Grooves Of GADD .pdf

April 7, 2017 | Author: Sebastian Corrinth | Category: N/A
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©2006 nu-fusions Jason Bowld & Paul Brook

The Grooves Of Steve Gadd 50 Ways to leave your lover - Paul Simon



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    

  

L R

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   

L R L

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Ace in the hole - Paul Simon R L L R

            

 

Casino - Al DiMeola (Intro)

   

                

R

R R L R L

  

   

     

.

L R

.

L R L

.

       

.

R

R R L L

     

R L L R                 

R.H. on cowbell OR ride cymbal bell

L L                                         

 3  3  3               

Dark eye tango - Al DiMeola R.H. on cowbell

      

 

 

 

 

 

 

   





 









REALLY EMPHASISE THE ACCENTS ON THE FOURTH 16TH NOTES OF BEATS 1,2 & 3

 

 



 

Pure imagination - Bob James (under piano solo) R.H. on ride cymbal bell . L R L R L R L . L R L



  

 3  3  3            



Lenore - Chick Corea R L L R L R R L . R L . R L .

 



 



 

 

 



L

R





  

R



    L





        1 2                                            .

Sicily - Chick Corea (samba feel) L L R L R R L R L L R L R R L R

                                                     L L R L R R L R L L R L R R L R

2

                                        

Midtown rush - Tom Scott

LR

Two trademark Gadd fills

   R

L

L

 

 6

R

R

R

.

R

L

     

  L

L

L

L

3

6

R

L



 

R

                 

 

Chuck E.'s in love - Rickie Lee Jones (intro)

   3   3  3     3   3   3   3  3  half - time feel                                                   . L LRRL LRL

  3   3  3                    

3    3  3                 

 

 etc.    

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