Guitar Soloing

Tri-Tone Substitutions and Endings Tom Quayle Standard tuning Standard II-V-I Progression

Dm7

G7

Cmaj7

6 5 7 5

3 4 3

5 4 5 3

1

3

(5) (4) (5) (3)

Tri-Tone Substituted Progression

Dm7

D 9

Cmaj7

6 5 7 5

4 4 3 4

5 4 5 3

5

(5) (4) (5) (3)

Tri-Tone Substituted Progression with Major 7 Chord

Dm7

D maj7

Cmaj7

6 5 7 5

6 5 6 4

5 4 5 3

D maj7 #11

Cmaj7

3 6 5

3 6 5

3 5 4

(3) (5) (4)

5

4

3

(3)

Dm9

D maj9

Cmaj9

5 5 3 5

4 5 3 4

3 4 2 3

9

(5) (4) (5) (3)

Alternative Voicings

Dm11 13

Alternative Voicings 17

(3) (4) (2) (3)

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Alternative Voicings

Dm7

D maj7

Cmaj7

8 6

8 6

7 5

(7) (5)

7 5

6 4

5 3

(5) (3)

21

Parallel Major 7th Ending Technique

Cmaj7

E maj7

A maj7

D maj7

Cmaj7

8 7 8 6

4 5 5

6 5 6 4

5 4 5 3

25

5 4 5 3

4

(5) (4) (5) (3)

Alternative Voicings

Cmaj9

E 6/9

A 6/9

D 6/9

Cmaj9

6 5 5 6

4 3 3

4 3 3 4

3 4 2 3

E maj7

A add9

D add9

Cadd9 #11

4 6 8 6 4

0 3 0 4 3

29

3 4 2 3

4

(3) (4) (2) (3)

Alternative Voicings

Cmaj9 33

7 5 7 5 3

10 8 10 8 6

4 5 8 6 4

(3) (0) (4) (3)

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