Hal Leonard - Funk Bass Method by Chris Kringel
May 8, 2017 | Author: tomlulu | Category: N/A
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Copyright@ 2004 by HAL LEONARDCORPORATTON International CopyrightSecured All RightsReserved For all workscontainedherein:Unauthorized copying,arranging,adapting,recording or publicperformance is an infringement of copyright.lnfringersare liableunderthe law. VisitHal LeonardOnlineat www.halleonard.com
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TheFour Types ofPractice
particular of theinstrument in playing noteswithclarit overthestrings 1. Technical: Proficiency of fingermovement yourmusi youareatfinger themorefreelyyouwillbeableto express techniques, Themoreproficient andcontrol. calideas.
thescales, thetheory thenotes, Absorbing andconcepts. other aspec howto putit alltogether, 2. Mental. Learning youroverall greatly practice musicality to willstrengthen andgiveyouthewherewitha instrument of music besides whennewsituations arise. actandreact
player. ear"isessential inbecoming Thismight a "good a great bass be Listening to music anddeveloping 3. Auditory: paper. changeS ortranscribing music byearto Trained listeni intervals andchord learning to hearandrecognize yourself youto express important intheevolution musical more fullyandisextremely ofyouroverall abil enables ties.
practicing mental, andauditory. From to improvising thetechnical, sight-reading, or 4. Playing: Putting it alltogether, jamming just great you together to music. to linkeverything create to forfun, willneed
Mefionomes and Drum Machines
pointlikea metronome helpsto develop ordrummachine a good"timefeel,"Youarehuman Practicing withatimereference upor slowdown,sometimes a lotand sowithoutanexternal temporeference of somesortyouwillmostlikelytendto speed possible. get place you toexact timeas willwantto to isto stayasclose The sometimes a little.
(orbyyourself yourjobis to keeptimewiththedrummer if youdon'thavea drummer). Bypracticing withan Asa bassist, pointona regular clockin aninternal way.Timingis every basis,youwill learnto hearthisexternal external timereference thing.
Audio
youwillhaveCDaccompaniment witha metronome, drummachine, Through ordrummer, andattheendofeach eachchapter jam panned you youwillhavea full bandto hardrightsothat canpanyourstereohard chapter alongwith.Thebasswillbe leftandplayalongwiththetracks,minustherecorded bass.lf theexercises aretooslowortoofastontheCD,practice them tracknumber witha metronome forbestresults. Thecorresponding foreachexample 0rsongis listedbelow ordrummachine theaudio icon.
Tuning Up Let'stuneupbyplaying theopenstrings E,A,D,andG.
G
TRACK 1
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SLAP THUMB
partof slapandpop,s0 thetrickiest Thisisactually yourthumbagainst thestrings, Thethumbslapis simplythat...slapping yourhandandmakeafist,Nowstickyourthumbout.lt shouldlooklikeyou'reabout takeyourtimeto getit downright.Take withthefirstjointof thestring Youwillbestriking giving up"sign. the"thumbs someone a rideorlikeyouare to hiichhike yourfingernail. yourthumb, theonejustbehind
Pointof Contact
SlapPosition
There theedgeofthefingerboard. thestringagainst thestringwiththethumb.Youwillbestriking Nowlet'sworkonattacking "the Thefirst through." and"thefollow themas bounce" isfine.We'lllabel andeither thismovement toexecute aretwoways the string is to strike to this movement motion. The key in up-down an directly the string involves striking one,thebounce, ina the string involves striking the follow through, technique, Thesecond rings. sothatthestring andbounce offquickly just you to restonthestringbelowtheone have struck,In throughuntilyourthumbc0mes motionandfollowing downward percussive gives sound. sound, nota plucking a it off so hard enough the string bothdases strike
fromyour comes actually partof thethumbslapis thatyoudonotmlveylurthumb.Themovement Themostimportant your place thumb your table, with thumbs-up sign on a works, give you this how your idea of an hand.To not wrisVforearm, you your your is the movement notbybending wrist,This intheair.Nowhitthetablewithyourthumbbytwisting forearm, willwanttoachieve.
1.Bounce: Downstroke
3.Bounce
Through: 2. Follow Strike
Through: 1, Fol l orry Dor,',,nstroke
Thr ough 3, Fol low
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Exercises Slap Thumh
thatyouare lt'sessential slap.l'mnotkidding! inslapandpopisthethumb technique themostimportant Asstated before, skip rhythffis, let'schange Forthenextfewexercises intostringpopping. moving a cleanandfluidtonebefore ableto produce tempos. some andstartincreasing stiihgs, i
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4 TRACK
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thethumbslapisto ofthethumbslap,let'smoveintosomerealsongs!A greatwayto practice Nowthatyouhavecommand thatyoudo I don'trecommend playfingerstyle, butplaythemwiththethumbslapinstead. playsongsthatyoucancurrently knowisat home. withsongsthatyoualready newtechniques to practice thebestplace witha band; thisatgigsor rehearsals perform played it withthethumb fingerstyle. We'll was originally Wind& Firethat "Let'sGr00ve" is a funkclassicbyEarth, slapsothatyoucangetanideaofhowthismaywork.
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TRACK 7 Bridge
Chorus & Verse
Plav I times
(Keys& drums)
Chorus & Verse
WordsandMusicby MauriceWhiteandWayneVaughn (ASCAP) C0RPORATION SALES @ 1981EMIAPRILMUSIClNC.andMUSIC SecuredUsedby Permission Copyright All RightsReservedInternational
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POP FINGER
Youcanuseeitheryour a popsound. thestringswithoneof yourfingersto create snapping Thefingerpopis,essentially, Youmightactu to findoutwhichfingerfeelsmorecomfortable. thefingerpop.Experiment fingerto execute indexoi middle oninthisbook. thatlater butwe'llexplore allywantto usethemboth,
a hookwith fingerandcreate upyourindexor middle sign.Loosen thumborthethumbs-up Solet'sgetbackto thehitchhiker you finger choose. whichever
IndexFingerPop
P op Mi ddl Fi e nger
withthethumbslapaswellbecaus Thisworksgreatintandem thefingerboard. above isdirectly forpopping Handplacement pop Don'tdoit quiteye thumbslapsthestring,youcanfollowupwitha finger in onefluidmovement. 0ncey0urextended youwil Whenfingerpopping, thetwotechniques, to combine cleanfirst,andthenmoveforward though.,.getyourpopping justenough of yourfingerunderthestringto grabit, and l',rant to geta nice,cleanpop0r snapsoundfromthestring.Place toosoftlywil thestring,andpopping just toohardmightbreak Popping pullup.Makesureyoupull enough to getthatsound. nottoosoft,butiustright. nottoohard, sound, forthatin-between likea pluck, nota pop.Solisten sound
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Exercises Pop Finger
andbesureto mutethestrings Againwe'llmixit upwithsomestringskipping, forfingerpopping. Let'sdosomeexercises therests. during
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TRACK 16
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TRAEK 36
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#
NHACK 39
1.Trill: Setup
Hammer 0n 2.Trill:
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47 TRACK
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3
P L TP
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TRACK 48 Play 4 times
33
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TRACK 49
Medium
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3
3
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T L P T L P T L P T L P
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first,thentry it withstaccato. Playthisstraight
THACK 55
notes. of legato Withthisone,painta big,solidbackdrop
TRACK 55 (cont d)
Herel'llmixandmatch.
TRAH( 55 (cont d)
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