Green-Day-Tre-pdf.pdf

January 22, 2017 | Author: suzukivt | Category: N/A
Share Embed Donate


Short Description

Download Green-Day-Tre-pdf.pdf...

Description

from Green Day - ¡Tré!

8th Avenue Serenade Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool

Intro Fast q = 174 *D

      

Gtr. 1 (slight dist.)

11 0

11 0

9 0

11 0

0

0

14 0

11 0

0

9 0 0

0

0

11 0

            

11 0

11 0

11 0

9 0

11 0

0

14 0

0

0

*Chord symbols reflect basic harmony.

A

μ

D

             11 0

D

             

            

f



A

9 0

0

11 0

0

*Gtrs. 1 & 2





   



             Riff A

11 0

11 0

11 0

9 0

11 0

0

14 0

0

0

*Gtr. 2 (slight dist.); played f. Composite arrangement

 



A

D



A





D

   



1. Say

   



11 0

0

   9 0

0

 

 

11 0

11 0

Verse D

 

  

End Riff A

A

 





Riff B

 

11 0



hel - lo Rhy. Fig. 1

    

  

  

  

  

      

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

0 0

6 7 7 5

   

  

11 0

0

11 0

9 0

  

G5

from your

win

 

               6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

0 0

5 5 3



  

 

  

0

14 0

11 0

0

0

   -



   

End Riff B

9 0



 

  

0

11 0

11 0



7 7 7 5

Em

  



dow.

Say

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

5 5 3

5 5 3

              

let ring

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

2 2 0

1

     





G5

  

  

good - bye

 

   



let ring

0 0 2 2 0

2 2 0

0 2 2 0

2 2 0

5 5 3

0 0

D

from

car.

 

your

  

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

  

7 7 7 5

0 0





A5



D

   



Say

               

       

 

    

  

  

  

  

  

  

  

  

  

             

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

End Rhy. Fig. 1

7 7 5

0 0

7 7 7 5

7 7 5

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)

A

 









good - night

from your

G5

   

   so

G5



 

long

from



pil

-











 

the

Em

  





low.

Say

D

    

  

 

A5

  







D



 





stars. (Oo.

 

Gtrs. 1 & 2

   



let ring

       

 

0 0 2 2 0

0 2 2 0

2 2 0

2 2 0

                 5 5 3

5 5 3

0 0

5 5 3

5 5 3

5 5 3

5 5 3

0 0

  

7 7 7 5

  

  

  

  

  

  

  

  

  

            

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 5

0 0

11 0

7 7 5

Interlude Gtrs. 1 & 2: w/ Riff A (3 times)

 

D









A





D



 









A







D



 



Oo.

Oo.

Gtrs. 1 & 2: w/ Riff B

 











A





D



 













A











D



 

2. Take Oo.)

2

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)

D

A

   

  





a

walk

 

to

 

me







-

dle

songs

of

my

 

a

          let ring



for - get

pass

by.

2 2 0

G5

-

in

 

-

a

Rhy. Fig. 3

          

  

  

  

      

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 2 2 0

0 0 2 2 0

0 0

5 5 3

0 0

   

tion

runs

a

5 5 3

5 5 3

5 5 3

5 5 3





D

 







Em

  



Don’t







Rhy. Fig. 2

Em





  





7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5



0 0

0 0 X 2 2 0

Em

 



way

7 7 7 5

my

                

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5



End Rhy. Fig. 2

               

 

0 0



As

                5 5 3

A5





  

D

-









7 7 7 5

  

   -

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

  



life.

 

0 2 2 0

0 0



Cra -

-

    

     ag

mid

me



Sing

  



D

to



bye.

 

    

2nd time, Gtr. 3 tacet

-

-

G5



for

 Chorus

im

 

                       

2 2 0

Em

D

la





Em

life.

   -

 



 

0 0

    

 

lul

G5

Gtrs. 1 & 2

2 2 0

out

  

A

   

G5



G5

  

 



on

  

End Rhy. Fig. 3

  

  

  

  

  

  

  

  

  

  

  

  

       

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

0 0

0 0 X 2 2 0

3

Gtrs. 1 & 2: w/ Rhy. Fig. 3

    

  

 

this

Eighth

     me

Av

G5

 

  

en

-

-

    

G5

at

bath

 

the

           

  

  

    

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 2 2 0

Gtrs. 1 & 2

0 0 2 2 0

0 0 X 2 2 0

0 0

  

   

ue

ser

e

  

   -

-

room

 

-

stall,

5 5 3

5 5 3

  

0 0 X 2 2 0

0 0

G5

    

meet me

5 5 3

5 5 3

5 5 3



 



meet

  

               

5 5 3



Em

nade,

Em



  

D

at

 

the

Whis

  

  

  

  

    

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 2 2 0

-

p’ring



Em

Wall,

                5 5 3

5 5 3

5 5 3

0 0

  

  

5 5 3

5 5 3

5 5 3

0 0 X 2 2 0

0 0

Interlude

    

G5

    

be - fore

all

 

the

flames

          

  

  

  

      

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 2 2 0

0 0 2 2 0

  

  

0 0



μ



burn

5 5 3

5 5 3

5 5 3

5 5 3







A





out. (Oo.

            

5 5 3



D



D





 

Oo.

           

             

11 0

11 0

9 0

0

11 0

0

0

14 0

0

0

9 0

0

11 0

11 0

11 0

Gtrs. 1 & 2: w/ Riff A (2 times) 2nd time, Gtrs. 1 & 2: w/ Riff A (3 times)

 

D









A





D





 









A







D



Oo.

To Coda 1st time, Gtrs. 1 & 2: w/ Riff B

   



Gtr. 3 (slight dist.)







2nd time, Gtr. 3 tacet









Oo.

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)

A









D

D

  

     

 

11 0

11 0

11 0

f

4



 

A



9 0

    0 0 0

11 0

G

      

 



11 0

11 0

0 0

9 0

  12 12 12

  

 

   

 

    

 

   

 

 

 

 

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

13 12 12

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

X X X

  

 

 

 

 

 

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

D

 



 

11 0

0 0

 

 

 

11 0

9 0

11 0

Em

   

 

 

 

11 0

11 0

9 0

11 0

  

 

   

 

 

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

 

 

0 0 0

11 0

 

 

10 11

11 0

 



9 0

11 0

0 0

 0 0

12 12 12

G

   

 

 

 

 

8 9 9

8 9 9

8 9 9

8 9 9

8 9 9

8 9 9

Gtrs. 1 & 2: w/ Rhy. Fig. 2



    11 0

  11 0

  9 0

   11 0



10 11

 

 

  0 0 0

D.S. al Coda

 

 

11 0

Em

 



 

    

11 0

11 0



9 0

Em

 As



9



 

   

8 9 9

8 9 9

8 9 9

8 9 9

  0 0 0

A



 

    8 9 9

8 9 9

0 0

G

 

 

 



A

G

 

12 12 12

 

 

11 0

11 0

 

12 12 12

D

 

 

 

0 0 0

11 0

11 0



  

11 0

 

 

 

 

    

 

12 12 12

12 12 12

12 12 12

12 12 12

12 12 12

13 12 12

12 12 12

 

   

 

   

12 12 12

12 12 12

12 12 12

12 12 12

 Coda

μ

 

12 12 12

D

 0 0

  11 0



my



    Gtrs. 1 & 2





11 0

5

from Green Day - ¡Tré!

99 Revolutions Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Very fast q = 172

μ Gtr. 2 (slight dist.)

 

(Drums)

μ(C5)



Riff A1

 

2

Gtr. 1 (slight dist.) (Drums)

 



5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

12 12 12 12 12 12 12 12

12 12 12 12 12 12 12

Riff A

End Riff A

    f



5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5



5 0

C5

G5

Riff B Gtr. 3 (slight dist.)



   

f





End Riff A1

 



F5

  



 

13 12

12 12

12 12



G5

  



  

12 12

10 10

10 10

End Riff B



  

        

10 10

10 10

f 13 12

13 12

15 12

13 12

12 12

13 12

12 12

10 10

11 10

10 10

10 10

12 12

12 12

12 12

13 12

12 12

Rhy. Fig. 1 **Gtrs. 1 & 2

   5 5 3

12 12

End Rhy. Fig. 1

               5 5 3

12 12

5 5 3

5 5 3

5 5 3

5 5 3

0 0

0 0

5 5 3

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

            3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

                3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

0 0

**Composite arrangement

Gtrs. 1 & 2: w/ Rhy. Fig. 1



      

13 12

13 12

C5 Gtr. 3



15 12

12 12

13 12

13 12

12 12

G5



 

12 12

12 12

13 12



  

F5



  

12 12

10 10

10 10

12 12

10 10

11 10



G5

  

        

10 10

10 10

10 10

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

10 10

12 12

12 12

12 12

13 12

12

12 12

12 12

1

Verse



  



1. Uh, there’s a trou 2. There’s a rat

-



  Gtr. 3

 

G5

  

  

ble in the

F5

  

in the air, com - pa - ny,



a a





rum bail

-



C5

 

  



13

     

           

P.M.

5 5 3

 

 A

5 3

5 3

5 3





go - ing How the

5 3

5 3

0 0





out fuck

of did

              

       

               P.M.  P.M. P.M.

5 3

3 1

3 1

5 3

5 3

5 3

G5

 

5 3

5 3

5 3

 



bus’ - ness work - ing

the

0

3 1











5 3

5 3

5 3

5 3

P.M.

5 5 3

5 3

G5



sale stiff

3 1

3 1

3 1

F5

 

and

3 1

a

 0 0















5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 5 3

5 3

  





race

to be

-

bank - rupt come

5 5 3

3

  so

cy.

-

so - lete?



 

 

3

5 5 3

P.M.

5 3

  5 3



5 5 3



 

3

5 5 3

P.M.

 

 

 

 

  

0

3 1

3 1

3 1

3 1

3 1

3 1

3 1

3 3 1



 

2nd time, Gtr. 1: w/ Rhy. Fill 1

 to and

nine bang

-

ty the

nine; drum

 

 

 

 

 

 

 

5 3

5 3

5 3

5 3

5 3

5 3

5 3

  

 



 

G5

Gtr. 1

 

 

C



not Hit

 

 one the lights

 

 

 

 

0 2 3

0 2 3

0 2 3

0 2 3





P.M.

P.M.

1 0 2 3

0

0 2 3

0 0



Rhy. Fill 1 Gtr. 1

                  P.M. P.M. 5 3

5 3

5 3

5 3

5 3

5 3

5 3

0

  3 1

             P.M. 3 1

3 1

 



Gtr. 2: w/ Rhy. Fig. 2

It’s

2

5 5 3

End Rhy. Fig. 2



ob

P.M.

3 1

(Whoa.)

 



3 1

  

 

Gtrs. 1 & 2





streets. street.

ble in the out on eas - y

Rhy. Fig. 2 Gtrs. 1 & 2









  

Gtr. 3 tacet

C5

3 1

3 1

3 1

3 1

  



it’s and

 0

F5

  



nine let

-

 

 

P.M.

3 1

ty your

3 1

 

3 1

 

3 1

 

  

 

ine flag

 

3 1

-

one. fold

 

 

 

3 1

3 3 1

3 1



to -

call prove it

arms self

for in

F5



the the

5 3

5 3

5 3

 Chorus   

C5



5 3

5 3



nine

-

5 3

5 5 3



ty

5 5 3

C5



   5 5 3

-

3 1

5 5 3

5 5 3

5 5 3

3 1

3 1

rev

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

G5





 

nine

5 5 3

5 5 3

0 0

0 0 3

3

0 0

5 5 3







5 5 3

3



o

 rev

5 5 3

o

sons. souls.

0 0

-

 

0 2 3

0 2 3

0 2 3

1 0 2 3





 



G5

5 5 3

5 5 3

5 5 3

 tions

F5

 



lu

-

3 3 1

3 3 1

             5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0



to - night.

            3 3 1

0 0

It’s

5 5 3

3 3 1





5 5 3

-

a



5 5 3

lu

   -

our lost



0 0

0 2 3

 

F5

-

1 0 2 3

  

5 5 3

and will

P.M.

3

5 5 3





 

5 5 3





                5 5 3

 

5 5 3

0 2 3



3



P.M.

G5

3 1

 



and and

3 1

-



P.M.

                  

ty

5 5 3

3

   

               5 5 3

3 1

nine



Nine

P.M.

3 1

  

 

3 3 1





  

5 5 3



0 2 3



            5 5 3



  

of our daugh - ters of jus - tice

3 1



A com - mon cause ’cause his - to - ry

                P.M.

0

C



Gtrs. 1 & 2

Rhy. Fig. 3

  



    

health halls

                 P.M. 5 3

Csus2



to un

      

G5





C

tions

              

3 3 1

3 3 1

5 5 3

 

 

G5

3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0



to - night. End Rhy. Fig. 3

              5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

0 0

3 3 1

            3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

                3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3

Gtrs. 1 & 2: w/ Rhy. Fig. 3

  

C5





Nine

-

C5

nine

-

rev

G5





ty

 

nine





F5

o

-

lu

-



To Coda

 rev

-



 

o

-



 -

tions







to -

night.

G5



1.

F5

 



lu

-







tions

to

- night.





Nine



ty

  





   

G5

 

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1

C5 Gtr. 3





 

13 12

13 12



15 12

  

G5



 

13 12

12 12

12 12

13 12

12 12

F5

   

13 12

12 12

12 12

10 10



       

10 10

10 10

11 10

10 10

10 0

10 10

G5

         

10 10

10 10

12 12

12 12

12 12

13 12

12 12

12 12

12 12





2.

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 4 meas., 1 3/4 times)

F5

G5

lu





tions

to





  

-

Gtr. 3

 -

 





night.





C5













1









1











1

8

8

8

8

8

8

8

10

10

10

10

10

10

10

18



 

G5

              1

10

4

12 14 14

F5



1





1

         1

G5

  



1



 



1

12

12

12

12

12

12

13

13

13

13

13

13

13

14

14

14

14

14

14

15

15

15

15

15

15

15

15

15 1717









1

15

15

15

17

17

17

17

 

C5 8va





G5





1





1











 

loco

 

1

   



1

17

17

17

17

17

19

19

19

19

19

 



F5





1





1

15

15

15

15

15

17

17

17

17

17

17

0

           1

1

13

13

13

13

13

13

13

15

15

15

15

15

15

15

Bridge

G5

 



F5

  

8va

 













1

16

live





15



17





in

troub - led



 

from

the



times,



15

15

 

loco

1

15

  

  

We

Gtr. 3

  



16

17



17 17

Gtrs. 1 & 2

  

 

 

 

 

 

 

 

3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Rhy. Fig. 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

Gtr. 3 tacet



  ghet

-

tos



         

to

an emp

-

ty sub - urb

-

an

C5







  



home.

We

End Rhy. Fig. 4 Gtrs. 1 & 2

                                                     

 

       

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

X X X X X X

5 5 3

5 5 3

5 5 3

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

0 0

Gtrs. 1 & 2: w/ Rhy. Fig. 4

F5

 

live

  

  

in

troub - led

  times,









 



and

I’m

nine

   -

ty



 

nine

per - cent

  

     sure

that

5

  G5

 

some

-

  



thing’s





wrong.

It’s

  

 

all

wrong.



   It’s

Gtrs. 1 & 2

         5 5 3

5 5 3

                        5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

                5 5 3

5 5 3

5 5 3

5 5 3

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Chorus Gtrs. 1 & 2 tacet

  

μ



nine

-

 -

* C5





Nine

nine



-

rev



ty

  

   



ty

   Nine





 

nine



rev

-

nine

rev





o

-

lu

 -



 

 



o

-

lu

-

   



ty

-



-





F5

o

-

lu

tions









tions



 -

tions





to -

night.









 



to - night.





to -

night.



G5



*Chord symbols implied by Bass, next 8 meas.

D.S. al Coda Gtrs. 1 & 2: w/ Riffs A & A1

C5





Nine

-

G5





ty

 



nine

rev

-





F5

 



o

-

lu

-

 Coda





  

tions







G5



to - night.

Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff B (2 times)

F5

lu

G5

 6

-









  

tions

G5

C5

 

 

G5



F5







to - night.

C5



G5



F5



G5



Gtr. 3 tacet

C5











Nine,

nine

 

 

 

F5

to

one,







G5









Gtr. 3













G5



to







13 12

Rhy. Fig. 5 Gtrs. 1 & 2

  

  5 5 3

   

 

5 5 3

5 5 3

5 5 3

  

   

 

3 3 1

3 3 1

3 3 1

  

   

 

5 5 3

5 5 3

5 5 3

End Rhy. Fig. 5

  

    5 5 3

5 5 3

Gtrs. 1 & 2: w/ Rhy. Fig. 5



C5

G5





F5



 

G5







  

one.

Oo,



C5











G5

C5





G5

C5

G5

C5

G5

C5

G5

C5



G5



yeah! Gtrs. 1 & 2

                                                                         5 5 3

5 5 3

C5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

G5

5 5 3

5 5 3

5 5 3

C5

5 5 3

5 5 3

5 5 3

5 5 3

G5

                           5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

   5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

  

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

C5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

μ

       

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3





7

from Green Day - ¡Tré!

A Little Boy Named Train Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately fast q = 144

F#

      

Gtr. 1 (dist.)

C#5

  

  

  



C#5

         

f

X X X X

11 11 11 11 11 11 9 9

11 11 11 11 11 11 9 9

B5

C#5

       

  

11 11 11 11 11 9 9

11 11 11 9

11 11 9

X X X

9 9 7

X X X

11 11 9

F# Rhy. Fig. 1 *Gtrs. 1 & 2 (dist.)

  

  

  

  

f 11 11 11 11 11 11 9 9

11 11 11 11 11 11 9 9

B5

          X X X X

11 11 9

X X X

9 9 7

C#5

F#

       

  

11 11 11 9

11 11 11 9

X X X

11 11 9

X X X

End Rhy. Fig. 1

  

  

  

11 11 11 9

11 11 11 9

11 11 11 9

*Composite arrangment

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

C#5

     Gtr. 3 (dist.)

B5

C#5



F#



        C#5





  

B5

  

C#5

f

 

F#

let ring

4 4

11 11

11 11

11 11

11 11

11

11

12 11

12 11

11 11

11 11

11



11

                              Gtr. 3

    

11 11

11 11

11 11

11 11

  

  

  

  

  

11 11 11 9

11 11 11 9

11 11 11 9

11 11 11 9

X X X X

Rhy. Fig. 2

Gtrs. 1 & 2

C#5

B5

C#5

F#

11

12 11

11

9

11

    

   

X X X

9 9 7

X X X

11 11 9

11

11

11

11

11

       

   

11

11

   

11

End Rhy. Fig. 2

11 11 11 9

11 11 11 9

X X X

11 11 9

 

Verse Gtr. 3 tacet

            F#5

1. Where did you come

     Gtrs. 1 & 2

 

from?

  

  

Where

have

      



you been?

Looks like you fell

in

   -



  

to

the

  

 

trash

bin.

Rhy. Fig. 3

                4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

                4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

                                4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

1

     

μ C#5







         B



I’m

     

 

       

6 6 4

6 6 4

6 6 4

               

6 6 4

0

6 6 4

           Back in for day

-

light,

catch - in’ a

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

 

 

 

 

 

 

 

 

 

 

 

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

     

shoot

-

ing

for

  

  

  

  

  

  

  

  

  

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2



life - long

  

 

dai - sy

chain

      

 

       

6 6 4

6 6 4

6 6 4

Rhy. Fig. 4

6 6 4





6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

C#5

rat



in - side

a







maze,

Rhy. Fill 1 Gtrs. 1 & 2

 

       

4 4 2

4 4 2



of

my

im - ag

0 0

4 4 2

 

               4 4 2

4 4 2

0

F#5

-

4 4 2

 

  

i - na

-

  

  

  

       

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

B







  

I

got

no

des - ti

          

  

      

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

2



4 4 2

4 4 2



4 4 2



tion.

0

 

A

End Rhy. Fig. 4

                 4 4 2

4 4 2

0 0

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

0 0

3rd time, Gtrs. 1 & 2: w/ Rhy. Fill 1

 





B

0 0



End Rhy. Fig. 3



Gtrs. 1 & 2: w/ Rhy. Fig. 4

     





6 6 4

6 6 4





                  

6 6 4

6 6 4





μ F#5

Like a

  

C#5

car.

 

  

     

a

 

  

 Pre-Chorus

in’

 

  

4 4 4 2

-

 

               4 4 4 2

crash



 

    

stars.

I’m

  

 

0 0

the

train.

    

0 0

4 4 2

F#5

-

 

  

na

-

tion.

                 4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

0 0

0 0

    ’Cause I’m

a

0 0

Chorus

       B

lit

-

tle boy

named Train.

               Gtrs. 1 & 2

4 4 4 2

4 4 4 2

4 4 4 2

      

  

     

4 4 4 2

F#5



tle

boy

  

4 4 4 2

4 4 4 2

4 4 4 2





                   

11 9

11 9

0 0

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

     

4 4 2

11 9

11 11 9

                    

4 4 2

C#

I

11 11 9







know

where

 

   I

11 11 9

To Coda 2 

 

have

P.M.

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

               

11 9

11 9

11 9

11 9

11 9

11 9

know where

I

11 9

4 4 2

4 4 2

0 0

0 0

 

come

from,

         

11 9

11 9



11 9



11 9

11 9

11 9

11 9

11 9

To Coda 1 





been.

     

10 11 11 9

4 4 2

4 4 2

P.M.

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

   



     

P.M.

11 9

4 4 2

4 4 2



Gtr. 2

11 9

you the same.

C#5





                   

2 0

               

 

11 9

0 0

  

  

                P.M. 11 9

tell

Don’t

Gtr. 1

11 9

4 4 2

4 4 2

  



4 4 2

2 0

but

11 9

I’ll

Train.

     



4 4 2

  

 

F#5

named

4 4 2

4 4 2

4 4 2

  

      

F#5

E5



     



 

Ask me a - gain;

E5

-

      B

4 4 2

2 0

           4 4 4 2

E5

     

B

Lit

 

   

 

Train!

         11 9

11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

                 11 9

11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

3

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

    

F#

C#5

B5

C#5

            

  



F#

C#5

B5

C#5

    

 

  





F#



Verse

F#

2. Ser - i - ous peo

-

ple are fun

                     

-

  

ny

to me.

Fun - ny

Gtr. 1

P.M.

4 4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

             4 2

                     

4 2

  



4 2

4 2

4 2

 

peo

-

ple

seem

 

               

4 2

4 2

P.M.

so

4 2

4 2

4 2

4 2

4 2

4 2

ser

-

i - ous.

                

2 2 3

4 2

     

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 4 2

4 2

Gtr. 2

P.M.

4 4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

               

               

                

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 8 meas.)

     

μ

C#5







 



I’m

   B

    

 

  

al - ways

lost,

noth

-

and

ing

 





will change.

D.S. al Coda 1

                    Gim - me

di - rec

-

tions, and

I’ll

   get

      lost



μ

F#5









 

a - gain.

Like

a

 Coda 1 Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

     4

F#



C#5

B5

C#5

F#





C#5

B5

     

C#5

F#

Gtr. 3





4 4









11 11

11 11

11 11

11 11

C#5







11

11

B5



 

C#5



F#

 





 

12 11

11 11

11 11

11 11

11 11

12 11

11 11

C#5 B5 C#5 F#                                   Gtrs. 1 & 2: w/ Rhy. Fig. 2

11 11

11 11

11 11

11 11

11

12 11

11

11 11

      

9

11

11

11

11

11

11

11

11

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 3

                 F#5

6 X 3

μ

     

6 X 3

6 X 3

6 X 3

7 X 4

C#5

  

    

7 X 4

7 X 4

C#sus4

  

  

  

  

  

6 6 6 4

6 6 6 4

6 6 6 4

6 6 6 4

7 6 6 4

  

     6 X 3

   

  

  

  

  

7 6 6 4

7 6 6 4

7 6 6 4

7 6 6 4

C#

6 X 3

6 X 3

6 X 3

6 X 3

            

  

    

6 6 6 4

6 6 6 4

4

6 X 3

6 X 3

6 X 3

7 X 4

  

    

7 X 4

7 X 4

               B

11 X 8

8

11 X 8

11 X 8

11 X 8

11 X 8

12 X 9

           6 X 3

    

12 X 9

12 X 9





                          11 X 8

11 X 8

11 X 8

11 X 8

μ

12 X 9

12 12 X X 9 9

12 X 9

12 X 9

       11 X 8

  

11 8

11 X 8

F#5



11 X 8

11 X 8

11 X 8

12

11

9

8

6

11 X 8

D.S. al Coda 2







  Like

   

9

         

Gtr. 3 tacet

    

7 X 4

7 X 4



a



5

 Coda 2

     



    I

said



I

                        P.M.

don’t

  

Gtr. 1

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 11 11 11 9 9

                         P.M. Gtr. 2

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 11 11 11 9 9

   



know where I

 

come







 

from,

but

I

 

P.M.

         

                  

10 11 11 9

11 9

11 9

11 9

  

 

P.M.

         

               

10 11 11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 11 11 11 9 9

11 9

Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

     



know

where

        

 

   I have

           

                

11 9

11 9

11 9

11 9

11 9

11 9

11 9

                     P.M.

11 9

      Gtr. 3

11 9

11 9

C#5 F#

11 9

11 9

11 9

11 9

11 11 9

11 11 9

11 11 9

11 11 9



C#5 B5



11 11 9



















11 9

11 9

11 11 9

11 11 9

11 11 9

11 11 9

B5

11 11 9

12 11

C#5



11



11 11

F#



9

C#5 B5

11 11 9

  

C#5

  

 

F#

let ring

     

C#5 F#

11 11 9

                

       

4 4

6

11 9

11 9

C#5





F#

been.

P.M.

10 11 11 9

        

11 11

11 11

11 11

11

11

12 11

12 11

11 11

11 11

11

11

Gtrs. 1 & 2: w/ Rhy. Fig. 2



C#5 B5          

11 11

                        

11

11

11

11

11

11

11

11

11 11

11 11

11 11

F#5 Gtr. 3

  

μ

  

Gtrs. 1 & 2 divisi

11 4 4 2

11

11 4 4 2



11

12 11

from Green Day - ¡Tré!

Amanda Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool

 Verse

Moderately fast q = 160 μ

     





1. A

-

man

     

*Gtr. 2 (slight dist.)

    F#



-

da,

 

don’t don’t

  



A#m





you know you know

mf

  

6 7 6 8

6 7 6 8

Rhy. Fig. 1A



  

 

  

6 7 6 8

6 6 6 8







that I

  

 

I was -

  6 6 6 8

6 6 6 8

*Two gtrs. arr. for one.

     

**Gtr. 1 (dist.)

Rhy. Fig. 1





 

f

 

 

 

 

 

 

 

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

 

 

 

 

 

 

 



8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

4

** Doubled throughout

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)

     

G#m

-

    

   



 



still n’t

walk strong

a e

  

  -

 

 

 

 

 

 

  

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

A#m



  when I I was

G#m

   9 9 10 11

4 4 4 6

       

     





round nough.

 

4 4 4 6

4 4 4 6

C#

0





-

get n’t

    F#



   this And

fog in

-

gy your

round wild

  

 

 

End Rhy. Fig. 1A  

9 9 10 11

9 9 10 11

9 9 10 11

9 9 10 11

 

 

 

 

 

     

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

   back smart

in e

-

town? nough.

C#





-



0 0

   I I

was was

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission



a - bout mind,



End Rhy. Fig. 1

 

 

 



0 0



   

a a

dif dif

F#

  -





f’rent man f’rent kid

1

     

A#m

G#m



 



from five from fif

      

A#m



 

  

sec - onds a teen years a

-



 

 



 

for for

cer cer

-

tain, tain,

I I

-

G#m

-





go, go,

  

don’t wan

C#

  

 



and and

you’re you’re





 



know na

a

thing know

a a





a a

  -

F#

  

dif - f’rent dif - f’rent

C#



bout. bout.

wom wom





 

     -

 



Is

this

an, an,

that’s that’s

 some

Chorus

         F#

  

kind

     Gtr. 2

     Gtr. 1

of

love

F#7



   



that

 

 

 

 

 

 

 

 

6 7 6 8

6 7 6 8

6 7 6 8

6 7 6 8

6 7 6 8

6 7 6 8

6 7 6 8

6 7 6 8

Rhy. Fig. 3

B

  

on - ly



hate

  

would

un - der

-

               

 

 

 

 

 

 

 

 

6 7 9 8

7 7 8 9

7 7 8 9

7 7 8 9

7 7 8 9

7 7 8 9

7 7 8 9

7 7 8 9

7 7 8 9

6 7 9 8

6 7 9 8

6 7 9 8

6 7 9 8

6 7 9 8

6 7 9 8

6 7 9 8

Rhy. Fig. 2

                4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

                 4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

0 0

0 0

                9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtr. 2 tacet

       Bm







stand?

       



 A

   

    F#5

-

 

man



-



da,

End Rhy. Fig. 3



10 7 7 9

        9 9 7

2

  

 

 

 

 

 

 

   

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

0 0

To Coda

     

C#5

       I

could

-

n’t

be



your

                   

D.S. al Coda



F#5

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

0

-

man

-

da

               

  

  

  

  

6 6 6 4

6 6 6 4

6 6 6 4

6 6 6 4

6 6 6 4

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2





 2. A

       





man.

End Rhy. Fig. 2

Gtr. 1



  

C#

0 0 0

4 4 2

4 4 2

4 4 2

6 6 6 4

 0

 Coda

Interlude

       F#5

E5



  

B



E5

F#5

E5

B





E5

man.

     Gtr. 1

Rhy. Fig. 4

      

 

4 4 2

4 4 2

    2 2 0

2 2 0

 

      

4 4 4 2

4 4 4 2

2 2 0

 

 

      

2 2 0

4 4 2

4 4 2



   2 2 0

2 2 0

 

      

4 4 4 2

4 4 4 2

End Rhy. Fig. 4

  2 2 0

2 2 0

Gtr. 1: w/ Rhy. Fig. 4

    

F#5

E5

B



E5

F#5



E5

B



E5



Bridge

     

F#5

μ

   I’m

  

not playin’ with your

         Gtr. 3 (dist.)





A#5



G#5

A#5

mind

  

B5



 un

-





less

you

       

       

11

12

mf

let ring throughout

11

       Gtr. 1

4 4 2

11

11



11

11



11

11

11



11

11



11

11

11

        8 8 6

6 6 4

11

11

  

 

8 8 6

9 9 7

11

12



11

12

11

12

11



3

          B

C#

  

think

I

F#5



am.

11

12 11

13

14

13

14 10

11

11

11

11

 

    

 

8 9 9 7

X X X X

10 11 11 9

10 11 11 9

10 11 11 9

4 4 2

B5







like

a

bat

     Gtr. 4 (dist.)

11

11



C#5

11

11

11



ter

-



ing

ram.





12



11



12



11



12



11

  



12

14

11

13

0 0



13



14



13



14



13



14



13

 

4

11

11

 3









14

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11 11 9

11

   8 8 6

6 6 4



 

4

11





        Gtr. 1

11

        

 

16

    

11

μ

f

Gtr. 3

11



 





11

8 8 6

    -

heart

       

 

     

A#5

     

  

0 0

my

 

G#5

 

        

0 0

crush - ing

A#5

  

   



’Cause you’re

               12

μ

 

 2 2

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (4 times) Gtr. 3 tacet

         F#

Gtr. 4

2

4

2

 



2 2

2 2

 

2 3



 

 

14 15

14 14 15

14 14 15

A#m







0 0

14 15 16

C#

     



1

1







    

2 2

2

3

4

F#

2

6

6 X 4

4

4 2

4 X 2

1



  



2 2

2 2

2

4

2 2

 

  

2 2

2 2

A#m

       

0 0 0

11 X 9

11 X 9

11 X 9

 

11 X 9

3 X 1

            

4

 

A#m

G#m

 



 

4

3

4

3



  0 0 0

16

16

4

 

 

6 X 4

6 X 4

        

F#

   

6 X 4

6 X 4

6 X 4

6

 

11 X 9

C#

3 X 1

3 X 1

3

4



4

         

G#m

                      8 X 6



G#m

0 0

6 4

11 11

11 11

11 11

11 11

11 11

11 11

12 13

12 13

12 13

16

    

C#

      



 

1/2

12 13

    

14 15

F#

14 15

  



2

2 2



2

4

14 15

14 15

14 15

14 15

16 16

     

 

2 2

2 2

3

16 16

A#m

14 15

  



2

2 2



2

4

14 15

12 13

  2 3

12 13

 

11 11

11 11



 

2 2

2 2

6

0

G#m

6

  



2

2 2



2

4

  2 3

2 2

4



2 2

   2 2

0

0

5

Chorus Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 3

     



   

some

kind

C#

     







Is

this









F#



1/2





4

2

 



of

love

F#7









that





on - ly



1/2

3

3

4 4

Gtr. 4 tacet

    

B

   hate



 

would

un

Bm

 

 -

der

-







 



stand?

A

-

Outro Gtr. 1: w/ Rhy. Fig. 4

        

F#5

 

man

    

-

4 4 2

6



E5

       2 2 0

B











could

-

n’t

be

your

     2 2 0

4 4 4 2

4 4 4 2

2 2 0

E5

 

 

      

2 2 0

4 4 2

4 4 2

2 2 0

B



     2 2 0



  

B



F#5

E5

man.

E5

E5

     



F#5



F#5



4 4 2

 I

E5

F#5

       



da,

B

Gtr. 1



C#5

4 4 4 2

E5



E5

      4 4 4 2

2 2 0

F#5 μ

 

 

2 2 0

4 4 2





from Green Day - ¡Tré!

Dirty Rotten Bastards Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately fast q = 142 μ

   

 

  







Yeah,



 



 









  



yeah.







yeah,

  



 

F

Bbsus2

  



Yeah, (Yeah,









yeah.

Bb



  



yeah,

Yeah,

F

  





yeah, yeah,

C



  

yeah. yeah.

Rhy. Fig. 1 *Gtrs. 1 & 2

End Rhy. Fig. 1

     mf

  

  

  

  

  

  

  

  

  

  

 

 

 

  

  

  

  

  

  

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 3 3 3 1

1 3 3 3 1

1 3 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

5 5 5 3

5 5 5 3

5 5 5 3

X X X X

*Gtr. 1 (dist.) Composite arrangement

Gtrs. 1 & 2: w/ Rhy. Fig. 1

F

  







 



Bb





Yeah, Yeah,

        Rhy. Fig. 2 Gtrs. 1 & 2

      1 1 2 3 3 1



F

Bbsus2





Bb



all

de - mons;

   

   

1 1 2 3 3 1

1 1 2 3 3 1



    1 1 2 3 3 1

    1 1 2 3 3 1

this

is

the

  

  

  

1 3 3 3 1

1 3 3 3 1

1 3 3 3 1





sea - son.

    1 1 2 3 3 1

    1 1 2 3 3 1

    1 1 2 3 3 1









yeah. yeah.)

F

  

C



yeah, yeah,

Verse F

1. Call - ing



  

Next

stop

   

   

1 1 2 3 3 1

1 1 2 3 3 1

is

C5

 

ther - a

    1 1 2 3 3 1

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

    1 1 2 3 3 1







-

py.

   

 

 

     

5 5 3

5 5 3

5 5 3

1 1 2 3 3 1

5 5 3

5 5 3

 0

1

F

  We’re

Bb

   the

F

C5

    



re - tard - ed

  

and the brok - en - heart

-

F

    

ed, the

sea - son

of

 

mis - er

    

  

  

  

  

  

  

  

  

  

  

  

      

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 3 3 3 1

1 3 3 3 1

1 3 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X

-

 



y.

Here’s

   

  

  

  

  

  

  

  

X X X

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

End Rhy. Fig. 2

5 5 3

5 5 3





Gtrs. 1 & 2: w/ Rhy. Fig. 2

F

   to

 



gon - na







take

it

fur

F

μ

 

  



live.

   

  

     

1 2 3 3 1

1 2 3 3 1

1 1 2 3 3 1

  



I

 -

ther,

to



 



zy.

can

al - most taste

Bb

 

Here’s

Gtrs. 1 & 2

F

    



the wast - ed.

F

F

 



it,

re



 

Bb

Here’s to







get

a - way

Chorus Bbsus2

God’s

with

mur

-

ers.

 

jects,

of

waste

 



 times.

A,

C5



los

-

  

F





   all

the

C5

-















der,

and

no

one

here

is

get - ting

 

F

     Ra, da, da, da, de.

Bbsus2











out

a -





The bot - tom - feed - ers

fren

-

  

  

  

  

  

  

   

   

   

   

   

   

  

  

  

  

  

  

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1



Bbsus2

all







blood - suck

-

ers,

 

F

     sing

a - long with me.

’Cause we

 

    G5

don’t

say

no,

scream

     

   

   

   

   

   

   

  

  

  

  

  

  

   

   

   

   

   

   

  

  

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

2

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)

C5

μ





two,

three!

   

 

 

5 5 3

5 5 3

5 5 3

 

one,

Bbsus2







 

Bb





Yeah, (Yeah,



F







yeah. yeah.

F







yeah, yeah,















C

  

F











 

Bb





Yeah, Yeah,

F









yeah, yeah,)

  =  

Gtr. 2 tacet

 

        C5



yeah,

       Gtrs. 1 & 2

1 1 3 3 1

A5

Bb5





    

Bbsus2

hey!

                               

              

1 1 3 3 1

5 5 3

Gtr. 1

X X X X

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

                3 3 1

2 0

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

Bridge

Bb5









We’re

                  3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

    3 3 1

3 3 1

 

   too old

to

be

    mis - be

-





    



haved.

We sold our souls

and

                                            3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3



  

of

our

  



so

a

-

shamed

   

 



  

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

Bb5

 

   

 

3 3 1

3 3 1

 

 

F

 



-





  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

0

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

2 0























Write me

a

let - ter

and









So

we

wait

for

Miss



    

 



  

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

    send it

 

to

grave.

my

Judg - ment

C5

    



3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

0 0

0 0

5 5 3



    

 

3 3 1

3 3 1

3 3 1

5 5 3

5 5 3

5 5 3





  

 

 

3 3 1

3 3 1

3 3 1



    

 

3 3 1

3 3 1

3 3 1

Ab5



5 5 3



Day.

 

                                    3 3 1





selves.



3 3 1

A5

5 5 3

5 5 3

5 5 3



5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

Eb5

Bb5 C5





                5 5 3

  



5 5 3

5 5 3

     5 5 3

 

   

8 8 6

6 6 4

8 8 6

10 10 8

Interlude Double-time feel

F5

     10 10 8

4

μ



F5











  

10 10 8

μ

Bb5

C5



 

 

8 8 6

10 10 8

F5

D5

    

         

 

         

10 10 8

10 10 8

10 10 8

Rhy. Fig. 3

 

10 10 8

10 10 8

Verse F5

   

10 10 8

10 10 8

μ





2. All fucked chopped me a

     



up, be line of my

  

 -

10 10 8

10 10 8

10 10 8

 

Bb5

C5

 

         

12 12 10

10 10 8

D5



C5

     

Bb5

12 12 10

12 12 10

10 10 8

10 10 8

C5 Play 4 times End Rhy. Fig. 3

     

8 8 6

8 8 6

10 10 8

D5

C5



 

10 10 8

Bb5



C5

in - ter - ven - tion. yond ash - es. best friend’s

Rhy. Fig. 4



C5





10 10 8

 

         

12 12 10

10 10 8

     

 

 

10 10 8

8 8 6

10 10 8

Bb5

C5

10 10 8

8 8 6

10 10 8

8 8 6

C5

Bb5

End Rhy. Fig. 4

Gtr. 1: w/ Rhy. FIg. 4 (3 times)







F5



μ





Fuck Dust

the to

world; dust,

F5



μ

Long, What

lost the

F5

μ

on af















this when

is the

my red







souls fuck



-



and does

liv - in’ “O.





bend - er; a ter - life

it’s is

Pre-Chorus

  

 

Eb5

got

   

the

    8 8 6

          8 8 6

8 8 6

8 8 6

8 8 6







 in K.”











C5



C5



Bb5

C5



D5





ag dy - ing

es. for?



 

to

binge

 

C5

   

8 8 6

8 8 6

X X X

X X X

Bb5



C5

when

I’m the

C5

Bb5



   

and





surge.

 

         

5 5 3

5 5 3

5 5 3

 

5 5 3

5 5 3

 

 

C5

I’ve I’ve

Oo,

 

 

C5

Bb5



es, for

      8 8 6

D5



cag stand

for the one on - ly worth

 

D5



rev - o - lu - tion. light flash - es.

urge

Rhy. Fig. 5

Gtr. 1





  The

     

 

   

5 5 3

5 5 3

X X X

5 5 3

X X X

5

  

 

Eb5

ta

-

   

  

bles



     

 

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6



turn

         

8 8 6

 

 

 

 

to

crash

and

C5

  



burn.

 

 

         

5 5 3

5 5 3

5 5 3

               

X X X

X X X

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

End Rhy. Fig. 5

Chorus Gtr. 1: w/ Rhy. Fig. 3 (4 times)

F5





Ju

-



li

-

an





make

my

de

F5



 





Ju

-

-

an

a

Hom







mons

come

to

-

-



li



-





a

Hom

-

i

-











won’t

you

be

my

blush

-



C5

Bb5

D5

C5

Bb5



C5

D5

C5

C5

D5

C5





 



life.

Well,



D5



C5



Bb5



C5

D5

C5

 



cide,





ing

bride?

2.

D5

cide,



i

-



-



F5







F5







oh,

1. D5



C5

Bb5

C5



D5



C5

 



3.

I

Interlude Gtr. 1: w/ Rhy. Fig. 4 (4 times)

D5

C5



C5

 

D5



C5



D5

C5



Bb5



C5



Bb5

C5



 

Bb5

Al - right!

Guitar Solo Gtr. 1: w/ Rhy. Fig. 5

          Eb5

Gtr. 3 (dist.)



6

f

1

1



   

        C5



1

1

11

11

11

11

13

13

13

13

13

10

10

8 10

10

 9

 

        Eb5

1

X X

11

11

1



 

1

11

11

13

13

13

15

0 0

8

8

Gtr. 1: w/ Rhy. Fig. 3 (4 times)

C5



          8

D5





8

11

C5



11

 

1

8

Bb5



1

16



3

3

11



F5

                           

8

C5

      Bb5

8

11

D5

11

C5



13

13

16

13

13 16

13 16

13

         3

13

13

16

3

13 16

13 16

F5



16

16

D5 C5



11

   1

16

8

11

3

13

16

16

13

15

13 16 13

3

13

16

13

13

16

         

3

13

13

13

16

3

13

13

16

13

16

13

13

16

D5 C5 Bb5 C5 D5 C5                                           

C5

D5 C5

F5

1

15

15

13

13 13

 

15

15 15

F5

13 15 15 15

13 15 15 15

13 13

15 15 15

13 13

15

D5

 





16

15 15

13 13

Bb5

 





13

13

16

13

16

13

16

13

16

13

16

13

16

13

16

13

1

16

1

16

16

15

C5

D5



  

3 1

13

15 15

C5



                  3

13 13 13 13

13 13

13 13

 

C5

Well,



16

Bridge





Gtr. 3 tacet



F5

Cal Gtr. 1

-



i

-



for

-

 

Eb

nia’s

burn

Rhy. Fig. 6

    3 3 1

         

 

         

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

-

 

  

  

8 8 8 6

8 8 8 6

8 8 8 6



  





ing

to

the

ground,

  

  

  

  

  

  

8 8 8 6

8 8 8 6

8 8 8 6

8 8 8 6

8 8 8 6

  

  

  

8 8 8 6

8 8 8 6

7

  

Bb5

Eb5



Bb5

Eb5



Bb5

Eb5



Bb5

Ab5



  



and

   

         

Gtr. 1: w/ Rhy. Fig. 6 (2 3/4 times)





F5



Ju

-

li



-



F5







-

i

X X X

   

Eb

a

walks



 

Eb

fire

burn



F5

Cal

-



smoke, there’s



an



         

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

 

 -

for





on

ho

-





ly

ground.





- ing

out

the

lights.

 

nia’s

burn

-

 

          

X X X

8 8 6

X X X





Eb

          8 8 6

8 8 6

8 8 6

Bb5



 -

8 8 6

8 8 6

8 8 6

8 8 6

 

End Rhy. Fig. 6

Eb5 Bb5



Eb5 Bb5





6 6 4

8 8 6

8 8 6

Eb5

Bb5

Ab5







Where there’s



Bb5

Eb5 Bb5



Eb5 Bb5



Eb5



Bb5



Ab5

 



’Cause







ing

down

to

 -



Bb5

Eb5



Bb5



night,

End double-time feel

Eb5

Bb5

Eb5 Bb5 Ab5 Bb5

  

 

to

-

                   

8

X X X

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

6 6 4

Ab5





rit.

Eb5

C5





night.

Gtr. 1

8 8 6

C5

8 8 6

               

                rit.

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

      

 

8 8 6

5 5 3

5 5 3

6 6 4

 0

Interlude Slower q = 120 F

Bb

F





Voc. Fig. 1



 

C5

 

 

(Oo,

     

   Gtr. 3

 

  

         

13 5

15 7

15 7

15 7

 

 

     

 

10 2

10 2

11 3

13 5

10 2

 

Gtr. 4 (dist.) divisi

f

10 2

10 2

11 3

13 5

10 3

13 5

13 5

10 3

12 5

Rhy. Fig. 7 Gtr. 1

    

  

  

  

  

  

    

  

  

      

  

  

  

  

  

  

  

  

  

    

               

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

5 5 3



0 0

0 0

F

Bb

F

 





0 0

C5



5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

F

 

 

End Voc. Fig. 1



oo.)

     

    10 2

10 2

11 3

 

13 5

10 3

  

         

13 5

15 7

15 7

15 7

13 5

 

13 5

10 3

 

   

 

   

10 2

10 2

8 0

8 0

8 0

13 5

 



13 6 13

End Rhy. Fig. 7

             

  

  

   

  

  

       

  

  

  

  

  

            

  

  

  

  

  

  

  

  

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

0 0

0 0

0 0

0 0

5 5 3

5 5 3

5 5 3

0 0

9

Verse Gtr. 1: w/ Rhy. Fig. 7 (2 times) Gtrs. 3 & 4 tacet

F

Bb



        4. Cal - ling

F

all

de

We’re

the

mons:

  

this

is

the

Bb

  

 

-

F

sea - son.

Next

re - tard - ed

stop

is

ther

F

and

the brok - en - heart

-

ed,

 



a

py.

-

-

C5

       



  





C5

F

    

the

sea - son

of

 

mis - er



-









y.

Bkgd. Vocs.: w/ Voc. Fig. 1

Bb

  

  Here’s

to



the wast - ed.

I

F

fur

-

al - most taste



it,

re - jects and waste

the

F

get

  of

 

F

       

a - way with mur - der, and

no one here is

get - ting out

 

times.

C5

    

ther,



C5

  

 



it

can

Bb

        Gon - na take

F

    





 



a - live.

Here’s to

Chorus



Bb5

μ

all

God’s







Gtr. 1

       3 3 1



los - ers.

Ra, da, da, da, de.



     3 3 1

Bb

μ







blood - suck

    

  

3 3 3 1

3 3 3 1



μ



 

    

3 3 1

all

10

F5



-

Bb5



The bot - tom





F5

ers,

sing





μ



a - long

 

 

3 3 1

3 3 1



fren

  

  

  

  

  

   

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

with

me.



ers

 



  

3 3 1

3 3 1

-



              



feed

 zy.



-



F

-

3 3 1

3 3 1





3 3 1

3 3 1

3 3 1

3 3 1

0 0

Here’s to





G5







’Cause

we

don’t

say

no,

0

(e = e)





scream

 

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

    0 0

0 0

Outro Slower q. = 67

C5 rit.

    



one,

two,

   Gtr. 3

   



G5

three!

                5 5 3

   

G5



way,

    

1., 2., 3. G5

   

2

    5 5 3



a

 

 

5 5 3

5 5 3

5 5 3





C5

car - ried

 4

 

2

  

2

4

 

-

   

5 5 3

5 5 3

a

way.

2

 

  7 7 5

5 5 3



D5





5 5 3

5 5 3

  



C5





 

0



5 5 3

5 5 3

a -

  

         

5 5 3

5 5 3

 



    7 7 5

   

7 7 5



  

Gtr. 3

4.

7





G5

    

 

9

7



C5



rit.

  

2



5 5 3











7

7

4

2

  

a

-

way,

car - ried



5

 

G5

a

way.

-

 





 

rit.

2

4

2

0

  

   

 

rit.

 

 

   

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

C5



4

Gtr. 1

5 5 3

    

car - ried

Gtr. 3

G5

5 5 3

 

car - ried

   

End Rhy. Fig. 8

way,

10 10



5 5 3

5 5 3

We’re

  -

         

G5

way.

  

car - ried



Gtr. 1: w/ Rhy. Fig. 8 (3 1/2 times)

D5

G5



 



G5



way,

Rhy. Fig. 8

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

 

       way,





C5

car - ried

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

a -

C5



     

           

rit.

car - ried

   

G5

 

15 Gtr. 1



  





C5

We’re





  

Gtr. 3 tacet

D5

4

5

a -

 

5 5 3

11

from Green Day - ¡Tré!

Drama Queen Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool

Intro Moderately q = 109

μ

C

 __ =    3

G/B

Am

Am7/G

F

Rhy. Fig. 1

     

Gtr. 1 (acous.)

 

mf

 

G5 End Rhy. Fig. 1

 

  

  

 

  

  

  

  

  

  

  

   

   

         

   

  

1 0 0 0

3 0 0 2

3 0 0 2

1 0 0 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 X 3

1 2 2 X 3

1 2 2 X 3

0 0 0 0 0 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

0 0 0 0 0 0

 

  

       

  

0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

  

let ring throughout



1 0 2 3

1 0 2 3

1 0 0 0

3 1

0 X 3

0 0 0 0 0

Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times)

C

 

G/B

  

1. She’s

C

 

my

queen.

dra - ma

G/B

   She’s

Am

   

   

 

my

queen.

F

   

Am7/G

is

so

wet

and reck

F

She

dan - gles from

-



less.

  

G5

 

    



  

G5

 

    



She

Am

    dra - ma

Am7/G

her neck

-



lace.

Chorus

Am

Am7/G

 





Dad - dy’s

F







tle

bun



 

  

3

1 2 2 X 3

0 0 0 0 0 0

lit

-

G

Am









-

dle

of

joy,

 

   

   

   

  

  



1 1 2 3 3 1

1 1 2 3 3 1

0 0 0 0 0

0 0 0 X 3

0 0

3 1

1 1 2 3 3 1

  





out

of

a



 

 

0

1 2 2 0

1 2 2 0





Am7/G

 

 



mag - a

-

zine.



 

 

3

1 2 2 X 3

1 2 2 X 3

Rhy. Fig. 2 Gtr. 1





 

 

0

1 2 2 0

1 2 2 0

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

1



D7/F#



C



0 0 0 0

1 2 0 X 2

F

 





is

old

G5





 



Ev - ’ry - one’s

  

    

  





G/B



e - nough

Am



 

dra - ma

Am7/G



  



queen

 

 

 

  

  

 

 

 

 

 

 

 

  

1 0 2 3

1 0 2 3

1 0 0 0

3 0 0 2

3 0 0 2

1 0 0 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 X 3

1 2 2 X 3

1 2 2 X 3

0 0 0 0 0 0





to

bleed

C











now.

    

   

  

  

  

 

 

 

1 1 2 3 3 1

1 1 2 3 3 1

0 0 0 0 0 0

3 0 0 X 3

3 0 0 X 3

1 0 2 3

1 0 2 3

1 0 2 3

End Rhy. Fig. 2

 

 

 

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

Verse *Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

C

 

  

2. She’s

G/B

Am

   

 

my

queen.

dra - ma

   

Am7/G

F





    Her

life

is

now

  un - fold

  

G5

-



ing. End Riff A

Riff A Gtr. 3 (acous.)

  mf





3

2

0

*Gtr. 2 (acous.), played mf Composite arrangement







3

1

3

Am7/G

F

G5





Gtr. 3: w/ Riff A (3 times)

C

G/B

       There goes my

C

       Hey, lit - tle

2

dra - ma

  

 

dra - ma

G/B

Am

queen.

  queen,

Am

    What do

Am7/G

     

you think

F



     oh, did you find

  she’s hold

  your sav

  

-



ing?

  

G5

-

ior?



C

 





Oh,

lit - tle

G/B

 





Am

  





dra - ma

  

Am7/G

F







queen,



you







bet - ter

call

a

 law -

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2

G5

   -

Am



Am7/G

Voc. Fig. 1









yer.

F





Dad - dy’s

lit

-





tle

bun

G

 







-

dle

of

joy,





(Oo. Gtr. 4 (elec.)

 

Riff B







mf





w/ slight dist. P.M.

0

Am

12

Am7/G

 

         out

of

a

mag - a

-







3

1

3

P.M.

0

5



D7/F#



C End Voc. Fig. 1



G/B

      

zine.

Ev - ’ry - one’s dra - ma

Am

Am7/G

     

 



queen

Oo.)



End Riff B







5

3

2

P.M.

Riff C









8

7

5

3

Interlude

F

 

 is

*Gtr. 5

 old

G5





e - nough





to

bleed

C







now.











 

*Piano arr. for gtr. End Riff C

Gtr. 4







 



1

3

3

8

P.M.



  

Gtrs. 1 & 2: w/ Rhy. Fig. 1

C

G/B







mf 12

15

Riff D





 

8

7

7

3

Am







Am7/G

13

13





P.M.

5

  

 



5

3

1

3

Bkgd. Voc.: w/ Voc. Fig. 1 (1st 3 meas.) Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 4: w/ Riff B (1st 3 meas.) Gtr. 5 tacet

           Am

Gtr. 6



Am7/G

3 1 8

1 8



3 1 8

1

8

5



2.



12

  

15



End Riff D

 



1

3

  



            G



1

7

5







Gtr. 6 (elec.) divisi







   mf

15



 



P.M.

3

3

    

     

Am7/G



3

3

1

1

5 8

8

1

8

8

15

15 13

7

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last 4 meas.) Gtr. 4: w/ Riff C Gtr. 6 tacet

D/F#





C





G/B



Gtr.5   



Gtr. 6

 12

15

11

Gtrs. 1 & 2

    

  

   

  

Gtr. 4





P.M.

2

4

Am

Am7/G





13









0 0 0 0

1 2 0 X 2





  2

5

5 7

7

7

3

w/ slight dist. 1

Am

1

5

G5

Gtr. 5

 

3

F

7

7

1. G5



F

14



11

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Riff D (2 times) Gtr. 5 tacet

F



 Gtr. 5



G5





17

15

    

C



    G/B

  



Am

Am7/G

  



3. Hey, lit - tle dra - ma

F

 

      



3

queen,

from New York to San





Fran - cis -



13

G5

-

  

C

C





  

co.

G/B

   

Am

  

  



Ev - ’ry - one’s dra - ma

Am7/G

F

queen,

  

 

    



G5

I think she’s go - ing psy

-



cho.

Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff B

Am

F

Am7/G

 

   Dad - dy’s

C

lit

-

 

    

tle

-

G/B

      

G5

      She’s old Gtrs. 1 & 2

    

   

1 1 2 3 3 1

1 1 2 3 3 1

bun

 

Ev - ’ry - one’s dra - ma

Outro F

of

Am



  

joy,

out

Am7/G

 

  

a

old

    



  

  

  

 

 

 

 

 

 

 

   

   

3 0 0 X 3

3 0 0 X 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

0 0 0 0

1 1 2 3 3 1

1 1 2 3 3 1



now.

1

3

3



8

She’s old



e - nough

G5

to



mag - a

F

e - nough

0 0 0 0 0 0

bleed

of

    



 

8

 

     G5

is

C

Am7/G

F

      

queen

 

P.M.

dle

Am

Gtr. 4



G

-

to

  

  

  

3 0 0 X 3

3 0 0 X 3

0 0 0 0 0 0

C

  

bleed

 

e - nough



zine.

  to



D7/F#



now.

C

  

bleed

 

now.

     1 0 2 3





 

1

3

3

   8

5

from Green Day - ¡Tré!

Missing You Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool A5

E5 5fr

134

Intro Fast q = 166 * A5 E5



Rhy. Fig. 1 Gtr. 1 (slight dist.)

  

f

    

       Gtr. 2 (slight dist.)

f



F#5

  

A

E

5fr 134

   



E5

A5



   Sai - lo.

   

0 0 1 2 2 0

0 0

End Rhy. Fig. 1



       

2 3 2 0

4 4 2

4 4 2

3111

   

  

    4 4 2

1333

D5

  

2 3 2 0

5fr

1333

F#5

   

F#m

7fr

3211

 

  

D

5fr

134





   

0 0 1 2 2 0

2 2 2 0

134

D5

   

D5 7fr

2 2 2 0

*See top of page for chord diagrams pertaining to rhythm slashes.

Gtr. 1: w/ Rhy. Fig. 1

  

A

E

D

     

    0 0 1 2 2 0

2 2 2 0

  

  

F#5

  



  

   

D

E

A



2 3 2 0

   

  

4 4 2

4 4 2

4 4 2

   

0 0

0 0 1 2 2 0

  



Wak - ing

    

       

2 3 2 0

  



up,

  0 0 0 0 0

2 2 2 0

Verse

    

A5

     

2nd time, Bkgd. Voc.: w/ Voc. Fill 1





C#5

  

  



feel - ing it was the

  

nak first

-



ed time

I

Gtrs. 1 & 2

 

P.M.

7 7 5

           

              

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

 

Voc. Fill 1

7 5

7 5

 (First

7 5

7 5



0 0

               

               

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

 time.)

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

1

     

D5



in told



my you

  

 

clothes, I loved

       

  

in - side you

a at

7 5

7 5

7 5

  

7 5

7 5

7 5

7 5

  

     

Lost my Don’t for

-

nerve, get,

 

 

 

   

 

7 5

7 5

7 5

7 5

7 5

7 5

7 7 5

 

  

7 5



Gtr. 2

7 5

 

7 5

 

7 5

   

7 5

7 5

7 5

7 5

7 5

7 5



7 5

7 5

      









P.M.

0 0

 

 

7 7 5

7 7 5

 

 

7 7 5

7 7 5

  

nerv o

    

-

  

-



cant. tion.

               

0 0

7 5

7 5



 

7 5

7 5

7 5

7 5

un not

-

 

 

 

   

 

 

 

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

0 0

   

 

 



 

7 7 5

7 7 5

7 7 5

0

0

P.M.

 

 

7 7 5



  



ing. ver.

I I’m

E5



 



know not

there lost

is

  



’cause

some I’m

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

7 5

7 5

7 5

7 5

7 5

7 5

7 5

9 7

P.M.

Voc. Fill 2

 

 



(O

   -

ver.)

Rhy. Fill 1 Gtr. 2

     7 7 5

2

0

2nd time, Gtr. 2: w/ Rhy. Fill 1

D5

Gtrs. 1 & 2

6 6 4

7 5



   



7 5

 

2nd time, Bkgd. Voc.: w/ Voc. Fill 2

C#5

A5

and it’s ’cause it’s

10 9 7 0

7 5

7 5





 

 

va sta

that’s bus

7 5

   

   

room the

               

Gtr. 1

P.M.

 

     

P.M.

7 5

   











 

7 5

7 5

7 5

7 5

7 5

9 7

P.M.

     -

 

A5

get you.

-

   

thing just

I’m mis

for sing

-

-

         

9 7

9 7

9 7

9 7

9 7

9 7

ting.







7 5

7 5

7 5

7 5

7 5

7 5

7 5

I

                 

*

0 0

   



Well,

               



P.M.

9 7

  

7 5

7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 5

*Gradually lift P.M.

Pre-Chorus D

   

searched

   the

     

moon,

   

7 7 7 5

0 0

  

the

E

  

    

6 7 7 5

6 7 7 5

A

0 0



bed.

0 0

  

6 7 7 5

6 7 7 5

6 7 7 5

D





I’m

   



D

I

punched

6 7 7 5

   

  

walls,

0 0

 

6 7 7 5

0 0

0 0

the pave

-

         

  

  

  

      

  

  

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

9 9 9 7

9 9 9 7

0 0

0 0

ment,

look

-

ing.

  

  

  

     

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

6 7 7 5

6 7 7 5

0 0

0 0



        6 7 7 5

6 7 7 5

 Chorus

6 7 7 5

    

A

      

    

street.

  

9 9 9 7

-

  



A

the

  

  

 

E

 

un

6 7 7 5

0 0

  

       

looked

   

hit

6 7 7 5

ven

7 7 7 5

I

6 7 7 5

0 0

0 0

-

  

E

  

0 0

6 7 7 5

  

ing

7 7 7 5

6 7 7 5

  

A

e

    

the

7 7 7 5

I

  

A

  

0 0



 

D

  

0 0

 

   

 

head.

-

7 7 7 5

pound



my

9 9 9 7

0 0

0 0

A

  

          

9 9 9 7

    

   lost

    

E

     

 

I

6 7 7 5

      der

  

A



0 0

0 0

 

I’m

9 9 9 7

Gtrs. 1 & 2

  0 0

0 0

  

  

  

  

  

    

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

0 0

0 0

3

   

 

E

mis

    

 

D

sing

     

 

 

 

 

    

  

  

  

  

  

  

  

  

  

  

  

  

        

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

 

C#m

mis

0 0

0 0

I’m

    

 

D



E



  

  

  

    

  

  

  

  

  

  

  

  

  

  

  

  

  

  

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

9 9 9 7

9 9 9 7

0 0

0 0

 



D

a a

-

     

  

  

  

  

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7



A

  0 0

0 0



    

  

  

  

  

    

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

0 0

0 0



round round



and and

  

    

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5





I’m I’m

a a





 0 0



-

  

  

  

  

    

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

  



as dis - as

-

ter. ter.

  

  

  

  

  

  

  

  

  

  

  

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

9 9 9 7

To Coda



    

D

you.



 

  



dis ing



  

0 0



9 9 9 7

0 0

1.

E



  

     

-

2. Ah, re - mem



-

sing

  

  

  

  

    

  

  

  

  

  

  

  

  

  

  

  

  

  

  

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

4 5 6 6 4

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

9 9 9 7

9 9 9 7

0 0

0 0



mis

0 0

0 0

1., 2. You’re 3. You’re

  

 

0 0

E





com - plete fuck

    

  

 

C#m

I’m

4

  

you.

  

  

  



      

not not

  

A

sing

E

6 7 7 5

0 0 0

0 0 0

-

     







-

   

you.



A



ber

 0 0

  

2.

Guitar Solo A5





Say

   Gtr. 3 (dist.)

f

     

  

  

  

  

0 0 0 0 0 0

18 Gtrs. 1 & 2

  

  



    

      

F#5



D5

5

5 7



1

7

7 9

9

   

  

   

    

2 2 2 0

0 0 1 2 2 0

0 5 7

0 5 7

0 5 7

0 5 7

0 5 7

  

  

  

  

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

0 5 6

0 5 6

0 5 6

0 5 6

  

  

  

  

  

  

  

  

    

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0





 

D5

      

1

0 5 7

0 5 7

0 5 7

0 5 7

         

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

         2 3 2 0

0 5 7

4 4 2

4 4 2

  



1

7

7

7

9

9

4 4 2

5

5

5

7

7

   

 

2 3 2 0

8 9

        0 0

0 0 1 2 2 0

    0 0 1 2 2 0

0 5 7

0 5 7

  

  

2 3 2 0

A5

1

9

  



4 4 2

4 4 2

D5

7

E5

   

1

0 5 6

F#5

0 5 7

            

1

0 0 1 2 2 0

0 0

E5

   

0 5 6

0 5 7

2 3 2 0

0 5 7

0 5 6

          

2 3 2 0

0 5 7

0 5 6

        

0 5 7

   

5 7

                

  



2 3 2 0

4 4 2

0 5 7

       

1

9

  

         

A5

  

1

0 7

 

0 0

E5







1

7

Gtr. 2

7 7 7 5



1

0 0 0 0 0 0

  

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

  



 

(Gtr. 1, cont. in slashes)

7 7 7 5

D5

hey.

  



   

E5



  

 Gtr. 1    

               

17 18

17 18



17 18

17 18

17 18

 

 

 

 

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

17 18

0 0 0 0

 

 

 

2 2 2 0

2 2 2 0

2 2 2 0

5

Interlude Gtrs. 1, 2 & 3 tacet

 

*A5

E5

D5



F#5



D5

E5



A5



*Chord symbols reflect harmony implied by bass, next 8 meas.

 

E5

D5







F#5

  



D5



E5





A5



 

Whispered: Chick - a - pa.

Interlude A

E

   

my

Rhy. Fig. 2

5 5 6 7





  



blood,

           Gtr. 2

F#m

  



she’s

Well,

D

  

  



  



she’s

E

my

2 2 2 4

7 7 7 5

A

  

  

  



soul.

         

   

7 7 7 5

7 7 7 5

7 7 7 5

9 9 9 7

D



well,

       



I

    

        

End Rhy. Fig. 2



5 5 6 7

5 5 6 7

5 5 6 7

9 9 9 7

7 7 7 5

Gtr. 2: w/ Rhy. Fig. 2

E

   

  

got

so

D







E

 Feels







  



lost

    Gtr. 2                  A

F#m

so

  

D





far

Gtr. 1

P.M.

7 5

6

7 5

7 5

9 7

9 7

9 7

7 5

7 5

        7 5

7 5

7 5

7 5

7 5

7 5

7 5

0 0

A



 

  

D

this

E

E



lone

4 2

4 2

7 5

A

       (cont. in notation)      

star.

It

                4 2





cold.

             

like

             



the

F#m

  





in

     



  



out



D

7 5

7 5

9 7

9 7

               9 7

7 5

7 5

7 5

7 5

7 5

7 5

7 5

   E

D

     

gets

so

hard



              Gtr. 1

  Gtr. 2

7 5

9 7

7 5

9 7

9 7

7 5

5 5 6 7

7 5

7 5

   

         

7 5

     

mis

7 5

7 5

7 5

7 5

7 5

7 7 7 5

7 7 7 5

0 0

7 7 7 5

0 0

  

   

-

D

E

sing

you.

4 2

4 2

4 2

7 5

7 5

7 5

          2 2 2 4

0 0

9 7

Say!

         

9 7

9 7

    



9 9 9 7

7 7 7 5

  

  

               

          

7 7 7 5

7 7 7 5

9 9 9 7

when I’m

       

P.M.

7 5



   

F#m



     

7 5

7 5

7 5

7 7 5

7 7 5

7 5

7 7 5

              P.M.  2 0

2 0

2 0

2 2 0

2 2 0

2 0

2 2 0

Interlude Gtr. 1: w/ Rhy. Fig. 1

    

      Gtr. 2

A

E



     

A5 Gtr. 1

E5

     

Gtr. 2

   

   Gtr. 1        E

8va

7 7 7 5

loco

                  Harm.

7 7 7 5

7 7 7 5

7 7 7 5

     

5 5 5 5

0 0 0 0

0 0 0 0

Outro A5

      2 2 2 0

E5

        0 0 1 2 2 0

   

   

D5

    2 3 2 0

 



   

A

   

   

0 0 1 2 2 0

2 2 2 0



E5

A5

  

  



0 0 1 2 2 0

2 3 2 0

4 4 2

E

2 3 2 0

D5

  

2 3 2 0

open

7 7 7 5



F#5

   

D

       

  



   

 Coda

Gtr. 2

D

4 4 2

D5

  

  

F#5

2 3 2 0



0 0 1 2 2 0

2 2 2 0

 

   

0 0 1 2 2 0

2 2 2 0

D

D.S. al Coda



 

    

 

2 2 2 0

F#5

    4 4 2

0 0

D5

  rit.     rit.

2 3 2 0

E5

   

     0 0 1 2 2 0

0 0



A5

     2 2 2 0

7

from Green Day - ¡Tré!

Sex, Drugs & Violence Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool E7#9 6fr

Intro Fast q = 172 μ E

     

*Gtrs. 1 & 2 (dist.) (Snare drum)

2134

A

  

  

  

  

  

  

  

  

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

X X X X

f



9 9 9 7

B

E

       

 

 

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

6 7 7 5

C#5

B

   

  

  

  

  

  

  

             

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

8 9 9 7

X X 11 X 11 9

8 9 9 7

 

 

8 9 9 7

8 9 9 7

    9 9 9 7

9 9 9 7

*Composite arrangement

E

     

  

  

  

  

  

  

  

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

X X X X

Verse E

   

  

Rhy. Fig. 1

B

      8 9 9 7

6 7 7 5

A

 

1. All my life,

A

trou - ble

  

  

  

8 9 9 7

8 9 9 7

8 9 9 7

E

C#5

  

  

  

  

  

  

  

  

  

          

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

X X X

  

     

fol - lows

me

like

         E

a

mys - ter - y

   

   

   

        

  

  

  

  

        

   

   

   

   

   

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

   

2 2 2 0

A

     

  

I’ve been chas - ing down a

  

2 2 0

     

mem - o - ry

like

a

2 2 0

   

   

        

 

       

  

  

  

  

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

2 2 2 0

2 2 2 0

8 9 9 7

2 2 0

2 2 0

E

   

  

  

  

2 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

4

B



E

girl.

   

2 2 2 0

8 9 9 7

8 9 9 7

E5

   

2 2 0

  

B

   

2 2 0

     



        mys - ter - y

  

girl.

   

2 2 0

8 9 9 7

11 11 9

A

       

2 2 0

B

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

  

      

  

4 4 4 2

4 4 4 2

4 2 2 0

     2 2 0

2 2 0

2 2 0

1

   

search - ing my soul

all

      

E

       

I’ve been get - ting lost,

  

  

A

    

a

-

round this

   

   

   

   

           

  

  

  

  

        

   

   

   

   

   

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

  



2 2 2 0

2 2 0

2 2 0

A

 

I took a wrong

  

turn at

2 2 0

2 2 0

up,

B

and it’s

   

   

   

        

 

 

 

 

 

 

           

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

4 4 4 2

4 4 4 2

Pre-Chorus A

   

2 2 2 0

B

 

      Back

at school, it

nev - er



made much

  

  

  

  

  

  

  

  

  

  

  

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

X X X X

X X X X

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

    

      B

pay

at

E5

-

ten

            8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

-

 0

A



tion.

9 9 7

9 9 7

9 9 7

4 4 4 2

A





4 4 4 2

  

  

2 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

4

B



     

 0

9 9 7

9 9 7

9 9 7

me

the

 

4 4 4 2

4 4 4 2

4 2 2

End Rhy. Fig. 1

   

 

6 7 7 5

6 7 7 5

0

       I

pay, but

I

can’t

  

  

  

  

  

  

  

  

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

X X X X

X X X X

B

hard - est

     

4 4 4 2

And now

      Teach - ing

     



4 4 4 2

4 4 4 2

sense.

     

Rhy. Fig. 2

E5

 

  

freak - ing me out.

   

2 2 0

   

E5

       

2 2 0

  

        

     

grow - ing



E

town.

   

   

2

A

  

    

 

les - sons

of

life.

my

  

  

  

  

  

  

  

  

                 

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

X X X X

X X X X

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

X X X X

X X X X

C#m

   

  

  

                6 6 4

   

G#m

6 6 4

6 6 4

5 6 6 4

   the

  

  

5 6 6 4

5 6 6 4

5 6 6 4

C#m

  

 

way it

  

   

   

   

  

6 6 4

4 4 6 6 4

4 4 4 6 6 4

4 4 4 6 6 4

4 4 4 6 6 4

5 6 6 4

    

  



  

  

  

  

  

     

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

     

9 9 7

9 9 7

9 9 7

9 9 7

  

  

  

  

  

  

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

X X X X ? X ? X

B

    

Safe

9 9 7

     

-

ty

in

num

-

die,

guess,

  

  

  

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

8 9 9 7



  

         X X X

8 9 9 7

6 7 7 5

bers.

A

I

  

B

 



I

  

  

  

  

  

  

  

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

8 9 9 7

-

  

  

  

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

X X X X

X X X X

  

  

 

           

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

9 9 7

9 9 7



9 9 7

9 9 7

9 9 7

9 9 7

        E5

Gim - me, gim - me

dan

     -

gress

to End Rhy. Fig. 2

  

  

  

  

  

    

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

B

0 0



ence.

  

B

  

C#5

  

9 9 7

that’s

  

E5



but

  

re

  

 

  

  

must

  

  

       

Gtrs. 1 & 2: w/ Rhy. Fig. 3

E5

to

  

Eng - lish, math, and sci

            9 9 7

dumb

 

  



  

A

Rhy. Fig. 3

9 9 7

Too

   

  

A

sex, drugs, and vi - o - lence.

     



  

0 0 0





B

Some - times

     

E5



goes.

     

Chorus

  

    

A

-

         X X X

8 9 9 7

11 11 9

C#5

End Rhy. Fig. 3

  

  

  

  

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

B



ger.

3

Verse E

   

 2. Well,

  

 

I

want

don’t

    

B

   to

       Gtrs. 1 & 2

mf

be





-

be

-

  

   

     

5 6 6 4

4 4 4 6 6 4

C#m



an

im

     

  

7 7 8 9 9 7

5 6 6 4

 

   





Je

-

sus

A

  

 E



made

     

 B

     me

that

  









cile,

w/ slight dist.

9 9 9 7

G#m

but



μ



way.

     

   

  

f

  

3

  

    

8 9 9 7

8 9 9 7

8 9 9 7



w/ dist.

5 5 6 7 7 5

   

E5

      All my

    

I’ve been

P.M.

2 0

   



2 0

   

P.M.

0 0 1 2 2 0

2 0

2 0

2 0

2 0

2 0

2 0

     

run - ning

wild

2 0

2 0

2 0



a

2 0

2 0

2 0

2 0

0 0

     

night takes

2 0

like

        

 

ev - er the

2 0

  

A5

            2 0

A5

2 0

  

wher -

4

life,

     

2 2 0

  

7 7 8 9 9 7

9 9 9 7

me

like a

8 9 9 7

  

      

E5

run - a

-

A

2 0

2 0

  

2 0

2 0

2 0

2 0

2 2 2 0

-

            

                

2 0

2 0

4 2

2 0

2 0

2 0

2 0

0 0

4 2

   2 2 2 0

4 2

 

    

4

2 2 0

2 2 0

E5

B5

2 2 0

2 2 0



way.

 

2 0

 

     

B5

stow - a



way,

          2 0

E

4 2

4 2

4 2

4 2

4 4 2

     

 

4 2 2

4 4 2

4 4 2

    0

7 7 5

7 7 5

Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2

   

A









Back

at

home,

it

    



pay

at

B

C#m

   

  -

  

   

G#m



-

tion.

 

  

the

way







Teach - ing

me

the

A





  

B

 



hard - est





Too

dumb





goes.





A



A







 



  sense.

A

C#m

it



E5

made much

  

 

  

 



nev - er

E5

ten





B













Now

I

pay,

but

I

can’t



 

les - sons

B

  to

die,

Some - times

I

 

I

 



of

  

B

 

 

my

life.

  

guess,

re

 

but

that’s

    

  

must



-

gress

to

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)

    

     

E5

sex,

drugs, and

E5

Safe

-

B

 



vi - o - lence.



 





ty

in

-

bers.

num

     

E5

Eng - lish, math, and

A

B





E5



Gim - me,



sci





gim - me

dan

-

C#5

B



ence.

  -

 

C#5



B



    

A

ger.

Hey!

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 1

E

A

                    Gtr. 3 (dist.)

E



f

0 5

0 5

0 5

0 5

4

0 4

0 4

0 4

2

0 2

0 2

0 2

0

0 0

0 2

A

                     0 5

0 5

0 5

0 5

4

0 4

0 4

0 4

2

0 2

0 2

0 2

0

0 0

0 2

0 0

          A

0 2

0 2

2

1

 2

B



      

0 0

0 0

0 0

0 0

0 0

0 0

7 7 8 9

 

2

1

      E



 

7 7 8 9

7 7 8 9

9 9 9

0 0

2

   

E5

0 0

B

E

  0 0

0 0

5

A

0 5

     9 X 7

0 5

0 5

0 5

0 4

4

0 4

0 4

9 X 7

9 X 7

8 X 6

8 6

0 2

0 2

0 0

0

0 2

0 0

8 X 6

0 2

0 2

2



1

2

B

               

              8 X 6

6 X 4

6 X 4

6 4

6 X 4

2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4

      

A



A

            9 X 7

0 2

2

         

E

                  

2

E

1

2

0 0

0 0

E5

B

 

11 X 9

16 16 16 X X X 14 14 14

16 X 14

       

11

11 X 9

9

Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3 tacet

   

A









Back

at

home,

it

    



pay

at

B

C#m

   

-

  

   

G#m

 the

Chorus

    

E5



 

μ

  -

  

nev - er

A

C#m

it

   

 







Teach - ing

me

the

A



  



A





goes.

9 9 7

6











Too

dumb



A

B









(Now) I

can

pay,

but

I

can’t

 





B

  to

die,

B



I



μ

  

  

            

 

6 7 7 5

6 7 7 5

6 7 7 5

8 9 9 7

9 9 7

8 9 9 7

8 9 9 7

re



 

my

life.

  

guess,

 

but

that’s

    

  

must

-

 

I

 

 

of

  

        E5

 

les - sons

Eng - lish, math, and sci

8 9 9 7



B

hard - est







Some - times

Rhy. Fig. 4

     



A

sense.

sex, drugs, and vi - o - lence. Gtrs. 1 & 2

E5

 





  

 



made much

tion.

   way





E5

ten



B

 

-

C#5

gress

B

to



ence. End Rhy. Fig. 4





                11 11 9

11 11 9

11 11 9

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

Gtrs. 1 & 2: w/ Rhy. Fig. 4

    

E5

Safe

-

μ



ty









in

num

-

bers.

A

B



E5





Gim - me,











gim - me

dan

-

ger.

μ

C#5

B



Gtrs. 1 & 2: w/ Rhy. Fig. 3 (4 times)

    

     

E5

Sex,

drugs, and

Safe

-

ty

    

Sex,

in

num

-

drugs, and

A

Safe -

ty

in

B

B



 



num

-

dan

Eng - lish, math, and

B

-

sci



-

Gim - me, gim - me

dan

-

B





Ow!

C#5

B



ence.

       

bers.

C#5

ger.

E5



B

ence.

     

E5

vi - o - lence.

A

-

E5

Gim - me, gim - me

A

sci

       

bers.

     

E5



C#5



C#5



B





    

     

E5

Eng - lish, math, and

     

E5

 

vi - o - lence.

     

E5

B



    

A

ger.

Ow!

Outro

A

B

A

B

A

B

E

E7#9 Gtr. 1

             Gtrs. 1 & 2

3

6 7 7 5

6 7 7 5

6 7 7 5

8 9 9 7

   6 7 7 5

3

   6 7 7 5

   6 7 7 5

  

  

rit.

8 9 9 7

6 7 7 5

3

  

  

  

3

  

  

6 7 7 5

8 9 9 7

8 9 9 7

8 9 9 7





 





      

Gtr. 2

0 0 1 2 2 0

14 0

(Gtr. 1, cont. in slashes)

6 7 7 5



7

from Green Day - ¡Tré!

The Forgotten Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool

Intro Slow q = 66

A

E

C#

Rhy. Fig. 1

      

*Gtr. 1

mf

     

     

D

A

    

  

E

C#

      

 

D

     

    

End Rhy. Fig. 1

  

w/ fingers let ring throughout



6 7 7 5

6

9 9 9 7

7

5

9

6 6 6 4

9

7

6 6

4

7 7 7 5

7

6 7 7 5

7

5

6

9 9 9 7

7

5

9

9

7

6 6 6 4

6 4

6

7 7 7 5

7

7

5

*Piano arr. for gtr.

Verse A

    







Where in don’t feel

the

world’s strange,

 1. 2. I





 the

it’s

like

  

  

 

6 7 7 5

6 7 7 5

6 7 7 5

6

 

F#m

   They’re An -





lost in oth - er

-



7

5







side mo

-

your ment





mem trapped

    

 

 

 

2 4 4 2

2 4 4 2

2 4 4 2

2 4 4 2

o in

  haunt



-



ten? ed.

  

  

  

 

1 2 2 0

1 2 2 0

1 2 2 0

1



C#

  



  



for - got

more

     

Rhy. Fig. 2



E



 2

0



ry. time.

  

 

 

6 6 6 4

6 6 4

6 4

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

  6

 6

4

1

  

D

   



You’re

G



your

on; put

heart’s fin -

my

7 7 7 5

7 7 7 5

7









go

down that





emp - ty we





hall re

-

way mem



6 7 7 5

6

ry. hind.

E



  

the time for - got

1 2 2 0

2 0

2 2 0



faith scars

 a be

   

-

to our from our







a - ban a - ban





brok comes

en folk

-

End Rhy. Fig. 2



1

2

0

            

A

 

7

 

It’s where your spir Like sol - diers from

go? ten?

-



  







 

F#m

we

5

  

5

E



   -



it a

seems long

to lost



 



don, don,

or an and what

 E





home. lore.

Chorus 3rd time, Gtrs. 2 & 3 tacet

   

F#m

A

          

Well, don’t look a - way

    

 

2 4 4 2

2 4 4 2

Gtr. 1

2

6 7 7 5

3

from ber

-

6 7 7 5

-

     



7

to be

D



 

-

Like los - ing we share the

G

  

his left

  

as but it’s

  

in

  



  



4







4 5 5 3

 en it,



4 5 5 3



-



was

did the







 

roam. war,

  

brok on

 

Where in the world So where in the world’s

C#

been ger

 

     

   





Gtr. 1: w/ Rhy. Fig. 2

  



5



child

4 5 5 3

A

  

a

    



  

all like



  

7 7 7 5

  





drag - ging can’t quite

I

     



A

from the

 

 

2 2 2 0

2 2 2 0

D

  

   

arms of

a bad

  

 

2 3 2 0

2 0

A



A/G#





F#m

dream.

C#

           Well, don’t look a - way.



 

  

3

2 2 2 0

2 2 2 4

 

 

2 4 4 2

2 2

Some -



  

  

4

6 6 6 4

6 6 6 4

      D



 

 

times you’re bet - ter

 

    

lost

than to



be

  

  

  

 

7 7 7 5

7 7 7 5

7 7 7 5

7

1.

E





seen.



  

  

  

  

  

  

  

 

7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9

5

 9

7

Interlude

 

Gtr. 1: w/ Rhy. Fig. 1

A



E

C#



D

A



E

C#





D

2. Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

    A

                     E

C#

Well, don’t look a - way

from the

             C#

D

arms

  

of



to - mor

-



A



row.

       from the arms

 

arms

of

of



Guitar Solo A

7 7 7 5

  

  

7

9 9 9 7

9

5

7

7

9

Don’t look a - way

C#

love.

 

from the

from the

D

arms

E



   

  

E

                       

1

     



        

To Coda

E



2

1

4

4

2

 4

1

4

4

2



of the mo - ment. Don’t look a - way

F#m

         

mf

Gtr. 1

A

a mo - ment.

Well, don’t look a - way

E

Gtr. 2 (slight dist.)

D



      

 4

4

  

     

 

1

2

2 4 4 2

4 2

4

6

5

7

Rhy. Fig. 3

 

 

6 7 7 5

6 5

    7

1 2 2 0

0

2

2

4

3

Gtr. 1: w/ Rhy. Fig. 3

 

D

A

Gtr. 3 (slight dist.)

E

A







 



mf 9

      7

5



5

6

4

    

 

7 7 7 5

7

Gtr. 1

    



Gtr. 2

  

7

6 7 7 5

6 7 7 5

     Gtr. 3



11

 

14

12

11

      Gtr. 2

 4

 

4

4



 6



6

6

  

5

     

  1/2



F#m

4

   D



 7

          

7 7 7 5

9 9 9 7

12

10

12

12

  





12

12



 5

4

4

4

2

4

 6

4

4

E



1/2

14

14

12

6

4

C#

    

     



12 14



1/2

6



12

13

     

 

E





0 2

0

1

D

A

of love.

6 5

7

9 9 9 7

9 7

2

D.S. al Coda (take 2nd ending)

     

    

    

 

6 7 7 5

 



A

14

12

2

  



Outro A

 

10

1

9 7

6 6 6 4

    

  

6 4

6

7 7 7 5



  

5

1



 

 

12

E

from the arms Gtr. 1

1

9 9 9 7



  



1

   

1

9 9 9 7

14

7

0

9 9 9 7

14

5

2

9 9 9 7

12



1

End Rhy. Fig. 3



10

E

  

0

  







  

D





  

 Coda

4

 

7 7 7

7

     6 7 7 5

 

from Green Day - ¡Tré!

Walk Away Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately q = 118 G5 Gtr. 1 (slight dist.)

  

  

mf

  

    

     

3 3 0 0 X 3

3 3 0 0 X 3

D5

Csus2

D

 

  

G5

D5

          

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

     

let ring throughout

3 3 0 0 X 3

 Csus2



 

3 3 0 0 X 3

0



1. This

3 3 0 0 X 3



guard

3 0 0 X 3

Csus2

 



  

3

3 0 0 X 3

3 3 0 X 3



  

3

3 3 0 0 X 3

Csus2





 



 0



D



take

the

pain.



  

  

End Rhy. Fig. 1

3

3 3 0 X 3

3 3 0 X 3

  0 0 0 0

   3 3 0 0 X 3

3 3 0 X 3

0 0







G5

 



3 2 0

0 0

3

   and

    

D5





3

D5



Csus2



 0 0



pick



 

 

3

3 3 0 X 3

0 0

D5



3 3 0 X 3





my - self

up

 

 

 





 

3

3 3 0 X 3





  0 0 0

3





off

the

ground

   

  

0 0 0 2 2 0

  0 0 0 2

0 2 2 0



0

D5

G5

put

my

 

  

  

3 2 0

3 3 0 0 X 3

3 3 0 0 X 3



got - ta



3 2 0 0

0 0

3



 

Em

0 0 0 0

3 2 0

2 0 0

3 3 0 0 X 3

3



 



3 2 0

0

and



 



  

down

    

3

2 3 2 0

0 0

I’ve

  

 

3 3 0 X 3

time

3 3 0 X 3







Rhy. Fig. 1

     

   

3 3 0 X 3

0

Verse G5







0

3 2 0 0

  



D5













 

 

2 2

0 0

3 2 0

3 2 0





G5



It’ - ll

 

 

 

3 2 0

2 0

3 2 0

 

 

 

  

 

 

 

 

 

  

2 0 0

2 0

2 0

2 3 2 0

2 0

2 0

3 2 0

3 2 0

2 0

2 3 2 0

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission

 

  

  

3 0 0 0

3 3 0 0 X 3

3 3 0 0 X 3

1

Gtr. 1: w/ Rhy. Fig. 1

  





D5



Csus2





 

pass.

The

Csus2



 





but

the

D5





scarred

re

Em



-



mains



-

G5



swel - ling

 



nev - er

D5





re

D5







real - ly

Csus2





 

mind



lasts,





D5



me

G5

 





that

I’m



still

Pre-Chorus

D

   











liv - ing.

Well,

   

 

  

  

3 2 0

2 0

2 3 2 0

2 3 2 0

Gtr. 1





C5

  



  2 0 0

  

  

2 3 2 0

2 3 2 0







 





   

5 3

5 3

5 3

5 3

5 5 3

C

   

 

 

Well, it’s

5 5 5 3

5 5 5 3

5 5 5 3

2 0

2 3 2 0

2 0

 

   

9 9 7

9 9 7

3 2

  

  

 

 

3 2 0 0

0 0 0

worth the

it’s

not

 

9 9 7

9 7

A5

too

 

 

9 7

9 7

9 7

9 7

late.

 



   

9 9 7

9 9 7

9 9 7

0 0

8 9 9

0 0

  

 

No one’s

right.

 

   

 

 

   

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5



7 7 5

0 0

Chorus

*G5





C5

D5







Walk a - way,

     

 



 





walk

**Gtrs. 1 & 2

  

f

   

D

  a - way.

        

 

             

3 3 0 0 X 3

5 5 3

5 5 3

w/ dist.

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

3 3 0 0 X 3

0 0 0

3 3 0 0 X 3

0 0 0

3 2 0

0 0 0

*Chord symbols reflect overall harmony. **Composite arrangement

2

 

 

fight.

 



 

P.M.

    9 9 7

9 9 7

  

 





μ

  



  

not

time to walk a - way.

7 7 7 5

5 5 5 3

 

       

5 5 5 3

5 5 5 3

  

 

D

  

5 5 3

 

real - ly

0 0

                 P.M. 5 5 3



it’s



5 3

3

 

P.M.

5 3



E5

Oh,







Em

5 5 3

5 5 3

7 X X 7 X X 7 X X 5

0 0

G5



D5

  

  

C5

 



Walk a



   

    

3 3 0 0 X 3

3 3 0 0 X 3

0 0 0

 

D5





  

D5

-

 

             

3 3 0 0 X 3

5 5 3

5 5 3

3 2 0

0 0 0





7 X X 7 X X 7 X X 5

5 5 3

5 5 3

0 0

  

      7 7 5

7 7 5

7 7 5

7 7 5

   



hard - er you’re

5 5 3

5 5 3

5 5 3

      G5

5 5 3

9 9 7

0 0 0

5 5 3

5 5 5 5 5 5 3 3 3

7 7 5

0 0 0

9 9 7

9 9 7

   

big - ger

that

you



  

C5



fall.

5 5 3

0 0 0

0 0 0

5 5 3

5 5 3

To Coda



D5

 

5 5 3

0 0 0

9 9 7

5 5 3

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

9 9 7

     

D5

Walk

5 5 3

0 0 0

7 7 5

7 7 5

G5

 

 

 

 

 

    

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

  

a - way,

0 0 0

 

walk

a - way.

   

  

  

  

       

 

               

7 7 5

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

5 5 3

5 5 3

0

D5

 



0 0 0

3 2 0

0 0 0

Verse G5

 

  

you

  

  

  

        

 

                 

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

5 5 3

5 5 3

5 5 3

5 5 3

X X X

X X X

7 7 5

0 0

5 5 3

X X 7 X X 7 X X 5

0 0 0

D5



win, Rhy. Fig. 2

5 5 3

5 5 3

5 5 3

0 0 0

D5

 

C5

0 0 0

 



    

0 0 0

0 0 0

 

 

C5

 

5 5 3

oh, the

0 0 0

D5

2. Did

3 2 0

  

0 0 0

0 0 0

come,

7 7 5

7 7 5

5 5 3

D

 

7 7 5

gon - na

5 5 3

9 9 7

7 7 5

                              5 5 3

              

                            

     

G5

 

 

7 7 5

a - way.

           

    7 7 5

7 7 5

 

G5

 

  

Well, the



C5

walk

Em

 



 



D5

way,

        0 0 0

  

E5

0 0

  

  

  

  

        

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

0 0 0

3 2 0

0 0 0

3

C5

D5

  

5 5 3



C5

 

5 5 3



may - be

5 5 3

5 5 3



5 5 3

5 5 3

 





  

  

       

 

     

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

5 5 3

5 5 3

 

to



3 2 0

0 0



  

5 5 3

5 5 3

X X 12 X X 12 X X 10

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

gon - na

  







need

a



par

C5

  



shoes

 

G5

D5





of

D5





 

0 0

  Well,

8 9 9 7

8 9 9 7

8 9 9 7



7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

a

 -



 



walk

a

-

      

 

not

late.

too

  

  

  

    

                       

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

8 9 9 7

8 9 9 7

8 9 9 7





G5

8 9 9 7

8 9 9 7

0 0 0 0



0 0





or

a

chute



D5



C5



0 0

fall,

7 7 7 5

  

8 9 9 7

you

    

  

8 9 9 7

  

  

and

Pre-Chorus Em

G5

  

-

go

it’s

0 0

 

D5

7 7 5

0 0 0

Gtrs. 1 & 2: w/ Rhy. Fig. 2

  

   

4

8 9 9 7

  





to



9 9 7

7 7 5

  



an - y -

         

  



wounds

  

When End Rhy. Fig. 2

lick your

   

  

  





  

7 7 5

5 5 3

5 5 5 5 3 3

  

D5

     

you.

  



0



  

5 5 3

  

  



  

D

Em

Now you’re gon - na

  

5 5 3

D5

lose?

       



Gtrs. 1 & 2



 

you’re

pair

C5

  

G5



D5

     

 

Em

0 0 0

when it comes back

C5

   

7 7 5

7 7 5

  

did you

             

way

   

  

    or

   

G5





D



D5



used



way.

C5

  





  And

it’s

                  5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

0 0

0 0

Em

    

  

real - ly not

worth the

A5

 

   

fight.

C5

  

    

No one’s

right.

       

 



Well, it’s

D.S. al Coda μ

D

time to walk a - way.

Walk a -

       

  

  

  

                      

               

  

  

  

  

     

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

5 5 3

5 5 3

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

8 9 9 7

8 9 9 7

0 0

 Coda



 

    

steady gliss.

17

5

    A5

 -

  0 0 0 0



 

9 9

10 9

 

 

 

 

 

 

 

 

 

 

 

        

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

X X X X

5 5 3

A5

5 5 3

 

Rhy. Fig. 3

E

E

D

E



way.

       Gtrs. 1 & 2

 

a

 

f





Walk

Gtr. 3 (dist.)

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Bridge

  

C5 μ

0 0 0

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

0 0





    

9 9

7 7

7 7

7 7

7 7

     

  

2 3 2 0

2 3 2 0

        

10 9

10 9

2 2 0

2 2 0

0 0 0

D

9 9

7 7

0 0

0 0 1 2 2 0

0 0

  

E



9 9

          

2 2 0

X X X X

     

F#5



0 0

2 3 2 0

9 9

9 9

10 9

0 0 1 2 2 0

0 0 0





 E

Hey,

 











  





9

11

10 11

10 9

10 11

10 11

7

9

9 9

7 7

    

 

 

 

 



  

0 0 0

4 4 2

4 0

4 4 2

  

























10 9

9 9

10 9

10 9

9 9

9 9

7 7

7 7

7 7

7 7

7 7

9 9

9 9

    

 

 

 

   

   

  

2 2 0

0 0 0

2 2 0

2 2 0

2 3 2 0

2 3 2 0

0 0

0 0 1 2 2 0

   2 3 2 0

0 0

0 0

0 0 1 2 2 0

4 4 2

0

0 0 1 2 2 0

5



    D







A5

walk

a - way.

   







 

7 7

7 7

7 7

7 7

10 9

     

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0











9 9

9 9

9 9

 

 

9 9 7

9 9 7

E5







 

 



9 9

9 9

9 9

 

 

 

9 9 7

9 9 7

9 9 7











9 9

9 9



9 9

9 9

10 9

10 9

 

 

 

 

 

   

 

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

0 0 0 0

0 0 0 0

0

End Rhy. Fig. 3

 





7 7 5

0 0

0 0

Gtrs. 1 & 2: w/ Rhy. Fig. 3

A5

   







2 2

2 2

2 2

2 2

Gtr. 3

E

   





9 9

9 9

7 7

7 7

D











7 7

7 7

7 7

7 7

9 9

9 9





E

F#5



E



  

E

 

D

A5











0

2 2

2 2

2 2

2 2







9 9

9 9

7 7



A5





D



Hey,

E

   

7 7



walk

a - way.

   



































 

7 7

7 7

7 7

7 7

9 9

9 9

11

10 11

10 11

10 11

10 11

9 9

9 9

7 7

7 7

7 7

7 7

7 7

10 9

6



Pre-Chorus

   

Gtr. 3 tacet

E5





   



   



9 9

9 9

9 9

9 9

Gtr. 3



 9 9

9 9



  

 

9 9

9 9



  

Well, the

9 9

  

F#5

 

big - ger

   

 

that

come,

you

E5

  

 

 

oh, the





 

               

               

0 0

4 4 2

2 0



9 9 17

    

     

Gtrs. 1 & 2

9 9 7

9 9 7

9 9 7

9 9 7

   

9 9 7

9 9 7

9 9 7

 

9 9 7

     

9 9 7

9 9 7

9 9 7

9 9 7

 

9 9 7

9 9 7

0 0

P.M.

4 2

4 2

4 2

4 2

4 2

4 2

4 0

2 0

2 0

2 0

2 0

2 0

2 0

2 0

Outro-Chorus

A5

    

D5

   

hard - er you’re

gon - na



7 5

7 5

     

7 5

7 5

A5

7 5

0

E

7 7 5

9 9 7

7 7 5

7 7 5

  



A

E





 

 

 

 

      

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0 0 1 2 2 0

0 0 0

0 0 0

 

  

D



walk

E

    

E

  

D

 



a - way,

E





Walk

a

   

 

 

 

 

3 2 0

3 0 0

3 2 0

3 2 0

0 0 1 2 2 0

 -

E

a - way.

  E

walk

D5

 



A5



     Gtrs. 1 & 2

E



 

Walk

    

A5

a - way,

 

D

 

     

 

         7 7 5

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1st 2 meas., 3 times)

E5

Walk

                  P.M. 7 5



fall.

Gtrs. 1 & 2

7 5

  

μ D5

A







a - way.

 

way.

     2 2 2 0

7

from Green Day - ¡Tré!

X-Kid Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool E5

C#5 7fr

B

A

1333

111

4fr

134

134

Intro Moderately fast q = 132

E5

      

Gtr. 1 (dist.)

mf



4 2

   

 

 

 

 

X X

4 2

4 2

X X



C#m7

  4 2 4

Verse E5

E5

 



 



 

 

 

 

X X X

4 2 4

4 2 4

X X X

 



1. Hey,

     

 

 

 

 



4 2 0

X X X

4 2 0

4 2 0

X X X

4 2

     

   

up

Asus2



late

 

one

 

 

   

 

4 4 2

X X X

4 4 2

4 4 2

X X X

4 2 0



B5

  

 

and you’re

 

 

 

 

 

4 2 4

X X X

4 2 4

4 2 4

X X X

4 4 2





 

X X

4 2

4 2

X X

4 2 4

you’re not

 



 

so

 

X X X

4 2 0

4 2 0

X X X

4 2

your

 

 

X X X

4 4 2

4 4 2

X X X



Asus2



 

old

glo

 

 

 

 

  

X X X

4 4 2

4 4 2

X X X

4 2 0

© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission



-

ry,

  

4 2 0

B5

did

you

 

 

 

 

 

X X X

4 2 4

4 2 4

X X X

4 4 2

 

wake

C#m7

    

 

But you’re still

 

  





 

Asus2

 

young?

 



to

 

   

 

 



 

E5

 

  



 

kid,

    

 

numb

     

 





and

 

4 4 2



  

day

     

   



 

C#m7

lit - tle Rhy. Fig. 1

B5

dumb,

 

 

 

 

 

X X

4 2

4 2

X X

4 2 4

E5

     but

 

now

it’s

gone.

  

  

  

  

X X X

4 2 0

4 2 0

X X X

  2 2 0

1

B









I

fell

in

love,

     

 

 

 

 

2 2 0

X X X

2 2 0

2 2 0

X X X



 



 

Then

I

crashed

  



    

 

E5

 

 

 

 



2 2 0

X X X

2 2 0

2 2 0

X X X

4 2

A

piec

-

es



  

on

the

 

       

4 4 2

X X X

4 4 2

it

 

 

 

 

 

X X X X

4 4 4 2

4 4 4 2

X X X X

6 6 4

 



 

      Gtr. 1



but

did

-

n’t

 

C#m7

 

 

in - to

a

wall.









 

X X

4 2

4 2

X X

4 2 4

  



floor.

 

catch

your

 

 

X X X

6 6 4

6 6 4

X X X

  

B5



 

Then

I

fell

 

 

 

 

 

X X X

4 2 4

4 2 4

X X X

4 4 2

B

E5

to

death.

    

you’re

4 4 2

sick

 

0 0

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

              2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

4 4 2

0 0

2 2 0

End Rhy. Fig. 2



     7

2

2 2 0

 



 

 

End Rhy. Fig. 1

f

*Doubled throughout

fall.

 

Rhy. Fig. 2

    *Gtr. 2 (dist.)

 

 



Now

A5

 

   

  





    

to

 

 

  



4 4 4 2

     

     



C#5

0 0

2 2 2 0

 

 

 

 

 

 

 

 

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

 

 

 

 

       

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

4 4 4 2

0 0

2 2 0

Chorus E5

  

  





Bombs Rhy. Fig. 3

      *Gtrs. 1 & 2

2 2 0

B



 

a

-



  

  

   

  

2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

4 4 4 2

0

 

B

-

noth way.

  

  

  

  

  

  

 

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

X X X X

6 6 4

E5

 



Hey, Hey,

ver.

X X

-

-



 

ing.

 

  

      

2 2 2 0

2 2 2 0

2 2 2 0

4 4 4 2

  o -

 

 

 

 

6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4



  

0

2 2 2 0

End Rhy. Fig. 3

bombs bombs

a a

  

Rhy. Fig. 4

       2 2 0

2 0 0

0 0



 

0 0 4 2 2 0

-







   

  

0 0 4 2 2 0

0 0 4 2 2 0

4 4 4 2

0

  

ing.





Here goes

  

        6 6 4

o

  

  

  

   

 

5 6 6 4

5 6 6 4

5 6 6 4

5 6 6 4

2 2 2 0

0

noth -

  

  

  

  

  

  

 

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

X X X X

6 6 4

B

 

The shout - ing’s



 

  

way. way.)

  

C#m

 



-

ver

 

   and

 



out,

o

 

 

 

 

 

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

  -

End Rhy. Fig. 4

 

 

2 2 2 0

2 2 2 0

 

E5 End Voc. Fig. 1



    

 



      

6 6 4



 

A

-

A

The shout - ing’s

B

 



Kid, Kid,

  

2 2 2 0



 

    

          2 2 2 0



 

**Applies to bkgd. vocs. only.

       -

 



Here goes (Bombs a

  

*Composite arrangement

 



 



way.

 

C#m

 

**Voc. Fig. 1

ver

and

out

a

-

gain.

 

 

 

 

    

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

4 4 4 2





4 2

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)

  

E5





C#m7



B5



Asus2





2. I

E5

 

once

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1

   

E5



C#m7

 

 



was

old

e

 

-

nough





B5

 



 

to

know

bet

  -



 

ter.

Then

 

 I

Asus2

 

was

3

     

E5

    

too

 

young to

     

 

and

gone.

E5

  



like

 

a





You

fell

in

kick

in



 

the

would,

  

but then

you

just

  

B5

You’re an

X

  



head.

but

 

 

Hol

-

 

ly -

      fell

   -

Asus2

    

  

C#5





 

prob -’ly

love,

C#m7

  



I

 





cares?

B

B5

   

  

But who

E5



    

dead



care.

    

is



C#m7

  

Kid,

wood

 

A5

a

-

part

    

A5

and

nev -

 

you

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3

     -



 

 

er

e

-



 

ven

got

 

 

 start

-

B5

 

E5

 



ed

E5

a

-

gain.

Bkgd. Voc.: w/ Voc. Fig. 1

   

   

   Here goes

noth

 

  

   -

ing.

C#m

 



 

Here

goes

noth





Bombs

a

  -

way.

Gtrs. 1 & 2: w/ Rhy. Fig. 4

C#m



 





B

A



 

The shout - ing’s

  -

B

    

  

o

-

 

ver.

Hey, X

A



 



 

ing.

The

shout - ing’s

E5

B

E5



o

-

 

-





Kid,



bombs a



ver



and

B

  

  -

 





way.

out,

o -

Bridge Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 times)

        -



A



ver and out. Rhy. Fig. 5

  

  

  

   

  

  

  

  

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

4

2 2 2 0

   

And you were search - ing your

          Gtrs. 1 & 2

2 2 2 0

   

      2 2 0

    4 4 4 2

A







soul.

End Rhy. Fig. 5

  

  

  

  

  

  

    

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

0 0



E5

B

   







And

you

got

    A

 lost



edge





  



and

out

  of





of

Gtr. 3 (dist.)

A



jok

-





B



 

con - trol.



ing,





E5

 

You









died

of

a

bro



went

o - ver

 -

B

E5

 

heart.

     



f

7 7

      Gtrs. 1 & 2

            2 0

2 0

2 0

2 0

2 0

2 0

Guitar Solo E5

  

                

P.M.

2 2 2 0

Gtrs. 1&2



the

ken











2 0

2 0

2 0

2 0

2 0

2 0

2 0

P.M.

2 2 2 0

2 0

C#5

            2 0

2 0

2 0

2 0

2 0

2 0

B

9 9

        

  

     

2 2 2 0

2 2 2 0

4 4 4 2

2 2 0

2 2 0

2 2 2 0

(cont. in slashes)

0

9 9 7

A

E5

                               

   



         

       

Gtr. 3

9 9

9 9

9 9

9 9

7 9

9 9

9

12 13





12 13

12 13

12 13

12 14

12 13

12



         

12 11

C#5



12 11

12 11

12 11

12 11

12 13

12 11

B

10 9

      10 9

10 9

10 9

10 9

10 9





0

12 14

A

                                                  1 let ring 1 1 1 12 12 14 14

12

12 12 12

14

14

14 13

14

14

12 13

12 12 14 14

14 13

14

14

13

12

12

12

15 15 15 15 15 17 17 17 17 17

14

5

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)

   Gtr. 3

A





E5



1

1

10

10

12

9

7

12

11

9

16

18

18

  



1

17

   Gtrs. 1 & 2

1

17 17

16

19

18

19

  

  

  

  

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

18

16

1

1

17

   

4 4 2

4 4 2

4 4 2

9

12

12

11

14



16

 

1



1

17

16

E5



17

17

 

             4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

19

      1

17

4 4 2

4 4 2

4 4 2

     



* B5/C#

               

4 4 2

2 2 0

17

14

1

10 10

16

     1

17

  

 



 

B

 



1

1

19

 

 

1

14

B5

 



16

8va



B

17 17

19

10

12

1

17

       1

10

E5

17

E5



1

8

A

16

         

17



1

E5

1



9

1

12 16

A

           

 

A

Gtr. 3

 

     

1

     



 

1

1

12 14



10 10

12

   

B

      

4 2

*Bass plays C#.

Interlude Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.) Gtrs. 2 & 3 tacet

  

E5

C#m7



B5



Asus2









E5

 

3. Hey,

Verse Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)

   

E5

C#m7

 



 



lit - tle

     6





kid,

E5



 

 



 

and

you’re

not

so

young?

B5

 



did

you

 

wake

Gtr. 1: w/ Rhy. Fig. 1 (last 5 meas.)





  But

 

 

C#m7



you’re still

  dumb.



 

up

late





 

 one

Asus2

 

day

B5

 



 

You’re

an

X -

Chorus Gtr. 2: w/ Rhy. Fig. 2

      -

    

Kid,

    

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 3/4 times)

A

and

 

you

    

 

-

e

got

er

-

ven

  

 



 



 

Here goes (Bombs a

 

noth way.

-

-

 



 

ing.

The

 



bombs bombs



a a

-

       -

 

 



ver.

Hey, Hey,

X X

    Gtr. 3





 



 -



-

ing.

5 6

5 6

5 6

bombs bombs

a a

  

  

-

 

-

ver.

 



 

ing.

The

9 9

9 9

9 9

9 9

9 9

9 9





   5 6

-

9 9

 

  

Hey, Hey,

-

way.

 

B

E5



 

Hey, Hey,

X X

 



 



 

-

Kid, Kid,

5 6

shout - ing’s

5 6

5 6

o

   

 



  



 

7 8

7 8

7 8



Here goes

7 8

 

  -

0

7 8

7 8

noth -

9 9

5 6

B





 







  

Kid, Kid,

7 7

-

C#m

 



 



5 6

 

 

E5



X X



         5 6

-

7 8

B

    

ver.



way. way.

 

5 6





 

Bombs a

B

  

o

5 6

noth



The shout - ing’s

5 6

goes

 

     

5 6

Here

     

  

            

 



A

      

  





gain.



o



 



Kid, Kid,

7 7

-

 



 



E5

  

a

shout - ing’s

way. way.

B

 

B

C#m

 





 

E5

A

B

    

E5

    

start - ed

C#m

 



nev

  

B

bombs a bombs a

   -

way. way.)

        9 9

9 9

9 9

9 9

9 9

9 9

9 9

7 8

7

C#m

A

(A)

               

Gtrs. 1&2

(Gtr. 1, cont. in notation)

     

 

  

  





Here goes

noth

           7 8

7 8

7 8

7 8

7 8

7 8

7 8



     

  

ing.

The shout -ing’s

o

 

 -



 



-

5 6

5 6

5 6

5 6

5 6

5 6

  

ver and out,

o

-

       

       

5 6

  

  

5 6

5 6

5 6

5 6

5 6

5 6

5 6



  

  

ver and out,

o -

                5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

Outro

Gtr. 2

B

        











-

ver

and

o

-

ver

and

    

 

 

 

 

 

 

 

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

5 5 6

     

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

Gtr. 3

Gtr. 1

 



 





 

 

 

 

 

 

5 5 6

5 5 6

5 5 6

5 5 6

7 8

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

4 4 2





 

    

      

 

E5











out.

 





  



9 9

9 9

  

 

4 2





 

 

 

 

 

X X

4 2

4 2

X X

4 2 4

Gtrs. 2 & 3 tacet

B5

     

 

       

4 2 4

X X X

4 2 4

Gtr. 1

8

4 2 4

X X X

4 4 2

Asus2

 

 

       

X X X

4 4 2

4 4 2

X X X

4 2 0

E5

  

  

        

X X X

4 2 0

4 2 0

0 0

2 2 0

μ

 

  X X X



View more...

Comments

Copyright ©2017 KUPDF Inc.
SUPPORT KUPDF