Guitar Play-Along - Volume 162 - Eagles Hits

April 26, 2017 | Author: sarmis | Category: N/A
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Already Gone Words and Music by Jack Tempchin and Robb Strandlund

Intro Moderately fast Rock q = 144

μ

   

G

           

       mf

let ring 1 hold bend

w/ dist.



4

0

2

             let ring C

1 0 0





1 0

2

1 0

2

D

0

4

8 9

 

7 8

2

3 2

0

8 9

8



6

5

 

ple

talk

                  

2

2

5 5

5 5

7

3 0

6

      

3

3 2

0

2

2

0 0

4

3 0 0

2

G

   

5 5



  



      

3

5

1/2

7

5

5

7



7

7









 

7

5

1. Well,

  



  1/2

3

heard some peo 2. See additional lyrics

3

2



     

         

3

2

       

 

C

Verse G

3

D

5

5

7

D

7



C

  

  

 

-

just

the oth - er

in’

I



    day,

             

 

       

7 5

5 3

7 3

slight P.M.

5 3

5 3

7 3

3

5 3

5 3

7 3

3

7 5

9 5

5

7 5

7 5

9 5

5

© 1973 (Renewed) WB MUSIC CORP. and JAZZ BIRD MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

5 3

3

5 3

5 3

7 3



3

1

  

G

 



    

and they

    

said

   

D

 

you were gon

-

na

  

put

me

  

 

on

a

shelf.

             

        slight P.M.

3 3

3 3

3 3

3 3

3 3

0 0 5 3

5 3

7 3

5 3

3

5 3

7 3

7 5

3

7 5

9 5

7 5

5

7 5

9 5

5

2nd time, substitute Fill 1

C

G

    



       



But

               

let

me tell you, I

got

             

5 3

7 3

5 3

3

5 3

7 3

5 3

3

D

5 3

7 3

5 3

3

5 3

7 3

 

some news

for

you,

       

slight P.M.

5 3

  

3

5 3

5 3

7 3

3

5 3

5 3

7 3

3

C

    



   



and you’ll soon

         

   

find

out

it’s



   



true,

and then you’ll

             

             

5 3

5 3

slight P.M.

7 5

7 5

9 5

7 5

5

Fill 1



 

7 5

9 5

5

   

5 5

6 7

5 3

7 3

       5 5 5

2

3

7

5 3

5 3

7 3

3

5 3

7 3

         

5

5

7

5

7

3

5 3

5 3

7 3

3

2nd time, substitute Fill 2

G

         have

to

eat

D

 

your

  

lunch

      

all

               

by



slight P.M.

5 3

5 3

7 3

5 3

3



  



 



3

 

 I’m



7

7

9 5

7 5

5



9 5



5

3

5

7

5

D



al



      

7

3

5

7

    read

 

5

7



-

-

y

gone,





1/2

5 5

5

7

7

7

C

5

G









  

3

5

Fill 2

bend 1





 



 



5

7

7



          slight P.M. 7 5

7 5

9 5

5

7 5

7 5

9 5

7

 



I’m

feel

-



1/2

7



  and



7 5

        hold

Chorus G

 

    

8



7 3



’Cause And

1



5 3

7 5



your - self.

             7 5

C



  

3

5



 

 

1

 



1

8

8

1

8 7



8



  

hold bend



1/2

5



 

5

7

7

7

    

8 7

7

7

5

7

5

7

5

3

2nd time, substitute Fill 3

D



C

 





 





      -

in’

I

   

  

1/2

3

5

5

7

    

 

 









3

5

5

7

7

7

Woo, hoo,

5

5

3

D

4





 

5

7

5

  

 



my.



      



3

5

Woo, hoo,

hoo.



1/2

7

1

5



My,

                 let ring 7

  



Fill 3

5

song.

  

hoo.

1

7

- t’ry

     

 

        5

vic

G

   



  

 



1/2

3

5

5

C



     

7

7

7

D

this



sing

2nd time, substitute Fill 4

G



will



1/2

7

 

     

strong.

5

  



5

7

5

Fill 4





5

7

7

      

    

hold bend

8 7

5

7

5

7

5

3

5

7

5

5

7

5

7

5

1.

 

2.

C

   







     



2. The



    

3

5

5

7

grad. bend



        1/2

1/2

7

 

1/2

7

7

C

7

5

      



     

3

5

Guitar Solo G

    



   



1 15

7

5

7

C

 



 





1

13

14

15



1

1

15

15

           

11

12

12

G



 8va   



   1

16

15

15 18



  

15

     

15

15

D

10

 



14



13

13

C

  



  

D

 

8

8

9

 

11



15

 

  

hold bend

17 17

17

 loco      15





  0

0



  





12

  

12



14

7

13

C

 

14

13

15

15



14

G



15

14

12

   1

7

1/2

17

0 16

1

5



 

12

3

 

D

14

 

5

7

1

12

14









  0

0

  10

         

13

1 15

14

5





 

      1/2

15

 



15

12

14

C

 

14

8 7

11

14



D

    



12



          D



12

0

10

 



3. Well, I

  

7

know

 

     

G



 

9 5

5

7 5

7 5

it

was

-

 

it

you

was

5

5

7

5

5 3

5 3

7 3

5 3

3

  





9 5

5

 

n’t

              5 3

5 3

7 3

D

  

5 3

3

5 3

7 3

6

7 3

3

5 3

5 3

7 3

7 3

3

 



who set

me

   



3 3

    

3 3

3 3

3

7 5

9 5

5

7 5

7 5

9 5

3 3

0 0

C



free.

              7 5

3 3

3

     

you

       5 3

5 3

Heav - en

slight P.M.

5 3

n’t

C



15ma



-

down.

     

knows

    

             

slight P.M.

7 5

7

12

slight P.M.

7

          7 5

12

grad. bend

8 5

who held me

11

Verse G

grad. bend 1

8 5

12



 



grad. bend 1

1





 



  

1/2

 

 

G



   slight P.H.

5



P.H. 1

3 5

loco     

6

3

5

3

  

G

 



  

  

 

times

it

D

  

                          1/4   slight P.M. of - ten

hap

-

3

4

5

3

5

C

     live our

5

5

5 3

5 3





 

lives

in

chains,

               

7 3

5 3

3



5 3

7 3

7 5

3

           

5 3

7 3

5 3

3

5 3

7 3

3

5 3

5 3

D





had

the

key.

             

slight P.M.





7 5

9 5

7 5

5

7 5

9 5

Chorus G





-





 

 3

5

7

5

7

5



3

    

   

  1/2

8

8

7

-

y

5 3





5

    read

     

7 3

5

C



5 3

7 5

9 5

5

    

 

e

know

-

ven

7 3

5 3

3

5 3

7 3

3

      

   

 1/2

8

8 7

7



7 5

5

             



5

D

 

5 3



7

7 5

5 3

3

C

          we

7 3

9 5

nev - er

slight P.M.

5 3

7 5

  

and we

 

that we

G

 



pens

             



So

 





7

 

    

But me, I’m

al -



5

5

7

  



gone,

 

and I’m



     

3

5

7

5

7

5 5



 7

 5 5

feel -

 7

7

G



D

 

C





-





     

 3

5

    

7

5

7

      



3

5

7

5

7







5

  











7

8

7

8

7 7

7



5

 

7 7

7 7









  

read

-

y

gone.

Yes,

I’m

al

 



7

5

Outro-Chorus C

     1 0 2 3





5 5

7 7



 

 

5

  al -

1/2

7 7

5





5

7

   

3



7

          

C



 

 

5 5

7



5 5

7

5

1

5

5 5

       

3

5



      

1/2

5

sing

’Cause I’m







7

5 5

 

I will

vic - t’ry song.

-

3

5

  





3

    

D

  



7

  



      

C

  

strong.



D

G



in’



this



  

5

G





5

7

 5

G



-

 read

    0 0 0 X 3

-





y

gone,

F



  





           10 8

10 8

12 8

8

G





10 8

10 8

12 8



14 10

10

12 10

 

in’

strong.

12 10

14 10

10



12 8

8

13 8

feel

8

10 8

10 8

12 8

-

             

8

10 8

8

12 8

8



10 8

12 8

10 8

8



 

            

10 8

10 8



10 8

12 8



G

              10 8

10 8



C



and I’m



             

10 8

               12 10

 

F

-

12 10

  

C

12 8

8

10 8





this

vic

10 8

12 8

10 8

t’ry

12 8

  

 

I

sing

will

10 8

12 8

10 8

8

F

  

10 8

12 8

song.

             

              

12 10

10 8

12 10

14 10

10

12 10

12 10

14 10

10

10 8

12 8

10 8

8

10 8

12 8

  

 

’Cause I’m

al

         12 8

10 8

Fade out

 

10 8

8



Begin fade

10 8

8

             

  -

10 8

8

10 8

10 8

12 8

8





C

G



-

read

              10 8

10 8

12 8

8

10 8

10 8

12 8

8

  -

y

gone.

        12 10

12 10

14 10

10

12 10

12 10

14 10

10

Additional Lyrics 2. The letter that you wrote me made me stop and wonder why, But I guess you felt like you had to set things right. Just remember this, my girl, when you look up in the sky: You could see the stars and still not see the light. That’s right.

9

Heartache Tonight Words and Music by John David Souther, Don Henley, Glenn Frey and Bob Seger

 __ =   

Intro Moderately q = 113

         F

C F#         

10 10 10

10 10 10

Bb

f

w/ dist.

6 6 7 8



3

G

     

     

     

3 3 4 5 5 3

2 2 3 4 4 2

5 5 5

     

 Verse

Gtr. tacet

μ

  

  

     

1., 3. Some - bod - y’s gon - na

  

-

bod - y’s

     



F#5

gon - na

   come un

   -

G5

done;

5 5 3

  2 2 0

-

  

F#5





through.

   

there’s noth - ing

E5

touch some - bod

is

 

            

        4 4 2





 

be - fore the night

Ev -’ry - bod - y wants to



    



hurt some - one

      Some

  

we

can

  do.

G5

     

y,

if

it takes all

night.

       4 4 2

5 5 3

© 1979 EMI BLACKWOOD MUSIC INC., CASS COUNTY MUSIC, RED CLOUD MUSIC and GEAR PUBLISHING CO. All Rights for CASS COUNTY MUSIC and RED CLOUD MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved International Copyright Secured Used by Permission

1

E5



 



F#5



   

  

G5 C5

 

4 4 2

5 5 3

make

   

it

 

  

wants to

  

take

4 4 2

5 5 3

  

D5

    

come out

-



  

ache to - night,







a





        3

a





3

7

4 4 2



8

3

7

3

    

  

heart

 5





slight P.M.

5

3

7

 3



8

 3

be



7

a

 3

be

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

-



     

ache to - night,







3

7

3

8

a

G

  

    

There’s gon - na

   

 



 

C



2

3

   

There’s gon - na



F#5

chance,

 

I





3

  

7





3

5

  

heart - ache to - night,



know.

a





slight P.M.

5

  

lit - tle

right.

  

  





6 6 4

Chorus C

heart

Ev - ’ry - bod - y

 

5 5 3



     

C5

C#5

   

 

B5



   

2 2 0



G5

7

3





8

3







7

3

3

To Coda



  

 

heart - ache to - night,

I

know.

       

       

5

5

3

7

3

8

3

7

3

3

7

3

8

3

7



3

A



 







Lord,

I

3



Verse G5

   





2. Some





      

slight P.M.

4

0

E5

    

9 7

F#5

G5





 



10 7

0

 0

 

   

-

9 7

X X

bod - y

5 3

7 3

5 3

      D5





5 3







hold

out

that

5 3

5 3

5 3

5 3

7 3

C5

  

  

go home

now;



5 3

X X

5 3



5 3



But

 





10 7

0

0

F#5

G5

        

7 5

9 5

7 5

7 5

7 5

7 5

7 5

9 5

7 5

7 5

   

9 7

X X

7 5

9 5

4 2

4 2

on.

               5 3

   

9 5

 

        

5 3

7 3

5 3

5 3

5 3

6 4

X X

D#5

     



This

7 5

 



C#5

4 2

    

8 6

7 3

F#5

there’s too much go - in’

   

7 3

5 3

3



          5 3

5 3

long.

G5

7 3

5 3

  

F#5

5 3

7 3

E5

9 7

4 2

7 3

D#5

3

5 3

8 6

5 3

wants to

5 3

4 2

sim.

4 2

to

4

0

 

                  5 3



3

peo - ple like

              

              

   3     

no



2

0

Some folks can’t

B5

 

4

0

0

late.

G5



2

4

0

  

stay out

  

2

0

     



know.

          2

D#5

night is

gon - na

               5 3

5 3

7 3

5 3

5 3

5 3

7 3

8 6

3

E5

     last for

      -

F#5

ev - er,

         0 0





7 3

D5

    



 

last

5 3

5 3

5 3

C5

7 3

4 2

E5

9 5

7 5

7 3

3

7 5

8

5 3

5 3

5 3

sun

comes

    3



      

8 6

F#5

5 3

X X

7 3

5 3

5 3

be

a

   

   



   

9 5

7 5

7 5

9 5

7 5

7 5

9 5

7 5

G

I

7

7 5





      ra - di - o

5 3

5 3

Chorus C



heart

7 3

is

5 3

5 3

5 3

   -

5

 3



7

 3



8

3



7

 3

6 4

       

slight P.M.

5

3

7

3

 

 

X X

a

8

3

 5

 3



7

 3

7

3

   

There’s gon - na



gon - na

  

ache to - night,

know.

3

4 2

              

4 2

   

 

  

C#5

the

   

5 3

7

G5



    



0 0

9 7

up,

     

3

7 3

        

slight P.M.

7

F#5

sum - mer long.

3



         

4

 

all

There’s gon - na

  

3

5 3

song.

heart - ache to - night,

5

  

         

B5

   

       7 5

all,

5 3

     

play that

7 5

last

4 2

                  5 3



D#5

0 0

Some - time be - fore the

5 3



  

7

  



3

0 0

9 7

G5

G5



8

 3

be



7

a

 3

C



 

    3

heart

  

   

- ache to - night,









a







  

 

heart - ache to - night,













I

   





slight P.M.

5

3

7

8

3

7

3

D

5

3

F#5

G

             There’s gon - na

be

a

C



 

2

0

3





4 2

and



5 3

3







7

3

5

3

3

D



  heart

7

5

3

3

   -

7

I

4

0

2

0





2

0





 0

  

shin - ing bright,



 4

0

  

4

3

8

3

G

  

    

 

3

so

    

7

5

3

















8

4

7

5

4

7

4

 5

3

3

7

3

   3    

3

get it right. There’s gon - na be a heart - ache to - night,

 3

 7





5

3

a

 3

  7

5

G

  



slight P.M.

0



I







know.

          2



Lord,

we’ll

4

 

ache to - night,



7

slight P.M.

5

4

0

The moon’s



C#º7

light,





  

      slight P.M.

         out the

2

3





4

0

3

turn

  

4

0

7

3

heart - ache to - night.

            slight P.M. 2

8

3

   

3

know.

7

3



3



know.





A

0

5

 3



7

 3

 5

 3



7

 3

 5

 3



7

 3

 5

   3



7

5

Guitar Solo

         Bb

 

6 6 7 8

    

F

C

10 10 10

10 10 10

F#5

Bb

F

C F#         

6 6 7 8

10 10 10

10 10 10

Play 3 times

  

5 5 5

        

G

         slight P.M.

4 2

5 3

5 3

7 3

5 3

5 3

5 3

7 3

 

5 3

2 2 3 4 4 2

5 5 5

D.S. al Coda

G

       

     

     

     

3 3 4 5 5 3

 Coda

A



D

 



     



Let’s

  





slight P.M.

2



4

0

  





slight P.M.

8

3

7

2



4

0

We can

     5



go.

We can





2 0

 0

 4





2

0





4

0

beat a - round the bush - es, we can





0

5

 3

C#º7

            

the bone.

3



         

C

      get down to

6

0





G

3

3

7

leave it

 5

3

 3

in



7

the park - ing lot, but

 3

 5

 3



7

 4







7



5

3

3

8

 4



7

7

 3

    

ei - ther way, there’s gon - na





 4

 5

 4

be



a



7 3

G

D

             

  

3

  

heart - ache to - night,









slight P.M.

a







2 5

7

3

5

3

C5

3

  

G

5 5 3

5 5 3

5 5 3



5 5 3

Oh,



0



5

3

        



ache to - night,





slight P.M.

5 5 3



4

0





a

3

7

3

3

5

7

3





7

5

3







7

3

  



3

  I

know.

        2

5



heart - ache to - night,

 



  



know.

3

-

          

5 5 3

2

0





D



There’ll be a heart

 



I

3

3

know.



4

0

     

  3     I

7





  

 

heart - ache to - night,



G

4

0

5

0

2

0

4

0

Outro

G

 

   

  

Woo





slight P.M.



5



  

3



7



3

-



5



3



7





5

3





7

3

        

slight P.M.

5 3

7 3

5 3

5 3

5 3

7 3

5 3



 

5

3

3

Bb

F

      

6 6 7 8

10 10 10

10 10 10

Play 3 times

                

  





F





     

hoo!

G

5 3

Bb

   

3

C

5 5 5



 

7

G

     

6 6 7 8

10 10 10

C

F#5

         10 10 10

5 5 5

4 2

      

3 3 4 5 5 3

7

Hotel California Words and Music by Don Henley, Glenn Frey and Don Felder Intro Moderately slow q = 74

        

Bm



  

 



F#7







  



  

mf

 

 Asus2

   

     7

Verse Bm

7

7 9 9 7





10 7

10 7





7 7

a

9



9



10



9



9





7

7

7

7

9

7

7

9

8

8

9

9

F#7



des - ert high - way,

9

7

   7 9







7

 9

 8

7

8 9

F#7

 

9

8

9

8

7

9

7

7 7

  

7



7

9

7

9

8

       

7



7

9

G

10

   7



9

7

7

7

Em7

10

7 9

9

7

9

8

    

7



9

E9

7

      

9

7

11

  

dark

7

9

7

7

   1. On

     

9



7

7

7

9

7

10 10

D

7

7 9 9 7

  

9

7

  

w/ clean tone let chords ring throughout

 

9

9



8

3





cool

in

my

hair,

      9

7

7

9 9



9



9

7

   wind

7

10

9

7

  





7 8

© 1976 (Renewed) CASS COUNTY MUSIC, RED CLOUD MUSIC and FINGERS MUSIC All Rights for CASS COUNTY MUSIC and RED CLOUD MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights for FINGERS MUSIC Administered by 2850 MUSIC All Rights Reserved Used by Permission

1

Asus2

  

warm

smell

of

10

9

7

G

10

7 9



10 7

  

   

Up

in the dis - tance

a - head

ris - ing

  9

 



10

9

10

9

7

8 9

9

7

10



9

7

7

8 9

8



7

9

F#7



9

I



 



  

 



   



7

9

  



7

7 10

3

 

 

had to stop

for

night.



9

9

the





7

9

  



7

7

7



  

8

9





7

7

7 7

Verse Bm





10

7

7

7

7

9

7

9

  

and my sight grew dim;

        

7

7

I saw a shim - mer - ing light.

                

air.

  3     

Em7

My head grew heav - y

   

D



7

 

up through the

7

9

11

8

7

3

      



7

               7

3  



co - li - tas

     

   

  

E9

         





 9

7 8

9

F#7



   3     





     2. There she

stood in

the door - way;

I

heard the

mis - sion

bell.

 

w/ dist.

7

2

6

   

Asus2

       

E9

    

 3   3       3



       And

I

was think - in’

to

my - self

this could be

heav - en

or

this could be

hell.

  6

9

G

   3  

 

D

  



    



          



Then she

lit

up

her

 



can - dle

and she showed me

9

the

way.

7

Em7

               cor - ri - dor,

 5

       

F#7



      There were voic - es down the



      I thought I heard them

say:

   



1/2

3

4

3

3

2

Chorus G

 

                D



            “Wel - come

to the Ho

-

tel

Cal

-

i - for

-

nia,

 5

0

10 11

10 11

12 12

10 11



1



2

4

 

 

    

12 12

14 14

such a

12 12

10 11

3

F#7





        love

-

ly

 



place,



  



ly

place.)



(Such a love

-

                    

 





Bm



 

such

     

a

love

 

dist. off

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

               G

of

room

at

the Ho - tel

Cal

-

i - for



        time

 

  

of

  

     



year

  

  

7 8 9 9 7

7 8 9 9 7

  

 

  





(An - y

time

  

  

  

of

  

year.)

  

   

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

dist. off

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

Verse Bm

     3    



       3. Her mind is

Tif - fa - ny - twist - ed.





w/ dist.

7

4

2

4

4

15

you can

16

15 14



       

   15 14

16

16

9

9

X X

7

7

find

it



12 12

11



here.”

                    7 9 8 9

7 9 8 9

   

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

7 9 8 9

    

7 9 8 9

 

   She got the Mer - ce - des

 

 



An - y

     

7 9 8 9

F#7



5

F#7

 







nia.

 

1

9



     

-





face.

       w/ dist.   

 

14





D

5

Em

ly

2

      Plen - ty

-



Benz.

 6

Uh.



Asus2

               



E9



     She got

a

lot

of pret - ty,

pret - ty

that she calls

6

G

   



     

boys



 

   

friends.



1

9

9







 

 



D





in

3





the court - yard,

sweet



sum - mer sweat.





9

7

Em7

  

 



       

       Some dance

to

re - mem

-

      

7

I

called up

 



  

  



1/2

3





       4. So



4

some dance

5

  



ber;



Verse Bm

F#7

the cap - tain,

3

  

F#7



     to

for

-

bring

 





3

4

6

    me



get.



  

   “Please

9

9



    

     How they dance



 



my

wine.”

He said,



6

5

Asus2

      



 

 



     “We have - n’t

had

that

spir - it

E9

here

   



   

  

since

nine



-

teen - six - ty - nine.”



6

9

G

 

  



still

  D

      

     And

those voic - es

are call

-

    

  

    

ing from

far



a - way.





9

7

Em7

       Wake you up

in the mid - dle of the



  

night

just to hear

them

say,

ay:



1/2

3

5

     



  



4

F#7

            

 

   

3

1

2

Chorus G

 

       

“Wel - come

to

the Ho

-

tel

    Cal

-

i - for

  D

-

     







2

4

  such a



 

 X



         15ma





P.H. 1

1/2

1

10

9

10

X X

6



nia,

X

5



9

9

7

9

9



F#7





        love

-

ly

place,

 





 







Bm



 

      

 



such a

love

-

ly





 

face.

They’re

 loco              9 (Such a

love

-

ly

place.)

15ma

 

2

                G

liv - in’ it

up

at

the Ho - tel

Cal

-

    

i - for

  D

-





2

5







   

1

1

22

22

22

 







What a



P.H. 1

22

22

4



nia. 8va



4

19

21

21

5

Em





        nice

sur - prise.















  loco      (What

a

nice

21

Verse Bm

       5. Mir - rors

on

9

7

9

Bring your

al

  

   

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 9 8 9

-



i - bis.”



dist. off

7 8 9 9 7

7 9

    

  

F#7

 

   

7 7



  

the ceil - ing,

7 9







F#7

  

    

            7 9 9 7





sur - prise.)

8va



 



7

9

   3  

      

the pink cham - pagne on

 8

   9

7

 

9 9

9

ice.



And she said,



7 8

  9

7

9

7

Asus2

  

   “We are

10

9

7

G

just

pris - on - ers

7

10

3

the

7

9

10

Em7

  

9

 

They

stab it



9

7

7

8

7

10

their

knives,

steel - y

 

9

7

 

  

 





       6. Last

thing

I

re - mem - ber

 7

 



w/ dist.

I



was

 

1

9





 

9

9

9

F#7



8



for

the



 9





feast.

7

7

   the









10

kill



beast.

 9

7 8



 

7

 

can’t

7

3

7

 

9





gath - ered

F#7

7

7

   



7

9

just



7 7

9

 



but they

7

9

9

3

  





de - vice.”

7

7

 

7

Verse Bm

8

7

D

9



3

own

10

   

8



  



      

11

8

3

with

9



our

they



7

      



 7

9

3



  

 

8

 

7

 

of

9

mas - ter’s cham - bers

   

   

7



here

10

9

  







E9

  

 

10

9

  

And in

 

  

     

   

  

all



3

8

9

      



   run - ning

for

the

door.

 6

   

Asus2

      3       I

had

to find the pas - sage

back

to

    

the

E9





      

place

I

was

be - fore.

  





6

9

G

  

 

    

“We are

“Re - lax,”

  

D





  

said the night - man,



 

3    





 

     pro - grammed

to

re - ceive.





9

7

Em

F#7

              time you like

       





1 1/2

12

10

12

 9

nev - er



leave.”



  3   

 

   f

3

3

11

10

12

F#7







1/4

7

          

    

   3

   

4

but you can

1/2

5

Guitar Solo Bm





You can check out an - y

 



9

7

7



8





1/2

4

7

4

7

7

9

                                hold bend   1/2 1/2 1 1/2  10 Asus2

7

  

E9

7

9

7

7

9

X

8

9

10

7

9

10

10

7

10

1

7

8

10

7

7

9

7

9

7

X

 

G

 



      

10

1

10

10

       Em

7

 

7

1



10

10

10

10

1/2

1/2

7

7

8

X

10

X

9

F#7



1

7

9

7

1

1/2 7

1/2

1

7

7

9

10

1

7

9

7 9





10

7 7

9

   

1 1/2

11

1

7 7



 

X

7

1

7

7

9

6

7





9

11

7

7

9

 

7

9

7

   

E9

9

0

7

10

7

10

12

10

9

9

X

X

7

  9

9





9

      

12



     

F#7

1

10

1

7

9

1

7 7 9

  

1

10

1

7 7 9

1/4

11

7



           

                       

Asus2

9

9

Bm

9

         

3

9

7



1

            

1/2 7

    



hold bend

1

10

D

11

10



9

9





14

G

D

      8va            

             



hold bend

1

1/2

15

16

(14)

1

17

17

15

  

   



hold bend

17

17

17

17

     Bm

8va

1 17

1

1/2

17





loco







1 1/2

15

17

17



17

     

 

17

15

17

17

17

17

1/2

8

7

9

17

17

17

1

17

17



X

16

17 15

G                  



16

14

D





 14

16 14 12 14 16

10

9

7

7 7

9

9

7

10

7 9

9

7

9

7

5

7

9

7

14

1

7

9

         1

7

15

             

X

7

17

17

E9

1/4

17 17 17 17 17 15

17

1/2

8



17

15

11

12

grad. release 1

X



10





17

 

    

                       



17



15

       

F#7

Asus2



17

17

1 1/2

12

17

F#7



10

17

hold bend

11

 

16

1

17



15

15

       

 

1

17

17

Em 8va

1 1

1

17

9

 7

11

11

      Em



12

12





10

12

   F#7



11

Outro Bm

     

              

14

10

12

14

10

12

14

10

14

12

10

14

12

10

                  14

14

17

14

14

17

14

14

17

14

14

17

14

14

G

                  15

12

12

15

12

12

15

12

12

15

12

12

15

12



 

9

10

12



          

F#7

12

Asus2

17



 

17

14

17

15

14

17

15





18

14

           

E9

15

12

13

15

12

13

15

12





16

           D

10 12

10

10 11

10

10 11

10



14

       

Repeat and fade

Em

                 7

12

8

7 9

8

7 9

8

7 9

8

7 9

8

F#7

  9

9

11

9 11

11

9 11

11



14



  

Life in the Fast Lane Words and Music by Don Henley, Glenn Frey and Joe Walsh

Intro Moderately q = 100

   

μ(E)

       mf

 

   

w/ slight dist.



5

7

7

1/2

7

5

7

5 7

        

           

 

 

5

1/2

3

   

5

0

7

7

7

5

7

5

5

7

  

 

   

3

 

1/2

5

7

7

7

5

7

5

5

7

      

 

 

3

1/2

0

5

7

7

5

7

7

5 7

    

   

5

3

      

1/2

12

14

14

14

12

14

12 14

        

 

12

1/2

12

10



14

14

14

12

14

12 14

12

   

 

       

12

10

   

1/2

12

14

14

14

12

14

12 14

12

10

12

14

14

14

12

14

12 14

12

12

10

12

© 1976 (Renewed) CASS COUNTY MUSIC, RED CLOUD MUSIC and WOW & FLUTTER MUSIC All Rights for CASS COUNTY MUSIC and RED CLOUD MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

13

14

1

        5

2

X

X

  

2



  

7

7



       

5

2

X

X



5

7

7

X

X

2

5



2

3





was

a





1. He

        



7

2

0

  



2

            1/2 

grad. bend

5

7

2

X

X

2

5

X

2

  1/2

3

Verse

  



E9

hard

-



head

-

ed

  

Esus4

12 11 12

  

12 11 12

12 11 12

12 11 12

2

12 11 12



10 9 9

  





He

was



9 9 9







      

and

she

was

ter - mi - nal - ly pret - ty.

12 11 12

12 11 12

12 11 12

10 9 9

E



   9 9 9

E9



bru



 

 -

tal

-

ly

12 11 12

12 11 12



12 12 11 12

12 11 12

E9



        11 10 11

  

hand - some

                  11 10 11

Esus4

           11 10 11



man.

           11 10 11

E

12 11 12

12 11 12

12 11 12

   12 11 12







  





Esus4



 

 



She

held

him

up

and

he

           11 10 11

12 11 12

12 11 12

12 11 12

12 11 12

 

    

  



10 9 9

Esus4

12 11 12

12 11 12

12 11 12

12 11 12





    

10 9 9

rep - u - ta - tion as

a

ran

-

  

12 11 12

12 11 12

          dude.

12 11 12

was











They

had

one

thing

in

     

 

  

4 4 2

4 4 2

1/2

X

5

2

X

X

2

5

2



had

3

0

1

a



       

said he

B5

crude.

     

He

 

5

he

y.

   

was ruth - less.

They

      

   

heart

   

2

2



7

  



 

said

the



Em7

They

in

12 11 12

2 2 2 0



som

   

   

    

-

12 12 11 12

12 11 12

        11 10 11

cru - el

     

12 11 12

cit

9 9 9

A

12 11 12

for



cold



her

  



E9



cold,

  



               11 10 11

of the

 



held

E

          nas - ty

E9

9 9 9

            11 10 11

E

com - mon,

7



7



they were

3

                 

     

A7

good in

  

bed.

She’d say,

“Fast - er, fast - er,

    

            2

4 4

2

4 4

2

4 4

lights are turn -in’ red.”

    

0 2 0 2 0

4 4

2

the

        

Chorus

 

μ(E)



 



 

 

(Life

in

the fast



 

 Sure

 

        -

ly make

you lose

your

      

  

 

  

1/2

7

7

7

5

7

5 7

 



 



 

Life

in

the fast



mind.

lane.

        

5

  

5

3

 

 



1/2

5

0

7

7

5

7

7

5

5

7

    

3



Yeah. lane.)

                  

  

   

     

1/2

5

7

7

7

5

7

5 7

4

5

3

0

5

7

7

7

5

7

5 7

5

3

5

6

7

Interlude Em7

 



     

         5

2

X

X

2

 

        8

 9

7

7



      

9

12

15

Verse E9



2. Ea

5

-

5

5







all

the

right

  

Esus4

Esus4

11 10 11

12 11 12

12 11 12

12 11 12

12 11 12

E



10 9 9





10 9 9



They took

   9 9 9

  

ger

for

Esus4



E





 

  

ac - tion



and

5

E

at - trac - tion,

12 12 12 12 11 11 11 11 12 12 12 12

peo - ple.

          



        

com - ing

11 10 11



5

                   

15

1

7



E9

The



15

 

    

            hot for the game.



far?

7



7

 

Spoken: Are you with me so

1

12

1/2

7

        

the

9 9 9

E9



       

drop

of

11 10 11



 

all

the

right

12 11 12

 

pills.

               12 11 12

They knew



12 12 12 12 11 11 11 11 12 12 12 12



12 11 12

name.

        

E9

11 10 11

a







They threw



12 12 11 12

5

  



out

-



ra

-

  

Esus4

  

A

12 11 12

12 11 12

12 11 12

 

  

tend - ed

5

7

5

not

   

-

11 10 11



12 11 12

12 11 12

12 11 12

lines





she

was

her

7

5

7

5

  caught up

7

  

in

race.

the

14

14

12

12

14

Out

ev - ’ry





 





 







til

it

was

   



12





14

12

14

12

  

pre -

  





   

 

  

7

9

8

7

 7

7

9

8

7

7

eve - ning

   

 

9 9

9



 



She

    

 



face.

 

12





   

12

14



12 11 12

on

5





There were

   

 



bills.

  

       





ly

14

7

6

en

 

B5

  

no - tice,

-

   



   

12

   

heav



   

to



the mir - ror,

7 7





9 9 9

 

 

Em7



    5

  

  

on

E9

They paid

10 9 9

 

lines

    

12 11 12





geous par - ties.

           11 10 11

E

un

-



light.

He

was

  

A7



 



too

tired

to

make

      





it.

She

was



  

0 2 0 2 0

μ(E)











too

tired

to

fight



 



 

(Life

in

the fast

 



      

a - bout

 

       



7

7

7

5

7

-

ly

make

you lose

your



mind.

lane.

 

5 7

 

it.

  

           

    1/2

5



0 5 0 5 0

Sure

 



  

0 3 0 4 0

 Chorus

  



5

3

1/2

5

0



 

Life

in

the fast



5

7

7

5

5

7

   

 

7

7

3



    



Yeah. lane.

                  

  

     

1/2

5

7

7

7

5

7

5 7

5

3



1/2

0

5

7

7

7

5

7

5 7

5

3

7

  



 

 

   

Life

in

the fast

  

  



 Ev

lane.

              



     - ’ry - thing,

      all

        

the time.

  

1/2

12

14

14

12

14

14

12

12

14

 

 





 

Life

   

in

12

10



the fast

14

14

14

12

14

12 14

12

To Coda

  

  

1/2



 



Uh.

12

    

10



Huh.

lane.)

                

  

   

   

1/2

12

14

14

12

14

14

12 14

Guitar Solo B



 









1 9









1 9

12



12

10





14

14

14



9

9

9

9

9

7

7

7

8

10

10

8

6

7

6 6

12

13

14



9

7



7

                        1 1/2

8

10

B

grad. bend 1/2

12

    

 

   

1

9

12 14

              10

14

12

D

10

12

6 6

12

14

1

1/2

1/2

14

14

14

1

14

12

13

14

  

  



A               



 let ring

1/2

14

14

12

12

5

17

17

17

17

17 15

14

14

14

 



14 14 14

      

14 14 14 4

Interlude A E

                              

E

  

A E

A E

A

E

A E

5

A E

6

4

7

A E

A

9 9

9 9 9

10 9 11

9 9

9 9 9

10 9 11

9 9

       

14

 

17

14

17

9 9 9

9 9 9

10

10 9 11

11

9 9

  



17

12

14

13

9 9 9



9 9 9

10 9 11

9 9

    12

E

                       

let ring

10 9 11

5

14

9 9 9

10 9 11

9

9 9 9

9

  

10 9 11

9 9

9 9 9

9 9 9

10 11

9 9 9

6

  

  



 

12

17

14

17

Verse

     



E9



3. Blow

  



  



17

12

12

12

14

13

14



13

-





in’

and

  

Esus4

12 11 12

12 11 12

12 11 12

12 11 12





  



burn - in’,

            11 10 11

E

10 9 9



9 9 9

9

   

E9

    





             blind

11 10 11

- ed

12 11 12

12 11 12

by

E9

         

for the

11 10 11

They

12 11 12

12 11 12

12 11 12

worse.

E9



11 10 11

12 11 12

12 11 12

E9

      

  

11 10 11

12 11 12

seen a

10

12 11 12

ring.

12 11 12

We’ve been





He

 

12 11 12

12 11 12

12 11 12

12 11 12

10 9 9

9 9 9

          12 11 12



said,

12 11 12

You

10 9 9

9 9 9

  

12 11 12

E

high - way.

 

can

   



Esus4

this

 



10 9 9

  

   Have n’t



9 9 9

           “Call



E

ba - by.

12 11 12

 

turn

   



Esus4

up and down

A

took a

     

  

12 11 12

  

sign,

           

      thing.”

12 11 12

E

see the stop

“Lis - ten,

11 10 11

god - damn

12 11 12

 

12 12 11 12

12 11 12

12 11 12

11 10 11

  

    

said,

12 11 12

the en - gine

12 11 12





             hear

         

  She

      

   

did - n’t

11 10 11

     

Esus4



12 12 11 12

12 11 12

  

thirst.

 

        

the

doc

-

   6 5

tor

I



  

6 5

6 5



  

 

think I’m

gon - na

   



 



 



crash.”

   

7

 

7

5

7

5

   2

pay him in

14 12

14

14

12

14

12

 

 

doc - tor say he’s





com - in’,

   

 

14

12

14

12

12

They went

   

  

3

 



cash.”

   

  

4



14

B5

    

rush - in’ down



 

that

  

free -

  

way.

 

 

9

7

9

7

X X

9

 

Messed a -

   

7



but you



          got - ta



“The

let ring

5

Em7



D.S. al Coda

 

   round

and got

9



lost.

       

7

    

A7

9

8

9

8



             

They did - n’t care,they were just

 

 

7 X 7

6 X 6

  

  

0 2 0 2 0

0 3 0 4 0

dy - in’ to

get off and it was...

   0 5 0 5 0

11

 Coda

      

Interlude E



  





 

 

the fast

   





Huh.

      

 

   

   

w/ flanger

1/2

14

14

12

12 10 14

  

12

(Life in

9 9 9 7

10

D

C





       



   

 



 



 

Life

in

the

fast

    

7 7 7 5

 

lane.

5 5 5 3



A







lane.)

     

   

5 5 5 3

2 2 2 0



  

7

7

Outro-Guitar Solo

 

μ(E7)



     

flanger off

5 0

12

   

2

X

X

2



7

            1/2  5 0

2

X

X

2

5

2

3

    

















2

X

X

2

7

3/4

9





 7

    

9

    

   

7

2

 

1/2

2

2

2

2

9

2

2

 

7



7

5

7







let ring







11







 



X

7 9

7







3/4

11

  

X

11

9

9

11

9

9

11

9

9

11

9

1

11

0

0

3

1/2

11

5

              

9

7



7

1/2

5

0

1/4

9





    

9

 



  





11

9

11

11



      



    

5 X

4





11

9





5

6

1

3/4

11

1/2

9

  

0 0

grad. bend

1/4

11





grad. release

  



 

      

7

         7



1 2

5





   

5

X

6

7

13

 

  



 

2

17

20

X





2

20

1

X

12

15

14

13

 





hold bend



17

20

20

   



 

 

X X X

0 0 1

9 9 9

14

14

      12

14

   X X X

15

15

   

0 3 4

X X X





2

20

 

  

  



   

0 2 2

0 0 0

1

Begin fade

                  

         



 

 

 

   let ring

0 0 1

X X X

X X X

X X X

0 0 2

X X X

X X X

0 3 4

X X X

9 9 9

0 0 1

X X X

0 3 4

X X X

0 2 2

0 0 0



1

5

    

  

w/ pick & finger let ring

4 4

1



            

3

2

3

2

let ring

0 0 0

1

0

1

0

1

0

1





 





 

  

 

  



let ring

9 9 9 12

14

X X X

0 0 2

X X X

0 0 0

  

  

9 9 9

0



3

 

12

3

12

 

3

Fade out



 

9 9 9

1



9 9 9

12

 

 

3



One of These Nights Words and Music by Don Henley and Glenn Frey Intro Moderately q = 108 Em

               

mf

           

Em/D



w/ clean tone



0

12

12 12 12

12

0

              12

Em

  

12

0

        0

12

  



12

         

12



12 12 12

12

0

   12 12 12

0

12



12

  

12

   12 12 12

 

 

7

12 12 12

12



w/ dist.

12 12 12

  

12

         

12

        0

12



12 12 12

Am7

12 12

0

12

        

Cmaj7

9

9

12

             Em/D

Cmaj7

Am7

 9



7

9

9

© 1975 (Renewed) CASS COUNTY MUSIC and RED CLOUD MUSIC All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission



7

9

9

1





Em



Bm



μ





            9



7

 Verse Em



 





    7 8 9

7 8 9

7 8 9

7 8 9

         

 

   

7 8 9

7 8 9

7 8 9

7 7 7

7 7 7

7 7 7



7 8 9

Em

  

 



7 8 9

7 8 9

7 8 9

your lights.

         7 8 9

2

we’re gon - na

7 8 9

7 8 9

7 8 9

7 7 7

 

7 7 9

7 7 9

7 7 9

Am

       

find

out,



     

 

7 7 7

    



7 8 9

cra

  

  

one of these

  



   

 

   

7 7 7

 

7 7 9

  



 



of

these





dist. off

9

Bm/D



nights, 2. See additional lyrics

9

1. One



pret - ty ma - ma,

       

Cmaj7

-

zy old

nights

            

  

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9



7 8 9

    what turns on

        

  

  

       

  

  

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

Bm





  

The

 

 

         

  

  

7 8 9

7 8 9

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

5 5 5

Em



5 5 5

      

full

moon is

      7 8 9

7 8 9

7 8 9

7 8 9

call - in’,

the

 

 

7 8 9

7 8 9

Bm/D



       7 7 7



7 7 7

7 7 7

Am

You got

high

   

  

7 7 7

7 7 7

your de

     5 5 5

is

and the

5 5 5

   

-

  

7 8 9

  

5 5 5

5 5 5

5 5 5

To Coda



 

 





         

  

  

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

de - sires;

  



7 7 7

7 7 7

7 8 9

7 8 9

Em

 

well,

7 8 9

     

I

got

a

few of

my

         

  

  

               

5 5 5

5 5 5

5 5 5

7 8 9

5 5 5

5 5 5

5 5 5

7 8 9

7 8 9

   

            

  

8 8 9

7 8 9

Oo,

be - tween the dark and the

7 7 7

  

  

in

    

7 8 9



  

      

you got

8 8 9

8 8 9

                

Gmaj7

7 8 9

moans.



7 8 9

7 8 9

own.

7 8 9



7 7 9

   

7 8 9

whis - pers and

Chorus Cmaj7

Bm

     

wind

 

and

  

     

         

7 7 7

mons,



wick - ed

     

  

5 5 5

 

     

fe - ver



Cmaj7

light.

8 8 9

8 8 9

 

     

         

     

8 8 9

8 8 9

some - one

8 8 9

to

8 8 9

be kind

8 8 9

to

7 8 9

  

Cmaj7







   

  

  

 

       

  

  

7 7 7

7 7 7

5 7 7

7 7 7

7 7 7

7 7 7

5 7 7

7 7 7

7 7 7

Oo,

         

  

  

8 8 9

8 8 9

7 8 9

8 8 9

8 8 9

8 8 9

3

D.S. al Coda



     com - in’

     

 

right be - hind

you,

         8 8 9

8 8 9

8 8 9

8 8 9

Am

   

     

   

swear I’m

gon - na find

you

  

  

         

  

  

8 8 9

7 8 9

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

Bm

        

        D

one of these nights. 2. One of

        7 7 9

7 7 9

7 7 9

these

 



7 7 9

7 7 7

 Coda

Chorus Cmaj7



   

   

Oo,



lone - li - ness will blind

      8 8 9

     

8 8 8 8 8 8 9 9 9

Oh,



7 7 7

4

7 7 7

   

7 7 7

    7 7 7

whoa,

   7 7 7

  you

   

Gmaj7

            

in be - tween the wrong and the right.

  

  

          

  

            

  

8 8 9

7 8 9

8 8 9

7 8 9

7 7 7

5 7 7

     

   

     

whoa.

8 8 8 8 8 8 9 9 9

8 8 9

7 7 7 7 7 7 7 7 7

7 7 7

Cmaj7

  

   

     

 

Oo,

com - in’

right be - hind

you,

  

         

     

5 7 7

8 8 9

8 8 9

8 8 9

8 8 9

8 8 9

7 8 9

          8 8 9

8 8 9

8 8 9

8 8 9

      8 8 9

7 8 9

  

 

Am



 

swear I’m

gon - na

      

  

 

 

 

find



 

you

 

 



 

 

 

one

of

these

Bm

 

  











  

nights. 8va



Guitar Solo Em

D











f w/ dist. 1

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

           Bm/D

8va

15



17

 

15

16

14

12

               Am



1

15 X 12

Bm



 



14

12



loco

12 12

         

14

14 12

14

12

10



15 12

14

12 12

14

12

    

Em

 

12 12

8va



12 12









15

14 12 10

           

14

12 12



1

1

 

7 7 9



17

12

7 7 9

20

Cmaj7

1/4

17 15

7 7 9

7 7 9

 loco 

8va

14

20



5 5 5

1



10

Em

   

 







1

1

17

17 14



16

17

16

 

17 16



15 14

15

Bm/D

 

 



  



1/2

12 12

12 12

7 7 7

9

7

9

7

9

5

Cmaj7

    

  



 





     

1/4

10

7

8

9

7

     

1/4

7

5

X

X

5

9

9

9

7

5

7

Em





1/2

7 9

          Am

10

12

12

       







One of

                    8va



1/2

10

12

10

14



1

  



   15 12

12

15

15

15 12

these

        1

15

14



1

1

15 15 14

9

9

12

Bm *Voc. Fig. 1



10

1

17

17



*Refers to upstemmed part only.

Outro-Chorus Cmaj7



              

  

Gmaj7

     



   





End Voc. Fig. 1

    Mm,

  in

     

be - tween the dark and the light.

nights.



loco    

mf

   

  

 

7 8 9

7 8 9

7 8 9



 

     

  

  

       

  

  

7 8 9

7 8 9

7 8 9

7 8 9

7 7 7

7 7 7

7 7 7

dist. off

7 8 9

6

7 8 9

7 8 9

7 8 9

7 8 9

7 7 7

7 7 7

7 7 7

     



    7 7 7

7 7 7

7 7 7

 

  



 

  

Com - in’

right be - hind

you,

swear I’m

gon - na find

Get you,

  

  

         

  

  

         

  

 

7 7 7

7 7 7

7 7 7

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9



7 8 9

7 8 9







7 7 7

   

  

  

 

       

  

  

     

 

 

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 8 9

7 8 9

7 8 9



 



   Hoo,

         7 8 9

7 8 9

Cmaj7

7 7 7

7 7 7

Gmaj7

7 8 9

you.

ba - by, one of these nights.

     7 7 7

  

   

       

  

7 7 7



w/ Voc. Fig. 1

Gmaj7



Cmaj7

7 8 9

7 8 9





hoo,



hoo.

   Hoo,

 

7 8 9

*Voc. Fig. 2

hoo,

7 8 9

7 8 9

       

 hoo.

One

of

these

  

  

                           

         

7 8 9

7 8 9

7 7 7

X X 7 X X 7 X X 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

X X X X X X

X 14 X 15 X 16

X X 10 X X 12 X X 11

  

X X 2 X X 3 X X 4

*Refers to upstemmed part only.

7

Cmaj7



  



ni

-

7 8 9

7 8 9

7 8 9

-



 



Mm,

feel

End Voc. Fig. 2

I can

  

  

               

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

X 14 X 15 X 16

X X 10 X X 12 X X 11

 

  

swear I’m

gon - na find

     7 7 7

8

7 7 7

X X X

2 3 4

X X X X X X

7 8 9

7 8 9

7 8 9

7 7 7

7 7 7

    you

I can

X X 10 X X 12 X X 11

X X X

X 7 X 7 X 7

X X 2 X X 3 X X 4

 

  



Com - in’

right be - hind

you,

 

     

 

 

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

   

7 8 9

7 8 9

7 8 9

Cmaj7





now.

   

  

  

            

  

         

  

  

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 8 9

7 8 9

7 8 9

7 7 7

7 7 7

7 7 7

7 7 7

X X X

 

w/ Voc. Fig. 2

Gmaj7



X X X X X X

       it.

X 14 X 15 X 16

it.

                             



X X X X X X





  

                        

Cmaj7

 

feel

   

ights.

w/ Voc. Fig. 1

  

Gmaj7

          

i - i - i

         7 8 9

  

  

    

7 8 9

7 8 9

7 8 9



 

   



An’ it gets so

         7 8 9



dark,



7 8 9

7 8 9

7 8 9

  

X X X X X X

X 14 X 15 X 16

X X 10 X X 12 X X 11

X X X X X X



  

 

 

     

7 8 9

7 8 9

7 8 9

7 8 9



 

7 8 9

X X X X X X

   Swear I’m



7 8 9



gon - na

7 7 7 7 7 7 7 7 7

these



7 8 9



X X 10 X X 14 X X 12 X X 15 X X 11 X X 16

   

         7 7 7

7 8 9

One of

cra

and lone

-

ly.

                        X 14 X 15 X 16

X X X

X 10 X 12 X 11

Gmaj7



 

-

zy, cra

X X 7 X X 7 X X 7

X 2 X 3 X 4

X X X X X X

   -

zy, cra

-

 

                 

7 8 9

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7



7 7 7

X X X X X X

 





         

  

  

         

  

  

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

w/ Voc. Fig. 1

Gmaj7



7 7 7

X X X

and cold

Cmaj7

                       2 3 4

X X 2 X X 3 X X 4

    

zy nights.

X X X

7 7 7

7 8 9

w/ Voc. Fig. 2



dark,

7 8 9



   

so

                         

Cmaj7



         

   

7 7 7 8 8 8 9 9 9



w/ Voc. Fig. 1

     

Gmaj7









7 8 9

  

7 8 9

7 8 9

Cmaj7





                                     find

7 7 7

you, com

7 7 7 7 7 7 7 7 7

X X X X X X

-

in’

right

be - hind

you now.

X 14 14 14 14 X 10 10 X X 7 7 7 X 15 15 15 15 X 12 12 X X 7 7 7 X 16 16 16 16 X 11 11 X X 7 7 7

X X X X X X

7 8 9

7 7 7 8 8 8 9 9 9

7 8 9

7 8 9

9



 

w/ Voc. Fig. 1



Gmaj7



   



Hoo,



 

  





hoo.

                                                                           7 8 9

7 7 7 8 8 8 9 9 9

7 8 9

7 7 7 X 14 14 8 8 8 X 15 15 9 9 9 X 16 16

10 10 X X 7 7 X X 2 2 2 12 12 X X 7 7 X X 3 3 3 11 11 X X 7 7 X X 4 4 4

X X X

14 14 15 15 16 16

14 X 10 10 X X 7 7 X X 2 15 X 12 12 X X 7 7 X X 3 16 X 11 11 X X 7 7 X X 4

2 3 4

Begin fade

Cmaj7



Gmaj7







         7 8 9

7 8 9

7 8 9

7 8 9





    

Ah,

an’ I wan - na say,

 

 

       

7 8 9

7 8 9

7 8 9

w/ Voc. Fig. 1



  

 

7 8 9

7 8 9

7 8 9

7 8 9

2 3 4

X 7 X 7 X 7

ah.

                       7 8 9

X X X

X 14 X 15 X 16



X X 7 X X 7 X X 7

   

X X 2 X X 3 X X 4

14 15 16

X X X X X X

7 8 9

7 8 9

7 8 9

7 8 9



  

  

       

  

  

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

Additional Lyrics 2. One of these dreams, One of these lost and lonely dreams, now, We’re gonna find one, mm, one that really screams. I’ve been searchin’ for the daughter of the devil himself, I’ve been searchin’ for an angel in white. I’ve been waitin’ for a woman who’s a little of both, And I can feel her but she’s nowhere in sight.

10

X 10 10 X 12 12 X 11 11

X X X

Fade out



10 X X 14 12 12 X X 15 11 11 X X 16



Cmaj7

                                2 3 4



 



7 8 9

7 8 9

7 8 9

The Long Run Words and Music by Don Henley and Glenn Frey

Intro Moderately q = 100

  

(Drums)



    

C





 

 

10



f

w/ dist. & slide

8



8

8

C                   

5

F

 





           8 8 9 10

lot.

  

used

11

10





to

  

10

8

11

10

8

10

Verse C

   

   

    

  

10

 8

 



hur - ry a lot, 2. See additional lyrics

7

I

used

to

                  



mf

13

 

13



 

I

used to

               10 9 10

8

1. I

8

a

10



 

wor - ry

8

9



8

 

      

F



 

X X X X 10 X X X X 9 X X X X 10

8 8 9 10

F

    



 

of

 

13 13 14 15

15 14 15



8 8 9 10

 

10 9 10

 

13 13 14 15

13 13 14 15

X X X X 15 X X X X 14 X X X X 15

day.

X X X

  

           

stay out till the break



dist. off w/o slide

© 1979 CASS COUNTY MUSIC and RED CLOUD MUSIC All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission



  15 14 15

X X X



X X X

X X X

10 9 10

8 8 9 10

   Oh,



            X X X X 15 X X X X 14 X X X X 15

13 13 14 15

1

       that did - n’t get it.

    



10 9 10

X X X X 10 X X X X 9 X X X X 10

   

It was

high time I quit it.

              

8 8 9 10



    

 

C

13 13 14 15



X X X X 15 X X X X 14 X X X X 15

was so lone - ly

10 9 10

X X X X 10 X X X X 9 X X X X 10

Pre-Chorus Am

    

know it’s

Did - n’t

   

 

 

 

 

 

 

 

5 5 7 7

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

5 5 7 7

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

X X X X

X X X X

Chorus C

    

   

 

 

 

 

 

 

 

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

1 2 3 3

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

X X X X

X X X X

F

 



in

long

  13 13 14 15

 



15 14 15

              

8 8 9 10

10 9 10

X X X

  

 

           

 

 

13 13 14 15

13 13 14 15



 

(In the





  

 



run.

 



Who can go the dis - tance? See additional lyrics

 

8 8 9 10

true.

 

you.

X X X X 10 X X X X 9 X X X X 10

 

 

I found

10 9 10

   

13 13 14 15

 

till

           

X X X X 15 X X X X 14 X X X X 15

 

     

  

15 14 15

 

  

the



           

 

 

out



13 13 14 15

8 8 9 10

 

way.

 

 

We’ll find

that

on

 

   

 



 

could - n’t car - ry

I

 

 



   

 

   

2

8 8 9 10

 

1 2 3 3

8 8 9 10

           

13 13 14 15

         

    

just

  

           

F

   

I

Oh, I did some dam - age; See additional lyrics

15 14 15

know I

 

  

 



 



8 8 9 10

F

    

X X X X 15 X X X X 14 X X X X 15



 



X X X X X X

X 10 X 9 X 10

8 8 9 10

  We can

long



15 14 15

run.)



            X X X X 15 X X X X 14 X X X X 15

13 13 14 15

C



    



  



han - dle some re - sis - tance

    

              

8 8 9 10

10 9 10

  

 

 

 

strong



13 13 14 15

 





all comes

    1 2 3 3

X X X

X X X

down,

love



is

strong

a

  

           

8 8 9 10

10 9 10

X X X X 10 X X X X 9 X X X X 10

   

 

 

Peo - ple

talk - in’

X 15 X 14 X 15

 

13 13 14 15

a - bout us;

do.

When it

   

 

 

 

 

 

 

 

5 5 7 7

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

5 5 7 7

5 5 7 7

X X X X

5 5 7 7

X X X X

5 5 7 7

X X X X

X X X X

through

  

              

8 8 9 10

10 9 10

in

the

 

 

 

 

 

 

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

1 2 3 3

1 2 3 3

X X X X

1 2 3 3

X X X X

1 2 3 3

X X X X

X X X X

1. C

 long

  

      

C

 

13 13 14 15

else to

 

   

X X X X 15 X X X X 14 X X X X 15

      

 

 

15 14 15

13 13 14 15

 

still come

a

X X X X 15 X X X X 14 X X X X 15

 

we will

it’s

15 14 15

 

 

you,



a

 

 

tell

13 13 14 15

            (Is

 

  

              



noth - in’

 

I want to



   

 

 

 

they got

 



 

 

one.

 

 

    

 

8 8 9 10



 

 

 

F

   

X X X

  

F

13 13 14 15

our



  

           

one.)

15 14 15

   



8 8 9 10

X X X X 10 X X X X 9 X X X X 10

 

Am

  

if

F

   



 long





run.

  

              

8 8 9 10

10 9 10

X X X X 10 X X X X 9 X X X X 10

  

8 8 9 10

run.

Oo,

X X X X 10 X X X X 9 X X X X 10

8 8 9 10

     

G7

2. You know I

  

 

 

   

12 10 12 10

12 10 12 10

12 10 12 10

12 10 12 10



   3

2. C





  

     long

8 8 9 10

run.

13 13 14 15



8 8 9 10

X X X X 10 X X X X 9 X X X X 10

F



 

Eh,

10 9 10

now,

F

      

              

     

  

    eh,

 

in

the

           



15 14 15

X X X X X X

X X X

13 13 14 15

X 15 X 14 X 15

Outro-Guitar Solo C

 





f

8

10

8

8

8

10

15 14 15

 

   8

4

 

   



10

X X X X 15 X X X X 14 X X X X 15

C



11

  

              

8 8 9 10

10 9 10

8 8 9 10

10 9 10

X X X



       10

X X X X X X

X 10 X 9 X 10

   

  

     

12 10 12 10

12 10 12 10

12 10 12 10

12 10 12 10

8 8 9 10

         

      Gon - na find out,

oo,

fi - fi - fi - find



7

5

  

F

          long,

long,

long,

     

long,



    out.

8

9

    Long,

10

8 8 9 10

X X X X 10 X X X X 9 X X X X 10

  

      

F

8

Oo,

run.

              

8

run.

G7

  



11 10

  

long

13 13 14 15

  



  

long

C



in the



        

w/ dist. & slide

 

           

eh,



       



13 13 14 15

 



 

C

long,



long.

10

 8



    

8

9

8

10

 8

C

 



 



 

     

3

5

8

     

run,



10

3 5

3

   

10

8

8

 

3

5

5

 





 

    

5

3



 

run,

8

10

 

3

5

 

 

run,





8 10

ba - by.



Run,

 

8





10

run,

5

 

      





C



 

Oo,

3

babe.

10

  



              

Long,

  

3 5

6

3

3

1

3

5

5

5

8

Begin fade

    

 

8

5

long,

5

 

        

3

5

3

5

4

4

6

 

8

10

 

   

10

8

8

     6

3





  Oo,



10

 

1 3

5



 





5

F



  

  

8

C

      oh.

 

8







 

            long,





 

     

F





F

  

   5

5

Fade out

   

       

 

      

8

10

ah,

8

eh,

10

8

eh.





10

Additional Lyrics 2. You know I don’t understand why you don’t treat yourself better, do the crazy things that you do. ’Cause all the debutantes in Houston, baby, couldn’t hold a candle to you. Pre-Chorus Did you do it for love? Did you do it for money? Did you do it for spite? Did you think you had to, honey? Chorus Who is gonna make it? We’ll find out in the long run. (In the long run.) I know we can take it if our love is a strong one. (Is a strong one.) Well, we’re scared, but we ain’t shakin’. Kind of bent, but we ain’t breakin’ in the long run. Oo, I want to tell you, it’s a long run. Eh, eh, in the long run. Oo, now, eh, in the long run. 5

Those Shoes Words and Music by Don Henley, Glenn Frey and Don Felder

Intro Moderately slow q = 78

  

(Bass & drums)





E5

 





      





f w/ dist. & talk box 1/2



5

    



 5

5

   



7



5



5



 

1/2

7

   

1/2

5

7

7

6

4

1/2

7

7

G5



6

      



5

5







1/2



1/2

7

7

    1/2

7

5

7



6

6

4



1/2

1/2

7

7

7

5

5

     A5



10

 



7

7

1/2

    



7

1/2

10

12

  

B5







grad. bend 1

1

12

8

  

C5







   

  

1

8

5

8

8

8

5

8

© 1979 CASS COUNTY MUSIC, RED CLOUD MUSIC and FINGERS MUSIC All Rights for CASS COUNTY MUSIC and RED CLOUD MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights for FINGERS MUSIC Administered by 2850 MUSIC All Rights Reserved Used by Permission

5

1

B5

      1



  

1

7

7

4



  

1

7

7

4

G5



   

     

  

7

7

4

7



5

1. Tell us what you’re gon - na 2. See additional lyrics

do

to - night,

 





mm, ma

-

ma.



7





  



 



 



     must

be

some

place

you

can

5









5

6

6

4





5

7

5

        



In



1/2

2

7

go.



7

5

1/2

7

   



      

1/2

There









  





5

       

  





1

7

Verse E5

E5



the mid - dle

of

the

tall





 





drinks and

the dra

-

ma,





       

1/2 7

1/2

7

5

6

6

4

  

















 



     there

must

be

some

-

one

you

5



G5

   

      



knows you’re look - in’ good

       1/2 7



  

7

  

  



You might

have

some

-

thin’



10

C5

    

 pret





-





ty

ma

  

1 8









5

7

8

8

5

 

    -





to

lose.

8

7

so rough.



   

1/2

1/2

7

7







 





B5

Oh,

no,





5



  





7

grad. bend 1

10

12

1

12

8

8

B5



ma,



5

     



    1/2

7

 

you’re so smooth and the world’s

1/2

   



but

   

1/2

  

 

e - nough,

7

A5





5

God





know.















what

you

gon



  

1

5 7



-

4

7

E5



 



na

do

in

shoes?

  



  

1

7

G5



1

7

5

4

7

those



  

1

7

4 7

7

5

3

 





  



1.







 



5 5



 

7

5

Guitar Solo E5

    







     

 



  





12

12

12

15

1 15

15





 

14

      



  1

15

15



5



1

15

15

15

1



1

 

grad. release 1



 







2.

grad. release

15 15

14

14



 

 

       

8va





grad. bend

grad. release 1

1/2

17

17

12

12

          8va

loco



15

14 12

14





15







grad. release

   





   



17 15 17

1 1/2 1 1/2

17

17

F#5

   

8va

  

17

4

17 15 17

17

G5

      



grad. release

17 15

  

   1 1/2

12

17



 



17 15 17





17 15 17

17

1 1/2 17



      

19

19

grad. release 1

17

15 17

grad. bend 1/2

3 1

17

grad. release

1 1/2

A5 8va

         

15

17

17

1/2

15

1 1/2 19

17

15

18

17

20

19

17

    

            8va



grad. release

1

1/2

17

18

19

1

19

19





B5

   

17

 



 

grad. bend

12

 

1

12

14





look

-

 15 15

15 15

  0



  0





lean - in’ on

 

0

0











They

give

you





0

12





 

3. They’re

Tell you an - y - thing you wan

0



   of

 X   X 

              

tab - lets

  0

you.

0



15

P.S.

12





15

           

     

you,

0

   

in’ at

12

1

12

loco

*

    

15



14

*Bend both notes w/ same finger.

  



1

12 12

X X

Verse μ(E5)

      

loco



grad. release

15

    



E5

2

12



C5

17

G5

 8va



19

19



B5





 

0

0

-

hear.



0





na



love.



 

They’re

  0

0





  0



0

5

  

    

wait - ing for







  0





got

  0

to

score

 

G5

      

you.

0

0

0



to

0

0

kick



0

0

 

You just want some - one to talk





0



to,



love.



 

      

 

sin - cere.

      

    they got

 



 

 

Hit me with the shov - el, it’s so

0

 

             



Mm,

0



you,

0

   

     



0

  0

     



they just wan - na get their hands



0

    on

you.

  

0 0 X 3

A5

           You get what - ev

    2 0

6

-

er

you

  

choose.

B5



  Oh,

 

C5

    

no,

you can’t do

   

 

2 0

5 3

4 2

   that



B5

 





once you’ve start - ed

   

 

4 2

4 2





G5

E5

 



wear - in’ those

      



4 2

       

 





B5

G5



that



5 3

4 2

4 2

Outro μ(E5)





those



 0

  0

0

 

  0

0



 

0

 

3



 0

4 2

5 3

no,

 

 

2 0

4 2

        3

0

 







Shoes.

0





2 0

 

0



5

Oh,



shoes.

Mm.

 

   

B5

     

          4 2



E5

     

once you’ve start - ed wear - in’

 

 



 

 

2 0



 

 







2 0

  

you can’t do

 

 

5 3

C5



shoes.

 

4 2



  

A5

 

0

 

0

 0

  0

0







0

0



Play 3 times

 

  0

 

0

 

 0



0



0

Additional Lyrics 2. Got those pretty little straps around your ankles, got those shiny little chains around your heart. You got to have your independence, hmm, but you don’t know just where to start. Desperation in the singles bars, and all the jerkoffs in their fancy cars, you can’t believe your reviews. Oh no, you can’t do that once you’ve started wearin’ those shoes.

7

Witchy Woman Words and Music by Don Henley and Bernie Leadon Intro Moderately q = 100 Gm

      



  

  

F/G Dm/G

 

f



 

12

12

F/G Dm/G

 





 

12

12



w/ dist. 10

12

10

1.

12

10

10

2.

  

C5/G Bb5/G G5

   



10

8

Verse Gm6

   



10

5

10

3

3

      

1. Ra - ven hair 2. See additional lyrics

8

mf

10

8

3

         let ring

   

5

 

3 3

and

3

3

   5

-

by

3

3

3 3

5

lips,

   

3 3

0 3 3

    0 3 5 4

5 5

5





sparks

fly

      

ru

5 5

        





0 3 5 4

3 3

5

   



   

5

5 5

3 3

5

D9



          033  5

3 3

        let ring

    

 



w/ clean tone

         let ring 5 5



Gm7

    

3 3

 from





5

3 3

 



C5

  



     

C5/G Bb5/G

  

X X

  her

fin -



5

© 1972 (Renewed) CASS COUNTY MUSIC and LIKELY STORY MUSIC All Rights for CASS COUNTY MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

1

Gm7

  

    

-

ger - tips.

3

    

-

less spir

6 3

    

-

it

on

wom

Hoo,

 

2

end

-

3 2 0

 

3 3 3 3

3 3 3 3

3 2 0

1 1 X 0

3 2 0

 

  

3 3 3 3

3 3 3 3

3 3 3 3

witch - y

she

3 2 0

3 2 0

3 2 0

3 2 0

an,

3 2 0

3 2 0

C5 Bb5

Gm7

  

  



3 2 0

   

          5 5

3 3

3 3 3 3

0 0 X 3

       

                  1 1 X 0

hoo,

flies.

       

     -

  

   



 

3 2 0

wom





3 3 3 3

high

        

she’s a

Hoo,

  

see how

  

  



Chorus Gm7

5 X 3

1

7

7

7

flight.

D7

  

 

less

3

  

an,

3 2 0

hoo,

-

5 X 3

3 2 0

  

Harm.

3

        

                   3 2 0

let ring

      

an

    

witch - y

3





night,

  

Gm7

7 X 5

D7

1 1 X 0

3

the

5

             8 X 5

6

     

   rest

5 X 3

         in

   



D7

voic - es

let ring

5 X 3

1

  

Ech - oed

            5 X 3

  

3 2 0

she got

the

moon

in

her

3 2 0

3 2 0

3 2 0

eyes.

                 

1 1 X 0

3 2 0

3 2 0

C5

Bb5

1. Interlude Gm/Bb

Gm7

             

5 5

 





 

3

3

5

D/F#

         

       



0 3 3

8

5

Gm

7

5

5

7

D/F#

        

 

3

Gm/Bb

Dm/F



3

  

 

f

5 5

5 5

 

5

5

Gm

   

 





      

w/ dist. 1/2

  

1/2

5

  

3

5

7

5

Gm/Bb

        3

2. Interlude

mf

dist. off



5

6

5

2. She

1/4

3 3

5

7

5

    

Bb G5



5

3



7

    

  





5

 



5

6

7

 

5

               6





f

C Bb C



D

w/ dist. 1

0 0 X 3

F D C D

F



    

3 3

Gm7

5

 

     

5

7

Dm/F





1/2

5

5

 

3

Guitar Solo Gm

 



5

7

5

7

5

  

 

6

6

1/4

5

3 3 7

5

7

6

3

5

3

3

5

3

5

8

8

8

3

          

1

1

8

1

8



1

8

8

8

6

7

7

5

                          8

6

8

6

6

8

Interlude Gm

 

8

Dm7



 

6

3

5

3

  

5

3

Bb

 

       



5

      3

2

 

3

2

3

  

 

3

5

 

 

5

 



5

7

5

3

6

      

Gm

1/4

3



7

5

6

6

8

 8

Gm





Ah.

       

 

   

3

3

C

Ah.

 

5

D7



Gm

1/4

5

3

  

Bb



C

                 

 

       

         



(Ah.











13

Dm7



 

  

D7



 

Ah.

 

 

       

 

    

Gm

  

   

Ah.

       

 

 

       

       

Ah.)

 



1 13

4



 1

8

 









    

Gm



   

3 3

3 3

1 1

 

F

Dm

F

   

  

3 2

Dm

1 1

3 2

1. C5 Bb5

   

  

3 2

3 2

5 5

3 3



G5

  

 

5 5

2.

C5 Bb5

  

 

 

3. Well, I

  

Verse Gm6

      

know

  

  

mf



dist. off

3 3

0 3 3



5 5

5 5

C

let

  



Gm

  







 

 



-

il’s

bed.

An’ there’s some

    

ru - mors

go - in’ ’round,



 



dev

   3

                      sleep in’ in the

me tell you, broth - er, she’s been

5

Bb

        

       

you want to love her,



      

C5

7

5

6

8

6

7

5

       

3

5

    

    

 

3 3

5 5 5

3 3 3

5

3

5

  

some - one’s un - der - ground;

5

3

she can

  4

3

5

Bb

3

5

3

3

1/4

3

3

C

       

rock you

  

in

the night - time till your

     

let ring

7

6

5 5

3 5

 

5

3

5

3

Gm

  

skin turn

red.

   

   

let ring

3 5

3

 

5

5



Chorus G5

 

D5

  

Hoo,

  

hoo,

witch - y

                 

  

     wom

-

an,

  

see how

 

high

she

flies.

               

       

       

7 5

7 5

7 5

w/ dist. P.M.

5 3

5 3

5 3

5 3

C5 Bb5

5 3

5 3

5 3

5 3

  



3 1

F5

D5

C5

5 3

5 3

D5

5 3

5 3

5 3

the

in

her

5 3

3

Bb G5

     

5

 

6

3

5

5

   

3

1

eyes.

  

3

F



 

D

3

C

1

D

5 3

5

7 5

F

7 5

    

wom

-

an,

7 5

D

7 5

C

7 5

7 5

D

7 5

7 5

7 5

C

Bb

C

f 6

5

7

5

7

5

3

3

C Bb C

3

1

3

7 5

       



Additional Lyrics

Bb F Gm6

   1

1

     3

2. She held me spellbound in the night, Dancing shadows an’ firelight. Crazy laughter in another room, An’ she drove herself to madness with a silver spoon.

6

7 5



8

3

7 5

               

5 3

 

grad. rit.

5

7 5

witch - y

5 3

        3

7 5

  

 

3

5

7 5

D5

5 3

  

P.M.

5

5 3

Bb5 G5

          3

7 5

hoo,

5 3

C5 Bb5 C5

moon

7 5

  

5 3

          she got

7 5

       

P.M.

3 1

7 5

Hoo,

                  5 3

7 5



G5

    

7 5

    3



5

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