Great Piano Intros Kirk Miller

505 Great Piano Intros Selected and edited by Kirk Miller

Copyright © ~ool Ekay Music Inc., 333 Adams Street, Bedford Hills, NY 10507

CONTENTS INTRODUCTION .....................

Ballad .......................... Medium Tempo ..................

.............. 49

Up Tempo .....

.............. 92

Latin ........

............ 114

Waltz .........

.............. 151

Blues .........

................ 161

Country .......

................ 167

Ellington ......

................. 174

SONG SUGGESTIONS INDEX ...................................

183

Song Suggestions Index KEY TO CATEGORIES

U-Up Tempo

B-Blues

B-Ballad

L- Latln

C- Country

M-Medium Tempo

W-Waltz

E- Ellington

After You’ve Gone M 89, U 113

Cheek To Cheek M 80

Ain’t Misbehavin’ M 71, M 80, M 83

Chelsea Bridge B 30

Alexander’s Ragtime Band M 53

Confirmation U 108

All Or Nothing At Al1 B 44

Conga Brava E 176

Alt The Things You Are B 32, BL 163, M 69

Corcovado L 126

Alone Togetheì U 105

Crazy Rhythm M 68

Amapola L 150

Could I Have This Dance? C 172

Am I Blue? M 54, M 57

Danny Boy B 8

Amor Verdadero L 126

Darn That Dream B 22

Angel Eyes B 37

Days Of Wine And Roses, The M 55

Anthropology U 107

Desafinado L 148

As Time Goes By B 14

Don’t Blame Me B 43

Autunm In New York B 27

E1 Manisero (The Peanut Vendor) L 126

Autumn Nocturne B 38

Embraceable You B 17, B 38

Baubles, Bangles, And Beads W 157

Exactly Like You M 86

Beautiful Love U 105

Foggy Day, A M 62

Besame Mucho L 126

Freight Train U 107

Bewitched, Bothered And Bewildered M 55

Garota de Ip~~ema L 126 (see also Girl From Ipanema, The)

Blue Eyes Crying In The Rain C 170 Blue Moon M 67 Blue Skies U 96 Blues In rpne Night BL 165 Bluesette W 152, W 155, W 159 Body And Soul B 42, M 77 Brasil L 126 Can You Read My Mind? B 16 Candy M 72 Caravan L 123 Chattanooga Choo Choo M 85

Gentle Rain L 126 Georgia On My Mind B 45 Get Happy M 88, U 94 Gimme Some Lovin’ M 82 Girl From Ipanema, The L 116, L 118, L 125 (see also Garota De Ipanema) Guantanamera L 123, L 126 Hallucinations U 108 Happy Trails C 171 Have You Met Miss Jones? M 90, U 97

Here’s That Rainy Day I~ 21, M 61

It’s Only A Paper Moon K! 54, I~1 75

How Deep Is The Ocean? I~ 23

It’s You Or No One B 24

How High The Moon IJ 101

Jeepers Creepers N 72

How Insensitive I_ 124

Jersey Bounce ltl 78

Can’t Give You Anything But Love M 59, ~ 87 Didn’t Know What Time It Was B 39, BI_ 163 Don’t Stand A Ghost Of A Chance With You ~ 18

Just In Time I~ 25 Kansas City N 56 Kentucky Waltz C 172 La Guarapachanga L 126 Lady Of The Lavender Mist ~ 178

Get A Kick Out Of You M 72, I~ 76

Laura L 119

Got Rhythm M 80, IJ 112

Leroy Brown ~! 56

Gotta Right To Sing The Blues BI. 166

Let Go I. 122

Had The Craziest Dream I~ 55

Let’s Catl The Whole Thing Off ij 100

Love You IJ 98

Like Someone In Love B 25

Remember You M 55, ~ 79

London By Night B 29

I’ll Be Seeing You I~1 61

Long Ago And Far Away 1~1 71

I’ll Remember April IJ 101

Longer I~ 19

I’lt Take Romance W 154, W 159

Looking Through The Eyes Of Love B 19

I’m Alt Smfles W 158

Love For Sale L 148

I’m Beghming To See The Light ~ 81

Love Me Or Leave Me B 47, I~1 51

I’m In The Mood For Love B 10, I~ 46

Love Walked In IJ 99

I’ve Found A New Baby IJ 102

Ma~~hattan BI. 164

I’ve Got A Crush On You B 9

Man I Love, The IB 18

I%e Got The World On A String I~l 84

Mas Que Nada L 126

I’ve Got You Under My Skin I~ 24

Meditation I. 125

If I Had You B 38

Memories Of You I~ 11

Imagination I~ 34

Mood Indigo I~ 40

In A Mellotone E 180

Moody’s Mood For Love B 38

In The Mood M 78

Moon Mist E 177

In The Wee Smatl Hours Of The MorrUng B 29

Moonglow I~I 63

Indian Surnmer I~ 10

My Fumay Valentine B 26, B 35, B 37

Indiana IJ 97

My Heart Stood Still B 17, B 20

Isn’t It Romantic? [~ 36

My Romm~ce B 31

It Could Happen To You [~ 34

Nearness Of You, The B 36

It Might As Well Be SprU~g B 33

New York State Of Mind I~1. 162

More BL 164

Nica’s Drean~ l. 148

Sweet Lorraine 13 38, N 91

Night Ax~d Day IJ 98

Take The "A" Train ~1 81, E 179

Night In Tm~isia, A ij 109

Tangerine I~ 57

Oh, Lady Be Good M 80

Tea For Two l_ 121

On Green Dolphiia Street ij 106

Tem~essee Waltz C 169

On Tt~e Road Agaia C 168

That Old Black Magie Ij 93

Once Upon A Summertime I~1 156 One For My Baby M 64

There Will Never Be Another You N 60, M66, IJ 99, IJ 106

One Note Samba 1_ 149

There’s A Smalt Hotel 13 29

Our Love Is Here To Stay ~I 77

Things Ain’t What They Used To Be E 182

Our Waltz W 152

Till There Was You 13 13

Perfidia I. 126

Tirne After Time 13 29

Pim~o Maia W 153

Time For Love, A 13 11

Polka Dots And Moonbeams B t7, 13 28

Too Marvelous For lATords 1_ 115

Preacher, The ~ 57

Triste I_ 120

Robbin’s Nes~ ~ 78 Rosetta Ij 110

Try To Remember W 160

’Romad Midnight 13 35

Walkin" The Floor Over You C 173

’S Wonderful ~1 58, I~1 74, Ij 95

Warm Vatley E 175

Satin Dolt 13 9, M 76

Wave I_ 124

Scrapple From The Apple ij 108

Way I Want To Touch You, ~fhe I_ 119

September In The Rain M 66

Way You Look Tonight, The M 68, ~ 70

Sister Sadie IJ 111

What Is This Thing Calted Love? I_ 117, l_ 126

Slighfly Out Of Tune (See Desafi’nado) Soli~ude 13 41 Somebody Loves Me 13 21, Fl 59 Someday My Prince Will Come W 154 Someone To Watch Over Me 13 9, 13 20 Sometimes I’m Happy Il! 73 Song Is You, The Ij 103 Soul Eyes 13 37 Speak Low lta 65 Spring Is Here 13 48 Stella By Starlight ij 106 Stompin’ At The Savoy ~ 81, ij 104 Stormy I_ 119

Up Where We Belong 13 15

What’s New? 13 12 Where Or When ~1 70 Witt You Still Be Mù~e? IJ 106 Witchcraft N 70 Yesterdays 13 26 You And The Night And The Music 13 23 You Are My Sunsbh~e C 168 You Don’t Know What Love Is 13 37 You Do Something To Me ~I 79 You Must Have Been A Beautiful Baby I~1 50 You Took Advantage Of Me I~l 52 You’re The Top ~1 58

INTRODUCTION

How Do You Start? nyone who has performed a song in front of an audience knows just how important a musical introduction to it can be. An intro sets the mood of a piece, establishes a key, and prepares the listener for what’s to come. Most commonly, an intro will present m~ important piece of melodic material--the last part of the chorus of a song, for example--to establish a theme. While this can be a very effective technique, an intro can be any number of tt~ngs. It can serve as a cue for other musicians or performers (see Hyman, p. 50); it can establish a characteristic "groove" (Scivales, p. 132); or it can suggest extra-musical clues, such as clock tower bells (Morris, p. 29). An intro can even be deceptive, begirming in one tonality and leading into another (Morris, p. 69). Indeed, there are as many ways to introduce a song as there are piano players in the world. (And at last count there was no shortage!) But the truth is, sometimes the greatest hurdle to creating a successful performance is starting out in the right way.

A

This book is designed to offer piano players a source of intros from which to draw for a variety of musical settings. While we’ve Included categories specific to well-established styles--Latin, countmd, waltz, etc.--the majority of the pop and jazz intros are divided into three broad classifications: ballads (for slower tunes), medium tempo (for many swing tunes and otheì moderately-paced songs) and up tempo (for faster songs). This will allow the individual player to select intros based on tempo, since many of the intros can be adapted to fit different styles. However, this is not to say that an intro found in the ballad categor~ for example, has to be used for a ballad: the categories (and tempo indications) contained herein should be used simply as guides. We’ve also included a special Ellington category that will allow you to play in the style of this great jazz master. And since transposition is so often a factor in performing, we’ve set each example in three keys. In addition, our arrangers have provided suggestions for tunes that work well with a particular intro, which we’ve organized into a handy index for quick reference. Naturally, these are simply suggestions--most of these intros are "generic" and can be used for m~y number of tunes. Ultimately, this book will best serve as a way to help you develop your own personally-styled intros and arrangements.

Ballad

7

DICK HYMAN . Some old songs are sung out of tempo. The introduction should therefore be out of tempo and might use the last four bars of the chorus.

Song Suggestion: Danny Boy

Gently flowing G~dim7 Am6 Fm6/A~ C/G

G7 C/G Bbdim7 D7/A F/G G7 C

Gently flowing Fl~dim7 Gm6 Ebm6/G~ Bb/F F7 Bb/F Abdim7 CT/G E~/F F7 Bb

(í~

Gently flowing A~dim7 Bm6 Gm6/Bb D/A A7 D/A Cdim7 E7/B G/A A7 D

Verses of show tunes are often out of tempo. Singers might require only a bell tone for some songs.

Song Suggestions: I’ve Got A Crush On You ~ Someone To ~Vatch Over Me

Song Suggestion: Satin Doll

3

Swinging ballad (~ = 110i ~ = ~’,~ 3

Swinging ballad (J = 110) ~ = J J~ D7

///

B~6/9

~

3

9

This is an out of tempo intro for ballads. Song Suggestions: Indian Summer ¯ I’m In The Mood For Love

Rubato Gmaj9/B

Rubato Fmaj9/A

D7/A

C7/G

Gmaj7 G6 B7/Fgt

Fmaj7 F6 A7/E

Em7

Dm7

A7

D9

G7

C9

rit.

Rubato Abmajg/c E~7/B~

Abmaj7 Ab6 C7/G

Fm7

Bb7

E~9

Song Suggestions: A Time For Love ¯ Memmqes Of You

F9/A

Rubato B~

Dm7/A Gm7

Ebmaj7/Bb

F9 Bbmaj7 B~,6/9

J

j

rit.

Rubato G

Bm7/F~ Em7

I~..~..~ ,~,__rìj~ I

Rubato C

D9 Gmaj7 G6/9

Cmaj7/G

rit.

,

1

I

G9/B G9 Cmaj7 C6/9

Em7/B Am7 Fmaj7/C

I

11

For in-tempo baltads that start on beat 3. Song Suggestion: What’s New?

BaHad in tempo

Ballad in tempo G9

Ballad in tempo

Song Suggestion: Till There Was You

Ballad in tempo (arpeggios) E~maj7 B~gsus4

Ballad in tempo (arpeggios) D~maj7 A~gsus4

Ballad in tempo (arpeggios) Cgsus4 Fmaj7

F6

E~maj7

B~9sus4

D[,maj7

A[,9sus4

Fmaj7

C9sus4

13

Song Suggestion: As Time Goes By

Ballad (.I = 100) Fm7

Ballad (J = 100) Em7

Ballad (l = 100) Gm7

E~,maj7/G

Dmaj7/F~

Fmaj7/A

A~6

G6

B1,6

Adim7

Fm7

E~13

BM3

G~dim7

Em7

DI3

Al3

Fl3

C13

Bdim7

Gm7

PRESTON KEYS Song Suggestion: Up Where We Belong

Slowly D~,

Slowly C

Slowly B~,

G~,

D~,/F

C/E

BI,/D

F

Et,

Ab9sus4

G9sus4

F9sus4

Db

C

B~,

Gb

Ab7sus4

Db

C/E

F

GTsus4

C

Bt’/D

Eb

F7sus4

Db/F

15

Song Suggestion: Can You Read My Mind?

Slowly c

D7/C

c

D7/C

Slowly B~

C7/B[,

Can You Read My Mind? conth~ued

D

D

~

Song Suggestions: My Heart Stood Still o Polka Dots And Moonbeams ¯ Embraceable You Fin9

B~’7(ï3)

Eb

~f

Slowly Dm9

G7 ( b 193 )

C

o

Slowly

Gm9

c7(ï3)

F

Song Suggestions: The Man I Love ¯ I Don’t Stand A Ghost Of A Chance l/¢ith You

Delicately G7sus4

Cmaj7

Delicately F7sus4

B~maj7

Delicately Ag7sus4

D~maj7

Song Suggestions: Looking Through The Eyes Of Love ¯ Longer

Moderately Ebmaj9 A~add9/E~ Eb

Moderately Bb Bbmaj9 E~add9/B~’

Song Suggestions: Someone To Watch Over Me ¯ My Heart Stood Still

Slowly Abmaj9/G

Slowly Fmaj9/E

A~dim/G

Fdim/E

E~

C

F

Song Suggestions: Here’s That Rainy Day ¯ Somebody Loves Me

Softly Bm7

Softly Am7

Softty Cm7

Abl3/Gb

CM3/Bbb

F6

Ab6

C7(~59 )/E

Eb7(~59 )/O

F6/9

Song Suggestion: Dat~l That Dream

Slowly Fadd9 Dm7

Gm7

E~,13 B~m7

Am7

Dm7

Gm7

C B~ Am Gm F

Fm7

B~ A~ Gm Fm E~

~iíJJ i~

Slowly Ebadd9 Cm7

Fm7

DH3 A~,m7

Gm7 Cm7

I,

Slowly Gadd9 Em7

Am7 3

Fl3 Cm7

Bm7

Em7

Am7

D C Bm Am G

t

ANDY LAVERNE Song Suggestions: Hozo Deep Is The Ocean? ¯ You And The Night And The Music

Ballad F~m76~) B7(~~) B7~~,9)

~’ ~-

A9(~ 5) A7(~9)

Dm7(l,5) G7SU~~ G7t~ Cm6/9/G G7~I93CmlI

Song Suggestions: My Funny Valentine ¯ Yesterdays

Ballad Em11~~,5) A7~I93

Dm9

Ballad Dmll(~5)

,~7~9 ~ ~~3

Cm9

Ballad Gmllt~, 5) ,~7~ 9

Fr~9

NOREEN LIENHARD Song Suggestion: Autumn in New York

Ballad Fm7

Ballad Gm7

Gm7/F

C9(~11)

Cm11

Bl’m11

Am9

27

Song Suggestion: Polka Dots And Moonbeams

Rubato A13dt9) DT~~ GI3 C7(~9) Fm7

Rubato B13(~9) E7t~ Al3 D7(~9) Gm7

B7(~5) BM3 E~,maj9

C17(~5) C13 Fmaj9

Rubato Ft~13(~9) B7t95 El3 A7(~9) Dm7

,8

G~7(bS) 013 Cmaj9

JOHNNY MORRIS Bell tone octaves provide a c]ock tower effect.

Song Suggestions: In The Wee Small Hours Of The Morning ¯ London By Night There’s A Small Hotel ¯ Time After Time

Slow ballad C6/9

G9

C6/9

G9

Slow ballad D6/9

Slow ballad Bb6/9

A9

D6/9

A9

F9

Bb6/9

F9

TOM NELSON Song Suggestion: Chelsea Bridge

Ballad B[,maj7/F F7(~9)

3

B~,maj7/F

F7(~9)

B~maj7/F

F7(~9) B9 B[,maj~/9

~ sy

-.î:~,~, ~ i~>~

~0

>~"

I

>~1

I

>i

~~>~

F7

Song Suggestion: My Romance

Em7

FmajT(~ll) Em7 Fmaj7(~ll) Eaug

Am7 BI, maj7(~ll)

Am7 B;maj7(~ll)

E~maj7

A~maj7

Aaug

D7(13) G7(13) D~7(~9) C6/9

G7(13)

C7(13) G1~7(~9) F619

Ballad

rit.

delicately

L

Bm7 Cmaj7(~ll)

Bm7 Cmaj7(~i1)

Baug

IL

Bl’maj7

Ballad

~4~

~F

A7(13) D7(13) AI,7(~9)

G6/9

,!. ~),r~, o,~,,,~o delicately

L__J L__J

31

Song Suggestion: Al1 The Things You Are

D~,m7

CV~~

Fm

legato

Ballad, even ~’s E~/B~ E~m/B~

Bl, maj7 G7~95

Cm9

E~m7

F~13 Fl3

D7~~

Gm

E7~~

Am

legato

Ballad, even .b’s F/C Fm/C

3,2.

Cmaj7 A7~~

Drn9

GII13 GI3

Fm7

Song Suggestion: Might As Well Be Spring

Ballad, even eighths Cmaj7 G9 Cmaj7

,~~:~_,,

. ..,,

G9

~~

Fmaj7(l!ll) E~7(~lI)

~" ~

, ~ ~ .....

Ballad, even eighths Dmaj7 A9

Dmaj7

A9

Ballad, even eighths B~maj7 F9

B~maj7

F9

Gmaj7(~I1) F7(~11)

E~maj7(~ll) D~7(tlll)

Em/Dm7 D~ 9(1t9)~~~

~~~.

Cmaj7

, b~ ~ . .....

F~m/Em7 E~9(~9;~[~

Dmaj7

Dm/Cm7 C~9(j!9)~~

B~maj7

Song Suggestions: Imagination ¯ It Could Happen To You

Ballad, even eighths E~maj7 Fm7

Ballad, even eighths Fmaj7 Gm7

Gm7

Am7

C7t99

DTt~

Fm7~~

Gm%1

B~7t193

E~maj7

E9(13)

c7t~9s

Fmaj7

F~9(13)

Cmaj7

CI19(13)

,J

Ballad, even eighths Cmaj7 Dm7

Era7

A7t99

3

4

Dm7~~

G7t193

Song Suggestions: My Funny Valentine ¯ "Round Midnight

Ballad, even eighths Cm9

A7613)

Ballad, even eighths Dm9

B7613)

Ballad, even eighths Bm9

G~7(b13)

Dm7(b 5)

Em7(bS)

G(~~] )

A(~~ )

35

Song Suggestions: Isn’t It Romantic? o 1he Nearness of You Ballad F6/9 B~9(1111)

A9(13) Dg(~II)

Ballad G6/9

B9(13)

Ballad Eb6/9

C9(gtll)

Abg(~ll)

G9(13)

Eg(III1)

Gmll D~9(~I1) C13SttS94 C13(~9) F

F/C

Amll

E~9(~11) D13S~49 D13(~,9)

G

G/D

Fmll

Cb9(~11) Bbl3SUS~ Bbl3(b9)

Et,

Et,/B~

M-~q

ALAN SIMON

1

Works for tunes that begin in the tonic minor. It begins on the IV chord of the relative major key. Song Suggestions: Angel Eyes ¯ You Don’t Know What Love Is ¯ My Funny Valenti~le ~ Soul Eyes

Fm9

with pedal

Slowly E~maj7(6) Bb/D

Cm7

F7sus4

Bbmaj9(6) E~maj9(6)

Am7(b5)

D7(~4)

Gin9

o

with pedal

Em7~5)

A7(~4)

Dm9

This medium walking ballad intro starts on the flat 5 and descends chromatically. For songs that begin on the tonic. Song Suggestions: Autu~nn Nocturne ~ Sweet Lorraine o If l Had You Moody’s Mood For Love ¯ Embraeeable You

Medium ballad Em7(b 5) Eb m7

Dm7

G7~~93

Cru7

F13

Bbmaj9

El3

Amaj9

’:~,~~, , ,-~~~í~, ~ ,..

Medium ballad D~rnT(~5) Dm7

C~m7 F117~~3

î ~’"’~ " ~-,~""’~í~"(f’~ t-;í_.~,d;"i

Bm7

~ ~"~~í~ í~~~ ~~~ ~~’>,~ ~’.i:~~~~

+

LOU STEIN Song Suggesfion: I Didn’t I(now What Time It Was Ballad Daddg/E

Bm9 E7~~ Amaj9

Ebg(~II) Eb9 D9(,~ll)

Dmaj7(~ll)

E~mll

AH369)

D~inaj9

D~,maj6/9 E7(no5) Amaj7

Ballad DI, add9/EI,

Ballad Eadd9/F~t

C#m9 FII7! ~ Bmaj9

Emaj7(~ll)

Fmll

Bb1369)

E~,maj9

Song Suggestion: Mood Indigo

Ballad Bm7 /,

.....

E7~n9

~ ~ , ., -_.,- ,.

Am7 o

D7~~ ~,,~ . o .....

Gm7

C9(~1I) .-,., ,.,

- ~ ,i ~ ~~’ "’L:~ idi II .,kis~~.~ ~~,,

Gin9 C9(~!11) Fmaj7 ~- ~-

,,,,~

i~ ~ f "

Song Suggestion: Solitude Ballad Gmaj7

G7(~, 5)

A9(13)

Ballad Fmaj7

F7(~5)

E7(~5)

E~maj7

Dm9 G9 Gin9

G9f13)

Ballad A~,maj7

Emaj7

A~,%,5)

Gmaj7

G7(~,5)

E[,TL~ 5)

Am7¢5)

D7~~ D9

E~,9(£5) D9(115) DI,9(~t11) CI3 F6

G~,maj7

Gt,7~,5)

Cm765)

41

Song Suggestion: Body and Soul

Slowly Dm9

Gm9

Dm9

Gm9 Eb(~ll) Dm9

Gin9

Dm9

G13 G(~5) C6/9

Song Suggestion: Don’t Blame Wie

Ballad Era7

Cmaj7

,.!

-9: C

!

~J

z

Ballad Dm7

GI3(~,9) A7(H3)

Cm7 F1369) F7(~5) A[,9(~ll)

GT~~

B[,maj7

J

Ballad Fm7 B~,13([,9) B[,7(~13) Ebm7 A1,13(~9) AI,7(~5) Cb9(~ll) B~,7t~

A9(~11)

A~,7t~

D~,maj7

4.:

Song Suggestion: All Or Nothing At AII Ballad E~’/B~

D~’/B~

G7(Ies)

C7!~

C~’/B~’

F7(I5)

B!’

B~,7I~

Gmg~~

Et, maj9 Cm7

C~,97!’5

Fm7

A~m9~~7)

A~’m7

Fm9 B~(~9) Et, maj7 O

A7(~s)

Ballad C/G

E7(;~5)

D7~~

G7(~5)

B~’/G

A7t9~

A~’/G

D7(~S)

Fraai9 Dm7

C7t~

G

GTt~

Emg~~

Cmaj9 Am7

Gm7 Gm9 C7(~,9) Fraai7

"7~~

Dm7

Fmg(~7)

Fm7

Dm9 G7~9) Cmaj7

Song Suggestion: Georgia On My Mind

Ballad A~,maj9 A~,m(l~7) At, m7 Gm7

G~m(;~7) G~m7

GH3

J, ,r’;_~J ~,,~

Ballad D~maj7 D~,m(~7) D~,m7 Cm7 Ct, m(~7) CI, m7 B~,m7 G~,9(~II)

Ct,13

E~,7(t~9) E~,7t ~ A~,maj7

J~,J ~J

45

Song Suggestlon: ISn h~ The Mood For Love Rubato D~maj9 B~m9

~11~

.......

Am9

Rubato Ebmaj9

1.6

Fmll

Bb9

I I

II

Gm7

I~ ..-.

E9

~r’

Em7

Dm11 G9

Cm9

~l.

Fm7

I I I I I I I "flV

~ I ~ ! .....

Rubato Cmaj9

~

E~,mll A~9

Eb9

FII9

~ /

Amaj7

I ~ ~"

E~m11 AM3

#

/

D~maj7

I°

II

Abmaj7 Dm11 G13 Cmaj7

Bmaj7

Fmll B~,13 Ebmaj7

I ~j+d~~ ~~ I /

It

Song Suggestion: Love Me Or Leave Me

Medium slow Fm Bbm7

Medium slow Em Am7

Fm

Em

B!,m7

Am7

Abmaj7

Gmaj7

Ab7(bS)

G7(~5)

G765)

F~7(~5)

C769) C7(~5)

Fm9

B7(b9) B7(~5) Em9

I I

Medium slow Om Cm7

Gm

Cm7

AT(bS)

D7(bg) D7(~5)

Gm9

4

Song Suggestion: Spring Is Here

Slow ballad Dm7d,5) G7~95 G70o9) Cm7

Slow ballad EmT(~5) AT~~ A7(b9) Dm7

Slow ballad BmT(~5) E7~~ E7(b9) Am7

F71I

Eb7sus4 Db/E~,

G71~

F7sus4 E~/F

D7t~

CTsus4 B~/C

,I

48

E9(~5)

E~13sus4 E~7(~9) A~,maj9

F~9(~5) FI3sus4 FT(bg)

C~9(b5) Cl3sus4 C7(~9)

B~maj9

Fmaj9

Medium Tempo

DICK HYMAN For rehearsing a chorus line, still the best way to get their attention is the ancient "Schubert," named for the producer of early Broadway musicals. Song Snggestion: You Must Have Been A Beautiful Baby

120 G7

F/A A~dim7 GT/B

120 F7

,J = 120 D7

,~~.. L’--L

l,,,-,-, :_r ~0

Eb/G G~dim7 FT/A

C/E

b.

E~dim7

D7/F~

~_.

,~

,,

, ~ ~ ~~ ,, ~ ~ ~ ,,

Song Suggestion: Love Me Or Leave Me

Bluesy (~ = ~ .~) B~dim

Bluesy (~ = l.~) Cdim

G~7

B~

Ab7

F

F

Cdim

G

B~

~ ~M I..JJ~:

Ab

G

JJ -

[¢

Bluesy (.~ = d Fdim

E~

D~7

C

Fdim

E~

D~7 C

5

Song Suggestion: You Took Advantage Of Me

100 (d~ = E~maj7

Edim7

E~maj7

Edim7

D~m~7

Ddim7

3

BUmaj7 3

Fmaj7

F~dim7

C9

Song Suggestion: Alexander’s Ragtime Band

F

D7

G

E7

G7

F

G

132 (~ =

F7

E~ ,1 = 132 (~ =

,,. -.

~î~í. ~,

Bb7

Song Suggestions: Am I Blue? ¯ It’s Only A Paper Moon

F/c

DTt~

F6

Gm765)

F~Frl ’ ~

E~6

Fm70~5)

’/ , v I I F I~ ,t

.I = 100 (~ = ,~.~) A[’/E~’

.." b tY h ~’!

î’

F71~

B~,m7(~ 5)

E~765) D7(~5) D~765)

F6

F D~7(~5) C7([,5) Cb765)

E~6

PRESTON I

A

A

D7 Abmaj7(~l~)

Am/D

Gmaj7

Medium swing

Ab/Eb

Bbm/Eb A >-

E~7 Amaj7(~ll)

Medium swing

Bg/F A

~~’

~

’v’v,

,

.

Cm!F ~

A

l

/

F7 >

B~/F

~ ’I

_. I, .....

A

>

’ P ’ p~

~

F7 A

~

I._

~ ’P’" ’;~~ i"P’~ ~ k~ ’i"p’~ ’p" I"k~’~ B~/F

Cm!F

F7 Cbmaj7(~11)

i

Bbmaj7



Bg7

Bb7

Bb6

C7

C7

C6

A

Medium swing Dm7/G

DmT/G

,6

Ebmaj6/9(~ll) Db9~193

CT/B~

C7 ti93

AA

Medium swing Gm7]C

Gm7/C

E~maj7/B~

07

G7

G6

FmajT/C

Fmaj6/9(~li) Eg9~193

D7]C

D7tI93

Song Suggestions: Body And Soul * Our Love Is Here To Stay

Dm9 E~m9 Cm9 Bm9 Bb7(~ll)

Slow swing Dm7

Dm9

C~m9 Dm9

Bm9 Al~m9 A7(~11)

3

Slow swing Fm7

Fm9

Em9 Fm9 Dm9 Cl~m9 C7(~11)

77

Song Suggestions: Jersey Bomlce o In The Mood ~ Robbin’s Nest

Có

F6 F~dim7

C6/E

Medium swing

E~6/G

D9

A~6 Adim7

Eb6

3

Eb6/G

Medium swing

B~6

78

B~6

, r’f-I

A~6 Adim7

B~6/D

B~6/D

E~6

p~’ o-’~--~-

..4

E~ó/G 3

,, ~. ~, ,. , r’n, ,,~----------~,J

Egó

GI3

¯

Edim7

B~6

C9

~.

¯

¯

b. b . /

F9

E~6 Edim7

.

Abó Adim7

b , ~

BH3

Bb6/D

3

Eb6 Edim7

Fl3

~ ~. _

Song Suggestions: You Do Something To Me , I Remember You

Slow swing E~

Slow swing F

Slow swing C

D/E~

E/F

Fm9/E~

Gm9/F

Dmg/C

Bbl3(b9)

C13(t,9)

G13(b9)

ALAN SIMON Here’s a Count Basie-style intro for any medium or up tempo swing tune beginning on the tonic.

Song Suggestions: Oh, Lady Be Good o Cheek To Cheek o Ain’t Misbehavin" o I Got Rhythm Medium or up-tempo swing (d~ = ~ d~) 06 G~dim7 Am7

D9(13)

repeat 3 times

Medimn or up-tempo swing (d~ = F6

8o

F~dim7

Gm7

C9(13)

repeat 3 times

Another Cotmt Basie-style intro. Song Suggestions: Take The "A" Train ~ Stompin" At The Savoy ~ I’m Beginning To See The Light

A~ó

Abdim?/Cb

B~7

E~7

C6

D7

G7

D Gadd9

Bbdim7/Db

B~6

C7

B~ E~add9

CdimT/Eb

F7

C Fadd9 Bb6

C G~7 F

Eb?

A~6

E~m7r~5~/A

G7

C6

B~9

E~7f95

E Bb7 A

GmT~5)/CII

F?

D9

GT!~

D Ab7 G

Fm?(bS)/B

C9

FTt~

LOU STEIN Song Suggestion: Gimme Some Lovin’ Medium rock A~7

Medium rock G7

G7

G7

F7

,-

G

’ n, ì~

o

Medium rock C7

C7

Bb7

B~7

C7

C7

Bb7

c

Song Suggestion: Ain’t Misbehavin" Medium swing E~maj9 CmII

~

Fin9

BH3

J

B~9

Ebmaj9

CmH

B7

Bb9

I

F7(~5) Bt,6/9

Eb

! Medium swing D~maj9 B~mll

E~m9

At,13 A~9

D~,maj9

B~,mll

A7

A~9

8:

Song Suggestion: I’ve Got The World On A String Easy swing Em7

Cmaj7

Easy s~~äng Gm7

Dm7

Dtldim

Ebm7(~9)

Fttdim

Dm7

(DmI1)

Dm9

G7

Fin7

(Fmll)

G9(13)

CC~9

Fin9

B~9(I3)

Song Suggestion: Chattanooga Choo Choo Easy swing Eb9

Ab6

Eb Eb7

Ab

Easy swing C9

C

C7

F

Easy swing F9

F

F7

Adim

F6

B~

Bdim

Cm7

F~diin

C6/G

Am7

C6

Bdim

F6/C

F6

B9

B9

Eb6

F~dim

Bb6

Eb6/Bb

Adim

Dm7

Bb9 Bbl3(b9) Eb6

G~9

G~9

G9

G9 G13(~9~ C6

C~9

C~9

Bb9

C9 C13(b9)

C9

F6

8

Song Suggestion: Exactly Like You

Easy swing Cmaj9

Ebdim7

Dm11

Cmaj9

G13

~; .. ~’~.___~. ~ .~~~

E~dim7

Dmll

G13

l

C

C7

F

Fm

C/G

Easy swing B~m~9 D~~m7

B~

Easy swing Egmaj9

BU7

G~dim7

E~

FmlI

BH3

E~/G

D/G

D~’/G

Cmaj7

Song Suggestion: I Can’t Give You Anything But Love Medium tempo At,13

G~,13

G1’13

A[’13

Medium tempo BM3

Bbl3

Al,13

EI3

AM3

Ab13

Bb13

F~13

GM3

El,13sus4 Eb13(9)

A~13

F13sus4 F13(9)

Medium tempo G13

G13

Fl3

FI3

GI3

Ebl3

Fl3

D13sus4 D13(9)

8~

Song Snggestion: Get Happy

Medium fast Dr’ 6/9

Db

D~/F

D~/F

G~

G~

Gdim

Gdim

D~/A~

Medium fast C6/9 C/E

F

F~dim

A7

Am7

F/G

A~7

Ab13(~9) Dbmaj7

,

¯

,~~í~

B~m7

G~/A~

Ab7

G7

B7

B~7

BH359)

E~maj7

.I C

C/E

F

F~dim

C G13d’9) Cmaj7

C/G

3

Medium fast EVG E~6/9

E~

E~/G

A~

A~

Adim

Adim

A~/B~

Cm7

E~

Song Suggestion: After You’ve Gone

Medimn fast B~maj7

Dm7

Bdim

E~m7

G7

C9 F7t~

Medium fast A~6 ASmaj7

Cm7

F7

Medium Nst Cm~7 C6

Em7

Cru7

A7

Bbm7

Adim

B~m7

A~

C~dim

Dm7

F711

B~9 E~,711

Fm7

Dm7

C

Dbm7

A719~

D9 G7t~

Ab7

B~,maj9

Gt,7

A~m~9

B~7

Cmaj9

8~

Song Suggestion: Have You Met Miss Jones? Easy lilt F6/9/A

F~/~/A

Fg]A

Gm7

Gm7

Easy lilt Eb6/9/G

E~~/9/G E~’9/G

GmT~,5~

Fm7

Fm7

Easy lilt G6/9/B

G6/9/B

Am7

B~9/D

Am7(~5)

D~9]F

Eb6/9/G

E~~/9/G C~’9/E~

D9/F~

G6/9/B

Gm7

F6/9/A

F~[9/A

Fm70~51

Am7

G9/B

C9/E

G6/9/B

E~9/G

Gm7/F

Cg/E

Fm7

FmT/E~, B~9/D

Am7

Am7/G D9/F~

C9/E

Fraai7

Bbg/D

E~,maj7

D9/Ft~

Gmaj7

Song Suggestion: Sweet Lo~~’aine

Medium tempo G~mll Cb7 Fm7 Gin7

F~7

Gm7

G~,m7 C~13 Fm7 Bgl3sus4 Bb7(~9)

m m, I ,.,.. ~ r1’1~~~,, ~J , I ,, ~ ~ ’,’-ï-’~ ’, ld’,~~~ I I ~’’11 I~ ’,[~)~~-~ ’~~2

l~~~ b ,~ ~ ,, ,,,,a,~, q

~« ~t~ r l "" ~~

Medium tempo Cm7 C~mll FW B~m7

(~ b

t,~ ~ I L

A7

,./

Ib

’,

,,

II ,

! " ~ ~ II*

I~

Cm7

,

E~maj7

C~m7 F~13 B~m7 E!,13sus4 E~70,9) A~maj7

b~ ~ I L

~

~

II /

91

Up Tempo

9:z

~ DICK HYMAN To set up songs with a pickup quarter note in the melod~ a good idea is to leave the final beats of your intro silent.

Song Suggestion: That Old Black Magic

120 (~ = Eb6

120 (.~ = ~ .b) F6

B9

B,~

C9sus4 C9

C~9

C9

F6

A

~í,;.,~:~ ~ ~~ ~ ,~.~.,-r~77~ ~ ;.

120 (~ = C6

G9

C6

G9sus4 G9 AA

í’í’lrr’l,

93

This "vamp-til-ready" was called "the Cantor," after the theme song to Eddie Cantor’s 1930’s radio show.

Song Suggestion: Get Happy

126 B~6 B~6/F Cm7 F7

126 Eb6 E~6/Bb Fm7 Bb7

126 C6 C6/G Dm7 07

94

Song Suggestion: "S Wonderful

170 (~ = Gm7

C7(~9)

F9G5)

B~769)

Edim7

E~

F7(b9) B~7

II

170 (,IJ = Em7

A7(~9)

170 (J~ = ~ d)) Am7 D7(~9)

D9(~5)

G7G9)

G9(~5)

C769)

C

C~dim7

F

Flldim7

D769)

G7

G7(~9) C7

95

t

PRESTON KEYS Song Suggestion: Blue Skies

With a beat C/E Cdim/E~ DmT(no5) Cdim/E~ C/E

Cdim/E~ C/E

E7*

Dm7 Gl3âdd9 Cmaj9(6)

With a beat B~/D B~dim/D~ Cm7(no5) B~dim/D~ B~/D B~dim/D~ B~/D D7. Cm7 F13add9 B~,majg(6)

~J

o

*Can also go to Gm

With a beat E~/G E~dim/G~ Fm7(no5) E~dim/G~ E~/G E~dim/G~E~/G

G7 * Fm7 BH3add9 E~maj9(6) o

*Can also go to Cm

96

í

_AN DY LAVE RN E Song Suggestions: Have You Met Miss Jones? o indiana Swing F6/9

Amn

Swing G6/9

DT(t~)

Gmll

Db7(~ll) C7(~1I)

Bb7(~ll)

DT(~~ )

F

E7(t193)

Amli

A7(t~3)

Eb7(~ll) DT(~ll)

C7(~11)

G

DI3(II )

~I~~:öo Fmli

C~7(~ll) Bb7(~ll)

)~ Gmll

~5 C7(~9)

F7(~9)

Bbl3(~i)

A~,7(~ll)

Song Suggestions: Night And Day . I Love You

E~,maj9(add 6 )/B~

AH365)

BrisMy F6/9/C

D13(~ i )/C

G13

C13(~~ )

Cl3sus4

Fmaj7

Cl3(~ ~ )

Fmaj9("dà 6)/C

Briskly D~6/9/Ak

D~, maj 9(a’:kì 6 )/Al,

98

Gmaj7

BH3(~ 95 )/A~

G!,1365)

AH3sus4

Fl3

AH3(~ 95 )

B~,13(~ ~ )

Ebmaj7

Song Suggestions: There Will Never Be Another You o Love Walked In

Briskly E~,6/9/BI,

B~13(~ ~ )

E~maj9(6)/B~

B~7(~ ~ )

Briskly Fmaj9(6)/C

C7(~ ~ )

F13

G7(~ 95 )

C13

Briskly GI3(~ ~ )

Cmaj9(6)/G

99

1

asic ii7 V7 vamp _~O H INvi7 NY/V~ORRIS

se as separate 2-bar intros or combine them to make 4 bars or longer

Song Suggestion: Let’s Call The ~Vhole Thing Off

Fast F

Dm7

Gm7

C9

Fraai9

Dm7

C9

Gin9

OF

Play 4 times

Play 4 times

Fast

Et,

Fast

A~

Cm7

Fm7

Fm7

B~9

B~m7

E~maj9

E~,9

Cru7

. .i,i.~

,

A~maj9

Fm7

O?"

O0

Fm9

B~9

,

¯

B~m9

El,9

.

Pedal Tone In[ro

Song Suggestions: How High The Moon o I’ll Remember April Up tempo G6/D B~dim7/D Am7/D B~dim7/D

G6/D B~dim7/D Am7 B~dim7/D G6

D7(~9)

Up tempo B~6/F D~dimT/F CmT/F DgdimT/F Bg6/F DgdimT/F Cm7/F D~dimT/F Bb6

~,~,!,~:,,.,J ¯

l

,!

|

.,. I

.11 .~_.4.

!

,I

I~

~. ~ ,

C7(~9)

Minor key Intro leading to tonic.

Song Suggestion: I’ve Found A New Baby

Up tempo Dm6

GdimT/D

Dm6/A

Up tempo Fin6

Up tempo Cm6

)2

Dm6 Bbdim7/A

Faug/A Dm6/A

BbdimT/F

FdimT/C

Fin6 Dbd1~nT/C

Cru6

Dm6/A

B~dim7/A

B~9

Dm6/A C~dim7/A

A9

Fm6/C

AbdimT/G Cm6/G

D~dim7/C Fm6/C EdirnT/C

AbdimT/G

Cm6/G BdimT/G

TOM NELSON Song Suggestion: The Song Is Fast swing Cmaj7~~h~)

Cmaj7(~I1)

E~maj7(~II)

G7sus4

G7sus4

B~7sus4

Cmaj7(~ll)

Cmaj7(~II)

Cmajg(6)

E~,maj7(~ll)

E[,majg(6)

Fast sMng Bbmaj7(~I1)

F7sus4

B;maj7(~ll)

L~ i:,1’ ,,.~

t

B~majTdíll)

F7sus4

Bt, maj7(~ll)

B!,majg(6)

Song Suggestion: Stompin’ At The Savoy Fast swing F6/9 A

F% A

F%

A

A

A

A

C7(~í9)

Fast s~fing E~6/9 A

D~6/9 A

A

A

A

E~6/9

Gb6/9

A t, 6/9 G~, 6/9 B~,7(~9)

r I~~ Fast swing

G% A

F6/9 A

A

A ~)A

A

A

~

A

IA

B~,6/9 D7(~9) A

)4

G6/9

Song Suggestions: Alone Together * Beautiful Love Fast swh~g Esus4/Dm

Dm9(~6) o

3

A

Fast swing Dsus4/Cm

Cm7sus4

A7~ ~

A7(~9)

G7~~95

G7(~t9)

Cm9(~6)

10

ALAN S I/’,AO N This h~tro uses a V pedal and can be used for any tune begimfing on the tonic.

Song Suggestions: Will You Still Be Mine? ¯ On Green Dolphin Street There Will Never Be Another You . Stella By Starlight

Fast F13(b9) F7(~9) F130o9) FI3fl]

F13(~9) F7(~9) F7~~ F7(~9) F13(b9)

Eb

Bb pedal

Fast G13(b9) G7(t~9) G13(b9) G13~~9

G13(~9) G7(~9) GT~l~ G7(~9) G13(b9)

F

C pedal

Fast D13(~9)

G pedal

"~o6

D7(~9) D13(b9)

c

Circle of fifths progression. Song Suggestions: Anthropology e Frefght Train

D7(b9) G7(b9)

C7

F7(b5)

10

This is Bud Powell style bebop, with the V as a pedal tone. Song Suggestions: Hallucfnatfons ¯ Confirmation * $crapple Froín The Apple

Fast F/C ~

r ~J L..J

C pedal

Fast

o

D pedal

Fast Eb/Bb

B b pedal

~a

~

t

LOU STEIN Song Suggestion: A Night h~ Tunisia

Be bop medium tempo C7 C7(~5)

C7

C70,5)

C7

Fmaj7

C7(~5)

.Ij

Be bop medium tempo B~765)

B~7

B~7(b5)

B~7

B~70,5)

E~maj7

o

Be bop inedium tempo D7 D%5

D7

D765)

D7

D7{~5)

Gmaj7

o

Song Suggestion: Rosetta

Fast

F

[~

F7

F Db9 C9 F

F

B~

[~

ii

G~

G

l 110

F~~

G7

C

~

G~m

Cm

:’ir

Db

G

C

A9

Ab9 D~

G Eb9 D9 G

Song Suggestion: Sister Sadie

Swing Eb6

D7/F~

A7/E

G7

8

J ,J ,! :_J Cm7

C~dim

B~

F7 B~

,J Swing Db6

~ ~ ,~

~

G7/D

~, . ~

A!,

C7/E

"

. k.~’~’,-,- ,

....

F7

~

-

~

B~m7

S~,Ang F6

Dm7

D~dim

~z FItF{~’í:’,

C

G7 C

C

LZ IZf[’iL-J ~~í,íiirí. 3

"

Song Suggestion: I Got Rhythm Fast swing B~/D

C~dim

Fast swing A~/C

Bdim

Fast swing C/E

D~dim

Cm7

C~dim

B~m7

Bdim

Dm7

D~dim

F

c

112-

C/E

F

F~dim C/G

G13

Cmaj9

Song Suggestion: After You’ve Gone StHde A~

A~

At,7

Fm7

B~m7

D~/F

E~7

A~

Eb7

E7

E7 A~/E~ N,C.

E1’7

A~

S/ride F

F

Stride B~

Dm7

F7 B~/D

Gm7

B~7 E~/G

C7

Gm7

C~7 F/C

Cm7

C7

F

C~7

N.C.

F7

F~7 B~/F N.C.

C7

B~,

F

F7

F~7

F7

B~

11.-"

13tin

114

t

DICK HYMAN This intro presents a motif that can be incorporated into the arrangement.

Song Suggestion: Too Marvelous For Words

120 (~ = ~~) Cru7

F9(a~d 6)

Chorus: Cm7

2>-

F9(add6)

>

>

F7(~, 9)(add 6 )

L

120 (~ : Am7

D9(add 6)

D 9(add ó )

Am7

Chorus: Am7

D7(b 9)(add 6 )

11

Song Suggestion: Too Marvelous For Words con~nued 120 (~ = da5) Gm7

c9(add ó )

Choros: Gm7

C 9(a~à 6 )

C 7(~ 9)(a~á 6 )

Gm7

Song Suggestion: GirI From Ipanema Bossa Nova (d = 120) A~maj9 B~m9 Bbm9/Eb

Bossa Nova (d = 120) Ebmaj9

Bossa Nova (~ = 120) Fmaj9

Fm9

Gm9

Fm9/Bb

Gmg/c

This intro can be used for Latin D-mes and up-tempo songs. Song Suggestion: What Is 7bis 7hing Called Love?

154 B~majI1(~,9)

BbmajT(b9)

154 CmajlI(b9)

Cmaj7(bg)

154 Fmaj11(~9)

FmajT(~9)

t

PRESTON KEYS Song Suggestion: The Girl From Ipanema

Bossa Nova Gadd9

Fadd9

Gadd9

Fadd9

Gadd9

o

Bossa Nova Aadd9

Gadd9

Aadd9

Gadd9

Aadd9

!

k~" ,,

I ~J. I) F ~ I,,

BossaNova Fadd9

E~add9

I ~J. I) r ~ II ,,

Fadd9

Ebadd9

Fadd9

Song Suggestions: Laura ¯ The Way I Want To Touch You o Stoí~~y Bossa Nova Bm7(~ 5)

B~m6

B~m6

F/A

Bm7(~ 5)

G~dim7

F/A

G~dim7

Gin7 C7

F

Bossa Nova C~m70o5)

C~m7(b 5)

Cm6

Cm6

G/B

G/B

B~dim7

A~dim7

Am7 D7 G

Bossa Nova A~m6

Am7(~5)

Am7(~5)

A~m6

E~/G

F~dim7

E~/G

F~dir~~7

Fm7 B~7

E~

~

NOREEN LIENHARD Song Suggestion: Triste Latin B~m7

E~7

A~in9

D~7

B!,maj7

G~m9

120

G1’7(I*9)

Latin Gm7

C7

D~m9

E;7(~9)

Cmaj7

Fin9

Bmajg(;5/

C~lmaj9(b 5)

B~

C

B~7

Gmaj7

G~maj9(bs)

G

J OHNNY MORRIS

1

This is a Cha Cha intro with a il V9 pattern.

Song Suggesfion: Tea For Two

Song Suggestion: Let Go

Cha-Cha-Chà Am

Eaug

Am7

D7

ramp

Cha-Cha-Chà Bm

F~aug

Bm7

E7

vamp

Cha-Cha-Chà Gm

Daug

Gm7

C7

Latin beat C7 (V of Fin)

Song Suggestions: G~lantanalllera ¯ Caravan

Latin beat D7 (V of Gin)

D7(#9)

Latin beat B~7 (V of Ehn)

B~7~9)

~ J J j’-qj J

TOM NELSON Song Suggestions: Wave * How Insensitive Bossa Nova Dm

Bossa Nova Em

A

Bossa Nova Cm

:>

A

:>

3

Song Suggestions: Meditation ¯ The GirI From Ipanema

Bossa Nova D6/9

~%

E~6/9

~~~/~

D6/9

~%

El, rílajl3

~/~~

Bossa Nova

B~q9

O6/9

Bbó/9

Ornaj~3

1:

RICCARDO SCIVALES Following are some piano intros relath~g to widely used Latha rhythms and styles. Some of these intros can be used to start well-known pieces like: Guantanamera ¯ Amor Verdadero ¯ What Is This Thjng Called Love? Perfidia ¯ Besame Mueho ~ El Manisero (The Peanut Vendo~9 La Guarapachanga o Garota de Ipanema Gentle Rafn ¯ Brasíl ¯ Mas Que Nada ¯ Corcovado Other intros are more generic and can be applied to various situations.

D)

Cha-cha-chà (,I = ca. 116) F B~ C7 B~

Cha-cha-chà (J = ca. 116) C F G7 F

126

F

C

C

G

(Gm C7

(Dm

F)

G7

c)

v

Merengue (J = ca. 144) G7@9)

Cm

G7¢9)

G7

oo

o~

r’

Merengue (~ = ca. 144) Dm

Merengue (J = ca. 144) F~7@9)

~

Bm

~

(Cm

i~

r’

Cha-cha-chà (d = ca. 138) Cm7

F9

Cm7

F9

mf cresc.

with pedal

Cru7

F9

Cha-cha-chà (.~ = ca. 138) Dm7

Dm7

G7{~9)

G9

Dm7

G9

A7(#9)

(Cm7)

G9

(Dm7)

BH3 A7(~5)

J

8vb

Cha-cha-chà (J = ca. 138) Em7 A9

-"- ¯

~.~ "..;’.’+~ ~+. ~ "I ~ j J with pedal Em7

AH3 G7(#5)

"I ,,’: .++ J

A9

A9

-C-’

J

8vb -

Era7

- ~.ì_~» ! "1 ~ _j

I ?~"~~’-~~

B7(~9)

j

I

~,-,J

8vb _ _

C13 B7(~5)

(Em7)

Cha-cha-chà (J = ca. 130) C7(I3) F9add~9 B!,903)

C7(13)

F9ad~~9 B1~9(13)

Cha-cha-chà (./ = ca. 130) D7(13) G9aCu~9 C9(13)

D7(13)

G9a~t19 C9(I3)

Cha-cha-chà (./ = ca. 130) B~,7(13) E~,9adâ~9 A!,9(13)

B~’7(13)

E~’9adá~9 A!’9(/3)

F9~dd~9 C7(13)

F9aoà~9 B~,9(13)

B!,9~~53 B[,m9 EI,9(13)

G9aâdtl9

D7(I3)

Ggadd~9 C9(I3)

E~,9adá~9 B~,7(13)

A1,9~~53 A~m9 D~,9(13)

(Gm7 C9)

D7(~9)

C9~~53 Cm9 F9(13)

E7(~9)

G9add~9

(Am7 D9)

E~,9add,~9 At,9(13)

C7(~9)

Fga~à~9

EI,9aeal~9

(Fm7 B!,9)

Guajira (J = ca. 118) Dm

Gm

A7

C

Dm

B~

A7

(Dm)

I í #í I I ~í Fl

),.Ij j

Guajira (J = ea. 118) Em

_~, -----

Am

8vó sempre

Guajira (J = ea. 118) Cm

Fm

G7

Cm

B~’

Al’

G7

2

rír .....llrl

í«

O;d’, ,~’~ ~, ~ J. 4

8vb sempre

"~3o

r-ï , ~~r, r .. , .- .~, i~_~ Iii J ~’

.’"., , ’~.~r’~, ,

11 I I I~~I I LW

(Cm)

Mambo (,J = ca. 88) C9

B~I3

C9

Mambo (J = ca. 88)

B~13

C9

B~13 C9

C13

DM3(b5)

C13

Mambo (,1 = ca. 106) G7

F/G

G

F/G

(G7)

G]A

¯j A 8v~ sempre

G/A

~

G

~

Et,

F

(A7)

fS

Mambo (,I = ca. 106) F

F

EVF

cFesc,

L

(F7)

Salsa (d = ca. 106) C F G

C

F6

G

C

(c)

Salsa (d = ca. 106) D G A

D

Gó A

D

G6

D

Salsa (J = ca. 106) F $

1

B~

E~6

D

(D)

B~

(B~)

F 3

3

E1’6 3

~A

3

~F

II~. G7sus4/F>

Gsus4

Bm755)

Latln Jazz (Fusion) d = ca. 112 Cm7(!,5) F7 B~m7

i~ I ’,~J

134

El,7

Gm7(~5)

(Dm70~5))

Bolero (J = ca. 106) B7 E7

Am9

(G)

D13

Tirnbales:

V

Bolero (J = ea. 106) C~7

Bolero (J = ca. 106) A7 D7

Bm7

Gin9

EI3

C13

(A)

(F)

Bolero (l = ca. 96) D

E~7(~5)

~

Eb7(~5)

h

Dm

A

Bolero (d = ca. 96) E

F7(~5)

Bolero (,1 = ca. 96) C

..... ^ , D~7(~,5)

D

A (Dm)

A

F7(~5)

A

E

Em

(Era)

Db7~,5)

C~m

C

(Cru)

Rumba (commercial, hot folk) Slow to fast tempo F6 C9

C7

F6

C7

(F)

8~~

Rumba (commercial, not folk) ~low to fast tempo G6 D9

,~~

,--,

~

~,,

D7

--.

__.

G6

D7

,.-,

,,

~.,

(G)

~,,

t ~

>

>

~~

>

>

>

Rumba (commercial, not folk) Slow to fast tempo B~,7

F(tb~’~’"" ~J I~ J I’ J;l"l

I

E~6

L/" I) 1 2 I

BW 2I

(E~) ~,’1 I

>

Son-Montuno (~J = ca. 96)

C~ ~

~

~ tim~.

F

(F)

Son-Montuno (¢/ = ca. 96)

Son-Montuno (~ = ca. 96) Eb6 Ab Bb

Et’

(Eb)

Guarapachanga (~ = ca. 100) Fm B~ Fm B~7

[ 1. E~,6

B~,7

~~,~, ,. +. ~~._~,,~ ~~ ~ ............. £_, ... I .~.~. ,,, j o. +,++_._ -~’~’

"~. - ~. -

’f

- f"

’!. - !. -

Cumbia (commercial, not folk) J = ca. 96 Gm F

Gm

(Gm)

8vb sempre

Cumbia (commercial, not folk) ~ = ca. 96 Am

G

3 times Am

(Am)

8vb sempre

Cumbia (eom~ne~’eial, not folk) J = ca. 96 Fm E~

8vb semp»e

3 times Fm

(Fm)

Tango (.J = ca. 170) Cru6

D

D7

(Gm)

E7

(Am)

C7

(Fm)

8vb sempre

Tango (.~ = ca. 170) Dm6

f

E

>

8vó sempre

Tango (,J = ca. 170) Bt, m6

8vb sempre

C

Tango (modern) ¯ ~ = ca. 120 Asus4(add!’9)

Aaug(adä~9) A7(1,9)

Asus4(add~’9)

Aaug(adà~’9) A7@9) 5__

(Dm6)

5

Tango (modern) ¯ ~ = ca. 120 BSUS4(addl’9)

Baug(addl’9) B7([,9)

Tango (modern) J = ca. 120 Gsus4(add~9)

Gaug(a~d!’9) G7([,9)

Bsus4(aó~~ 9)

Gaug(add~ 9) G7@9) (Cmó)

Bossa-Nova (,1 = ca. 126) Fmaj9

Gt,7(1,5)

Bossa-Nova (,,I = ca. 126)

Gmaj9

A~7(~5)

/L.,~ J _bJ"~ N--bJ _bJ J

\1--’’ "-""" _~ "/ _-J _~ _~ "/ _~ _~ _’j _~ _~ _~

Bossa-Nova (,,! : ca. 126) E~maj9

,,.~~,... ~ ?~~.~~~~.~ i,~,~ ~l-’-î:J’, .".-- .~ ,’,. J-Z... E;majT(]3)

JbJJ

J j ./J ,Jb, , .,~J J F~7(115)

(E~,maj9)

14

Bossa-Nova (.~ = ca. 126) Am7

BI,9(~ll)

(Am7)

C9(~11)

(Bm7)

A~,9~~II)

(Gin7)

8vó sempre

Bossa-Nova (d = ca. 126) Bm7

Bossa-Nova (d = ca. 126) Gm7

8vó sempre

~4

Samba (,J -- ca. 92) G

Am

Samba (~! = ca. 92) F

F

Gm

Gm

Samba (J = ca. 92) A

Bm

(F)

Jazz/Fusion Samba 2 = ca. 96 Gm7

8vb sempre A~maj7 ~>-

Jazz/Fuslon Samba d = ca. 96 Am7

8 ,b sempre B~maj7 ~>

~~

~

~

,>, (Am7)

Jazz/Fusion Samba ,~ = ca. 96 Fm7

q~’~a j7

I~ ~ (Fin7)

Afro ~ ~. = ca. 54 (feel in three) F B~ 5

~

c ~

B~

4

ad lib.

(F)

h 5

opt. 8vb

Bt, ~

~

At,

ad lib.

(E~)

ALAN SIMON Song Suggestions: Love ForSale * Desafinado * Nica’s Dream

Montuno E[,9{t *o 1~

Montuno F9~n

Montuno

~8

r~b 9Itll

~’ 13

C/Db

t

LOU STEIN Song Suggestion: One Note Samba Latin G

Dm7

G

Dm7

G

Dm7

G

A~’/D

Lafin F

Cm7

F

Cm7

F

Cm7

F

G~/C

Cm7

F

Latin A

F

Cm7

Em7

A

Em7

",.I ’’í A

Em7

A

Em7

C C~7 GrdD F7/E~ C/E F

F

A

A

Em7

A

F J ’~ "J" ’ ",.i

B~/E

’"í~,I-

E EII7 Brn!F~ A7/G E/GII A

Song Suggestion: Amapola Lafin big hand E~6/9 D~6/9

Eb6/9

E~6/9

D~6/9 E~,6/9

D~6/9

Db6/9

Eb6/9

Db6/9 D6/9 E~6/9

Eb6/9 D~,6/9 D6/9 Eb6/9

Db6/9 D6/9

E~maj7

0

x, I

/b

...... ,.

Db6/9 C~6/9 D~6/9

,..., í ï’í Cb6/9

Dbó/9 C~6/9 C6/9 Db6/9

Fó/9

Fq9

9:b O

EW~ Fq9

)I

EW9

Eb6/9 E6/9 F6/9

Fq9 E~6/9 E6/9 F6b

D~maj7

Eb6/9 E6/9

Fmaj7

o

Waltz

1!

PRESTON I

A7(~9)

B~7(~9)

Song Suggestion: Once Upon A Smnmerti~ne Am

56

Caug/G~

C/G

F~m7~5)

F6

E755)

Song Suggestion: Baubles, Bangles And Beads Jazz waltz A~,maj7

A~’maj7

B~na7/E~

E~,m9

[ 1. At’taai7

AmajT/Ei’ Ai, maj7

Jazz waltz Amaj7

B~’majT/E

Amaj7

Em9

Il 2’Amaj7

Dm9

1!2.

Amaj7/Et,

Era9

[ 1. Amaj7

B~maj7/E

Gmaj7

AmT/D

Gmaj7

[I 2~~,maj7

Amaj7

BmT/E

Jazz waltz Gmaj7

At, majT/D

E~,m9

Gmaj7

Dm9

A~’maj7/E~’

I t. Gmaj7

TOM NELSON Song Suggestion: I’ln All Smiles Jazz waltz D7(~9)

Eb7

Eb7

D7(~9)

(.

?. D7

Jazz wallz C7(~9)

C7

158

D7(i19)

D~7

C7

DI, maj7

Jazz waltz F7(~9)

F7

D7

Ehnaj7

F7(~9)

G[,7

G~,maj7

Dgl3

F7 3

G~,7

F7(~9}

ALAN SIMON This waltz intro has a "Middle East" flavor (flat 2, sharp 4, flat 7) in the right hand over a I V I in the left hand.

Song Suggestions: I’II Take Romance ¯ Bluesette

Jazz waltz D

Jazz waltz A

A

E

D

A

F

A7l~93

E7 t~93

c7t~3

LOU STEIN Song Suggestion: Try To Re~nember Slow C6/9

C6/9

G7t~

G7(~5)

Db

C6/9

G7(5)

D~

D~

C6/9

Ct’

Bb6/9

Slow D6/9

D6/9

A7~t

A7(~51

D6/9

E!,

Dó/~

A7~~

A7dfs)

EI,

E~

D6/9

Blues

PRESTON I