Gypsy Airs for Brass Band + Euphonium

September 10, 2017 | Author: Geoff Colmer | Category: N/A

Short Description

Descripción: With great swagger!...

Description

EUPHFUL GYPSY AIRS Pablo de Sarasate

arr. Geoff Colmer      .   s    is                     gl                   6      

Moderato (molto rubato, complete freedom) Soloist

Soprano Cornet

      



    



f



2nd Cornet

3rd Cornet

Flugel

Solo Horn

1st Horn

2nd Horn

1st Baritone

2nd Baritone

1st Trombone

Euphonium

Eb Bass

Bb Bass

Percussion





     

   









 

   







 

   



 

   



 

   









 

   









 

   









ff

 

   

                             

   

             

  ff

ff

ff

ff

ff

ff

ff

mp

      

 

                       



   

 

   



   



   

ff

ff

ff

 

timps

     

ff cymb



ff



 

         

      





mp



mp

 



 

 







 





  



mp

 

 



 

 



mp



mp





mp



mp



mp





 

 



 



mp

  

       

  



mp

mp





mp

 

        



mp

   

ff



mp

 

ff

Timpani

mf



ff

Bass Trombone





ff

2nd Trombone

ff



ff

Repiano Cornet



                a4

Solo Cornet

mf





 

 





mp









mp



 

mp







2

9

9 6                                        mf

A

         7

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

 

     

9



f

a3    a1           

   

        

f

mp

mfp

f

mp

mf

           





 

        



          



Solo Hn.

1st Hn.

2nd Hn.

     

 

     



   



   



                



f

    

f

     2nd Bar.     

mp

Bb Bass



Timp.



Perc.



 Glock.    



   





 







   





 







   











 

mf

      f





  







 



p

mf



   





  p

   





 







   





 







   





 







   







  p













timps

 

 

p



 

 



p

p





p









mf



glock



 



mf

       f







mf

mp



 

mf

              





mf

           

  



mf

f

Eb Bass



 

 

mf



f



p

         

 

   



mf

     B. Tbn.         f Euph.





f

2nd Tbn.



p

f

1st Tbn.



p

mf

f

1st Bar.



  



mf

f







mf

   

  



f



mf

f

 



mf

f

Flug.



   

mf

f

3rd Cor.

   mf  tutti    mf   

   3 3      









    







3

      p 12

Euph.

Sop. Cor.

Solo Cor.



 

cadenza (ad lib.)

12

10

      





 

   





 

  

12











 

  

12





  

  

 

 

  .   gliss     f

   



f

  





2 2



    

f

Rep. Cor.

2nd Cor.

  



  





   



f



   



f

3rd Cor.

  







  

f

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

   







 

  







 

  







   







   







  







   





  





   



f



   



f

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

   

   



   







  







      







 







 





f

 

4

    15

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

B

Lento





 

f

24                                                mp f 16

rall..

mf

 

            p







  





            p



  













  













   













a1

            

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

 

       

 

          

  





 



p







 

colla parte

   









  









   







colla parte

colla parte





colla parte

 





   













  













   







 

   











 





        p  p



 







 







 

  

  

    







   

 





colla parte

 









 





 

 





p

colla parte





p

colla parte

  



p



p



   



colla parte



 p

colla parte









p

   

  



p

  

 

colla parte





p

p

Glock.





p

p

a1 dolce



p

Solo Hn.





p





 

 

p glock





5

rit.. tempo  C                                                         21

Euph.

6

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

 

6

10



  



  



   



   



 



 



p



  



  









p

   

6

mp







f



      



mf

      

a1











 









 





mf

p



p









 





















p

p























 









 









mf







 mf

2nd Hn.

1st Bar.

  







mf

    



   









p

2nd Bar.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.





 





mf





p









     

  





 





 

 

 





     

  





 





 

 

 





      

  





 





 

 

 















 

 

 

  









     





p

 

 

     

  

 

 

  p

Glock.

 p

p

1st Tbn.



     





 



 



 



 





 

 

mf



mf







 

 









6

Euph.

rit. accel. rit. molto rit. freely 12  26  12                                                                                          mf

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

 

12

12

12

mp

mf

p

  







      







  







  







  







      





p

colla parte





  





























    









   



  



p

 p

p

p

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

                        

 Timp. 



p









  

colla parte





  







  

colla parte





 





  













p



p



colla parte



p colla parte







colla parte



colla parte

p

p



colla parte

p

timps

  p

 



 

 

 

 

tempo

             29

Euph.

 rit.                               

  

10

mf Sop. Cor.

 





            mf

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

  



  



  





  



2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.













 

     











 











 







 

























  













  











 

  









  









  







 





 





 





  



p







p



p

 

  

p

p

 





p







p



   





p

   



   



  



 

 





p





p

















p

      





   



      









p

     

 



p

p

1st Bar.



 



 



 





 











 





     



 





  

p



 p

 

mp







7

p

      



6



  

a1

Solo Cor.

6

7



p

p

  





         

  

8

Euph.

Sop. Cor.

D 33      

Un peu plus L ento





1st Hn.

2nd Hn.

1st Bar.









     

        







1st Tbn.

Eb Bass

Timp.

        



 

espress.

mp













































                   

      





















     



   



   



 











espress.

 

       



mp









      

                          

   

                                  

   

                             

   

p







p







p

       

   

    







 

  

  

p

              

  

             



  





       



















     







 

  







p

       

p

p

 













  





  

p

  

  

 











    





p



    













    

p

       

      

                          

   p

  







            p

     

      



  







 

 

  

p

Bb Bass





p

Euph.





p

B. Tbn.



     

mp

2nd Tbn.



                    

p

2nd Bar.

        

       

p

Solo Hn.





p

Flug.



      

p

3rd Cor.



       

mp

2nd Cor.



     a1

Rep. Cor.



mp

p

Solo Cor.



 

  





a1





  



 

 

a2

  p



E       45

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.





1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 



  

 

  

         

  

  

             

       

Eb Bass

Bb Bass

Timp.

2.



















   















   













                p

   













   



   

   





        

 

 





            

  

 











     



     





a2



 

  

mp

  

p

p

 



  



   



  



   



 



  

  

  





 





p

p









p









            p























               p



 





   



















 

    

















   









  















p



   

     





p

 

      

     



  

  

      

      



  

 

p



p







p

        



  









timps

 

 

p

Perc.



1.



 



        



   



p

 

  



9



   



p

Euph.

  

 

mp

p Solo Hn.

 









  







  



  





 









 

   







 

 

pp

BD



10

     54

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

 

                                            6  3









 

  

  











 

 

  











 

 

  











 

 

   











 

 

   









 

 

 



 

  

 



 

  

  



 

 

  



 

 

 



 

 

 





 

 

 





 

 

 

B. Tbn.





 

 

pp



  

Euph.







 

 

 

Eb Bass





 

  

 

 

 



 

 



Bb Bass

Perc.



 



 





pp



       



      p



 pp

 pp

pp

              p 

pp

pp



   

 Glock.    





     





pp







pp

       

 

  pp

p

2nd Tbn.

 



p

1st Tbn.

 

 

p

2nd Bar.

   

pp



 



 

 

pp

  







  

  

  



glock

pp



F     60

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Perc.

Allegro molto vivace



 

     

        

  

ff

  

  













                     

f



   ff









  







11





f

        



        



        



        



        



a4





























  









ff



f











f

ff



  

f





f

  

ff

f



1   3 

f





f

1   3 

ff

  

  







f













f



f

           

  

                   ff

     f      

  

                   ff

     

                         p ff

     

                   ff

     

                         p ff

     

                  



ff

     

        

     

                 

     



        

     

                  





   

      

      

             

      



ff

ff

ff

                 

ff

                   ff                  

ff

                   ff                   ff    cymb        ff



f

f

f

     

              ff

     f      

p

     p

     





f













  

  

        

 



f

f

f

f

ff

 

                          





     

p

     

                 ff

     

     





               ff      

p



f

ff





 





 

ff

 



ff



 



ff

f

 



ff

ff

  





 



 



  



12

       

71

Euph.

Sop. Cor.

Solo Cor.

  











G                                           ff



     

     



   







  

   

      

     



  

   







     







f

   

     

   

     



  

  

     











     

      







     

     



     

     



  







  

  

   

  

  

  

f











2 a4 2 f

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass













 





f







  

f

  



      

    

     

     

     

     

     

  

   

f

  

     



    

     

 

f

  

   

  

  



p





p

 







 







  



 









f





f

 p









   f







  





  

 

 





     



  p

      



  

     

p







  

   







  

   

     

     

     

     





     

            

p

  

   

  

f

  

    

  

  



f

  

p

f



     

a1

p



p



     

     

     























     

    





p

f



       p

     

       

  

f

  



      p

     

      

    

 

f

 

   





 

p

p



  

p

f

cymb Perc.

  

      



p

p

     

p





p

      p





f









f

  BD





      p 

       



 5 H                            mf 80

Euph.

Sop. Cor.



  







 5      1.                   







13

    





 

2.

 

f























Flug.

 



Solo Hn.



       



    



        



          

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

1st Hn.

2nd Hn.













 

   f









     



    

      



 



     



    

      



 



      

    

      



 



p









p









p





p

p

p

















      















    

      















    

      















1st Bar.

 























2nd Bar.

























1st Tbn.

 



















 

 

























    





















Euph.

 







Eb Bass



         p



       p

2nd Tbn.

B. Tbn.

Bb Bass

f

 a1

   Glock.   

a1



            p

 

   

                  

 



                

 

   

                 

 



          

glock

 p



   







 

  





 

 



















14 89

Euph.

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

 

I       ff

                

 

 





mf

   



                                











   f

    













    f

     

  

  

     



 



 



 



 



 

  

     

       

      

  



 



 



 



 



 

    

         

 



 



 



 



 



f

         p

      

 

      

  

 

   

     

   

f



 

     

f



   

f

       

p

p



     













  

  

     



 



 



 



 



 



 

    

       

        

  

      

 



 



 



 



 



 

    

       2nd Hn.   

         

         

 



 



 



 



 



 

    



 





   



 





   





Solo Hn.

1st Hn.



f

f

f

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

p

   

 

       

    

 

 

      

   



     

   













          f

   













     

   

 













      p

  

  

     

 



 



 



 



 



 



       p

  

  

     

 



 



 



 



 



 



f



  

Bb Bass



f

f

f

        f a2

      

a2

f

Perc.

p

     

 

Eb Bass

Timp.

p

       f           f  





mf

 p





mf

 p









f

mf

         

 

















 

SD

 

p



           

 

     

     

97

Euph.

Sop. Cor.

 

       

Solo Cor.



Rep. Cor.



2nd Cor.

3rd Cor.

Flug.

ff

        

 



mf

f













 



    













 



         

 



       

         

 



       

         

 



f

                     p

     

   

f



   

        

f



 

15

                                 

     

f



   

p

p





 



 



 



 



 



 





 



 



 



     

f

  

 

    

f

  

 

    







     

 

f



 



p

        

        

 



       

p

         

        

 



p

         

 



f

                   

     

   

 

       

    

 

1st Tbn.

 

      

   













 



2nd Tbn.



     

   













 



          f

   













 



     

   

 













 



      p

  

  

     

  

  

  

  

 

       p

  

  

     

  

  

  

  

  

Solo Hn.

f

1st Hn.

f

       2nd Hn.   

1st Bar.

2nd Bar.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

Perc.

 

f



  

f

f

f

        f

        f

p



mf



 



 



 



 



 



 



 



 



 

 p





mf

 

 p

  

 

  

 

    

 



 



 



 

















 

SD

 

p

    



     



     



f

f

f

           

 



 

 



 





 

f

      



       f



f

 

 



f

mf

           f                f   



 

 

      

f

16

   105

Euph.

 



  

  

 



  

 



  



1st Hn.

1st Tbn.



Euph.

Eb Bass

Bb Bass

Perc.

Glock.























    













  

    













  

  

     















  















  



     

     



  



     

     



  



     

     



pp

pp

pp

pp

pp







 







      









  

 

     



  

 

     



  

 

     









    

   

p

    

   

p

    

p

   

    

  

    

      

  

    

       

  

    

     

  

    

       

  

     

      

         











p







p

  





pp





    



pp

  

2nd Tbn.

B. Tbn.

  



Solo Hn.

2nd Bar.

  



2nd Cor.

1st Bar.

mp

 

Rep. Cor.

2nd Hn.

poco accel.                                              1.      2.       



Solo Cor.

Flug.

molto  rit.

  

Sop. Cor.

3rd Cor.

J 

     

     



     

     



   pp



   



pp

pp

  





















  

 Tri







p





p





p

  





   

  

  

     

      pp

  

  

     

a1

pp





a1

  





















     

p

      

    

      

p

Tri



  









 

p



pp

glock

  

  









17

poco accel. K molto rit.                                        1.       2.              112

Euph.

     

Sop. Cor.

2nd Cor.

Eb Bass

Bb Bass

Perc.

Glock.















 







 

       



 

  













 

pp

 

   pp

 

     













 

 









 



 



pp



      



pp

Euph.





      

  

    



  





     



 

  



 



 



 



 



  

  



  

 



 





  

  



  



 





  

 



  



  p





 







 

 





  

 





  pp





  

  



 



 

  



p





p









p



 



  



  

pp

   





















 

 

 

  





  





    





   









  

    







p



 



pp

pp



 



p

    







pp

B. Tbn.







2nd Tbn.



  

      2nd Hn. 

1st Tbn.



 

pp

2nd Bar.







pp

1st Bar.

    

 

     

1st Hn.



  

   

Solo Hn.

 



    

Rep. Cor.

Flug.

pp

   

Solo Cor.

3rd Cor.

  



 





 

 



  

 



 

 



  



pp

Tri







 









  

 

  

a1



  



  

 

  

 

   



 

 



  

 



 



 

   p



   



 

 

 



 



 

  



   







  

  

  

 

  



pp











  

  

   

  

  

p

p



   

  

















  

  

   



  



p











  

 

  



p



  

pp



 



 









18

L tempo        mf           

119

Euph.

Sop. Cor.

 

              ff mf            

p

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

a4  1          3    

 







p

ff

p

ff

Solo Hn.

1st Hn.

2nd Hn.

 

  



  

  





           p













a2





                           















       

p

a1

a2

p

p











           



                     p



                     p



                     p





 













   





   



   



   





  

 

     

     

     

    

     

    







p



 







 

















            p







p

p

     

          







          







           







p





p

f

  B. Tbn.   



ff

f 2nd Tbn.



     

p





     

p





     

f

1st Tbn.



p

             p ff              p ff              

p

p

a2

f



p

f 2nd Bar.



p





p

1st Bar.



mf

a1 a2                              







f

         

   





  



M                                        

                              

ff





            

f

Flug.

p

a2





ff

                   









p

ff

Euph.

Eb Bass

Bb Bass

Perc.

Glock.

 

    









   

a1

f a2

p

f



           p

glock

   

f





  

     

     

     

     

     

    

  



















             p







 





a2

p

            





f

a2              p   a1



    









            p







 

           

p



p

 



19

N 1.                                                                mp mp p stamp!                                                               130

Euph.

Sop. Cor.

pp

a2                      pp





stamp!





stamp!





stamp!



stamp!

3rd Cor.



Flug.

 

Solo Hn.



1st Hn.



Solo Cor.

Rep. Cor.

       

           

            

        

  

     

     



     



















    





















 



















  

 

 



















   

 

 



















2nd Hn.

     

 



















1st Bar.

  



 



















 



















    



















    



















      





















 



















2nd Cor.



2nd Bar.



   

1st Tbn.

 





2nd Tbn.

B. Tbn.

stamp!

   





pp

stamp!





stamp!

Euph.

 



Eb Bass



  

     



















Bb Bass





       

























     



   





Perc.

CL





Tri           

rim-shot

f



mp

  

       Clap!

f



     

   

   

  

     

 

    

      

20 139

Euph.

 

Sop. Cor.



Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

2nd Bar.

1st Tbn.

Euph.





 

  

f

p

f

p





















 









   



   



        

    





 

          



 

f

mf

f

mf

p







                       



  



          



 



   

   

  



 

    

  





f

f

 f

          

                 

  



                          p                          p

       f          f   

         















      

     

     















    p







    

                      



     





f

   

           p

       f               f  

       



 

p

                  f               f f





   

p

f



 

             





f

mf

   

         f        

f



p

f

p



f

                    f

p

f

p

f

 



f

                  f                         

p



 



                       

p

            

p

         

f

     

                   p 

  

              





   

           







p







p

   

         

f





                       



         f             f

   



f





Perc.

CL



         

f

f

Timp.



                         f p



 

Eb Bass

Bb Bass





 

2nd Tbn.

B. Tbn.



                          



                         





f

1st Bar.

                 

                           



1st Hn.



f



Solo Hn.

2nd Hn.





Solo Cor.

O             ff mf                    f       a4                2.





      p



    

150

Euph.

 

Sop. Cor.



Solo Cor.



Rep. Cor.



  

2nd Cor.



3rd Cor.



Flug.

 

Solo Hn.

1st Hn.

2nd Hn.

  





 

21



                                accel.

























  

     









  

  

     









  

  

     















 



 



 



 



 



 



 



 

 



 



 



 



 



 



 



 

p









p







  



 



 



 



 



 



 



 



 

  



 



 



 



 



 



 



 



 

p







p

    

     











    

   









1st Tbn.

 

  

  

     



 



 



 



 



 



 



 



 

2nd Tbn.



 

  

    



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

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

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

 



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

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    

     

  

  

     

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

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

1st Bar.

 

2nd Bar.

B. Tbn.

  

Euph.

 

Eb Bass



Bb Bass













22

                           

156

Euph.

Sop. Cor.

 

   



 



mp

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

Perc.











 







 



  mp



 



 



 



  mp



 



 



 



 





 

mp

mp



mp





mp





 







 







mp

mp

mp

mp

     

mp

  



 

 mp

 mp

 



 



 



 



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

 





 

 

mp

 



 





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

 

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     

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 



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     

  

 

     

  

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     

  

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     

  

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     

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     

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 

 

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  

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mp

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3

  

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           

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   

   

        

  

    

  

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  

   

ff

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   

ff

   

   

  

   

   

   

  

    

   ff        ff 

   

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

  

   

  



     

3

   

ff

ff

   

Soloist

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

     

    

4



  

        

f

                         6  



mf

6



   



gli

     

ss.

ff

             

  

   

A







 

mf

          

mf

9

      

9

  

9

                       

         

10

3

f

  

12





  

    



           p

6

13

9

3

12







 

  

cadenza (ad lib.)





  

 

10

      

12

 



 

 





   f

   

s. glis

  

2

Soloist

Lento

rall.. 24

B

  

15

                       



f

mf

                         

                        

19

mp

 

   

22

                          10

               

23

6

f

16

6

mp

rit..



6

C tempo

          

p

  

 

f

                                           mf

  

28

 mf

    

31

rit.

   

32

accel.

freely

rit.

26

rit.

12

molto rit.

12

12

mp

12

tempo

12

     



p

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         

 

mf

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10



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

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

 

6

 

 





Soloist

D

    

33



Un peu plus L ento

      



    



  

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     

       1.  

   2.

mp

   

54

 

                                    

         

56

60





mp

E

45

3

3



              6

 

 

                                 

F Allegro molto vivace

 

ff

68

 



ff







f

  



                           f

                                          

74

G ff

f

 5                                mf  5 84     1.                               80

H

4

Soloist

88

2.

  

I

                                    

ff

mf

                  

 

96

ff

103



mf

   

       

                 

   



J molto rit.         

f

mp

poco accel.                                     

106

 1. 

110

 









  2.

 











K                                     1.               molto rit.

112

       

118

poco accel.





tempo

    L

2.

mf





                             mf ff

Soloist

5

                                               f mf 

125

M

131

N



        

             



mp

135

    

   

 O             ff

     

                  1.



mp

139 2.



p

   

 

mf

                  

                                   

146

accel.

        

       

       

       

       

       

152

155

 158





  

160













       3













 



3

  









Soloist

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

      

4

   

 





                          6



                

  

  

   



A

           6

  mf

9

     3   3    

cadenza (ad lib.)

   

 

 





12

 10

p

                            12



                       

f



    

           

9

10

   





mf

9

13

is gl

s.

ff

6

      

      

f

mf

9



    

12

   

  f

gli

ss.

    



2

Soloist

Lento

rall..

B     

                                      

15

19

    22

   

f

mf

                      16

mp



 

                          10

C 

p

rit.

    





6

mp

rit..

26

6

f

                

23

24

                       

6

tempo          

  

f freely

 



 

            12

mf accel.

molto rit.

       27                                       12 12 rit.

mp

28

   

 mf

31

     32

rit.

    

12

tempo

12

        

  

 

p

       

  

mf

 

                          10



 

6



  7



 

6



 





Soloist

D     

33

Un peu plus L ento





3





  



 

    



mp

E     

      



45

     1.    

2.  

mp

54

    

 

  

                                 

56

3          

              6

 

 

F Allegro                      molto vivace                  ff f

60



68

   ff

 



  

                          f



    G             74                                    ff

f

 5 H 80                              mf  5             84 1.                        

4

Soloist

I                       88    2.                      ff

mf

                   

 

96

ff

 

106



110



mf

   

       

103



   

         

  

molto rit.

  J          

f

mp

poco accel.                                     

1.



  









2.





  

K molto rit.          

         

         

       

112

115

118

2.      













poco accel.

       

1.

    

   

 tempo  L                              mf ff mf

Soloist

5

M                                                   f mf N 131                                125

mp

135

1.

     

              

    

mp

O      2.            

139

p

   

ff



 

               



mf



                              146          152

accel.

       

       

       

       

       

         

155

  158

 



   





160









     3











 



3



 









Soprano Cornet

EUPHFUL GYPSY AIRS Pablo de Sarasate



    



      rit..

  

23



 C



tempo

         



F Allegro molto vivace

  

f

   

  

H



  









 



   







  p









  

 

espress.

mp



E

 

  

 





f

     



p

1.

  



       

 



1.



D Un peu plus L ento



  

G







mf

p

f

        

99

rit.



    

80



mf



49

74

B Lento

p

39

60

   





tempo

   



p





 

27



f



rall.. 18

A

f



      

10

arr. Geoff Colmer

    

Moderato (molto rubato, complete freedom)

     

                I

2.





f

      

 

              f



 



Soprano Cornet

2

          J molto rit.

105

pp

          K molto rit.

112

pp

L tempo 

    

   

        

   

p

M

125

poco accel.

     

        

119



poco accel.





ff

p





O  2.                f

   

160





2.







     

     

N

mp

  ff

1.              

                 



f

      





pp

139



2.



                    

stamp!



             



1.

     

133



1.



p

152 accel.





       

     

     





Solo Cornet

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer



Moderato (molto rubato, complete freedom)

      



a4

       

   

ff





   

7

a3

       

f

mp

      

10

    dolce



a1





B Lento







a1











 

C tempo

  

   

a1



mf

tempo

      

 





mp

E a2

mp

53

D a1



     

45

 

  

a1





  

 

 





 

 

     

     





 

    



     





Un peu plus L ento

rit.

  



p

mf 32



p

rit..

  



mf

2 2





22

27

tutti   

f

rall..

   



mfp





      

18

A

a1





1.

 





 

Solo Cornet

2



F a4 Allegro molto vivace

             

60

 a4    

   

G

2 2

f

80



H

 



1.

f





   

 

f

   

J molto rit.

105

p



   

K molto rit.

112

        



  I   

   

2.

 

            L a2 tempo



13   

a4

p



1.

2.



2.



ff









M







            p a2

 



1.









poco accel.

    

  

    

poco accel.



    

  a1



f

96

119

 



    1 3

f

ff

74



    1 3

     stamp!

a2                            1.                                       

131

N

pp

 O      a4                

139 2.



   

f

152



accel.



f



   ff

              

  







2nd Baritone

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

     





ff



  

5



     

   





   

A

f

     

11





   

rall..



B



p

rit..

   

22







tempo



p





C





   



 



















        



E

    

   

54



D



     p

p





p



         f



 



pp



F Allegro molto vivace

G







p

ff

74



1. 2.                       

                        

60





Un peu plus L ento rit.

colla parte

p

tempo

27

45





p

32





mp

mf

Lento





 

f

   



 

 



              

ff

H

 

f



1.



2.





2nd Baritone

2

       

89

    

I

f

102

 

 



   



119



f

     



 

159

 

    



 

         

2.



        2.

      1.              



 

 



 

   

      

  



       

  

ff



  



accel.

 



   

    

p

  

 

mp



                      

mf



 

p

            

  

 

       

1.

         pp

M

O

f 156

   1.





f 148



  



f





N

139 2.





poco accel.

Clap!          

131

 



    f



p

p

L tempo

 

   

mf

poco accel.

K molto rit.

112

    



J molto rit.

    







p

f

   



mf

       

    

96

105

   

 

 



Eb Bass

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

      

5





ff







  



   





A



 

   

B Lento

   











     

26

p

 

        



        

rit.

E

  















D

 



pp









p

   p

      

  

  

 1.

    





    

               a2



p

Un peu plus L ento

54











mf

a1

            

45





tempo



                        

37



tempo



31

C





colla parte





p

    

   







rit.. 22



   

p

colla parte



p

rall.. 18

 



mp

     f



mp 10

   

arr. Geoff Colmer

   

2.

   

Eb Bass

2

                                                  ff p ff F Allegro molto vivace

60



G                                          p f

69





1. 2.   a1                                                             p

H

80

        f

89

a2

     

I

     

     

p

     

     

                                             f p

95

   

102

 



    



   

 

105

J molto rit.

109

   

112

 

a1





  



 

1.





poco accel.

a2



 





M

 

1.



 



 



 



 



 



  



 



f

poco accel.

p

                  p   f

119

 



pp

K molto rit.

L a1 tempo

 



2.



2.







                         

a2

p

Eb Bass



  

N

131

 O   

              f p  147                  

139 2.



accel.

       

152

         

157

3 1.





                          

f

     

     

     

     

     

p

     

            ff

            mp

   

Repiano Cornet

EUPHFUL GYPSY AIRS Pablo de Sarasate

     





A       

   



mf

       

   





B Lento









C tempo

tempo



   

rit.

 

              ff

 







  





   

   

f





1.



 



F Allegro molto vivace

        

   



  

H



         

p

53

80



D Un peu plus L ento

p

f

 p

E

G





rall..

                     

74



p

   

60

mp

f

31

45

          f

mf

   

14

rit..

   

ff

8

23



arr. Geoff Colmer



Moderato (molto rubato, complete freedom)

      

p

  



f

     





         p

Repiano Cornet

2

2.       1.                    

I

84

p

                       

f

p

                                                      

93

f

 

102

   

105

 



   

J molto rit.

pp

  

          K molto rit.

112

pp

       

119

L tempo

p

   

125

M

p

    

 



   



  

 



          

p

poco accel.

poco accel.







N

     

1.

1.

p



       p

   

157

  

  

  

1.                  

pp

        



      



     

p

     







     

O                               

149

2.



2.









139 2.

f

 



f

     

ff

stamp!



accel.

  

f



     

mp

  

  

ff

  



2nd Cornet

EUPHFUL GYPSY AIRS Pablo de Sarasate

Moderato (molto rubato, complete freedom)

     





ff

         f

7

 

A





   

   



B



mp

   





   



mf



  

11



arr. Geoff Colmer



Lento





rall..

f

   

rit..

   

rit.

22



p

31







   



C tempo



          

   

   

H

 

  







1.





 

  

   

f

ff

80



 



F Allegro molto vivace

f





  

    



p

53

G



Un peu plus L ento

p

74



                      D

                

60



p

E

45

tempo



f





  p

    



2nd Cornet

2

  

                          

84

1.

I

2.

p

f

                         

            

J molto rit.

105

pp

          K molto rit.

112

119

L tempo

 



  

a2

  

M

1.

    







 

139 2.



    

 

   

 

f





p

p

    

      

    

      

accel.

    



    

    

                          

         

 









      

 



2.

N

O

149

157







stamp!

p

133

2.

     

p



    

f

1.



     

p



a1

ff

       

125



      

     

poco accel.

poco accel.

     

pp

f

     

    

  

p

       

94

100

                       

Clap!

      f 1.

              

f



      mp

  

  

ff



   



3rd Cornet

EUPHFUL GYPSY AIRS Pablo de Sarasate

Moderato (molto rubato, complete freedom)

     





ff

         f

7



 

  





   

   





B Lento

   



mp

mf



11

A



   



arr. Geoff Colmer





rall..

f

rit..

   

22

p

   

31

E

     

45



   

rit.

D

f

80

H

 



   

    f

ff





 





1.



 



                  



Un peu plus L ento



F Allegro molto vivace

G



p

              p

  

74

tempo

                    p

53

60



  



C tempo



 





 

    f 

   p





    



3rd Cornet

2

  

84

 

 

p

I       

  



 

 

  



1.

2.







 

                                p

89

f

                                            f p

95

102

 

 



      

J molto rit.

105

pp

 

  

          pp

119

L tempo

 

a2

     f

       

125

a2

M

  

p

133

 



 

139 2.

    

   

       p

 

  

1.

 

p

 

      

  

 



  

2.



accel.

 

 





    

N

      

 

     





stamp!

 

2.



     

O                          f p

149

157



1.



    



f





 







a1





 

poco accel.

poco accel.

     





 

     

K molto rit.

112





    



Clap!

      f 1.

             

f



       ff





     mp

  



Flugel

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

     





ff



       

7

A





f

  

B







   



C tempo

  

24

   











rall.. colla parte







    

 

p











     

31

E

     

45



 

p

  

53

F Allegro molto vivace

             

60

ff



D











tempo





 

 



             mp espress.

        

   



 







Un peu plus L ento rit.



rit..

p

colla parte





mp

Lento

p

18



mf



11



   



arr. Geoff Colmer

p

      

       1.

p

 

 

pp





                         f p



Flugel

2

                                              f p f p

80



H

 

1.

2.



I





 





p

      

J molto rit.

105



     

 2.  



K molto rit.

pp



 



N

          f     

 O  

      

   

148

  

  

f

154

   

f

      

 

     

1.

p

              



 



M

      





     

 

p

Clap!

139 2.



2.

   

 



    f

1.

poco accel.

118

L tempo



poco accel.

         

112

159

         

f





131



         

f

99

119

    

G

70

 



1.

            

 

                        p





accel.



  

p

  

 

 

 

    





    



 

mp



 

ff

 





  



     

 

Solo Horn

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

    





A





mf

 

   



f



 







p



13



   

ff

     

8



arr. Geoff Colmer

B

Lento























p



rall..

  

18

 

26

 

colla parte





rit..



C

tempo

 









mf





p

tempo







p













p

Un peu plus L ento

       

32

rit.

       

42

  

50

 

53

 



D



                        p

 

      





E







     p

   pp

1.







 

 

Solo Horn

2

                                                         ff f p ff F Allegro molto vivace

60

G                                                         

70



f

p

f

p



                       

80

H

1.

2.







p

I     

89

  

     

f

     

p

     

     

     

                                          

95

f

  

 

102

 



p



                

105

J molto rit.

pp

 2.  

111



 



 

K molto rit.

pp

  

116



 

p

1.





1.                            



p

 



f

 

 





poco accel.



    

112

 





 

  



poco accel.



2.

  



 





Solo Horn

L tempo

             

119



p



  

p

N

Clap!

f

 2.     

139

  

  

  





 

 

 





                     



p

f

158

   

  1.                        

f



153

         

O           

     

147

     

      

     

             

131

     

     

ff

M

125

      p





3

 

  

  





  

 

  

 

accel.



p

  



 

 





  

 

 

 

  



mp



  ff



 



 





1st Horn

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

   



  



7







A

   

f

    

12





ff





  







Lento



 











p

     



p

B

colla parte

26



mf

rall.. 18

  

arr. Geoff Colmer

rit..



 C

 



 



tempo

  



 



mf





tempo



p





p







p

Un peu plus L ento

       

32

rit.

      

42

  

50

 

53

 



D



                           p

    

   





E







       p

    pp

1.







 

 

1st Horn

2

                                                       ff f p ff F Allegro molto vivace

60

                       

70



f

                         

G

p

f

p



                      

80

H

1.

2.







p

I        

           

89

f

                 

p

                                               f p

95

  

102

 

     

105

J molto rit.

      

112

 



K molto rit.



 



 

pp

  

116

p

 



 



pp

 

109

 



  

 



1.





f

poco accel.

 



 

1.

 











  



 

  

  2.

p





 



 

 



  



2.





 





poco accel.

 



 





1st Horn

L tempo

            

119



p



  

M

125

     

N

Clap!

f

 2.     

139

  



 

158

 

 



   

f



 

 

  



 





     

   



                      p



     

      

     

1.                        

f

       

  

       

 O           

147

153

    

p

          

131

      p



  ff

3



  



     

p

  

 

accel.

 

 

  



mp



  ff



 

  



 





 

2nd Horn

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

      

7







ff

  f

    

12



 

A



   

     

26





 







Lento





 p









p

B

colla parte





mf

rall.. 18

  



rit..



 C













tempo

    mf



arr. Geoff Colmer

 

 

tempo



p





p

p







Un peu plus L ento rit.

  

32

    

       

42

  

50

 

53

 



D



                      p

   

   





E







     p

1.

  

pp







 

 

2nd Horn

2

F Allegro molto vivace

                                               ff      f    ff p

60



                                   f p f G

70

p



                       H

80

           1.

2.







p

         

                              

I

89

f

p

                                             f p

95



102



 

      

105

J molto rit.

        

112

 

K molto rit.



pp

  

116

L tempo



 

  p

  



  p 

1.

 

  ff







 



 

    





       p

2.





     



 





poco accel.





 



2.



 

 



f









 

poco accel.

1.



             p

119

 



  

 



 



pp

 

109

 



 





     

2nd Horn



  

125

M

p

N

f

 2.     

139

       

  

  

 

158

    

f

           

         

O

147

153

     

     

Clap!            

131

  

       

 

 

   

 



 



                  p 

accel.

  



     

p

    

         

  1.                        

    

f



3

   

 

   mp   

ff



 

  

   





 

1st Baritone

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

        

5







ff

    





mp

      

9

mf

Lento

C

rall..











            p





p

 80

       f

H

 

rit..





 



p







D





           



E

     

    

1.

 

 

       f

          



  

     

ff





f

   

p 1.

2.

p



G





p

        





Un peu plus L ento

pp

F Allegro molto vivace

  





 

p



ff

69

mf

p

             

60



mp



     

40

   

A           



rit.

p

54



p

 



mf

  



 mp





 

p



tempo

29



tempo

   

24



f

   



B

  

15

   

arr. Geoff Colmer



2.







1st Baritone

2

      

89

   

I

f

  



   



119



    f

f



 

159

 

     



         



 

 



 



2.

 

 

    

      1.              

   

    p

    

  

 

mp



2.

     

1.



p

mf

   

    



      

1.

p

f

f 156



M



O          

    

139 2.





p

N

148

  

poco accel.

Clap!          

131



 

    

   p

L tempo

 

f



  











poco accel.

K molto rit.

 



p



J molto rit.

112

   

mf

 

   

105

   

f



   







p

     

    



mf

96

103

   

 

  

 

 

     

 

ff



 



accel.

 



   

 

 



1st Trombone

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

      





   

   

ff

    

4







mp

       

9

   



mf

Lento



   



   

27







     

45

    







E



tempo



p

      

54

p





pp







C







 rit.







 



colla parte





 





 

1.

  

    



p

   

 

   

p

         

mp



p

Un peu plus L ento

D





p

     

33



tempo

 

A







rit..

    



f

p

22

mp



colla parte







f

rall..



B

  

15

   







2.



  

1st Trombone

2



                           ff

60

F Allegro molto vivace

G

       

74





     



f

80



H

 

 

J molto rit.

  

  



   

   







 



1.

 





 

K molto rit.

 



pp

  

 

115



L tempo



 

     f

Clap!          

N

f



 





   

 

  

1.

 





 

poco accel.





 





p

          M



2.



 





poco accel.

   

p

    

131



 

pp

109

 

 

     

f

    

112

 I        

2.

      

 

 

119

1.

    

f

96

105

    

p



            ff

   2.









     stamp!

p

       

      1.            

1st Trombone

O      

    

139 2.

   

149

154

 

159

 

                

          



p



   



  

 



  

 

 

 

p

    



f



  

 



  

 



  

 



  

 



  

 



  

 



 

mp



 

ff

accel.





3

2nd Trombone

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

      





   

   

ff

    

4









mp

       

9

   



mf

Lento

  

15

colla parte











   



 

 



E

      



p

   







pp







colla parte



rit.













 

 







 

1.

  



   

p

54

  p





p

    

  





C





      

p

45

    

Un peu plus L ento

D



p

     

33

   



tempo

tempo

27

   



p

rit..

    



f

p

22







A

rall..



B

mp

 

     f





2.



  

2nd Trombone

2



                           ff

60

F Allegro molto vivace

    

74

  

G

f

80



H

 

  

1.



2.

I







         

    

 

J molto rit.

  

 



    

 

pp

  

 

116



L tempo



    f

Clap!          

N

f

 

 

  

  p

1.



 

2.











 



   2.

 



  

           M





poco accel.

 



poco accel.

 





 





 1.

p

K molto rit.

 



pp

109

112

         



 



f



105

    

f



131

      p

99

119







            ff

 

 









  





     stamp!

p

       

      1.            

2nd Trombone

 O  

    

139 2.

   

149

154

 

159

 

f



                    



accel.

 

     

p

f

 



  

 



    



  

 



  

 

 



  

 



  



  

 



  

 

 

 



 

p

  

3



 

mp



  

ff





Bass Trombone

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

      



   





ff

 





   





mp

A

5

  



     f

 mp

10

        



 

mf







B Lento

   





f

rall.. 18

colla parte

    23





p

        

29

 



 

   



colla parte















p





















 

p

Un peu plus L ento

D

 

  

p

 

 

 

E

       p









   



   



F Allegro molto vivace



1.

2.

  



 



pp

                        ff 





p

54

60



rit.

      

45



tempo

      33





p

C tempo

rit..

 





      ff

  

 

  

 



Bass Trombone

2 74

G

   

          f

80

H



   

p

1.

I

2.



99

 

1.

 





p

K molto rit.

 







116

 

 

 



L tempo

   



N



       152

 

  



Clap!





 

 



 

 



1.



 



 



2.



  



p

  ff f

2.









M



           



 stamp!



    

p

            139



 2.

 





poco accel.

pp

131

 





109

    

 





        

  

poco accel.



 

      

f

J molto rit.

     pp

119





 

112

     

        

  





f

105

     

     



         

O

      1.             



          



          

f

f

accel.

      p

  

     

     

  

  

  

157

     

  

  

     

      mp

  

   

ff

  



Euphonium

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom)

        

7







ff





mp

           

rit..



p

 

 

           rit.

E

    

45





tempo

D



colla parte



L ento Un peu plus 

    





     p

55





pp













     



p



    

p



   









rall..

p





mf

tempo

28

32





  



B Lento

C





mf





22

   



A            

f 10

  

arr. Geoff Colmer

p

1.

2.

     



  

    p  

                                    ff ff H 74 G  1.                                                     f p 60

F Allegro molto vivace

I           f

88

2.

              mf



  

f

              mf

Euphonium

2



101



   

J molto rit.

105



K molto rit.

    





L tempo

 

poco accel.

 

 

 



    f



accel.



O

  



2.



 



 



  

2.



M

             





 







 

 





  

  



p



f

152



p

 

2. 139

1.



N

131

1.

pp

116

119



poco accel.



   

112

 



             

1.



mf





   



f



 

ff





     



        





Bb Bass

EUPHFUL GYPSY AIRS Pablo de Sarasate arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

     



   



ff



 



mp



A

  

5







   

10

 

     f



mp

B



 





 

p

Lento



 p















    

 

   



rall..

  

18

colla parte









 C

       

23







colla parte







mf

 

rit.

               

 D





  









 











p







p

               p

     



     

 

E

  



              1.







56

pp



Un peu plus L ento

40



 

tempo

   

  





tempo



27

49





p

rit..

32





   

  

2.







  

  

Bb Bass

2 60

F Allegro molto vivace

 

                    ff



                           p ff

                                                   p f p G

70

79

a1



H

                                  p         

89

a2

I

f

      

     

p

     

1.

     



2.





     

                                            f p

95

102

  



 

J molto rit.

   

109



 

1.



p

poco accel.

 







 

1.

p



 



   

pp

 



  

 2.   



  



 



  



 



 



 



 



2.



 

 

f



 a1



poco accel.

  pp



K molto rit.

   

116

a1

 

   

112

 





   

105

 







Bb Bass 119

L a1 tempo

       

127

p

      

2. 139

   

  

     

     f

             f p 147                f

152



accel.

   

   

157

O

     



a2

     

3

M

        p



N

        

   1.





                          

   

   p

  

  

  

  

  

  

  

  

  

  

  

        

ff

  

  

      mp   





Perc

EUPHFUL GYPSY AIRS Pablo de Sarasate Moderato (molto rubato, complete freedom) timps

  

  ff cymb 

  5



10



mp















  p



rit..

 

C



tempo

 

 



 



p

mf

 

mp

p

 









   

p

 

glock





timps



 p

Un peu plus L ento

D

   





p

 



  p



 





 



Lento



 



B



p glock



 









rit.

29

   

  

tempo





 

colla parte

    23





A

p



E

mp







rall..

18

45

   

timps



 

 



 



   

   

ff





 

arr. Geoff Colmer



   

 

 

2

Perc

48

timps

  

p

 

  

 



  

1.

  





 

   

 





  cymb   

Allegro molto vivace 60

F

    ff

74



 

cymb

G



     89

f

I

    f      f 

98

BD

 

       

           

105





         

 

 





       



glock

   

    

 glock



 

  





 



 





       p



   

1.

 



 

2.

 





     

     

      

 f

SD

         p

SD

poco accel.

 

f

 

       

         





    

p



pp

 

glock

p

        

BD

 

pp





Tri



ff

H





pp





J molto rit.









 







55



2.

f

1. Tri

2.

    



    







Perc

K molto rit.

112



    





   

pp

L tempo







           p

125

M

   

glock

2.          

1.

f











    

     







  

rim-shot

133

       O





f



152 accel.





         



 







  



  



 



  

 

    ff       ff 



     

1.

 



mp

                           p f 



   

 Tri       

   

mp

158

 

   



                      f

139 2.



N

f

p







p

 



 

  



 

p

       119

poco accel.

Tri

3



 



 

 



        

f

 



 

 









Gypsy Airs for Brass Band + Euphonium

Short Description

Description

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