Giovanni Marradi Just for You

Just for you (based on the composer's piano solo interpretation) Arranged by Lilia Kacerovskaia

 









Music by Giovanni Marradi

molto espressivo     

mp 3

                 

 

       

 



con pedale

  

5



 

    







        

     

          

8











3

     



   

   3

 

  

       m.s.                     m.d.   12                    3 3              



15

    m.s.



m.d.



        

mf

      



3





       

© 2011 Lilia Kacerovskaia http://pianolia.blogspot.com/

      



 

      

2 18





    

 





        



   m.s.          m.d.

         

21





3

     



   m.s.      m.d.

          



          

3

m.s.







   

m.d.

    

25



 



  



  

3

* 28

 







   m.s.        

 

m.d.

30





 3





 



3



                  

f 3



         



        

3

3

3

3

3



  



3



 3



 

3

  

3

3

3

       





3

3

* 8va sign belongs only to the right hand part. To play 8va higher only for the first time, second time - just as it's written on the staff.

3





  



                   





31

3



33

 





3

3

3







3





 

 



          















           





3

  

3

3





3











3

     41

  

3





  

3

         

             3 3                           

36

38



3

  

 

3













  

 











To Coda











  

mf

      m.s.          

m.d.





       

         

3

  

  

           



  

       

4 44

 



          m.d.   47          

           



  m.s.    

3

m.s.

m.d.

       

      







      m.s.                  m.d.  50                3 3                  3



52





    

  



D.C. al Coda



     

 

m.s.







      

m.d.

 

                                              stringendo                  57                        rit.      54

Coda







