ppp 





 



 



 

con sord.



      



  

  



 



 



 



Vln.1

Vla.2

Vla.3

Vc.1

 ppp   ppp 

  ppp   ppp





p

Vc.2

               mp p mp p mp p mp p

    ppp 

pizz.    Db.   p

   

 

   

  



mp



     

p

con sord.

     



 

         

  

 

 

p

mp



p

p

p

punta d'arco       

 

p



Kris Defoort: House of the Sleeping Beauties - The Second Night

 



  

  

(p)

    

 

  ord.    



p

   

mp

 

p

 



mp

(pizz.)

p







   



 

63

  

A tempo

poco rall.

316

Fl.

Eng. Hn.

 



Bsn.

      p mp     

Hn.1

   (muted)    

Hp.

 

Perc.1





p

mp

               mp



p

mp

 

p

mp

p

 













 

















 





p

 

        p mp p mp p



      mp

 











 









 









   







 





 



 



 

  



 











    









    







pp



 







  



 







  

  

 Bar. Solo  

  

mp

Why

do

3

    p 

you

     

 

give your young

bo - dy

   3

so

 







 









 









 



   

   p





     









(Marimba)



to

me

wil-ling - ly

p

   







  







   p

  

  





 

  

 

 







mp

 

p

 

mp

re - ser - va - tion,

 

 

 

   

     



mp

 

 

 

   





   

with - out

 

        p



   

mp

p







p







  

     



  



 





mp

      

    pp





   p





pp

 Vib.





 









   p



 

pp





 Perc.2   S. Solo (as a young woman)

    p mp

 

mp





mp

                 

 

Pno.





    

pp





B. Tbn.

   pp 



  



mp

Hn.2

mp



   pp 

mp

Tpt.

 



ppp

B. Cl.

 



  



with - out

mis -

A tempo

poco rall.



 







pizz.

    p









 



 







pizz.

Vln.2

 

    p









 

 



 







pizz.

Vln.3

 



 



 (con sord.)







pp

mp

pp







Vln.1

Vln.4

 





 



 





Vla.3

 



 







Vc.1

                 p mp p mp p mp p mp

   









Vc.2

Db.

 



      mp

 

   

arco





  

3











 

p pizz.

3











 







senza sord.





pizz.







senza sord.





pizz.







senza sord.



pizz.

    

     

      

     

     

      

     

    p



Vla.2

3

   



 

Vla.1

3

mp

p

(con sord.)

pp

mp

 

pp

pizz.

 p

senza sord.



 

pizz.

 p

      

p

mp

p

mp

p

    

p

p

       p

mp

Kris Defoort: House of the Sleeping Beauties - The Second Night

p







arco

arco



    p     p     p  mp

 mp



   



   



   

        p         p 

 

64

A tempo

   

  

  

  

325

Fl.

ppp

Eng. Hn.

mp

ppp

B. Cl.

Bsn.

Tpt.

    p

mp

 



pp

   

  

p

  







    

mp

Hp.

       mp



 

                



   

 

 

  

Vln.3

Vln.4

Vla.1









  

mp

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

pp

mp







 







 







 





Vib.

p



           p 



mp

    



Do

you



love







mp



Vc.2

 



  





 





 



 





 





 



 



 





p

 

 

mp

ppp





      

 

     mp



mp ord.

  

mf

   

p

mf



you

         with - out

pp

 love

  

mis - trust, with

p

    

 

    

 



     

 

arco

ppp

arco

ppp

 

 

     arco

ppp

       

 

 

 



 



mp

  p

mp



mp

 

   

mp

 

mp

ord.

ord.

p

mp

p



 

  p

ord.



mp



ord.



mp



 





   

 



 



    mp

 



 



    mp

   Db.  

pp

p

p

 



 



mp p sub.

pp



  





pp



mp

     

out-

mis-- trust

just

        a

-

-

   

lit - tle

  -

mp



              

me

p

 



          

 



 

mp



 

lit - tle ?

 rall.

ppp

 

p

muted

     



  

              

 (Marimba)

    p



mf

arco



 

 

 

pp

A tempo

 



    pp      pp 

mp

Do





  

    



    mf

 



p sub.



           p mp  punta d'arco

mp p



pp



ord.



 



    pp 





 



    pp 





 



    pp 





 



 



 



 



   p



 

  



    p



  

  



  



 

  





arco



arco

p

   

pizz.



p



 

p mp p sub.





arco

 

    pp 



(p)

Vc.1

ppp

    

 





(p)

Vla.3

p



lit - tle ?



 



     

       just a

p

 



mf

(p)

Vla.2

mp



p

                      









  

me

 



       p



p



pp



 





  



p

 

pp

 

mp

pp

mp

  







trust

Vln.2

pp



  



    

  

mf p





p

(mp)

  Bar. Solo  

Vln.1

p sub.





     

(mp)

S. Solo (as a young woman)







mf

  Perc.1  

Perc.2

  

       p

   

p

 

Pno.

   ppp 

mp



B. Tbn.



mp

ppp

Hn.2



 

ppp

pp

  

 

pp

  

p

   

open

Hn.1



rall.

punta  d'arco  p

pizz.

     p

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

mp

p



arco

  

  

   

pp

   

mp



     

pp

arco



 



pp

p

 

 











 

65

 

Senza mesura

331

Fl.



Eng. Hn.

B. Cl.

Bsn.

Tpt.



        



      



 

 

mf

Change to Cl.

 

CUE STOP

G

 

   CUE STOP

G

 





 

 

 



 



 



mp  (freely) G     G S. Solo (as a        young woman) Just a lit - tle bit,

 



          p

a

 

lit - tle bit

(freely, spoken)



« Naturally, the question on every woman's lips »

 

Senza mesura

 



 





 

                             

 

 

 





 

 

 





 

 

 





 

 

 





 

 

 





 

 





 

 

 





 

 





 

 





 

 





mf

 





 

mf

 

  B. Tbn.   pp

Bar. Solo

 



open

Pno.

 

G

pp

Hp.



CUE STOP

open

Hn.2

      

 

 

Hn.1





pp

Senza mesura

        

G

 

molto rall.

 

CUE STOP

   pp

Sub. q ≈ 132 Presto (baroque)

pp

(freely, spoken)



         

« Shouldn't you ask me now why I love you just a little ? »

Sub. q ≈ 132 Presto (baroque)

molto rall.

Senza mesura

 

        



      



 

 



 

         



       



 

 



 

         



       



 

 



 

         



       



 

 



 

         



       



 

 



 

         



       



 

 

Vla.3



 

         



       



 

 

Vc.1

   pp

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

 

Vc.2

pp

Db.





CUE STOP

G  G CUE

STOP

  

mf

mf

mf

mf

mf

mf

mf

 

                           

 

 

 

                           

 

 

 

 

 

mf

pp

mf

pp



Kris Defoort: House of the Sleeping Beauties - The Second Night



66

ON CUE q ≈ 132

Fl.

                        

Sub. q ≈ 96

  



 



 





 

                          



 



 





 

 



 





 

 



 





 

335

mf

Eng. Hn.

mf

Cl.

Bsn.

 





                            



mf

  





 



 





 

Hn.1

 





 



 





 

Hn.2

 





 



 





 

B. Tbn.

  





 



 





 

 





 



 





 

 





 



 





 

 





 



 





 

 





 



 





 



     

Tpt.

Hp.

Pno.

 

  S. Solo   



Al - right,

ON CUE q ≈ 132

Vln.1

                         

  

Vla.2

 

                 

                           



 

                 

                           



 



                          



 



                          



 

                  

                          



 

                  

                             mf



 



mp



  



 





mf

                             mf



 





  



 







mf

Vla.3

mf

Vc.1

Vc.2

Db.

  





won't

Sub. q ≈ 96



mf

       I

                           

mf

Vla.1

al - right,

                 

mf

Vln.4



 

mf

Vln.3

al - right,





mf

Vln.2

  

     

mf

 

mp

mf

mp

mf

mp

mf

 

mp

mf

mp

mf

mf

Kris Defoort: House of the Sleeping Beauties - The Second Night

mf

 



pp sub.



pp sub.

pp sub.

         

 

mp



pp sub.

          

mp

mp







mf

pp sub.

pp sub.

pp sub.



pp sub.



pp sub.

mp



p

 



mp



p

 



mp



p

 



mp



p

 





mp

p

 



mp



p

 



mp



p

 



mp



p

 





 



mp

p



 

67 (End of the dialogue from the past)

Senza mesura

Allegro, tempo primo q ≈ 120

molto rall.

  Fl.  



 



 

 



 



 



 

 



Cl.

 



 



 

 



 

Bsn.

  



 



 

 



   

  



 



 

 



 



 



 

Hn.1

 



 



 

 



 



 



 

Hn.2

 



 



 

 



 



 



 

B. Tbn.

  



 



 

 



 



 



 

 



 



 



 



 



 

 



 



 

   



 



 



 

 



 



 



 





rall.

   



 



 



 



 



 

 



 



 



 

Hp.

Pno.

Perc.1

 

          p

mp

 3 3                   S. Solo     ask

a - ny -thing

 Vib.   G        p  p

  



a - ny - more.

               p

Vln.2

p

Vln.3

mp

    

           

   

p

p

             p

p

  

mp

p

           

   

p

          p

          p

Db.

p

mp

p

p

Vc.2

mp

p

           

p

Vc.1

mp

   

p

Vla.3

p

              

p

Vla.2

    

p

mp

p

Vla.1

mp

mp

    

mp

p

Vln.4

       

p

  

p



 

 



p

   

mp

p

p

p

mp



mp

p



mp

mp

    p

mp

     

mp

p

mp

     

mp

p

mp

     

mp

p

mp

  

mp

   

    

mp

mp

p

p

    

mp



p

p

mp

mp

  

  yet

Senza mesura

             p

mf

And

rall.

Vln.1

 

molto rall.

 

 mp

mf

 



mf

    





f



            mf











 



           



 

     

 



mf



 





 

   





 

   





 



mp

Allegro, tempo primo q ≈ 120

                                



 



 



 

 



   





 

pizz.

        



 



 

 

 



   





 

pizz.

        



 



 

 



   





 

        



 



 





pizz.

 

        



 



 



pizz.

 

        



 



 

 

         



 



 

  pp

 

pp

  pp

pp

                       mf

 

pp

pp

mf



 

pp

              

 

pp

pp

 





Tpt.

  



Eng. Hn.



340

     

mf

                                 mf

                                 mf

                                 mf

mf

mf

mf

     

 



 



  



   

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

mf

mf





pizz.

mf pizz.

68

Hn.2

B. Tbn.

  



  



   





      







 





mp



mp



 

       



   





   



mf

     

mp

   

        

     (mp)

       

    

       



 



 



 



 





 

  





 



    

 



 



 



 



 



                           Vln.1     (mf)

Vln.2

p

Vln.3

mp

                           (mf)

p

mp

                            (mf) p

Vln.4

Vla.1



  



  





 



 



   



 





arco            

   



 





arco             

     



 



(mf)

Vla.3

(mf)

Vc.1

(mf)

Vc.2

(mf)

Db.

arco             

 

(mf)

Vla.2

mp

                            (mf) p mp   

(mf)



p



mp

               arco

p



mp

 

p sub.



mp

p

mp

p

    

mp

arco

         mp

 

    

p sub.

       

        

 

       

        

 

        

 

mf

3

       



mf 3







  

 mp

       

  



mf

3

5

5

5

 

     

 mf

mp

 

        

 

5

     

       



  

    



  

    



       

 

     

      



  

   

   

   



     

 

     

      



  

   

   

   



  

 

 



 



  



p

p

p

      



     

p

         p sub.

 p sub.

 p sub.

 p sub.

 

                   mp

    



  

mp

 

f





 



     



     

 





 



   



      

 

 



 



    

mf

mp

      



    

mf

mp

   

 

   

Thunder Sheet

pp



G.C.

ppppp

 

mf

mf

   

  

mp

 

 

mf

 

ppp

    

       

        

 

 3      

    

       

        

 

 3      

    

       

        

 

 3      

    

       

        

 



  



  

     

 



  



  

     

 





  

     

 



  



  

    

 



  



  

  

  

 



  



  

  

 















p sub.

p sub.

  



  



  



mf

mf

p sub.



mf

p sub.

  



mf





  







  



p

mp

mf

 3      



p sub.

mp

mp

mf

arco

               p





mp

     (mp)

3

p sub.

    

mf 3

      

p

              mp mf

(mp)







mf

(mp)

mp

mf

mp



  Perc.1  

Perc.2

 





Pno.



 

  

 

Hp.

mp

p sub.





                          

  Bsn.   

Hn.1

mf

 



mp

mf

Tpt.

mf

                  



mf

Cl.

mp







            



   

 



Eng. Hn.

          



346     Fl.  

Kris Defoort: House of the Sleeping Beauties - The Second Night

mf

mf

mf

mf

mf

mf

 

3

3

3

3

5

5

5

5

  

(Due to the warmth of the electric blanket, the girl has moved her shoulder far above the blanket. The childish curvature of her shoulder is so close to him that the old man can practically touch it with his eyes.)

   

  



 

  

 





  



 



 



353

Fl.

Eng. Hn.

Cl.

  

     Bsn.     Tpt.    Hn.1

Hn.2

B. Tbn.

Pno.

 

mp



   



     





      





 



   

      

  



    

 



      

    



    





   Perc.1   

   

pp

  Perc.2    

(G.C.)

Vln.2

  



Senza mesura

 

Change to Ob.









 





Change to B. Cl.



 





Change to Cbsn.

  



 



 

mp

  





   









mp

blowing wind 

mp



   



 



 





ff

blowing wind 

mp



ff

blowing wind 

mp

   

q = 60

 

 







 

 







 

 







 

 







ff

blowing wind 

mp

ff

 

p

p

p

p

 



 

    

    



   



 





 



 

 

mf

   

 

mp

mf

   

 



 



 



 



  

  

  p

 

f

 

 

p

f

 



 

f

 

 

p

   

 

   

(Thunder Sheet)

p

Vln.1

 





mf

(mp)

  



Brass: dynamics ad lib; not together, gradually diminish until cue conductor

    

 

Hp.

mp

 

 

69

p

 

f

p



ppp









 



mf

p

pp

ppp









 



 



mf

p

pp

ppp









mf

p

  

p

f

  

mf







3

p

p

Senza mesura

f

p

mf



 





 

 

 3

   



  



 

3



p









   





   

 

 

 

ppp

q = 60



 

 









 

 







 





  









 

 







  

 





  









 

 







Vla.1

  



 



   

 





 

 







Vla.2

  



 



   



 





 

 







Vla.3

   



 



   



 





 

 







   



 



    



 





 

 







Vc.2

    



 



   



 





 

 







Db.

     



 



   



 





 

 







Vln.4

Vc.1

mp

mp

Kris Defoort: House of the Sleeping Beauties - The Second Night

 



  

Vln.3





ppp

pp



   

pp

mp

   

 

mp

pp



mp

pp

dynamics ad lib; not together, gradually diminish until cue conductor

f

ppp

   

p

pp



   



pp



  

 

p

 

 



mf

dynamics ad lib; not together, gradually diminish until cue conductor

f





 3

   

  

70



 



Hp.

Pno.



    

 

(spoken)



 

 

 

pp



 3











 

 



 

 



« Was this his very last time with such a young woman ? »

 



    p

 

    

Senza mesura (play around with the timing)

 

 



 Perc.1   S. Solo

q = 60

Senza mesura (play around with the timing)

359

 

3    

p



 





3

Vib.

 3        

   

 

 



         

 



 

 

 

 

 

  



 

 

 

 

 

« Two unforgettable nights, forever a secret, and no scars left behind. »



B. Cl.

q = 60

Senza mesura (play around with the timing)

 



 



 

 

 



 





p

    



 

Pno.

Perc.1

Perc.2

 

  S. Solo   Actor (old man)

  

  Vln.1   Vln.4

Vla.1



3

3

   pp 

   

  

T-tam

pp

    





 p

pp

)

(Vib.



Thai Gong

   p





    



 



 



 



 





 



 





 pp

     

   

      mp



 

 



 

 

 

 

 

 



 

(He carefully brushes away the long hair from her right cheek.)

 

« It would be a good thing for me to confess my sins and failures »



 

 



 

 



 



 

     



Vc.1

 



 



 



 

p



   

 





 





 



mp







p

 





 





 

 He



p

   soft - ly

con sord.

con sord.

 

con sord.

con sord.

con sord.

 







  





  

ppp

ppp

ppp

con sord.

 



pp

pp

 

pp

 







  





  

ppp

ppp

con sord.

 

 



ppp



ppp

Kris Defoort: House of the Sleeping Beauties - The Second Night





mp

mp

mp





p



p



p



pp

mp

p

pp

mp

p

  



   



q = 60

Senza mesura (play around with the timing)

Vla.3

 

T-tam

 





pp

 

  





 

       

 

Db.

   ppp

     pp



 

 



p



3        

6



 

Vla.2

Vc.2

 



Harmon mute

 



q = 60

      mp

mp

  





      

 

 

 

 



pp





 



  

      

  

  



ppp

  Tpt.   

Hp.





   

q = 60

363



      p sul pont.

       



 



 



pp

mp

p

pp

mp

p

 

71

  Fl.  



 



368

Ob.

B. Cl.

ppp

  

Tpt.

  



Hn.2

B. Tbn.

Hp.

pp

mp

ppp



 





  

 

  

 



 



  

 

  

 

       

 

         

mp mf

ppp

mp

ppp

p

mf

mp

 







  

 

  

 





 



 



 

 

  

  





 



 



  

 

  



   











 

 

  

    p



 

mp

  



 )

 

the





 



 



 

                 

  

lit -tle

girl's

mf

    p

       mp

eye

p

-

 

 



 

   



la - shes





 



   

pp

 

      p mp





 



 



 

ppp

f



 

arco



  pp

mp

his

T-tam

p

fin - ger

   

 

 



 



 

 

p



 

 mp 

 

p

f

ppp



 



    



         

    



pp

 



 



 



 



Sprechgesang (very articulated) mp

          



 



 



 



 



 



 



    



ppp

 

 

ppp

ppp



ppp



 

  

 

  



 

  

 

    



 

  

  

ppp

ppp

ppp

pp

  











  



Her tongue

s.p., punta d'arco

pppp

 



  

s.p., punta d'arco

pppp

 



 



  

s.p., punta d'arco

pppp s.p., punta d'arco

   

pppp

 



 



   

s.p., punta d'arco

pppp

  mf





 

 







 

Kris Defoort: House of the Sleeping Beauties - The Second Night

 



 



pp



Crotales





   

pp

pp

pp

pp

 



pp

 

    



  



p

pp





  

         





 

pp

p

       

 

f

 

3

p



  

f

         

pp

 

   





  



 

 

            mp







pp

mf



 

 

    6

   mp 

  

pp

mf

3

mp

 



 



 



pp

6

 



  (s.p.)





          

with

 

(s.p.)

 

 



mp

 



   

pp

mp

 

 



      



ppp



 



mp

ppp

 



      



(Vib.



 

ppp



pp

 





pp

 



Db.

 

 



Vc.2



mf



 

Vc.1



 

    

Vla.3

 

 



Vla.2





  Vln.1  

Vla.1

 

 



Vln.4





  

Vln.3

Change to Picc.



strokes

Vln.2

     

 

(p)

Bar. Solo





 

S. Solo

 





  Perc.1  

Perc.2

   



  

 

  

Pno.



   (Harmon mute)        p

Hn.1



ppp



pp

 



pp

Cbsn.

Fltz.

 

 



  

s.p., punta d'arco

pppp s.p., punta d'arco

    

pp

pppp sub.

is

72

 Picc. 



 







 





 



 





 







 





 



 



 







 





 







 







 





 



 

 



 







 





 



 

Hn.1





 







 





 



 

Hn.2





 







 





 



 





 







 





 



 





 







 





 



 





 







 





 



 











 





 





 

 













375

Ob.

B. Cl.

Cbsn.

Tpt.

B. Tbn.

Hp.

Pno.

Perc.1

Change to Cl.

 



 



     



  

Rain Maker irregular, very soft (between ppp and p)

Perc.2



 Bar. Solo

ppp

p

   

p gliss.

  curled

ppp

p

   

mp

       

up

 

 

irregular, very soft (between ppp and p)

Rain Maker

in - side her



mouth.

 

 

   

 

 

 gliss.  3    

A

sweet

hol - low

gliss.

              p

  

place

 

is

in the

mid - dle

 

  3

      3

of that ve - ry

 

3  3         

de

-

li

-

cate



 

 



 

  



 

  



 

   

 



tongue.

 





 







 





 

 



 







 





 



 

Vln.2





 







 





 



 

Vln.3





 







 





 



 

Vln.4

    

  



 

  



 

  



 

  



 

  



 

  



 

  



Actor (old man)

Vln.1

pp

Vla.1



  pp

Vla.2

 

Db.

  

   

   

 

  

 

 

 

   

 

 

   

 

 

  

 

   

 

pp

Vc.2

 

 

  

pp

Vc.1

  

 

 

pp Vla.3

   

   

 

 

 

pp

  

 

 

pp

  

 

 

    

          

Kris Defoort: House of the Sleeping Beauties - The Second Night

 

 

 

 

 

 

« Are you awake ?»

(con sord.)

 

 

73

  Picc.  



 



 

 



 



 

 



 



382

Ob.

Cl.



  

 



 

ppppp ppp



 

 

ppp



 



 



 

  Tpt.  



 



 



 

Hn.1

Hn.2

B. Tbn.

   



  





 

Hp.

 



 

Pno.

Perc.1



 

  

Bar. Solo



Vln.3

       3





  

3   

 



  

Vib.

      



Vla.1

Vla.2

Vc.1



ppp

 

pp 3



  



   

     3

  











     





Glcksp.

pp

 



 



 



 



 



 



 





con sord.

 



con sord.

 

 



 



 



     

 (con sord.)

  



(con sord.)



ppppp ppp

     3 ppppp ppp

ord.

  3  



ppp



  



  

senza sord.

 

 





 

 

 (con sord.)



  

    

ppp

    ppp

 

(con sord.)



 

  

 

ord.

ppp

 

ord.

ppp

 

  

 

  

  pp



 ppppp pp





ppppp ppp

 



 

      

 

p



mp

p.d.l.t.



 

 

   

 



 

mp

p



  p





 





 

p

p



mp

 mp



arco

   



ppp

 

ppp

 

p



ppp

 

 p

      p



pp



     

 

 

ppp

   

 

 pp  

 pp    pp    pp



ppp



pp

 

 

 





 



 

 



pp

ppp





ppp

 



 





 



 

pp

pp

ppp

    



  

p

   



pp



p

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

mp





 

ppp

mf



p





p

p

  

mp



mf



  

mp

    





 

 

 

 



mp

T-tam (slide with triangle bat)

mf



      

    



   





mp

p





p

 

ppp





Vib.



mf



p

ppppp ppp

3

 

   

3 ppppp pp

  

3



 ppppp

  



    ppppp ppp

 

  



     

ppppp

   

p







 

ppp





3







 

 



mp

p

       



ppp

(con sord.) ord.    ord.

    ppp 

senza sord.

ppp

    



     



 

 





Crotales

(He looks in the girl's open mouth)



ppp

p



 

 





         

 

 



3





      

 

 

mp

mp

mp

    pp



 

p

ppp

 

 

ppp



 

3

     

 

pp

        

pp

Crotales

 

     



p

 

ppp



mp



 

mp

p



 

pp

p

 





 

ppp





 



 

ord.

Db.

 



(con sord.) ord.

Vc.2

 

 

 

 



p



p

 

ppppp ppp

Vla.3



ppp

  

       3               

ppppp

Vln.4



mp

mp

 







p





 





ppp

 



 

 





             



 

ppp

  

straight mute s.v.

 



3



  Vln.1   Vln.2



 

 ppppp ppp

 



 

pp



 

 



 

ppppp ppp

3         

         





ppp

 



 

s.v.

 

 

 

 

 



pp

     s.v.

3

ppp



T-tam

   

muted



pp

  Perc.2

muted

 

  

  

Cbsn.



pp

pp

 

pp

 

pp

mp

74

 Picc.  389



Ob.

Tpt.







 

 

     p

pp



p





p

pp

    

(straight mute)



    

    





Cl.

Cbsn.





p

        pp



pp

 









 









 









      





ppp

pp



   





      









Hn.1







 









Hn.2







 









B. Tbn.



Hp.

Pno.





p







  













 





  





 T-tam  



 

mp

Would

    p

Vln.3

Vla.1

Vla.2

Db.



sweet

 

pp

gliss.

  



pp



   arco

 



mp   

















  









pp

p

pp

.

ss gli

move

mp

     if

 

  

      I

    

were



 

to

pp p gliss .



 

  

 

 

p

  

pp

p

 

pp

 

   

 

 

 

  p

 

pp

  

 

 

  p

 

   

 

 

p

pp

p

pp

    Kris Defoort: House of the Sleeping Beauties - The Second Night

 

 

 

      

   

 

   

mp

  

 

 



 

 





her

pp

   



pp

squeeze

p

 





 

  

  



 

 

p



  

pp



    pp

 

pp

   



 

 







pp





      



  pp

      tongue



   



p

 

Vc.2



pp





Vc.1

that

p

ppp



 

p

Vla.3

   





 



Vln.4

 





Vln.2

pp



     Bar. Solo 

Vln.1





 Perc.1  Perc.2



     



throat ?









   





   













   





   





   





   





   

       

75

 Picc. 





 



 





 







 



 





  

Ob.

Cbsn.





Cl.

 

  

 



  

 

 

 

ppp

    ppp

 Tpt.  

(straght mute)



ppp

(muted)

 

Hn.1

 

 

  



  

 





  

 

ppp

B. Tbn.



 



con sord.

ppp





Hp.





p

Pno.

      





 Perc.1 



 

Vib.

        



Vla.1

Vla.2

Vla.3

Vc.1

Vc.2



 

3





  



Change to Bsn.



 





 

ppp





 



 



 

 



 

  



 

 



 



(c.s.)

 

 





 



 



(c.s.)

 

 





 



 



(c.s.)

 





 



 



 



 



 

    

 



      

mp

 

mp









  

mp

Vib. arco

mp

mf

 





 

 





   



     

pp

 T-tam



  

 

mp

 

p

 







 



 

 



 

 



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 

con sord.



 

 



 

ppp



 3    



 







senza sord. in silence





senza sord. in silence





senza sord. in silence



senza sord. in silence



senza sord. in silence



senza sord. in silence



senza sord. in silence



 

ppp

  



  





  



3     

    

  

 



    

3

    3

ppp p

 

p

pp

 p

p

  

3

   3

ppp p

  p

    

ppp p



 

(p)

   

(con sord.)





« You just won't wake up »

          

ppp p

 

 



  



(senza sord.)

 

pp



3



ppp



  

pp

 

p













3

 



   Glcksp.         







Crotales

s.v.





ppp

 

(con sord.)

 

ppp



  

       

pp



(senza sord.)



Vln.4



Are you a - wake ?



Vln.3

 



« Hey ! »



Vln.2

            3





           

3

 

(Temptation grows strongly in the old man. It is the first time in the house of the sleeping beauties that he has seen the tongue of one of the girls. A desire to do something much more terrible than put his finger in her mouth and touch her tongue inflames the old man.)

 Vln.1 

Db.

Thai gong

T-tam (with triangle bat)

f

Actor (old man)

 

ppp



 



3



 



pp



 



(mp)

 3       

p

 - - - 

Perc.2

3           

mp

 

      



       





  

ppp

 







(muted)

Hn.2

   



 





395

 

p

« You just won't wake up »

 

   

pp

   

 

   



 

   



pp

ppp

ppp

 

   

   

pp

 

   

 

   

 

   



   

  



 

   

   

pp



ppp

  

   

pp

Kris Defoort: House of the Sleeping Beauties - The Second Night



ppp

 





ppp

pp





ppp

pp





ppp

pp

   



ppp

pp

   



    



   

   

ppp





ppp



 



        

76

  Picc.  



 







 







 





Ob.

 



 







 







 





Cl.

 



 







 





 



402

Bsn.

  

 



  (c.s.) Tpt.    

 











 



ppp p



pp

 







 









     









 





    



 





   









 





    

 

 





  

 









 





 B. Tbn.    

 





   

 









 









 









 







 







 



ppp

(c.s.)

Hn.1

ppp (c.s.)

Hn.2

ppp (c.s.)

 







 

 







 



 







 

 











ppp

 



 







 







 







 







 







 





  Bar. Solo  



 3    

 

   

  Vln.1  





mp

 

        



Pno.

Perc.1

Perc.2

  



mp

  





 



p

Pro - ba - bly

 



       

p

       

p

3      3       

it would be



a

 



 





  

sim - ple mat - ter

 



to

      3   press a

 

 







 



 



Vln.3

Vln.4

Vla.1

 



pp

  

pp

Vla.2

Vla.3

   

 





pp



pp



 



mp

  



 



mp



mp



 

mp



 

 

 



 



 



  

 



 



 





  



 

 







 







 



 

 



 







 



 







senza sord.



 Db.  



 







senza sord.





ppp p

    

pizz.

p

pizz.       p





    



    

 



 

s.p.

 



 

s.p.

    

 



 



 

s.p.

ppp

 

s.p.

ppp



pp

 

pp



 

 



   



        

ppp

s.v.

 



ppp

ppp p



pp

mouth

 

ppp p

pp



Vc.2





   

 

Vc.1



 

   and





ppp p s.v.



nose

s.v.

pp

 

o - ver her

s.v.

pp Vln.2

hand

   

        



        



Hp.





 

    

 







con sord. in silence



 









con sord. in silence



 





Kris Defoort: House of the Sleeping Beauties - The Second Night

 

77

 Picc. 





  







 

Ob.



Cl.





 Tpt. 







Hn.1



Hn.2

B. Tbn.





Hp.

Pno.



Perc.1

















 





till





she suf - fo - cates

 

  

 

Db.

  

 





  

 



  

ppp

 



mp

             6

pp



      



p





  



 

        

Vib.

 

     

pp





 



 







ppp 3

 

 

 



 

ppp sub.

 



  





 





f



 

    



 



 





 



 







 

             

 



f

mp p







    

                



 



 

mf

6

p

 

mp



 



       

6

        

ff



           





     

        



Change to Fl.

  

    



mp



 

 



   



             

Crotales



 



 

mp

  

f sub.

  

     



pp

     



 

6

 

mp

            

     



 



   



 

 



 

(c.s.)

  

(c.s.)

  

      

(c.s.)

(c.s.)

       

 



Vc.2



  





   

             



Vln.4

Vc.1

 

mf

3  3          

pp

  





 

Vla.3



 

A tempo q ≈ 60

  

Vla.2

 

  

poco rall.







p

  

 



Vln.3

Vla.1

 

  



 

  

mf

f sub.

       



 





  



     

Crotales (with triangle bat)

   

T-tam (with triangle bat)

motor on



ppp

  



f







     

 

 

ppp

(c.s.)





  

  





 3     Bar. Solo

Vln.2

ppp









 Vln.1 



 

 

 

mp

p

Actor (old man)



 

ppp

(muted)



 Perc.2







(c.s.)

(muted)





 



 







 

ppp









    



Bsn.



(s.v.)



A tempo q ≈ 60

poco rall.

411

(c.s.)

  

      

(c.s.)

 

(s.v.)

ppp



(s.v.)

ppp



(s.v.)

ppp



(s.v.)

ppp



(s.v.)

ppp



(s.v.)

ppp

    







 

   



 



(The old man puts his arms around the girl.



 

 



 



 

 



 



 

  

 

  

 

  

 

  

 

  

 

  

 



 



 



 



« You just won't wake up. »

 

(c.s.)

 

(c.s.)

 

(c.s.)

 

senza sord.       senza sord.



Kris Defoort: House of the Sleeping Beauties - The Second Night



 



   

  

    

  

ppp

    



    



     



  



  

  

mp



 



(s.v.)





     

   

He holds her against his body even more tightly.)

  

ppp

   

 

ppp

 

ppp

(s.v.)

mp (s.v.)



p

  

  

   



mp (s.v.)

p

  

  

mp

p

  

  

 

 

 



pp

  

  

« You just won't wake up. »

 

ppp

p



ppp



pp

ppp



pp

ppp



pp



 

ppp



78

   

Flute

419

 

Ob.

Cl.

Bsn.

Tpt.





ppp (s.v.)

pp

Hn.2

 







 

  



ff

mp

arco (two bows)



    





   



 



 



 Bar. Solo

 

       Vln.1       f p sub.

(grace notes on the beat) 

 



         f p sub.               f p sub.

f

         f p sub.            f p sub.

f

p sub.

f

p sub.

f

f



pp

p



p

ff



     mf      

   





pp

    





pp

p

      

 

 

 

ff

 



       

 ord.



 



ff

        mf

  



 



 



 

    

mp        

 



 



 



 



f

 

          

ff   

  

f

ff

f

ff

  

p sub.

  

  

ff

 

           p sub.

ff

  

        

ff

 

p sub.

        

ff

 



p sub.

ff

  

        

ff

p sub.

ff



 

  

      ff  

p sub.

ff

p sub.

      

      ff

p sub.

 

     ff

p sub.

 

     ff

p sub.

 

  



  

 

  

 pp

 pp



 

  

 

 

  

pp

mp

p sub.





       



 

  

 

  

 



 



 



 



 



 



 



 



 

 

  

mp

 



 



 



 



 



 



 



 



  

ppp

  

mp

 



      



 



    

 





    



 





 



mp



 



   



 



 



 



 



 

T-tam (with triangle bat)

 



ff

 

 



mp

 







ppp

(p.d.l.t.)



  

ppp

p

 

ppp



ppp



pp

 





  

ppp

ff

ff

 



   



ppp

  

 

 

 



ppp

pp



pp

   

         

 

 

   

mp



f

  

mp

Db.

f   

f

 

Vc.2

p sub.

   

  

Vc.1

f

   

mp

Vla.3

  



f

  

 

Vla.2

p sub.

f

 

Vla.1

f   

   

 

Vln.4

  



(arco)

  

 

ff

(arco)

  



 

 

   

 

Vln.3



 



    

ppp



 

(p.d.l.t.)



  



ppp

pp



  

 



 

arco

T-tam

    mf



Vln.2



p

 

mp



 

 

 



ff

ff



mp

   

 arco (two bows)        mf

 



 



p



p



    

(grace notes on the beat)  

      

mp

 

ff







p

 



 

mp

 



pp

  p.d.l.t.             

 

Actor (old man)

 





 Perc.1   

Perc.2

pp

ff

p

 



      



 

 

mp



p



 

Pno.

pp

s.v.





 



  

Hn.1

Hp.



       ppp 



B. Tbn.

(s.v.)





 Picc.  

f

 



  

  



  



  







 

« Hey !»



  



 



 

ff

 

 

ppp

 



ff





  



 



ff



ff

  



  

ppp

ppp

 ppp

 ppp



Kris Defoort: House of the Sleeping Beauties - The Second Night

mp

 

 



mf



mf

   

    

mp

pp

   

   

mp

 

pp

 

  

 

s.p. punta d'arco

s.p. punta d'arco

s.p. punta d'arco

 

  

mp

   

mp

  

mp

 

mp s.p. punta d'arco



 

s.p. punta d'arco



 



 

s.p. punta d'arco

p

pp

p

 

p



pp s.p.

  

ppp

pp

   s.p. punta d'arco   

pp



 

  

pp

p

« Are you awake ? »



ppp





punta d'arco

  

mp



wo -man's bo - dy

 

ppp

 

 

p

 

ppp

  

 

A

ppp



    3  

mp

 

ff

 



 

pp

79

 Fl.  426

Cl.

Bsn.

Tpt.



Hn.2

B. Tbn.



Pno.







 



 

    



 



 



 





 



 





 



 



 



 



 





 

 



  3   



           

(pp)

(pp)

Vla.3

 

(pp)

Vc.1

  

(pp)

Vc.2

 



 



 

a

man







(pp)

Vla.2





(pp)

Vla.1

 

     



 

 



  

  

 

(pp)

   Db. 

(pp)

 



 

ff





 



  





 

 

to

       up

                        

     

 

    



en - ter

          

  



 



 

ff



 



     

f pp sub.

 

 



  

f



     

ff

         mf



  



     



ff

 



   







     

 

 

 

  

ff

  

f

f





Sprechgesang (very articulated)

 

      

        





p

   

f p sub. f

 

Vib. arco (two bows)

T-tam (with triangle bat)

ff

ff

(Crotales) (arco)

   



ff



 

 



 



 

 

 



 



 

of the de - vil



  

   



    

Count - less

  

ff   

   



ff

   

   

    

   p sub.



p sub.



   

  ff

  ff

 

 

ppp

mp

 

      

ff p sub. ff   

     

ff p sub. ff

   

  

    p sub.

  

    p sub.

ff

ff

     

    mf

 

 

mp

   

p



pp

  

 



p



pp

  

 





  

 

pp

(pp)

   

p



p



pp

  

 





 





 

   

gradually

ord.

gradually

(pp) ord.

gradually

(pp) ord.

gradually

(pp) ord.

 

 

ppp

mp

ppp

 

f

 

 

 

         f

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

    f

f

ord.

pp

  



 

 

   





 



  

  



ff

 

  

   





p sub.

3   3           

  

   

 

3

  

  

              

Sprechgesang (very articulated) mp mf

   

   

ff



mf

     

f p.d.l.t.



ff

 



    

   



f

ff p sub.

   

  

 



p sub.





 



f

 



the re - alm



f

           



mp

  

 

mp

      





    

 





G.C.



f p sub.







  

ppp

   

 

p

  





 



f



 



 

ff

  

     



     



 



mf



p sub.

 

  

 

 

 



     

mf

  

  





   

mp   

 

   



ppp



 

mp



      mp        pp          mp        pp      

 



ppp

  



pp

senza sord.



 

You just won't wake

 Vln.1 

Vln.4





can se - duce

Vln.3



 



mp

Vln.2

 



 S. Solo 

Actor (old man)



 



Bar. Solo



 





pp



 Perc.1 

Perc.2

 







Hp.

 



 



 

 

Hn.1

 



 





Ob.

 



  

f



mf

 

mf



 

80

   Fl.   432

 

mp

Ob.

 

 



 

p

   

  

mp



 

p

 



 



    

 Bsn.  



 



  

Tpt.

   

mp

Hn.2

B. Tbn.

Hp.

 

 



  



 



 



 





 



 

Pno.



 



 

  Perc.1  

 Perc.2   

 

    S. Solo  

         ord.

 

 



   



 



 

mp



mp

ff



    

(arco)

 

     ff p sub.

ff

 





ff

 

ff

  

      



 

mf

ff





 



  Vln.1  



 



    

 



 



    

Actor (old man)

Vln.2

Vln.3

  

     

gol - den

   

mp

Vln.4

   

ff p sub.

ff

   :::::::::::::  :::::::::::  



ppp pp ppp (very soft little gliss. between Bb and Ab, like crying, sobs)

 



  :::::::::::::  ::::::::::: 

  

 



 





 



 





 



 





 



 





 



 





 



con sord.

ppp

(arco)

(T-tam)

   mf

ff



   

 



 



past



pp

ppp



 3       





 



 

3

p

 



At -

tached

to the







 





   

 

pp

  

 

pp

  

 

  



  

  

  

 

  



  

   

  

 

  



p

p

p



 



 

 

ppp

  

p

 

ppp

  

 

ppp

pp

pp

pp

pp



 

Kris Defoort: House of the Sleeping Beauties - The Second Night



 

« Wake up ! You just won't wake up »

     



are





 

points



  



3       



 

  





  

mp

3

 

pp

mp





p

mp

:::::::::::::::::::::::::::::::::::::

ppp pp ppp (very soft little gliss. between Ab and G, like crying, sobs) ::::::::::::: ::::::::::: :::::::::::::::::::::::::::::::::::::

 

mp

:::::::::::::::::::::::::::::::::::::

 

p

  

ppp

(very soft little gliss. between C and Bb, like crying, sobs)



   

   

 



p

  



   

(pp)

Db.



pp

  

(pp)

Vc.2

ff

 

   

(pp)

Vc.1

ff p sub.

  

(pp)

Vla.3

 

   

mp

Vla.2

  



pp

fly

    

  

mp

Vla.1

ar - rows

  

(muted)



p

f

 

Count - less

ord.

(muted)





 







   









mf

 





3

  

 

ppp

 



 



pp

 

 

  

  

mf

        

ppp

 



p.d.l.t.     

pp





 



 

mp



    

f

 





p

 





Hn.1

ff p sub.



  

  

 

 

 

Cl.





81

 Fl. 



 









 



 





 

Ob.





 









 



 





 

Cl.





 





 





 



     pp   

 



     pp 





 





 





 





 

    pp 





 





 

 

 

ppp

 

Tpt.

Hn.1

 





   

 





 







:::::::::::::::::::::: (ppp)

(ppp)

      





       - - -  Rain Maker    Perc.1    mf

Perc.2



  

 





 

mf

    

Vln.1



 



 



 



p



Rain Maker

 



 

ppp



with

mul -ti - co -loured

      



open





 



pp



 



 

mp

 

Vln.3



Vln.4



Vla.1



senza sord.



senza sord.



senza sord.

     

 

 







 



 





 

 



 





 

 









 



 



 

 



 

  



 

 



 

G.C.



 



 

p

p

  



ppp s.p.

pp

ppp s.p.

pp

   

ppp

 

Vla.2

 

Vla.3

(pp)

 

Vc.1

 

Vc.2

Db.





ppp

  

mf



 

 

ppp



pp





(pp)

 

  

ppp

(pp)

 



ppp

(pp)

  

senza sord.

p

p

p

   p

 

 

  

p

mp

p

  

   

p

 

    

  

mp







    



  

mp

    

  

 

 

p

    

    

 

pp







gliss.

white

     

(Sprechgesang)

with

no



ppp p

  



ppp

 3      3

pos -si - bi - li - ty



senza sord.



senza sord.

mp









ppp



  



ord.



ord.

 

ppp







senza sord.



senza sord.

ord.

mp



ppp







      

 

 



 

mf

 

ppp

   

 

pp

  p

T-tam

p

  

mp

gliss.      



       

is

there

   



 



 



          

for











  

 



 

 

 



 

 

senza sord.

senza sord.





  

 





 











    ord.

 

  



mp (Sprechgesang)



 





Kris Defoort: House of the Sleeping Beauties - The Second Night

      p     

p

 



flo - wers





mp

 ppp





mf

s.p.

 

 

white

3

ppp



gliss.

(singing)

ppp

 





  

but -ter -flies

ppp



p

 3     

of wa -king up

mp



mf

senza sord.



stark na -ked

s.p.

ppp

 

 3      



 





ppp Vln.2





on the shafts



    pp 





mp

or -chids





mp







 

p

mp

mp

   

 

pp

pp

   

 



ppp

ppp



The girl







ppp



mp

 

 

open



3              

dark pur -ple hy - a - cinths

Bar. Solo





irregular, very soft (between ppp and p)



3 

 

   

T-tam (with triangle bat)

(p)

S. Solo



p



Pno.



p



Hp.





 



mp

senza sord.

 





pp



     ::::::::::::::::::::::

  ::::::::::::::::::::::    

B. Tbn.

 

(ppp)

Hn.2

 



ppp





Bsn.





438

pa -the -tic

               

ppp

 

  ppp

 

 

 

ppp

 

 

82

  

  Fl.  



 

 



  

446

Ob.

Cl.

Bsn.

     

(ppp)

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2



 







 





 



 



  

  



Vib. arco (two bows)



 



   

(ppp)

 

 

  f

  f

 

f

ff   

 

ff   

 

ff   

 

     

f

 

 

      



         

     

(ppp)

ff

f

mp

pp

f

   

f

f

p sub.

  

 pp

   (grace note on the beat)



ppp

f





 









p sub.

f

f

       

f



 

       



 

ff



ff

  



 



mf





 





 



 



ff

        

  

p sub.

ff

     



      p sub.

ff

      p sub.

ff

      p sub.

ff

      p sub.

ff

    

ff   

p sub.

ff   

p sub.

ff   

p sub.

ff

p sub.

  

ff

     ff

     ff

    

   

ff p sub.

ff

 

  

  

p

their

  p sub.

ff   

p sub.

ff   

p sub.

ff

p sub.

            

     

f



    ff

    ff

na - ked



ff



 

   

 

ff

    pp 

s.p.

   

s.p.

pp



Kris Defoort: House of the Sleeping Beauties - The Second Night

 



 

ff   

 

ff   

 

ff   

 

ff   

 

  

  



ff

      p sub. ff

      p sub. ff

      p sub. ff

      p sub. ff

       p sub. ff

 

ord.

mp

pp

 

mf

 

ord.

mp

pp

mf

 

ord.

 

mp

pp

 

mf

 

ord.

mp

pp



 

old men





 

   



s.p.

  

f

ties



s.p.

pp

-



 

    ff

mf

beau

 

  

 





 (arco)      

              3

  





    

p





     





   

  



   

p sub.

mf

  



mf

mf

 



ff   

       

   

f

ff

f

mp

pp

mf

p sub.

ff



 



seize



f

(p.d.l.t.)

sfz p

  

     



ff

     

p sub.

 

p sub.

 









f

  



  



f

 





pp

 



 

mf

     f     



p sub.



  

f

f



ff

 





  



f

f

  



ff p sub.

    



mf

ppp

 

   

f

 

pp

  





     

 

  





      

ff

ppp

ff p sub.

 

f

  

 







  



  



p sub.

ppp

  

  

f

p sub.

 

 



   

old men

ff   

  

      

(ppp)

Db.

 

  



 

   

f

  



(ppp)

Vc.2

f

ff

    

  

      mf

(ppp) Vc.1

f



  

 

(ppp) Vla.3

      



(ppp)

 

  

ff

(ppp)

 

ff

mf

Crotales arco (two bows)

(ppp)

 

 



mp

   

pp

  

 



        



f



 

(ppp)

Vla.2

p sub.



  Vln.1  

Vla.1

 

 

old men

Vln.4

p sub.

p sub.

p.d.l.t.

      Bar. Solo  

Vln.3

f

mp

    

   



f

mf

Vln.2

   

  



 

f



   

 

   



p

 



mp

  



  

p sub.

  

f

 





f



 



   

 

(ppp)

ff p sub.

ff



   

 

 



  

   

  



ff p sub.

  





mf



83

 Fl.  452

  





mp



pp

(p)

mp

pp

(p)



Ob.



  

Cl.

 Tpt.  Hn.1

Hp.



    

 

p sub.

p sub.



Bar. Solo

     

  

ff

 p sub.

ff   

p sub.

ff   

p sub.

ff

p sub.

ff

 



f





 





 mf

Crotales (arco)





       

  

p sub.

  

 





ff



 

ff



  





 



  



  



ff

ff

ff

 



ff   

p sub.

ff   

p sub.

ff   

p sub.

ff

p sub.

 

 

ppp

mp

  



ppp   

  

mp

        

 

 

p sub.

 



ff

f



mf



  



  

  

 

  

 

mp

p sub.

       



 



 

 



           



     

 



 



 

f

p sub.

f



 



 



 



       



ff

     mf

 



      mf

  



     

  



                 

ff      



 



    

  



 



   

 



 



   

ff

p sub.

p sub.

ppp

  ff

  ff

 

       ff

  

ff

 

 

 

  

 

  

mp

ppp

mp

ppp

mp

 



ff

ff





     



 

  

  







 

  

  







 

  

  

Kris Defoort: House of the Sleeping Beauties - The Second Night

  

p sub.

   

ff

p sub.

 

ff

 

ff

mf





   

ff

mf



 

p sub.

  



mf





p sub.

    

  

 

   



  





  

 



 



ff

ff

mp











pp

     

        



pp

p sub. f



 









ff

 



f

ff





f

 





      

  

ff



 

ff

   



p

(p.d.l.t.)

         

p sub.



f pp sub.

ff

  

   

ff

mf



f

  



  



  

pp

ff



mp

p sub.



 

    

     

 

f

 

ff

mf

  





ff

  

  



  

ff

mf

     

 

tears



ff



 

 



ppp

 



cold





mf

 



ff

 



ff

  

 

(p.d.l.t.)

ff



pp









pp

Db.

  





    

Vc.2







ff   

  





 

ppp



shed their

  

Vc.1



ppp

 

f





  



p sub.

    



f

 

Vla.3

f

Vib. (arco)



f





ff

     Vln.1 

Vla.2

   





p sub.



 

Vla.1

f





Vln.4



f



 



(p.d.l.t.)



Vln.3

f

 



p.d.l.t.



Vln.2





         Perc.1   mf  Perc.2



pp

ppp

ppp

Change to Cbsn.



mp

 



p sub.



(p)

   

Pno.

f





    



f

   





f

B. Tbn.



 



 

pp



f

Hn.2

p sub.

 

 



mp

  Bsn.     f





(p)

 

 



ppp



ppp



ppp



ppp



84



  p



Ob.

 

Cl.

Cbsn.

Tpt.

p



 

Hn.2





f

p sub.

   





   

       





mp

 



(Vib. arco)

(open)

 





(open)

 





(open)

 







      mf



ppp





ppp

 ppp





    

 

  

   

 

 



 



 



 



 

 



 



 



 





 



 



 



 



   

 

     

   

 

   

 





 





 





 





 





 





 



 





 

ppp

     





 



 





 



 



      

 



 







 

 



 





 



 

 



 



 



 



 



 



mp

      

p



 



 







 





 



 





 





 



 

p



 

    

Vln.3

 

   

 

ff p sub.

ff

    ff p sub.

ff

  

mp

  

Vla.3

mp

 

Vc.1

mp

  

Vc.2

mp





 

  





 

p

 

p

pp





p



p

pp





p

pp





 

  





sub - mit

to

their



 

ppp



ppp

 

 

   

 

 



 



 gliss. 

 



 gliss.  

 



ppp

ppp

pp



  

ppp

pp



pp

   

 



pp

ppp

pp

p

 

p



 

  

Vla.2

mp



pp

p

Vla.1

  

mp



3

     grief

   



T-tam

 



mp

  

   

G.C.

ppp

    

     



and

   

(p)

  

cry

q ≈ 50

rall.

p

Vln.4



Old men

 Vln.1   Vln.2



 

 

  



mp

ppp



  





  



 

 

 

  



  



G.C.

 



 

  





ppp

ppp

   



  



 





mp

 

   

 

mp

mf

ff



f



ppp



  

  

 Bar. Solo 

Db.



mf



Perc.1

Perc.2

 



   

 

     



   

mp ff

  



ord.









ff

ord.



f

 (p.d.l.t.)





 

ppp

pp (grace note on the beat)

ppp







 

Pno.



 



ppp

ff



 

Hp.

   



 

pp

 

  

Hn.1

B. Tbn.





p

 

pp

ff p sub.



q ≈ 50

rall.



   Fl.  458

ppp

ppp

ppp

 

ppp

 









         

 

    



pp

 

 



 

pp

 

 



 

 



 



 



 



 

 

 

pp

mp

mp

 

 

 

ppp

ppp

 



ppp



ppp



  

 

pp

ppp

    



pp

  

 

    



pp

  

 

 



  

 

  

 

 

 

pp

   

 

 

   

 

Kris Defoort: House of the Sleeping Beauties - The Second Night

  

pp

mp

    

  



pp

  

pp

   

 

pp

pp

 

mp

  

 

pp

pp



mp



mp

mp

 

pp

mp

 

pp

mp

   ppp

pp



pp





ppp

ppp

ppp

ppp



 out



 

85

e = q (q ≈ 100) accel.

  466

Fl.

    

 

Pno.

Perc.1

Perc.2



 



ppp

 

f

p

f

p sub.



      

  

ff



   

mf

f

ff





  

mf

f

ff





mf

f

  

ff

 







 p

muted



 

p

    f

  

 

f

 

  

 

 

f

p

 q ≈ 120

  

 

p

sfz

p sub.

sfz

p sub.



 

 

  





 

p

sfz

p sub.

 

 

 

ff

  





 

f

ff

p

sfz

p sub.

 

 

mf

f

ff

p

sfz

p sub.

 

 

 

   





 



ppp

  ppp

 

ppp



 

ppp

 

 

   



 

mf

f

ff

p

sfz

p sub.

 

 

  





 

p

sfz

p sub.

mf

 

f

 

ff

mf

f

ff

 

 

     

mf

f

ff

 

 

  

mf

f

ff

 p

 

p

   p

 

sfz

   

 



   f



p

 

ord.      

 

p

p

   

ff

ff

ff

Fltz.

   

  

f

     



      

 

   



         

   

 

p sub.

      

ff

      

ff

 



 

  

   

   

ff



 



 

 



 



 

 

   



 

 

ord.       

 

ff

     

p

f

ff

3

f

  

3

sfz p sub.

ff

              ff

3

f

  

3

sfz p sub.

ff

              ff

f

3

sfz p sub.

ff

f

sfz p sub.

ff

3

f

sfz p sub.

ff

  

3

ff

              ff

3

f

3

sfz p sub.

ff

3

f

3

sfz p sub.

ff

    p

    p

3

f

3

sfz p sub.

      

    p sub.

f sfz

p sub.

    p sub.

f sfz

p sub.

     f sfz

p sub.

sfz

p sub.

f sfz

p sub.

sfz

sfz

sfz

    

p

     

p

p sub.

p sub.

  

  

               

f sfz

sfz

  

ff

Kris Defoort: House of the Sleeping Beauties - The Second Night

  

  

              

*) grace notes on the beat

p sub.

  

ff

ff

sfz

  

ff

            

   

  

ff

             



sfz

  

             

 

 



sfz

  

             3 3 ff

 



              

3

mf

ppp



 

p

f

3

 

ff

mf

         

 

 

f



ord.        ff

sfz p sub.

sfz p sub.

 

 

(The girl's wild, drawn out, heavy sobs wake the old man with a start. What appears to be crying turns to laughter. The laughter goes on for a long time. The old man puts his arm around the girl and shakes her. An uneasy silence falls.)

f

ppp

Vc.2

f

mf

ppp

Vc.1

      

ppp

ppp

3

 

   

ff

Fltz.

     



f

p

 

  

 

p sub.

     

               

f

 

 

   *)

     

     



p

ff

      

sfz p sub.



p sub.



f

sfz p sub.

p sub.

f

     

  

sfz p sub.

f

 

 



3       

3

p sub.

 



f



     

      

   

p

ff

 

f  

   

p sub.

Total silence, don't move

     



   

 

 

p sub.

 

f sfz

     

  

  

 





  

 

f

      

ppppp

ff

f

f

p sub.

   

  

3  

open

    



 



p

sfz

   ff

p sub.

   

 

           

f

 

Vla.3

3

f

open

gradually

 

Vla.2

3

       

p



p sub.

  

f

ff

Vla.1

ff

p

f



  

            

gradually

mf

Vln.4

  

3

f



  

ff

           

muted



ppp



3

  

  



ppp

Vln.3

ff

f

  

Vln.2

sfz p sub.

  

            

p sub.

  

(G.C.)



 

f

  

 

f

 

Susp. Cymb.



  

ff





e = q (q ≈ 100) accel.

Db.

  



 Bar. Solo  

Vln.1

p

*)

f   





p sub.

 3    3          

f

ppp

B. Tbn.

f

sfz  



ppp

Hn.2

mf

 

3

 

Hn.1





*)





 p   





ppp

Tpt.







Cl.

Cbsn.





Ob.

q ≈ 120

       

p sub.

f sfz

p sub.

    p sub.

f sfz

p sub.

    p sub.

f sfz

p sub.



     

  Total silence, don't move

 

ff

     

 

ff

     ff

      ff

   

     

 

    

 

    

 

     

 

      

 

ff

ff

ff

ff

ff

          ff

 

86

Madam Are you awake? (Silence) Madam Are you awake? (Still giving no answer, the old man hides his head under the blanket. The girl’s nipple touches his chin. Suddenly he is inflamed with desire. He presses the girl against him and wraps his legs around her.) Madam Sir, Sir! Old man I’m already awake. I’ll go and get dressed. Madam How was it? A delicious child, no? Old man Delightful…What time will she wake up? Madam Mmh, whatever time that may be…. Old man May I stay here till she wakes? Madam I’m afraid that won’t be possible. We don’t allow that, not even for our best clients. Old man But she’s such a delightful child, isn’t she? Madam Isn’t it better to have your way with a sleeping girl and forget about all those useless feelings of intimacy? The girl has no idea she’s slept with a man; therefore no difficulties can arise from your meeting. Old man Yes, but I will always remember, won’t I? Lets say I happen to run into her on the street… Madam And you would speak to her? Please don’t do that. How could you place that burden on her shoulders? Old man Burden…? Madam Yes, indeed. Old man Burden did you say? Madam Stop being so stubborn and accept that you can adore the sleeping girl only while she sleeps. (The sea is visible through the window.) Old man Is it cold in the room next door? Madam I switched on the gas heater quite early. Old man Snow? Madam The snow has stopped, but the sky is overcast. Old man So? Madam Your breakfast has been ready for quite some time. Old man H’m. (The woman looks at the floor and her face tightens.)

Kris Defoort: House of the Sleeping Beauties - The Second Night

Old man Didn’t you hear me calling last night? I wanted to have the same sleeping pill as the girl. I wanted to sleep as she was sleeping. Madam That’s not possible. Besides, it’s dangerous for old men. Old man My heart is fine, there’s no need to worry in that regard. And if I were to close my eyes forever, I would have no regrets. Madam You’ve been here only twice, yet already you want to have things your way? Old man Besides, I have a request. After breakfast, won’t you give me a couple of those sleeping pills? Naturally I would pay for them. I don’t know when that child will awaken, but... Madam That won’t happen.

↓ ORCHESTRA (Prelude to The Third Night; timing decided by the staging)

Kris Defoort: House of the Sleeping Beauties - The Second Night

87

The Third Night Prelude

q ≈ 54

Flute

English Horn

Clarinet in Bb

  



 



  



 





 



 

 





 



  

           







5

3

ppp dolce

Trumpet in Bb

  

3



  



 



 









 



 





 p dolce

5

3           



  

p dolce

3

   



ppp dolce Bassoon

Kris Defoort



p

     

Harmon mute

   



  

pp

 mp

   

(with Cello 1.)

 

   

pp



 





 



 





Horn 2 in F

 





 



 







 



Bass Trombone

  





 



 







 



  



 



 



 



Harp



MNLOMNMM mp dolce

 



 

Piano

  



 

  

pp dolce

             pp   (sempre)       Percussion 1   

Percussion 2

  







    

 



     



 



 (sempre)

   



      

Violin 2

Violin 3

Violin 4

Viola 1

Viola 2

Viola 3

Violoncello 1

Violoncello 2

Double Bass



         3

    

 



 

3

---



 





 3    





                5 3 

             

   

---

                5 3 

 ---

   

         3





        



3

 



 



 







 



 







 



 





 



 







 



p

G.C. p





p dolce

 

con sord. s.v.

 

con sord. s.v.

 

con sord. s.v.

 

con sord.

 

con sord. s.v.

 

con sord. s.v.



   





pp



pp





pp





p dolce







pp



pp

 



 

  



 

  



 

  





  















             5 3

  



 

  



 



3

p

 



  

p

        

 



       

p

3





             5 3

3





        



s.v.         3





p





  p







 



 





  





 



 





Copyright ©2008 by Pentimento Publishing Kris Defoort: House of the Sleeping Beauties - The Third Night

ppp







s.v.

con sord.

p



      pp   

 p

mp



ppp



  

ppp

  



ppp

  



  



ppp

ppp

    



 

p dolce

 

 

Tam-tam

q ≈ 54

  Violin 1  

  

---

pp dolce

 

   



straight mute

Horn 1 in F

 

mp

 

ppp

(with Bsn.)



    

 p dolce

 ppp



2

  Fl.    



   



8



p

Cl. in Bb

Bsn.



    mp

3    

  



  

   





mute

3







 

   

3

3











  



 



   



 



  

 







 



 





 



3

p





(with Eng. Hn.)

   





3    



pp



ppp dolce

Hn.2



 

(p)

p

 Tpt. 

Hn.1



mp

p

Eng. Hn.

         

 











pp



 

3



3

 



3

 

3



   3

(straight mute)

3

pp

  





p

 









   

 







p

mute



 

 



   

p

B. Tbn.









Hp.





Perc.1

Perc.2



  



 

Vln.3



Vla.2

Vla.3

Vc.1



Db.

 



 





  



  

 

  

   



 

  



 





  







mp

Vc.2





 

Vla.1

 

(pp)

 

        

 



p

 LNLOMMLL

 



          

     ---





        





---



  

 

f

5

  pp





(l.v. sempre)

    



p





     



 



 





 

        3  

ppp

p

 

5

 

pp

  

  

   

 



  

   

 

 



 

         

10





 

 

3

p

   



   

          pp

 

Crotales

pp

5





 









 

3

 

    









 



 

p





 

p



 



gliss.



 



gliss.



 



gliss.

 



 



gliss.

 

ppp

ppp

   



 





  



ppp





  p

Kris Defoort: House of the Sleeping Beauties - The Third Night



   

 

3

     



ppp

  

 

pp

     

 

3

 

  



ppp

    



pp

ppp

  

  

     

   

ppp

   

 





  

 

3





pp

p

 

    

            



 

 (with Eng. Hn.)    

mf

 



 

 



mp

 

Vln.4





  Vln.1      Vln.2

 





Pno.



mute

 



gliss.

   

3

  Fl.   13

Eng. Hn.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

      

    

3

  

Pno.

Perc.1

   



  

p

 



 

   

  3

pp

 



  



 

 



 

  



 

 



  



 

 



 

 



    



 

  

3

   





mp

            pp              



Tam-tam

pp

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.



pp

     

           



 



  













  



 









  



 







  



 

pp

mp

pp

p

 

 

 pp

mp

 pp

 

  

  

p

  mp

       p       





 



G# C§



rall.



  



  



  

 



p







 



 









 



 





 



 





 



 



 



 



 



 





 



 





 



 



 

   

   

 

   

 

   

 

     

 ppp



ppp

 

  







   



 



  



 



   



 



   



 



  



 



 

ppp



  

 

ppp

  

 

ppp



  



pp

ppp

 





  

  





cymb.  Susp.    

q ≈ 44





 

  

  

pp

          pp

  

3



mp

 

 

pp

  



 

pp

  



  

pp

mp

 



 



  

 

p

 



p







mp

  

( )



 

p



p

 







             3

p

 





p



  

 











3





     

pp

p

3

  

 

  

   



p

 

ppp

     





     



legato, rubato feeling

 



  

 



mp

  

 



  Vln.1   Vln.2

G.C.

 3

3

p

 

Perc.2

  

legato, rubato feeling







            3



mf



 

 

  



 



  

  

 

Hp.

  



    

q ≈ 44

rall.



 



 

 



   



 

ppp

 



Kris Defoort: House of the Sleeping Beauties - The Third Night



 



 

4

  Fl.   18

Eng. Hn.





 

    





    





 



pp

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

  

Perc.1

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

Db.



  



 

 



3

 

3

p

 

    

 



(with Cello 1.)

p

Change to Ob.

 

3



3

  

3

 

 



     

  

    

Change to Piccolo





  

 

 

     





3

p





 

 

 

pp

  



  





  

 











 

     





  



  





  

 











 

  



   



 

 

   

   



  



  ppp



mf

   

(l.v.)     









 

 3



mf

  

 



  









 





 



pp 3

    



 



  

     

 

     

 

p





 

 





 



 











 



 

Crotales     pp

l.v.       

 





   





 

 

pp



   

   



   

gliss.



  

  



  

 



  

    



pp

 pp

  

 





    

pp

pp

pp



   

3

 

 





 



   

 

    





 

  



 

 

3



 

3

  

 

    

  

3

  

 

     

  





  



 



gliss.  



  



 



 

 



  







 

gliss.

con sord.





pp 3

  

pp

 



      







pppp

   



 



 

      

  



  

 







pp





  

 

  

mp 3



G.C.

  

 



 

 Change to Celesta

       

pp





pp

    

  





pp

     



       

     

arco

 



  



 

3

  

 

  

 

 

 

Tam-tam



  



 

   

 



  

pp 3



3

 

 

     

  



MNLOMNML

    

 





  

  Vln.1   Vln.2

 

 



 

Perc.2

  

3

 



  

Pno.

3

   3

 

pp

   

      

 

Hp.

  

 

3

 

  



  

pp

Cl. in Bb

 

(with Bsn.)

  p

gliss.

    



   Kris Defoort: House of the Sleeping Beauties - The Third Night

 



  



 

 

  

3

   





 

  

 mp

sul C'



gliss.

slow gliss.

 

   

Piano music is heard in the background. [The pre-recorded piano music (cf. CD) should come softly from the stage, like coming out of a radio or stereo.]

   Picc.    22

  

pp

Ob.

 

Cl. in Bb

 

Bsn.

Tpt.

p







3

3











     







 



 





 



 



 



 



 



 





 



 





 



 



 



 

 



 



B. Tbn.

  





 

Perc.1

Perc.2

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

                



       

 





  

  

mf



  







 



 

       



 



 



 



 

Change to Piano



     



 





 



ppp

           

ppp

pp

ppp



pp

ppp



pp ord.

ppp

pp

pp

ppp

p

pp

pp ord.

ppp



p

pp

pp

ppp





 

     

(pp)

 

  

gliss.

gliss.

gliss.

  

gliss.



gliss.

 

p

gliss.

(no attack)

 (no attack)

 

    

 



   

 

3



(no attack)

     



 ::::::::::::::: ord.     :::::::::::::::   

   



pp



 p

 

 :::::::::::::::   



gliss.

 

   

pp

   

pp



 

pp

 

  

 

3

 

mp







pp

Db.

  

pp



pp

Vc.2

   



pp



 

 

 

pp

p

    

 

 



hard brush like wind G.C. ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;

  







    

 



  



pp





 





ppp

 



 

3

Change to Fl.



 

 

 

senza misura

 



 

Hn.2





5



 

Cel.

 



   







pp

Hn.1

Hp.

 



(The new year came, the wild sea was of dead winter. On land there was a little wind.) Water boils in an iron kettle on a kiri-wood stove. Madam doesn't look the old man in the eyes. (Dialogue on next page starts in the fading chord; timing decided by feeling.)



pp Kris Defoort: House of the Sleeping Beauties - The Third Night

 

 

pp

senza misura

           



 

ppp



ppp









 

ppp

6

Madam And on such a cold night…. Old man I come precisely because of the cold. Would it not be the greatest pleasure for an old man to die on such a cold night while lying warm beside a young body? Madam Isn’t that a terrible thing to say? Old man Old men are neighbors of the dead. (The woman pours tea.) Old man There seems to be a draft in here. Madam What do you mean? There isn’t a draft. Old man Could there be a spirit of the dead in the room? Madam …. Old man May I have another cup of tea? The water must be good and hot. The hotter the better. (The woman does as he asks.) Madam Have you heard something? Old man I might have, yes. Madam Yes? And still you came? So you took the trouble to come here, but now wouldn’t you prefer to leave? Old man I came precisely because I knew. Isn’t that wonderful? (The woman laughs abruptly.) Old man Such things happen sometimes. And winter is a dangerous time for old men… Wouldn’t it be better to close this house during the winter months? Madam … Old man I have no idea what type of old men come here, but if one or two were to die, you wouldn’t be able to shrug it off. Madam Tell that to my boss. What’s it to do with me? Old man You are indeed involved in this affair. Wasn’t the body of that old man taken to the guesthouse here in the neighborhood? Secretly, in the middle of the night…? Surely you had a hand in that. Madam That was only to spare the old man’s reputation. Old man Reputation? Does a dead man still have a name to uphold? Naturally it had more to do with what people would say. Probably done more for the sake of the family than for the dead man himself. However annoying that might be… Are the guesthouse and this house owned by the same man? Madam …. Old man I can’t imagine the papers would go so far as to say that an old man died lying next to a naked girl. If I were the old man, it would make me happy to know that I wouldn’t be taken away, that I would be allowed to stay here peacefully. Madam Then you’d have an investigation into the cause of death and all sorts of difficult questions; and because the room would look a little strange, there might be unpleasant consequences for our regular guests. Not to mention for the girls. Old man The girl continues to sleep without knowing the old man next to her is dead? Even a short struggle with death still wouldn’t wake her? Madam No, but…If an old man dies here, the girl must be taken away and hidden. And then it’s still possible to discover that a woman was sleeping beside him.

Kris Defoort: House of the Sleeping Beauties - The Third Night

7

Old man What? You also take the girl away? Madam Yes, otherwise it looks like a crime took place. Old man So, the girl doesn’t wake up from an old man’s death nor the chill of his body? Madam No. She knows nothing about the old man that died next to her! Old man You don’t need to worry about my blood pressure or my heart, but in the very remote chance that I might pack it in, would you please not bring me to the guesthouse and let me stay next to the girl? Madam Not a chance. And if you keep talking like that, I would prefer you went home. Old man I was only joking. Do I know the girl who was with him that night? Madam I’m not permitted to tell you. Old man Oh. Madam Due to the deep red welts on her neck and chest, I’ve given her time off until she’s healed. Old man May I have another cup of tea? I’m thirsty. Madam Of course. I’ll fill the pot with fresh tea. Old man If such things happen, you can’t expect this house to stay in business very long, even if you do keep it a secret. Don’t you believe that? Madam You think so? Old man And the girl knows nothing? Madam No. Something like that wouldn’t have woken her. Old man Something like…? She also didn’t know that the body of the old man was taken away? Madam No. Old man That must be a particularly sinister girl. Madam There’s nothing sinister about her! You would be better off not talking so much, go quickly to the room next door. Have you ever found the sleeping girls to be sinister? Old man And still, for the old men there is something sinister about girls being so young. Madam How can you say that…. (With a vague smile, the woman stands, walks to the connecting room and opens the door a crack.) Madam They are fast asleep, waiting for you…Here you have the key…That is true too, I forget to tell you. Tonight there are two of them! Old man Two? (Madam leaves the room.) (ATTACCA ORCHESTRA)

Kris Defoort: House of the Sleeping Beauties - The Third Night

House of the Sleeping Beauties

8

The Third Night

(Piano music stops)

   1

Fl.

Kris Defoort

q ≈ 112





 

Ob.

 





 

Cl. in Bb

 





 

Bsn.

  

Tpt.

Hn.1

    





ppp

 









ppp B. Tbn.

  



 

Hp.



 



Perc.1

 

pp



    (sempre)

(both hands)

 Tam-tam   

  

  Vln.1  

Vln.2

 



 

Vln.4

 

Vla.2

Vla.3

Vc.1

        



 













pp

mp





f



f

 



pp







pp



7

pp





  3







f

pp



 

 



3

3 

 



loco



   





 



 mp









 



10





 

pp



 

 3



  





 

fp

      3



pp

         

pp



 5

                  5

 

pp

      

                    5

 







mp

      

5

 

 

sfz

 







          

6

sfz

 

 

 

 

pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 



f

fp

6

6

  

 

  

  

 

 

  

  

pp

 



 



f

f

    

fp

7

       

 







6

mf

pp

    

             

 6               

 

mf

             

fp



ppp

 

 

              

sfz p

fp

pp

3

5

3

   

 

sfz

               

6        

fp

5







mp

fp

5

    



   

6

       







pp

sfz

3



   

          

3

  

   

5







     

 

     

 







 

 



3

 

 

 

mp



 



5



 



               



 

pp



pp

mp

3

pp Db.

 



mp

q ≈ 112

pp Vc.2

 

ppppp (almost inaudible)



 

 

pp

 

pp

 



 

pp Vla.1

 

G.C.

pp

 



 f



pp Vln.3

 



 

l.v. sempre

ppp

Perc.2



pp

mp



ppp

        

Pno.





ppp

Hn.2



 

pp

pp



  3





 

       fp

  

 

 

 

  

 

f

f

f

9

(Two beds are spread out next to each other on the floor. On the bed closest to the door an utterly wild tall girl is asleep. She has thrown off the blanket to the level of her belly.)

Sub. q ≈ 60

  Fl.  



   

 



   

 



  

3

Ob.

Cl. in Bb

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

   

 

 

f

  

sffz

sffz

 

pp

 

    



sffz

f

   



sffz

   

 

  

f

 

pp

 

 

 

 

f

    

pp

 



 

f

pp



 



 



 



  



f

sffz





f

 

 



sffz

MLLOLNNM

Bar. Solo

Tam-tam



(Baritone enters the bedroom)

Vln.3

Vln.4

 



   6



6





mf

Vla.2

 6

f

Vc.2

Db.

  

  

  

 

 

   

  

  

  

pp

pp

pp

  



 



  



f

f

mf

f

mf







  

mf

f

mf







pp sub.

mf

f

mf

  







mp

mf

mp







mp

mf

mp







  

pp sub.

ppp sub.

   ppp sub.

  

sffz

ppp sub.

mp

mf

mp

  

gl

 6

 

iss

3



      f



 mp

     chromatic cluster 













T-tam



  

pp







    









    



     

 

 

sffz

pp sub.

  

  



   

sffz

 



  

  

 

sffz



 

     ppp

Change to B. Cl.

 

     ppp      ppp



     ppp      ppp

 

   

















      





pp sub.

  

pp sub.

  























pp sub.

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

p







 



p









f

ff

f



 

f

ff

 

f



 

mp

mp

mp

 

p

    p 

mp



p



mp

 p



 

 

pppp

p

 

mp

G.C.

p

pp sub.

   

p



pp sub.

  

   pp    arco   





pp

mp





pp

  



pp

pp

f

5

mp









 

p.d.l.t.

 



     ppp





ff

        



Glass-chimes







  

Change to Eng. Hn.     ppp



              

f



ff

   f



ff

 





     ppp





Cluster : hit the bottom strings with the palm

G







       

 

.







ff

5





  

Sub. q ≈ 60

sffz

f

pp sub.

mp

sffz

Vc.1



mf

sffz                             fp fp f f

Vla.3

 6

f

                



mp

       

     

        mf



 

f



ff

f

f

5

Vla.1





    

                   





mf

    



f

                             

 

  

mf

ff

ppp

        

 

pp sub.

       



         Vln.1   Vln.2



Crotales (metal sound)



        

Vibraphone (metal sound)



ff







    

Perc.2

5

   

   

   

   

   

5

5

5

5



Perc.1

mf



 G 

                                                 

Pno.



ppp sub.

   

f



sffz

     



 

 

  

mp

mp



p

 p

mp

    p

sul pont.

 

pp

10

e = q (q ≈ 120)

 



 



 



 



 



 











 



 



 



 



 











 



 



 



 



 



7

Fl.

Eng. Hn.

B. Cl.

5

      3

    5

p Bsn.

Tpt.





 



 



 



 



 





 



 



 



 



 



 







     mf





f pp sub.

       



f

 





Hn.1



 

 





 

 









  



  







ppp

 





Hn.2



 

 





 

 









ppp

B. Tbn.

Hp.

Pno.

Perc.1









Bar. Solo



 



 



 





 

 









 





 



 





 



 



   soft mallets   

Perc.2

 

     

   



  

 

(pppp)

 







 



   





 



    mf

         pp

        p

 

 

 



         mp

A love - ly sight

 



 



 



 





 



 





 



 





 



 



 



 

 



 



 



 



 



 



So,

such things

still e - xist

in

 

 

  

 

  

 

 

 

  

 

  

 

 

 

  

 

  

 

 

 

  

  

     

   

   

  

 

 

Vln.4

p

Vla.1

p

 

Vla.2

  

p

  

 

Vla.3

p

  

Vc.1

mp

 p



Vc.2

p

Db.





 

 

   

 

p sub.

   

e = q (q ≈ 120)

s.p.

mp

  

   

 

  

  

       

   

   

 

 

      mp

p sub.



  

  

p sub.

 

 

   

s.p.

mp

   

mf





5                                  3                ff



 

  

3

9



   



mf

f

Glockenspiel





 

    



  

5

T-tam





 

Marimba

 

soft mallets



  





   





   





   





   





life

 

p



G§ Ab



mp

     3                  

Vln.3



    



p

 

p

mf



  

Vln.2



mp



 



ppp

  Vln.1  p



 

   

 



    f

       





   



  

f









f

   



   

  

     

f pizz.

   

mp Kris Defoort: House of the Sleeping Beauties - The Third Night

    f

   



   







 



 



 



 



 



11



 Fl.  

s.v.

15

pp

 

Eng. Hn.



 

B. Cl.

Tpt.

pp (blowing wind)





f

Bsn.

pp



 



Hn.2

 

B. Tbn.









Hp.







Pno.



Perc.1

     mf

 

  



  



  

            pp

ff

5        

ff

  

1

 

p



2 Ch.



3

4

Vln.1



 

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2



pp

 

arco

 

arco

 

arco

 

arco

 

arco



 

 



 



mp





 



 







 





 

 

con sord.



 

 

muted



 



 

muted



 





 

con sord.



 

 





 



 



 





 







 





 



 





 





 



 





 





 



 

    

 

 

 



 

    





 



 



mf

mp

  

 

    

The



 



mf very articulated and neutral         3   3     





lies

q ≈ 102

        mf p sub.

        mf p sub.

 :::::::::::

 

  

 

mf very articulated and neutral  3            





 



fa - cing a - way from him

   

mp

mp

 :::::::::::::::

 

o - ther

lies

on her back



(very articulated and neutral)



    

(very articulated and neutral) mf

 







       :::::::::::::::::

    ::::::::::::::

 

mf        

 

 



 

 



 

legs

her arms re - laxed

 

 



MLLOLNML

       

spread wide

 pp



pp

 :::::::::::

 

     

  



   ::::::::::: 

  :::::::::::::::   ::::::::::::::::: 

 ::::::::::::::    :::::::::::   



  



  ::::::::::: 

 :::::::::::::::   ::::::::::::::::: 

 ::::::::::::::   :::::::::::   

  



  :::::::::::::::   :::::::::::::::::

 ::::::::::::::    ::::::::::: 

p

p

p



pp

   ::::::::::: 

p

  :::::::::::::::   ::::::::::::::::: 

 ::::::::::::::    :::::::::::   





  



    :::::::::::





  



    :::::::::::

  :::::::::::::::   :::::::::::::::::

 ::::::::::::::    ::::::::::: 





  



   :::::::::::

  :::::::::::::::   :::::::::::::::::

   ::::::::::::::   ::::::::::: 

 arco ord.   



pp

pp





 

pp

 









    

molto accel.





pp

One girl

  

 

   

mf







 







 



 

pp

      

 

 



pp



  



  

p

 

Vln.4

    



ppp

q =e (q ≈ 60)



 

susp. Sizzle-Cymb.





 







mf





pp

                  mp       

C§ Db





 





 

 



p





pp

  

 



 



 





pp

p



 

 

Vln.3



  



 







p



 



  





p



 



pp

p

mf

 



  





Change to Oboe

p

  

mf

 

p

p

mf

p



  

mf

p



pp

mf





 



p

 

 

ppp





  

Vln.2

Db.



mf

p

 





6                       f

  



 

Marimba

Perc.2

mf

  

q ≈ 102

  



p



pp (blowing wind)



  



pp (blowing wind)

mf

p

  

pp (blowing wind)

mf



p

(blowing wind)

 

 



molto accel.



  

pp

  

q =e (q ≈ 60)

p



  

Hn.1



pp

p

p

 

p





pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 





 



 

12

  Fl.  



23

Ob.



little gliss. with embouchure



  

ppp

B. Cl.

 



    Bsn.  

   





 

ppp

 

 gliss

.

f

 G 

    

Perc.2

1

2 Ch. 3

4

f



 



 



  



    f

    

sul D'

f

   

sul D' Vln.4

f

   

sul G' Vla.1

f

Vla.3

f

   

sul D' Vc.1

f

     

sul G' Vc.2

f

Db.

  



(pp)

 



 





 





 







 



 



senza sord.

 

   



 







 



 



open

 

   



 







 



 



open

 

   



 







 



 



senza sord.

 

 





 







 



 



 

 

       



 







 



 



 



 







 







 





    

 

 



 



f

f

f

ff

            

mf

                



    

 

 



 



 



 





     



mf

  

 



p

mf



  





mf

 

    

   

 



3

skin

  

  

 

 gliss. 

 

   

ord.





       mf

   







3     

mp



    



 



 



 

 



 



 

white

mf

          from her

flesh - y

ear

 



   

pp

   



 

 

mf

cop - pe - ry hair

 

  



         

The

mf

arco

                   mf 3

p



 

with thick

She ap - pears

  gliss.

 

 

   

f

 

 

   



 





 



 





 



3 3       

to be tall,

mf

to

  f sul G'           

sul G' Vla.2

Vib.



  

f

 

 

mf

    

sul A'

Vln.3

mp



sul A'      Vln.1  

Vln.2

         

  

  





f

      

Perc.1

   



 



 



 

  



 

 

   B. Tbn.  

ppp (c.s.)

Pno.







 

(muted)









   

ppp

Hp.

 



poco rall.



 

   

f





 

 

  

(muted)

ppp

   



 



 

ppp

Hn.2



 

pp

  (c.s.)  Tpt.  

Hn.1

Change to Picc.

 

her chub

 

- by

poco rall.

  





  

  

 

  





  

  

 

  





  

  

 

mp



mf

  





  

  

 

ord.







mp

mf

  

  

  

 

 

ord.



  





  

  

 

 

ord.

  gliss.

 

  gliss.

 

mp

mf

 

ord.





 gliss. 

mp

mf

 

ord.



 

mp

mf

 

ord.

 

gliss.

gliss.

  gliss.

  gliss.





 

   

mp

p

p

p

p

p



mp



mf

  





  

  

 

ord.









mp

mf

  

  

  

 

  





  

  

 





 

 

sul C' ord.

 

mf

p



mp

  pp



mf

p

p

 

p



Kris Defoort: House of the Sleeping Beauties - The Third Night





   

 

13

  Picc.    Ob.





p

  



            

Tpt.



   

Perc.2

1



LMLOMMLM



3

   



    

  

   

pp







   

mp





mf



mf



mf



ff

                    

 

6

mp



mp

 

mp

 

mp

   

mp



mp

   



 



 



 

     pp       pp 



 



 



 



  

mp



pp

  

Vln.3

  

Vln.4

                 pizz.

      mp



     pp     pp



pp



pp





     











 



pp

pp



  



f



f



f

  









pp

        

 

arco



arco



arco



  pp   



pp





 



pp

   

f

f



pp

arco



arco

 

 



pp

 



 



 



 



 

pp

pp

 











 



 



 



 f                    

      mf

p



 mp     



 

mp

          

 





 





 



 





 









 





 



 



 



mf p sub.     



 



 mf   3   



 



 



 



 



 

 f



  

mf

  

mf



  



  



 

f

f

mf



 

f

mf

mf

mf

 

mf

 



mf

mp

The nip - ples



  

p



large

  



 

    arco

    

mp

 



 T-tam      ppp

 

 mf p sub.



Her skin

smells

   

     



 

 



 

mf

and



pur - ple

  

    

  

          

  



 



    

     



 



  



p

  



p

mf







p

  

f

p

mf



f



Crotales

       

mf

pp



mp

     



     

 

f





Vib.  

arco

 





 

G#



 

  

 





f



 









 

f

 



 



f





 



 



f

 

 

 

p

  

 









 

pp



 

 



 



mf

  

 

p

  

 



   





pp

 

 



 





   

 





T-tam



 

neck

A tempo (q ≈ 102)

Db.

mf





  





    

  

  

   Vln.1  

Vc.2



pp

            

4

Vc.1

  





6

  

Vla.3







Vla.2

 

f

f

f

 

Vla.1



 

pp

3

Vln.2

 







 

f



                 mf f 

    





pp

pp



Ch.





 

2



mf





  

f

pp

f



  

Perc.1



pp

 







  

 



         

  

Change to Fl.

pp

p

  

Pno.

f



p

 B. Tbn.   

Hp.



  

  pp   



mf

 Bsn.   

Hn.2

mf

      

pp

Hn.1

   



3

B. Cl.

       



A tempo (q ≈ 102)

30

   

  

 

  

 

  

 



  

  

  

 



  

   

  

 

 

 

 

   

 

 

 

p

p

     p 



    p  

p

 

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

 sul pont.      f

p

mp

         sul pont.

f

 



pp

p

mp



p



14

  Fl.   36

Ob.

 

B. Cl.

 

Hn.1

Hn.2

Perc.2

1

2 Ch. 3

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2

 

   



 



 



 



 

 



 



 

     



mf

Db





 

       mp



  

 



     

       





 

mf p sub.

faint

 



 



       

(p)

     



 





    ly

 

mf

  

         

 

   

 

 

  

  

  

      

   

 

  

 

   

   

  

sfz

  

sfz



 



pp

  



 



 



 



   

     f    

pp

 



 





 



 





 



 



 



 



 



                  



      

    



f

    

                              



 

T-tam (triangle bat)

 

G.C.



f

 

 

pppp





          5

        3

p



 



ff

 

f



 

     

     

             

p

p

  



gliss. mf

gliss. mf

  

gliss. mf

gliss. mf

gliss.

p

 

mf



gliss.

p

  

p

         sfz p sub.           

p sub.

           sfz



gliss. till lowest possible pitch

p sub.

mf



gliss. mf

 

        sfz p



glis

s.

 gl

iss.

sfz p

     sfz p

 gliss

 

iss.

sfz p

.

sfz p

   

 gli

ss.



gliss.

ss.

gliss.

gliss.

   

gliss.

   

gliss.



f



f

mf sfz p 5



f

mf sfz p

 gli ss.



f

mf sfz p

 gli



f

   

        3

gliss.

mf sfz p

sfz p

    

   



f

mf sfz p

sfz p

  

      

mf sfz p

 gl

   

gliss.

mf sfz p

 



      

f

      

mp

5

f

5               5 3



mp 3





f

                6 5



mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

f



ff

   

 



 

   



 



   



T-tam (sim.)

f

T-tam (triangle bat)

f

 

 mp

          sfz p sub.



 



      



 

    



ff

  

Lo - ng

 



ff

 



Lo - ng

sfz p sub.

 



p

 

 





            sfz p

sfz



Lo - ng



       sfz          sfz         

 sfz p sub.





       sfz        sfz          sfz

T-tam (sim.)

 



mp



   

ff

f

 

pp

f

9

sweat

sweat



pp



    

6



 

ppp





f

p





 

 





 

p





p

 



  

  

 



pp

ppp

ppp

mp

  

 







  



p

 

  

pp

f

p



ppp

    





 

of

  

p

pp

 







f

sfz

 Db.  

 

 



     

of



 

 

sfz



       

mf

-



sfz



(p)

Vln.4

 

           sfz pp       



Change to Cl.

 

  Vln.1  

Vln.3



         



faint - ly

Vln.2



 

 



mf p sub.

4

 

 



 

Perc.1



 

 

Pno.



 



 B. Tbn.  

Hp.

 

  

 Bsn.     Tpt.  



mp

   sfz p sub.

Lo - ng

  

      

 



 



      

 



 



      

 



 



      

 



 con sord.  

      

 



 con sord.  



 



 con sord.  



      

 



 con sord.  



       

 



 con sord.  

 



 con sord.  

 



 

f

f

f

f

f

       f

f

f

        f

        f



Fl.

15

     



   



43



f

Ob.

p



mf

    

Cl.

      mf

Bsn.



 Tpt. 

Hn.1



Hn.2



B. Tbn.

Hp.

Pno.

Perc.1

Perc.2







muted



con sord.

















f

f

     f

    

 Vln.1 





Vib.

mp











Long

 

pp



mf

mf

   ff

   ff

     

  

ppp

ppp



Vc.2





Db.





 -

 -



 





 

 

 

p

pp

ppp





  

p



p

  

gers

fin

-



gers

mf



fin

 

-

 

 mp pp sub. 



mp pp sub.

pp sub.

mp pp sub.

 



gers

     

p

 





 



 



            



 



  

  



  



     

5

Change to B. Cl.

  

 



     3



ff

Bb

f

sizzle-cymbal  soft mallets on suspended       

   

ppp

 

 

mf

pp

ff

   pp

   (wind)

pp (wind)

  

open

  

 



 

 Vib.

 



 



 



 



      

 Ab

     

ff



pp

 

G§ B§

 

 

 

mp



         

T-tam (triangle bat)

mp

pp (wind)

  

      

(wind)

open





  

  

      

pp

open



 

pp (wind)

open



 

3                 ff ff ff  3                  



  

 



mp

 

  

f

 



 



 



  

ff

pp sub.



mp pp sub.



pp

mp pp sub.



pp



mp pp sub.









sfz p

 

  



     



 



 



      Kris Defoort: House of the Sleeping Beauties - The Third Night

f



  











  

   

  

       

s p

-

mp

s

p

-

mp

   s

p

-

   s

  

sul pont.

  

sul pont.

 

con sord.

 

con sord.

 

con sord.



   

 

(con sord.)

   



p

Nail mp

Nail





 mp   

Nail

3     

  

 

Nail

f

Lo - ng

                                          





sfz p

     

f

  

Lo - ng

   



f

Lo - ng

3     

 

  

mp





sfz p

  

  



   

 



sfz p

  



 

Lo - ng



mp pp sub.

mp pp sub.

p



 

pp sub.



  

 



ff

pp



p

mp pp sub.

 

pp

mf

pp

pp sub.

3

gers



mp pp sub.

   

     



fin





               



 

  



(Seated, the old man plays with the girls long fingernails. He takes a handkerchief from his pocket and wipes off the sweat. A persistent odour clings to the handkerchief. He wipes the sweat from under her arms. He can no longer take the handkerchief back home with him so he crumples it up and throws it into a corner of the room.)



fin



      

ppp



 pp 





                ff           





  



 

mf

  

 

  

  



 

Long

mp

  



G.C.

Long

mp







   



  

(wind)   



     







            

mp

mp

 

  

 

  

  





     

  

mp pp sub.

           



ppp



mp pp sub.

Long

   

Vc.1

pp

  









ppp



mp pp sub.

      

NMMOMMNM



   

Vla.3

pp





 

mp





Vla.2



mp pp sub.

pp





Vla.1



mp

    

Vln.4

mp pp sub.





     

Vln.3



p





mp pp sub.

T-tam (with stick of G.C.)



Vln.2



pp



3

con sord.



 

Ch.

 

muted



f

4







2

mp pp sub.

p





p

pp



 Bar. Solo  1

mf





mp p sub.

  

 

pp

 

 

pp



sul pont.

pp

 

sul pont.

pp





 

(con sord.)



 







 

(con sord.)



 







 

(con sord.)



 







 

(con sord.)



 







 

(con sord.)



 







 



 



16

  

Fl.

mp



B. Cl.

Bsn.

Tpt.

mp



  

pp

p

mf

mp

pp

p











 





f



mp

 



mf

       

   

  

ff

   5

 

mp



 

 

 Bar. Solo 

 

mp

2 Ch.

 

 

 



mf

  



  

 

 

     10           





gliss.

                                             3 6 3 mf



 

f

Crotales

   mf

f



9

mp





pp

mf

         mp p                    



 















pp



mf

mp

pp





mp



pp

 

f



mf



mp



pp

molto rall.

q ≈ 78

mp

mf

  

f

 

mf

f

mf

 





mp

mp

Vla.1

 

Vla.2

 

Vla.3

Vc.1

Vc.2



mp

 

 

Vln.4

 

mf

mp

Vln.3

 

f

 

Vln.2

 

  f

mp

 

 

 

 

 

mp

mp





 

 

pp



mp

f

mf

pp



pp



mp



f



mf



pp











mp



f



mf

pp

mp

mf

mf







   



pp

mp

mf

mf

pp

 











pp

mp

mf

Kris Defoort: House of the Sleeping Beauties - The Third Night

mf





 

pp

pp

 



                   mf

  

        

chromatic cluster (both hands)

p Thai gong

   mf



mp

 

 G.C.

        

         

ord.

ord.

ord.





pp



 

p

 



 

  



pp





pp

   



   



  



  



  



  



 



   

pp



That



pp

pp



 

pp



 

pp

 

mp

 

pp

ord.

 

   pp 

pp





   pp     pp     pp 

pp





p

f

 

Harmon mute

     (no attack)               

mf

 Vln.1   



om chr



mp

 

mp . liss .g

f

3



   



 mp

mp





mp







  





mf



pp

 

 



 

 









pp

 

pp

p





f

A§ C#



f

mf





mp



   

pp

 

mp

Db.

Glass chimes

p (The timing of these actions are decided by the director)

 mp  



     



mp



                          6 

pp



mf

f



mp





pp



mf

f



mp





mp



mf

f

 

mp

4







 B. Tbn.  

1



pp



 





Hn.2

Perc.2

mp

   



 

mp

Perc.1







Hn.1

Pno.

pp



mf

 



mp



f





mf



mp

Hp.



f

 

Ob.

q ≈ 78

molto rall.



50

pp

  

pp pizz.

      mf



   54

Fl.



mp



B. Cl.

Bsn.







mp

mp

p

Hn.2

 

mp

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

Bar. Solo

1











Vln.1

     



pp

Db.







 



 

 





 







 









 







 



 





 







 



 







  p



  



 



skin

f

 



              

mf

p

p

f



     mf

   f    f





p



p



p



         

        

 







 



 









 







 



 





 







 



 





 







 



 

mf

     

   

f

   



 

 





Her

bo

mf

mf

 

  

pizz.

  

senza sord.

f pizz.

  

senza sord.

  

senza sord.

  

senza sord.

  

senza sord.

  

senza sord.

  

senza sord.

  





bo





bo

 





Her

bo





dy

is - tense



dy

-



dy



(mf)

 



       

is - tense



   

is - tense



The skin so

p

smooth mf

The skin so

smooth mf

3

The skin so





p

mp

      3

mf

p

con sord.



 

con sord.





 



mp pizz.

  

f

  





mf

   



mf





p

mp









p





p

mp







mf

p

mp





mp

p

mf

p





smooth

3      

mf

 

Kris Defoort: House of the Sleeping Beauties - The Third Night



 



 



  p



p

p arco

 



   

p sub.



your

smooth

mp

p

     gliss. 

 

mp

 

smooth

   gliss.      

 



 

p

   glis s.    

 



mp



mp

 

p

     gliss. 

 

     gliss. 

 

p

   gliss.     mp

p

 

   gliss.        

p

mp

 

p

  gliss.    

                  gliss.    3 mp

p

ord.

mp



  

mp



   

gliss.

mp

p





p

mp

  

 

      







smooth



arco

mp



with



smooth

 



it

smooth

mp



p

3

    

p         gliss.    

smooth

         

mf



mf

3





 

 

mp

smooth mp

          



          

   

arco

3

 

 

 mp

  

 

   

you would like to stroke



       mf









 

arco

3

 



arco



mp









p



p

smooth

 

mf

p

3             3

Vib. arco



3           







mp



 



p

 



(Piano l.h.)

smooth mf 3

  





p

The skin so

con sord.







 





p



 



mf



   f   





3           



3



3

mp

 

  p

mf                    

MNLOLNNM

(Celesta r.h.)

   

 

f pizz.



3                 

is - tense



mf

  

mp



-



dy



p

mp



-

 

 



mf

mp

mp



-



 



Her









  3      

Celesta

pppp

mf

 



G.C.



Her



   

 





T-tam (normal stick)

pp

f

senza sord.

mf



T-tam with triangle bat

senza sord.

    



 (only r.h.)        mp                     

  

pizz.





Snare drum

  

p

   



  

p





  

p











f

lips







  







   



  



p

 

 

those

 

mp



f



       



        

 



mf

p

  



p pizz.

 

f

p

   

 



p

Vc.2



  





 

Vc.1





 

Vla.3







Vla.2

          





Vla.1

 





Vln.4





 

Vln.3

 



  

Vln.2





Ch.

4



 







3





 

2

 

mp

mp





 

(Harmon mute)

Hn.1



p



 Tpt.  

 



    

 

Ob.

17

    3         

mf

   p

 



p

p

       

18

  Fl.  









 



 



 



 





 



 



 



 



 

Ob.

 









 



 



 



 





 



 



 



 



 

B. Cl.

 









 



 



 



 





 



 



 



 



 

Bsn.

  









 



 



 



 





 



 



 



 



 









 



 



 



 





 



 



 



 



 

62

Tpt.

  

Hn.1

 









 



 



 



 





 



 



 



 



 

Hn.2

 









 



 



 



 





 



 



 



 



 

B. Tbn.

  









 



 



 



 





 



 



 



 



 

 













 



 





 





 





 





 





 





 

 













 



 





 





 





 





 





 





 









 



 



 



 





 



 



 



 



 







 





 



 





 



 



 



 











 

 



 

 

     

 



 

Hp.

Pno.

Perc.1

Perc.2





  (Cel.)



    (Pno.) mf    

      mp (arco)

 

 G.C.



pp

p



       mp

1



Ch. 3

4

Vln.1

     

       

mp

Vln.2

  

Vln.3

  

Vln.4

Vla.1

      

mp

Vla.2

   



mp

Vla.3

   

mp

Vc.1

  

mp

Vc.2

   

mp

Db.

               

Aah p

mp

p

Aah p

mp

p



Aah p



    

mp

p





 

Aah

p

p



mp



     Aah mp

Aah

   p 



 



 

  

Aah p

    



Aah p

  

Aah

    p

Aah

 



p         

 



That skin

mf

p

mf

    

p

mf

p



Aah



Aah



Aah

 

 

 

 





 



 



 



 





mf

p

    



Aah



 



 

 



     



                



p   gli      ss.  Aah mp

p  mp       gliss.  p  mp             Aah

is her voice

 

like ?

 

      

 

      

 

               

 

Aah



p

What

p

 



 

  g    liss.  mp

 



Aah

     

 

    



     

 

   

  

 





  

Aah

 

 

 



   3     

mp p

 

mp





 



 



 



 



 





 



 



 



 



 

 



 



 



 





 



 



 



 



 







 



 



 



 





 



 



 



 



 







 



 



 



 





 



 



 



 



 



 



 



 



 





 



 



 



 



 



 



 



 



 





 



 



 



 



 

   p 



 



 



 



 





 



 



 



 



 

   p     p 



 



 



 



 





 



 



 



 



 



 



 



 



 





 



 



 



 



 



 



 



 



 





 



 



 



 



 









mp

mp

mp



Aah mp

   p

 









     Aah mp

Those lips



 



mp



mp







p

       



mp

p

  



p

    



mf

mp

     

     



p

p

p

p

mp

 gliss.  Aah

tongue

2

 

pp mf

      

  Bar. Solo  

 



p

  

    p



Kris Defoort: House of the Sleeping Beauties - The Third Night

19

  Fl.  





 

Ob.

 





B. Cl.

 



Bsn.

  

75

Tpt.

  

rall.

q ≈ 60



 







 

 



 









 



 









 



 







 



 

accel.



 

 



 



 



 





 



 







 



 

Hn.1

 





 



 







 



 

Hn.2

 





 



 







 



 

B. Tbn.

  





 



 







 



 

 





 



 







 



 

MNNOLMLM





 



 





Hp.

Pno.

Perc.1

Perc.2

Bar. Solo







 



 











 





 



 



  

  



         

mf

      mp

mf

  3



p

     

p

mp

p

4



mp

mf

 



mp

mf

 



3

Aah

mf

 

3

3

Aah

      

mp



 



How does she talk ?

p



 



3

    

Aah mp

3



 

mp

Ch.

  





Aah

2





 

mp

1

     

 



 

  

p

   

p

  

     

   

 

pp



   

  

p

How can

  

pp

     I

get



Aah pp

mp

  

   

  

p



 





 

Vln.2

 





 



Vln.3

 





 

Vln.4

 





Vla.1

 



Vla.2

 

Vla.3

Aah pp

Aah

q ≈ 60







3

speak

in

 her



 

  

p

    













 

   

 

 

 

pppp p

pp

ppp



   







 



   

 





 



   

 





 

   

 





 

 

 





 

sleep ?

mp

p



sleep



 

pp G.C.

Aah





pp



       to

 

Aah

pp   



her

p

p

p

 mf









     

        Vib. (motor on)          





  

p

  Vln.1  

rall.

 

pp

 









 

 









 





 



 





 



 





 



 





 

Vc.1

 





Vc.2

 



Db.

  



accel.



 

 



 



 



 





 



 







 



 

 







 



 



 







 



 

 



 







 







 



 







 



 



 



 







 



 

Kris Defoort: House of the Sleeping Beauties - The Third Night



20

q ≈ 78

   82

Fl.

Ob.

B. Cl.

 



 



 Bsn.  

Hn.2

B. Tbn.

Hp.



 



 



Perc.1

Perc.2



 





 



 



 



 



 





 

  

        pppp 

  Bar. Solo  

 



 



 

 

 





 



  



 



    

     

mp

mf





 



 

f



mp



mf

 





 

ppp (wind)

mp

mf

ppp

mf

ppp

 



f

mf

T-tam

   

mp



 



 













 



 

 

mf

[spoken naturally]





mf



hare - lip ?



f



mf



p

 

   



f



mf

p

mf 3          3              



f



mf

mf

  

   p

  



Aah

  

mf

3

lip - s

f

 

Aah

Ch.

  p     

mf

  

mf

 

lip - s

f

lip - s

f

She

has

pain - ted

her

li - ps

p

p



 



p

 

 

 



 



con sord.

 



 



 



(con sord.)

Vln.2



 



 



(con sord.)

Vln.3

 

Vln.4

 



 



 



(con sord.)



 



 



con sord.

Vla.1

 

Vla.2

 



 



 



con sord.

Vla.3

 



 



 



con sord.

Vc.1

 



 



 



 



 

ppp

mp

mf

Vc.2

 

 Db.  

ppp

mp





 





 



mf









ppp

 mf

ppp

mp

 





 

ppp

mp

ppp

mp

 

 

ppp

mp





mp

mf

 



 



 

mf



mf



f

p

f pp sub.

Warmth

Warmth

Warmth

Warmth

p





mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

p



T-tam

 

p

    

f

    

f

    

    

f

    

    

f

      3



3

does



     not

3

does



not

not 3

does

not

 



 



   

pe - ne - trate

the



pe - ne - trate

  

the



pe - ne - trate

   

the



pe - ne - trate

    the

     



 

p

mp

  

mp

f

 



 

p







p

      

 





  

   

p

p



 

does

     

pp

p

    

  

f

mp

 

 

mf

 

     6

pp

p



 

 

f







p

pp

     

 

 

mf

mf

 





 



  

pp



 

 

p

 

 



 

   



p



 



 

f

 







 



 

pp

 

 



mf











p

mf

 



pp

f

 

 

 

iss.     gl



  

mp





Harmon mute

   



 

mf

      

 

pp

p

  





mp

 

pp

 



mf                     

    



  

The



ppp

 



 

  

mf



 

 

mp

mf

 

 







   

The

ppp

mp

 

pp



  

 



 

 

 



 

 

  



pp

  

The



ppp

pp

 

 



mf

pp

 



The



pp









 

li - ps

  Vln.1  

q ≈ 78

p





pp

 

p

3

 

3



 

mf

have a

 

mp

3          

Did she once



   

Vib. (motor off)



p







f

 



   

f



p



 



    

f

  

hard brushes on G.C. (wind, waves)

   

mf







3



 

p

 







p

mp

ppp

p

 

p

mp



 

p

mf

pp

      pp   

   





p

mp







mp



 

Aah

4

pp

 



 

mf



mf



mp

mf

 

  

p

 

p

ppp



           

 

ppp



f

mp

mp

 

 



mf

ppp (wind)

    



mp



ppp

 

ppp







mf

mf

p

3

 



f

p

2



ppp

(The old man retrieves the discarded handkerchief and wipes the red lipstick from her lips)

1

 

                  

 



 



 



 

Pno.

 

  

 



 



  Tpt.  

Hn.1

 





 

pp

 

pp



 

p

mp

p





mp

p

 







mp

p











pp

  

ord.

3

  

    



  

3

  

    



 

     

















  

mp pp sub.



mp pp sub.



mp pp sub.

     

   89

Fl.

Ob.

B. Cl.

 



 

 



  

mp

 Bsn.   

Hn.1

Hn.2

B. Tbn.

mp

mp

p

 

  



mf



Perc.1

p

   

1

   

(f)

     old

man's

bo

         old

  Vln.1   

man's

  

  

Vla.1

 

    

Vc.2

    

  

5

 

mp

mp

-

-

-

 

  

pp

     

   



p



p



p

 

mf

 



   

    

mf



but

set - tles

mf

    



 3

but

3



set - tles

f

 

3       

but

set - tles

mf

a - round

3

but

mp

set - tles

a - round



   



   

 



 



 



   

  

3



mf

 

   





     

mp

     

  



 

 



 



 



 



 



 







  

 

 



 



 





 



 



Change to Pno.

mp

p





 



 



like



like

p

pp

 



pp

f

 

f

Kris Defoort: House of the Sleeping Beauties - The Third Night



sul pont.

veil

    mf

3

veil



mf

3

veil



     ppp sub.

ppp sub.

3





 

 mp

   



 

  

 

 

  



3

veil



mf

  

 3



mp 3



mp

 

 pp

  



mp

  

3



 

mp



 

pp

  

pp

 

 pp

  

 

 

mp

3



mp

3

 

 mp

  

 

 pp

3

ppp sub.

 



mp

                  





mp

3

mp



p

 



 

  

 

a

pp



f

mf

p

p

 



 



   

mf

pp

  

 

a



  

 

a



pp



a

p

p







  

mp

3





p

mp

mp

 



mp

   

 



 

 

pp

 



p. d'arco

pp

  





  

p



him

 

mp

mf





 



p

ord.

  

 

p

mf

mp

 



like

him



 

him





  



p



  

 

like

mf

  

  



mf

p

mf

  

mf

p

 



him

f

          





f





mp

a - round



Crotales

T-tam

a - round

mf





  f

 



 

  







f

mf





f

     



3





  

 





 

         



 

  



mf

 

 

senza sord.



   

mp





dy

 

 

p





mf

    5                     5

dy





                                  5 

 



 



p

pp

5

dy



mf





p Change to Cl.

 



 

dy



    

  mp

-

            

p

 



mp pp

senza sord.

 

 

 

ord. punto d'arco

pp



  

Vc.1

Db.

p



Vln.4

Vla.3

    



 

mp

Vla.2

bo

sul pont.

senza sord.

Vln.3

   



 

pp

p

   







bo

   

 

      

   

man's





   



 

 

bo

(f)

Vln.2

mf

 

   







   

 



p Crotales

man's





  

old

4

 



Ch. 3

p

 

old

2

 

     

(f)

mp

  

mp





  

p  Bb                   Change to Cel.          





mf

  

  

 

      

3



  



(f)





  

 

p

Perc.2

p

 

  

  





 



 

      

     

Pno.

 

 

Hp.





  

p

      Tpt.    

 



21 3



3

      

3

            

pp

3           

pp



 3

   



     

22

poco a poco accel.

   Fl.    94

Ob.

Cl.

Bsn.

Tpt.

 

         

 



6

pp

mp





 

p sub.

 p

     

             

3

mf



 



 

6

p

senza sord.

 

 p sub.

                  3

mf





   

mf

 

   

pp sub.

  

         



 



p sub.

           7

f



 



 

Hn.1

 



 



 

Hn.2

 



 



 

B. Tbn.

  



 



 

 



 



 

Hp.

Pno.

Perc.1

Perc.2

1



 





 



 

 



 



 

  

 

  

2

3

  

4

   

p

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

5

  

 



 



 



 

   



  



   



   

p sub.

  



 







 







 







 



   















senza sord.



senza sord.



 

6



sfz

6



   

  

mf



   

  

sfz





f



   



  



   







f



  







 

senza sord.







   

 

  



 



3



   





 





 

    3





3









      

mp



mp

 

p

 f







     

     

  

 







 

ff





   

mp

 

p

ff

f

3

 

ff

senza sord.

f



 

f

    f

  

(pp)



3

mf



  

   

p



         

  

 

p



f

(pp)

Db.



poco a poco accel.

mf

(pp) Vc.2

 

p

ord.            Vln.1  

Vln.3



p

sul pont.

Vln.2

 

      

Ch.



6

6

         



Kris Defoort: House of the Sleeping Beauties - The Third Night

 

6

   

3



 



   

 

 

 

3

  

  











   

6          

q ≈ 96

    96

Fl.

Ob.

 

  

        6

mp

mf

e = q (q ≈ 192)

6

5          

     

          

5                  5

p sub.

sfz

 Bsn.   



ppp

Tpt.

  



      

B. Tbn.

Hp.

   



   



 

6

 

Pno.

Perc.1

    

         mp

  

Bar. Solo

   

Vln.3



Vla.3

   

3

  

 

  

 

mf

Vc.2

  

mf

Db.

3

3



ord.

 

ord.

 

3



p

  

ff



(open)

    



       

    



 

 





f

 

   







 



f

mf

        

     

         

     

ff

  



          

    

Cymbal

  

ff

ff







              







    

  



   

  



    

   



    

   



   

   



 



   





  

   





3



7

6

f



7

6

3







    

                        6

     



     

 

ff

     

     

     



mf

6

6

ff

ff

 

gliss.

    ff

 5

f

       

  

ff

ff

ff

arco

          ff

arco

          arco

 

ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

                

 

  





 s.p.    



   



   

                  





ff

ppp sub.

ff

ppp sub.

     s.p.

ppp sub.

     s.p.

ff

        

5

  





   



ff

f

      



f

    

 





ff

ff

    

ord.

arco



                  



 



Vib.



  s.p.    

ff

                         

3

   



    

ff

     

f

           

    

f

   

 





                   

f



           

3

f

    



     

f

ff





f

          

 



ff



     



ff

         

                          ff

ff

    

 

f

ff

  



e = q (q ≈ 192)



   

 

 

23



MNMOLLLM



     



 

      

   



                 6

f



 

 





                

   



 

   

 







  

f

 

(Suddenly the old man remembers a kiss from forty years ago)

mf

      

 



    

 

f



Marimba (hard, wooden)



  

ff

 

 

mf

   

 



ff

f



 

f



       

ff

f

ff



  

   

3





  

    



    

 

mf

sffz p



        



 ord.  

    





 

mf

p

  

    

 

  

arco

      f

3

     



mf

   

  

  



  







 

f

 

ord.

ff

Vc.1

sffz pp

 







   

 

 

3

  

   

  

     

ff

 

pp

q ≈ 96

ff

Vla.2



ord.

arco





  

       

ff





      



f



p

Vla.1

mf



  

f

ff

sfz

 

f

p

Vln.4

mf

        

 

  Vln.1     Vln.2

 



Crotales

mp







T-tam

  

 



     



 

f

mp

Perc.2

mf



ppp

  

  

    

f

ord.



(bouché)

 

     

f

6

mf



ppp







ppp

Hn.2

mf



ppp

Hn.1

 



 

p



          

6

Flttz.

Cl.

7

6

mf

mf

    

              

ppp sub.

      s.p.

ff

ppp sub.

      s.p.

ff

ppp sub.

     s.p.

ff

ppp sub.

   

  





   

  





   

  



ff

ff

ff

24

(A dialogue from the past.)

 Fl. 

e =q (q ≈ 96)



 



      





 



 





 



     





 



 





 



     





 



 





 

 





101

Ob.

Cl.

Bsn.

Tpt.



Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1



S. Solo

ff

ff







 



 

 



     





 



 



 



     





 



 





 



     





 



 





 







 



 



 



 



 



ff

ff

ff

ff

       ff

                                          (f) pp sub. p f ff       



 







 



 

 

  



pp

mp

        pp Snare-drum       



 



(As a young woman p from the past.)





 





           3

No

no

no

mf

 

no

     no

no

mf

 

no

f

   

  

  

 

ord.

  

   

ord.

mp

 

mp

(ppp)

Vln.3

(ppp)

   

Vln.4

  

Vla.1

   

Vla.2



Vla.3

ord.

 

   

 

mp

 

   

 

ord.

 

  

pizz.

 

ord.

 

  

pizz.

ord.

   



    mp

(ppp)



Vc.1



Vc.2

Db.





 

  

 

f

 

mp pizz.

f





 3



 





 



 



 



 



 



  



f

f





6



3

  

f

f





    f

          

mp

6



pizz.  ord.          

 pizz.         ord.         ff



 



do

 



it

5

  p



 

ff

Kris Defoort: House of the Sleeping Beauties - The Third Night







 



p



3

  

 

3

        mp





3



f

       mf

3

   f

     

    

  

   

 

 



mp

 

      

3



6                 5

 



f

mf

    

f



f



 

  

f

 

 

6

 

mp



 



3

    

3



pp

ff

 

 

f

f



 

5

mp

f

f

 

                               

mp



mp

 



  



Don't

 

   

    

(ppp)

pizz.

f

 



NO !

 

mp

(ppp)

 

pizz.  

   

(ppp)

ord.

f



f

   

mp

(ppp)

f

(scream)

 

 





  

   

      



 

     Vln.1 

e =q (q ≈ 96)



 



   

Vln.2

Change to B. Cl.

     

ppp

Perc.2

ff



 

mp

       

     

mp

6

 

 



   

 



    

 

s.p.

f

f

f



pp sub.

 

25

  Fl.  



 





 



 

Ob.

 



 





 



 

B. Cl.

 



 





 



 

Bsn.

  



 





 



 

  



 





 



 

Hn.1

 











 



 

Hn.2

 











 



 

B. Tbn.

  



 





 



 

105

Tpt.



   

Hp.

Pno.

Perc.1

Perc.2

 



f



Db.

       

3

3

 

6

 

      

        6

 

 



 





 



 

  



 





 



 

  



 





 



 

    

mf

  

 3

3

mp



5

 

 

 





  

3 



  

3



  

mp

    



        



3

 





f

mf



f

           5



ord.

p

  

mp

mp

  f

 

3



 

 

p

f

   





   

  

   



f

pizz. ord.



f







no

no

 

no no

p

3

 



3











do

         

p

    

Kris Defoort: House of the Sleeping Beauties - The Third Night



      3

  

mp

 

  

3

  

 p 3

  





  

pp sub.

       

p





mp

3



3

    



    



       f

3



 



   





      





      



f



    

 

f



 

mp

    mp



 

       

3

3



 

     

     

 

mp

3

   

 

it

  

s.p.       







f

6               5



mf



f

     

don't

   

3

    

5

 

5

p



 

mp

              

 

  



6

ppp

f



   

                



  

f

f

     

  

3

mp

f

  





     3

mf

       

  

 

  



 

p



6

6                     5

   



3

(mp)

p

   

mf

don't

6



  

pp





                                       

mp

   

 

  



f

Vc.2



  



(pp)

Vc.1

A#



 

(mp)

Vla.3

3

  



(mp)

Vla.2



           6



(mp)

Vla.1

mp

      

 

f

Vln.4





  Vln.1   

Vln.3



 

NO

Vln.2

 



pp

S. Solo

 



26

  Fl.  



 



 





Ob.

 



 



 





B. Cl.

 



 



 





Bsn.

  



 



 





  



 



 





Hn.1

 



 



 





Hn.2

 



 



 





B. Tbn.

  



 



 





109

Tpt.



 

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Bar. Solo

(mp)

 



             6



       



6

 



 



 





  



 



 





  



 



 





      

mf

  



I

(As a young man)

6

  







3





mf

       

3

      

3





 

 

p

f 3

   



mf

mf

       





 

 

p

f

   

want



    you

  

    

  







mp



    

f

to



5

    

mp

  3



 



   3





3

     

6

 

   3

 3

mf

  

6

3

 



mf

 

   3



     

 





mp

 



5





  

  



mp

  

   







   

mf

    

pp sub.

      mf

    

pp sub.

     f

      









3



   

            6

5



p

 



3



3

      

    3

p



3



    f



 

mp



mp

 





      

   3

pp

             5            6

mf

  



3

pp





 3



mf

   

   3

mf

 3







  

3

f

mf

 



6



mp

mp



3



mp

  



3

mf

mp



p

Kris Defoort: House of the Sleeping Beauties - The Third Night



3

f

f





mp

don't

mf

3



I





6



 

no

             

3

3

  





mf



 



No

    

sfz

  

 



 3              

                   mp



sfz

f

   



mp

  



3

                

  

mp

3            

don't

3



    





 



mf

f



f

Db.

3



p

Vc.2

    5       





(mp)

Vc.1

6

 

(mp)

Vla.3

            

    



(pp)

Vla.2

3



 

(mp)

Vla.1

3





(mp)

Vln.4



 

(mp)

Vln.3



 

         Vln.1   Vln.2

 





    f

  

f







3

    f

27

 Fl.  113

       

  



6

f

 





Ob.

       ff

pp sub.

 





 

 

6

ff



Bass Clarinet in Bb



 

pp sub.

                      



f Flttz.

            



f

B. Cl.

 

Flttz.

 

p

Change to Cl. in Bb

6

              6

Tpt.





  



f

 







Hn.1

 



 

 



  



   

     

  



 

      sfz  pp sub.    6                 6

  





Hn.2



sfz pp sub.

B. Tbn.











Hp.

Pno.

Perc.1

Perc.2

mf

      



 

6

Vln.1

Vln.2

Vc.2

Db.

Bb Cb Eb

 



 3

mp



  

 



 



 





Bongo      

 



Bongo        





 



    









ff



       Bass drum



  

 

f



it !





  



 

    

  

 



3

 



3 







 



  

     ff

f

  

 



    ff

ff

                           6  

5

 

      ff

    



      ff

    



ff

                             6 5

     



    



   



f

f

     f

     

         f

    

ff



f

      

f

ff



f

       f

     

  

arco

f



     



 arco     

  



  

  



  



   

f

f

arco

f

 

arco



     f



      

pizz. ord.



      

      

pizz. ord.



       

pizz. ord.



pizz. ord.



f

pizz. ord.

 

      

pizz. ord.



f

Kris Defoort: House of the Sleeping Beauties - The Third Night









  3





3   





   







   







   











3  

 

 



  



3

3

p

3

p





s.p.

pp

    3

pizz. ord.

ff pp sub.

3

p

s.v.





p



3

3

p

  3

  

p

mf

ff

     

  3

mf

6

f



mf

pizz. ord.

ff

              f  ff              

3

So

p

mf

ff

     

  

mf

ff

       



3     

mf

ff

    

3   

mf

ff

    

f

f

      



mf



ff

    

               f ff

   

f

  

ff

f





      

f

6

      

f

    

f

      arco

ff

     

    

f

f



No ?

             

    



 

6

arco      

  f (spoken question)



ff

arco       

ff

ff

6

Bass drum

f



arco



ff

 

    

  

6





3

   



mf

Vc.1





f

Vla.3



 

f

Vla.2





mf

Vla.1



 

f

Vln.4

      f     

 

 



 

f

f

 





f

Vln.3

     

 





   

3

 





ff

pp



want

Bar. Solo

 

            

  

f

f

 





     

f





f sub.

S. Solo

Harmon mute





ff

ff

      

sfz pp sub.

 

3

5

pp

f

              



pp

               

  

f

Bsn.

6

p

mf

    3



p

gradually





28

 Flttz. Fl.    117

 

p

  

Ob.

mf p sub.

6

mf p sub.



mp

Clarinet in Bb





Tpt.



(pp)

   



6

3



Hn.1







 

mf

6

    mf

3

 

6

p

mf

             p

sfz pp sub.

  





 

               

 

mute

         6



mp



Hn.2



 



Hp.

Pno.

Perc.1

Perc.2







6

6



(mp)

Vln.2

Vln.3



    

 



 

 

 

 

 

 



p





p







sfz pp sub.

mp



p

 

         6                   3 6

 

6

        



mf



           



6

f

6





 





 



 





 

 



 



 





 





 



 







  

   

    

 

    

    

    

    

f

   

3     



 

   3

   



  



3



  



f





    



     f



don't

  

want



   it ?

 



 



    

  

 

 



 





 



arco

 

arco

  

arco

  

arco

  

arco





 



  

arco

f





 



f

 

 

 

 

 

 

 

 

 

 

 

 

ppp

 

 

 

 

ppp

   

arco

f

have

 

ppp

 

You

ppp

 :::::::::::::: ::::::::::::::   ::::  :::::   ::::::::::::  ::::::  ::::::::::::::::      f

   

s.p.

(pp)

3





    





 



f

    

mf

 

f

 

mp

   p



       

p

arco

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

 

   

ppp

ord.

sfz pp sub.

 

 

ppp

 





 

 

ppp

 

mf



 

ppp

f

f

   

   

 

f

f

       

  



f

f



  

 

f

f

    



f

f



f

f

3



you

   

f

   



f

f





     

f

f

mf

mp

Db.

 



ord.

Vc.2

p

 

f

Vc.1

 



f

Vla.3

 





 

f

Vla.2

p

        

 

     3

 



f

Vla.1

 

 





f

Vln.4









pp

3

  Bar. Solo  Vln.1

 





            

 





sfz pp sub.

mp

B. Tbn.

p

sfz pp sub.

 



 

mp

p

mute

 



sfz pp sub.

6

6





sfz pp sub.

               

pp

 

             p



mp

 

           





6



  



               





 



pp sub.

pp

Bsn.

 

pp sub.

mp

 

Cl.

    

   

       

 

p

   

       



mf



 

29 121          Fl.   

Cl.





 





 



             





 



 



 



 





             mp mf



             mf

   





pp



 



 



 



 



5

 

 



    

 



 



  

 



3

  





  



      

Marimba (hard sticks)

mp

6

 

mp



 

 



f

C# Fb

   

  

6



 

            



            

5

3           



   

mp

mp

mp

 

 

(ppp)

   

  mp

    mp

(ppp)

   

  

mp

(ppp)

   

    mp

(ppp)



(ppp)

pp

ff

open

ff

mp

 

open

ff

open

ff

      



p

f



ff

      



f



 

 



 



 



 



 



 



 



 



 



 



 



 



 





 

f



ff



 

mf

p

           3



 



no

no

 

f

f (scream)

 

    

  

 

ord.

   



f

mp

 

 

   

 

   

 

mp

 

ord.

 

ord.

 

  

pizz.

 

ord.

 

  



 

   



    mp

 

   mp

(ppp)

 

  

 

mp

(ppp)



 





 



 





   

 

pizz.

f

ord.

mp



pizz.



f



 3

   

f

6



3

   

   

mp pizz.

f

f

6



 pizz. ord.           f

 pizz. ord.          

         ff

 

 

           

mp

ff

 

 

f



f



    



pp



 f

3

mp

ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

5

mp

      



            

 

pizz.

 

 

 



ord.

mp





NO !

 

(ppp)



   

no

 

f

  

 

mf

 

no

    

mf

 

(ppp)

mf

 

Snare-drum        

ord.

 

mf

no

mf

mp

(ppp)

mf

 



(ppp)

mf

mf

no

(ppp)

mf

   :::  :::  :::::::: :::::::::   (p)



 

No

   

   

     

ff

f

(ppp)

pp sub.

                



  

ff

Change to B. Cl.

ff                                             

5

 









Vib. (half metal sound)





 

  

ff

mf

(ppp)

Db.

     



 

   

Vc.2

 

 

   

Vc.1





ff

mf

(ppp)

Vla.3





    

Vla.2

     

      

  Vln.1   

Vla.1

 



al - rea - dy done it !

Vln.4



 

(mf)

Vln.3





 

Vln.2

     



mf

p

Bar. Solo

 

           3

mp

 

S. Solo





mp

Perc.2



      

3

Perc.1

 



3

Pno.



 

mp

Hp.

 



3

B. Tbn.





pp

Hn.2

 

        3

 

mf

  Bsn.  

Hn.1





3

mp

Tpt.





mp

Ob.



      

 

f

5

   

  



 

p

f



  



f

      



30

  Fl.  



 



 





 

Ob.

 



 



 





 

B. Cl.

 



 



 





 

Bsn.

  



 



 





 

  



 



 





 

Hn.1

 



 











 

Hn.2

 



 











 

B. Tbn.

  



 



 





 

126

Tpt.

Hp.

Pno.

Perc.1



  



Vln.3

Vln.4

Vla.1

Vc.1

Vc.2

Db.





 

      

mp

                

 

6

3

 

    

3



 

6

 





 

 



 



 





 



 



 





 



 



 





 



 



 





 

  

 

  

      

 



 

did

not !

pp

(mp) 3

 



 



p

(mp)



 

3

        mp





3



   f

s.p.

     

    



  

   



f



mp

3

mp

5

6



mp





 

  

  

3

3



6





  

  



mp

f

f

5

       

    

 

    

     

 

ord.

 p

  

mf

   

mp

mp

f

p

 

3







 

ppp

    



  

   

 

  





f Kris Defoort: House of the Sleeping Beauties - The Third Night

no

no

no no



5

 





p



don't





    

3

       

  

3

6             5





p

   





   

p

3 3

 

mp

  

           



f

  

f



   

 

   

pizz. ord.



 



 

p





 

p

3                     6 5



f

f

f

    

mp

f

 

 

     3



 3

3

6                     5

p

    

      

mf

 







6



                                      

 



mf

don't

               

pp sub.

f



mp

     

  



  



f

  

pp





 

3

f

3



f



      

 

      3           

3

6              5

  



f

mf

3

  



NO

6



mf

  

             

        

    

mf

Vla.3

f





mp

Vla.2



 



 

  Vln.1   Vln.2



 



I

Bar. Solo

A# B§



 

f

S. Solo

    



f

 

  Perc.2

  



     p

3

 



 

    



 





 

   

31

  Fl.  



 



 



 



Ob.

 



 



 



 



B. Cl.

 



 



 



 



Bsn.

  



 



 



 



  



 



 



 



Hn.1

 



 



 



 



Hn.2

 



 



 



 



B. Tbn.

  



 



 



 



130

Tpt.



 

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Bar. Solo

 

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

(mp)

3





 







3

 3

 





    

       

6          

6



 



 



 



 



 



 



 



  



 



 



 



  



 



 



 



  

 

mf







do

  

  



 

    

 



 

s.p.

  

mp

f

it

 



(mp)

    

f

 

 

 



pp sub.

     

3







3

f

6







3





mf

3

 

 

p

f



     mf 3

3             mf         



p



don't

want



3

    you

   

 

       

    



      

    

f

f



to

 

               

     







5

mp

     

mp

  3



 



     

mp

6

   3





3

 3

mf

   3

6

3

 



3   



5

           

f Kris Defoort: House of the Sleeping Beauties - The Third Night

    

  

  



          

mp

 





6



 

mp

  





pp sub.

     



mf

    sfz

pp sub.









  3

3



mp



   

mp

            mp

6

5

   

      

 

     

  

f

   



    f



3

    

f



 

         3      mf

                   mp



mf

 



3

sfz

f

    

  



3



    



ord.

3



mf

       

p







     3  

mp

f

    Db.  

 

f



 



      

  

       





 

mp 3



3



I



         

     

          

     

  



 

mp

3

mf

  



f

Vc.2

               

           6

6

mp

Vc.1

 



 

  Vln.1   Vln.2



3



p

p

p

 

mp



mp



3



3



mf

 



 



mp

mp

   3

 



 



3

mf

3

mf

32

 Fl.  134



                

  



6

f





Ob.

 



ff

pp sub.

Bsn.



 





 Tpt. 







Hn.1









B. Tbn.









Hp.

Pno.

Perc.1

Perc.2



3

(mp)



     

  



 

  







 



 





Bongo      



Bongo        



    

    

  

no



I don't



 

want

it !



3

   



f

    



3

mf

    3  

mf

f

 



mf

            5 6

         6



mf



   

f

 



pp

(mp)

3



 3





    



   





  

 





  f

6

   



f





  

f





  f

          ff

               ff



ff

No ?









f

             



f

ff

f

f

f



     



 arco        f

              f

 arco     



 arco      

    

f

f

Kris Defoort: House of the Sleeping Beauties - The Third Night

ff

    

f

f



       

ff pp sub.



     3

     3 p



3      

p



     



3      



3

p



p



mf

      3

p



s.v.

s.p.

pp

ff

3

p

mf

   pizz. ord.  3         ff



mf

3      pizz. ord.      

      p

mf

ff

6



3   

3      pizz. ord.      

ff

     



mf

 pizz. ord. 3          ff

     

So

mf

    pizz. ord.   

ff

f

3



mf



mf

ff

    

f

f

3

     pizz. ord.     3

    

            

      

      pizz. ord.   

ff

f

f

   



f

f

  

ff

6





     pizz. ord.     

f

f

 



    

6

f



 



f

ff





f (spoken question)

         

f

ff

5

   

     arco       

                        



 



ff

    

ff

f

mf



  

     arco        ff



 

       arco   



    

f

ff

5

f

3

   arco  

ff

f

 







 arco                     6 ff

f

3

(mp)

  

3

 

                          6

pp

(mp)



  

f

     

(mp)

 



  



f

 



   

 

Bass drum

f



     

ff

      

f sub.





ff Bass drum

 3

 

Eb

6

 

 



Bb



(mp)

Db.

3



3

Vc.2

 

mp

      



  

Vc.1





(mp)

Vla.3



 

         

Vla.2

      f     

 



mf

Vla.1



 

     Vln.1 

Vln.4





   

Vln.3



 



Vln.2





 



3

pp



No

Bar. Solo

3

 

f

 

               

     

 

f

 



  

Cb





f

f

 



ff

     

f

 

ff

 





mp

S. Solo

 

6



5

pp

Change to Cl. in Bb

ff

   

6

   







mf

f

3

pp

              

  

Harmon mute



      sfzpp sub.     6                 

 

6

  



    5      

 

f

6

p

              f

      

sfzpp sub.

                   



              6

 

sfzpp sub.

Hn.2



  



p

Bass Clarinet in Bb

 



 



 

Flttz.

ff pp sub.





 



f

          



 



 

6

f

B. Cl.

 

Flttz.

mf



 3     p

gradually





 Flttz.   

 

  

 

 

Clarinet in Bb

139

Fl.

p

Flttz.

Ob.

p

Cl.



  



   



mf p sub.



   

       

mf p sub.

    

6

mp

pp sub.





mp

Tpt.



(pp)

   



6



Hn.1

 

3

 mf

    mf

3

 



pp

 



mf

 

 

                6

 

 

           

 

 

6

p



   

mute



6

p

  





Hp.

Pno.

Perc.1





 





 

pp

 





            6



3







 



 



f

 

        

 

      

 

   

sfz pp sub.

6

sfz pp sub.

 

     

mp

           6

 



 



 



 



 



 



 



     



Bongo  



Bar. Solo





  



  Vln.1  

Vln.2

Vln.3

f

 

f

    

    

    

    

f

 

       



 



3

Vla.1

3 



    



f

3

Vla.2

f

f

f

Vla.3

3    



f

Vc.1

don't

    want

   it ?

 



 



    

       

  

 



    

 



  



 



    

 





 



  



 



f

      

s.p.

(pp)

3





    





 



f

mp

   p



pp sub.

         ff

 

Flttz.

 

 

Flttz.

 

 

pp sub.

 

  



ff

pp

        

 



f

pp sub.

 

 

 

 

 

 

Flttz.

         

Flttz.

Flttz.

pp

         





 



 

 



 



 

 



 



 



 



 



 



 





 





 



 

    pp

  

ff





 



     

 

  

   

 

  

   

 

   

 

   

 

arco

sffz pp sub.

 

arco





  

sffz pp sub.

 

arco



f

pp sub.

f

 

arco



  

arco



sffz pp sub.

 

mf

 



       

pp sub.



 

Kris Defoort: House of the Sleeping Beauties - The Third Night



f

    

ff

pp

     pp

     

  

pp

     

    

   

pp

     

ff



pp

s.p.         

 

         

 

         

 

ff

pp sub. s.p.

ff

pp sub. s.p.

ff

pp sub.

    s.p.       

ff

 

pp sub.

          s.p.

ff

pp sub.

      

s.p.

ff

   

   

pp sub.

 



 

 



 

ff



     

arco





 



 

     



 



 

ff

ord.

sfz pp sub.



pp

ff

arco



ff

ff

sffz pp sub.

 

    

ff

sffz pp sub.

f

 

ff



 

f

    

         



   

sffz pp sub.

f



pp



arco

f



ff

pp sub.

 

ff



f

f

   

 

f

f



   

pp

   

     

   

mf

f

f



  

ff

       Tumbe           

sfz pp sub.

f

f



         

  



ff

   

ff

Timpani



  



  :::::::::::: :::::::::::::   :::  ::::  :::::::::::   

f

Db.

     f

mp

Vc.2

    



you



f

f

  



   

f

f



f

f

    

mf

     

    

   

f

Vln.4

 



pp

f

ff

Perc.2

 

f

6



ff

     

Flttz.

f

6

        

   

ff



           3

mp

sfz pp sub.

  



  

6

mp

B. Tbn.

  





sfz pp sub.

6                

mp

Hn.2

sfz pp sub.

sfz pp sub.

p

mute

33

                p



mp

           





6



  



              





 



pp sub.

pp

Bsn.

 





mf

ff

34

q = e (q ≈ 48)

       144

Fl.





 



 

Cl.

     ff       





 



 





 





 



 



 



 



 

 



 



 



 





 



 



 



  



 



 



 



 

open





 





 



 



 



 

open



 





 



 



 



 

open



 





 



 



 



  

ff

Bsn.

      

   Tpt.    

ff

     f

Hn.1

f

Hn.2

      f

 B. Tbn.      



ff

 

Hp.

 

Pno.

 

 E§





      

e = q (q ≈ 96)

A tempo (q ≈ 48)

 

ff

Ob.

poco rall.



ff

            



mp

       



         

mp

p

C# 5



   

 

 

       

Bass drum

  





f

 



 

 



 



 



       



 



 

 



Vln.4

                  ff            ff

Vla.1

            ff        ff

Vla.3

Vc.1

Vib. (half metal)



 

 

 

 

   

  

 

6





ff               5

3

  





ord.

pp

       



 



 



 



 



 







 



 



 



 



 

    



 

Bass drum



pp

   

mp

you

q = e (q ≈ 48)

  

did - n't

do

p    

  



gliss.

  gliss.         gliss.

mp

p

gliss.

  

gliss.



   gliss.







 



 



 







 



 



 



  



     





 





 





 



  

pp



ff

  Db.      

sffz pp sub.

gliss.

mp

gliss.

mp



p



mp

mp

 

gliss.

p

gliss.



gliss. 

mp



 



 





 



 



p

  



  

Kris Defoort: House of the Sleeping Beauties - The Third Night



s.p.

 

p

5

 

sfz p sub.

 

 



 



 

 



 

 

gliss.

 

 

        

p



 



 

p

 

  

 ff

ff

  



mp



  

e = q (q ≈ 96)

              gliss.    

 



what is this ?



 







  

mp

            

mp

 

p

 

      

 

gliss. gliss.         gliss.

        

 

Then,

A tempo (q ≈ 48)



  



 



it ?

poco rall.

  



Marimba (hard sticks)

(p) (spoken question)

 

ord.   

f



 

     

 

     





ff

Vc.2



6

 

 

ff

Vla.2

 

     mp



 



5



 

ff

Vln.3

mf

 



ff

Vln.2



mp

 Bar. Solo  

Vln.1

6

           



p

T-tam

S. Solo

mf



Perc.1

Perc.2

6

 

 



            





 





 

 



p

           



p













 

ff

gliss.

   ff







 





 







           

   

mp

ord.

 

f

 

6

f

35

      Fl.  





 



 



 



 





 



 

     





 



 



 



 





 



 

     





 



 



 



 





 



 





 



 



 



 





 



 





 



 



 



 





 



 

Più vivo (q ≈ 100)

149

ff

Ob.

ff

Cl.

ff

        f        Tpt.  

Bsn.

f

Hn.1

     







 



 



 



 





 



 

     







 



 



 



 





 



 

       





 



 



 



 





 



 

f

Hn.2

f

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2



f

 





 



 



 



 





 



 

 





 



 



 



 





 



 

 





 



 



 



 





 



 

 







 



 



 



 





 











 



 



 



 





 



 





 



 



 



 





 



 



  

     



 Bar. Solo  



S. Solo

pp

pp

pp

       pp

       pp

        sfz

pp

       sfz

Db.

pp

       

sfz

Vc.2

pp

       

sfz

Vc.1



 



      

pp

       



p

      

ff

p

ff

p

      

ff

p



p

 

p



ff

 

p



ff

 

p



ff

 

p

ff





   

 



 

 



(The girl takes the handkerchief and gazes at it for a long time. Without saying a word, she stuffs it into her handbag)



 



 



 



 

     

     

 

 

 

   

     

         

  

         

     

         

  

         

                    

     

     

f

     

         

  

         

                    

     

f

     

 

    

       

  

         



       

             

      

     

         

               

 

     

    

ff

ff

ff

ff

     

ff



 

      

sfz

Vla.3

(The old man wipes his lips and shows her the faint red stains on his handkerchief.)

      

sfz

Vla.2



ff

sfz

Vla.1

 

        sfz

Vln.4



Più vivo (q ≈ 100)

sfz

Vln.3

 



        Vln.1   Vln.2

 





p

p

p

p

     ff

   

 p



p

   p

   p

 

p

ff

ff

ff

ff

ff

pp

ff

pp

ff

pp

ff

pp

ff

pp

ff

p

p

p

p

   p

ff

p

ff

p

ff

p

ff

p

ff

p

ff

             

               

            

               

ff

p

ff

p

ff



p

 

ff

p

ff

p

ff

p



ff

ff

ff

ff

 

p

ff

p

ff

p

ff

p

ff

sfz p

ff

         

p

sfz p

ff

            

ff

sfz p

ff

         

p

sfz p

ff

            

ff

                    

p

p

p

p

sfz p

ff

ff

sfz p

sfz p

sfz p

sfz p

sfz p

f

f

f

f

f

               sfz p

f

sfz p

             sfz p

f

sfz p

ff

              

ff

         



ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

sfz p

sfz p

 

f

f

sfz p

sfz p



sfz p

f

sfz p

sfz p

sfz p

p

p

f

sfz p

f

p

p

f

    sfz

p

    

p

ff

ff

ff

ff

ff

ff

  

pp

   

    

  

    

  

f

   

    



f

   

f

sfz

sfz

sfz

p

p

p

ff

ff

ff



pp

 

pp

  

pp

 

pp

pp

pp

 

pp

 

 

pp

    

 

   

 

   

 

    

 

ff

ff

ff

ff



 

36

   157

Fl.

Ob.



 









 





 



 

 

 



 



ff

 

ff

 









 



 

  

  









 



 



  Tpt.  









 



 

 



 



Cl.

Bsn.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Vln.1



Db.

 

  

     

 

 



 

ff

 



 

 









 



 



 

 









 



 



 









 



 



  









 



 















         (Vib.) (metal sound)       f    (sempre) Crotales (metal sound)       

  















 





   



     











   



    



    

  









 

  

 

  

 

 

 

 

  

 

  

pp





pp





  

pp



   



   

  

   

 

   

    

    

pp



 

pp

   

  



 



 



p sub.



pp

Vc.2

   

 

pp

Vc.1

  

p sub.



pp

Vla.3

 



ff

Vla.2

ff

   

p sub.



ff

Vla.1

  

ff

ff

p sub.

ff

ff

Vln.4

 







    

 





 

 







 

f



(open)

 

  



 

(open)

f

 

ff



 

  



ff

Vln.3



f

 

 

ff

Vln.2



(open)

 

pp

  



  

ff

pp

  



  

 

 



  

 

  



 

 



  



 







ff



ff



ff



  

 

ff

      

   ff

  

ff

  

pp

pp

pp





ff

pp



pp

ff

pp





ff

pp

 



 

ff

  





  



 



pp

  

 

ff

 

ff

 

ff

  

 

  

ff

sfz

pp

    



 





  

sfz

  

pp

  

sfz

pp

 

sfz

  

pp

  

  

 

  

 

 



sfz

ff

 

sfz



 

 sfz     sfz

   



  

sfz

  

ff

  

pp

ff

 

  

pp

 

pp

I

  

ff

  

ff

f (spoken)

 

  

  

pp

   



ff

   ff

  

sfz

  

pp

  

  

  

  

  



  

  

 



sfz



Kris Defoort: House of the Sleeping Beauties - The Third Night



3



did - n't

pp

pp

pp

 

sfz

pp

pp

ff

    

ff

    

ff

    

ff





 

 

  

 

  

       

 

  

  

       

 

  

  

 

  

 it !

sffz pp

pp

pp

 

f

sffz pp

pp

    

 



 



sffz pp

sffz pp

     

sfz

 

 

Thai gong

        

      sfz

 

ff

        

     

sfz

    

   

do

      sfz

p sub.

f

         

  

sfz

ff

ff

  

sfz



   

ff

ff

  

ff

 

pp



   



   

       

         sfz

pp

       

sfz

sffz

sffz

     

sffz

  

sffz

 

  

  

 

    

  

  

  

 

    

  

  

  

 

  

  

  

 

sffz pp

sfz

pp

sffz pp

        

    

 

  

  

       

pp

sffz

 

    

sffz pp

sfz

pp

sffz pp

  

sffz pp



sffz

sffz

sffz

sffz

 

37

           Fl.   163

            ff

Ob.

f

           ff

Cl.

f

ff

  Bsn.   Tpt.

Hn.1

Hn.2

B. Tbn.

5





  



  



  





       

Pno.

Perc.1

Perc.2

sfz

pp

  

 



         

sfz

       



 

 

   

     

   

f

                     

       

                 

  

 

       

        f

Db.

  



  



5

 

 



     5

5

gliss.

gliss.



gliss.

   

gliss.

gliss.





sffz

  



 



gliss.

p

p

       sffz p       

  

p

       p

p

  



  



      

       sffz



  

       sffz

  

p

p

ord.

 

sffz

 

p









3



 

 







 

 







 

 







 

          5

9

   

       

      









 



Thai gong





(sul D' sul G')

   f

gliss.

gliss.

gliss

f

  

  

  

gliss.

  

 

gliss.

sfz

p

  

 

gliss.

gliss.

gliss.

gliss.





 

   sfz

 



sfz

 

p



 

sfz

 

p



 

 



 

sfz



.

p



 







 





  





 





p

p





ff

Kris Defoort: House of the Sleeping Beauties - The Third Night



mf









 

 







 

 









gliss. blac

k keys



ff



f



                                6          5 5  f 7                                    6 6  f        7                    5 f 

sfz



ys



7

gliss.

   

f

gliss.

 

gliss. white ke



       (sempre)       Crotales



  f    

ff



gliss.

 



f



 





  

sffz



mp



      

sffz



legato

(with Viola)

f



sffz

mf

   

                 6                p pp



      

3

 

3



p



f

  

sffz

gliss.

p

 

f

      

sffz

gliss.



5

pp

f

f

 gliss.

   

    

    

f

  



 

pp

f

f

Vc.2

 

3

 



       ff



ff

         





    sfz pp      

ff



f

Vc.1

 

p

5



f



f

Vla.3

pp



 

f

Vla.2

 

sfz



      

 

MNMOMNMM

f

Vla.1



       

f

Vln.4





                  



6

pp

f

Vln.3



  (change to soft mallets)    Crotales (« wooden » sound)      

  



sfz

 

  Vln.1  

Vln.2



        

  

ff





6

         

ff

   

 3

 

ff

  



f

 

Hp.

5

3

ff

   

 

 





 





f

f

            

 

 (with Bassoon)



legato



 3



 

mp

 







 

 







 

 







 

 







 

f

f

f

f



 

38

   166

Fl.

Ob.

Cl.

  

             p

   

6               p f                         

p

Bsn.



  

5

5

3

                 5 7 mf

f

  Tpt.   



 

f

Hn.1

Hn.2

B. Tbn.

  

Hp.



 



mf

     



Perc.1

 

mp

      

      p  

     

Tam-tam

Perc.2

pp

  Vln.1  

Vln.2

Vln.3

Vln.4

 













  











G.C.

 

    



p

p

5

     

p

5

Vla.3

  

Vc.1

  



   





 

 







 





 



pp

 short

 

 



   







    6             p   

p



   



f p sub.

(with Bassoon)





         

 



   

mf

mp

(G.C.)

          

 

pp



 



 

f

mp

 



f

                  7        

3



                        (with Cello)



                 3





 

Sizzle-cymbal (with hand)



 

       f        



f sub.



  

 

pp

   f

---

 

pp

(with Clar.)

   



f

  



   





 

   









mf

ff

  

 







   





  





pizz.



pizz.



pizz.

  

p

  



arco

 



arco





pizz.

  

f





pizz.

  f

Kris Defoort: House of the Sleeping Beauties - The Third Night









p (with Piano)

      p

f

ff

ff

          sfz p sub.  p f     arco        

f

ff

   

        

f

ff



pp



ff



sfz p sub.

7



   

6

(with Bassoon)

   

pp

sfz p sub.

                

f

pp

Db.

 

mp

pp

Vc.2

 

p

pp

  

              (with Piano)

                   

7                  5 

  

 

p



f

   

f



 

  



 

f



    



 

 

  



          7

f

  

 



f

pp

 

  



  



sfz p sub.

f

p

pp



           

p sub.

(with Viola 1.)



  



sfz p sub.

                6 6                           3 3 6

pp





(with Piano)

  

       

mf

Vla.2



     



p sub.





fp

pp

mp





                  

                  6

 



pp

Vla.1



F#

   

  

 



f

 

f

  

Pno.



f

       

  



 

3

f

f

  

 

 



            7

arco

      p



      

 

 

 

 

 

 

 

arco

 

 

 

sfz

p sub.

sfz

(with Piano)



  

      

sfz

    

p sub.

p sub.

     

39 170    Fl.  

 

f

Ob.



  

6

        f

Cl.

 



p

   



p

           

  

  (with Horn 1.)



           7

p



   



    



                  



mf

  

Hp.

Pno.

Perc.1

  

f







 

  



      

6

mf

     

 



(bouché)









p (with Bsn.)

6

 



 



 

 

 

 





 





---









Crotales

 

   



mf



     

               

sfz

       

sfz

Vln.4

       

sfz

Vla.1

      

sfz

Vla.2

sfz

Vla.3

Vc.1

 









 

sfz

   



   



    









f

f

Vc.2





f

Db.

  



p

(l.v.)

6





 

 

 











 







 





 

 





 





 

mf Thai gong









Crotales



 

gliss.



mf

5

(sempre)

 



mf



 



pp

      

    

mf



  



mf

 

  

               



6

mf

   

        

         

p



f

        7 gliss.         p

mf

p

mf

p

mf

 



f

           f

 

               gliss.              f

              gliss.            (with Bsn & Horn 1)    gliss.       p

f





mf

(with Bsn.)



 

 

mf   (with Bsn.) gliss.              p

3

mf

p

 

gliss. as lo w as possible

mf

   



  

 



 

gliss. as low as possible

 

gliss. as lo w as possible

 

f

Kris Defoort: House of the Sleeping Beauties - The Third Night









         7

mf

        

mf

        

(with Bsn.)       gliss.           

f







(with Cl. in Bb)

 



ff



5

legato



pp

  



 



sfz p sub.

   

 

f

sfz p sub.

Vln.3







  



p



 





        

mf



 

mf

Vln.2

 

(with Clar.)



  



mf

 7              



 



mf

 

  3

 

    

f

    

  Vln.1  

 

7



3

 



sfz

(with Violas)

3

 



                 

     

f

        

 



3

  

legato



f



 

(with Horn 2.)

6

p





 

 

p

p

  

Perc.2

 

mf

mf

B. Tbn.

Flttz.

sfz

   



mf

Hn.2

 

mp

3

   

 

3

legato



  

6

p

f

  Tpt.   

 

                          

               Bsn.  

Hn.1

3



7

7

 

 

gliss. a s as poss low ible

 

 

 

gliss. a s as poss low ible

 

f

f











   

40

            

  Fl.    173

Ob.

  

p





  

3



p

  Bsn.   



 3



p

B. Tbn.

Hp.

  

7

7

(open)





    

  gl

f

iss

.



ff

   

    

   



Vln.3

Vln.4

 

mp

         



 



legato

Vla.1

f

Vla.2

    f

Vla.3

   

 

f (with Piano)

Vc.1

        f

al talone

        f

al talone

       

 

f

           p 

sfz

Vc.2

 

p

 

p

sfz

p

  Db.  

 

 

sfz





3





mp







(like a chorale)

p

p

mf

5







   

6

   

p

mf



6

pp

6

pp

6

6

pp

6

                             6

pp

6

      

            

          

      

            



3







f

f

ord.

p sub. ord.

p sub.

         

ord.

p sub.

sul pont.



    









3







 

3

f sub.







mp

3







mp

3







mp 6

pp sul pont.

5

3



gradually





5

f sub.

f sub.

pp Kris Defoort: House of the Sleeping Beauties - The Third Night

p sub.

p sub.

p sub.

       

p sub.

      

       

al talone

f

al talone

f

al talone

f

f sub.

ord.

 



       

ord.

ord.

    



gliss.

   

ord.

f sub.

        

               mf

      

6

gradually



       

f

 

p

      

f



 (l.v.) 

       

f

  p

       

f sub.

3



       

ord.                           f sub. 5

sul pont.



3









G.C.

mf

ord.                        

gradually

pp

f

 

(with hand)     

f Sizzle cymb.

                            

3

   

   

Crotales

                            





            

6

      







          

   



5

                            

3

   

 

 



p



ff

                mp f sub.

   

 (l.v.) 



3

3

  

 





 

6

  

3

p

   

 

     7

p

mp

 

Tam-tam

mf

mp

mp



  

   

  

             

            



(mp)



          



  







 

(with Piano)

          

3

6

f

                         

p

mp (with Bsn.)

        

 







mf

3

  



p

  



   

(like a chorale)

legato

                         

al talone



(with Fl.)

mf





p

   

 

                

3

p

                        

   



(like a chorale)



mp





3

legato

                  Vln.1             Vln.2



f

p

   

 G.C.



legato

   



ppp

    



legato

(with Horn 1.)

mf

f

p

  



  (like a chorale)

mf sub.



mp

ppp



pp 3

f

(like a chorale)

            Pno. mf ff        (sempre) mf    Perc.1  

Perc.2

6

          

p

f

mf (like a chorale)

3

f

     

                

             



    

   

        5                        

ppp

    

 

 (open)

  



  

                   

p

  Tpt.   

Hn.2

mp

     

f

Hn.1

6

p sub.

(with Tpt.)

Cl.

 

6

                             

 

 



ppp

       

         6

         6

        6

        6

ord. 3           



p sub.

ord. 3           



p sub.

  ord. 3            



p sub.



gliss.

gradually

sul pont.

5

       pp

   

 gliss. 

gliss.

sul pont.

gradually

 

 

pp

sul pont.

 pp

3



gradually



41

          Fl.   176

mf

3





 

Cl.

Bsn.

Tpt.



















sfz







 

mf

p



 

 

p

Hp.



       

p



gliss.







Perc.1

 



   



(l.v.)



  







 



     

p









































 

Crotales





p













Sizzle cymb.



Thai gong







Tam-tam



           



          



         

          



         



Vla.2



Vla.3



Vc.1



Vc.2









5

 









5

   

 







6

5



 







    



 

  

  



  



  



    

 

6

7

pp

7

pp

f



7

pp

f

5

7

pp

  



  



  



     p

3

     p

3

     p

ord.

   

6

    

  ord.

5



 

 

6

    ord.







  



  





              



              



f

f

f

6



mf

6

      

mf

6

      

mf



 



 

 



 

 



 

 



 

 



 

f

 



 







 

 



 

  

 



 

  

 



 

     mf

        

p



  

    arco

f

 

p

     



    

arco s.p.

f

  



ff

 

p

   

 

sfz p sub.

p

              f



 

                f





 

p

              

      

 

         

f

mf





(with hand)

              

mf

 

 

pp

mf



     

mf

mf

3



   

p

f

Db.

  

      

 



   

      

3

f







f





Vla.1





mf

     

6



         

  

3



pp

       

gliss.

3

f

f

f

            



   

 



         

Vln.4

 

 

pp

 

     --   







 

Vln.3



Flttz.

 

Perc.2

Vln.2

    p

sfz



p

Vln.1



p

p

f

     

Pno.



f

pp



  



pp

  

    p



f

     

pp

p

B. Tbn.

 

7

Flttz.

p

Hn.2

p

p

 

  

Hn.1

 

Flttz.

 

              mf

3

mp



 

mf

7

6





        

 





     

5

p

5



p

f

    

Ob.





 

sfz p sub.

p

                f

sfz p sub.

p

                     sfz p sub. p sfz p sub.

f

sfz p sub.

f

                     

      sfz p sub.

Kris Defoort: House of the Sleeping Beauties - The Third Night

f

sfz p sub.



p

 



 

(End dialogue from the past)

42

    



   



11

179

Fl.

Ob.

          



f

          



3

 

f

       



 



       



 



 



ff

ff

    ord. 3                  Cl.        7 ff f p    Flttz. ord.                Bsn.   6

mp

  Tpt.   

Hn.1

Hn.2

B. Tbn.

f



  



           

sfz pp

         sfz

pp

Pno.



  

Perc.1

 

ff



  





Marimba (hard sticks)



Vln.2

(p)

Vln.3

3

     

   

(p)

Vln.4

Vla.1

  

f

f

mf

arco

f

f

              mp

Db.

6

6

           f

   

mf

mf



f 

 

         6

mf

 

 

 

 

 

 

f

ff

 



  

    



 

pp

(Harmon mute)

  





3

p

p









 







 



 



 





 



 



ord.

p

3

mp

              

     

pp

       f

 

          f

      





6

 

            mp          

                   



f





mf

          

mp





           

 

ff

 

      

pp

f

 



f

 



 



 

f

       



   

ppp

        



        



ff

ff

         ff



        



ff

ff

         ff





      mp

poco rall. q ≈ 48



   

pp



p



pp

  





  

p



pp

   

    



p



pp

  

   





  



  

  



   



p

p

pp

  





   

 



Kris Defoort: House of the Sleeping Beauties - The Third Night

s.p.



p

ff

pp

ppp

   

ppp

          

Bass drum



ppp



mp

p

p

pp

      

   

ppp

       





 

T-tam

pp

ppp



  

pp

 

   pp

 p

 



 



 



pp

   



  



  



   

p

p

pp

pp

 



f

mp

f

mp

f

mp

f

    

pp

  

mp

    

pp



f

   

pp

pp

mp

   

pp

  

con sord.     

   

pp

 

mp

mf

  



p

    

Sizzle cymb. (soft stick)



  

p

      mp

e = q (q ≈ 96)

(s.p.)

mp

f

f

pp sub.

mp

f

 gliss.                

mp



mp

f



p

3

       



Vib. (motor on)

 

mp 3

ff





p

      

ff

  

p



   



p

ff

 



p

ppp



 

   

ppp

ff

        

ppp

         



       

ff

 

ppp



    

                

Maracas



q = e (q ≈ 50)

mp

 

Crotales (with marimba stick)

 

ff





     

mp

Playing very close to the board, strike the board right after playing the note with the second finger. The second finger slips off the string, then strikes the board.

pp

f





 

   

ff

A#

  

         

f

mf

f

 

f

mf

         

mp

Vc.2

ord.           

 6                 

mp

Vc.1

f

mf

 mf  6                

mp

Vla.3

 ord.          

f





mf

6

3



mp

Vla.2

 

Contrabassoon

 





6         Vln.1               f

   



     

 

        



f

 

mp p

Change to Cbsn.

ff

mp s.p.





      



  

     

mp p

 









ff





 

       

Eb



 

f

f

  



           



     

  Perc.2

   

e = q (q ≈ 96)

      

f

 

q ≈ 48

poco rall.

mp p

f



        

  

f

 

 



           

f



 

ff

  

 





   ff

(bouché)

 

Hp.

ff

q = e (q ≈ 50)

43

 

q = e (q ≈ 48)

184

Fl.

Ob.

Cl.

Cbsn.

Tpt.











        

   

pp 3

p

 



 



 



  

 



 



 



 



 



p

mp



     

3

3

 



 

 



 



 



 

 

 



 



        



p gliss.

mp





p





 

Change to Picc.



  

p

    



 3   gliss. 

(Harmon mute)



p



Hn.1





Hn.2



 



 



 



 





p





p B. Tbn.

Hp.







 



 







 



 







Pno.

Perc.1

Perc.2

      





  

 



p



     

arco

   

p

     

  

 



   

ppp

 Bar. Solo 

mp

   



That





 









 



  

3      

beau -

ti -

ful

 



 



 



 



   



 



 

     



arched

 



gliss.

mp

  



p

         



                 mp

mf

mp

   

mp





p

 

p

 

p







mp

mp





 





  

LMLOLMML

 





      

slow, irregular, almost inaudible

Rain maker



mp





mf

 

gliss.



 

   

up - per

  

p

      mp

mp

pp

    

 

 

Crotales



    

    p

 



 



 

 



 

 





mp



p

mf



lip.



mp gliss.                 Could it

be

that she still

q = e (q ≈ 48)

   gliss.    3

Vln.1

p

mp





Vln.3



Vla.1



 

s.v.

 

s.v.

 





Vln.4

 

p





Vln.2





pp



pp s.v.



pp s.v.

  



pp



Vla.2

Vla.3

gliss.

 

 

p

pp





 

Vc.2





 

 





  

pp

 



 





p

pp





p

    

pp

 



gliss.

  p



 

 





 





pp



 

  



 

 



 





 





 







p

pp





p

pp









gliss.

  p

pp











(almost inaudible)

  

pppp

   pppp

 

 



(almost inaudible)



(almost inaudible)

  



  



pppp (almost inaudible)

pppp

 

s.p.







  ppp





Kris Defoort: House of the Sleeping Beauties - The Third Night





(almost inaudible)

  









 

 







 

 

p

 



pp

 

p

pp

 

 

p

 

 mp

p



   





pp

 



p

pp

 

 

pp

pp

 

 

mp

 

 

 

 

 



pppp

Db.

senza sord.



pp



   

Vc.1





 



   



 

p



 

44

  Picc.  



Ob.

 

Cl.

Cbsn.

189

Hn.1

Hn.2

B. Tbn.

Perc.1

 



 



 



 



  



 



  

 

  



p

mp



  

 



  

  



 

 

  

 

              mp

  

mf

pp





Vib. arco



 Crotales

  

  



mp

mf

p

   (p)

Vln.3

 



(p)

Vln.4

 



(p)

Vla.1

  

(p)

 



Vla.2

Vla.3

  

  

(s.p.)

sfz

   





mp

mp



 

 



   

p

 

mp



mf

 6

 





 

   



 

mp

 

mp

 3



 3



than

for - ty

years

 

 

mp



gliss.









  

p

 



 



 



  

mp

Vc.2

Db.

  

(p)

 

 

mp



 









Crotales

 





p





mf

 



f





 

  p

  

mp

   

 

  

(p)

ord.

mf





p

mp





 



mp





p

mp

       3







mp

 

  3

  

3



 



pp

  

p

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

  



 





3

 

p

   

5



     



  



5

5





  



mp









 

 

 

(s.p.)

   





ter

   

         



   



mp



ff

(With the tip of his pinky, he gently strokes the middle of her upper lip. Her lips are dry.

mp

   



p 6

mp

mp





mp

mp

  



    











  F#

   

 

  



   



-

T-tam

  

mp

p

 

la

 



mf

p

G.C.

mf





  

mp



mf

p



f

 

p

 





p

 





(soft mallets)

 



more







ff



  



 

 

 

p



 



           



 



  







 

 

 

3



 

 





pp sub.

p





 

mf

   



  



 



 

 

p

 

 

pp



mp

Vc.1

now

 



 



 





mp

lives

  



p

mf

Vln.2

pp sub.



 gliss.      Bar. Solo  

Vln.1

mf

 

   Perc.2

ppp



  

Pno.

 



  

Hp.

 

 

  Tpt.   

  









   

mp



 



mf



mp



mp





 

 

3







 

3



3

3

  



   



 Picc.  192

 



45





Change to Fl.





f

 



 



 

Ob.





 



 



 

Cl.





 



 



 

Cbsn.

Tpt.





 



3







mp







mf



p

   



mp



 

3

  





 p

       3

3

mp

 

p



 



 





 

muted

Hn.1









 





 

muted

Hn.2









 





 



 



 

 



 





 



  

 



 

 



 

B. Tbn.







Hp.







6



  

Perc.1

Perc.2

Bar. Solo



 

 Vln.1  

Vln.2



Vln.3



Vln.4



Vla.1



Vla.2



Vla.3

   







f









/ 0

  



   

gliss.

f

 

f

  

mf

gliss.

f



gliss.

gliss.

 

mp







  

mp sub.

mp sub.

 

gliss.

 



mp sub.





 

5











5





mf





     

mf

 











f

f

f

mf

      f

mf

       f

mp sub.



mf

 

 



mf

      3





3



mp

 





mp sub.

mf

 

3

5

mf

f

 

 

f

      

 





mf

f

 

 

3

mp sub.

mf

f







mf





 









3

mf





 p

3

mf



f



      3        3

   3      3

mf

mf

glis

s.

  

mf

gliss.

f

mf

3

f

5





    6



        



 

 

p

 

  

 

 

 

  

 

 

 

sfz pp

 

  

s.p.

sfz pp

s.p.      

 

sfz pp

 

 

s.p.       

 

 

 

 

 

 

 

 

 

sfz pp

  

 

sfz pp s.p.

gliss.

mf

 

 

 s.p.       

mf

 

s.p.         

sfz pp

gliss.

 

s.p.        

s.p.          

f

f







sfz pp

3

mf

Kris Defoort: House of the Sleeping Beauties - The Third Night

s.

3



mf

mp

glis

f



   

mf

f



 

.

f

               

f

mf

  

gliss

f







 





f





f

                

f



Crotales     



 

mp

    



mf

 

   



                mf

f







     3          3 mf

 

f

mp



f

 

mf

  

mf



  

f



f

      mp

              3

  





3

f



  

f

  

mf

  



 

f



ff



  

  



f



f





mf

gliss.



        

    

   7              



3

mp sub.

   





f





      

    

  

7

      

mp

f

  



f





mf

 



 Crotales

  

              

 

ff

     



6



mf



      

          

Her skin feels swollen. Then the girl begins to lick her lips and doesn’t stop until they are moist. The old man removes his pinky.)

mf

Vc.2

f

 

  

mp

    

Vc.1

Db.

     

                    mp mf  --    

 

6

    

5

  

ff

 

mf



Pno.

 7               

    

sfz pp

s.p.       

 

sfz pp

   (p)



 

 

 

 

3

   

mp

p

 

46

  Fl.   195

Ob.

 



         pp

3

mp



         pp

Tpt.

Hn.1

mp

 mp



 

mp

Hp.

Pno.

Perc.1

p

3

         pp

B. Tbn.

 

3      

pp

Hn.2

p

       

mp



p



 



 





 



 



 

     p





 



 



 



 



 



 



 



 

     







 









(muted)



 



    





 









(muted)

    



 





 



  

  pp

pp



 



 

 



 





 



 



 



 



 



 



 



 



 





    



 



G# B§ D#

 





 



  

 

mp

                 



 



           arco     



    



p

Crotales

mp

T-tam     



pp

  

  

 

ord.    

   

 

    

mp

   

mf

 

mf

   

mf

   

 

mp

 

 

mp

 

 

  

mp

mp

   

mp

Db.

 

 

mp

Vc.2



 





mp

Vc.1

 

  



 

 

mp

Vla.3





  Vln.1  

Vla.2





  Bar. Solo  

Vla.1

 

 

  

Vln.4





Perc.2

Vln.3



  

 

Vln.2







Cbsn.

Change to Eng. Hn.

   



 

poco rall.

 



p

3

Cl.



 

   

 

mf

mf

 

mf

   

mf

mf

 

mf



mp







 







 







 







 



  

Glcksp.



p





  

Vib. (soft mallets)



 



 



 











 



 



 



 



 

p

      lips

like



these

 

 p

        p        p



 



That



         mp

E# A§





pp

       mp



  ex

     mp

-

p

p



ist

Could this

  

  

mp

mf

              3

     

mp

child



p

give

    

mp p

kis

-

    mp

p

  

p

3     



ses

    

in

poco rall.







 



 



 







 



 



  



her

   

 

p mp

 



p

pp

       p        p        p       p      p

ord.

3     

con sord.

ord.

pp





ord.

   

con sord.

 



p

 

 



  

 

     mp

  



p



mp

 



p

mp

   p

3     

pp



mp



  p







 



 



 



 







 



 



 



 







 









 



 







 









 



 







 



 



 



 

Kris Defoort: House of the Sleeping Beauties - The Third Night

47

  Fl.  



 



201

Eng. Hn.

Cl.

Cbsn.

Tpt.

Hn.1

Hn.2

A tempo

 

mute)   (straight  

 

pppp



       

Hp.



     



 

Pno.

Perc.1

Perc.2

6



  

 

    pp                mp Glass  chimes     pppp T-tam

     

   

mp

p







   



mp





 

   

Vln.4

 

3



(pp)





3



(pp)

   

mp

      



3









 



pp

 

 



 

  

 

    

  



  







 (see bar 183)    

 



  



 

  



  



 



  





  



Eb









f

 

f







  mf



 p sub.       f

mf mp f          f p sub.



the

old



man

f

     f

 



       



ff



ff



   

(arco)

mp

   

     

Thai gong

f

 

 mf

f

has

lost :

  

 

     



 

 mf

too



    

f

 

 



 (But the old man only softly caresses the hair by her ear.)      



 



 



      p 



 



 



sord.  con  





         mf p  3 5 3 5                                     

mp



p

 mf



   

mf

pp

mf



      



pp

mf

   



pp

mp





pp

   

 





    



(muted)

f

arco

 





   

pppp

(muted)



 

 

 



ppp

p

p

mp



mp

  

 

mf

 

      



f

mp

3







 



mf

      

Vln.3

Db.

 



p

pp

Vc.2



sleep ?

p

Vc.1



This

ord.

Vla.3



 



A tempo

Vla.2



pp



   Vln.1   

Vla.1

 

 

  

mp

Vln.2

    









   

 Bar. Solo  

             mp

p

mp

S. Solo

                      

  





  

  

 



 



  

  



  





ppp

     pp      pp 







p

mp

B. Tbn.



 



mp

 

 



 



 



  

 

mf



mf

 

pp

mp

pp

3



pp

  

5

        mp



      p       p        p        p       p 

p

pp

mf



3



mp

 f

 



3



















Kris Defoort: House of the Sleeping Beauties - The Third Night

         f

f

5

       

p

mp pp sub.





p

 

    

 



mp

f

  

p sub.

 



mp

   

s.p.      f



5

mp pp sub.

      pp

                 3

5

            



p

mp

3





  



  



  



 

 



    f con sord. ord.       pp         mf

 

       ff

 

ff

 

48

q = e (q ≈ 96)

   Fl.   206

 

3

mf

Eng. Hn.

Cl.



p

  



 



  













pp

mp

p

mp

p

pp







mp

mf





p

 



mp





p

pp











 







 









  

pppp

p

p

mf

 6                    pp

mp

 









  









Hn.1

 













 

Hn.2

 













 

B. Tbn.

  













 

 













 

 













 

 













 

 













 

  























 













 

Cbsn.

Tpt.

Hp.

Pno.

Perc.1

 

  Perc.2

S. Solo

Vln.1



         

mf





The



de

-

    

 si

-





re

 to

 

take





such



mf pp sub.

(straight mute)

 a





(arco)



pppp

mp

 p

p         girl



by

  

mf  force

 

   

 

f

   

 

q = e (q ≈ 96)









con sord.





    



(c.s.)

f

mp

(pp)

     3

Vln.3

(c.s.)

Vln.4

 



Vla.3



mf

 

3

     

mf

        mf

p

pp

mp

pp

mp

p

mp

pp

p

pp

mp

pp

mp

p

mp

pp

p

pp

mp

pp

mp

p

mp











mp

p

mp

p

pp

3

3



pp

p

                             3

3

mp

Vla.2



p

p

Vla.1

 

                      (c.s.)

Vln.2

gliss.

mp





gliss.

                 



pp











            mp pp p pp mp pp

    

ord.

mf pp sub.

 

  

s.p.

p



 

 

         ord.

gliss.

mf

mp

      

mp

Vc.1

 













 

Vc.2

 













 

Db.

  













 

Kris Defoort: House of the Sleeping Beauties - The Third Night

49

e = q (q ≈ 48)

  



 





 

 



 





  

212

Fl.

Eng. Hn.

Cl.

3                    

mf

Cbsn.

  



    Tpt.   

 

f

 

Flttz.     6         

mp sub.

mp

sfz



   

pp

 









   

 



 

 B. Tbn.  



 



Hp.

Pno.

Perc.1



 

  





 





  





  

 





  

 





 



MNLONNML







 



 





 

 





 





  



 





T-tam    

mf

Vln.2

3

f

3

 (f)

gliss.

Vln.4

Vla.1



 



     

15

    

 

  

 p

   



 

 

                        

   

ff

9



 



12



               

 

mf

Crotales

   

 

f



mp



 



e = q (q ≈ 48)

  3              6

mp

sfz

       

pp sub.

mp

 3       3                                             mf f mp mf sfz

Vln.3

 



mp



                               Vln.1   



  

  



3

3

ppp



Perc.2

  

      

mf

Vib.

 

p

     



 

p

(con sord.)





3

(muted)

 



      

(muted)

 



 



 



 

  

 

mf







pp



Hn.2

 

 

pppp

f Hn.1



pp sub.

mp

pp sub.

mp

 3       3                                               mf f mp mf sfz pp sub. mp             3     3                                                mf f mp mf  



sfz

 





 

 



3                                                       mf f mp mf sfz pp sub. mp        3         3                                           3

Vla.2

Vla.3

mf

Vc.1

Vc.2

Db.

 

f



 

 



 

  



 

mp

mf

sfz

pp sub.

mp



  





sord.  con  

arco





   



p

Kris Defoort: House of the Sleeping Beauties - The Third Night

       3

arco

con sord.

ppp

 

       3

ppp

 mp

 

50

  Fl.   216

Eng. Hn.



    

Cbsn.

Tpt.

Hn.1

Hn.2

mp

p

        3

    



p

 

gliss.

p

 

Pno.

Perc.1



    

Perc.2



        p

S. Solo

Vla.2

 



 



 



 

 



 



 



 



 

  G   

pp

mp

gliss.    p



  



   

gliss.

mp

   



  

  

with



mf

wo

-

 

p

mp

     5   



men

who

 

senz sord.

s.p.



pp s.p.





      

mp



  

mp



 



 



  



p



  3    



ten - der



   

 



    

-

  



3

ly

3

pas -

   p

 

mp s.p.

p

mp

pp

p

mp

mp

 

mp

 



 

pp

p

 

p

G.C.

  



 



sion - ate -

   

mp

mp

p

  



senza sord.

          



 



  



 



 



 



 



 



 



 



 

3

         





      

 



  

 

    







p

p

  

mp

 Crotales

 



  

mp



p

 

 

mp

5

mp





               5

      

  

mp

 



     



mp

wil - ling - ly

  

pp



der

 gliss.    

 

mp



 

                    

senz sord.



mp

sur - ren-

 

p

gliss.

 

 

mp

 





p



 

   

 

 





  







arco

 



 





p

  mp

   





  

  

      

    

mp







    

3



  

 



      

mp

  

 p

 



  



 





3

p

  



 



sleeps

       

gliss.

  

3

 

 

 

f



     

pp

Db.



       

pp

Vc.2

 

mf

p

Vc.1

 



mp



p

Vla.3





pp



p

Vla.1

 



p

Vln.4



  

p

Vln.3

 



p

Vln.2



       

He

Vln.1

 

p

mp







pp

mf



 

p

 

  



 



pp sub.





mp

  

mp

  

   

gliss.



p





  

 

mp



 



 

      

  

( )

 



p

3



  



 



  

 



  



   

 

Hp.

mf



mp

B. Tbn.

mp

 

 

   



pp

Cl.

 



3

mp

p

   

pp



p

  

                               

   

mp

mp

mp

 p

3

3

   mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

5

p

mp

5

p

mp

 p

3

3

p

mp

p

  

 

mp

                               

p



s.p.  

 



   p

mp

 



mp



gliss.



mp





 



 

3

 3

 

51

   Fl.  

6

221

3

      

 

p

Eng. Hn.

Cl.

 





  

 

  

3

    

 

 



      

3

   









mp

  

  

mp 3



pp

mp



p Cbsn.









pp







p

pp

   



 



 



   

 

p

pp

  





 





 

Hn.1

 





 





 

Hn.2

 





 





 

B. Tbn.

  





 





 

 



   

 





 



 



  

 



 



 





 





 



 





 

Tpt.

Hp.

Pno.

Perc.1



  





               

6



       





mp



    6            

 





mp







  



mp



       3











   

arco

p

p



T-tam      

mf

p







mp

    

 

 

mf

S. Solo

mp





mp

Perc.2





ly

             mf

He

beds

them

p

   



 

 





     mp



p

mf

pp

               out of

a

de - si - re

mf

p

for

in

 





    

mf

-

        ti

-

ma -

   ord.                  Vln.1      ord.                       pp

Vln.2

Vln.3

Vln.4

Vla.1

mf

Vla.3

Vc.1

Vc.2

p

mf

pp

p

mf

pp

 



p

 



 



 

mp

pp

p

mp

senza sord.





p

s.p.

 

pp

   

mp







mf

pp

mp





   p

pp

mp

pp

mp

p

pp

mp





          

ord.

mf

   





     p





5

p

  





 5





p



                  6 mp p mp pp                  6 mp p mp pp  

mp

 p

 

gliss.

 mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 mf

 

                   pp

p

Db.

mp

 ord.                       

p

Vla.2

pp



p

p

 



 



 



  

pp

mf



senza sord.

senza sord.

  p

        pp

mp

pp

mp

   

        

pp

 

52

  Fl.  

e = q (q ≈ 96)

225

          



sfz p

Eng. Hn.

 

           



sfz p

Cl.

Cbsn.

 





p

sfz p

       

open

Hn.2

 

open

B. Tbn.

  

sfz p

sfz p

Hp.



   



     



     

Pno.

5



  

6

7

          

        p mp p                (mp) Perc.1  Crotales (with vib. stick)         Perc.2

S. Solo

  

 

p

G.C.

pppp

   



pp

             

sfz p sub.

 





Vla.1

Vla.2



Vc.1

 

Cymbal

Vc.2

p

   p



                            sfz p

sfz pp

            

sfz p

sfz pp

mf

  mf

 







 f

    

    

 

  

mf



































f







 













 

 

 









 



   

   





f

mf

sffz p sub.



f

sfz pp

pp

mp

 

     

mf



ff

sfz p

 

mf

ff

     

ff

 

f

 

               



sfz p

mf

               sfz pp

 ff



 

sfz p

sfz pp

mf

ff

            



 

pp sub. s.p.

 

sfz p

mp

sfz p

sfz pp

mf

ff

pp sub. s.p.

sfz p

sfz pp

mf

ff

pp sub.





mf

ff

mp

          sfz p

mp

           sfz p

mp

         sfz p

       

mp

sfz p sub.

                           sfz p

sfz pp

            

sfz p





 

sfz pp

mf

ff

          

            





sfz p

sfz pp

mf

ff

sfz p

sfz pp

mf

ff

sffz p sub.

mf

ff

     

sfz p sub.

Kris Defoort: House of the Sleeping Beauties - The Third Night

     





    

Is

she

 

 

 

 

 

 

pp sub. s.p.

 

s.p.

pp sub. s.p.

pp sub. s.p.

 

    

the

 

  



 

 

pp sub.



 

pp sub. s.p.

pp sub. s.p.

  

 

 

 

ff

 

mf slightly agitated, very articulated, coldly

 

 

s.p.

mf

            

 

sfz pp

         

 

ppp

sfz p

mp



    

mp

       

 

sfz p

sfz p

         

 Db.  

 

ff

f

 

senza sord.

p       

 



sfz p



     

 

                    p

 

     

sffz p sub.



ff

ff



sfz p

p Vla.3

mf

 

mf

 

                 p sfz p mp                  

  mp p pp       

sfz pp

 



ff

sfz pp



e = q (q ≈ 96)



sfz pp

sfz p



     



     

    

 

p

Vln.4

             

sfz p



p

Vln.3

mf

sfz p sub.

            Vln.1          Vln.2

            

 

  

p

cy

sfz p

ppp

pp

  (mf)    

 Bar. Solo  

mp

      

 

mp

mp

          



senza sord.

mp

          



    

sfz p sub.

         



sfz p

 

mp

sfz p sub.

senza sord.

Hn.1

mp

         



     

  Tpt.  

mp

              





ul - ti - mate

53

 











229

Fl.

Eng. Hn.

Cl.

Cbsn.





    





 





 



 

    





 





 



 

   



 



ff

ff





 

Bass Clarinet in Bb







legato





pp

 

    



 p





   





 





 



   





 





 









 





 









mp





pp













  

ppp



Change to B. Cl.

ff

 



 Tpt. 

 

mf

f

 





Hn.1

f

 





Hn.2

     f

B. Tbn.







Pno.

Perc.2

   

 





     Cymbal        



 





 

f

f

 

     3

Vln.1

    

(pp)

 

Vln.2

(pp)

sffz pp sub.

  

      

  



sffz pp

sffz pp sub.

sffz pp

sffz pp

sffz pp sub.

   

 

 

(pp)

      

  

      

       

   

 

(pp)

sffz pp sub.

   

 

sffz pp sub.

      

   

sffz pp

sffz pp

sffz pp

sffz pp

       

  



 



sffz pp

   

ppp



   

 

sffz pp sub.

    

sffz pp sub.

sffz pp

sffz pp sub.



mp







 

 



 



 

ppp sub.

3

p

  3   3  3   

de - stroy - ing the

 

 

 

 

se - cret

mf pp sub.

mf pp sub.

 

 

mf pp sub.

 

 

mf pp sub.

sffz pp sub.

sffz pp

      

sffz pp sub.

sffz pp sub.

      

      

 

sffz pp sub.

sffz pp

  

of this house,

   

       

sffz pp

  

 

      

sffz pp sub.



   

  

sffz pp

sffz pp

mp

          





  

 

      

sffz pp sub.

sffz pp

 

 

   

sffz pp sub.

ppp

 

 

 

       

   

                  sffz pp

rules

      

(pp)

Db.

sffz pp sub.

         

de - fy - ing the



  

  

Vc.2

       

sffz pp

  





p

   

  

Vc.1

 

       

sffz pp

 

  3   3    3       Ra - ping this girl,

      



f

ppp



  

  



                 

(pp)

Vla.3





   

vic - tim ?

  

(pp)

Vla.2

        sffz pp sub.

a

       

(pp)

Vla.1

sffz pp sub.

(pp)

  

Vln.4

              

  

Vln.3

or





Cymb. susp.

 



p

play - thing

    



ff





mf



   



    





  

(ppp)

(mf)    Bar. Solo 







 

(G.C.)

pp



        

 





       





mp



 





   





  



  



Perc.1











ppp



Hp.

 



 

  

 



pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

   

 

       

 



   

  



 

 

mf pp sub.

 

 

 

 

mf pp sub.

mf pp sub.

 

 

mf pp sub.

 

 

mf pp sub.

     mf

 





dir - ty

de -

54

 Fl. 





 



 



 



 



 







 



 



 



 



 

 

 

234

Eng. Hn.

 

B. Cl.

Cbsn.







 



pp



 mp



                          6

p

mf





3

p



 

pp

 



   

mp

 





 

p

    



 

mp

p

 



 



 





 



 



 



 



Hn.1







 



 



 



 



Hn.2







 



 



 



 







Tpt.

B. Tbn.



ppp



Pno.

Perc.1





















 



      f

    

(Cymb. susp.)





  







   

pp

 

(G.C.)

Perc.2



ppp



Hp.



 

    

 

mf

pp

 



si - res

of

the

old

   Vln.1      

 



 

 



      

 



 

 



 

 



 

 

  

 

(pp)

  

Vln.4

  

(pp)

  

Vla.2

(pp)

  

Vla.3

  

Db.

  



ord.     

        

   

        

sfz pp ord.

sfz pp

 

     

ord.

sfz pp

     

ord.

 

ord.

 

(pp)



    

 

 

(pp)

Vc.2





sfz pp

    

sfz pp

      ord.

sfz pp

ord.

    

sfz pp ord.

    

sfz pp

p

p

6

6



  

sfz pp sub.

 

sfz pp sub.

           6

sfz pp sub.

           6

sfz pp sub.

                            p



6

sfz pp sub.

sfz pp sub.

 

ppp

do - ing

   

     

      I would bid



   



p

fare

       

mf

-

well

   

   

  

   

   

   

   

  

   

  

   

 



Kris Defoort: House of the Sleeping Beauties - The Third Night

    



pp

   

 



ppp

 



 



   





 



 



 

 



 

 



 

 



  

 

mp

 





      3

(pp)

  3    (pp)



 

 

mf

  

mp

mf

mp

 

      

 

mf

mp

       3

 

  

mp

mf

mp

mf

    3

(pp)

     3

(pp)

 

  

 

mf

mp

  3     

 

         (pp)

3

(pp)

mf

mp

 

mf

mp

        3

 

(pp)

mf



 

 

 

3

(pp)

 

 





(pp)

   





muted

 

p

 

 

ppp

    

sfz pp sub.

6

pp

   

   

p

   

    

       

p

 

 

sfz pp sub.

so

        - - -  

  

   

   

p

mp

  

sfz pp sub.

6

         

   

   

          

p

mp



 

 

6

p

   

mp

  

 

           6 p



 

 

mp



      



In

ord.

 

(pp)

Vc.1



sfz pp

(pp) Vla.1



mp





 

 mf

   

men...

 

(pp)

Vln.3

   

(pp)

Vln.2



(ppp)

3          Bar. Solo   

 

pp

(ppp) mf

ppp



  mp





 

55

  Fl.  



Eng. Hn.

 

B. Cl.

240

Cbsn.

Tpt.

 





 

 



     

con sord.

 





 

 





 





   



pp

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

   

muted

  pp



 







 



 



 



    

       

pp

mp

 

f sub. pp sub.

f sub. pp sub.

 

        

pp

p







 





 

pp

p

pp

p







 

pp



 



 



 



 





 



 



 



 







        f         

       







 



 



 











 



 



 











 



 



 



Susp. cymb.

Cymbal

f



3

        

s.p.

   

s.p.

      

s.p.

sfz pp sub.

       

s.p.

sfz pp sub.

 

 

 

s.p.

sfz pp sub.

s.p.       

sfz pp sub.

  

dy

 

of

the

slee

mf

    3  -

3

ping girl

   

 

not



 

re - sist.



 

  

    

  

  

 

    

  

  

 

  

  

  

 

  

  

  



 



 

mf

How

gliss.

ea

-



sy

mp pp sub.

  gliss.       

gliss.

p

p

mp pp sub.

 gliss.       p

mp pp sub.

 gliss.       p

gliss.

mp pp sub.

 gliss.        p

gliss.

mp pp sub.

          p

gliss.

mp pp sub.

  gliss.       

gliss.

gliss.

   

mp pp sub.

gliss.

p

gliss.

it would be

gliss.         

p

gliss.

p sub.

3  3       

  

  gliss.   

 

    

 (mf) p

 

  

   

 

will

 

  

  

 

 

  

  

 



 



 

    

 

 



3       3      

mf

      

 

  p

The bo -

    

 



ppp



mp pp sub.

  gliss.        p

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

mp pp sub.



 

f



to



 3  



f

pp sub.

f

pp sub.

   

   f



Snare drum (rim-shot)



   

f



stran - gle her.

s.p.

 

gradually

 

s.p.

 

gradually

s.p.

gradually

 

   

     ff     

f

 

 



   



   

f

f







f



f sub. pp sub.

f

 

sfz pp sub.

Db.

 

    f    



sfz pp sub.

Vc.2



 

sfz pp sub.

Vc.1



ff



sfz pp sub. s.p.

Vla.3



   



 

s.p.

Vla.2

 





sfz pp sub.

Vla.1



 

mp

p

s.p.      Vln.1    

Vln.4



p



  

  Bar. Solo  

Vln.3

  

pp

 

pp







 Perc.2   

Vln.2

  gliss.    

mp

Change to Picc.

   

   

 

ord.

 

ord.

 

pp sub.

         

f ord.

pp sub.

f

pp sub.

         

         

 

ord.

gradually

 

s.p.

 

gradually

 

s.p.

 

gradually

 

s.p.

 

gradually

 

s.p.

 

gradually

 

s.p.

 

gradually

 

 

f

 

s.p.

 

      

 

 

ord.

f

pp sub.

     

f

pp sub.

       

ord.

f

pp sub.

 

 

         

 

 

 

 

 

ord.

f ord.

f

pp sub.

    

pp sub.

     

ord.

f



pp sub.

56

 Fl. 











245

Eng. Hn.

Cbsn.

Tpt.







(pp)





Pno.

mp

p





mp

p







ppp

 











 





  



 



 



 

pp



    



  



  



 



 



  









 



 



  



 



  



 



  





 







 

Perc.1







 



 











pp

pp





pp

  



 



pp







pp

 





gliss.



 





pp

  

  

p





pp

   





 

p

pp

pp

 



pp



 



 

ppp



p



 

Piccolo

  



 



  



pp

 



 



   



 





Hp.







 

  (pp)

B. Tbn.







  

Hn.2







 

Hn.1



ppp



B. Cl.

 

            

MNNOLLLL

f





mf

     mp    Crotales    f

  

T-tam

  

G.C.

  

  

mp Perc.2

Bar. Solo





  

  Vln.1  

mf





Is

she

  3  so

     

(pp)

  

Vln.4

(pp)

Vla.1

 



  

gliss.

p

mp

   gliss.     

gliss.

 

(pp)

 

(pp)

p

mp

    gliss.       gliss.

 

p

mp

   gliss.     

gliss.

p

(pp)

mp

 

 

 

       



    

 

gliss.

p

gliss.

gliss.

gliss.

 

gliss.

mp

mp

  gliss.      p

(pp)

mp

gliss.

p

(pp)

  

 

(pp)

 

(pp)

     

 

gliss.

mp

   gliss.       gliss.

(pp)



mp



mean

     

gliss.

(pp)

 

 

p

   

men

p

(pp)

(pp)

Db.

  gliss.

 

 

Vc.2

old



mf

  

(pp)

Vc.1

that those sad



3

 

(pp)

Vla.3



 



  

(pp)

Vla.2

gone



 

(pp)

Vln.3

far

 

 

 

(pp)

Vln.2



p

mp



 

s.p.

pp s.p.

 

pp s.p.

 

pp s.p.

 

pp s.p.

 

pp

 



 3      no - thing

 

  to



  

pppp





her ?

  

  

 

   

  

 

   

  

 

   

  

 

   

 

 



 ord.             mp ord.

  

ord.

  

ord.

  

mp ord.

  

mp ord.

   

 

  

 

 

  

 

  

pp s.p.

 

pp s.p.

 

pp

  

   

    

    

 



mp ord.

mp

      

 

  



mp

  

p

f

pp sub.

     3 f

pp sub.

f

pp sub.

f

pp sub.

f

pp sub.

f

pp sub.

f

pp sub.

f

pp sub.

    3

           3

     3

      3

mp



      

3

  

ord.

gliss.

3

 

ord.



f

mp

  

pp s.p.

6

mp

 

s.p.

 

      3

 

pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 gliss.

57

 Picc.  251



B. Cl.

Cbsn.

(C#/D/Eb)

 :::::::::::::

p





 Tpt. 



 



mp

pp

 



p

 



p







Pno.

Perc.1



 



p

mp

         mf

mp





 



   p

mp

(p)

mp

 

mp

 







 



 

  Bar. Solo 

mp

Will

3

my

own

   3

 





(legato)



 

   

(muted)

  



 



 





 



 





ppp



touch

mp



leave

her

 

 





Vln.2

  

   

  

   p

Vln.4

Vla.1

   

  p

Vla.3

   p

Vc.1

    p

Vc.2

  p

Db.

    p

pp s.p

gradually

 

 

 

   

gradually

   

gradually

   

gradually

gradually



(p)

 

  

  

  

 

mp

pp

ppp

mp

 



 

 mp

 

 mp

 



 

mp

      f          



      













  





     f





p

   



 



 

 





Vib. arco

   

ppp

p

   



ff (G.C.)

 

(The old man rises up on one elbow and brings his face close to the girl’s. She breathes heavily.



   



ppp

p





cold ?

All strings: irregular glissandi (slow ↔ fast, no accents. dynamics between ppp ↔ p) ord.

ppp

ppp

ppp

ppp

 



 





 

















  

 

 

     ppp 

pp

(p)

 

 

pp s.p

(p)

  

s.p

pp s.p

(p)

ppp

 

pp s.p

(p)

ppp

  

pp

(p)

ppp

 

pp s.p

gradually

  

 

pp s.p

gradually

ppp

 

(p)

p

Vla.2

   

(p)

p

  

pp s.p

(p)

 

 



s.p

(mp)

     p

Vln.3

gradually

gradually

ppp

  



pp sub.

 

A tempo (q ≈ 96)

 :::::::::::::    :::::::::::::  ::::   Vln.1     mp

mf



T-tam (triangle bat)

poco a poco rall. (between C#/D/Eb)

 6                  

3

mf



 

 

 







p



 





 

  



ppp

 

     pppp 

 

ppp







 

(con sord.)

(muted)



     

 





 

 

3

p





   







(ppp)

 

ppp

Change to Fl.



 

    mf

ppp

pp



ppp

pp

     ppp 



   



 







pp

pp



 





     ppp       ppp   

ppp

  

 





pp

 

 

 



 

 

  

 



A tempo (q ≈ 96)

 





:::::   

pp

mp



 

 



p

(G.C.)

Perc.2

6

(p)



Hp.



p

   

  

p B. Tbn.

(p)

(p)

 

Hn.2

 :::::::::::::

  

 

Hn.1

   





Eng. Hn.

poco a poco rall.



pp

ppp







sul D'

     f

     ord.



     

gliss.

sul G'

  



sul G'



sul G'



sul C'

    

     

gliss.



ord.     

   



f ord.

gliss. sfz

sul C'

   

    ord.



sul G'

    

ord.



Kris Defoort: House of the Sleeping Beauties - The Third Night

  

ppp

gliss.

gliss.



gliss.

gliss.

 

    



     

gliss.

gliss.



sfz

   

sfz

 







pp







  





pp









 

     

pp gliss.

   

sfz





pp

sfz

sul C'

f



   

gliss.



sul G'

gliss.

sfz

gliss.

f



sfz

ord.





gliss.   gliss.          f

f



   

 

pp

sfz

gliss.

f ord.

f



gliss.

sfz

f

ord.



 pp









   





pp







 



pp gliss.









 

pp



mp

 

58

q ≈ q. (q ≈ 70)

   257

Fl.

Eng. Hn.

Flute

 



 

 



 

Flttz.

pp

mp



ord.





p

pp

 

B. Cl.

Cbsn.

   

   

 





p

Tpt.



pp

B. Tbn.

  



 

Hp.

Pno.

Perc.1



 



open







pp



p



pp



f



 

 





       arco Vib.

 



mf

  Perc.2

S. Solo

Bar. Solo



    



 

 

  

 



 





       

 



pp

p

 

pp

  

open



       

 



3      

mf

p

Hn.2

legato (very softly)

ppp

p

Hn.1







      

 

f



p

pp





ppp

pp

mp







ppp

pp

mp







pp



     









  

p ppp sub.

 







 





p ppp sub.

     



G.C.

     

 



 



mp



 







 



 

  



  





mp

p





mf





The



   waves

  

         crash

-



ing

mp

   3





near - by



sound

 



(same)

 

 

 

(same)

Vln.3

 

 

 

(same)

Vln.4

 

 

 

(same)

Vla.1

 

 

 

(same)

Vla.2

 

 

 

(same)

Vla.3

 

 

 

(same)

Vc.1

 

 

 

(same)

Vc.2

 

 

Db.

  



legato (very soft)

3

         ppp

3

(arco)



mp

 

pp

pp



   

Vln.2

p

 

pp

 

 



 

 

 

 

pp

p

 



(same)

 

p

 

Improvise sparsely with sounds evoking the sea (waves), wind, almost inaudible dynamics between pppp and pp

p

 



 

mp

p



3

  3    

as

if they come



q ≈ q. (q ≈ 70)

Vln.1

 

 



  

 

pp

 

p ppp sub.

mp



   



mp

The old man sinks back down again. He doesn’t even kiss her.)



mp

 

  



                            



3



p



3

6

pp





mp

legato

 

pp

ppp





 



irregular (very slow ↔very fast), sparsely a little accent; dynamics between ppp and p; after a while, play these notes in any order.

p



p ppp sub.

ppp



T-tam

 

mp

3

f



 

           



ppp



pp

 

  



                  pp p mp p pp ppp ppp



pp

3

    

 

ppp



Kris Defoort: House of the Sleeping Beauties - The Third Night









 



from

  263

Fl.



 

Eng. Hn.



mp



B. Cl.

p



Tpt.

     

ppp

  

Hn.2

ppp

B. Tbn.

Hp.







Perc.1

Perc.2

S. Solo



pp

 



 

mp

 





ppp



pp

p



3

ppp

                                  3

 

mp

  

pp

mp





 



   

p

pp

mp



 

pp

p

 pp



pp

pp



mp

 





mf



mf

  





p

mp





p

mp



mp





p



 

 





 

   



   



  



pp



 

mf

pp

 mf

 



p



pp

mp

pp

 

pp





3

3



mf





f



    



 



 



 

pp



pp

           6

mp



 





 



  

  arco    p 









  

 

 

   mp

 

 





 



 







pp

(legato)



 

 

3

         

  

 

mp

  





 



p NMMOMNNM



p







pp

  

pp

 3   pp

mp

p

 



far

Bar. Solo

ppp









p pp mp pp            5                                3 6



Pno.



 



  

Hn.1



pp





ppp

  







ppp Cbsn.



59

s.v.

a

pp

 -





way



  

mf

The



       wind



 dies

 

down

 



  

   

a - bove the



f



earth



mf 3



like





the

   

 

 

 

Vln.2



 

 

Vln.3



 

 

Vln.4



 

 

Vla.1



 

 

Vla.2



 

 

Vla.3



 

 

Vc.1



 

 

Vc.2



 

 

Db.



Vln.1



3

  ppp

   



3



 

 pp

3

   

      ppp



Kris Defoort: House of the Sleeping Beauties - The Third Night







 





 

60

poco rall.

   268

Fl.

 

p

Eng. Hn.

  

mp

B. Cl.

Tpt.

Hn.1

     

Hp.

  



   

   

 

Pno.

   

                    



Perc.2



 

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3



(con sord.)

Vc.2

Db.

  3 3         

p

  

       

      





mp

p





mp

p





mp

p

 



 





sha

3

 -





p

 do

 -

wy

    



mp



floor

  of



poco rall.

I

 G 

 

G  

 G 

 

 G 

 

 G 

pp



G 

G

 

 G 

G

 

 G 



 G 

 



ppp

slow gliss.



black





glis





   

slow gliss.





pp

   





 



very slow gliss.

very slow gliss.

 mf



  



             

3





   

pp

mp

    

mp

slow gliss.



G.C.

 

 





 











 



 

 

 

pp

mp

Susp. sizzle cymb.

ppp



 

pppp

pp

f

p





sea



Kris Defoort: House of the Sleeping Beauties - The Third Night

 

 

 

ppp



 

(The old man moves away

 





 

 

 

 

 

 

 

pp

 

pp

 

  

 

  

 

  

 

mp

mp

 

pp

mp

pp

mp



p

mp

mf







 



 

 

 

ppp



  

   

p

mp

mf

 

mp



 

p



mf



mp



 

p



mf



mp



 

p



mf

 





3

    





pp

slow gliss.







pp 3

    







pp

 

pp

  

mp

 



slow gliss.





s.p.

pp





II

tur - nal



ppp





s.p.





-







noc

pp

G 

slow gliss.

pp

s.p.





mp

(sign)

 



ppp



pp

s.p.



s.

ppp

G

 G  





 

 

 

mf

3



pp



 

ppp



 G 

 

pp







pp

mf

      

pp

 

 

a

  

A tempo Sign:

mf

ppp

mp

 





p

pp



mf

 







 







II

 

pp

   

 (arco)

mp

 

pp







mp

f

     





ppp



(sign)

  

mp

 

ppp

 

    

  



 





p

              



pp

ppp

pp Vc.1

 

ppp



  

pp

  

 





 3      



 





ppp

 

  Vln.1   Vln.2

C#

p



  

 

 Bar. Solo  

mp



 



Change to Cl.

ppp

mf

(mf)

S. Solo

 

pp

  

 

  

Perc.1

 

mp

 

 

ppp

ppp

   



pp

 



mp

B. Tbn.



          

 

mp

Hn.2

  

ppp

(p)

Cbsn.

A tempo

pp

p

mp

 

   273

Fl.

Eng. Hn.



  

Change to Oboe

ppp

Cl.

 

 

ppp



        

pppp

  Tpt.  

ppp

Hn.1

   

ppp

Hn.2

   

ppp

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

   



ppp

 



p





open

 





ppp

mp



pp

ppp

 

p

pp

  



ppp Bassoon

 

  pp



ppp

 

mp





 

 

mp

 



pp

 



mp



ppp

 



 





 



 







 

 





 



 







 





pp

 

mp

 



 







 

 





 



 







 



 



      







      ppp

        



  

  



pp



      



   

3

 



 





 







 







 



 







 



 



 



 



mp pp sub.

 

p





mp pp sub.

 

p



mp pp sub.



 



 

p



mp pp sub.

p (from far away)





 





   

 

ppp

ppp

ppp

p



ppp



mp





3







3







3



pp con sord.

 

 gliss. 

3

 





 



  

  

 





 



 



con sord.

   







 



 



con sord.







pp



p

mp





p

mp





p

mp

pp

   

 



pp

   

 



 3

pp

   

 





 







3

 



p



p



  pp

 

pp

 

pp

 

pp

   

   

 



 

(senza sord.)

 mp



con sord.

 



con sord.

 



con sord.

 

mp

mp

mp

pp

 mp

 

ppp



ppp



 





 





   

mp

pp





yo - shi - o

The girl, who had been lying with her back to him, now turns to face him.)



    

ppp

 





    

   



 

    

pp

   pp





  

  



  

  



  





  

     



pppp

pp

Db.

pp

p

ppp





pp

Vc.2

mp

mp



  

pp

     



pp

Vc.1

 

pp

 

pp

Vla.3

ppp

p

 



pp

Vla.2

  



 

pp

Vla.1

 





pp

Vln.4

ppp





pp

Vln.3



ppp



61 3

 

  Vln.1     Vln.2

mp

  



and crawls into bed with the small, willing girl next to him.

Bar. Solo

ppp

 

 

   

 

 

 

mp

mp

Change to Bsn.





  



ppp

Cbsn.

 

 



 

mp

con sord.

 

 

pp

mp







 



 







 







 



 







 

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

62

                 Ob.   279

Change to B. Fl.

Fl.

3

pp

Cl.

5

p

  

pp

Tpt.

Hn.1

      pp     

  

B. Tbn.

Hp.

 

Pno.

 

Perc.1

Perc.2



 

 



 

   

  



  



 



 



ppp









 



2

 



 



3

 



 



4

  



 



1

Ch.

   3   5     

  

Vln.2

Vln.3

Vln.4

Vla.1

Vla.2

 

     

pp

pp

p

pp

   3   5      

pp

p

pp

   3   5   

 

pp

   

p

pp

 



p

Vla.3

Vc.2

Db.



gliss.

 

(h)

   g

(h)

iss . -

lis

s.

p

mp

f

  

p

mp

f

  

p

mp

f

  

p

mp

f

  

p

mp

f

  

p

mp

f

  

p

mp

f

p

mp

   

Aaa  g 

(h)

Aaa  g 

(h)

Aaa

(h)

s.

lis

s.

lis

s.

-

        

           

F#

      6

l.v.

 

         ppp

ppp

    

  

ppp

mp pp

   

ppp

 





mp pp

     ppp mp pp             mp pp



     ppp mp pp        ppp

  

pp

ppp

(senza sord.)

 

mp pp

    gli

ss.

mp











10

   

     

   





ppp

;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;







ppp

p

pp

 



ppp

 















          

  

11

 

ppp

 

 

   

ppp

 

   

(low indefinite pitch) pp ppp

3

ppp

  ppp

     

                     

 

   

  

   

ppp

      

 

mp pp

     ppp

3

 





 3            (low indefinite

 



     



(The girl throws off the coverlet, or rather the electric blanket under it. One leg stretches out from under the blanket and touches the floor.)

   

 

 

3

 



3



   

 

               

pp

   

 

  

3

             

Bamboo wind chimes (slow movement)

poco sul pont.

   





mp ppp pitch) All strings, exc. Vl.1, Vc.2 and Db.: con sord. p. d'arco







pp

ppp





   

(h)

lis





3

pp





Ab

  





pp

 





  

   

Aaa  g 

iss.

pp

 

f

   

Aaa  gl -

q ≈ 60

  

 

  

     gl

  

    



pp All voices: mp (high indefinite pitch) (low indefinite pitch) gli ss.

gliss.

gliss.

p

 strike with triangle bat      f





  

mp

  

   

 

Vib.

pp

p

Vc.1



  

 



 Celesta                   mp

rall.

  

p



ppp

Aaa

 3 5            Vln.1   pp



ppp

ppp





  





Tam-tam

 





ppp





 Bar. Solo  



ppp

ppp





 



  

      mp  MLLOLMMM    f           

   





ppp



 

S. Solo

  

ppp

ppp



 

 



ppp

ppp





   

 

 



  

 



  

 



 

 



  

pp

Hn.2

 

All winds: blowing wind in one breath, no attack

   

pp

Bsn.

q ≈ 60

rall. Bass Flute

 

ppp

 

ppp

 gliss.   

   

 

  

pp lowest possible indefinite pitch, like dark noise Kris Defoort: House of the Sleeping Beauties - The Third Night

 

ppp

 



gliss.

 



 

 

gliss.

  284

B. Fl.

Ob.

Cl.

Bsn.

Tpt.



B. Tbn.



pp









Hp.





 

pp

pp



Hn.2





 

Hn.1











pp



 

pp





pp





pp

           3







Cel.

Perc.1

Perc.2

Bar. Solo

1



    













 p





Thai gong

 



    

 

 



12

  

 

 





4

Vln.1

   

 

gradually

 

Vc.2









 

mp

pp

ppp









 



 



 

 



 



 

 



 



 

 



 



 

 



 





 



 



 



 



 



 



 



 



 

 

  





 





 B§  

f C§

 



ppp

       f        p.d.l.t.

       Piano mp          arco          

      p        



p

mf pp sub.

 

mp



pp



 



 



 





 



 



 



 



 



 



 



 



 



 



 



 



 

         

   



       ;;;;;;;;;;;;;;;;;;   ;;;;;;;;;;;;;;;;;;;;;;;    mf ppp 



mp

pp

 



 

(The old man cannot resist sliding his arm under her lovely, beautiful, slender neck and drawing her towards him in an embrace.)

 



 



 



ord.

        6

   

(ppp)

(ppp)

       

(ppp)

   

(ppp)

(ppp)

    

(ppp)

   

(ppp)





G.C. with hard brush (like wind)







  

p

ppp

     mf    



   

 

pp



 

 

(ppp)

 

mf







   

Vc.1

    



 

 

  

Vla.3

              







    

Vla.2





 

 

  

Vla.1

ppp



 



   

Vln.4









    

Vln.3

 





mf

ppp

 

   

Vln.2

Db.

  

s.p.

  

 

 



     













 

 

 



 





ppp



 

 



ppp

muted





mf

 

  

Ch. 3





 

pp



ppp

Harmon mute



    

  



  



pp





 

     

    

 

2

  

 

pp



 

63

   

(pp)

  

(ppp)

pp

pp

pp

pp

pp

pp

   

 



        ppp  f          ppp  f         ppp  f s.v.          ppp  ppp         ppp  f

pp

     ppp 

The mp





girl

mp

 

    

  

     

 pp sub.     

  

3      

     

girl





to -wards him

girl

3

turns to - wards

turns to - wards

 

kind - ly

him pp sub.

him



 



 





 



 



 





 



 



 





 



 



 

 

 

s.p. punta d'arco

mp

p



s.v.

pp



The

 s.v.       ppp  ppp          ppp  ppp        ppp  f        ppp  f

         mp

3

turns

mf(very articulated)

The o - ther

 

mf

 



mp

p





mp

p

 

  

 



 

 

      3

      3

 

 punta d'arco  s.p.        

mf pp sub. s.p. punta d'arco

       

 

mf pp sub.

   





 



 



 





 



 



 





 



 



 

Kris Defoort: House of the Sleeping Beauties - The Third Night

64

  B. Fl.   290

Ob.

Cl.

Bsn.

Tpt.

Hn.1

Hn.2

B. Tbn.

   

Pno.

Perc.1

    



f

      

muted



f

 





Ch.

p

3

   p

4

Vln.1

      



Vln.4

  

Vla.1

 

Vla.2

  senza sord.



   

 

p

Vla.3

   

 

p

Vc.1

 

Vc.2

  



senza sord.

(senza sord.)



f

     

sfz pp sub. Flttz.

f

     

     

mp

p

3           

mp

p

3          



 



 



 





 



 



 



 

     

 





  

 







 



 



 

ff

    f p sub.



- ly

f p sub.



      

- ly

       f               f

f

    p

     



mp

      f

   

    p



mp

3

  

A hand

his

 

-

ly

wil - ling

 

 3    

-

 

ly

 

    mf

hip

senza sord.



senza sord.

       

 

f



 Tumbe         

f



mp

p



 



 



 



 



 



 



 



 



 



 

 



 

 



 

 



 

 



 

 



 

 



 

          



mf MNNOLNMM

mp

          Vib.motor on            Crotales pp        



mp



 



Thai gong





  

mp

 

 

           



mp

(playing with the girl's finger,

A

wo - man

knows

no

 



 



 



 



 

 



 



 



 



 

   

 



 



 



 



 

p  

   

 



 



 



 



 

 

         

 



 



 



 

 



 



 



 

 



 



 



 

 



 



 



 

 



arco    

 



 



 



 

 



 



 



 



 

sfz pp sub.

  

sfz pp sub.

  

sfz pp sub.

p



sfz pp sub.



Change to Cbsn.

p  

  

mf

mf



  



    

 

  

 senza sord.



  



 

 

  



 



(mf)

mp

3

f

Bongo

3 3          

mp

   

mp

3

mf

    p

tou - ches

wil - ling

 



3

mf

    

      f

       mf

ff

 



sfzpp sub.

T-tam (with triangle bat)

 



mf

f

 

sfz pp sub.

 Flttz.    

 

 

pp

p

 

kind

Vln.3



     

mp



3          



     

       

senza sord.

f

mf

 

kind

Vln.2



   



       



f

      

 

 

 

 Flttz.     

f

mf

3



3

senza sord.

  

               

 

 



p

 

 



 



p

 



 

(senza sord.)

sfzpp sub.

con sord.

 



f



 

gong  Thai     

mf

sfzpp sub.

  

 

pp

ord.

   

p



mp

mf

(muted)



    

sfz p sub.

             mf mp f    

pp

gliss.

 

wil - ling - ly

2

 

 

Flttz.

mp

 

 

arco



  

  

    

mf



 

3



            



 

f

gliss. Change to Eng. Hn.       

 

mp

p

 

  

  

sfzpp sub.

(muted)





f

sfz p sub. Flttz.



 

 



 



  

  

mf

         



 





(Harmon)



 

sfzpp sub.

 



 

   

f

p

Flttz.     



 



 

  

 

  



f

 

 







sfzpp sub.

   

pp

ord.    

   

Flttz.



 



 

  

 

 

  

 











        ff   



 

  

  

 

  





 MMNOLNMM

 

 

 p.d.l.t.



  Bar. Solo   1

f

(muted)

  

  Perc.2

     



 

  



(Harmon mute)

 





 



  



 



  



 



 

Hp.

 



  

           

        p

sfz pp sub.

sfz pp sub.

  

p

 

sfz pp sub.

       

ff

        ff

        ff

         ff

  

 

s.p.

pp

        ff

        ff

     

s.p.  

        ff

    ff



       f ff     ff

    ff

ff         

       

pp s.p.

f

pp

f

 

  

ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

ff

ff



pp

arco

 

    p

mp

   

 

pp

p



 

mp



 

   

65

  B. Fl.   298

Cl.

Tpt.

Hn.1

Hn.2

  

Pno.

Perc.1

 



 



 



(muted)

 



 



 



(muted)

 



(con sord.)



     

 





 



 



 

  

2 Ch. 3

ppp

       mf                 



p



  



 



  

Vln.1

Vln.2

Vln.3

Vln.4

Vla.1

Vc.2

 mp

 mp

 

p

ppp

p

   



 



 



 



 



 

 



 



 

 



 



 



 



 

 



 



 



 



 

  

 



 

 



          

   

 



 



            



  

  



          

 

   



 



 



 

  



 





  



 



 



 



     



 



 



 



 



pp

pp

    





                 

 (motor on)      

 

 

 





pp

    





 

p

Change to Picc.

pp

 

     

 

(same)

   

ppp Flttz.



   

he shuts his eyes)



     



It's

 

  





  

mp  mf          

       mp

Those fin - gers

     

arco



pp

 



      



 

 

 

      





 





 



 



 

     





 



 



 

p

mp

pp

Crotales

p

Thai gong

p



arco s.p.

 

con sord.



arco s.p.

 

con sord.



arco s.p.

    

pp



pp

pp



mp

 





pp

mp



 



 





so p

so

ve

ve

-

-

-

fine

  



ry

   

     3



so ve - ry

fine



fine

 



  

    

 



  

   

  

ry

mf

p



mf

  



I

 

mp

       3         3     gliss.        you can

  

   

ry

mp

eyes

p





p

fine



fine

them

to your will

-

  

  

 

-

  

 

love p

  

-

  

 

love

  



love



bend

p

  

ly

ly

ly

 

   

 

             ::::::::::   :::::   ::::::::: :::::::::::   :::::::::  ::::::  

 

p

p

 

pp

   

gliss.



mp



p

     



 



 

        ::::::::::   :::::  ::::::::: :::::::::::  :::::::::  :::::: 

(s.p.) (like quarter-tones, irregular, slow)

pp

         ::::::::::   :::::   ::::::::: :::::::::::   :::::::::  :::::: 

(s.p.) (like quarter-tones, irregular, slow)

pp

(s.p.) (like quarter-tones, irregular, slow)

p



 

pp



  

ord.

mp



ve



my

    

   

pp

   



be - hind

(The old man yearns to put them in his mouth.)

  

 

 

      

are so



p

mp

 

3     



ord.

mp

     

so



hot

  

   

mp

     





      

p

gliss.

 

mp

     

 

con sord.

Those lo - vely fin - gers

p

   



 3   3 

p

mf

gro - wing

mp

mp  mf          Those fin - gers

 

      

mf (very articulated, almost parlando)

bounds



  

mp



 



p

 

 





 

  

pp

Vc.1

   

mp



 

    

Flttz.

   

mp

arco



 



   



p

 

p

pp

Vla.2

    



        

ppp

 

 

  

  

  



mp

Those fin - gers

4

gliss. with bottle-neck

 



   

Flttz.







 

  

  Bar. Solo   1

(con sord.)

   

  Perc.2



straight mute

 



 



 



 



 



 



 



 



  

 B. Tbn.  

Hp.

 





 



  

p

 

 

 

   

 

 



   

ppp

p

  

 gliss.      

 

  

 



ppp



Kris Defoort: House of the Sleeping Beauties - The Third Night

  

   



mp



p

 p con sord.



  

mp

     

 arco   ppp

mp

 

pp



    

 

 



  

pp

 



mp

     

66

Picc.

Cl.

Tpt.

q ≈ 72

poco a poco accel.

   306



  



  

 



 





 



 

 

pp

  

 

  

Flttz.

ppp

Flttz.

ppp

pp



 



 

p

 

p

 

pp

pp

 

(straight mute)

Flttz.

ppp Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

      



    

   

  

  

  Perc.2

  



  

1

2 Ch. 3

Vln.1

Vln.2



p



 



 



 

Crotales



 

Thai gong







mp

to



Flttz.

  

ppp

mp

 

mp

 

mp

      

 

       

p

   p

  

   

p

 



 



 



 



 



 



 



 

 

mp

fin

    

-

  

 

p

pp

gers

pp

Vc.1

Vc.2

 



 

mf

open









open









 

mp





 

mp

p

pp

 

fin



 

-

-

gers

gers

  







 





















p

 



   



 



 







 



 





           pp











    

p

mf

 

some - thing mp

      breasts

of

   

are

full



 



 



 

gliss.

mp

 

my - self

3

         round

mf

  

  



 

and firm

be



 



 



 

 

mp



-







 

ppp

hind

mf

 3 



e - ven her

  

 

 

pp

 

q ≈ 72

 

p

 

mp

 

p

   

      ::::::::::::   ::::::::::: :::::::::::::::   :::::::::

   

      ::::::::::::   ::::::::::: :::::::::::::::   :::::::::   

 

 



 

con sord.







mp

pp

 

       ppp 

arco

    





  

arco

ppp



 

   

pp



ppp

   

  

  

mp





mp

pp

 p

 

p gliss.

p



 



   

Snare drumRS



 



 

mp



   

 

p

  



 

  



 

  



 

   

 

   ::::::::::::  :::  



 

    ::::::::::::  :::  



hips



mp



mp

 



mp

 

 

mp

 

  mp

gliss.

p

 p

mp

are

round



  



  





and



 firm

firm



firm

  



 

 

mf

firm

p

   

    ::::::::::::  :::  

     

  

 



 

 

 



 

    

 

   ::::::::::::   :::::::::::  :::::::::::::::   :::::::::

   

   





round

(s.p.)

   

f

(The old man cups her breasts in his hands.)

round

 



arco



f

poco a poco accel.

  

 





Her

f

senza sord.



 

mf

 







  

    



p

 

f



      

 

ppp Vla.3

 



round

  

(pp)

Vla.2

 

    f    



leave



mp

    

mf



p

(pp)

Vla.1

 

mf



(pp)

Vln.4

 



(pp)

Vln.3

 



 

  

 





mp

 

senza sord.

            pp

   



fin

4



    

 



wish

     

 



ppp

 

 

mp

      Bar. Solo     

 

 

Flttz.

 (muted) 



 



(muted)



 



  



 



   

 

mf



con sord.





 

   

p





  

ff

  

ff

     ff

ff

s.p.

   pp      ff

    s.p.

     







(con sord.)



   f

p

Kris Defoort: House of the Sleeping Beauties - The Third Night

   

       

pp



  

 







s.p.

pp

   

67

    Picc.    

    

p

Eng. Hn.

Cl.

 

Hp.

    

Pno.

Perc.1



 



pp

B. Tbn.

mp

 



pp

mp

Bar. Solo

1

2 Ch. 3

4

Vln.4

Vla.3

Vc.2

p

 

pp

ppp



 

ppp

 



mp

mf

 





        

3                       6

ord.

  

pp





mp

p





pp







 



 



 





 



 



 





 



 



 



 



 

mf

 



 



 



 



    

 



 



 



 



 



 



 



 



 



 



 



 





   

          mp

            T-tam         

p

Do her

       



 



  

 

  



  

  



 

(con sord.)

 

(con sord.)

 

(con sord.)

arco

   

pp

ord.

ord.



ord.



   

 

 

mf con sord.



arco

   

 

 



      

mf con sord.



pp

 

mf



mp

breasts



pp

 

Yo





pp

 

Yo





pp

 

Yo



call

 



pp

 

Yo

 

 3         3

p

mp

 3        3

p

arco

       



pp arco

 

ord.

   

pp

mp

3

3

p

mp

3

3

        p

mp

3  3    

p

mp

3  3  arco          

ord.

   

pp



arco

 

 

p

mp

 3         3

p

mp

 3     3

pp

p

ord.

3  3          

   

pp

p



 

pp

ppp

mp

mp





to mind

f

3

3

a



 

mf



field

 

pp

pp

   



3

of

   -

   -

   -



mp



mf

shi -

o

mp



mf





-



-

-

o

mf

shi -



white

-

  

6                     

  



3                       

 



  6                     



                      

p sub.

p sub.

  

 o

3

mf

f

mf

6

mf

f

mf

3

p sub.

 

shi -



mf

f

6

3

p sub.

  

p sub.

  

p sub.

 

mf

3



white

3   

 



but - ter - flies

(The old man gazes from her breast to her belly. He lays his ear on her chest.)



pp





Yo

  

-

-

-

-

-

-

-



Yo

pp





Yo

  

-

pp



  

 

p

  

  

 

  

-



 

 

p

mf

 

 

  

o

mf



  



but - ter - flies

p



mp

3

p



shi -



 

f

       

  



mp



mf

 



q ≈ 54 ord.



white



  



full

       

p

mf

                



p

Db.

 

 

p

Vc.1

   

mf

   

p

Vla.2

mp



pp

Vla.1



 

  con sord.  Vln.1  

Vln.3

p

pp

molto rall.

Vln.2

 



ord.

mp

S. Solo

3  3    

     

    

 



9

(Flute)

pp

pp

p

Cbsn.

Change to Fl.

   



  

  5                                 3 3

q ≈ 54

molto rall.

312

pp





Yo

 9  5                                      3 3 mp

p

mp

p

f

9    5                                      3 3



  

mp



 

f

9

         

p

   5             

f

3

3

9 3    5                                    3 

                                                              6 3 3 mf

f

mf

mf

f

mf

mp

p

f

3

mp

p

 6 3                                mf

f

mf

f

mf

f

mf

mp

p

mf

mp

p

9

5

   5                       9

f

f

3

3

3

3



 9 5                                                              3  3 6 p f p sub. mf f mf mp     9                         3                                                

    

p sub.

  

p sub.

 



3

6

3                      6



mf

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

5

                                       3 3 mp



 

p

f

9

5

f



68

   Fl.         317

mp

p

Tpt.









Hn.1

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Bar. Solo

1





 

 





















  













mf        3     white









2 Ch.

p -

p

-

p

  -

shi

 -

o p

 -

mp



 

shi



pp



pp

 

o

p

pp



-

Vib. arco (motor off)



mf

 o

 



pp

 



  

p



pp

 

mp



 

pp



 

pp

(open)

(open)

mp

Vln.3

Vln.4

Vla.1

9

10 9                                9 10                                             10                            9

Vla.2

Vla.3

Vc.1

(open)

Vc.2





9











pp

 



ppp





pp

mp

   

f

        mp

 

 (blowing wind)  

 

pp

 



mf

mf



 











 

mp

p

pp

mp

pp







   

pp

mp

pp









mp (blowing wind)

ppp

ppp

pp

ppp





pp





pp

ppp

 



 



 





 





 





ppp



mp

p





 









 

 







 





 







 





     





 







 

 

p

    

T-tam with triangle bat

f

  

ppp

 

pp



 



 

 



 



 



 

 



 

     gliss .         gliss.  

ord.

    gliss.   ord.   g   liss.   ord.

    gliss.   

ord.

     gliss .    ord.     gliss  .    ord.



mp

 3     E-ven her heart - beat

       



ppp



3  3         3   

p

e - choes

in my

ear

sur - pri - sing - ly







 

 







 





 







 





 







 









 









 









 









 



 







 



 







 









 



p

pp





 

     

   



 

 









 

 



 

   

 







 







 



 



 







 



 



 







 





pp

Kris Defoort: House of the Sleeping Beauties - The Third Night







   

poco accel. q ≈ 60

mp

ord.

mp

 





ppp

   





pp







ppp

 

 

pp

 

p



ppp





ppp



mp

pp







 

p





 





mp



 

 

 



 



 

   



(blowing wind)

pp

 

 

   





mf





ppp (blowing wind)





 

 

 





ppp

 





 





mp pp (blowing wind)

 

 

(chromatic cluster)

sfz pp sub.





ppp

 



 



 (blowing wind)  



pp



ppp

 

 







ppp

 

 (blowing wind)  

ppp

10 ord.                            gliss.               9

Db.

pp

     10                           9                          10 9                                 10 10                             

Vln.2

p

ppp

9 10 ord.                 g   Vln.1        l              iss.  

mp p pp *) All strings same dynamics, except double bass.



 



ppp

               f  G.C.      



mp



 

 

shi - o mp p



MNMOLNMM

 p

mp

shi

 

3

mp

p

 



 

 

 







p

but - ter - flies

 p 



 

 

(open)





-

4









 



ppp



Hn.2

pp

mp

 

mf

10

pp



 

  

                                9





poco accel. q ≈ 60

(blowing wind)

ppp

   



ppp Cbsn.



ppp



Cl.

Bass Flute

 









Eng. Hn.

pp

Change to Bass Fl.

69

Perc.2

 

     



ppp

 

    



ppp

                 5   Bar. Solo       

soft

and

sweet.

p

wind)   (blowing     

   

Eng. Hn.

  

  

   

Cl.

  

  

   

Cbsn.

   

  

   

333

B. Fl.

ppp

ppp

ppp

  (blowingwind) Tpt.      ppp

  

  

   

Hn.2

  

  

   

B. Tbn.

   

  

   

ppp

ppp



  

Perc.1

Perc.2

S. Solo

  

1

2 Ch. 3

4

Vln.3

Vln.4

Vla.1

Vla.2

Vla.3

Vc.1

Vc.2



 



 

ff



cymb. soft sticks Sizzle         



   

  

 

her ?

   

    





 









 





















       

  



p



p



p



p

  

p





p



      

mf

 

   

 

 

 

  

pp

p

 

 

if

I

were to stran - gle

 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 

 Change to Ob.

 



 



 



 



 

 

 



 



 



 



 



 



 

 



 



 



 



 



 



 

 

 



 



 



 



 



 



 

Change to Bsn.

       

 

 

   



 

p



p mp p



 





 





 

 

ppp

 

 

       

 

p

3

  pp

p 3              

mp



 

 



 





 



 

 



 



 



 

p

mp



 



 



 



 



 



 

 



 



 



 



 



 



 

      



       

                



mp

3

mf

 



  3      

 

(The old man places his hand on his own heart.) p



(loud whisper)



 

 

(The old man allows his hand p

p sub.

 



 



 



 



 



 

(loud whisper)

    

 



 



 



 



 



 

(loud whisper)

    

 



 



 



 



 



 

(loud whisper)

 

    

 



 



 



 



 



 

(loud whisper)



 

 



 



 



 



 



 

senza sord.

 

   

   

 

   

 









 









 





















f

Still ! (loud whisper) f

Be mf

still ! f

Still ! (loud whisper) f

Be mf

still ! f

Still !

Be

still !

 

 

 



       

3

Shall I

   

    

pp

p

  

    

mf

still ! f

 

How would her bo - dy smell



Be mf

 

I could do it

 

   

 

e - ven





Still ! (loud whisper) f

 

fra - gile,

p

 

f

 

 

so

mp



     

   

 

The neck

p

   5                   

 

pp



(loud whisper) f

  3               

 



 

    

mf

ppp

p

 



 

mp

  

   



 

Bamboo wind chime



p

(loud whisper) f

 

3



 



(twirled, stirred) Maracas

 

 



ppp

mf



 

mp

f



 

Still ! Be still ! (The old man wipes his cheek with his handkerchief, the cheeck he laid against her breast to listen to her heart.)

          

 

     

ppp

  

  Vln.1   Vln.2

  

 

T-tam strike with triangle bat

pp

Bar. Solo

     



p

f

(blowing wind)





f

(blowing wind)

pp p

p

f

Hn.1

 



   

ppp

Pno.

p

f

(blowing wind)





f

(blowing wind)

 

stran - gle her now ?

f

(blowing wind)

 

I were to

f

(blowing wind)

ppp

mp

And if





   

 

3

seize my chance ?



 



 



         



   

 

The ve - ry last



 



 



         

Kris Defoort: House of the Sleeping Beauties - The Third Night



   

 



 



 



         



   

3

wo - man

 

in my



 



 



         



   



life...

 

  



senza sord.



 

senza sord.

 

senza sord.

         



senza sord.

 

senza sord.



senza sord.



senza sord.



senza sord.



     

               

70

   B. Fl.   343



ppp

Cl.

    

  (blowing wind)            ppp

   

          ff  ppp

 

NNNOMNNM



  

Pno.

Perc.1

 



 



 

 

 



 





 



 



  

 

 

 



 





 



 



  

 

 

 



 





 



 



  

 

 



 





 



 



  

 

 



 





 



 



 



 





 



 



 



 





 



 



  



 



 



 

f

(blowing wind)





f

(blowing wind)

Hp.

 

f

ppp

B. Tbn.



mf

(blowing wind)

Hn.2

 

  

 



ppp

Hn.1

 

mf

ppp

Tpt.

  



f

p



       



    

  

 

   

mp



   

          p

mp



  

f

    ff

S. Solo

S

 Bar. Solo  

-

    S

   S

Ch.

-

-

ff

3

   S

-

ff

4

p

mf

    S

till !

   till !

   till !

  

-

till !

       ff

         ff

Vln.3

       ff

Vln.4

        ff

Vla.1

       ff

Vla.2

       ff

Vla.3

         ff

Vc.1

        ff

Vc.2

 



mf

   

pp

p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

ff

p

 

 mp



mp

 

p

   

             

p

mp



p

 



 

 

 

 

      

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Be still! Listen to the wintery seas. Be still ! Don't move !

   

p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

Be still.

Be still! Listen to the wintery seas. Be still ! Don't move !

   

p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

Be still.

Be still! Listen to the wintery seas. Be still ! Don't move !

   

p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

Be still.



 

       

 

 

Be still.

 mp

 

 

 

pp

   

 mp



 

p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

 mp

p

3

 

 

 

pp

Improvise making wind, rain, sand, sea. Very soft (little dynamics)

Be still. Be still! Listen to the wintery seas. Be still ! Don't move !

 

  

        Vln.1   Vln.2

p

 mp



ff

2

till !

    

to drift to her lower regions. There, too, it feels just like he breasts.)

ff

1

  

 

      

Sizzle cymb. (triangle bat) Bamboo wind chimes

Perc.2

 

Rainmaker (slow movement)

p

 

p

mp

 

 

p

mf

p

 

p

mf

 

        f

mf

      





p

3



T-tam (triangle bat)

pp

mf

 



pp

mp

 





mp



mp

She knows no - thing

Be still! Listen to the wintery seas. Be still ! Don't move !



mp

 

(Rain maker, slow)

 



 

ppp

  p



pp

 

STOP ➀

  mf

p

             

of love

shame



or fear.

     

mp

6  3 3                  

p

She would not e - ven know the man who stole her



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 



 



 



 



 





 



 

Kris Defoort: House of the Sleeping Beauties - The Third Night

71

  B. Fl.  



 



 



 



 

 



 

350

Ob.

Cl.



  

ppp

 

pp

p

pp

mp



p

mp

  



p

 



  



p

 





 





 



3

  

  



  

ppp

ppp



pp



3

 



 



 



 





 



 



 



 



Hn.1

 



 



 



 



 





Hn.2

 



 



 



 



 





B. Tbn.

  



 



 



 



 



 



 



 



 



 

 



 





 



 

Tpt.

Hp.

Pno.

Perc.1

  





  



 



1

 

p



p

   

p

(Very soft, like coming from far away) pp



Yo

           

   

arco

 

(mp)

Bar. Solo

mp

p

in - no - cence.



-

  

mp

   

 Vib. + arco (soft mallets, motor off)          

 Perc.2    S. Solo

        

   

  

pp

  ppp

        ppp

f      



 



 



 



     3

mp 3

 



  stick Glcksp.          3

 

mp

pp

 



 



pp

mp

 

 



 



 



 





  





 



 mp





3





 

  

(with stick Glcksp.)





 



mf

mp

  



 

     Crotales

  p Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

3       

   

mf

     3

3       

mf

  



mp with stick Vib. Glcksp.

mf

3           

mp

 

mp

 

 (The old man lies on his back, each ofhis arms draped around  the neck of a girl. One, a willing, soft, flagrant  neck; the other hard and sweaty.)    

 

 

 

 

 

 

o

[spoken] « Except

 

mp

    

ppp

 

 

-

 





 

mf

mp

    

3

 



 

shi

 





 

mp

p



 



pp

ppp



Bsn.

  





for

the

girl,

no

one

Be still ! Listen to the wintery seas. Be still ! Don't move.

would know the rules

of

this house had been

violated,

and

she would

 

STOP ➁





 

2

 

 

 

 

 

 





 

3

 

 

 

 

 

 





 

4

  

 

 

 

 

 





Ch.

  Vln.1  



 



 



 

Vln.2

 



 



 



 

Vln.3

 



 



 



Vln.4

 



 



 

Vla.1

 



 



 

Vla.2

 



 

Vla.3

 



 

 

Vc.2

Db.

Vc.1



 

 



  



    

  

 



 



 



 



 





 



 



 



 

 



 



  

   

 



 



 





 



 

 





 

 



 





         





 



 





 



 



 





 



 

 



 



punta d'arco



s.p.

mp

pp sub.

mp

 

mf

pp

sfz pp sub.

con sord.

mp

 



 

mp

The

 

 



 



 

s.v.





 





  

 



 





 



 

 



 





 



 

Kris Defoort: House of the Sleeping Beauties - The Third Night

pp

mp

 

72

  B. Fl.   357

Ob.

Cl.

Bsn.

Tpt.

 

 

 

pp

 

pp

 

pp

  

Change to Fl.





 





 



 





 



3       

 





 



 





 



  

 



 





 



 

 



 





 



 

straight mute



 









 

 

 

       pp 



 

3

 





 

Flute

 

ppp

ppp

 

ppp

 



 



 



 





 



 

muted

Hn.1



 

 



 



 





 



 

muted

Hn.2



 

B. Tbn.

  



 



 





 



 



 

 



 





 



 



 

 



 



 



 



 



 



 

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Bar. Solo

1

2 Ch. 3

4

 

   

  

  



Vib.

       

    

(mf)

say

 

Vln.3

Vln.4

p

mp



   

arco

3

      3

of the small



   

(mf)

 



the

 

most

 

him



 



 

pp

 





 

inhumane

  

world

3       

mf



 



 

 mf

becomes

3

 

human







pres - ses a - gainst his back pp Whispering, improvise with the phrase (repeating words, including silences, slow/fast, inversing phrases, dynamics.)

          3

 

Be still! Listen to the wintery seas. Be still ! Don't move ! pp Whispering, improvise with the phrase

(repeating words, including silences, slow/fast, inversing phrases, dynamics.) Be still! Listen to the wintery seas. Be still ! Don't move ! pp Whispering, improvise with the phrase

(repeating words, including silences, slow/fast, inversing phrases, dynamics.) Be still! Listen to the wintery seas. Be still ! Don't move !





 



 



 



 



Vc.1

 

Vc.2

 

Db.

  

  pp

 

mp

pp

 



habit. »



 

ord.

punta d'arco

mp

pp sub.

 



 

 





 



p



 

 



 



 



 

 



 



 

 



 



 



 



 



 

senza sord.







 

 



 





 



 



 



 



 





 



 



 



 



 





 



 



 

  

pp

of

 

 

 

 

force

 

 

 



 

the

                





   

by

Yo- shi - o



p

 

 

 

 

    

mp

 

3

 



ppp

p

 

 





 



punta d'arco



   

 

 

s.p.       

 

  

3

 

 

con sord.



mp

 



 

 

 



pp



   

 

 





STOP ➃

 





mp

  

 

 



  

p



   



     

pp

Her na - ked bo - dy

 







      

(He stares at the dark red curtains that hang to the left and right of where he lies.)

3

skin.



  

STOP ➂

clings to





pp

p

  

 

wil - ling girl.



    

pp



 

     



p sub.

    p 3            

 

      

mf



 

mp

 

3





mf

 

 

p



 

Even



 





3      

 

 

nothing.

mf



 

mf

  

Vln.2

Vla.3

 





pp

Vla.2

 

 



   Vln.1  

Vla.1





      

senza sord.







Kris Defoort: House of the Sleeping Beauties - The Third Night

Fl.

  

Ob.



   

mf

  



p

 Bsn.  

p



Pno.

Perc.1

Ch. 3

4



          mf             mp mf



          mf   Glcksp.

       

 

Vln.4

 

   

Vla.2

ppp

Vla.3

 

ppp



ppp

Vc.1

Vc.2

     

 Db.  



mp



mp

p

pp

  





 





 



 



 





 





 

 



 





 



 



 

Change to B. Cl.



     

(with Baritone)



 



 





 



 

p

mp

p

 





 



 





 



       



 



 





 



 





 



 







 



 



p



pp

  

B# D§



 



 





 





 



 



 



 



 





con sord.









 



      

p



 





 

 



 



     

   Is



p



p



p

 

mf

   





     



 



 



 



 



mf



   



 

 

pp Timpani (32')

 

  

pp

  

pp

mf



  

pp

mf



  

pp

mf



pp

pp

mf



  



 



 



Sizzle cymb. (strike with traingle bat)



f

      f

pp sub.

(little glissandi, irregular, between Db and Eb)

 :::::::::   p

   

mp

mp

pp



 

Is it not

   

the de -

 





 





 



 



 





 





 



 



 





 





 

    pp 





 

 





 

 





 

 





 

      pp





 





 





 





 





 

   3       

   

       

  



       

  



      

  

p

p

3

mf

p

p

3

mf

p

p

3

p

p          mf

  

3

mf

p

p

       

  

       

   

3

mf

p

p

3

p legato

p

 



p legato







 

  

p





p legato

mf

 

 

    







p legato

pp

  







   

mf

die ?

     

 

 

p legato

pp

to







  

  

place



      





mf

mf

  



price - less

mp

 

 

p legato

  

  

mf

  

p



     

p legato

mp

 

   

pp sub.

 

ord.

mf

  





not a

mf

 

mp

 ::::::::: 



q ≈ 76

p

pp

3

this house

STOP ➄

        f

 

   

  

(little glissandi, irregular, between Db and Eb)





         





f

f

 



ppp

mf

     pp





T-tam

ord.

Flttz.



mf

   



f

 





pp





p

    pp 

    

Flttz.



 

pp



 

 



pp





f







  

 

p



 

p

ff



mf







  

  







 

           3



mf





 



ppp

   



 





ppp

   





accel.

ppp

Vla.1

pp



 

mf

     

p

 

p legato

 

 









mf

  

pp

               

mf

 

 

f



mp

Vln.3





  

p

73

q ≈ 76



 

 



              

(col piano)

  Vln.1      Vln.2

mp



  Bar. Solo  

2



pp

p

1

mp



T-tam

Perc.2



pp

  



mp



    

 



pp

ppp

Hp.

 



ppp

B. Tbn.

 

mf

 

 

mf

  Tpt.     ppp     Hn.1  Hn.2

 



pp

Cl.

accel.



363

mf

  



 

 

 

mp



mp

p

   

mf

p

f

p

    

mf



f

 

p







mp

p







mp

p







mp

p









mp

mp





mp

p

 p



mp

p





mp

p



Kris Defoort: House of the Sleeping Beauties - The Third Night



p



mp

   pp     pp     pp 

 

p

mp



    pp      pp 

mp



mp





mp

pp





mp



pp

     

   

ff

  

ff





pp



mp



p

 

74

poco rall.

Fl.

Ob.

B. Cl.

A tempo

  



 







 



 







 

 



 







 



 







 

   



 





371

  

 

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p

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pp

p

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Perc.2

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pp

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 

    

    Bar. Solo   mp

mp

mf

  

mp

sire

p

ord.

mp

mf

 3 3          of

e - very

bro - ken

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p

mp

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9

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     



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p

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

        mf





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          

      T-tam

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pp

Glass chimes



mp

mp





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p

f

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pp



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pp

ord.

ppp

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sleep

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be - tween

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young

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mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

p

ord.

   



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mp

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sul tasto



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75

  Fl.   379

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Ob.

B. Cl.

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Bsn.

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pp

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Perc.2

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p

pp

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mp

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wo

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  p

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p

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p

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p

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Kris Defoort: House of the Sleeping Beauties - The Third Night

mp

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p

Change to Cbsn.



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pp

p

    

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pp

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 

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  

mf   mp 3             

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pp

pp

 

pp

 

of - ten

     

does

love

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pp

p

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 

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pp

     

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    p

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mp



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pp



pp

p

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      

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pp

ar -

pp

  

pp

mp

pp

 

pp

 



mp

mp

How

 



pp

   

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pp

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        

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     

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pp



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 

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 



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p

       

Timpani

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 

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pp

 



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mp



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  

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    

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 



   





p

  

 E§        



    



 



   Bar. Solo   Vln.1



muted

 

Pno.





   



 

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3

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 

76

B. Cl.

    

    Hn.1  pp

pp

Hn.2

   

Hp.

    



pp

 



 



      













 



 













 



 













 



 

   















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         

 

   

pp

B. Tbn.

 



pp

 - - -    

Perc.1

  

T-tam

      

Perc.2





p

   

1

  



   

 



  







-

pp

 o







 o



pp

mp

p

pp

Yo



 o



mp

p

pp







---

   

pp

 





mp



     

     





  

---





F# A§













pp

mp



          5 5

p

pp



   









pp

 



-

shi

-

shi

-

shi

-

-

-

o



3       



is for old man





    



























-

   p

-

Yo

-

 



   

is for the young

p



  ppp 

  



  



  



  



  



  



  



pp



  ppp 



  ppp 



  ppp 



p

  

mp

p

shi - o



mp

p



     



shi - o



p

pp











  ppp    ppp 



 



p

pp

p

pp





 

































 

p

     

f

 

 

f

 

 

f

  







pp

mp

Kris Defoort: House of the Sleeping Beauties - The Third Night



       pp



 

 q ≈ 89

  



 

    f



mf

 



   

   

p

f





p

   

 



   

 



   

 

pp



ppp







 

shi - o





 

shi - o

pp

  ppp 





 

f

mf

  ppp 



arco







  



 









mf

 



 

 

Crotales      

 

 



f

3

  

-

mf

  

3

     

mp

p



mf

  

p

Yo





mp

p

Yo





love

p

Yo





 

Yo - shi - o

mf (spoken)

Death





pp

               

mf

 

             f   

                6

          6

mp





  

accel.

  

mp



shi

p

pp



    Db.   





p

   

pizz.

p



mp



pp

Vc.2





pp

pp

Vc.1



pp

pp

Vla.3





-

pp

Vla.2





mp



pp

Vla.1









 



   



Glass chimes

pp

pp

Vln.4



rive ?

pp

Vln.3

---

(Two hands rest on the innocent breasts of the two girls.)

pp

Vln.2

mp

  



mf

                    

  



Yo

Vln.1



   

mf

6

pppp

Yo

4

pp







Ch. 3

p

mf



mp

Yo

2



   

    

     





Susp. sizzle cymb.

p

Bar. Solo



mf

   - Vib. - -   (motor on)        

pppp

S. Solo



                      



  

 mf

            

Pno.

q ≈ 89

accel.

f

pp

p

pp

p



p

   

 

pp







   

 



  

   

 

f

f

f

pp

p

pp

p

 

pp



p

   

 



 



f

f

f



 

77

  Fl.  















Ob.

 















B. Cl.

 















Cbsn.

  

395

  Tpt.   Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1



p







pp

p

pp



p





pp

p

pp









ppp muted

mp

pp

ppp

mp

 





muted

 





 



pp

  







 









 



   

  

---

 Perc.2   

mf

  Bb           

pp

 



    



 ---



T-tam

mp

    



mf    

             





             

pp

--arco

 



 

p

p

         Sizzle cymb. mf    

mp





 ---





p

    

1

     

pp



 

( Tears well up in his eyes.)



 

mp

pp

mp

pp





2

   

mp

pp

3

 





mp

pp

4

  





Ch.

Vln.1

Vln.2



        



mp

pp





mp

Vln.3

pp

     



mp

Vln.4

Vla.1

Vla.3

 

Vc.2

Db.



mp

pp

mp

pp

      

Vc.1

pp

     

Vla.2

      







mp

pp

 

pp



p pp con sord.











(muted)



(muted)

 pp 

 

pp























    







p

         

 











p

 ---

   

             

pp

 





 ---



p

p







    







pp

p

                       

p

 ---



pp

 





  















      

       

 

The



red









cur - tains



wall

















































 

pppp





























































   



   

p



   

p



   

p

Kris Defoort: House of the Sleeping Beauties - The Third Night

 



   

p

 

pp

 

pppp

pp

pppp

pp

 

 

 

 





mp

p









the

mf





pp

on

 













  







pp



 



 







 

    



mp

mp

p



pp

   

pp







mp

mp pizz.





p Bar. Solo





p

 



p

mp

S. Solo



 

 

pppp

pp

pppp

pp

 

pppp

 

pp

          f           f           f 

          

f

           f          

f

 



   

p



78

 Fl. 



























402

Ob.



B. Cl.

Cbsn.







mp



  Tpt.    





p

p



p





pp

mp

 

    



pp



p







(c.s.)



(muted)





(muted)





con sord.







f

Hn.1



     f

Hn.2



f

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

S. Solo













p

     









2

 - - -   arco        mp  T-tam (with triangle bat)         

  

Ch. 3



-

-



p





  the

-



 



 

 

---

   



p

pp



mp





     mp



   



   

f



   

f

-

shi mp

-

shi

-

o

pp





  



    







 



   

p





   

p

pp

pppp arco

pp

    

pppp arco

pppp arco

 



      

mp



   

mp

             p

 





  



p



3



   





Yo - shi - o

pp

     

pp

pp

 





mp

      



-

-

-

-

-





-





-



shi mp

shi mp



shi



p



shi mp

red

-







o p



o p



o p



  o

 





 





    f    

 





 



 



 



 

    f

f

   





   

f

Kris Defoort: House of the Sleeping Beauties - The Third Night

    

ff

senza sord.

ff ord.



 

ppp

ppp



mp



mp



ppp

mp









pp

mp

p



mp



pp

mp

p

mp



 

-

  ff            ff            ff            ff           

blood

   

          f

pp

p

-



pppp





Yo

           f

arco

-

Yo pp

f

 

-

Yo pp

pp

pppp



mp



Yo pp

pppp arco

 



 

pppp arco

  





---

f

  



pp





   







mp



mp

T-tam (with triangle bat)



arco

















pp

A











blood.





  











  

f



o





pp









o





pp









o





mp



---



  





mp

of





p

p





pp

shi mp

 





pp





f

     

p



p

f



are the co - lour

-

 



ppp



shi mp

 



  



mp

p

ff s.p. con sord.

p



p

  



se - cretcham - ber



     

 

    





f      

Cb p.d.l.t.



pp



3

p

     

  





   p   



      ff      

 ---

mp

Yo ppp

    Db.  



p

 



    

    





Yo ppp

p







p



ff

Vc.2

 

p

ff

Vc.1

pp

ppp

ff

Vla.3

---

of

       ff  Vln.2     

Vla.2





pp





 

Vln.1

Vla.1







Yo

Vln.3

p

      

f

Yo ppp

4

p

           



pp





ppp

 Bar. Solo   1





mp



p





pp





p

(Dialogue from the past)

79

    

Subito q ≈ 102

  408

Fl.

 



Ob.

 





 





 





Cbsn.

  



Tpt.



 



p



mp





pp



p

 p



  

pp







pp

ppp



Hn.2





mf

senza sord.





   

  

   

  

 

mp







open



senza sord.

Hp.









mp

    



          

Pno.

Perc.1



 



    ---



Perc.2

S. Solo



mp



---

arco



    

             

mf

 



   

  

   

  

   







co - lour

 

      

that



will



arco

 

mp







  

mp







 

mp



  

 

 

pp

 

 

 

 

s.p.

Vla.1

   

s.p.

Vla.2

pp

 

s.p.

Vla.3

pp

  

pp

 

  

 

s.p.

Vc.1

s.p.

Vc.2

pp

Db.







 pp



    

  mp  

mp

     

p

 pp



mf

mf



 





 





p

           

  

   

  

pppp

ppp





 

fade

 

f

ff



2 Cymbals

MMLOMMMM

mp

  p



mp







 

mf

3

mp

mf

p

f

3

mp

mf

3

  

mp

mf

    f

  

mp

f

mp

f

mp

f

    



    



    



f

ff



6

       



 



 

  

sffz mp

Kris Defoort: House of the Sleeping Beauties - The Third Night





mf

f

      

ff



 

   

     



ff

   ff



 

         

mf

ff

mf

ff

  

mf

   ff



mf

ff

6

5

mp

    





ff

3

                                         pp mp mf 3 ord. 3                                           6 5 pp mp mf 3  5  3 ord.                                        6   

mp

    



5 6                                           

pp

f



(As a young married man)

6 5                                        

pp

mp

mf (Mother)

3

3

pp

    

Subito q ≈ 102

pp

ord.



f

   

           3    3  ord.                                        6 5 pp mp mf       ff 3    ord.     3                                      6 5 ff pp mp mf 3    ord.  5 3                                              6 ff pp mp mf 3 5 ord.   3                                             6 ff

ord.

ff

mp

       

  



mf



f

 

mf



f

       ff               mf f     

 mp



   

Tumba

 

    

mp

      

p

 

pp

 

   

Bongo



                  

f



 

    



 

          

   

p

f

 

 

     

mp



   

ord.

  

sfz p sub.



mf



 

    

sfz p sub.



  

f







mp

 

   

  

   



               

mf



p

p

sfz p sub.

 

 

p



 

   

p

mf

f



 

not

               



G.C.

   

                    



f

 

T-tam



  



mf



     





mf

6

5

 

 





    Bar. Solo 

Vln.4







 

Vln.3

mf

p



Vln.2



mf

(mp)

Vln.1



mp

ff

p

mf

ppp





   



ppp



f

mf

sfz p sub.

mf

ppp

B. Tbn.

mp

ppp



 



6

                                                     6 5 3  pp p mp p sub. mf f                                 

pppp

Hn.1

  6                    

5

3

3

mp



mf

p

B. Cl.

                             

    

ff

   

ff



    

mf

ff



    

mf

ff



        

mf

ff

mf

ff

mf

ff

 

    



     

mf

ff

80

  Fl.  



 



414

Ob.

B. Cl.

   

mp

Cbsn.

mf

   Tpt.  



Hn.2



mf

mf

  B. Tbn.   

Hp.





mp

   



Perc.1

 

  



  

   

Bar. Solo

(Mother) 1

  

Yo

  mf   Yo

(Mother) 2 Ch. (Mother) 3

-

Yo

-

   

Yo

Vln.1

  



shi

shi f

-

shi

-



f

-



shi



  

f

Vln.3

   



Vln.4

  

Vln.2

mf

mf

mf

mf

Vla.1

   

mf

Vla.2

   

mf

Vla.3

      

mf

Vc.1

mf

Vc.2

    

mf

Db.

   

mf

-



mf

(Mother) 4

-

f

Yo mf

  

shi



mf

  

 





  



mp

  



 

f

p

f

p

   

 3

(soft mallets)  









f







   

p

f







      



f



f

f



f



f



f

 

f



f

f



f

-

  

 

 



pp

(He finds the house burried under saying red dahlia-like flowers.)



  

o

  

mp

pp

mp

pp

mp

  

o

  

  

pp

 

 mp  

pp

o



  

  



 

p

  

mp

  

p

  





mp

p

f sub.

3

    

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Vln.4



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 



mp

 



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p

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81

q ≈ 76

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  

      mp        mp  sul tasto   p

p



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sul tasto

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Ob.

B. Cl.

Cbsn.

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B. Tbn.

Hp.

Pno.

mp

con sord.

muted



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Wel - come

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Vla.1

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Vc.1

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mf

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p



3

    



       

    





        

     3





 

  3   





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had

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nice

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You p

You p

had

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a

a

nice

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      had

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nice

mf

p

3

ho - ney - moon ? mf p

3

ho - ney - moon ? mf p

ho - ney - moon ? mf p

ho - ney - moon ?

 

     



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         

  

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p

 



Kris Defoort: House of the Sleeping Beauties - The Third Night

mp

 

mp

pp



mp

mp

                

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pp

mp

pp

mp

                  

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3

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mf

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3

 

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mf

        pp





ho - ney - moon ?

              

p

3

nice

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   

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mf

pizz.           

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You



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mp

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mp

 

mp

 

had

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p

mp

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mp

mp

   mf

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Crotales (with triangle bat)

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p

mf





 

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mp

arco



You



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Crotales

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pp

 

           

f



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        



  

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p



          









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hite ke gliss. w

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mp

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Wel - come

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p

mp

 

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Timpani

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NMMOMMML

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Wel - come

3



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   

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mf

pp

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 

 3        Vln.1   mf

mf

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pp

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mp

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mp

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p

con sord.

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  Tpt.   Hn.1



               

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mp

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Is



   

p

p





p

p

p

p

 

pp

 

pp





 







 







  



Kris Defoort: House of the Sleeping Beauties - The Third Night



 



 





 



 







 



 

 



 



    mf



     

                



 

pp





      

    



 



  

     p

  

pp

p

 



  

 pp   

  

   

 



  

    ppp

 

ppp



  

   

 

ppp



  

   

 

bride

 bride



bride



bride



bride

shy ?

shy ?

shy ?

shy ?

shy ?

 





 

 















your young



 



your young





 

your young



    



your young





mp





pp



mf



pp

  

 

 

 

young

p



p

 

Is your

Is

  

p



p    3        



 

 

     3             

  





   pp 

p

 



p

mp

 

 

  

 





T-tam

 

 

 

   pp  



 



mp







mp

MNMOMMNL



 





pp

  

mp



 

 

   



mf

 

 

    

mf

p

pp

p





pp

p

  





ppp







 



    

 

  

 





 









hol

 



pp

 

p

pp



   

Aah

 

 

  

mp





 

mp

  

 

Vc.2

 







mp

  

Vla.2



are you

p

 

mp

  





mp

p

Vla.1

 

Aah



Vln.4



Aah

p

  

 

Aah



p



    



Vln.3

 

     







Why

ppp



  

 

Vln.2



 

mf







pp



     

p



   

     





 

      







(con sord.)

(p)









  

p



 Vln.1 

mp

 



 

mf





 

  





 



 

   





    

 



mp

 

 



 



 

p

p





  

p



3



 



  

 

   



Ch.

Db.

keys



p

  

mp

       p       T-tam (with triangle bat)      

2

4



                     3       mf  mp  pp

  



 



 





gliss.

 

 



pp

  



 

open

f

Perc.2

mp



 

 

Hn.2

Pno.

p

 

Hn.1

Hp.

  3                  3 



Ob.

B. Tbn.

83

poco a poco rall.





 

ppp

poco a poco rall.



 

 



 

 



 

 



 

 





 



 

 





 



 



 



 



  





  









 

  

senza sord.

senza sord. ord.





ord.

ppp

    ppp

 

84

  

q ≈ 64

436

Picc.



 













Ob.

 



 





B. Cl.

 



 









 

pp

Cbsn.

Tpt.

Hn.1

  

 









p





 







 



 







pp

 



p

  









        5

3



pp

p

senza sord.

 open





 



 





 





3

pp

Hn.2

 

 









open





Hp.

  



 



 







   

Pno.

Perc.1

Perc.2

Bar. Solo

Vln.1

p

 

  







         

 

 

 









 



 









 









 







 





Vib.

 









  





Change to Cel.









   





   





           p

arco

pp



     



3



pp



Thai gong





mf p



       



 



mo 3 -

q ≈ 64



ther,



  

        3     mp

3

what

are you do - ing



with those

        mf

3

flo

3

-

 

p



wers ?





 

pp

Vln.2





mp



senza sord.





3

pp

B. Tbn.





 



 







                      6

p

6                      

p

Vln.3

 

Vln.4

 



 



 





6                     



p







senza sord.



pp

Vla.1

 



 









3



 

      5

 6                     



p

Vla.2

 

Vla.3

 



 



 









senza sord.

6                       

p







ord.

 





pp

















pp

Vc.1

  

  

 

  

  



 

 mp





p

(ppp)

Db.



p

(ppp)

Vc.2





mp









mp Kris Defoort: House of the Sleeping Beauties - The Third Night

3



p





 3

pp

p

 



    



mp

5

   

3

pp

 

 

 

5



 

     5

Picc.

  

Ob.

 

B. Cl.

  

Cbsn.

Tpt.







sfz



       

Hn.1

mf

pp sub.

Hn.2

 

mf

pp sub.





Perc.1

Perc.2

Bar. Solo



  

1





 



 



 Vln.1  

Vln.2



Vln.3





sfz p sub.





 



sfz p sub.

sfz p sub.



  

Vln.4



sfz p sub.



Vla.1



Vla.2

 

sfz p sub.



sfz p sub.

  

Vla.3



Vc.1





sfz p sub.

 

sfz p sub.



Vc.2

Db.





 

sfz p sub.

 

mf

  

      3          



Celesta

f

-

mf

lo

3

A - ren't they mp

-3

lo mf

-3 f

A - ren't they mp

lo mf

-

-

-

-

-



A - ren't they

lo

poco accel.

          

 3    

mf

     

-

-

-

-

mf

mf

     3

p

3

pp

mf

mp

3

 

3

3               

mp

3               p mp     3

mf

  

vely ? mf

  

mp

  



mp



mp

      mp

  

 

p

     p

    p



p





 



 





pp



p

mp pp

pp

p

mp pp





p

pp

p

mp pp

pp

p

mp pp





 

p

mp

Triangle



 

p



pppp







 





 





 





 





 

 





 

 



  







 



  



p

p

 

pp

gliss.

mf



mf

mf

mp

gliss.

gliss.







 



gliss.



 







 





   

 





pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

mp



mp

mp

gliss.

mp

mp

 

pp

gliss.

 

mf



mp

gliss.



p

 

mp

 

mf

 mp

gliss.

p



   

mp



mp

 

mp

 

 



 



   



 



 





 





 

mp





 

mp





 

mp

Come

p





Come

p

 

 

Come

p 





Come

p

 



 

f

  p

 

Come

  

 



 

mp pp

  7               mp p Piano                     (Glcksp.)  Vib. arco                 

 



 

p



 

   



ppp

 

 



 

 

   

p

pp

pp

ppp

pp

  

 

   

 

pp







 mp pp    



 

Change to Fl.







 

pp



 



pp







p



 





mp









 

 

pp

mp

mp

   pp     pp  

p

 







mp

 



pp

  



Change to Pno.

pp

vely ? mf

 





vely ?

   

  



mf

             

3

p

mf

  



3

p

   



(surprised...)

A tempo

    

  

mf

ppp



mf

  

 



vely ?

3



vely ?

-

3

p

  

   

                   3

p

mf

   

f

3             3

                3 mf p mf      3             

p sub.

-

f

3            3

mf

     



f

mf

 3                mf p mf 3          mf pp mp 3             

mf

-





         

          p



f

Crotales

Glass chimes

          3

         

mp



3

3

     

mf

A - ren't they

mp

mf

mf



3

mf

lo

          pp



 

   



p

          

  

3

ff

   



mp



 



 

pp





A - ren't they



  



f

         





 

  



p





pp





 



p



           

pp



  

p



p



mp

Ch.

4

p

mp





  

3

mp





  

MNMOMNNM

3



2

mp

mp





pp

 

85

rall.

   



       









p

pp



          - - -  Glcksp.    







p



p

  

mf

S. Solo

mp











    

mp





pp sub.

T-tam

mp

  





  





ff









  

p



Pno.



mf

 

A tempo

mp



mf



pp sub.

pp sub.



 

pp sub.

mf

Hp.

3

p

3

f



p



  





  

 3   



 

B. Tbn.

   

   3       mf     3      

poco accel.

441

 

     p

mf

 

        mf



    

   

 



 

    mf

 

 



mf

 

 

pp

 

 

pp

 

   

 

 

pp

gliss.

 

rall.

p

    p

p

 

mp



p

mf

       

86 (End dialogue of the past)

  Fl.   446

Ob.



  





pp

B. Cl.

mf

p

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

Perc.2

p

(ppp)



mf

 

         

 

    

    

(arco)



mp    

 Bar. Solo   1

mp    

come mp

Ch. 3

   

    

4

mf



mf

mf

mf

mf

   

Vla.3

come

in

f 

come f

 

come

  f

 

   

 

f

f

   mp    

  mf  

   

mp

f

mp

  f

 

   

  

 

mf

mf

 

   

mp

Db.

mf

   

mp

Vc.2

  







f

mp

Vc.1

in

f

mf

 

pp mf



mp

pp





-



mf  

mp    

 

in

-

   

-

   

 

  mf

in









 

 

ppp

 

ppp

 

 

Change to Cl.

 

 

 

 

 



 



 



 



Change to Bsn.

 



 



 



 

senza sord.



 



 



 



 

 

open



 



 



 



 

open



 



 



 



 

 

senza sord.



 



 



 





 

 



 



 

p

 

accel.

    mf

     p     mf

 

mf



 





 





 





 

 



 

 



 

 



 



 



 

 



 



  3   

 



 

p s.v. (like a buddhist chant)

 



 

p s.v. (like a buddhist chant)



 



 



 



f

  Ô





Mo - ther

 



 



 

 



  Ô

 

my

p  

first

 

  wife...

 





 

(like a buddhist chant)

 



 

(like a buddhist chant)

 

Ô



 



 





 



 



 



 



  pp  



 



 



 



 





 



 



 



 





 



 



 



 





 



 

  

gradually

 

gradually

mp



mp

   



 



 



 

s.p.

gradually





 

p

f s.p.



f

Kris Defoort: House of the Sleeping Beauties - The Third Night

gradually



 

pp ord.



mp



s.v.



p

  

ord.

Ô p s.v.



 

 

p s.v.









 

 

 

  

mp







    p 



  p  

s.v.

p



 

mp

  

(Thai gong)

 



   

mp



 









pp

p

 

 









pp ord.

p

 

 



 

 





 

 

    

 



 



pp

p

Thai gong



 

 

 

p





p

p

 





 

mf

 

 

p

    

p.d.l.t.



p

     

T-tam       pp   

q ≈ 60

p

     



 



p



ff          p                pp ff            Vib.           



 



 



p





ppppp

 

 



 

   

p

 

 

pppp

 

mf

mp

ppp

p

side

 

 

 

   



mp

 

ppp

Change to Eng. Hn.



side

 

 



 

 



side mp

     

ppp

  

mp     

-

 

 

side

in mf

ppp

ppp

mp

-

 

pp

side

   

 



T-tam with triangle bat

come

 

mp

Vla.2

     f      

mf

come

mp

Vla.1

      mp     pp         



mp

Vln.4





f



     Vln.1  

Vln.3

mf



come

Vln.2





come

mp





come

2

   

 



p



come

  mp 

 

mp

(ppp)

S. Solo

   



pp

p



p



p



     

pp

  

mf

  



   

mf

    

pp

p



   



p

mf

p



   

 

p

pp

  

mf

  



p



  

pp

  

mf

p



p



   



  

mf

  Tpt.   

Hn.1

 mp



   p

Cbsn.



q ≈ 60

accel.

 























pp

 

ppp

 







Hp.

Pno.

Perc.1





 





 

 

G

 

G

 









 





 





      p

   





 





G

   





 





G

  



 

 

G

 (continue same chanting) 

  



 



  

 

G

 (continue same chanting) 

  



 



(p)

  

 

G

 (continue same chanting) 

  



 



(p)

 

G

 (continue same chanting) 

  



 



  

  



con vibrato

 

  

  





 

 

  

  



 



  

( )

( )

(naturally spoken)

Thai gong

mp T-tam

pp

mp

Why now, at this moment, in this place, that thought ? A stream of blood gushed from Mother's nose.

   

  

 Vla.1 

(p) Like buddhist chanting, natural breathing.

  Vla.3  

Restart the note if necessary. No attack, no dynamics.

on

q ≈ 64

 

  

Vla.2





(p)

4





Vib.







Hold the note as long as possible, without forcing.

3

     mp  



 

(p) After breathing restart immediately. No attack, no dynamics.

Ch.

G

mf       

 





2

G





 Bar. Solo 

1

G

 

 Perc.2

MMMOLNMM

 



 

G

 

 

87

q ≈ 64

s.v.

p

(p)

 a





win - ter

 



 



night.

3



Then,

 

her

3





brea - thing

 





stopped.





Cl.

Hp.

Pno.

Perc.1

Perc.2

S. Solo

Vla.1

poco accel.

 







 





 





 

    



 





 













 









 p



 





 





    

   





 





 



Vib.

 



 





 



 





   

 



  3   

When the old



mp



3    



man



stroked

his



 

mo - ther's



p

bo

-

 mp

ord.

 





 





 

   



 

ord.

p

    



mp



 

 



   

 

   



p





   





 





 



 





 

 



 





 

 



 





 

 



 





 

  

 



 





 



      

mf

mp

  

mp

pp

dy

p

in

mp

her

dy - ing

hour

p



mp

         he

touched

3    

her

sag - ging



 

breasts

 

Sub. a tempo



 

  



 



 

  



 

 

  



 

p



  



 

p Thai gong

T-tam

Sub. a tempo

 

poco accel.

mf

Vla.3

 



mp



 

Vla.2

 

s.v.







ord.

p

Kris Defoort: House of the Sleeping Beauties - The Third Night

88 s.v.    Fl.       464

pp

Eng. Hn.

 



      s.v.

Cl.

pp

 



mp

p

 

 







 



mp





p



 





 

 





 

 





Change to Picc.

poco rall.



 





 

 





 



  



 





 





 





 

  



 





 





 





 

Hn.1

 



 





 





 





 

Hn.2

 



 





 





 





 

B. Tbn.

  



 





 





 





 

 



 





 





 



 



 



 



 



 





 







 



 





 







Bsn.

Tpt.

Hp.

Pno.

Perc.1



        



f

           



             mp Vib.

  

Perc.2

mp

  

Thai gong

mp

 T-tam        pp



f







      

mf







 MMMOLMMM



  



     

   

mf

            

mp

   

 





 





 

  

 





 





 

 





 



 







 





Thai gong (metal sound)

 



arco



mp



 





T-tam







 

p



 

   



  



 





 





 





 

Vln.2

 



 





 





 





 

Vln.3

 



 



S. Solo

Vln.1

 

mp

    

But

p

         



he

did not think of them as





breasts,



e - ven now



   

 



 







  

 



  

 



  

 



(p)

Vla.2

(p)

Vla.3

(p)

mp

he can not re - mem - ber them as

breasts

poco rall.

  

 

   

   

 

  

 

    

 



  



    

 



  



    

 



  





pp

pp

pp

pp

pp

p

p

p

 





 





 



Vc.2

 



 





 





 



  



 



 



 



Kris Defoort: House of the Sleeping Beauties - The Third Night

mp

mp

      

mp

      



 

p

mp

 

 

p

     

mf





 

   ord.  

mp

mf

 



   ord.    

mf

Vc.1

Db.



 

ppp

Vla.1

p                   p

  



ppp Vln.4

mp

    



mp



           

89

q ≈ 60

accel.

Sub. a tempo

  



 





 



 



 



 



 

Eng. Hn.

 



 





 



 



 



 



 

Cl.

 



 





 



 



 



  

471

Picc.

 

pp



 





 



 



 



 



 

  



 





 



 



 



 



 

Hn.1

 



 





 



 



 



 



 

Hn.2

 



 





 



 



 



 



 

B. Tbn.

  



 





 



 



 



 



 

 



 





 



 



 

 



 





 



 



Pno.

Perc.1

 

 



 



  

 

  Perc.2

S. Solo

    

mf

       



 



 



 



 

    

mp





Vib.

p

  mp

      





  

 



 



 



 



 



 

Vln.2

Vln.3



 



 

Sizzle cymb. (soft mallet)





     What



he

 



Crotales

  

mp

   

 



mp

re - mem

Vc.2

  pp

  -

bers

  

 



 

 p

      are

the

breasts,

 

  



 



mf

a

young

 

 

p sub.

mo

 

-



 



 



 





 



 



 



  

  

  

  

   p

  

  

 

p

p

p



 



   p



 

  

  

 

   

  

pp





mp

p



 

  

mp



p

 

  



mp



p

 

  





mp

p

 

  





 

  

mp



 

pp

 

p

    

 

pp

   

 

---



p



 



 







  mp



 



 

and

    

     

mf fast gliss. with thumb

   



 

mp

mp



 



 

 

 



 

 

 

 



 

   

mf               

Crotales

mp

Glass chimes



ther,

 

  

f

      

ppp

 

how,

Sub. a tempo



pp

     

p

mp

        of

  

    



breasts

Crotales

 

  



mp



  

 

---



(mp)

Db.



 

(mp)

Vc.1





(mp)

Vla.3



  

(mp)

Vla.2

p

         

accel.

(p)

Vla.1

    

    mp



mp

mp

mp

(p)

Vln.4

     

mp



     

mp

q ≈ 60

Vln.1

               



Hp.

            



Tpt.

  



Bsn.

p

p

mp

mp

mp

mp

mp



   

 

 

  

 

  

 

  

 



 

 

pp







con sord.



con sord.

pp





ppp

pp

  



pp

mp

   

pp

mp

pp

pp

  



mp

  

 

  



  

 

  

 

  

 

pp

pp

mp

   



pp

 

mp



pp

pp

pp

pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

 

con sord.

ppp

   



90

  Picc.   478

Eng. Hn.

Cl.

 

s.v.

 

ppp

 

 

Tpt.

Hn.1

Hn.2

B. Tbn.

Hp.

Pno.

Perc.1

mp

       

(senza sord.)

 

(open)

 

(open)

 

(senza sord.)



 



 

         



 

  





mf



    

       mf



   

(mp)

S. Solo

as

 Bar. Solo  

   p

   p

Vln.4

   p

Vla.1

   p

Vla.2

   p

Vla.3

   p

Vc.1

   p

Vc.2

  p

Db.





 







 









 



a



 

   p

   

p

 mp

F# Ab

pppp

pp





pppp

pp





 



he

pressed



 

molto rall.



a - gainst

   T-tam    mp





mp

p



 

mp

p



 

mp

p

  p



them

while

he

 Sub. a tempo (q ≈ 64)

   



pp









   



  





 



 





  



pp

  



   

  

(indefinite pitch)

slow gli

ss.



   

pp

 

pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

very slow gliss.

 

 

very slow gliss.

 

very slow gliss.



very slow gliss.

 

very slow gliss.

 

very slow gliss.

 

very slow gliss.

 

p

   

p



 

p



pp

p

 

p

pp



 

 

p



   

p



p

 

very slow gliss.

p

pp



 

p

pp

mp

p

mp

p



 





 

mp



slept.

 

mp

     





 

pp

 





mp

p



mp

 

mf

mp

p



 

 



mp



mp

 

 

 

mp

 



G.C.

 





pp



f

6

mp

p

 



pp

                    mf



(p)

 

 



pppp

child,



ppp

Vln.3

 



 



(blowing wind)



 

  

pp

pppp





pppp

(blowing wind)









(blowing wind)



(As the old man stares at a particularly large flower, a red drop falls from the petals.)

    Vln.1   Vln.2





(blowing wind)



 









p





 



Crotales

Perc.2

 

  



 









 



 



 



 



Text on next page (actors) starts in this fading chord. Timing decided by the timing on stage.

Sub. a tempo (q ≈ 64)

 



p

Bsn.



molto rall.





Old man What the…?

91

(He turns toward the tall, wild girl. Her body is cold. The old man is frightened. She’s not breathing. He places his hand on her heart, but it’s no longer beating. Looking around him he sees a bell. He presses long and hard on the button. Footsteps sound on the stairs.) Old man Have I unknowingly strangled her in my sleep? Madam Is there something wrong? Old man That child is dead! Madam Dead? Impossible! Old man Really, she’s dead. She’s no longer breathing. And she has no pulse. (The woman kneels by the tall girl’s pillow.) Old man Don’t you see that she’s dead? Madam …Have you done something to her? Old man No, not a thing. Madam She’s not dead. There’s no need to worry. Old man She’s dead. Quick, call a doctor. Madam … Old man What did you give her? She might be allergic. Madam Don’t get so upset. This won’t cause you any unpleasantness. Your name will stay out of it… Old man But she is dead, can’t you see that? Madam Not at all. She’s not going to die. Old man What time is it? Madam After four. (The woman picks up the naked tall girl and straightens up with difficulty.) Old man Let me help you. Madam There’s no need, but thank you. I have male help downstairs… Old man Is she not heavy? Madam Don’t worry yourself too much and just go to sleep. Isn’t there still another girl? Old man Do you think I can sleep now? I’d better be going. Madam I would advise against that. If you leave now, you’ll expose yourself to suspicion. Old man I can’t sleep after this. Madam I’ll bring you some more sleeping pills. And tomorrow morning sleep as long as you wish. Old man And?

↓ CUE ORCHESTRA

Kris Defoort: House of the Sleeping Beauties - The Third Night

92

  

q ≈ 60

482

Picc.







 



Eng. Hn.

 







 



Cl.

 







 



Bsn.

  







 



  







 



Hn.1

 







 



Hn.2

 







 



B. Tbn.

  







 



 







 



 





 



 





 



 





 



  



  



Tpt.

Hp.

Pno.

Perc.1

Perc.2

Bar. Solo + Old man (actor)

 

   

  Vln.1  

 

mp

      p  p

Vib. arco

T-tam

 





  Change to Cel.















 











 





 



pp

(The smooth, lovely naked body of the small pale girl is lying there.)



(The old man looks at her for a long time.)





q ≈ 60



(senza sord.)





 



 



senza sord.

Vln.2





 



 



senza sord.

Vln.3





 



 



senza sord.

Vln.4





 



 



(senza sord.)

Vla.1





 





 



(senza sord.)

Vla.2





 







(senza sord.)

Vla.3

 





 







(senza sord.)

Vc.1

 





 



 



(senza sord.)

Vc.2

  



(senza sord.)

Db.

s.v.





ppp

p

 

pizz. (keep finger)









mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

 

mf



 



Epilogue

(q ≈ 60)

   Picc.  



p

Eng. Hn.

 

Cl.

 

ppp

 





pp

     Tpt.  







mp



Bsn.











pp

mp

Hn.2









Cel.

Perc.1

Perc.2

S. Solo

Bar. Solo + Old man (actor) 1



MLLOLNML

 



           Vib.              p    

    

p mp

  

mp



 



mp

Glass chimes

6



        



 3





 

     



pp

slow gliss





  

   

p pp

.

slow glis s.

3

  

slow gliss.



Vln.2

Vln.3

slow gliss.



Aah



slow gliss.

(q ≈ 60)

 

  

Vc.1

Vc.2

mp

pp

(s.v.)



mp











    f   



 

    mf p  3



 







 





 



 



   







   



 p



 

soft mallets

    p  

mp



   

  









 









 







 



 









 



 









 



 







 



 

 









 



 





 



 



 



 

 

 arco



ppp









 



 



p

mp

Kris Defoort: House of the Sleeping Beauties - The Third Night

        

 

ord.

  



ord. pp

 

  

pp

   



 



mp





mp ord. ord.

 



pp



   



   



 

















pp

pp ord.





 

ord.

ord.



 



p







p



 



 



 

   



 

   



 





    pp

pp

 

p

pp

pp

 

 

arco

 





mp

      pp  Thai gong  (soft sound)           p    

 



mp



 





 



 





pp





 



s.v.

 

 

 









pp

   

  

    

pp









f

Db.



mp









pp

s.v.



 







 



mp

 





p.d.l.t.









 







pp

s.v.    

   mp    

   





   mf    

mp 3

 





Harmon mute







 



mp

 

 muted      

pp

   





 





 



arco









s.v.

Vla.3



 

pp

 

pp

mp

Vla.2



 

 







s.v.

Vla.1

mp



 

pp s.v.

  

 



Change to Fl.

 





s.v.

mp

Vln.4







 



mp

 





pp

mp

   













s.v.

mp





pp

   

  Vln.1  



pp

Aah mp

4



pp

Aah mp

Ch.



pp

slow gliss.



  



pp



Aah mp

T-tam











 5              

    pp 



 Piano

Change to Pno.

Aah

mp

                6





Aah mp

2

p



Hp.

6

 





      

mp





  





    

ppp



 

Hn.1

B. Tbn.

  

93



ord.



ord.

  

mp

mp

pp



pp

pp

pp









p

p

mp

pp



mp



mp



pp



 mp



mp



pp

94

 Fl. 



 



 



 







 



 



 

Eng. Hn.





 



 



 







 



 



 

Cl.





 



 



 







 



 



 





 



  

8

Bsn.



 



ppp

 

p

 Tpt. 

e=e

 

mf

 



 

mp

(Harmon mute)



 

  

pp

                 





f



Hn.1



Hn.2

B. Tbn.





Pno.

Perc.1



Vln.4

Vla.1



 

 

 











 

 





mf

pp





mf

pp





 



 









 



 



   

(senza sord.)

 

   

   







 



 



 





 



 

      

 

 



 



 





f

mf

 MMLOLMMM



           f    

 

mf

   

10

     





 



 



 

 



 

Snare drum



 

mf

      







   

mp

  



    

mf



        3



mp

           

         

mp

Crotales



   

mp



mp

T-tam



3         

   

   

pp





 





 

           

 

  

10

    





5

   



   

p

mf

          

RS     

   

f

             



 

   



p sub. soft mallets

 

             5

 

p

   



ppp



ppp



ppp

  

p

     

  



 



 



 

pp

  pp

  pp





mf

     

molto legato





mf

p





mf

p





mf

p



 

 p

  

 p

  



mf

  

 

  

 

 

mp

p



mf

p



mf

pp

p









pp

   

3

   

3

   

3

   

3

pp molto legato



pp molto legato



pp molto legato



p

  

 





mf

mf

ppp

  

 

mf

ppp



 



ppp

  

ppp



 



ppp

ppp

 

ppp

p



 

 

p



pp

Db.

 



 

pp

pp

Vc.2



 

 

pp

mp

Vc.1

 

                 

 

mf





 



mp



 



 

 

 

 

 

 

 

 

 

 

 Glass chimes



 



   



p

 



e=e

mp

Vla.3



pp (soft sound)

mp

Vla.2

 



 







 

mf

 





mf

    





 



p







pp

 

   

 

    p



   







 

 









mf Vln.3

(muted)



mf Vln.2

 

       f

 



Vln.1







Thai gong

Perc.2

(open)





Hp.

 



 

pp













     p

Kris Defoort: House of the Sleeping Beauties - The Third Night

p

p

p

p



mp

mp

mp

mp

 



    

mf pp sub.

    

mf pp sub.

    

mf pp sub.

    

mf pp sub.

s.v.      

  mp

pp

  mp

pp

  mp

pp

  mp

pp

 

p



  



  

 

 

  

 

 

  

 

 

  

 

 

  

p 3    

s.v.



   

p

s.v.

p





 pp



p



pp

 p

 

Fl.

Eng. Hn.

 



 



  

mp

 



    



p

(with Violins)

5          

mp

(with Vlns)

3                  p mf p sub. mp         Bsn.     (p) pp  3

5

   

3      

Hn.2

B. Tbn.

Hp.

Perc.1



 

 



 

  



 



 



open



 

  



p



 



 



 



 

p

 

 

p



p

mp

 

 p

   p

   p



 



 



 

 

 

 

 



 



                mp

mp

 

mp



pp



mp



  





pp

   

 

mf



pp

3             

p

 

  

p



5

 



 



 



  

  



 



 



 

3

  

(with Cl. in Bb)

p

mf p sub.

3             3

Vln.2

p

mf p sub.

3             3

Vln.3

p

mf p sub.

3             3

Vln.4

p

Vla.1

Vla.2

 

 (p)

  

(p)

Vla.3

  

(p)

Vc.1

  

(p)

Vc.2

   

ord.

pp

  ord.   pp

  ord.   pp

    

ord.

pp

  

ord.    

   

  

(p)

Db.

mf p sub.

(p)

pp

pp

(with Eng. H.)





 



(open)

 

 





 



(open)

 

 



 



 





mf

6

 

      

(cluster)

    

 arco

T-tam

 

pp

mp



   

mp



 



mp

   





 

G.C.

 

pp



 



 

 legato   p

5          

  

 

 legato   p

5          

  

 

 legato   p

5          

  

 

  

  

 legato   p

 

 legato  

 

legato

  

 

 legato  

 

legato

mp

mp

mp

mp

   mp

   mp

   mp

p

p

p

p

   p

   p

   p

  

  

  

  

mp

mp

p

p

  

 

  





3

   

3



  

mp

mf

    



mp

mf

    



mp

mf

    

mp

mf

3

3

  

pp

     

3

3

mf

3

p

mp

    p

3

      mp

   

    

legato

p

mp



mf

5

 

p

Kris Defoort: House of the Sleeping Beauties - The Third Night

mf



5

f

f

   

p

mf

 

               Vib.        mf

       mf

 

  5

mf

         mp

   mp



mp

   mf



     

     f



 

f

   f

      mf

 

  



mf

mp

5

 



mp

 

mf

 



mp

mf



 

  

5





 

  



mp





mf

 



mf

5





 

f

                      mp

mf

  



f

p

mf



f



  

f

3

mf



   

f

                     

p



mf



                      mp

 

mf

        

Crotales

            

3



 

     

3



mf

mp

       

3

       

p

    





  



        f

 

Glass chimes

  

 



    

p



mf

  

 

(senza sord.)

f

(Glcksp.)

3

p

 

mf

 



senza sord.





mp

 

mp

 



f





  

mf

p

      





mp





  





mf

 





  

p

 

f

  

5

 

5          

mp

5

    

     

mp

 

pp

Perc.2

3 3        Vln.1      

f

mf



                3 



5

mf

5

  

 

MMLOLMMM mp



  

Oboe

 

mp



           

p

 







 

legato

p

mp

  

 

f

 

pp

 



mf

  

  

 



p

3

Change to Ob.

 



  

mp



3

mp



Pno.

pp

 

p



    



p



p

  

Harmon mute

Hn.1

  



 



p



Cl.

Tpt.

  

 

95

         5         3

legato



   16

mp

   mf

   mf

   mf

   mf

   mf

96

   24

Fl.



mp sub.



 p

mp

(fluid, no accents)

Ob.

  

mp

   





p

mp





p

   

mp

   Tpt.  

p sub.

Hn.1

 

p

Hn.2

 

B. Tbn.







Vln.2

    mf

Vln.3

   

mf

Vln.4

 



mp sub.

Vla.1

 



mp sub.

Vla.2

   

mp sub.

   

mp



mp

   

p

mp

   

  









  

















6

3





   

p

3

mp

p

3

6

      

mp



(legato, fluid, accents only when indicated)



    p

mp

mf

mp

mf

   

mp

mf

mp

3            3            

p

 

   3

mp

p

    

mp

 

   3

mp

  

p

 

p

3

    3

   



 



 











 



 











 



 









      

    

Glcksp.

mp



    





p



mf

mf

mp



p



   

mf

 



p

mp



p

f

  

  

mp

f

    

  

 

mp

f

 

p

   p

p



mp



   



6

mp

mf

6

p mp (legato, fluid, accents only when indicated)

    pp

 

  

      pp





mp

        



  

mp

mf

mp

mp



    mf

   mf

 

mf

  

   

5

12

p

mf

                 5

12

p

mf

                 

5

12

p

     

mf

mf



p

  



                    

mf

 3

6

       

  

mp 3





6

   

3



    mp

Kris Defoort: House of the Sleeping Beauties - The Third Night



6

   

mp

 



























3

p

     3

mp







p

  

mp

mf

mf



3

mp

p

       pp

6

p

mf

    

3

                     

  

     

3

                     







p mp (legato, fluid, accents only when indicated)







                      

mp

 

    

(legato, fluid, accents only when indicated)

mp

mf



mp

 

mf

     





mf



   

mp

mp



 









mf





mp





















mp







(fluid, no accents)

   Db.  







p



 



mp

mf



3

mp

3

  



   

6



mp







mf

   

 

  

   

  

12

p



(fluid, no accents)

Vc.2



5





p

   

3

mp

                    



mp



   pp 

p

mp



6

p



   



3 3 3                    

  

                      

3

   



3



  

(legato, fluid, accents only when indicated)

mf

p

(fluid, no accents)

Vc.1

pp

3

mp





mf

3 3 3                       

(fluid, no accents) (lead)

Vla.3

 

mf

mp

p

        Hp. f                          Pno. mf mp                       Perc.1      mf   T-tam  Perc.2     



      



mp

pp



mf





    

    Vln.1  





p



mf

     









(legato, fluid, no accents)

p

   



(legato, fluid, no accents)



p

mp

(fluid, no accents)

Bsn.

 

mp

(fluid, no accents)

Cl.

  

p

   3

p





 f

                  

                               Fl.   30

7

p

(mf)

   

 

Ob.

mf





Cl.

Bsn.

 

   mp

p

 

 

Perc.1



mf

  

(mf)

3

mp

  

p

3

    

p

    





       

   



mf

mp

mf

mp

3

mp



mf

mp





mp

(mf)

7

p

mf

mp

3

5

mf

7

(mf)



Vln.4



p

mf

mp





   

    

p

p

  

mf

 

mp

 

Vc.1

 





3

3



mp

 

Vc.2

mp



  (f)

mf

    

          5

mf



3





mf

  mp

 

5        

 

mp

 

5

   

    

p

3



 

 

3

            

  

3

mp

p

mp







mf

3

mf



p

   







f Kris Defoort: House of the Sleeping Beauties - The Third Night



       

9

 

 

mp

3

mp

3



 

3



 

 

9

mp

mp

sfz p sub.

mp

                  9

mp

sfz p sub.

             



            9



mp

   

5      





  mp







3

   

3



    

     3

p

     3

     3

3      

3

3

3

     3

mp

3

    mf

    mf

    mf

  

3

     mp

p

  

     mp

    

p

p

 

    

p

sfz

 

mp

(melody coming from elsewhere, childhood)

sfz

 9               mp sfz

5

 

mf

                

      

5

   



sfz p sub.

p

           

mp

3

mf



3

                 

mf

3 3          

3



 6             

    

p

mp

6

mp

p

3

mf

p

3



 3 6             3

9

mf

p

p

3

3

6

   

mp

mf

6 3                 

         

  

3

6

                 

   3

3

mf

3

mf

mp

 

p

mf

mp

3

mf

6

   

(melody coming from elsewhere, childhood) 3

    p

  

 3               

         



6

mf

p

3                 

mf

mp



  

     

mf

mp

 

   

mf

p

p

           



mf

 

Vla.3

5

  

mf

3      

p

mf

mp

 

 3                 

               

mf

p

Vla.2

5

mf

    

p

Vla.1

3

  

3

mf

                                   

Vln.3



p



mf

mp



5

      

mp



3

      

3

3 3          

mf

    

p

mp

  

mp

      

3 3         

mf

mp



      5



sfz p sub.

p

mf

  

mp

5

mf

 

3

                          p



mf

     



5

mf

mp

p

   

3

mp

       

mf

3

                     

3

3

97

9

mf



3          

3

p

mp

3

                                  

Vln.2

Db.

 

3

6

           

  

3

 

mp

7

mp

3

p

3

(Glcksp.)

     

p

3

mp

 Vln.1 

     

          

p

mp

3



 

 

p

  

                       

 

mf

B. Tbn.



 

mp

        

3

mf

mp

5

3



mp

3

mp

     5

mp

 

3

 

mf

mf

mf

Hn.2

 

    

  Tpt. 

Hn.1

5



3

mp

5

mf

mf



  



3

         



3

mp

mp

                 



 

98

                 Fl.    35

mf

p



Cl.



mp

Bsn.

3

6

 

3

(mf)

Tpt.

p

mp

p

        

mp

  



mf

p

mf



 



mf

 (Glcksp.)  

       



p

 



        

   

3



  

  

  

  

 

 

 





 



 

  



          3

  



p

3



p

 

 

 3



3

3

  

p

mf

mp

6

mf

mf

mp

mp



3

        



3

        



3

        



mf

6

mf

3

5

3



3

3

3

5

            mf







f

mp

     

 

 

         

      



3

                    

  



3

            

  

 3







  

  



  

  



  

  



  

mp

mp

3

mp

6

3

6

3

6

3

ord.

mf p sub.

3

ord.

mf p sub.

3

      5

mp

3

ord.

mf p sub.



mf

5

mf

mf

6

3

mf

  





       

mp

     

         



  



  

                

p

3

p

mp

 

 

     

5

mp

                      



p

       

3

5

mp

            

mf

p

     

5

3

mf p sub.

     

          

p

3  3               

 

mf

5

mp

                       mf

Vln.4



3



 

(like a choral)

mp

mf

Vln.3

 

mp

     Vln.1  

Vln.2



  



3

mf

 



mf

6

        

mp



   

mf

p



3

3

  3 6 5 3                             

Hn.2





mp

ord.   Flttz.             

  

mf

         

3

mp

3

mp

3

 mf

mp

3   3 6 5                               

Hn.1

Perc.1

3

p

(mp)

B. Tbn.

mp

  3                 

6

3        



3

                  

    

(mf)

mf

                 

           (mf) 3

6

mp

3

6

Ob.

mf

 

  



         5

mp

      5

mp

  



  







  



  







  



  







(mp)



Vla.1

      3



3

3

(mp)



Vla.2

      3



3

3

(mp)



Vla.3

 (mf)

 

Vc.1

(mf)

 

Vc.2

(mf)

Db.



  

6

        

3

mp

3

6

    

mp

3

6

    

mp





 f

                    p

3

 3

mp

                   3

p

3



mp

mf

3                   

p

  



mp



   

 

mf



5

mp



3

mp



mf

        



p

     

   

   

5         

              



        

               

   

 



   mp

 

5

mp

mf Kris Defoort: House of the Sleeping Beauties - The Third Night

p

f

p

   mf

mp

  40

Fl.

                                      

   (mp)

5

5

6

fp sub.

                            (p)

mf

f

(p)

mf

f

Tpt.

mf

   



 

 

 

 

3

mp

Hn.1

mp

Hn.2

B. Tbn.





3



p



p sub.

3

Perc.1

mf

5



5

5

5

   mp

  

Vla.2



mp

f

6

Db.



f



 

6

fp sub.

f

fp sub.

12

5









3

mf

      

3

3



      

3

3

6

       mp

mp

mp

f

mf



mf

   

sfz mp sub.



f

  

 

3

mf

f



3

mf

3

mf

mf



       



   



   ff

  

3

   



3

   





 

3



        3

 

 

         3

3            3

          3







  



       



     

3

        

  

3

3

3

   

 





 





 





 

 

3



3



3

3

    f

  

f

mf

f

        



  



  

mf

3

Kris Defoort: House of the Sleeping Beauties - The Third Night

ff



   

   

3

  



  3   

 







  

  







f

 

 



f

3

  

f

 

        

3

3            3                 

 





3

                       

mp

      

 

      

3

f

3            3                 

3

fp sub.

3



 



  

3

3

f

      

      

5

3

      

3

                       

mp

fp sub.

3

f

                       

5

            f

e = q (q ≈ 120)

5

3

f

                      5

  

ff

3

   

       

 

mf

  

3

   



p

        

f

   



           

fp sub.

 

3

 

3

          

f

       

ff

3

mf

  

 



  

p

  

   

99



            

p

3

mf







 





3

f

 

fp sub.

3

mf

 



mf

3               mf



mf

      

mf

12

 

      

 



 

3

f

  

  

3     

 

3

3

f

   

T-tam



 

 

12

  3                              mf   



f

  3                             

Vc.2





  



     

  

    3



3

3

 



f

f

3

 



mf

3    



p sub.

                               

Vc.1

3

  

 





mp

  

 

e = q (q ≈ 120)

3            3                 

3

mf

f



  

3

Vla.3

    

ff

mf

 

 

3

                                               

(mf)

Vla.1

  

Timp.





5

  

mp



    

                                                  

(mf)

Vln.4

f

5

  

  

p



 ff

mf



6

3

                                          

   (mf)





   

f

f

 

f



    

mf



mf

3

f





p

mf

                  

 

 Vln.1 

Vln.3

 

  

 

          

  



ff

f

  

 

  



mf p sub.



(Glcksp.)        

Vln.2



f

mf

   

mp

 







3



mf

3

3

f

mf

fp sub.



    



 Perc.2





mp

 mp



Pno.



p

mp



mf

fp sub.

f

          

3



mf

ff

    

            

  3           Bsn.                (p)

fp sub.

        

3                           

Cl.

3

f

         

3

Ob.

mf



  

12

3

     3



ff

ff

 

        3

             3

3

ff

 

 

3                3

               3

3



   Fl.    45

  3

(ff)

Ob.

     



     

(ff)

Cl.

3



3

Bsn.

       

         3  3 (f) 3    Hn.1         (f)

      (f)

      B. Tbn.  

Hp.

Pno.



(f)

  

  

MMMOMMMM fff

 



Perc.2

glis

s.



      

(ff)

 

Vla.3



mp

  

           

mp

      





 

 

f

 

                  f



3

3

3                 3

  3         3

 

   

 



 



  



 

  

  

Timp.

      

f

            3 3

p sub.

ff

mf

ff

 

             

 

             

3

ff

3

3

3

3

3

           3

3

             

 

3

 

   

      

   

3

  



  

    



  

 3



     



 

3

mf

mf

    

mf

   

 



mf



---

mf

 

mf

  



3

    3

   



















mf





 

 

mf

 















 

 

ff

   

 



 



3



    

(Ped. as you feel) (Glcksp.)



3



   

 

 







 f

  





Crotales

 

3

f

   





 





6

mp



3

mf

          

6

3

mp mf (legato, fluid, accents only when indicated)

mf

mp

          

               6

f

f



 

 

mf

 

 

mf

3







       

3

      

mf

6

3

   



      f

 f

Kris Defoort: House of the Sleeping Beauties - The Third Night

                5

  

12

mp

                 5

12

mp

f

  

f

  









  









    









  









3

mp

6



f

mp

mf

mf

12

mp

3

6



5

mp

mf 3

                  

3

6

3

 

f

 

mf

3

mf

f

f

ff

 



mp

   





   

ff





 

mf

mp sub.









  

  

ff

 

 

 

 

mp

              

     

ff

  

mf

 

mf

 

mp







  





 

 



mf 3











3

 







     

 



mp

p

 



3

mf

(legato, fluid, accents only when indicated)

3

ff

  

   

f



             

mf

mp

(legato, fluid, accents only when indicated)                           

mp sub.

   

mf

Change to Cbsn.

 

f

    

   

12

mp

3

6

6

3 3 3                3



5

h = q (q ≈ 60)

mp sub.

3

3



3

f

 

f



 

3

f

 

 

               3

3            (f) 3         



3

f

3              (f) 3

3

3

f

3



 

f

            3 3

(ff)



   

3

mf

 



mf

6

mp

 



 

pp

 

mp

f

 







(ff)

Db.

   

 

 

(ff)

Vc.2

 



mp

f

 

(ff)

Vc.1

mp

3





 

(f)

Vla.2



mp

 

 

(f)

Vla.1

   

3



(f)

Vln.4

 

3

3

                    

       

ff

 

(f)

Vln.3

   

3

3

mp

             

Cymbal (with sticks)

            Vln.1    3 3

Vln.2

mf

mp

ff

 



3           3          

 

  

Perc.1

3

    

 

mf

 

   

     

mf

ff



         

(legato, fluid, accents only when indicated)

               

3

mf

   

 

3

 



3

   



   

3

3



3

  

   

Tpt.

Hn.2



3



(ff)



 

           

3

3

h = q (q ≈ 60)

 

  

     

(ff)

 



ss.

 

gli

100

mp





  

  









mf

mf



 







3

mf

   

 3

3

7

(f)

   

 

Ob.

mp

f

3





 3



 

Hp.

Pno.

Perc.1

Perc.2

 



 

3

 

3

f

 

   



3  



7



    

7

mp

mp

  

7

mp

mf

mf

 



  

 

3

3

mf



 3

3

3

3

            

3

5

f

---

   

5

f





mf

f



5





          

mf

5

3





f

   



 





3



f



3

3







 





5        

mf

 

mf

3



f

     ff



f

     ff



f



   

mp

  3

3



3

mf

 3



   

3

 



  



   

 

        

fff

              

---



3

mp





  



    

          

mf

 

3

3

mf

3               3  (Ped. quasi sempre) 3

       

  

     

          

  



3

f



mf

sffz mp sub.

mf

sffz mp sub.

3

3

ff

f

     

mf

mp





mf

f



f

mf

3

   5     

f



Kris Defoort: House of the Sleeping Beauties - The Third Night

 

5       

mp

        5

  mp

sffz

mf

mp

f

3

5

f

mp

 



mf

   



     3

mp



3      

     3

     3



3      

  sfz

  



  



f

  



f

  

mp sub.



f

   

sfz

3

f

mp sub.

 

3

mf

mp sub.

sffz

sffz

    

(melody coming from elsewhere, childhood)

sffz

      

f

3 3          

3

mf

mp

mp

mf sub.

mp sub.

  

 9 6                          

        

3



3

  

3

 

f

mp



ff

 

3

mp

9

mf

3

3



mp

6                      

         

mf

f

f

mp

           

6

mp

mf sub.

3

3

mf

3

 

3

3         

mf

  





 6             

3

(melody coming from elsewhere, childhood)



f



 6      

    

3

                               3 3 6

f





   

mp

9

       

       

     



3

f

5

3

mp

         

mf

ff



mp



(melody coming from elsewhere, childhood) 3

                                   3 3 6

f

  



     

3

9

         3

   

mp

f

5





  

3                      9              

f

mf





f

   

3





mp

 



 (Crotales)

mf

f

 



   



   

 

3 3         

 

 

  

mf

f

mf

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  

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     



f

      

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f

mf

mf

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f

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3

f

     

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   

        

  



f

 

mf



mf

      

mp

f

  



3



f

f

mf

Vc.2



       

f

3

mf

  

3

 

sffz mp sub.

mp

5

f

mp

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f

3

    



mp

          

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Vc.1



3

3

  

5

f

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(f)

mf

Vla.3



3

9

       



          

mf

Vla.2

  

3

3



                

(f)

Vla.1

mp



               

Vln.4





mf

mp mf

     





     

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Vln.3

3

3

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 Vln.1 

Db.

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 (Glcksp.)  

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3

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(ff)

mf

3 3                     

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Vln.2

mf

mf

  

mp

   3   3            3

mf





5

     

f

f

Hn.2

      

          

3

6

mp

  

ff

    

mp

f

mf

  



  Tpt. 

Hn.1

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f



mf

5



mf

Cbsn.

5

f

f





Cl.

3

         



mf

mf

101      3                                

         

                    Fl.   50



  

  

mf

3

   



   

 

   



   

  

mf

    mf

3

3

102

                 Fl.    55

f

mp

3

(f)

     

  

             

mf

  



Cl.

     

            

3

mf

      



f

3       

       

 



(fff)

3

        3

     3

Perc.2

3

 (Glcksp.)   

 

f



   

                  

  

  

  

3



  



3

3

          3

            mf

  

Vln.2

f

mp

  

  



Vln.3

    

(f)

   

Vla.1

3

      

mf

3

(f) 3

   

Vla.3

      (f)

Vc.1

6

    

      

mp

mf

6

     

mf

  3   



     



 

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             

 

   

mp

 

mf

mf

  



  



  



             

f

mf

f

 



   

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 



                

 

3

      

  

3

f

3

3

3

 



 3

3

 



mf

 

Kris Defoort: House of the Sleeping Beauties - The Third Night

3

5

f



mp





  



   

  



   

  

 

mf

   ord.

3

f mp sub.

   5

 

         5

mf



  







  



  







                               

      



       



       

5

mp

mp

  

  

 

  

3

  

     

    

  

 





  

5

 

mf



     



   

5

3

5

            



  

3

3

  

              3

3



mp



3



mp

mf

3

        

f

5



3



      



  

3



3







3

mf



  

6

mf

mf

f 3



           

 3

  



f

 









  

3

3

                  

 

f

              

   

3

  



 

 

3

  



f



  



mp



  

 

3

mf

3   

f



3

mp

3

Vc.2



3

     



3

        

                  

6



3

mp

mf

   



   

 

3





f

mp 3

       



  

  

               

    

5

mf

3

              

 

mf

  3   

6

(f)

Vla.2

 



(mp)

   

Vln.4



3

3

Db.

6

mf

     3

  

                  



     





  

(Ped. as you feel, quasi sempre)

f

mp

3

mf



3

  

3

          

f                      

mp

3

  

 

(like a choral)

               f

mp

   

          

mp

5

mf



3

f mp sub.

       

mf

                       Vln.1    3



3

5

3

3

  



  Flttz. ord.            

       

 3            

3

 



f



   

3



 

                                

        

       



       

3

  

 



 





6

mf

  

3

3

5

3

             



   

f

6

3

 



mf



3

 

   

(mf)

     

Perc.1

3

 f



3



 

Pno.

         

mp





  



3

3

3                         





3

3

  

 

6

 

3

f

Hp.

mf

mp

    

3

5                           

f

B. Tbn.

 

3

   

Hn.2

3





(mf)

Hn.1

mp

f

mf

                



3

Tpt.

mp

6

(f)

Cbsn.

3

6

mf

    

6

   

Ob.

f

 











  

 

  

 











3

3

       



   3

  60

Fl.

    



  5

5

Ob.

f





       



3

   



 



 



Hn.1

mf

Hn.2

mf









p sub.

3



5







 3

6

3



 

mp

   

 

   

3

mf

   

       

  

    

f

mf

      

       mf

T-tam

mf



f



ffp sub.



3







3

f

3



3

 



           

p

f

  

           

p

f

3

3

mf

mf

 

  3                               (mp)

         

f

 







3

(f)

  

(f)





      

 

3

        3

(f)





3



 



fp sub.

ff

fp sub.

 

  

 

   

   



   



 

f

fp sub.

ff

mf

  

3

 ff



f

mf

ff



    

f

 

      

mf

  f

   

ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

3

3

   



3





       



3





        3

  

3

  



3         

3

f

 

3

  ---

 





 

 









                            



5

3

  ff

 ff

3

3

    3



  ff



ff



f 3      

  

ff

mf

f

3



5

3

             

mf

3      

mf

                 

                              

  

ff

3



            

f

  

5

3

f





       

                              

  

mf



3

 

e = q (q ≈ 120)

            

fp sub.

 

3 3                                

                  

ff

   



5

3   

3

       

                                 

            

f



 

3

f



3

  

  

   

103

3

3

  

5

  

mf



mf

 

12

f

      

f



3







     

  

    3

  

f

3

mf

3

 



f

mf



      

 



3            3                          

 

3

e = q (q ≈ 120)

f

 3  





f

  3                             (mp)





ff

f

Db.

3

f





3

   





                               

(mp)

Vc.2



6

f

3

         

Vc.1

3

                    

      

3

3

(mp)

Vla.3

f

ff

ff



mf



3

Vla.2

 

  



3

mf

f

5

mf

f



ff

  

 

mp

p

 





f





3

f

mf

f

  

    

                                                 



  

mf



mf



  



       3   

f p sub.

5

mf

Vla.1



ff

3

  

f

      

   

(f)

  

Vln.4

3



(Ped. quasi sempre)

(mf)

Vln.3



f





  

     

      

3

3

mf

f

3

mf

 

3

3

(mf)

  

f

     

       

    



mp



   Vln.1 

Vln.2





mf

         





mf



  

Perc.2

3

ffp sub.

ff

f

mp

  

Perc.1



mp

ff

          

3

3

ffp sub.

     

3      

3

(f)

(mf)

Pno.

ff

3

f

(mp)

mf

     

                          

Cl.

B. Tbn.

ffp sub.

3

(mp)

Tpt.

6

                            (mf)

Cbsn.

                                12

3

f

3

3

f

3

3

f

3

  

 

   

  



   

  

 

  

3

3



3

   

  



  





3



3

3

3         



             3

3

 

 







 

 

  







ff

       

       



3

 

  

   

ff

 

 

       

ff

3

 

 

  

3



 

3               3

                 3

3

104

       Fl.   

     

65

Ob.

Cl.

 

  

3

(ff)

 

             f

  Tpt.   

(ff)

Hn.1

Hn.2

ff

3

    3

B. Tbn.

   



  

Hp.

MMMOMMMM ff

  



Perc.1

3

3

3

     

(f)

gliss.



 





        

   

(f)

   

(f)

Vla.1

Vla.2

Vla.3

Vc.1

        

        ff

Vc.2

Db.

 

3

ff



    

 





    

  mp sub.

glis



glis



gliss. whi te keys

s.

s.

 

g

 



      

.

iss

gl

 

ff 3

           mp

 



 



 

   



f

3

     



     





ss.



gl

iss



.

s.

s gli





ss. gli



gliss. whi

te keys

 







     



  



   

3

   

          





   

3



ff



 

ff

mp sub.

  



   

  



   

 

ss.



.

gli

  



3

3

glis



s.

white

keys

ff

5

3

3



3     

3    3           



  3       





gli

ss.

      

         

f



3

3



gliss.

gliss.

3

                

              5

gliss

    

3

 



3

               



3

 



                



3

f p sub.



    3

   

 gli

 



mp sub.

3



 



        



 

 .  liss







3

  







3

ff







3

       

3      





       



    

    





    

gliss.





ss. gli

 



ss. gli



 





 

     



 

(ff)       Change to Cel.  gliss  gliss. w . whi gliss.     h ite key   te ke white          s  ys keys                               Susp. cymb. (with sticks)                  

(f)

Vln.4



 

gliss.

ff

   Vln.1  

Vln.3

 



 



    5               3 3 3  mp f  3              

 

mf

 

f mp

Vln.2

 



 

mp sub.

3 3          

  (f) 

pp

Perc.2

   

     

     

Pno.

     

3

        

      

mf

(f)

 

 

3

3

3





    

    

 

         3

 

 

3

 

      (f)

 

         3

(ff)

Cbsn.

3

 



    

         3 3

3

3

 

(ff)

  (ff)

  

       

  

    

ff

mp

3         3

         3 3

3         3

 

3        

 



(ff)

3

mf

  mf

    

 mf

5

3

mp

5

3

mp

5

     

ff

  

ff

  

ff

     



3      



3

 

3      

 

      

 

mp sub.

mp sub.

mp sub.

 

3

           

3

           

3

6

3

  

    

   

     

  

      

  

      

ff

mp sub.

     

 

 



3

 

 

 

3

 

 

 

3

     

ff

mp

3

mp sub.

ff

mp

6

ff

ff

mp

6

3

    

ff

ff

3

  

    

ff

           

  



 

ff mp sub.

  

3

      

ff

  

     

 

ff



3

        ff



ff

    

 

(ff)

ff mp sub.

       

   

  

ff

         3 3

   

  

ff

        

ff

ff

f

f



mp sub.

ff



ff

Kris Defoort: House of the Sleeping Beauties - The Third Night

ff

ff



 



  





  



 



  



mp sub.

mp sub.

mp sub.

    3

3

3

3

    

ff



ff

 

ff

 

gliss.

 



gliss.

 

gliss.

 

gliss.

 

fff

sul A'

gliss.

 



gliss.

 



gliss.

 



gliss.





sul A'



gliss.

 

fff

   

 

gliss.

fff

   

 



fff





  fff

                 6   

gliss.

6

sul D'

          

mp sub.

sul E'      

                 6



        

ff

ff mp sub.

sul A'

           ff



ff

        



ff

 

sul D'



sul D'





 

ff

mp sub.

 

 



ff

gliss.

mp sub.

  mp sub.

  fff

gliss.



ff





 



fff

gliss.

   

       

ff

5

5            ff

       

ff

5

   71

Fl.

Ob.

    

3

6

              (ff)

Cbsn.

   



   Tpt.  

  

   

3



(f)

Hn.2

   

3



   

(f)

B. Tbn.

Hp.

    

(f)

s.

  

is gl

(ff)

s.

 



 



 

 3

            

 









glis

s.



gli

ss.







ff

  





ff

  



  



 ff

  ff

  



 

ff

(fff)

   

(fff)



   



  

 

(ff)

Db.

    

ff



ff



 

ff

(fff)

Vc.2





   

(fff)

Vc.1

 f

 

 



s.



. liss



g

 

glis

 

 



 

 

ff mp sub.



gliss.



.

gliss



f





f







gl

iss

.











. liss



ss.



. liss



g

gli

g

  







3







s.



glis









 



is gl



gl

s.

.

iss









 ff

 

ff mp sub.





 3

ff mp sub.







.

gliss



 

  



 

      

  

 

ff mp sub.

 





3

ss.



(fff)

Vla.3

. liss

g

mp

(fff)

Vla.2

 

ff mp sub.



        

(fff)

Vla.1

 f

  



(fff)

Vln.4

 



   

6



    3    





   Vln.1  

Vln.3

3

6

glis s.

 ff

 



gli

ss.





gli

ss.

    Celesta ff                      

ff

Vln.2

  

ff mp sub.

 

   





         

(f)

Perc.2

         

gli

Perc.1

6

ss.

  

glis



      

Pno.

3    

 

5

gli



 

6

(f)

3



(ff)

Hn.1

    

                                                     6

(ff)

(ff)

Cl.

                  

         

   

105

 

 

 

 

mf

f

ff

 

 ord.   

 

 

 ord.   

 

 

 ord.   

 

 

  

  mf sub.

mf sub.

mf sub.

mf sub.

 

mf sub.

 

mf sub.

   

 

 

 

 

mf sub.

mf sub.

ff

f

ff

f

ff

f

ord.

ff

  f

 ord.    

ff



3



 



ff

  

ord.

ff

  

f



f

ord.



f

3

 

3

 

3





















 

3

3

 





3





3





ff





       

 

     

 

    

 

3

3





ff







ff

3



 

3







ff

3





3





 ff

3

3

3



3





3





3

3







f

 ord.   

ff







3

ff

   

 



3



     

mf

mf

     

mf

           



ff

 

 

     

mf

 

 

 

 

 

 

(ff) Kris Defoort: House of the Sleeping Beauties - The Third Night



ff



ff





ff























3





3



 3

ff

   3

ff





3

ff





  

3

ff





3

3





3

ff





3

3



 3

3

mf

 



3

mf

     

 3

mf

ff

 3 



mf







3



   

106

Cbsn.





(ff)

h = q ( q ≈ 60)







 





 









 







 





 







 







 





 







  





 





 



 







 





 



         





 





 







 





 







 





 



     G

 G





 







 



 

  

 

(ff)



(ff)

  

(ff)

  Tpt. 



 





ff





(f)

Hn.1

molto rall.

 

75

Cl.





 Fl.  Ob.





f







  

  







  



 

Perc.1









iss

gl



. iss



gl



.





iss









gl



(ff)



ss.



ss.







gli

Cel.



gli

ss.



ss.







gli



gli





.

(ff)



s.

glis

iss

Hp.

g



. iss

 

s. lis

gl



(f)

gl



.

B. Tbn.

iss

f

.

  

gl

Hn.2



  



  

  













 

ff

 Vln.1   

 

fff



fff

fff

  

Vla.1

fff

 

Vla.2

fff

 

Vla.3

fff

  

Vc.1

fff



Vc.2

Db.





     



    



 

(ff)

 

(ff)



Change to Pno.

Piano



pp

 

 G 

 

ppp



 G 

slo

slow gliss.



 







 





3

p

3

 

 

 

mf

f

ff

   

h = q ( q ≈ 60)



      

 



 

s.p.

 

 

 

s.p.

 

 

 

s.p.

   

   

     

 

 

 

 

 

 

ppp sub.

pp

ppp sub.

pp

ppp sub.

pp

 

 

s.p.

ppp sub.

pp

  ppp sub.

  pp

s.p.

 

 

s.p.

ppp sub.

ppp

Crotales



 G  G  G  G  G

  p





 



   

  indefinite pitch



ppp

very slow gliss.

G

 G

very slow gl





G

 

pp

ppp

very slow gliss.

 G

p



G

 



ppp

very slow gliss.

iss. very slow gl

 



G

 G

ord.

ppp

very slow gliss.

iss. very slow gl

pp

ppp



G

ppp



    

 



    

 



 





 





 





 





 





 





 



 

 

 

 

 

 

  

 

 

   





 





 



 

 

 





 





 



 

 

iss. very slow gl

        

3

 

molto rall.

 

 



fff

 

 



ppp

 5

 

       





       

Glcksp. (hard sticks)



  



 

pp



fff

  

Vln.4







 

w gliss.

ff



     

Vln.3







       



Vln.2





    



(f)

Perc.2



s.p.

ppp sub.

pp

 

s.p.

ppp sub.



pp

Kris Defoort: House of the Sleeping Beauties - The Third Night

G

ppp



iss.

G

ppp

 

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