Georgia on My Mind

January 21, 2017 | Author: Rodrigo Juvencio | Category: N/A
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Georgia

Alto Sax

   

7



C#m7

-Hoagy Carmichael, Stuart Gorrell

as played by Gerald Albright

12/8 Gospel Feel q. = 52

D7

A7



 



F#(#9#5)

  



AD 

Bm

                    

Bm/A

3   



  

10

G#m7(b5)

Gm7

      

                

12

F#7(#9#5)

  

 

       B7(#9#5) 







 

13

E7

               

3 

3



3 

3

A7

 



3



 3

14

F#7(#9#5)

B7(#9#5)

   3                      15

E7

A7

 3           

       D

 







16

    C#m7

18



F#(#9#5) 

 3



             

2

    

Bm

   



19

Bm/A 

3



     





             3        

G#m7(b5)

Gm7

     20

F#7(#9#5)

   



     B7(#9#5)    







  

21

E7  A7                               

22

 

D



 







G7

 



G#Dim

    

 

23

F#7(#9#5)

D/A

C#m7

Bm7

        

Bm7

E13

B                                     24

  

 

G13

Bm7



26

                   Bm7

 



E13

E13

   

 

Bb6(b5)         

Bm7

G#m7(b5) C#7(#9#5) F#7(#9#5) B7(#9#5)  D/A                          

28

30

  32

Em73 



    

            

4        

C#m7

  34

 

Bm7 



D C 

  

D/A

    F#7(#9#5)      

     3

 

   

 

 D               3

  

35

G#m7(b5)

Gm7

                  

    

36

F#7(#9#5)

   

B7(#9#5)               







 

37

A9

3 3                         

E13

38

D

D/F#

   39



G7

G#Dim

               

D D Organ Solo      3 3  3                 D/A

3

3

A&73

3

3

40

  42

15

8

10

ED



Sax Solo



     

4

C#m7

   



F#(#9#5)

Bm

           

       

Bm/A

76

G#m7(b5)

  

Gm7

3

3

                 

78

F#7(#9#5)

B7(#9#5)

3

3

3

                           79 E7

 3    80

 



3

A7

3 3                          

F#7(#9#5)  

3

3

3

3

3

B7(#9#5)

     



             

81 3              3                *Add right hand with G# on

A7 3

E7

3

3

3

82

D

       

  





  

     



83

C#m7

          

3

3

3

                84     F#(#9#5)                           85

      

Bm

Bm/A

         



 

     

   

5

3

86

G#m7(b5)     3

  

3                

87

  

F#7(#9#5)

    

 B7(#9#5)   

Gm7

    

    

       

88

E7

A7 3    3                                89

                                     D

3

3

3

3

3

G7

3

90

3

G#Dim

F#7(#9#5)  C#m7                                D/A



3

3



E13        Bm7      G13   3                 92  Bm7          E13              94  E13 3 Bm7   3  3   3                        95 91

F Bm7 

6

  96

Bm7  

  

D/A

      97

  99

G#m7(b5) 

        3

    

C#7(#9#5) F#7(#9#5)





B7(#9#5)            

         D/A           

     



      4:3     

Em7  

G D 

100

          4:3  

Bb6(b5)

Bm7 





 

102

G#m7(b5)



     

 



      

C#m7

F#7(#9#5)



D Alternate    "Forked   F" ,add R.H. 3





    



3       3



Gm7                     

103

F#7(#9#5)

   

   

B7(#9#5)          



 

104

E13

   

    



105

3

  

G/A



G       3 



                   3                      F#7(#9#5)



106

B7(#9#5)

 

 

  

      



   107 D/F# Em7           

   3

G7 

  

 





G#Dim7



7





 

108

H G/A

 109

 

 







                               

Rubato Cadenda G/A











          3                       

110









111

G/A

              113

 

G/A



 

  



G/A







 

 





G/A



 





  

    





 

                              

8

 115



A Tempo

       



  



Eb13





117

       



D/F#



G7





G#Dim7



                   



G/A



D

D13

  

                       

       3                   118

D13

 119

    















5

          







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