Goodbye Lullaby Songbook Avril Lavigne

July 24, 2017 | Author: Jonas F. Steinsson | Category: Songs Written, Pop Rock, Pop Culture, Entertainment (General), Leisure
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1

BLACK STAR

Words and Music by AVRIL LAVIGNE C

Gently





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 



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Am7







mp

F

 







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      





Black

star,





 



be

 

   



 













star,





 G6

  

 

    

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a shin - ing



black

C





G6

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F

for - ev - er you will





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Am7

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C

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 

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C

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



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G6



star,

    shin - ing



star,

   



Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission



   

be what -

   

2

Am7

 

F

       ev - er

 



  

you

can be.

C

     

star,

    you will al - ways

 

   



 

 

  

C



be

 



G6

     a

   

star,

 

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F

 

 

rock

 



Am7

 





A rock

        

G6

black



star,

    

 

 

black





star,



  

  black







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                                    Am7

F

  

star.





C



 

Black

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Am7

F

   star.

    



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G6

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star,

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black



star,

black

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G6



 

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3

Am7



F

 





C

 







F

 





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              

Am7





C

 

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G6



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G6

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Am7

 





 

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                  

F





                    

F

 

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





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C



 



                 

Am7

G6







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µ





What The Hell Words & Music by Avril Lavigne, Max Martin & Shellback

q = 155 A

D

   



F#‹





                                                  



A

   

D





1. You 2. So

   







say what

  if I



        

that I’m mess -ing with your go out on a mil - lion

   

 All nev

-



’cause er call

I was mak -ing out with your friend. or lis - ten to me an - y - way.

                             



   (Yeah,

   



       

     

      yeah, yeah, yeah.)

  You

                

F#‹



   

D



        

         

                       

head. dates?

D





F#‹

                          A

D

D



   (Yeah,



 

        

© Copyright 2011 Almo Music Corporation, USA/Avril Lavigne Publishing Limited LLC, USA. Kobalt Music Publishing Limited (66.67%)/Universal Music Publishing (33.33%). All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

      yeah,

 

yeah, yeah.) I

                

A

   



Love ra -



D

 



hurts ther rage

 

 

F#‹

  



    

wheth -er it’s right or than sit a -round and wait all

wrong. day.

(Yeah,

 



can’t get

 

D





stop me wrong.



F#‹

         

’cause I’m hav - ing too much I just need some time to

   



                             

   



        

A

D

fun. play.

    (1º only) (Yeah,

                                                       







A

   

D

  







F#‹

  



 



                        on

your knees

begg

-

ing please

stay

   



D

 

  

-

est - ly,

I just need

                 D

      yeah



2

cra

yeah, yeah.) You’re



D

  

  

  



But

 

 D

  

        

to be a lit - tle

 

                   

F#‹

                                 hon

yeah, yeah, yeah.) I Don’t

with me.



A

        

-

zy

 



  



 

  



  

A

D

F#‹

            

D

            



                                    All



 

my

life

I’ve been good

but now,

oh,

I’m think -ing what

the hell.

              

A

  

D





F#‹

  

 

D

      

  



                                     All



 

I

want

is to mess

a -round

and

I

don’t real -ly care

a -bout

            

A

D

      



F#‹

    



    

D



   



                                                     if you love



 

me,

if you hate

me,

you can’t save

me,

ba - by,

ba

-

by.

                 

A

  

D





  

F#‹

  



D

 

  



                                                        All



 

my

life

I’ve been good

but now,

whoa,

what

the hell.

             3

1.

A

D

  







F#‹



D







                                               What...

what...









  

                                  what...

what the hell?



     

 

2. A

D

F#‹

                                              



A

D

           la, la,

la, la,

A

   

  



la, la...

D

 

                      You

la,

say

                                

F#‹

                                                La,

D

D

      whoa...

                

     

that I’m mess -ing with your

  head.



whoa...

                     

F#‹

     

      

 

D

  Boy,

    I like mess -ing in

               

your

                                                     

4

A

D

    bed.

  Yeah,

                          



A

F#‹

     I am mess -ing with your

life

when

I’m mess -sing with

you

in

                                                      D

my

head

        

             

F#‹

             All bed.

 

D

I’ve been good

D

       

but now,

oh,

I’m think -ing what



the hell.

                                        



 

              

A

  

D





 

F#‹

  

D

          

  



                                                           All



 

I

want

is to mess

a -round

and

I

don’t real -ly care

a - bout...

             

A

D

F#‹

            

D

       



                                                         All



 

my

life

I’ve been good

but now,

oh,

I’m think -ing what

the hell.

               5

A

  

D





F#‹

  

 

D

      

  



                                     All



 

I

want

is to mess

a -round

and

I

don’t real -ly care

a -bout

            

A

D

      

F#‹

  





D

   

   





                                                     if you love



 

me,

if you hate

me,

you can’t save

me,

ba - by,

ba

-

by.

          

A

  

D





  

F#‹

  



D

 

  



                                                        All



 

my

life

I’ve been good

whoa,

what

the hell.

                  

A

D

                            La,



but now,

la,

F#‹

D

 

   

 

la, la, la, la, la,

la,

la, la, la, la, la,

la,

                  

     6

la,

            

                  

la,

µ

  

la.

        

1

PUSH

Words and Music by AVRIL LAVIGNE and EVAN TAUBENFELD

Moderately Eb

    

Bb(add4) 3fr

            

Ain’t seen too much of you late - ly,

      



and you’re

f

 

 



Eb

           

  

         

  



hap - pened last

 



        

 

time, and it’s

         

 



  

  

 

 



    

not

what we



 



 

 

de - serve.

It’s

      

 

a,

 

Bb(add4) 3fr

 It’s



what

Eb

    

      

This is

Bb(add4) 3fr

ex - act - ly







  

start - ing to get on my nerves.

            

    

      

  

   

a waste a waste

of of

  

   

 

my my

 

    



time late - ly, and I’m time, shak - ing, and I’m

     



  run - ning go - ing

 

   

       out out

of to

words. search.



 If

it’s

      



 

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO. All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved Used by Permission





2

Eb

  

F[add4] 3fr

  real - ly

 

 meant

to



  

   

 





   

      



Bbsus2





  

then





  







 







ba - by, ’cause this

is

   

        



 





3fr

Bbsus2



  





     And you know when push

       



       











    



 

 



see.

   



     



 

 

gets

tough,

        



  





e - ven when it



  









 

 



 

   

3fr

love.





F

  

comes

 

to

  

Eb

 

way

 

F



     

a

 

    

 

up,



    

you could find

shut



Cm



And may - be you should just

       

 

be,

 





  

3fr

to





 

 



    



shove,

it’s gon - na take

   

 







 





  

    both

             

of

us.

    

3

To Coda 

Cm

  

3fr





    

Ba - by,

      

 









this

is









    

Ba - by,

  

Eb

  



3fr

love.

    



Eb







this

is

 

    











    

  

 









 



    

  

        





 



 







 

   



   

 





        



 











 

 



  

  

  

   





















Bb(add4) 3fr

           

It’s real - ly great

to

be

with

you;

this is

  

                                





love.

Eb

  

 

    

Bb(add4) 3fr

    



love,



Eb

  



Bb(add4) 3fr

Love,



love.

         

how I could spend

my

life,

but I’m

               

4

Eb

 

Bb(add4) 3fr

D.S. al Coda

         

               cap - a - ble of tak - ing care of my - self,

so

if

you

fuck this up

then go take a hike.

 

                                 

      



CODA



Eb

   

Cm 3fr





    

Ba - by,

    



 

 











this

is







          







 





Eb







(You

and













me,





3fr





  



we can both

start

  







o

-













ver,

 



just the two

of

us.

     









low

me

 

 









 





Cm



3fr

  

We can get

          



love.

Bb/D

 





      

Bb/D

  

3fr



   



     a

lit

-

tle clos

-



er.

    

 













 



So

fol

 

  



-





5

Bb/D

Eb

  





hon

   



 



  

F5

-









est

- ly,

 







   





   



3fr



Bbsus2

  











and

you

will

 

 

 

 





  

 









    

  

    

    









F

  

     



 

gets

tough,

  



  





e - ven when it

    

     



  



Eb

  

3fr







 



And may - be you should just And

 

shut

up,

       

 

 



 3fr

 

Bbsus2



Cm











    



ba - by, ’cause this

is

          







    



And you know when push

    



 







 

 



 





  

      

  







 



   

see.





      

















 

love.

  

  

comes

 



to

shove,

    

6

F

Cm

  

    

   

it’s gon - na take

       



both

             



3fr

of

us.

  





  

    



 





Bb





  





this

is

      





 







Eb5 6fr

 









  







 





rit.    



 

 

   

  



 

 

 

 

 

 

  love.

3fr

 



 



Eb

   





  



 

 

love.

Love,

Cm11

 

is

      

love,

    

this

love.

 



 



    

Ba - by,

    

Ba - by,

Eb 3fr







     

       

 

1

WISH YOU WERE HERE

Words and Music by AVRIL LAVIGNE, MAX MARTIN and JOHAN SCHUSTER

Moderately

    

E







   



     



I

      



 

  

 

           mf



  







  



   



I

strong,

can



be

   

 

   



          





  





  

with

you

Asus2



 



  



but

   

C#m 4fr







   

    



    



it’s not like that

 

tough;

B[add4]

  



 

be

       

 

E

 



can



  



at



all.

 There’s

  



 

 

    

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE AB All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC. All Rights Reserved Used by Permission



  a

girl

 

2

E

B[add4]

  







  



      





 





  

E



 



   









 

be - hind

   

   



   

shit

   



 



walk

this

wall;

 



           







through

it.

 









   



   



And I

  

re - mem - ber

    

B[add4]/D#

    

 things

you said.



You

  





  





 

  

 

left them run - ning



C#m







 



 

through my

  

   



head.





You’re





Asus2

4fr





al - ways there,

 



4fr

all those cra - zy

 



you just

  

 

   





Asus2

4fr

  





C#m

 

 

   

who gives a

  

 





  







you’re ev

   -

     

’ry - where,

   





but





right now

   





 

I

wish

you were





 



  

    here.

  

3

 

E

B[add4]/D#

   

All those cra - zy



 

  

things

we did,

did

                   





 

C#m



 







  

 





 

you’re ev





n’t think a - bout it, just



Damn,

 



 



- ’ry - where,

 

but

with it.







 



  



 



  





   

here,

        

 

 



 





   





 

right

now

I

wish

you were





 

 





   

   











    here.

 













What

I’d

do

to

have

you





   Asus2



here.



You’re







here,





damn!

C#m 4fr



  



  

damn,

    



went

                 

B[add4]

  

 

    



Asus2

E



-

      

4fr

al - ways there,

 

4fr

 





   





(I

wish

you









  

 

were

 





here.)

 

4

E

B[add4]

  



    

Damn,



   









damn,

 



  





 

 

 

 



 



damn,



 













what

I’d

do

to

have

you











  













 

To Coda  Asus2

C#m 4fr

 







 

(I

wish

you







   

 

 

were

here.)

  I’d

near,

     



 

near,

 

 E

  



near.

   

 

    



the





  



way

  

B[add4]

you

   

   













  







  





with who

   

I

 







   

are





           

  

 am;



Asus2

    

 

    

  

don’t have

 





C#m 4fr





   

love

  







  



to

try





hard.



  



 



We

    

       

al - ways

E

  



say

  



is,

 



       

 



 



   CODA





   

      

  

   

 

          



the

  

   

truth

D.S. al Coda

    



is that

miss

I

real - ly

 

  





    



    











you









wish

 

 





   

 







   

just wan - na

let

  



 



 





C#m

 



 

 





4fr

    



you





know



let

 

  





go.



C#m

    

that



I don’t wan - na



F#m





    

No,



  



were here.)



B

I

  



F#m

(I

E

    and

Asus2

  





Asus2

4fr



 

it like it





C#m

 







  

 

 

 

say,

 

5

B[add4]

I

  

 





4fr

    

nev - er wan - na

  

let

  







go,

6

E

B

    



 

  

let



go

   

 





 



E

  

 I

    



 



 

let

 



   

   

 





 



 

  

-

oh

-

  

B

 

 









let





that



  



 

  



go.





nev - er wan - na







let

    

I

 

I don’t wan - na



    

you know

  

 

A

   



    

No,





4fr

  

oh.

  

C#m



 

B



let



go,

 

 





C#m 4fr





go,

let

 

 

 





go,



go,





let



let

  

4fr

 





just wan - na

G#m

   

F#m



let

go,





 



 

let

 





go,

let





go,

let

 

  



 

go,



      





go,



let

go,



let



go.

 

Damn,

  







  



let



go,

  



 

damn,

   

go,

 

 



let

 

E

 





 



damn!

   

 



  



7

B[add4]

     



 

C#m 4fr















What

I’d

do

to

have

you







  



 

Asus2

  



   



 



wish

you





  

B[add4]

   

     



 





 

 

 







here,

    

   







here.)



  









what

I’d

do

to

have

you





 





wish

you













   

 



(I



here.

  

 













damn,

  

 



damn,

   

 

 







C#m







 





Damn,







E



 

 

here,





Asus2

 

were

  

 



4fr



  

 



(I









were

 



 near,

   

  

 

 



near,

 



here.)





E

         

   





near.

 

   

  







1

SMILE

Words and Music by AVRIL LAVIGNE, MAX MARTIN and JOHAN SCHUSTER

Moderately fast

   



F#5

E5

5fr



    f











   

F#5

    



    

         

  cra out,

 





  











  

A5







zy I

bitch. think.





 

   







 (I

E5

  

    





  

  







A5

 

lose out,

con - trol. and then





 

 

   

I wan - na do is re - mem - ber mak - ing

     







  

 



do what I want when I feel like it.) (What did you, what did you put in my drink?)





C#5 5fr

All I

  



5fr

F#5

  





E5

You know that I’m a Last night I blacked

    

A5



 







 

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE AB All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC. All Rights Reserved Used by Permission

E5 4fr



(Oh, (Oh,





 oh.) oh.)







  

 

2

F#5

      



  

E5

A5 5fr

But you don’t real - ly give I woke up with a new



a shit, tat - too.

 





   

F#5



  



  





   





 

   





 

  

  







what’s













 





with it, go with and my name was on



look,

 



and



  

now

 

not









 



 



E5

the



   







You

name?”

    I’m









 









same.



A5 5fr



E5 4fr





    

it.) you.)



C#5

5fr

your



 



   -

 

ou

said,

     

 

 



It

took

one

 





 

A5

 

F#5



 



and roll. a - gain.

E5



      

  





F#5

   



  

A5





   

“Hey,

 



  

5fr

’cause you’re fuck - in’ cra - zy, rock o - ver I would do it all

 



E5

  

 



(You go with it, go (Your name was on me,





       





      











C#5

E5 4fr









 

 

 





 



Yeah,





you

said

3

F#5

E5

  

5fr







hey,

and

     









 

since









 

heart

      



 



and



 

   

you’re









the

one

to



   







 

D(add2)

   

 



 

 

 



I

smile.

 

 

 





F#m

       



 







 











 

 

blame.

since

ev - ’ry

day

 

  

   





and





my

 











     

ev - ’ry - thing

  

  

 



and

that’s

 











  

 



a

while

  

   

 



 







It’s been

 



stole



 







 

you

Yeah,





  



E[add4]

 





A5

A

why

      





5fr



 





E5





day

   





that

F#5

   

A5











has

felt

this



 













  



5

2,3 E[add4]

D(add2)

   



         

    





 

The

rea



 

-





son

why







  



 



   

  















 









  



  





what I want when I









i

-

ile.

 

 







  

  

I,





     To Coda 













a



cra - zy





bitch.

I

 





 

      



    





 

do

is

lose

con - trol.

    





 

1 F#m

5fr

  

I,

 

      

    

 

A5



 



Dsus2

           

 

   



 

You know that I’m

do

 







-

 







smi





E[add4]

 





I

   



 



 



F#m

  

 





A

  I,

 











feel

like

it.









All

  

I

wan - na

6

 

2 F#m

Esus



 



 

  



  

   



 µ      

 



 

 

 

 

trol.

    







And

that’s









         

    



 



The

rea



 

con -



 



why

 



I,

I,

 



   





 

    

 

 





 

 



 





 

 

  



  

E



-

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D.S. al Coda





do

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All

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 

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1

STOP STANDING THERE

Words and Music by AVRIL LAVIGNE

Moderately fast C

  

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 





All You’re

  



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mf

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don’t You’re

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in bout

-





Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission





side me

of and

 







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head.

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C

    







Em/B



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All as

And



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think time

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-



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all be

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oth

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 mind; to,

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my me



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And So



you;





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G

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3

G

      











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don’t

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an - oth

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wait

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much

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your

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So

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     up

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4

Am

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        





 

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so

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you

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I

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who

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show

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I

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who

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Am

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there,

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 Stop



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 

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F

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ing

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5

Am

 

G

 

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F

   -

ing like





you

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Am

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care.

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ing

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scared.

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ing like

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       

      

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           

don’t



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6

C

G



  



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So don’t

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          

       



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  

  

     an - oth

-

er

day,

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     







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don’t

     

Am

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I

wait





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just

to

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you

how

















 

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     

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    

  

min - ute.

   



       

er

        

F

 

-







to

see



face,

        





   







I’m

in

it.











 





much



your



G



 O

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C





    

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  

     -

pen

up

your







heart;

     

  

   

         







   

7

Am

  help

      me

 







un

-







  



der - stand.

Please

        



 

  

   



   

so

       





I

can

 show

            





 

me

 

who

you







who

I

   

C



         you

are

      



Am7

   

    

tell

         

F





am.

           





  

  

 

 

Em/B

 

    Who







    

I





Am

            



    who

   

 







 



  



am,

    







 

   

   



 

   

    

 

who

I

am.



 

 

 











 

I

am,

     



G



  

       



 





1

I LOVE YOU

Words and Music by AVRIL LAVIGNE, MAX MARTIN and JOHAN SCHUSTER

Moderate Pop Rock C

Cmaj7

  



La



la

la

   

 

    

  





mp

 



la

  

  

 



la

C



















 

I I

  





  





like like

your the

  

 





smile, way

 

   







   

   

 

la

 

 

    







 





I you

   

Em

 

la

 



la

   



C

la.





La





la.

Cmaj7





 





like mis





 

your be -

-

  







Am



 





I when

like we

your get

 



 









 

 style, wast

 

-

   



 ed,



   

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE AB All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC. All Rights Reserved Used by Permission



 



but but

that’s that’s

  

  

vibe, have

2

F

C

  not not





why why

I I

love love



 



   



 







you. you.

  











     



I









you’re such am com

    

-



a star, pli - cat

-





 





    

 









you

    



but that’s but that’s







not why not why

  



 

what

I

feel

       

  

you

feel

 







  







    

 









you





 

need,





  

   



you

feel



   

do

 

Hey,

     

Em



Do







Do

 



 

you. you.

love love

me?

   



too?

           





  

C



 



          

    

I I

   



do

 



Am



       

  

way cool

     

  



feel,

F



ed,



   



do





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1

EVERYBODY HURTS

Words and Music by AVRIL LAVIGNE and EVAN TAUBENFELD

Pop Rock Gm

Ebmaj7 3fr

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           



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It I

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 

 

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO. All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved Used by Permission



  I’m you

 



2

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to me. on hap - pen - ing.



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F

3fr

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kay.

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 



 



 

 



 

me

         















to

a

bet

 

  





Bb

 



Ev - ’ry - bod - y

this

way,

   



feels

      





-

 



ter

place.

 









F



  

 



 

 





Eb 3fr



Bb





F

3fr









it’s

o

-













Gm



Eb 3fr





3fr



kay.

   

  

 

 

 



 

Bb

 

 





 

 



 

 

 

F

    

   

    



-

a - way



3fr





F



Eb 3fr

Gm

 

   

take

Gm

 

Bb 3fr

 



Gm













 



 

3fr





 

Eb 3fr



 

 



  

  





7

Bb

   



 

F



  

  

La

da

da



  



da





da,

it’s

o

   









F

  





La

la

la





      



 







-









la,



 

F







 





Gm

it’s

o





-





La

da

da

 



 

  





da

da,







  

 

  





Eb



it’s

o









-

kay.

















F

  





La

la

la





  









Gm



Bb

    



3fr



3fr





µ





la,



 







it’s

o

-









kay.





 

Eb

 



3fr





kay.













  







3fr

Bb

 

Eb 3fr

Bb



Gm

 



 kay.

 



 

3fr



1

NOT ENOUGH

Words and Music by AVRIL LAVIGNE and EVAN TAUBENFELD

With drive D5

    



Asus 5fr

mp

      

  





  

  

  





  

  

  



  

Bm7

  



            



         



         

 D5

Gsus2

 







5fr

 

I’m

  

           



sor

-



-

ry ’ries

  

          



  

  

  



  

Asus

     



     



   

  



     

  

  

if this hurts that we’re los -

  





you, ing,

  

   

but all

  



   

I the

tried time

     

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO. All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP. All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved Used by Permission

  

2

Bm7

Gsus2

          to keep what that I spent

we had with

once, you



    

  

  

   



it was - n’t I think it’s

keep - ing run - ning

       

      

  

I was wrong, ev - ’ry - day,

          

  

     me down

   

a - wake. the drain.

          

D5

 

5fr

    



          

 

You did - n’t I’m

lis feel

       

 



  



  

  

-



ten, ing

 





did - n’t that we’re

    

 

   

     

 

      

      

  



  

  

  







when

   

   

I said Don’t make

  

I want this as

  

more, hard

I as

  

Gsus2

        no more, it would be, it’s



you weren’t a lot

                    



hear fad -

   

me ing.

  

think

 

Bm7

   -

    

you

Asus

 



   steal - ing eas - i -

   

  

     me er

a - way, than it

          

 seems,



  

   oh. yeah.

       

got you

 

3

Bm

  

Gmaj7

  





  



    

It’s

  



not

 

e - nough,

    

it’s

A/C#

what

it

is

I

D





to

give



 

  



    

It’s

               



not

e - nough,



I wish it

    

-

thing

 

 



e - nough

to

  

  

get

  

I





need.

I,

 









 

 





A





    

was.





 



       



I think it’s time

       

 

  

D

    

not

 

    

    

G



Bm

    

  

            

it’s

           

ev - ’ry





me

 



  

me

  

Gmaj7

A/C#

    





  

want.



 

 

e - nough



                   





Bm

        

  

 

not

 

D



 

  









 

 



  

    





 

 





4

Bm

G

 



    



  

 

D

    



to give this

 

  

    









To Coda 

A

     





D

 

 

Oh,

      



 

 A

 

  

  







 

  



 

 

        







      

 

oh,

   

     

   

  Oh.

    





 

oh,

 



oh,

        



   



 

   



oh,

 



    

oh,

 

      

   

 

Bm7



  



 

    

oh,



  

       

  



   



   

up.

      



 

oh.

         

G

   

  



    

    

 

   

 



  

    

    

 

 

D.S. al Coda

   

All the mem -



   

 

       

    

 



   

 

5

CODA



Em

D

  





 

      

 

        

And

        

     

  



 



     

fall - ing

-



ly.



 

 

down,

       

 

  



   

    can

I

  

see you’re start - ing

to

drown,

   

    



G

 D/F#

  



 can’t

        

 





 



 

stop

it

now.

 



 















 

 







Em

D/F#

   



it

D





        

can feel

Em

slow - ly, slow

 

I

 



D/F#

 

G

 





 



 

 











I

can

see

you



















burn - ing

  

 

 out



6

G

 

D/F#





    



 



  







 

 





so

show

me,





 



 



Em





       





  





 



 

          

  



    





how

you’re

gon

- na











 





 

 











 







it

round,





  



 



 



e - nough



to

give





     It’s

    





 





  

  

D





Bm



 



turn

be - cause...

Gmaj9

not



A

     

  



me



  

G





show







D/F#

  

 







  

not

 

e - nough,

it’s

    

 

A/C#

  



    



me







what

it

is

 





 



 





I

want.





7

Bm

  

Gmaj9

   It’s

   



not









e - nough,

  

   

 



it’s

not

 

ev - ’ry

     -

      



thing

I

need.





to

get











           





 

  



Gmaj7

 

e - nough

to

    

get

   

 





   



me

it’s



not

  

 

it

is

  

e - nough

to

     



 

Bm



 

    

I want.

It’s not



 

 

  



    

    



  

me



 

A

 

ev - ’ry



 

  





  

e - nough,







 

      



give

  

         

D

    

e - nough,

 

what

    

 

      

me





        



  

Gmaj7

A

    





It’s not

D

 



e - nough

    

       

      





Bm

    

 



 

A/C#

not

 

D

it’s

 

 





     -

thing

I

need.

   

       





 

 





8

Bm

G

  



D

    



I,

       



I wish it

   



 





A

  

I think it’s

    



 

 D

 

  





 





        



 





      



 



 



 





 







 

    







 



        







 









A

 

 



 

 

       what

 



it’s

Play 3 times

me

 

  

e - nough,

It’s not

  

    



 

      



 

up.

      

 

      



G

Bm

  

  

to give this

 

    





 



    

  

get







to



 

  

 

e - nough

 

 

A

D

    



time

G

not





   

       



    

  



     

Bm

    

was.

    



it

is

I want.

 

         











 



 





Bm

G

        It’s not

 

e - nough,

it’s

          



  

 



  

 





 

A

   

  

 

        

yeah,

yeah.

      

 













D











G



 

       









 



 

 







  











 

Oh,

  

























 





 











A











mmm.



yeah,

G

D



yeah,

Bm

oh,

 

Bm



 



Mmm,

 

  







me,

  





mmm.

     

   

get

A

   

  

to

     

  

 

e - nough

not

 

9

D

 

   



 

 





1

4 REAL

Words and Music by AVRIL LAVIGNE

Moderately slow C

     If

I

    



  

mp

G



show

 



  you,



get



 

hold

  



  





 

 

you,

if





I

 

 



 

 

 

 

you

just

for

to - day,

 

 

 

 







      am





  

C

  

 

  

know





F

 

let

 

to

Am

 

 

I

gon - na wan - na

     

G





go?

     

Am



 

  

gon - na wan - na

go

     

 



I

 







home?







Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission

 

  





2

Am

F

 



Tell

me

you



 

     





 

 

Am

     4

real.

 

  



feel



  

the

real?

         







            look me in the eyes like you did last



night,















     





 

to

      

  









right







the way I

feel.

When you

   

say

good -bye.

And it





feels

    





C

just

so

it’s

 

                   

 

  

feels

my - self;

        

      

right, ’cause it





         

can’t stand to hear you

Am/B

so

  

        



Am

  

 

 

F

I

            





I can’t help

 



C

4



’Cause I’m

 

        

G





same.





Are you

          



  





  

   

   

     

   

   

have you stand - ing by







my



side,



so don’t





To Coda

G

         

 

          

 

let me







go,

’cause you have





my





soul,







    

   



  



     

   

look

    







  

back,

’cause I know



 

 

 

  

that

  

 

 

we





F





 



could

nev

-

er





 



  





 

 



 



change.







-

    



to know.





I don’t wan - na

   

have

some -thing the



 









       And now I’m stuck in

  

past

   

 



the mo -

          





C

 

you

G

 



just want - ed

 

Am



I



C

 

F



and







3

 





G





     

ment,

and



 

 

my heart is

o

      



 

-

  





pen.



  

      



  Tell

 

  



4

Am

 

F



 me

    



CODA







  

feel

 



   



  

 

Oh,



    





   

the same.



 



 

F

I





that you



  





 

D.S. al Coda

’cause I’m



   



 

 





G



just

 



    

want - ed

 



you

to know.

Hold







 



me

  







(hold)

    

       

 



 

 

down

 











Dm

 

 (me

  







 





 





down).

 

Hold

  



  







  











me

now.



  







 

G

  

 



 I’m







(hold)

 

Am

     

 









     

 

 







safe



(I’m

  

 









safe),

 



 I’m

 







sound

 

 



5

1 Dm

 

     







 







when you’re (I’m



  







sound)









 





a

   

 









 



-

round.













2 Am

Dm

 



  



 

 

  



    when you’re

(I’m

       







    



      



Am

  





 

    



 



I’m

4

     



Am





 





a

-

  

4























    

 

  



      

C

 

I can’t help

    

   

  

   



real?



   

’Cause

    

   

 











round.







real. Are you









 

sound)



  

  

 

it’s

the way I

feel.

  

  

 

my - self;

   









  When you



  

6

G

F

            look me in the eyes like you did last



night,

 I

can’t stand to hear you



Am/B

      

   so

right, ’cause it

feels

  

so

right



  

to

        



G

let me

     

      

 

go,

soul,

’cause you

have

my

       





 







I’m real.)

   













and

I

just

  

 

Am

 

feels

   

   

   

my



side,

so don’t







F

  



And it

   

have you stand - ing by

                       



good -bye.

C



just

say

                   

                       Am

   

        



C

 4

 



real. Are you

 

    

    4

real?

    

    

I can’t help







  



  

 

it’s

   



    

want - ed

   

my - self;





 

you to know. (I’m

4



          



   

the way I (The way

feel.

When you I

    



  



  

7

G

F



            look me in the eyes like you did last feel.)



night,

I

             

















Am

so right.)







right, ’cause it

right

to

just



       



let me side.)

     

  













   





  





  

   

   

my

side, so don’t my

  

    







    





F

  





have you stand - ing by

G





C

  

so

feels

                

       feels

say good - bye. And it (Feels so

(By

     

 Am/B

   

         can’t stand to hear you



    

      

      

go,

soul,

’cause you have

my

       



   

 

  

  

and



    

I



    

just want - ed

   

 

    

 

 

you

to know.

       







1

DARLIN

Words and Music by AVRIL LAVIGNE

Moderate Pop Rock C

G

  



  



      mp

  

  



 

-

ling,

   

 

 



 









start

smil



   



-





   





     



 

you’re hid - ing in

 

 





clos



-

et

     









  

 

 



 















ing

real hard

not

  

 

    



       

  



I

know

you’re









F

 



a - gain,







once







    

F

Am

  

  

the





-

  

Am

ing.

 



F

 



G

try

    



G

C

 



Dar

C

 

Am

        

  

 

to

turn

your head

a - way,

              

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission





2

C

 

G

   pret - ty

  



 



-

      

    





 







 





 

 

  



yes - ter - day.

 







 

  

 

    

 



 







 







Am

  

  







 

oh,

oh.



  





please,

   















  



 

 

 











 

   



 

G

 









I

know

it’s

a

drag,

 

 

 

 



 

F

C







 

F



 



 



Yes - ter - day,





 

to - mor - row’s not

Am



Pret - ty

    



F



row,



 



-

     

 



to - mor





 

   







F

    

G

Am

 

Face

ling.

 

C

 



G

       



  

dar

C

Am





 

 

 









3

Am

F

 



C

 



wipe

your



 







eyes

and

put

up

your

 

 



 

 

 

 

  

















Am

I

wish

   







 you

noth - ing else

    

 Am

 

 

could

be



 

  

 









 







hap - py

in





-

 







best

 

 





 











To Coda 

C





 



 

  



yeah,

   





G

the



 



there’s

 

you









love





stead,

than







do

 







 







Yeah,



 



 

 





can

  

 

head.

 

I









F

  



C







  



G





F

   



C



Am







F

   

G









 

that

I

can.

 

 

 

  







G



 



 

 







yeah,

yeah.



  



4

C

G

       



 





Dar

-

ling,



 

  

 







      

C

    



Am



I









I

know



  



C







 

  

    

   



C

 

 











 



 F







that

it’s





  

 

 





















F

 

be



stuck

 

 

   



 



    

peo - ple

with



Am

that

you

love

 

      





F D.S. al Coda





when

   

a - go.

while

        





G





 

to

a

 

Am



     

once

    





 

  



there

Am

hard

 

was

G

 



  

G

 



F

 

 



























































no - bod

-

y

trusts.

5

C

CODA

G



 

 

 yeah,

  

yeah.

 



 



C

 

Am

  



 







That





oh.

  







     











C

  

 

ly

one

  



  





-





  and

  









 





  







 

 



through,

I’ve



 

 

  















so

are

you.



  

 the

on -

 

   

been

  







  

there

a

-

lone

 



   

  





Am





F



now

  

 

who’s been



not

Am







 



 

 





   

G

 







you’re

 

C

 

F

  

G





  

Am







can,

And

    





    

G

  

I

F



F

   I



just



 



 

want

you

to

know,

 

 

 



 

 

 





  

 

 



  











  









6

C

G

 

   

  

    

   

 





want you to

 









Am

know

 



it’s not



C

G

C

   





      

   







fault,





      

Am7







  



 

    

fault.











    



 





fault,



   



 

  





 

   

 fault,

 

your

  

 







G7sus



   

it’s not your

F



  

 

    

fault.



fault,

          

 



  

 

Am



 

  

  





F

your

 

 

 

Your fault,



your

Fsus2

C





oh,

Fsus2

C





  



your





Fsus2

    



  

  

 

your





  

Am7



Am7



 



 

G7sus

 

G7sus

  



it’s not

Oh,

         C

  



your

fault.



F











7

Am

F

   



C





Pret - ty

  





   

 







I

know

it’s

a

drag,

 

 

 

 





 

  







eyes

and

put

up

your

 

 















    I

wish

    

 you

 

 could

  

be

   



hap - py

in

 

  



 

 













 



 









G







 

head.

C

 









F



G



  

 





 

your

Am





C



wipe





 

F

 



   

Am



please,



 



G





 -

 





stead,

there’s



 

 







  







1 Am

    noth - ing else

      



F





I

can

  

  

C

    

G



 







do

than

love

you

the

 

 





 





 















that

I

can.

 

 

 





  

best

  

8

2 C

G





you

the





  love

 







C

  

that

I

can.

 

 

  





That I

can.

 







Dar

-

ling,

 

 







     

C





start

smil

 



  

 



 



  

 





    

 G

  

          



    

 F



   



     

hid - ing

in

 

the

 

    

      -

clos

et

once

 C5 3fr



ing.







   

     

a - gain,

        



F

 



     

 

Am

 

yeah,

Oh.

    



  

C







 

-

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you’re

G



  

Am

 





F

G

 







    



F

Yeah,

  

    



C



 

  

yeah.



    



Am

           

 



  

yeah,



 



G

  

     



best





Am









   



1

REMEMBER WHEN

Words and Music by AVRIL LAVIGNE

Moderately slow C

G

  



  

   



 

    



Re -mem - ber when

  



 

mp

  

I



  

  

 

    

told

you

ev

-

 



 

you

     

 



 

’ry - thing;

a thou - sand

times?



know

  

   

 

   my feel

-

ings.

      



C

G





   

  



crossed

mind

  

   

It

 

     

to you





  





I

 

   

F

 



  

cried

Am









  

nev - er

my







  

   

that there would be

 

 

a

     

 Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission

 time



2

Am

F



    

 



  

  

    

for

to

us

say

  











 



I’m



not

   



 





 



   

  

    





I’m









not

 

gone.







 







-

n’t

for

 





  -





 

These feel -



 

 

C

G[add4]

  

ings

   

  

  

 

   

   

         

I

can’t



shake



no



more;



got.





sur - prise.

F

I have



 



lost;



big

   



 

-

 

   

G



Am





a

G[add4]

  



 

 

But



  

What

C





good - bye.

     

 

 



 

this feel

-

 

ing’s



  

 

run - ning out







the door.

    





  I

 

Am7

   can



  

 

   

  





feel

    





it

  

- ings



   



  

   

   

can’t





 

 

 

and

 

I’m

get - ting

   





take

    hard

no

  





com - ing back

more.

 

a - round.



 

These feel -

 



This emp

-

      

ti - ness

 

in



 

the bot - tom drawer

is

           

      

-

er

pre - tend,

    

  

 

 





 

to

 

8vb

   







C

 

   

not







 



F





 

 

 

Am7

  

  

G[add4]

  

I



fall - ing down,

C



3

F

 

 

  

  

and I’m

not

com - ing back

 

   

  



G

Am





 

a - round



 











 

F





 

a - gain.

   

  

Re - mem





 





  

    

-

 

ber

when.

  

4

C

G

 



 





 

Am

 













C

 

    -



ber

I

re - mem



   

when



 



 

        





  

 

  

     a - lone

’til

the

end.

 

  

where

     

   

 

 

do

   

I

be - gin?

  

   

 G



   I



 

 



a - gain;

C

    

was to - geth - er

F



 

it

 

  

   



Now I’m







Am

  

 



G

 

 









(8vb)

 

F

 

cried

   

     a

lit

-

tle

  

bit,

     





    

but you died

   

a

lit

        

    -

tle

bit.

    

5

Am

F

  



 

Please say

 

  





there’s no

   

re - grets,

 

G[add4]



  

  not

    

lost,

 





  







not gone.

      

 

  

  

I have

n’t

-

     

 

for - got.

    







 

These feel



 

 

-

ings

   

  

  

 

   

   

   

I

can’t



shake

no





more;

 

this feel -

Am7

  

- ing’s

run - ning out

    

   



 

and I’m

G[add4]



      

C





for - get.

Am



         

   

G

F

 

you won’t



But I’m



 

  

    

C

  

     

and say



 

  



 

    



 



the door.

  



  I

 

 

  can

  

feel it

fall

-

 

ing down,

   

   

  















and I’m

 

 

6

F

C

   not



 

   

  

com - ing back

    



  







a - round.



These feel

 



 

 

  

  

   

-

 



      

   

           





ti - ness



in

 

the bot - tom drawer







 

is

get - ting

 

  

not

   



  

  

  

 

  

   

com - ing back

  

 

C



a - round



hard

-

er

no

 

more.

This emp -

 



pre - tend,

    

  



 

 

   

 

 



 

 

 





  



 

  



-

     

 



F

  

  



 



 -





F

  

 

hey - en.



ber when

 

and I’m



Am





-

   



 





G



 

to

a - gain

Re - mem



  

Am

   



   

take

   



F



can’t

 

Am7

  



I



G[add4]

-

ings

  





hey - en.

  



  



 

7

C

G



  

Am

  



That was

   









 







C

     I

then;

  



   Re - mem





  













These feel

  

- ing’s

       





F

 -

  

 

hey

 





 -

  



 





en.



            







 

  

  

 

  

    

    

   

-



ings

I

can’t

shake





G[add4]





C

     



   











ber when

    



com - ing back.

   



 

-

G[add4]

  

     



  

I’m not

Am

can’t pre - tend.



  

now, it’s the end;





   

  



    

G

 





    

F

no





more;



 

this feel -



Am7

  

run - ning out



 

the door.

I

          





 

   



  can

     

  

 



    

    



feel



it

fall - ing down,

  

 

and



I’m

 

8

F

C

   not

     







  

 

    

   

com - ing back





a - round.

 

These feel



  



 



      

    

   

take

     

no

  

ti - ness











This emp -

  

      

    



  







-

er



 

 

and I’m

 

C

    not

     

  

 

    

   

com - ing back



a - round



 

a - gain.



 













Am7

C/F

C5 3fr

          







C/G





pre -tend,

get - ting hard

F



 



to

  



more.

   

                 

   

can’t

 

   

is



I



in the bot - tom drawer



ings

  

Am7

  



-

  

  

G[add4]

-

 

         

         





(fadeout to end)





 

 

3fr



1

GOODBYE

Words and Music by AVRIL LAVIGNE

Moderately G/B

C

     



    

     mp

Am









 

good good

-

   



G

  -

 my for

 









            

    

 







 

G/B

G

  



 

 

G





   

 

 

C



      hide care

   



 



-

    

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLC All Rights Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved Used by Permission



  

 

 



  





hide, bye,

   

Am

what has come. of your - self.

  

 

  





C

 can’t Good





 

G

 

 

 

  

  

bye, eyes,

 

I

can’t take



-

Am



 

C

good brown



    







C

 

love. now.

C

hide, shine,

 

bye, bye,

 

 

     

can’t sun -

  



bye bye

 

  



  

C

  

   

C



G

  

G

   



C





Good Good

     

 

G

 

  

 

I have

to

 

go,

 

2



 



G

  



 

Am



  

 

I have

to

  









 

 

 



   

 





know,

  

        



to



go

 

 



     al - ways

 

  

  

      

  

you

-

lone.

         

 

      

know,

 

al - ways

     

know

           

 

 D



        and leave you a



that I love

    

I have



Am

C



 

G

But al - ways



  

     





D





go,

 

     

C



so,

G



    I

love

   

  







  

 

 

 

 









you

    

To Coda 

so.

1 C

   

 



 

G



  



 

I love

you

so,

 

    







  

C

  













 

 

 

 



oh.

      



 













  

 

3

2 C

 



 

G





 

 

 

 







 



D/F#

  



    

La

lul - la - by,

  

        

    

Em7

       La

      

  



 











 



  

      La

     







     me

   

   

   

     



 

to - night.

sleep



D





lul - la - by.

help



 

   

lul - la - by,

             

Em7





         

 



D/F#

 

 

your eyes.

G



                    

 

dis - tract me with

D

  

 

         





   

  





C



  

        



   

La

lul

  

-





la - by.

               



D

  





 



       



  

  

D.S. al Coda

 

I have

to

go,

 

 

               

4

CODA



Am

  

C



   

 



I

you

so,



love

   

 

   

   













D

 



 

  

 

    

  



I

love

you



  

 





 



  

oh.







 









 



















 







 

 

  









  



C



  

 

 

I

you

so,

  

love

 

  

   













so.

  



 





G

Am

  





I

love

 

 

you

so.

  



 

  

 









D

 



 

   

 

   

   

 



I

love



  











 

you

so.

5

G/B

 



 

C





  G

Good

    



  

-









bye,

brown

  

  





C

 









eyes,

 

   

 

Am

    

 

   

G

 

C



    

 

 

  

G/B



C

  

C

     

  

G

  

  



G

C



  





bye

my

love.

  



 

good

     



-

  



 

 



Slower, with some freedom Am

 



 

C6







 









G5

G

C













   

G

C

G

       

 

  

 



  

 



  



  



  



3fr

Am



   G

G[add2]/B



1

ALICE from Walt Disney Pictures’ ALICE IN WONDERLAND

Words and Music by AVRIL LAVIGNE

Moderately fast G5

  



3fr

mf

      8vb











        

 

        



  

   

        



        

  

(8vb)



        

 

          

G5

 









(8vb)





 





   







 

I’m spin-ning a - round. I can’t stay. I’ve got my



                  



    

(8vb)





        

    

3fr



                 un head



   der - ground; on straight,

  



 

I and I’m

 

               

 Trip play

-

  

ping out, the game,

 



but



                       fell not

  

     down, gon -

na

change,

                 

© 2010 Walt Disney Music Company, Almo Music Corp. and Avril Lavigne Publishing LLC All Rights for Avril Lavigne Publishing LLC Controlled and Administered by Almo Music Corp. All Rights Reserved Used by Permission

    

 

2



F5



G5









3fr

 

yeah, I’m

  



I fell not gon - na

     



down. change.

 

                                             





                

(8vb)

G5

  



  I’m I’ll



3fr

-

freak win



   ing the

    

 

out, race,

                                              

keep

where am I up with the



now? pace.

    

  Up To -

 

               

(8vb)

F5

    

  

- side day’s the





down, day

   

  

  and

I that

 

                 (8vb)

   can’t I

  

    

 

    

 

stop start

it to

now. pray.

               





                

G5 3fr



    



       You can’t stop me now, You can’t get in my

     

     







 

                      way,

 

8vb



    

 

    

               

3

C

      

 

  

    





oh. no.

                       



 I,

    

 

   

               



G

 



  I’ll

get

                       



C

F[add#4]

 





      

 

 

by.

        







F







 

     

        C





                    



   -



 

 

 

vive.

      

        Am7

   

   

    

      

   

   

When the



  I’ll sur

 

        G

I,

             



  

Am7

  

  

       

(8vb)

Am7

 

world’s

crash -ing

down,

        when I

fall and hit the ground,

                            

4

G



C

          I







will turn my - self

       

a - round;

don’t you try

       

                 Am7



 

to stop me.

 



I

  



  

       

       

won’t

1 Dm



  

 

   

 

cry.

 

                

  

      



     

 

I,

G





 

       





    



  

 

G 3              









  



  





                       



2 Dm

  





  

I’ll













  I

                                                        



 

5

Am





  found

 my

     

  



 

    



in

 

 



back

  

 

on

 

Dm

         



    Is

this

    

take

     



 

  

my

   

 a

  

 

C



 



 



  un - til

 

 



  

      

 

    

-

gain.



it

 

pre - tend?

      

  





      

 G

  the





   

 



end.

 

  I’ll

 

 







C

stand

 



    

Is

  

 

G



Am



  a

Am



 

G

feet



  

 









 



- land,

  

 

real?

Dm

  





der

 

C

 

 

  



Am



-

Won

 



G





get



 



- self

Dm

  



C

  

     

 

6

C





 





Am7

 



 



I,











  





I’ll

   

  

        

G



   



C







by.



 

   

        G

 



  I’ll sur

  

     



                 C

   

       

      

   

   



world’s

crash -ing

down,

       

  



 



      

 

 

   

-

  

F





vive.

        Am7

     



   

 

Am7

When the

 

I,

               



  

       

F[add#4]

   

get

        G

        when I

fall and hit the ground,

                            

        I

will turn my - self

a - round;

                       

7

C

            don’t you try

Am7



to stop me.

 

                

       



  

1

G





 



I

  





I,

        



  

 



   

 

  



     

        2

  

won’t

Dm7





   







cry.



 

                

  

          



 



   

G

  



 

  

  



Repeat and Fade

  

 









 



 







 

Optional Ending

  

 

   

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