FOR UKULELE
Featuring lyrics, CHORD BOXES FOR UKULELE and melody line, text, as well as black and white photos, these handy books are an ideal size for stuffing in your gig bag. Glance inside and you'll see they're super-sized packages of hit after hit for all musicians. The book has been re-chorded for ukulele by Brian Lemin who is something of a jazz fanatic and wants ukulele players to have the opportunity of playing Jazz Standards using advanced ukulele chords. For many the chords may be challenging; for most of us the jazz style of frequent chord changes, often within the same bar, will be challenging. However the joy of playing these wonderful sounding jazz chords can only be rewarding. I hope you will enjoy learning and playing many of these great tunes.
Brief Notes on the Re chording of this Book. Over the years I have created a huge database of advanced ukulele chords that I drag and drop onto the music. Yes, they are the lazy persons “Chord Boxes”, but that is the tradition of chording music for the ukulele. If you get any sheet music of around the 1920s/1930s, these chord boxes are what you will find for the uke players follow. Believe me they were not all simple chords, many songs were chorded in a very challenging manner, many of the arrangements were almost chord melodies. I think this reflects the popularity of the instrument and the playing skills of the amateur musicians of that time. Basically we can put this form of ukulele notation down to the very popular Ukulele Ike, he was quite the pop star of his period, and what was a sort of ordinary instrument became the rage instrument, rather like the guitar is in modern times. It is because of the popularity of the guitar and dying of the ukulele craze that the uke chord boxes disappeared, to be replaced initially with “guitar” chord boxes, then the more sophisticated “alpha numeric” systems of naming chords. (i.e. F7; B7aug5 and so on) Frankly I am an amateur, self-taught player, who has other things in life to do besides play the ukulele; and for me to remember such a huge range chords, notated by a letter and a number, that are demanded by jazz rhythm accompaniment is totally beyond me. So, lazy me,… but it enables me to play the music I love to a reasonable degree of proficiency. I also happen to only have three fingers that are able to work on my fret board hand. I hardly consider it a handicap as a chord shape I can’t play in one position I can play in another position on the fret board. I also use my thumb a lot. This has to minor extent influenced my choice of chord shapes used in re chorded book. Here are the principles I have used: 1. I have tried to use chords that stop all the strings (i.e. comparatively few open chords) this enables the player to dampen the chords without ringing strings changing the tones. The various chord dampening rhythms you can develop yourself, besides each is unique to the tune you are playing. 2. I have problems with some common minor and seventh shapes, so you might find I have chosen shapes up the fret board a bit for some of them. Sorry, but a good chord book and a black pen will enable you to choose your own shape. 3. I use a low G tuning for jazz playing and as far as I can see, there is no other choice for you too, if you want to be a jazz uke player. Having said that I have made no attempt to interpret the slash chords which designate the base note of the inversion you are using. Those chords are in my db but frankly I have not found that using them, results in my playing being improved. On a guitar, I certainly believe they make a difference. 4. I have tried to keep to the lower end of the fret board (say 5th fret and below) but frankly I think you can use higher placed inversions and get really good results for your own arrangement; the uke plays very well up to the 8th fret, pretty well up to the 10th fret, after that you need to be able to finger the shapes really firmly. I know that the last song in the book is missing! I know that one page of another song is missing, I have also missed the odd line of chords (not often.) I am pretty conscious that I will have made mistakes in chording (it has been a long and “terrible” job) but here it is “as is”. I do need to say that if you are new to jazz chord playing, the sounds of the individual chords may sound odd, but play the whole phrase and you will see and hear the pattern better. I have used various chord data bases in the process of re-chording these songs, and those chord that show a red dot are the ones that indicate the root note of the chord. I became tired and fed up towards the end of this task so they are less noticeable in the latter songs. OK. That’s it. Enjoy. Brian Lemin Feb 2015
Introduction .................................... 4 Adios ...................................................... 6 r1\.in't Misbehavin' ................... 1o All The Things You Are ... 14 Alright, Okay, You Win ..... 16 Always In My Heart ............ 18 Amapola ........................................... 20 Amor .................................................... 22 Angel Eyes .................................... 24 Arrivederci Roma ................... 26 As Time Goes By ...................... 30 ~esame Mucho ........................... 32 The Best Is Yet To Come ............................................ 34 Between The Devil And The Deep Blue Sea ................. 38 Black Coffee ................................. 41 Boogie Woogie Bugle Boy ....................................... 44 Bye Bye Baby .............................. 46 Call Me Irresponsible ........ 48 '4 Can't Help Lovin' Dat Man ........................................... 50 "Caravan ............................................ 56 Chega De Saudade (No More Blues) ............... Y~... 52 Chelsea Bridge .......................... 58 > Come Fly With Me ................. 60 ..lDon't Get Around Much Anymore .......................... 62 Don't Go To Stransers ....... 64 Deeafinado (Sltshtly Out Of 'IUne) ...... n But Of The Sun (And WHt Of The Moon) ................ 66
Fever ................................................... 68 Felicidade ....................................... 75 A Fine Romance ....................... 70 Fine And Mellow (My Man Don't Love Me) ............. 78 ../Fly Me To The Moon (In Other Words). ..................... 82 F renes1. .............................................. 84 jThe Frim Fram Sauce ........ 86 l Georgia On My Mind........... 88 \The Girl From Ipanema (Garota De Ipanema) ........... 92 Guantanamera ........................... 94 Hallelujah I Love Her So ................................................. 96 Here's That Rainy Day ... 100 Honeysuckle Rose ................ I 02 How Insensitive ..................... 104 I Left My Heart In San Francisco ........................... 106 \J Hey! Ba-Ba-Re-Bop ............... 108 I Wish I Knew How It Would Feel To Be Free ..... 111 I'll Remember April ........... 112 v
~:1e ~~i~-~~~. ~. ~-~~. . . . 114 {•m Old Fashioned ............... )'m Gettin' Sentimental Over You ........................................ In A Sentimental Mood .. s You Is Or Is You in't My Baby? ....................... t Could Happen To You .. t's Only A Paper Moon .. The Joint Is Jumpln' .........
116 126 11 s
120 122 124 L~Y
La Cumparsita ......................... 132 The Lady Sings The Blues ...................................... 134 The Last Time I Saw Paris ................................. 136 Love Me With All Your Heart (Cuando Calienta El Sol) ...................... 138 Lover Man (Oh Where Can You Be) ............. 142 JLullaby Of Birdland ........... 144 Lush Life ....................................... 147 Malaguena .................................. 150 Mas Que Nada (Say No More) .......................... 152 Meditation (Meditacao) .. 155 Midnight Sun ........................... 158 J Misty ................................................. 162 11/2 JMoonglow ..................................... 164 JMy Blue Heaven ..................... 161 JThe Nearness Of You ........ 166 Night Train ................................. 170 The Night We Called It A Day ....................... 168 ~ One Note Samba 12/2 (Samba De Uma Nota) ...... 173 lPerdido ............................................ 176 Perfidia ........................................... 178 Perhaps, Perhaps, Perhaps (Quizas, Quizas, Quizas) ...................... 180 '1Pick Yourself Up .................... 182 13/2 The Preacher ............................. 184 Quiet Nights Of Quiet Stars (Corcovado) ................. 186
· v'satin Doll ................................ ·.... 188 Saturday Night Fish Fry .. .. ... ... ... .. .. .. .. ... .. .... .. ... ... .. . 190 Smoke Gets In VYour Eyes ... .. .. .. .. ... .. ... ... .. ... .. .. ... .. 192 So Nice (S1p\uner Samba) ................... 194 Solitude .......................................... 196 Sophisticated Lady ............. 198 Stella By Starlight ............. 200 !stormy Weather ..................... 202 Struttin' With Some Barbecue ........................ 204 ~way (Quien Sera) .............. 206 '1''aint What You Do (It's The Way That Cha Do It) ..................................... 208 '-Take The 'N Train ............... 213 vthat Old Black Magic ...... 214 That Ole Devil Called Love ................................. 217 v'rhese Foolish Things ...... 220 Time Was (Duerme) ............ 222 JTuxedo Junction .................... 222 Vaya Con Dios .......................... 226 t!he Very Thought Of You ............................................... 228 Wave .................................................. 230 Jvhen The Saints Go Marching In ...................... 234 The Wedding Samba .......... 236 Witchcraft .................................... 238 Yes Indeed (A Jive Spiritual) ................. 240
''
GigBook Jazz cl
Trying to pin down the exact nature of jazz is nigh on iinpossible. The word has come to encompass many different types of innovative and experimental music which jazz critic Joachim Berendt could only generalise as the result of "the confrontation of blacks with European music (in the United States)". To square that very broad definition of jazz's origins with, say, the style of ItalianAmerican Tony Bennett - or even that of North Dakota's Peggy Lee, with her Scandinavian ancestry - is something of a cultural leap. However, jazz, which its African-American elder statesman Duke Ellington anyway preferred to call 'American Music', soon became more a musical state of mind than the exclusive property of any one ethnic group. Jazz may have been born out of the influences of West Africa, mediated by black experiences in the American south, but it soon established itself as the new musical lingua franca of a newly-fonned nation. It was up for grabs by anyone who responded to its infonnal spirit of expression. Whatever else it was, jazz was a true American invention.
In', Ellington's timeless 'Take The 'A' Train' evoking the Swing bands of the 1930s, and many examples of later jazz variants often too individual to represent anything but themselves. Worth a special mention though is Latin jazz in general and Brazilian jazz in particular where the songs of Joao Gilberto and Antonio Carlos Jobim ushered in the samba-flavoured bossa nova in the 1960s. 'Desafinado' and 'The Girl From lpanema' are included here along with 'Perfidia' and 'Perhaps, Perhaps, Perhaps'. What do they all have in common'? In searching for a definition Joachim Berendt went on to suggest that unlike European music. jazz, from the start, displayed 'a spontaneity and vitality of musical production in which improvisation play(ed) a role' as well as 'phrasing which mirror(ed) the individuality of the performing jazz musician·. That seems as good a thought as any to keep in mind as you delve into this impressive collection of jazz songs. They're some of the very best ever written, and countless singers have all tried to give them a personal touch. Now it's your.tum to perfonn them and to add your own particular brand of individuality.
This GigBook therefore offers a suitably br~d repre'loentative range of jazz classics, embrk:ing the coming of age of Ragtime with Fats Waller's 'Hcmeysuckle Rose', quintessential New Orleans Dixieland with 'When The Saints Go Marching
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.. Words & Music by Enric Madriguera ©Copyright 1931 Peer lnlarnational Corporation, USA. Campbell Connelly & Company Limited. Alt Rights Reserved. International Copyright Secured.
Beguine
dios, _ _ _ _ _ _ _ _ _ _ __
A
in
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you
it
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me_
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part. _ _ _ __
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·Ain't Misbehavin' Words by Andy Razaf Music~Thomas ' Fats' Waller & Harry Brooks ~ Copyrig
1929 edwood Music Limited (66.68%)/10 Music Limited (33.34%). ghts Reserved . International Copyright Secured.
Medium bounce
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11
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All The Things You Are Words by Oscar Hammerstein Ma·by Jerome Kern tCl Copyrig 1939 nivernl Music Publishing Limit1d. All rights in Germa ini1tarad by Univer11I Music Publ. GmbH. All Rights Ruervad. International Copyright Secured.
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Verse2:
Well alright. okay, you win I'm in love with you Well alright. okay, you win
Baby what can I do? Anything you say I'll do As long as it's me and you.
17
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Always In My Heart· Words by Kim Gannon Music by Ernesto Lecuona () Copyri~ht 1963 Sony/ATV Musit Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.
Tango
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You are al-ways in my
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sang with
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al-ways in
my
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re - mem-ber that you
grey_ _ _ __
·g B E G# 0
cert __ _--- - ·-
ind then
ind
there
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the
sun
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Just be-fore I
sleep___ there's a ren-dez-vous I
go to
keep _ _
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al-ways
meet.__ _ helps me for - get
we're
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drink and the laugh's_
run",_
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got-ta
J77J now num-ber one_
and
why my an - gel eyes
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-
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Arrivederci Roma Words by Garinei & Giovannini Music by Renato Rascel ~Copyright 1954 Edizioni Kramer, Italy.
MPL Communications Limited. All Rights Reserved. lntemetionel Copyright Secured.
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us
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if·
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my
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out-stretched and
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G
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in
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As .Time Goes By
Ma·
Words &
c by Hcnnan Hupfctd
Copyright 1931 Mills Music Incorporated, USA. EMI Music Publishing Limited l50%)fRedwood Music Limited 150%1 All Rights Reserved. International Copyright Secured.
Medium swing
lg
~ ~
C i AC
1. I
don't
want
you,
but
I'd hate
J to
(Verse 2 see block lyrics)
1g lose
r
gr
p J.
r you've
got
1
er
'
to
J:
;o
cross
you
26 J when
in
ur· be - tween_
G# D F# B
A 0 ;.: 2
I J1 #J. off
j
my
26
list.
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but
/
26
A
4
,.:r
Il
you,
de - vii and
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lg Ir
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sb
come knock -
a I J ic Jing
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f 1te
seems
t c· to
give
&f
t
my
c ; (
I~ h81rt
F •
twist,_
should
I come run - ning back for more._
you,
hate
, . u, .ii
31 F
'p 'i"
end
A# E G C
A# F A 0
r
J. ,o J J 1J
but
I guess
love
C D#A C
11
you,
F p J. you've
got
me
II in
be - tween_
the
de - vii and
the deep
blue
sea._
Verse 2: I forgive you, 'cause I can't forget you You've got me in between the devil and the deep blue sea.
39
••••••••""""""_ ....... ---,. m 1·ij91F·_:··.;;=·=::31,..-------------:-.;~:--.,
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•
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~---7"9"'111tf(~~~t >@,-·- -~-- --- -----.-
'Black CofJee Words & Music by Paul Francis Webster & Sonny Burke C Col'Vritlll !Ml W.bltlr Mullc Company/Sondot Mu1ic Corporltion, USA \JllMIUI hlullc Pullllahlnt l..imfted llllt.l IAdmlniltefld In Oenn1ny by Uni¥1111I Mulic PDlll. &flbtt)( Chel111 MUllC Publilhino CCJlllll•ny Umltwd 1111%1 A11 lt!Qhtl RH1rv1d. lntem11ion1I C~llt S1curld.
\
i
Slow blu•
1m
i
i
(# E A#C#
C# E A#C#
&~11 I J J J J ~) J. ' '-IJ J J C D#A C
feel - in' might - y (Girl} I'm (See block lyrics}
i '
~
i
have - n't slept
lone-some,
i
'"M"
m•'
C O#A C
a
'D ·g '""''"
J J J j d J J j I J J J J~J J
love's a hand-me-down
i'I
IJ.
~
' f:ml Em CD# A C
C# E A#C#
I'll
1
i
~ ~ '"" ~ ~ one
o - 'clock
J ~•J. to
four.
And
.'b
3~ A# E G C
C D# A C
I'm
'b C# E A#C#
IJ J J Lord
41
C# E A#C#
talk-in' to theshad-ows,
C O#A C
)1
Sun- day,
_, _
i
C# E A#C#
~
nev - er know a
&· Em' 1m
~;. GO
.
in this week- day room . _ _ _ _ __
i
----
-fee, _ _
1
broom .._ _ __
I~I~ ~
A# E G C
cot
bet-ween I drink black
in
* F r1i J J I_
wink,
Bb9
m•'
walk the floor and watch the door and
Ji I
J ~w.
how
slow
J ~w
the
J J 1~
mo - ments
go
when
·g Bb9
all
do
is pour
--------
~
r - 3--,
-.._...
cof- fee, _ _
black
I'm
..._.... Sun - day dreams
man is born to
since the blues caught my
.
eye._ _ _ _ __
my
r--3--,
hang - in'
on
Mon - day
________
JJ
dry._ _ _ _ _ __
to
a
a - lov - in',_ _
go
out
Now
wo-man's born to weep
a
and
ir ii
'1 fret,, _ __
to
stay a"
C b
home
and
\
ov - en, _ _
3fI!l
· mr3 ----,
I
drown her
her
~Gm7
,1 .
G# C# F B
tend
M. ;. G C
F
r &J.
p Ir
past
re • grets
in
r r Ed'
cot - fee and
i
cig - a
111
the
morn • in',
J IJ J J ~
and
42
mourn - in'
A# E G C
J.
I.
rettesl
JI I'm
C# E A# C#
C O# A C
moon - in'
'B
and
111
the
~w. night.
I J 1nd
1g
i
Ji
'
~
J J J
rnH
in
bet - ween
J It's
ntC
0 -
tine
J i.J J 1m ·g r--s--,
not
end
Il F
cof - fee __ __
r _,&J
0 7!.5
JJ it's
driv - in'
1· :3 lz~
me
to
much heart
fight
C 0# A C
Feel - in'
3
A O# F#C#
J ; J IJ J J -
~w
r--8---i
lb
'lm
C O#A C
C# E A#C#
""' 36' -
J J
C# E A#C#
~
ground,
the
as
bl.ack
' Gm7
IE E E r.s ;,,.: ;. G 0
F
era - 'l'f,
~ this
wait - in'
for
my
u.
ba - by,
1m .• • cmAc
.
J J I
;
to
may - be
come
n
aeua
c mec
I J.
t
a - round. _ _ _ _ _ _ _ __
Alternative lyrics: {Boy} I'm feelin' mighty lonesome Haven't slept a wink I walk the floor and watch the door And in between I drink black coffee Since my gal went away My nerves have gone to pieces And my hair's tumin' gray.
Now a man is born to love a woman To work and slave to pay her debts. And just because he's only human To drown his past regrets In coffee and cigarettes!
I'm moonin' all the mornin' And mournin' all the night And in between it's nicotine And not much heart to fight black coffee. Feelin' low as can be. It' drivin' me cra'l'{ This waitin' for my baby To come back home to me.
I'm tatkin' to the shadows One o'clock to four And Lord how slow the moments go When all I do is pour black coffee Love's a sorry affair I know wt ere all the blues are 'Cause. baby I've been there.
43
•,
,,,~~--~~-.---------.....--~. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . .
,I
...,,
--,-----')lo~ ~ c. 7fv G .l _ _. ~· ~"""'--~x.~_~r~@)~·~·~.-~~~~~
\.
. . . . . ci.c-.
BoOgie .Woogie Bugle BOy Words & Music by Don Raye & Hughie Prince
,
~Copyright 1940 & 1941 MCA Music (a division of MCA Incorporated, USA). ®Copyright Renewed 1967 & 1968 Universal/MCA Mu1ic Limited. All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Medium boogie woogie
:Ii,
,_
0000
He was
,.
F •r j
( had
a
c 3g~
a
s
•
fa-moustrum-pet man from our Chi - ca - go
way,_
-Fr
k:
if
I
he
JJ J
"boo - gie" style that
,. r r )J
7
no - one
else could
play._
He
was
the
:Ii
C :: G C
top
man
of his
?
~
I'r
craft__
but then his
num - ber came up,_ and he was
u
,_ £] JD J J JI ft F gone with the
drafL He's in the
ar - my now
\
a - blow- in'
re - veil- le,
>
he's
the
'
Boo-gie Woo-gie Bu-gle Boy of Com-pa-ny B._
Un-cle Sam, ev -'ry night,
A# E G C
They
make him blow a bu - gle for his puts the boys to sleep with"boog - ie"
it real - ly brought him down be-cause he could-n't and wakes them up the same way in the ear - ly
44
jam, __ the c1p-t1in bright.. Thay clap their
111m1d to un . dtr . 1t1nd_ h1nd1 end stamp their fett_
be-c1u11 the next day tht •cap· - went out end be-c1u11 they know how ht pl1y1. when 1omt·ont
~,
~
-::J:.
EE§
~
~._ J JU J J J1r draft-ad a gives him 1
~a·
~· ,,
j
..
fir
'
r r t r r r 1u r '
CF•AD
\
bend,_ ind now the comp-'ny jumps_ when ha plays beat,_ he real - ly breaks it up_ when he plays
cr~r t cF~r IEt FI'
,.
J~I
Com-pa· ny 8._
Boo11ie Woo-gie Bu-gle Boy of
toot did-die ah· d1 toot He blows it
>
A#EGC
A
eight to the bar_
he'• the I he's the j
re· veil· le, re· veil· le,
J
¥
)J A toot I
toot I
'
)I A
in "boo- gie"rhy-thm. He
r. CJ J J J J Icf F:;r FEr j;E_· can t blow a note un - less
a
bass and gui . tar_
Ii·
is play. in'
with him._
fg,
¥J·fJ1f. ,r r ¥~rr1·&r j~~P~ i2B ,_ 112. He makes the
comp-'ny jump
when he plays
re - veil . le,
G
he's
~ ,,,,
the
==rtf~r•r F§¥IE FEfW ~ >AlE§E-cfff;~=~ Boo-gie Woo-gie Bu-gle Boy of
com-pa - nv 8 .__ 45
He
Com-pa - ny B.
_.
·1·
~-.(~~§.)~~-.......--~..,.-~--~
--- - - - -
Bye Bye Baby Words by Leo Robin Music by Jule Styne Copyright 1949 IRanewad) Consolid11ad Music Publisher• tncorpora!ad/Mu1ic Sal11 Corporation/Dorsay Brothers Music, USA.
Dorny Brath1r1 Mu1ic Limlt1d. All Rights Reserved. lnt1rn1tion1I Copyright Secured.
·.
Moderately
~JI.; --j+-j--+-----r--.-il.----.j+-J-i---r,. : . : ,. :. i: . _'~I" 1
_,,,_,--.tn,
I'll
be
my
room a - lone,
be
with my
dia - ry,
and that book by
C# G A E
~~
'M
E
know
though
Ai C ;. Aft
they
J F f:IJ
that
you
on the
care,_
10011, _
Gid - e - on.
you're my
F~F~
ba - by Cm7
F~
,Em !m ii'i'!m 1
/li.t ;. G 0
A0# G C
eye,. _ _ _ __
you
A DF#C
Mis - ter
re - mem - ber
U·
1m ·g £Liz ii
and
II
1. Bye bye ba - by, (Verse 2 see block lyrics)
when
ev - 'ry Post Me - rid - i - an,
!JIJ'T
J I'll
in
·a
Tm·
c·
M
~
.N;;i won't you
you ere
46
A DI!= F C
MC: G C
al - though
JI ,_.,J. write_
A 0# F C
and de - clare,_
rI that
i"j'" J. .". 1'f , J J J I J
lg Ai 0 : A:
IJ
Am7
Gm7
Bb
~ 2 gr
3g~
to
rain - bow
that
but send
gloom - y,
J
F
pit ·1r J Om
fr
r
A ;: G C
Ai ; G C
A D F# C
ll
F I'"
though you'll
fly,
will
shad - ows
r
1
me, • A D F#C
FI be
'I
A D#F# C
gone
for
a
know
while,_
11.Bb
1 1 6T i2& lg j J Cm7
that
Ftbf
~:J
with
~,
Ci
my
c;;
A.tit;.: G C
l~J
A ;
F
ba - by
;.:o~
bye
and
nc fr 1p1 a
bye, _ __
with my
A.:C-rM
J I
ba- by_ _
Verse 2: Bye bye baby Remember you're my baby When they give you the eye And just to show that I care I will write and declare That I'm on the loose But I'll stay on the square
be
~iii'
3
A# E G
I'll
A.:0~
GC
-
1m AO# F C
w
=II
bye.
II bye
and
bye. _ _ __
I'll be lonely But even though I'm lonely There'll be no other guy Though I'll be gone for a while I know that I'll be smiling With my baby bye and bye With my baby bye and bye .
.d. 7
smil - ing
.:.------------------....
'.
:~~~~~-=®~·---.~~~~~ ·v - · G .f-.
.
Call Me Irresponsib!'e Words by Sammy Cahn Music by Jimmy Van Heusen ~ Copyright 1963 Par1mount Music Corporation/Famous Music Corpor1tion. USA. All Rights Reserved. lntunational Copyright Secured.
F -
Medium swing
lg 1m
2
~oo
lgGm
§33
t±±r'
r
A O# F# C
Call
me
ir
~~
un
f7b9
re - Ii
-
re - spon
I.
1,1 1
&pz;· ~-J ~w
Ai :: G 0
39 F
C ;. A E
Bf' " ,~ . ;
in
' \
'p~"' c t -
ish
al
t
~r
'
·,1
-
r
i - bis
Ip
r
Do
my
07b9
A c:;: 0
lo
l#J.
bore
you?
'if' rs , . rg.
-
de - pend
2gT
A O# G C
A ;.
Ge:
J I
'™'
A.: ;. G 0
j)·
fg,
J~~ ) ~w
:u
too.
fool
un
M :: ;.:c
s;;:::
me
·fg.
IJ
lfg.
JQ
call
C# G A E
J
throw
si - ble,
11
C ;. A C
J l~J
a - ble,
-
a - ble
'B A D F# C
*
i·
+:ti~~=~_cc~~ =_::H~ ' J~:;~=±=uGD~s==+J===1r===J.=====~J===i Well,
I'm
not
too
elev
48
er,
just
•
31 sg I F
;1~
C : A C
Ai EG:C
'b j 'IJ' 'b J
J *
Gm6
Gm
At :
;J
i'm
in
0
-
im · prac
lil
'bf'' r me
-
I.
31
lqJ
j
to
pur
fg.
'
ti - cal,
ir
F
C : A C
C ; A i
rain
bows
l'°tm 'ii 'ft ';,"- ''"'f f fr
A D F# C
1 -
sue.
'If
A# E G C
'~r
a - ble,
pre - diet
'B· 'ii·
) ~w J
clined_
Gm7
Call
I'm
A ; GC.:
~ "'" j
un
I~ J J J pa
me
F"
.._.
b - J
G# D F B
J
tell
e '
G C
lq; J J J &J J -
me
'I '
31~
AO#F# C
J
Call
I
2
C ; A C
lo
you.
-dore
F6
- re - span
*
A D#G C
-
Ir
si - hie,
A[
yes,
I'm
un - de - ni
a - bly
J J ~J j ir
-
re -
spon
si - bly
··'· .
,.
~~~G[~&,
[email protected].:--~-·- - -
.
·Can't ·H elp Lovin' Dat Man Words by Oscar Hammerstein II c by Jerome Kem IC> Copyngh
a Comp1ny lntOrJ1Qrllt9d, USA.
B. H1rm1
al Music Publishing Limited . All nghu in G•rmany administuad by Uniwrul Music Publ. GmbH . Al Rights R111rv1d. lm1m11ion1l Copyrioht S•eured. -~-
Medium slow.:=•_...,
;If Fish
I
CM7
B·
got
to
'B
Ii C ;: A 0
IJ ]
r
swim_
,
and
birds
B F GD
J J J
got
'ii· fbJ ·g
fly_
to
Bb9
F6
'Ii~
4'f
Om7
J J 4 got
~
IJ ~
one
man
4r J If & ' i' .. . -
A: :: GD:
Ip#(\ J 3 ~~..._..~
help
lov - in'
a :;
man_
dat
:g
'ii~ G C
A i G C
zy
Tell me he's 11
filfl ·g
1;-~
Bb9
F6
µ Ai s fiJ ... ...
AD FA#
r111
ere
d>-" 1e,_
J IJ'° "] a ogJ mey - be
G7b9
(
·a: G .···.
.,
~
,,
.
~~;)8®.,..~·--,...'.·--~-----:Come Fly With Me_..,
\'
Words by Sammy Cahn Music by Jimmy Van Heusen
Copyrio~artvillt
() Muaic Corpor1tion, USA/Cahn Music Compeny USA. Chelsae Music Publisiiiiifi:'ompany limittd (50%1/Warner/Cnappell Nonh America' Umitad (50%1. All Rignu Re11rvad. lntemational Copyright Secured. ·
Moderately
'i
SD ~ r R Ult
~
3
· 1 n
(6
~r
J II= ""
"""
1. Come
fly with
me,_
m
oo
_....___...,
let's fly, __
let's
a - way! _ _ _ __
fly_
(Verse 2 see block lyrics)
'ii,
'Jc J t)
J.
1 If
bar
2E~
tIE'' B D G# B
you
can
in far Born - bay,
A E F# C
-
. me,_ fly with
12.
C : G C
·&
&r· up
•• • G# E G#C
ff
there,_
I' F
~ ~~·,,
where the
C ;: G ~-----t---,,
lu: I · Ir
Once I get you
the bluel_
J j
C ;:: G.:C.i
rar
is
air
A 0# F C
._,-&-
off in_
Come
a - wayL
't±±j ~ t±ij tC.
A 0# G C
_. A!.mai
-
let's fly_
a
;oo Jl=rn ,;mt
EfEl
B F G D
booze,_ there's
let's fly__
I~
EfE. ~·
~-
C# G A E
ex - ot - ic
use_ some
come
,;im 2°AA, 3~ I
j
i -
---
tied, _ _
I ll ~~:-±-J--~~ · l ~===r=111 ~~ J~J-JT___ ~IJr''z-J.w&O~~J_l,J_J 0
we'll
just
glide. ___ . _
star
60
ry -
eyed,_ _
once
I get
you
~a·
6m:31
1
~lfr
ii 0 G ii G# E G# C
I' F
so
you
there,_
up
u~ you
may
h'&ar_,.,_
i:~se_ we're
an - gels cheer
---
near,_ _
to
1m
-
J
I ~J. a
it's such_
love
day,,_ _ _ _ _ __
ly
L_
the
words_ and we'll beat the
C F A :
A
birds_ down to
-
ca-pul - co
·1rmt1· (fl B F G# 0
B F G D
just
I
b
1
say
geth - erl
A# E G 0
G# 0 FA#
~I
Bay,
u·
it's
C# G A E
.._,
pl 4fEP per - feet for_
fly
with me,_
say,
come
II let's fly__
let's fly_
a -
wayl _ _ __
Verse 2: Come fly with me, let's float down to Peru. In llama land there's a one-man band And he'll toot his flute for you Come fly with me, let's take off in the blue I
61
-
,
...
'
,,,
··'· ':. '
~-~fjv&,_.@)~-_ .---':";_:--~
;
,Don't Get Around Much Ailymore Words by Bob Russell Music by Duke Ellington
«l
Copvrig~•1 Robbins Catalog lncorporated/Hurison Music Corporation, USA. 1
Allred
Musi~ ~g. Company Inc. (50%1/Campbell Connelly 8 Company Lim~1d (50%).. All RighU Reserved. International Cci1'fl'ight Secured.
Moderately
f•
,. *
%-c
Bfr
•
B F G D
E1.
~
~
Missed
~~
the Sat
~ ~ -
ur - day
J7J..._..I
F p -·
you,_ you,_
In· C ; GC
=~~~~~ ---.~- -· - - -Thought
I'd
;; ] J J -
sit the
II= e ~-..._., dance, _ _
l
Jl
1l'J
£0 j '"'I CG A
could - n't bear it with- out_ they'd have asked me a - bouL
don't get don't get
vi
C !: G C
I' J
.
0
hear they crowd-e d t he fl oor,_ got as f ar as t he doar,_
-
b·'ll·I ·I
9
3
a-round much an a-round much an -
J.
- -e---------=II
club, _
62
I
- more._ _ _ _ _ _
y y-
more. _ _ __
,.,
31l
'(
G::;:.: G:!
F ing
Dul
er·
/I"'
c:f
lm~ a;
c
,
my
5
C G A ;
G O
r Ir
guess_
Dr
(6
Em7
Fm
F
~ ~ at
more
\mind's
---
~
ease,_
\
'iifl· ra
c
w
F
311''
'j'
2 :: G C
A# E G C
F
why stir
'
Ir
~
nev
er
up me -mo - ries,_ been
A :: ;:.:.: C
~
C ::: A C
but
' mt P'
-
the
in - vi - ted on
/"""
p -
r
1g 'r
A O#F# B
less, _ _
----
dates,_
._, might have gone but what for,_
aw - f'lly diff-'rent with -out.
·r you,_
don't get
a-round much
an - y
-
o.s.112.
ig. C ; GC
Missed
the
Sat - ur - day
J---=II dance_
63
~
IJ.
- m~
m~
'
~~6®~~·:.~·~- Don't .Go To Strangers
;
'
Words by Redd Evans Music by Arthur Kent & Dave Mann ~Copyright 19S4 J1fler1on Music Compeny Incorporated. USA.
Sydney Bron Music Limrted/EMI Muic Publishing Limited. All Rights Reserved. lntemllionel Copyright Secured.
Medium slow
mrf= ::;F J J ti 0 Ei69b~
Build
r
your
-
3
dreams_
to
1gBa77
~
when
you
°$, ~~
3
G# D FC
stars
3~ 1~
11
_
the
BFG D
~:HJIJ
JU
need_ some-one true
to
a -
B7
,. bove,_
but
U, 'I ~C: G C ·
8 --,
A#D# F# C
I J J J ) J.
love,_
don't go
to stran· gers,
1.
1m darl - ing,
=II
J
come
to\
m~-------
1A# E G C#
derl - ing,
you heir 1
J J J
IJ.
1..,,.
., JP For, when
come
e1H
to
fol • law your hurt,
11
you'll
fol • low your heart
I
~-
Gm7
Gm7
lffF
,~).
~
)
I}' ii]
I've
been through it
Gm7
39~
'-b "''
3
~ ~
~
I'll
un
make
~·
-
' J i"r-rr
~
J
der
- stand
;;;;;;
you \
cm1 3
your friends
·
A:~: G
C
see;__
to
I J J :J
'
don't go
E~1 .
B!.mai
r
r
r
II
So,
go.
Fl I I I
$t±E. ,
and
~
'·
need_ more than com - pa - ny,_ 1
sg
3ii'
£ £l j I J J 4J you
old hand, F13b9
Cm7
~ q~ ~ ~~
for
~.
.. ~~
MO: G '
if
mark_ _
an
I'm
for
3
A# E A C
~.
all,
fl
fl
A# E A C
1
A# E GD
your
J when
39~
39~
but
J1
J.
to stran- gers,
B1mai
,
r
AD~f C;:;:;J
II darl - ing
come
to
me._ _ _ _ _ _ _ _ __
Verse 2: Play with fire till your fingers burn And when there's no place for you to turn Don't go to strangers Darling, come to me.
65
.-..
·• ------411~~ vcolQG"L - :0:.., - - - - @) ~r;.x__-~~(0 ... -
'.
East Of The Sun (And West Of The Moon) Words & Music by Brooks Bowman Cl~ ISM Prwlc- ~ T,.,... ~ 8r-.n
c....., c-.., a c....., ......._
M
Inc.,._..., USA.
fiellCI "-'-'. ....,..__. C..,.,... S.Clnll.
Slow
11
r-3--,
G#DF#B
14 J J g___1 East
of
the
sun, _ __
and
of
west
the
moon_
IJ J J J J ~
j
house_
of
c:::;
we11
build
a
dream -
U·
love,
~ GA
i -3
Near
to
3
Ir r r r r r
dear.
sun
the
in
re
the
Em
IJ.
? :: G?
I J J, J day,
near
the
moon
'j'OO ffi3 J++1-11--, ""'' g
£• ~JJJJ. in
I
lovt · ly
at
we11
night
sg,
;~
A13
live
~
j
Am7
~G A
J
IJ way,
deu,
Ir r liv - int
1'B A D F# C
J
Just
you
ind
66
,-3-----,
I, _ __
F on
r r
love
Ind
.. I ev - er
end
a
love
day,, _ _ __
Cm
,.;J
il Ir F
''
3
~ o:Gc -!J
j
it
keep
we'll
up
J J love - ly
starts we'll
find
lj J J
tune,
east
of
the
Cm
2•
4• :r
west
of
the
sun
east
G
~
~
of
life
to
a
A O# G C
J
Ir
and
west
r
Ir F
dear,
~
har-mon - y
EE§fr
C
.
----
' H8re' s That Rainy D&y Words & Music by Johnny Burke & Jimmy Van Heusen ~Copyright 1953 Burke 8' Van Heuaan lncorpor111d/Boum1 Comp1ny/Dor1ey Brothers Music lncorpqrated. Wamer/t:h1pp1ll Music Limited f50%11C1mp~1ll Connally 8' Comp1ny Limited 150%1. All Aights A111N1d. lnt.rn1tion1I Copyright Secured.
Slowly
,.I J.. G
Bmai
g·
2g~
,,
J IJ
j
May - be
1ffF
~r
11J
f IF
should have saved those
4i r·
dreams;
IJ J fun
ov
er
0
09
J IJ J
J
A D G C
l
~v
m nm,.,. ,·1· 'D·
., .
1HF
left
r·
ny,
but
here's
that
rain
o~•
-
r y
r day. _ _ _ _ _ _ __
U· rain
Here's
1Iff
J day
y
they
, .
~>00
- bout.
a
AAm/M1 j7)
srm
Am
B6
mrs
me
told
36'
-L-
•Pmf -- J___
that
C ; A C
J J
Ir r r F r r
ind
l1ugh1d
100
It
the
thought
that
it
I
E~6
21'
~· "" F J
09
this
out
tum
RligtC
1,1 1 ·;
g· fl' I ,J J le---
f.Jn7
B F G# D
tr·
~I "" j J Where
\
qJ J IJ worn -
that
is
~r
,. *
af
-D9
j -
near?_ __
brought
lov
2k
f~
tiB' EH3'
A C;:C
A O F#C
-
y
-
how
be - comes
'
IJ
j
fun
.
ny,
20 · ·11·• ·
ootttr . day
love
G
09
ii 0 Ga
is
er
a
ADGC
day;
y
-
,.
J J I J. rain
F
F F I
A O#F# C
cold
my
r
',I
,.=r
A 0:;: 0-
A 0 FWC
J
Fun - ny
Bm7
t>
J IJ J it
tar
' IF
±J·
'fi
a -
thraw
A. C ;:
IJ
r·
}&'pl 'g· .
ADGC
-way,
r Ir
thlt
wish
out
lffF
\
I
-
WIY·
g·
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rain
B E G#C#
B!.mai
G
21
1 -Dl~b~
here . _ _ __
IOI
Q
0 G
Q
J that
~~~----~~ . ~~~:~--~~~
.Honeysuckle Rose Words by Andy Razaf Music by Fats Waller
c~~~u..c. USA. ...... ~ ..... 1!1'411'11 .... l-.d 9'.I Al~""'-wd .... -..~---
Modeiato
ic
d 1. Ev - 'ry hon - f!'f (Verse Z see block lyrics}
bee
fills
(I
3Gm7fffi~
t±E
with jeal - ous - y
,3 fr
'
M; G O
A# E G C ]
0I J J
J. when they see you out
with
3
11.
Bw fg.
&~:r 12.
ey-suck
&. I D I·e J l F
8~9
'ti' aIn----------
f
p .,______....
-
\
le
~;.
'
&·
ll c
' c :!
.>"
you
"
jull--
-
l1J
buy
SU
IJ
B~ m ai
3
r'f r r
touch
to
102
g·
'
GC<
'lJm C D#A C
A# E G C#
C O#A C
ri
hive
A# E G C
I 1m J Don't
B~ m ai
G C
Rose.
Rose.
4~
3
C : A C
~- ~ ~.
9T fg. I~ l -
31
Gm7
F
A# E G C
Hon
don't blame them good - ness
me.
Gm7
j
E my
-r
J
cup,_
gar,
=II
'B
cl .PS f .. ., I IJ .J you're
stir
sug
my
it'1
U,
r:Jr
'Ii 3Br
'~·o 3Br '~~r
A# E A C
J. ~ f
from your tas
When I'm tak - ing sip\,\
•·
Gm7
39~
swaeL when you
IQ
up._
it
Gm7
A.i ;
J J I ;J
seems the ho - ney fair Gm7
A# E G C
B F G 0
A# E G C#
~r
•·
Cdim
u
-
ly
J.
drips,
Ir
A# EGC- ,
A#E GC)
G C
39 F
C : A C
J.
39 I
8~9
C :: AC
J.
J.
Hon
- ev- suck
I 1 le
-
0I J J J...._....
you're con-fee - tion good - ness F
u
Verse 2: When you're passin' by Flowers droop and sigh And I know the reason why You're much sweeter goodness knows Honeysuckle Rose.
knows,__
39 F
C ; AC
---------
Rose.
103
ty lips,
I J.
I
II
All. , '
I
--~~~~~~~--~~·~
..... "I \
l'
:
How Insensitive
\
Words by Vinicius De Mones Music by Antonio Carlos Jobim
e ~ 1111•1• Al-. cana. ~.. o. ...,_, 1tut.
~ Mulic "llllllline UMld IS.D't.lr'Mnlll' 1111 Mulic tU...I U... ..1.11"4l
Al,.... ..
ild"'
....
Ger-.., ,.,. • ~ "*- &IMH. Al ...... ""-*.....,,,,.,.... ~ Secind.
.,_.Nov• Om
(Q#min
2g~
'
~I
I)
·t
u.o
-<
1. How (Verse 2 see bkJck lyrics)
in
~
W
-
t
~
;fJ{ ::J1 ~
sen
-
si
&·
IJt
J
tive
GC
- El I
must_ have
saeme~d_ _ _ when
Lt
£).
me, _ _ _ _ _ __
I
he
If!!::::
told me
that_ he
1) J:lJ) J
How_ _ _ __
un - moved and
loved_
J: I cold_
when he told me so_ sin - en -
must. h•ve seemed_
&·
ty. _ _ _ _ _ __
fifc__§l f® J iJ
•· J i"f £VJ ll 104
J____........._.... I J J.
I· I·_ )I I J .C3 ) J JI
lance? _ _ _ __
WhlL------
---~
Wll
I__
to
EEEE7.
tttt'h
-
c an_
af
you
say_ _
when
a
love_
-
=II
-
II
e r?_
" .. =1
rJ J "' _
$.._..IJ
af - fair_
is
}.,_..I J. ov
e r._
Verse2: Now he's gone away and I'm alone With the memory of his last look Vague and drawn and sad I see it still All his heartbreak in that last look.
How he must have asked Could I just turn and stare in icy silence? What was I to do? What can one do When a love affair is over.
105
.,
'
.
~~~~~~©~~~-~-:~-~
;
'.
,I Left My Heart In San Francisco Words by Douglas Cross Music by George Cory
~ Copyrigh~en111f Mu1ic Publi1h1f!O Company lncorpor1t1d, USA. DHh Music Comp1ny l.itnit9d. All RiQll!J ll111rwd. lnt1m1don1I ~pyright Stcur9d.
Moderately
J The
love
-
1Iff J IJ J
B WB
I ::J
Ii - ness
of
Par - is
J l;J......_...... ly
sad
seems
u U· IJ J IJ A:; G 0
some - how
JJ
Co: G C
l
gay,,_ __
glo
the
-
ry
that
J JI
.........__... Rome _ _
'
1. , ..~.
p ~Jtar
is
of
an - oth
-
day. _ __
er
I've been
J J JI J -
ri - bly
go - ing
) II
a - lone
\
to my
home
and for - got
cit -
v
by
-
ten
the
bay.
elow,ete•dybeet
1Iff' lj
in
Sin
Fren -
.
.._.
Cll - CQ. _ _
106
I'm
in Man - hat- tan.
•tempo
heart
was
I
left my
I. J
1Uf
B DGWB
cells
it
hilt
M•oo
Is J J ~ I To bl
me.
to
Cm?
M; G-0
-
J. J~ I J
It
31 fl•1,cif A."6
where
1IU' lit • tte c1-ble cars
:U
19 F7sus4
tJ
tog _
J. JI J
tr r
_
_
I
-
Mo:; C
A# E G C
may chill
the
I.
The mom· ing
half-way to the stars!_
climb
J) IJ
•
air.
B DG# B
I don't care I
' ;' J J I My
love wails
1Iff'
t~
JijJJI
II
....__.... there
in
·g &""" ~
I)
blue _ _ __
home
to
you,
San Fran - cis - co,. _ _
I· I · J ; F I and
sea.
win - dy
me!
When
San Fran - cis - co,
your gol · den
1
I
come
sun
will
3
B DG#B
for
the
It
0
·g shine
a - bove
I
left my
107
me!
-
-
I
~~~..._-~.~-~·~~----
.
·Hey.! Ba-Ba-Jl,e-Bop . ' Words & M~·by Lionel Hampton & Curley Hammer ~ Copyrig nMlrnl Mullic Pub1ishin9 Limited/Nu0\'11 Cari1clt, SRL Universal Mu1ic Publi1hing limited (50%1 (1d ired in Germ1ny by Uniwn1I Mullic Pubt GmbHlrN1mer(Ch1pP111 Miiiie Limitld 15°'1 All Rights ReH.--1. lnt11rnltion1I Copyright S.curwd.
Medium fut C9
1m· I 4•1 ai n Ja Heyl_
Ba-Ba-Re-Bop.
Ba-Ba-Re-Bop.
c9
11'
'
Heyl_
I
B F A 0
'
' 1-
Heyl_
)JI
'
Ba - Ba - Ae - Bop.
Heyl_
·1
A# E G C#
' IBa - Ba - Ae- Bop.
,. -
Heyl_
lftf At 0 ;; '
l
36 gr Am7
Gm6
31'
ti ~ I)
,. ~'J ff IJJ. J -til - da
big mouth
Brown
told
1hutr· _ Sing - in'
2 :: G C
J )j]JJ
your ba - by
knows_
P B
F9
G6
31~
A :: G C
Yes,_
-~g
G6
2
z b~: ~ ~
Ba - Ba - Re- Bop.
- -
z J1 ~
I
Ma -
G6
31~
J IJJ J J IJ J J J J J )
Old King
Heyl
2 f G C
A D f# C
Tut._
·1t you
81 · 81 - R1 - Bop.
108
can't
'
I-
say
Re· Bop, keep your
l
' IJj HeyL
,I A# E G C#
' I
' 1-
Heyl_
Ba - Ba - Re - Bop.
,.
ll~' Am7
·i
Ba - Ba· Rt· Bop.
'.1$ .
'
00
tEjr~ttijr
A ;: G C
Yes,_
knows._
your be - by
•·
I J ~J J on
Ma - ma's
the
chair,
II
pa - pa's
on
G6
J J the
cot,
09
g·
3&'r
&~ r~o ba - by's
~ in
j J the
crib
3
~ ~
j I ~ J ) J J J J= I
blow- in' his
nat - 'ral
Ba - Ba - Re- Bop,
top,_
Heyl_
7 Heyl_
3
Ba - Ba - Re - Bop.
109
sing - in'
Heyl_
Ba - Ba - Re - Bop.
IYes, _
•·· JJ; A ; G C
your ba · by
knows._
,. J
the moun- tain,
j J
J
gr
F9
·1
Up · on
G6 3
d
look - in'
~
j
~
at
the
sea,
!! £ G 0
l:J ~J
look - in'
~ for
that
cat
~
that stole
JJ my
C9
f•
&·~£ ba
-
J J
J j ............
by
me,_
B F G D
from
i'
,.
1fr
"" ,._.,
J
sing - in'
Hey!_
Ba - Ba - Re - Bop.
ll'' J
,J
Ba
Ba
I
Ba
Re - Bop,
'I A# E G C#
I-
~
I-
c
~
I
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b1
by
~~ Yes,_
Bop.
your
' tJ HeyL
A.: 0;.:
Jl ~J
- Re .
I 0 J' J ' -
~g~
\
t
-
k
Heyl
iJ J J
07
Ba
J: J I :J
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Am7 2
'I
•
knows. _
110
II
...... ..:
--~f'1l"lll~~ · . -~l~~
.
•.
y•
.~ : '
I Wish I Knew Bow It Would Feel To Be Free Words by Billy Taylor & Dick Dallas Music by Billy Taylor c~ 11111190.-llMic-...,....UIA.
/IA...,....,,.. ........ W'I
.
..
1 ; II= e..i
....
-.,;
1. I
r
~·
chains
.... l.illlllM
~Sec--
IJ J
:J J I J
J
it would
to
wish
I knew how_ (V11rse Z see block lyrics)
rJ
. •
feel
:J IF
J ;I....._j
hold - ing
wish
me_
}j[ J
1t'
these
8 F G E
I could say_
A# E G C#
11.
t• -d .....
I should sav~
say 'em
G
'll ·lm 'b· }J[;J A D G C#
i!
:>
G i!
;:J
wortd to
l
hear_
say 'em
loud,__
=II
i! 0 Ga
..
)J
j1
for the
whole_
--
s
J to be
Verse 1: I wish I could be like a bird in the sty How sweet it would be if I found I could fly rd soar to the sun and look down at the sea Then I'd sing 'cause I'd know how it feels to be free.
111
G
2g~
112.
A J C•
2. I
clear_
J the
all
·1 things
free._
be
all
wish
J
tJJ
free._
11
..
.
".
~I
>£L ~. ~~.)~------~·-..~---~
I'll Renie1nber_April ' Words & Music by Don Raye, Gene de Paul & Patricia Johnson ~Copyright 1942 MCA Mu1ic 11 division ol MCA lncorpor1tedl. USA. Univer111/MCA Mu1ic Lim~1d. All rightJ in G1n111ny administered by Uni111r11VMCA Music Publ. GmbH. All Rights R111ovtd. lnttm11ion11 Copyright Secured.
J This love - ly
will Ieng - then
day
in
a
0
G'
I J J. 1
to
ev - 'ning,
({ we'll sigh good - bye
' I t ,. a.
AD#G C
-lone,
j
A -
Cm7
bl
we've
IJ J
D# F A D
r·
pril, _ _
~
to - geth - er,
and
""""""""
con · tint ____ _ _
j
Ir
~ 1~I
have walked
IJjJ
had. _ _ __
A -
E9
oo· we
ev - er
Jg. 11 er l
~r
you loved
glad. _ _ __
be
F9
g·
~ J :l
all
07
where
-mem - bar
to
JI
1Iff
F I r·
me
112
once
~-
gI
I'll
re •
I'll
&"6
li
Ai;. G i>
F in
1~~ ~ A - pril,
q~~ your
u t(r FiJ1 tips were
warm,
and love and
I·
r rrr au - tumn
A - pril
; a · ,. '"' The
fire
witl
dwin - die
in - to
" I i• .... ' ~
for
I'll
re -
_ __
glow
-
U· J.
j 3-,
rr
,_.;Go
............
live such a
ash - es,
ing
J I
lit - tie while, _ _
,J13
'\ _; J. J ~
won't
1 ·
J I J J.
r-
love
I'm not
FI
you., _
and
J
,. "i'' J T F
But
sor - row, _ __
U· ""
U·
for flames and
GI
her
and
-mem - ber_ __
new. _ _
~ I J, -.(-
1
of
spring were
·g· r r r r· It
r-3-i
[) j
for- get, _ _
but
j
D#fAD
~
1 lone - ly, _ __
I won't be
it·
&• ·r.. r r -mem - ber
A -
pril,_
rr
and
113
I'll
smile . _
_
_
~I
t I'll
re -
~-
C;)GI\"./;~ _:-;
..
~~~~~--'J@~""'-~__x_~_,.-ar;;;;C0~~·-.~-~~~~~
I'in Beginning To See The 'Light Words & Music by Duke Elling~Don George, Johnny Hodges & Harry James it> Copyrig 1944 rand Music Corporation, USA. Campbell Connelly & Campa ited (66.68%1/R1dwood Music Limited ~33.34%1. All Rights Reserved. International Copyright S1cur1d.
Medium bounce
·•· J J1•rw
1. I
nev-er cared much
for
moon-lit
skies,
nev-er wink back
at
(Verse 2 see block lyrics)
J JI~ F ~ F ~I
) :J.
-
fire
flies,_
·e ,. ::r'J -gin - ning
now that the
but
Am7
07
'D· ·g 'If· see the
'
light._
I'm
be -
G
oo· 1
eyes,_
112.
07
J J· J JjfJ to
in your
are
11. G
2g~ i: 0 Ga
#J, =l[J.
I
I
I
B~7
B7
,~j Used
,. )~J in
stars
th•
..
J to
j
J
ram - ble
'
1#)
J
through the
Ii' 4tJ I' ~J
' ~;
j
J
sha - dow box - ing
park,_
~)£J dark, _
then
you came
114
ind
caused a
spark, _ that's
a
four
1 -
nev - er med•
I
now._
fire_
lann
mn&lJ 1g
love
by
B7
..
.
J
} J. Ian -tern
-
shine,_
J now
,~
that
•'f'?J -gin
- ning
your
I
my
-
JI
wine,_
but
I'm
be -
J are
lips
'11 j I }
see
mine,_
burn - ing
A ;: G C
to
in
rain - bows
nev - er saw
07
J
l'JPJ J J.
the
G
;
·g
r
•U "" J. light.
Verse2: I never went in for afterglow Or candle light on the mistletoe But now when you turn the lamp down low I'm begining to see the light.
115
l
,.
-----~~~8®~~·:·~·~
_ _ _ ._ ,
.: 'I'in .Old· Fas.hioned _.. ' Words by Johnny Mercer Music by Jerome Kem ~Copyright 1942 PolyGr1m Mu1ic Publi1hirtg Limittd/T.8. H1rm1 I Comp1rty lrtcorportr•d, USA. UniVersal Mu1ic Publi1hing Limited (50%1 (1dmini1tered in Germany IJy Univer11I Mu1ic Publ. GmbHVCh1pp1ll Mu1ic LimiWd (50%). , All Rightl Re11rved. International Copyright Secur1d.
Medium awing
fg. ·39 &· I J.
Il l iil
F
l! &~1 '"'J.
M ;. G 0
A# E G C
J I; J
I'm
old
C
J
fash - ioned,
llT Jg, I I J. Gm7
&b J" J moon
A# E G C
light,
&~ "''' 9
love
'b
J
rain
up
II IW
~
on
a
\
J.
~
sound
of
f
g· J J I J. win
-
dow
J' IJ
ry
song
ll~
F6
&~l
A# E G C
-
A ;: G C
I
Dm7
II r·
At;. G 0-
Thia
y11r'1
116
fin
-
F # G#D~
sings.
I Gm7
J IJ
{b = C
1i=
pril
A
that
the Am7
r .,, f • . g· g· 1lm Uff' star
J
pane,
'I'j
1§· At O GA.:
F
ioned
09
Gm
lm~
fash
I'
~
Gm7
tb ·r..
old
the
J.
~
Dm?
things,
8 F G E
]
the
IJ J
the
JJJ.
'lm
love
C : A C
~
C#G A E
--
J
(Ii
1g.
1,1·
: A C
F
C F A#Dli
J
Dm?
F
'&· A# E G C
J ci11
J lfl
~I
'
•J
B E G# D
,,.,
IJ
J
J
fen
cias,
but
ing
plSS
sigh
ing
I> J
#J these
hands,
A# E G C
un - der - stands.
heart
my
1igh1,
U·
1F#dim
ml 00~
j
U· A# E G C
~
J.
mind
Ir
J
don't
but
r
I'
J
want
how
That's
it
F
J
J
fash - ioned,
old
I'm
J
IJ
J
to
be,
I J. long
as
you
a
gree
stay
to
BS
J old
3Cfm EE§lr A# E G C
fash
J
- ioned
J with
I
u;c
"
I J.
~
me. _ _ _ _ __
117
II
'
~-. ~
'
~~~~------~---~--~-~~-
'In.A S.entintental Mood Words & Music by Duke Ellington, Irving Mills & Manny Kurtz
r
J
pen_
to
0 GA :.
]j Gt:
C#G A E
A D#G C
'
I)·
you.
39~ Ai;.
j
~ '"'"
GC~
1J
All
did
how
-
.
A..'in6
' t i· 'J
hap
'flf }ii ',I if· 07
A.'%
1
could
it
ring,_._
your arms
pened
was
J....._..J
J
won
der
would be,__
to
and
---------··'
me._ _ _ _ __
123
J it
hap-
.~~ G. " -~ , ----~-"~vr-->@J~~-- -~"'~:·---_.,........
\'
'It;s Only A Paper Moon Words by E.Y. Harburg & Billy Rose Music by Harold Arlen
_/1:
() Copyrig~um1 lncorpor1t1d/lllocc1 Morr1 Mu1lc Cof11orltior\1Johnny Mltht1 Mu1ic lncorporetad, USA. C111in Mu1lc. Corpor1tlon (33.33%VCh1ppell Mu1lc Umi11d !•.87~). All fllgh'lll fl1Hmd. lm1rn1tion1I Copyright Stcur1d.
Medium •low
1. Say, it's on - ly (Verse 2 SH block lyrics)
a
pa
per
moon,_
•[1 1 B F G# D
sail - ing
'J ;~r•v1
ov - er
a
card - board sea,_
but
it would-n't
be
11.
;Ii
f@jf ' make - be - lieve,_
J With
Bmin
1·
4!r hon
Pb• r·
if
you __
ky - tonk
me. __
it'· II J A :: G C
love,
your
out
.2. ao
~ pa
G
I J. -
a
A i GC
J IJ
124
out
•
AJ,g
21' 1·
With
r1d1,
it's
Am7
G
C D F# B
~
in
be - lieved_
=II
ia
your
~
,. ;_
8m7
Em
2 0 Ga
A 0 ;.ti
j.
Ir
1J
love,
~
. , I , ·a,n 1r r r g· r Fr r
~
.a
!> G
B E G# D
played
1,1
21
B F G# D
p
;.
J
1
J a
It's
r
,. ' J ""
Just
~
v
Ir
and
Bai
0 G i
r p I;
as pho - ny
~
G C
%
ll )
world._
ley
as
it
;CJ J
if
you _ _
7
"'™"'
can
be,_
J but
it would-n't
tur·
i?3..._.,IJ make - be - lieve,_
07
G
~
J1' ~
A
I
ar - cede.
:29'
Bar - num
07
pen - ny
a
in
Am7
21 ' 1· 21 Am7
09
A9
me - lo - dy
a
it's
G
,.
-
21 21,, .E' 26' G
be - lieved_
Verse 2: Yes, it's only a canvas sky Hanging over a muslin tree But it wouldn't be make-believe If you believed in me.
125
in
me._ _
be
II
~~G71"~f~
f-. ~~---~-~@)~~-........ ~ ' -~ -:___.r---(0~--~..,._---~
,.
I'ni. Gettin' SentiJDental
Over You
Words by Ned Washington Music by George Bassman
~ Copyn9~'--•nu Music Publishers lnco'llQ(e!N, USA. aa.nect l!DI to Mills Music lncOtD«llff. USA. ~
D.sh Music: Company limited. 411 llillhU lleH,.,ed. l,,...,111DN11 Copyrigll( S•cured.
Medium slow
1. I was just an - oth - er (Verse 2 see block lyrics)
· ' W ~
a
'"'
J.
said
it
was
F7
&· ,.
&~ r·
J
Then
r·
you made
fg. A#E G C
r
r
B E G# D
d
~
your
en - trance
at
laughed
ro - mance,_
me._ __
for
not
It
,.
who
Mp and
right
at
a
glance,
P g, &~ J.
B F G D
p
~ ;Jo knew this
:i
\
'
l.
if
F
was meant
for
me. _ __
~w Nev
-
er
thought
~
I'd
I c1H,
I'm
fall
but.
now
hHr
J love
I- J J J ~
...
41 E
' ... '
I r· ~
y~
I'
..
~ fill
·ah
~\
tt1j
thrill
me
through
qget
r
I
just
do
end
J
.,,,
I,m
th roug h,
and
.f.
say
Things you
B E G# D
.
...
- ting
sen
-
ti"
-
8 E GIF D
I -men
-
11
'P 'j" I
I
ov
tal
-
er F7
87
I
I1 r r
J "F F l§r J f -
thought
I
was
hap
py,
could
I
!~pijo"'""
IJ #J ,J
I r·
now
Rf
must
ad
-
out
·g
C E G#C
11
B E G# D
F
mit
that
B A# E G C
#F
love
is
E all
I'm
think
-
1
you
please
ing
of.
'I ·1
B 6 4P'f l' J Won't
-
with
'il
B E G# 0
love,
'p F"
live
·g
qr
r:
1
B E G# D
be
f
kind,
and
127
fr
A O#G C
Ir
J
just
make
~w up
J ] your
•·J A# E G C
J J J I~ &
J mind
gen - tie
that
with
you'll
be
sweet
me,,_ __
be
J -men - tal
ov - er
and
gen -
-
cause
1 you. _ _ _ __
Verse 2: Never was a dreamer until I met you Funny how one gets that way Cupid's just a schemer and I never knew Now I'm dreaming dreams all day.
\
'
128
tie?
I'm
=II
J.
Be
sen
- ti
-
II
..
. ..
'
--'-'~- _,(; L_
,,. ·-·--··-- -- -~~I"'"
wants
i3 ;: 3Ip the worfd
to
~r
~
she feels
#)
J. 01
just what
know
so
the
An Am6 1j7)
I
I( blues
is 1U
a - bout_ _ __
La
dy sings the
Am6
'
rj#J___p Q1 r
,. P blues,
she tells her side,__ __
134
no-thing
to
hide,
get
start._
a bad
when you and your
man
J. #0 J~ J. J
have
to
part _ __
B7
4~&; J j ~ )]J J I{)1£-:i'-J 1:J i. ; I I ain't gon - na
sit
just
a -
~~
round_ and
cry,_ . and now
']I· ".,~, D~•
E9
4
~
ii?
• I~ ~
F~
s
j
"-_.'
know
I won't
die__
be - cause
love
11
him._
~,,_F) --~J:~j-.-==l'~7-,.-~- - i: : :;:~j~ . ._.,l~s ~1 ~p~p-+=P;J~I ..___a_·
La
dy sings the blues,
she's got 'em bad, _
_
_
_
she feels so
To Coda•
r the world
will
know
•'i l G= C G ~
~JI she's
D.S. al Coda
The
nev-er gon-na sing them no more,_
135
no_
more. _ __
_
I
~
.
~clm£ . lL ~ - :-; - - -
-~---'111;;;@'5..... """'~--~~®-.-.
·The' Last Ti1ne I Saw P&ris Words by Oscar Harncrstein H Music by Jerome Kem C> ~ lMI TB. HanM I
..;,
~
c-p...., Inc~ US4.
.............. u...
M righb.., ~ ........'M ll'f lJlliw9rsll W...C l'lAll. GNl1. M
"9111 Aewwd. ._.,..._.... Caw1llll Securwd..
Medium tempo
I· ,~I J I J J J J I ;J The
last
time
I
saw
J
Pa - ris,
F7
'I t 1·
,~ J.
J IJ J J J IF the
heard
- 'ry
Pa
ca
j -
lov
of
her
her
F J
J I :J J J J
The
last
time
ii
J J J I J.
treas
dressed
were
F7
for
J and
sprint.
Cm?
F7
1· 1· 1·
ff
A# O# F# C
J J J IF F F J IF F F . .,. walked
be
in
heart
F7
J IJ
ris,
ter
'
,-
-
f6.
-
2
4rJ
laugh
F F I r· \
j
r
A#O#F# C
gay,
4r
heart was warm and
F7
1·
ev
her
neath tho11
136
trM&.
and
birds
found IOftll
r tu
)
fg.
ilr·
r
sing.
Ir
'-L AfF'"' ~
F
~
xi
cabs
1h8t
Ir ~F F
r
F IJ
r r
II F dodged
ti
okl
Simi
the
ID· '11 1· C ;. A
had
dodged
.
~
r
F I J.
cho
the
years.
for
-
F7
·u~ IC F ,.. ~ J I J. sic mu
~,~JI·
¥ r
squea · ky
r r
horns
was
1·
\.
-
1·
C ; MC:
my
to
their
of
rus
Cm7
G
~
07
F6
r r
r
~
C ; A C
A# E G C
~
'-L
,3&·
J I
The
ears.
rm~
,~ :J J J J 1J J Pa saw last
.
time
G# D F C
,~ ~-
J IJ F No
gay.
mat
Cm?
~ F:
-mem • ber
?
her
.
ter
r
how
IF F change
1hey
ib II 1~ r
D# f A 0
lf
warm
F7
Cm?
I
...
was
ris.
1 p l · 1· 1·
F7
I ~~~ :J
J IJ J J J and heart her
that
137
:s;
way.
f• r
. F G
r.-.
0-3----,
:J :J :J her,
ttJ·
n1
re -
t
II
'
.
. ·~ ~(,§·)~~·;;;.,;
[email protected].·~~-----
Love ·Me With All Your Heart (Cuando Calienta El Sol) Words by Mario Rigual Music by Carlos Rigual & Carlos A.Martinoli
.,
(ti Copyrlgh1
19111 E.M.M.I. Me1lcall'Hr lrlhlm11ion1ICOt'porl1ion, USA. Lllin·Am1rie1n Mu1ic Publi1hing Comp1ny limifff. All RighU llH1rv1d. lm1ml1ion1t CC1PY'i9h1 Secured.
Slow latln rock
ill & ""
1m·
r--3--, ""
3--,
Love me with all your
39
heart,_
G9
F
it''
1
&"" J J love
want, love, _ __
that's all
8
me
3
J J J J J with
all
of
your heart,
c
36
s
C i GC
J
J J lo
or
not
e
at
'I r A# E G C#
all.
._.. Just
pro-miae me this,__ that you'll give
me_
all your kiss - es,_
rg
19
. Emin
1
ev - 'ry
8 F G D
..... - -3 ------, ~, ~¥".':1.__-i=_r--~~r--------==:J win
3
ttr,
1v - ' ry
< "
1um
"
r p
~ E mer, . ·-·
lo F
IV • 'ry
138
fill.
j
c
Em in
Am
3g~
3g~
• ei J J
&rEt E11f are fir
When wt
39' frJ
part.-
I -
I ~,
me
with
all
1
r
Don't
your heart
G I
"°']
3
I~
for
4 as you loved
me_
a
36 ' i
~
I
3
heart
C
from the
~
- Copyright 1112 a um Antonio C1rto1Jobim1nd Mr1. NllWton M1ndonu, 8r1ril. Univen11/MCA Mu1ic limilld (50'llo) (Admini1t1r1d In G1rm1ny by Univ1r111/MCA Mulic Publ. Gmbtt.).I Windrw1pt Mu1ic (London) Limltld (501it). All Ri11htJ R111rved. lnt1rn11ion1I Copyri11ht S1curld.
IJt In _ _ _ _ _ _ _ _ _ __
my
Ii
lone
when you're gone_ and I'm all_ by my- self_
-
ness _ _ _ __
and 1__ need
your_
Dm1
.Sfr -
ca -
IJ
J~
o .....___-~~--____..,..___-~----I_ _ _ _ _ _ _ __
ress . _ _ _ __
fms
just
)jjl think_
Em7
B
117fr
of
makes my
lone
Ii - ness soon_
155
=I dis - ap - pear._
fi'
f me
If?
1F
'
Yaa
r
I)
I
- - - and
Dm7
that_
for
•I>·
'iR for
ma_
Iova_
is
all_
-~
Li
11(:
'j
for
~ J what_
1111
you
10
I
naad_
'"j
1f
to
know._
t
J -t1
t.
~
.<
WliL
J 1J 3 'l I;J J J 4J ~
~ i€9
11~·
115~
~ ~ ~
-~ ting
G7aug
0m7
~
A7aug
Em7
Fm'
G7aug
~
me. __
2.
c
lllft
,, J .....,,
gmaj7
ol>maj7
Ii4rr
'Ii~ 3
~
J
~J
I":'..
J
~(
r Ji I r· 3
Verse2:
Though you're far away I have only to close my eyes And you are back to stay I just close my eyes And t~e sadness that missing you brings Soon 1s gone and this heart of mine sings.
157
~ ;)(,K,)(, J . :-; @' -~ )/. ~-'7-0 ·--~-
-----
Midnight Sun ~Copyright
Words by Johnny Mercer Music by Sonny Burke & Lionel Hampton
1947 & 19!14 Cry1t1I Mu1ic Publ11h1fl lncorpomed & A1g1nt Mu1ic Corpo1111on, USA. C1mpb1H Connelly & Comp1ny Lim111d (82%1& Blu1 Ribbon Mu11c Ltmrt•d 131%1 All R1ght1 A111rnd. lnt1rn111on1I Copyright S1cur1d.
.,
Moderately
c
• 4•r ll=rt u~a1z£J1J J. 1. Your
lips were like
a red
and ru - by
chal - ice,
warm - er than
(Verse 2 see block lyrics}
sum - mer
night,, _ _ _ __
the
Bbm1
'
J1
J.
pal - ace
• (f1J
J. o~x 0 l&J ris - ing to
Ab
a
\
snow
al - a - bas - ter
Eb7b6
II ~
clouds were like an
.
y
the
Eb9
D
*
height
'
Im'' J
Abm 1
Each
[)1>1"6
mm·~ •·~ 8"' ~fi2,.n~£ o.x 3 1~1 ;. l ~&J. j Ip ~~
4
star
sud - den-ly
its own au· ro - ra bo • re - a - lis,
you held
ma
tight.·---
1. Cm1j7
Am7
-~r
m·~
~~~~~ Qf}T could s11
the
t!_Jjl
mid· night
sun. --- -----------l~R
G7iiit
••
0m7/C
• ~~~ 2.1
12.
Ci'
'} mid
• t££J
J -
913diit>
f#m1
C6
-~
fll
-
I
sun. _ _
night
• Em7
a
thrill
r
I still
·,'
Omaj7
Omaj7
()6
ii It
'j
EiJ.9
n~
............: ___ ;,;;;;;>
-
lieve, _ __
'
06
af - ter you were gone, there was still some star - dust on
Om7
sleeve.
[)Pg
IJ
i The
flame
of
it
may dwin - die
I
we
my
Iertt il5tt ii
4~
em - ber,
J
ii It I£\J.; J but
Em7
be
dd•ft quite
I ,~
and
the stars
may see the mea-dow in
for - get
to
De - cem- ber,
159
shine,, _ _ __
ic - Y white and crys - tal - line.
to
an
J and
---
EP9
AP
.5fr il4fr 11>@1.£11>£ aqf a11>1 J. But,
APm7
close
my dar - ling al - ways I'll
when your lips were
.4fr ~J:
~£
to
and
I1.
112.
Cmaj7
Cm aj7
.lfi
.lrr mid-night
re - mem- her,
0P7P5
mm4fr
'd
oh,
sun._
l
r
=II
Your
jI
the
) saw wej
•
1J
€1::JJ·
mid-night
sun. _ _ __
Verfe~:
j
~J.
01'9!>5
I ca~t explain the silver rain that found me Or was that a moonlit veil? The music of the universe around me Or was that a nightingale? And then your arms miraculously found me suddenly the sky turned pale I could see the midnight sun.
160
.,
C13
-~
~ II
1'
my blue heaven
2 '&
Words by George Whiting Music by Walter Donaldson ....d 1. - 1n.• 1... ....uv t.1n1 Mullc Umllld 1911%1 e Copyrivht 1127 EMI Muaic Publiahing Umnw ""'"Nm ~• red Ali Rights R1.. rved. lnumlllion1I Copyright S1cu
E~
·et·
El16
Medium tempo
N.C.
r I=
'~b•I J E:f
'
-~
ll J JO r I
,(
and a
call, right,
1. When whip-poor-wills
.SW ~
J J] I
hur - ry lead you
will
I1.
.Sh
.SW
l1j z ~
CJ
'I 'I -
to to
4~~. J
ros - es
EP
ven. ven.
A~
Eli7
il4rr smil - ing
face,
a
~ co - sy
room, __
a
8P11
Bi
j
~
hea hea
a
Edim
.6fr
J.
=II ~ z ~ ~ ~ II~ ~ ~ ~ - You'll see
turn to the
fire_ place, a
EP
I~
mm6fr ~
nigh, light
.Brr
blue\ bit.I! '
112.
1
2.A
()
~I
e-J
J JI
J
II=
just
mis - ty
J J J
hold - ing
your
pPs
fl
hand. _ _ _ _ _ ___
2. Walk my
EPti
.8fr tl8fr &~\ ,-3--, ,---3-----, s J J J r r 11~r r r ff You can say that you're
~rrrffl want you to
do._
lead-ing me
rt ~Ci! r r r 1
on, _ _ _ __
but it's just what
I
.--3---,
IS
JJ
Don't you
162
no - tice how
hope-lass - ly
I'm
lost.---
UBIAI 11·~
I
I
11
II
&tit E C r ff] that's why I'm
_
r ()cc:;;;;;;
fol • low • ing
; I • JtJ
J. own,
would I
x
n·~
[ii
~ ~ ~ ~-
right foot from
my
x
fi
0
J ty
3
2
jJI
3
too
.
nev-er know-mg my
113" 3
J....._...J J ~ I
my
glove,_
hat
\
\tram my
I'm too
E~
.~r 3
J J J J I J.
and
]3 ~
-f I~"'="; ~ ~ 0
mm
~
mis
left,
my
On
Cm1
_)..
8~7~9
Fm7
~~11lz -f
.Jh
E~maj7
~
;CJ I
r-3-,
wan-der through this won-der-land a - lone,
A~m
-~~!. ~
*
you . _ _ _ __
L
much
in
love.
Verse2: Walk my way and a thousand violins begin to play Or it might be the sound of your hello That music I hear I get misty the moment you're near.
163
1
II
·' .,
'
~-~~~~·2~~~·~:-~·~~
\.
~·
.Moonglow
\
Word~usic by Will Hudson, Eddie De Lange & Irving Mills ~ Copyrig
937 Ml Mills Music Incorporated (Publisher) and Warnar Brothers Publications, USA H'rint). Sole Agent for British Comm nwealth (Excluding Canada,, The Continent of Europa, Including Scandinavian Territory and South Africa: Lafleur Music Limited (86.86%)/Bug Music Limited (33.33%,. All Rights Reserved. International Copyrigl!t Secured. Reproduced by Permission of Boosey 8i Hawkes Publishers Limited.
Medium slow Cadds
•
J J(J)-ft::J.
}
1. It must have been (Verse 2 see block lyrics)
moon
glow,_
A13
ASaug
lmsrr
idirr )
J
way
up
7
J J J
9
B~dim
GIB
.4rr }
l
•
J ~ J J;atffl=a J.
irr
I ' :J. that
it must have been moon
•J J led
me
B~dim
J.
=II ' straight
to
1)5fr.
you. _ _ \
.lrr GIB
this
last.·_
Lord,
please
F9
r=#e
GS
lrrr....---
Ill
11
(i
We
f
8
r #r r §r r I
seemed to float right
through the
AS
EB
•
J
·oh
' II
let
•J
ltrrr s 1J
air, _________________ _
hll
164
:J :J £:)s van
-
ly
songs
2~
•, ..... .. ,9 I Eliit
Amt
,.)
#J J J
seemed to
,_•
~
.-
come from
I J.
G•eug
~I
'ry
ev
-
where._
ES#11
Cedd9
l
[)I
z
)
J
And
now,
J
ii
~
when there's
O:ztJ
~·
moon
glow__
way up
in the
blue,_
al-ways re- mem -
G/B
-~
J J IJ J 4 J ber_
that
moon - glow
gave
Verse2: I still hear you saying "Sweetheart. hold me fast" And I start a-praying: "Oh Lord, please let this last."
165
me
you._
II
a
·"
,.
---,--------!ii~~~~V~P~·--.~~-~~~~
\•
"
The Nearnes$ Of YoU' Words by Ned Washington
Af usic by Hoagy Cannichael ~ Copyrigh~ 1940 {Renewed 19114 a. 19871 Famous Music Corporation, USA.
.,
Famous Music Publishing lim~ed . All RightJ R11erved. lmernational Copyright Secured.
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Slow N.C.
J
It's
not
the
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pale
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ex - cites
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me,
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it's
just
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the near - ness
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me, _ _
lights
-a-
oh
F#dim xx
no,
Gm7/C
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m~r
mm
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.~r
It
J ,;-~I
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you.
of
It
is - n't
F7aug
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sweet
con - ver - sa
- tion
'
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that
brings _ __
1
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sen -
CJP9
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f6
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tion, _ _
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7
oh
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it's
no,
just
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the near - ness
of
Edim
F
fi IJ s J ---
···-----------
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N.C.
When you're
166
I
in
my
0
arms,
44
•• ) ,J______I J
11r~
' J
__.,
end
I
fut
so
you
to
close
ma,,_ __
all
J51 my
Gm
-~ est
wild
I
r
dreams_
____ ::::;::::> Q
her
e· I
• ii I\. : ~- 2~ ''r' ~ .r ;f $ if
1v - er did
1 -
bu11
J •9 I ...;
her, should h1v1
>
f
) ij •
lis-tened.
Now
I
hive learned my les - son, my sweet
v>
ba · by was
1
'
bless- in', should have lis - ten ed.
.3fr C7
Night..__
• 'J-
' p I E'J Ef :£ O~:r O I
train,_
C9
•ffJ
your whis - tie tore
my poor heart in
~
Fe
I
l'
1
-rt·
Nigh
mt
J
J
'
train,_
•f£
p
l
your
G1b1J
I
1
l'
--...
r· Li
She's _ _
171
gone,_
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f9
,~~
I
I
blue
I
now
it's
~-: o~;:o 1 w
@
don't know what I'm
Mon - day morn - ing _ _
night,
C9
mm~r
z ~ lqE· ~,. and
• -
C7
gon-na
she left
me
do._
last~-
c1
Sat-ur - day
she left
me
F7
ti
mm~r
'~L
~
It's
Mon - day morn - ing,, _ _
blue
~
I
;;;:;::>
~- ~
J. OJ j
Sat- ur
las
-
I
j. .~
I J.
- ry
time
ev
d\y night,
.
(
1I hear
D.S. al Coda
trains blow _ _
I
get
the
blues,,__
can't sleep
' blues she left
just won't set me
free.
172
at
night.
I
I
·'-'
~--
me ~e~w:. ~ - ; ,
~ :..x " ,
,,
7
1
I
·(Samba De Uma Nota) Words by Newton Mendonca y Antonio Carlos Jobim 8821 1994 Ouch•~• ~uaic Corpor1ti0n, USA. nivera1VMCA Mu11c L1111111d. All ritllll in G1nn1ny 1dminilter1d by Univ1r11VMCA Music Pubt. GmbH. All Righb R111rved. lnttmltionel Copyright S1cur1d. CC
........
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is
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Dm7
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a
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gle
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fol -
87P9
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are
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is
still_ that
note.
se - quence_
173
of
the
~~
~
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one we've just_ been
Now
this
through,_
I
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7
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as
to
I'm
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un
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void
-
a - hie
BPS
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of
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and
talk
0Pmaj7
a•rr ,~, J. no
and
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and
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just
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86
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no
have
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at
say
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flt
know, and
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no
.err
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&~~J.
peo - pie who can
OP
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ma - ny
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174
back
to _ _
my
if._,~
I[
firsL-
-~
11~
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-..
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to
you._
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IS
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Fa
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will
.
s~ ~,
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7
Doh,_
Ti
you._
for
~
J
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Re
Mi
I
ob
s~ ;07' La_
- --
feel_
I
love
~
esbs
M'fi Sol
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1
Ab
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find
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is
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note_
you
~
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B\i" ~>-----
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II
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-~.-.~~~~~~--~f~J:v~~,..,_._.-~._~~~·---___._
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Perdido
\
Words by Ervin Drake & Harry Lenk Music by Juan Tizol 7Ps
M"' 1d my
j
Sat
-
in
'
,, r· Ii"'
;!•
Jl
)
'
u - no,
and
J.
you know,
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A'
Em'
well
-~
07
-~
p r· that 'n'
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I
!!
...............
Doll.
VBrss2: Baby shall we go out skippin' Careful amigo, you're flippin' Speak Latin That Satin Doll.
189
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~;ci~vG~· ,. :-;..
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Saturday Night Fish.Fi-y Words & Music by Louis Jordan & Ellis Walsh ~Copyright 1954 Cherie Music Publishing Cc.rporetion/Ocheri Publishing Corporation, USA. Moncur Street Music Limited. All Rights Reserved. International Copyright Secured.
Medium faat bounce
• &"i p o r r r r r Bbm
9 9
11=
9
Now if you've
ev - er been down
to
• r P7l r 11,•J JJJ-tiJ Bbm
Gb7
just
F7
tit
ti Ert Er
1~r New
what
mean._
~
;J
]
Or - leans,_ then you can
F7
,p~Pp
un - der - stand_
Gb7
Bbm
7
;
ii
1~r
Now
E
r
rr
all through the week
it's
f f E E I f p r· pl 7
quiet
as
don't have
Gb1
tit
tt~r
good
a mouse, but on
to pay
the
Sa - tur- day night they go from
us- ual
ad-mis-sion if you're a
cook
or
Gm 7b5
F7
ti
to house.
You
a wait-er or
a
house
Gb7
• tfE
II
J
~mu - ~ai - ci1n,
so,
if
you hap-pen to be
190
f
just
1~r
pass - in'
by,_
l 1
•• 1¥ r E1'1
llOp in
et the St - tur - day
night fish fry._
h
Wll
EPI
it -~ It rt - I- '~c,r1¥ r EFF I rock- in',
you nev-er
·'
IP
it
.
,~ j
-
rock- in',
Wll
IP
it
1
r j r )J
1ho- vin' 'til the break of
J110 .._.
I-
day._
HI such scuf-fln'lftd
•• r r EPI
,.
~ ft
1~r
Wll
t -
rock- in',
Bil
'
,~ -
,.
a~
~ it
111
such
r Ir r
you nev ·er
r
scuf • flin' and
Now
I-
rock - in',
Wll
E2F
-
t
if
1ho • vin' till
you've
the break of
-----191
day. _ _ __
., .
~C)~C.~~r~ ... -r---·__,::_.- - -
.
·smOke Gets In Your E:f'es Words by Otto Harbach by Jerome Kern ...._.~~~ .... PllllilllnJ u...d.
C'
Al~"'.........., - -...._... - - "'u-.s.i ....s.c.... "'* 6-tt Al Aigha ~ Caw9w
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me
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-side
I,
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can - not
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fir
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said
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JJ "'
de -
Edim
some - day
It
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·some-thing here
J
in -
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you'll
was
Cm1
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love
nied:
Cm1
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true
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my
of course, re - plied,
ab1
ii
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f3P7
tit
j J J fil
aH
find
who
love
ire
E"dim
b
F [¥ btind.
r 1r
When your he1rt'1 on
192
firt,
you must
re - 11 -
- ize
smoke gets
in
your
B
irrr &•tt#•# J 3
chaffed_
F#7 x
x
I
think they could
* 1;JQrrF1 Yet
flown a - way._
to
87rr
I J.
j
laughed_
B
m7fr
.7rr lm7rr ,.#~.# j
gai - ly
them and
F#dim
J
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f77...__.[r___F_F
So
Flt?
----------
eyes. _ _ __
am with - out
my
to - day_ _
my love has
love.
EP
.Brr &~I·~ J
J J 3
Now
laugh - ing
EPaug
friends
J de
J
Id -
ride
tears
AP
.4fr fi4fr
Cm1
.Jfr
-----IF
3
hide. _ _ __
Fm7
8P7
mm
li
&~'·· ;;J
dies,
So
I
smile and
in
your
say,
0
Llf JJJI When
a
love - ly flame
.6fr • .6fr EP
J,..._J,..._j_J
smoke gets
can - not
QP9
Io
EP
I j.
~ eyes. 0
_ _ _ __
193
B
"'
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•
· So ·Nice (Suntnter Samba) Words by Norman Gimbel & Paulo Sergio Valle Music by Marcos Valle ©Copyright 1965 New Thunder Music Company, USA. EMI Music Publishing Limited 150%1/Windswept Music (London) Limited (50%). All Rights Reserved. International Copyright Secured.
Cha-cha G
M3fr
&-1 . .
J J qJ J
:J ~
Some- one
to
hold
me
tight,
that would
be
ve
ry
nice,
la J I some-one to
hold me right,
that would be
cs
ve
-
ry nice_
f9
•
8
,_ JJ W@LJa J 1~£J J ~la each lit - tie
dream_
in
me,
some-one to
'ti '
J l~fJ W@AD J I
take my hand,
to
r So
\
j
l
be
a
team_ with me.
• -I r Am7
pP9
Bm7 ~
mm
un - der-stand
Some-one to
II
qr
j
~
life
nice,
194
r
j
would
be
a
so
nice,
~
fl• I.;o J J ijJ J l cling to me.
Some-one to
take my hand and 11m-ba through life_ with me.
F#7
c#m7
n·~
11
&•oJJiJ~JijJ J 1-.rJJ~J~JJ l~JJJ~jlijJ JI stay with me righL
or wrong, some-one to
cQ]f
c•
sing to me,
~ &• ;J J m J 1T J J@fiQd x
Some-one to
take my heart,
0
then give his hearL
•
to me,
some lit - tie
sam - ba song.
8 f9
Id ; 3 hm J 1 some - one who's read -y
to
Bm1
F
Is give love
a
start_ with me.
01lis
m41r
x
~x
J0 nice. _ __
~ yes, _ __
Oh
G
mm~·
I JD Should it
01lis
IWri mm 4fr
x
that would be
so
cs
ii
J j 1J qJ I JD ij:J J1J qJ be
you and me,
I could see
it would be
112.
GS
mm
nice.
nice.
195
G
mm~·
i?l
Words by Eddie De Lange & Irving Mills Music by Duke Ellington
~Copyright 1937 EMI Milla Muaic lncorpar1t1d (Publi1h1rJ ind Wimer lrodlert Pulllcallana, UIA l'ltnO. Sole Agent tor British Commonwealth (Excluding Canada I. The Continent of Europt, lnc:ludlnt Sc..-nlVlen Tlnllly _. Laflaur Music Limited f75%VBug Mulic Umilad Im~ All Rightl Reaervad. lnt1rnltion1I Copyright Secured. Reproduced by Parmi11ian of Booaey I H1Wb1 l'ulllilllerl LinlllN.
""°'
Africc-
Slowly e1>1aug
El>maj7
Mm
ii
4~1zlz2I r In
r Ir r
my
.3h
Al>maj7
4~b,, j. me,
.3h El>
4~'·
,,
Q
............ by.
p
."
II 11
lz taunt
Eb
-
sol
i
fill»
91>13
-
tu de,
mm
ii
-
ver
91>1aug
f In
r Tr ..:::::::
-
ies
sol
fiD
mm
me,
with
~
~
of
days
gone
11~
rmaj7
F•
I J.
I"
you
91>1
Im Ii'
£J
r It r
Fm7
re
a~
...:::
r Ir r
with
Ab
r
tu de,
i -
you
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ntv - tr
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a-
~~~-J F J. p IE:! there's
gloom ev - 'ry - where,
no
In
I
sol
-
i
APmaj7 xx
IJ
pray
~
so
I
~ I
I ~.
sad.
With
r r
knowthat I'll
soon
go
r
tude, _ __
I'm
Fm7
il3fr I J.
ti4~
be
stare,
-
~
F
one could
sit and
my
AP
r
ing,
dear
8P7
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~
r r 1r r
mad.
I'm
.ft
-~
filled with des - pair,
chair,
my
E"9
Eb
lnr~
II
in
sit
Ftdim
p
IE :J F J.
;;;;;;:>
die.
~~I·lz
I
ii
i1 Ir Lord
.:::::
r r a
-
~,
hove,
EP
.3fr ~ send
~ back
~ my
I
9
----....: love.
197
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.
··sophisticated. Lady . Words by Irving Mills & Mitchell Parish c by Duke Ellington Ct> Copyrig otham Music Service Incorporated, USA. S y TV Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.
Moderato
.4fr
A~ms
'l>lt>J
II
They
.6fr
Fmaj7
J J J
CJ
~ say, _ _ __
and
in
G1
IF
'F
this
heart
~~ ........__.....;J
flame,
.
but then as
time
were sweet and
want
F
.5fr
e~1
07
.6fr
J ~ burned
yours
and
love -
hur - ry - ing
198
ro - mance
j
a
ll6fr F a -
died
ly,
~
F
116fr F I J.
flick-ered one day,
Y~
-way.
life
Fmaj7
J ~ IE r r ~
a flame that
ly
f
of
-~ .-3-----,
CJ
-
E7
c1
-~r
ahy,
~
J J
ear
.7fr
F7
11Bfr
came,
your
-~r
F
'l> t ____) 'l>
in - to
sim - pie
and
fJ ~~I by, _ __
the years h1v1
F
8 :t I J J d. see
changed you some- how,
you now.
• E
nev - er
dar - ing,
Laugh- ing,
ing that
car
you
hurt
me
• E
q ~ .
like you
E Ddim
Bright eyes
do.
Am
C7
ldll. love
.4fr EP7
07
0P7
-~r.
&~~r r ~r - ca
. go,
· ted
•
Fmaj7
o
la - dy,
I
a
•
though such love was meant for you.
C7
ing for
pin
F#dim
•
that is fond and true,
nev - er
shin- ing,
ll8fr IJ~ J f3 know,_
and when no · bo · dy is nigh,
199
you miss the
you
Poor_ _
p
-~r 1
.7fr .&fr .5fr E7
EP7
r •r r
love
so - phis - ti -
you
-----
cry. _ __
lost
07
~
long
a -
. ~~~~~~~·-·:~!"~~~~ Stella By Starlight. ' Words by Ned Washington Music by Victor Young "
I
thing
I
~~·f_~v~~.,.· ~·~:::"",;c_-:--~
\'
Storiny Weather Words by Ted Koehler Music by Harold Arlen '? Copyrig_h~ills Music Incorporated, USA.
EMI Music ~ubhshm~d 150%}/Redwood Music Limited 150%}. All Rights Reserved. International Copyright Secured.
Don't know
why _ _ _ _ there's no
sun
up
in
the
since
my gal
and
ain't to - geth - er, _ __
.4fr 09
Am7
ll5fr -
keeps rain - in'
the
all_
bare, _ _ _ gloom and
storm - y
-----
.._.,. weath- er, _ __
sky,
' #.rJ I life
time. _ _ __
mis - 'ry
ev - 'ry- where, storm -y
is
weath- er, _ __
lj J JgLJ. just can't get
I'm wea - ry
my poor_ self to - geth- er, _ _
all_
Am 7
the
ir ii'" ... mm·· er ... II'" w ~~ :J l}J. j l3]JRJ. J1tg:) J ~ ~-· C
G
time,
the
.'--'"
Gldim
time,______
Am7
0116i,g
so wea-ry
202
all_
G
the
tim•.---
G
c
G
fllf•
,. J.
When
;mlf· I J.
3
Q~ ~ she went
8
J ).
~
~ ~-
:::=:::
c
G
i!lfr
IIJrr
,. J. if
and
in
the blues walked
- way_
~ -j_
J J. -=-
a - way_
she stays
~ I~·
~ ~old rock
-
in'
~
~I
chair
met
me,
c
G
get
me,
~
Ililfr ;mlf· } J.
3
Q~ ~
J.
will
E7~5
mmsfr
)()(
BJ J all
I do is pray_
a - hove
will let
me
walk
Can't go
miil
on,___
ev-'ry - thing
I
had
Am7
09 x
I J. since
.5fr Am1
lj J
~ -geth - er,, __
all_
j
J.
j
9
is
gone, storm - y
4fr
4 J J; -7/C
..
•J ii J
tain't what you do, it's
AP
tii4fr l I~ ~ 'l~_. :J
mm
Tain't what you do, it's
8Pm7
ilMr
EP7
.4fr
the
time that - cha do
AP
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.6U.6fr -
I
AP/C
tain't what you do, it's
it,
oP
AP7/C
ft4fr
the
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20: Tain't what you do, it's the way that-cha do it Tain't what you say, it's the way that-cha say it Tain't what you say, it's the way that-cha say it That's what gets results. Tain't what you croon, it's the way that-cha croon it Tain't what you croon, it's the way that-cha croon it Tain't what you croon, it's the way that-cha croon it That's what gets results. If you're lonesome and on the shelf It's your own fault so just blame yourself. Tain't whft you say, it's the way that-cha say it Tain't wtiat you croon, it's the way that-cha croon it Tain't what you do, it's the way that-cha do it That's what gets results.
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Words & Music by Larry Russell, Inez James & Buddy Pepper
~ CopyrighQieachaven Music Corporation & Jar11t Music Company, USA. Global Chrysalis Music Publilhing Company Limited. All Rights Reserved. International Copyright Secured.
Medium Waltz
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(Verse 2 see block lyrics)
with you
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Verse 2: The mere idea of you The longing here for you You'll never know how slow The moments go 'til I'm neer to you. I see your face in every flower Your eyes in stars above It's just the thought of you The very thought of you, my love.
229
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Wave Words & Music by Antonio. Carlos Jobim
