Gypsy Jazz Licks-Volume 1

July 14, 2017 | Author: jkaznosky | Category: Musical Compositions, Musical Forms, Performing Arts, Musicology, Elements Of Music
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YOzitten nnd comyilcd by P a u l A e a d e z and X o 6 i n

S w e e t Cjcoi5ia 73iown Chan5es, Cicks

- 1.



5. ....................... 30

~ L j ~ i p m eand n t A m m u ~ i t i o ................... f~ . . . . ................................ 36

C o n c e p t , ' B e s i p , C a y o r ~ t C, t e x t , 'ZSZP - P a u l fieades C o u e t a ~ ~d n s i d e~ l l r ~ s t t a t i o n- sC a z o l y n R i d s d a l e 13NC 7:;nu6Lishinq, 2003, fimstezdavri, ' T h e N e t h e ~ l a n d s

RACES C o p y t i 5 h t O f i l l ti5hts zesezved

Welcome to Ljypsy $xz Cicks. q h i s book pzesents a collection oif licks played ove? #ive q$ the $enri: most populawtanda?ds. Cike all gieat licks they have stood the test O# time, evdving, passin5 $70,: pldyct to playe~,ofien oai$inatin$ in a distant 'ajango phtase ifrom a aecoadinq some #i#tyyeaas 450.

T h e #ive sets O# choad chanqes wc have chosen atle {eatuted in the ji'tst book oif our &psy ,/la;: P l a y along seaies (sec pa5e 38.) S i v a licks are played ove? a chorus each oif these hatmo~li pro5ressiuns a t 60th a slow and medium tempo. W h e n you jeel com#ortable with a lick yor~cap t a y tutninq the balance dial on youa steteo t o the tiqht aiid that will dade orkt the solo guitri7

Eeifore you be5in soloin? over the these pntlticular c h a q e s it i s A sood idea t o reuiew y o u ~Gyp% g a z z ahythm playinfj. you need t o be able t o heaa and sec the telationship betwecn the chords ah. the soloin5 ideas that are p~esented.3t is the q y p s y a a z z c h o ~ d#ingezin5s and unique uoiciri~ that $ive the $ente it's distinctive sound. Qhese cho~dalinversions sug9cst a di##erent kind O# sol ing # ~ o mothetl jazz SuitAtl styles oiften emphasixing the 6th and 9th toiies within the harmony.

cthe m o ~ epldyers you see solinq in the style O# CJypsya a z z the mote you iealize thnt theie is no set #in5eriii5 pattean oz system used t u 5enetnte the o#ten awesome soloing techiiique and iluid if~cility witnessed ntound the metapho'tical camp#ire. ~ T O Y Y BI j a n $ o S ma4ical 2 #in$ms and a thumb to RiveLi's 4 #ingea wixarday and eveay othes 5ypsy jazzes in between, the ifaetboaad is open tu limitlcss intetptctation. T h e desite t u conquer it is r~niueisal,how you $et theae is teally u p tu you. you aie a 5 u i t a t i s t new t o G y p s y g a z z you atle invaaiably cornin5 ifrovvi anothet 5 ~ i t

style where you have nlrcady inuested time lenanin5 a #ingea6oard appaoach.
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