Genii Vol 4.pdf

T H E Y

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KANTER GIVES

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K A N T E R

The clever construction of your Flip Over Box certainly gives it extra value and I was glad t o pay the slight difference you ask (signed) CHARLES REYNOLDS

16 New Sales resulted after o n e performance b y L U BRENT of his famous "TORN AND RESTORED MAGAZINE COVERS" A t the recent Annual Magicians Picnic in Lancaster Pa LU BRENT again performed his famous original Torn and Restored Magazine Cover trick Again it was the hit of the show in fact if always is and has been for LU BRENT the inventor and Master Ma gician for the last eleven years N O W it is available to you LU BRENT having recently released it for publication I t s really a triple trick embodying three different versions You need1 only ordinary magazines from news stands Rip the covers from them—tear the covers t o bits—and then restore them in a sta rthng fnale amid astonishment and ap piause A routine step by step with numerous il lustrations explained in detail makes it easy •for you to master the technique A complete 8 page printed booklet written by LU BRENT himself $100 AS YOU WISH A clever card effect by Hatha way Complete with stand for holding 6 cards $& 50 SYMPATHETIC THIRTEEN Two decks of cards are used in performing this miracle Performer takes a complete suit from deck and places it in houlette from Ace to King Spectator takes same suit from second deck but leaves it disarranged By a mirac ulous coincidence when cards n houlette are aga n examined they are re arranged to match with those in spectator s hands Directions Houlette and two decks of cards Mfd & Rout ned by John Snyder Jr

LM E E T

$3 0 0

DUCK TO RABBIT SILK Performer produces a 24 silk with duck imprint on same A turn of the silk changes duck to rabbit $ | Q0 COMEDY RABBITS OR CHICKENS (flat) made from Turkish towelling and very effective as comedy number Used by many M C s or magicians $2 0 0 SNOOTY PUPS—One of the inexpensive novelties of the year Two funny pups that create a barrel of laughter with their maneuverings A white and a b!ac< pup each attached to a highly magnetized base Any number of comical antics can be per formed Conveniently small to carry in pocket 5Qc

EXTRA VALUE

IF ITS BOOKS YOU WANT—WRITE KANTER — N A M E YOUR CHOICE—THE BEST A N D THE LATEST $l 60 Impromptu (C Brian MacCarthy) I 00 Pasteboard Parade (Chas Luedke) 1 00 Magical Moments (Del! O Dell) 50 How to Become a Ventriloquist (Edgar Bergen 2 00 Enter+aining with Ventr loquism (La Veil ma) 2 00 50 Se 75 ML,.. 25 Goldston s (viagicai v u a r T e r i y 25 J nx Sept No 60 weekly 15c starting October 1st subs $1 50 for 12 issues or $6 00 a year Jinx Extra an all Br tish Summer No I 00 How to Double Talk (Wallace Lee) 50 3 Shell Game (Tom Osborne) I 25 Stretching A Rope (M Christopher) I 00 3 t o I Rope Trick (Tom Osborne) 1 00 Encycloped a of Cigarette Tr cks (Clark) 5 00 Cups & & Balls Balls M»g M*gic (Tom Osborne) Cups 2 00 r ana r T'No^r ^ J i~\ h. 75 Lane s ideas No 6 25 Lan a s Funny Talk for August Chap s Scrapbook Aug Aug No 13 25c Sept No 14 25c yearly y y ssubs ubs 2 40 You Can Do 400 0 Tricks Trick You Do Howard Thurston— 2 one 400 pages (Repr nt) Cioth '"•'-"• volumes in one l I CO Bd Bound Covers A $2 00 value for KANTER HAS THEM — Over 460 different t tied books Many no longer available through any other source in the U S A W e are closinq out many issues n^ver t a be had again CHAMBERS N E W SPIRIT BALL — A Modernized spirit ball with a new principle never seen before Bail is kept under perfect control g l ding down the cord and can be stopped at wili yet it fa Is to perform for anyone else W e defy you t o find the answer No gimmick about the ball nothing to palm off or on yet it can be examined by spec tator It s new and different price complete $5 0 0 FLASH APPEARANCE CARD FRAME A card trick that is superb 1 Card selected penetrates and af fixes tself between t w o glass panels DeLuxe Con struction $7 50 — Regular Grade $5 Qf) Hung Blox $2 50 Psychic Discs i 00 Baffle Proof Milk Vanish 2 00 Chinese Ladder I 00 Magician s Emblem Pin $1 00

THE WATER CUPS Two aluminum cups three inches high are shown empty —displaying them one at a time to the spectators one cup is placed upside down over the other cup with edges to aether Then you amaze your audience by proceed ing to pou water from one cup to the other A spiashy performance to round out a smart rou tine Include this in your must have tricks A bargain at $2 00 Jay Palmer s Improved Vanishing Bird Cage — The best and fastest cage obtainable say these magicians Jack Gwynne Will ston Frazee Paul Ros ni Russell Swann Al Baker Sunshine John Booth Glen Pope Mora Frank Lane Gus Bohn Alpigini Grant and hundreds of others who have u^ed my cage It s light—It s right—It goes' Im proved corner makes failure impossible Price in clud ng instructions and patter $7 50 I ported Rubber Canary (fooks real)

50c

The Elusive Canary—A neatly printed and illustrated book explaining everything about the bird cage trick $| 00

TWO GREAT BOOKS

RABBIT LICENSE PLATES Let the world know vou are interested in magic by using these Plates on your car Made in brass colored black and white Design of rabb t and hat with wand 3 x4 Per pair $] 0 0

All

inquiries and orders for the

FAMOUS PETEE VENT FIGURES will be handled in future by Kanter recently appointed World Distributor* Much ttme will be saved and prompt service assured by writing us direct PETEE FIGURES ARE DISTINCTIVE with hand carved features, correctly shaped ears and hands natural looking glass eyes and the new Flesh Tone finish ail of which makes them look like real characters All have ball and socket neck movement and all may easny be fitted with special effects and movements as desired NO CHANGE IN PRICES — CORRESPONDED

This book will give you the ' tricks of the trade in magic How When and Why great magicians astound their audiences $3 00

Sold on easy payment plan Send us a dol iar or two on account This w II assure a copy being laid aside for /ou with your name at tached 512 50

WANTED—TARBELL

COURSES

PHILADELPHIA^ Store Open Every Evening (Sunday excepted) Until II P. M. Stock Room Stands By Sundays for Rush Orders.

A perfect trick for floor shows! The most amazing production effect ever offered! A new principle that will fool everybody—and magicians! Very fast working—clean cut handling—no false moves! Audience may sit anywhere—and still be fooled!

The New Night Club Screen What they see: Performer walks out with, or is handed, a small folded up screen, figure I. He stands it on the floor, resting against his legs, and says " A little Chinese screen and my two hands". He reaches down and opens up the screen as in figure 2. "This is the Chinese side". Screen is refolded and replaced, then again spread out, this time as in figure 3. "This is the fake side". Screen is then folded into a triangle as in figure 4, raised to the performer's chest, tipped up, arm pushed through, so the audience looks right through it. "This is the inside", says the performer. Then still holding the triangle form, performer brings "what is inside, outside" and reaching into the space the audience just saw, he brings forth a living rabbit—or other load.

CONSIDER THESE POINTS: Folded, the screen is perfectly flat, I8"xl l"xM/ 2 ". Weight, 3l/ 2 pounds. Opened, the screen spreads out to a fine flash of 44x18 inches. Hinges, absolutely noiseless, work both ways, made of material that cannot rust, needs no oil, makes no sound. Construction, the finest Ireland quality. Durable plywood, finished in bright red and black lacquer. Load Carrier, new design, very strong, absolutely silent, positive in action. This flashy, speedy new trick will add pep and life to your show! Effects similar in result, but without the many features of this trick have sold for $25.00. The Night Club Screen

$10.00

A new trick for doing magic the American way:

PASSE PASSE BEER CANS A compact stream-lined version of the ever popular Passe-Passe Trick, made up with Schlitz Beer Cans. The ideal trick for night clubs, beer gardens, parties, and similar places where beer is served. Authentic nesting beer cans are supplied, also red and gold decorated cylinders 6 % " tall, a most realistic imitation glass of beer, matching plain glass, complete routine and patter. The routine is similar to the passe passe bottle routine, not involved and well worked out, and the apparatus is built for simplicity in handling. The patter we supply has been audience-tested with success. Ireland quality design and fine workmanship throughout. Complete

L. E. I R E L A N D

$5.00

109 N. Dearborn St. Chicago, 111.

(Complete Catalogue on Request with Order or 25c Postpaid) September, 1939

Page 3

Thctyer's Improved

Visible Card Between Glass Effect Thayer Quality Throughout Two pieces of glass are freely shown, bound about with a number of rubber bands and placed upright in a finely made and beautifully decorated wooden frame. A card is selected, shuffled back into the pack, the pack thrown against the glass and the chosen card appears between the two glasses, from whence it may be removed by the spectators. Our apparatus is one hundred percent perfect: no fumbling and works every time. The frame is extremely unsuspicious in appearance, resembling nothing more than a small base for the holding of the two sheets of glass. You've seen the rest; now buy the best. Price—$7.50

New Pencil and Peg Mystery

WILL DE SEIVE'S MAGIC HITS ASHES OF ROSES. Burned paper turns into bouquet of flowers. A nice, flashy opening number. Material for twenty-four performances, plus all necessary instructions One dollar and fifty cents AMASO. The most sensational version of the three card monte ever offered. Sold for entertainment purposes only. Easy to do and completely baffling. With cards One dollar INFRACARDO. Writing appears on a card while the latter is held by a spectator. Good either as a card or a spirit effect. It has been highly recommended. One dollar and fifty cents JOKA. Just the thing for intimate use. A natural for cafe table work, or for the cocktail lounge. One dollar KLIK. Will help establish your reputation as a mind reader. And, again, its a first rate close up miracle. Apparently the magician names a card thought of. You'll love it One dollar and twenty-five cents

A Vest Pocket Miracle

THE BEST ROPE OF ALL TIME

This trick, based upon an effect which recently appeared in Frank Chapman's Scrapbook, is not to be confused with the old time peg and paddle or peg and pencil trick. In this new, improved version, after the peg has jumped from hole to hole it is shown that every hole goes clear through the pencil. In other words, there is perfect alignment of the holes through which the peg passes. This is the very newest thing out in pocket effects; is always ready for use and will give you and your onlookers a vast amount of magical enjoyment. Price complete, ready to work—Seventy-Five Cents.

We're headquarters for the very best rope ever offered to magicians. It is much larger in diameter than the rope usually sold; extremely soft and pliable. Not suited for gimmicks, but is suitable for everything else, including almost every cut and restored rope trick on the market. The larger diameter renders it more readily seen by large audiences. Used by every magician who has seen it. Personally used by Wliliam Larsen in both the three to one rope trick and in his cut and restored routine. We sell this special rope at three cents per running foot; fifty feet for one dollar and fifty cents is the usual ordering length. However, we are in position to supply any amount.

ALL NEW BOOKS IN STOCK Club Deceptions No. 2. Dr. E. G. Ervin $ 1.00 Forging Ahead in Magic. John Booth 3.00 Greater Magic. J. N. Hilliard and Carl Jones... 12.50 Sympathetic Silks. Complete routine. Proudlock. . . 1.50 Sermons in Magic. Grant 50 Impromptu. Brian McCarthy 1.60 Magical Moments. Dell O'Dell 1.00 Secrets of a Street Conjurer. Huggins 50 New issue Magic Wand. English publication 80 Chapman's Scrapbook. Now per issue 25 The Jinx, Genii, Sphinx and other magical publications are always available in stock.

Lloyd Chamber's

NEW SPIRIT BALL And now for an innovation in a magical classic: the ball on the cord. In this version a very large, walnut finished ball is used. The hole through it is nearly an inch in diameter and is absolutely straight and free from trickery. A cord is passed through and the ends held by the performer. Ball starts and stops on command. A t the finish ball may again be examined. This number is actually being used by a number of prominent performers in their new shows. It is big magic at a very, very reasonable price. Complete to you, ready to work $5.00

THAYER'S STUDIO OF MAGIC Box 1785 Wilshire LaBrea Sta. Page 4

Los Angeles, Calif. GENII

GENII

MALDO

W

ITHOUT doubt, Maldo is the star hit of any program. At the public show at the San Francisco P.C.A.M. Convention, Maldo was scheduled to perform for fifteen minutes. Incessant applause made it necessary for him to do tricks for more than half an hour. Even then the audience didn't want him to go. In the minds of his fellow magicians, those three thousand five hundred people would have sat right there and watched Maldo work his wonders just as long as he wished. It delighted me to have the judges award Maldo the T. Page Wright trophy. He presented a brand of conjuring that would have brought joy to Page's heart. He would have approved Maldo's every move. And it is likewise pleasant to record that last year, at San Jose, the skillful Senor won the muchly coveted Houdini award for his splendid rendition of the substitution trunk illusion. Maldo is one of the very best known of magical figures in the West and South. He has not only played extensively in Southern California, but also in other Pacific Coast states, Mexico and in South America. In his home city of Santa Barbara he is known as ''the" magician. Santa Barbara recognized none other. In the cities of millionaires and socialites, Santa Barbara, Pasadena, Beverly Hills, Maldo has played to almost all of the most exclusive and better known families. The resorts of Coronado, Carmel, Monterey, Arrowhead and similar places see him frequently, always demonstrating his wares to the elite. In Palm Springs, playground of the

picture stars, the Senor was a two week sensation. He played to every important [group in the town and, according to press and magazine reports, could have stayed right there for the rest of time. Small wonder it is that such a talented man can command fees that bring prestige and importance to the art of magic. By way of diversion, Maldo plays piano, guitar, sings, dances, and rides —particularly with the group known as Los Rancheros Visitadores, which latter group he also entertains with his trickeries during scheduled "roundups." His family, too, is talented: his son being an accomplished musician and his daughter frequently appearing as Maldo's pretty assistant. His inventions are many and well known to all magicians. Many of them, in past years, were put out under the pen name of McDonald. Further, many of the improvements on standard effects which are being used by magicians the world over were created in his own fertile brain. Most of these things he uses in his own performance, plus the finest paper tearing I've ever seen, the best performance of the repeating six card trick and, as I've said, the substitution trunk. Maldo has several business interests and would have little cause for worry were he to forsake public performing. But right now Mrs. Maldo must take care of such items; Maldo's too busy with magic. If you've ever seen the man you know well that I can't praise him half enough. If you haven't seen him, you've a treat in store for you when you do. He's worth going a long way to see.

We Hope You Are Like One of These All of these were received in August 1939 I have read from time to time in Genii, letters from advertisers indicating the marvelous pulling power of Genii advertisements. Imagine our amazement, when orders started rolling in daily with an "I read of your coin in Genii" explanation. I an afraid we wili have to triple our production at least, following the appearence of our ad this month. TED SLATER San Jose,

Spauldinq Alden, N.Y.

September, 1939

Charles Beckwith Boston, Mass.

Pasadena,

S. Hudson

Calif.

Printed in U. S. A. MRS. WM. W. LARSEN. Editor and Business Mgr. WILLIAM W. LARSEN

Editor of Magic

CARYL S. FLEMING.. Honorary Advisory Editor GENII Is published monthly by William W. Larsen, of Pasadena, California. Editor la! office, 705 S. Hudson Ave., Pasadena, California. Price in the United States and Canada, $2.50 per year; twenty-five cents a copy. Elsewhere, $3.00 per year; thirty cents a copy. While manuscripts, photographs and drawings are submitted at the owner's risk, every effort will be made to return those found unsuitable, if accompanied by firstclass postage, but we cannot be responsible for any loss of such matter contributed. Contributors are advised to retain copies of their contributions and to doubfe spaces all articles submitted. Printed in the United States of America by the Wolfer Printing Co., Los Angeles, California. AH contributions and advertising matter must be received by the Editor by the 20th of the month preceding publication. VOL. 4

SEPTEMBER, 1939

NO. I

IN THIS ISSUE EDITORIAL Genii Speaks

6

TRICKS BY Jon Kirby Vernon Cook Harlan Tarbell Loring Campbell Caryl Fleming Paul Morris Lloyd Chambers L. W. Poker Deal Bert Douglas Dr. Ervin T. Page Wright Fritz Braue Orville Meyer

7 8 9 9 9 10 10 II 12 13 13 13 13

ARTICLES Maldo Silk Secrets Programmes of Magicians Obituary of Dr. Bridges

15 19 19

COLUMNS Scattered Shots Chicago Notes Magiministers Ribbons From Wisconsin Max and Skully Kanter's Komments Magic of the East

8 II 12 13 16 16 16 18

P. C.A. M. MUTTERINGS

18

PAGING THE LADIES

17

5

Calif.

I consider "The Hell you Say" illusion outlined in July Genii weil worth the annual subscription and i eagerly await the arrival of each number which to my mind is the outstanding magical journal of the magic world today. Le Verne

I know that Genii has taken a firm hold on the hearts of the New England magicians. I happened to be a guest of the Hollywood Assembly in 1936 on the event of the first issue of Genii and if I had only kept the copies that were given to me there I would be very popular in Boston right now,

705

! received the Tops, Sphinx, Dragon, Funny Talk, Jinx and I KNOW that Genii tops them ali over the country. In addition I have learned much from various articles and tricks printed in the magazine.To cap it off even the ADS are topping! Wishing you continued success in the future, I remain, BOB GABLE Cleveland,

Ohio.

GENII JUNIORS

14

P . C . A . M . BULLETIN

20

INTERNATIONAL NEWS

22

CLUB REPORTS

23

BOOK REVIEWS

25 Page 5

GENII SPEAKS Just as we go to press Max Holden informs us of the sudden death of Horace Goldin just a few days ago. Mr. Goldin was known the world over as one of the outstanding1 illusionists of the era; the inventor of many fine effects including Sawing a Woman in Half; a conjurer who could present sixty clean-cut mysteries in as many minutes. He had toured the world many times, but of late years appeared for the most part, in England. It was there that he died. Just a day or so before Mr. Goldin's death Max Holden received an order from him and in the copy of the World's Pair which reached us today there is published a letter which Mr. Goldin wrote to Brunei White regarding the illusion aforementioned. Magicians and laymen, alike, mourn his passing. The years continue to take heavy toll of those who were so well known to us; so beloved and respected. Houdini, Tommy Downs, Thurston, John Northern Hilliard—and so on reads the list. Horace Goldin's passingshould serve to remind us that we should hasten to pay homage to the great personages who are still with us. Let us accord them full honor while we may. A lot of comment has reached our desk regarding our statement in the last issue of Genii to the effect that magicians should be careful to use only such tricks as are large enough to be seen by his audience. In this we are in no wise condemning small tricks. There is a time and place for them. Surely, in this day and age most magical performances are of an intimate nature and in such work nothing could surpass g-ood card, coin and other close-up conjuring. However, if the magician would attempt to perform in a large club, on the sage or in one of the modern auditoriums such as the Kellog Auditorium in Battle Creek or the War Memorial Auditorium in San Francisco, he should gauge his tricks to the size of his audience. Al Saal, of Toledo, has written us as follows: "Now, Bill, sincerely speaking, I am always on the alert for the same things you look for, namely, constructive criticism. That is why I like Genii so much, as it goes to bat with good, sound ideas. Page 6

In this paragraph you first state that Coins, Cigarettes and Cards have no place in the large theatre, etc., and then you sort of contradict yourself in stating that the spectacular type of manipulative act, such as presented by Cardini and Le Paul, is 0. K. One point I do get is that a selected card of the "take a card" group of effects is taboo. You are entirely right on that point. Having worked large theatres myself, I do realize that small objects, as you stated, can't be seen. However, even that can be overcome by slow and perfect timing. Also it being- necessary to have good lighting. From that standpoint I realized this while at Battle Creek, and the evening I worked I placed a spot in the foots which did help considerably. You are entirely right when you state that it is better for the clubs." Kenneth Sheelor, of Washington, D. C, says in a letter to us: "Your August editorial hits me right where I live. Why do they advertise themselves as illusionists and then do card tricks ? You see plenty of it, of course, in the smaller clubs where top scale is forty-five bucks per, but in larger places where important dough is paid card tricks are not in favor with the management unless it is an item like the television card frame or something of the sort." Sizeable, practical tricks abound in the books and magical magazines of the day. Likewise, in the dealers catalogs. At a recent Los Magicos meeting- Chester Morris presented Abbott's version of Levante's Block trick. How very much better in a stage show is an item of this kind, rather than a card divination or thimble work. Kanter a year ago, and again in August, advertised a card frame wherein a selected and torn card appears piece by piece. I'll wager it builds a card revelation into an eye-filling spectacle. Yet the fact that it has stood on his shelves for a year or more shows that magicians are not quick to take advantage of the spectacular. Following- my own line of reasoning, last month I threw a small handkerchief trick out of my show and substituted the Hanson Rice Bowls, sold by Holden. The bowls are suf-

ficiently sizeable properties and the array of streamers and flowers at the finish makes for plenty of flash. A few days ago Mardoni asked my advice on substituting a new effect for the Mutilated Sunshade (which he has used for sometime). I suggested the Twentieth Century Silks. "Nope," said Mardoni, "I don't think it's big enough." It is such an attitude that is at least partially responsible for Mardoni's continued success. Vaudeville is a thing of the past and we grant you can't carry about the special drops and tons of equipment such as once graced the stages of Kellar, Thurston and Leon. Rajah Raboid found there was no place in this country for a big show. So did David Bamberg. However, it is still possible to build a show wherein every single trick will be a better piece of magic for the reason that every detail of its effect will be visible and apparent to the spectators, without concentration on the part of the later and resultant mental fatigue. The occasional performer would do well to have three shows. One for close up work: parties, banquets, etc. One for larger clubs. Finally, another for those occasions when he is called upon to work before larg-e gatherings in theatres and auditoriums. Bob Weill is our new reviewer. His copy reached us whimsically titled "The Board of Review". Just as whimsically we have retitled it "The One Man Board of Review". Bob has a lot of strange ideas—Utopian but hardly practical. However, the lad does read and buy everything and we feel sure his reviews will be appreciated. Review material should be sent to him. We spent an enjoyable evening the past month with Paul Studham of Chicago. We talked until early in the morning. Paul is a swell guy and a mig-htly salesman of good will for Laurie Ireland. Also enjoyed were visits with Dariel Fitzkee, Dick Fitzkee, Bob Stull and a very few minutes spent with Lloyd Jones and Harold Agnew. We already have laid plans to attend the S.A.M. Convention in Chicago. The Chicago gang are well hopped up about the affair already and if the plans go through for holding- the whole affair in one hotel it will be a mighty "Never to be forgotten" magical gathering. It is only sad to realize that there's a whole winter that must intervene before we can again meet with our friends. GENII

THE INEVITABLE RABBIT' by JON KIRBY, Vancouver, Canada

H

ERE is a dandy little item that the readers of the GENII may find suitable for opening their act. I have had this effect in mind for several years and have lately constructed it and found that the effect is a nice mystery with lots of flash. I feel that those of my readers who construct it will feel amply repaid for the time and labor spent. Without further ado we will proceed with the effect. Effect: The performer or his assistant enters carrying an oblong tray in the right hand at his side. The tray is held in a vertical position and the performer draws a cover up over the surface of the tray. This cover is made much after the fashion of those on baby buggies but in this trick the cover is made so that it completes a semicircle of 180 degrees whereas the cover of a baby buggy is half that, or 90 degrees. Performer releases the cover and it flies to the bottom of the tray resuming its former folded up condition. The cover is once more raised and the tray swung to a horizontal position. Cover is now released and flies back revealing a rabbit sitting on the tray. The trick is just as effective, or more so with two or three doves. Tray is set on table or assistant carries same off if desired. Secret: The tray is the first item we will consider. It is constructed of three-eighths inch threeply with a strip of one-quarter inch three-ply, three-quarters of an inch in width around the four edges. A line is drawn across the exact center of the tray from front to back of same. Then one inch in from each edge of the tray AT ONE END ONLY a semi-circle is formed with September, 1939

a compass. This semi-circle is now cut out with a coping saw thus forming a half moon hole in one end of the tray. This portion should be cut out as carefully as possible since this piece is now hinged to the bottom of the tray after it has been covered around the edges by a piece of black sateen about five inches deep at the widest point as in the illustration,

SEMI-CIRCULARPIECEOF WOOD

Figure 1. Now a semi-circle of thin sheet metal is cut out one-half inch larger in diameter than the hole in the tray. This piece of tinplate is then hinged to the tray so that it can cover the tray or be moved to opposite side of tray. One end of hinges is soldered to the metal and the other end screwed to the wood of the tray proper. This tin "door" is equipped with an ordinary, small belt to act as a knob for lifting purposes. The catch to hold tin "door" in place is made in a tear drop design and a hole drilled in the wide end so that belt goes through this. When the projecting end is turned it will catch underneath side of tray and hold the trap shut. A slight, quarter turn serves to dislodge the trap "door" so

that it can be opened. This completes the construction of the tray and it is now painted as the individual reader desires. It is advisable to paint the bottom of the tray a dull or flat black. It might be mentioned that the top of my tray is enameled, not painted, as this makes the surface of tray shine and helps to match the shine of the tin flap. Perhaps I can make that last statement a little clearer. P a i n t when applied to tinplate causes it to impart a luster that is not there when wood is covered with the same paint, thus the reason for enameling both flap and tray proper. N o w o u t of clothesline wire (wire that is solid — not that c o m p o s e d of strands) make a series of wire semi - c i r c l e s (seven in number). These semicircles of wire are covered with a large piece of cloth (any color) in the manner shown. Before covering the cloth though, a rubber band cut from an inner tube and about one-half inch in width is placed over the seven half hoops. It is fastened to the wire "A" as in Figure 2. This rubber serves to draw the cover back when one wire (G) is released by hand, holding same down. The wire "A" is permanently fastened to the tray. Presentation: Performer enters with the tray in a vertical position. Rabbit or doves are in the load chamber which is at the underside of the tray. Performer switches the tray to the left hand which grasps it at the top. The right hand draws up the cover and then releases it. This move is merely for effect but presumably shows everything unprepared. The right hand again draws (Continued on Page 24) Page 7

"Vernon's" Spirit Slate Routine by VERNON COOK In presenting a small act of a mental and spirit nature, I have been using- the Spirit Slate which is merely one slate with a flap. I have been using this for some time and not liking the disposal of the flap and the working- with two slates, have worked out this routine to dispose of the flap in a way that is impossible to detect in my opinion. I can offer it now and hope that some of you can use it in your show. The size of the slate I use is six by eight, the slate proper being four by six. I purchased some dull black construction paper and cut several pieces four by six. These fit exactly over the slate proper. I then took some white or transparent rubber cement and brushed on a good coat on each side of the slate. Then one side of two of the pieces of black paper, I brushed on a coat of this cement. I let them dry for fifteen minutes. After the cement has dried properly, I placed one of the papers on the slate the cemented surfaces will stick very readily, I repeated this on the other side. One of the remaining pieces of paper can be used as a flap. Well: So what? In the first place you can use a white crayon and you won't have to use chalk which is rather mussy and is liable to rub off. Using the crayon you can keep the same message for some time. In the second place, it is very easy to strip of the paper and cement another in place, rubber cement is good this way, and you won't spoil your slates if the routine doesn't work out for you. Routine: I introduce the slate, show both sides and have some one mark the slate, needless to say, the slate is marked opposite the flap side. I now have someone call out the name of a famous person who is dead and I write this on the opposite side of the slate. The slate is now placed in a paper sack and given to a person to hold on their lap, and place their hands on top of the parcel. I introduce a pack of cards and have someone choose one and I inform the party that he is not to look at the card. I then announce that I will endeavor to have the spirit of the dead person come back and give us a spirit message, taking the slate from the sack, the spectators mark is seen to be on the slate, turning the slate over, a message is seen to be written over the name which I wrote a Page 8

moment ago. It says, "You will choose the four of clubs," the card is held up and it is seen to be the four of clubs. Working: As most magicians know when you ask a group of people to call out the name of a famous person, usually the name is George Washington, it doesn't make any difference if the name isn't called, you can pretend that it was. On the flap side of the slate, WRITE the message, "You will choose the four of clubs," and below this PRINT the name George Washington. Place the flap over this and the slate is prepared. On the inside of the paper sack; along the wide side place three or four daubs of magician's wax. I show the slate and have someone place a mark on the side opposite the flap, then I have someone call out the name of a famous person and I PRINT this exactly as I have on the slate proper. I then place it in the sack with the wax against the flap. I place the parcel on a spectators hand and they put it on their lap. I then force the four of clubs and ask the party taking the card not to look at it. Calling attention to the fact that you will try and have the spirit of the dead person come back and give us a message, you walk over and take the slate out of the sack (the wax will hold the flap) and the audience can see the mark that was placed there a moment ago, now turning the slate over, the spirit message is found to be -written over the name which you placed on the slate a short time ago. And as the printing and writing are different, it appears as if the spirit had really come back. I think the above idea is very subtle as it will fool the person who may know the flap idea and the writing the name of the dead person on the flap in the beginning of the trick will throw him off. I have found this single slate routine very effective to use and it will repay many times over the small bit of time it requires to prepare the slate and I recommend it to you.

B Y

C U N N

I received ONE letter saying they missed my column last month so I now know for a fact that some one is reading this non-sense. I was on vacation, visiting my folks in the South and was it HOT. The South is alright but give me good old California anytime. P.C.A.M. Convention held in San Francisco this year was a great success. San Diego is preparing to outdo them all next year. Make your plans now. National Magic day—Hallowe'en— will soon be here. All clubs should line up acts to present to hospitals, children's homes, etc. Don't leave it for just a few to do the work but do your part for this is the great day that we bring the attention of the public to the art of magic and please remember that a small child would rather see a rabbit production and vanish than the greatest card trick in the world. Magigals sponsored a picnic and a good time was had by all. Nice crowd, nice park, nice food and no magic was allowed. The girls like to be different. Earl Rybolt is a Grandfather of a Grand little boy. What a chance that boy has to know something about magic with Earl's wonderful library. Something I have often thought of— I have never heard any man say a word against Earl Rybolt. Why can't we all be that fine. Cantu writes me from dear old London that he is doing better than he expected and would soon be on his way to France. Cantu's act is the result of hard work. When Cantu would get an idea he would work for weeks to find if it was practical and commercial. I know for we practically lived together for five years. Le Paul still around Los Angeles knocking the boys cold with real card effects. I really like card tricks as presented by Le Paul—wish I could do them. Plenty of new and good tricks on the market today. Spend a few dollars with your Magic dealer and brush up your act. The Magic dealer is the best friend a magician has. What would we do without them ? GENII

BY TOUCH ALONE by HARLAN TARBELL Eleven cards are arranged in the following manner: eight of Hearts (top), four of Spades, two of Diamonds, Ace of Clubs, Ace of Hearts, Ace of Spades, Ace of Diamonds, King of Hearts, Queen of Hearts, Jack of Hearts, Joker. Thus arranged, the cards are placed in the upper portion of the right trouser pocket. Pass the balance of the pack for shuffling and while it is still in the hands of the shuffler have him remove, note and replace any card. Another spectator is requested to merely think of any card without taking the deck into his hands at all. Cards are again shuffled and handed to the performer. The latter shows his pocket empty by turning same inside out, which will not, as you will know, reveal the cards which are hidden in the top of the pocket. Cards are placed in pocket and hidden, stack of eleven cards is placed, secretly, atop them. Request the name of the card first chosen. Whatever it is, the magician can reveal it by number and suit from the top four cards of the stack. For example, the seven of clubs would be shown by removing the four of Spades, two of Diamonds and Ace of Clubs. Four, two and one equal seven and the club pip of the ac" indicates the suit. This principal was made well known by Howard Albright. Cards are gathered up and replaced, in same order, atop the balance of the stack. The name of the card thought of is then requested. The chances are fair that one of the stack of eleven will be thought of. If so, it may be produced by the magician. If not, it must be found by making another combination of pips and suits. However, prior to the revelation of the card the performer says, "We won't need these three aces," and forthwith removes them and throws them away. "Nor do we need the King of Hearts." King is tossed aside. "And as long as we had the King, I might as well find the Queen—and the Jack." Which he does. "Feels as though I still have too many cards. Oh, yes. That Joker always gets in the way. Let's get rid of it, too." Thus it appears to the audience that the performer is finding, from a shuffled pack, a great number of cards whose locations must be absolutely unknown to him. It remains only for the reader to make the most of the opportunities that present themselves. F'or example, if the Ace of Spades if thought of, as it often September, 1939

is, say, "Here is the Ace of Spades. Had you wanted the Ace of Clubs, the Ace of Diamonds or the Ace of Hearts, I could have given those to you just as easily"—and produce, while saying these lines, all four aces. Editor's Note: I've seen Harlan Tarbell do this trick and attest the great effect it has on lay audiences. Read it well, try it carefully and you'll have a big effect for any occasion. Dr. Tarbell sets up his eleven cards while toying with the pack after a few other tricks.

The Traveling Stamps by LORING CAMPBELL Effect: Magician shows a large envelope 9x12 to be empty, and places a heavy piece of white cardboard, which has been shown on both sides in envelope, the flap is fastened down and envelope is placed upright on a chair. Then a small cloth bag is shown to contain quite a number of foreign stamps, all different. One of these is selected by a spectator and he selects say a stamp of Turkey. Magician then forms a cone out of a piece of brown wrapping paper and stamps are poured from the bag into the cone. Magician commands the stamps to vanish and cone is opened and shown empty. Then envelope is opened and card is removed. The stamps are now seen to be glued on the cardboard and forming in large letters the word TURKEY. Secret: Properties necessary are two pieces of white cardboard 9x12, a small changing bag, a double paper cone and a 9x12 envelope, made like a double spirit envelope. I will take it for granted that all readers know the secret of these, as they are all old tricks and should be known to every magician. The stamps can be secured at any 5 and 10 cent store. Of course, one side of the changing bag contains stamps all alike and the other side all different stamps and one side of the envelope is empty and the other side contains the card with stamps glued on it. The rest of the trick should be clear to everyone.

Handkerchief Restored by CARYL S. FLEMING As of old, a handkerchief is borrowed from a spectator, a hole apparently cut in its center, the edges burned, yet it emerges fully restored. And, likewise as of yesterday, an extra piece of similar white material accounts for it all. It is only the handling of the additional piece that is different. From a cheap, white handkerchief, cut a piece about six inches square. Fold this piece diagonally, from opposite corner to opposite corner. Then fold in the ends, thus forming a folded affair that is about three inches square. To the bottom edge, at the point shown in the drawing, affix a pin. This pin is away from the portion that now forms the center of the small square. To the pin tie a yard long* length of black "pull" elastic.

Thus fashioned, the elastic is led up the left coat sleeve and the loose end is pinned inside the coat, just above and in back of the left shoulder. The actual point of fastening will depend upon the individual, but it is necessary that when all is in place the extra piece of handkerchief lies just inside the coat sleeve, in such fashion that it may be tucked under the cuff so as to be readily obtainable. A handkerchief, white of course, is borrowed. The performer nips its center with the fingers of the right hand and draws it through the cupped fingers of the left hand. This is repeated, but on this occasion the center of the handkerchief is left in the left palm and the extra piece is brought forth from the fist. It is this piece that is cut and burned. Naturally, the borrowed handkerchief suffers no harm. Finally, under a rubbing motion of the right hand the burned fabric is released and allowed to be pulled from sight, up the left sleeve. And thus the restoration is fully accomplished.

BEGINNING NEXT MONTH a new series by

DARIEL FITZKEE Making "Modern Magic" Modern Page 9

NOTHING TO DO by PAUL MORRIS

Several years ago Bill Larsen and Page Wright put out "The Swimmers," a cute card trick the idea of which could also be used as the basis for other card effects. My good friend, Hy Grober, who doesn't know much about aquatics but does know his fifty-two pieces of pasteboard, showed a little stunt the other night in which he used a similar method. Since he doesn't think much of his ideas, nor of mine, he probably feels that his brain children are bad enough to take their places alongside mine—in the Genii. So, with his permission, here 'tis: Retaining the four Aces in his palm, he hands out a deck for shuffling. Upon its return, he merely adds the palmed Aces to the top of the deck, places it on the table, and directs the spectator to proceed with the trick. He orders the deck cut into four packets, keeping- an eye on the packet which contains the four Aces at its top. Now he has the top portions of these four packets shifted back and forth from one packet to another. The audience cannot follow this, and one by one Hy sees to it that an Ace finds its way to the top of each packet. Finally he has the spectator turn up the top card of each packet, and there are the four Aces. I think his idea is a bit of an improvement on the "Swimmers" because the performer apparently has nothing- to do with the cards, nor does he touch the pack (they'll forget that he took the deck from the spectator and placed it on the table.) It's a perfect follow-up for your Four Ace trick because you're in a good position to palm them off. If you haven't the ability or the confidence to palm out four cards, you might hide them behind a handkerchief or card box, and drop the deck face-up on them to add the Aces. You can always keep them on top if you'd rather false-shuffle them yourself. The main feature, of course, is the fact that the audience does a trick with its own shuffled deck, and that you are able to direct the course of the Aces while the deck is in the other fellow's hands! Here's something that might interest you—-or you. I was trying to make a customer forget his reason for not buying a certain suit—by befuddling him with card tricks! He had selected a card from the deck, and I asked him to call my wife on the 'phone for the name of the card. He exclaimed, "Oh, I know that one! If I ask for Mrs. Jones, it's an Ace; Page 10

If I ask for Mrs. Smith, it's a King; each card is designated by the name I ask for." I explained that I knew nothing of that method. In this particular case, I went on, he still held his selected card face-down in his hand, so I had no means of knowing the card or telling him what name to announce. He could ask for the lady in any manner he wished, using any terms or grammar he desired, for I didn't want him to feel that she would know his card by the manner in which he spoke. I convinced him that everything was fair, and he proceeded to call. He tried, as he cynically thought, to give her no sign or information by his manner and conversation. But when she named the card, he was sort of stopped . . . for a moment, and then he suddenly became smart. Ask-

Chambers' Ghost Tube by LLOYD CHAMBERS

Effect: A red-enameled tube is shown to be apparently empty, ends capped per usual methods, and large silk production ensues. After production, the tube is shown from BOTH ENDS!! A spectator is asked to cap the ends with papers a second time, after making sure the tube is empty. Magician again produces a load of silks, etc.

Method: The new tube is similar to the regular phantom tube except cone is made of a sheet of celluloid in a shape similar to Figure 1. After the production is made, the cone rolls out flat against the inner wall of the tube. Celluloid is painted a dead black to match the inner wall of the tube. In loading the silks, be sure to slip off the rubber bands from the end of the celluloid cone after the silks have been stuffed into their places between the cone and the inner wall of the tube. After production is made you ask a spectator to quickly cap the tube again. This second load is via the old-time "drum-head" principle familiar to all magicians.

ing the lady to hold the wire, he turned to me, rather triumphantly, and said, "Now do it again!" With all the nonchalance I could master, I accepted his challenge. But my wife named the next card he took . . . and what's more, a third card! Well, three tests were enough to make him a believer! It's as simple as falling off a log-. The three cards are forced. The Mrs. knows what card I'll use first, second and third. I don't change the order, nor the cards. If I'm doing card stunts for the company at home, I merely have a card selected and have the selector go into the kitchen where the wife is busy preparing sandwiches. And my guest is certainly surprised when the hostess looks up from a heteregenous collection of gastronomic specialties (howzat?) and softly coos "The three of clubs." Using the same idea, suppose your three cards are the eight of clubs, the three of hearts, and the king of spades. Let's discard the last one. Have a card selected (force the three of hearts) and get it into an eighth from-the-top position, using your own method. Now false shuffle the deck, if you like, and then ask the spectator to ask your wife to think of a number—any number. According to the order of the cards, so run the numbers, and she thinks of the number 8. Now the spectator is told to ask her the name of the 8th card in the deck, and she announces the 3 of Hearts! Apropos of the foregoing, here are a couple of easy ways to get the card into the 8th (or what have you) position. You may have a short card eig-hth from the top. Force your card from below the short card; close up the deck; riffle to the short card and have the card replaced just above the short card. The selected card is now 8th from the top. Also, you could start with the card-to-beforced in the eighth position, force it from there, and then have it replaced in the same spot from where it was taken. You probably won't fool magicians with this piece of business, but the average layman will go for it like a ton of bricks. Incidentally, your stooge doesn't necessarily have to be your wife; there's no law that says you have to marry your assistant . . . but it's fun! By the way, don't overlook the two-handed Herman Pass when you do color changes with cards. It's an effective, practical method of changing the face card of a deck. If you've never tried it, investigate . . . and if you have . . . why don't you keep on using it? GENII

THE L W. MASTER POKER DEAL

Chicago Notes by GEORGE TROSETH 618 N. Austin Blvd., Oak Park, III.

by WRIGHT and LARSEN

This requires some skill, and a forceful presentation which emphasizes the remarkable nature of the experienced, but can be built into a surprising demonstration. The performer shuffles the deck as he comments on the possibility of dealing any variety of poker hand. Two spectators are requested to come forward to assist, and they stand at either side of a small table, behind which the performer stands. "There are a great many possible poker hands," says the magician. "One may have one pair. One may have two pair. That is beaten by three of a kind, which yields to a straig'ht or a flush. These will be beaten by a full house, and that will yield to four of a kind, while a straightflush can be beaten only by another and higher straight flush. I am going to ask that you decide upon one of these varieties of hands. I give you freedom of choice." Let us suppose that two pair is decided upon. "Two pair? Very well. I am going to give the deck a cut, and deal out four poker hands. Watch closely." The four hands are dealt around in regular fashion. Then the spectators are invited to turn them up, beginning with the hand at the left of the performer. This holds two pair, threes and fours. The next hand also holds two pair, but beats the first, it having sevens and eights. The third hand is still stronger, with nines and queens, and the performer's hand beats, still with two pair, but the highest possible—aces and kings. The result is the same in the experiment, no matter what type of hand is requested. All four hands are of that type, each stronger than the last, if they are turned up consecutively, and the performer always holding the winning hand. The deck is stacked in the following arrangement, reading from the top down: 2C-4D-8C-10H-6C-5D-JCJH - 4C - 8D-QC-KH-5C-6D-10C-QH3C - 7D - 9C - AH-3H-7H-9H-AC-4S8S - QD-KC-3S-7C-9D-AD-3D-7S-9SAS-4H-8H-QS-KS and the rest of the cards in any order. The performer must be master of two sleights: the false shuffle, and the riffle count. As he asks that the two volunteers decide upon a type of hand, the perSeptember, 1939

Obeying the urge to "go west" PAUL STUDHAM is vacationing in former holds the deck between both California . . . BOB RIPA, juggler is hands, and silently riffle counts the followed in the Empire Room, Palmer cards off in sets of four, holding House, by CARDINI, who opens his return engagement in a blaze of debreaks between each set. If either straight or flush is sug- served publicity . . . pleased to report gested as the hand, the performer that BILL SALISBURY is back in agrees to it, and declares that he circulation after his accident . . . will do something more difficult—the another friend and popular fellow, will deal a straight flush. The deck EARL ADCOCK is in the Presbyis dealt from as stacked to produce terian Hospital, where he is being treated for ulcers . . . TOMMY MARthis hand. TIN played State-Lake Theater week If one pair is requested, the per- of Aug. 11th . . . when I caught him former cuts four cards to the bot- he was the only act to stop the show ton and deals. If two pair, he cuts . . . comes mail from HAROLD eight cards to the bottom. To deal STERLING, one of the newer dealers, three of a kind all around, twelve cards must be cut to the bottom. To Hi! HAROLD . . . also a letter from deal four of a kind, sixteen cards AL SAAL, who is actively engaged in must be cut to the bottom, and to forming an I.B.M. Ring in Toledo . . . deal full houses, twenty cards must AL has been working club and conbe cut from top to bottom before the vention dates in Detroit; he does a deal. As the performer has riffle beautiful magic act—a treat to becounted off the cards in sets of four hold . . . the ED RENO Testimonial while waiting, he can instantly cut Gathering in Kankakee, 111., on Oct. at the proper break to shift the 28-29 bids fair to be a hum dinger of requisite number of cards, and so a party . . . what prominent magicianinstantly deal four hands of the dealer-columnist once presented his small nephews with tiny white rabtype required. bits for Easter . . . asked later how Should it seem weak to the magi- they enjoyed playing with them and cian that all shuffling- and cutting the brats said they didn't care much must be done by himself, he can neu- for the bunnies but they liked to play tralize this difficulty by calling at- with their beads. tention to it. Beginning by fanning out the pack, which appears well mixes, he declares that a gambler would be able to set up any type of hand he might wish, with a single shuffle and cut. The feat is then made one of apparent skill, but one It is sad to record that our good requiring much less actual skill than friend George Barth passed away the apparent. In particular, this form Wednesday, August 23rd. He was of presentation offers excuse if it is sixty-two years of age. Mr. Barth noticeable that something is not quite was the Vice President of the Santa orthodox about the performer's shufCruz Magic Club and was always fle. active in its magical and social activiAs a contrast to this presentation, ties. Many of the meetings were held it is very impressive to have the cards at his home. I am writing- these lines shuffled first by several spectators, on Saturday, Aug. 26th and Allen and then switch decks. The magician Dudley, of Santa Cruz, informs me must decide upon that form of presen- that there was a meeting scheduled tation best suited to the conditions for Mr. Barth's home this very night under which he performs. and that George had gone to considerable effort to work up some new tricks for the members. Also, he was already planning on attending the San IN THE NEXT ISSUE Diego convention next year. A new rope trick by Dr. Harlan Tarbell, The Santa Cruz club and magic Night Club Illusion by Jon Kirby, W m . Larsen's own presentation for The Pig Turns generally has suffered a great loss. Round, and Edw. Reese's psychic test with Our sole consolation is the feeling a newspaper which surpasses anything of the that even in death his kindly spirit kind we've ever seen. will continue to be felt. He has left behind a fine legacy of friendship.

In Memory

Page II

Repeat "CLIPPO" Routine

MAGIMINISTERS Conducted by ihe

REV. GORDON W. MATTICE by BERT DOUGLAS

In this version of "Clippo" the strip of paper is cut and restored several times, accompanied by a suitable patter plot, and at the finish the strip of paper is tossed out to the audience. Preparation: Prom the Want-Ad page of newspaper cut two single column strips, prepare one of the columns for the Clippo cutting, the other strip is unprepared. In the upper left vest pocket have fountain pen, fold the unprepared strip and place it under the clip of pen. The scissors is also placed in this pocket. Patter: When I was a little boy I heard about a trick where you take a strip of paper, like this, (1) you cut the paper through center and hold one piece at the finger tips of each hand, then placing the two pieces together, very neatly, you cut the paper once more, pronounce the magic words Snip-Snap-Snorum, and the paper becomes completely restored. Now I thought that was a wonderful trick, but, of course, I was just a little boy and I didn't know how it was done. Then one day a great magician came to our city, so after the show I went around to his dressing room, and I said: Mr. Magician, do you know a trick where you take a strip of paper like this, (2) you cut the paper through the center and hold one piece at the finger tips of each hand, then placing the two pieces together, very neatly, you cut the paper once more, pronounce the magic words SnipSnap-Snorum, and the paper becomes completely restored. And the great magician said, Why, yes, my little boy, I do know that trick, it is a very simple one, all you have to do is take a strip of paper, like this, (3) you cut the paper through the center and hold one piece at the finger tips of each hand, then placing the two pieces together, very neatly, you cut the paper once more, pronounce the magic words SnipSnap-Snorum, and the paper becomes completely restored. Next evening we had a party at our home, so instead of giving' my customary recitation I thought I would try the Great Paper Trek, so I took a strip of paper, like this, (4) I cut the paper through the center and held one piece at the finger tips of each hand, then placing the two pieces together, very neatly, Page 12

I cut the paper once more . . . . just like the great Magician had done . . . . but . . . . when I opened the paper . . . . it was still in two pieces. Well, you can just imagine how I felt, they all thought it was a great joke, and they laughed and laughed, then suddenly I realized what was wrong . . . . I forgot to say the magic words . . . . so I held the paper at my finger tips, pronounced the magic words Snip-Snap-Snorum, and the paper became completely restored. (Toss paper out to audience). Presentation: (1) Fold the paper through the center, remove scissors from vest pocket, cut the paper, and replace scissors in pocket. Hold half a strip in each hand, place two halves neatly together, remove scissors from pocket, cut the paper, and replace scissors in vest pocket again, then open out the paper and show restored. Note that scissors are removed from vest pocket and replaced again before and after every cut. (2) Repeat the above actions, but this time occasionally look upwards as if you were a small boy talking to the great Magician. (3) Repeat the actions, but put on a funny looking moustache to represent magician, and when working the trick look downwards as if performing for the boy and make a big show and fuss when working the trick, in fact, over-act and elaborate the actions. (4) In repeating the actions this time you really place the two pieces of paper back to back so that when they are cut with the scissors they fail to join and still remain in two pieces. After the cut, place scissors in vest pocket as usual, palm folded strip from pen clip, and hold in right hand. As you patter about the embarrassing position you were in, casually fold up the cut strip and exchange for whole strip, then reach into vest pocket, leave cut strip therein, and bring forth the scissors. Hold folded whole strip at finger tips of left hand, snip the scissors three times above the paper, pronouncing magic words, Snip-SnapSnorum, then allow paper to unfold and it is restored once more. Paper is then tossed out to audience for inspection.

30 Trafalgar St., Rochester, N. Y.

Picking up where we left off last month, I did get to see John Booth. He has been playing here for over five weeks as "magical master of ceremonies" at "The Breakers", a popular resort on Lake Ontario. I had a delightful back-stage talk with him. He is handsome and most cordial. He spoke appreciatively of his many minister friends. His act was well received and consisted of the billiard ball routine, the penetrating glass frame, water in glass suspension, and the vanishing bird cage— all of which he does to perfection and gets the most out of all of these. He changes his act each week. I got an autogi'aphed copy of his most recent "Forging Ahead in Magic" published by Kanter of Phila. I read it through in one sitting, as it grips one. This is not a book on tricks, but rather one on the profession dealing with such subjects as building the act, creating a setting, action on the satge, voice, personality, dress, how to get more applause, newspaper publicity, and radio and television opportunities for the magi. He suggests some excellent titles for talks on magic—"How Do the Magician's Tricks Work?", "How Did Magic Shape Early History?", "Can Anyone Be a Magician?", and "How Do You Become a Magician?". A few lines I noted—"To do tricks is but a minor concern. To do them entertainingly requires acting to surround the trick with your personality and so give it an aura of genuine human human interest." "My favorite audiences are those made up of college students, MINISTERS, and teachers. They are easy to fool yet they appreciate the finesse and psychology behind the working of a trick." I could devote much space to praising this book. My advice to everyone is to get it and see for himself what a helpful, practical, suggestive book John has given the magical world. I consider it well worth the three dollars. The July issue of "The Dragon" includes my request for names of ministers. I got several letters within a few days. Thanks, Vernon Lux for your boost! The June issue gives a helpful suggestion—i"To those of you who have the vanishing cane to silk effect—why not make it the vanishing- cane to rope? Same method. It would be a modern-day version of what Aaron did with his rod. Compare the rope with the writhing snake. GENII

OF TRICKS AND MEN

O

Being a Variety of Magical Ideas DR. E. G. ERVIN, of Kansas City, magical enthusiast and close friend of the late, beloved Dr. A. M. Wilson, suggests this:

Performer shows hands from all sides with fingers widely separated. Without recourse to body or sleeves, and no this nor that, upon bringing hands together a bill is seen to materialize in the apparently empty fingers, and no gimic to be disposed of afterwards. Now my apologies for infringing should the same idea have been made use of heretofore, but the old 'thumbcrotch' hold-out is responsible for the very deceptive production. And as the bill occupies so little space in comparison to a "coin" load, it is not essential that you be either a T. Nelson or a Tommy Martin for satisfactory results. To prepare, fold bill near center with one end one half inch short of the other. Pleat-fold from center in two half inch folds and roll bill tightly with "long" end upon outside. Place in thumb-crotch with this end against finger and thumb which prevents unrolling. Show hands both sides as with "coin" production, and bring left fingers to outside those of right. Under cover of these nip bill out between first and second fingers of right. Bill may be gripped at long end and produced instantaneously, or unrolled and materialized slowly as preferred. Your favorite "bill production" may be added if desired. And glancing through the notebooks of the late T. PAGE WRIGHT we come to the foliowing item:

New mental effect. Spectator shuffles deck. Glimpse bottom card and have him cut deck. Request that he take deck out of room, take card out from anywhere and replace it near center. This brings it near previously glimpsed card—which cut brought to center—and locate by fishing. FRITZ BRAUE, card expert and contributor, from whom we have had so many good things, says:

Most magicians know that if a key card is placed next to a chosen card, the pack may be given a casual overhand shuffle without separating the cards. Take a narrow card and coat its face either with roughing fluid or a coat of clear white shellac. You are now ready to perform wonders. Riffling the pack downwards will enable you always to bring the narrow card to the bottom by cutting-, the chosen September, 1939

card going to the top. Roughing the key card holds it to the card next below it through even a thorough overhand shuffle administered by a spectator. Experiment will provide the best method of handling. Next, from the pen of our facile helper, ORVILLE W. MEYER, of Denver, Colorado, we ''ave an improvement on Elmer Ransom's trick (made so famous by Ransom that he was called "Tho Man with the Pipes):

Since the clay pipes trick seems to be a favorite of yours and of many readers, you and Genii readers may be interested in the way I prepare the pipes before a date. No hazardous chemicals to carry in your bag or elsewhere, and when setting up for the show you are ready with this in much less time than it usually takes to "set up" for a trick. Here's how: Buy a supply of rubber balloons at the dime store. Stuff the bowls of the two pipes half full of cotton. Saturate the cotton in one thoroughly with the ammonia; the other with the acid. Pull a balloon over the bowl of the pipe—the mouth of the balloon comes around the stem. Stretch it on over stem so pipe is completely inside balloon. Tie balloon tightly with string—repeat with other pipe. All this is done long before the show, at home. As an extra precaution, wrap the two rubber-sealed pipes in newspaper and stick in your bag. When at the date it takes but a few seconds to snip off the balloons and remove the still saturated cotton. The pipes are ready—and in perfect condition. Try this just once and you'll forever discard "on the spot" preparation for this trick.

This issue of Genii puts one more candle on its birthday cake. Congratulations and all that sort of thing to everyone who has contributed to its success. The gossip going around down East about this magazine giving away its pages for advertising purposes evidently can't be true. And Genii hasn't a list of stockholders upon whom it can call for assessments when things get tough. HIGHLIGHTS of the month— The Magigals picnic. The Los Magicos meeting at Harry Usher's. The return of Len Gunn. One of those long letters from Caryl Fleming. Caroselli's Irish stories. Phil Dillinger's birthday party. Drinking champagne with the Mardonis between shows at the Biltmore. Bob Weill's return to Buffalo. A certain prominent West Coast Club cleaning up its membership roll. CAN you imagine this: When Carl Jones was elected Regional VicePresident of the S.A.M. he thanked them for the honor and then announced he was not a member and ineligible for office. SO, I am told, the technical S.A.M. without their usual formalities prescribed by their constitution inducted him to membership so the vote could still stand. HAVE you noticed Prank Chapman's sudden change of demeanor from that "holier-than-thou" preaching m some of his Genii articles to his newly discovered "Phantom" department. Oh, by the way, Chap, where is that book, "Card Stars of the U.S.A.?" WHAT prominent magician of Hollywood, who is famous for his mental mysteries, knocks them dead with reader backs in one hand and a one-way forcing deck in the other? And, mind you, I said mental mysteries. DID you know that— Professor Quimby has the bad habit of correcting- the English of his friends when in night clubs and cafes. Charlie Smith's preaching act was never done as well as it was the night of Bert Kalmar's party. Harold Lloyd is a champion bowler. Caryl Fleming brought back Albert Rhine's registration card and badg-e, and then asked him to quietly leave, or else. Dictated but not read. Page 13

GENII

JUNIORS

A PAGE FOR JUNIOR MAGICIANS (UNDER SIXTEEN YEARS OF AGE) Edited by BILLY LARSEN, Jr. 705 S. Hudson, Pasadena, California

EDITORIAL Well here we are back again with school almost ready to start in two more weeks. But we had a swell time this summer and went to the I.B.M. convention in Battle Creek and the P.C.A.M. convention in San Francisco. I met Chucky Koontz and Chappie Packard but I was away when the boys in Pasadena gave their show. Spencer Crilly said it was great and that they even had a couple of writeups in the paper and made some money. I saw a lot of magic but missed Marvin's act because I went with my father on the train and didn't get there in time. He had to try a case the first two days of the San Francisco convention. We also went to the Fair and it is swell but does not have much magic. Now that we have our page again write me your ideas and send them to me at the above address. Be seeing you next month.

WRINKLES by SPENCER CRILLY

A novelty torn and restored paper effect may be done with the papers printed to look like traffic tickets. Patter can be based on how traffic violator tore up his ticket and how you (performer) helped him out of a jam by restoring it for him.

JUNIOR GUILD SHOW SUCCESS by SPENCER CRILLY, Sec.

(Marvin A. Levy)

The nine act show entitled "An Evening of Fantasy" recently given by the Pasadena Jr. Magicians Guild turned out to be quite a success. The box office took in $18.60 as the auditorium was filled. The performers in the order of their acts were: Spencer Crilly (M.C.), Sandy Callow, Tom Pringle, Bill Sanborn, David Rubesamne, Sheldon Atterbury, Jack Forbes and Ed Taylor.

1800 W . 4lsr Place, Los Angeles, California

MARVIN LEVY WINS TROPHY Marvin Levy, age 14, of Los Angeles, won the trophy donated by Jim Sherman for the best act by a junior magician at the P.C.A.M. Convention. Not only did he win the award, but he had a column write up and a two column picture in the Sunday Times, July SOth. Marvin has been under the tutorship of Ray Muse and has developed an act that would do credit to a magician of many years experience. Starting with nothing, he produces his own background and his props. Finally, he has an entire Arabian costume, tent and silks galore.

BOOK TEST Magician has spectator select a card from the deck and push it in the end of a book among the pages. He then writes down a prediction on a piece of paper and hands it to spectator. Upon opening the book the spectator finds that the prediction states the number of the page the card was on and the first word. SECRET: Magician forces card on spectator and has duplicate card on a cerain page at the top end of book. He has spectator place forced card in the lower end of book and secretly turns book over. He then writes memorized prediction of page and first word where duplicate card is hidden. When opening book he opens it at top where duplicate card is hidden. Page 14

A Clever Card Effect by Marvin

Marvin had already appeared before magicians in Reno and at San Jose. This year, however, is the first time he has presented a full act. His efforts, and those of his instructor, have been well rewarded and we are pleased that the trophy went to one so worthy.

The card effect which I am going to describe for you now is one that I am sure you will like, it is one which I have never seen done before. The effect is as follows: A deck of cards is borrowed, shuffled and one card selected in such a way that it appears impossible for you to ever locate it. As a matter of fact you know the card selected before the person who selected it does. The working of this effect is as follows: (Please do the following with a deck in your hand.) After borrowing the deck, thoroughly shuffled, you tell your audience you are going to count the cards to make sure that it is a full deck. (Now comes the hokum.) You then turn the cards face up and begin to count the cards on to the table one at a time. NOW when you come to, say the fifth card, you remember exactly what it is, do not stop counting, keep on until you have finished the deck. You know now that the fifth card from the top of the deck is the one you made a mental note of. Pick the cards up, turn them face down and with the same hand make four piles from the bottom of the deck, of about six or eight cards each. Now from the top of the deck take four cards and place one on top of each pile made. Pretend that this is of great importance to the success of the trick. (You know it is not.) You now hand the balance of the deck to a spectator and have him look at the top card. (Which of course is the one you have remembered.) After he has seen it, tell him to place it in the middle of the packet he holds in his hand, shuffle well and place on any of the piles on the table. (This is to make it appear more difficult.) Put all the cards together, after turning over the faced up four cards, shuffle again and again and you are now ready to reveal the selected card in your favorite manner. (Which of course is the card you have remembered.) Well, there it is. Good luck and let me know how it went over. Oh, yes, the effect described herein is purely fictitious and any similarity to other tricks living or dead is purely a coincidence. GENII

ier weight silk should be used. This is especially true with such effects as knot routines, 20th century, symby HAROLD RICE pathetic silks, etc., etc. Constant use will break down any material, regardfrom a limited space, we must first less of its nature. It is common sense Creating a Silk Act a way to increase the quantity of then to select a silk that is heavier There always comes in the life of a find our production. This can best be done when it is to be put to hard work. magician a desire to add a beautiful by selecting a silk that is of very It seems ridiculous, yet it is a fact silk act to his performance. However light weight. that the early 20th centuries always the result is usually a hasty purchase please note that I DID NOT had a dark blue silk which contained of a production box and a half dozen sayNow a sheer silk. There are very lig'ht silks. Sometime during his perform- weight silks on the market that are that "secret pocket." Thei'e was no reason for it being blue other than ance he introduces the box, shows that it hid the "in between silk" more same empty, and the production foleasily. What would have been a simlows. This briefly is the usual conpler remedy than to use a heavier ception of a silk act. It is with this weight silk? common error in mind that I attempt In conclusion then, we must rememherein to offer a more intelligent prober that there is a different weight cedure for those interested. silk for every need, and it is essential First, let us consider just what that the correct weight be selected. type of silk act is best suited for our I recommend a light weight silk for present act. This calls for a study of mammoth productions from a minithe leading dealers' catalogues. If we mum space, a medium weight silk are working a full evening show with where space is not a primary factor, flashy apparatus in the illusion class, and a heavy weight silk where hard the tiny "wonder box" or the "jap usage is given. A later discussion will box" are automatically ruled out. On give added information as to advanthe other hand, the club performer tages and disadvantages to different can use either of these pieces. My weight silks. first suggestion then is to select the correct style apparatus for your particular type of show. HAROLD RICE Next, and perhaps the most important, is the creation of a routine; Tribute to Greatest Writer a series of effects. For the successful opaque in every respect and equal Magicians from six Eastern states performer, an original presentation to a heavier silk. In a recent article turned out in force last month in or variation MUST be created. When in the GENII I noted that the author New York to stage a Centennial celeit is possible to write a book on the recommended the cheap "China bration of the birth of Professor use of one piece of apparatus such Town" silk for his effect. I wish to Hoffman who first saw the light of as the "jap box," surely it is not caution against such purchases for day in England July 23rd, 1839. More such a task to create something just several reasons. First, this commer- than two hundred enthusiasts gatha little different with the wide offer- cial silk was NOT intended for mag- ered to pay tribute to the one who ings of apparatus in the magical field. ical uses, and therefore is not the has brought magic out of the darkCaryl Fleming- has originated a com- correct texture. Second, it is very thin ness into the light. plete act employing the "haunted and transparent, which, when proA large number of magicians apChimneys." Every item used in the duced, does not create the illusion of act is produced in some magical being a heavy weight material. Fur- peared on the program which was ther, its coloring is lost at any great sponsored by Dr. Jacob Daley. Al manner. Baker acted as Master of Ceremonies Once the routine has been tenta- distance. It will not stand constant and Jack Trepel, Parent Assembly. use, and a carefully selected LIGHT tively outlined, the silks to be used S.A.M., 1st Vice-President, handled are now selected. Until recently, a WEIGHT silk will outwear half dozen the reservations. Julien J. Proskauer of these cheaper silks. The only silk was a silk, and a performer was Chairman of the Arrangements never considered different types of difference between a light weight Committee which was composed of: silk and one of a heavier weight is silks for different needs. Anyone inWm. J. Arenholz, Elmer Applegit, terested in going into such a study in the thickness of the thread. There Al Baker, Edward W. Dart, Dr. Jacob will find it a most interesting sub- should be the same thread count per Daley, Wallace B. Greene, Max ject. During the last two years of square inch in a light weight silk Holden, Theo Hardeen, Royal V. my university training I made an as there is in a heavy silk. The big Heath, Jean Hugard, Nate Leipzig, intensive study of silks, selecting difference then between a good light Sam Margules, Sigurd Nathan, Julien those that I considered best for weight magical silk and an inferior J. Proskauer, Elmer P. Ransom, Fred magical use. I was quite surprised commercial silk as described above is N. Rothenberg, Jack Trepel. with my findings, and possibly at a the number of threads per square later date I will find it convenient to inch. Hold a silk to the light and see list some of my findings in a future how closely the threads are woven. article. At the present we will con- This is the best test in selecting a tent ourselves by referring to three suitable silk. And oddly enough, the Magicians, as well as others, would distinct types of silk, namely—light, silk that has MORE THREADS per do well to keep this classic thought square inch takes no more space (IF medium and heavy weight. AS MUCH) than the commercial in mind: the known enmity of an honest man is far more valuable than the When the main objective in a silk grade. professed friendship of the one who act is to astound our audience by a most unbelievable production of silk When space is not essential, a heav- is insincere.

SILK SECRETS

Hoffman Centennial

Adage

September, 1939

Page 15

From Wisconsin by WALTER THE MAGICIAN 63 Sterling Street Oshkosh, Wisconsin

The summer is going fast almost before we know it, the fall season will be in full swing. Magicians all over the country will be arranging and rearranging their programs for the coming season which we all hope will be a profitable one for all of us. Another success was scored by Frank W. Carter and his one-man Mid-Summer Magic Convention at Eagle River. Nearly a hundred were present for the two days. Eugene Bunstein, President of the S. A. M., acted as Master of Ceremonies for the Sunday afternoon show and he certainly is a past master. Saturday, which was Stunt Night, lasted into the small hours of the morning. You should have seen Prank Marshall, Eugene Bunstein, Doc Finkle and myself about 4 o'clock in front of the hotel cleaning the teeth of a dummy that Frank Marshall was carrying. The hit of the show was Dave Coleman, Dr. Hokum, a swell act and a dandy fellow, the first time I ever had the pleasure of meeting him. John Snyder was kept busy with his camera all afternoon, you will probably find some of the shots that he took in the Linking Ring. Irving the Magician presented a wonderful show of oldtime effects and it just goes to show regardless of how old the effect is, if it is executed by a real magician, it goes over big. Carter writes me that the public in Eagle River are still talking about the wonderful show. I haven't got the space to give you the names of all those in attendance so I don't want any of you to feel that you were missed. I enjoyed myself immensely, I am only sorry that I could not remain for the performance Sunday evening but it was necessary for me to appear at a Pageant in Omro, Wisconsin, a distance of about 200 miles from Eagle River. I was very fortunate in arriving there without any delay. Jack Curtis reports that he caught the act of Willie Dee & Company at Manitowoe, he appeared at a local theatre with Sunkist Varieties, a unit show. He is a young chap and did a nice routine with cards, cigarettes and a few of the oldtime tricks, his act was well received. Everything is going along nicely for the Houdini Club Convention which is going to be held at Kenosha this year October 14th and 15th. Mike Zens, Vice-President of the organization, is General Chairman and he is making elaborate plans. I have read Page 16

a review of the plans so far and I am sure it will exceed the Convention at Oshkosh last year, which I might say is something because we all wondered if that Convention could be equaled. As Kenosha is not far distant from Chicago we expect to have a great many of the dealers present. Dr. Feasler, one of our members, is back again after a visit of a month in California. He attended the Pacific Coast Convention. Some of the boys are making plans to attend Percy Abbott's Get - to - gether in Michigan in September.

Max and Skully

Max Terhune and Skuliy

Skully: Judge Fricke said to me, "Skully, take your choice—10 days or S10.00." Max: What did you say to that? Skully: By cracky, Judge, I'll take the money. Max: I've taken you over all the rough spots of life, haven't I, Skully? Skully: I'll swear you never missed any. Max: How about our last trip. You worked steady, didn't you? Skully: Steady is right. Twentyfour hours a day and hurry back. Max: Maybe I worked you hard but nobody can say that I don't pay my help. Skully: Why you don't even pay attention. Max: Skully, here is a riddle. What kind of a Gunn do you thing our friend L. O. is? Skully: By the size of the plate he had at Harry Usher's party the other night I'd swear he is a muzzle loader. Max: How about Bob King's Tiny? Skully: He's o. k., but too little. Why, he's just a splinter. Max: Don't call anybody a splinter, you Knot-head! Skully: Don't call ME a knot-head. I'm not a Knot-head! Max: Oh, yeah? Why knot? Skully: Well, if you can't figure it out ask Dr. Trask of Pasadena.

ANTER'S OMMENTS The Annual I.B.M. Magicians' Picnic at Lancaster, Pa., was a huge success. Twelve fine acts. Among the highlights was LuBrent's presentation of his Torn and Restored Magazine Covers. Glad to say I am the one responsible for the annual picnic as I suggested to Ned Frailey three years ago to make it a yearly event and pay all the performers, which is being done. The I.B.M. has been requested to repeat next year by the management of the Park. George La Follette opens in Baltimore with a full evening's show on August 14th. Gali Gali is at the famous Rainbow Room in New York City, while Gili Gili is at the World's Fair. Carl Rosini and Albenice are at the Ripley Odditorium in New York City in the Magic Room presenting five of the best illusions including "The Headless Woman." Louis Zingone is featured in another short showing card effects. CarlLyle from the West Coast is playing spots in town. Clever chap. Chandu, the Magician, will broadcast three days a week over Station WIP, beginning Sept. 11th. Paul Fleming and family sailed on a twenty-five day cruise to the West Indies. Mr. and Mrs. Edward M. I. Ward also left on a tour thru Canada. Cards and letters arriving from the boys who are at the summer resorts announcing that they will be back soon as Labor Day closes the season. Rev. John Bieri entertained the Lepers at the Government Hospital in Carville, La.; this is the only hospital of its kind in this country. David Lustig (La Vellma) has issued a practical book entitled "Entertaining With Ventriloquism." Some of the out-of-towners who dropped in during the month were: Mai B. Lippincott from Lexington, Va.; Emmet E. Barbee from Oklahoma City; my good friends, Mr. and Mrs. Coke Cecil from High Point, N. C; Tom Johnston from Ohio; and that grand fellow, J. Gambling, from London, Eng., who in his younger days appeared as "Signor Gambliano." He is here on a vacation and also to visit his son who is one of the ace announcers on the staff of W.O.R. "THEY ALL MEET AT RANTER'S." GENII

PACING THE LADIES . . . by GERALDINE CONRAD

Coastess to Coastess by MARIE THERESE KAUFMAN

Hands Across the Continent, girls! San Francisco Knows How, and so do the Ladies! And Southern California knows the ropes, with and without gimmicks. The first big trick was the way Elsie Dethlefsen and her Committee got the whole Cliff House to be appropriated for the Ladies' Luncheon. How did she do it? Then Mrs. Muir's trick of wearing a smile when Jimmie dove in head first, Palm Beach suit, wrist watch and all. How did she do it ? And how did Gerrie Conrad fool the Opera House stage hands by including scene-shifting in her act? How did they all? Why just by being the Misses of Miss-Direction, and never missing a trick. And then in Los Angeles, did they rest up after the Big Convention? Not these girls. Just one party after another, with open house between times . . . thanks to Carolyn Trask, Jenny Thayer, F'rances Usher, Theresa Leon, Jessie Kalmar, Maude Terhune, Sue Morris, and Gerrie herself. By what magic can they keep their homes running and still have time for so much fun? Maybe the East Coastesses know the secret, too; but if so, we won't expose. Maybe some of you'll come and sample the sleight-o'-pantry we put over here among the Parent Assembly grass widows of the World of Tomorrow. Here, too, the Production Bowl is bottomless and the Miracle Bar floweth over, at Mary Trepel's, Eda Rullman's, Blanche Nathan's, Tess Homer's, Bessie Allen's, Nina Guest's, Edith Quimby's, Beatrice Lukins', and many other hideouts of Manhattan. Here, too, we know how to gasp in wonder at each lou—, I mean, each marvelous act; and here, too, we never mix in politics, nor breathe a word of scandal or gossip. What never? Well, hardly ever! But even if we've learnt to keep MUM, and smile and be amazed even if we've learned to empty closets and bureaus to make room for more junk that's the B'est Ever, we've plenty still to learn from the P a c i f i c Coastesses. With you the miracle is that you forever enjoy it, never get enough of it; you know your stuff, get endless fun out of it, and give endless fun to your guests. What's your secret ? Is it the climate ? Or is it that the California peaches, overSeptember, 1939

flowing San Bernardino Valley and the studios, blossom again and spread out everywhere from Santa Monica to Pasadena, through a wizardry of your own? The answer, of course, is MAGIGALS, the brand unique to Southern California; long may you live and laugh and fool your husbands. But some day, come and see us in wicked ole New York; we, too, have something up our sleeves. "Eet ees a raid card; eet ees a peecture card, eet ees ze Ace of Cloobs."

Bagdette This has been a very interesting month. Bill had to go up to San Francisco on a case again so I took the boys and we really did the Fair. And most important, I went on record as being the first woman magician to ever do magic over television. It was a big thrill and they said it went over grand. In fact I entertained the crowd afterward with card tricks and could hardly get away. Ah, this magic business is fun! Just think, we are starting our fourth year with Genii. Remember, I am depending upon you women to take an active part in this page and at this time, wish to thank all those who have supported me so wonderfully this past year. Our Ladies Page is an established part of Genii and we would like to have you represented there. Word reaches me that Patricia Proskauer, daughter of Mr. and Mrs. Julien Broskauer, is engaged to be married to Arthur Gottesman, of Atlanta, Georgia. The bride-to-be was graduated from Froebel League, a professional teaching college, and her affianced received some publicity in the Ripley "Believe It or Not" column some years ago as a "boy genius." He completed his high school course at ten years of age and received his Bachelor of Arts Degree from Oglethorpe University of Atlanta at the age of fourteen, the youngest student ever having graduated from a major American college. We wish them much happiness. I missed the housewarming party of the Howard Gerlach's as we were out of town, but I understand everyone enjoyed themselves immensely while admiring the new home and the recreation room built especially for magicians.

Recipe of the Month by JOHN WHEELER

Genii Brown Derby Special Ingredients. 2 1b. ground round steak (ground again with a little suet) 2 eggs 1 pint of milk. Mix the steak with the pint of milk. Add the beaten eggs and make into patties. Fry. Ingredients of sauce. 1 large bottle catsup 1 tablespoon Worcestershire sauce 1 tablespoon A. 1 sauce 1 dash of tobasco sauce % teaspoon mustard. 2 or 3 dashes nutmeg. Put in pan after the fried meat and bring to a boil. The Trick To It. On the plate have two or three patties of meat with the sauce over them—a baked potato and gobs of fried onions. It looks good—it tastes good—IT IS GOOD!

Magigcds Picnic Magigals entertained about eighty of their members, families and friends at a picnic held at North Hollywood Park on Sunday, August 13th. A grand social get-to-gether plus lots of good food and a dash of magic made it an affair long to be remembered. One of the highspots was a beautiful cake which Mrs. Houdini had made for the occasion. It was decorated with the name "Magigals" and a large rabbit coming out of a big black hat. It not only looked good but tasted good and "disappeared" very rapidly. Mrs. Houdini also brought three beautiful gifts which were auctioned off to the highest bidder. Clayton Mardoni was the auctioneer. Dr. Morgan got the first, Dr. Lozier the second and though Mardoni tried to stop her, Louise Mardoni kept bidding and finally won the third. It was nearly dark before the picnic broke up and all agreed that it had been another outstanding achievement for Magigals. Page 17

MAGIC OF THE EAST by MAX HOLDEN

Jesse Mueller and Tom Dethlefsen in New York from Frisco and a party thrown them at the Picadilly Hotel. Sorry that I missed the party. Anyway the boys left with some card tricks to think over. Jesse Mueller working the 5 card trick, where five cards were selected and each person writing the name of his card on a slip and all slips collected. The five cards themselves sealed in an envelope—a slip was chosen and the card named and strange to say that card was found under a hat and on opening the envelope the card naturally missing. This trick had some of the boys thinking until someone remembered it being in one of Buckleys boows—one of those clever card tricks that has been passed over by many.

P.CA^M. MUTTERINGS by BOB WEILL Who Is Just a Mutter at Heart

The East Indian Fakir at the Golden Gate Midway Show doing a magical pitch, and the expression on his shill's face when she saw magician's badges on five of us in the front row . . . . That empty feeling when first driving up the Frisco hills in a taxi to the Fairmont Caryl Fleming kicking me right square in the Royal Francis for a greeting . . . . Caroselli deciding to move to California The bony knees on the Headless Woman at the Fair Charlie Smith telling me how to force a card while he was seeing two decks in his hand Jimmie Muir's trumpet Hubert Brill and his 75c breakfast of coffee and toast at the Fairmont. . Jimmie Muir falling in the Fairmont Pool with his clothes on

THE LITTLE MAGIC MAN

Bert Kalmar and his repertoire of old time vaudevillian's mowoffs. . . . Lloyd Jones trying to work one trick perfectly Horace Marshall and the 4 new tires he had to buy after the others blew out in the desert Bert Allerton and myself baffling the devil out of the big shot gambler at the Hollywood Knickerbocker Bar. Marie Kauffman trying to marry me off to a French gal The Asrah that seemingly never was going to vanish Ernesti showing me how to work the Egg Bag The gal in 109 The Mexican Cocktails with the cute parasols The swell people at PCAM The grand time I had The resolution to be on hand at San Diego next year by Al-Fagaly

In the Jinx No. 56 Anneman describes the Hindu shuffle very completely. This is worth a lot of money to a card man—still I bet that many don't know it is there—so if you do cards better look up Buckleys Book published by Fitzkee and the Jinx No. 56 and you will thank me. Tom Dethlefsen tells me that the Convention in California showed a profit of two thousand dollars. That means that some of the boys did an awful lot of work there and someone is a genius in direction and knows how to make magic pay. Cardini building a summer home in the Catskills and leaving- for Chicago to open at the Palmer House. The newest member of the Cardini family doing well and now one month old. Mrs. Holden pulled a fast one on me by digging up a photo of me when I was sweet seventeen, and which appeared in last month's "GENII". One of the boys on being asked who it was came across with "Why that's young- Billy Holden." Billy is my son who is now at the same age of seventeen and about to go to college this fall, but not interested in magic. Reports from England that Horace Goldin will present his "Sawing a Woman" for television—rather a difficult feat for television but Horace can do it. Page 18

GEN I

Programmes of Famous Magicians CARTER, THE GREAT

Dr. Bridges, Owner of World's Largest Magic Book Collection, Dies

Dr. Milton A. Bridges, who accumulated almost four thousand books, magazines and manuscripts of magic, died in New York on August 9 at the (h) LEVITATION (Aga). This is age of forty-five. "delicious" as printed in the proFor many years a member of the gram : Society of American Magicians, Dr. "The Ne Plus Ultra of the Magic Bridges' interest in magic started Art, Exemplifying the Brahmin's when he was fourteen years old while Theory of Suspended Animation, he was at the Horace Mann School in Representing Fifteen Years of Ab- New York. His interest in magic dates struse Thought, Diligent Research, from the day that he first answered and Prof (und Study with the Yogi an advertisement in the then lurid Fakirs and Mahatmas of East India." This was preceded by "The F'loating "Police Gazette," which offered to all those who would send ten cents "a Table." great catalogue of magic showing and Part Two explaining thousands of tricks, puz(a) The Mysteries of the Yogi: zles and novelties." Through his early The Davenport youth and while a student at Columbia Cabinet; bell from which he received the r i n g i n g "and College degrees of B.S. and M.D., Dr. Bridges such" concluded collected manuscripts and books, alwith THE though at the same time he did not GLASS LINED neglect to practice various magical TRUNK. effects. (b) CORINNE As time went on and Dr. Bridges CARTER . . . rose to be Assistant Professor of mind reading Medicine in the New York Post-Gradroutine. (c) A Night in uate Medical School and Hospital, his China. Chinese purchases of old magic magazines, books and manuscripts, continued to costume. 1. Vanish of keep pace with his rapidly growing small bowl from income, until only ten years ago, he insured his magical book collection a shawl. 2. P r o d u c - for $25,000. At the time of his death, Dr. Bridtion of a large bowl of water ges was director of medicine at the "weighing 116 Department of Correction Hospitals, pounds." the branch of the city medical service 3. "GOBLETS" having to do with penitentiaries. Dr. says my notes. Bridges was said to have treated the What it was I largest number of convicts of any do not recall. visiting physician. He helped to re(d) The Magi- habilitate many former convicts whom cal Divorce: Vanish of woman in a flash of fire from a swing. Reap- he treated without charge after their pears from the center of TRIPLE discharge from the various city penitentiaries. TRUNKS. Dr. Bridges wrote "Dietetics for (e) FLYTO: Using vertical barred "cage." Usual hoisting from the flies. the Clinician" and "Analysis of Foods Part Three and Beverages," and lectured freTHE LION'S BRIDE: "Days of the great Moguls on the banks of the quently on various aspects of metaboRiver Jumba in India. Carter im- lism. He belonged to the Sons of the personates a mystic Prince of the Revolution, the Society of Colonial Rosy Cross. The action of the story Wars, the Union League Club, Zeta depicts the adroitness of the illusion." (The lion did have to be prodded into Psi fraternity and was a past master of Kane Masonic Lodge. motion. He wanted to sleep!) Nevertheless, a marvelous show. The funeral was held August 22 in the St. James Protestant Episcopal Church. Scores of magicians from the EDITOR'S NOTE: Perhaps some of my yearning for "bigger magic" has been Eastern states were present, including inspired by this reminiscent article by my good friend Dr. Stone. I can only say a large delegation from the Parent Assembly S.A.M. "There were giants in those days." by DR. R. V. STONE

HE week beginning September T 14, 1919 brought a treat to the magic minded of Oakland, California. Ye Liberty Play-House beginning that Sunday was taken over by Carter, the Magician, assisted by Corinne Carter, "The Psychic Marvel of the Century." Matinees were held on Wednesday, Friday and Saturday. The Friday Matinee was for "Ladieb Only." Much fortune telling or question answering was for the ears of the feminine only. Carter's lion was sometimes referred to as "moth eaten" but in spite of that the "LION'S BRIDE" ended the s h o w with effectiveness. Twenty years have passed, and my p e n c i l e d notes have here and there become smudged through antiquity. Howe v e r m o s t of them can be interpreted; the programmed title with the actual trick it represented is given herewith. It is practically correct in details. Part One (a) Rapid Transit: Handkerchief decanters. Silk shot from one into the other. Visible transition. (b) Metamorphosis; A guinea-pigis changed into bouquet of flowers. (c) The Aerial Cards; Rising cards, to you. (d) The Mystic Target; Top of hat becomes the "target" for cards. Just before the card tricks, Carter presented, neatly, a variety of card shuffles and flourishes. Unprogrammed: Flowers from an empty paper cone. (e) The Astral Hand; Rapping hand. (f) The enchanted rings; linking rings. (g) The Inexhaustive Bottle; Nuff sed. And a nest of boxes. September, 1939

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P.C.A.M.-I.A.M. Official Bulletins Appointments by the President for the Year 1939-40

EXPOSE & ETHICS COMMITTEE Hubert Brill—Chairman—Los Ang-eles, Calif. Chester Morris—Beverly Hills, Calif. Bert Kalmar—Encino, Calif. L. 0. Gurm—Los Angeles, Calif. Norval Hazelip—San Diego, Calif. Ralph De Shong—Wichita Falls, Texas. Lloyd E. Jones—Oakland, Calif. Arthur C. Heinsen—San Jose, Calif. Dariel Fitzkee—San Francisco, Calif. James T. Stoppard—Portland, Ore. Dr. C. W. Talbot—Spokane, Wash. Charles N. Smith—Seattle, Wash. Wm. Harkness—Victoria, B. C, Canada. Caryl S. Fleming—Executive Director—Beverly Hills, Calif.

INTERNATIONAL MAGIC DAY COMMITTEE L. 0. Gunn—General Chairman— Los Angeles, Calif. Fred A. Kapp, Jr.—Pasadena, Calif. Dr. Victor Trask—Pasadena, Calif. C. W. Fait—San Diego, Calif. Jesse A. Mueller—San Francisco, Calif. R. S. Glover—Oakland, Calif. D. W. Kelley— Portland, Ore. Ralph De Shong—Wichita Falls, Texas. David M. Mishel—El Paso, Texas. Frank R. Joy—Seattle, Wash. E. Vaughn Klein—Spokane, Wash. Wm. Harkness, Victoria, B. C, Canada. All members listed above are earnBe it known that the P.C.A.M.- estly requested to serve in helping I.A.M. has already put into work an to make INTERNATIONAL MAGIC intensive campaign to combat ex- DAY 1939—the period around Halposures and plans are already for- lowe'en—October 31st, a memorable mulated and started in many direc- and happy one for those unfortunates tions never before attempted. It is confined in hospitals, orphanages and our desire to make the stand of ma- other charitable institutions of estabgicians fully and clearly known by lished record by arranging and preand in all possible mediums of pos- senting free shows of magic whersible exposure and the sincere dili- ever possible. gent cooperation of all members of All P.C.A.M.-I.A.M. members are the committee and all members of the asked to volunteer and to contact the P.C.A.M.-I.A.M. is earnestly re- eommitteeman in their vicinity that quested. he may know and avail himself of Our foreign affiliate clubs and mem- their services in this monumental bers under the I.A.M. are likewise goodwill enterprise. invited and requested to participate The General Chairman stands ready that this work may be general for and willing to assist the members the general good of magic and ma- of the committee with information gicians everywhere. and advice at all times. Those desirIt gives me great pleasure to an- ing information of any sort will nounce that similar committees in kindly address their inquiries direct. both the S.A.M., under the chairmanAlready several institutions have ships of I. I. Altman of New York been booked in the Los Angeles area City, and the I. B. M. under the able and arrangements are now being perleadership of Frank L. Bunker of fected in Pasadena for the members Charlotte, N. C, are functioning ac- of the Pasadena Magicians Guild and tively and there now exists a com- Los Magicos to present a monster plete harmonious accord and a per- benefit in Pasadena's 4000 seat Civic sonal contact which guarantees suc- Auditorium. All income whatsoever cess in this endeavor such as it has will be turned over to the Pasadena never before known. Boys Foundation. Ticket sale is being I am happy to report that Chair- sponsored by the various Pasadena man Brill, Altman and Bunker are in service clubs, the Legion members constant contact and during the past and the Boy Scouts. month, through their efforts gratifyIt is hoped that magicians and ing results have been attained in the magical organizations all over the matter of three new motion pictures. country and in every country where Paramount, M.G.M., R.K.O., and the Hallowe'en is celebrated will do likeHays office have gone on record as- wise and repeat the grand success suring us of their complete coopera- the idea made last year and, if postion. sible exceed it. Caryl S. Fleming, Caryl S. Fleming, President P.C.A.M.-I.A.M. President, P.C.A.M.-I.A.M. Page 20

New York State Convention by ROY A. DOHS

The New York State Convention will be held in Binghamton, New York, Friday and Saturday, October 13th and 14th, sponsored by the "Triple Cities Conjurors Club." The following members of the club are in charge of the convention: J. Emery Kelley, General Chairman; Clyde Powell, President; Phillip Reister, Secretary; G. Henry Chamberlain, Advertising Director; J. R. (Musical Mac) McNair, Program Director and Roy A. Dohs, Publicity Director. The Triple Cities Conjurors Club has a membership of over thirty members, and plans for the coming convention have been under way since last October. Invitations have been mailed to over 1500 members of the I. B. M. and S. A. M. in the eastern states. Plans have been made to have a party the night before the convention in the Arlington Hotel, Binghamton, New York. Also, a large section has been reserved in the hotel for the Magic Dealers. The shows will be held on a fully equipped stage in the Spanish Ballroom at the Arlington Hotel, starting with the night before party on Thursday night. Registration Friday A. M.; with a big fourteen act show Friday night; at twelve o'clock Friday night a "Ghost Show" will be given by a very famous performer. Saturday at ten A. M. the N. Y. State Business meeting will be held; followed at one P. M. by another business meeting sponsored by Dr. Endlich, to form the Magicians Alliance of Eastern States. It is expected that several hundred magicians from other states will be at this meeting to affiliate themselves with this fine idea. At three P. M. a Magicians Only Show will be held; at six P. M. promptly in the Empire Room the Grand Banquet will be held; at eight o'clock sharp another fourteen act All Professional Show will be held; and at twelve midnight a grand farewell party will be held by all. Special arrangements have been made to see that the visitinf ladies are well entertained. Mrs. Clyde Powell will have charge of the Ladies Entertainment Committee and has planned many special events of interest for the ladies. The registration fee will be S2.50, which includes the banquet. It is suggested by the convention committee that those who are planning to attend the convention write for reservations and accommodations to Roy A. Dohs, Endwell, New York. GENII

A*M* Trophy Winners—San Francisco 1939

Top row, left to right: Caryl Fleming presenting first award for comedy to Jim Sherman; Ray Gamble presenting card trophy to Gerald Kaufmann; Frank Joy presenting his award to Clarence Slyter; Bert Kalmar giving special award to Jimmy Muir. Second row, left to right: Claude Housman receiving Houdini medal from Bill Harkness' Wm. Larsen awarding Page Wright trophy to Senor Maldc Wm. Alstrand receiving Reno award from Leaf McManus; Frank Joy receiving Oakland plaque from Claude Burke. Third row, left to right: Ralph DeShong receiving trophy from Caro Miller; Jesse Mueller giving award to Hickerson of Seattle; Jack Boshard receiving honorary chisel from Art Heinsen, Steve Sheppard accepting award from Harry Shaw. Bottom row, left to right: Japanese amateur magicians receiving Charles Larson trophy from C. S. Fleming; Tenkai and Okinu receiving Chester Morris award from Chester Morris; Mueller gives award to Ernest Jimmy and Eyster receiving Usher award from Harry Usher. Picture at the right of this page: Geraldine Conrad with the Los Magicos trophy. She really isn't trying to be exclusive, but the award of the trophy to her was the only picture that didn't turn out of all those taken. Hence, the picture shown here is one taken at a later date. September, 1939

INTERNATIONAL NEWS "™*°%*»***"Magichatter" by CEDRIC

(All correspondence to Cedric, 13, St. Peter's Avenue, London, E. 17.) Calling All Cards A grand innovation for English magicians is the fact that "The Stage" England's leading variety paper is to have a magician's page weekly with the latest magical news which we hope to garner from all over the world. It is something we have been wanting for a long time. The Great Levante is drawing packed houses again since his return from the United States and he always has a dressingroom full of magicians wherever he is playing. The fine reports given him in all the magical papers do not exaggerate the wonderful popularity of this fine man. One paper went so far as to say "Not a magician doing tricks . . . but a 'gentleman doing magician's tricks' " . . . which is indeed a fine praise. Sidney has broken into vaudeville this week at the Troxy, a huge cinema that holds four thousand people. His act comprises the production of cards, fans, and lighted cigarettes; but Sidney puts it over in a most refreshing style. . . . Little Lucille, the charming magicienne (the thousands of questions she asked me concerning Gerrie Larsen—whom she is so eager to personally meet) is now appearing in "Bandwagon," the show having a nice season's run at the London Palladium. Lucille is to be congratulated on appearing at this music hall . . . it being England's Number One variety house. She is also paying a return visit to Trocadero Cabaret in two weeks' time. She is on the way up and has gone a long way in months what it takes some magicians years, or even a lifetime. Good luck, Lucille! Erikson, another very fine young magician is having a good run at the Prince of Wales theatre. Opening with the production of billiard balls, he carries onto a bare hand production of silks, producing from these three goblets of wine. Erikson then continues with the Rice Bowls, presented in an oh-so-cute manner; a one minute routine with the cups and balls (this is a dandy), and finally the ever popular egg-on-fan. Erikson works in a wonderfully clean style, his deportment and elocution being- tops. He will go a long way and has worked hard, deserving all the success that is sure to fall upon him. The British Ring- has another innoPage 22

vation (they seem to lead in all worth while ideas over in England). They are to have an official tie with the I.B.M. badge upon it. This idea should be very poular and I'm sure other societies will follow example. And many thanks Caryl Fleming for that most superb collection of photographs that you sent me as a souvenir of my recent trip. Pictures of every act that appeared on the bills at Battle Creek will surely help to make my memories indeed more complete. And thanks again for the souvenir program of the recent West Coast convention . . . how it makes me wish I'd have been in attendance. Did you notice that error in Bagdette on Ladies' Page last month in Genii . . . Esme . . . daughter of Dante. . . . I wonder what Levante will say! The Demon Club is now preparing its winter program and they are lining up a fine number of acts for the opening show. The Club is also to publish a Magical Annual within a few weeks and I understand there is some good material to be released thei-ein. Eric Wilson has just released a fine comedy gag that should be popular in a large number of Magician's programs this coming season. It is a skit on the Indian Rope trick and produces plenty of laughs. Once again may I say I shall be pleased to receive any pictures of the Battle Creek Convention in return for which I'll send pictures of the British Party on the S.S. "Normandie." Happy memories, CEDRIC.

by JEHANGIR YOGI FEAT IN BOMBAY The feat of remaining underground in an air-proof pit for nine hours was accomplished by Shree Bhagwandasji of Muttra at Dadar, Bombay, on Friday the 9th June, 1939. The demonstration began in the compound of the Bhramin Sahayak Sangh at 10 a.m. The feat was witnessed by representatives of the press and radio. Before Bhagwandasji descended into the pit he was profusely garlanded by members of the Sangh. He then took a picture of Lord Krishna and after saying prayers, descended into the pit. The pit was four square feet in area and three feet in depth. Inside it was a deer skin. As soon as Bhagwandasji descended into it he was absorbed in meditation. Two men then covered him with earth up to the waist. A corrugated iron sheet was placed on top of the pit. More earth was then placed over and the edges were covered with cement so as to make the pit air-proof. Exactly at 7 p.m. in presence of a large and eager gathering, the pit was cleared. Bhagwandasji was seen seated inside, apparently in a trance. Within two minutes he shivered and he woke up with a smile. There was not a drop of perspiration on his face. The garland round his neck was as fresh as in the morning. He did not appear to be fatigued. The feat was reported in all the Bombay Newspapers and also the proceedings were recorded by the Bombay Station of All-India Radio.

The World Over

We must it ortr Mi*. These ore -Mr inJ J?o/>e Trick boys otkinf fo

CHARLES WALLER, of Australia, prolific contributor to the literature of magic, recently became a grandfather. Congratulations, and best wishes for the new arrival's health, long life and success . . . BRUNEL WHITE, editor of the magic section of London's World's Fair, informs us that our friend CANTU is in England. Hope he's accorded the success he so richly deserves. . . . WILL GOLDSTON'S Magical Quarterly is mighty pleasant reading and magicians who do not get it are missing much. A bathing girl illusion in the March issue is very cute. . . . And De VEGA'S Summertime Sorcery, a typescript affair, afforded the editor much reading pleasure and gave rise to a host of different workable ideas. We liked it. GENII

CLUB REPORTS Los Magicos Meeting by RUDY MILLER

The regular meeting of Los Magicos was held August 14, 1939, at the beautiful country estate of Harry Usher in the Pacific Palisades Hills overlooking the Pacific Ocean. After a short business session, the evening's entertainment took place. A beautiful wine set was offered by our host, Harry Usher, for the most entertaining act of the evening. Caryl Fleming, Harry Usher and the Great Leon were appointed judges. Harry Mendoza acted as M.C., and he did a wonderful job of it because he won the prize without doing an act. In other words, he was voted the most entertaining person of the evening. The following' members performed: James Conley, Dick Wilcox, Bert Allerton, Dr. Lozier, L. C. Gunn, Gerald Kosky, Bernard Gianinni, Hubert Brill, Bert Kalmar and Harry Mendoza in a fast mind reading act, Max Terhune and Paul LePaul, that marvelous manipulator of cards, closed the show. A real spaghetti feed was then served and what a feed! So the evening ended.

Pasadena Magicians' Guild WM. H. McGEE, JR., Secretary The regular meeting was held on August 8 at Phil Dillinger's home in Altadena. In honor of the host, whose birthday it was, there was a fine turn out of members and their ladies. The gardens were very attractively decorated with colored balloons and lights. Phil had set up his orchestra screen to serve as a background for the magic show. Dressed in a tightfitting checked suit of the "Gay Nineties" Phil acted as emcee, bringing- forth his assistant, Homer Hudson, from a chalk talk easel. Frank Stratton demonstrated his thimbles and golf balls and his new "Wrong Card" trick. Bill Larsen, assisted by Gerry, presented several old and new effects in small magic. As a finale he produced four live baby ducks from a box already shown empty. The box and September, 1939

ducks were presented to Phil as a birthday gift. Doc Culver showed a multiple color change with silks. Doc Trask presented his new version of the Chinese rice and water trick. Bill Hockey vanished a silk which later was produced from a firecracker in a silver tube. Gerry Larsen tore up a lot of colored paper to produce a lovely boquet of flowers. Next she revealed three cards with the able assistance of "OTTO THE DUCK." Paul Smith did a novel card trick with four packs of cards and three assistants from the audience. Bill McGee presented a reversed card revelation from a card fan. Bert Allerton, nee Gustavson, a guest of the evening, closed the show with his famous sponge balls and several startling mental effects with cards. Phil, who had meanwhile donned a chef's costume, called for everyone to "come and get 'em." "Em" being hot dogs right off his barbecue plate. With several of the ladies aiding Mrs. Dillinger everybody was soon munching hot dogs and drinking coffee. The climax of the evening was the bringing in the birthday cake. A table, covered with a white cloth, was brought in. Under the cloth was a huge green birthday cake complete with decorations and greetings and one candle. Carefully Homer Hudson lifted the cake, it was a shell and under it were several plates filled with various sorts of cake cut in large squares. Liberal quantities of ice cream were served with the cake. The Guild has had some great parties, but Phil's party must head the list. It was a grand success.

Spokane Mystic Club by E. V. KLEIN

The Spokane Mystic Club held its August meeting Tuesday night, in the rooms of the Aero Club. A large member attendance witnessed an excellent nine-act program under the direction of R. A. Hamblen. Those taking part in the program were: Q. Corey, Jack West, E. V. Klein, Lee Hoagland, R. A. Hamblen, Frank Dolke, C. W. Talbot, Vernon Sass, George W. Rasque. Some of the boys demonstrated late new effects, hits of recent conventions. Ashes were transferred into roses—taped blocks cut and restored —paper ball on fans became a live egg—handkerchiefs became magnetized and stood on end, knotted themselves and floated through the air— cards became miracles—red balls walked through ribbons—half dollars disappeared from naked hands—ropes were cut and restored whole. One of the outstanding numbers was Roland Hamblen with his card sword, a beautiful effect. President Talbot gave the high points of the P.C.A.M. Convention, and complimented its executive for its splendid success. Talbot brought back a lot of new effects which he promised to demonstrate some day. By special request Lee Hoagland gave his version of the "Sympathetic Silks." Zamlock will be here August 24, and an entertainment is being planned for him. A "ladies" night is being planned for September. The boys are all working hard to develop some new effects for each meeting and the renewed interest in our meetings is quite gratifying.

Val Nap Magic Circle The Val Nap Magic Circle is a new club which has applied for membership in the P.C.A.M. They meet at the various members homes on the second and fourth Thursday of each month. They got their name from a combination of Vallejo, Calif., and Napa, Calif., and their members are

divided between these two cities. The present officers are: President, Frank Morse; Vice-President, Ben Baylinson and Secretary-Treasurer, George McAthy. Though this is a small club it has big ideas and we'll be expecting big things from them. Page 23

Oakland Magic Circle by CLAUDE BURKE

Well, another P. C. A. M. Convention is a thing of the past, and it was so excellently covered in the review of the past issue that there is very little that this correspondent can add other than to second what has already been said by so many, that it was certainly a g-rand Convention. This column is supposed to be pointed at activities of the Oakland Magic Circle but we certainly have been resting since the Convention. Perhaps the shock of losing the best attendance placque was too much for us. At the August meeting the following newly elected officers were installed: President, R. S. Glover; VicePresident, Robert J. Stull; Secretary, Claude Burke; Treasurer, James H. Muir, and Sergeant-at-Arms, Harold Agnew. Somehow we think that's a fairly formidable array of guiding officers in spite of the fact that the presiding officer's w r i t i n g s are frowned on by the Genii, and the Vice-President is a dyed-in-the-wool S. A. Mer. We were happy to see present also our old member, Ken Arnold, who took a notion to drive 150 miles just to take in the meeting. Joseph Hernandez was unanimously elected to membership. The feature of the evening was a lecture delivered by retiring President Clarence Cain on dramatic art as applied to magic presentation. In it he carefully pointed out those little details that go to make the work of most professionals stand out over similar presentation by almost all amateurs. He also laid stress on what we all know but usually disregard, namely, being so interested in devising ingenious tricks that we forget about entertaining value completely. The best proof of the fact that Cain's stuff was good is the fact that the champion hecklers, Muir and Stull, (Ken Allen wasn't present), sat still and listened. The Bay area was fortunate in having for a short visit Paul Studham of Chicago. Paul is no stranger to most of us, having been at the Reno Convention, and his visit was indeed welcome and appreciated. And he showed us some magic that was magic. The guy is good. And he's smart, too. Smart enough to knock your hat off with some little gag that's simple as A B C that you're not suspecting. He's heading South from here. Look out for him, Bert Allerton, or he'll fool you at your own game. Page 24

For the ventriloquists at least the big thing of the month was the twoday appearance at the Golden Gate International Exposition of Edgar Bergen. Notice I don't say and Charlie McCarthy, not because Charlie wasn't there but because I agree with the thought expressed in the last issue of the Genii that it's high time we started giving Bergen some of the credit due him. Bergen knocked 'em cold. They p a c k e d the Rotunda, climbed up the light towers, and even the adjacent buildings. Any place they could get so that they might see and hear, for the seats were all gone an hour before show time. And it was well worth their while, for contrary to some predictions Bergen didn't do a five minute skit, but kept them howling for fully twenty minutes and then was forced to do two encore bits. Just in closing it might tell it all in a nutshell to say that Bergen broke the Fair's week day attendance records the two week days he appeared.

OH M W I 60SH.' C I SAID THE WRONG MAGIC WORD

" MS

Foibles in Fable by BOB WEILL One upon a time there was a magician who WAS as good as his publicity cracked him up to be . . . but it proved too much for the good fairies of Magic and so they swore never to let that happen again. . . .

West Coast Men Feted Mueller and Dethlefsen Entertained

New York magicians turned out in force to welcome Jesse A. Mueller, President of Golden Gate Assembly No. 2, S.A.M., of San Francisco, and Thomas Dethlefsen, Secretary of the P.C.A.M., August 8th at the Hotel Piccadilly, New York. An elaborate supper was served in the air cooled Georgian Room. There were no speeches except a short talk welcoming the Western visitors by Julien J. Proskauer, Chairman, Executive Committee of the Parent Assembly. Al Baker was Master of Ceremonies at an impromptu show after the dinner. Theo Hardeen, brother of Houdini, and Past National President of the S.A.M., also welcomed the Western visitors. Those on the bill included: Dr. Jacob Daley, Fred Rothenberg, Wm. J. Arenholz, National S.A.M. Treasurer; Jerry Lukins, Edward W. Dart, Parent Assembly Secretary; Roger Barkann, Leslie Guest, National S.A.M. Secretary, as well as visitors Mueller and Dethlefsen.

The Inevitable Rabbit (Continued from Page 7) the cover up but this time the "door" of the load chamber is released and brought over with the cover by means of the bolt placed there for this purpose and this time the left hand holds the wire "G" down while the right hand goes to the opposite end of the tray, as if to swing tray to horizontal position, but the right fingers, thumb on top edge of tray, forces the load chamber up until it fits into the hole in the tray. When the circular piece, which forms the bottom of load chamber is pushed up into the body of tray the cloth will fold and hold the circular piece of wood that forms bottom tightly in the hole. The load is now in the tray and the livestock is free under the cover. With the right hand holding the circular piece up (this is merely a precautionary move) the tray is now swung into a horizontal position and the cover is released by the fingers of the left hand that have been holding it down during the foregoing manipulations of the right hand and the livestock is revealed. Tray can now be placed on your table or carried backstage by the assistant. I might mention at this point that the semi-circular bottom of the tray is painted to match the top and also that the reverse side of tin flap also matches the top of the tray proper. GENII

ONE MAN BOARD OF REVIEW A REVIEW OF TRICKS AND MAGICAL LITERATURE

by BOB WEILL Improved Card in Balloon—Caroselli—S7.50—The effect is as with other outfits except that the same card selected by a spectator appears in the bursting balloon. If any audience has ever questioned the use of duplicate cards in this effect, then probably this is the answer to a magician's prayer. Improved "Al 'n Nate"—'Berg— S3.00—5 half dollars in a brass cup. Some clever moves—a la Kalmar— and for a finish the coin vanish completely from the cup and appear as you will. A little practice is all that's needed. "Markers" —• Thayer — S2.50 — Nothing like the old time De Land decks which anyone could spot as phonies at the first gander. Expertly marked by a gambling house—or is that a secret ? Look up Brill's Routines in Genii and then do miracles— and I'm not kidding-. Impalement — Abbott—S1.00 — A new English effect—at least Percy thought so until he learned that it first appeared in Genii several months ago. A very good effect, almost a vest pocket miracle. Should be a sure bet for newspaper photo publicity work. The Be-Deviled Egg—Abbott— SI.00—A clever device with many possibilities. If you consider your thumb as a finger, then it can be "held at the finger tips." Self contained and the traveling salesmen magi should love it. Torn Newspaper to Bouquet— Holden—S2.00—If you can tear and fold up a newspaper, the trick will work itself. Hathaway's "As You Wish"—All Dealers—S6.30—This stand supplied with the trick, enables the magician to find a card selected by a spectator. If Professor Hoffman had written the trick in "Modern Magic" he would have used a velvet covered easel instead of this nickel, slotted stand. Magic has made great strides. BOOKS Frank Lane's Ideas No. 6 (With a No. 5 Cover)—Mimeographed—18 Pages—The first mystery is whether this is number 5 or number 6 in the series. Actually it's six, and replete with the usual quota of Lane Ideas —24 in all plus four gimmicked cards which are supplied for a Top Card Routine which is described. All in all one of the best values because you September, 1939

always find something you can use among the new and old ideas. The Wine and Water routine still doesn't make me like the trick and the Tobacco Transposition used to be done with salt the last time I read it. Next time maybe sand will be suggested. But there's plenty else from which to select. Mine had two transposed pages—at no extra charge.

THE LINKING RING The Linking Ring—August—Dr. Henry Ridgley Evans tells about one of my hometowners, the Fakir of Ava. Hinkson is called a lousy press agent on almost every page while Doc Mahendra rates the same thing on one page only. Stewart James with a new trick based on the window principle—with a name that only Stewart could conjure up; Ovette with a sensible impromptu card rising gimmick; and a complete treatise on the Travelling Coins on the four corners of the handkerchief.

THE SPHINX The Sphinx—August—Write ups of the PCAM and British IBM Conventions share top billing with a brief biography of Professor Hoffman, in honor of his hundredth birthday. Baffles' thumb tip trick is no good because you can't pass the tips to the audience for examination. More magic—and a card trick not up to Bill McCaffrey's standard—and notes from all over the world.

SCRAP BOOK Chap's Scrapbook—July—I wish someone would explain the new cover to me because I must be too dumb to get it. The straw hat gag was shown to me years ago by Ovette, and he claims it's ages old. Chapman's "Itzariot" is his routine for the Candle Tube and the kind of magic I like and I'll be using- it. Chap's Scrapbook—August—The "Phantom Columnist" makes his appearance and can make his disappearance just as quickly as far as I am concerned. Chap offers his Turban Routine for club work and a new use for the Polychromatic Billiarl Ball.

Rothbart's gag with the sugar sounds cute.

THE JINX The Jinx, No. 59, August—The "Photoplay" format is forsaken. Outstanding, to me at least, was Annenanis routine "No Pain" which I saw him perform at Ralph Hinkson's one memorable night. Walter Gibson's 20 Card Trick is the sort of thing that makes the best audience squirm or doze. Kent Arthur and John Crimmins, Jr., contribute card conceptions.

FUNNY TALK Funny Talk—July—Frank must be repeating himself—or maybe it's the radishes he ate for breakfast—because the trick he included in Funny Talk as an innovation this month is also found in his latest issue of Ideas. The rest of the patter is up to his usual standard—and Jay Marshall contributes his talkee, talkee for the Chink Laundry Ticket which proved so funny at Battle Creek.

THE TOPS The August issue is replete with tricks, news and interesting data of all kinds. One of magic's outstanding buys and still a mystery as to how Percy Abbott does it at a dollar per year. STUFF Davenport's Demon Telegraph— April-June—A thimble holder looks like one with fumbling eliminated. A Ring in Egg gimmick looks as though one of Dunninger's "Science & Invention" exposes served as its inspiration. Other late novelties are offered. L. L. Ireland—A mid-summer sale and Mel Stover's "Face Up Three Card Monte" are featured in this month's letter. Ireland has streamlined Grant's Shrinking Glass of Milk, from all appearances, and perfected a production screen, both of which are recommended for clip joint use. THE MAGIC WAND AND MAGICAL REVIEW Famous the World Over Annual Subscription 10/6. Single copies 2/6. By mail 2/7 Vz. U. S. A. stamps and currency accepted. George Johnson. The Magic Wand 24 Buckingham Street Strand London, W. C. 2. Page 25

GENII ADS ARE Guaranteed We, the editors, personally guarantee every ad appearing in Genii pages. You get what you pay for or we refund your money. If, after sending in your order to any person using Genii pages for advertising, you do not recsive your merchandise within a reasonable time, contact us by letter. Your money will be refunded forthwith and we will prosecute the case with the Postal authorities. This announcement is meant in no way to reflect upon legitimate dealers but only upon the few who would use these pages, willfully, to procure money from magicians and give nothing in return. If you have a reasonable "squawk" we'll adjust it. GERALDINE LARSEN. WILLIAM W. LARSEN

GENII A D V E R T I S I N G Full page Half page . Quarter Page Eighth Page I column inch

R A T E S $20.00 10.00 6.00 3.00 1.50

I N D E X For Volume Three Thanks to the good offices of Arnold Furst, young Los Angeles magician who is rapidly advancing in professional work, the index to Volume Three of Genii will be ready next month. Best of all, we're able to reduce the price to twenty-five cents. Better send that quarter now and reserve yours before you go about binding the last twelve copies. All indices will be mailed immediately upon publication.

GENII Indices £or Vols. I, II and III...$1.00

A LIBERAL EDUCATION IN ONLY TWO DAYS

Magic-More Magic and Greater Magic You'll kick yourself if you're not

IN BOSTON OCTOBER 7 and 8th (HOTEL BRADFORD)

NEW ENGLAND MAGICIANS' CONVENTION 48 Hours Packed Full of Magic Under the Personal Direction of Herman Hanson

HEADQUARTERS—401 WALKER BLDG., BOSTON Page 26

SENI

NOT A TRICK!

ANNUAL CONVENTION

But A New-Positive-Knockout Magic Accessory

Houdini Club of Wisconsin

What the cigar or pipe finale is to the cigarette act, the Giant Dollar is to the coin routine. Imagine producing, as a startling finish to series of manipulations, a faithful reproduction dollar over three inches in diameter! Made in solid tin with gleaming chrome plating.

Kenosha, Wis., October 14, 15

GENUINE SURPRISE! . . PLUS P L E N T Y OF CHUCKLES. IT'S A NATURAL! ! !

GIANT DOLLAR SI.50 EACH, Postpaid Get Your Order in Now !

SMOCK & SLATER 8 2 S. 2nd St., San Jose, California MAGIC NOVELTY CO., Serving an Exclusive Ask Bert Kalmar, Al Caroselli, Caryl Fleming or a host of others who bought theirs at the San Francisco, P. C. A. M. Convention.

Headquarters Dayton Hotel

TWO BIG SHOWS (Moose Auditorium)

Saturday night, Oct. 14th. Big night before party. M.C.'d by C. James McLemore of Indianapolis. Sunday afternoon, Oct. 15th. Show M.C.'d by Dorny with Dr. R. C. Finkle, Paul W. Schuette, R. M. Vetter, John Ball, Ralph Seher, Eugene Bernstein, Elmer Gylleck, Dave Coleman, A. F. Gritzner and Ben Berger performing. MIKE F. ZENS General Chairman Kenosha, Wis.

4311 Fifth Avenue

OUTSTANDING 1939-1940 MAGIC EVENTS! SPONSORED BY PARENT ASSEMBLY, S.A.M. LADIES NIGHTS CLUB NIGHTS ANNUAL BANQUET November 13th October 16th May 23rd January 15th March 18th Annual Show April 15th to be announced REGULAR MEETINGS—FIRST SATURDAY OF EVERY MONTH "'"t!l "L TT/"«wS'" HOTEL McALPIN, NEW YORK PARENT ASSEMBLY OFFIC ERS a n d Shirley L. Quimby, Ph.D., Pres. Jack Trepel, first Vice-Pres. TRUSTEES Charles II. Toy Frank X. Dodd "Royal V. Heath SERGEANTS-AT-ARMS Harold G. Lester Henri E. A. Percival Charles Nagle COMMITTEE ON ADMISSIONS Chas. J. Mendelsohn Leo Rullnian, Chairman Joseph F. Rinn COMMITTEE ON ETHICS AND STANDARDS William J. Arenhol/, Chairman Clark B. Allen Drake V. Smith Jacob Dalcv, M.D. Sam L. Horowitz COMMITTEE ON LEGAL AFFAIRS Jerome A. Lukins Carl F.. Newton Jacob L. Steisel

Wm. J. Arenholz, Sec. Vice-Pres. F.lmer M. Applegit, Reporter F.dward W. Dart, Secretary EXECUTIVE COMMITTEE ^Julian J. Froskauer, Chairman "Elmer P. Ransom F.dward W. Dart *William A. Ransom Wallace B. Greene S. L. Quimby, Ph.D. Felix G. Longer Jack Trepel Charles II. Tov Theodore Hardeen Frank K. Dodd Wm. J. Arenholz Roval V. Heath 'Past President Sam Margules Jacob Dalev, M.D. COMMITTEE ON PUBLIC RELATIONS Walter B. Bower M. Robert Herman I. I. Alttnan, Chairman COMMITTEE ON HOSPITALITY Charles H. Larson, Chairman Edward W. Dart Felix G. Lander Frank N. Dodd Steven Phillips, John Mulholland Leo Rullnian

COMMITTEES Wallace B. Greene, Treasurer Felix G. Langer, Controller REPRESENTATIVES ON NATIONAL COUNCIL Julien J. Proskauer I. I. Altman S. L. Quimbv, Ph.D. Edward W. Dart Fred N. Rothenberg Charles B. Harris Leo Rullman Charles H. Larson COMMITTEE ON ENTERTAINMENT Jack Trepel, Chairman Clark B. Allen, Treasurer Wm. J. Arenholz Charles B. Harris Al Baker Max Holden Louis Berton Jean Irving Ladson Butler Nate Leipzig Al Flosso Harold G. Lester Lester A. Grimes Charles Nagle Leslie P. Guest Warren E. Simms Theodore Hardeen COMMITTEE ON PHOTOGRAPHY Irving Desfor, Chairman Leslie P. Guest Maximilian Toch

WHEN IN NEW YORK, LOOK US UP! September, 1939

EDWARD W. DART, SEC. 99 JOHN ST.. NEW YORK

Page 27

PRACTICAL MAGIC ONLY HUNG-BLOX. Two blocks 2 % " square are threaded on two tapes; ends held by two spectators. Tapes are cut between blocks. Blocks separated, performer walks between them. Blocks put together and spectators see-saw tapes and pull them from the blocks; restored Comments from the I. B. M. convention: "Greater than walking thru a rib Don." 'It's a $10 trick," etc. The leading oerformers are putting it in their acts. Complete, postpaid $2.50

for Magicians, just received a large shipment, first some, first served.

10 12 15 18 24

inch inch inch inch inch

square square square square square

10c—3 for 25c 10c each 15c each 25c each 50c each

STERLING'S CUPS AND BALLS ROUTINE. An easy routine that you can fearn m 20 minutes. No difficult sleights. Exactly as I have used it 3t many universities and chautauquas this summer. Very baffling for children or adults. For groups of 6 or 3,000 Three pages, mimeographed. Postpaid . . . . . . . $1.09

DE LUXE EGG BAG

Blue, green, red, yellow, purple, orange. Please allow extra IOc for postage. Don't wait. Send cash or stamps to

CO.

1673 BROADWAY N.Y.C.

';.:>•. ••.;:;

THE BEST BUY OF THE YEAR An outstanding opening trick of the sophisticated club performer is the D I M I N I S H I N G A N D V A N I S H I N G CANE. To ihe first twelve who send in their Cash or Money Order, we will send them Postpaid, our fine and well known All Metal Vanishing Cane—over 3 feet long, fine nickel knob and ferrule. Each cane in heavy nickeled, carrying case with bayonet catch. Never soid for less than $3.50. While one dozen fast will ship yours postpaid for $2.15—but order today. Bargain List of practical magic included free.

BLAIR

L .

G I L B E R T

(The house with a reputation) 11135-SO. BELL AVE. CHICAGO, ILL.

I

: ^ ^ M

Constructed differently than the standard b a g . Can be shown on all sides. Fine woolen material. Ask the man that owns one; the best yet. Bag and a wonderful routine. Postpaid, $2.00. Left or right handed.

MAGICIAN'S EMBLEM PIN. White 22 K gold plated. 3 styles: button, Postpaid

rabbit in black t o p hat. or pin back, or pendant. $1.00

PERFECT HAT FEKE. An adjustable feke that can be used in any size or kind of hat. Produce rabbits, doves, siiks, flowers, paper coils, etc. Hat shown empty before, during and after the production. It absolutely solves the problem of pulling rabbits out of a hat without any fumbling, sleights, etc. Postpaid . . . . . $3.00 M A G I C THAT PERKS. (Harry Cecil), Jo sell out the few remaining copies, this $2.50 book now special. Postpaid . . $1.00 PAPER HAT OR PANTIES TRICK.

Postpaid, per dozen

DID YOU GET OUR N O . I M A I L I N G

50c

LIST?

STERLING MAGIC CO. 347 John R. Street

HAROLD STERLING DETROIT, M I C H .

Phone Clifford 3579

Complete Sell-Out of P.M.C. Magic AT

IDEAS

Penna State Magicians Picnic

No. 5, Just out, chock full of good things. Ideas, tricks, etc postpaid 80c

A Hfodcrn Magical Masterpiece

FUNNY TALK

Transparent Flip-over Box

August Number Index for 1938-1939

25c 25c

THE FAULTLESS DECK H e r e , a t last, is t h e best forcing deck you have ever had in your hands. F A N T H E D E C K freely, showing cards, faces and backs A N D T H E Y T A K E A N Y C A R D T H E Y W A N T , y e t you have f o r c e d it without any sleights or practice . . . it's G R E A T . . . no clumsy moves and no cut cards. Do it instantly $1.50 3 W a y Forcing Decks and 2 W a y Forcing D e c k s . . $ 1 . 5 0

SPECIAL SUMMER SPECIALS, 1, 2, and 3 . . . $1.09 each. If you haven't got YOURS, order at once. Each special has actual value of $4.50 to $6.00.

THE KNAVE & THE JEWELER A new Giant Card trick with a peach of a story that is real entertainment. There are lots of surprises, vaniishes, appearances, captures, and cards may be shown back and front ANY TIME. We furnish cards, and patter complete for $1.50

Frank Lane and Company 5 Little Bldg. Page 28

Boston, Mass.

P. M. C. Feature Magic

The Miracle of 1939

Your opportunity to be the first in your locality to have this amazing effect. This miracle can be done anywhere the old flipover box can be done. The transparent flip-over box can be seen + hru from front to back and livestock after placed in same is visible to audience and remains visible up to point of vanish. The Visible Vanish is 5 x 10 x 12 and will hold four doves or one rabbit. Price $6.50

PHANTOM FLOWER TUBE The miracle of Productive Tubes. Different. Tube is shown empty, both ends sealed with tissue paper. A large production of silks is made from tube by breaking paper, but the production does not stop with this—imagine then producing from the tube a vase of flowers, said vase of flowers is larger than tube, and to climax this, tube is passed for examination. This tube has been praised by all magicians that have purchased i t . An item that your act needs. Complete no flowers. Price $2.75

P.M.C. LIVESTOCK VANISH This is an audience tested effect, and is perfect f o r floor shows, as it can be done surrounded by audiences. This effect was created to fill the much-needed livestock vanish for parlor or club shows. Cabinet has open front and no top and can be shown on all sides and bottom absolutely unprepared. Livestock placed in cabinet can be seen through open front. A decorated panel is slid in back of open front closing same. Presto—the panel is removed, shown on both sides, cabinet shown empty, had placed inside cabinet and can be seen through open front. Cabinet is shown on ail sides and bottom and also turned upside down. The livestock has vanished. Price $5.00

See our new releases at the ISetv York Conclave 9 Yale Avenue, 'RIEDEL// West Lancaster, Penna. Member of Professional Magicians Club SEN

f X

T H EH I T S A T T H E

P C A M CONVENTION I i

Rice's 20TH CENTURY, IS" size . . . . $ l . 5 0 p . p . 24" size 52.50 p.p. Rice's M" DELUXE BLENDO 3.50 " Rice's NAUGHTY SIKS, complete act with a 30" silk 1.00 " Rice's MYSTINI TRIPLE KNOT ESCAPE i.00 " MIKE THE GYP . . . a new effect just released! Mike is captured by two Irish cops and placed into jail and securely handcuffed. Immediately Mike is GONE—even though he is seen by audience at ail times! And the climax 1 ! He reappears on the back of an unsuspecting spectator 1 ! Effect complete with all special 18" silks, including two cops, MIKE silk, GONE silk and reappearing MiKE silk; gimmick t o load silk on spectators backs and special JAIL paper. (Any 18" dye tube used in effect) . . . p.p. at very special price $3.00

ITS FREE!

Our Catalogue TSo. 20

ITS FREE!

We are the WORLD'S LARGEST manufacturers of Magicians Silks

SILK

KING

STUDIOS

SILK SPECIALISTS Harold R. Rice, Mgr.

25 Sheehan Avenue

Cincinnati, Ohio

Write for a sample copy of

The Dragon Official Organ of the International Society of Junior Magicians. The I.S.J.M. is a growing magical fraternity, with 1700 members on March I, 1939. Membership fee is 25c; dues are $1.00 per year—which includes subscription to the Dragon. We also operate the Magic Rental Library Club—the only practical rental library of magical literature. Hundreds of boob available, including the new GREATER MAGIC. Write for particulars, and 24-page list of boob available. Address:

VERNON E. LUX 401 W. Hitt St.

EXHIBITION CARD FANS (Goodlette Dodson) Recently the demand for the first and only book treating exclusively and fully of this fascinating bianch of card manic has increased to the point where we feel that a third edition would bp favorably received. With 15 chapters and almost 100 photographs, this third printing" is reproduced on fine grade paper, with an attractive cover in cypress wood grain. A book you will be proud to own and use. §2.00

THE MIRACLE CARD FRAME—A simple frame with two

pieces of celluloid in it is passed for close examination, reassembled by the spectator and placed in an envelope. A chosen card ib vanished and when frame is removed from envelope card is found BETWEEN the celluloids. $1.00. For a real miracle use the Miracle Frame with our Ultra Simplex Card Box. An initialed card from a borrowed deck is placed in box by spectator. Box is then given to him to hold. Presto ! The box is empty and the identical card is found in the frame and removed from between the celluloids by the spectator. No assistants needed and it is a knockout. The frame and card box for this effect $2.00 THE GHOST WAND—Performer borrows a handkerchief and suspends it from a cord by two corners. Next a small wooden square about four inches each way, with a star trap in the center is shown. Square is held in front of hanky which shows all around it and the magician's wand deliberately pushed through handkerchief, emerging from the trap. Everything may be examined before and after $1.00 PASTEBOARD PARADE—A copyrighted typescript of miraculous appearing yet easy to perform card effects by Charles I.uedke. Includes about 16 effects. Fine for the worker who lacks the time to devote to mastering intricate manipulations $1.00 SNOOTY PUPS—Two little dogs, and the antics they will do! The cleverest novelty in years. Mamma and Papa Snooty— both for 50c

H.

D

U l l l OC

924 COURTENAY DR., N.E. ATLANTA, GA., U. S. A. A postcard brings you our big lists of selected Used Magic, new arrivals daily. Ask the man who buys Selected Used Magic*

n . nllLaC

Mount Morris, Illinois

fcfc

TOPS

The Independent Magazine of Magic Everv issue sparkling with original tricks and worthwhile articles. Published and MAILED on the first of each month. Price $1.00 per year—Single copies 25c

Abbott's Magic Novelty Co.

IMPOSSIBLE! Yes . . . it is impossible . . . f o properly

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September, 1939

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UNIQUE MAGIC STUDIO 29 Euclid Avenue, Elsmere, N. Y. A New Address—A

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Page 29

Chanin's Magic Shop Room 711-712 Penfield Bldg.

Philadelphia, Pa.

1328 Chestnut Street

YOGI BLOCK AND RIBBON MYSTERY A wonderful cut and restored mystery. One of the best sellers at the I.B.M. Convention In effect, two blocks are shown with two different colored ribbons running through same. One of these ribbons is selected and the color remembered by spectator. This ribbon is removed from blocks and handed to spectator, or laid to one side. The remaining ribbon is then cut in the center by either the spectator or the performer, and blocks put together again. Now, after a few magic passes, ribbon is pulled free from blocks and is proven to be perfectly restored. It may be handed to the members of the audience for examination. No threads, wires or other gimmicks used!

Nothing to get rid of!

All Self Contained! Truly a wonderful effect. It's new and quite different, Flashy! You will like it and you will use it. That's something, after all!

PRICE—FOUR DOLLARS

J. C. VISIBLE COIN VANISH

SNOOTY PUPS. A pocketful of fun. 50c IMPROMPTU. C. B. MacCarthy.$1.60 MAGICAL MOMENTS. By the one and only Dell O'Dell 1.00 WATER CUPS 2.00 PSYCHIC DISCS 1.00 HANSON RICE BOWLS. A pretty trick for any show. No mess. No fuss 5.00 TORN NEWSPAPER TO BOQUET 2.00

Four coins are shown, fan fashion. (Just as a fan of cards would be displayed.) Coins are now taken one at a time in the other hand, where they are squeezed, and vanish —one by one! They actually seem to melt into the air! And that's magic. Write for price, which is very moderate.

GREATER MAGIC TELEVISION CARD FRAME (wonderful effect)

Price $12.50 5.00

SPECIAL FOR THIS MONTH Chinese Torn and Restored

Newspaper,

Enough for eighteen shows, or more! Regular

price

.

I WILL FOOL YOU Page 30

One Dollar -BUT—

np< .

with Sucker Gag •»*-

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i

I hlS M o n t h O n l y

50/

I'LL NOT DECEIVE YOU! GENII

ACTUAL MANUFACTURERS — PRINTERS — PUBLISHERS An ABBOTT EXCLUSIVE

First Time Advertised

First Time Advertised

An ABBOTT EXCLUSIVE

ABBOTT'S NEW - THE BATHING RABBIT VANISH The "Be-Deviled

t

BEAUTY JUDGE (VAL EVANS)

A trick with a punch that wiM knockout any type of audience. An effect in which you have all the elements of Stung and Stung again.

9

e z

Egg" Originated by Winston H. Freer

—Here is an absolutely new one that has the wallop of an express train . . . It must be Small in Size! Big in Effect! admitted that when an effect in Magic is visible to the audience during its entire Apparatus consists of a metal tube and operation, then the peak of perfect presentasemi-open front cabinet. The tube is placed tion has been reached. "The Be-Devi led in an upright position in cabinet and is in The patter states that you were picked to Egg" is this type of effect. plain view at all times. iudge a Bathing Beauty contest. 3 beautiful —Imagine freely showing a full-sized egg on pictures of a Blonde, Brunette, and Red THE LIVE RABBIT is placed in the tube all sides, holding it at the fingertips, — and within three seconds the tube is shown head are shown, also a cioth to represent hands oiherwise empty and in full view; empty. TH£ RABBIT HAS VANISHED. the ocean. In the course of elimination t o without covering, or moves of any kind that pick out the winner, the 3 subjects agree to same egg GRADUALLY DIMINISHES in size Can be performed completely surrounded race for first prize and enter the ocean, until it is less than one-fifth its original by audience and so simple that a child can (cioth) . . . The Blonde and Brunette appear. bulk! It is again knocked on the tabie or do it, YET Completely Mystifying. THE RED HEAD IS MISSING. The fun is fast Both tube and cabinet may be passed for cup to prove solid, and shown on ail sides! and furious as spectators bite on the sucker Can be done with spectators completely examination before and after the trick. business with the cloth and the climax is surrounding you, and may be carried in screamingly funny and 100% mystery . . . The pocket or apparatus until wanted for this NO MOVES NO ASSISTANTS sucker card has a design on each side that effect. NO SPECIAL TABLES is both new and novel. Here is your ideal "The Be-Deviled Egg" Incorporates an idea trick that you will work in every show, PlatCan also be used as a production for live form—Night Club or ciose-up. that has rarely been equaled in ingenuity. stock, silks, etc. Pictures are specially made in colors, size It is made in the ABBOTT plant of the finest Here you have a high grade piece of ap- materials especially secured for its construc7" x ?". Each head is distinctive and true to paratus that can be used In many ways. type . . . Made at the Abbott Plant—which tion, assuring you of a high class, practical You will marvel at Its simplicity and enis your guarantee of the highest quality and product that you will be happy to use thuse over its effectiveness. a trick made right. Absolutely seif-contained—no palming, no Lacquer finish—bright colors on a silver Be the first in your locality to get this most sheils—work it at once! background. entertaining trick. A Real Buy at $5.00 Comolete with special patter. We Pay the For a touch of humor, the Magician can Postage. go through the motion of breaking open the An Abbott Quality Product diminished eqq and dropping out a miniaPrice - $10.50 We Pay the Postage ture baby chicken—a cute novelty, and a natural climax to "The Be-deviled Egg." "The Be-deviled Egg" is a trick in itself, but imagine using it in connection with the egg bag or any other egg trick you feature! A real baffling effect with a surprise finish Our quantity production methods to fill the that will ieave a lasting remembrance of tremendous demand for this Item permits the (FREER) your performance. biggest surprise of all for "The Be-deviled Egg" with complete, detailed instructions, Magician displays six solid wood blocks Owing to the big demand for this miracle and Including the miniature baby chick is and two wood covers . . . set consists of effect, some orders have been delayed in two red, two yellow and two blue blocks. priced at only $ 1.00 shipment for 48 hours. Stocks have now been These are set in two separate stacks with the Rush your order today! We Pay the Postage. brought up to date to meet the demand and colors in the same order. The color combiwe can promise immediate shipments. See nation of one set is disarranged, cover put last month's advertisement for full descripon each set, covers removed and now the tion. The only rope trick In which the rope color combination of each set is the same. is cut and restored three times and given This is repeated and no matter how the for examination. Rope actually cut into two blocks in one stack are disarranged, the pieces—pieces held far apart and yet the oiher stack mysteriously changes to the same rope is restored to one piece. No fakes of formation. Blocks mysteriously pass from one any kind . . . No cement of any kind . . . stack to the other so that one stack cona Positive Masterpiece. sists of one yellow and two blue and the second stack one yellow and two red . . . A generous supply of rope included . . . at And the biggest surprise of all . . . the $2.00. We Pay the Postage . . , Rush your covers may be examined and each block is order to-day! A highlight on any program , . . Comslowly shown separately to be the same color bine beauty and mystery. The effect that is on all sides. different. Be Up-to-date and include this Hck In your repertoire . . . A Blue Plume Here is one block trick that you must own wrapped in a silver cloth — changes reto appreciate Its worth. spectively to red - yellow - green and black Blocks are 2'/2 x 2'/2 inches all finished in . . . Silks of the same color appearing in lacquer. Beautiful apparatus as only Abbott Magician's breast coat pocket . . . Caryl can make i t ! Fleming saw Levante do it and said that Price complete, $9.50. We Pay the Postage. An unprecedented success! Never before has in his opinion it was the most beautiful and an effect caused such comment and those effective trick that he had ever seen—and that have bought this masterpiece are enimmediately placed an order. thusiastic in their praise of this marvelous mechanism that Is contained in the apparaThe complete trick at $25.00 is a gift. We tus. —An examined Block of wood visibly Pay the Postage. penetrates a length of ribbon—held by spectators. See last month's issue for full detailed E. J. MOORE description.

o

EASY TO DO! NO SKILL! NO PRACTICE

ABBOTT'S SYMPO BLOCKS

©

AT LAST! A Real Practical Vanish for All Occasions Stage Platform Floor Show and Close Up

ft

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THE MAXAM ROPE

o

Levante's

Beautiful Plume

-

i

ft

e

LEV ANTE'S BLOCK AND RIBBON

DO-U-SMOKE -

An extremely clever effect in which borrowed marked half dollar appears in a package of tobacco—which in turn changes into perfectly made cigarettes. Every phase of this routine is ingeninously worked out so that if is easy to do—yet a knock-out to any audience. The coin vanish is especially smart. Complete with all accessories including tobacco.

Price - $2.00 We Pay the Postage We highly recommend DO-U-SMOKE

THE LARGEST

Price $30.00. Immediate long as stocks last.

delivery

given as

The World's Greatest Bird Cage Vanish! Details on Re-

m ft

quest. Price $175.00.

SEND ALL ORDERS TO

PERCY ABBOTT MANAGER

MAGIC

Special Light weight mechanical pull for ail types of Vanishing Bird Cages. $25.00

PLANT

IN

AMERICA

M AX

H OLD E N'./S

MAGIC SHOPS

A

L 22O WEST 4-awD SX, NEW YORK CITY.,/ F- 12O BOYLSTON ST., BOSTON, MASS. K 117 SOUTH BROAD ST.. PHILADELPHIA, PA.

Berg's Water Cups Two aluminum cups about 2/2 in diameter and 3 high are shown nested together qu te snuqgly Removing the lower one you demonstrate its emptiness then drop it into the other one Lifting it out again you show that the second cup is entirely innocent also A l l of this may be aone at arm s length Now w thout cover ng of any sort water mill" or any other 11 QU d is poured from one CUD to the other A l l very neat and self contained this effect s a fine foi low up for a /anish of a like volume of hqu d If m Ik is used it may preceed the tr ck de scr bed mmediatel^ below Complete $2 00

BAFFLE PROOF MILK VANISH starts wi h your exh b t nq a glass of milk—the milk being pourea from the cup at fin sh of above exper ment if so desired (Be sure to asked us for the tie up) Glass is placed in a borrowed hat while you make up a paper tube Removinq the glass from the hat you stand it on your hand cover it w th the tube and drop m a p ece of paper to absorb the m Ik It sure does do it—qlass and all However you manage to coax it back into the 1 ha Easy $2 00

Scarne Ribbons A Card Anybody s deck of cards any piece of paper a length of nbbon and a long needle ind you are all ser to knock em cold After an honest to gosh free cho ce the selected card is put back nto the pack Then the pack is honestly wrapped up in the paper Threaded with the r bbon the needle i c inserted at one end of the parcel and drawn out at the other Tear away the paper and there s the selected card on the r bbon No qimm cks Actually it s as simple as it sounds Complete w fh long needle and ribbon 50c

THUMB-TIE (Jaspernese)

E X T R A G O O D

Jay Marshall has developed a novel wav t o use ordinary p pe cleaners to simpl fy an effect that many have hesitated to do One cleaner is tw sted around the other at its center Then your two thumbs may be wired together so t ghtly that the circulation stops Even so you can nst^ntiy link arms with spectators catch metal rings on your arms and do all the usual tests tha^ have made this trick world famous At any time thumbs are examined the t e will be found secure Worth fen dollars now fully illus trated only $| CO

SELECTED CARD

As You Wish

BERT DOUGLAS

Sets New Patter Styles y Exoerts agree that ful y 8 0 ^ of the effect veness of magic dcoends on presentat on This n turn qa ns thru change of pace—and novelty Both of th d d b t h

Huqard s Cara Man pulat or s No 2 Hugard s 1938 39 Annual Chaps Scrapbook monthly N O W ONLY Entertain nq W th Ventr loquism (Lustiq) JINX starting n October will come out every week at 15c For 3 months

SI 50 3 00 25 2 00 I 50

Wonder Working Roughing Fluid Make your own brain wave decks prepare for may of the other rough and smooth m racles And cerhaps rvent new ones for your exclusive use Half o jnce bottle carefully compounded 50c

(Hathaway) THE BRAIN WAVE DECK Imagine yourself in the place of the headliner %\ 00 in the above I lustration He has |ust had a freely selected card m xed up w th 5 different ones Hav nq placed all 6 in the chrome plated HANSON RICE BOWLS—The big hit of the holder ne has touched each card with his fore I B M Convention $5 00 finger Told to stop at that one second from the right ( i t m ght [ust as well have been any of the others) he attaches the clip—for a no monkey business ident fication R qht 1 Applause SYMPATHETIC 13 —The new card efrect no end 1 Learn it n half an hour $6 50 Complete $3 00

SNOOTY PUPS ndeed are th s t ny pair of Scott es For some reason or other—maybe be cause their noses are too cold—they don t seem to have as much fun as rea doqs Anyhow here s tots of fun Qual ty model 50c

Be Sure Your Name Is On List For SPECIAL BULLETINS

•T

,'-

OJ

; ; -.. >

v \

T H E Y

A

L

7 NEW TRICKS

L M E E T

A

T

FOR YOUR FALL SEASON DEBUT ORIGINAL—DIVERSIFIED—PRACTICAL

K A N T E R ' S No. 7—At last! Something new m thumb tips THE NEW NATURAL FLESH TONE FINISH The nearest th ng to human flesh ev°r d s covered—used on the famous Petee Vent i gures— now applied to Thumb and Finger T ps w tn great success No si ck or sh ny tips any more— the Flesh Tone makes them look I ke he rea tmng The first dozen were snapped up at the P C A M convent on however more are now ava 1 able so send your order t o Kanter at once and e n p y the sat sfaction of using this h gh grade article iy 8 THUMB TIP medium or large s ze Each 50c I/ B FINGER TIP Each 50c BE SURE TO SPECIFY FLESH TONE as you wil note no extra charge is made over ord nary f nish

CARD, NEEDLE AND RIBBON TRICK {John Scarne) You bo row a pack and a piece of paper A card s freely selected noted and replaced in the pack whi^h is then wrapped up in the paper A long needle threaded with a ribbon is shown and thrust through the parcel at one end and drawn out at the other end Upon tearing open the paper the selected card is found with the nbbon running through it Regutres no gtm micks and is really easy to do With need I P ribbon and full instructions Price 50c

No. 1—

THE ARABIAN BEAD MYSTERY (Albenice)

New fool proof and perfect—free from sleight of hand gimmicks and funny moves here s a master effect that can be worked close up or otherwise at any time or place A string of white beads of the type now in vogue is shown and the clasp unfastened Hoidmg the string of beads by one end dangling over any dear glass goblet the performer takes a pair of scissors and snips the bead string near the Sower end and thus freed al! of the beads are let loose and patter into the goblet The performer is left holding the empty string which he proceeds to coil up and place in his mouth after which the beads in the goblet are poured into his mouth Reaching up to his hps the performer grasps one bead and slowly w thdraws his hand followed by one bead after another N O W RESTRUNG INTO A W H O L E NECK LACE I t s hard to beiieve but O N L V ONE SET OF BEADS IS EMPLOYED AND N O T H I N G ELSE EXCEPT OF COURSE THE STRING A N D THE BORROWED GOBLET—try t o iigure that out For years magicians have dreamed of such an effect but it remained for the clever Al benice to work out the ingenious details Com plete all ready to work the minute you get it Pnce SI 50

No. 2—

Torn and Restored Magazine Covers (LuBrent) The Jaspernese Thumb Tie The Water Cups Snooty Pups (A fast seller) As You Wish (Ha'haways card effect) Baffle-Proof Milk Vantsh Sympathetic 13—A clever card trick Rabbit from Hat License Plates Chambers New Spirit Ball

Si 00 I 00 2 00 50c 6 50 2 00 3 00 I 00 500

KANTER HAS THE LATEST BOOKS

GRANT'S BIG FOUR SPECIAL

Four clever items each including the necessary gimmick etc No I—Comedy Hat Trick hat rises on your head No 2—New Mlifc Levitation—everything examined No 3—Poko Chtpo a red white and blue stunt with 9 poker chips No 4—Triple Popcorn Trick corn pops in hat gla c s of milk is produced and milk vanishes $4 00 worth of tricks for $1 10

No. 3—

GRANT'S NEW DIMINISHING CARDS

This is really new and practical—without doubt the easiest and simplest method ever devised since it does away with all sleight of hand palming etc There is no going to the pocket and none of the usual clumsy moves required for get aways A bunch of cards are picked up from the table or may be produced from the pocket after a series of card •Nourishes Taking part of the cards in the right hand the performer waves o r fans them in front of the cards held in the left hand the latter suddenly diminishing to half their original size These are spread out then closed up ana part of them taken with which to fan the remainder—again they dimmish now being only one fourth their original size and shown spread apart as before In hke manner these small cards are reduced once more this time t o one eighth size which tiny cards are spread out and finally caused to vanish completely The four sizes are self contained and everything simple easy and fool proof Price $2 00

No. 4—

50 CRAZY CARD STUNTS—U. F. Grant

New stuff—a whole half hundred stunts guaranteeo to pep up that luil at a party so there is never a dull moment—great interludes for your regular performance—laughs galore and clever wizardry besides People that ordinarily are bored with card tricks will change their minds when you spring these A collection of 50 Crazy Card Stunts tricks gags novelties catches etc for wise guys and what not all under one cover in manuscript style—some that you can work tn a regular show some for pocket use others for the parlor etc You really will become the lion of the evening when you do a few of these card gags and we will wager that you will get $5 00 worth of fun with these stunts at the first gathering you attend Price 75c

No. 5-

TIPS ON "BILL IN CIGARETTE"—U. F. Grant

Newly issued this gives you 12 methods including the latest and original ideas in connection with this ever popular trick of passing a borrowed dollar bill into a cigarette New switches dodges routines e t c — a method in which you openly roll a cigarette from tobacco and papers and cause the bill t o be later found tnside the very cigarette you have just rolled—and incidentally rolled by you with O N E H A N D A N D WITH EASE1 Also tells you what and where to get a simple httle gimmick that makes it very easy to do the preparatory ]ob in fixing up a c garette for use in any method Just what you have long wanted In manuscr pt form Price 75c

No. 6—

Hathaway's Latest, MARKED CARD IN BALLOON

Long sought this seeming miracle s now ready for you Anybody selects any card from any pack—his own if desired He signs card and tears off corner for identification shuffling card back into pack Pack still containing card put in its case and placed on bas° of stand Card vanishes from case and appears tn ba! loon—card removed identified and corner fitted No forcing—no duplicates—card signed is the one that appears in balloon No assistance Use e t h e r poker or bridge width cards Beautiful nickeled stand balloons and tuil instruct ons Price $7 B0

Famous Petee Vent. Figures will be handled tn future by KANTER N O W WORLD DISTRIBUTORS PETEE FIGURES ARE DISTINCTIVE Hand carved features correctly shaped ears and hands natural looking glass eyes and the new Flesh Tone finish all of which makes then look like real characters A l l have bail and socket neck movement NO C H A N G E IN PRICES—CORRESPONDENCE INVITED Subscribe to DOUBLE TALK the only vent guide of its kind—25c per copy or $1 00 per vear

TWO GREAT BOOKS GREATER MAGIC—Sold on easy payment plan Send us a dollar or two on account This will assure a copy being laid aside for you with your name attached 1st and 2nd editions Price 512 50 FORGING AHEAD I N MAGIC—This book will give you the tricks of the trade in magic How—when—and why great magicians astound their audiences Price S3 00 Kanter s Special Soff Rope—60 ft 50c 130 ft SI 00 Kanter s Koins—Half Dollar size 9c ea 90c a doz Dollar size 10c ea $1 00 a doz

WANTED—TARBELL COURSE

OUSE OF

MYSTERJ

PHILADELPHIA.

tore Open Every Evening (Sunday excepted) Until 11 P. M. Stock Room Stands By Sundays for Rush Orders.

A new trick for doing magic the American way:

PASSE PASSE BEER CANS IDEA BY TOMMY WINDSOR

A compact stream-lined version of the ever popular Passe-Passe Trick, made up with Schlitz Beer Cans. The ideal trick for night clubs, beer gardens, parties, and similar places where beer is served. Authentic nesting beer cans are supplied, also red and gold decorated cylinders 6 % " tall, a most realistic imitation glass of beer, matching plain glass, complete routine and patter. The routine is similar to the passe passe bottle routine, not involved and well worked out, and the apparatus is built for simplicity in handling. The patter we supply has been audience-tested with success. Ireland quality design and fine workmanship throughout. Complete $5.00

A perfect trick for floor shows! The most amazing production effect ever offered! A new principle that will fool everybody—and magicians! Very fast working—clean cut handling—no false moves! Audience may sit anywhere — and still be fooled!

The N e w Night Club S c r e e n What they see: Performer walks out with, or is handed, a small folded up screen, figure I. He stands it on the floor, resting against his legs, and says " A little Chinese screen and my two hands". He reaches down and opens up the screen as in 1ic,ure 2. "This is the Chinese side". Screen is refolded and replaced, then again spread out, this time as in figure 3. "This is the fake side". Screen is then folded into a triangle as in figure 4, raised to the performer's chest, tipped up, arm pushed through, so the audience looks right through it. "This is the inside", says the performer. Then still holding the triangle form, performer brings "what is inside, outside" and reaching into the space the audience just saw, he brings forth a living rabbit—or other load.

CONSIDER THESE POINTS: Folded, the screen is perfectly flat, 18"xll"xl l/ 2 ". Weight, 3l/ 2 pounds. Opened, the screen spreads out to a fine flash of 44x18 inches. Hinges, absolutely noiseless, work both ways, made of material that cannot rust, needs no oil, makes no sound. Construction, the finest Ireland quality. Durable plywood, finished in bright red and black lacquer. Load Carrier, new design, very strong, absolutely silent, positive in action. This flashy, speedy new trick will add pep and life to your show! Effects similar in result, but without the many features of this trick have sold for $25.00. The Night Club Screen

$10.00

L. L. I R E L A N D

109 N. Dearborn St. Chicago, 111.

(Complete Catalogue on Request with Order or 25c Postpaid)

October, 1939

Page 35

RANDOM SELECTIONS

From THAYER'S MAGICAL BOOKS AND PUBLICATIONS Largest Sale Stock in the World "Club Deceptions" No. 2, by Dr. E. S . Ervin $1.00

"Beware Familiar Spirits" by John Mulholland 2.50

"Forging Ahead in Magic" by John Booth 3.00 "Greater Magic" by John Northern Hilliard 12.50 "Sympathetic Silks" by Proudlock 1.50

"Cheerful Conjuring" by Dan Bellman . 1.00 "Are You Seeing Things" by Burley. . . . 2.00 "What Next?" by Tommy Tucker

"35 Weird and Psychic Effects" by 1.00 Musson .75 "Winners All" by Eastman "More Manipulative Magic" by East1.25 "Egg Bag and Four Ace Presentations" 1.40 by Proudlock 1.60 "Great Magic" by S. H. Sharpe

"Sermons in Magic" by Grant 50 "Impromptu Legerdemaine" 1.60 "Magical Moments" by Dell O ' D e l l . . . 1.00 "Secrets of a Street Conjuror" by Huggins 50 "Pasteboard Parade" by Luedke 1.00

.75 "Subtle Sorcery" by Tom Sellers "Magic that Perks" by Harry Cecil. . . . 2.00 "Encyclopedia of Card Tricks" by 5.00 Hugard "Tips on Thumbs" by Robson .50

"Entertaining with Ventriloquism" by Lustig 2.00 "The Footprints on the Ceiling" by C. Rawson 2.00 "How to Double Talk" by Wallace Lee .50 "Three Shell Game" by Tom Osborne. . 1.25 "Stretching a Rope" by Milbourne Christopher 1.00 "Three to One Rope Trick" by Tom Osborne 1.00 "Encyclopedia of Cigarette Tricks" by K. Clark 5.00 "Cups and Balls Magic" by Tom Osborne 2.00 "Lane's Idea No. 6" 75 "Patter in Rhyme" by Bert Douglas (New Edition) 60 "Hugard's 1938-39 Annual" 3.00 "More Tips on Flash Paper" by Robson "Pocket Book of Patter" by Stoppard. . "Magic a la Mode" by Karson "Impromptu Card Routine" by Lorraine "Gamblers Don't Gamble" by MacDougall "So You Want to be a Magician" by Johnny Jones "Calling All Suspects" by Carolyn Wells "Si Stebbens' Card Mentelology"

.50 .50 2.00 1.50 2.00 1.00 2.00 50

"Entertaining Children with Magic" by Eddie Clever 1.50 "Roth Memory Course" by David Roth 1.00 "Torn and Restored Magazine Pages" by Lu Brent "Take a Look" by Eastman

1.00 75

"The More You Watch" by Oswald Rae 2.75 "How It's Done" by Litzau 5.00 "Selected Professional Magical Mysteries" by Belmont 1.00

1.50

"Ireland's Year Book 1938" "Naughty Silks" by Rice "Death from a Top Hat" by C. Rawson "Impromptu Card Tricks" by Felsman. . "Effective After Dinner Tricks" by Felsman "Close Up Magic" by Hugard "Wonders of the East" by Leeds Magic Circle "More Card Manipulations" by Hugard "More Card Manipulations" No. 2 by Hugard "Amazing Card Miracle" by Mahendra "The Card Expert" by Lynn Searles. . . . "Patter" by Sid Lorraine "Magician's Merchandising Manual" by lommy Windsor "Ponsin on Conjuring" by Sharpe "Lessons in Conjuring" (New Edition) by Devant "A.B.C. Book of Patter" by Douglas.. "Slow Sleights" by MacCarthy "Modern Sleights" by MacCarthy "Linking Ring Routine" by P e a r c e . . . . "How's Tricks" by Kaufman "Funny Stuff for Funny Magicians" by Lane & Weill "Subtle Problems You Will Do" by Judah & Braun "You'd Be Surprised" by Parrish & Good rum "Watch Me Closely" by Louis Lam. . . . "Tricks, Toys and Tim" by Collins "Tricks Any Boy Can Do" by Leeming. "Modern Magic" by Lindhorst

.55 1.00 2.00 1.00 1.00 1.00

1.00 1.50 1.50 2.00 2.00 2.00 1.00 3.00

1.50 .75 .75 .75 1.00 1.00

2.50 3.00 1.25 1.00 2.00 2.00 .50

"Further Magic for You" by Leeds Magic Circle 1.00 "Modern Conjuror" by C. Lang Neil. . 2.00 "Lane's Idea No. 4" 75 "Phone Book Telepathy" by Maguire.. .50 "Calendar on Your Fingers" by Wallace Lee 50 "Jap Box Tricks" by Gravatt 3.00 "Success in Show Business" by Robinson 1.00 "Seeing's Believing" by Lesta 1.00 "Party and Magic Stunts" by Kolar. . . . 1.00 "Comic Trick Cartoons" by Bjorklund.. 1.00 "Advanced Lessons in Cups and Balls" by Joseph 1.00 "Gags, Gadgets and Gimmicks" by Plough 1.00 "Collected Mental Mysteries" by Lester Watts 1.00 "The Needle Routine" by Mahendra.. 1.00 "13 Jumbo Card Effects" by Meyer and Jamison 1.50 "New and Improved Card Problems" by Buckley 2.50 "Three Slate Routines" by P a r r i s h . . . . 1.00 "General Magic" by Will Dale 75 "Slate Stunts" by Howard A l b r i g h t . . . 1.00 "Subtle Secrets No. I and 2" by H. Albright 1.00 "Magic of 1937" by Lewis and Bellman 1.85 "Magic Hits" by Sellers 75 "Let's Pretend" by Wilfrid Jonson 75 "These Card Tricks!" by Will De Seive 1.00 "The Whole Art of Ventriloquism" by Arthur Prince 1.50 "The Rapping Hand" by M a h e n d r a . . . .50 "Misdirection for Magicians" by Fitzkee 2.50 "The Strange Inventions of Dr. Ervin" by Fitzkee 2.50 "Here's New Magic" by Berg 1.50 "Cigar Manipulation" by Chanin 2.00 "The Magic of the Hands" by Edw. Victor 2.00 "Silken Sorcery" by Hugard 1.60 "Money Magic" by Hugard 1.25 "Immediate Magic" by Sellers 75 "Coin Magic" by Hugard 2.00 "Lend Me Your Pack" by Farelli 2.00 "En Rapport" by Annemann 2.00 "Programs of Famous Magicians" by Holden 1.00 "Jaysee Silk Routine" by Chanin 1.00 "Six Bits" by Chapman 75 "Another Six Bits" by Chapman 75

THAYER'S STUDIO OF MAGIC Box 1785 Wilshire LaBrea Sta. Page 36

Los Angeles, Calif. GENII

BEATRICE HOUDINI N all the world there is no more staunch supporter of magic than is Mrs. Houdini, widow of the late great magician and escape artist. Through the years of her married life, and during the long period since Houdini's death, her interest in the conjuring craft has remained intense. Where she is, there is magic. Not alone, mind you, a magic of tricks, illusions and misdirection, but the magic of her own charm, her own vital personality. We like to talk with Mrs. Houdini: to hear her tell of the days gone by when she and Harry toured the t h e a t r i c a l world together, gaining such fame as has seldom been attained in "show business". We believe she possesses, detailed in memory, the facts of every act Houdini ever performed. Even now she is saddened at the recollection of the times when chains and ropes were placed so tightly upon her husband by unsympathetic spectators that his flesh was bruised and torn thereby. Then, elated, she'll tell of his final triumph over those who would have held him. And with Houdini, no matter how tightly he was bound, how strongly encased, it always had to be triumph. His disposition permitted no other finale. Mrs. Houdini has lived in New York, Florida and California. She is now a frequent visitor to the first mentioned states. But we claim her,

I

here, as our own. Her home, beautifully situated on one of the finest, widest streets in Los Angeles, is a mecca for local magicians; for out of town conjurers when they visit Southern California. It is there that Beatrice Houdini presides as the first lady of Magicdom. It is there that conjuring men can go and talk, and live over again the grand, mighty days of the glorious past. We think the first P.C.A.M. conv e n t i o n to be missed by magic's first lady was the recent gathering in San Francisco. The others have been dignified, and gladdened, by her presence. Likewise, seldom does Mrs. Houdini miss a magic show of any sort. In a show of amateur talent you'll see her there in

All of These Were Received in Sept. 1939

Congratulations on the fine appearance of the last Genii. I still think it is the best of them all. F. E. TUTTLE {King Tut), San Jose, Calif. I just thought I should Tell you that Genii this month is the best one I have ever seen. I especiaiiy iiked the new Ghost Tube idea. Did you ever try using sand paper instead of an eraser to remove pips from cards? It really works! ED TAYLOR. October,

1939

705

Pasadena,

S. Hudson

Calif.

Printed in U. S. A. MRS. W M . W. LARSEN.Editor and Business Mgr. WILLIAM W. LARSEN

Editor of Magic

CARYL S. FLEMING...Honorary Advisory Editor GENII is published monthly by William W. Larsen, of Pasadena, California. Editorial office, 705 S. Hudson Ave., Pasadena, California. Price in the United States and Canada, $2.50 per year; twenty-five cents a copy. Elsewhere, $3.00 per year; thirty cents a copy. While manuscripts, photographs and drawings are submitted at the owner's risk, every effort will be made to return those found unsuitable, if accompanied by firstclass postage, but we cannot be responsible for any loss of such matter contributed. Contributors are advised to retain copies of their contributions and to double space, all articles submitted. Printed in the United States of America by the Wolfer Printing Co., Los Angeles, California. All contributions and advertising matter must be received by the Editor by the 20th of the month preceding publication. VOL. 4

OCTOBER, 1939

NO. 2

IN THIS ISSUE EDITORIAL

the front row, just as interested as though magic had not been her entire life. And the magicians, seeing her down there, knowing that she's come out of her way to watch their efforts, work just a little harder. They want to please this lady who means so much to all of them. Houdini made his name mighty and powerful. Mrs. Houdini has made it lovable and charming. Devoutly we hope that she may long be with us, not alone for the prestige that she brings to our art but for a more simple, yet greater, reason: that she is one of the most lovable persons ever to grace Magic. Hail the Queen of Mystery — Mrs. Harry Houdini!

We Hope You Are Like One of These Accept my sincere congratulations on the wonderful issues of Genii—completing its third year's run. Only hope you Veep going three more years or for that matter, forever. 1 consider " G e n i i " the best in the magic field and recommend it to al! my friends. R. C. BUFF, KnoxvUle, Term.

GENII

I have never been disappointed in any number of " G e n i i " . The L. W. Magic is great and 1 have applied the fine moves to some of my own tricks and will say that they just put on the gilt-edge. Genii is the BEST OF THEM ALL. JOHN HALEY, HaverhMI, Mass. For many months I have planned writing you to compliment you on your publication. It seems to get better and better. In fact I enjoy it more than any magical magazine I have ever received, and I have been in magic 35 years. I tell our magic group at every meeting that I cannot understand how anyone really interested in magic as a hobby or otherv, ise, can be so short sighted as to not be on the Genii subscription iist, and at every meeting I try to perform at least one effect taken from Genii. DR. C. W. TALBOT, Spokane, Wash.

Genii Speaks . . .

37

TRICKS BY Jon Kirby

39

Harlan Tarbeli

41

Edward Reese

42

Bill Larsen

43

Hubert Brill

44

ARTICLES Beatrice Houdini

37

Cups and Balls

40

Silk Secrets

45

Making Modern Magic Modern. . .

47

COLUMNS Scattered Shots

42

Magiministers

43

Magic of the East

48

Max and Skully

48

From Wisconsin

48

Magi-Chatter

50

Ribbons

52

Kanter's Komments

52

Chicago Chatter

53

GENU JUNIORS

46

P A G I N G THE LADIES

49

A LETTER FROM EUROPE

. . 50

PIFF PAFF POOF

53

BOOK

55

REVIEWS

Page 37

GENII SPEAKS HIS issue is dedicated, as have been other issues of Genii, to the memory of Harry Houdini and to the living presence of his good wife, Beatrice. It has been thirteen years since Houdini passed from this earth. Yet his name, today, is fresh upon the lips of magicians and laymen alike. He was a strong man; hard, but sincere. His greatness is attested by the fact that even now his fame eclipses that of most of his survivors. It is a source of satisfaction that Hardeen has helped carry on the Houdini name. Right now, could Harry look in on us, he'd be mightily pleased to see his brother in a long, profitable run on Broadway. Likewise would he rejoice in the way his widow, Beatrice, has heaped additional honor and prestige upon his name.

T

We again have been the victims of a whispering campaign directed against us by a handful of people in New York. The story goes that Genii ads are not paid for. "That Mrs. Houdini and Caryl Fleming never pay for an ad. That Holden and Kanter get ads free because they write columns." Such statements are utter lies. Both Mike Kanter and Max Holden have paid for every ad they've ever had. So have Mrs. Houdini and Caryl Fleming. All of them have their cancelled vouchers to prove the facts. People who say that "Genii ads are not paid for" are liars! I have always abhored, in both professional and avocational pursuits, the man who goes about loudly preaching of his own ethics yet stoops to the most unethical practices in secret. On the surface he's a very high minded fellow. But beneath the exterior of virtue he has no sense of business morals at all. John Mulholland, or Dorothy Wolf (whoever writes the Sphinx editorials) calls attention on page 180 of the September issue to the following fact: the effect "Your Fortune" which appears on page 388 of the August issue of Genii appeared some two years ago in the Sphinx. We appreciate having this matter brought to our notice, apologize to our readers, but call attention to the fact Page 38

that Mr. Meyer, the contributor, didn't claim originality. The literature of magic is so vast that mistakes of this kind are bound to occur, no matter how careful we try to be. However, unlike one of our contemporaries, thus far we haven't awarded any medals for material which has already appeared in print elsewhere. The notice in last month's Genii to the effect that "Genii ads are guaranteed" resulted in widespread comment and considerable applause from our readers. It simply means that we have absolute confidence in the dealers from whom we accept ads. We believe that when you send any one of them an order you'll receive your merchandise in return. And, in connection herewith, we pause to thank the many, many dealers whose advertisements have made the continued growth of Genii possible. That we are able, now, to turn out a better looking magazine is due, in large part, to the fine support the magic merchants have given us. What should a magic meeting be? Should it be instructive? Should it be just a get-together of good fellows? Should it be an un-rehearsed magic show? These questions constantly arise in my mind. A few months ago one of the local magical societies sent out a notice of a meeting and included, at the foot of the notice, "No Magic Allowed." The day after I asked my good friend Dr. Leo Levi if he planned on going to the meeting. "Hell, no," said Doc. "Why should I go to such a meeting? I like to see magic." And I feel the same way about it. To me a gathering of fellow magicians is not alone a social affair; it's a chance to exchange an idea or two. I enjoy witnessing the efforts of by brothers, even when the effects are but embryonic. Too much levity, too much heckling, too many "no magic nights" or "reverse magic nights" and our evenings are wasted. After all, we can get together with our friends for a sociable beer anytime. Perhaps such affairs should be alternated: one night given over to kidding and horseplay. The next to be the serious exchange of thoughts. Anyway, I'd like to get some reactions from Genii readers anent the subject. How can

sociability and magic be combined in one evening in such a fashion as to render the latter both pleasant and profitable? Genii circulation is steadily increasing, thanks to the good offices of our many friends in sending us the names of prospective subscribers. While we are not broadcasting Genii to the four winds and selling to the merely curious we are anxious to have it in the hands of every person really interested in magic. We are offering, therefore, a handsomely bound, and suitably lettered, volume of Genii to the person, other than a magic dealer, who will be responsible for sending us the most contributions the next year. A choice of volume three or four will be offered. So, let us have a list of those of your friends who are magically minded and we'll see to it that they get a sample copy. If they subscribe we'll keep score in your favor. Any such efforts on your behalf will be mightily appreciated. In the August issue of Genii it was inadvertently stated, in the write up of the San Francisco Convention, that Petee was there representing Chanin. This was incorrect. Petee was acting for Mitchell Kanter of Philadelphia. It is also notable that Kanter has the exclusive agency for Petee's remarkably life-like vent figures. The latter have been extensively advertised by Kanter and carry a 100 percent Genii guarantee. In closing I don't feel that I can do better than publish a portion of a letter received from Bill Neff, of Indiana, Pa. The quoted portion makes me feel very happy and I hope readers will do their utmost to boost the periodical in question. "Knowing your stand on exposing I thought perhaps you might be interested in an exclusive item for "Genii" in connection with the above series in "Pic" which will be released about the same time as your October "Genii." When I approached the editors of "Pic" in their New York editorial offices suggesting a series of pictures showing an illusion in actual operation I was highly pleased to have them immediately ask whether any secrets were exposed in the photographs and further explain that they would not consider them if any magic secrets were divulged. This before they would consent to even look at them! That is something that should do the heart of every magician as much good as it did mine. And in order to give proper credit, they later told me, after looking over the pictures, that they had been requested by magicians' expose committees to not publish exposures and as a result followed that policy." GENII

THE MASTER CLUB ILLUSION by JON KIRBY, Vancouver, Canada

E

FFECT: The performer displays a small cabinet decorated in a modern motif similar to that shown in the illustrations, Fig. 1 and Fig. 2. This is mounted on casters of the ball bearing type. Cabinet is shown on all sides, being wheeled around by the performer. The front of the cabinet, which is hinged to one side is then opened and the interior of same shown. The interior of the cabinet is covered with striped material, preferably cretonne. The magician, after displaying the cabinet to be ordinary (?) then introduces his assistant or, if desired, requests the assistance of some young lady from the audience. The assistant or volunteer is then placed within the cabinet which covers her body from the upper thighs to the waist. See first illustration. Two lengths of wood, with a -^"3-PLY-CIRCLE rounded arc cut from one end are shown and then slipped into slots in top and bottom of sides. These serve to hold the girl's body within the cabinet securely. The front of the cabinet is then closed and hooked shut by means of a small hook. The girl is now imprisoned within the small cabinet. Cabinet is then again wheeled around, the girl turning with it. The magician now displays to knife racks and a number of cabbages are cut on the stage floor to prove them solid and sharp. One of these is then run through a special slot at the extreme top of the cabinet so that the two ends of the carrier protrude from the rear through two square holes. THE KNIFE APPARENTLY PENETRATES THE GIRL'S BODY! The second knife rack is placed in a similar slot in the bottom of cabinet and it too projects from the rear of the cabinet, he performer now runs a number of small swords, walkingsticks or in my own case, %" rods October, 1939

shaped to simulate gigantic nails. These are run through the cabinet from side to side and then another one is thrust down through the top and emerges at the bottom, just in front of the girl. To complete the effect, the two small doors in front of cabinet are opened and the GIRL'S BODY WITHIN CABINET IS SEEN TO HAVE DISAPPEARED!

a good idea of the design of the two uprights. These are cut from %," stock. A turned rod runs from the rear of one to the opposite upright thus insuring a certain amount of rigidity. This will not interfere with girl's feet. The two uprights fasten to the cabinet by means of two pieces of band iron fastened to each upright with wood screws. These two prongs go through a metal band bent to receive them. TOPVIEV/ ^ ^ ' V E T See details in Fig. 8. Angle irons serve to hold the back onto the sides so that it is rigid. Fastening of the angle i r o n s is done with wing nuts and bolts. The two sides of the cabinet (inside) are provided with a horizontal slot, top a n d b o t t o m. These four slots are made a shade larger than 1V2" and are Vz" deep. These accommodate the two wooden slides through which knife racks run. Fig. 5 s h o w s Doors are closed and the swords are them as seen from the front of cabremoved. Following this the knife inet. The front, which is hinged to racks (top and bottom) and the girl one side of the cabinet and is hand steps out none the worse for the sawn at the bottom into a nice degruesome ordeal she has undergone. sign. Inset in the front are two small This effect was originally evolved doors which are hinged to open outfor the ONE MAN SHOW since the wards. If desired, the front may have performer need not carry an assistant a curved portion at the top. I have and as I desired a torture effect that neglected this latter in the drawings was easy to pack, simple to assemble since I wished to show the heighth and a real, baffling illusion. I have of the cabinet as compared with the used this item for the last three and girl assistant. Now at the top and a half years with great success and bottom of the front at the exact have found it sure-fire. It is a knock- same position as the two top slots out when a girl from the audience and two bottom slots in the sides, two is used. horizontal openings are cut as shown SECRET and CONSTRUCTION in Fig. 1. At the largest part they DETAILS: The first thing is to con- are a shade over %" and along the sider the construction of the cabinet. smaller width, W'. The length of the Fig. 1 shows the apparatus as the large ends is two inches. The small audience see it. This illustration cutout takes the blade of the knife shows the two slots for knife racks rack while the large cut-outs take (at top and bottom), the two small the blade carrier. Four such slots doors and the general design. Fig. 2 (%" x 2") to carry the knife carrier shows the apparatus as it appears BUT NOT A SPACE FOR THE (Continued on. Page 54) from the side and this will give you Page 39

THE CUPS AND BALLS by JOHN BRAUN "IN THE BEGINNING . . . There was magic in the world." From "Greater Magic" by John Northern Hilliard. With the coming of the first people, that magic was, in all likelihood, a very primitive form of the Cups and Balls. No conjuring trick can be so clearly traced through the stone-carved and written, though fragmentary, record of man's existence on this venerable planet of ours as the age-old, but ever-fascinating, Cups and Balls. Says Mr. Hilliard, "certain pictographs in the tomb of Tutankhamen suggest the juggler with his rounded pebbles and cups of horn." The ancient Romans performed this feat; ancient papyri, musty old parchments, and some of the first printed books set down the wonder and amazement caused by ages and ages of Cup and Ball conjurors. Old though the trick may be, it is just as intriguing to presentday audiences as it was to the cave men of that dim-past day when one of mankind's first thinkers caused smooth, round pebbles to obey his every command. But mine is not the calling of the antiquary nor the archeologist. I wish to set down here the Cup and Ball routine, with patter, as chronicled by Henry Dean, in the year 1722, in his book, "The Whole Art of Legerdermain." True enough, something had been written about the art of Cup and Ball conjuring long' before Dean's day; Scott describes the trick in 1584, and "Hocus Pocus Junior," in 1635, gives it prime attention. But this routine could be used at the present day, and it is my belief that even in this sophisticated age the patter would find favor with an audience. Lest I rub off "the alluring patina of age," and in trying to refine it, obscure some of the "simplicity and directness that it. genuine art," I shall set it down just as I find it in the ninth edition of Dean's "Whole Art of Legerdermain," with the hope that you will enjoy the quaintness and charm of Dean's Cups and Balls. "How to pass the Balls through the Cups: You must place yourself at the farther end of the table, and then you must provide yourself three cups made of tin; and then you must have your black stick of magic, to shew your wonders withal; then you must provide four small cork balls to play with; but do not let any more than three of them be seen upon the table. Note—Always conceal one ball in the right hand, between the middle Page 40

finger and the ring finger; and be sure you make yourself perfect to hold it there, for by this means all the tricks of the cup are done. Then say as followeth— Gentlemen, three cups, 'tis true they are But tin, the reason why, Silver is something dear: I'll turn them into gold, if I live, No equivocations at all; But if your eyes are not As quick as my hands I shall deceive you all; View them within, View them all round about, Where there's nothing in, There's nothing can come out. Then take your balls privately between your fingers, and so fling one of them upon the table, and say thus— The first trick that I learn'd to do, Was, out of one ball to make them into two: Ah! Since it cannot better be, Out of these two I'll divide them into three, Which is called the first trick of dexterity.

Then taking the second cup up, say, "Gentlemen, you see there is nothing under my cup," so clap the ball under that you have in your right hand; and then take the second ball up with your right hand, and seem to put it into your left, but retain it in your right, shutting your hand in due time, as before, saying, Vada, be gone!

Then taking the third cup, saying: "Gentlemen, you see there is nothing under my last cup;" then clapping the ball under your right hand, and taking the third ball up with your right hand, and seeming to put it into your left hand, but retain it in your right hand; so shutting your left hand in due time, as before, saying, Presto, make haste; so you have your three balls come under your three cups, as thus; and so lay your three cups down upon the table.

So then you have three balls on the table to play with, and one left between the fingers of your right hand. Then with your right hand take up the first cup and there clap the ball under that you have in your right hand; then saying, "Gentlemen, this being the first ball, I'll put it into my pocket;" but that you must still keep in your right hand to play withal. Lay your three balls upon the table, then say, "Gentlemen, you see here are three balls, and there are three cups, that is, a cup for each ball, and a ball for each cup." Then taking the ball which you have in your right hand (which you are always to keep private) and clapping it under the first cup; then taking up one of the three balls with your right hand, seeming to put it into your left hand, but retain it still in your right, shutting your left hand in due time, then say, Presto, be gone!

So take up the second cup with your right hand, and clap that ball under which you have concealed, and then take up the second ball with your right hand, and say, "This likewise I take and put into my pocket." Likewise take up the third cup, and clapping the cup down again, convey the ball that you have in your right hand under the cup, then taking the third ball, and say, "Gentlemen, this being the last ball, I take and put this into my pocket." Likewise, then say to the company, "Gentlemen, by a little of my fine powder GENII

of experience I'll command these balls under the cups again. As thus—•

A Simple Rope Restoration as Shown to the Editors

by DR. HARLAN TARBELL

So lay them all along the table to the admiration of the beholders. Then take up the first cup, and clapping the ball under that you have in your right hand, and then taking the first ball up with the right hand, and seem to put the same into your left hand, but retain it still in your right hand; then say Vada, quick, retain it in your right hand, saying, begone when I •under the cup.

bid you,

and

run

In presenting this cut and restored rope effect to us, Dr. Tarbell neither claimed, nor did he disclaim, originality. At least, we'd not seen it before. Likewise, it seems to have been new to the various magicians to whom we've presented it. We so much enjoyed its utter simplicity that we've discarded other, well known, rope tricks in its favor. In effect, a seven-foot length of soft rope is cut in the center and subsequently restored. There is no knotting process; no false moves of any sort. It is the ultimate in "clean" magic. One end of the rope (A) is held in the left hand. The end projects slightly above the left thumb; palm of the hand held toward the performer. The right hand slides along- the rope until it reaches the other end (B). B is drawn across the right CENTER

Then taking that cup up again, and flinging that under that you have in your right hand; then you must take up the second ball, and seem to put it in your left hand, but "Gentlemen, see how the ball runs on the table." So seeming to fling it away, and it will appear thus—

So taking the same cup up again, then clapping the ball under again as before, then taking the third ball in your right hand, and seem to put it under your left, but still retain it in your right, then with your left hand seem to fling it in the cup, and it will appear thus; all three balls to be under one cup.

With which the cup and ball trick is finished. October, 1939

fingers, down to the point that the half-way point is reached, whence the right hand again comes up to a point where it is level with the left hand. Thus, were the rope cut at the point marked "center" in the illustration, it would be severed directly in the center. This is pointed out to the audience. The right hand drops its portion of the rope. Apparently the same pz'ocess is repeated. However, this time, end B is crossed over end A. A is pulled down, over B, per drawing, until lowermost point is reached, then up to hand level of left hand. Thus right hand holds end B and right hand A. A cut at what appears to be the center portion will now sever but about six inches of end B. The severed portion forms a small piece which is pulled up to form what are, apparently, the severed ends of the cut portion. The ends are clipped off with the shears to leave but a small piece of rope to be eventually thumb-clipped away.

A spectator, the one who has assisted in the cutting, is asked to hold the shears by the blades, leaving the handles projecting. One end of the rope is passed through the handle, sawed back and forth, the small piece palmed away under the thumb, and the restoration is complete. Following the instructions and drawing with rope in hand, and remembering that at all times the palms of the hands are held toward the performer, should serve to make the trick quite clear.

Report of the Expose and Ethics Committee of the P. C. A. M.-I. A.M. by HUBERT BRILL

The Expose and Ethics Committee of the P.C.A.M.-I.A.M has been successfully carrying out a campaign against exposures, particularly through the medium of motion pictures. R.K.O., M.G.M., and Paramount have fully co-operated with our organization as well as many publications. A partial list of what has been accomplished is as follows: Pic Magazine has gone on record over the signature of their editor eschewing all magical exposures henceforth; San Francisco Examiner canceled a series of 26 feature articles of magic at our behest after publishing but four of the series; Paramount Pictures deleted entire finished sequence of magical exposures from their picture The Big Broadcast; M.G.M. has just released a motion picture entitled Miracles for Sale, and co-operated with our organization to the fullest degree— they have gone on record to show their sincerity by the sending of two letters from which I shall quote excerpts that are self explanatory— from Mr. Alfred Block of the Censorship Department. "I wish to assure you that hereafter we will submit to you any scripts dealing with magic or magicians and will also consult you in the matter of hiring technical advisers."—dated August 4, 1939.—from Mr. I. H. Printzmetal. "Pursuant to your request, we have made arrangements to delete from foreign prints the scene of Miracles for Sale in question. Although this will entail quite an expenditure, we are pleased to co-operate to this extent with your organization." R.K.O. has just completed a picture entitled Sued for Libel which is expected to be released shortly. In this production there are many magical effects, but there is not one (Continued on Page 51) Page 41

Twenty-Fifth Century Mental Test by EDW. REESE

Convincing- mental tests are very hard to find. Only once in a blue moon does a really good one pop up. Then it is used continually until it is worn out. With more genuine enthusiasm than boastfulness, I believe that I have stumbled on to one of these blue moon effects. The invention of it is all due to the misreading of "A Newspaper Miracle" in "Twenty Magical Novelties" by Bagshawe. Like magical effects, the best mental effects are always simple. The secret of the Twenty-Fifth Century Mental Test is absurdly simple. Only those who have tried to put over mental tests and can visualize effects will be able to see the possibilities in this one. All those who are willing to try it once will find that they have a genuine mystery, simple to perform, yet astounding in effect. To be concise, two full size sheets are taken from the daily newspaper and cut into eight lengthwise strips and the strips are cut in four sections; thus making sixty-four pieces of newspaper, each two columns wide by one-fourth of a page long. The pieces are assembled into one pile and a spectator cuts it and removes the cut at piece, placing it in his pocket. The rest of the pieces are now burnt and from the smoke the magician discloses what is on the chosen piece, either by pretended mind reading or pretended clairvoyance as his showmanship dictates. All that is needed is a duplicate sheet of newspaper. Choose one without outstanding features such as large headlines or pictures. If you do the test with the host's newspaper, gain an opportunity to insert the duplicate next to its twin. When you are asked to do something or when it comes your turn, ask for the evening newspaper and a pair of scissors. Thumb through the paper and pretend to find two suitable sheets. Remove the duplicates, keeping them together. Tell the audience you intend to use two sheets, at the same time showing them the front of one and the back of the other. Now, keeping the two sheets together, cut as before described. While this will give a pile of sixtyfour pieces, each two pieces will be duplicates, that is, if you have kept the two sheets together as you cut them. Page 42

Ask someone to cut the pile and place the cut-at piece in his pocket or in her pocketbook. You should recede about ten feet while this is being done. After the piece is hidden, advance and complete the cut. With the pile in the left hand, ask for an ash tray and a match, at the same time slipping back the top piece to see if its duplicate is below. If it isn't, the top piece will be the duplicate of the chosen one. If it is, the bottom will be the duplicate. Take up a position about ten feet from the audience and arrange the ash tray, letting the required piece fall behind it. Now start burning the pieces of newspaper, burning only a few at a time. While pretending to get your information from the smoke, assimilate the text of the paper behind the tray. Slowly and indefinitely reveal certain facts contained in it. When placing more pieces in the fire you can turn the piece over and read the other side of it if you wish. By the time that the final sheets are ready to burn you should have memorized all that

is necessary so that the duplicate can also be burnt with the final five or six. After that, you can do the real revealing. If it is to be clairvoyance, after you have finished the spectator removes the piece and verifies what you have revealed. However, if mindreading is preferred, have the spectator hide his slip behind a book while he concentrates on it. Some will prefer to fold up the slip and make off with it while a third person burns the pile of unused newspieces. There are many points you will have to develope with your own showmanship. Each point must be played up to make it seem a genuine mental test. I know you will be pleased with this, so I wish you the best of luck with it.

B Y

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They call me baldy, the hairless wonder, and many other things, but when Mendoza asked me if I had the seven keys to baldpate, the hair just rose up on my head. Los Magicos recently had a wonderful time at the home of Chester Morris. Christensen sang a song called "Hot Days and Cold Nights." I didn't know it was in the boy, but strange things go on in Pasadena. Chris is still the neatest dresser of all magicians I know, and he is not in politics either. The Thayers, the Baxters and the Postels all took trips in the month of August into the Northwest country. Even magic people have to get some rest and get away from magic. After every vacation I always have to take a two weeks' rest. Cantu should be able to give us the low-down on the war news after he returns from England and France. If all soldiers were taught to do magic tricks, instead of shooting a gun, there would be no wars—if they didn't do card tricks. I would like to see Cardini manipulate his cards to the tune of "Over the Rainbow," the prettiest piece on the air today. The right music for any act makes the act. I talk so darn much I can't find a spot for music. I have only performed serious magic once in my life and that was when I was playing Chandu the Magician. I hope when the army starts calling for men that they will take some of these so-called magicians that work for five dollars a show. Then, maybe, some of the other boys can get their price. We on the West Coast are especially proud of the GENII, for its birth was here. Larsen appreciates any comment to make it a better magazine. Few of you realize the work it takes to publish a Magical magazine, especially when your articles come in two days past the deadline. Again reminding every Magician, who possibly can, to donate a FREE act for the kiddies and shut-ins on Hallowe'en, which is International Magic Day. Those in the Los Angeles area who are willing to help, call me at Richmond 5486. GENII

PRESENTATION FOR THE PIG TURNS ROUND by WM. W. LARSEN It was Paul Studham, of Chicago, who suggested that we run in the pages of Genii an occasional item regarding "presentation." We answered that we'd tried all that but Herman Weber had told us that our style was too whimsical so we'd called it quits. However, Mr. Studham insisted that many of the readers would enjoy it, that he would help out occasionally, that others would probably help, too. Such being the case, we throw caution to the winds and proceed. As far as we know, the Pig Turns Round effect was developed by U. P. Grant, who conceived it from a well known chalk talk item. As seen by the audience, it is a simple thing: a picture of a pig is drawn on a slate. It has a square body, legs, squiggly tail and a head fashioned something in the shape of a triangle. It is, in good truth, a "square pig." As first drawn it is looking straight ahead. However, at the will of the magician, the head turns about and the pig "looks round." The mechanism of the slate proper, which is well known to magicians, accounts for the spectacle, if it may be called such. My first slate was purchased from Davenport and served me well for a long time. Later, Thayer made up a slate for me that just fits the case I carry. I'm still using it. Holden, Kanter, Abbott and other dealers all sell the trick and every make I've had occasion to see has been quite good. I personally think the club size is a bit small for full effectiveness and prefer the one that is advertised as the stage version. Of course, if you're confining your conjurations to small groups, clubs, parties, and the like, the smaller slate will do nicely. In the beginning I have the head portion already drawn. This results in the eventual saving of time. The unprepared side of the slate is blank. A piece of chalk rests in my right coat pocket. I pick up the slate and show the blank, unprepared side. "In addition to being a magician, I'm something of an artist. The other day I chanced to give a lecture upon the development of modern art and afterward a small boy approached me and showed me a slate that looked like this. 'What is that?' I asked him. 'Why that, he said, 'is the picture of a cow eating grass.' 'But,' I inquired, 'where is the grass?' 'Oh,' he replied, 'the cow ate all the grass.' 'But,' I said, 'where is the cow?' 'Shucks,' said the boy, 'you October, 1939

don't think the cow would stick around after all the grass was gone, do you'?" (During the ensuing laugh, or chuckle—according to the feelings of the audience—remove the chalk from the pocket and, holding the prepared side of the slate away from the audience, appear to make a few swift strokes with the chalk on the prepared side.) "Well, sir, this same little boy then said to me, 'Mister, will you draw a picture of a pig? Now, I'm never one to refuse a child anything', least of all the cultural benefit that he might derive from my great art, so I replied, 'Surely, sonny, I'll draw a picture of a pig for you'." (By this time I have turned the flap side of the slate toward the spectators and draw in the ears, body, legs and tail.) "I drew a head, ears, a great big body, legs and even a squiggly tail." (At this time I pocket the chalk and hold the slate that all may see what has been drawn thereon. Invariably the ludicrous picture of the "square pig" brings a response in laughter.) "Then I said to the boy, 'Isn't that a nice picture of a pig?' And he said, 'No, no, that piglooks square, and I wanted a pig that looked round.' 'Oh, I exclaimed, somewhat astonished, 'you wanted a pig that looked round? Very well, I'll attend to it.' So I said to the pig, 'Pig, look round!' And, sure enough, the pig looked round'." (At this juncture the head of the pig is caused to turn on the slate.)

PICTUfie OF COW EJT/NG GRASS

PI6

TURNS ROUND

It is important to learn that the head does not turn until the very last work of the patter has been concluded. Oherwise it frequently happens that the audience will be watching the magician, listening to his words and not looking at the slate, in which case the entire effect is lost.

MAGIMINISTERS Conducted by the

REV. GORDON W. MATTICE 30 Trafalgar St., Rochester, N. Y.

I have had a most enjoyable summer visiting' here and there, picking up some new equipment and ideas. Had a most enjoyable visit with the Holden's in New York City, and also with George Krinog. It was my sad duty to attend the funeral service of Dr. Milton A. Bridges while in New York City. He followed our column with keen interest and made many suggestions to me from time to time. I have lost one of my best friends in magic. The magical world last month lost another great leader—Horace Goldin. The New York Herald Tribune of August 24th, gave him a very interesting write-up. . . . Picked up an excellent book that you must put on your shopping list. It is "Entertaining Children with Magic," by Eddie Clever. It is published by Evangel Press, Portsmouth, Ohio, and costs $1.50. What makes it of special value to magiministers is the supplement on "Sermonizing Magic" by Rev. R. S. Balsiger, which occupies the last 20 pages. There are many helpful suggestions and applications of tricks here. We are grateful for the two references to our column and also for the historical material on ministers in magic, and their use of it. There is a whole evening's performance outlined. There are many sermon ideas. Get the book, magiministers, it's one of the best things in print! The summer has brought many letters and some new magiministers. I have enough material for many columns ahead now. Had a fine letter from the Rev. J. B. Maxwell, Greenwood, Ark., a new-comer to this column. Been practicing magic for eighteen years, and was a semi-pro for a while, but felt the call to preach. He traveled for two years in Southern California giving magical object lessons. He uses an object lesson every Sunday morning. Just now he is preparing a book on the subject for ministers. We will await it with keen interest and anticipation. He would like to correspond with magiministers, so write him in care of the First Baptist Church. Letters also from Rev. E. L. Atkinson, Canastota, N. Y.; John Giordmaine who is uncovering Canadian MM for me; Bob Weill's cordial invitation to attend the Piff Paff Poof at Fort Erie around Labor Day; Willie Whiteside of Texas; Rev. F. A. Mills of Mt. Vernon, N. Y.; John Booth; Rev. Chas. C. Morrison; Johnson City, N. Y.; and several English MM's which I will introduce next time we meet. So, as they say, "keep tuned in to this station for further developments." Page 43

HUBERT T. BRILL REMOTE CONTROL PRESENTS Patter and presentation: When a magician performs an effect with a deck of playing cards it is necessary for him to handle and manipulate the cards. When a mentalist performs an experiment, employing the use of a deck of playing cards, it is not necessary for him to even touch the cards. All manipulations are mental rather than physical. Therefore, by way of demonstrating this principle, I shall now present an experiment of "Remote Control." For this experiment it is necessary that I have the assistance and co-operation of some spectator present. The spectator is asked to step forward and take a deck of playing cards. The performer then turns his back to the spectator so that he cannot see what is to take place; while in this position he further instructs the spectator for the continuance of the experiment. The spectator is instructed to thoroughly shuffle the deck of cards and upon completion of the shuffle to place deck face down upon the table. He is then instructed to cut the deck into three face down packets, each containing approximately an equal number of cards. The performer turns around and faces the spectator for a moment and asks him to point to any one of the three face down packets upon the table, informing- the spectator that the packet selected will be the packet used. The performer then resumes his former position, back to the spectator, so that he cannot see what the spectator is doing. Both the audience and the spectators are now infoimed that an aid to concentration is the association of either numbers or mental pictures to the object of ultimate recollection. Because of this fact the spectator is asked to take the packet that he had previously pointed to and deal the cards in that packet, which should now be held face down in his hand, into a face up pile upon the table. He is to count each card as he turns it face up upon the table. He is cautioned to do this counting silently so that the performer, whose back is turned, will not know how many cards are in the packet. The spectator is further instructed to, at any time during this procedure, mentally select any one of the face up caids that he sees while dealing them. He is to remember not only the card but the number at which it appears as well. Or, m other words, to form a definite association between a card and a number. (Example: The fifth card may be the seven of clubs, or the ninePage 44

teenth card may be the queen of heaits, etc.—both the card and its position must be remembered.) The spectator is cautioned not to stop after he has mentally selected a card, but to continue counting silently and dealing the cards face up until the entire packet is exhausted. He is then instructed to square up the packet and turn it face down upon the table. It should now be amphasized by the performer that his back was turned during this entire procedure and at NO TIME did he see the face of any of the cards. (At this time there are the three packets of cards now all face down upon the table.) The spectator is instructed to make a card "sandwich" by assembling the entire deck by placing one packet between the other two. The order of assembling these packets is optional with the spectator. The spectator is now instructed to cut and complete the cut of the entire deck as often as he may desire, thereby completely losing his mentally selected card. During all of this the performer still has his back turned to the spectator. Now the performer turns around to face the spectator. The performer then fans the deck facing himself and asks the spectator to concentrate upon the name of his card. The spectator is informed that to facilitate matters he is to take the deck in his own hands, and to hold the deck face down. The spectator is then asked to concentrate upon the number which he previously associated with his mentally selected card. He is then asked, to aid his concentration, to deal slowly face up upon the table a number of cards equal to the number he is concentrating apon, the remainder of the deck is to be placed face down upon the table. The performer now informs both the spectator and the audience that he is making a mental contact and that he is receiving a mental picture of the

Magical Proverbs From the little black book by KENNETH SHEELOR

"Mysteiy is for the favored of fortune."—Schiller. "First the wylie wizaid must be caught—for unconstrained, he nothing tells for naught."—Unknown. "Those who palm, and fail to hide —will keep the audience—outside." —Clapham.

selected card by "Remote Control" and proceeds to slowly leveal its identity by first naming the color, then the suit, and finally the value. Note: Before leading any further, I should like to point out, that although it will take the reader from five to ten minutes to read this effect, it will take only about one minute to perform before an audience. The reason for the length of this treatise is that I desire to make each move clear in the performer's mind. Modus Operandi: The only requirements for this effect is a "marked deck" or "readers" and an audience. If you follow the "Patter and Presentation" closely, there are but two steps for the performer to follow. The first step is after the cut has been cut into three packets and the performer turns to face the spectator and asks him to point to any one of the three packets, he "reads" (due to the markings on the back of the cards) the top card of the selected packet. This card must be remembered by the performer. The effect then follows the "Patter and Presentation" until the deck is to be fanned facing the performer. While fanning the deck the performer, apparently concentrating, is really looking for the card which he has "read" and memorized in the previous step. After locating this card the performer cuts the deck at one card above, or to the left of, this card so that when the deck is handed to the spectator face down this card is second from the top. (What has actually taken place is that the original packet of cards selected by the spectator is now in its original order on top of the deck with one card on top of that.) The spectator now dealing' a number of cards equal to his original number will leave his selected card on top of the remaining face down packet. The final step is to "read" the name of this card, which will always be the selected card (again possible due to the markings) and then to conclude by revealing the identity of the mentally selected card according to the "Patter and Presentation.' It should be noted that the selected card is never turned face up and at the conclusion of the effect no one knows its location. (The cards should then be picked up by the performer and shuffled before anyone examines the remaining packet and finds out that the selected card was on top of this remaining packet.) If you follow this effect carefully no one will suspect that a "marked" deck has been used because you apparently do not locate a selected card but actually name it without apparent ever knowing its location or seeing its face. To a spectator it is truly a telepathic demonstration of "Remote Control." GENII

SILK SECRETS by HAROLD RICE Selecting The Correct Size Silks Unfortunately there has never been a standardized size scale established for silks; or has this been an advantage? Regardless, no two can exactly agree on the correct size of silks for a particular use. Some say that the 20th century effect should be made in 18" silks, while others say a 15" size looks better, etc. I hesitate to say just which is most desirable, and question as to whether an exact statement can be made The answer lies largely with the individual and to his particular use. I do contend however that the LARGER size should always be used whenever practical, in any effect. Magicians are branded with the mark of being able to do marvelous sleights with small items that are difficult to watch, and whenever the same effect or sleight can be obtained with a larger silk with the same eas, the larger should always be used. This adds to the spectators' evaluation of the performers skill. Further, it makes it easier for larger audiences to clearly see the details of the effect presented. In a straight production, the sizes of the silks should be increased as the production continues. Let us say that a production tube will hold 100 cq. ft. of silk. The production should open with several small silks, say about 18" or 24" sq. This can be followed with a 30" silk, then several 36" squares. Several streamers can then be introduced, of various widths and growing lengths. A GRAND FINALE is essential, such as a 6' x 6' or a 36" wide streamer at least 4 yards long.

HAROLD RICE

ians (and I use it myself) use a 6" x 150' streamer for production, having assistant take the produced end down into the audience, continuing down the isle to the back of the theater until the entire streamer has been produced. It then can be used

THE LITTLE MAGIC MAN

as a "telephone" for comedy messages, etc., while assistant rolls it over her arm on her way back to the stage. Another use of the long production streamer is to work it back and forth over the audience, having the spectators pull the silk from the tube and pass it to their neighbor. Imagine an audience of a hundred or so spectators literally covered with a ribbon of silk, magically produced by the performer. This is usually an effect that they will long remember as they can see the full outstretched length of the streamer which is usually impossible on the stage. In closing then, permit me to briefly state that a production should not only be a quantity of silk, but also (1) of increasing sizes, or (2) a novel display of the length of the streamers.

by Al-Fagaly

Although some dealers do not stock all sizes, the following sized silks are available in the magical markets: 12" sq., 15" sq., 18" sq., 24" sq., and 36" sq. Silks larger than a yard square are also available from a few dealers, but most of these are made to order. The largest silk that I have had the pleasure of making was 24' square. Streamers are also available in any length varying in width from 6" to 36" wide. A rapidly increasing popular production item with magicians is the lengthy streamer. Larry Hess of Utica, New York, produced a 12" x 50' streamer from a ghost tube at one of the I.B.M. conventions, and it made such a hit with magicians that such a streamer went into many acts overnight. I have seen a few magicOctober, 1939

n_

Page 45

GENII

JUNIORS

A PAGE FOR JUNIOR MAGICIANS (UNDER SIXTEEN YEARS OF AGE) Edited by BILLY LARSEN, Jr. 705 S. Hudson, Pasadena, California

HE Pasadena Junior Magicians Guild held a meeting this month but I wasn't there so I can't tell about it. I hear that Spencer Crilly will be on the Pasadena Hallowe'en show on Oct. 30th. He was going to do a mind reading act like the Ushers but the last time I talked to him he said he had decided to wait a while before doing such an act. I think this is very wise because I have heard Dad and Mother working on such a show and I know it takes a lot of practice and must be perfect in all ways. Going back to the I.B.M. convention they practiced their code so much riding along in the car I got to know it about as good as they did. I also got to know the giant memory trick and can remember about twenty names called out by the spectators. I think this is very easy. School started late in Pasadena and since that time I have been doing a little magic but spending most of my time putting back together my electric train system, which is a good trick all by itself. Specially considering that we've moved and everything was all mixed up. Last week Dad was practicing with cups and balls but so far he isn't very good at it. Even my brother does about as well as he does and he is only eight. The picture at the right is my friend Billy Pitts. Billy has written me several letters and sends in a trick. I have not met him but some day hope he gets out here. The picture shows him producing a large bowl of goldfish from a small handkerchief. This is the trick that Thurston used to do. I never saw Thurston but have heard a lot about him. Billy has lots of ideas and I hope we can have more from him.

T

Just as we go to press I received a nice letter from Edward Saint, business manager for Mrs. Houdini, in answer to a letter I wrote about a Houdini clipping I noticed in our Pasadena paper. He tells me that Coronet magazine has a 5 page spread on Houdini this month, and there is an article about Houdini in the Sensation magazine, a photo in True magazine, a mention in the Times— all in all 7 mentions of Houdini's name in 24 hours. What magic in a name! Your tricks will be welcomed now because our page is a regular thing. Send evei-ything to the above address. So long until next month. Page 46

DIE BOX ROUTINE by BILLY PITTS 701

Lecta

Fort Smith, Arkansas

In regards to Spencer Crilly's Die Box vanish, in April Wrinkles . . . I have another little addition to the Die Box I use and it adds quite a little to the effect. I have shown this to two other magicians who have added it to their routine. My box uses a 2" die, so I made a duplicate 2" solid die. This rests on one table while die box shell and other die are on blackart table. I borrow hat and place it on table with lone die. I then ask person if hat had hole in it when they gave it to me, picking up hat with die concealed under rear brim, and look as if at hole in hat . . . Then remark, if there wasn't a hole in hat how could they get it on their head. This ruse is done so that I might pick up concealed die behind hat. Turn hat with top facing audience and place die inside. Set hat back on table and this part of the trick is over, so we do not have to worry with it any longer. Now go to other table, place die in box (to show it just fits) remove with shell . . . slide forward over art well, letting solid die drop into well, and set shell to front of table where all can see it, as it has all the ap-

1 lit.

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ill iilli feiP^^^B ^^^B

Billy Pitts

MB

pearance of the solid die. Show both sides box empty . . . Place die, meaning shell, which has been in full view all the time, back in box. Go through regular die box routine, showing vanish from box and for a real WOW finish the die is in the hat on other table. Of course assistant from audience may remove die if you wish. This may sound complicated in print, especially my way of telling it, but am sure you will have no trouble figuring it out somehow.

WRINKLES by SPENCER CRILLY Midwick Dr., Altadena, California

A unique wand may be made from a short piece of glass rod which may be purchased at your local dime store (the kind of glass rod used for towel racks). ~M

v

:%

THE FLOATING GLASS

Effect: The Magician covers a glass of water with a handkerchief and upon passing his hands over it the glass rises and floats in mid-air. Finally the Magician shakes the handkerchief out The glass has vanished !! Secret: Sew a wire ring (size of a glass rim) in the handkerchief and sew a long piece of thread to the center of the cloth inside the ring. Attach the other end of the thread to your vest and place the hankerchief in your pocket until you are ready to do the trick. Place the glass of water on the table and cover with hank (pushing glass in well or onto servante) then holding the wire ring through cloth giving the impression that the glass is still underneath lift it off table and hook thread over thumb meanwhile releasing the hank with other hand which leaves glass floating in mid-air. To vanish simply shake out handkerchief to show absence of glass. A certain Jr. Magician was demonstrating the Tip-See Milk bottle over his kitchen sink, after the levitation of the water he pronounced the Mystic words "Water Fall" and the water gushed out of the bottle right into a pan of his mother's fudge which in the sink. (This Jr. Magician no longer uses the Tip-See Milk bottle.) GENII

MAKING "MODERN MAGIC" MODERN by DARIEL FITZKEE ClIA.TIK

ONI

Piobably the ultimate in neive is thai a any namtd Fitzkee should have the tumtnty to zuitr a modelluzed vtision of llollman's ilassu "Modern Mclilic." But many ynuiK/ or shot l-ex/'erieiued inatjidans make the mis'.akt of taking the te.\l of that uloiious old z^otk too hteuilly. While many of the fundamentals ic/// always be f/ood time is no mistaking the "dated" quality of much of its (an tents, '/'his iiork, if I am not inn out of the ,ountiy befoie it is nunpleted, is intended as a (juide—as I see it—a inteipittii'tj "Modnn Ma/tie," anoidino to piesent day standaids. I apologize biforr I bit/in. D ut

Considering the great number of 'hobbiests" in magic and its popularity as a specialized method of entertainment, the literature on the subject is extensive. The secrets of doing tricks — good and bad — have been given to magicians generously in many books—also good and bad But there is a vast difference between telling how a trick is done and teaching how to entertain ivith it. The existing books, with few exceptions, do the former only. It is not of interest to this writer that you may succeed in astonishing your friends. It is of interest that you can deliver a pleasurable moment or two, as an entertainer, than to bore some poor guy stiff with a lot of misguided hocuspocus. The first rule, then, is this: "Never perform a trick that is not more entertaining to your spectator than it is to you." If you haven't got that kind of tricks, get the hell out of there. How can you tell whether they meet that requirement? There are a number of ways. For example: A yawn is a yawn in anybody's language. Watch their eyes. If they are interested you can see it. Watch their faces. If they are pleased it will show. Listen to their remarks. If they voluntarily discuss a trick with it, they are interested—unless they tell you it is lousy. Remember: The urge to discuss the trick must come from them, not from you. But if their faces are blank, if they look bored, if they seem to avoid you, while it might be B.O., Halitosis or one of those things, it might also be because the odor is from your tricks, not your arm-pits. And I do mean you. It takes more than a bar of Lifebouy to repair that condition. Sometimes a whiff of cyanide is the only lasting prescription. Don't listen to your friends who tell you that you are better than Cardini. You know damned well whether you are or not. As a matter of fact, you are not, so that's that. If they keep on praising you, bust 'em one and assure them you know you are lousy, but that you are doing the best you can. October, 1939

When you get more applause than other performers on the bill, when they run after you for paying dates, at better rates than the other guy on the bill gets, when they won't let you quit but demand more, then—and not until then—can you be sure that you have at least begun to be an entertainer. Who said magician? That doesn't count. What you must be first and last is an entertainer. If you can entertain 'em and fool them, too, you are an entertainer and a magician. But there is no place in the amusement field for a mere magician. The essential description must always include first the entertainment ingredient. Nobody cares whether you can backpalm fourteen decks of cards, ninetyseven palming coins and five ice cream cones. But they do care whether you look like an interesting person, whether you look like the kind of person they would like to know and watch, whether you can give them a few minutes of interesting' diversion. Lots of thing's go into the concoction. The choice of words, the tone and quality of voice, your carriage, your attitude, your breeding, your appearance, your ideas, your viewpoints— all of the things you look for—unconsciously perhaps—when you first meet a person. After that comes the material. "The student should cultivate the art of talking" appears literally in "Modern Magic." But Hoffmann forgot to add the indispensible adverb, "interestingly." It should really read: "The student should cultivate the art of talking interestingly." Maybe that accounts for some of the patter we hear—as a matter of actual fact, for MOST of it. The Magic Wand Forget it. These days it's corny. Tlie Magician's Table There should be no such thing. I do not mean that you should not use a table. But one of those starspangled atrocities with velvet drapes, long or short, and fringe and Christmas tree ornaments is definitely . . . OUT.

Simple, nicely designed stands, consisting of a plain base, standard and top, are all right. If you can camouflage the top in such a manner that there is space for wells or traps, without making the thing look freaky, go ahead. But you will find it difficult these days, playing lodges, clubs and the like, to be able to use them to advantage simply because physical conditions, working practically surrounded and many times close up, make their use impossible. There are many bases now on the market suitable for the modern smart entertainer. The ideal base offered for sale by Petrie-Lewis, in two sizes, with a plain top is quite suitable. Marshall, Thayer, Abbott and many other dealers have smart modern bases in keeping with today's styles. The Magician's Dress This, of course, depends upon the particular occasion. For theatre and night club entertainers the present best taste is to use formal full dress. But, and I am not the only writer to say it, John Booth went into some detail in "Foiging Ahead In Mag'ic," but, as I started to say, it should be modern in cut and styling. The best thing to do about the costume is to go to a tailor, whose opinion would be correct, and get him to advise you about the dress and the accessories to go with it. But, for the lord's sake, don't use your own ideas. Trick pockets and the like? In my opinion you should not even consider them, as anything put in them usually makes the clothes look funny. There is a proper place for every kind of dress. Try to find out all of the conditions, if you are playing a private or lodge, or banquet date. Then get the advice of someone who should know. It won't take long to discover what is proper and what is not. But have your clothes—dress suit, tuxedo, business suit—in good condition, clean and well-pressed. Your shirt, handkerchief—and, of course, yourself—should be clean. Don't overlook a haircut and a shoeshine. And for the love of Mike stay away from trick haircuts like comedy violinists use. If you have ever seen Kreisler or Heifetz you will find that even concert violinists have dropped that stuff. The more nearly you look and dress and act like a normal sane, sensible, intelligent human being—and not like some freak just escaped from the zoo or a lunatic asylum—the better it will be for you, and the better will your chances be to get somewhere as an entertainer. Page 47

MAGIC OF THE EAST

that was the start of the famous "Sawing a Woman in Half" in America. Sam Grossman has been getting plenty of publicity lately with his clever act of Mind Reading and he is already in big demand. Most of his effects seem to be real miracles and the kind of effects that have magicians guessing.

by MAX HOLDEN

The New England Magicians' Convention at Boston will bring out magicians of the east on October 7th and 8th and from New York City a large party is expected to attend and of course, all of New England. Charles Larson, unable to go to Paris, will go to Boston instead. October 13th and 14th brings the New York State Convention at Binghampton and again it is expected a large gathering will be on hand. It is said that Keith Clark is in town—back from London. October sees the JINX a weekly. Three effects and all of the latest news and events right up to the minute. It was a hard blow to hear of the death of Horace Goldin in London. Horace was playing at the Wood Green Empire and the highlight of his show was catching a bullet fired by a service rifle on a plate. By a strange coincidence this was the same theatre where Chung Ling Soo was killed doing this same trick back in 1918. Horace felt all right and after his show went home with his secretary, Wm. Martin, and the two men sat talking of business until 3:30 a.m. when Mr. Martin left. Less than an hour later Horace Goldin died from a heart attack. Goldin was a great performer and magician and also one of the cleverest close-up workers in magic. The cups and balls he had down perfect with many original moves. Well may I remember back in 1921 meeting Horace at the N.V.A. Club in N. Y. and introducing him to Mrs. Holden who had just that day arrived from England and how she described the act of Selbit who the week before had presented his "Sawing a Woman in Half". Horace was all interest and after a couple hours he said. "You know I have a 'Sawing a Woman' also, in fact it is my act and I put it on some years ago." The next day at the same club in which Houdini and Horace rushed over to us and told Houdini to put him on the S. A. M. Banquet program as he had a "Sawing a Man in Two." At the show there a very clever act was presented. A boy with white shoes was sawn in half and Page 48

MAX TERHUNE & SKULLY (Going through Arizona on way to North Carolina for P. A. tour)

Max—You are not very Western are you? Skully—Shore am. Why I used to work for Western Union. Max—I mean you never lived in the West or met Western people. Skully—I'll never forget the time Wild Bill Hiccup and me went— Max—You mean Wild Bill Hickok. Skully—No this feller had the Hiccups. Max—Wild Bill Hickok was a scout and a good one. Skully—I don't like to brag but I've been told that I was a good scout. Max—Did you and Bill go hunting? Skully—Yeh! Out jumped a grizzly and he started running- and I started running too with my gun in my hand. Max—Did you catch him? Skully—Heck! he was running after me, I wasn't running after him. Max—What happened? Skully—I saw a tree in distance and first limb was 40 feet from the ground. Max—Forty feet? Skully—Yeh! and bear was coming tail up and tongue out and gaining on me and there wasn't a minute to lose. Max—What did you do? Skully—Made a leap for that limb. Max—Did you catch it, Skully? Skully—Not on my way up, but I caught her coming down.

FOR SALE RUPERT HOWARD COURSE

Complete Price $30.00 RUDY MILLER 3S79 W. 6th St. Los Angeles, Calif.

From Wisconsin by WALTER THE MAGICIAN 63 Sterling Street Oshkosh, Wisconsin

Greetings! Everything is nearly arranged for the big State Convention of the Houdini Club of Wisconsin to be held in Kenosha October 14th and 15th. Mike Zens has been doing overtime work to make this Convention eclipse the one held in Oshkosh last year. Blackstone at the Riverside last week. My son, Jack Curtis, with Tony Platt and Mrs. Platt caught the show and reported a very nice visit with Blackstone. It was impossible for me to attend Percey Abbott's affair at Colon, Michigan, but Mike Zens and Prank Carter were able to go, as usual they had a wonderful time. Under heading Real Magic in September Tops, Percy Abbott tells of seeing Winston H. Freer in a Night Club doing a feature effect in which he invites a young lady from the audience to assist him. Wrapping a foulard around her, he picks her up, holds her on his outstretched hands and then slowly moves one hand and then the other hand away and encircles her with a hoop. She remains floating in the air, puts her back on her feet again and she does not know the how. I really would like to see it. Puts me in mind of one magician once telling me about having seen a lady magician attired in a sleeveless evening gown doing the bird cage vanish. The only thing he could figure out, the cage vanished via a large corsage bouquet the performer was wearing. Al Saal's article in the Linking Ring regarding Convention shows food for thought, he sights several grievous faults in advertising socalled headliners who he states have no intention of appearing. Fellows like the oldtimers who have attended all the Conventions, have always been ready with their shows, are the ones that should be given real consideration. I believe the Convention Committee of both the S. A. M. and the I. B. M. should give this very serious consideration. After all how many contributions in the Sphinx, Linking Ring, and Genii do we get from these headliners? Don't forget any of you magicians who are in this vicinity October 14th and 15th, try and arrange to attend the Convention at Kenosha. Any of you who take a vacation why don't you try Wisconsin some time, you will fall in love with it, ask Bill Larsen, he knows. GENII

PACING THE LADIES . . . by GERALDINE CONRAD

Bagdette

Women in Magic

A Magic Bride

A grand month! An autographed picture from Roberta Byron which I shall treasure, and a nice newsy letter from Kathryne Campbell written from Bangor, Maine. She tells me that the Loring Campbell Co. now have a new stage setting. They open with a red and gold background and in the second half have a royal blue and silver setting. It must be beautiful! I am a staunch believer that an act which is beautifully dressed and well staged has a decided advantage and a head start before the actual presentation begins. Kathryne says they have been jumping such distances that going from Tennessee to Maine now seems like commuting. That is show business! And such letters with news from our friends here and there make me want to start packing and doing a bit of commuting myself. However, we are having fun right here on the coast. This past month we have had visits from Russ Walsh of Chicago, and Robert Anderson of Dayton, Ohio. Their time out here was all too short. Also, we had the pleasure of attending the mystic 13 fun and frolic get-together at the home of the Mickies in Los Angeles. Mrs. Mickie is one of the most gracious hostesses that I have ever met and their magic club house which Mickie built himself is the ideal magic room of every magician.

DOROTHY JENKINS

Colleen Sword and Bernard Giannini said the "magic words" at the most beautiful and important wedding of the fall season, Tuesday, September 26th, in a high noon ceremony at St. Brenda's Catholic Church. Clusters of easter lilies and shaggy white chrysanthemums outlined the huge cathedral and white roses were arranged in the chancel. Tall cathedral candles tied with white ribbon and orange blossoms were the only light. The bride wore a gown of silver and white lame with long sleeves and paniers at the hipline, extending into a court train. A full ivory tulle veil fell from a coronet of lame and she carried a shower of white orchids. Attendants were e x q u i s i t e l y dressed. The little flower girls frocked in replicas of the Velasquez painting of the Infanta, in gold lame with full crinolined skirts. A reception and wedding breakfast for 150 relatives and friends was held at the Town House after the church ceremony. Mrs. Sword, mother of the bride, received in gray blue valvet with matching turban and corsage of orchids and Mrs. Giannini, mother of the bridegroom, was in soft beige with aigrette hat and orchid corsage. Mrs. Bernard Giannini is welcomed with open arms by magicians and their wives. Coming with Bernie to magic meetings and parties she has always taken an active interest and her graciousness and charm have won her a definite place in the hearts of all of us. Congratulations to you, Bernie. And to you, Colleen. May the magic ring of matrimony bring you both happiness ever after.

Recipe of the Month

You have heard of lady magicians in this column many times in the past but this month I am going to introduce to you a lady ventriloquist. Meet Miss Dorothy Jenkins, of Pittsburgh, Pennsylvania. Dorothy is just nineteen years old and has been doing vent work for the past two or three years as well as bits of legerdemain. Magic intrigues her, but ventriloquism is her special field. The names of her dummy family are Gus Watt and Sue Watt. Here is her picture with Gus Watt.

A fine specimen of dummy manhood you'll agree. Dorothy operates a Birthby WAVA GILBERTSON day Club for dummies. Every self-respecting dummy should have a birth Genii Gems certificate, because one must be presented before enrollment in any school Ingredients (wooden that jar you?) Have you a 2 cups sugar little dummy in your home? If so send 1 cup shortening his name, place and date of birth 3 eggs beaten (place where manufactured), together Magigals just met once this past 1 cup sour cream with a photo and you will receive an month but that meeting was one of 1 tsp. soda dissolved in water official birth certificate for it. Her our very best. It was held at the home 1 t. vanilla address is 356 Ophelia St., Pittsburgh, of Mrs. Houdini in Hollywood. This 1 t. salt Pa. All of which reminds me that my was a business meeting and a great 4 cups flour dummy "Tom" was born in England. deal of important work was accom2 tsp. baking powder. Does this make him eligible for the plished. Although we did not have a Method war? Wooden that scare you? Im- regular magic program this time a Blend in order named. agine poor Tom being fitted with a great deal of incidental magic was gas mask—oh, why did this birth cer- done during the evening. The best Trick to It Add a few raisins and nuts to this tificate business ever come up? How's trick of all being the production of a recipe or for Oct. frost with white about it, Dorothy, can you make an marvelous repast from behind a American citizen out of him? gorgeous teakwood screen. frosting and add a pumpkin design.

Magigals

October, 1939

Page 49

A Letter From Europe

by DR. VAN DUSEN Written Before the War

I think I wrote you from Paris about Chevalier producing bouquets, silks and a live dove from a hat, and about the chorus girls at the Casino doing HaskelFs cane routine in unison but I don't believe I got to tell you that while in Berlin we went to the Winter Garten and saw Ade Duvall doing the 20th Century Silks, Blowing the Silks Through a Tube, and his Rhapsody in Silk production from Phantom Tubes. One thing I noticed that might be of interest to some of the magicians was the display that Conradi, the German magic dealer, has in the Winter Garten. In the inner lobby of the theatre is constructed several large show cases with glass fronts and here is displayed a variety of books and apparatus. There is a hand carved from wood, life size, and between each finger is a billiard ball, to demonstrate the ball trick. In a similar manner a number of his more important tricks are shown. The vaudeville show is in two parts and in between is a lengthy intermission. During intermission I noticed quite a few curious spectators standing in front of these show cases. I thought this was an especially fine ad for a big magic dealer in a city where there are always magic acts of some description. There is one other large vaudeville house in Berlin, called the Scala, and I noticed from their ads that they also had a magician on the program. I do not remember his name. It might be of interest to some of the boys who are always keeping up on what is new to mention a trick I saw performed by a comedian in one of the European show houses. Maybe it is not new, but it was a new gag to me. This is the effect. The actor comes out with a harmonica and plays a few notes. He stops, makes a face to indicate the thing is out of tune or no good, and throws it down on the floor, where it hits with a thump. He then reaches out in the air, as in the cigarette production, and gets another harmonica. He tries to play a piece on this one, but it also is not much account, so after a few notes, he throws it away. After this is done the third time and he has thrown the third one away, a real tiny harmonica appears between his lips and he walks off, playing it without using his hands. It was novel and funny. In London we saw Dante's show. This is a full two and a half hour show and every item was good. I saw a lot of illusions I have never seen before and I must admit that I was fooled more than I have ever been at any magical show. I cannot begin to describe it. In

fact by now I guess I have forgotten half of it. There were two illusions that greatly appealed to me. I guess they would be in the category of "sucker" illusions. One was supposed to represent a magician doing an illusion with the audience back of him instead of in front of him. The curtain goes up, and all the apparatus is facing the back of the stage. All the assistants and Dante have their back to the audience and talk to an imaginary audience in the direction of the backdrop. You see a box or cabinet with a secret shelf behind it (facing the real audience) and a girl lying hidden on the shelf (out of sight of the imaginary audience). Dante goes through all the moves of exhibiting the box empty, turning it around, etc., and you see how cleverly the girl is hidden from view at all times, and how she quickly gets into the box through a hidden panel. The upshot is, that when he goes to produce the girl from the box, she comes up from the audience, and a man is produced from the box instead, so that even though you see the trick from behind, you are as mystified as ever. The other one that appealed to me was a sort of dramatic skit representing a magician who had just received a trick in the mail that day, and was attempting to rehearse it before presenting it in public. The trick, or illusion rather, was a couple of boxes, big enough to hold a person, and some other apparatus. A couple of assistants were used. Dante was dressed in old work clothes and the assistants were in ordinary clothing. In other words, the impression was created that it was taking place back stage in the morning and was simply a rehearsal. First Dante read out loud the directions which came with the trick, giving away the secret (supposedly) and telling just how to perform it. He follows the directions, or tries to, but nothing happens right. He puts an assistant in one box, and then, while he is trying to make out the moves which follow in the instructions, the same assistant steps out of the other box. This confuses him, and he gets all mixed up, apparently. The net result is that the two assistants keep changing places and everything else happens to confuse the magician and baffle the audience, so he has to give it up as a bad job. It is very funny, because the unexpected keeps happening, and it is an act full of surprises. NEXT MONTH

DR. VAN DUSEN Will tell you more of his travels

Page 50

"Magichatter" by CEDRIC

(All correspondence to Cedric, 13, St. Peter's Avenue, London, E. 17.) Calling All Cards: With the outbreak of hostilities the entertainment world in general in this country is at sixes and sevens; all theatres and cinemas being closed, however it is hoped that they will soon be opened. Many club and private dates are lost also, and children's shows in London will be far and few between in event of the evacuation. A recent letter from Charlie Larson saying that he'd be over here this September; sorry that we shall not be seeing you now, Charlie. CHEFALO has now left this country with his fine show after having played the leading vaudeville houses most successfully. MURRAY is playing successfully in Berlin (or was) and also DANTE was playing Berlin to good houses. THE DEMON CLUB has closed for the time being until things get a little more settled. Magical news seems rather scarce now because of present state of affairs so maybe we'd better be a little more personal. A fine letter from CARYL FLEMING and we are glad to know that he has recovered from two recent relapses; SID LORRAINE sends me a long promised letter. We were half hoping he'd forget so he could be called over the coals. A fine newsy letter from ORVILLE MEYER whose contributions grace many magical pages these days. He wishes to know who impressed me in the States as the best conjuror . . . a most difficult question to answer . . . I still cannot make up my mind. Many letters of late from TED ANNEMANN; He had a full page of pictures in an English magazine— "Everybody's"—some short while back showing Ted doing his famous bullet catching effect. We're awaiting his weekly Jinx. I notice that my "Calling All Cards" has been borrowed . . . We are complimented and didn't know it was as good as that. FRANKLIN sends a nice letter with some most interesting facts regarding TAMPA who recently died. A great shock to the Magical World was the death of HORACE GOLDIN. He was playing Wood Green Empire . . . the same vaudeville theatre that witnessed the tragic death of ChungLing Soo, who died whilst doing the bullet catching effect. Horace Goldin was beloved of all in the profession. Not only could he present masterly stage illusions but he was a master GENII

with close-up effects. I last met him on Waterloo Station as the American party left for the boat train en route for New York. There was a large number of magicians, friends and other members of the profession at his funeral. Although Horace Goldin has passed, the name of Horace Goldin will live forever. Levante has cancelled many bookings he had planned to play Paris. With Sidney I went to Shepherd's Bush Empire to see CECIL EYLE assisted by his chaming wife L U C I L L E L A RPARGE. He has many new effects in his act making a great splash of the Clay Pipes effect which gained a fine hand from the audience. His finale "Guarding the Crown Jewels" is a great and now topical finish. A curtained throne is shown entirely empty.... and suddenly a lady appears dressed at Brittania .. . with the appearances of flags from all parts of the setting. A visit backstage proved most interesting. They still have pleasant memories of their trip in America and wished to be remembered to all their friends . . . . which goes for myself also. REPORT EXPOSE COMMITTEE (Continued from Page 41)

exposure in the entire picture. They had a member of our committee present on the set during the shooting of every magical sequence and cooperated to the fullest degree by abiding by the opinion of this member in regard to any questionable exposure. Such co-operation should be rewarded and this will be the first motion picture ever released to have permission to place upon the screen a complete approval of the I.A.M. Less cheerful is the fact that, thus far, Walter Wanger has not cooperated with magicians regarding the deletion of exposures in the picture "Eternally Yours". In the latter the substitution trunk, plus other effects, is fully exposed. It is quite possible that Mr. Wanger has not yet seen the full harm that such give aways will do to the magical fraternity; that exposure strikes at magicians not only from the standpoint of art but also from that of economics. It is to be hoped that Mr. Wanger will alter the picture before its final release and, thereby, incur the thanks, rather than the ill feeling, of thousands of magic lovers.

bert Brill then turned on the heat and showed us some mental effects with cards that were baffling. Of course, when Peter Godfrey and his by RUDY MILLER version of the egg-bag trick appeared Two important Los Magicos meet- it put a wonderful finish to an imings and a stag party this past month promptu show which pleased everyhave kept members busy and just body. Many too late for this month's Genii is an- fine meeting. thanks to Chester for a other grand meeting at Edgar BerOn September 11th our meeting was gen's. However, we'll tell you of it held at the summer home of Sylvan next month. This setting was beside the On August 28th Chester Morris en- Wolf. ocean and during the meeting we tertained the members at his beauti- could hear the roaring of the waves. ful home in Beverly Hills. This was A very fine show was presented "no magic" night but as usual magic with L. 0. Gunn as M.C., who rewas ever present! The evening's festivity was started versed the procedure and produced off by a motion picture of Robert a glass of water from his foot instead Benchley and his magic skit. Fol- of his hands. John Platt, one of the lowing this the full length M.G.M. guests, then did the 10 cards routine picture of "Miracles for Sale" was and a wonderful version of the "cups shown on the silver screen and was and balls." Hubert Brill did a trick well received by the members and for Bob Weill, which was very well their g'uests. However, the best parts received. The only member of the of the picture were the wise cracks club to stick to the notice was Bert that were inserted by members of the Kalmar, who actually prformed a audience. The remark from Leon water trick. Our new member, Peter was a gem. After the picture a won- Godfrey, did a trick with a bottle derful dinner was served by Beverly which he claimed was as good as any Hill's most famous caterer, Bob Mur- water trick. Harry Usher again phy. How Chester inveigled him to showed us how to produce money out come over and serve this delicious re- of thin air. Gerald Kosky was chapast is a mystery we can't under- grined when he did a sleight of hand stand. After dinner, naturally, some trick and performed all the sleights magic had to crop up. The hit of perfectly until he got to the climax, the evening was Dr. Saint and his when he found out that the deck he burlesque presentation of a flea cir- borrowed from Hubert Brill was a cus. When he produced an enlarge- forcing deck, which nullified the effect ment of Caryl Fleming's cigarette of the trick. Then Gerald, not to be case decorated with lead slug's, etc., outdone, did another mystery trick Caryl laughed the loudest. Gerald which was really baffling. Caryl Kosky mystified us with a routine of Fleming astonished everybody with a card tricks and he really had Andy trick. He calls it the "IncompatabilDevine baffled. The ever ready Hu- ity of Molecules." At this time Sylvan Wolf invited everybody present to Thelma Todd's for a wonderful fish dinner.

LOS MAGICOS LEGERDERMAIN

The stag party given by Los Magicos for Bernard Gianinni was held high in the Hollywood Hills, away from everything, on Monday evening-, September 18th. Gil Valle did a fine job of seeing that everybody had enough to drink and were well fed. Harry Mendoza saw that we had a wonderful show. Of course, the girls -wore beautiful, but the act that reallv made a hit was the ventriloquist. Bernard was kidded all evening, but he took it good naturedly and enjoyed the festivities very much. All told it was a wonderful evening and everybody had a good time. WANTED TO BUY~at all times—Used standard Magical Apparatus, books. No home made junk or secrets wanted Must be sent on approval. Check by return maii or goods returned prepaid. Please put your name on my maiiing list for bargains in Magic. OTTO WALDMANN

RAG PICTIJ RES WANTED >

Also

other novelty art items ROSS BURLEY

Box 933, October, 1939

Lou isville, Ky.

Introducing Walt Kaeber, chalk-talker magician, shadow graphist, and Genii cartoonist

332 East 77th Street 40 Years in Magic

New York

Page 51

then doesn't want them to attend meetings ? Bill Larsen is in charge of the entertainment for the big Halloween Show. Well, only time will tell. NOW that Bert Allerton is out again the boys will see a lot of good magic at the meetings. DO you know that— The B'lackstone Grill is across the street from the Mulholland Cafe in San Luis Obispo, California. Charlie Hoffman's theme song should have been "Cigarettes" from "The Tales of Hoffman." Gerald Kosky does wonderful card magic with a one way deck. Bill Hockey has opened a recording studio in Pasadena, which has started with much success. The cow-boy Max Terhune had to borrow a six-shooter from Doc Trask before leaving on his last p.a. tour. CHARLIE McCarthy renounces the parentage of Frank Marshall in a two reel technicolor picture. THE Expose Committee, I believe, would get much better results from the big movie producers by using more tact and less threat. RUDY Miller, the greatest of all club secretaries, was tendered a golden card of appreciation by Los Magicos members. MYSTERY of the month! What became of the receipts of the last Mystic 13 Show? YOU don't suppose the Dr. John Mulholland, Professor at Columbia University, referred to in Dr. Heiser's book "The Odyssey of an American Doctor" is THE John Mulholland. HIGHLIGHTS of the month— The late evening and early morning spent with Russ Walsh. The Bernard Giannini high noon wedding. The Edgar Bergen magic meeting. The Harry Mendoza stag party at which Dick Wilcox had such a good time. What exclusive magicians club elects people to affiliate membership and

JOIN A MAGIC CLUB IN NEW YORK CITY Writ* -Knights of Magic c/o DR. AARON WEISS 421 Seventh Ave., N. Y. C.

Initiation Fee, $2.00 Page 52

Annual Dues, $3.00

I hate war. Max Terhune hates war. I hate Max Terhune! Did you know that Fred Kapp developed his second dealing ability practicing with dollar bills?

Chicago Notes by GEORGE TROSETH 618 N. Austin Blvd., Oak Park, III. READING TIME, 2 MIN. 30 SEC, but what's time to a magician

JOAN BRANDON is currently at the Continental Room, Stevens Hotel . . . MARTIN BARNETT at Hi-Hat Club and TONY MARKS and CO. at State-Lake Theater . . . MARGARET and A. NOVAK are doing the San Francisco World's Fair. ("TONY" is Sec't'y S.A.M.—Chicago) . . . some time ago this column said, quote, "SID LORRAINE is one clever fellow" . . . well he more than proved it on the night of Sept. 9th, at Colon, Mich., when he acted as master of ceremonies at ABBOTT'S sixth annual convention . . . he was heckled no end by MONK WATSON who also turned in a sparkling performance . . . the excellence of their work, plus the harp playing of MRS. RAYMOND and IRELAND'S Cups and Balls Routine professionalized the program and more than made up for the weakness of some of the acts . . . all in all a fine show and will, no doubt, be written up in detail elsewhere . . . oh! Yes, the audience liked SID'S claim that he was the receipient of a medal for having written the smallest book in the world, the title being, "Who's Who in Germany" . . . Certainly a pleasure to renew acquaintanceship with MRS. and JIMMY (perpetual youth) TRIMBLE . . . CATHERINE and LORING CAMPBELL, ANN and FRED STERLING (MAHENDRA) . . . and not to forget the "perfect host," PERCY ABBOTT . . . On leaving ADRIAN SMITH was overheard to say, "Now that the Convention is over all magicians' wives will now go back to their husbands."

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on, Secrets, Instructions, 80 Del-Ardo Effects Magic, Mind Reading, Escapes, Spiritualism, Fire Eaitng, Ventriloquism, Hypnotism, Bargains Used Magic, Etc.

LOUIS MANLY 1315 S. Ferris Ave.

Los Angeles, Calif.

ANTER'S OMMENTS With the summer season over, the magicians are returning to town with high hopes of a good season. Tony Marks, at the Walton Roof, a fine magic act; he tells me that he is a grandson of "Carter the Great". Well received by the patrons and held over. Don Rogers returned after a successful tour through the summer resorts. George Morton also returned from a similar tour and is now all wrapped up in photography; his second attempt at snapping pictures brought him first prize in a newspaper contest. Paul Duke sent me one of his new circulars, a huge one, containing some seventy-five write-ups. He is now billed as featuring "Rythmagic", "A Symphony in Smoke" and "Magic in Rhyme". Haskell, working steady, just purchased a brand new Buick from Tom Johnston in Cleveland, who is Sales Manager for that company and a clever magician. Dr. Y. passed through town on his way to New York City after playing a long season through the mid-west with his second sight act. A. G. Steen spent his vacation here in Philadelphia (his home town). He letf for Florida where he conducts a large fruit market. Ventriloquists are dressing up their acts for the coming season judging from the large amount of figures I sold during the past month. Arno and Zola reports dates coming in. They have a beautiful act using large production of flowers. Roy Howard after playing up-state clubs returned and advises me that he is no longer single, having been married a few days ago. With the Fall season now starting, many out-of-towners drop in; among the recent—Tony Marks who will return to Chicago after his local engagement; Russ Hughes from the coast, who played at the Earle Theatre and then on to the Roxy Theatre, N.Y.C. from here; Ralph W. Read, who is always a welcome visitor; Mr. and Mrs. Chas. Jones (The Colta's) from Harrisburg, Pa.; DeMott, Magician and Circus Clown; J. A. Forsythe, from Washington, D. C. "THEY ALL MEET AT RANTER'S. GENII

The Seventh Annual Piff Paff Poof September 2, 3 and 4

Stewart James made history by predicting the headline of the Buffalo Evening News for September 1, a year in advance. Thus the Piff Paff Poof doings, held at Fort Erie, Ontario, annually received a good send off and James became known as the man who started the second World War. Early arrivals on Friday night had an impromptu party. Lesta showed movies. Doc Burger was baffled by the "Red and the Black." Ted Heuber had fun initiating people into the Elephant Club. Joe Ovette was sad because he left Mexican Joe home. All in all about twenty were on hand. Saturday the second, the crowd began to arrive. Registration, drinking ale, and impromptu trix were the order of the day. Many new faces were on hand, quite a few of whom came for the sake of doing their act on the big show. At 6:30 p. m. Joe Ovette saw to it that everyone was ready to sit down for the banquet. The Mayor of Fort Erie and the president of the Chamber of Commerce were on hand to extend the community's welcome. Tom Bowyer was prominent by his absence due to circumstances beyond his control, so Bob Weill had to stumble along as toastmaster in his place. Immediately after the banqet, the Poofers rushed from Mather Arms Hotel, convention headquarters, to the Fort Erie High School auditorium, where the public show was to be held. The program offered many and varied acts, and Les Gilbert, of New York, emceed and presented the following acts: William Daview. . . .Hamilton, Ont. Maurice Grinstead. . Hamilton, Ont. Elmer Eckam . . . . Rochester, N. Y. William Russell Batavia Stewart James . . . Courtright, Ont. John Halloran, Niagara Falls, N. Y. Garry Gilbert.. .Port Huron, Mich. Bert Yorke Toronto Lesta The World Traveller "Red" Lynch. .Niagara Falls, N. Y. The auditorium, with a capacity of 600, was filled to overflowing' with 100 others standing. All the townspeople and magi voted it a huge success—and, as usual, the kids had a grand evening of fun and magic. The exploding suit case was used only once on Gilbert by Ovette and Bob Weill. Sunday afternoon, the famous Piff Paff Poof Auction Sale, with Ted Heuber, as auctioneer, was staged. Every magician must have bought a car full of magic. The room was filled October, 1939

to overflowing. Ted did a marvelous job. Over $1,000 worth of magic at list prices were sold—with almost $125 changing hands. Some auction! Some bargains! That night, Doc Burger put together a real hamburger and refreshment party, with magic on the side. Joe Ovette emceed an impromptu show in which just about everyone participated. The party went on and on far into the night— Monday morning was spent in helping the newsreel stage land shots of the Underwater Packing Case Escape, which Ovette was to perform that afternoon, underneath the Peace Bridge which crosses the Niagara River between Buffalo and Fort Erie. However, the act was never destined to be completed, for that afternoon at the last minute, the police stepped in and stopped it. Ovette and Weill had overlooked the fact that cables and a lifting derrick were imperative to the stunt—a feature which neither Houdini nor Blackstone publicized. The newsreels were late on arriving on the scene that afternoon; had they been on time the stunt would have been completed before the police's arrival. However, all magicians had a good time and voted the party one of the best ever. About 100 attended, coming from New York City, Ohio, Indianapolis, Indiana, and many others were on hand from all over eastern United States and Canada.

My son sure is a better salesman since he took up magic.

CHICAGO CHATTER by JIM SHERMAN I 19 South State Street Chicago, Illinois

A program sent us from Wintergarten in Berlin showing- the June show, features ADE DUVAL on a 16 act bill. DUVALL was spotted next to closing. This is no surprise as DUVAL is capable of heading any bill anywhere. BLACKSTONE in town for a few days. RUSSEL SWANN still in town. RUSSELL has been playing club dates during the summer season. TOMMY MARTIN opened at the STATE-LAKE Theatre on the 11th and was a sock hit. CARDINI opened at the swanky Empire Room in the Palmer House on the 23rd. All the newspapers gave him raves which he so justly deserves. The famous GWYNNE FAMILY are currently at the Hotel Nicollet in Minneapolis, where they have been held over because of their unusual popularity. Minneapolis papers give the act a tremendous boost. TONY MARKS show at the State and Lake Theatre for return engagement week of September 9. On an 8 act bill TONY undoubtedly is the outstanding act in the show, judging from the applause and merit. He works with cards, thimbles, silks,— also, there is a dove and a rabbit. Watch this young fellow—he is going a long way in magic. BILL BAIRD currently appearing at a swanky night club in Eagle River, Wisconsin and is doing a great job. DOC TARBELL getting ready for a tour of the Northwest. He has added a number of new items to his already fine repertoire. PERCY ABBOTT and his charming wife and boy dropped in to say hello. LES SHOLTY, originator of HOUDINI DAY and Popular Magic enthusiast who combines magic with business, dropped in for a gab-fest. C R A N D A L L , popular orchestra leader magician playing leading- night spots around Chicago, and causing much favorable comment with his clever magic and patter.

Color changing knives $3.00. They change right before your eyes, black to pearl, pearl to black. Complete with instructions, written by Jimmy Sanders, "The World's Greatest Knife Manipulator." Order from your dealer or direct from factory

SANDERS MANUFACTURING COMPANY

Nashville, Teim. Page 53

THE MASTER CLUB ILLUSION (Continued from Page 39)

BLADE are in the same position at the rear of cabinet. Now inset within the two sides of the cabinet on the interior are hinged two mirrors. The method of hinging the mirrors is shown in the illustrations, Pig. 6. These are hinged so that they come together, meeting at the center of the cabinet at angles of 45 degrees. The mirrors, however, do not extend right back to the rear corners but are hinged four inches away. The whole interior of the cabinet is covered with striped material (cretonne is quite suitable). This includes the backs of the mirrors and that portion of the sides in which they fit. Now we will take up the construction of the two slides which fit at top and bottom of the cabinet and serve to carry the knife racks. These are made in two parts. The larger part is the only one free to slide, the smaller portion being permanently fastened to the back piece. See Fig. 3 and Fig. 7-B. These two slides are made by using two sheets of Vi" three-ply and two pieces of %" x %" stock which forms the edge of slides and serves to separate the three-ply. Again I refer you to Fig. 7-B and 7-A. As will be noted these slides are hollow. The hole cut in each is made to fit the girl's body. The hole in the top slide is slightly smaller than that in the bottom one. Sizes of the holes can be found upon experimentation. They can be fitted exactly, if you have an assistant already and can be average if you wish to use a volunteer spectator. There are two holes, one in each slide to accommodate the long "nail." The two knife racks are constructed of 2" x %" stock, the top piece being cut in the form of a handle at each end. Two long recesses slightly wider than the blade are cut on a circular saw in which the blade moves freely. However, the blade has two pins which fit in loose holes, thus preventing the blade from moving when it is shown solid and secure. These pins are dropped out when the rack is laid down, either on the floor or a table. Two stops are also incorporated in the two slides (mentioned above) just in front of the holes for the vertical "nail" that hides the edges of the two mirrors. The blade of the knife rack is made of heavy sheet iron and cut in the manner shown. The holes for the reception of the swords are bored in the two sides and I have neglected to show these since their use should be quite apparent and their placement is merely a matter of construction. This completes the details of the apparatus Page 54

except, possibly, of some minor points that can be easily found by the reader. PRESENTATION: Have the two slides resting on the table. The two knife carriers with blades down rest against the table. Cabinet is at back of stage. It is brought forward by the performer and as he brings it down stage he gives it a twirl thus showing all four sides. Cabinet is stopped with front facing the audience. If you desire to secure a girl from the audience it is advisable to get her now—YOU WON'T BE ABLE TO AFTER DISPLAYING THE KNIVES AND SWORDS. Get the girl on the stage and place her within the confines of the cabinet. Now pick up one of the slides (bottom one, preferably) and slip it into the cabinet. Now as soon as it is in place, pick up the top slide and slip it into the cabinet. Now one hand goes to the front and begins to draw it closed while the other enters the cabinet and quickly swings the mirrors into place. This movement is shielded by the performer's body and it can be done very swiftly, and indetectably. Close the front door and fasten it into place with the hook. Pick up one of the knife racks and demonstrate that it is solid and sharp by cutting a cabbage in two. Lay it down, reversed so that the loose pins fall out on the floor or table. Secure the other one and repeat the above performance. Set this one down and allow pins to drop out. Now slip the two knife racks, one at a time, into the two openings in the front. Do this slowly and impressively. The knifes apparently penetrate the girl's body and the two side pieces emerge at the rear. This operation should be performed with the side of the cabinet to the audience so that spectators are allowed a clear view of the rack entering and its appearance at the rear of the cabinet. Now the cabinet is swung so that the front faces the audience again and the swords are thrust through the sides of the cabinet. The large sword or "nail is then thrust down through the holes in top and bottom slides. Now the two small doors are opened and the girl's body has apparently vanished. A reversal of the above moves serves to release the girl. This has been a cherished secret of mine and I think very hig'hly of it, not because it is my own origination but because I have found it 100 percent effective and worth three or four pounds of massive apparatus. I can only conclude with the words that to those who make it, will find that they have a small, compact illusion that is outstanding. (All majiufacturmg rights reserved.)

Pasadena Magicians' Guild Wm. H. McGee, Jr. On the evening of September 12th, fourteen members gathered at the home of Doc. Culver for the regular monthly meeting. After the business session the meeting adjourned to the garden for the usual show. Doc Culver, taking the role of emcee, first presented Frank Stratton and his linking rings. Paul Smith then did a clever poker deal. Bill Larsen stretched a rope and showed the new thumb tie with pipe cleaners. Bill McGee almost succeeded in doing a mental effect with cards. Ralph Gallinger really did a mental trick with cards. John Joslyn, in his initial bow as a magician, vanished a lighted cigarette in a handkerchief. Phil Dillinger presented two card gags.

New Jersey Magicians Society by AL MINDER

The first meeting of our fall season was called to order by our president, Ed Mishell, September 7, 8:45 p. m., at Hotel Douglas, Newark, N. J. This was a special meeting, having been called one week sooner than scheduled, and termed Jack Whelan Night because of Jack's leaving us to enter Notre Dame University.

SEATTLE NEWS by CHARLES N. SMITH

Frank R. Joy, president of the Seattle Magic Ring, presided at the big annual picnic at Tapps Lake. Official host and hostess were Mr. and Mrs. A. Eastman, who had prepared a huge table 120 feet long, where all lunches were served. After a grand lunch, the outdoor doing's and contests started—what fun with Myrl Hickerson as outdoor chairman; then to the dance hall where Jimmy Eyster "took over" as M. C. Mr. and Mrs. Eastman were extended appreciation for a wonderful day and time at their lake, and so closed our Second Annual Picnic with over 100 magis and their wives and sweethearts sorry it was all over. Two big club shows are booked for October, first at the Roxey Theater, Renton, Wash., October 4th; sponsor, Young Men's Club; the second at the Foster High School, Foster, Wash., Oct. 20 (return date) ; sponsor, Foster P.-T. A. Association. GENII

THE HIT AND MISS PARADE Please send all material for review to B. W., 170 Franklin Street, Buffalo, New York. by BOB WE1LL

The Knave and the Jeweler—Lane SI.50—-A patter story illustrated with the appropriate jumbo cards which have a habit of turning- up at the right time. Not only do you get the words put right into your mouth, but included in the outfit also is 7 jumbo cards with and without wax, a pocket card and last, but not least, a window envelope. Sympathetic 13—All Dealers—S3.00 —Now marketed by John Snyder Jr., the routine is the same as when first conceived with two minor changes, which are heralded as "improvements." The substitution of a wooden houlette for the rubber bands is unnecessary; the use of the rough and smooth principle, on some of the cards, is an asset since the back of the double-faced packet can be exposed to view without fear at a crucial point of the trick. An excellent item for intimate entertainers. Well made, a good value and requires little or no skill. New Pencil and Peg Mystery— Thayer—75c—This idea originally was contributed to "Chap's Scrapbook" by John B. Ward of England. An improvement on the old Peg and Paddle, since the three holes are shown to be in perfect alignment both at the beginning and the end. Good for the vest pocket magi. Berg's Water Cups—All Dealers— S2.00—Two of the Carl Germaine Water Jars, under an assumed name. In miniature, of course. Anything of liquid nature may be produced. Since it is self-working, it should appeal especially to maji in the nite spot field. Nicely made of aluminum. Yogi Block and Ribbon Mystery— Chanin—S4.00—Once again a ribbon is cut and restored. This takes place while it is threaded through two wooden blocks. Combining the principles from Grandmother's Necklace and Mysto makes this mystery what it is. Can be used anywhere and requires little practice. Levante's Spectacular Production —Abbott—S55.00—Anyone who saw Levante perform this at Battle Creek knows what a tremendous, colorful load this will produce. Good for anyone who works stages or platforms regularly, and has unlimited possibilities. The Milk Passe—Holmes—S5.25— A double-barreled Milko, with which you can perform a great variety of October, 1939

miracles and combinations. Unfortunately, in the sets I saw the glasses obviously did not match in size. It is to be hoped that this manufacturing error has been remedied, as the effect is a good one from the audience point of view.

THE LINKING RING The Linking Ring—September— Gives you a run for your money with lots of variety from which to select. The history of muscle reading is divulged by Dr. Evans. Ovette still sticks to his trailer, and explains his version of The Holdup trick which he formerly sold for a fin. Max Terhune is back after a short hiatus. Ted Heuber, too, returns from the dead. More notes, a writeup of the British IBM and PCAM conventions, announcement of an international correspondence circle, and tricks make up the balance of the issue.

THE SPHINX The Sphinx—September—The historical material overshadows the trix. The passing of Goldin and Dr. Bridges is thoroughly and tastefully reported. Grant's Farmer and Witch is "improved;" instead of three assistants from the audience, you use only two—but carry a 75-pound, three-fold screen. Evidently Baffles has never heard of "Forging Ahead in Magic."

SCRAP BOOK Te Tohunga—August—The official magazine, published quarterly, of the New Zealand Society of Magicians. This is only the third issue, but if those responsible for the publication can keep its standard on a level with this they should not only attract many readers "down under," but on our own shores as well. 01' timers will recall happy memories in reading- about the magicians of another day. Good reading, too, is the history of Madame Tussaud's Wax Works Museum. Some notes on hypnotism and some excellent trix round out this worthwhile magazine. I understand it can be secured from Percy Abbott.

DRAGON The Dragon — August — Dodd's "Business Side of Magic" sounds so good it's almost Utopian; he must play the subway circuit of the sticks to write with such assurance, to others in putting that scheme over so easily.

THE JINX The Jinx—September—A trick built up on a patter story and using unprepared dollar bills proves interesting, as does an effect by Julien Proskauer using daub. This is the last issue of The Jinx before it appears in weekly form.

FUNNY TALK Funny Talk — September — Frank answers Frazee's plea (by sheer coincidence) for an all-American trick, with his Baseball Story illustrated with a jumbo card setup. Frank seems to have fallen hard for recitation trix lately. Patter for the Sucker Card Frame treads on dangerous grounds politically these days. Gags for the Bird Cage and patter for the Ball and Tube and Ireland's Mirror Trick, and a jumbo metal card effect—over which you may "wax" enthusiastic—complete your two bits' worth. No squawk here.

TOPS The Tops—September—As usual, Sid Lorraine's meaty column is "tops." Lloyd Jones gets out of the doghouse long enough to submit two late contributions from the Coast gang, and then gives out with his reviews of the PCAM convention. A few old-timers are revamped, some vent material and reports of regional doings round out this issue.

THE GOOFUS The Goofus—September—A curiosity, sent monthly to magicians in and around New England and other magi friends of Doc Calkins of Springfield, Mass., who is responsible for this little sheet's appearance. No tricks, only personal notices of the magicians and what they are doing. Might remind you of the society page of a weekly newspaper—nevertheless, interesting and always looked forward to. Page 55

THIS PAGE IS LOVINGLY DEDICATED To The

HONOR AND GLORY OF MY BROTHER

oubtnt WHO DEPARTED THIS LIFE,

OCTOBER 31st, 1926 ...AND WHOSE NAME SHALL NEVER BE FORGOTTEN BY THE WORLD.

THEO HARDEEN TO HOUDINI:— 53 WEEKS ON BROADWAY (so far) IN HELLZ-A-POPPIN I HOPE YOU ARE PROUD OF MY CARRYING ON THE FAMILY TRADITIONS

Page 56

TO MAGICIANS:— IN HOUDINI'S NAME, I ASK THAT PEACE AND HARMONY EXIST IN THE RANKS OF MAGICIANS EVERYWHERE!

GEN

arrp ftoubtm

April 6, 1874

October 3 1 , 1926

MRS. HARRY HOUDINI

11

October, 1939

Paae 57

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COMPANY

1007 S. Grand Ave., Room 214 Los Angeles, California

SILK NEWS:- A unique effect. Both sides of an unprepared sheet of newspaper and the hands are shown t o be empty. A silk is produced from a hole in the paper. Again both sides are shown, again a silk is produced Then a third silk. Prices with three 15 Inch silks, $1.50. TOBACCO TRICK:- Performer—pouring tobacco into his closed fist, makes it disappear and reappear in a most marvelous manner. Price 25c. SUEZ MIRACLE SAND:- NEW!! EXCLUSIVE!! Sand is placed in water and it is shown to be mud, but a+ wiii you reach in wafer and remove dsf dry sand. Container (l ! /2 'bs ) Price inc. postage $1.50. SPECIAL O N BOOKS 50c each-Card Act with Patter; Magician's Manual; Nove! Magic; 33 Rope Ties; 50 Card secrets. All prices include postage. Send 15c for catalog and new supplement " E " .

Dealers send for wholesale list.

KRINOG

536 SIXTH AVE. NEW YORK CITY

Write for a sample copy of

G E N 11 A D V E R T !

s 1 NS

R A T E S

. . . $20.00

Full page Half page

10.00

..

Quarter Page Eighth Page

. .

1 column inch

--

.

6.00

.

3.00 1.50

The Dragon Official Organ of the International Society of Junior Magicians.

The I.S.J.M. is a growing magical fraternity, with 1700 members on March I, 1939. Membership "fee is 25c; dues are $1.00 per year—which includes subscription to the Dragon. We also operate the Magic Rental Library Club—the only practical rental library of magical literature. Hundreds of books available, including the new GREATER MAGIC. Write for particulars, and 24-page list of boob available. Address:

VERNON L LUX 401 W. Hitt St.

I N D E X For Volume Three

fcfc

Mount Morris, Illinois

TOPS

The Independent Magazine of Magic Everv issue sparkling with original tricks and worthwhile articles. Published and MAILED on the first of each month. Price $1.00 per year—Single copies 25c

Abbott's Magic Novelty Co. Thanks to the good offices of Arnold Furst, young Los Angeles magician who is rapidly advancing in professional work, the index to Volume Three of Genii will be ready next month. Best of all, we're able to reduce the price to twenty-five cents. Better send that guarter now and reserve yours before you go about binding the last twelve copies. All indices will be mailed immediately upon publication.

GENII Indices fio* Vols. I, II and III...$1.00 Page 58

COLON, MICHIGAN

JOIN The I. B. M., the World's Largest Magical Organization, and receive the Linking Ring magazine each month. For full information write today to

The International Brotherhood Of Magicians KENTON, OHIO, U. S. A.

GEN

STERLING MAGIC CO. 347 John R. Street

DETROIT, MICH.

Phone Clifford 3579

NOW! Hung-Blox in a jumbo size 3%" square. $5.00 post-paid. Hung8!ox, regular sige 2 % " square. $2.50 post-paid. The best new trick in the last decade. Loring Campbell, Dr. Tarbell, Russell Swan, Dell O'Dell and many others use and praise this trick.

MIRACLE CARD IN BALLOON (Hathaway) A selected card is shuffled into the pack and put into the case. The case is put on pedestal below the balloon. The card that was freeiy selected is the actual card that appears in the bailoon. Entirely automatic. Post-paid $7.50 STERLING'S CUPS AND BALLS ROUTINE. An easy routine that you can learn in twenty minutes. No difficult sleights. So routined that the audience is not confused but mystified. Try this for children or aduifs. I guarantee that you wiil continue to use it. Three pages, mimeographed. Postpaid, $1.00 DE LUXE EGG BAG. And a perfect routine. Tested and worked in hundreds of shows. Postpaid, $2.00 PERFECT HAT FEKE. Use any hat. Show it empty and then produce your load. Eggs rabbits etc. Automatic no skill. Postpaid, $3.00 Button MAGICIAN'S EMBLEM. iewelry Postpaid, $1.00

or pin back.

A real

piece of

WATERHO. (Jimmie Martin) An empty glass put on the palm of hand. A handkerchief spread over it. The handkerchief removed and the glass is full of liquid. A flesh colored gimmick. A little skill. Postpaid $1.00. GIANT 3 CARD MONTE. Cards, carrying case, ease! and routine. Postpaid, $19.50 JASPERNESE THUMB TIE. Thumbs bound with pipe cleaners. Postpaid, $1.00 Just a few more copies of " M A G I C THAT PERKS." Postpaid, $1.00

TRIAL BY FIRE The Magician Turns Detective Six slips of paper are handed out. Each has a different man's name Drinted on one end. These are the suspects in a murder case. While the magician's back is turned, the audience selects one as the murderer and sets fire to it. When the name is completely gone, the burning slip is handed to the magician, who gazes into the fire and quickly announces the guilty name. Easy to do, with unlimited possibilities for dramatic presentation. Papers may be examined thoroughly—there is no dercctible difference between them. Complete with papers for 12 performances, postpaid 50 cents Extra material for 3 dozen performances, postpaid. . 50 cents

FLASH! Chinese Coin Cabitiet DeLux—1 Real Mystery Workable ANYWHERE! A reproduction of a Chinese Coin 3'/2 in diameter is examined, marked and placed on floor of Cabinet by spectator. Cabinet closed, spectator inserts you wand through Cabinet and holds both ends of wand. NOW! Even though the spectator has done everything thus far, on opening the Cabinet it is found that the Magician has caused the Coin to become suspended on the wand. To release coin wand MUST BE WITHDRAWN FROM CABINET! IT IS THE SAME MARKED COIN!

It E M E M B E IK No threads, wax, etc., only ONE coin and wand used. MAGICIAN NEVER TOUCHES COIN AT ANYTIME! Self contained, can be done surrounded by audience, repeat at ONCE. No fuss—No clumsy moves. Cabinet 5" square. Beautifuiiy decorated. Postpaid $4.50

Don't Forget Our P.M.C. Livestock Vanish for floor show, etc., can be done surrounded. A real Vanish you will use. Postpaid $5.00

Sensational Transparent Flip-Over Box Postpaid $6.50 Surprise Number Our Phantom Flower Tube

Where they see the livestock up to point of Vanish.

Think of it—producing a Vase of Flowers from this Tube AFTER the regular silk production. Al! in the Tube. A real KNOCKOUT! Tube given out for examination after production. Done anywhere— NO LOADING FOR THE PRODUCTION OF VASE. Postpaid $2.75 No Flowers. 9 YaIe " D I P D P I ff Avenue, iNILULL Lancaster, Penna. West Member of Professional Magicians Club

AL BAKER'S Own Spirit Slate. Locks and can be handed out for the sum to be totaled—a real professional piece of apparatus. This is my own way of doing the great slate trick and has never been marketed by me. Price 3.00 Postage 25c

MYST© MYSTO Restoration!

The Double Mystery!

Penetration!

A small Diece is cut out at the middle of a cord by a spectator, who ties the cut ends together. A colored wooden block with a hole in it is threaded on one end of the cord and slid to the other. As it passes over the knot, the knot vanishes and the cord becomes perfectly restored' Soecfator now holds both ends of the cord with the block on it. A handkerchief is thrown over rhe block. Spectator takes hold of the block through the handkerchief and pulls both away from the cord. Everything is in the spectator's hands and may be examined thoroughly. Easy to do. Complete, postpaid, 50 cents. Haenchen and Company have been supplying amateurs, professionals, and dealers with high quality magical apparatus for the past ten years. For the six years before that, we were on the road in lyceum, chautauqua, and vaudeville work. We know the performing as well as the manufacturing end of the game and handle only those items which are practical in every way to the performer. We have invented or perfected many "different" effects in magic. For original, practical, high quality "Magic That's Different", write us. I Must rated catalog, price 25 cents, returnable on your first order of $L00 or more.

HAENCHEN AND COMPANY Box at 26th & Drexel Oklahoma City, Okla. Also obtainable from Lyle Douglas, Ireland, Kanter, Max Holden and others.

October, 1939

Al Baker's Rice Bowls are used by many professional magicians if you follow directions, you can't go wrong. The water is the surprising part of this great trick 4.00 By Mail 4.25 The Al Baker Diminishing Cards are considered by many magicians to be the perfect trick. Cards reduced and each reduction shown at tips of fingers in a full fan. Complete with clear illustrated instructions 5.00 / / in Doubt Regarding Any of These Effects Write

AL BAKER 322 88th Street

Brooklyn, N. Y. Page 59

EVERY MAGICIAN NEEDS THIS NEW BOOK

-Entertaining Children with Magic" By EDDIE! CLEVER The Or.st hook to present Magic for Children from the standpoint of child mentality. It outlines the opportunities in this field, discusses the type of piosram to bo used, and tells how to work with children successfully. Several sample programs; with lire sen tat ion ami patter are included. JJook also includes a supplement on "Sermonizing Ma sic-" by Ilev. Russell S. Biilsiger which makes it extremely valuable to ministers. Contains 78 pages, printed in large, clear type on heavy book paper and attractively bound in flexible leatherette finish cover. Price Sf-5C

The Astounding "No Switch" Razor Blade Mystery Ten or more razor blades are placed on the tongue one at a time. A length of thread is plar-cd in the mouth and a moment later is removed with the. glittering blades strung evenly along its length. XO SWITCH! NO APPARATUS! No body work, no sleight of hand, nothing concealed in the mouth beforehand, nothing left in the mouth to set rid of afterwards. Blades and spool of thread may be examined both before and after performance. A THRILLING SENSATION' ON ANT PROGRAM! Full in-Uiuctions in illustrated, printed and bound booklet $1.00 Order from your favorite dealer or the publishers

MIDWEST

MAGIC

SERVICE

1220 Ninth Street

Portsmouth, Ohio

THE BIRD HOUSE of Oo-Lung-Ti

New and Original — Fascinating and Baffling DESCRIPTION: A beautiful Pagoda fashioned Bird House I I " wide 8" high. Front, Back, and Roof, hinged to open for inspection. Artistically finished in Red, Black, and Gold stipple with Brass Trim. ROUTINE: After a brief presentation relative to the legend of Oo Lung - Ti and his many wives, attention is called to The Bird House, which is opened Back, Front and Top, turned completely around and freely shown from all sides, then closed and Roof opened, a large number of silks are then produced. This operation is then repeated and a second large production is made. Then a third and final production of a large Oo - Lung - Ti Pennant, which we furnish free with the trick.

Complete as advertised.

Price S5.00 Post Paid.

Not sent on approval or C. O . D.

Lew. Smith-TRIX a n d ILLUSIONS 152 FITCH ST.

EXCEPTIONAL CARD EFFECTS INFRACADO, one of the most novel and surprising tricks I have ever seen $ 1.50 AMASA, a routine with three cards that'll pop their eyes out—and I mean it $ 1.00 JOKAH, another impossible effect, yet you can do it immediately $ 1.00 CIGARETTE MESSAGE, a deck of cards FANNED (NOT riffled) shown all different; ANY CARD selected: a cigarette BORROWED: cigarette torn in half: there is the message: it tells the name of the card they took. NO SLEIGHTS: PERFECT CIGARETTES: REPEAT IT AS OFTEN AS YOU WANT: This is a smooth working, practical, easy-to-do club effect and ALL THE ABOVE I PERSONALLY RECOMMEND TO YOU as being EXCEPTIONAL EFFECTS (Cigarette message is $1.75).

NEW

ENTERTAINING CHILDREN WITH MAGIC (Clever)$l.5O PASTEBOARD PARADE $1.00 IDEAS NO. 5 75c FUNNY TALK, SEPT. AND OCT 25c each INDEX for 1938 25c GIANT CARD TRICK THE KNAVE AND THE JEWELER, funny and tricky.$1.75

Frank Lane and Company 5 LITTLE BLDG. BOSTON, MASS. Catalog and lists are free

SYRACUE, N. Y.

"IN THE MIRROR" A new book of highly interesting and unusual magical items.Some of the contents will be with cards, mindreading, ventriloquial dialogues, blackouts and in fact a collection of over 20 very effective items. Over 30 large pages. Postpaid. $1.00 Have you passed up that excellent book by David J. Lustig;

As recently announced ALL INQUIRIES AND ORDERS FOR THE

PETEE VENT. FIGURES Should be sent direct to

KANTER'S MAGIC SHOP 1311 Walnut St.

"Entertaining With Ventriloquism" If you are a Vent, entertainer you need it; if you are just an amateur magi you will not only find if highly entertaining but a goldmine of instruction along with plenty of material written by a master of entertainment. Purchased separately the material in this book would cost over 500.00. Ask any dealer; they all praise it to the sky. Priced postpaid $2.00

Attention Camera Enthusiasts!!! If you have any photographic equipment, such as trays, tripods, cameras (all makes) enlargers that you want to dispose of, I will trade magical books for them. What have you and what is the condition? Buy your roll and film packs from me. I will pay the postage.

CHAS. P. O. Box 205

Page 60

BOOKS

C.

EASTMAN Newburyport, Mass.

Philadelphia, Pa. whom 1 have appointed

WORLD DISTRIBUTORS for all of my entire output

PRICES AND QUALITY REMAIN THE SAME You all know Kanter's reputation for honesty and promptness which means that you will get

The Quickest and Most Efficient Service By Writing Direct to Kanter This leaves me free to devote my time to the actual work of figure construction, and I'm sure this arrangement will speed up deliveries and save time for all concerned.

My best to all of you always, whether it be a "jigger of rummy", a figure, or dummy.

REVELLO PETEE GEN

AL CAROSELLI NOW IN CALIFORNIA PRESENTS CaroselWs "World's Most Perfect Card in Balloon Trick" A Caroselli Masterpiece of Art and Engineering! De Luxe Custom Made of Stainless Steel and Gold Brass. Supreme Workmanship. You will be proud to own one. Some of the outstanding features are: No forcing of card or duplicate card used, the card can be marked and the same card will appear in the bursting balloon. Can be done with borrowed deck, and with spectators all around . . no visible gimmicks. Greatly improved since it was shown at the P.C.A.M. Convention at San Francisco. This can be passed out for examination! A real piece of Magic for the Magician of Tomorrow!!! Price complete with Caroselli's original routine P.P

$10.00

AL CAROSELLI PRESENTS! . . . The Caroselli Multy Coin Production Fifty, dollar-size palminq coins are produced in the most mystifying manner. You reach in to the air with right hand and five coins are produced at the finger tips, these are dropped one si a time info a glass jar or a bowl. Then instantly reach with your left hand and five more coins are produced likewise. By repeating the action with right and left hand, fifty -olns in all can be produced. The coins are delivered into your hands five at a time. Many effects can be incorporated with this masterpiece of Mechanical Magic. Price complete with fifty specially treated dollar-size palming coins. Postpaid with instructions $15.00

BY POPULAR DEMAND The best ever created We are now making the same effect to produce REAL HALF DOLLARS. The coins are produced in groups of three thirty in all. This is very good for close-up work. Price—apparatus alone with instruction $10.00

"CAROSELLI'S CARD DICTATOR" With it you can perform MIRACLES with a borrowed deck. Nothing like it ever used by any one else for locations! When the late J . N. Hilliard saw Caroselli work it, he said, "It's M I R A C U L O U S ! ! I'd like to have it for my book." You will find it in GREATER M A G I C , pages 80-81. Greatly improved since then. Price, complete, precision made with instructions $1.00

"CAROSELLI'S GREAT SALT TRICK" ORIGINAL DESIGN EFFECT: A quantity of salt is caused to vanish before their very eyes. After both hands are shown empty, the left hand reaches out and produces a very large quantity of salt, this is followed by the right hand where another large quantity of salt is also produced. This is a clean effect and mechanically perfect. A classy trick for a classy performer. Easy to do. Three gimmicks used. Price complete $5.00

"CAROSELLI'S DAUB SHADING BOX" This is a wonderful device for those who use "Gambler's Daub" in connection with their card locations. An excellent PENSER for Caryl Fleming's "GOLDEN G L O W . " See Greater Magic, page 70. Beautifully made and it will last a life Price, complete with Caroselli's "Universal Daub" With Fleming's "Golden Glow"

DIStime. $5.00 $4.50

AL CAROSELU New Address Factory and Shop 30 S. Chester St. Phone SYcamore 3-1431

October, 1939

Pasadena, California

Page 61

Chanin's Magic Shop Room 711-712 Penfield Bldg.

Philadelphia, Pa.

1328 Chestnut Street

YOGI BLOCK AND RIBBON MYSTERY A wonderful cut and restored mystery. One of the best sellers at the l.B.M. Convention J\o threads, wires or other gimmicks used!

In effect, two blocks are shown with two different colored ribbons running through same. One of the ribbons is selected and the color remembered by spectator. This ribbon is removed from blocks and handed to spectator, or laid to one side. The remaining ribbon is then cut in the center by either the spectator or the performer, and blocks put together again. Now, after a few magic passes, ribbon is pulled free from blocks and is proven to be perfectly restored. It may be handed to the members of the audience for examination.

Nothing to get rid of!

All Self Contained! Truly a wonderful effect. It's new and quite different, Flashy! You will like it and you will use it. That's something, after all!

PRICE

SNOOTY PUPS. A pocketful of fun. 50c IMPROMPTU. C. B. MacCarthy.$1.60 MAGICAL MOMENTS. By the one and only Dell O'Dell 1.00 WATER CUPS 2.00 PSYCHIC DISCS 1.00 HANSON RICE BOWLS. A pretty trick for any show. No mess. No fuss 5.00 TORN NEWSPAPER TO BOQUET 2.00

FOUR DOLLARS

J. G. VISIBLE COIN VANISH Four coins are shown, fan fashion. (Just as a fan of cards would be displayed.) Coins are now taken one at a time in the other hand, where they are squeezed, and vanish —one by one! They actually seem to melt into the air! And that's magic. PRICE ONE DOLLAR

GREATER MAGIC TELEVISION CARD FRAME (wonderful effect)

Price $12.50 5.00

SPECIAL FOR THIS MONTH Chinese Torn and Restored Newspaper, with Sucker Gag Enough for eighteen shows, or more! Regular np. • -\/r r\ r\ 1

price

.

I WILL FOOL YOU Page 62

...One Dollar

-BUT—

ThlS M o n t h O n l y I'LL NOT DECEIVE YOU! GENII

ACTUAL MANUFACTURERS — PRINTERS — PUBLISHERS Levante's

a m H

w t

fi -

e

SPECTACULAR PRODUCTION Presented by The Great Levante during his recent visit to the United States. A most beautiful cabinet, on four legs and on easy rolling casters The front of the cabinet is slotted so that audience may see through it at all times . . . The cabinet holds a large, tube standing upright. The entire upper portion ot cabinet is removed, leaving onyi the base, reolaced and the large tube is also shown empty This may be done as many times as you desire during the production. The production consists of an unbelieveabie array of exquisite flower Bouquet Darts, Parasois and Fans—to be exact, six 18 inch flower bouquet darts (feather), six cloth covered oriental parasols and six oriental fans. A large quantity of silks may be added, also live stock. It is most difficult t o describe the appearance of this outfit as one must see It t o appreciate its beauty. Imagine a novel design in a galaxy of colors against a goid background. The front is completely outlined in chrome. Approximate over-all height 36 inches . . . cabinet is approximately 15 x 15 x 18 inches. Tube, height 18 inches diameter 9 inches. This is another ABBOTT OUTSTANDING EFFECT that can be done ENTIRELY SURROUNDED by spectators and CLOSE-UP too. Suitable for any type of act. As an opener or as a feature t o close. N O SKILL REQUIRED. Can be done five minutes after you receive i t . ABSOLUTELY SELF-CONTAINED' Price complete including all production articles (no silks or live stock) . . $55.00 We Pay the Postage

THE MAGICIAN'S WASH DAY |

-

Abbott's Animated Duck Abbott's New Lighted Daniel Dew saw and bought the first one, and said "It's a Natural, you ought to sell a million."

A Real Magic Novelty Suitable for any type of show. Can be done impromptu. Always Ready

Imagine making a hat production of silks, etc. Suddenly there is a disturbance in the hat, magician trying his best (?) t o control some live object in the hat, which is seen to be a duck as the head reaches out over the hat with a loud quack. This occurs again and again as the hat production is made; and after the last time the hat is shown t o be empty 1 The squawking duck has disappeared! Or a hat may be borrowed and the same effect produced without making any other production! Can be used in any type of production apparatus. In fact you will find a spot for Abbott's Animated Duck in every show you do.

LAUGHABLE — MYSTIFYING And the low price will stun you. Abbott's Animated Duck complete ready to work. p r l ce —$| .00. We Pay the Postage Take our tip. Don't wait! Order yours today!

ANOTHER ABBOTT INNOVATION

ABBOTT'S GIFT CERTIFICATES Each for $2.00—$5.00—$10.00—$20.00 The perfect Christmas present for the Magician

Mrs. Magician's wife, give hubby an A b bott Gift Certificate f o r Xmas. Nothing would please him more. Let him seiect his magic from our enormous stocks of the best magic equipment in the world. We wiil send the certificate direct t o recipient suitably inscribed as coming from you if you so wish. Ready December 1st Do your Xmas shopping early! You may place your order now!

By Geo. McAthy An Abbott Exclusive A COMPLETE ACT that opens as a surprise and retains the interest of the audience right until the iast trick. The Routine makes use of Standard Equipment sue has Egg Bag, Dye Tube, Laundry I icket, Rope, etc., etc. The idea of "The Magician's Wash Day" Is "You have the prettiest and best made extremely novel and comes to you in printed feather flowers that I have ever seen," says M. S. form including patter for each effect. Daniel Dew on a recent visit to the Abbott plant. You can't qo wrong with the small investment involved. if you are looking for a complete act, If you are looking for novelty, If you want something entirely different, "The Magician's Wash Day" is the answer. Originated by Percy Abbott PRICE, complete with Patter and Flash! Spectacular! Mystery! Presentation $1.00 Magician freely displays both sides of a 36 We Pay the Postage inch square of colored cloth. He then hoids this by the center so that all corners drape downwardReaching under the cloth, he produces a beautiful bouquet. This is repeated until four large bouquets in all are produced. THE GREAT LEVANTE fooled us with this It's Flash! It's Spectacular! trick and we have fooled others with it, but because of its simplicity, we can't enthuse It's Easy to Do! over it, so here It is: No skill. No body loads. Can be surA deck of red-backed cards are fanned rounded by spectators. out and shown. Every card is separate and This beautiful effect is now offered t o you none of the cards are faked. The t o p and at the unbelievable price of bottom cards are noted. By way of iliusTWELVE-FIFTY tration we wiil say that the t o p card is the The outfit includes a special cloth and four Ace of Hearts and the bottom card is the bouquets 15 inches in height with a spread Three of Hearts. A card is selected anc of 12 inches. placed in the pack. Magician makes JUST ONE MOVE and the trick is done. The top We are still offering the Abbott Super Deand bottom cards are again shown t o be luxe Garden of Flowers which includes four the Ace and Three of Hearts . . . Cards are bigger bouquets, a basket of spring flowers fanned out and now the cards have chanqed and a special bowl of water production, for from red backs t o blue backs with the ex- $25.00 complete. We pay the postage. ception of the selected card which is still red.

Abbott's Garden of Flowers

Hi

515

c

»

£

CHANGE-IT

We know that af least you will have a lot of fun fooling around with this and we are offering it t o you in instruction form, no cards supplied.

Price 25 CENTS We pay the postage.

THE

LARGEST

Cigarettes

First Time Advertised We are now making a new device for the ever popular effect of catching r e al hghted

NO CHEMICALS — NO SLEIGHTS NO PALMING NO ELECTRICAL HOOK-UP _ A lighted cigarette appears at magician's finger tips af will, puffed and dropped into any type of container. immediately a second cigarette appears at finger tips until six fuily lighted cigarettes have been produced. Hands are empty to begin with in fact hands are free of fakes at all times THE NEW DEVICE DOES THE WORK. The liqhted cigarettes appear in either hand. No matter what method you are now doing, you can't afford t o be without Abbott's New Lighted Cigarettes.

AN ABBOTT QUALITY PRODUCT AT THE LOW PRICE OF $2.50. WE PAY THE POSTAGE. ABBOTT FREER STOVER

ABBOTT'S

AN ABBOTT EXCLUSIVE

IMPROVED PARASOL

We are proud of the fact that we have added not one, but many features t o this most popular effect. . . . Parasol shown and wrapped in paper, the handle and ferrule being in full view. . . . A number of silks are placed in a lady's handbag . . . a change is commanded! . . . parasol cover is taken from handbag, which is then shown empty. Paraso! is withdrawn from paper—minus its cover and with a silk hanging from each r i b . . . . The mutilated parasol is replaced in paper and the cover in bag . . . a second chanae fakes place, the silks being taken from the bag and the paper is unrolled, showing parasol restored. N O W . . . Check these added features: In THIS ONE TYPE parasol method, the fake parasol is the smallest ever made, . . . All fittings are specially made in brass at the A b b o t t plant. . . . Fumbling in opening the parasol has been eliminated. A new type lock catch has been developed t o hoid parasol EASY TO> OPERATE WITHOUT STALLING. The turning and twisting of the parasol with silks when replacing it in the fake parasol in the rolled up paper is ENTIRELY EL1MI NATED, instead—this parasol is pushed info the paper tube from the opposite end to which if was withdrawn! And the HANDLE of the parasol is LARGER THAN THE FAKE PARASOL. W i l i even fool magicians! WORKS AS SMOOTH AS BUTTER. A trick that can be done surrounded by spectators. The lady's handbag is only 7 x 8 inches, clear crystal frame and the bag portion made of soft black velvet. The parasol cover is of silk in a conservative r e d . This outfit with these improvements is a real worthwhile buy at double the price of any type of mutilated parasol now on the market BUT our factory facilities make it possible t o give you a high grade product at a ridiculously low price. Abbotts Improved Mutilated Parasol complete with silks. Price $15.50 Lady's Handbag ,# 2.50 The Complete Outfit, including handbag, ready t o work $17.00 We Pay the Postage

At last! The long awaited book of

Eddie Clevers is now ready for immediate delivery 'THOUGHT WINGS ONWARD'

SEND ALL ORDERS TO

PERCY ABBOTT MANAGER

MAGIC PLANT

Mental Magic for Magicians More than 100 printed pages of real material. Tricks published for the first time. Sold on a money-back guarantee. Price—$2.00. W e pay the Postage.

IN

AMERICA

MAX

H O L D E N'S

MAGIC SHOPS

*

^ 2 2 0 WEST 4-ZND ST., NEW YORK C I T Y . i f f F 12O BOYLSTON ST., BOSTON, MASS. W 117 SOUTH BROAD ST., PHIL ADELPH IA, PA.

"JINX" WEEKLY No more long waits for that new one that you ve |ust got to have—and that you know Anneman is bound to have next month From now on it wilt be only 7 days between issues Every Thursday we II mail you at least 3 tricks and latest spot magic news

8 Issues

$1.00

W H O S W H O I N M A G I C is the name and address d rectory of the people you read about Issued as the souvenir book of the S A M Con fere nee its 90 or more oages photo 1 lust rated Only a few $1 00

Send them away w th a smile s always good box office leave a number of unfathomable sirpr ses m their m nds that s the start of next time s booking A d d the color flash of this paper tearing and restor ng effect and you have something real When those panties show up instead of a hat laughter is likely t o blow them away Six sets of hats and panties $1 SO

How Does the Needle Know? The instant popularity that greeted this in t n g u i n g card denouement is continuing at full blast It s so entirely innocent with a really free choice so unrestricted as t o method of control and so absolutely fair in the way your volunteer helper makes the final moves as illustrated above Where you give em the works is quite simple and well covered and the wrapping up in paper is entirely on the up and up Workable with any deck and posi lively no gimmicks cards paper needle and r bbon being the only things used That this is a pet Sea me effect is your guarantee of satis faction Secret |umbo needle and ribbon all for only 50c

HUGARD ANNUAL offers 130 pages of highly useful gimmicks deas and complete t r cks in all departments of magic both small and sem llusion Cloth bound $3 00 HUGARD S LATEST CARD BOOK g ves you new est subtlet es of the masters Every trick in the 52 pages of More Card Man pulations N o 2 s worth the total cost $1 50

Al Baker's VOCALEPATHY Here s a card marvel that gets a larger than usual portion of your audience right into the trtck right from its start And how this does heip in holding interest throughout the rest of vour act 1 Just imagine the effect of having 5 people each make a MENTAL selection from a group of cards then shuffle them and finally shuffle all 5 groups back into the deck Then you g o t o town 1 Up t o this point the t „< is a sure fire oidtimer—for those with a good memory But A! Baker has fixed it up 50 that a l l that you need is good eyesight As a matter of fact you can use a blindfolded me dium f o r the disclosures Just $! 00

AS YOU WISH

Good Fun . • . Good Magic

nhQ BERT DOUGLA5 Try This Basic Idea

by HATHAWAY

Several acts that are outstanding are based on patter n rhyme Without a doubt part of Your spectator s wishes very obv ously govern this card number from start t o finish He can their success is due t o the almost automatic take the deck and pick it over t o his heart s t m ng co ordination of voice and movements delight then lose h s card among five oth Here are 15 rout nes more than half with full ers This packet of 6 you spread backs out performing instructions as well The others are n a holder mounted on top of a rod (pot shed hrome and bright enamel on sturdy metal all favorites —Walter Gibson s famous lyrics f o r parts) It is pla n t o be seen that no man pula passe passe bottles and van sh ng alarm clock t on is possible Yet when you merely pass a Dell O DHI s $50 patter f o r Mr and Mrs forefinger over the cards stopping wherever the spectator wishes is always his card To make Green Applcg t s Fresh f- sh cards up doubly sure you ident fy t with a spring d i p sleeve—and The Travel ng Salesmi- 1 A buy before remov r g from the stand A n d SO simple' $6 50 at 60c

Snooty Pups

And v/e DO rnean snooty 1 Th" diff cult es that they have making fr ends w th each other s s i m p l / s do spiitt ng and a b t uncanny The r only trouble is that everybody wants t o swipe them Best g r a d ° 50c

FOR THAT SPECIAL SPOT How often you ve had your pet routine g o slowly flat—1 ke a leak ng balloon' Faces be fore you g o deader and deader This is just the time t o take the cigarette maker s adv ce Relax I ght someth ng or other However the light idea appl es t o the tyoe of effect t o be used as a pepper upper The Square P g [lustration a escribes such an etfect completely Fjnny or tself the q u f e obv ous way in which t worpe of close-up trick and one that will positively fool the onlooker. A fiat 2" disc divided in black and gold, a slot passing through the disc at each color. Spectator selects one color, the dagger is inserted in disc at that color— the hilt, point and center being in full view at ALL TIMES. The disc is turned as it is handed to spectator and to his surprise, dagger has jumped to the opposite color and no matter how much he examines both the dagger and the disc, he will never discover the secret. The disc is made of fibre-board, the dagger is plated metal. No Pulls ! No Hooks,! No Switches ! Easy to Do ! Price complete, $1.00. We Pay the Postage.

GENII

ACTUAL MANUFACTURERS — PRINTERS — PIJRLISHERS ABBOTT'S FLASH CANARY CAGE The magician's dream of a real quality piece of apparatus. Made entirely of brass—chrome plated. Mechanically perfect. And so made that is does not seem possible to conceal a canary in any part of cage. EFFECT: Case, with live canary is displayed. Canary is removed and placed in a paper sack. The sack is crushed and thrown to spectators. The canary visibly appears back in cage. AN OUTSTANDING TRICK IN ANY PROGRAM. ONLY ONE CANARY USED! Can be done surrounded. Size of case, 6".\9"xlO". Shipped in carrying carton case. An Abbott Quality Product and one that we are proud to offer to the Magic Fraternity. Price, complete §22.50 We Pay the Postage. ABBOTT'S 1940 MODEL CHOPPER GUILLOTINE Presented with tremendous success by Jesse Thornton at Abbott's Magic Get-Together. Walter Harris bought the first one made, saying, "The biggest value I've ever received in magic." The sharpness of blade is demonstrated by cutting through vegetables, etc. The victim's head is placed in position and the magician forces the knife blade through ( ?) victim'^ neck, THE BLADE COMING RIGHT THROUGH and remaining in full view. The magician pushes up on the projecting blade, moving the whole knife handle upward. IT IS MOST CONVINCING. You'd swear that the blade was being pushed up and down through the victim's neck. REALLY SENSATIONAL. Perfect for elos5 50 Oi the ti lck complete with all nece^ a i y essentials but without ti i> stand and easel special bat gain oilei only SI 5)

Jumpm jitteis t h e i e s t name foi you and heic is m istounding com tuck that can be both seen and heaid What h ippens ' In-.t bonow a haif-dollai ma iked by the. o\\ nei w lap m papei full of holes thiough which coin lemains \ lsible identified again and package p! iced on examined met il tiay now set on top of -Jass tumblei conIiyion t u n i m , lephca ot Woi Id s I - With com still visible to audience p a p e i ib ignited a n d when consumed in flames the co :i i= seen ind heaid to p e n e t i a t e the tiay md fill into flass lar ding show n spcctatoi chooses and letains one Anothei gentleman chcoses a playin-, c n d initials it places in ow n pocketbook which nevei lea\es his possession Magician will cause s p m t autograph to appeal Selected name is read aloud gentleman lemoves caid fiom his pocket book sees ow n initials still on it and finds desned autogiaph wntten all ovci its face Leaves em gi Mitt me, speechless THE ICE-BREAKER Chosen caid initialed by spcctatoi who hold it secuiely between his palms Yet m igician causes a funny s p m t painting of whatevei the peison is thinking to appe u on th it caid Three possible conclusions all knockouts a Choi us Gn 1 Skeleton Skull oi Schno/zle-I ace f ui rushes a sin pi ise comedy bieak foi the mood of the oec ibion Buy both eftects with special cauls, leady to peifoim 'si.00

LATEST BOOKS "Modern Magic Manual" (Jean Hugard) $ 3 50 "A Magician in the House (Sid Loiraine) 2 00 "Scott's Magic" (Tom Sellers) 75 "Entertaining Childien with Magic" (Eddie Clevei) 1 50 "In the Mirror" (Chas. Eastman & David J Lustig) 1 00 "Gieater Magic" (John Northern Hilliaid) 12 50

Outfit u> lmmed: ttcly taken into audience w h e i e ownei lemoves a n d identifies h s own toiin Positively only the one boi lowed h a l t u ed no substitution Now isn t t h a t a pip Get it now we send cveiythin^: except the glass-metal Liylon tiavsupply ot punc hed papei-> and complete d n e c t i o n s as pet foi med b> Al Vital i ill foi the pi ice of S2 00

Thiee top notch gems oi mysteiy by Howaid P Albught Good tucks in themselves, yet get you fiee adveitismg each time peiioimed CLUB SPECIAL A sure-fiie sensation; leaves with audience a quantity ot tokens that advertise you in unique fashion TALK-O-THE TOWN Uncanny mvsteiy; youi name, etc , appeals on seveial initialed caids fiom oidmaiy deck They keep 'em MY SOUVENIR Quick and clevei, woiks fiom pocket any where,leaves 'em a photo oi othei memento; gieat foi lepoiters oi agents Rush your oidei and make youi self known All three foi the one pi ice SI.00

"ASTOUNDING

'NO SWITCH' RAZOR BLADE MIRACLE" Just imagine 1 Revolutionaiy Tmpiovement 1910 Stie lmhned Method that doeo not lequue any switching Ljmmicks ' R 1/01 blade, ind thiead handed outnght to audience who hand vou blades one at a time and who themselves diaw thiead off the spool and hand it to you is needed CLEAN SAI E AS 1OUNDING I he SATE ME1HOD at last P u n t e d md be und book (illu=tiated) giving full instiuctions pat tei and piesentition pi ice %l 00

THAYER'S STUDIO OF MAGIC Box 1785, Wilshire-La Brea Station

Page 104

Los Angeles, Calif.

SEN

GENII Chustmas used to come but once a year Now it comes eveiy day That's what happens when you edit a magic magazine Letteis fiom fi lends Contubutions New tucks Aitides. An occasional pat on the back Ads fiom the dealeis New subscubeis I en]oy the f i e q u e n t visits of my magical fuends quite as much as _.s once I enjoyed the annual visit oi Santa Glaus Chustmas tiees a i e t e a t h e i floweis, its decoiations golden baubles which float in the an E\eiy day's a hobday * I think of Page Wnght a lot in Decembei (He's been ^ gone nine yeais ) I like to live again the countless t h o u s a n d good tunes we had together Ah, the " b o n e i s " of those eaily Chiistmas shows He leached T PAGE the pinnacle of some kind of achievement that evening when he diopped a box full of pi ops off stage just as the diamatic tenor struck his high note On the same show Geirie turned the pomtei on the clock dial backwards and all we could get was wrong numbeis Heie's a pictuie of Page (not cleai enough to lepioduce) It shows him in sumptuous onental gaib leading a ciystal Theie's a pained expiession

on his face "Reading peoples' minds," he explained, "sometimes makes me just a little sick in my stomach " Anothei shows him giving a show to chikhen They all had then backs to him and weie leading books "It is amazing," said Page, "the mteiest the little tots have m my magic" A thud shot depicts him doing 'i. the using caids I think he was using a white lope foi the lcvitation, so plain ly does it show "This is the tuck," wiote Page, "with which Mi Wnght fooled Henmann Henmann wondered what the hell he was tiymg to d o " N o t h i n g m the heieaftei say you You d i d n ' t know Page or you'd lealue that guy would have to be somewhere Meanwhile, WRIGHT if you want something moie tangible, his influence is the "push" behind Genii Fuithei, the type of caid woik developed by Wnght, Jud Brown and Jack McMillen moie than ten years ago is just now becoming populai with magicians So, it's Chustmas It bungs us oui daily quota of pleasant things, mate nal and spmtual And this we can't help thinking Isn't pleasant memoiy the veiy finest gift of all 9

705

Pasadena,

S. Hudson

Calif.

Printed in U S A MRS W M W LARSEN Editor and Business M g WILLIAM W

LARSEN

CARYL S FLEMING

Editor of Magic Honorary Advisory Editor

GENII is published monthly by Wi'ham W Larsen ot Pasadena California Editorial office 705 S Hudson Ave Pasadena Californ a Price n the United States and Canada $2 50 per year twenty five c^nts a copy Elsewhere $3 00 per year th rty cents a copy While manuscripts photograohs and drawings are submitted at 1 hc owner s tssk every effort wiil be made to return those found unsuitable if accompanied by first cla c s postage out we cannot be responsible for any loss of such matter contr buted Contributors are adv sed to reta n cop es of the r contr bu tions and to double space a!! articles submitted Printed n the Un ted States of Amer ca by the Wolfer Printing Co Los Angeles California All contribut ons and advertis ng matter must be received by the Editor by the 20th of the morth preced ng publication

VOL 4

DECEMBER

1939

NO 4

IN THIS ISSUE EDITORIAL Genii Speaks

106

ARTICLES Season Mood

105

TRICKS BY Len J Sewell Hubert Brill

107

Jamison OrviNe Meyer Julian Proskauer Eddie Clever

109 109

George Pughe Paul Morris

III

108

1 10 111 1 1 1

COLUMNS

We Hope You Are Like One of These All of these were received in November, 1939 I have thoroughly en|oyed every ssue of my year s subsenpton to Gem I consider if" the f nest of all magical |ournaU botn in quality of material and general male up

ROBERT KUNTZ Dayton, Ohio r

You Genii magaz ne 15 the best in ^he magic field and hero s hoping you may con tinue many many years in this service With the variety of worthwhile articles up to date news and real editorials your maga zme has reader appeal approached by no other magaz ne of magic

LLOYD CHAMBERS Topeka

Kansas

! almost fee! like calling you folks B 1! and Gerr e since continuous reading of Gem engenders that friendly feeling that is such a valuable attr bute of this mag c business i am wondering if you have or can get the address of the old vaudeville oerformer Paul Kleist whose Black A r t act

December, 1939

was well known to many of us of the older generation This is wanted oy one of our eastern magicians in connection with a foifh coming show and it would prove to advan taqe of Mr Kleist if he could be located If you or any of the boys out there can g ve me h s address if will be greatly ap prcr ated RALPH READ 280 East 21st St A p t 6-E Brooklyn, N Y Regarding Gem all I can say is Keep up the work and a nyone who squawks better take a tr p 1o Europe (without a return ticket) I thought the October cover the best to date—photographically speak ng Sent mentally speak ng who could more gracefully adorn the opening scene of such a swell show as GENII?

CARLO Dl CASTELLO

Ribbin s Chicago Notes Magic o-f the East

114 114 114

Detroit News Northern California Comments Los Magicos Legerdermam

1 16 1 16

Chicago Chatter Max & Skully

1 18

Scattered Shots From Wisconsin Did|a Ever

1 18 1 19

Kanter's Komments

1 19

GENII JUNIORS

1 13

PAGING THE LADIES

115

INTERNATIONAL NEWS

117

BOOK REVIEWS

121

BAGDAD

124

116 118

119

Detroit Michigan

Page 105

GENII SPEAKS To magicians—here, there and everywhere—Merry Christmas. May the season's very best be yours. Let the new year bring you your full share of all things, both material and spiritual. May your life be free from turmoil, worry, strife—and exposers. Speaking of exposure puts me in mind of the recent controversy regarding purported revelations of magic secrets in motion pictures. And what I have to say now may bring censure upon my head. Surely, I am laying myself open to attack from those who hold me in disfavor anyway. But I'll speak from my heart and let the chips fall where they may. It is my personal, honest belief that Eternally Yours is a mighty boost for magic and magicians. Certainly it takes the conjurer out of the three dollar a show class and puts him in the "big time" category. It makes of him a famous, highly paid, brilliant, top flight stage personality. It is my guess that many a magician will receive extra engagements from movie patrons who have seen the picture and have, because of it, become conjurer conscious. The magic exposed therein is nil. Contrary to information which was given me, and which I published in these pages, the substitution trunk is not exposed. It is a tip over trunk. The vanish from a glass plate was never used by any magician and never would be so used. The only exposure of any serious magnitude is that of the short wave mind reading act with the roller reader in the head of the walking stick. In a year this will be forgotten and, in the meantime, first rate mentalists will be using the countless methods which will fool audiences just as much as they always have. I am against exposures. But I think the real danger of revelation by motion picture does not rest in such pictures as Eternally Yours. It would lurk, rather, in movie shorts which would show a definite presentation of a trick and then, immediately, depict the exact workings. And it is rumored that such a series of "shorts" is being contemplated. So keep right on writing to Joseph Breen and raise hell about it. Mind you I condone no exposures in the movies. In writing as I have I only want magicians to realize that it is my belief that Page 106

Eternally Yours offsets whatever harm magicians may think it does by the good it is certain to do. Remember, the next magician picture may really be a bad one! A subscriber has raised hell with me for advertising the new Hugard book and refusing ads for the Mickey McDougal gambling work. I'll give the reason here and now. The Hugard book is not an exposure any more than were the classics of Hoffman and Hatton and Plate. A person buying, or even reading, the Modern Magic Manual would be fairly certain to have some active interest in magic. It is most certainly not a book for the curiosity seeker. Learning' magic from such a first class magic publication would be a real job for an uninformed person. Further, Jean Hugard wouldn't be a party to anything he regarded as an exposure. His life has been, and is, magic. Mickey McDougal is of different stripe. I didn't turn down his book ads because I thought people would march in file to buy his bound pages of gambler's secrets. I refused his ad copy because he had sufficiently bad judgment to describe, with vivid illustrations, basic magician's sleights in popular ten cent magazines. Johnny Mulholland, I think it was, has denned exposure as follows: "An expose of magic consists in divulging, indiscriminately, to an uninquiring public, by any means whatsoever, the secret workings by which tricks are accomplished." The italics are mine and should be regarded. Whatever differences Johnny and I may have otherwise, I adhere, whole heartedly, to his definition of exposing. Exposure is evil; it is magic's greatest vice. But it has always been with us. If you finally get to the point where you feel you can bear with it no longer, that the cause of magic is lost, then read Eddie Clever's book "Thought Wings Onward" or watch the performances of Russ Swann, Jack Gwynne, Mahendra, Swallow,

Maldo—and learn that there is more to magic than "tricks". It is a fortunate thing, gentlemen, that there is something in our craft which cannot be exposed. It is only up to you to find that "something." It's there, if you'll look for it. Reverting now, to Hugard's Modern Magic Manual, I have gone out of my way to recommend it as a text to a number of my friends who have a serious desire to learn up-to-date magic properly. And, moreover, there are not a few things in it that were completely novel to me. Assuredly it is worth more than the price asked to any practical magician. It would make a mighty fine Christmas gift to your friend in magic. Lloyd Chambers has favored me with a set of book ends, such as are advertised in this issue, and they make a splendid addition to my study. They are finely made of walnut, brass and red leather. The silhouette of the rabbit in the hat is very effective. Caryl Fleming and his mother cut short their stay in Mexico City and are back in Beverly Hills. The high altitude didn't agree with Caryl's mother. Charlie Davis, of S. A. M. number 22, accompanied them on the trip. The silver pesos which Caryl gave me on his return make fine palming coins. Mention of Caryl's giving me the Mexican pesos reminds me that Frank Chapman has taken a left handed crack at me this month by again inferring that Fleming has a financial interest in Genii. At times I have wished the inference were true but, unfortunately, it isn't. As much as I admire Chapman's magic I wish he would turn his guns on some of magic's enemies and cease back biting the men who are popular. Maybe you don't know it, Frank, but the reason these fellows are popular is because they try to do something constructive for conjuring. Scrapbook's anonymous columnist, an attempted imitation of C. T., always falls short of hitting the mark. It doesn't pay to be an imitator. C. T. has something the others can't quite copy. Card men will thank Max Holden for revising and reprinting the Merlin manuscript. With Hugard as editor it will be an invaluable work. Merlin was years in advance of his time in card work and had a practical slant on sleights that is hard to beat. It is only too bad that he couldn't have carried on. Withal, gentle reader, it has been a swell year. Just how good it has been we'll tell you next month. GENII

THE PENETRATIVE PIPS by LEN J. SEWELL

T

HE performer has upon his table a tumbler and a pack of cards which are resting- upon a small mat. The performer takes a blank card from the pack and after showing it back and front places it in the tumbler, back to the audience. The card is not again touched by the performer. Next the performer takes the pack down into the audience and has a card chosen, the chooser of the card is asked to drop the card into an envelope which the performer holds open for him and also to write the name of the card on the envelope which the performer hands to him after sealing. The envelope is now carried back to the stage being held high above the head all the way so that there can be no suggestion of a change being effected. Arriving at the table upon which the glass and card are resting the performer places the pack of cards upon the mouth of the glass and then lays the marked envelope on top of them. He now states that he will try and make the pips leave the card in the envelope, penetrating through the pack of cards and stick themselves to the blank card, after a few passes have been made around the glass with the wand the envelope is ripped open and the card withdrawn, when it is seen to be perfectly blank. The pack is removed from the top of the glass and the glass turned round and the missing pips are seen to be on the blank card that was put there previously, this card is taken out shown back and front and then both cards are pitched out into the audience for examination. Dissecting the above effect up into its component parts it will be seen that it consists of two items, the first being the change of a chosen card placed in an envelope for a blank one. This is accomplished by means of the usual faked envelope, which is loaded with a blank card in the secret compartment. The second item is the change of a blank card placed in a glass to the card selected or I should say forced for, sad to say, this quite necessary. This change is accomplished in the following manner. The glass as I stated rests upon a small black mat and it is this mat that is responsible for the change. The performer must also provide himself with a blank card backed with black velvet. When the blank card is apparently taken from the pack and shown back and front, two cards are really taken and shown as one. The velvet backed one (blank) is on the December, 1939

front and a duplicate of the card to be forced is hidden behind it, thus the "card" can be shown back and front as the black back of the blank card is hidden by the duplicate pip card. Just as the performer is about to place the card in the glass he lays these cards down on the mat for' a second while he picks up the tumbler and shows it all around giving it a flip with the finger nail so as to make it ring. Both hands should be employed in doing this so as to strengthen the reason for laying the cards on the mat. The glass is held in the left hand and flipped with the right middle finger. The glass is now stood on the table again and the card picked up and placed straight in the glass, back to the audience. In picking the card up the top card which is the duplicate is picked up only, the blank one being left laying on the mat where it will not been seen owing to the black velvet back. Having now grasped the method by which the changes are effected the reader will

BlAMtC CARD be able to bring the trick to a conclusion as set forth in the explanation of the effect. The above effect and explanation are exactly as presented by myself some three years ago, since then, however, I have thought out a rather different effect employing exactly the same properties. In this version it is not necessary to force the card and it is not necessary to use a faked envelope. The amended effect is as follows: Performer takes a pack of cards and an envelope into the audience, someone is given the pack and asked to take

any card out he wishes. The performer then takes the selected card and places it in the envelope which he seals up and then asks the spectator to write the name of the card on the face of the envelope also his initials. This being done the envelope is taken back to the stage. The glass is shown also the blank card which is placed therein, the pack is rested on top of the glass and the envelope on top of the pack as before. The pips are now made to penetrate. In this version the black backed blank card rests upon the mat from the beginning of the trick. The pack is taken into the audience with the envelope both of which are carried in the left hand. The cards are given to a spectator and he is asked to select one and hand the pack back. The envelope is held between the first and second fingers of the left hand and the cards are received back between the thumb and first finger of the same hand. The envelope is now pulled out and rested upon the top of the pack and the flap opened (writing surface of envelope facing audience) the selected card is now received in the right hand and the performer still holding- it face towards his audience asks them to be sure and remember what card was selected, he then pushes it into the envelope or at least that is what he appears to do, what he really does is to slide it down behind the envelope so that the envelope is now sandwiched between the chosen card and the rest of the pack, The envelope is next withdrawn with a sliding motion which leaves the selected card on top of the pack. The envelope which I should have mentioned had a blank card in it all the time is sealed up and the spectator asked to write the name of the card and his initials on it, the performer holding the envelope on top of the pack again so as to give a good steady writing surface. As things now stand we have the selected card on top of the pack and the blank card in the initialled envelope. On the way back to the stage the chosen card is slipped to the bottom of the pack so that when the performer arrives at the table the pack can be placed down directly on top of the black backed card on the mat, the cards are only rested on the mat for a second though as the performer suddenly remembers he requires a blank card which he thinks he placed in the pack. He thereupon runs through the pack and takes a card (really the black backed one and the chosen one behind it) out which he shows back and front. This is laid on the mat again and the business of flicking the glass etc., gone through exactly the same as in the first version.

Pans 107

MENTAL DETECTION by HUBERT BRILL

PATTER AND PRESENTATION: Ladies and Gentlemen, I should like to present for your approval a demonstration of mental detection. For our props we shall use several envelopes and a deck of playing cards. The envelopes are of two different sizes, so that the smaller may be placed within the larger. To convince you that they are opaque, I shall pass them out for your inspection and examination as well as the deck of playing cards. In order to make this demonstration as convincing as possible, I shall employ the use of as many spectators as possible to assist me. If one of you present will be kind enough I should like to have him thoroughly shuffle the deck of playing cards and then pass through the audience and have five or six other spectators each remove a card. But please let me caution you not to let either myself or your neighbors see the face of the card which you have selected. The remainder of the deck will be placed aside face down. I should like to point out at this time that since the deck was originally shuffled, I neither touched nor saw the face of any of the playing cards. If this is to be a demonstration in the mental field it should not be necessary for me to either touch or see any of the cards. So let us proceed under these conditions in order to take this effect out of the classification of card tricks. I should now like to have some other member of the audience assist me by distributing the envelopes, one small one and one large one, to each person who has selected a card. Those of you who have cards and envelopes will please seal their playing card within the smaller envelopes and then place these smaller envelopes which contain their selected card within the larger envelope and seal that also. If the person who assisted in distributing the envelopes will now collect them we shall proceed with the demonstration. Let us have these collected envelopes thoroughly shuffled. Under the present conditions that I have set up it would be a physical impossibility for me to know either the identity or the particular envelope in which any card may be. I might add that under these conditions it would even be impossible for a member of the audience who has selected a card and knows its identity to determine the exact nest of envelope in which his card now rests. Now we shall test the telepathic sending powers of those persons who previously selected cards. I shall ask each of you who Page 108

ha& selected a card to concentrate upon its identity and thereby send out thought waves. The strongest wave sent out will control my selection of an envelope from the group held by this spectator. Ah! I feel a vibration attracting me towards this envelope. And now to attempt to receive the name of the playing card. It is the . For the purpose of verification, I shall ask the person who thought of that card to arise and step forward. Now will you please verify the fact that the envelope is in the same condition as sealed by you, that is if it is your envelope. As yet you yourself are not certain, will you kindly tear open both envelopes and remove the card that is within it and hold it so that the entire audience may determine whether or not the demonstration is successful. It is the correct card. Thank you.

MODUS OPERANDI: As you have probably guessed the secret of the effect is based upon our old friend 'markers" or "readers". The only requirements necessary are a deck of marked cards and a bunch of envelopes. The envelopes should be in two sizes, one large enough to permit a playing card to be placed within it and the other size large enough to permit the first envelope to be placed withm it. The only preparation necessary is to mark one of the larger envelopes in any manner that will enable you to locate it later in the effect. Aside from this slight preparation the effect is entirely impromptu. As far as a method of marking the envelope is

concerned you may use any method that you are familiar with. Personally I use a slight smear of Caryl Fleming's Daub which may be obtained from any magic dealer. If you do not possess any of this daub I would suggest a bent corner of the envelope or a fingernail impression. But regardless of what you use it should be indetectable by the spectators. Following the Patter and Presentation, the deck of marked cards is handed to a spectator for shuffling and distribution of five or six cards among other spectators (the number of cards handed out is immaterial as it is only necessary to remember one card; but you must be sure to have a set of envelopes for each card distributed). When the envelopes are distributed you must watch to see which spectator receives the marked envelope. Now in explaining to the spectators that they are to first place their card within the smaller envelope you approach the spectator who has the marked envelope and illustrate your directions by taking the smaller envelope from him and holding it for a moment while he places his card face down within this envelope. (While he is inserting his card within the envelope you have ample time to learn its identity by reading its value from the back of the card due to its markings.) This card is memorized by the performer. The envelope is immediately returned to the spectator to allow him to seal it himself and to place it within the larger envelope. As soon as you have learned the identity of this one card you move away so that you are a considerable distance from all persons who are sealing their cards in the envelopes. This one move is completely covered by misdirection aniJ no one will remember that you even as much as touched any of the envelopes. After the group of envelopes have been thoroughly mixed up the remainder of the effect is patter and build-up until the time when you apparently select an envelope at random. (You really must be sure to select the marked envelope as that is the one which contains the card whose identity you have previously learned). All that remains now is a dramatic finish which is completely outlined in the Patter and Presentation.

INDEX for Vol. 3—25 cents for Vol 2—25 cents; for Vol. 1—50 cents Genii Indices Vols. 1-2-3—$1.00

GENII

'FOUR TENS REPEAT by R. M. JAMISON This item will be found to contain all the features desired, for any occasion, and altho based on the "Six card repeat" routine, it is probablyeasier to follow by your audience, and easier on the usual performer who finds it easier to grasp a lesser number of cards, as one card. The average audience reaction to this trick, is that you must have a packet of all ten spots, yet probably wonders, how with the constant shuffling and fanning, you manage to keep the four suits only, in sight. And for the finale, where the discarded 'tens" are shown, they prove to be a fan of ALL BLACK SUITED COURT CARDS, accompanied by the performers patter line,—• "Looks like a blackhand convention at Court." Routine: Performer shows only the four ten spot cards in a squared packet form, repeating in a fan formation, discarding two of the tens each time, faces from the audience. This is repeated three times, ending with actually only four tens, and a fan of Court cards, six in number. Packet set-up and routine: The ten spots are chosen, because they show up better, and six black suite Court cards. On the face up packet of the latter, first place the IOD, on this the IOC, then the IOH and last the IOS. This placement of the suits enables performer to name each card shown, without looking at the faces, inasmuch as the packets are face out to audience. It will be noted that card faces are always to the audience in this method and routine, and that there is a miniimum of covering by the hands. Move No. 1.—Packet with face out, taken in left, long side of packet, parallel to floor, thumb tip on top long side, and third finger tips on bottom long edge, tip of first finger on top or outer short edge. Call attention to the face out IOS, which right removes sliding it upwards on packet back. The same for the IOH. Now the IOC shows, remove the same way, BUT placing it ON the IOD, but leaving a quarter inch low. This later enables you to easily grasp the packet of seven-as-one, during the "fan" count and showing, each time. Move No. 2.—The packet is now taken in the right, and held up in front of your face, with thumb tip on right long side, second and third tips on the left long side, first finger tip, against the facin gout card of packet. These grips, are absolute insurance against any slippage of cards. Next first finger of left, riffles backwards, the back card of packet, reDecember, 1939

moving it to between the first and second finger, thus releasing the first finger, to enable it to remove the next card, the IOS. Next the packet of seven cards are removed, as just one card, the IOD, this also placed in fan, back of other two cards. The remaining IOC is retained in the right, showing back and front as a single card, and this also is placed in the fan in left, BUT IN FRONT OF THE FAN. Move No. 3.—Packet folded, and left removes from the packet back, supposedly two of the tens, really two Court cards, by riffling at the bottom, and turning cards upwards, as tho hinged at the top, which leaves the backs out to audience, and the two cards lain aside.

Now repeat move No. 1.—with patter that if you discarded two of the tens, surely only two would remain, but they prove to be again four. Now with two of the tens at packet back, and two in front, again do move No. 2. And so on until really only the four original tens remain but repeat the above moves. The tens are lain aside, and the discarded six "tens" picked up, as you remark—" TEN TEN SPOTS would not quite fit in a regular deck, you will ave to recort to the magicians perogative, of magically changings these tens to some other cards, and it so comes to pass." "It sure looks like Blackhand week, at the Court."

Daub-Oliccd Deceptions by ORVILLE MEYER

Effect No. 1: Spectator shuffles his own deck, looks at a card in the middle of it while your back is turned. Still you are able to locate the selected card. Have daub on fingertip ready to apply. Take shuffled pack from spectator to show him what he is to do, and explain that he is to do exactly as you illustrate. He is to cut pack near center, and turn cut-off portion face up on lower half of deck and concentrate on the card for a few seconds, then turn the cards face down again and finally give the pack a few straight cuts. You illustrate and just as you are about to hand the pack back to him the daub is left on the top card of the pack. When the spectator does as directed, some of the daub on the top card will be transferred to the back of the card on top of the lower portion remaining in left hand. For the halves of the deck will be back to back as he concentrates on the card facing him. When the top cards are turned back the noted card will now receive some of the daub on its face. Thus two cards in the pack will have a smear of daub on their faces. One will be the original bottom card of the pack and the other will be the noted card. During your explanation you took the opportunity to take a peek at the bottom card, thus your infallible divination. Effect No. 2: Spectator shuffles and cuts his own deck, peeks at the top card and again cuts. During this entire operation performer never touches the pack. Selected card is then located by performer. More daub—this time it is placed on a magazine which is on the table. Spectator shuffles deck until exhausted, performer says "Now please place deck here." Right extended forefinger points so that spectator will drop deck on the daub. The following cut serves to make the trick more impressive: "Take about Yz of the deck in your left hand. Another Yi in your right hand. Now replace the Yi in your left hand. Drop the cards in your right hand on top. You will certainly agree that it is impossible for me to know the top card of the pack." Spectator peeks at the top card and now is instructed to give the pack several straight cuts. This time the noted card is the one below whatever card has daub on its face. And another miracle is performed. As far as I know, credit for No. 1 belongs to R. M. Jamison, who kindly granted me permission to pass it on. Page 109

aside face down and arrange the twelve cards in the form of a clock dial, Ace for 1 o'clock, two for 2 PROSKAUER o'clock and so on, the Jack standing Give choice of top or bottom hori- for 11 o'clock and Queen for 12. zontal row and remove the one row o'clock. to which he points. Then have right He is now to think of any hour, or left vertical row chosen and re- telling it to no one. To avoid suspimoved. Four cards will then be left. sion that a confederate may signal the Arrange these: performer, it is most advisable to have 00X0 the spectator with whom the perGive choice of extreme right or former is working, go to the other left card. Take away card selected. side of the room and write the hour Now repeat. This leaves "X" and an on a slip of paper, putting it in his indifferent card. The O can be on own pocket. either side . . . but to illustrate: Now the spectator is to place the twelve cards face down on the top of XO Invite spectator to put hisfingeron the remainder of the face down deck, one card. If he takes 0, eliminate it. one by one. He is to begin with the Review what you have done up to Ace, then the 2 then the 3 and so on this point, explain that he has had a up to the Queen, last of all. This done, the performer instructs free choice throughout the experiment, and that only one card is left. him to take as many cards as the thought of hour represents from the Name it! If he puts his finger on "X", point bottom of the pack. He is now to put out that he has himself eliminated all them on top of the pack which is to the cards but one, and has chosen the be squared up carefully. During all these operations, the named one himself. performer has his back turned. Now he may turn around. He tells the spectator to deal the fifty-two cards face down in circles to fill a space of about fifteen inches in diameter, making several layers if necessary. All the performer does is to note the position of the thirteenth card dealt, and not lose it. He must appear to have no interest in the dealing, the patter also covering up that the performer is watching a card. As the former 13th card may be covered with another card before the deal is finished, the performer must be very careful never to lose track of it. All the cards having been dealt, performer places right hand on the circle so that his right thumb tip is on what was the 13th card. Now performer place his left hand over the right ,hiding the right thumb. At this point, have the spectator place his hands on top of the performer's. Move hands around, mixing the cards in any manner. However, the performer must retain the former 13th card under his right thumb, the shuffling- about hiding what is happening A Clock Dial Effect Effect: A spectator may think of with the performer's right thumb. Finally have the spectator remove any hour. From a pack spread out face down, and well shuffled, the per- his hands. The performer lifts his, former turns up a card the spots of waves them in circles over the cards, which denote the thought of hour. then suddenly drops his right hand on what was the 13th card. He now No sleights! No questions asked! Method: Any full deck of cards can draws it far away from the others and be used. The spectator holds pack and has the spectator name the hour of which he thought. Turn the card over! does the whole operation himself. Begin by having anyone choose a It signifies the hour! The principle is so well covered up suit. To explain: Let us say Spades is chosen. Instruct the one who chose and the effect so good that it can be the suit to take out all the Spade repeated safely . . . a rare thing incards except the King, i.e., twelve deed! This is truly a self-working cards. This done he is to lay the pack trick.

SELF-WORKING EFFECTS by JULiEN J.

T

HE two effects herewith are excellent for the amateur magician who wants to do something after a Bridge Game, or for a professional magician who wishes to have something easily done which can be used in front of reporters when he is looking for publicity. I have used them both for years, the Elimination idea being particularly effective with a small group. This effect requires no sleight of hand of any kind. The Clock Dial effect requires only a very simple and apparently careless move with the thumb. Patter, of course, is extremely essential in both of these effects.

A New Elimination Idea! Effect: Twenty-five cards are laid out on the table. Spectator eliminates all but twenty-four. The performer instantly names the remaining card. Apparently everything is done in a haphazard manner because the cards used are taken from the pack by the spectator, rather than the performer. Method: After a spectator has thrown twenty-five cards carelessly on the table, the performer picks them up and apparently does not look at any of them. He emphasizes this in his patter. Actually he glimpses at the bottom card. The performer now arranges these 25 cards in five rows with five cards in each row as shown below. The card at which he has peeked, and knows, and which is the one to be selected, is placed at "X". Note diagram. 00000 00000 00X00 00000 00 000 Invite someone to point to either the two top or two botton horizontal rows. If he points to the two top rows you will have left 00X00 00000 00000 (if he points to the two bottom rows, the row with the X will still remain). Now ask him to choose between the two outside vertical rows on the left or the right. If he chooses the two left columns, you then have

xoo 000 000 Rearrange these nine cards by putting the card to be selected, X, in the middle (see below). This is easy to do because you always know the exact position of X. 000 0X0 000 Page I 10

GENII

THE VAMPIRE by EDDIE CLEVER, New Cumberland, Pa.

Chapter One Faust Explains AMPIRE murders! What will the reporters think of next?" Harry Wilkins tossed the paper aside and glanced at his friend Roland Faust. Faust endeavoring to solve a chess problem, thumped a Bishop down with a triumphant smile and looked up. "The modern newspaper feeds on sensation. When I left law school and abandoned the more lucrative profession of defending law-breakers for that of pursuing them; newspapers printed news. No gaudy headlines, they stated facts and left it go at that. But today a girl is brutally murdered, some more observant newshound notices two scratches on her neck, similar to teeth marks. He senses a story, what would make those marks? He recalls stories of vampires, Dracula, ergo, we have the "vampire murders." Harry nodded and added, "True, but that's all nonsense, there are no vampires. No one really believes those headlines." Faust leaned back in his chair and in the lean angular face was a faint trace of amusement. Pushing long fingers through fast greying hair he answered, "Don't you see, Harry, its sensation. No matter if the public doesn't believe it. The headline 'Vampire Murder' attracts attention. It sells papers." "But I still think its misleading and overdone." It was Harry's nature to be obstinate, although it was one of his minor weaknesses. The two men had been friends for years, ever since Faust had cleared Harry's son of a charge of embezzlement. Both were now retired, though Faust occasionally relieved the monotony by acting as un-official advisor to his boyhood friend the District Attorney. Faust didn't answer at once, and Harry watching the strong, well shaped head and lithe body of his friend, awaited the reply he knew was coming. Faust was, mentally, tinkering with an idea. Harry knew that. The wrinkles in his high, straight forehead had telegraphed that many times before. After a few moments he turned to Harry and amusement tinged with eagerness crackled from his eyes. That's the way Harry always thought of those eyes. When Faust looked at one, his eyes were always full of life and reminded Harry of the crackling of an electric spark. "Harry, the newspapers give the

"V

December, 1939

public just what it wants. And today the news must be flavored with the unusual, the out of the ordinary, and editors know that. Vampires will appeal to the popular fancy, so they give us vampires. This desire to satisfy the public's thirst for the bizarre is also reflected in the work of others who appear in public." "Don't tell me that you will use a vampire the next time the D. A. comes around for your help!" "No. I seldom appear in public. But you remember the Inspector invited me to his daughter's Hallow'een party, last week." Harry laughed, "Yes, I never could quite understand you going to a Hallow'een party." "I probably would not have gone, but you know I have always been fond of Lucille and she of me. My own daughter, if she had lived, would now be two years older than Lucille." His eyes saddened and absently his fingers toyed with a Queen on the chess board. But only for a moment, and the wooden symbol was laid aside. Perhaps with a trace of tenderness, Harry wasn't sure. "However my desire to go was more strongly aroused when Mac told me that Faulk, the magician, would be there. You remember he is the fellow I told you of some time ago?" "I remember, you mentioned that he was extraordinarily clever and his work was away from the usual." Faust nodded. "Perhaps as a technician he does not rank with the foremost of the day. But Harry, he has personality and a grasp of audience psychology which is beyond that possessed by many stage magicians. For instance, this was a Hallowe'en party. His program fitted the occasion, both in setting and choice of effects. Into each effect he wove some Hallowe'en legend or eery story which was particularly applicable. Your mention of the 'vampire murders' recalls one effect in particular which impressed me. I'll try to describe it, just as he did it. Picking up a box, which was devoid of a lid, he 'pattered'; that's what magicians call their talk; something- like this . . ." Chapter Two The Vampire Walks Magician—"Most of you have read the book, seen the play or motion picture Dracula. You will recall that he was a vampire, living yet dead, and fed off the blood of humans. You will also remember that he left his na-

tive land and travelled to England in a coffin. Let us assume that this box is a miniature replica of that coffin." Faust—"Here Faulk removed the bottom which was loose and showed the absence of anything concealed." Magician—"And now watch. Is that the howling of a hound in the distance? Or do you hear the whirr of a bat! Look. Dracula is coming!" Faust—"During this he looked around as though expecting some nocturnal visitor from beyond, then up and over him and his eyes traced the imaginary flight of something in the air. Then his right hand dove into the box and came out with a large black silk. Fastened along one edge was a small cardboard head, painted to resemble the stage Dracula." Magician — "Watch, the Count awakes from his trance-like sleep." Faust—'"Tying a knot in the silk and drawing it tightly around the bottom of the head, he held it in his left hand, letting the head hang down towards the audience. Then slowly the head rose and stood upright, a weird and spooky affair, indeed." Magician — "And now Dracula comes fully to life. Watch!" Faust—"Holding two opposite coi'ners of the silk and twirling the body of the silk, Faulk literally brought the figure to life, that is, the head remained upright and dangling from this was a body and what appeared as two legs." Magician—"See, our vampire takes human form and stands erect. No, not quite, he is still drowsy from his long sleep. But a touch of the magic wand and he stands without visible support. There is magic in him still." Faust—"The magician, holding the legs at the bottom with his left hand, held the head up with his right, which he then removed. But the entire affair slumped down. Picking up his wand he touched the head, then held it up again. This time when removing the right and the entire silk and head stood up as though possessed of life, presenting a grotesque appearance." Magician—"You have heard of how Dracula would take the form of a bat and fly through the air. I assure you that this miniature replica is quite capable of doing the same." Faust—"The magician now laid the silk on the floor, then waving his hands over it, the head slowly rose and then suddenly the silk leaped into his hands. This brought gasps from the girls, I assure you. Holding it in his left hand, it floated from that hand to the right, then directly in front of him. Laying it on the floor again, it once more leaped into his hand. This was an uncanny performance." Page 111

Magician—"You will remember that one of the most thrilling moments in the play, was that scene in which Doctor Van Helsing and Jonathan had trapped Dracula in a room of the castle, just before sunrise. That is a ticklish moment in a vampire's life. For the story goes, that if he is not back in his coffin when the sun comes up, he will die. That was their purpose. Let us imagine that this is a room in the castle." Faust—"Faulk showed a box-like affair painted to resemble the exterior of a castle, the entire front opened as a door and the sides had a hole through the thickness of each." Magician—"Let us, further, imagine that these two orange colored silks are Doctor Van Helsing and Jonathan. They have trapped our vampire in this manner. I'll tie one to this corner of the vampire and the other to this corner. Thus he is trapped between them. To carry out the plot I'll lock them in the castle. So that you do not miss anything, I will pull a corner of each orange silk through one of these holes. Now comes the tense moment of our little drama. It is only a few moments till sunrise. Dracula is trapped or so our two friends believe. But is he? What will he do? Listen!" Faust—"Faulk paused dramatically for a moment, then turned to the castle. There was a shrill screech, similar to the howling of the wind. Then he grasped an end of the orange silks, jerked them through the holes and opened the door . . ." Magician—"Ah, our vampire was too slick for them, he has vanished into thin air. Leaving an empty room and two bewildered captors, now holding one another. But where is he? In the coffin? You cannot see him? But I assure you he is here. Watch!" Faust—"Again he showed the box from which he first produced the vampire silk, it was empty. But replacing the bottom, he waved his right hand over it and reaching in brought it forth once more." Magician—"And as the stories say, continued in our next issue." NEXT MONTH IN CHAPTER THREE YOU WILL READ

"HOW IT CAME ABOUT" WANTED TO BUY at all times Used Standard Magical Apparatus, books, no home made junk or senets wanted Must be sent on apii'oval, check by ictuin mail 01 goods returned prepaid liaiKain List just out. It's fiee

OTTO WALDMANN 40 Years in Magic Page 112

332 East 77 St., New York

OF TRICKS

MAGIMINISTERS

GEORGE W. PUGHE, from whom we'd certainly like to hear, suggests:

REV. GORDON W . MATT1CE

If you want to publish a trick why not that "Improved" version of Al Baker's "Two souls with but a single thought" with duplicate cards from ten to twenty and a subtle suggestion that in order that the trick does not become too long drawn out that the victim mentally select a number "say between ten and twenty"—You can easily see that it is thus possible to write BOTH predictions before the trick starts and the victim keeps them in his possession at all times. Another Genii -favorite, PAUL MORRIS, presents this one for the shell game enthusiast:

Another shell game move is as follows: Let us assume that the spectator has selected the shell which really covers the pea, but that we don't want him to know that he has guessed right. Grip the shell at the sides, thumb on one side, middle finger on the other. Merely turn the shell on its side so that the thumb comes to the bottom. As you turn the shell, let it roll on the pea as though the pea were a hinge. The shell is now standing on edge—the inside facing to the right. The pea is caught between the shell and the thumb, and is invisible to the audience. You may now turn the shell so that the inside faces the audience, and you can also lift the shell from the table to convince the spectator that the pea isn't there. In replacing the shell, merely reverse the moves, and leave the pea beneath the shell.

My Magic Wand and I by ARTHUR MILTON POPE The magic bug had bit me When I practiced in the shed, My magic wand beneath my arm, Ambition in my head. A fingei ring climbed up my wand, I made a simple pass— A flower sprang up beneath my hat. The cardb rose from a glass. A billiard ball dissolved in air, Then reappeared as two ; I stroked a yellow handkerchief And changed it into blue. I vanished eggs, I flourished coins, I made confetti fly ; We stuck together, night and day— My magic wand and I. Still faithful to our worthy trust. We strive as best we can To swav a skeptic audience And reach the soul of man, To bring a wealth of happiness Like riches to his door, And make his heart feel younger Than it ever was before. For art, devoid of spirit, Is a flimsy thing indeed, And tricks that have no life or bloom Are like a diooping weed. True magic, like the rainbow's gleam. Does more than mystify; And we are good Utopians— My magic wand and I.

Conducted by the 30 Trafalgar St., Rochester, N. Y.

Our list of Magiministers keeps building up. Rev. Elmer Braden, Naples, N. Y., is a brother of "Paul Le Paul," who was technical advisor for "Eternally Yours," which picture I saw and enjoyed, but regretted the many exposes. Mr. Braden specializes in chalk talks. At the N. Y. State Conclave we met Rev. Daniel S. Wood, of St. Mary's Episcopal Church, Springfield Centre, N. Y. He is just beginning and is interested in silks and cabinets. Bud Spraker is helping him along. Also had a most enjoyable visit there with Rev. Epler, chaplain of the IBM. Rev. Samuel G. Houghton, Geneva, N. Y., is a District Supt. of the Methodist Church. Has been doing magic for 20 years, and started it during the War and put on shows for the soldiers over there. Rev. R. S. Balsiger, Portsmouth, Ohio, wrote the supplement for Eddie Clever's book, mentioned two columns ago. He got started by Rev. Charles T. Grant who wrote "Sermons in Magic." His favorites are Banishing Satan, Rope and Vase, Organ Tubes, Multiplying coin glass, and repeat bill. Rev. Sherman Epler contributes the outline for a Missionary Lesson. It is based on the Crystal Globe and Coins. An ornamental globe can be bought in the 5 and 10 and a coin holder made of wire. This is placed in the neck of the jar and held by a piece of thread. Three coins are placed in a double regular church offering envelope faked so the coins can slip out and be palmed. The coins are placed in the envelope and sealed by a spectator. The envelope is placed on an offering plate and in the act the coins slip out and are palmed. Duplicate coins are already in the vase. The thread is pulled as the jar is lifted from the table and the coins are heard and seen as they arrive. The spectator removes the lid and counts the coins. He takes the envelope, opening it, and discovers that the coins given for missionary work have traveled to the jar which represents the needy world. Mr. Epler has used this many times and it always goes over well. Try it out, an if you have trouble, drop me a card and I'll send a fuller explanation. Merry Christmas to you all.

ATTENTION HYPNOTIST!

Will buy an>thing pertaining to Hypnotism Courses in Mms foim oi books such as Window Sleep and oi her Publicity Stunts w Hh Patter, also Hjpnotic Masa/ines etc. Wanted old and new Ibpnotic Fiogiams and Clippings with or without sciapbook also Pswho-Phone, Rotating MnIOI and othei Psychical Instiuments Send de-

Stanley Sokeitous

7 P hifad°pK

la1

GENII

GENII

JUNIORS

A PAGE FOR JUNIOR MAGICIANS (UNDER SIXTEEN YEARS OF AGE) Edited by BILLY LARSEN, Jr. 705 S. Hudson, Pasadena, California

EDITORIAL Merry Christmas and Happy New Year to junior magicians all over the world. I hope during the next twelve months we can make our page even better than it has been. We could use a lot more tricks. Specially flashy tricks that are not too hard to do and not too expensive to make. So now I'll leave you for this time. And I'm hoping you'll get a lot of new magic in your Christmas stocking.

Some Magical Ideas by DICK NORWOOD A long envelope, which opens at the end like a pay envelope, is shown. A pair of shears is shown and a two foot length of red baby ribbon is passed through the handles and the ends tied. The shears are placed point downward in the envelope and same is closed and stood in full view against a glass or some other object. A pass of the magic wand and the envelope is opened. The shears are removed point upward, having seemed to reverse themselves in the envelope. And now the ribbon is pulled free of the shears handles. A double envelope is used, being made by glueing two envelopes which are just alike back to back. Two pairs of shears and two ribbons are used. Tie the ends of one ribbon and then just loop it through the handles so it isn't tied at all and can be pulled free. Put this pair of shears and ribbon in one side of the envelope point up. Close this side of envelope. Now show the other pair and after tying ribbon place in empty side point down. Reverse the envelope when setting it against glass and the trick is done.

The Ghost Camera

Wrinkles

by JACK LOHR

by SPENCER CRILLY

The magician tells the audience that he is going to take a picture of something one of them is thinking about. He has a card selected and remembered. Then he points a camera at the person who selected it and pretends to take a picture of his mind. He opens the camera part way and takes out a piece of white paper which he says is the film. This is passed through a small roller developing machine and a picture of the card comes out on the paper. Use any camera. I use a Baby Brownie and have a piece of paper just the size of a playing card, with rounded edges and all, folded up and stuck inside. The developing machine is a money making machine which is sold as a joke by most magic and novelty companies. The card that comes out of the machine is one that has been soaked in water and split in two. When dry (and the drying should be done under the pressure of a blotter with a book resting on top of it) only the front or face portion of the card is used. This is as thin as paper and passes for a picture of the card.

Merry Christmas! A Christmas Trick EFFECT: The Magician exhibits two empty paper cups and filling one of them with dirt or confetti from a small paper sack he plants a few seeds (Christmas candies) and covers it with the other cup. Upon removing the upper cup it is found that the seeds have grown into a small, bushy Christmas tree. SECRET: From your local dime store purchase a small artificial Christmas tree with a round wooden base. The tree must be small enough to fit in a paper cup. Carve the base of the tree to the diameter of the inside of the cup so that when the cup is inverted over the tree a slight pressure on the sides of the cup will hold the tree in. Now you are ready to perform. Show the cups empty and fill one with dirt from the small sack (before filling the cup with dirt invert the other cup over the tree which rests out of sight behind sack). Now cover dirt filled cup with loaded one and release pressure allowing tree to drop into dirt. Lift upper cup and PRESTO there's your tree.

Dont's for Juniors

Slate Photography. A Spirit Slate Routine After getting subject up on stage and telling him that you're going to take his picture, tell him (or her) that you have no camera. Then remarking that you will have to make one, pick up your slates and show that they are blank. Pick up a piece of chalk and draw a lense (circle) and a shutter button. Then placing the other slate (the film) behind the first, point them at your subject and press the shutter button (?). Upon taking the slates apart a chalk picture is found on the rear slate (picture can be skull, dunce etc.)

Pasadena Junior Magicians Guild Changes Name by SPENCER CRILLY, Secretary

The Pasadena Jr. Magicians Guild changed its name to the Mystic Circle on Thursday, Oct. 19. The meeting was held at the home of Bob Fisher and the members present were: Ed Taylor, Sheldon Atterbury, Edwin Drew, Henry Brauman, Sandy Callow, Bob Fisher and Spencer Crilly. Plans are being made for a Christmas party which will be held at one of the member's home. December, 1939

Let me show you my own original trick.

Puffed Rice can be used in almost any trick where rice is used. When doing the Rice Bowls, puffed rice helps avoid the mess of spilled rice. The Hanson Rice B'owls avoid the mess of water and puffed rice having larger grains is more easily seen and gets a laugh when produced (in box) from under foulard. Page I 13

Oakland Magic Circle by CLAUDE BURKE

Magic, magic and more magic has been the order of things in the bay district during the past month. Our pleasure at the unusual activity is only dampened by the fear that we've had too much of a good thing at one time and that it may be a long time before magicians descend on us in such numbers again. First was the lecture on the art of deception by Dr. Francis G. Benedict of New York, and the Parent Assembly S.A.M., at the University of California, which many members attended and voted a most unusual and highly instructive discourse. Then appeared on the scene a Dr. Grote also of New York City who in the field of manipulative magic is certainly outstanding. At last came the long looked forward to appearance locally of Will Rock presenting the Thurston mysteries. A complete show of the magic that we all know and love. On Friday and Saturday, Nov. 10 and 11, the International Magicians in Action appeared at the Oakland Auditorium Theatre doing two hours and fifteen minutes of magic presented in a new manner, believe it or not. Based on the type of show presented at P.C.A.M. Conventions Dariel Fitzkee has put together a unit that is a fast moving (almost too fast at times) revue presenting in rapid succession no less than eleven magicians including three lady magis. We wish them every continued success. Five days later, McDonald Birch. Are you beginning to envy us ? Twelve years ago I met Birch but it was not until this time that I caught his show. But all the good things I had heard over the years of his work were more than borne out at this show. Who am I to describe or comment on Birch ? At last I have seen his show and all I can say is there gentlemen, is a magician. The Oakland Magic Circle will enter the National Hobby Show to be held in Oakland on Dec. 8, 9, and 10. Next month we'll tell you all about it.

AT last Furst, the magician, has discovered the proper place for his act. He recently entertained the inmates at the Home for the Blind. IT was Professor Quizz night at Al Levy's Tavern. Kosky and Taylor were hosts. The Professor asked, "Is it black magic when a negro magi performs ?" A smart guy from Pasadena (so he thinks) replied, "No, it's when UCLA plays football." HARRY Mendoza and his charming bride are setting up a lovely apartment in Hollywood. THERE are a number of magicians in and about Los Angeles who are expecting a Los Magicos card for Christmas, but are they going to be disappointed. YOU don't suppose the Expose Committee will be calling on Charlie McCarthy after hearing his broadcast on Sunday, November 26th. They might at that. IF you can't do a magic club any good, resign. I did. IN last month's Genii, Len Gunn made much ado over thirteen letters spelling words. But he overlooked "Corny Magician." STRANGE as it seems, John Hix is now a regular subscriber to Genii. FROM New York comes word that Stunts, Inc. is putting out a mysterious disappearing ink called "Magink." Revival of this corporation brings with it assurance of J.J.P. that no magic, or anything remotely connected with magic, will be handled. WHOEVER heard of charging advertising rates for an obituary? DANTE is feeling badly over the fact that Nicola's act went down on a ship sunk by a German submarine. It seems some of Dante's act went down with it too. A wise magician is one who realizes who he is, and where. JACK Handy is in Reno getting The hands of the well-known Magiunbuttoned so he can hurry East to cian on page 120 belong to Al Caroget buttoned up again. RUSSEL Swan emceed the annual selli who has recently moved from DeExaminer Christmas Benefit Show. troit, Michigan to Pasadena, Calif. Among many celebrities appearing DISTINCTIVE PRINTED STATIONERY was our own Geraldine Larsen. Will ( u a u Imut'st In Youi Shou 01 Act —Try Ours— OVERHEARD at a Magigals meeting: 100 LcttulK ach UiH'Ioiits ami Cards "Why she has the same thumb tip $1.25 p.p. \ t a t l \ jiiintul to \uoi com, using Magical VuU she had last year, and she still wears U h o I II \ I S \ \I and I S .7 M emblem (uts) (in \\ hiu Bond Samples and price list, b< stamps her gimmic girdle way down to here." (HOIK I] u ) SHO-ART PRESS AND here I wish everyone a very 2C4I Summit Ave. East St. Louis, HI. Merry Christmas, even Bob Weil. Page I 14

The Knights of Magic by LEW DICK

The Knights of Magic conducted a snappy business meeting, on November 12, 1939, at their new headquarters, Hotel Lincoln, 45th Street and 8th Avenue, N. Y. C. The meetingwas presided over by President Richard Marks, who also acted as M.C. for the After-the-Meeting Magic Show. The following acts appeared and were very well received: Harry Bernstein, Dr. Aaron Weiss, Thimbleny, Bill Williston. Jay "The Great Jasper" Marshall, Morris Fox, Raymond Cox, Irving Kotch, John Makepeace, John Mahar, Dr. Abraham Hurwitz, Gabriel, George Sands, Max Katz, and Richard Marks. On November 10, George F. Jowett, Internationally famous strong-man and health authority, was the guest of Supreme Knight Lew Dick, at his home in Flushing, Long Island. Other Knights of Magic-at-homeget-togethers were conducted this past month by Dr. Aaron Weiss, who showed movies of magic moves and latest tricks; Meyer Brown, at whose home a fine show of pocket tricks and table magic was presented; and President Richard Marks, at the Broadmore Hotel, at which get-together was present almost as many magicians as at a Magic Convention, it became necessary to move the party to the roof garden because of the large turnout.

Pasadena Magicians Guild by W M . H. McGEE, Jr., Secretary

One of the most interesting meetings of the year was held on the evening of November 7th at the home of Luther Little, our president. Many matters of importance were passed upon. The grand success of our second annual show in commemoration of International Magicians Day was a leading topic. A vote of thanks was tendered the committees and individuals whose fine work brought the show to perfection. After the close of the business meeting came the regular impromptu show. Ten members presented a wide variety of magic. Our two guests, Bill Brown and Archie Hollinger also contributed to the evening's pleasure. President and Mrs. Little served a "Ham and Eggs" supper which put a fitting climax on another delightful evening. The Pasadena Magicians Guild is itself the answer to Editor Larsen's query in October Genii as to what a magic club should be. GENII

PAGING THE LADIES . . . by GERALDINE CONRAD

BAGDETTE

Christmas Cakes

Merry Christmas to all my merry readers and best wishes for the happiest holiday season ever. Women have been very prominent in magic around here this past month. Have you read of the new Fitzkee Magic Revue ? An all magic show and the women—listen—Lynn Miller not only assists Caro but does a beautiful rag picture act of her own; Marcia Fitzkee as Marcia Dare assists Dariel and Maldo and proves her confidence in them by putting her head in the guillotine and being tied in Maldo's trunk; Donna Eyster does a marvelous memory test—billed as "ExtraSensory Perception. Men call it a hunch, Women call it intuition. What IS it?" Everyone says its a grand act! Then comes Lucille Hughes, a newcomer to California who is young and attractive and very clever with her magic! Doesn't it sound like the women more than do their share in the show ? We certainly wish them every success and hope to see them down here soon. I was so happy to get a nice letter from Rouclere, Jr., and she has promised us an article for next month's Genii. She has been very much in demand this season with her Miniature Magic Show which she had planned originally for children. However adults like it too and she has expanded it so that she can work it for adults as well. Planned to be presented right in the home or club yet containing many stage effects it is no wonder that Rouclere, Jr., is booked continuously for several weeks. Announcement comes of the marriage of Patricia Proskauer on November 24th to Arthur Gottesman. We wish them success and happiness. By the time Genii is in the mail Florence Allen will be the bride of Harry Mendoza. Both are to be congratulated and I know you will join me in wishing them "happiness ever after."

/"^ HRISTMAS comes but once a V>i year (unless Roosevelt should change it) so lets have plenty of cakes. Cakes you make weeks before down to the URRY up cakes that you stir up in a jiffy. A EAL convenience is the large quantity cake recipe beaten well, divided into pans for baking, covered securely with dampened cloth and waxed paper and stored in the refrigerator until ready to be popped into the oven. CINGS should be thicker and sweeter and fluffier than they are for every day. If necessary add a little dissolved gelatin to the syrup before you beat it into the stiffly beaten egg whites. URPRISE cakes are fun. Make cup cakes, scoop out the centers, fill with jam, custard or marshmallow cream, replace the cap and ice. HERE are upside-down cakes or ice box cakes; ginger-cakes and date and nut cakes and the Cinnamon currant cakes that are best sliced and toasted for breakfast. OST important of all—follow all cake rules. Use good materials, measure accurately, beat thoroughly. NGEL FOODS! Bake in small star-shaped pans and call them Bethlehem Stars! URELY you will have at least one brand new kind of cake. Try a Burned Sugar Cake. To make it, burn one-half cupful of granulated sugar until it is black and crisp and pour over it one-half cup of hot water. Use three tablespoonfuls of this sugarwater in a standard two egg cake recipe and another three tablespoons of it in boiled icing for your cake. AKES have a way of conveying all your best holiday wishes. A RICH, tender, moist chocolate cake with a contrasting white frosting covered with tinted cocoanut will be in EEPING with your holiday scheme. XTRA nice decorations are in order. Make a large star of overlapping slices of bananas on white icing. HOULD you have a bit left after Christmas. Moisten with fruit juice and pour over it a chilled custard and top with whipped cream.

Wedding bells and Christmas bells Ring out their notes of cheer Bringing wishes true For good luck to you Throughout the coming year. December, 1939

MAGICALS The first meeting of Magigals this month was held at the home of Maude Terhune. This was a business meeting and the club was presented with club stationery engraved with our Magigals emblem, as above. This was given to the club by Dr. Trask, husband of our vice-president, Carolyn Trask. A beautiful portable radio was donated to the club by our beloved member and benefactor, Beatrice Houdini, to be raffled off on January 8th. Proceeds are to go to a very worth-while cause. Delicious sandwiches (recipe will be in January Ladies' Page) and cookies and coffee were served and incidental magic was performed. At the home of Jean Ash on November 27th, Magigals combined a social meeting with a shower for Sylvia Gerlach who is expecting a blessed event in the near future. Evelyn Kapp dressed as a baby wheeled in the carriage filled with beautiful gifts. Mrs. Ash had decorated the table with a stork and pink and blue flowers. The highlight of the evening was that instead of being served coffee as we anticipated—Jean's daughter brought in a tray of baby bottles filled with chocolate. There was much goo-ing and gurgling as we reverted to our baby days and thoroughly enjoyed it. After refreshments Gerrie Larsen did an original trick with an apron, Orra Dillinger (our new member) did a cotton to milk transformation, Mrs. Palmer (a guest) told some stories, then Vera Baxter did a real production. Showing a box filled with her knitting materials, she emptied it, then put the top on the empty box and upon opening we discovered a beautiful Press book which she had made for the club. The Magigals emblem was on the cover in hammered brass—as were the hinges and trimming. It is really a masterpiece and meant a great deal of work on the part of our talented Club Historian.

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Detroit News by HAROLD STERLING

Northern

LOS MAGICOS LEGERDERMAIN

by RUDY MILLER Sixteen Detroit magicians went out to the San Diego, on November 10th The regular meeting of Los Magito see Les Hunt and his assistant, California cos was held at the home of George Miss Delmar work. Superb manipulaPostle, Monday evening, November tion and a new twist (to me) of the Comments 13,L.1939. needle trick; no switch. Why didn't O. Gunn was Master of CereI think of that? monies, and each member presented Do you know that if you want to his pet trick. Jimmy Conley, Bert remove a scratch from a polished Allerton, Bill Taylor and Dr. Levi by ROBERT J. STULL piece of furniture or apparatus, that performed in quick succession and magician's wax will do the work? were very well received. The hit of the Evans Brown is back in town. He show, however, placed right in the combines harp playing with his magic. Here it is Christmas again so all of center of the bill, was Hal Curtis, a His tricks are all of the flashy type, we Northern Californians wish all of young magician of seventy years of large apparatus. you Magis a Very Merry Magical age, who performed with a couple of coins and had the gang standing on Al Saal is working in Detroit so Christmas and a Happy New Year. And a Magical Christmas it will be their heads trying to figure out just much that he seems like a Detroiter. I have never met another magician with the largest collection of Magi- how he was doing his sleights. The who could pick up any trick or gim- cians in years, either showing or about patter was very well synchronized mick and immediately work it as well to show here. Look at this list and with the magic and Hal sure made a as Saal. It pays to practice every then ask yourself if the public likes hit with the members of Los Magicos. Magic. Dariel F'itzkee's International George Baxter then obliged with a way. with Maldo, Caro and Lynn, poem and then the following members On Hallowe'en a local magician Magicians Lucille Hughes, Tolmas, The performed their favorite stunts. Hupulled the prize boner. Booked to play Eysters, Marcia Slyter, Adair, also bert Brill, and Gerald Kosky. Dolf R. in a surburban school, he stopped at Steve Shepard, Blackstone, Ming, Ridin, a guest, mystified us with some Rock, Ferthe wrong school and put on his show. rel and Doctor Valentine. Quite a wonderful card effects. Afterward, when he approached the bunch of notables I calls it. A very nice mid-night snack was committee for the check, he was told: Some of the locals caught the Rock then served and the boys discussed 'We thought someone had donated your services." The kids were all show a week ago, and from the re- magic until 2 o'clock in the morning. The most unique meeting of the waiting, meanwhile, at the school ports that are coming in, the former three blocks away. The magician who Thurston effects are being carried on year was put on by Gerald Kosky and in grand style. The Fitzkee show has B'ill Taylor, November 27, 1939, at pulled this was Harold Sterling. been on the road for a week now and Levy's Restaurant in the heart of Leo Leipzig (Nate's brother) must opens in San Francisco in a few days Hollywood. be the champion vest pocket magician. for a week run at the Curran TheBert Kalmar was elected President, One day he unloaded his pockets and atre. I saw the show and it is a Harry Mendoza, Vice-President, Rudy counted his tricks. Believe it or not, dandy. With a few rough edges re- Miller was re-elected Secretary-Treashe found 62. Around Colon he is moved it should be an absolute hit. urer, and L. 0. Gunn and Dr. L. M. known as One Buck Leipzig. Written in Revue style, fast moving, Levi, Sergeant-at-Arms. John Booth was in town for a with several group numbers and beauIt was Professor Quiz Night and short engagement at the Club Royale, tifully staged and routined, it is dif- Kosky and Taylor are being congratrecently vacated by Russ Swann. ferent from anything you have seen. ulated on the unique questions that Booth used the simple trick, the Don't miss it. were asked and how they were anhydrostatic glass, and built it up with Here's a new gag a fellow showed swered. After the quiz was over, dethe right presentation into a major me the other day. Fill a bottle com- licious sandwiches, pastry and coffee mystery for the customers, thereby pletely full of water, then break off was served. The show then started. illustrating- that with proper study, several wooden birds eye matches (not Caryl Fleming donated the prize for thought and practice such a trick safety) close to the heads, and place the evening, 10 silver Mexican pesos can be built into an entertaining and the heads in the neck of the bottle. that he brought back with him from baffling mystery. Of course they will float but by press- his trip to Mexico. They were won by Fifty miles from Detroit lies the ing more or less on top of the water a guest, Charles Miller, who certainly town of Courtright, as it is known on in the neck of the bottle with the deserved to win this prize as he is a the maps, but known to the magic thumb, you can cause the matches to wonderful magician. Gerald Kosky world as the town in which Stewart dive or rise or stop half way down a acted as M.C., and the following memJames lives. Magicians in that part of la Cartesian Diver or Bottle Imp. The bers performed. Harry Mendoza, HuOntario are organizing a club, and effect is very interesting, and per- bert Brill, Wm. Larson, George Baxwith the Wacky Wizard active, there haps very old, but it was new to me ter, L. 0. Gunn, Dick Wilcox, Bert Kalmar, Fred Kapp and James Conley. should be plenty to keep them busy. so I'm passing it on.

Three Miracle Card Effects — Christinas Special, $1.50 Very Simple Principle—Regular Price, 82.50—Only a Few lLeft Unlimited possibilities—Countless angles—Nothing mechanical—Any pack used—No secret preparation—No marked cards—No confederate or plant—A few rehearsals assure effective presentation—For a spellinq effect, "The Master Speller" has no equal—"The Mental Mystery" is just what its name implies—"The Positive Force" is supreme subtlety. The three mysteries in a neat folder—$1.50.

V. A. CERRUTI, 23614 Fourth Avenue, North, Nashville, Tenn. Page 116

GENII

Our emcee and vice-president, Em Woods, sold a couple of stories while Rajoy—Ray Murray to youse—pinned several thimbles all over himself. By risky business to launch new effects the time Ray was ready, the crowd and books. had stopped laughing. Ray started off And a Happy Christmas and New with the Sympathetic Silks, which was by CEDRIC Year to all Genii readers and those done in guide a smooth manner; then many, many friends that I had the followed his own version of the Egg(All correspondence to Cedric, 13, deep pleasure of meeting last June. bag, the door and restored tissue St. Peter's Avenue, London, E. 17.) Let us all hope that this New Year paper (this had 'em hollering), and, will bring more hope and rest to the to round off a clean act, he knocked Calling All Cards disturbed world. Let us hope it will 'em in the aisles with his inimitable Magical activities are gradually bring a peace so that one of these thimble manipulations. settling down in England during this days I shall get across again and have war-time period and many magicians the pleasure of renewing those friendEveryone was feeling pretty good are touring England entertaining the ships that remain so deeply within me. by now, and Tom Riper's Cups and troops. I am sure that there is a lot Balls was a wow! Good luck everyone! of flag waving going on in magical Succeeding Tom was Doc Fraser, programs now. The main problem our past president, who, as usual, gave seems right now to be topical and an excellent imitation of a Gyppo everyone is trying to get up effects magi—a real actor this chap. tying up the political leaders with by "THORBURN" items such as STUNG and STUNG An excellent interlude from magic The Independent Magical Perform- was made by Frank Scott, our Chief again. ers of Sydney held an extremely sucImp, who presented his clever ChaThe theatres are doing fine busiSmoko on the night of Thurs- peaugraphy. His imitations were both ness in town and I hear that the cessful 26, in their Pitt street speedy and entertaining. GREAT LEVANTE is doing fine busi- day, October about fifty visitors being in ness around the provinces with his clubroom, A genial Chinese ( ?) magic-maker show. I myself, am now serving in attendance. ( ?) wandered onto the stage, and reOpening the show was your correHis Majesty's Forces and have alhis name as Ar Sup—but he ready been out on many shows for spondent, presenting the following ef- vealed fool me—it was Cec. Cook the troops. I have been asked at my fects: Bewildering Blocks, Rope trick, couldn't (you've got to see this bird's manips. particular camp, to organize concert Rice Bowls, the Golden Spider Web, to something really good). Cec. parties amongst the troops them- in which a card is gradually spun in had see them laughing all the while at his selves. We have already put on two the web of spider; this item went over unique magical (?) experiments. very ambitious shows. The ability particularly well—then, to finish off the act, an enormous production from John A. Peterson, our paper wizard, one finds in the army being almost proceeded to tell some stories of reincredible. Thus I hope to continue a large Ghost Tube. doubtable character while he made a my "Magichatter" column for months mess on the floor with cut-up paper; to come yet as I am luckily able to between stories he made some very pursue my magical interests. RESOLUTION UNANIMOUSLY fine designs. Potto is our magazine It is bad news indeed to hear of PASSED BY THE NATIONAL editor, in case you don't know. the passing of Nate Leipzig. I only COUNCIL SOCIETY OF had the pleasure of meeting Nate Here's a tip—make your joins for AMERICAN MAGICIANS once and that was in Max Holden's —NOVEMBER 4, 1939 the rope trick with white adhesive store this summer. I shall always plaster instead of cement; cut a piece WHEREAS, the Supreme Magician in His Infinite Wisdom did cause the have happy memories of our meeting about an inch square and roll it Final Curtain to fall October 13, 1939, and of the tricks he showed me. And around the two ends—this makes the upon the life of our beloved Past President, Nate Leipzig, and the fine autographed pictures he gave strongest and cleanest join ever, and WHERAS, in his passing, the Some will be treasured for always. It in ten seconds. While on plaster, alciety of American Magicians has lost has been published in our daily papers ways carry a roll of it in your case a valued and beloved Compeer, and the that Horace Goldin left only £587, world of magic has been deprived of when you do a show; it's invaluable one of its outstanding exponents and roughly $2,500; it is also said that all for emergency repairs. Use a bit over WHEREAS, his broad experience in effects and props are in care of Mr. the holes in your Rice Bowls, and you magic, his good judgment, and wise Will Goldston. counsel, proved invaluib'e to the Nacan carry them full of water intional Council of the Society of Amerdefinitely. Just peel off the plaster On November 4, the Merlin Magical ican Magicians, and on the inside hole and substitute a Society ran their "Open Cup Night," WHERAS, we are mindful through our long association with NATE LEIPpiece of black crepe-paper; put them a fine cup being presented to the winZIG of his constructive work on beon the table and you're all ready to ner of the competition by that good half of this organization, and in and go. for magic in general, and realize that friend of all magi, Harry Kaye. The even when his health was impaired, he cup was won by SIDNEY (Sid Smith) graciously gave his time and energy with the same act that he won the in the solution of those troubles and problems constantly arising in magic. British Ring Shield at Southport last THE MAGIC WAND AND BE IT RESOLVED, that the NaJuly. Sidney must be congratulated MAGICAL REVIEW tional Council of the Society of Amerifor bringing off this second cup withcan Magicians record upon its minutes Famous the World Over the deep sorrow felt by all magicians in a few months, which casts great Annual Subscription 10/6. with the loss of this outstanding genSingle copies 2/6. By mail 2/7%. credit on his fine manipulative act. tleman, and U. S. A. stamps and currency The remaining competitors were all BE IT FURTHER RESOLVED that accepted. these resolutions shall be engrossed and of a high standard. a copy forwarded to Mrs. Leipzig and George Johnson. The Magic Wand There seems to be a scarcity of new to the Editors of the magical maga24 Buckingham Street Strand zines in this and other countries. effects at the moment from this counLondon, W. C. 2. try . . . this war making it a very

INTERNATIONAL NEWS "Magichatter"

Impish Jottings

December, 1939

Page 117

CHICAGO CHATTER by JIM SHERMAN I 19 South State Street Chicago, Illinois

The one and only TOMMY MARTIN in town for a few days between dates. TOMMY and his charming wife, ROSEMARY DEERING, have a lovely new home in Saugnash, one of Chicago's attractive suburbs. MYSTERIOUS MORRIS (Chester Morris to you'se guys) spent a day with us on his return from the east. The S.A.M. Show held in the Goodman Theatre in Chicago, November 19, was sold out one month before the performance. CHICAGO is becoming more magic conscious every day and the boys report that they have several hundred names on their mailing list of people who have asked to be kept fully informed of all shows. The show was all professional and was booked and laid out by that master of layerouters, DORNY. DELL BREEZE, who has just finished an extensive engagement in the Walnut Room in the Bismarck Hotel here in Chicago, is now busy working club dates and adding new material to his already fine repertoire. Highlight of the month was a visit with FULTON OURSLER, one of the best posted men on magic that we have met in some time. MR. OURSLER is the Editor in Chief of the Liberty Magazine and has been practicing magic, as he expressed, "practicaly all his life." MR. OURSLER was in Chicago on a lecture tour and our only regret is that he didn't have more time to spend with us. TUNG-PIN-SOO (Al Wheatly) still around Chicago and busy as ever playing club dates. KLIBAN, popular Philadelphia entertainer in town, passing through Chicago on his way back east, dropped in to say "hello." HOWARD BROOKS, opened the early part of the month in the Walnut Room of the Bismarck Hotel, HOWARD has played in all parts of the world and does a nice job wherever he goes. Our good friend, H O W A R D STRICKLER, prince of entertainers, and one of the world's greatest magic boosters, spent a few days in town for a Houdini meeting in Kenosha. Prom a hundred different sources we have heard that the party for ED Page I!8

RENO held in Kankakee, October 2829, was one great success. The local high school auditorium, whose seating capacity is 1,285, was jammed with a crowd of 1,400 people. VIC TORSBERG had charge of the show which was a guarantee that it didn't lag and it finished exactly on schedule. Every act on the bill was professional and the entire town turned out to pay tribute to the grand fellow of magic, ED RENO. GEORGE TROSETH, the busiest club entertainer in Chicago has just added a number of brand new effects to his already fine repertoire.

Max Terhune & Skully at Natural Bridge erf Virginia

MAX—Do you know anything about the Natural Bridge? SKULLY—What is it—Contract or Auction ? MAX—You don't understand—this is the Natural Bridge. SKULLY—I don't like to brag but I've been told that I'm a Natural Bridge Player. MAX—There it is. Now what is it ? SKULLY—A great big hole surrounded by a lot of rock. MAX—Isn't it grand? SKULLY—What did it cost? MAX—Nothing. SKULLY —Why do they spend money for bridges when they can get one like this for nothing. Hey, look, Max! What kind of animal is that with big horns? MAX—Think, Skully, it is what my wife calls me. SKULLY—Don't tell me that's a louse. MAX—Shut up while I tell the folks I've been playing in N.C., S. C, Virginia and West Virginia. Spent two nights with Coke Cecil in High Point, N. C, and Wallace Lee and I had several sessions in Durham. Had dinner with Mr. and Mrs. Wallace Lee at Durham. They helped me break in New Chevy. Met Hersy Basham in Lynchburg, Va. Colin in Greensboro, N. C. Letter from Dr. Danks in Md. where I go next. Will meet plenty magicians from now on. Merry Christmas

B Y

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Young magicians please take note. Because you have associated with experienced magicians and have learned a few tricks, do not say in your advertisements that you are "the best m the world and that you "learned your tricks from Houdini." There is one case in Los Angeles of a boy who advertises this way. This lad was about eight years old when Houdini died. Always sell yourself upon your merits and nothing else. Play the game right and you will always be right. Follow the code of ethics always. Caryl Fleming made a quick trip to Mexico City in November. After telling us how cheaply things can be bought in Mexico, Bill Larsen is thinking of having the Genii printed just across the border. Quite a number of magic acts in the theatres and clubs around Los Angeles recently. Seems like people on the west coast are waking up to the fact that magic is good entertainment. I gave a show at a children's hospital and had to go through the front of the auditorium to reach the stage while a motion picture was in progress. These children were orthopedic cases and were in bed. The auditorium was very dark and I kept walking into beds. Finally I got down on the floor and crawled under the beds, pushing my two cases ahead of me. Took me fifteen minutes to reach the door going back stage. Such a life! Harry Mendoza, the California master of ceremonies supreme, will be married by the time you are reading this article. Seems like magicians can't stay single. Must be that they just have to have someone to say to, "take a card." The shorter this article the more space for Christmas ads, so I arn closing with the wish for a very Happy Christmas and remember, if you are in doubt what to give for presents, why not give magical apparatus. There are many fine dealers.

WANTED Volume One Genii

No*. 1-2-3

September October, November 1936 Sub senbers will pay $1 00 per copy Send us your name and address — DO NOT SEND GENII — and we wili put you in touch with the buyers GENII, 705 S. Hudson, Pasadena, Calif.

GENII

From Wisconsin by WALTER THE MAGICIAN When you read this, we will all be most likely thinking more about buying Christmas presents than magic and don't forget that greeting to brethren magicians, you know magicians are human like others and a little card is much appreciated, or if not a card a small greeting ad in Genii and the other magazines will do. Leland the magician appeared at St. Mary's auditorium for two performances, afternoon and evening. I caught the afternoon kid's show—very good. It is a strange thing how many magicians we meet or hear about that are never mentioned in any of the magical magazines. Heaney, the magician playing northern Wisconsin and Michigan. Letters from Judge Carter and Stanley the magician, letting me know that they caught his show. Heaney works a two hour performance. An item in our local paper the other day, whereby a minister magician was burned during his performance, the article states that he evidently drank some ingredients to be used for one of his tricks. Also there was sent me from Madison, a clipping which dots on the little discussion between Ben Berger, magician with the fastest hands in the world and Nicola as to who gave the first magic performance via television. B'erger claims he was first as Nicola advertised his first performance in 1930, and Berger did the same thing two years before. They left it up to the Billboard to decide, the article states it was decided in favor of Berger. Eternally yours, a picture current in our theatre here is the story of a magician. How many of you have seen this picture? We are getting a series of stage plays at the Strand Theatre and it seems good to have the legitimate back with us again. Jackie Coogan headed a cast in "What a Life" here last week. Had a very nice two hour visit with Jackie and other members. Houdini Club now numbers 109 members. As no City was selected for the next Houdini Club Convention, this now is up to the Executive Committee, who will meet at Fond du Lac, the later part of this month to decide. Still harping on how we can make Ed Reno Dean of American Magicians. Sincerely hope you are all enjoying the best of health and get a lot of dates, and sincerely wish all December, 1939

DIDJA EVER ? by Frank S+rat+on

Didja ever meet Hemy Chve? Met him at Bill Ortman's Gambrmus Giill m Pasadena the other night. Henry Clive brought to me histoiy of many old timers of 25 or 30 years ago. An interesting and valuable "bull session." Didja ever meet George Foote of Uplands, California? I haven't seen him for a long time but remember him as one of my nicest friends in magic. - ~ " Didja ever see Bill Van Berkel produce a guinea hen wearing diapers? He also produces live alligators and at one time used a full grown live eagle. Didja ever see Al Caroselli do coin manipulations. After watching him just "play," I decided coin magic was not for my stiff fingers. Didja ever revive that old pine tree paper tearing for Christmas shows ? Don't miss it—it's really a good bet. Didja ever stop to think about the tremendous amount of research and work there must be in compiling a magic book like "Greater Magic" or the "Encyclopedia of Card Tricks." Didja ever do "Satan's Mail" for a magic club meeting and fool the boys with it? It can and will fool a lot of them. Didja ever stop to think about how many of magic's "great names" have passed on in recent months ? Didja ever see Will Rock's show? As far as I'm concerned his guillotine rates four stars (or four wands). Didja ever hear about the clever mentalist who predicted the coming of his grandson and five years later cleaned up in the same territory, AS HIS OWN grandson? In case you don't know, it was Dr. Ed Saint.

ANTER'S OMMENTS

John Lippy, Jr., the Highway Traveler, spent the past several days here while on a tour of speaking dates. He and the Missus just moved into their new home, "Maplehurst," in Gettysburg, Pa. Henry Haviland writes that he has rejoined the Calvert Show; also, a note from Paul Rosini from Louisville, Ky., that he will be in town shortly. Sorry to learn that Nicola lost all of his equipment recently when his ship was blown up; however, it is good news that he and his entire company was saved. "Pic," the picture magazine, issue of Nov. 28, carried a three page article about Mickey MacDougall; he shows several phony deals used by card sharpers as well as marked cards. Magicians visiting our shop have repeatedly urged us to reproduce and sell them prints of the Gallery of Magicians' photos which grace our walls. To avoid any charge—yet bring these faces to you, we solved the problem by reproducing sections of the gallery on the front and back pages of our new catalog. We hope you fill find this innovation interesting and we have tried to make the contents likewise. Current five-star hits include two of the smartest tricks that have come out in years—Kenard's "Nu-Koin Mystery" and Albenice's "Arabian Bead Mystery"—both going like wildfire and guaranteed to please anybody who is looking for something to knock 'em cold. Recent visitors—Vin Carey and H. WHY MAGICIANS G. Watkins, from Baltimore, who told us all about the big hit Dell O'Dell GO MAD scored at the automobile show in their by HERMAN E. KRIMMEL city; Col.. Mathew A. Reasoner, a Well, I know you're not supposed to high ranking officer in the U. S. Meditell but why can't you show me how cal Corps.; Dr. James A. Cowan, Jr., that one trick is done. That can't from Pittsburgh; Gillilan, a clever do any harm. I promise you I won't performer; Fred Doc returning tell anyone else and, besides, I used from the World's Robison Fair; Ray Fink to be something of a magician my- (Ralston) back in town; Walter self when I was a kid so you see we Schwartz looking after his Xmas dishave something in common. play in the department stores. This past Saturday evening we all enjoyed Child's treble voice from rear of the treat of having Le Paul and Carlauditorium: "Oh, look mommy, the Lyle mystify the crowd for hours with man's doing the same trick I have their card miracles. When in or near home in the magic set daddy bought Philadelphia be sure to drop in and me. See the string tied to the hand- get acquainted, especially on Saturkerchief. day nights, when you will find twentyof you have the best Merry Christmas five to fifty magicians present and we remain open until midnight. THEY you ever had. ALL MEET AT KANTER'S . . . See you in the new year. Page 119

. . . JOE IRVING did a special program "Memories of Kellar," featuring the Kellar growth of real roses, organ by GEORGE TROSETH pipes, coffee, milk and sugar and a 618 N. Austin Blvd., Oak Park, III. decapitation illusion. . . . BEN BER. . . KUMA, with his Take a group of swell people, prime GER, cards. vase mystery and lightning with a worthy objective, sprinkle marvelous of wardrobe. . . . JIM SHERgenerously with talent, season with change MAN and HERBERT garnered wit, stir with good will, mix with plenty of JACK laughs in their respective sincerity and you have a successful and BALLANTINE (nee Carl Magical Get Together. . . . Yes, folks, acts, Sharp), showed his new comedy act, I'm describing the ED RENO testi- which nicely. He opens at the monial at Kankakee, 111., on October Drake clicked shortly. . . . KRETLOW Danc28-29 . . . Magicians from far and ing Girls the show "oomph" and wide foregathered to fittingly honor numerous gave and stooges were the "Grand Old Man of Magic," ED constantly in assorted the audience's RENO. . . . The success of the affair garnering laughs which came too hair, fast was largely due to the efforts and to chronicle. . . . Even the theater was planning of dynamic JOHN SNYDER, picketed and for a SWELL job our president of I.B.M. and his commit- plaudits to DORNY, a GREAT showtee. The Saturday night show at the high school was opened by ALLAN Mills with a floating ball effect. . . . ED RENO next performed a thirty Justo Hi jo Jottings minute turn of the most interesting and unusual magic. . . . His masterful National Magic Day was well taken manipulation of live doves and tech- care of by the Club Members who nique in handling the voluntary and appeared at Arlington Hall, The Des eager assistants won deserved acclaim Moines Childrens Home, Broadlaws and stamp him for the master he is. Hospital, and the Juvenile Home. The . . . The audience then roared at "DOC acts given for the Winterset ComHOKUM," portrayed by its originator, mercial Club were given a different DAVE COLEMAN. . . JOHN BRAUN classification, as we note from the from Cincinnati, opened with sympa- treasurer's balance. thetic silks, baked a cake in a hat and Auction and Swap night was a wonclosed with a handkerchief and egg derful success, judging from the apeffect. . . . BENNY BERGER was in paratus which reached new owners. rare form and registered strongly It was necessary to add new numwith cigarettes and his world famed bers to our full evening show to fill packet catching. . . . Rag pictures by up the gap caused by the absence of JIMMY TRIMBLE. . . . One-man cry- Mr. Riley & Mr, Dietz, who regularly stal gazing act, convincingly per- appeared on the bill. formed by MAHENDRA. . . . DAVE and PAULINE COLEMAN, with the headless box, guillotine illusion and HANDS OF the Hindoo torture board. The way that gal takes punishment reminded WELL KNOWN me of the "Perils of Pauline." . . . MAGICIANS JACK HERBERT M.C.'d the show in his usual suave manner. . . . Sorry to hear of the loss of NICKOLA'S apparatus, sustained when their boat struck a mine. . . ALEXANDER playing local niteries. . . . HOWARD BROOKS, M.C. and magic in the Bismark's Walnut Room . . BILL BAIRD, now in Harry's New Yorker, surprised us all by suddenly joining the ranks of the Benedicts. . . . Congratulations, Bill. . . . Last minute flash—The S. A. M. show, November 19, at the Goodman Theatre was a honey. . . . DORNY, in complete charge, cooked up what he described as a show with a plot. He didn't explain what the plot was but I figured it was to keep These are the hands of a newcomer to the the audience, figuratively speaking, Coast, one who is known throughout the on a merry go round. One of the high- United but States for his clever manipulation of lights of the show was "The Eclipse," billiard balls and coins. Also known foi tellIrish stories with an Italian accent A the brain child of its presentor DOUG ing great success as a comedian on National Magic McKAY. . . . HOWARD BROOKS Day show and genial host to magicians who in for a bit of spaghetti after meetings slid in between shows at the Bismark. drop oi magical get-togethers For answer turn

CHICAGO NOTES

back to page 114.

Page 120

MAGIC OF THE EAST by MAX HOLDEN Dante in town and leaving for California for a visit to his son and maybe locate there. Dante looks every inch the magician and very impressive. Siguard and Blanche Nathan gave him a reception with a very fine show of magic. Al Baker was M.C. and a great night of magic was the result. Dante telling us of his experience and being in Berlin at the start of war and having to leave in six hours and the show needs twelve hours to pack— but they made it. I only hope that I can see this wonderful show. Felix B'ley along with them to California. Cardini left for South America Friday last and Monday night at the S.A.M. show with a party with Dante as the host and keeping Cardini until the wee hours talking of England. The S.A.M. show was one of the best ever. Larry Gray down from Boston, as the M.C, and as usual he was never better. Val Evans with an original offering. The Chinese rings with a little different twist and his dancing fingers. Val was new to New York and was a sensation. Haskell on the bill with some new ideas. Two cups were shown empty (ordinary tea cups), but they filled up one after the other several times. (Several of the boys already asking where they can buy them). Paxton with the camera mind where he glanced at the numbers on dollar bills and afterwards repeated the numbers. Mildred Rouclere, Jr., closed with a wonderful array of magic. She certainly put a flash to the show. Al Flosso was never better. Henry William Van Loon, the famous author, lecturer and clever magician, gave a very witty talk and the comedy hit of the show was Abril Lamarque. An electric light bulb kept going out and when a candle was lit the bulb went on. Lamarque is really one of the funniest comedians we have and with Larry Gray and Lamarque as a team what a combination. Moving of the Holden home from Bayside to the city, is the cause of this short column this month. So Merry Christmas to all and may it be the best you have ever had. ©EN I I

REVELATIONS OF A REVIEWER Please send all material for review to B. W., 170 Franklin Street, Buffalo, New York. by BOB WEILL

Thayer . . . Haenchen & Co. . . . Three Royal Dukes—A Beautiful Trial by Fire, 50c—A cute pocket gag for revealing a selected name. Princess, $16—A combination of the Uses something that's been kicking Thayer-made Wu Ling Pagoda and around so long it's a wonder no one Wasniewski's (I hope I've spelled that right), Filtering Block. A good flash has thought of it before. But good. Mysto-Mysto, 50c—A combination for stage or platform. of old principles make this a cut and Six for One Dollar—Maldo's prerestored rope mystery and a block sentation routine of G. W. Hunter's release. One of those things. Torn and Restored Sheets of Paper, the grandaddy of many similar feats. Kanter . . . advantage is that both sides of Perfection Number Exchange, $1.50 An the papers can be shown at the finis. —Kanter's usual explicit printed in- Books and Manuscripts . .. structions make this easy of accomExhibition Card Fans, by Goodlette plishment. Lane sells the same gag, but his pads are memos with four sets Dodson, 50 pages, printed, $2—Alof perforations on each sheet; here though first published in 1935, this rethe Bridge Score with only one per- view is for the record in view of the third edition just published. It is unforation is a step forward. enough for any magical text to Midget Pea Can, SI—A well made, usual go into three editions without the self contained gag, a bit on the blue book question being devoted entireside as its name indicates. Swell at ly to in card fans, of all things. Anyone the right time and place. who has seen Goodlette's work will Marshall . . . appreciate the technical description Supreme Master Vanishing Alarm of 14 different fans, plus worthwhile Clock, $9.50—A compact, self con- preliminary instructions. tained version of this hoary old trick. Eckam's Bargain Mindreading and Well made, but this is essentially a Spirit Mysteries, mimeographed, 25c stage or platform gag to get the right per set—-While many of these secrets perspective on the tray's apparent reek of the era when everyone was thinness. swapping secrets and will be known to Stick of Candy Changes to Salted the old timers, still there is something Peanuts, S4—The old candle tube mas- to interest everyone. Written for querading as a barber pole. Swell for Eckam by Del Ardo (Magnusan, to kids. A natural. the old timers), many of the ideas Complete Set of Magic Tables, have a familiar ring and will be recog$12.50—I've owned a set of these for nized as the creations not only of over 10 years. The best value in magic Magnuson, but also Ovette. There's and I'm not fooling. I don't know how ten sets, each set consisting of from Marshall does it. three secrets to a complete act. Abbott . . . Mags . . . Tantalacto, $2—Another version of The Dragon: October—Editor Lux Milko for which no "balloon" claims recounts the opening celebration for are made, but could be. Freer must his new magic studio; Bob Weill gives have traveled with a circus at one out with Piff Paff Poofmgs. Ovette time in his life. hands out an opening he previously Animated Duck, $1—A piece of sold and similar to his own. Weigle bizness, really funny, that is well suggests an effect that will probably worthwhile to introduce into any hat replace Bank Night for being kicked production. The duck's quack is not all around; Kirby explains a four-fold it's quacked up to be, but the biz dims screen for producing a lady which that. could be done a lot easier than what Lane . . . he outlines. Nu-Koin Mystery, $1—The finest The Tops: November—I like John close up mystery I've seen in ages. So Braun's idea of tearing a String of good it will probably be killed in no Rabbits from paper. Teraal Garrett's time—and, God forbid, will probably Hypnotic Stunt sounds like a swell pop up in the novelty stores. You gag—if it works it's worth dough to won't regret this purchase. an entertainer. Winston Freer forgets Cigarette Message, $1.75—A dif- balloons temporarily for a hank knot ferent twist on the Card in the Cig, and ring mystery that's a bit on the using a treated deck so it's sure fire draggy side. The Encore Contest further proves that most magi have no for anyone to work. December, 1939

sense of values in arranging a program. Various odd tricks, the usual columnists, club write ups, etc., etc., round out the issue. The Linking Ring: November—The members of Ring 10, Springfield, Mass., make a mass contribution to the Department of Magic. The Sand Trick is given comprehensive treatment such as it has not received since Doc Nixon's article in The Sphinx almost ten years ago. Herman Weber's worthwhile "Money From Magic" is continued and Dr. Evans' "Magicians Who Have Disappeared" endeavors to cast light on further mystery gents. One of the most diversified magical mags published. The Jinx, No. 61 October 7, through No. 67 November 18—In appearance the Weekly Jinx is as it was when a monthly except that on accasion the insert has been omitted. However, in the seven issues to hand, a total of twenty-three trix have been released, a magical program review, how you can protect an invention for 68c is set forth and, of course, Editrivia goes on. Sid Lorraine's ideas are well in evidences these issues, and Annemann's Omega Card Act should be gobbled up by the boys who are looking for a good routine with a deck of cards. All in all, at 15c per copy, it's a steal—doubly so at $1 for 8 issues. Frank Lane's Funny Talk: OctoberNovember—Frank was late in getting my copy to me last month, hence this two-in-one review. One trick a month is now included; I don't think much of Dracstein's four ace trick in the dark, but Elray's version of Milko in the November issue has real comedy possibilities. Frank is also putting in one chalk talk item each issue. Patter for everything from Ireland's Checker Trick to,, of all things, the Floating Ball, plus the usual quips and fill in gags make up the two issues which at two bits per is standout value for good material. Chap's Scrapbook: October—Still smelled up by The Phantom. John Ward's Knife Thru Coat is praised sky high by Chap, but I'm darned if I can see very much different about it. Dr. Rothbart's poker chip stunt is so what magic. Chap's presentation of Squash is okay. The Sphinx: November—Highlight is Abril Lamarque's suggestions— with fine illustrations—of Christmas cards for magi. Now when I get a dozen cards alike this year I'll know who to blame. A glowing photographic and written tribute to Nate Leipzig recounts his career and rise to fame. The best trick of the month seems to be Baffles' job of trying to straighten out the double Thanksgiving tangle. Page 121

119 South State Street, N A T I O N A L M A G I C C O - Chicago, NO. M I 5

THE HIT OF THE P.C.A.M. CONVENTION!"

SILKO BOX

Performer shows a small stand, folding box without top and bottom, and a baseboard so constructed that it will fit on top of the stand. Both box and baseboard are given for examination. Immediately upon placing the box on the stand, magician produces 16 27" silks or 4 large balloons and 12 silks. Effect is entirely self-contained and is one of the finest pieces of production apparatus on the market. Used and endorsed by Maldo, Chester Morris, Dell O'Dell and many others.

(D J. Calahan)

PRICE, $16.50 Shipped Express Charges Collect

Two examined sheets of glass fastened together with two rubber bands are placed in a frame A card is chosen by a spectator which he tears into small pieces. These are wrapped in a piece of paper with the exception of one piece which is retained. The package is placed in a smalt box at the foot of the frame. A light is applied to the package which disappears in a large flash. Instantly the chosen card appears between the sheets of glass which may be removed by a spectator. The card is restored with the exception of one corner into which the retained piece is found to fit. Latest improved model. Used and endorsed by Jack Gwynne, Chester Morris, Dell O'Dell, Mardoni, and many others. PRICE COMPLETE, $10 00—POSTPAID, $10.25

THE ORIGINAL AND STILL THE BEST

NEWEST POCKET TRICKS

NO. B7I. The greatest book on magic ever published.

SOMEBODY LIED. (Gerald Kaufman). NO. M734. The trick that won the Ray Gamble trophy in San Francisco. Two cards chosen by spectators and two chosen by the performer mysteriously change places. PRICE, POSTPAID, $1.00.

PRICE

POSTPAID, $12.50. THE MODERN CONJURER. NO. B66. One of the classics, 386 pages, beautifully illustrated with actual photographs. PRICE, $2.00; POSTPAID, $2.15.

KENNARDS NU-KOIN. fool you.

MAGICIAN'S MANUAL. NO. BI3. We have a limited quantity of the original second edition of this famous book. PRICE, $3.00; POSTPAID, $3.15.

VIS-ESCAPE.

NO. M305.

Recommended for any type of performance. About 15 or 20 separate nickled metal chain links are examined by the audience. Performer has a spectator drop them on a small tray. He then pours them into an examined and unprepared glass tumbler. The rings are then tossed from the glass into the air and instantly link themselves into one long chain which is given for examination. PRICE, $5.00

POSTPAID, $5.25

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SCREW BALL CHICKEN

This is the newest and one of the finest of all psuedo scientific tricks. , A solid piece of glass 10'? I I" is examined and placed in a frame. Two shutters are placed in front of the glass and immediately a solid wand is passed through the glass. Then ribbons are threaded through four different parts of the glass at one time. The glass is then pulled out, unin|ured and given for examination. It is impossible to describe this amazing and convincing effect on an audience. PRICE, $25.00 Shipped Express Charges Collect

NEW SUPPLEMENT No. 6 HAVE YOU OUR NEW 32-PAGE SUPPLEMENT? IF NOT, SEND 3-CENT STAMP AND A COPY WILL BE MAILED YOU IMMEDIATELY.

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NO. M3I I

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A clever release effect.

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CHINESE STICKS. 400 TRICKS YOU C A N DO. NO. BI2. This is a combination in one volume of the two famous Thurston Books: "200 TRICKS YOU C A N DO and 200 MORE TRICKS YOU C A N DO". PRICE, $1.00; POSTPAID, $1.15.

Page 122

THE TELEVISION FRAME

NO. M753

BOOKS GREATER M A G I C .

inois

December, 1939

The SCREW BALL CHICKEN is for laughing purposes only. It is the most woe-be-gone, saddest looking affair you ever saw. Will fold into a pack 2'/2'' x 35/2" x 4 " long. When produced it measures 22" in length. It is an excellent production item to use with the egg bag. You can find hundreds of uses for this funny prop. PRICE, POSTPAID $1.25. NO. M2I7

PERFECTION RABBIT This is the finest imitation rabbit on the market. Manufactured in Europe from real rabbit skins and presents a very life-like appearance when produced. Measures approximately 16" from top to bottom. PRICE, $6.50 POSTPAID, $6.70

Page 123

• • • • a t Cjjrtsftmag Most thrilling illusion seen in recent years. The guillotine in the hands of Will Rock. . . . Walter Kaeber writes that he's anticipating a visit from Eddie Clever. Wish I could be there. . . . A swell show. Ralph Pearce, assisted by his talented wife. His handling of kids is particularly good. . . . Pearce is well known to readers of Vernon Lux very swell Dragon. A young man who will go far in this magic game, mark my words. . . . Birch headed this way. Always a great show. He's very happy now that his fine new home is completed. . . . And it's good to continue hearing from Cedric. I have thought of him so often since this terrible war began. . . . A personal nomination for one of magic's most lovable, interesting and valuable characters: Edward Saint. Ed has been of great help to me. Bouquets to Dariel Pitzkee. Who else would have the nerve to stage a full evening show comprised of a dozen magicians in these times? And, moreover, we understand he's doing well at it. . . . I repeat that Pitzkee is the best informed magician in the West. . . . Carl W. Jones has spent much time in the east since selling the Journal. Too bad he missed Chester Morris. The two would have liked each other. . . . The testimonial to Ed Reno was a huge success. Joe Walter and I would still like to see Reno nominated Dean of Magic. And with all respect for Elmer Ransom and Henry R. Evans, for both of whom we have the very highest regard. Two guys everybody likes: Max Terhune and Ben Badley. . . . I mightily appreciate receiving a copy of "Pax" from Harry Opel. I will always prize it. . . . "Old Timer" of Wheeling, W. Va., is one of Genii's most staunch boosters. . . . Excellent conjurer is Carl Sten. He has what it takes. . . . Another top notch magician in the sophisticated manner is Bert Allerton, now under the exclusive managership of Billie Reed. . . . And Loring Campbell still hitting the high

Season's Page 124

spots. Packs as much stuff into one automobile as the ever popular Jack Gwynne. . . . Sid Lorraine's "A Magician in the House" is grand stuff. Pull of laughs and good magic. Buy it. . . . Russ Swann laying them in the aisles (if they had aisles) at the ultra-ultra Ambassador C o c o n u t Grove in Los Angeles. . . . Charlie Hoffmann is probably the most highly publicized conjurer in these United States. Think me a drink, will you Charlie ? . . . Cutest of recent pocket tricks: Kenard's coin vanish. Everything can be examined and it's not done the way you think. No, Sir. Local act that always makes good: Len Gunn. His is bang-up magic "with a bang". . . . And orchids to Bernard Giannini for his choice in brides. . . . Swallow, the magician, has a spectacular item in his trick with the large ball and silver frame. Wish I knew this guy better. . . . George Pughe, the "Old Grandad" of the walkashows, keeps just one jump ahead of my letters. Regards, George and Eddie. . . .

The Editors of

GENII BILL" and "GERRIE"

Wish All Our Readers A MERRY CHRISTMAS

Greetings

And a HAPPY AND PROSPEROUS NEW YEAR

A three member magic club that would encompass one helluvalot of magical knowledge: Leo Levi, Sig Krumgold and Harry Mendoza . . . Frank Stratton has a new, baffling penetration illusion which may be marketed soon. Watch for it. . . . The most interesting thing I have come upon in years is the recording of the final Houdini seance. Expertly done by Bill Hockey, former owner of the Chicago Magic Company, it is certain to find favor with magicians. I was a member of the Inner Circle at the seance and can attest that the recordings are positively authentic. Hit trick of the Pasadena Guild show was Thayer's new vanishing ra dio, done by Dr. V. M. Trask. . . . And Thayer tells me that his new book catalog, a veritable magical bibliography, will soon be ready. . . . Thanks to Jesse Mueller, San Franciso lawyer conjurer for helping me in a legal matter. . . . And a happy evening with Jimmy and Ted Muir, Caryl and his girl friend. Thence to Caroselli's for a bite to eat and some of Al's coin magic. . . . Is it just imagination, or is there greater interest in magic now than ever before? Am still awaiting a sponge ball routine from Bill McCaffrey. Bill, incidentally, is working top money dates. . . . The new prediction effect Percy Abbott is advertising looks interesting. . . . And am anticipating Brunei White's promised poke at me for saying that magic is not an art. A pleasant noon day visit from Dr. R. V. Stone whose office is just across the street from mine. Told me much of interest about Rameses, an old time illusionist. . . First Christmas greeting received was from Paul Morris, trick creator of New York. . . . Present favorite new trick: Hathaway's card in balloon, wherein the very card chosen makes its subsequent apeparance. . . . Orville Meyer has created many of the most startling and practical tricks of the past year. . . . And today, a pleasant Sunday, followed by visits from Len Gunn and Bill Hockey.

• •. GEN I !

ST. LOUIS NEWS by MARDONI Raja Raboid is playing the Jefferson Hotel here, where he has been for the past several weeks, and Myrus is at the Park Plaza, where he has been many months. The members of the local magic organization, Ben Badley, •Joe Scott, Saredo, Jack Lippencott, Paul Limerick, Forest Hendricks, Lee Havener all co-operated in giving Charity performances at hospitals and children's home on National Magic Day. We also heard Jack Frost at Tulsa, Okla., broadcasting a very interesting program on the Life and Works of Houdini and explaining National Magic Day. He also did several tricks for the announcer and the descriptions sounded very good over the air. There seems to be quite a bit of interest in this part of the country. We even heard two guests of the hotel wish each other a happy National

NEW GIFT LIST New and used apparatus Send stamp to

THE YOGI MAGIC MART 4001 Chesley Ave.

Magic Day. Joe Scott, Ben Badley and Jack Lippencott, all of St. Louis, drove to Kankakee last week to honor the Great Reno. They came back very much impressed with Reno's skill and humor. St. Louis now has a new magic company, organized by Paul Limerick Paul Cottlow, Secretary of the Knights of Magic and son of Simon and Rachel Cottlow, the founders of the Knights of Magic, 20 years ago, was 42 years old, and had been in ill health for some time. He died on November 18th and was buried from the Riverside Memorial Chapel, 76th Street and Amsterdam Avenue, N.Y.C., on November 21st. Dr. Aaron Weiss, Treasurer of the Knights of Magic, delivered an eulogy at the Chapel and at the Memorial Meeting at the Lincoln. Morris Fox, President Marks and Lew Dick, also spoke of Paul Cottlow's work for the K. of M. and for Magic as a whole. He is survived by his wife, Mary Cottlow, and his mother, Mrs. Rachel Cottlow.

and Jay Smith and are doing an excellent business. They have a store in front and a little theatre with stage, etc., directly adjoining.

Letter of Interest Santa Barbara, California, Nov. 2, 1939. Dear Bill and Gerry: I saw "Eternally Yours" last night, and my opinion is that we do not have anything to worry about the exposure of the Tip Over trunk trick. I have discussed at large with a number of people that saw the picture and none actually noticed that the girl was taken out from behind. The scene is so short that people cannot say for sure whether the girl is coming out of the trunk the regular way, or through a trap. Besides the vanishing of the assistant looks like "stop" trick photography, in both the trunk and in the board held by the hindus. MALDO. The best of everything to everybody everywhere

Fred Robison & Jerry Curwensville, Pa.

Baltimore, Md.

Best Wishes for

ffltxxy Cljrtetmag anb a ftappp JJeto ©ear A copy of our catalogue is yours for the asking.

PETRIE LEWIS MFG. CO. INC. (The House ivhiri tn< k\ an born)

P. O. Box 3075 Westville Sta.

December, 1939

New Haven, Conn.

Page 125

Cijrtetma*

Edward Saint Business Manager 963 N. Mariposa Ave. Hollywood, Calif.

To All Magicians and Friends of Magic Everywhere

Mrs* Harry Houdini Page 126

GEN I

To all my friends in Magic—Everywhere

Cfjrtetmas; anb Prosperous; President 1934-1940 Pacific Coast Association of Magicians International Alliance of Magrcians

CARYL S. FLEMING

>ear Chairman Executive Committee, 1939-41 International Brotherhood of Magicians

Member Expose and Ethics Committee Society of American Magicians

December, 1939

Page 127

fflmy Cftrtetmas

1939

Greetings from

JULIEN J. PROSKAUER

1040

A MERRY CHRISTMAS AND A PROSPEROUS H A P P Y N E W YEAR TO MAGICIANS EVERYWHERE! Parent Assembly S. A. M. 1939 rf /c?"3i S>

Page 128

GENII

WE ALL WISH

FLORENCE ALIEN AND

LUCK HAPPINESS AND SUCCESS

MAY THEIR MARRIAGE BE EVERLASTING

Los MAGICOS AND S. A. M. ASSEMBLY 22 MEMBERS

December, 1939

Page 129

Southern California Assembly No. 22

S. A. M. Wishes All a Very

MERRY CHRISTMAS and a

HAPPY NEW YEAR "The Assembly of Good Fellowship'

To our friends in all parts of the world, ^A million words could not express more sincerely our wish to you

for a MERRY CHRISTMAS and a

HAPPY and PROSPEROUS NEW YEAR Bess and John Snyden^ Jr. Page 130

GENII

GREETINGS rom

BERNARD GIANNINI

December, 1939

Page 131

MANY HEARTY GOOD WISHES FOR

eattle Jflagic extenbs; tjje eason's Greetings; anb ^felicitations;

A MERRY CHRISTMAS AND SMOOTH SAILING IN THE NEW YEAR FROM

THE THAYERS FLOYD—JENNIE

TO ALL

Jlagiciang, MERRY CHRISTMAS OF

Frank Joy, President; Ed. E. Wicker, Vice President; Myrl C. Hickerson, Treasurer; Warren L. Stroud, Secretary; Jack Boshard, Sergeant at Arms; along with 105 enthusiastic members.

"a great name in magic"

HAPPY NEW YEAR

PASADENA MAGICIAN'S GUILD N-U-M-S Pasadena, California "THE MOST PROGRESSIVE M A G I C CLUB

WISHES ALL A

MERRY CHRISTMAS and a VERY HAPPY NEW YEAR R. N CULVER P. E. DILLINGER RALPH GALLINGER W M . E. HOCKEY H. W. C. HUDSON J. W. JOSLYN

Page 132

W M . W. LARSEN LEO LEVI LUTHER LITTLE W M . H. McGEE, JR G. L. ROSS

H. K. SCHLATTER W. SCOTT P. L. SMITH FRANK STRATTON M. H. SIMMERS V. M. TRASK

GEN I

Los

MACICOS

Extends to

Magicians Everywhere

9 Jfflerrp Cfjrtetma* anti a

ear December, 1939

Page 133

(greetings; to tjje Jflagtctana of tije Great Leon

BERT KALMAR

If you want a card send

Season's greetings

self-addressed envelope.

Wm. J. Van Berkel & Co.

MELLY CLISMAS

The "Eggs" traordinary Magician

ATA SUN GUY Mr. and Mrs. C. H, Howard

Christmas Greetings

GREETING.

to

.BEEN

To the World's

FEATURED IN

Greatest Magician

Magicians and Magician Societies

Olsen & Johnson's

and We Do Mean

the World Over

Hellz-a-Popping

YOU

Now in Second ^e&r

SPOKANE MYSTIC CLUB C. W. Talbot President

E. V. Klein Secretary

THE MYSTIC 13 OF SOUTHERN CALIFORNIA

WINTER GARDEN, NEW YORK

EUGENE BERNSTEIN

HUBERT BRILL sends

NATIONAL PRESIDENT SOCIETY OF AMERICAN MAGICIANS

Season's Cjreetings SEASONAL GREETINGS and •>

BEST WISHES

Page 134

GENII

£s>easion'£ Greeting* to tfje Jflagtctan* o! tlje Wovlh A Small Space A Big Wish

I WISH YOU A WONDERFUL CHRISTMAS AND PROSPEROUS 1940

Cjjrtetmas;

TJ

Editor The Linking Ring

CRAWFORD OF

NASHVILLE

RUSS WALSH

GOLDEN GATE ASSEMBLY NO. 2

GREETINGS

GREETINGS

LEW SMITH

FROM SOCIETY OF

TRIX and ILLUSIONS

AMERICAN MAGICIANS

Rita and Fred N. Rothenberg

diaiJudL GREETINGS

To all Magicians from Coast to Coast

GERALD KOSK

1

'THE REDHILLS

GLYNDON SMITH

GREETINGS MR. & MRS. H. R. HULSE

Gerald Lynton Kaufman GREETS

P.C.A.M.

I.B.M.

FROM 'THE MAGICAL ENTHUSIAST"

Jcyeux Noel Bonne Annee

Season's Greetings

C. R. "BUD" TRACY

"KING TUT" San Jose

California

Marie-Therese Kaufman

MACICALS

YOU

3318 VIRGINIA ST. SIOUX CITY, I O W A ;OLLECTOR BOOKS MMS, MAGAZINES CORRESPONDENCE INVITED.

A MERRY CHRISTMAS AND A HAPPY NEW YEAR

THE ONLY MAGIC CLUB EXCLUSIVELY FOR WOMEN

to everyone, everywhere,

Wish You

for making the

STERLING MAGIC COMPANY

^ / / terry V \_yhirishnas

possible.

and a

at)fry, -i tew December, 1939

^lear

Mr. and Mrs. Harold Sterling

Page 135

GREETINGS

May Christmas bring to each of you

from

Jerry and Jean Ash

SEASON'S GREETINGS

at least one new gimmick.

FROM

If that is not wishing

William and Edith Taylor

everyone

MERRY CHRISTMAS S

a

GREETINGS

Jlerr? Cfjrtsitma* my name is not

Franz Christensen

"Cjod bless you, merry gentlemen— and ladies."

FRED A. KAPP EX-PREZ

Bob Anderson To All My

Merry Christmas

Friends in Magic

to Magicians Everywhere!

Both Here and Abroad

All who are interested in the litera-

1 wish a

ture of Conjuring are cordially in-

Merry Christmas and a

vited to inspect my Library. •

•

•

Happy New Year

The TARBELLS Elmhurst, Illinois

MAY THIS HOLIDAY SEASON KNOCK THE WORLD IN THE AISLE FOR ALL MAGICIANS.

•

•

•

LES SHOLTY Chicago "MIXING MAGIC WITH BUSINESS"

Page 136

• •

•

EARL RYBOLT 3611 Mountain View Ave. Los Angeles

CHARLES H. LARSON

MUSE—THE MYSTIC Reviews 1939 Activities Aided and abetted Robt. Muse (my son), touring as principal asst. with Francisco Midnight Spook Show. Created the act in its entirety; trained, Marvin, Magic Silk Merchant, 14 yr. old winner Jim Sherman trophy at PCAM Convention. Collaborated on Swallow's Lyceum-school show. Furnished Vol. 3 with several pages quaint (?) ideas. May your Xmas be truly Mystical and your New Year full of activity. Now at 8722 Dorrington Ave. West Hollywood, Calif.

Phone: Santa Monica 71583

ffltxxv Cfjristmag to all conjurers and especially those who have made this store big in such a short period. We are happy to present magic from all the leading manufacturers with all that is good and new at all times.

Hollywood Magic Shop Bert Wheeler, Proprietor 6274l/ ? Hollywood Blvd. Hollywood, Calif.

GEN

NU-KOIN POCKET TRICK! Just out, and one of the fastest sellers we've ever had. Two small blocks of wood. Pass for examination and a small strip of cardboard. Pass that too. A penny placed in the small cut-out in one of the blocks. The cardboard and the other block placed over it. The spectators take the card off themselves and the penny is gone. Everything examined again minutely. THE LAST WORD IN POCKET TRICKS. It's $1.00 with full directions for other tricks worked with the same apparatus. Get one today. You'll carry it everywhere.

N O V E M B E R A N D D E C E M B E R F U N N Y T A L K . . . 25c each. All back copies 25c and when they reach 5 mos. old, they automatically are 50c everywhere. Subscription, $2.50 per year. Free sample copy. LANE'S IDEAS NO. 6 75c

LANE'S NEW RECORD: Talks like a radio station and introduces YOU as the M A G I C I A N OF THE AIR, and does a real trick for you. Very funny, novel, and extremely interesesting to an audience. Give your full name when ordering. $2.00 complete

THE MIRACULOUS DECK: With full mss., giving routine of tricks. Shuffle—let them shuffle, yet you can do impossible effects EASILY $2.00 complete

Frank Lane and Company 5 LITTLE BLDG.

BOSTON, MASS.

(Frank Lane is the originator of the idea using records for MAGICIANS.)

MAGIC THAT'S DIFFERENT You want it—We have it It will pay you to investigate NOW. Complete catalog, 25c or free with order of $1.00 or more

FLAME—GO The vanishing and reappearing candle flame. The magician lights a candle in a beautiful, colonial holder. Taking the flame from the candle, he tosses it into the air where it disappears. Reaching into the air for it, he places it back on the candle where it continues t o burn. May be repeated as often as desired. Fine for many different effects and combinations. No chemicals, electricity, or similar methods. Complete—$3.00

TRIAL BY FIRE Simply by gazing at a burning paper, the magician is enabled to t e l ! the name which had been printed on It. A dandy effect, easy t o d o . Price 50c. For full description October Genii.

of Trial

by Fire

and Mysfo-Mysto, see

MYSTO—MYSTO The double mystery—first a restoration and then a penetration. A fine pocket effect. Cord is cut in two and then restored by passing a block over t i . Block is then removed from the cord by a spectator while both ends of the cord are held. Easy t o do. Price 50c.

EXTRA!

THE PSYCHIC PICTURE Save $5.00

EXTRA!

This wonderful effect (for full description see our catalog) at a huge bargain! Sells regularly at $12.50 but we are going t o let two of them go for only $7.50 each. New and in perfect condition. Only TWO, so RUSH your order N O W .

HAEIVCHEIV AND COMPANY Box at 26th and Drexel

Oklahoma City, Okla.

WANT TO MAKE SOME M O N E Y ? — HERE'S THE ANSWER M-MODEL GHOST SHOW Ghost shows still coin plenty of money, if you have the right dope on how and where to work them. One Ghost show man retired after 3 years. (What other business will do this?) Another right now averages from $50.00 to $500.00 on every show he puts on. Still another Magi put one ghost show on in his home town and made enough from this one show to buy a new car.

There's a new field open for ghost shows. With each Nu-Model Ghost Show we fully explain this field, and several others. One's where you do not have to leave your town. A Mid-Night Ghost Show makes a great follow-up after your regular evening show and will make you more profit than your regular show. Below is listed our compelte ghost shows to fit any purse and occasion.

GHOST SHOW NO. 1

a large ghost like creature appears and swoops down over audiences' heads, bringing screams, thrills and chills, this suddenly vanishes and full lighTS come on as performer bows off t o rounds of applause. Thus ends the perfect ghost show with plenty of thrills. The type that will play return dates. This show requires only one assistant and packs very small. It comes to you complete with full routine, apparatus, and instructions on how t o book it, advertise it.—Complete $30.00.

Suddenly the lights go out and a Skeleton walks out on stage and announces the show, then vanishes in a flash, following this two hands float in from opposite sides of the stage and meet in center and full lights come on and there stands the performer bowing. After a few opening remarks, a large slate is washed out and hung center stage and while all watch intently a full message appears on the slate in full view line by Sine, as if being written by some invisible hand. Next a large white silk comes t o life in fuli light and dances around the stage and goes through various antics, adding a touch of humor at this point. Next a Ghost Is brought onto stage and seated on a chair and covered with a sheet, auestions are collected and while these are in full view the ghost under the shet calls out the answers t o the questions, gives folks their telephone numbers, home addresses and what not. For a finale the performer walks over t o ghost and whips the sheet away and the Ghost has vanished into mid-air. This is very sensational. Following this a committee ties the performer to a chair and places a screen around him and bells, tambourines, etc., fly around, ai any time screen is pulled away and performer is securely tied. Then one of the committee (no plants used) sits behind screen with tied performer and the be IS and tambourine still fly around, and then the spectator comes running out from behind the screen with his coat turned inside out, following this puffs of smoke appear at various parts of stage and rest of committee are qlad to get back to their seats. Then the lights suddenly go out and luminous objects, such as gloves, cross, star, etc., float around the stage and out into audience, then

P. O. BOX 254, STATION G

GHOST SHOW NO. 2 Same as No. 1 but with the added effect of the floating Mandolin that appears over the audience heads and plays as it floats around, then stops playing and vanishes in mid air. No threads or wires used. Price of the Ghost Show with this added effect $50.00.

GHOST SHOW NO. 3 This is a Super Outfit for large theatres with many added Price $100.00.

PARLOR GHOST SHOW Requires no assistants and apparently is impromptu. Performer is tied t o a chair and lights are turned out and various objects float about the room, a skull slowly materializes, then vanishes. And in f u i ! light a glass tumbler rings out answers to questions, etc. And includes the weird production of a human face that is guaranteed t o scare anyone, you can haunt a house with this one effect and this alone is worth the price of the entire outfit. Complete Parlor Ghost Show Is only $5.00.

U. F. GRANT

NEW YORK, N. Y.

Did you forget Free Gazettes, ISos. 1, 2 and 3? If not send us a postal and we will send them to you. Grant Gazette brings you all the latest Grant Tricks. December, 1939

effects.

The

Page 137

Chanin's Magic Shop EIGHT ENVELOPES ftBE EXAMINED BY SPECTATOR AND FOUND ET1PTV THEY ARE TVCN SEALO>*W MU TEC WITHIN EACH OTHER

NEXT THE SPECTATOR WRITES HIS OR HER NftNE ON THE OUTER ENVELOPE

Yogi Block and Ribbon Mystery

AN ORDINARY P U W I N C J CARD IS THEN TORN IN KALt 6VTH£Mfl O l t l A N ANO MADE TO W N W

A wonderful

"cut and restored" mystery . . . One of the best sellers at I. B. M. Convention

In effect two blocks are shown with two different color ribbons running through same. One of the ribbons is selected and the color remembered by the spectators. This ribbon is put to one side or handed to the spectator. The remaining ribbon is then cut in the center by spectator or magician and blocks put together again. Now, after a few magic passes, ribbon is pulled free from blocks and is proven to be perfectly restored. It may be handed to members of audience for examination.

R.EST0RED CftRb FOUND IN INNERMOST ENVELOPE

Recently purchased by Dr. Turbell.

CLIMAX ENVELOPE MYSTERY

Magicians Only Ring

A torn card restored and found in a small envelope that is sealed. This card is only found after spectator has opened up seven other sealed envelopes before he comes to the final one. A big laugh for any place Note illustration. Price 12 sets, $1.00.

J. C. VISIBLE COIN VANISH Four coins are shown fan fashion (just as a fan of cards wouic be displayed}. Coins are now taken one at a time in the other hand where they are squeezed, and vanish—one by one. They actually seem to melr into thin air. And that's magic. No gimmicks used and yet you can do it at once regardless whether you do sleigh, of hand or not as positively no sleights are required. A positive marvel under a scot or close up. Work this one on any occasion. Price $1.10.

MARKED CARDS A very fine grade of card, marked for suit and value. I have been marking cards for the past 10 years for some very clever card workers. {And ! don't mean magicians)—and have now decided to give everyone the benefit of my experience in this work and not iust the chosen few as I have done in the past. For those of you desiring to work the remote control effect as presented by Hubert T. Brill in the October issue of the Genii, this is the pack for you. These cards are very easy to read once you know the marks and are made up with Aristocrat and Bicycle playing cards. Just imagine using a standard back playing card that is marked. I have sold these formally for $2.00 per deck, but so that all may receive the benefit I am making a special price on these. Price 51.00 per deck.

Magical Moments—By the one and only Dell O'DeSI. Some of the patter in th's book has cost as much as $80.00. Price $1.00, Svenaglli Deck or Stripper Deck— with ordinary deck to match. We also give you a long card for locations, etc. Price $1.00 complete.

A special ring for magicians that is odd and attractive and will sureiy be appreciated. This ring is made of sterling silver and will last a lifetime. There are certain tricks that may be done with the use of this ring that would be almost i m p o s s i b l e without it. This ring will make a very nice present for either a lady or gentleman. Del O Del, Paul Rosini and many other active performers are wearing this ring. See picture of the ring in the Illustration showing the shape of it and giving a few ideas of how it may be used. Please remember to send the size ring you wish as these rings are all made up to your special size. ! also supply these rings in solid 14K gold and guarantee each and every one on a money back guarantee if not satisfied. Price I4K Gold, $9.00. Sterling Silver, $4.00. This makes a wonderful Xmas present and with ali orders for these rings until the first o* the year ! will send positively free a card trick worth more than a dollar of any mag'cian's money.

This Month's Special Here is my Xmas present to you. For every order I receive amounting to $10.00 or over 1 will send you a fuiI year's subscription to the Genii magazine, starting when your subscription runs out, or if you do not subscribe, it will start at once. For a five dollar order or over I will send you a full year of the Top's magazine. If you wish you may have subscription sent to a friend as a present if you send us the address with order.

P. S.—Watch for the J. C. Grand Finale Coining Soon!

O. C. Cigar Magic (Cigar Manipulation).—A great book on cigar work, 80 pages and over 150 illustrations. A complete treatise on cigar manipulations This book sells regular for $2 00. Don't fail to get it now at this special price of $1.00. Jaspernese — A Price $1.00.

sweli

thumb

tie.

Chinese torn and restored newspaper trick—with sucker g a g . While they last! Not many left Set of 18, Price $ .50.

(greetings; Chanins Magic Shop Room 711-712 Penfield Bldg. 1328 Chestnut Street Philadelphia, Pa. I'LL FOOL YOU — BUT — I'LL NEVER DECEIVE YOU! Page 138

GEN

dUL! Not just one trick, BUT THREE TRICKS IN ONE. Cabinet is about 5x5x12 inches, no front. This cabinet can be used to do a VISIBLE 20th Century hanky effect, also as just a silk PRODUCTION (silks)) or you can do the CUT A N D RESTORED NECKTIE if you so desire. Imagine one piece doing all these effects. All effects can be done with audience on all sides, you do not have to worry about angles. Do noi confuse this Cabinet with others that work only sometimes as this one works EVERY time, and is SILENT. Easy to load, easy to do. It should be on your MUST HAVE list. It is a P.M.C. audience tested effect. It's the ONLY trick that was a complete SELL OUT at the New York State Conclave in O c t . Complete

with

$6.50

silks. . .

XMAS SPECIAL

You have seen collapsible Rabbits—Chickens—and We now give you the collapsible

Ducks

BUT—

It has a long real fur tail and LOOKS JUST LIKE A SKUNK. It folds very small and is about 1 ife size. If has been audience tested and went over with a H O W L every time i t was presented. Have someone assist you, tell them to wave their hand over the hat, utter the Magic words and a Bunny will appear, something goes wrong and they get a SKUNK nistead. Get this 100% Laff H i t ! Postpaid—$1.50

DON'T FORGET OUR CHINESE COIN CABINET SEE LAST MONTH'S GENII P.M.C. Magic

Special

Odds and Ends @ 7Sc; Take a Look @ 75 c. Now 1 both under one cover for, postpaid . . . . $ .75 j i More Manipulative Magic Q5 $1.25. Special 75 1 i What Nexi?, Tommy Tucker @ $1.50. Special 75 Dainty Deceptions @ $ i .00 Special . . . . . . . .50 Enthusiastic Magi c @ $1.00 Special . . . . . .50 1 nspired Magical Effects @ $1.00. Special 50 Winners At! @ 75c. Spec al . .40 ; Just Card Magic @ $1.25. Spec al .65 Order direct only tor cameras, eniargers and address for lists.

CH AS

these discounts. Wanted, ali makes of photo supplies for trade. Send your new

. c.

EAST MAN

P. O. Box 205

Newburyport, Mass.

Postpaid

SKUNK

RIEDEL

50% discount

Special

LEACOCK, PA.

TOPS The Independent Magazine of Magic Everv issue sparkling with original tricks and worthwhile articles. Published and MAILED on the first of each month. Price $1.00 per year—Single copies 25c

Abbott's Magic Novelty Co. COLON, MICHIGAN

JOIN

Holiday Specials $5.00 . 1.00 . 1.75 . 2.00

Chambers' Spirit Ball, DeLuxe New Rabbit License Plates, per pair New W i n e and W a t e r Kit . . . . Walnut Book-Ends

AH three of above effects for $5.00 (Offer Good Until Dec. 25!) C H A M B E R S 3021 Clark Court

M A G I C CO. Topeka, Kansas

Four Search ENBS HERE Four Divisional Catalogs, Describing and Listing Thousands of the Rarest Secret Oriental MSS. Courses: Transcendent Science, Amazing Secret-Ancient Egyptian Wisdom Teachings; Success Science; Secrets of the World Famous Scientist and Occultist, Dr. Adaros; Astrology, Hypnotism, Magic, Curiosa, Arts of Love, Healing, etc., Heretofore incommunicable Repository; "Things Kept Secret from the Foundation of the W o r l d ; " Priceless Secrets Carried to Grave by Oriental Master Minds. Magic Extraordinary-Misc. Send bill or money order. Foreign: Send only an international money order. Deducted thereafter. Drop everything until you get this valuable information. 66 Greatest Name in Psychology for Over 18 Years"

Society of Transcendent Science P. O . Box 37, Chicago, Illinois

The I. B. M., the World's Largest Magical Organization, and receive the Linking Ring magazine each month.

THEATRICAL PHOTOGRAPHS

For full information write today to

PHIL TREVOR OFFICIAL GENII PHOTOGRAPHER

The International Brotherhood Of Magicians KENTON, OHIO, U. S. A.

December, 1939

•

4219 EFFIE ST. LOS ANGELES

CALIFORNIA

Page 139

The Gift of Gifts!

Greater Magic It's a complete

fund

of magical

joy and happiness; a

pleasure as lasting as conjuring Itself. What great thrill could you bring to a friend at Christmas time than giving to him a copy of the greatest book of magic of the present century? A book containing more tricks than all of Hoffmann's combined classical works.

GREATER MAGIC prepared by the late John Northern Hllliard and published by Car! W . Jones, Is the sort of gift which brings renewed pleasure everyday of the year. It covers hundreds of brand new, up to date tricks and devices. Many require no skill at all. it's a work for amateur and professional I alike. It's the one book your friend will keep forever.

GREATER MAGIC will, likew'se, make a splendid gift "from you to you." That is, in event you don't already have it. Or when the wife or girl friend is slyly asking you what brand of cigars you like, what color ties you prefer, use your head. Show her this ad. Point out that one certain way of keeping a magician home nights is to make sure that he has a copy of

GREATER MAGIC It's interesting pages, replete with card, coin, ball, handkerchief, rope, mental, cigarette, cigar and apparatus tricks, ! will keep the enthusiastic conjurer busy full many a month to come.

Price $12.50 For sale at all dealers or direct

from

Jfflerrpp CimstmasH Happp J^eto $)eat!! A sheet of paper show pp d RICE'S a n d f r o n t IS f

cevered paper falls t o floor and siik is restored Silk actually p a s s e through tube and there are no g i m m i c k s twists in silk e t c Effect p l e e with 24 complete 24 silk special paper instructions Rices SNIP A SILK p p m USA USA $1 00 A new girnmicr, that makes it possible t o RICE'S change t h e color o f any unprepcired 18 silk YOU can now d o your favorite color change routine with large 18 silks a n d with equal or greater ease W e guarantee that any magician can use P A L M O after a Few minutes practice This is not a tube b u t an oval g i m m i c k easily p a l m e d 1 Rices P A L M O a n d instructions (no silks) p p $100

SEND A POST4.L CARD FOR CATALOG NO. 20. IT'S FREE!

SIL

KING STFDIOS

25 Shcchan A\e.

('silk specialists')

Journal

Page 140

Building,

Minneapolis,

Minnesota

Cincinnati, O.

ART WORK FOR MAGICIANS Send me $2.00 and a CLEAR PHOTOGRAPH of yourself, and I will draw your portrait in Lithographic Crayon. A G O O D LIKENESS IS GUARANTEED OR YOUR MONEY REFUNDED. This drawing will be very good for your advertising. I make engraving cuts also at very REASONABLE PRICES. Send 3-cent stamp for Free Samples and price list. Write:

WALT KAEBER, Artist No. 5 Fuller Ave., Raspeburg P. O., Baltimore, Md.

FOR THE LATEST IN MANIPULATION LOOK TO IRELAND! THIS TIME IT'S THE

PHANTO OLF BALLS And he was thinking about you boys who aren t too adept at involved manipulation but still like to play with it and get some good results The Phantom Golf Bails enable any magscian to do seemingly impossible sleights You can duplicate rncky moves that only the most skillful can accom ohsh with ordinary balls And you can do some thinas that nobodv could do with an ordinary ball For a quick glance at some of the possibilities the bail placed in the hand vanishes but is Found at the eibow. The ball placed in the pocket passes nght through the c!o~h and visibly appears in the other hand waiting to catch iJ The ball when placed under a silk handkerchief penetrates the silk A N D THE BALL C A N Bfc TOSSED INTO THE AIR AT ANY TIME Of course some of these things can be done with any ball but only with tough moves The Phantom Golf Bal s are the easy way—and the audience gives you credit for being a good manipulator

A SET OF SPECIAL BALLS AND THE ILLUSTRATED MANUSCRIPT

CARL W. JONES, Publisher

oac \

T °rmed into a tub;; ^ A 24 silk is dropped throuqn ic that its ends stick out both ends of tube Both back and front o^ tube shown once more and performer now cuts the tube orH silkp) mto two separate pieces with scissors 1 Yet upon command

*Nf f\f\ kpl.UU

L. L. IRELAND 109 N. DEARNBORN ST.

CHICAGO, ILL.

GENII

NEW!

Exceptional Magic! 15 Magic Tricks Free! Our Christmas Present to YOU To everyone sending us a 3c stamp to cover postage we wiil send 15 Magic effects with our catalogues December Specials—While They Last1 HINDU CONES—25c C O I N THRU MATCH—25c TRICKY PUPS—35c M A G I C C O I N BOX—35c Zanto s Lightweight EGG BAG—Complete Only 50c Miniature Hindu Flower Growth—Price Postpaid 15c Zanto s BUDDHA SPEAKS Nose! Ca^d Effect—Price 25c Zanto s NOTE IN POCKET —Clever Spirit Routine—25c Grant s 5 Star Seauence—Complete apparatus—$2 00 Prompt Service—Rush Your Orders To

ZAXTO'S ItlAOlf FACTORY SHELDON

DEPT. G BLDG—MARKET ST.

NEW!

SOLID WALNUT BOOK-ENDS DE LUX1 Having Rabbit fiom Hat brass plates with red leatherette +nm Leaded bases covered w t h green felt Beautiful item for your desk Satisfaction or money back Order the De Luxe Bock-Ends before Dec 25 and we i enclose a pair of Rabbit Licence Plates for your car

A $3.00 combination for $2.00, postpaid 0bev* bunch of feathers make their appearance along the bottom edge of the place. This block is released with a small table. However, performer afof fishline providing a good fects not to notice this and proceeds length gimmic. As mentioned previto dismember the box, showing each sucker ously the cabinet is built of %" threepiece to be merely a simple board with ply, being two sides, a front, nothing attached to either side. The back there and top. A molding of Vs" bottom of the box, which, incidentally, three-ply, inch in width is nailed forms the top of the table is removed around theone outside front and last and it too is shown back and front back pieces formingof athepanel before being placed aside. Table is while the sides have a similar effect then picked up and shown to be merely at the top and bottom and alsostrip a skeleton affair with four turned legs. the sides but here it is set in %" on so What appeared to the audience to be that the ends of the cabinet can slide an escaping bird is merely a bunch of into grooves cut in blocks which are feathers attached to a block of wood. nailed the inside of the front and ALL TRACE OF THE LIVESTOCK back attothe ends. The four sides HAS VANISHED INTO THIN AIR! of the box fittwo into slots cut in the botSecret: All of the sizes which I tom of the box holding all toherein give are for the vanish of four gether securely. thus Hooks be used pigeons. Effect can be built larger on front and back forcanadditional for other types of livestock as the security. The top is prepared by placPrevious to the performance, the reader desires. The presentation of ing a one-inch strip %" three-ply this mystery is very baffling and prac- around it similar to the front back box with the load chamber inside the tically fool-proof as there appears to and ends of cabinet. This top is box and lid of chamber open, is resting on an undraped table. For a sucker

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GENII

effect that table may be draped in what appears to be an obvious manner so that the spectators are lead to believe that the livestock is placed by EDDIE CLEVER, New Cumberland, Pa. under this drape. I leave the buildup to the individual reader as he will Chapter Three undoubtedly have his own ideas about the presentation. How It Came About The Presentation: Open the lid of Although this routine was original- scribed in GENII, January 1937. To the box and insert rabbit or other small animal. The livestock, naturally, ly worked out for Hallowe'en parties, cause the figure to stand, the wand is goes into the load chamber. The lid there is no reason why it may not be used as in a now well known rising of this compartment is closed and used at any time. In fact it has seen card method. A bit of wax on the the catch fastened in place. Now the service on a number of occasions out end of wand. The first time you atload is swung to the rear as in Figs. of this season. With the exception tempt it, the silk slumps down. Pick 1 and 2, performer opens the front of the castle episode, I doubt if much up wand, touch head and stick the door of the cabinet and the specta- explanation is required. Novelty and wand under left arm pit. Lift the tors are permitted a clear, uninter- dramatic value is the keynote of the head and while arranging it, press rupted view into the box. Now by effect and it should be presented in a against the end of wand. The wand means of handle on top of box, the serious manner, but at the same time extends almost its entire length, as whole is lifted from the table with the magician gets over the impression only enough is under arm to hold it the performer's left hand. The right that he is silently laughing about it all. securely. It is also while adjusting the head hand goes to the catch holding the The patter as given is deleted, but back panel in a closed condition and the performer capable of putting this the first time that the thread for the unhooks same. The back is opened a over will experience no difficulty in other effects is fastened to the back. little and the catch on the inside of working out his patter story. After I use the Grant method with a loop. framework is hooked to the pin on all the individual touch is necessary. Those who have or prefer the Madzah the bottom of the load chamber. As Two large black silks are used for method may use that. Stick the loop mentioned above, this keeps the load the vampire, these should be at least or end of thread under the little flap chamber from swinging. Now as this eighteen inches and larger if prefer- and press it (the flap) against the is dropped you will see the position able. To make the heads use stiff head, the wax enabling you to do this. it assumes by referring to No. 2 in white cardboard. Paint one side to I fusing the long loop it is not caught Fig. 3. Next, each of the ends are resemble the face of a demoniac per- in the wax. But if using the Madzah unhooked and allowed to drop, assum- sonage. You will find plenty of ideas routine the end of thread is caught in ing the position as shown in No. 3, in most mystery story magazines— wax, tie several knots in end so thread Fig. 3. When this stage of the pro- the illustrations. (Weird Tales, holds. Don't overdo this floating ceeding has been reached, the upper Strange Stories, Unknown.) Paint the business. The moves I mention are portion consists of merely a top and backs. On the back of one glue a thin sufficient. a thin framework at each end, while cardboard strip, one-quarter inch wide The remainder of the routine is simthe load chamber is amply concealed and one-half inch long. Glue one end ply the 20th Century in reverse, with by the front, back and ends. Box only and on the inside of loose end embellishments. The castle interlude may now be freely shown on all sides. put a drop of wax. Sew these heads is similar to an effect marketed some As will be noted, no mention has to the silks at the center of one years ago, but totally different in operation and much simpler. Effect is been made above in reference to border. all that matters in this. You may sizes. This has been deliberately The box for the production is, of make the castle from three-ply or omitted since the construction of the course, a Japan box. Or you can use box depends entirely upon the type a drawer box, some may prefer this. heavy cardboard and paint to suit. It is twelve inches high, six deep and and size of livestock used. The silk with the strip pasted to back eight inches wide. It has a two inch I advise those of my readers who is produced first. After producing tie false bottom, over which a flap or lid desire a quick, snappy vanish of live- a knot in silk and draw it up tightly is fastened. Lid is hinged at the top stock, that they try this and I feel around the base of the head. of this section with a cloth hinge on sure that they will find it suitable The first little "gag", that of caus- the inside. But on the outside hinges for their needs. ing the head to rise, is very old, but are fastened one half inch from the seldom seen and appears very spooky. bottom. This is a fairly old dodge of Hold the silk in left hand, allowing concealing the true depth of a box or about two inches to hand down over cabinet for magical use. The inside fingers, back of hand to audience. is painted black. The flap on top of Thumb rests on silk where it goes two inch recess opens from the back over first finger. Now hold the fin- and has a tab attached to facilitate gers of right about two inches below opening. Into each side is bored oxthe head, the thumb of left pulls cut an inch round hole. The box is downward slowly. This causes knot devoid of a top. Two duplicate orand head to rise and stand upright. ange silks are knotted and concealed The right hand follows, although the in the bottom. When presenting, you Note for the Vampire created is-—that right has ball the three silks loosely, open front The wind sound is made with a lit- impression exerted some invisible influence and door and toss in. Close door, reach tle whistle for this purpose which may the head or knot follows hand. Just in at top, open flap, push these into false bottom and bring out those conbe purchased in your nearest novelty the reverse is true. cealed, drop flap. Push ends of orstore. Get it from pocket when talkThe cute idea of twisting a silk to ange silks through holes and you are ing and as you turn to face box, as take on the grotesque human form is all set to work a minor miracle. in description, stick it in your month. a favorite of Bill Larsen and was de-

THE VAMPIRE

January, 1940

Page 155

JEALOUS DECK by GRANT STUART

This is an inversion of the three rising cards—all other cards leaving the houlette or goblet—only the three chosen cards remaining. Preparation.—Prom a deck matching your three-card forcing deck start with one card—attach wax button of long range windlass to back of first card near bottom and bring thread under this card up over its face— against this thread place duplicates of the three cards to be forced—all cards facing the same way—the thread now passing over the three and down the face side—add another card from regular deck and bring thread up over its face, over the top and down on back side of the deck— adding another card—the thread going over the top and down the face side—and so on until the deck is the proper size. Note carefully that the thread passes under every card that is to be thrown out, especially the last card added. Snap a rubber band on the bottom of this deck to hold cards securely until ready to use. The pull of the thread from windlass may be checked by a half-inch section of a match stick—flattened on one side to prevent rolling — and winding the thread three or four times around this stick—after pulling out plenty of slack thread to meet your requirements. When ready to use a short pull on thread will dislodge the match. For club work where there are no stage facilities for hanging the windlass in a concealed spot, it is advisable to carry the windlass in left vest pocket —with the thread snubbed—while the loaded deck may go into a side jacket pocket. The wand should have soldered to its tip a three-quarter eyelet through which the thread may run. Manipulation.—After three cards have been forced and returned to forcing deck—switch decks—remove rubber band—place in houlette—pick up wand and insert thread in eyelet—• make passes over houlette—left hand releases thread—cards rise from houlette in a stream, leaving the three chosen cards in the houlette. Caution.—Remember that the last card to leave houlette is attached to the waxed button—and if the windlass is allowed to run wild the button will be snapped from the thread at the eyelet. This may be avoided by holding the wand higher—and higher —as the cards shoot into the air—and when the last card leaves the houlette * it is easy to slow up the thread— either by bringing the right hand near the body—or by a left hand contact with the thread near the body—the card is quickly detached from the butPage 156

ton—and the thread removed from the eyelet—the button returning to the windlass while you pick up the houlette and go into the audience to reveal the three chosen cards that refuse to rise. You may find that a goblet works better than a houlette. Just by pressing the left hand against the thread snugly to the body will slow the tread at any time. For stage work the windlass may be attached to back side of table and the thread pass over a rod—or curtain pole—or through an eyelet suspended by a thread from above. Or the windlass may be attached overhead. Conditions vary so greatly that each performer must work out his own problems.

Utility Device by DR. VICTOR M. TRASK

The device about to be described is something which I've used for quite some time. I had thought little of it as anything original, but, Bill Larsen, visiting our home one night, liked it and requested that I describe the affair in Genii. Hence the following. As depicted in the drawing, it is a desk-blackboard of the type used by

children. It can be obtained from almost any department store or toy shop. A cheap, but practical, version is to be found in some of Kresses' establishments. Shown open in the drawing, the desk portion folds upward and the underside then becomes a blackboard. The back is solid. I have prepared the blackboard portion with the necessary triangular flap for the effect "the pig turns round". In this size it is readily visible to the audience and, therefore,

particularly effective. It is as such that I first use the apparatus. A small catch is affixed to the board to hold the triangle flap against the board when it is let down to form the desk. This done, the performer has available a small table which, because it is a familiar object is especially appropriate for children's shows. It will be found that the table so formed is quite roomy and very sturdy; sufficiently so that it will support almost any piece of apparatus. Now for the third part: Behind the back portion of the blackboard-table, suspended upon a headless nail, is a hat load. The nail is driven into the uppermost portion of the board, about six inches from the left side. From this vantage point it will be easy to load any bundle, or object thereon suspended in the act of bringing the hat up behind the board. Also, needless to say, there is room behind the board for a "repeat" load if the occasion warrants it.

In Memorium More than three hundred magicians, relatives and friends attended the funeral services, December 17th, in Brooklyn, N. Y., of Compeer Herman Alfred Schmidt, member of the Parent Assembly, Society of American Magicians, who died in his thirty-fifth year. The eulogy was delivered by Julie J. Proskauer, of the Parent Assembly. At the closing of the S. A. M. ritual, Jean Hugard broke the wand. Compeer Schmidt was a boyhood friend of David Bamberg, Fu Man Chu, and thus was brought up in a magical sphere. Sam Margules, Theo Hardeen, Jean Hugard, Sam Horowitz, Dai Vernon, and other top-notch magicians were friends of Mr. Schmidt, and attended the funeral. The death of C o m p e e r Schmidt brought the total of Parent Assembly members who died during the past year up to seven.

GENII

MAKING ''MODERN

MAGIC by DARIEL FITZKEE

MODERN

[Note—This is another of a seties of installments intended to assist in studying "Modern fiom a present-day angle. The author is solily responsible jot the viezcpoinl.]

Chapters IV-XVII, inclusive

Magic"

ments have protested that my language gets "blue" at times. - I wonder HERE is little I can say to what sort of words those guys use alter or add to the chapters when they are talking among themfrom four to seventeen. Much selves? - Incidentally, youse Pantyof the material is still good, although Waists, don't read the Bible. When a considerable portion of it has been it comes to off-color stuff, it goes a altered in form. Many of the items whole lot further than I' dare. Rehave been revived recently. Some of member that story about Lot's daughthem have survived intact. Yet there ters? - Anyway, I've reformed, for are a few, which I believe would be the nonce at least. The rough elegood today, which have disappeared ment has been slapped down definitely, damn it.) from modem repertoires. But, if instead of gaudily painted Very little in Chapter seventeen is still good. Of course, traps and pistons and decorated cabinets, the magician are rarely used nowadays, and even should make them appear to be comthe more modern successor to the mon ordinary objects, within the daily trap, the black art well, is rapidly experience of his spectators, these being abandoned. More modern meth- self-same illusions would obtain a new ods have supplanted those explained interest. Psychologically, you have an in "Modern Magic" in some of the advantage to begin with. Since the spectator is familiar with what the effects. Yet, curiously, recently the old cabinet appears to be, he will im"Aerial Suspension" has toddled back mediately have a tendency to associate it with similar objects within his own from obscurity. Even now the tricks of tomorrow experience. An example could be the use of are beginning to show themselves in the distance. I think I can predict one of those large plywood boxes such as are used for shipping electric what they will be. refrigerators. Most people are faThis is what I mean: I think most illusions as we do miliar with these. Can't you see the them now are passe. Just as the heightened interest, and the increased weighty apparatus and the long- puzzlement that would result if the drapes were already passe when gal vanished from one of these? The cabinet looks like what it is Robert Houdin began his renaissance which revolutionized the magic of his a phoney, constructed for the special purpose of causing the gal to disapday. To me the old business of herding pear. The refrigerator case looks like scantily clad girls into phoney-looking what it isn't, an ordinary case with cabinets, playing hide and seek and which the spectator is familiar. But shooting off revolvers, belongs in the there are other things - china closets, corn field. All modern illusions are not buffets, other articles of furniture. in this class, of course. But most of You make the list yourself. You get the idea. them are. Particularly do I mean the A good parallel is the rope used cabinet or box type of magic. Really, it doesn't fool the spectators in Harlan Tarbell's rope trick. The much. Certainly, there is little enter- rope appears to be what it ain't, an tainment in this in-again-out-again ordinary piece of rope. And this apbusiness. Therefore, if it doesn't fool pearance is responsible for ninety per 'em and if it doesn't entertain 'em, cent of the mystery in the Tarbell method. It is based on the spectators' what does it do? psychological assumption, unconscious That's right. It bores 'em. (Parenthetically, do you notice that to him, that it looks like any piece Pitzkee isn't cussing in this article? While all modern writers use colloquial English these days because writing authorities such as Steinbeck and others realize that this is the most effective method of writing, the more naive and religious ele-

T

January, 1940

of rope, and he views it without suspicion. This same principle holds true of the newly revived bead trick. The deception is based on the spectators' assumption of a common condition. Now don't make the mistake of thinking that I have changed my opinion that preserving the mystery is the most important thing about magic. I still think entertaining 'em is more important than fooling 'em. And the use of familiar objects, regardless of size, heightens the entertainment possibilities. Most illusions are basically stupid in method. This is because the box magic field is definitely limited. By far the most subtle tricks are those away from this field. But because the illusion division is basically founded on overgrown box tricks, probably for want of sufficient ingenuity on the part of illusion inventors as a whole, this type of magic in general is far less deceiving and far less entertaining. Why in hell is an illusion necessary anyway? Which do you think is the best magic? Is it more entertaining to see an illusionist gallop a horse behind a cabinet and know where the horse goes than to watch a really baffling vanish of some smaller object? Personally, I don't think so. Understand, I'm not against GOOD illusions such as the Kellar Levitation and a few others. But I am stz-ictly against the average illusion simply because I think the performer makes a bigger money out of himself doing it than he does of the spectator he is TRYING to deceive. Why should I give you all of this valuable information at these rates? You probably won't agree with me anyhow. That's why I'm giving it away cheap, I guess. Those with the imagination to grasp what I'm trying to say will help me in this one-man revolution I'm starting. The others won't matter. I think this is all I have to say on modernizing "Modern Magic." I'll be along from time to time, as I find something really worth-while to whittle on. In the meantime, if an occasional issue of Genii shows up without me filling this space, please give me credit for furnishing the room for something more interesting. That I really believe what I've been saying all of these years can be proven by the fact that I've built my own show, "The International Magicians in Action," on these principles. That's one reason why they all say it's "different." Maybe, too, that's why the regular laymen spectators, not magical hobbiests, like it. Personally, I think we are making magic history. Page 157

GENII

JUNIORS

A PAGE FOR JUNIOR MAGICIANS (UNDER SIXTEEN YEARS OF AGE) Edited by BILLY LARSEN, Jr. 705 S. Hudson, Pasadena, California

Black and White Passe-Partout by THE NUTT CLUB A. Korn, Director Libretto by Phil Burt Score by Hazel Nutt

Preparation by P. Khan Secret by Wally Nutt

Patter by Ches Nutt Manipulation by Kolto Nutt

Members of Nutt Club Are All Under 16—Cents per Pound

P

REPARATION: With semi-flexible cardboard and sheets of black and white silhouette paper (gummed) construct two dice—black with white spots—and white with black spots—size optional, but four inches is better than three inches. Also construct two bottomless dice with hinged tops—enough larger to allow easy slipping on and off over the smaller dice, but not enough larger to be noticeable. The cover should be hinged with a linen strip before covering with silhouette paper. Lastly Lastly, construct two cardboard shimneys to fit loosely but snugly over the hinged dice—and one inch taller than two dice—the otusides may be decorates to suit individual fancy. It suitable cardboard is used there will be no warping or twisting of material. They should be stiff enough to hold their shape when standing alone, and flexible enough to respond to finger pressure. Manipulation: Note how you handle the chimney when empty, and handle just the same when concealing a bottomless die—probably with thumb inside and fingers outside as you look at audience through the chimney to show that it is empty. Place the white bottomless die over the black die—being sure the spot side to audience is the same—with the hinged edge nearest the audience— and the black bottomless die goes over the white die the same way. The chimney should go over all. In picking up the empty chimney—take it by side nearest audience, thumb inside—but when you wish to remove the bottomless die with the chimney—place the thumb on outside of one top corner while the fingers are outside the opposite corner—and a slight pressure will cause the bottomless die to cling to the chimney—quickly insert other hand in bottom of chimney—the same as when first showing chimney-—and push the hand all the way through— the lidded cover going flat against the inside of chimney—where it is grasped by thumb inside—removing the arm from the chimney you may now look through it to the audience the same as when it was empty. In replacing Page 158

the loaded chimney, be sure that the hinged side of die is towards audience —releasing the hinged lid from thumb pressure—the lid should be flexible enough to return to its proper position. To ensure this, however, the next time you remove the empty chimney allow it to rest for a moment on top of the die—and that all moves may be consistent do the same every time you remove the chimney whether loaded or not. Be sure to limber up the apparatus before showing in public. Be sure that it will work.

JUNIOR MAGICIANS

Patter: Owing to indisposition of Mr. Ches Nutt we are unable to supply appropriate patter, but in your own language you can explain how the dice change places, and any other complications that may occur to you. Both dice may be operated on one table— or with an assistant you may use two tables. All moves should be made slowly—don't look at your hands or the apparatus as if wondering if it was working—teach your hands to operate while your eyes are smiling at the audience. Cultivate an air of indifference as to what is going on— a poker face and smile your way through. The best position is to stand behind the table, facing the audience. At the start, with the chimneys concealing the bottomless dice, the smaller dice may be handled by spectators, or not, just as you may desire. dena Mystic Circle, a junior club, and has always been active in its affairs. I think it was Spencer who organized the club in the beginning. He is a good friend of mine and I am looking forward to the time when we can be together more. We go to different schools and don't get to see much of each other. Spencer has contributed a lot of material for this page and I want to thank him for this. Also, I hope he will keep up sending us his clever tricks and ideas.

J

Spencer Crilly Spencer Crilly lives in Altadena and has been interested in magic for several years. He is fifteen years old and has been appearing with his tricks in public for the last year and a half. The picture of him which appears on this page was taken back stage just after the last Hallowe'en benefit show. Spencer was one of the acts and got a lot of applause for his "magical cookery" effect. Spencer is secretary of the Pasa-

Editorial

UST about the best magic book I have seen is Mr. Hugard's new Modern Magic Manual. It helps me a lot and I hope a lot of the younger magicians have the book and will read it. It is a lot easier to learn from Mr. Hugard's book than from some of the old books. Last week I went to San Diego and helped mother in two of her magic lectures. I work the public address system and also assist her in the show. She works with music and it is my job to see to it that the music comes m at the right times. The Pasadena Mystic Circle is going strong and meets at the homes of members. I have had to miss a lot of meetings but am going to try to do better this year. We need contributions for this page so be sure and send them in and send along a picture. So long until next month. GENII

PAGING THE LADIES . . . by GERALDINE CONRAD

"WancT-ering Down Magic Lane by ROUCLERE JR.

A few years ago Princess Alendra Krupolkin, in her column "To the Ladies" which appears in the Liberty Magazine, declared that there had never been a woman magician or sleight-of-hand artist of note. John Mulholland wrote an article for the New York World - Telegram stating there would never be a good lady magician, because men were trickier than women—the fair sex can deceive but not in a bland and casual manner. These articles rather put the lady magician "on the spot". I, myself, fail to see why a woman cannot master dexterity of the brain and hand as well as a man. There are great women musicians, sculptors, and artists of every note. Have you ever sat through an evening of magic . . . a parade of one tuxedo after another and you can wager your best gimmick that each is going to do one of four tricks in one of each of their many variations . . . either the egg bag, linking rings, rope trick, cigarettes or card fans. Then you see a lady step out with something different—she has most likely taken into consideration a varied program, costume, color scheme, scenery, etc. She will do things the easy way. Aa a professional magician she is not giving her performance for the benefit of the magicians in the auditorium, but rather for the people who want to be mystified. No matter how she; does it, but she will do it good. But that's another story. I suppose by this time you are wondering why I am writing this article for GENII and it's readers. Well, I doubt if there is another living magician (of my age) who has had the glorious background of magic that I have had, knowing all the famous magicians from Alexander Hermann down to the present day. I do not mean just meeting them, but knowing them personally. I was born on April 2, 1894, at the Rouclere House, Ridgewood, New Jersey, of theatrical parents, Mildred & Rouclere. Spent my first few years in the dressing room trunk with flying bird cages, wands, die boxes, cards ad all sorts of gimmicks as my playthings. When I was old enough January, 1940

to know what it was all about I assisted Dad handing him wands, plates and whatever apparatus a magician usually uses. At the age of five I branched out as a real assistant. I appeared in yards of white fluff tulle in one of the prettiest presentations of the Black Art that was ever presented in America. This gave me a real taste for the stage, and from then on I loved every footlight (some of them gas or kerosene those days). I left the show at nine to enter school, but the magic bug had bitten me and I coaxed my parents to let me leave school and soon I was in the southland. I traveled throughout the country and played in about every city and hamlet from north to south and east to west as well as Canada from coast to coast. I could write a book on my experiences of one - night stands, but the idea of this article is to take you down through the years with the famous deans of magic that I have met. (Next month I will tell you of the first magicians I ever met — Harry Kellar and Alexander Hermann.)

WOMEN IN MAGIC

ward to seeing her and hearing her xylophone interlude just as much as the magic the varied program offers. We were so happy to be with them on several occasions during their Christmas vacation here in California and feel that we know them much better personally and revel in this friendship. With Mabel, music and magic go hand in hand and those in the business realize what a great combination they make. Music adding background, beauty and variety to a bill of magic done in superb manner. The Birches have had records made —some of which are used to accompany Mabel in her xylophone presentations. She has found it very satisfactory in that she can depend on them always being the same. On the other hand, this very feature makes it more difficult for her in that she must establish the right tempo and stick to it for each performance, never changing because of moods for the record accompanist refuses to be moody or temperamental and goes right on. It takes a great deal of technical ability as well as talent to carry a show the size of the Birches and I know that a very important part of the success of this splendid production is due to the efforts and ability of Mabel Sperry Birch.

Magigals

Mabel Sperry Birch Mabel Sperry Birch is indeed an outstanding Woman in Magic. She is as much a part of the splendid Birch productions as is Birch, himself. Those who know the show, look for-

Magigals entertained their husbands with a turkey dinner this past month at the home of Teddy Leon, in North Hollywood. It was a gala occasion. Teddy, as hostess, was assisted by Vera Baxter, Ruth Jansen and O'Dell Lozier. Although not a formal dinner, the Magigals wore lovely dinner dresses which added color and dignity to the occasion. The party began with cocktails at 7:30 p. m. followed by dinner at eight. Then came magical games, a guessing contest of baby pictures of members present and an impromptu magic program. In this program everyone had to impersonate the person whose name they had drawn. These impersonations were so clever that it was not all difficult to recognize the magicians and resulted in a great deal of hilarity. Prizes were won by many during the evening and it was agreed that it was the most successful Magigal party to date. Page 159

TERED B Y

C U N N

One of the most interesting evenings I have spent in a long time was with E. L. Hickey of Alhambra. Hickey worked under the name of "Hicko, Master escape artist," for many years in the East. His magic collection is one of the best I have seen for a long time and many of the pieces of apparatus are very old. I saw tricks that I had never seen before and they were made by men who really took an interest in magic for they were made well. The little watch box that you can hear the watch ticking after the real watch has gone, a spring ball casket that is different from any I have ever seen. Hickey has some real secrets when it comes to escape and this being my favorite magic I could appreciate it more than the average magician. What an evening. Samuel Berland of Chicago sent out a very fine Christmas letter. Did you get one? Lots of truth Sam in the things you said. Mishel of El Paso wins the prize for sending out the most novel Christmas card. Mishel has the market cornered in El Paso, being- the only professional magician who lives there. I think I shall move to a town smaller than Los Angeles and try to get all the shows for I do believe that all extra magicians in the U. S. who are able to travel, are in Los Angeles at the present time. Blackstone at the Los Angeles Orpheum with a big show that the public likes. Cantu recently at the Orpheum with a swell act. Bird productions and coins. Cantu has the best novelty magic act on the boards today. You should hear Cantu tell about his trip to England. He was over there when the war started. More magicians worked around Los Angeles this past Christmas season than for many years in the past. At the last moment everyone wanted a magician. Believe it or not I took two shows from an agent without an argument. The yuletide spirit will make a man do mostly anything. Interesting- sight at Thayers one Saturday afternoon: Edgar Bergen taking pictures of magicians and one of Blackstone drinking tea—and I do mean tea. We around Los Angeles have had some wonderful parties and fine Page 160

magic meetings during the year 1939. Magic is coming to the front as the most popular form of entertainment so 1940 should bring great things for magicians. Remember you get magic by going after it, and that in plain words means lots of work. "Strange as it may seem," John Hix was a guest of the Los Angeles S.A.M. in December. Mr. Hix could write some interesting things on magic if he would do a little research work.

Mr. Terhune Goes to Washington with "Skully"

Max—Skully, here is Washington, D. C. Skully—Must be a hot town, eh? Max—Why ? Skully—Don't D. C. mean Direct Current ? Max—Not in this case. This is the home of Uncle Sam. Skully—I didn't know you had any kinfolks here. I guess you'll save on your hotel bill. Max—This is home of the President and his cabinet. Skully—I could have had a chance to get in a cabinet, but Frank Marshall got to the lumber yard first. Max—There is widow Higgins, Skully! Skully—(Grass widow, but not green. Max—Let's see, she married four times, didn't she? Skully—Yes. First she married a millionaire, then an actor, then a preacher and fourth was an undertaker. Max—Wonder why she married them in that order. Skully—1 for the money; 2 for the show; 3 to get ready, and 4 to go. Max—That's enough. Go to bed. Have had a wonderful tour and met many magicians and friends of Genii. Bert Allerton's sisters visited me while playing Atlas in Washington. Bill McCaffery sends greetings to Bill Larsen and Gerry and all the gang on the coast. Good luck and Skully and I wish every magician and family a wonderful 1940.

Detroit News by HAROLD STERLING Recently fourteen Detroit magicians and wives attended the annual banquet of the Saginaw Valley Magicians Society at Frankenmuth (famous in Michigan for its chicken dinners). This is a very live club and much credit is due Leonard Eva, their secretary for his activity in promoting their social and other events. The show was M. C.'d by Al Munroe with superb rhetoric and a grace and agility that belied this embonpoint and liquid refreshment. Those who performed were: Clarence Meeks, Scott Campbell, Dave Norton, Del Edwards, Dr. Boris Zola, Talbot Harding, Guy Stanley and Harold Sterling. Recent Detroit visitors included Russ Walsh, Miller Dunckle, Monk Watson, R. W. Hull, LaTemple and Baker from Washington, D. C. (I've forgotten his first name, but he recently had a trick on the first page of "The Jinx." (It's Harry.) Giovanni, the pick-pocket magician, has made a tremendous hit here at the Powatan Club. He has six spectators come up and seats them and then starts to hand back the things he has picked from them. These are not stooges as some of the local boys went up. One fellow had his wrist watch removed three times. Giovanni's big effect is the removal of a pair of suspenders from one of the assistants. Only one vaudeville house in the city but they are very liberal towards magicians. The Great George recently played it but many missed him, due to lack of advertising. Detroit is now the home of two former vaudevillians; Marko and Hathaway. Marko still features the wonder screen. He produces 100 yards of silks, alarm clocks and feather daz-ts. When night clubs started using entertainment, magicians were taboo. All that the managers wanted were dancing girls. Now it is a different story. The dancing girls and kindred performers are rushing to put magic in their acts. The Detroit Society of Magicians recently met at the home of Arthur J. Whelpley for a social evening of magic. Many magicians and their wives attending. Saturday, Dec. 9th, sixteen magicians and their ladies called at the home of Del Raymond, at 11 P.M. This was at Mrs. Raymond's invitation. The occasion being Del's birthday. It was a complete surprise. Raymond is Detroit's detective magician and recently solved some baffling murder mysteries. GENII

MAGIC OF THE EAST by MAX HOLDEN

Jack Gwynne and Co. at the State here. Cane to silk makes a good opening. DeMuth Milk bottle and the Rice bowls working both together, clever. The milk is seen to go down in the bottle and afterwards found in the rice bowls. Baltimore and then Chicago for this clever family. Ade Duval at the Roxy the same week. Ade's 20th Century silks a good opening—no tables used, just the opera hat of Ade's. During this number the silks are produced at the finger-tips. A cigarette is lit, but it changes to a silk, etc. The parasol and silks next with his clever patter story. Then the new pipe gag. This may prove to be one of the most popular items in magic and I hope they don't kill it. I wonder who is going to be the first to lift this and claim it as his own. I give credit to Ade Duval for as far as I know it is his own. The right hand is shown and closed into a fist. The thumb acts as the pipe stem and by puffing on his thumb there is a mouthful of smoke, just as he would smoke a regular pipe. Of course he shows you what he says is a handful of invisible tobacco and pokes some into his closed fist—two empty hands — and the invisible tobacco and mouthfuls of smoke. He says "You have heard of 'The little man who was not there'—Well, this is his pipe." For a finish into his Phantom Tube silk production and with just one table and small hand basket and then a full stage covered with silks. A great act. Glen Pope at the St. Moritz and fast becoming a favorite there. Jack Trepel has moved into a new home at Great Neck, L. I. and the Holden family moved from there into town. Dante on the way to the Coast. Grover George on the way to South America. Fred Rothenberg on a cruise for Christmas. A new classic is in the making with the new book of Jack Merlin. Anyone who ever intends to learn card tricks or anyone who does card tricks—to be without this book will be like making bread without flour. Jean Hugard reJanuary, 1940

wrote the book and here for the first CHICAGO CHATTER time is explained the real Herman by JIM SHERMAN pass. John Crimmons is editor and he has added a vast bibliography to the I 19 South State Street book. In fact the book is a gold mine Chicago, Illinois of knowledge. Difficult sleights are now made easy. Two sets of illustrations were made—then still more imFrakson opened at the Drake Hotel, provements on the book and again Saturday, December 2. more illustrations. Hence the delay MARDONI and LOUISE in town of about 3 weeks on the book, but now for a week at the College Inn in the ready. Sherman Hotel and then they go to The Encyclopedia of Card Tricks is the Hollendon Hotel in Cleveland. almost out of print, so take a tip and DANTE in town for a day on his hold onto your copy. way to California. A good will tour by John Snyder, BOB NELLER still in the Palmer Jr., of the East, and the many parties House. So far he has been held over in the various towns and in Spring- three times. field a miniature convention. A dinner If anyone tells you that DOUG in N. Y. C. and also attending was McKAY isn't a great booster for Mrs. Horace Goldin. Then John and magic, tell him he's crazy. DOUG went Bess went on to Harrisburg, then out and sold the entire S. A. M. show Philadelphia. During the tour, John held at the Goodman Theatre, Sunday, spent many hours in the Holden Bos- November 19, to the General Electric ton store, then practically a whole Company for three nights in Februday in the N. Y. shop and again in ary. Philadelphia several hours. John will BOB NELLER just told me that he drop anything- to show you a card has been held over in the Empire trick and what tricks he has. Room in the Palmer House until JanAgain into another New Year. May uary 4. Just think boys he has had a this be your happiest and healthiest three months engagement, one-fourth with good luck smiling your way. of a year, in one of the best spots in the United States—a great tribute to Bob's popularity and act. GALI GALI opened December 11 at the swanky Colony Club for an engagement of 4 weeks. Immediately upon completion of this engagement he will make a return appearance in the Rainbow Room in Rockerfeller Center, January 10. The one and only JACK GWYNNE and family opened at the State and Lake Theatre in Chicago, January 5. ADE DUVAL and wife were at the Roxy, New York, week of December 7 and just called in to say sello. They were on their way to Lincoln, Nebraska to spend the holidays with their folks. Thanks a million to my hosts of friends, both here and abroad, who sent me Christmas greetings.

ANSWERS TO QUESTIONS O N PAGE 153

"Give Me Any Number from One to Ten"

THE MAGIC WAND AND MAGICAL REVIEW

Famous the World Over Annual Subscription 10/6. Single copies 2/6. By mail 2/7%. U. S. A. stamps and currency accepted. George Johnson. The Magic Wand 24 Buckingham Street Strand London, W. C. 2.

I. Alexander Herrmann II. Westcar papyrus 3766 B.C. III. Harry Kellar. IV. DeKolta V. Houdini—April 6, 1873. VI. Felicien Trewey. VII. Howard Thurston. VIII. Cups and Balls. IX. Yes. Some authorities give him credit for its conception. X. Frederick Eugene Powell. Page 161

From Wisconsin by WALTER THE MAGICIAN 63 Sterling Street Oshlcosh, Wisconsin

The year is fast drawing to a close, when you read this we will be thinking of magic for 1940. This is the time of the year when everybody should be happy, thinking only good thoughts and to try and truly live up to that spirit of Peace on Earth, Good Will toward all Men. Christmas is always the happiest time of the year and this year we should all try and make it more happy than any we have ever passed through. We should be thankful for the fact that we are living in America and you must all agree that this is correct when we think of the new world war across the sea. This month's cover of Genii surely expresses Christmas, the only one of the magical magazines that came in a Holiday dress. Glad to hear that at last Ed Reno has been named Dean of American Magicians. If you knew Ed Reno like I do, you would know that he was entitled to this a long time ago. John Snyder, President of the I. B. M. doing a wonderful work. John is going to build the I. B. M. into a great institution, he should be elected again without any question. Hereafter when you become a member of the I. B. M. it is really going to mean something. Real magicians will become members, not just curiosity seekers. Magicians who become members must pledge themselves to make a charge for any performance that they give, unless it is positively for charity purposes. A wonderful thing. It is bad to have a magician whose income, all or part of it, is derived from magic to have a cheap imitator give their shows without charge, thus cutting out the legitimate magician. The Executive Committee of the Houdini Club met at Fond du Lac, two weeks ago, at which time arrangements were made to hold the 1940 Convention at Fond du Lae, Wisconsin. Plans were immediately started and much work is going- to be done to make this Convention another one that will come up to those that have gone before. Mike Zens, the new President of the Houdini Club is doing a wonderful work. The way the Houdini Club is growing, it won't be many years before it will be a national organization. I am happy to have been the first President. Loring Campbell booked through Wisconsin after the first of the year. A number of the magicians in WisPage 162

consin are already making plans to entertain him when he visits our State. Kanters new catalog arrived, a beautiful thing, filled with everything that is new. New lists from Horace Marshall. He handles everything in feather flowers. I have been informed that Tung Pin Coo—Al Wheatley, playing at the Hotel Lorraine in Madison. The Madison boys are going to visit him in a body. Haven't got the space to give you the names and acts of all those who performed at the Fond du Lac meeting. Just received a report that Frank Kroner is sick in bed, will be confined for another month or two. You boys of the Houdini Club send him a card.

"DO THAT AGAIN" Review by FRANK STRATTON Once in a while a manuscript or book is published that contains really usable material. "Do That Again" by Parrish and Weigle, published by Max Holden fulfills all expectations in regard to material. When it was handed to me for review I was far from enthusiastic because I have, as has everyone else, waded through volume after volume in order to find one good trick, but, lo and behold, a miracle has come to pass! You can start at the beginning and find a good effect on the very first page! Then one on the second page and third and so on nearly all the way through. As a matter of fact there isn't a bad trick in the whole book. In the mental section I was particularly impressed with a Prediction to end Predictions which is all the name implies. Smacking- strongly of Annemann's type of mental work, it is a truly superior effect. Should the principle be new to you, this effect alone more than justifies the entire volume. I got a snicker out of z-eading Bob Parrish's "Direct" Divination. To quote the book—" . . . the most direct method of obtaining secretly written information ever conceived." It isn't subtle but should be infallible in the hands of a strong worker. "Transposed Minds" offers opportunity for fine comedy worthy of any performer. The section of the book devoted to cards is notable because of the fine principles that are revealed. I was impressed with "Picture This—" and "The Triple Enigma", both very fine magic. The rest of the card section is correspondingly good. The sections on silks and ropes and cards are slightly shopworn but offer good reading for the neophyte. Generally speaking this book should be on your "must read" list.

MAGIMINISTERS Conducted by the

REV. GORDON W. MATTICE 30 Trafalgar St., Rochester, N. Y.

This is the first anniversary of our column. Just one year ago, the genial editor consented to our experiment and every month we have met via this column for the exchange of ideas. We have discovered that there are a great number of magi-ministers. Many helpful ideas have been exchanged, and routines worked out. In the name of our profession, I speak our gratitude to the Editor for enthusiastic interest and very helpful cooperation in our venture. The dealers have been helpful also, in giving names and suggesting routines. This year has been a definite advance of interest in magic among ministers. This has been stimulated by the book "Entertaining Children with Magic" by Eddie Clever, which has a supplement on "Sermonizing Magic" by Rev. R. S. Balsiger. Mr. Balsiger credits this column as helping. Many lay magicians have also boosted us along. One of our number, the Rev. Celestine Rozewicz, was honored by Ring No. 14, IBM, by a beautifully embellished testimonial, presented on the occasion of his moving to Baltimore. It was reproduced in full in the Linking Ring for November. So—we report progress. Watch our dust! We preachers are just getting started!! Rev. Benjamin Franklin Root, Rector of St. Andrew's Episcopal Church, Waverly, Iowa, sent this. It is based on "The Baffling Blocks", No. 947 in Thayer's catalog. The theme is, "The Man Who Forgot God." The blocks are placed in a hat, being his home. Here he said his prayers when a boy. He lived and grew up in a big fine house. The blocks spell G-O-D. When the House is opened we find only two blocks with the letters G. O. The man forgot God. So to get him back on the right road, we go to the hat to pick out the other block, but the hat is empty. The blocks are placed on the stand, the cover put on, and lo, by remembering God, he restores that which was lost. Mr. Root will be glad to have you write him about this for details. Dr. Halford Luccock in volume one of "The Acts of the Apostles" gives three fine sermon suggestions on "The Faith of a Magician," "Rival Miracles", and "Prestidigitator". WANTED TO BUY at all times — Used standard Magical Apparatus, Books. No Junk or secret* wanted. BARGAIN LIST FREE. Modernize your Act. Get rid of your old tricks by selling them to

OTTO WALDMANN 40 Years In Magic

332 East 77 St., New York

GENII

Dope on Deception in Detroit

Northern

by RUDY ROXO

The Society of Detroit magicians held an open meeting on the night of December 2nd—with wives and sweethearts present—at the home of Mr. and Mrs. Arthur Whelpley in Old Dearborn. Art and Marguerite really showed the boys and girls a great time, winding up the evening with the stupendous production of Chop-Suey. Mr. Whelpley is on the staff of the Henry Ford Hospital in Detroit and is connected with the Dental Department. The program was handled and MC'd by the genial Dr. Buell, he of the "mental miracles", who is also President of the Society. Al Monroe of the Detroit Times performed his New England Almanac and Slate effect. Billy Heisel performed several fine effects including Clippo, and the way he does this standard effect is really something to behold. And now we come to our host, Mysterious Whelpley, while comparatively new to magic, he works a program that would do much credit to an old timer. For beautiful card fans you just can't beat Bob Ungewidder, also of the Detroit Times. The funny event of the evening was Geo. Pillsbury who worked a cigarette trick and telling a patter story about the time he called on his girl before his married days and the way he flicked ashes on the new rug, when everyone knows George never did and does not now smoke! Brewer had a little hard luck with his Dollar Bill and Envelope effect, but then we all have that trouble now and then, in spite of this I learned a good "get-away" for the bill from his attempted presentation. Better luck next time. Bob Sherwood at Bernhardt's (not Sarah) Blue Lantern—saw the act, uses only standard items such as Rice Bowls, Rope Trick, Dove Pan, etc., definitely not to my liking but then I'm not the public in general either. People seemed to like him in spite of my thoughts, and I could be wrong. This will do for this month, if anyone has any comments to make please send them to me direct. The address is: Rudy Roxo, 8214 John R. Street, Detroit, Michigan. Oh yes! Can anyone give me the address of KARSTON, he who has the FOLIES UNUSUAL show —would appreciate this very much. January, 1940

LOS MAGICOS MEETING by RUDY MILLER

The regular meeting of Los Magicos was held December 11, 1939 at the home of Bernard Gianinni. Bernard Gianinni and Gil Valle acted as hosts. Comments Mrs. Gianinni, Bernard's wife, was at the door to greet all members of Los Magicos as they entered and she certainly added to the welcome. by ROBERT J. STULL As this was Caryl Fleming's Trophy Night the business meeting was cut short and Caryl Fleming appointed A New Year with New Magic and Harry Mendoza to act as Master of some measure of Happiness and Pros- Ceremonies. The show was opened perity, is my wish for you. Let's start with the great act of Gianinni and right out January first by forgetting Valle lying dead in the grave yard as that oldie about "nothing new in the result of "Die-Floto". They were Magic." No doubt most of the prin- dressed in devil suits and had the ciples used by magicians are well audience in an uproar with their wise known and might be described as cracks. Again they tried the famous "Old," but I have seen a man do the "Die-Floto" trick and agreed that the Linking Rings in such a fashion that only thing they could do now was to it was "New Magic." I have seen the give it back to the manufactuers, clap pipes or the bird cage or any which they intend doing early Tuesone of a hundred others done so that day morning about 4 o'clock. The they were "New Magic." Someone following members performed: George once said that "The show's the thing" Baxter, Dick Wilcox, Matt Martin," so in Magic it becomes "the showman- George Postle, Gerald Kosky, Hubert ship's the thing." What matter what Brill, Dr. Lozier and Bert Allerton. trick you do, so long as you entertain Hubert Brill won the Caryl Fleming the crowd. After all, the trick is (gen- trophy for the second consecutive erally) merely the performer's excuse year. If he wins it once more the for appearing. From then on he is trophy will be his. George Postle won selling himself, which is New Magic second prize and Bert Allerton won to most audiences. Let's have more third prize. of this kind of "New Magic." After the magic show a couple of Harry Blackstone and his grand show played in San Francisco re- Donald Duck cartoons were shown and cently, at the top Vaud. spot, and as then the Victor Hugo Cafe moved into usual he packed them in. Two parties the Gianinni home and a wonderful were given for him, his charming repast was served. wife, and his company—one in OakMrs. Gianinni was at the door to land at Jimmie Muir's Hotel and the bid us all good-night and she certainother in San Francisco at the Riviera. ly makes a charming hostess. The entertainment was furnished, Because of the holidays Los Magmostly, by members of his own cast will not have another meeting with Harry, of course, playing spot. icos until January 8th, when they will High light of the stunts was when meet at the Tam-O-Shanter Inn in Harry stole the wrist watch from one Glendale with Caryl Fleming and of the spectators, twice in succession. The watch was one of those strap Richard Wilcox as hosts. affairs, too, with a buckle to contend with. Our local S. A. M. meeting is yet CORRECTION to come up this month so cannot reDid anyone notice the advertisement for Does in Harold Sterling's ad in the November port on it. As usual, however, Jesse issue7 Well, it may have looked like "does" Mueller tells me, there will be prizes to you, but it meant "bucks" to us! Yes, it was a mistake—it should have been for performers and performers only, "DOVES" as we hope you realized! Ah, me, this month's slogan being "No trickie such is the life of an ad copy reader1 . . . —No turkey." We take it all back, Harold refuses a dis-

California

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count on the mistake, which shows what a regular fellow he is, but just to be fair we hereby repeat that part of his ad:

ALIVE —White Java DOVES. Young tame birds. $3.50 per pair. You pay the postage.

STERLING MAGIC C O . 347 John R. St.

Detroit, Michigan Page 163

Knights of Magic

CHICAGO NOTES by GEORGE TROSETH 618 N. Austin Blvd., Oak Park, III.

At the Gold Coast Room of the Drake Hotel we have PRAKSON and GALI-GALI just opened at the Colony Club . . . HOWARD BROOKS moves over to the Marine Dining Room of the Edgewater Beach Hotel . . . The Wizard Club of Chicago had their annual banquet at Harry's New Yorker . . . the star of their current show is RALPH COOK, who burlesques, but does not expose, magic . . . he is backed up by a line of girls simultaneously doing- routine tricks . . . BILL SALISBURY postals from down El Paso way . . . glimpsed BERT ALLERTON'S new publicity circular which should keep him working . . . it has everying—drips with originality and is attention holding- . . . LITTLE JOHNNY JONES playing- clubs around town after a lengthy sojourn in the East, mostly around Pittsburgh . . . MR. AND MRS. LES SHOLTY on a western trip . . . meet them if you can, they don't come finer . . . DOC. TARBELL secured some nice publicity for mag-ic and also revealed a hitherto unsuspected vein of humor in an interchange of letters with the press . . . (ASHTON STEVENS) . . . Magic continues to be popular in the night spots and, in my opinion, this popularity can be maintained if magicians will cease being copies of Cardini, LE PAUL and other bigwigs and present different tricks; not necessarily new tricks but tricks which are unusual and not seen too often . . . by way of substantiation magicians can take a lesson from the rapid demise of a popular song, traceable directly to its being overplayed . . . ventriloquists doing all right with WALTER WALTERS at the Oriental Theater and BOB NELLER continues his long run in the Empire Room, Palmer House.

The Problem of

PRESENTATION by W I L L I A M LARSEN and PAGE WRIGHT (Continued from Page 151)

his normal self, and limited only by his artistic ability, but at close quarters, and before friends, any attempt to play a foreign role—the seriousminded man attempting to become a humorist with the aid of memorized patter, or the jovial clown seriously attempting to convince those who know him well that he is possessed of psychic powers—is merely ridiculous. Page 164

ANTER'S OMMENTS

by LEW DICK

The first Ladies' Night of the Winter Season was held by the Knights of Magic on December 10, 1939, at their new headquarters, Lincoln Hotel, 8th Avenue and 45th Street, N. Y. C. A grand crowd witnessed a gala magic show in which the followingWas I surprised — and thrilled •—• well known Knights took part: Dr. when so many nice things were said Aaron Weiss, Richard Marks, Sam about our new catalog! Many thanks Hines and Harry Delaney, Harry to all of you everywhere who have Bernstein, Morris Fox, Lester Weeks, written, wired and phoned us your Sam Zovello, Phil Wane, George Sand, Lew Dick, Dr. Jacob Schneidergood wishes. man, and Stanley Burns. Jack Malon Frazee (Squawks) just received acted as master of ceremonies. word from Fu Manchu (Dave BamA committee of the Knights of berg) who at the present time is in Magic attended the State Theatre to Bogota, Colombia, South America. He catch Jack Gwynne, and to the Roxy will go to Central America and event- to see Ade Duval, and the boys unaniually play Mexico again. He also mously decided that both Gwynne and mentions that Pablo (Li Ho Chang) Duval are better than ever. is now in South Africa. Carl Lyle K. of M. magical get-togethers were and his wife are booked for a return engagement at the "Club Gourmet" held this month at the homes of Murin Cleveland, Ohio. Little Johnny ray Berke, Richard Marks, Dr. Aaron Jones, formerly of Pittsburgh, has Weiss and Lew Dick. moved his quarters to Chicago and has joined the ranks of professional PASADENA MAGICIANS magicians. GUILD Short time ago we had quite a By BILL McGEE party at the shop when we celebrated the birthday of our genial and effiOn the night of December 5 the cient secretary, Miss Ethel Wapen, as members gathered at the home of well as the final completion of our Wm. W. Larsen for the regular seminew catalog. Plenty of refreshments monthly meeting-. and fun galore. I. B. M. President Two new members were voted upon, John Snyder, Jr., and Mrs. Snyder ar- William Brown and Dr. Raymond L. rived here to attend the monthly Beebe. We welcome these good felmeeting of the local I. B. M. Ring. lows into the fold. They spent quite some time at my The business session was a brief shop and met many of the magicians. one, immediately upon adjournment Christopher played at the Hippodrome the usual impromptu show opened Theatre in Baltimore; and Arno and with Ralph Gallinger as emcee. Ten Zola appeared at the Atlas Theatre in of those present demonstrated card Washington, D. C. Harry Baker from and other tricks. It is interesting to Washington, D. C, in town shopping. note the progress made by several Don and Lee Dale, a standard act but members who are very new to magic. a new name, returned here after an Credit for this must go to Wm. W. absence of several years. Larsen and Frank Stratton, who do The Army and Navy Game always so much to help others learn. That brings large crowds to Philadelphia is the spirit of the Pasadena Magiand I had the pleasure of having a cians' Guild. number of them stop in; many from the Southern States. Le Paul, m INDEX from New York City to fill an enfor Vol. 3—25 cents gagement at one of the best hotels in for Vol. 2—25 cents; for Vol. 1—50 cents town; as it was just one show, he left Genii Indices the same night. Frye, the magician, Vols. 1-2-3—$1.00 came to town and conquered; he gave a fine show and knows how to handle children. Chas. Dietrich, formerly a WANTED Chautauqua and Lyceum performer, Nos. 1-2-3 Volume One Genii now a booker of Lyceum talent, was September October November, 1936 Sub with Frye. Eddie Marina, vent and scribers will pay $! 00 per copy Send us your name and address — DO NOT SEND magic, and Koran, also a vent act, are GEN i I — and we will put you in touch with new faces in town. "THEY ALL the buyers GENII, 705 S. Hudson, Pasadena, Calif. MEET AT RANTER'S." GEN i 1

Magics Greatest Vice?

"Ideas of Idle Moments"

by GRANT STUART

"Cut, Knotted and Restored"

According to "Genii Speaks" (Dec.) magic's greatest vice is exposure— but qualified by "there is something in our craft which cannot be exposed.'' Let us reverse that and say—"what can be exposed is not magic." Is it not true that when it is obvious to the majority how a trick is done it ceases to be magic ? Why not now, with the new year, take an inventory of our vices with a view to overcoming them in the future ? Pirating the effects or patter of another is surely a vice—and should be eliminated. Seriously claiming supernatural assistance to impose upon the credulity of spectators is a vice that is no longer indulged in by self-respecting magicians. Irrelevant patter which has nothing to do with explaining the proposed stunt—and patter which inclines to salacious or obscene suggestion—and patter which may suggest to the young any form of evil which children might be inclined to imitate— such as hazardous stunts, horror acts, promiscuous use of guns, knives, etc. —should be absent if we are to eliminate all vice. Is there any way by which we may eliminate the cut-rate performer and gratis shows ? How may we convince these vicious performers that the audience always appraises a show at the value placed upon it by the performer. The same identical show at a S75 fee will receive more enconiums of praise than at a S10 fee—and nothing- but a turned-up nose if the show were gratis. One great vice to my mind is to take a simple effect that is a good mystery without any patter—and weave a complicated narrative about its production to such an extent that the "tail wags the dog," and the mystery is obscured by the verbiage. I know that this hits a lot of my friends —but what is a hit or two among friends ? Another vice is the superlative degree in describing a mediocre stunt, or its performer—and one to which all magic clubs are addicted in reporting conventions and meetings. There surely cannot be such a vast army of superlative magicians—nor such an aggregation of superlative acts—as the combined reports in any one month would indicate. In reading them I often wonder why Kellar and Herrmann did not perfect themselves in magic. January, 1940

But the greatest vice—the greatest evil—recognized now by a few and later by many—is the widespread dissemination of magical secrets to new club members whose only interest in magic is either curiosity or a desire to be entertained at conventions and meetings by the few who have acquired a degree of manipulation and presentation. If the greed for club dues were eliminated—and applicants required to give a half-hour performance to establish eligibility — many curiosity seekers would be kept out. This club mania now reaches into schools, colleges and is for the edification of the student body as a whole. It would require columns to compare the dignity of magic fifty years ago, with only two full-time magicians and a few vaudeville and club performers, only one half-starved periodical and a few scattered half-starved dealers, and not even one magical club with the super-abundance of all of these items today. It appears to be only a question of time when schools and colleges will include magic in the course of study—in fact, some of the basic principles are already being taught in science, chemistry, electricity, etc. When a majority of all the people understand the secret principles of magic the riddle of the Sphinx will cease to be a riddle—and magic will cease to be magic. Another great vice is to do what I am doing now—pointing out the vices of other—and ignoring my own. Happy New Year—All.

DID JA EVER? by Frank Stratton

Didja ever realize how old magic really is ? It surprised me to know that the first written records of the art date back to 3766 B'.C. Didja even meet Maldo of Santa Barbara? If you haven't you have missed meeting one of the swellest fellows in Magic. We had a fine bull session together the other day after Christmas. Incidentally the Spanish food served in his restaurant is excellent. Don't miss a visit with him your next trip his direction. Didja ever force a short card, then let the spectators shuffle it into the deck ? Its basic and simple but one of the most convincing card tricks in existence. It is the answer to the smart guy who always wants to shuffle the deck at odd moments.

(Lu Brent)

A silk ribbon is handed to a spectator to be examined, he is then requested to cut it into four equal pieces. These are tied together later, thus three knots are used. The ribbon so knotted is passed through the hand, emerging from the other side and shown again, ribbon is pulled through hand once more, knots have vanished, the ribbon is restored. How's Done ? Two ribbons are employed, measuring four feet long and one inch wide. One of the ribbons is prepared by tying three loose (fake) sliding knots at intervals of one foot. A color changing handkerchief tube is used, load one section with the ribbon prepared with the fake knots. The other ribbon is the one which is cut and tied by spectator, you will have ample time in securing tube while this is going on. I hardly believe further explanation necessary since I have already given you the effect. "Three Card Monte Idea" In this case the cards are laid down faces up. Let us assume that we are using two red nines and a "ACE OF CLUBS." These cards are lined up from left to right as: Nine of Hearts, Ace of Clubs, Nine of Diamonds. Pick up Nine of Diamonds and with it turn over the Nine of Hearts, this is done quite fairly, but not so fairly when the ACE is turned over, because that is when you will use the "Mexican turn over" which leaves the Nine face down on the table, and the ACE face down in your hand. This Ace apparently the NINE is placed along the z-ight side of the other two cards. The spectators have seen only the turning over of the three cards and as yet do not suspect any trickery. The cards are pushed around the table in usual Monte fashion, but do this very slowly, for they must watch the center card with little effort, "Find The Ace" of course the Nine is picked, and the spectator is allowed to turn over the card himself. If by accident the Ace should be pointed out use one of the Nines and work the "Mexican Turn Over" in regular manner, thus proving the picker to be wrong regardless. Page 165

As We Go to Press The local lads are, once again, all agog over the cruel treatment of small animals which seems habitual with a certain well known stage magician. It is a shame that a performer is willing to kill or maim canary birds in every performance when it is so unnecessary. The same performer uses rabbits which are much too young and are bound to suffer and die as a result of harsh handling. Maybe the S.P.C.A. can be prevailed upon to put a stop to such practices. The performer in question has such countless levitations, vanishes, productions and other illusions that the vanishing bird cage could easily be omitted from his program. Or else, keep the cage but omit the bird. Max Terhune, one of magic's nicest people, is back from a personal appearance tour of the East and South. The black eye with which he returned home resulted, actually, from an automobile accident which could have been very serious. Just today we have heard the sad news of the death of the mother of Helen Wilcox. Helen is the wife of our old close friend, Dick Wilcox. The passing occurred on December 28th, which, coincidentally, is the date of the marriage anniversary of Helen and Dick. Magical friends join with them in the grief of the mother's demise. Alberto, popular Los Angeles magician and splendid performer, has been doing some technical directing at Warner Brothers Studios. His vast knowledge of conjuring should fit him well for the job, which, understand, has to do with a picture which will feature mystery. Russ Swann is away from San Francisco and on to New York where he will open at the Savoy Plaza January 12th. Russ is one of the swellest persons we have ever met. Was in San Francisco last week on a case and had lunch with Dariel Fitzkee and his brother Dick. Also, Bon Stull. Called on Jesse Mueller but he was in court. Later I had a pleasant talk with him on the phone. Saw the press book of the new Fitzkee show and I think it is the greatest thing that has ever happened to magic. Bob Stull, another Fitzkee booster, is getting some new magic ready for magical sale. Chester Morris will open in Milwaukee on a personal appearance tour on January 28th. Thence, to New York. Go backstage and meet this guy. For all his fame, he's real people. The January issue of Percy Abbott's twentieth century wonder has just Page 166

reached me. It is called Tops. A great issue with lots of tricks and news, as usual, but most interesting is the feud between Fitzkee and Lloyd Jones. A close reading bears out all that I've said editorially in this issue. Fitzkee is a magician; Jones, a druggist. Incidentally, we pause to congratulate Percy on the advent of Top's fifth birthday. My eldest son, age eleven, has listed Carl Heilbron, of San Diego, at the head of his list of favorite people. Said son assisted Mrs. Larsen in two lecture dates in the border city. Carl took him out and showed him the army, navy, air force and zoo. He even let him touch the submarines and pat the battleships. Thanks, Carl, for your many courtesies to both the wife and boy. Carl Heilbron is the major domo of the P.C.A.M. convention in San Diego next July. The town is a natural. And Carl is high mogul of the Chamber of Commerce. That, plus the frequent visits which Caryl Fleming will make to help shape things up, should make it a convention which

THE LITTLE MAGIC MAN

will rival the best of the P.C.A.M. has had. Peter Godfrey, who is currently appearing with David Niven in the picture Raffles, was recently married to one of the Southland's most charming ladies. Godfrey is a popular Los Magicos member. The last letter received before going to press was from Bob Nelson of the Nelson Enterprises. Bob and I think alike along the lines of real value in mystery entertainment ana I'm happy to see the advance of thought in the direction of pseudo psychic endeavor. REVIEW The Linking Ring—December: A galaxy of trix, with some ideas for seasonable magic by that clever fellow. Ovett's wrinkle with the Cut and Restored String is so simple—but good. More wacky wizardry by Stewart James and all the regular columnists hold forth in this Christmas issue. Dillenbeck drools all over the place, as usual. by Al-Fagaly

GENII

SEPTEMVIRI IN O N E " Please send all material for review to B. W., 170 Franklin Street, Buffalo, Ne w York. by BOB WEILL

TRIX STERLING Pop Silks, $2.00—Four silks, or three silks and one bouquet will "pop" out of a sheet of newspaper prepared according' to these instructions. Done with any newspaper (after it's prepared, of course, very simply) and you get a sample to show you how, plus a bouquet of spring flowers. CHANIN J. C. Climax Envelope Mystery, 12 sets $1.00—You have your choice of two methods of finding' a torn and restored card in a nest of seven envelopes, with and without switching sets. Has good comedy possibilities which, I think, would be spoiled by sealing- and nesting the envelopes in front of the spex. J. C. Visible Coin Vanish, $1.00— Looks like sleight of hand—so much so, many refused to buy the gimmick. Looks good, if you do coins. NATIONAL MAGIC CO. Silko Box, $16.50—Jim bought the rights to this at PCAM. It fooled the boys—if that means anything— for a big load is hidden where you would never expect. Still a production box, though. No manipulation— just loading. Linko, $5.00—A cleverly mechanical tray does everything for you except take your bow. ABBOTT Headline Sensation, $25.00—Stewart James broke in this creation at the past Piff Paff Poof and, because of the European War breaking- on the day the prediction was to be opened, garnered plenty of international publicity on it. You can't do this every time you want to work it, but it will create talk and is good for a tie-up. As for method, actually an oldie in a new dress. Does require some misdirection. Checko, $4.50—• Verrall Wass in "Essence", published in 1931, set forth some ideas using checkerboards. It took the boys eight years to realize the entertainment possibilities, with this almost self-working' mystery the result. Chango Paco, $2.00—The Hoo Coin up to date. IRELAND The Funny Hammer, $1.00—Something along the lines of Grady Nicholson's Floating Sledge Hammer. Has many uses as "biz" in routines. Great for kid shows. HOLDEN Hugard's Paper Tearing, 5 sets January, 1940

SI.00—Especially appropriate for this time of year with a New Year greeting-. Simple, obvious and all that— yet it wows them. This is one they talk about—and that means dates! The Magic Funnel, $2.00—This venerable old prop is still so, so good. Overlook by many, but one of the biggest laffs you can put in your show. Sure fire if you use The Human Pump routine in Chap's Scrap book for September, 1938. BOOX AND STUFF A Magician in The House, by Sid Lorraine—51 pages, printed, $2.00— Many will be disappointed, I suppose, because the magic outlined is elementary. However, the play's the thing, for this is essentially a timetested radically different presentation for a magician. Sid has endeavored to weave continuity through a magical mise en scene, helped no end by not one but two running gags. Worth twenty times its price to a thinkingmagus—one who is not afraid to study and improve his presentation. The idea set forth here is well worth following- and revising to one's own needs and mode. Modern Magic Manual, by Jean Hugard—345 pages, printed, $3.50— According to S. A. M. standards this is not an exposure, since it is priced above one dollar. Maybe that is why the following- appeared in an ad for the book in the New York Times Book Review Section of Dec. 3: "Acclaimed by officers and members of the Society of American Magicians . . ." Since the works of Professor Hoffman, with the advancing- of civilization, have come not to be looked upon as exposures, probably this latest work, admittedly put out for public consumption, will or should not be considered one. The author obviously drew advantageously upon the various textbooks published over recent years by Max Holden. While nothing- is of too advanced a nature, a good foundation in magical groundwork can be grasped by the serious student as well as some of the boys who have forgotten some of the simple things. Hugard has added a few wrinkles of his own in presentation of various feats—and the work notably covers such branches of the magic art as coins, thimble, eggs, watches, etcetera, chapter by chapter. Copious illustrations enhance a clearly descriptive test. There's something for everyone to learn. MAGS Chap's Scrapbook—November: Mike

Zens' card routine uses old principles and could stand simplification. Ovette's use of the Okito Glass and various pocket items round out the issue. I'm still wondering- what "flash" colored talcum powder is. The Dragon—November: Weigle's Card Counting- Extraordinary is a different slant while his Telepathetic Coincidence is not so original—but still a magi fooler. Cal Evans modernizes the Phantom Card Trick. Karavan does a Pitzkee—.and the rest of the regulars are on deck. The Tops—December: A Miscellaneous Effects Contest gets under way with a variety of miscellany. Loyd Jones starts out as a reviewer and winds up as a phonograph that won't run down. Sid Lorraine sticks his neck out, with mine, because of the Bead Trick. So says Annemann, anyway. The Jinx—No. 68: A card effect on the percentage side; an improved B. W. faked hat; and a modern version of Poko Chink which, to my mind, should be obvious to the audience. No. 69: A spirit cabinet routine for clubs by Stewart James uses some stock and some not so stock ideas for good effect, while Stanyon's version of the Four Aces on the Handkerchief using business cards instead is a cute wrinkle. No. 70: A mental effect, a bit on the lengthy side; a shut 'em up method to perform the old Telephone Code Mindreading gag; and Dunninger's program which will make you gnash your teeth—or go back and read what I said about Sid Lorraine's new book. No. 71: A revised presentation for a poker effect; a cute idea using rough and smooth cards; and a paper tearing stunt which, to my mind, falls a bit short of Hugard's for effectiveness. The S p h i n x — Historically, the Sphinx is up to par with memoirs of Malini and John Nevil Maskelyne. The usual notes and news are on hand, too. The Magic Wand—December: On time in spite of the European holocaust and replete, as usual, with a fine variety of trix and illusions. Orrin's "Rubbish", Peterson's "Gone to His Head" and Hookey Spookems Egg Bag Routine should be of interest for the idea germs they set forth. An encore by Rupert Slater might be made more adaptable for this country, while "Good Night" will undoubtedly be put into programs, Hamley's advertise "blackout" magic, and in this same spirit of things, Prof. Edgar describes a shadowgraphy fake topical for the war. More card, mental and miscellaneous effects and talk round out this "money's worth" publication. Review of Linking Ring on Page 166 Page 167

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Official Organ of the International Society of Junior Magicians. The I.S.J.M. is a growing magical fraternity, with 1700 members on March I, 1939. Membership fee is 25c; dues are $1.00 per year—which includes subscription to the Dragon. We also operate the Magic Rental Library Club—the only practical rental library of magical literature. Hundreds of books available, including the new GREATER M A G I C . Write for particulars, and 24-page list of books available. Address:

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The Independent Magazine of Magic Everv issue sparkling with original tricks and worthwhile articles. Published and MAILED on the first of each month. Price $1.00 per year—Single copies 25c

Abbott's Magic Novelty Co.

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Page 168

Write for prices regarding pictures

of all important

West

Coast magical functions.

GEORGE BAXTER 346l/ 2 N. BENTON W A Y LOS ANGELES, CALIF.

SEN

1940 —

Exceptional Magic! 15 Magic Tricks Free!

THE GHOST WAND—A borrowed handkerchief is suspended by the corners from two clips on a cord. Next a small wooden square with a star trap in center is shown. Square is held in front of the handkerchief, which shows all around it, and your wand is deliberately pushed through the hdk, emerging from the trap. Wand is not collapsible, there is nothing to wear out or replace and wand and board may be examined both before and after the trick. Complete SI.00 EXHIBITION CARD FANS—The third printing of G. Dodson's popular book—15 chapters, 100 photos, the ON LY complete book on card fans $2.00 NEW FOR 1940—Hulse's "No-Skill Three Shell Game". Complete outfit ready to work with full instructions. Within five minutes you can fool 'em with this clever routine. No practice needed. Get it now! It's new $1.50 ULTRA SIMPLEX CARD BOX—With this box the spectator places the card in the box himself, puts the iid on and keeps box in his possession until ready, then removes lid and finds card is changed— and you have the chosen card! 51.00 PASTEBOARD PARADt—Chas. Luedeke's mss of card tricks for those who lack the time for mastering intricate moves $1.00 CHAN-OBAR'S RAINBOW TAPES—Doc Nixon's beautiful burnt and r estored faDe routine. Tapes colored red and green. Fine for stage or oarlor. No switching of tapes, no complicated gimmicks and tapes can be used over and over. Complete 75c NITE-CLUB CARD RISE—At last the perfect card method for the rising cards in the swinging houlette. You can work it close up and entirely surrounded while a spectator holds one of 'the ribbons. Mirror houlette with frosted flower design. Very beautiful outfit and something new in ca^d rising $3.75 SNOOTY PUPS—The magnetic Scotties—cute novelty Pair 25c MODERN PRODUCTION TUBES—A new version of the old organ pipes. Three +ubes, over 4" in dia. and 12" high, are shown empty and articles produced from ALL THREE tubes. No better buy anywhere, and can be performed while entirely surrounded. Finished in black and silver Set $3.50 WE ARE ALWAYS in the market for good used magic of standard make. Hundreds save money by buying our selected used magic. A postcard will bnng our lists and if you have magic to sell, ask for our quotation sheet. It will pay you to investigate.

Specials—While They Lastl HINDU CONES—25c COIN THRU MATCH—25c TRICKY PUPS—35c MAGIC COIN BOX—35c Zanto's Lightweight EGG BAG—Complete Only 50c. Miniature Hindu Flower Growth—Price Postpaid 15c Zanto's "BUDDHA SPEAKS," Novel Card Effect—Price 25c. Zanto's "NOTE IN POCKET"—Clever Spirit Routine—25c. Grant's 5-Star Sequence—Complete, apparatus—$2.00. Prompt Service—Rush Your Orders To

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WHAT ARE WE WAITING FOR LET'S GO Send today for one or more of these sensational groups of magic at prices that should make us both blush with shame. Group No. I—Perfection Mind Reading Act; Single Person Mind Reading Act; The Miracle Slate; and Demon Thought Projection. Directions clear and neatly mimeographed Postpaid 35c Group No.2—Miscellaneous Paper Magic Effects. Torn and Restored Newspaper; Cigarette Paper, Dollar Bill, Paper Napkin; Japanese Confetti trick, also the Camel Through Eye of Needle, and Non-Geometrical Disks. Directions and accessories _ Postpaid 35c Group No. 3—Cara Reading Extraordinary; Spirit Envelope; Spinr Print Card Trick; X Ray Envelope Card Trick; Devil's Message Card Trick; Zodiac Card Trick and Marvelous Memory. Directions and Accessories Postpaid 35c Group No. 4—500 Odd Copies, all different, of The Sphinx, and Unkind Ring. While they last, four ai! different Postpaid 35c

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JULY 1940 Write CARL HEILBRON, Box 88, San Diego, Calif, FOR PARTICULARS

January, 1940

Page 169

ML! Not just one trick, BUT THREE TRICKS IN ONE. Cabinet is about 5x5x12 inches, no front. This cabinet can be used to do a VISIBLE 20th Century hanky effect, also as just a silk PRODUCTION (silks)) or you can do the CUT A N D RESTORED NECKTIE if you so desire. Imagine one piece doing all these effects. All effects can be done with audience on all sides, you do not have to worry about angles. Do not confuse this Cabinet v/ith others that work only sometimes as this one works EVERY time, and is SILENT. Easy to load, easy to do. It should be on your MUST HAVE list. It is a P.M.C. audience tested effect. It's the ONLY trick that was a complete SELL OUT at the New York State Conclave in O c t . Complete with silks

"The outstanding hit of my recent Christmas programs was the Santa Glaus which I used at every show. Actually, it was the remarkable life sized dummy you made for me dressed and properly bearded like old Saint Nick himself. I'm very grateful".

$6.50 Postpaid

GliRALDIN'li COXRAU L.ARSEX

SPECIAL You have seen collapsible Rabbits—Chickens—and We now give you the collapsible

Ducks

BUT—

SKUNK It has a long real fur tail and LOOKS JUST LIKE A SKUNK. It folds very small and is about life size. It has been audience tested and went over with a HOWL every time it was presented. Have someone assist you, tell them to wave their hand over the hat, utter the Magic words and a Bunny will appear, something goes wrong and they get a SKUNK instead. Get this 100% Laff H i t ! Postpaid—51.50

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Detroit, Mich.

POP SILKS—A sheet of newspaper is shown on both sides. A tap of the finger and a silk pops into view. Another tap at ihe same spot and another silk pops into view. A third tap at the same spot and another silk appears. A fourth tap and a bouquet of f'owe r s appears. Can be worked with the audience ail around. No gimmicks. Nothing in the hands. Works automatically. Complete with flowers (no silks), postpaid $2.00. THE SPOOKY CANE—Made especially for those who want a cane that is correctly styled. Breaks in two parts for packinq. Black composition cane with white knob and ferrule. This is the cane that performs acrobatics, floats, turns over, revolves, etc. Complete v/ith illustrated moves, postpaid $5.00. STERLING CUPS AND BALLS—3" x 4" chrome plated. Designed so they can be nested with a large ball between them. Three cups and the Sterling routine postpaid $4.50. Routine alone $1.00, which can be deducted if you purchase the cups later.

Figures for sale by

Ranter's Magic Shop Philadelphia, Pa.

1311 Walnut St.

NU-KOIN POCKET TRICK ! Just out, and one of the fastest sellers we've ever had. Two small blocks of wood. Pass for examination and a small strip of cardboard. Pass that too. A penny placed in the small cut-out in one of the blocks. The cardboard and the other block placed over it. The spectators take the card off themselves and the penny is gone. Everything examined again minutely. THE LAST WORD IN POCKET TRICKS. It's $1.00 with full directions for other tricks worked v/ith the same apparatus. Get one today. You'll carry it everywhere.

NOVEMBER

A N D DECEMBER

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TALK

. . . 25c each.

All back copies 25c and when they reach 5 mos. old, they automatically are 50c everyv/here. Subscription, $2.50 per year. Free sample copy. LANE'S IDEAS N O . 6 75c LANE'S NEW RECORD: Talks like a radio station and introduces YOU as the M A G I C I A N OF THE AIR, and does a real trick for you. Very funny, novel, and extremely interesesting to an audience. Give your full name when ordering. $2.00 complete THE MIRACULOUS DECK: With full mss., giving routine of tricks. Shuffle—let them shuffle, yet you can do impossible effects EASILY $2.00 complete

M A G I C MATCH LIGHTING—Two funny stunts with the match that apparently liqhts itself. Gimmick and illustrated instructions, postpaid 50c. Albenice Card Rise—The most beautiful of all rising cards Performed with people al! around and close up A mirror covered roulette. Postpaid 53.75. Still selling. Hung-Blox postpaid $2 50 Magician's Emblem. Button or pin back $100 Sterling Egg Bag. Postpaid $2 00. Paper Hat or Panties trick, 50c a oozen, postpaid with instructions and potter. Live white Java doves. You pay the postage $3.50 a pair.

Page 170

Frank Lane and Company 5 LITTLE BLDG.

BOSTON, MASS.

(Frank Lane is the originator of the idea using records for MAGICIANS.)

GENII

•

THE GRAND FINALE

A t last! The silk act of to-irforrow is here to-day. The Grand Finale is a book on silk. A complete silk act. This is really magic of to-morrow. Just picture in your mind a magician walking on the floor or stage empty-handed and reaching into the air and producing at the finger-tips a small silk handkerchief. Now the hands are shown empty and at once a dozen silks are produced from the closed hand. Once more hands are shown empty and about 25 yards of colored ribbons are produced from closed hands. Once again the hands are shown empty and the magician next displays one of the small silks just produced and it at once changes into a beautiful 36-inch rainbow silk. Following this five or six more 36-inch silks are magically produced. This allows plenty of room for production from under the silks. Remember these points— As many yards of ribbon may be produced as you

wish and also any number of silks both large and small may be produced. There is a guarantee that goes with each book. Ycu keep the book for five days and if you are not completely satisfied simply return the book and your money will be refunded. This book should sell for much more than we are asking for it, but the price is low in order to place it within the roach of all. Every move is clearly illustrated, and after doing the act a few times you will become perfect at it, as there are nc cumbersome gimmicks used and the act may be done without the use of tables or cKairs. This is absolutely new and not just a lot of ideas, etc , taken from old books. It has taken nc four years to develop this act to the point where anyone can do it without a lot of practice. Just the kind of act you have been waiting for and it may be done under all conditions Price $1.00

YOUR CARD PLEASE

J. C. VISIBLE COIN VANISH

A card Is freely selected from the pack and a ribbon is attached to the back of this card. The card is now cut to the middle of pack and magician pulls on the ribbon and a card mysteriously rises from the pack. This, however, proves to be the wrong card and so the magician has spectator pull ribbon and another card rises. This proves to be the selected card. It is then removed and it is found that the ribbon is attached to it. If you want a knock-out card trick with a real finish, don't fall to get this one. Entirely different from ail other methods. Price, 50c

Four coins are shown fan fashion (just as a fan of cards would be displayed). Corns are now taken one at a time In the other hand where they are saueezed, and vanish—one by one. They actually seem to melt into thin air. And that's magic. No gimmicks used and yet ycu can do it at once regardless whether you do sleight of hana or not as positively no sleights are required. A positive nerve I i ndcr a spot or clcse up. Work this one on any occasion. Price SI.00.

We have had requests to furnish a gimmick such as used in H. T. Brill's trick entitled With a Phone Book and published on page 71 of the November GENII magazine. We are now able to furnish these made up in catalm and will hold 26 slips. With this we include a real knock-out prediction card trick. These must be seerv to be appreciated. Complete, $1.00 Hand marked cards Kenard's Nu Koin (improved}, six beautiful effects .

EIGHT EfiVElOP££ AS£ EWHINEP By SPECTATOR A.st> FOUND EMPTY1 TWEV ARE T l C N SEALEDANP l l t t U TED WITHIN EAC4 OTHCR

NEXT "THE SPECTATOR UWTES HIS 0RMGR NAME ON "THE OUTER ENVELOPE

AN ORDINARY PLftvtHO tftRD IS T H t N "JOHN IN HALf By THE Mfl UC.IAN AND MADE TO VANISH

RESTORED CURD FOUND IN INNERMOST ENVELOPE

$1.50 $ 1.00

CLIMAX ENVELOPE MYSTERY A torn card restored and found in a small envelope that is sealed. This card is only found after soector has ooened up seven other sealed envelopes b e f o r e he comes to the final one. A big laugh for any piacc. Note illustration. Price 12 sets, SI.00.

Magicians Only Ring A special ring for magicians that is odd and attractive and will surely be appreciated. This ring is made of sterling silver and will last a lifetime. There are certain tricks that may be done with the use of this ring that would be almost I m p o s s i b l e without it. This ring will make a very nice present for either a lady or gentleman. Del O Del, Paul Rosini and many other active performers are wearing this ring. See picture of the ring in the illustration showing the shape of it and giving a few ideas of how it may be used. Please remember to send the size ring you wish as these rings are all made up to your special size. I also supply these rings in solid \4K gold and guarantee each and every one on a money back guarantee if not satisfied. Price 14K Gold, $9.00. Sterling Silver, 51.00.

Streamlined Palming Coins. These coins are dollar size and are noiseless in operation. Best coin for manipulation on the market. Made of nickel-silver. We also supply these in the half-dollar size. Prices:

Fifty Cent Size, 10c; Dollar Size, 15c or 2 -for 25c

CHANIN'S MAGIC SHOP Room 711-712 Penfield Bldg. 1328 Chestnut Street Philadelphia, Pa. I'LL FOOL YOU — BUT I'LL NEVER DECEIVE YOU!

MAGIC SHOPS

,

^ 2 2 O WEST 42.Ni> ST., NEW YORK c I T Y . i | | F I2O BOYLSTON ST., BOSTON, MASS. W 117 SOUTH BROAD ST., PHIL ADE LPH IA, PA.

Two T o p - R a n k i n g

F i

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TRANSPOSITION IN REVERSE s a eal lash number of thi, self work ng type Spectator shuff es and g ves you half the deck Each of you pull out 3 card look at t secret y and nsert t r the other fellow s half deck Shuffles are now n order and then the spectator cuts h s port on nto 2 equal parts face up These are placed above and below your face down half deck A f p of the f nge for m sd rect on and all of th*3 cards are fac ng the same way—except of course the two chosen ones Looks I ke a d ff cult sle ght but sn t a sie ght at all Secret only 50c

E r d n a

"Do That Again"

s e

Conceded to have more subtl° deta Is than any other ,vor< of ts k nd we are proud to offe a rev sed vers on of Jack Merl n s exclus ve moves and ref nements Or g nally wr tten left handed t has Deen ent rely re ed ted by Jean Hugard Frankly t s not a book w th wh ch tn^ beg nner can mmed ately work wonders However reasonable pract ce w II master passes s conds bottoms sh ffles and cuts counts cr mps forces garnbl ng moves Many tr cks ar° drta led also deals for poker br dge and p nochle Was $5 now around a 100 page printed book $2 00

Two

Card

SCARNE S THINK A CARD s one of those humanly mposs ble th ngs that takes |ust a b t or do ng From a face up r bbon spread two mental select ons are made For each of them you wr te a pred ct on that s rollea nto a pellet Push ng the pellets before the r respect ve v ct ms t h a latter draw out the r cards and use them to keep n mble f ngers away from the pellets Then the pack s spread face down and you d o a pred ct on for yourself cove ng t also w th a card Needless to say the payoff s terr f c when ored ct ors and cards all agree Dr Daley s presentat on and nstruct ons 50c

In the r new 76 page book Parr sh and We gle g ve ha f a dozen or more complete acts that run from 20 to 30 m nutes ap ece Each act s h ghly spec al zed for mentals ca ds s iks or ropes A summary puts together for you a f ne var ety act In ali there are 35 tr cks 64 I ustrat ons by Hahne t o p off th s marvelous value at $2 00

INFORMATION PLEASE Our recent not ce to profess onals to let us know well n advance of th° r piay ng New York Boston and Ph la delph a dates—so that we could get out cards for tnem— s rnak ng a b g two way h t P ease g a t your nformat on to us as prompt y as poss Die

r o ;t s N u Koin Effects

A pa r of wooden blocks that w I real y eally s+and closest exam nat on an equal y n nocent blank card and a couple of co ns thrs° are your props for a ser es of knock out moves One of the blocks has a shallow well n ts center Here the co ns do van shes changes and all sorts of queer th ngs No mat t° how closely th ngs ar° watched noth ng w I oe caught —for the s mple reason that the g mm ck actual y s nv s ble Over the counter sa es keep us cont nuaily ca! ng for more stock The original KENARD model $1 00 Somewhat mo e arnb t ous s the typp dev sed by the versat e TANNEN A certa n s mple ad d t on enables m n atu e cards to appear Complete $1 00

Silko Box

The Farmer's Daughter A Double-Barreled Sure-Fixer W th all the snap of a smok ng room sto y th s novel comb nat on of s Ik effects sure does go to town Made up spec a! for the patter n the new Bert Douglas book (60c) J mmy G een and Marg e Brown become the G een fam iy A yellow trave I ng sales man does the young groom wrong n a mos suro s nq and h lar ous manne

by D J Calahan

S xteen 27 s Iks or twelve of them plus four large nflated balloons can be produced w th out detect on of the means by people seated w th n a foot or so A th n board forms the top for a butier s table w th X legs of slende tu ned rods a handsomely decorated box s formed by four th n panels laced together so that t h e / may be opened out flat for closest nsoect on Under cover of or g nal load +h requiiedi PRODUCES ANY LIQUIDS: followed by Serpentine, Silks, etc. LEAK-PROOF (The Kinunio is perfectly made in this respect) LARGE CAPACITY (Entire intcilor of caiton utilized) A REAL UTILITY ITEM (You will appieciate its i os,ibilities and Many Uses, the moment you have the appatatus in hand. You receive—A nicely made piece of Apparatus, with Presentation Ideas for NiKht Club Act, for Children's Shows, for an Oriental Act, and a complete Comedy Routine—"The Bartender's Dteam" (Xo Production Articles). SPECIAL INTRODUCTORY PRICE . . . $3.75 (Guaranteed to be I'lactical. Ka.sy-to-Do and Real Value in Masical Apparatus)

Page 199

MAGIC.that's different

PICTURES WITH THE MAGIC TOUCH BY

GEORGE BAXTER Official Genii Photographer

Member of

Los Magicos and Mystic 27 Photos of West Coast Magicians and Hollywood Stars 8x10 Prints 50c 346'/2 N. Ben+on Way

Los Angeles, California

SPECIALTY ENTERTAINMENTS Acrobats, Animals, Automata, Billiards, Calculation, Chapeaugraphy, Character, Chemical Magic, Conjuring, Cryptography, Trick-Cycling, Electrical Tricks, Fortune-Telling, Freaks, Gambling, Ghosts, Handcuffs, Illusions, Juggling, Lightning Sketch, Marionettes, Memory, Mind-Read ing, Optical Illusions, Palmistry, Pantomime, Punch and Judy, Puzzles, Shadows, Sharpers Tricks, Side-Shows, Spirit Tricks, Tattooing, Ventriloguism. CATALOGUES OF TWO THOUSAND ITEMS AND BOOKS Mailed for Ten Cents in American Stamps

100% LAFFHIT! Don't miss out on this NEW item. This folding

Words cannot tell

HOW

SKUNK is as near to the

real

thing as we can get it, it's all there but the odor, that we can do without. JUST

LIKE A

about

life

SKUNK has a long real fur tail and LOOKS REAL SKUNK.

size.

IT HAS

WENT OVER W I T H A SENTED.

It folds

very

BEEN AUDIENCE

HOWL

FLAME-GO The vanishing and reappearing candle flame. The magician lights a candle in a beautiful, colonial holder. Takinq the flame from me candle, he tosses it into the air where it disappears. Reaching into the air for It, he places it back on the candle where it conKnues to burn. May be repeated as often as desired. Fine for many different effects and combinations. No chemicals, electricity, or similar methods Complete, price $3.00 MULTIPLYING MONEY TRAYS A beautiful, composition tray with floral decorations which Is so "ordinary" looking as to be above suspicion. Size 4 Inches by 51/?. May be carried, loaded, in the coat pocket. Produces 3 half d o l lars. Hicthly recommended Price $1.00 Round metal tray decorated in Chinese Red with gold draqon. Produces 5 half dollars Price $1.25 THE C O I N EASEL A handsome, black and silver easel for displaying and vanishing 3 coins. May be freely shown all around at all times. Splendid in combination with the Money Tray—coins vanish from the Easel and appear in a boy's hands Price $3.00 Trial By Fire—A burning pape_r tells the magician the name of the guilty man. Bob WeiII says it's good .Price 50c Mysto-Mysto—A restoration and a penetration all in one. Fine pocket trick using a cord and block. .. . Price 50c

CATALOG FREE with any of the above

STANYON & CO., 76 Solent Road, West Hampstead, London, N.W., 6 (England) Phone: HAM: 0940

it goes over.

IMPROVED SILK TO EGG The magician draws a silk into his hands, changing it into an e g g . Explaining " h o w " it was done, he turns the hoilow egg around and removes the silk. Still "explaining," he pushes the silk into the egg again, but this time, after showing the silk in the egg, he passes his hand over the opening and shows the egg to be solid. To further prove ihe egg to be authentic, he breaks it, emptying the contents into a glass1 Most convincing and simple to d o . Nothing to hide when vanishing the opening. Best of all, impossible as it sounds, there is no exchange of the holiow egq with silk inside for the real e g g ! Contains even more "sucker" situations than the old method. Complete with silk and holiow, celluloid egg Price S t . 5 0 Complete with silk but wiihout hollow egg Price $1.00

small

and

TESTED

is

AND

EVERY TIME IT WAS PRE-

Have someone assist you, tell them to wave their

IIAEXOIEX AND COMPANY Box at 26th and Drexel

Oklahoma City, Okla.

Your ventriloquial figures are all and more than you claim them to be. Never before have I seen such life like figures. I am more than pleased with my new figure just purchased from you and will take extreme pleasure in recommending Petee figures to all Ventriloquists.

hand over the hat and say the M A G I C words and a Bunny will appear, something goes wrong and the SKUNK makes its appearance instead.

It's a knockout for LAFFS.

Remember

—after Feb. 29 the SKUNK will be $2.00 as we stated before. NOW

POSTPAID

For a two card prediction sure-fire card effect.

that is HARD to beat get this easy,

A spectator inserts a reversed card into a mixed deck, any deck used, only to find that the performer has beforehand predicted the cards on each side of the one inserted by the spectator. The spectator has held the prediction from the start. NO SKILL NEEDED. DO IT AT ONCE. Postpaid 50 cents

Page 200

Winnipeg,

Canada.

$1.50

NOW IT'S BROWNIES' IMPOSSIBLE PREDICTION!

RIEDEL

RICHARD HALDANE,

P.M.C. Magic

LEACOCK, PA.

Petee Figures are sold exclusively by

Ranter's Magic Shop 1311 Walnut St. Philadelphia, Pa. Inquiries Promptly Answered

GENII

FUNNY TALK Juts out, 25c. 5 mos, subscription Free sample copy, for a 3 cent stamp.

..$1.00

RAYMONDE'S MAGICAL EFFECTS ARE THE HIT OF EVERY SHOW! Raymonde's Cut-Outs Sensational Opener!

COIN AND BLOCK

You show sheet of f o l d e d paper. Make a few cuts with scissors. Unfold sheet to display beautiful centerpiece design, 36 inches square, with "HELLO POLKS" as illustrated OR YOUR OWN SPEC I A L W 0 R D I N G A knockout * Invariably grets rousing applause. Comes ready folded and stenciled. Packed in sealed envelopes $1.00 doz. With y o u r own special wording.. .$1.25 doz.

Just out. A neat pocket trick. Hand a spectator a small red block. Push a penny over to him, and let him cover the block himself. Cover lifted and penny has changed to dime. Everything examined. The penn/ also will disappear. This is the best pocket trick at the price ! ever saw .50c

CAItDS THE MIRACULOUS DECK, with complete mss. and routines of tricks that follow each other. Shuffle this deck, let THEM shuffle it show them all different yet vou can instantly force a card without pracrice, and do countless tricks //ith ease, that will fool the best of them, and ! mean the BEST of them . . .$2.00 complete

Ever Popular Party Hat Trick

RECORD MO. 2 Get REAL records when y o j want records. Records that MEAN something to you and your audience, records that will astound them as_ well as make them laugh. My No, 2 record is out, and ready. Price is $2.00. When ordering give your full name, as the record has your name in it several times Cary! Fleming, Floyd Thayer, Frank Hinchey Walt Haynes, 8ob Anderson, Curt Gentlee, etc., etc. have all bouqhf this within one month. (Frank Lane is the originator of the idea of using records for MAGICIANS.) CHANIN'S

NEW SILK BOOK, with complete routine 51.00 A good book, a good routine, and A-1 value. Catalogue, 10c. Lists free When you're in Boston, call.

Frank Lane and Company 5 LITTLE BLDG.

BOSTON, MASS.

Tuo sheeU of eoloied tissue .lie torn into piece-,. Presto' Tiamkmned mro cute jmitv Mat with l o e t t e at hide. Easy to do. Self-contained. Complete with VI hat-> leadj to uoik. Supeiioi make, full size hat-, $1.00 doz.

Clever Comedy! Paper Panties Trick Spectator volunfeeis to do paity hat trick. Teais titties, holds to foieliead to concentrate. Untold* impel— tfiuN J'AIMCR I'AXTIEH! Always a liowl! Complete with 12 p.uities and patter $1.00 doz.

New! Sensational Service Hat Trick Torn pieces, oi' t i ^ u e tian^foimed into a blue and gold Seiuce Cap (a l a American Legion*. Star tl ins smpuM\ Compete with 12 twits and pattei $!.00 doz.

Extra Special! Raymonde's Spring Flowers For pioduction fiom paper cone, hat, etc Silk outride leaves. Soft \diiejwtcd colms. l)e 1M\O "Mpimaid B i a n d " Quality $5.00 per 100 Raymondc's Quality Effects are obtainable from YOUR FJfORI'lE DEALER or dhect from us. (Drains: Wiitc for interesting pi oposition.)

RAYMONDE'S MAGIC STUDIO 748 McDonald Avenue

Brooklyn, New York

America's Outstanding Magic Show! HERE IS THE GREAT PROGRAM

Annual Benefit Performance for the B. M. L. Ernst Relief Fund of the Parent Assembly, Society of American Magicians, Heckscher Theater, Feb. 24th, 1940 SOME CHOICE SEATS LEFT

$5 .00 $3 .00 $2 .50 $ 1 .50

Ask Your Favorite Magic Dealer or

Wallace B. Greene TREASURER

511 5th Ave., New York, N. Y.

Advertise in the Program! If you are one of those unfortunates to whom we had to return advertising copy for our last program, BE WARNED . . . space is also strictly limited in this issue. Rates are very low! 74 page . . $6.00, I/2 page . . $11.00, I page . . $20.00. Assemblies, Rings, magicians, magic dealers, all want to be represented in this Program. Get your copy in early. Do it now! Mail to—JULIEN J . PROSKAUER, 148 Lafayette Street, New York, N. Y.

TALENT! February, 1940

While the Show is fairiy well lined up, time has been kept open for top flight magic acts. If you expect to be playing in or about New York, write or contact

SAM MARGULES CHAIRMAN

19 West 31st St.

New York Page 201

Here AT LAST!

THE GRAND FINALE! At Your Fingertips!

T

HE greatest book on silks written in the last century! And I mean it1 I fully believe that I can make this broad statement without fear of contradiction on the part of professional or amateur. This is not |ust a book of silk tricks taken from different books etc., but is a complete Silk Act. The beautiful part of it all is that it is unbelieveably easy to do and requires so little practice that it is not worth thinking about as far as that part is concerned. Just get this effect and remember that it will positively look the same to the magician as it does to the layman And that is saying a lot in any magician's language. The magician shows both hands empty and reaching into space and produces a silk handkerchief at the finger tips. This is then placed into the hand and disappears after it has been produced from the pocket. There is a swell gag a^ this part of the trick that will get you a big laugh. And you don't have to say a thing 1o get this laugh. Next you close your hand and produce from it as many silks as you wish (I use a dozen). Now, after these are produced you show your hand empty again and once more close hand and produce yards upon yards of colored silk ribbon. 25 or 30 yards of ribbon may be produced if desired and the hand again shown empty. Now a few pieces of the ribbon or a small piece of silk that formerly was produced, is given a shake and immediately

YOUR CARD PLEASE A card is freely selected from the pack and a ribbon is attached to the back of this card The card is now cut to the middle of pack and magician pulis on the ribbons and a card mysteriously rises from the pack This however proves to be the wrong card and so the magician has spectator pull j ribbon and another card rises This proves to be the selected ca^d It is then removed and it is found that the ribbon is attached to it If you want a knock out card trick with a real finish, dont fai! to get this one Entirely different from all other methods Price, 50c

changes into a large 36 inch silk.. This is displayed and another 36 inch silk is produced from the thin air, followed by a third and a forth silk of the same size. After producing the last silk a bouquet of flowers and a fish bowl containing live gold fish is produced from under silk, if desired* Remember that this routine is so constructed that even this part is extremely easy. This is all I can say for this beautiful act and I don't think I have to say any more outside of these few points, that I want you to remember. 1. Anything used in this act the magician already has. 2. I guarantee you will be more than pleased with it or your money back. 3. That it will fool magicians and laymen alike. 4. This is a five dollar book for the price of a dollar and a million dollar act that will be sure to get the money. 5 No pockets or double silks used. Every silk is |ust a regular silk. The same applys to the ribbons

This book can be bought from the follotving dealers: Holden's Abbott's Frank Lane Berg Rice Thayer Marshal Rullman Sterling Ireland Wilson Davenport Stanyon

HISTORY OF BUFFALO NICKEL The performer borrows a nickel and places it in the open hand of the spectator After a few words patter about Indians and buffalos n this country years ago the performer picks up the nickel and all of a sudden the spectator finds his hand ail wet Get it? Maybe the buffalo helpea 1 Well it d i d We can t teli you the exact line of patter to use with this laugh provoking gag in our advertisement as this would be giving it all away and you know that w o u l d n t be lust the thing to do However after you get this one you will be more than pleased with it and more than qlad we d i d not tell you the secret and patter in our advertisement Oh yes1 You get the gimmick and all that you need t o do the trick and we know you will not part with it A good number for that wise guy found in all audiences and one that will be remembered You d o n t have to be a magician h o do this one Fift-y dollars worth of laughs for Price, 50c

CHAMIN'S MAGIC SHOP Room 711-712 Penfield Bldg. 1328 Chestnut Street Philadelphia, Pa. I'LL FOOL YOU - BUT I'LL NEVER DECEIVE YOU! Page 202

SEN

THREE SENSATIONAL & HIT TRICKS BY ALBENICE The Hit Tricks Used by Albenice in His Smart Nite-Club Act and Created a Sensation at the Recent January S. A. M. Ladies Night Show in New York City Xo.

1—

ALBENICE SERPENT SILK A 27 Rainbow Silk is picked up or taken out of pocket and tied in a knot with lower end hanging down N O W v/ithout either hand or fingers or arrrii moving the lower end of silk |umps up TO knot then glides through the knot and straightens ou* in a 'lash THIS C A N BE WORKED RIGHT UP CLOSE NO D A N G L I N G THREADS TO SHOW NOTHING ATTACHED TO BODY HANDS ETC N O T H I N G TO PULL OR BOTHER WITH ENTIRELY AUTOMATIC Price $10.00. Sold in signed and sealed box

Eli* No. 2—

ALBENICE NITE-CLUB CARD RISE Three selected cards are shuffled back in deck that is dropped in a houlette type of box covered with mirrors and frosted flower design Houlette is suspended by two nbbons one held by spectator and other by magician and as houlette is swung back and forth the cards rise slowly out of deck YOU can work this right up close and surrounded without assistants Highly lauded by Caryl Flem ing Dr Bulson Bob Anderson F S Thayer Kanter Sterling etc etc Price $3.75

ALBENOCE'S

AIOTE GLOB Mil

Xo.

:t—

ARABIAN BEAD TRICK By ALBENICE This trick is creating a sensation and gaining in popularity every day String of white beads re moved from girls neck and clip cut oft the end and the beads cascade down into unprepared glass leaving empty string in hand this is placed in mouth and beads poured in mouth then pulled out of mouth completely restrung Only one string beads used Self contained and very pretty Price $1.50.

THE ABOVE CAN BE PURCHASED FROM YOUR FAVORITE DEALER Or Direct From

U. F. GRANT P. O. Box, 254 Sta. G

NEW YORK CITY

MAX

HOLDEN'S

MAGIC SHOPS

/

k 22O WEST 4aND ST., NEW YORK CITY. J § f F I2O BOYLSTON ST., BOSTON, MASS. W 117 SOUTH BROAD ST., PHILADELPHIA, PA.

"$400 a week . . . from just one chapter A well au^henf caAed report from a sk Ned performer in a r a around New v o r k is our source ror the above quotation Fre quently th s figure s exceeded by 25% An equally rehaole message from Boston tells of similar earnings there Which chao 7 ler is i t Hon^stl^ we are duty bound not t o te 11 8ut an\ chapter in Jean Huqard s revis on of Jack Merlin s masterpiece on manipulative moves should turn the tnck in capable hancs Into 90 printed pages are crammed all of the subtleties of the original $5 manuscr pt—oasses seconds botoms shuffles cuts counts crimps forces gambl ng rout nes Differ ng from prac I" cally all other works are the sequences not only for poker bj 4 " bndqe and p nochle as well A reai must f o r all card men $2 00

A Quick Trip Thru Magic's Latest Guide Book Like a bound volume of The what s new sec tions of all the magical rr agazmes for the past 10 years is the iust issued Hoiden No 7 Catalog Unlike Ahe publicat ons Ihough aii of our listed items are the kind that have actually retained their freshness as proven by carefully kept sales records your most trustworthy ndication that ihe vital spark of Maqic itself surpasses all secrets and mechanical details Frankly not the largest BOOK of its kind ever issued its size (164 pages) has been determ ned from exper ence—something"^-the size of a Sears Roebuck would profit you not at ail No puzzles no okes iust 100% Magic

Reliable Standard Supplies Familiarity with ones equipment to the extent that its handling becomes second nature is one of the soundest foundations for perfect performances In 25 or more departmentalized sections you w II find gimmicks cards s 1 ks paper products and a hundred and one other items that may need re piacinq from time to time You want to be sure that the new articles will have the same old familiar feel Our close watch on standardizat on takes care of this angle

Do That Again gives 76 pages of the very finest by Parnsn and We gle Instructions aown to the very last detail cover f o t r special zed routines on silks cards mentals ropes and comb na tions—for only 2 00

b a n g . . . BANG... that's Biltrix in Action With the usual Berland g t up and git here s ("he d sclosure of novei principles n paper money magic Price $1 00 The Grand Finale Jack Chamn A very clever Dook on a silk act and highly recommended SI 00 Modern Magic Manual Jean Hugard S3 50 1 Your Card Please A clever card effect by Chanm 50c Magicians Gold Ring $9 00

Zingone's Popular Records

Take silks for nstance Every bolt of fabric is examm^d before acceptance no seconds can o° dealt here1 Hemminq is done with s Ik thread that takes the dyes perfectly Colors available Without spec al order encompass the rainbow— and may be re ordered with assurance of match

No longer need you stop to think up something when they say Do us a new car dtr ck1 As a matter of fact 3 double faced phonograph d scs do all of the patter for you Each of the 6 trek s complete in itself and the printed d rec t o n s are easy t o follow Packed in a substant al alourn S3 00

Apparatus and Books

Biggest 50c Buys In Years

In addition to the sections noted above a num ber of others are devoted to effects assoc ated w th famous mag cal personalities In metal wood glass e+c the workmanshiD s always such as to bear r g d guarantee The final section is closely packed with boo. .-. * Magic collectors will want the Roto section of the New York Times, Sunday issue, March 10, 1940. Half page of Old Timers. Claude D. Noble, Detroit magician, failed to contact the 'spirit' of Clarence Darrow during an open-air seance held in Chicago, attended by close friends and relatives of Mr. Darrow including his widow. (United Press, March 13.) *

x

-i<

(About 1570) Triscalinus, who, in the presence of Charles the Ninth, King of France, and divers others, caused the several LINKS of a gold CHAIN of a certain nobleman, that stood a good distance off, to fly, as it were, one by one, into his hand, and yet, by and by, the chain was found whole and entire. (Disquisitiones Magicae, Pg. 42.) —E. S.

TITLE CONTEST WINNERS FIRST PRIZE "AT LAST! WE WENT OVER WITH A BANG!" THOMAS LIBONATI, 6210 N. Rockwell St. Chicago, Illinois.

SECOND PRIZE 'Mable, I guess that's NOT how to do the blindfold drive!" SID FLEISCHMAN, 4485 Hamilton St., San Diego, Caiif.

THIRD PRIZE "THE DOUBLE LIFT" H. P. WHITE, 143-04 Cherry Ave., Flushing, New York.

Watch for New Cartoon Contest Next Month April, 1940

OTHER TITLES RECEIVED

"Levitation Supreme." "No visible means of support." "The magi levitates himself as well as his assistant." "A Bang-up Performance." "A Bang-up Levitation." "Polar Exposition." "Riding High." "Abracadabra." "Stars in the Sky." "Hi-Ho Fliver!" "Confusion. Eh?" "Raisin' Jack N'EII." "Magician Goes to Town." "Presto Does His Bang-up Trick." "You're a magician—produce a parachute!" "Eternally Yours." "I dropped my thumb tip! What will the expose committee say?" "Presto—the Escape Artist." "I'd like to see Houdini get out of this one!'

Page 255

ANTER'S OMMENTS

way to Reading, Pa. to play a Night Club; Jei-ry Windinfield from London; Geo. Anderson, Pittsburgh; and Raymond Scheetz, just returned from a tour. "THEY ALL MEET AT RANTER'S."

Portland Presidigitations

Mickey MacDougall appeared on by HUGH RILEY the Ripley Program, March 15th, in a dramatization of the way MacThe writer of this column now beDougall caught the card cheats in gins his third assignment of covering New York City. Mickey recently the happenings of magic in the complayed here and the committee in munity wherein he resides. It began charge voted him as the most enter- a few years ago with the Wizard Club taining performer they have ever had. of Chicago, Illinois, and followed with Think-A-Drink Hoffman, featured act Justo Hi jo Jottings from Des Moines, with the "Streets of Paris" show, Iowa. Now Portland Prestidigitations. played here for three weeks. When The Portland Society of Magicians any magician plays in town and does recently reorganized, and a new Conan outstanding effect, we receive stitution was adopted. Election of offiorders for same—but never have we cers was held with the following rereceived as many inquiries as we sults: President, Jimmy Stoppard; have on the bar act. First Vice-President, Dennis TomlinPaul Fleming jumped all the way son; Second Vice-President, Clarence to Flint, Michigan, for a single en- Talbot; Treasurer, Dan Kelly; Corgagement. Word from Paul Rosini responding Secretary, Hugh Riley. that he is now in San Francisco, Cal. Charter members of the new orAn act calling himself Walter Wal- ganization are Wm. Bishop, James ters, Ventriloquist, is playing in Borin, Wm. Cole, Tom Connor, Jay town. He is the son of the well- Gore, Stan Greer, Leo Hartstien, known act by the same name. Ken James Hawkins, Dan Kelly, Tom Scott, who hails from Paris, France, Prideaux, Virchand Rayner, Chandler has been booked in Hollywood hotels. Stevens, Jimmy Stoppard, Clarence A new publication, "12 Tricks With Talbot, Dennis Tomlinson, Bill Wata Borrowed Deck" by Martin Gard- ters, Bert Warring, and the writer. ner; a very good book for which I Activity in the new club is already predict huge sales. So far I would well underway. A Club Library has call it the best book of the year. been set up, and members may loan Paul Rosini wrote the introduction books for the use of the club, and which proves its value. B'ill Brooks, further a number of books will be purlocal boy, is with a unit show in Dechased from time to time with funds troit, Mich.; he bills himself as "The Tramp Magician." Hal Haviland in from the club treasury. First book to town filling engagements. Fred Rob- be purchased was John Booth's "Forgison here on a visit tells me that he ing Ahead in Magic." Plans are now being formulated to just caught the Will Rock show and liked it a lot; in fact he said it was stage a Magic Revue at one of the one of the best shows he had seen larger Portland theatres. in a long time. Chas. Carrer, playing at the CarSEATTLE ELECTION man Theatre two weeks. Lu Brent Congratulations to the Seattle Magic while appearing upstate, received a lot of favorable publicity in the press. Ring on the ambitious plans for their Paul Duke just opened at the ace Annual Ladies' Night B'anquet and Nite Spot here in town. Harry Show of April 6th at the New WashSchilling writes from Miami, Fla. ington Hotel in Seattle. Congratulations also to the new Russell Swann mailed me his new folders, as did Hardeen, J. Elder President Myrl Hickerson and his Blackledge, Will Rock and MacDon- supporting officers. Seattle has always evidenced much ald Birch. From London, Chris Charlton writes and praises our new magical activity, and Genii wishes it catalog, and promises to see us soon. continued success and greater accomJimmy Sanders from Nashville, plishments than ever before. Tenn., in town and a daily visitor. Others who recently dropped in were DID YOU KNOW THAT Walter Gibson (Maxwell Grant) writer of the "Shadow Stories"; John Booth has entered a UniverJack Montez who plays Atlantic City sity in preparation for study of the all year round; Christopher on his Ministry? Page 256

Detroit News by HAROLD STERLING

Magic interest at high pitch in Detroit these days. From fifteen to eighteen professional magicians working more or less steady. Dr. Charles Hoffman due here with the Streets of Paris revue. Last month a general get together for all magicians in this vicinity was held at the Polish Century Club. This was Harry Cecil's idea and it was such a success that it was decided to hold one of these every month. All magicians that are over this way on the last Sunday of the month should make an effort, to attend. It starts at 3 P.M. and runs far into the night. This is not a club, no officers, no dues, just a social get together. The Society of Detroit Magicians are holding their annual banquet on April 6. Each year around 200 attend this banquet and a good time is always had. Carl-Lyle is still working around Detroit and has been made a member of the N.A.C.L. Leo Liepsig now carries 63 pocket tricks having recently added Will De Seive's new Purse trick. In Chicago I always enjoyed the gatherings at De Lazon's. Now in Detroit we have the same set up with the gang gathering at the Bungalow restaurant. So far our meetings are just on Saturdays at 11 P.M. Here you will generally find Al Tabor, George Brown (Windsor) Mystic Glass, Del Raymond, Charles Samarjian (Phoenix Pub. Co.), Stanley Noxon, W. C. Smith, Robert Hauk, Harold Sterling and any visiting magicians that happen to be in town. The ladies attend also. Howard Huntington recently played some schools around Detroit. A real magician and well liked. I tried to return some of the hospitality shown me when I used to make an annual trip to play Omaha; his home. Tibor Toth, the minister magician now has a large church in Detroit and quite interested in magic again, in fact he has joined the N.A.C.L. Card and letters received from Joe Ovette, Les Hunt, Evans Brown, Al DeLarge, Joe Franklin and others. Professional magicians! Let me know if you are coming this way.

INDEX for Vol. 3—25 cents for Vol. 2—25 cents; for Vol. 1—50 cents Genii Indices Vols. 1-2-3—$1.00

GENII

CHAP'S CORNER

But everything he tried went wrong 'Till Jack Spratt put him wise.

by FRANK CHAPMAN

He boomed it in a dozen ways; Then, to his aggravation, He found the ones he sought to reach Were "on another station".

I HAVE BEEN ASKED . . . to tell you something about 1 advertising . . . "Tell them something about advertising, old fellow", said my magical neighbor across the street, as he laughed heartily at the idea . . . "But keep it light—and clean," he added, still laughing heartily . . . And so I decided . . . to slip my usual bit of poetic flimsy-flumsy . . . into the space next in line . . . instead of at the head of the column. A famous magician named Blatz, Pulled rabbits and doves out of hats; But his neatest manoeuvre (With SHELL SPOT REMOVER) Was knockin' th' spots off his spats. BUT . . . sez you . . . What has that piffle-paffle to do with the subject at hand ? . . . Will you tell me that ? . . . sez you . . . To which I naively reply . . . They called him a clumsy young scholar, And awkward from top-knot to brogans; In class he stood high And this is the why—< Nobody could touch him on slogans. ALL OP WHICH . . . finally brings us around to this point . . . Or is it a point? . . . I wouldn't be sure . . . Nevertheless—here it is . . . whatever it is . . . I've been successful (perhaps I should stop right there) . . . in using advertising in magic—and magic in advertising . . . and I don't believe that it's necessary . . . to resort to exposures . . . in selling your product . . . On the contrary . . . I find, from o' man experience, . . . that magic—in the commercial field—is . . . just as in the professional field . . . far, far more effective . . . when the mystery—remains a mystery . . . And I've tried it both ways . . . (Which admission may result in my immediate suspen^ sion from the handiest gallows) . . . It could even result in my immediate suspension from the handiest magic club—except that I belong to none . . . (Voice from th' wings: "They won't admit him." Voice from th' other wings: "Yeah. Imagine that. Huh!") . . . Anyway, it's a fact . . . Both my non-membership (Which I'm not boasting of) and my non-exposure experience . . . So take it for what it's worth . . . this tip on non-exposures . . . and you'll find it much more profiable—in the finale. WHICH REMINDS ME . . . of another little flubby-jubby . . . which goes like this: Simple Simon had a mys'try For to advertise, April, l°40

Jack Spratt said, "Try my angle, kid, And business won't be lean-i. You'll find that all the magi know "Is what they read in—GENII." DO YOU AGREE? . . . Nobody ever saw a cinema abouu an advertising man. (Maybe there was one once, but I'll bet it didn't make any money.)

Northern California Comments by BOB STULL

Word comes to hand that San Diego is putting on a convention this year. Carl Heilbron, the moving spirit, has submitted several forms and plans and you'll be surprised at what is being offered and at the very reasonable prices. Looks like Caryl Fleming, the old Maestro, has been offering some of his good advice. The Oakland Magic Circle had one of their shows last night and pulled in a house of over eight hundred people. The smart crack of the evening (to the magis present) was the heckler in the audience that told Lloyd Jones off. When asked what he was doing the heckler replied "Reviewing1 the show and my name is Fitzkee." There must have been some stooging going on. A recent well known San Francisco columnist featured a story of an honest man that found a wallet with several hundred dollars in it, which he immediately returned intact to the owner. Believe it or else —the finder was our own Ray Gamble, who happened to be visiting in town for a few days. Steel man Russ Walsh here on business. Jack Gwynne at the Golden Gate for four weeks and Paul Rosini for four more weeks at the Bal Tabarin, so we're really having some magic up here. Russ showed us pictures and told about seeing that levitation that is done right at your table. No foolin' it really is true, you skeptics.

Los Magicos Legerdemain by RUDY MILLER

The regular meeting of Los Magicos was held Monday evening, February 26, 1940, at the Thayer Studio of Magic. Floyd Thayer was our host. We had a wonderful show and a wonderful evening. Caryl Flemingacted as supervisor and took pictures of the entire proceedings, and was ably assisted by Dick Wilcox and Victor Trask. L. 0. Gunn acted as M.C.'d and performed the "Wine-to-Water" trick. He then introduced Gerald Kosky and Bert Kalmar who both performed well, not being the least bit camera shy. Harry Mendoza was then introduced and he did the cups and balls trick in a pleasing manner and M.C.'d the rest of the show. Maldo, a wonderful magician, then performed and was a little nervous performing before so many distinguished magicians, as the entire roster of the Intex1national Magicians show was on hand to attend the activities. However, later on in the evening Maldo showed us quite a few new wrinkles with a 6 card routine. He does it so well he even fools magicians. Harry Usher kidded and fooled everybody when they thought he was going to do the needle 1threading trick and after swallowing needles and thread he produced about three dozen razor blades threaded. Matt Martin then performed some nifty card manipulations. Floyd Thayer, our host, opened full stage and did an old trick which was very well received, and then to top it off, performed a new ones. Jimmy Muir and his gags had everybody in stitches. Dick Wilcox and Victor Trask then showed that they knew how to perform before a camera. Grady Nicholson, one of our guests, showed us what can be done with a couple of poker chips and some borrowed coins. Jim Sherman's imitations of a sideshow barker were very well received. The way Jim ad libs shows he is a real artist. Caryl Fleming produced a skunk out of a hat and everybody ran for cover—it was that good an imitation—that is, the skunk looked like a real skunk. Hubert Brill then performed a card trick and the inimitable Bert Allerton, who always amazes, amazed us once more. A repast of chicken, fruit salad, hot rolls and butter and home-made creamed pineapple pie was then served. Had to miss Los Magicos meeting at Bill Larsen's March 11th because I was on my honeymoon. I hear it was a swell meeting and the new knotty pine Genii room was well initiated. Page 257

CHICAGO NOTES

dy" and Mayor Kelly is- talking about disenfranchising him.

by LES SHOLTY at the invitation of George Troseth

Dear George: It was a great compliment to be asked to write your column this month, but George, it was a severe shock to be expected to do something "refreshingly different." But here are some notes of a roving guest writer— OFF THE CUFF —youi idea for a masthead for "Chicago Notes" is swell. I'll have it made up ready for next issue. Boiling Owl Department. I'm mad! Make a note to boycott the night spots that hustle supper business while the floor-show is on. At least start a whispering campaign against this depreciation of talent and annoyance to guests. Why doesn't somebody "beef" to the manager? It is the last gasp of vaudeville when theatres such as the Chicago let big-time acts like Gali-Gali go on stag'e without introduction or announcement? A lot of acts that rate top-billing have been getting this brush-off lately.

. . . Bert Allerton's trip back East is something bright to anticipate— says he will take some dates—hopeahopeahope! Bert is doing miracles these days. Ask Blackstorie. . . . Funniest gag. Bert Kalmar'a stoiy about squelching the jittery back-seat driver by lifting off the steering wheel and handing it to him while doing sixty. The steering apparatus was gimmicked to be operated by the knees independently of the steering wheel. Your obedient servant, LES SHOLTY, who has inflicted this on the readers of GENII through courtesy of GEORGE TROSETH, your regular correspondent.

News from Poona, India by DR. K. B. LELE

I am glad to inform you that I have recently started a magic class for the junior students of the N. M. V. High School situated close to my . . . The guys who try to imitate Car- residence. This High School is attended by 2100 boys and stands first dini—and those who think they do. among the schools of this type in Poona. The present Superintendent . . . The fellow who belittles the work Prof. Naralkar is keen on teaching of another magician, then cops his his students several other subjects intricks. cluding magic besides their regular school lessons. LIFE'S TRAGEDIES Just before the last Xmas, the . . . Not being able to double-talk school held its social gathering in like Jim Sherman, crack wise like which magic was one of the items of Jack Herbert or M.C. like Dorny. entertainment. Some of the important tricks shown by the boys were: An. . . Missing Bill and Gerry La/rsen neman's political trick, water to col" while in the glorious land of sunshine, ored inks, the spelling trick, silks flowers and hokum — and it wasn't from a burnt paper, magical rope that we all didn't try to get together. knots, and release from a rope with the wrists tied. By way of quick comedy, I pro. . . Worrying through the lingo of an Italian barber as he told about duced 3 eggs from a student's mouth, the Great Bosco's getting shot for then passed my 14 inch solid wand performing magic while said barber into his throat and immediately pulled out a long paper ribbon from his was shaving your correspondent. mouth. All this took place in less . . . Fun at the coming double-fea- than a minute and a half! By way of a genuine hypnotic effect ture magic bill. First, the S.A.M. Convention at Chicago on June 14, 15, 16; I made a boy rigid and placed him then the I.B.M. Convention at Daven- horizontally on his head and heels beport, Iow,a, 170 miles west on June tween two chairs with two other boys 19, 20, 21. New shows, new gags, new standing on his body. laughs at both . . . The latest souvenir book from the Society of American Magicians has John Blown Cook has taken over given us a stronger impetous to the chairmanship of S.A.M. Convention. study of this ever fascinating art of Your correspondent has been running modern magic. hither and yon making- hay for his I read the "Genii" with greatest clients (and fees for himself) till the pleasure and wait for its arrival every railroads and airlines call him "Dad- month. Page 258

From Wisconsin by WALTER THE MAGICIAN 63 Sterling Street Oshkosh, Wisconsin

March came in like a lamb so I suppose according to tradition it will have to go out like a lion. Much snow still left here in Wisconsin and we are experiencing quite a cold snap at the present time. Received a souvenir program of the S. A. M. show held at the Hecksher Theatre in New York, it is very fine and I am g'lad to add this to my collection. Mike Zens of Kenosha, inventor of many card tricks has been confined to his home for the past month and a half with a serious eye ailment, however I hear that he is somewhat improved. Frank Kroner has been able to take a short walk after having been in with a heart attack since November. Genii seems to be getting better and better every month. Jack Curtis performed for the Lions Club at the Hotel Whiting March 14th. I was fortunate to be able to catch Loring Campbell's show at the Merrill Junior High School, it was my first chance to see Campbell in action, and he was everything that I had heard and read about. A nice magician and gives one swell show. Regardless of what everybody thinks and writes of exposing magic, it is going to continue just so long as some magicians can make more money out of exposing then they can by giving a magical performance. Yet by the same token, every magician who is sincere will work for the betterment of magic; more new tricks will be invented, more new ideas brought out and magic will go on forever. Dr. C. H. Feasler in his busy life finds the time to give a magical performance ever so often. Carl Flom and Romie Vetter are busy around Madison. Ben Berger, the magician, with the fastest hands in the world has been working steadily all winter. Mike Zens and Frank Carter have been appointed as a Committee to confer with the Convention Committee at Fond du Lac to arrange full details for the annual Houdini Club Convention that will be held at Fond du Lac next September. I will be able to report more on this next month. The boys from upper Wisconsin who are members of the Houdini Club of Wisconsin all report having had a busy season this winter. Best of luck to you all. GEN I i

Reveal Plans of I.B.M. P.C.A.M. 1940 ConvenConvention tion Committees by DONALD HENDR1CKS, Convention Manager

On June 19, 20 and 21 the largest convention in the 15-year history of the International Brotherhood of Magicians will be held in Davenport, la., marking the first time this important annual meeting- has ever been held west of the Mississippi river. Advance reservations indicate that up to Feb. 28 a total of 108 tickets have been sold with more than 50 hotel rooms reserved. The three public shows will be held in the Davenport Masonic auditorium which seats 2,600 persons. Some 500 of these seats are to be held open for advance reservations for magicians only. The general public will be given a break on an additional 500 and the 1,600 seats which remain will go in June. All reserve seats sell for $1 each. At this time it is possible to reserve blocks near the front and center. All magicians who plan to attend the convention are asked to send in their reservations as soon as possible to insure good seats. Total reservation will cost $4. This includes program, badge, guest cards and one reserve seat for each evening. Extra seats to sell for $1 each. Cash in advance is being accepted and turned over to W. J. Parsons, financial secretary. All reservations should be sent directly to Donald Hendricks, convention manager, box 234, East Moline, Illinois. Cash is not necessary for a reservation. However, due to the fact that I am paying all advance bills each dollar in advance saves me the trouble of spending my own. A record of money taken in and spent is being kept by Mr. Parsons and myself. Public shows will be under the direction of Jim Sherman, Al Saal and myself. Vic Torsberg will have complete charge of the stage. John Snyder, Jr., has charge of all dealer's display space. Thirty-one members of the Davenport Ring No. 11 of the I.B.M. are working on various committees, all planning to make the first ring-sponsored convention of the I.B.M. the best ever held. All communications regarding the convention will be answered at once. Plan now to attend—get in your advance reservation for both hotel rooms and tickets—if you travel through the Quad-cities: Davenport, la., Rock Island, Moline, East Moline or Silvia, 111., before June be sure and stop off for a visit, call me any time. April, 1940

Caryl S. Fleming, Honorary Chairman; Harry G. Shaw, Honorary Secretary; Leo F. Schmitt, Honorary Treasurer; Charles N. Smith, Honorary Historian. HONORARY ADVISORY BOARD Caryl S. Fleming, Dariel Fitzkee James H. Muir, James A. Muller, James A. Sherman, L. O. "Len" Gunn, William Larsen, Gerrie Larsen, Thomas A. Dethlefsen, Robert J. Stull, Leo Schmidt, Harry G. Shaw, also Presidents of all Magic Clubs in California. EXECUTIVE COMMITTEE AND FINANCE Carl H. Heilbron, General Chairman; C. W. Fait, First Vice-Chairman; N. L. "Mike" Hazelip, Second Vice-Chairman; Ernest W. Dort, Third Vice-Chairman; Benjamin O. Lacey, Secretary-Treasurer. A Day in Old Mexico—Ezra Domnitz, Chairman. "The Get Together" — Ernest W. Dort, Chairman. Magicians Only Show—Chester Rice, Chairman. The Big Show—C. W. Fait, Chairman Dinner Dance—Carl H. Heilbron, Chairman. Post Convention Activities — Ernest W. Dort, Chairman. Contests and Prizes—N. L. "Mike" Hazelip, Chairman. Publicity—Edwin Goodwin, Chairman. Dealer's Displays — Sven Linquist, Chairman. Program—Ezra Domnitz, Chairman. Official Photographer—James Gamble, Chairman. General Reception — Benjamin O. Lacey, Chairman. Ladies' Reception and Entertainment —Mrs. Alice M. Lacey, Chairman.

Keep in Mind the S. A. M. Convention June 14-15-16 at Chicago, 111.

P. C. A. M. Convention News From CARL H. HEILBRON

From the viewpoint of our brother magicians, the most important feature of our 1940 P. C. A. M. convention in San Diego July 21-27 will be the competitive contests. These contests have been set for Tuesday afternoon July 23. We are glad to announce that beautiful semiparchment certificates of merit, suitable for framing and certificates in card-case sizes will be awarded for first, second and third place. In addition to these mementos, there will be the usual perpetual and special cups and other valuable prizes. The competition for the prize contest will be judged on the following classes: 1. Best card trick. 2. Best effect with cigars or cigarettes. 3. Best silk effect. , 4. Best work with thimbles. j 5. Best rope effect. 6. Best coin trick. 7. Best mental or spiritual effect. 8. Best pocket trick. 9. Best work with balls. 10. Best trick with small animals. 11. Best trick with liquids. 12. The most original, novel or humorous presentation of a standard effect. 13. Best ventriloquist act. 14. Best manipulation of any article. 15. Best miscellaneous magic. 16. Best original trick, not classified above. 17. Best stage effect. Meanwhile, plans for the rest of the convention are being rounded out in fine shape. Meetings are being held regularly of the convention committees. The tentative program calls for a "Day in Old Mexico" on Sunday, July 21; the big "Get Together" with Spanish entertainment, food and dancing on Monday; the competitive contests and the Magicians Only show on Tuesday; the "Big Show" on Wednesday and the annual dinner-dance on Thursday, with Friday being left open for sight-seeing trips, fishing, etc. On Saturday and Sunday, Los Magicos has invited all convention registrants to a real party in Hollywood. I'll be seeing you at the SAN DIEGO CONVENTION. Page 259

Genii Speaks (Continued from Page 242)

THE Thrifty Program is getting better, now that Brill is off the air. * * * THE Question of the month is— who laid the egg in Allerton's pocket. Some say Fitzkee, others say Jack Gwynn, but I say Christensen, the louse! * * * NOW that Slip Madigan is looking for a coaching job, maybe Dante can get him to take over his football team at the Dante College of Magic. I hope I'm playing tackle when they meet with the Tarbell boys. AL Pring'Ie was quite embarrassed when he found out the Amazo card trick he was selling was copyrighted by someone else. Don't worry, All that has been done before. * * * TO see Russ Walsh at a Los Magicos meeting is quite a treat. I have always deemed it a great pleasure to know a fellow like Russ. He must know a lot of dirt about the gang in and around Chicago, but he won't give a bit. * * * DID you know that— Fred Kapp is an expert at badminton. Dariel Fitzkee is a magician. Jimmy Muir is a commedian. Doc Levi enjoys singing the oldest songs. Maldo and Sally Rand are doing alright in Mexico. But who couldn't do alright with Sally Rand. Chester Morris is back from a very successful P.A. tour with a lot of new tricks, and I do mean trick. * * * THE next Los Magicos meeting will be at Flemings. All those planning to attend, don't bother to call Caryl. Just come on over. APRIL FOOL. * * * THE laugh of the month was when the two boys from Connecticut (not too good with cards) were trying to show Bert Allerton card tricks. Just imagine anyone trying to show Bert card tricks. 'A-

-Y- -V-

SO until next month with eggs in your pockets, I remain, Ribbingly yours, C. T. Page 260

you who want some new close-up items to spring on your friends who are tiring of card tricks. Abbott's Miriclsphere, by Bob Neller, fooled me when I first saw Bob do it at a S.A.M. meeting about a year ago. No question about it, the ball just seems ta melt away. Last month Frank Stratton reviewed "—And a Pack of Cards," the revised Merlin book published recently by Max Holden. I vouch for everything Frank wrote. No real card man will miss its worthy pages. Last night I re-read the 1938-1939 Hugard Annual of Magic. An idea is set forth on page 13 regarding the glass frame penetration which, standing all by itself, is worth the price of the book to any magician who owns the apparatus. I hope Hugard writes, and Max Holden publishes, another Annual this year. Despite the thoughts of my very good friend, Eddie Clever, I still regard Jean Hugard as one of the finest writers magic has ever had. On page 173 of Kanter's excellent new catalog I find the Chamber's Spirit Ball advertised. I am wondering what sale this apparatus is having-? To me it's one of the best tricks offered in recent years. I have been using mine continually with excellent results. The Kanter catalog, which is now in its second edition, is a veritable encyclopedia of all that is good in magic. Two bits will bring you a copy and you can't afford to be without it. Floyd Thayer is making up "The Pig Turns Round" according- to my own specifications. Naturally I am delighted with it and can honestly say that I have never left it out of a program during all of the past two years. June 14th, 15th and 16th will witness the S.A.M. convention at the Hotel Morrison in Chicago. This gathering of the members of the nation's oldest magical society promises to surpass all previous efforts. Complete harmony exists within the ranks. Good times and plenty of magic will abound. This affair will be closely followed by the I.B.M. convention in Davenport, June 18th to 21st, inclusive. I sat in meeting last year with Don Hendricks and added my mite by voting for Davenport at the conclave city. We'll be at both gatherings if humanly possible. Later, July 21st to 25th, inclusive, comes our own P.C.A.M. round-up at San Diego. With Magician Carl Heilbron in the spot of major domo of the San Diego Chamber of Commerce the affair is bound to be a natural.

A Banner Event of the Society of Minnesota Magicians by HARRY BJORKLUND

A truly banner event for the Minnesota Magicians, including a very fine dinner and special presentation of magical art, occurred Saturday evening, February 24, at the Guest House, 421 Clifton Place, Minneapolis, Minnesota. About 60 men and women attended. At the dinner, a carnival spirit prevailed, with several of the members making use of the new all rubber masks, some of which represented Mr. Chamberlain, Hitler, etc. To open our show, we listened to the recordings made by Mr. Saint and Mrs. Harry Houdini in their final attempt to communicate with Harry Houdini through their seance which was held in New York recently. Thanks to our good member and secretary of the Houdini Club, Judge Frank W. Carter, who drove 285 miles from his home in Eagle River, Wisconsin, with these records. Then Lawrence Moord started the ball rolling with a display of magic that was very pleasing. Mr. Moord did the Nixon Tapes-Rices Bowls, Milko, Picture Frame production, Oriental Mats and Card Appearance between two plates of Sealed Glass. Mr. Congdon, formerly the Great Frederick of Kenosha, Wisconsin, was next. Mr. Congdon had some new recitations and the way he presented them was tops over anything we ever have had. He more than deserved the applause that brought him back for two encores. Mr. Elmer Kohler, coming all the way from Arlington, Minnesota, was third. His act was a scream and made the biggest hit of the evening. Mr. Kohler's sense of humor, along with his bag of tricks, completely dazzled the audience. Although his stunts were very simple, he worked them with a skill that rivals many of the great. Mr. Adrian Smith, of Rhode Island, followed. Graceful and charming in appearance, and with a skill that is rarely equalled, Adrian did his memory tests, sympathetic silks and the Linking Rings. Following Adrian Smith was Mr. Jim Williams, the only magician demonstrator of Liquid Air we know of. His tricks with the "Dern Stuff" kept the audience in a state of bewilderment throughout his performance. Our good President, Joe Dahl, concluded the entertainment. He presented a new method of vanishing a canary and producing it from an egg. GENII

"WancT'ering Down Magic Lane (Continued from Page 247)

inspiration I needed to definitely make up my mind to carry on the name of Rouclere in magic. Here I would like to relate an incident that portrays one of the many kindnesses he did for me. After Madame Herman passed away her effects were scattered among- a half dozen magic shops in New York, I tried very hard to locate her "Wonder Screen" but to no avail. I desired it because I knew there were hundreds of yards of silk with the illusion . . . and some was the silk that was in her serpentine dress which she brought to America on her first visit. Blackstone learned that I wanted this effect and he went on a still hunt in the big city and finally located it . . . he never did tell me where he found it. He wrote me and told me to go to Ducrot's the next time I was in the city, that a package was waiting for me there. Being a woman, and inquisitive, I lost little time in driving over to the city and I just couldn't wait until I arrived back home—I had to open it right there and what a surprise . . . . there was Madame Herman's "Wonder Screen" and all the silks and other do-dads . . . . everything complete. I think that was one of the grandest gestures I know of. Just to have this effect and to think that it belonged to Madame Herman and presented to me by Blackstone. He sure is a Prince of Magic if ever there was one.

Answers

Learn the Secrets of Magic With Pen or Pencil . . . Now!

TO QUESTIONS O N PAGE 247

1. Wyman the Wizard. 2. Dr. Saram U. Ellison 3. William (Genii) Larsen and T. Page Wright. 4. Prank Chapman. 5. An anonymous columnist. You didn't expect to find his name here, did you? 6. Floyd G. Thayer. 7. He discovered several important illusionary principles. 8. Bautier De Kolta. 9. A magic dealer in New York. 10. Chevalier Pinetti?

The Greatest of All Trick Cartoon Books ITURN~6vERPICTUR£S P r i c e $ 1 . 0 0 p e r C o p y iHOHin nONIJ ETC HARRY C. BJORKLUND 3207 Girard Ave. N., Minneapolis, Minn.

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"I'll See You at the San Diego Convention •

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This is the Greeting you'll be hearing on every hand from Magicos— Reservations are now being received from the

1940 P.C.A.M. Convention SAN DIEGO — July 21-27 HAVE YOU MADE YOURS YET?

ANNOUNCING THE LEADERS In the Subscription Contest to Date 1st 2nd 3rd 4th

Alvin Johnson George McAthy Carl Heilbron Arthur Spratt

Send in that new subscription today.

Here Are the Principal A DAY IN OLD MEXICO "THE GET-TOGETHER" THE MAGICIANS ONLY SHOW THE BIG SHOW THE ANNUAL DINNER DANCE -

Events: -

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JULY JULY JULY JULY JULY

21 22 23 24 25

REMEMBER A beautifully bound complete volume OF VOL. 3 OR VOL. 4 GENII will be awarded to the one sending in the most new subscriptions during the year. Contest ends with the August, 1940, issue and winner will be announced in the September, 1940, issue. This volume will be autographed by the Editors and have your name in gold on the cover.

GENII 705 S. Hudson Ave., Pasadena, Calif.

April, 1940

Let Us Show You the Time of Your Life at SAN DIEGO GENERAL CONVENTION COMMITTEE PCAM Carl H. Heilbron, Chairman Executive Committee C. W. FAIT, BENJAMIN LACEY, MIKE HAZELIP, E. W. DORT Page 261

Write for a sample copy of

The Dragon Official Organ of the International Society of Junior Magicians. The I.S.J.M. is a growing magical fraternity, with 1700 members gn March I, 1939. Membership -fee is 25c; dues are $1.00 per year—which includes subscription to the Dragon. We also operate the Magic Rental Library Club—the only practical retntal library of magical literature. Hundreds of books available, including the new GREATER M A G I C . Write for particulars, and 24-page list of books available. Address:

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JEKYLL & HYDE WILL RIDE AGAIN! in your repertoire of favorite tricks! Can you imagine "you do as I do" done with dictionaries? And when spectator can select ANY word on ANY page? Yet you, the magician, by unbelievable coincidence, always select that same word! THAYER & LARSEN say it's great! And so will you after you order . . . . The Skeleton of Jekyll & Hyde—at $2.00 (dictionaries and all)

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MAGIC.that's different TELE-VISION—Idea by Sam Mackey Imagine 3 spectator choosing any phone number and any object, anywhere there is a phone. The number is called, the spectator holds the &bject in front of the phone, and asks, " W h a t is this?" Immediately a voice in the receiver replies, naming and describing the object correcily! it is exactly as if the person called could actually see over the wire 1 Positively no codes or signals of any kind are used; no forcing of either phone number or object; no limitation t o the varied effects which may be performed with it. For instance, a spectator calls out a telephone number; another is handed a deck of cards from which he selects one. The performer calls the number—with spectators right beside him t o see that there is no trickery—and silently hands over the phone. The person who selected the card holds it before the phone and asks " W h a t card d i d I take?" Promptly the voice replies, "You selected the Ten of Diamonds, Mr. John S m i t h " naming, of course THE CORRECT CARD A N D PERSON! We could rave on and on about this effect. It sounds impossible, but instead if is so EASY that you will be astounded at its sirrplici+y and vast possibilities. Every word of the above is exactly true. Price, only, $1.00.

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P. M . C .

Livestoc

Because i t is an audience tested effect that can be

done with the spectators on ALL sides.

Cabinet has ope

front and N O top, can be shown on all sides and bottor absolutely unprepared.

Livestock placed in cabinet can k>

seen through the open front. back of open front closing.

A decorated panel is slid i PRESTO, the panel is removed

shown on both sides, cabinet shown empty and turned upside

down.

Hand

placed

T H R O U G H OPEN FRONT. assistant,

self-contained.

or small bunny.

in

cabinet

CAN

BE SEEN

The livestock has vanished.

Will

vanish

a dove, guinea

Price, postpaid

N pig $5.00

BROWNIE'S IMPOSSIBLE PREDICTION

THE BLACK ART CHEST—Idea by Larsen and Wright This Chest glyei you the advantages of the Black A r t Table, but is much easier t o carry, easier t o puf out of sight after a showr does not look out of place, and best of all, apparently affords no concealment for anything! It measures 6"x7"x9" and is built like a card filing case with most of the front and t o p lifting together so that the inside may be seen both BEFOREj and AFTER a production or vanish is made. Other aDoaratus is kept in the Chest, and to get ihis out and put it back furnishes the excuse for showing the inside. There are two wells, each 3" square, large enough for drinking glasses, etc. A very useful, thoroughly practical, highly recommended piece of apparatus, needed by every magician. Postpaid $4.00 IMPROVED SILK TO EGG—With hollow egg, $1.50, without egg $1-00 FLAME-GO, $3.00. New style, full size candle without* holder' $1.50 TRIAL BY FIRE, 50c. MYSTO-MYSTO, the double mystery, 50c

Catalog Free with any of the above. IIAENCIIEN AND COMPANY 3112 N.W. 27th Street Oklahoma City, Okla. Page 262

The two card

prediction that is a W O W , do it at once

use any deck.

Price, postpaid

If

what

50c

STILL G O I N G STRONG— you

know

we

mean,

the

FOLDING

SKUNK.

Now

$2.00

Magic that looks better and costs less by

R IE D EL

LEACOCK

PENNSYLVANIA

G EN II

Confucius Say! Eckam makes my tricks velly good. Eckam Says! I personally recommend every one of Confucius tricks.

^Announcing,,, THE OPENING OF

The Fun Shop 623 South Hill Street At Last A Real Magic Shop in Downtown Los Angeles . . . A Utility Apparatus It will produce, vanish or exchange. The most useful piece of apparatus in all magic. Not just a trick, but a beautiful piece of apparatus that can be used in combination with other apparatus or accessories. Why a piece of apparatus for just one trick when you can buy something that can be used in so many ways. Magicians say they cannot do a show without the "Cup." Of 13 magicians in one town, 9 have the "Cup." There must be a reason. Some of the effects possible are: Egg on Fan— break egg in cup and produce chick; Cigarette Maker—Tobacco and papers change to real cigarettes; Blending the Colors—3 silks changing to 24x36-inch flag; Mental Photography—with the new card silks and the " C u p " you photograph person's thought of a selected card. Silks can be changed to sand or water, and when poured back in " C u p " will have changed t o wine. Five pages of instructions, explaining numerous effects, such as, Seeing is Believing, Penetration of Silk, The Light That Failed. Cup is beautifully made of aluminum, highly poiished. There is nothing to get out of order or go wrong. Size 35/8 inches high; cover 2'/2 inches across, and base 3% inches. Ask Tom Hollingsworth, Doc Vitale, Baron Ormsby, John Braun, Stewart Judah, etc etc. Price of Cup and mms. of instructions $4.00 "RICE BOWLS OF CONFUCIUS" RICE, WATER, SILK, and RIBBONS NOT JUST A TRICK A N ACT IN ITSELF Not only does the rice double in quantity but changes to WATER, PLUS a PRODUCTION of SILK and RIBBONS. A feature trick at the N. Y. State conclave and Piff Paff Poof in Ft. Erie. Bob Weill, Burt Barr, Joe Ovette, Sir Felix Korim, Harold Vine and many others. 5-inch aluminum bowls highly poiished—Special $5.00 KNUTTY KNOT New! DIFFERENT! FUNNY! A SURE LAUGH GETTER! GREAT FOR NITE CLUB. A piece of rope is drawn through the hands, after which a knot is tied in the center. Magician explains and proves that knot is adjustable to any place on the rope, finally drawn completely off rope and bounced on floor. This is repeated. Complete with rope and instructions and Baron Ormsby's presentation Done Anywhere Any Time, Any Place $1.00 Eckam's Echo now ready. Yours for stamp. Catalogue 25c— returned on first order (included Free with order of $1.00 or more)

"CONFUCIUS" APPARATUS MANUFACTURED ONLY BY

"Art in Magic" ELMER ECKAM, Prop.

April, 1940

1407 E. Main St., Rochester, N. Y.

Managed by Frank Herman

Featuring New and Used Magic in good condition Connetctions with all dealers

Come in and see us or Phone TUcker 6877

Practical Magic Only STERLING MAGIC CO. (Harold Sterling) 347 John R. St.

Detroit, Mich.

STERLING DE LUXE PAPER HAT TRICK. NEW! A different set-up Than the old trick. A single sheet of black and white paper is shown on both sides, nothing to hide. The paper is torn into pieces and rolled into a ball. The pieces are then opened and they are seen +o be transformed into a white and black hat. A word about the hat. It is the finest looking hat that has ever been put out. Wide brim and really looks like a hat. Cannot be duplicated by anyone else. !f you are doing the hat trick, this is the type you should use. if you have never done this trick now is the time to start with these new hats Complete with instructions and a dozen hats, $1.00 (No less sold) Postpaid. MODERN MASTER M A G I C . Rudy Roxo. Contributions by Antoni, Baker, Bagshawe, Biackledge, Crawford, De Lage, Downs, Karston, Kim-Kee, Kroger, Tarbell, Weber Zens and Zola. A book that every one should have. Never before a book so reasonably priced with the array of magicians as presented in Modern Master Magic $1.50 postpaid. CELLULOID EGGS. paid 60c ea.

With

or without hole.

Our own make. Post-

STERLING R O U G H I N G FLUID. The finest made. Leaves cards clean, will not run the ink. Simple to apply. Enough t o finish four decks, 50c Postpaid. POP SILKS. Silks and flowers produced from a paper after it has been shown on both sides. Do it surrounded. Self contained. Different. Complete with flowers {use any silks). Postpaid, $2.00. RUBBER COVERS (Longwear). I iose because they never wear out, but the best cover made for glass production. Postpaid, 35c or 3 for $1.00. RABBIT IN HAT EMBLEM. Either button or pin back, Neat, well made every magician should have one. About the size of a dime. Postpaid, $1.00. BIG MONEY. Send me a quarter and in return you will receive BIG MONEY. A dozen pieces. Creates fun and laughter in any show or on the street or anywhere. Very funny. Postpaid, 25c.

Page 263

STOP! LOOK! READ! J. C. Grand Finale SILKS AT YOUR FINGERTIPS EDDiE CLEVER SAYS

One of the greatest books ever written on silks. A complete silk act routined for you and easy to work. If you do Blendo don't fail to get this great book. This is just one of the many things in this routine. But listen to this—You may produce as many large 36" silks as you wish A La Blendo and they are positively single silks. No double silks, pockets or other gimmicks. This is only a small part of a beautiful routine.

Dear Jack: I thoroughly indorse this guarantee that you give with each book sold. J. C. Grand Finale is without question the perfect bare hand silk production. Coming just at this lime it is like blessings from heaven. I have been trying to arrange a bare hand production to satisfy the requirements of my act, and your routine is the perfect answer to my problem. I wili use this a lot. Thank you for giving to the magical fraternity this swell routine.—'Eddie Clever, New Cumberland, Pa. (This endorsement was written on the back of the guarantee that goes with every book sold.)

THE GRAND FINALE Silks crt Your Finger Tips 30 Illustrations

Dear Mr. Channtn: Your J. C. Grand Finale is "the answer" to a magicienne's prayer! It is an artistic production full of flash and fire, as well as a gorgeous riot of blending and contrasting colorings. Congratulations! Yours with appreciation,

Price

$1.00

(For further informa+ion see last month's advertisement.)

J. C. CIGAR MANIPULATIONS—A great book on cigars

$1.00

STREAM-LINED PALMING COINS—We challenge you to get a smoother working coin at any price. Extra thin with milled edges. Dollar size 15c, 2 for 25c. Half Dollar size, 10c, $1.00 doz. ROPE GIMMICKS—Special

this month only, 50c pair; $1.00 set of 4.

J. C. VISIBLE COIN VANISH—Four coins held at finger tips vanish one at a time before the eyes of spectator. Perfect for any coin routine.

Price, $1.00.

PREDICTO—A great card trick. The gimmick supplied with this may be used for a number of trick including H. T. Brill's trick entitled "With a Phone Book" and published on page 71 of the November issue of Genii Magazine. Made of catalin and very small. Complete, $!.00. YOUR CARD, PLEASE—With card freely selected, returned to deck, then a card is shown to spectator which proves to be the wrong card, to which a ribbon is fastened. This card and ribbon is now cut to center of deck. Ribbon is pulled and the wrong card rises from pack. You oush it back and ask spectator to pul! the ribbon and behold! There's the chosen card with ribbon attached. Good—we'll say its good! All yours complete for 50c. CLIMAX ENVELOPE MYSTERY—A marked card or bill is caused to vanish and finally appears in a stack or nest of sealed envelopes. Very mysterious and easy to do. Built to order for the club worker. Price, $1.00 per set of 12 sets.

HISTORY OF BUFFALO NICKEL—The magician borrows a nickel and places it in the open hand of spectator. After some patter about Indians and buffaloes in this country years ago, the performer picks up nickel and the spectator finds his hand all wet. Maybe the buffalo helped Yep! he did. We can't reveal all, but we guarantee that this Is a sure laugh getter. You get gimmick, patter and ail necessary to do the trick. You will be more than pleased with this one. Fifty dollars worth of laughs for 50c. YOGI

ROBERTA BYRON.

HAND MARKED CARDS—Finished work for the finished card man. $1.50 J. C. CARD 'IN ENVELOPE—An entirely new way to do and present the card in envelope trick. A card freely selected from a borrowed deck vanishes completely from pack and is discovered inside a sealed envelope. Card may be removed by The spectator. Card may have the corner torn off by spectator and you positively do not switch corners. Card may even be marked by spectator. Positively only one card used. Entirely different. Envelope may be sealed a week in advance of trick if you wish. A great effect for the smart magician. Price, $1.00, MONKEY BUSINESS—A very real looking monkey is placed over the hand of magician after he has had a card or cards selected by one or more spectators and placed back in the deck The monkey is now asked to xmd +he selected card, A great dea! of the well known monkey shine business goes on now and performer does quit of adlibbing. For example: 1. Monkey looks over the pack which performer is holding in a fan and scratches his head and picks out a card and displays it to the magician and looks up at him. The magician shakes his head signifying that this is the wrong card. The monk now places card back in back and looks over cards once more and takes out the correct one. 2. Monkey looks over cards and start to remove one from pack, but decides against it and pushes it back and removes another one. He shows this to be the right card and thumbs his nose at the performer. This causes quite a laugh. Many funny situations may be worked up with a little thought and this monkey business really gets a belly laugh. I know because 1 have done It myself and 1 am not a comedy magician, but 1 sure got lots of laughs out of this one. This has many possibilities for comedy that the average trick lacks completely. It makes a little card trick into something worth while. A perfect trick for M. C ! Great for kids, and for table work you will find it hard to beat. (This is the trick with which Gerrie Larsen won first place in cards at the PC AM convention last summer.) TWO-INCH

GLASS HANKY

BALL. Price, $1.00.

FURTHER ADVENTURES OF 7 IN ONE, by Jac Channin. Tricks. This book has sold all over the world. $1.00.

Great Card

BLOCK AND RIBBON MYSTERY—Two blocks or dice are dis-

played on a stand. Blocks have two ribbons running through same. Spectator selects a ribbon of his choice and same is pulled out of blocks and the remaining one is unmistakably cut in center. Blocks are then pushed together and ribbon pulled out and is found to be completely restored. Ribbon may be examined by spectators. A cleancut effect and one that should be in the program of every up-to-date magician. Price complete, ready to work, $4.00.

HELLO, SUCKER, by Jack Channin—Three Shell Game.

only book of its kind on the market.

Price, $1.00.

The first and

THREE-1N-ONE ROPE ROUTINE, by Jack Channin. Three best methods

known of doing the rope trick. methods, $1.00-

Complete, with rope and three

CHANIN'S MAGIC SHOP Room 711-712 Penfield Bldg. 1328 Chestnut Street Philadelphia, Pa. I'LL FOOL YOU — BUT — I'LL NEVER DECEIVE YOU! Page 264

GENII

THE SUPERNATURAL RIBBON

PICTURES WITH THE MAGIC TOUCH

• A N ASTOUNDING EFFECT • PASS IT FOR EXAMINATION • CARRY IT IN YOUR POCKET • PRETTY APPARATUS s EASY TO DO

BY

GEORGE BAXTER Official Senii Photographer

Member of Los Magicos and Mystic 2 7 Photos of West Coast Magicians and Hollywood Stars 8x10 Prints 346'/ 2 N. Benton Way

50c

Los Angeles, California

P05TEB5 MADE TO YOUR ORDER AT REASONABLE PRICES

Effect: A NICKLED meial box with open ends, a hole in top and a hole in the bottom, is shown to s p e c t a t o r s to be empty. An ordinary ribbon is now inserted in the box, and ends alSUPERNATURAL fi/BBONj lowed to hang out on each side. You push a pencil down through the top hole, engage the ribbon, and push it through the bottom hole (see Illustration) so the loop comes down in plain sight. You now cut this loop with a pair of scissors, and really cut it . . . next pull one end of the ribbon and the small cut end comes up into box. Do the same with the other end. N O W PLEASE LISTEN CAREFULLY: Simply PULL THE RIBBON OUT A N D IT IS FULLY RESTORED A N D IMMEDIATELY PASS THE W H O L E T H I N S FOR EXAMINATION. Nothing to palm, no elastics, or pulls. It is mechanically perfect. One of the nicest tricks you've ever seen. It's tested, and worked under all conditions, and we recommend it highly to everyone. Complete, ready to work $3.75

Order Yours Today.

This Is Real Magic.

FRANK LANE & CO. 5 Little Building 5 FULLER 4VE, JM5PIBUF16, BfiLTimOTlE

I71D.

_

j&

Boston Mass.

If you don't get FUNNY TALK each month, send $1.00 for five issues.

Dealer's Manufacturing Service At Last This Long-Awaited Service for All Magic Dealers Is Now Available! Inquiries are solicited on new products or on unusual problems where special methods, formulae, or equipment may be required. Imagination, Superior Design, Skillful Technique and "KNOW HOW" Experience are the factors responsible for value, durability, and EYE-APPEAL of all the products we are now manufacturing for a number of the leading MAGIC DEALERS. Our business is carrying your headaches in the MAGIC FIELD or rather carrying away your headaches. We offer you a complete service. This SERVICE provides Research, most essential in your business, Development, Engineering, Designing and Styling, Economical Manufacturing, Thorough Inspection and Scheduled Shipping. Also we have the facilities

for all types of manufacturing required by MAGIC DEALERS. If you are seeking a practical way to produce a New and Mystifying TRICK or ILLUSION we will work with you and expand your idea into a SURE-FIRE PRODUCT. Upon the completion of any Illusion or Effect which we manufacture for you, a Certificate of Claim will be issued thus certifying definitely your ownership. Most important of all is the Friendly, Practical cooperation you will find here. It is in that spirit that we solicit the opportunity to help develop and produce your ideas.

DR. McGLYNN ENTERPRISES April, 1940

7

W

TEW YORK.T?: Page 265

POPE'S WONDERFUL WAND

The most weird thing we ever saw—fantastic, spectacular, unbelievable! If anything can be called "ttiaKic'% it is this routine! The illustration above will jrive you some idea of the miraculous way the wand lies in space, clings to the finders, clings to a dinner plate, stands against the thumb, Wses, floats, turns, and revolves, all just as if fairy fingers were moving and supporting it. The routine is absolutely bireath-taking, even under conditions you would not think possible. Mr. Arthur Pope first presented this routine for the Chicago Society of American Magicians at one of their meetings, under ordinary club conditions. It was an instantaneous surprise and success. We at once bought the rights to it because we knew it to be a perfect trick for the kind of shows most of you do,clubs,schools, lodges, night clubs, home parties. In other words— a stage is not necessary, no special conditions* are necessary. The routine is written up entirely around pictures, so that you can learn it easily and quickly, with little reading. There are 21 clear cut Tarbell illustrations for your convenience and understanding. A wand is supplied with the routine that was especially designed to suit the requirements? of the trick—and the nice part of it is that you can use the wand for ordinary magical purposes as well. We guarantee that this trick will make people talk about your bhow as they never did before! Add a real feature this season—get the Wonderful Wand Routine I Price, complete routine and wand $2.00

L. L. Ireland

109 N. Dearborn St., Chicago, 111.

TOPS The Independent Magaiine of Magic Every issue sparkling with original tricks and worthwhile articles. Published and MAILED on the first of each month.

MR. ARTHUR POPE

GENII A D V E R T I S I N G

R A T E S

Price $1.00 per year—Single copies 25c

Abbott's Magic Novelty Co. COLON, MICHIGAN

JOIN The I. B. M., the World's Largest Magical Organization, and receive the Linking Ring magazine each month. For full information write today to

Full page

$20.00

Half page

10.00

Quarter Page

6.00

Eighth Page

3.00

I column inch

1.50

Remember Petee Vent Figures are sold exclusively by

The International Brotherhood Of Magicians KENTON, OHIO, U. S. A.

Page 266

Ranter's Magic Shop 1311 Walnut St. Philadelphia, Pa. Inquiries Promptl} Answered. GENII

ACTUAL MANUFACTURERS — PRINTERS — PUBLISHERS ABBOTT'S "PICKLED"

H fa H

3-

Just right for all occasions—close up—platform—or stage. Magician uses borrowed handkerchiefs from spectators assisting. He displays a banana and covers it with one borrowed handkerchief and hands all to one spectator . . . Magician then displays a large cucumber pickle. He covers this with a second handkerchief and hands all to spectator No. 2. Nothing eouid be fairer and to the audience there is no doubt in their minds as to which hank covers the Pickle, etc. AND YET at the magician's command the Pickle changes to the Banana and the Banana changes to the Pickle. IT MYSTIFIES!

IT ENTERTAINS! IT AMUSES! Supplied complete with special imitation pickle and banana and special patter. P r i c e . . . .$1.00 We Pay the Postage.

ABBOTT'S MIRICILSPHERE ©

IT'S PROVED A SENSATIONAL SUCCESS Spectators see the magician catch a ball in one hand only. Slowly the hand is opened, and THE BALL HAS VANISHED. No hooks—wire—threads—pockets, etc. No body hides. One hand only is used. Sleeves may be rolled back. Complete with ball. Price $1.00 We Pay the Postage.

ABBOTT'S PRODUCTION EXTRAORDINAIRE

M H

H O

Read what Bill Larsen said of this trick in last month's GENII. Read Sid Lorraine in TOPS. No trick in years has made such a hit with the magic fraternity. Extra-Ordinaire is the unbelievable production of a round type fish bowl with water and gold fish, etc. Bowl is o1^ inches in height, 6 ^ inches in diameter, and is known as the two-quart size, AND—IT CAN BE CARRIED ON THE BODY ALL THROUGH YOUR ACT and as a climax production is made CLOSE UP or surrounded by spectators. Frackson is using two in his night club act. Whea bowl is produced it may be placed on table in full view of spectators. It is acclaimed by all who have seen it as the greatest achievement in modern magic in years. NO S K I L L NO PRACTICE IN PERFORMING Price—$7.50. We Pay the Postage.

First Time Advertised PUBLICITY FOR MAGICIANS Nothing better on the subject has ever been written. The author is a Hollywood Press Agent— and we quote . a paragraph from Ormond McGill's Foreword. Quote: "Today, if you go to a movie, you will probably see an actor or actress in it who was unknown till he or she hired Robert Bernhard as press representative. If you ever go to Hollywood, one of the first things you will do is to make a bee-line toward one of the famed restaurants where you have heard that the stars eat—because Robert Bernhard has led you to believe that. Perhaps you will e\en see some stars there! After all, stars have to eat somewhere and if they eat in those restaurants they not only set a good meal but also tret their names in the paper. And stars like that, too—even as you and I."

AN ABBOTT

eK

EXCLUSIVE

FOOLPROOF—AND EASY TO DO An Abbott Quality Product. Price, SI.75. We Pay the' Postase.

ABBOTT'S SYMPATHETIC NAPKIN RINGS

ABBOTT'S MAGIC NOVELTY CO. SEND ALL ORDERS TO

PERCY ABBOTT MANAGER

ABBOTT'S CLUB ILLUSION Night Spots—Stage Can be done surrounded by spectators. member of the audience may be used.

A

Magician tells the story of the old Chinese body stocks. A member of the audience is asked to assist, or magician's own assistant is introduced. The stocks are fitted around her body and held in placo with shoulder straps. A solid chrome plated metal tube is shown, fitted into a hole in stocks and slowly forced through girl's body from the front and coming out at the back so that both ends of tube are in full view. Now to prove that the rod does penetrate the girl's body a funnel is placed into one end of tube, and a clear glat.s tumbler hung on the opposite end, a bottle of milk is then poured into the funnel and is seen to pour out of the opposite end into the tumbler. JUST

THE ILLUSION THAT YOU HAVE BEEN WAITING FOR

And It All Packs Into a Suitcase.

"BETWEEN COCKTAILS" By Sid Fleischman Has met with universal approval. The only book published on intimate tricks with a Packet of matches. 31 Pages. Photographic Illustrations, Price, $1.00. We Pay the Postage.

The most beautiful piece of appai-atus imaginable. Made in heavy gauge brass. All parts spun and chrome plated. This pan has been so carefully designed that the faked section has no apparent depth. In fact, it appears to be only a couple of inches in depth ; and yet a full sized live duck is produced, or a large rabbit, or six doves. The pan is shown, egg broken into same, a little alcohol is added and a lighted match applied. Flames appear in pan. lid is put on to put out the flames, lid removed and up stands a full sized live duck. A real applause getter, and spectators will o a y 'THAT'S REAL MAGIC." We are proud to offer thib beautiful and practical equipment to the Magic fraternity. It's an Abbott Quality Product. Price, $33.50. We Pay the Postage.

Contents deal with: What Is Publicity— What Will Publicity Do for You—How to Get Publicity-—Newspaper Publicity—Still Signs— Throw* A ways—Stunts—Radio—Sample Press Releases—Sample Advertisements. A book that every magician, amateur and First Time Advertised professional, should have. Written by a man (Jess Thornton) who knows the value of Publicity and a man We are pleased to offer this dainty magical who knows magic and magicians. conception to our many customers. Size of book, 6" x 9". 48 printed pages. The outfit consists of one chrome seamless Pliable cover. metal tube and three napkin rings, each with a chrome band at each edge, the centers being Published by Abbott's. Price $1.50. lacquered red, white and blue respectively. The tube is, shown and a white silk placed We Pay the Postage. in same. The blue napkin ring is shown empty, placed over the tube and on silk being withdrawn it is seen to be blue. The silk is replaced and the red napkin ring is placed over the tube, and, on the silk being removed, it is seen to be changed to red. Now the white ring is placed over the tube and silk changes back to white. The tube is held over the top of blue ring and the silk changes to the ;>ame color. Held over the red napkin ring the silk is blown from the tube and it is seen to be red. The ingeniousness of the apparatus makes COLON, MICH. for the easy working of the most pleasing and original effect.

First Time Advertised

The regular rice and water effect, but in this method it can he done within two feet of spectators as there is no cover up moves. NO CELLULOID DISCS — NOTHING TO WEAR OUT—NO REPLACEMENTS. The set consists of two seamless brass bowls chrome plated and an all-metal stand on which to set the bowls. Take our word for it. you can't ,uo wronu; with this outfit.

First Time Advertised

By Robert E. Bernhard

ABBOTT'S ROD THRU THE BODY

BAWDEN'S RICE BOWLS

ABBOTT'S STREAMLINED SUPER DE LUXE DUCK PAN

Tube is withdrawn and the young lady is none the worse for her sensational experience. \n Abbott Quality Product. Made right. And at a price that, like the effect, U sensational. Price, Complete, §25.00 We Pay the Postage.

THE LARGEST MAGIC

EASY TO DO—NO SLEIGHTSSELF-CONTAINED An Abbott Quality Product. Price . $5.75 Price with Silks 6.25 WE PAY THE POSTAGE

READY ABOUT JULY ABBOTT'S NO. 6 CATALOGUE •150 Pages—1000 Illustrations* The largest and most complete magic catalogue in the world.

FREE FOR THE ASKING!!! Write now and a copy will be bent to you when it is completed.

ABBOTT'S LATEST MAKE CARD RISE FIRST TIME ADVERTISED In this method three cards are selected, returned to the pack, which is placed in a chrome plated skeleton houlette, and the selected cards rise at magician's command. The houlette and a small square giass is handed to a spectator. Spectator places the houlette on glass and the card rises even though the magician stands at some distance. The trick can be done close up and surrounded by spectators, and, although the houlette is a slender affair, the motor is concealed in the base of same and works automatically, as there are no stop and start levers to operate. The miniature motor used is sturdy and with ordinary care will last a lifetime, it's an Abbott Quality Product, and jou know what that means. Complete, including cards. No skill in working. Price, 59.75. We Pay the Postage.

PLANT IN

AMERICA

">

I

*• -

/

->f

"Spring Crop" Unusually Good.o. TRICK SEE ART BOOK dives you 30 pages of very clever •dravirgs that even the most unsk lied can iearn to do in a jiffy Many 'aff getting ideas here to snap up routine w th that differenttouch $i 00 RADIO VISION is literally the code of codes in mod cm m i r d reading As Annemann puts ii It covers EVERY angle of ihought transference You qet not only the bare bones of swift sure commumcati n between performer and med um but also the bas c anatomy of mnenomics In fact you can readily buiid special codes to suit your own needs Rather simple too in a single evening you can grasp the fundamentals foi instantine ous reference to upwards of 700 items Just a normal memory and a bit of pers stence Tremendous value at $5 BE DECEIVED is Louis Lam s latest in cards His legion of followers will rush for this book at $1 00 MATHEMAGIC g ves 138 pages of mag c squares ana other numerical marvels by Royai Heath Fine impromtu publicity stuff Repr nted by popular request $1 75 M A G I C WAKO QUARTERLY 80c 12 Tricks with a Borrowed Deck Gardiner $1 00

AND A PACK OF CARDS has created more comment in all three of our shops kept more postmen busier with letters of praise and used up more shipping material than anything we ve had of the sort in many a day Small wonder tho 1 It has the effect of actually being Jack Merlin And that s enough for all who know the r pasteboards Wh skers have been jerked from the old classics of manipulation Streamlined, YOU can do them row with just reasonable practice In 96 pages here are 80 sleights tr cks and routines You re going + o be left at the post if you don t have this truly wonder work ng book $2 00 TRICKS WITH HAIR is a U F Grant MS close ups With a supply of silk hair 50 KUTE KOIN TRICKS reauinng NO sle ghts you need for imposing quickies

covering 25 75c Just what 75c

CARD IN BALLOON ROUTINES more than 20 of them put new life nfo an old standard 50c TELEVISION CARD FRAME ROUTINES tells how to use this apparatus for items other than cards 50c

Latest Coin Droppers

New Purse Mystery Will de Seive has figured out a most amusing way to get rid of money Showing an unpre pared and exammable purse you proceed t o take coins from your pocket one at a time and drop them into the purse Snap goes the catch 1 All is secure and is made doubly so by covering with a hank Upon shaking out the latter well that s all there is there is no more' Coins and purse have just went ' Complete with non si ght vanisher and a clever story by Frank Lane %\ 00

Chas Diesfel wizard of slick mechanical d ^ vices has hit upor a new life saver for coin workers The fundamertal principle delivery of a single coin at a time is available n 3 and 6 capacities Tak ng up scarcely any more spa r e than the coins themselves these gimmicks are good and strong They i! never let you down But the coins ah it s |ust like wishing for 1 them When ordering, please BE SURE to note whether you want """he 3 coin size at $i 50 or the doubie load at $2 50

"Saturday Evening Post" Memory Test—Zufall

A Spooky Penetration

Pope Floating Wand For an intriguing bit of by play or a fully dramatized rouiine this wand levitation is hard to beat Types of miraculous suspensions and queer motions are practically unlimited You get a swell start from the 2\ Tarbell drawings Can be worked in any surroundings even in the home Considering the fact that a good looking wand is included here s a rare barga n at $2 00

Imagine being able without hesitation to c a l off the contents of any page mentioned for any issue of the country s most popular magazine f Or do the same thing for daily newspapers1 The underlying idea is comparatively simple — tuc< each page into a mental pigeon hole Bernard Zufail furnishes printed instructions for intensive study of this fascinating art Those who have persevered have enjoyed quite remarkable sue cess Even if you are not doing mentals this course of training should be of value in other lines SI 00

The way that gfass under the hand kerchief vis ibly pushes its way up thru the plate and into the tube is positively uncanny1 Just think they ve seen the glass with liquid in it si'k plate and tube looked as innocent as they realiy were Yet it happened 1 Every performer who has seen this has had a TORN PAPERS ro LEGION CAP is making one longing iook in his eyes everyone has pictured $1 00 big hit with all audiences 12 for himself wa ting cut the hushed pauses before that thunder of applause Result is orders are JUMBO MONEY is a surefire laff getter Size standing in line Place yours now for early SI251/, x l 2 / 2 " a bundle of 12 is only 25c delivery Everything com o! etc

Puzzles

Gerald Kaufmann has packed 200 pages with some of the most entrancing pastimes you ever dreamed about J C Wo ben smith noted authority on the patent angle of bra n teasers acclaims this volume as one of the most practical that has come to my attention in recent years While not magic you II aet some slants that may be given a magic twist Surely a heap of fun for $2 00

I. NOVELTY Larsen

and

I/rirrht

S Gold

Seal

(Genii Bonus Number One) A card is selected and replaced in the usual fashion, and the per"ormer, smarinf up the deck, pives it a casual shuffle. The spectator is then re nested to hold out both hands, palm u^-'^rd. "I °rc about T;O try to discover the identity of your card," the magician declares. "First T T'ill endeavor to fathom its value." Looking Into the eyes of the selector, he sio^ ly spells off 1: A-C-E" dealing a card from the dock for each letter, onto the ripht hand of the soectator,. This is admitted to be co-rect. "No'7 "."••> i-ill find the suit." The performer soells off "S-F-A-D-E-S" this time dealirg o card for esch letter, opto the left hand of the spectator. "Yo\ir card 'as the ace of Swedesi" As this is ^aid, the next card from the deck is turned up, and sho"n to be the Ace of Spades. "A-C-E spells Ace" here the three c;?rds dealt off onto the spectator's ri^ht hand for these three letters, are turned fpee up ?nd shown to be th^ three aces "and S-P-A-D-E-S shells Spades I"-and here the six cards dealt onto the spectator's left hand for the six letters in the name of the suit, are turned face up, and shovm to be Soades! Thouch pretty and surprising, the magician vrill have little trouble in fi^urin^ out that the effect is produced simply by a pre-arrangment and a force. We v/ili assume that the ace of spades is the card to be used, though obviously it is not the only card which can be employed in the experiment.

At the top of the deck will be placed the three aces other than spades, and 'beneath them six spades of any valu^.The ace of spades is plpced at any pot oion in the deck from which the magician can most readily force it, the position being dependent upon the forcing sleight favored by the individual. So simple an arrangement as this, takes but a few seconds to run up, whenever a favorable opportunity presents itself. There are many shuffles which may be indulged in before the experiment, which will not disarrange the top stock. The ace of spades is forced.While it is being looked at, the performer starts fanning the cards from the top, secretly counting them as he does. He must have the ace of spades replaced tenth from the top, that is, beneath the top stock of nine cards-so the fan is broken at this noint, in a casual manner.Once the card has been replaced, the deck is closed up and the cards squared into place in the most open and deliberate manner. It is desirable to now indulge in an overhand shuffle which vi. 11 apparently mix the deck thoroughly.Interspersing it with a few cuts. Of cour"*«> the top stock must be retained i&t&vw, but the shuffling serves to throw the layman off the track of the idea of a stacked deck. Nothing more remains but the dramatic working up of the finale.

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May 1940 Vol. 4, No. 9

I

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Juuen L' /ytc&k

T H E Y

A

L

LM E E T

A

T

K A N T E R ' S *

(New) GUESS-A-COLOR

KONJURER'S KARD KASE

The performer guesses the spectator's selected color out of four. Complete with walnut finish box; a good pocket trick $2.00

The smart wizard does not "hand out" his business card—he extends his nifty card case and says, "My card," whereupon his personal card rises through a slot in the case, impressive, magical, practical—his reputation ascends with the card. Instantly repeated—holds a dozen cards and keeps them clean. No threads, nothing to get out of order. Beautiful Bakelite case, thin model, 3%x2'^)xy8"l attractively finished 60c

(NEW) TELEPHONE TEST SUPREME The "Robot-Phone" is a knockout. Strangers in audience dial freely numbers (no force) on ANY phone (real, or toy). Performer, standing at a distance, answers call in name of correct party acting the role of grocer, ice-man, dog-catcher, etc. A "one-man" stunt, no preparation, no memorizing— clever and easy. Also fine as 2-person act. Ready to work at once anywhere a phone Is available, hcme, club, etc. Ideas, gags, wrinkles and patter included $1.50

(NEW) THE PSYCHIC DEALER Believe if or not—performer deals out ANY hand desired in ANY card game by ANY spectator, using a borrowed deck which is passed to anyone to shuffle and cut. No questions asked, nothing named, or written—no hesitation, no sleights, no skiii. Easy and good. Our clear instructions all you need. .50c

(NEW) MASTER LOCK MYSTERY An unfaked lock and several similar keys, only one of which will open lock. Keys honestly mixed, separately held by spectators or sealed in envelopes by them. You instantly pick out the one key that opens lock. No gimmicks, maqnets, forclnq or assistants. Done blindfolded (genuine). Complete with lock, keys and instructions $2.00 Instructions only (use your lock and keys) $1.00

(NEW) "CONFUCIUS SAY

(NEW) PETITE WATER CUPS Spun metal, 2 1 /;" high, this cute pocket set of Water Cups is always ready for impromptu. In addition to showing cups empty, then pouring water from cup to cup, you may also change the water to wine, and spring a surprise finish by causing cups, liquid and ail, to vanish via your regular Squash. You will like if. Cups and instructions $2.00

KENARD'S NU-DIE MYSTERY An attractive little frame, a % inch die and a tasselled, silken cord are inspected. Die placed -in frame, a spectator threading cord through the whoie works, retaining his firm hold of cord, yet performer instantly removes die from frame, free of cord, and all again examined. New method $1.00

SECRET POWER! NEW MECHANICAL THREE-SHELL GAME

"

Stuart Robson's new effect. Freely chosen card is discovered in pack by Confucius' own card which say (in genuine Chinese) "Your card is 9 of spades." Right up to the minute 50c

(NEW) PURSE MYSTERY (DeSeive) Snappy impromptu effect. Coins dropped into small, examined purse—snap!—purse closed and covered for a second with unprepared hank, which is shaken out—purse and coins have vanished. Includes purse, ingenious vanisher and Frank Lane's patter. Very clever $1.00

SWEEPING THE COUNTRY Rice—SPURTING RIBBONS—Water •—all from Al Baker's China Rice Bowls. Flashy, beautiful, easy. Both bowls examined. 3-fold outfit complete with ribbons, routine, eic $4 75 BAKER BOWL OWNERS need Ribbon Feature only. Ribbon, gimmicks, routine and copyrighted printed instructions 50c

(NEW)

MAGIC-MADE CIGARETTE

Brema's latest. Smail brass tube shown empty; fobacco and paper dropped in. Tube given spectator who opens and finds a perfect "tailor-made" cigarette. Will change $ bill into a cig. giving you secret possession of bill. Precision made $2.50

(NEW) THE MYSTERY MAN Miniature levitation. A small mum my-like doll will lie " d e a d " in a transparent sided sarcophagus, then is made to float in midair with no visible support, A clever close-up. Pocket size 50c

v

—"r"

Easy to work, in fact, no work at al! to operate this "Slicker's Dream" since it is practically automatic—of course, you have to lift and move the shells about but that is just a lot of fun. A_ neat, folding board, about b x 7" when opened up, is felt covered on one side and polished on the other. After the board, the 3 shells and the pea have been examined, you place the pea on the board and cover it with a shell from which It instantly vanishes. You move the shells about and cause the pea fo "be there," or "be gone" at wiil—with nothing concealed in your hands at any time. Always under your control, it is easy and certain. A complete pocket outfit including clever routines which will suggest dozens more $2.00

CARD IN BALLOON

KANTER SPECIAL SOFT ROPE for ail rope tricks. 60 ft. 50c; 130 ft. $1.00.

THE MARKED CARD METHOD of Hathaway Is conceded to be the finest and most spectacular of all. Any chosen marked card pops into the balloon. Here is action and color—a trick with a Bang! Superfine outfit, and highly recommended $7.50 REGULAR CARD IN BALLOON. The regular method, familiar to all. An excellent, smooth working model with nickeled, ali-metai stand $5.00 ROUTINES FOR CARD IN BALLOON (Grant). A fine collection of ideas and stunts, novel and different, with $ bills, billets, etc. as well as with cards. You'll be surDrised. Mss. form 50c

' KANTER KOINS. Smooth both sides, deeply milled edges, thin, nickel silver, they stack more. ' / ; $ s ' z e . 90c doz. $ size, 51.00 doz.

For the Sterling Egg & Fan Trick. before or after

BOUQUET FROM SCRAPS OF PAPEK. Throw paper into the air, it changes to a beautiful bouguet. Fine follow-up for any "Torn & Restored" effect. Complete with bouquet, eic $2.00 SERPENT SILK (Albenice). Knotted 27" Rainbow slik visibly unties itself in weird fashion. One-man, one hand, close-up method, always ready $10

"Weller's Indestructible Egg" No preparation $2.00

KANTER'S MAGIC SHOP

* LATEST BOOKS IN STOCK * SPECIAL—THE J I N X f r o m N o . I t o 50 with ali extras and index. Brand new and cheap at....$18.00 12 TRICKS WITH A BORROWED DECK (Martin Gardner). Marvelous material in this best_ seller. Original tested effects with patter and misdirection subtleties you will like and use. TarbeSI illustrations. Worth $5 but Is only $1.00 BE DECEIVED (Louis Lam). 14 of the author's pet card tricks—new stuff not found elsewhere. 27 printed pages $1.00 PACK A DECK ( H . G. Sparks). Just in from England. More clever card tricks 50c RADIO-VISION Mind Reading Code (Calostro). Professional methods. Verbal codes for articles, names, etc. How to set up your own code, etc. Forty-two pp. book $5.00 MODERN MASTER MAGIC (Rudy Roxo). Cards, coins, silks, pipes, live stock, etc. from 14 artists.$1.50 TRICK-SEE-ART (Biorklund). New work on trick cartoons. Over 100 illustrations made it easy. Thirty pp. book $1.00 SATURDAY EVENING POST TRICK. Zufall's method of memorizing magazines, books etc $1.00 FORGING AHEAD IN MAGIC (John Booth). Gives you "the tricks of the trade"—how, when and why great magicians astound their audiences. 154 pages cloth $3 00 ENCYCLOPEDIA OF CIGARETTE TRICKS (K. Clark). A complete treatise on cigarette manipulation. 300 photo cuts. 300 pages, cloth $5.00 3-TO-l ROPE TRICK. Tom Osborne's original and most effective methods and routines that have puzzled thousands. 15 paqes, 46 cuts $1.00 ENTERTAINING WITH VENTRILOQUISM (Lustig). Up to date, indorsed by leading vents. 43 pp..$2.00 ZUFALL'S MEMORY TRIX NO. 2 (Mental File Index) $1.00

WANTED—TARBELL COURSES New and Different KANTER'S

216 PAGE Pictorial, Illustrated Catalog 25c

MAGICIANS' HEADQUARTERS

SANDERS MANUFACTURING CO. (Jimmy Sanders) Sanders Block Nashville, Tenn. At your next affair, give away MAGIC HOLETITE PENCIL (U. S. Pat. Off.), with your name, slogan, etc., on same. Prices are as follows: 250 500 1,000 $11.00 $19.00 $35.00 Per M. Loop them on your victims' coats and watch them worry the whole evening long to set it oft. This is our No. 55 Old Man's Pencil. We call it t h a t because it has no lead in it. When ordering, write your copy plainly.

Don't Overlook the Following Clever Items: Keen Koin Trick (Magnetic P e n n y ) . No. 32F1 Spirit Nut Off and On a String. No. 32F2 Handkerchief Color Change Tube. No. 32F3 Steel Ball Through Brass Bolt. No. 32F4 Vanishing Cigarctt Tube. No. 32F5 Nickles to Dimes. No. 32F6 Changing Bag (De Luxe). No. 32G7 Patriotic Billiard Balls. No. 32G9, per set Silver Cups and Balls, medium size. No. 32G10 Card in Egg Wand. No. 32G11 Van. Deck of Cards (apparatus only). No. 32G12 Touch Lit Cig. Dropper. No. 32G13 Cigarette Thru Handkerchief. No. 32G14 Multi Coin Tray (enameled red and gold). No. 32G15

S .75 75 75 1.50 1.00 2.50 5.00 3.00 3.00 2.50 1.00 2.50 75 1.75

Phantom Tube (small size). No. 32G16 Dyed Handkerchief Tube. No. 32G17 One Hand Match Lighter. No. 32G18 Penetrating Thimble. No. 32G19 Card in Egg Wand Nickel Tips. No. 32G20 Vanishing and Reproduction Wand. No. 32G21 Large Size Thumb Tips. No. 32G22 Medium Size Thumb Tips. No. 32G23 Eoyal Rising Pencils. No. 32G24 Vanishing Bowl of Water. No. 32G25 New Aerial Fishing. No. 32G26 Duck Pan 12" dia. Gingertric. No. 32G27 Grand Finale. No. 32H28 Albenice's Card Rising. No. 32H29

JIMMY'S JUMP PENCIL TRICK It will mysteriously It Jumps! jump and write four colors. Nothing to get out of order, no springs, strings, elastic or lodestone, can be handed out to audience for examination. Made of metal, ivory finish. Stretches from 2%" to 7" long, can be worked by anyone. Complete with instructions. Price ' $1.00

$2.50 75 1.00 50 2.50 4.50 50 25 50 5.50 8.50 5.00 1.00 3.75

BALL AND TUBE TRICK A steel ball less than 1 in. in diameter; place on top of a tube smaller than the ball, yet it will rise and fall in the tube, and go an inch or more, and come back up. Price S1.00 Complete with directions.

Magic Wands (Nickel Tip), While They Last, 50c Each THIMBLES—Medium size. Per dozen Sl-00 _ Mind Reading Deck of Cards. No. 14V30. 1.00 Spirit Slate. No. 14V31 Disappearing Cigarette Tube. No. 14V32.. 1.00 Production Tube. No. 14V33 1.00 STAGE MONEY—All denomination. 100 pieces. No. I4V34 .50 CIGARETTE THRU H D K F . - A lit cigarette passes thru a handkerchief and vanishes. No. 14V35 .50 COLOR CHANGING HDKF.—A red silk handkerchief, while held in plain sight changes to BLUE. Changes as often as desired. No. 14V36. each jl.l EGG BAG—The famous stage size Egg Bag used by every professional magician. Useful for numerous egg tricks. No. 14V37. Each $1 50 FOLDING COIN—You insert a large coin into an empty bottle. Entirely mechanical. No. 14V38. Each SI .00 GLASS WATER FROM NAPKIN—After hands and napkins are shown empty, a glass of water, milk or liquor is produced from napkin. No. 14V39 SI.00 PALMING COINS—Coins about the same size as a half dollar. No. 14V40. Each $1.00 Tradex. No. 32J41 50 Double Tail Penny. No. 32J42 1.00 Dime and Penny. No. 32J43 1.00 Nickel and Penny. No. 32J44 1.00 WIZ-KEY. No. 32J45 75 Fordex. No. 32J46 50 Andreen's Marvelous Memory Stunt. No. 32J47 25 New Idea Dye Tubes, 3 " . No. 32J48 1.50 Novel Magic by Lu Brent. No. 32J49 1.25 Louis Zingone's Dual Prophecy. No. 32J50 3.50 AL BAKER'S RICE BOWLS—With "Spurting Ribbons" complete $4.75 Most any copy of GENII or LINKING RING GREATER MAGIC (HILLIARD)

World's

Foremost

S 12

SEVEN IN ONE—Card Routine, 14 pages thoroughly trated by Jack Chanin. No. 32160. Each DIMINISHING CARDS TO MATCH BOX. No. 32151

illus50 !?5

CHINESE LAUNDRY TICKET. No. 32152. THE CHINESE No. 32153

NEWSPAPER

MYSTERY

(It's

uncanny). .$1.00

HELLO SUCKER—The 3 shell game exposed completely the first time, completely illustrated. No. 32154 Thimble Magic, 44 page (book). No. 32155 Jimmy's cut and restored rope Ma.gic that Perks by H a r r y Cecil, 75 pages Cigarette Catcher. No. 18H56 Cigarette Production. No. 18H57

for $1.00 $1.50 1.00 2.50 1.00 1.00

MAGIC COIN BOX No. 5S58—A dandy pocket trick. A coin mysteriously disappears to a bag which is inside a match box, which in turn is inside an outer box. Price, complete

50

NEEDLE THRU THUMB TRICK No. 18H59—A startling and astounding effect. The performer apparently pushes a large needle through the thumb. Any needle can be used. A new and original trick, complete with instructions. Price, each...$1.00 JIMMY'S ON AND OFF KNIFE MYSTERY—Complete with directions. Can you imagine someone pulling handles off of a knife without a cold chisel or a pair of pliers right before yours eyes? This mystery consists of two knives, either knife can be passed out: for examination. The knives alone are worth the money. Originated, manufactured and sold by Jimmy Sanders or get it from your favorite dealer. Ask Crawford, Blackstone, Calvert, Tarbell, Cerutti, Lawrence and others. Postpaid $2.00 COMEDY TRICK—Two strips of paper torn into a number of pieces, after which they become transformed into a paper hat or lady's panties. This- effect is easy to perform, is selfcontained, one-half dozen, each $1,50 SANDER'S FLEXIBLE R O P E FOR TRICKS, 160 ft

Manufacturers

of Advertising

$1.00

Specialties

Established 1918

Known the World Over Rated More Than a Quarter of a Million Few More Commission Salesmen Wanted May, 1940

Page 271

THAYER'S SQUARE CIRCLE PRODUCTION A super production apparatus which leaves nothing to be desired! No matter where, or how close you may be called upon to work yes, even \\ ilh your audience all ariund you with the Square Circle on the job you need never worry. Here is the smoothest, most dazzlinu and beautifully routined production ever to orace a trickster'-, prouram. Price (lube load capacity I'/»xlO inches) $15.00 Price (large lube load capacity 6Vi:xlOVl: inches) 17.50 We just, -ent the first one ot the large size to Mr. Caro Miller who is with the Fitzkee International Magicians in Denver, Colo.

Beautifully Constructed in Thayer Quality We b e l i e v e \\t are safe in sa>in«: that this K the v e r y fine-U m a k e of Ih i & p o p u l a r e lect ever to be placed on the market. Mashy in appearance. Sturdily built to w ithstand years of daily wear. A piece of professional apparatus for t h e majiician who seekihe beot money can buy P r i c e complete with apparati.-. and one-halt g r o s s ot bai loons

NEW VANISHING BLOCK TRICK A brand new impro\ement on our old visible vanish of three blocks. Simple, bat!ling and fool proof! Red, green and yellow ornamented blocks are placed one at" a time in an open faced chimney. Blocksuddenly, and without covering, vanish from tube and appear in a hat which was previously empty. Done anywhere. No table required. Large size, flashy, stage make appaiatus. Any vanish is hard to get. This one will just fit the bill. Price §10.00

NEW BREAK-AWAY SUPER SUCKER DOVE VANISH ILLUSION

TEN DOLLARS

SURE T R I X A preparation for all ma'-iieiai^ which will definitely impivve your manipulation of B I L L I A R D BALLB, CARDS. THIMBLES. COINS, etc.

NOT A LEVITATOR— But a lotion to improve your hands and your ability to hold onto palmed objects. "WHAT CARD-DOPE DOES FOR CARD FANS—SURETRIX WILL DO FOR YOUR HANDS." BOBBINS SURETRIX 1 oz. bottle, 75c

H. P. ALBRIGHT'S

JUMBO SIZE, §12.50

By RALPH PIERCE—The MAGICIAN By spec ial ai ranuement with the inventor we now offer the latent and m-eatest of all the fine fasorites - "Where Do The Do\e^ Go V" Small bo\ rests on top of neat 3-fold scieen. Several dove-, placet', inside box. Pi o-sto! Box lid removed flat. Side» of box removed-all joined in one piece to fold- flat. Bottom of box removed flat. All side-, freely shown. Screen lifted to show Oh, Oh— small tuft of feather, falU into view near floor. Screen turned and opened out fiat. Feathers pro\e to be only a ie*ither duster which magician removes from hook, dusts his trousers iff a bit, then tosses duster aside — (s\\ell comedy bit). Here is the fir^t and only break-away live stock \anish to permit of use in niuht club w ith audience entirely all around. All parts composed of " s " material thickne-vs only. Flash decoration. No double walls, bniis or boxed in compartments. "It's tun to be fooled" with this one. Thayer make. Price complete. Prepaid §35.00.

THAYER'S NEW CONE AND FLOWERS ILLUSION

The PERFECTED ROLGHli\C FLUB. Will not shnno/i the cards. Slmht p r e ^ u r e will cau>e caulto hold touether, while releasing pressure will allow them to slid~ fieely IXVEN'T YOUR OWN TRICKS WITH CARDTEX. UuBISI.VS CARDTEX, SI.00

UNFATHOMABLE!

MASTER LOCK MYSTERY

A presentation that wi'l positively baffle those who know how pr< vious effects of this type were accomplished. The routine is d'ryct, natural, clean-cut and convincing. The method is subtle, and difleront than tho^p \\ hich have gone before; as no forcing, bags, extra Kimmics or superfluous apparatus are required. THE E F F E C T : Perfomier exhibits a genuine "Master" Lock ami assortment of keys . . . only one of which will actually open the lock ; tho all look similar. These are honestly mixed, and various spectator-, each hold a key in then- closed first. The mauician now passes the lock ovor the hands "to uet the \ ibration" and dramatically announces: "This is the one and only key that opens the lock" . . . and IT DOES! BUT, here i-> the tollow-up that completely befuddles the "wise boys". Spectators are now requested to seal the keys in separate envelopes; and these are mixed by anyone, while porformr's back is turned. Now, despite the fact that the magician is genuinely blindfolded, he

places one envelope at a time to his forehead in true psychic mannei . . . and suddenly declare-: "This contains the key that opens the lock" . . . and IT DOES! J

Si.

*

*

K

A CONVINCING DEMONSTRATION OF "SYMPATHETIC VIBRATION." Our Simplified Method gives free rein for Dramatic Showmanship. EXCLUSIVE FEATURES: Keys and lock are unfaked. and exactly as furnished by The Master Lock C( mpany. No gimmics, mechanical c r magnetic principles employed. No forcing or assistants required. The genuine blindfold may be emphasized, as you do not "peek." WE FURNISH THE COMPLETE OUTFIT: Lock, Keys and clear instructions for presentation. ALL READY TO PERFORM AT ONCE . . . Price $2.00. Or Seciet and Diiectioiis only (u--e your own lock and keys), §1.00-

Studio of Page 272

CARDTEX

A LA OUR MYSTERIOUS SQUARE CIRCLE IDEA Out lit consists of a handsome open front lattice work arbor, in uorgeou- design and beauty. Also, cone, stand and flower pot. Cone show n positively empty seeds planted in pot, cone plat ed over lifted Behold! A n< rueous flower tree in full bloom. Works clo»e up and entirely sui rounded. The only effect of its kind that can be done under these conditions. Cone measures (>lj inches at the larue end IT inches tall in att •active color scheme. In fact, the Hash beauty of t r e whole aifiir is >mething to w rite home about, Outfit includes a special tree of be:i utiful feather flowers, as well as special device > handle the use of >al flow ei s when de>ired. Don't wait fo someone else to she you thi J . Get it now! All Complete tor $32.5.1, Prepaid

Box 1785, WilshireLa Brea Station Los Angeles, California GENII

GENII

JULIEN J. PROSKAUER 'HI proud of the friendship of Julien J. Pioskauer. I'm an earnest believer in the adage that a staunch foe will make a firm friend. I'd a thousand times rather fraternize with a man who has once come out openly against me than the type of individual who is nice to my face and sharpshoots and whispers behind my back. Whatever Julien has ever said of me, he's said to my face . . . and then in a constructive manner, rather than in a criticizing vien. I don't have to introduce Mr. Proskauer. Magically, his name and good works are known the world around. We first met, personally, at the Battle Creek Convention It was he and I who caused a host of amateur photographers, shooting plenty of footage, to practically wear out their cameras depicting the meeting of magic's Dr. Livingston and Mr. Stanley. The late, beloved Bernard M. L. Ernest introduced Julien to the S.A.M. He became a Trustee of the Parent Assembly in 1930 and has held office ever since. He became National President of the world's oldest magical organization, and then Parent Assembly PPresident His contributions to magic are well known, and that he is now giving to Genii the secrets of some of his efforts pleases us no end. President of one of the country's largest printing companies, and Director in four others, Mr. Proskauer also rinds time for photography, shooting and a host of other avocations. But of all these, magic is his greatest love. His first public magical performance dates back to New Rochelle. N. Y. in 1907. His performance in conjuring is intimate mental and card effects of subtle nature. However, all fields of magic, great and small, embrace his whole hearted interest. Incidentally, he is the only

J

magician to whom Theo Hardeen, brother of Houdini, taught the secret of the Houdini Milk Can Escape. Using Houdini's original milk can, Julien has done this escape several times at magic conventions throughout the country. Julien does not believe in mixing his war record with magic, and rerely discusses his army career. He does not discuss citations or decorations, but he has them. He is Past Commander of an American Legion Post, Pas President of the United States Camera Club, a life member of the National Rifle Association of America and is nationally known as a pistol shot. (The latter is not to be contsrued as the reason why I regard Julien as a friend rather than a foe. I like him, and would like him, even if he couldn't hit the broadside of a barn) When he gave up aviation, he had 4938 hours in the air as a pilot. This was in 1929, after he helped found the Danbury (Conn.) Air Club. To a guy like me, who gets air sick when I lift one foot off the ground, the latter is an amazing accomplishment. Maybe that's why he is a Colonel and I'm a lawyer. In the light of all that I've learned these past two years, I believe Julien has done a lot of good for magic and magicians. I am happy that our misunderstandings are ironed out, and look forward to his encouraging correspondence and helpful suggestions over many years to come. This closing statement should make our readers understand much: when Julien found that other magicians did not approve of Stunts, Inc., he closed it up. And in the doing he lost $14,000. He won't talk about it, but I have this on unimpeachable authority. How many men of means would do as much just because they loved cur craft?

WE HOPE YOU ARE LIKE ONE OF THESE All of these were received In April, 1940. "oilowed the Genii since its beginning— and ins _3rsen writings long before that—and I Tsay ne\ e expressed in the past my appreciation of the - "£ job you are doing J. Elder Blackiedge, Indianapolis, Indiana This s -c thank you for your "Bonus Trick" that came v. T the ever welcomed April Genii Also lo pra>s perfectly decorated, as is also the secret apparatus.

Will do everything a coin tray will do, yet all you use is an

Bill Larsen

ordinary appearing copy of The Reader's Digest.

bought the first one and is using it in his show. Complete with all apparatus and Instructions

$2.50

MANIPULATIVE SPOOLS

all necessary apparatus (and the doll embraces a new, ingenious Price complete with everything necessary

spool which, suddenly, vanishes

Worth the very little practice required to master

it and an effect that everybody Isn't working to death. Has

No// suitable for club and stage audiences—yet as delightful as ever in story and form.

A large spool diminishes three times

leaving a tiny

The latter does

the trick. $3.00

Complete with apparatus and directions

$1.25

DO YOU— Receive our Ballygram regularly? Want our free book catalog? Desire to be on our mailing list?

IF SO, address a postal to—

Studio oft Page 336

Box 1785, WilshireLa Brea Station Los Angeles, California

GENII

CARL H. HEILBRON ARL H. HEILBRON, the genial general chairman of the 1940 convention of the Pacific Coast Association of Magicians to be held in San Diego July 21-25, is the personification of genuine enthusiasm. I have never seen a man, either young or old, who generates more pep and enthusiasm for the task at hand than Carl Heilbron. As first vice-president of the PCAM, Carl was placed in charge of arrangements for our coming convention. Working in cooperation with the San Diego Magic club, and the Magic Circle, Carl has shown rare executive ability in mapping out plans for the conclave, even to the minutest detail. His brochure on convention budgets and plans will be a model for years to come. Those of you who attend the convention—and I hope that means every magician in the association—will find Carl in the vanguard of those who will greet you upon your arrival in San Diego. If he doesn't place a Spanish sombrero on your heart, or a favor of somekind in your hand, I'll miss my guess. Although Carl has been interested in magic for years, he still is in the class of an amateur magician. He does it like so many others in the world as an avocation, for the amusement of his friends and himself. One of San Diego's outstanding civic leaders, Carl started his career as a telephone company employee, but soon engaged in the electrical contracting business. During the time he was president and general manager of the Southern Electrical Com-

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pany in San Diego; this firm grew from a small business into the largest institution of its kind on the Pacific Coast and for a long period led the United States in sales per thousand population of many of the major electrical appliances. On the civic side of the ledger, Carl served as president of the San Diego Chamber of Commerce in 1915 and was co-organizer of the San iego California Club, the promotional organization of the city. He was vicepresident of the 1916 Exposition and gave more than half of his time to arranging special days and events and filling speaking engagements. He led the subscription drive for the city stadium and holds the only life pass ever issued to any citizen. He is past head of nearly every organization of any consequence in San Diego, including the Red Cross, Boy Scouts, Masons, Shrine, Native Sons of the Golden West, Elks, Rotary club, and Press club. During the past three years, Carl has been the executive manager of the San Diego City and County convention bureau, and is widely known as one of the best convention managers in America. He was instrumental in winning nearly 70 conventions, including the PCAM for San Diego during 1940, an enviable record indeed for a city of less than 250,000 people. I could go on almost indefinitely singing the praises of Carl Heilbron, but I will sign off until convention time when you can find out for yourself just what a swell guy this Carl Heilbron is.

WE HOPE THAT YOU ARE LIKE ONE OF THESE (All of these were received in June 1940)

You are doing an excelient job with Genii. I value my copies very highly. Their completeness makes them a magic encyclopedia. 1 refer to my •files quite often. David Mishel, El Paso, Texas. Your esteemed iournaS Genii is indeed th magician's delight. M. B. Norman, Bombay, India, ! must say one thing—your youngest baby Genii is certainly getting on like a house afire. I look out for Genii every month and have been doing_ so ever since I began taking it. I've read it in many places, at sunset on the Nile; in the shadow of the "Great Pyramid"; sitting on the paw of the Sphinx; in the Valley of the Kings

JULY,

1940

at Luxor; on an oasis in the Lilyan desert, on the snowy top of Mount Blanc; in a French vineyard and on a cargo ship in the Bay of Biscay. I once read it in a train going to upper Egypt when the temperature was 128 degrees in the shade! I had to use two torn bits of handkerchief to hold it by, on account of the perspiration. W. J. Gallagher, Cairo, Egypt. i consider Genii one of my most valuable assets in my daubling in magic. It is the "Perfect" magazine in every sense of the word; perfectly Interesting, perfectly enjoyable, and its effects perfectly workable. Magic needs Genii. Jack Simons, Hartford, Conn.

GENII 705

Pasadena,

S. Hudson

Calif.

Printed in U. S. A. MRS. WM. W. LARSEN.Editor and Business Mgr. WILLIAM W. LARSEN Editor ot Magic CARYL S. FLEMING...Honorary Advisory Editor GENII is published monthly by William W. Larsen, of Pasadena, California. Editorial office, 705 S. Hudson Ave., Pasadena, California. Price in the United States and Canada, $2.50 per year; twenty-five cents a copy. Elsewhere, $3.00 per year; thirty cents a copy. While manuscripts, photographs and drawings are submitted at the owner's risk, every effort will be made to return those found unsuitable, if accompanied by firstclass postage, but we cannot be responsible for any loss of such matter contributed. Contributors are advised to retain copies of their contributions and to double spaca all articles submitted. Printed in the United States of America by the Wolfer Printing Co., Los Angeles, California. All contributions and advertising matter must be received by the Editor by the 20th of the month preceding publication. VOL. 4

JULY, 1940

A D V E R T I S I N G Full page Half page Quarter page Eighth page I column inch

NO. 11

R A T E S $20.00 10.00 6.00 3.00 1.50

IN THIS ISSUE EDITORIAL Genii Speaks

338

Tricks Signs of the Zodiac Traffic Lights Calendared Thoughts Multi-Mentality Ghost Rap Projector GENII JUNIOR PAGE

339 340 341 342 342 343

ARTICLES Carl H. Heilbron Fu Manchu

337 344

COLUMNS Magic of the East L.A.S.M. Club Report Ribbins Chicago Chatter On the Beat From Wisconsin New Haven Club Scattered Shots N. Calif. Comments Max and Skully Kanter's Comments Los Magicos Legerdemain Spokane Club Magiministers Seattle News Chaps Corner

346 346 346 347 347 348 348 348 349 349 349 350 350 350 355 356

INTERNATIONAL NEWS

351

CONVENTION NEWS S.A.M I.B.M P.C.A.M

352 353 354 Page 337

GENII SPEAKS E hasten to salute H. Adrian Smith, newly elected president of the 3.A.M., and John Snyder, Jr., re-elected head of the I.B.M. In 1941 the former organization will hold its conference in Providence, R. I., and the I.B.M. its convention in Cincinnati, Ohio.

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Gene Bernstein, of Chicago, recent president of the S.A.M. has rounded out a year that seems to be unsurpassed in accomplishment of good for the society. Congratulations, Gene. And, of course, John Snyder, Jr. is plugging away all the time for the International Brotherhood, bringing it back to its halcyon days of Bill Durbin. We turn our thoughts, now, to the conclave of the West Coast gang at San Diego, July 21st to July 25th: With headquarters in the U. S. Grant Hotel and a score of dealers promising attendance, with Carl Heilbron and the rest of the border city magicians working hard for months past and with several hundred of the Western (and Eastern) conjurari arranging their vacations so as to be able to attend all five days, the San Diego convention is destined to be the mightiest the P.C.A.M. has had. Don't say we didn't advise you to be there. Enjoyed visits this month with Magic's Royal Family (the Gwynnes), Glenn Pope and the Loring Campbells. Loring and his wife are already back on the road, headed toward another successful season. Glenn Pope is off to headline in San Francisco. Jack Gwynne, Anne, Buddy and Roger gave us an evening of their time and I've added all of them to my list of favorite people. The Gwynnes are the star attraction at the renowned Los Angeles Biltmore Bowl. Held over, they have created a magical sensation. The Gwynne brand of conjuring is the type we're always seeking and seldom see. Ray Muse and every member of the Mystic 13 deserves a big hand for the magic show staged by them on the evening of June 22nd. How different it all was from the usual magic club show: well staged, rehearsed, new material, smooth running performances and the house well ushered— it will be a shame if Ray and the Mystic IS members can't figure of some way to put the performance on many times in its entirely in the future. I especially enjoyed Jim Conley's revival of the broom suspension, Bob Page 338

Gunther's emceeing and his marvelous stage personality, the easy performances of Howard and Sylvia Gerlach in their watch store act, the fine professional "make up" of the cast, Marvin's first tube switch and Garland Coughtry's golf ball finale. Carl Sten's pitchman would grace any bill. "You Are charged With—" is well thought out, but I could do without the ensemble singing. Best tricks of the month (in my opinion): Al Baker's new salt trick, a slick one that you must purchase; the brilliant Marshall spring flowers in both small and large sizes. These are by all odds, the finest I have seen. Incidentally, the beautiful new feather flower creations in Blackstone's show were made by Horace Marshall. The Abbott Penetration Illusion, wherein a tube is shoved through an assistant's body and milk poured through, is effective and practical for any conditions. Loring Campbell added it to his new show. I am using Maury Kains lunch pail and slates trick; also his Gobi Prayer Box. One of the best tricks of the month is not marketed but appears in the May issue of The Dragon, page five. It is The Maharajah's Secret by Oscar Weigle, Jr. Employs a confederate, but the goodness of the effect overcomes the evil of the method. I have previewed Sid Fleischman's Million Dollar Gimmick and guarantee same. And Max Holden's offering of Bohleno's silk through the robe gives every appearance of a miracle. Finally, remember, every ad appealing in Genii is guaranteed! Frank Carter is doing a great job with his Houdini-gram and I read every issue received from cover to cover. And thanks to Bernard Zufall for favoring me with his Memorytrix numbers 3 and 4. The Zufall material is by far the most practical instruction of its kind. The magician in search of something "new" should have all four of the Zufall booklets. We were happy to receive word that Dave Bamberg's father, Okito, was among the last to get out of Holland immediately prior to the German invasion and has joined Dave in South America for the duration of the war. Much communication with Charlie Smith (Uncle Feelix) this month and, if we don't miss our guess too badly, Seattle will have the P.C.A.M. convention in 1941. Revello Petee has been on the sick list, but will be up and about again, soon, making those life like vent dummies for his exclu-

sive agent, Mike Kanter of Philadelphia. The Rev. Gordon Mattice, conductor of the Migiministers column in Genii has a three column headline, two column cut and full column of publicity in Rochester's Democrat and Chronicle for June first. Swell for magic and magicians and no exposing. Nice work, Reverend Mattice. Hope that by the time this issue of Genii reaches readers Nicola, famed magician and illusionist, will be safely home. And Charlie Hoffman, highest paid bartender in the world—and surely one of the highest paid magicians—still seems to get the most publicity with his magic bar act. Regret of the month:that I didn't get to meet Ade and True Duval at the Los Magicos meeting. Had to be out of town. R. S. Balsiger will offer three prizes for the three best effects with alphabet cards. Entries should be sent to Genii and Rev. Balsiger and I will officiate as judges. Winning tricks will be published, and all worthy contributions will be set forth at Irna'th in a booklet that Rev. B'alsiger proposes to issue. For further details on the contest write Rev. R. S. Balsiger, 1220 Ninth Street, Portsmouth, Ohio. A small book of alphabet card items written by Eddie Clever has recently been released by Mr. Balsiger's firm. Considerable foreign correspondence has reached us the past month and it is good to know that the New Zealand magicians had such a successful convention. Cedric's letter and column are published in this issue. How I wish I had some magic power capable of picking- him out oi his spot cf danger and conveying him here! May God keep him safe. And I'm grateful to Charlie Davis for his good work in translating the letter in French from Dr. J. d'Hotel, written just before the fall of Paris. Other high spots of the month: Stuart Robson's starting a new magic shop in New York. The party at Walter and Hana Pratt's. And Walt's imitation of The Prophet. Jack Gwynne personally presenting a birthday cake to Gerrie at the Biltmore Bowl the evening of the Los Magicos dinner there—and which evening happened to be Gerrie's birthday. A Sunday evening profitably spent talking with Ed Reese of San Diego. Caryl Fleming's return from the conventions and his enthusiasm for both of them. Thayer's Orange and Apple Transposition, his new spool tricks and his changing canister that looks like a thermos bottle—also, his new coin tray idea. Meeting Ed Drew at Spencer Crilly's. Rehashing ye olden tymes with Walter Baker. Vanish of the month: Anemann's sense of humor. GENI

SIGNS OF THE ZODIAC by FRANK STRATTON AND WILLIAM LARSEN EN spectators are each handed a zodiac chart, about the size of a postal card as depicted on this page. Those who have even a passing acquaintance with astrology know that such a chart is divided into twelve panels, each titled according to its sign and representing certain dates. These appear on the chart as, for example, "Sagittarius-Nov. 22 to Dec. 20. The tLlve signs account for every one of the three hundred and sixty-five days in a year. Each spectator who receives such a card is requested to make a check mark, with a pencil, in the portion of the chart which encompasses the day of his birth. "Let us say you were born on December first. Find the panel on your chart which embraces that day. Here it is: Sagittarius. Now with your pencil make a mark, or cross, in the white portion just beneath the word Sagittarius". When all ten have done this, another spectator is requested to gather the charts and to mix them thoroughly before handing them to the performer. One by one the latter takes the cards, announces what sig-n has been checked, gives a brief, but interesting, horoscopic reading and, then, hands the card back to the very person who checked it. It is the last bit which enables the effect to transcend the bounds of horoscope casting and which sends the audience away talking of the magician's strange gifts; of his miraculous powers. Ted Annemann, in one of the early issues of the monthly Jinx, presented the basis of the idea in an article called "Pseudo Psychometry." It was, and is, a mighty feat of mystery which many a conjurer, and mentalist, has added to his repertoire. The present version adds nothing from a technical standpoint, but does have an appeal in a world that is surprisingly "horoscope conscious". Cards bearing the Zodiac sign will be needed. Mr. Robert Nelson, of the Nelson Enterprises, 198 South 3rd St., Columbus, Ohio, very kindly gave us permission to have the cut for the chart which appears herewith made from the large chart which he sells. In return, we promised to send him the completed cut and he will turn out cards of the proper size which the reader may purchase at a fair price, Arrangements might also be made to have your professional advertising printed on the reverse side and thus let the assisting spectators carry away those bits of information about

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JULY,

1940

you which are apt to bring future business. Those not wishing to invest might, somewhat less effectively, make their cards up on a typewriter: down the left hand side of the card type the signs and corresponding' dates, thus: Aries March 21 to April 18 Taurus April 19 to May 19 Gemini May 20 to June 20 Cencer June 21 to July 21 Leo July 22 to August 21 Virgo August 22 to Sept. 22 Libra Sept. 23 to Oct. 22 Scorpio Oct. 23 to Nov. 21 Sagittarius Nov. 22 to Dec. 20 Capricorn Dec. 21 to Jan. 19 Aquarius Jan. 20 to Feb. 18 Pices Feb. 19 to March 20

A few thousand similar cards turned out on a mimeograph will cost but a very little. And, if the reader wants another good, and cheap, idea, buy a chart for about sixty-five cents from any dealer in horoscopes and have it reproduced by "offset" printing to any size desired. This obviates the necessity of a cut and thereby reduces expense. So much for that. We'll now assume that you have ten charts, postal card size, and are all agog to try the trick. Each card must be secretly marked so that each can be distinguished from the other. Further, the markings must be such that each can be distinguished numerically, from one to ten. A splendid idea is to put a small dot of ink in Aries as number one. For

the next card put the dot in Taurus. Third, Gemini. Fourth, Cancer. And so on. The dots will pass unobserved to the spectators receiving the charts, but to the performer, who is looking for them, will stand out as though each card bore a printed numeral! Prior to performance, the cards are stacked in rotation: one to ten. The charts are passed out along the front row from left to right. The magician merely remembers, by means of their seating arrangements, which spectator gets chart marked to represent "one", which one gets "two"— and so on. Completed, spectator number one has number one chart; spectator number eight number eight chart, et cetera. Each person who has a card checks his proper birth date and then, as we have heretofore said, the cards are gathered by a volunteer and mixed. Picking up the charts in the order in which they are returned to him, the

magician merely looks for the dot on the first one. If it's in the sixth sign he knows darn well that it was checked by the sixth spectator to receive a card. If it's in the second sign, it was the second spectator. And it's really marvelous how accurate the performer-astrologist can be when he knows the identity of the person whose card he's reading. Finished, he hands the card back to the spectator who marked it. Unless the reader is naturally gifted at the phraseology of soothsaying, he should study up, a bit, upon astrology before attempting a presentation of this item. Any one of the pulp Astrological magazines which abound on the market will help a lot. (Continued on Page 356) Page 339

TRAFFIC LIGHTS by DR. RAYMOND BEEBE

HIS effect is particularly suited to the Drawing-room or Club, and gives the performer an opportunity to take the audience into his confidence in order to prove his "innocence" of charges by a traffic officer that he drove his car through a "red" signal. A member of the audience is chosen as the "officer," the audience is the "jury," and the performer puts on his own defense. PRESENTATION: "Imagine my embarrassment a few days ago," says the performer, "to hear the screaming siren of a motorcycle officer directly behind me, and upon pulling over to the curb, to be told in no uncertain terms that I had driven through a red traffic light. I argued with the officer that I thought the light was green. He insisted that it was red! There were some heated words about which of us was colorblind, with the net result that here I am in this room which we shall presume to be the courtroom, with you members of the audience being the jury, and if this gentleman (indicating a member of the audience) will impersonate the officer, I shall present the following evidence in my defense."

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At this point the performer picks up two decks of cards, one having red backs and the other green backs (preferably solid color backs), also two small white envelopes which are just the size to contain a card, and each envelope has a large cut-out circle on the face of it. "Members of the jury, as it would be impractical to have a full electrical signal system set up here, I am using instead some cards, one deck having red backs and the other g-reen backs. I shall ask you to examine the cards and freely select one card from each deck to represent respectively a 'red' light and a 'green' light. Kindly place a mark of some sort on the face of each card so that the 'light' may be positively identified later. Also please examine these two envelopes which are to serve as the 'light boxes' and place your selected cards one in each envelope with the color signal show-

ing through the opening, and just before you seal the envelopes, make an identifying- mark on the inside flap of each envelope to further identify this piece of evidence. I now hold the two envelopes side by side so that you may all clearly see the 'light boxes', one with a 'red' light and one with a 'green' light." Up to this point there has been no trickery, but now as you step toward the spectator who has been designated as the "officer," and with your left side slightly toward the audience, comes out with another envelope palmed (this envelope is prepared with cut-out circle exactly like the other two and contains a red card). As you apparently did not locate the pencil in that pocket, immediately transfer the two envelopes in the right hand face down on the concealed envelope in the left hand, this envelope is also face down. Your fingers instantly square the edges of all three and draw the packet partly into view in the left

hand, as the right hand goes into right coat pocket and produces the pencil. The green card envelope should be the center of the three, which is easily accomplished by having it on the face of the two cards that were transferred from the right hand onto the palmed card. Prom this point on, the envelopes are handled in a way similar to the "double lift," except that they are displayed front toward the audience and held in right hand with thumb on lower edge and fingers on top edge. A sligiit bowing of the envelopes tends to keep the edges snugly together especially if the forefinger tip is pushed lightly against the rear envelope.

In this position, the pencil may also be retained in same hand, as shown in the illustration which gives a side view, and the front card may easily be slid off sidewise with the left thumb and forefinger, leaving the two marked envelopes held as one in the right hand, with the green color showing on the front envelope. Step directly in front of the spectator "traffic officer," with the three cards held in the rig-ht hand as just described. State that in order not to confuse him, you will turn off one "light," and you proceed to slide off the front "red" envelope with the left thumb and forefinger, turning it so that the back is toward the audience and held lightly by tips of first and second left fingers. Now, approaching him with the "green" envelope facing him, ask the spectator point blank what color he sees, and he naturally replies, "GREEN." "Members of the jury," the performer continues, "the officer states that he sees GREEN, so I shall record his statement on the back of the envelope containing the 'green light', like this." Turning his body to the left, the performer places the GREEN envelope (really the two held as one) face down in the left palm, keeping the edges neatly squared. This automatically brings the single "red" envelope which is being held in left finger tips into view, so that there is no suspicion of any exchange of envelopes. The performer now writes the word "GREEN" in bold letters across the back of the envelope in left palm, as shown in the illustration. By way of emphasis on the word and color GREEN, the performer again lifts the two-as-one green envelope with right thumb at lower edge and fingers at upper edge, and shows the green circle for a moment. This moment allows the left hand to bring its single red envelope face down, and the right hand envelopes are again brought face down on the one in left palm as the word "GREEN" is shown again. At this point, the right forefing-er and thumb do a "single lift" of the top envelope, keeping the BACK of this envelope constantly toward the audience with the word GREEN in full view, and this en(Confinued on Page 345)

SEATTLE—'The Vacationing Convention City" THE SEATTLE MAGIC RING Page 340

GENII

CALENDARED THOUGHTS This is somewhat of a "cardless" you do as I do effect. Pages from a small calendar are used instead. Two calendars are brought forth. Each is composed of twelve pages, representing the months from January to December. The individual pages should not be large: about two by four inches is right, but the exact size may vary either way. The mentalist picks up one calendar, thumbs through it and tears out one page without permitting the assembled miracle seekers to see what month he has selected. The pages of the other calendar are separated, either by tearing them off or removing the wire staple which has already been loosened prior to performance. These pages are mixed and spread out, printed side down, on a table. A member of the audience is requested to choose one. He is handed a pencil and instructed to encircle any date in the month he has taken. Standing well away from him, the performer does the same. This done, he is asked what date he circled; then, what month he chose. "Strangely," says the performer, "I chose the same month and encircled the same day". The statement proves correct! We shall require two small calendars. One is unprepared. The other consists of a January page at the front and eleven duplicate pages of any month following. For example, with January the first page all the rest might be July. Let's suppose that is so. Two lead pencils, a small pad, or notebook, and a thumb writer complete the essentials. The pad, or notebook, is not tricked and serves only as a writer surface for the performer. A borrowed book or magazine would do as well. My own thumb writer consists of a loop of metal which fits about the tip of the right thumb and has a socket for a small piece of pencil lead. I've also tried the type that slips over the thumb nail. What you'll use depends upon

your own preference. Dealers advertising in this issue of GENII can supply various types and styles. Reverting, for the moment, to the pencils: I use stubs not more than two or three inches long. Thus I can carry them in the rig-ht coat pocket, together with the thumb writer, and obtain the latter in the act of removing them. The prepared calendar may be easily made up. Buy a dozen calendars, (or wait until next January and chisel them out of your insurance agent or the coal dealer) separate the pages and re-staple or glue the duplicate pages back together. Perhaps, if enough readers are interested, some dealer would be interested in having the forcing calendars properly printed and put together. I'd buy a gross myself. NOVEMBER

1940

m nor u so W th Daftcr for W b rs own perfo n ng roj e a sw vaue i $3 00 WEBER S IOWA CORN uses t! e f t te dca w fh start g effect from the comedy a gle If s sure f re or varm nq up a coid aud ence qett q them nto the r qht humor for your other efects W th Weber pattc $150

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FISH BOWL PRODUCTION EXTRA ORDINAIRE Aoboft Just -naa s 00 g ou f OTI unde gooa o!a o u l i r a t a ob 0/ h qh and 8 n o cnetc —-t c s h s i ! 1 y ho ds 2 q u i is Real f sh may oe us d and the e s no coved o be d tched M i d of ouqh t ans p m i i e i to rstarcf a d use $7 50

he body Se dom ao v ra an ct so c cu so aoso u e y sel co a O A B a ao t Ana o $! 50

J. C. Shoe Laces • . . Good! J C n s an o c s a 1 s a oretty n s n moe a csua antce of c ve n ss I on h i o e soec i t o s a ov n o b ee y cxh L fed s ng comple ly o asht-s ad s accomp sf ed R sto t o n s mmed of gadgets v nou any a cer mov s oU s o otn w h Fur ncrmo e you •" e a at one vi at o s cno qh mat r al o ao the t c< 46 $2 00

AUGUST 1940 Vol. 4

No. 12

T H E Y

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KANTER'S BIG ANNUAL BARGAIN SALE Presents a wonderful opportunity to GENII readers to cash in on some high grade items that are guaranteed to be exactly as represented. Order at once by rhe numbers indicated. " N " means new; " S " means slightly shopworn; " U " means used but in good condition. No i—Flash Appearance Card Frame—(Berg) N Our Cat No 348 Selected card appears between banded glass plates supported in beautiful stand Regularly $7 50 Real buy at $5 00 No 2—Find The Lady Cubes—(Thayer No 621) N 3 dice bearing play ng cards are covered with a chimney hav ng 3 doors Keeps em busy trying to find the lady Always $12 50 a g ft at $5 00 No 3—Brahman Rice Bowls—(P&L) U Our Cat No 1078 Nickeled finished 5 brass bowls Self contained no gimmick Cost $8 now only $2 75 No A—Tn Color Boxes and Mysterious Flight— {Thayer No 1060) S Vanishes an animal and a box then produces both from with n 2 other boxes Fme trick beaut ful outfit Was $25 a gift for $12 50 No 5—The Dream Tube (Appiegate Steen) N Brilliantly enameled brass about 3 square produces large load of s Iks by itself although shown empty any time Excellent in any combination Was $9 50 and is big value for only $2 75 No 6—Okito s Miracle Torn Restored Card Frame— U Specially made costing fully $150 it stands alone in producing a startling effect Used by Carl Rosini on his world tours here is something dis fmctive and unusual Selected card is torn into 6 pieces one p ece at a time is thrown at frame wherein the whole card is seen to visibly reconstruct itself the card finally bowing to audience One piece may be withheld for identification Beaut i fully made and a perfect piece of mechanism mak ing it easy to present Some shrewd wizard will grab this at $30 00

No 7—-Cherchez La Fe-nme— (P&L) N Our Cat No 333 Two Jacks and a Queen placed on he stand in full view but t s impossible to f nd the woman Handsome large size stand and easel for Jumbo cards Regular at $12 you can t go wrong on this for only $5 00 No 8—folding Table Base— (Brema) U Nickeled brass Was $10 If needing a table snap st up far $4 75 No 9—Beautiful Production (Folding) Parasols— N Full sze 33 fold to 11 A big hit in Thurston and Blackstone shows Not made any more Dozens sold at $7 50 only 5 left each $4 00 No 10—Eclipse Vanishing Lamp—(Thayer No 986} U A startling effect complete with special table that knocks down for packing O n g nally $52 50 now a positive bargain for $!5 00 No 11—Eclipse Reappearing Lamp—(Thayer No 986A) U Companion to above Lamp may be removed from table Was $35 Now only $10 00 No 12—Fibre Case To Carry Both of Above— U List $5—with above $2 00 No 13—Ultra 4 Ace Effect—{P&L) N Handsome stand for exhibiting 4 Aces or other similar effects Reg $12 50 a snap at $5 00 No 14—Ultra Card Rising Stand—(P&L) S A nickeled houiette on a slender upright Very simple to work New $6 now only $2 75 No 15—Block of Mohamet— N Large decorated block threaded on r bbon is instantly released and al! examined Reg price $9 50 This one special at $6 00 No 16—Cigarette Stand—(P&L) (Thayer No 324) S Displays 5 cigs then assists in vanishing them

NEW MODEL—NEW REDUCED PRICE THE PENETRABLE GLASS IN FRAME

NEW SPIRIT BELL

You all know this beautiful trick—(our Cat No II27) which has sold like wildfire at $4 50 This new popular priced mooel is approximately the same size (4 s / 2 ' x 5'/2 ) has the same perfect operating mechanism and the all metal frame is -finished in attractive red enamel Glasa shown solid cards inserted on both Sides then a pencil is thrust through cards and glass Later inspec tion shows glass whole as at first Highly recommended and only $1 50

SPONGE BALL MANIPULATION {Audley Walsh) New revised enlarged edition of this clever artist s puzzling routines New ideas patter stones etc All clearly written and better than ever Illustrated booklet and full set of sponge balls complete $2 00

MODERNISTIC AMPUTATION (Grant-Bordn er) Spectator places arm in open cabinet 2 blades pushed visibly thru the arm Center section is opened and a portion of the arm is actually missing The perfect illusion Complete with carrying case $37 50

(NEW) ABBOTT'S TUMBL-BUG A new and extremely novel pocket fooler that has created a mild sensation A brightly colored plaque bears the likeness of a Tumbl Bug With no apparent moves you can make it tumble over and over again but any spectator has a tough time frying t o make it do any stunts Just the thing to worry Mr Know it A l l 50c

FLASH PADS Handy pocket Size booklet of best flash paper cut into convenient size sheets with cardboard covers Just what you have always wanted 25c

(NEW) AL BAKER'S SALT TRICK

mechanically Handsome and very effect ve Cost $6 00 but yours for $2 75 No 17—The Phenomenal Hand—(Lew Sm th) N Here s a borrowed r ng trick without a switch First you vanish a ring then you show a natural looking hand upright on a base Hand is covered w th a heavy corduroy bag When spec names any of the f ngers or thumb there s his ring Reg at $5 here is a special for only $3 00 No 18—Magic In A China Shop, or Broken and Restored Plate— S Our Cat No 1136 Will put punch and comedy in any act Beautiful outfit cost ing $18 now complete at this very low price $9 00 No 19—(Zingone's Famous Dual Prophecy—• N A master Mental Marvel A r ° d pack and a blue pack On a red slip predict red card and on blue slip the blue card—spectators open ng slips finding same correct Ord nary cards no forcing We bought remaining stock and have only 6 left Originally $5 these few complete each $2 00 The 12 page il ustrated printed booklet of instruc tions only $1 00 No 20—Cigsahte— N Lights 3 cigarettes one at a ttme (electric) dropping them as needed Very fine for impromptu or in routine Formerly $7 now a wonderful buy at $3 00 No 21—Baffo—(Thayer No 944) U Handsome mahogany box 5 square contains an orange threaded on rtbbon running thru holes in box A nng is con lured onto ribbon in center of orange Easy t o do Cost $7 50 Special resale price $3 00 No 22—Beautiful Large Duck Pan—(P&L) N SDun brass highly nickeled there is noth ng finer List $22 50 Now for quick sale $20 00

The latest improved model for performing this puzzling mystery The small metal bell is suspended from a metal tripod the whole being placed on any plate and covered by any glass tumbler Upon command the bell rings out answers to questions selected cards number totals etc Beautifully made it is free of electrical contacts threads and such Always under your control and quite easy to do Far superior to the models formerly imported $27 50 With carrying care $30 00

by Lu Brent and further added features in presenta tion Handsome large crystal shaker and these extra routines $1 50

SPURTING RIBBONS FROM BAKER'S RICE BOWLS

(NEW) EXTRA LONG WAND

351 x 5/8 diameter Fine for Ring on Stick as per formed by Gah Gah and s mdar effects Hiqhly polished with solid catahn tips $2 00

ANNEMANN'S "JINX"

The keen buyers are still sending in the money for the ORIGINAL APPROVED COPYRIGHTED instructions for this clever effect as supplied only by Kanter Rice then nbbons then water it s a wow The authorized instructions only 25c Ribbon gimmicks and instructions 50c Complete—bowls ribbon gimmicks instructions $4 75

(NEW) NUMBER DETECTION Highly polished thin model brass box contains 4 handsome numbered blccks which spectator secretly mixes up With lid closed you instantly divine the order of the numbers inside Nothing concealed in your hands Finely made $2 00

(NEW) COLOR DETECTION New model—neat metal box contains a removable block bearing 4 brill ant colored discs Spectator places colors in any position closes box and hands to performer who names exact arrangement $| 00 GUESS A COLOR—Same effect but walnut case $2 00

REVELLO PETEE'S FAMOUS VENT, FIGURES

Published weekly 15c each 8 week subscription $1 00 Jinx Index—

%*•

WHAT well known Pacific Coast magician broke a chair swatting a mosquito in his room at 2 a.m.? I'll rever tell. SOME of the best magic seen at the convention was in the cocktail bar where Dr. Daley was amazing the yokelry with card tricks. AND I still think Maldo should have received at least three or four of the big trophies for his work. I HEAR that one of the delegates picked up a little Mexican in Tia Juana. Speaking of the language, of course. So, Adios, youse guys, Adios. Page 383

P.C.A.M

HE EIGHTH Annual Convention of the Pacific Coast Association of Magicians surpasses any adjectives of praise which may be mine. Gerrie, the two boys and I never had a better time. In the time between the Saturday night that we arrived and the Friday evening that we left (six days), I have never seen more, and have seldom seen better, conjuring. These P.C.A.M. affairs are marvelous. It used to be that we had three convention days. Then the lads and lassies had such a good time that they were loathe to quit. So they had a Post-Convention Day—Friday. Then a bunch began coming in early, so there was a pre-convention day— Monday. Nobody wanted to be late, so the fellows and gals began to come in another day ahead and, lo, there was a pre pre convention day— Sunday. The record, however, was achieved by San Diego this year. Saturday was the pre pre pre conven-

T

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C O N V E N T

tion day and saw over fifty registrants and their gorgeous feminine companions already present. Carl Heilbron, Mike Hazelip, Chester Rise and the rest of the San Diego gang deserve all the credit that magicians can ever have for the staging of a top notch conclave. From the little meeting of the brethern in the small room on the second floor of the Grant Hotel, Saturday night, to the last party on Friday, there was not a sane moment. Magic was in the air and EVERYBODY knew it. The townspeople had been informed of the gathering for months in advance and were expecting a "week of mystery." They got it! And they liked it! (The latter is most important.) Sunday the whole bunch motored to Tia Juana, a little town just across the Mexican border. With the Sigurd Nathans, Dr. Jacob Daley, Dick Madden, Joe Garofalo and others we enjoyed the Caliente races and the sights generally. Met Jack and Anne

Gwynne doing the town and noted activity on the part of Fleming and Jim Sherman. Lloyd Jones and the Oakland aggregation showed that there is money to be made in the Bay region by buying out the Mexican shops. Doc Daley and I enjoyed some bits of foreign foods while the ladies did the bazaars. Everyone returned to San Diego in good time, tired but, for the most part, sober. The evening was spent in splendid fellowship with Dr. Daley and Gerald Kosky competing at card tricks. At a late hour Jack Gwynne developed a crick in the back which necessitated twenty people escorting him to the room of Dr. Victor Trask, who had retired at the hour of 2 a.m. With Jack wholly repaired, we adjourned to the rooms of the Sigurd Nathans, where Blanche and Sigurd fooled me with a mental card trick. We broke up, reluctantly, when the hotel threatened to throw us out. A report was received that other magicians beGENII

I O N

N E W S

haved as well. Monday morning' arrived much too early, but we were up and around to see the many dealers pitch their camps. Percy Abbott, Floyd Thayer, Jim Sherman, Lloyd Chambers, Maury Kains, Joe Berg, Bob Stull, Art Pelsman, Lloyd, Hollywood Magic Company, Frank Hermann and several others showed their wares. And did these dealers have new magic? Yes, kind sir, they did! Jennie Thayer's grab box was a convention sensation! My boys spent all their money (and most of mine) there. It is notable that they received only one L.W. trick in the entire collection. Thayer's candle and pagoda trick appealed to me tremendously, as did his new bird in the light bulb. These are masterpieces of modern conjuring. Lloyd Chamber' new idea on the Hindu wand trick is excellent, and I am only annoyed that I didn't think of it before he did. It gives a climax to the wands and cord effect. August, 1940

While Percy Abbott sold Tumble Bugs I was enjoying his arm amputation, (which received a nice bit of publicity in Life of last week) the new cage vanish, the cut and restored electric light cord, (hastily purchased by the discerning Bert Allerton), the Neonistic silk production, the breakaway box vanish and the Zella thought projector. Gerrie was enthused, and so am I, about the flower bush which visibly grows roses which are picked and, seemingly, tossed to the audience. Jim Sherman wowed the lads with his ringing bell effect and the trick which he bought from Glover wherein two blocks change places. I examined all of the material Jim had for sale and must say that I am delighted with his offerings. Jim reports excellent sales and I think it small wonder with a guy like Vic Torsberg working for him. Vic is one of magic's GREATEST GUYS. Lloyd had a die box wherein you

P.C.A.M.

really see the die slide. It is good and I recommend it, as I do his two cage productions. Joe Berg had a whole stock of up-to-date magic, as did Frank Hermann (of the Fun Shop) and the Hollywood Magic Company. Carl Sten did much to pitch for the latter concern. Withal, the dealers had their inning and I am only sorry that sales weren't better. Times, it seems, are hard. However, I heard but little complaining. Monday night was the "Get Together." It was, by all odds, the best we've ever had. Good food, good music, fine entertainment—thanks, Carl, and San Diego, it was magnicent— and something' for other convention committees to live up to. Gerrie and I celebrated the fifteenth anniversary of our wedding this night and received many honrs: bouquets and candy for Gerrie and a fine bottle of Bourbon for me, which, of course, I shunned. Vera and George Baxter, official photographers for Genii, CaroPage 385

CONVENTION NEWS Seattle, killed me with his multiplying lighted candles and his watch box which, after grinding the watch into bits, goes into pyrotechnics— finally bursts into flames. It was outstanding to me. I only wish Page Wright could have seen it. It was Page's sort of magic. This Seattle magus will go far or I'm way wrong. McGill, in his drunk act, was good, as we always expect him to be. His billing, "America's Psychic Magician," seems in error. Cain did cane tricks. I like this fellow personally, like his magic, like everything he does. The Cam fellow does mighty smooth conjuring. Bert Allerton performed the pioduction of Chinese Lanterns and was "eye-fully" assisted by the pretty Hana Pratt. The production was beautiful, and so was Hana. Leo Irby closed the show with his presentation of the original Brooks trunk. Leo weighs upward of 170 pounds. It was a mighty feat to get into the trunk at all—and the escape in less than three minutes ranks with the great mysteries of all time. Irby was assisted by his two lovely daughters. Next day, Wednesday, there was a luncheon for the ladies. That evening came the public show in the Russ Auditorium, a theatre capable of seating more than three thousand. The show, again, was in the well worn and entirely capable hands of Claude Jones?) JACK WILSON, the old mas- Burke. It was emceed by Jim Sherter, presented a happy ten minutes man, who won the hearts of the Reof skillful mystery (including his publicans in the audience, but who own presentation of the cups and was resented, vocally, by the Demoballs) and was followed by Vancine. crats. (Must we bring politics into I like this kid but I think the audi- magic?) ence should see him m the act of Opened by my own favorite magisetting rather than working. Very cian, Bill Alstrand (who reminds me young, he reminds me of the way I much of Alexander Herrmann, had felt when I gave my first show. Per- it been that Herrmann were of a sonally, the boy is swell. Frank Strat- more magical appearance and of betton was followed by your correspon- ter physique), I can think of no more dent in a talk on lecture work. The worthy conjuring. Carlyle I've known tedium of the latter was enlivened a long- time. His skill is to be rememby Gerrie's (Mrs. Larsen's) work bered. His is the type of magic that with the Hanson Rice Bowls. The brings in the big money today. first half came to an end with Lloyd Charles N. Smith, better known as Jones going to no end of trouble, and the Dr. Feelix of Doc Wilson's days, rehearsal, with an act that required was followed by Dave Roth in a memthe services of eighteen people, a ton ory test. Dave "sells" the item, and of equipment, much study and a mind this is important. A group of Japagiven to magical humor. Funny is a nese closed the first half. Whatever tiny word for it. It was a "belly beauty their offering embodied was laugh" all the way through. Jones, offset in the minds of the lay audidammit, you're not a druggist. You're ence by attempts at humor, which a goddam comedian! was not understood by most and conMarvin, in his beautiful silk act, sidered vulgar by many! followed. The actor is but a youth. The second portion of the program But, old or new, there is no prettier was opened by James Conley. Jimmystery than is this sequence, ably mie had a new and different slant at staged by the veteran, Ray Muse. illusion work that was appreciated MARVIN "HAS WHAT IT TAKES." A nice by both magicians and laymen. Watch kid in good hands. Bob Morris, of this lad, say Genii, he'll be a top lyn Trask ard a few more supplied much fun. Fred and Evelyn Knapp will attest to this. Grady Nicholson, Joe Berg and I took a late tour of the night spots to make sure that all was m order. Came the Dawn! While Frank Stratton, Leon, Leo Irby, Carl Heilbron and Dick Mawe worked the outdoor show in the park (which was done Monday, Tuesday and Wednesday, using the barrel escape, Milk can, handcuffs, rope tie and packing box) the rest of us were getting ready for the Magicians' Only Show. In the afternoon there was the judging contests wherein many magicians, piofessional and amateur, sought honors. The contests carried through to Wednesday. The Magicians' Only Show, produced by the worthy Claude Burke, and ably emceed by the world's champion owner of closet magic, Bert Kalmar, started promptly at 8:15. Harold Agnew opened but, as an act, he might well have occupied the honored "NEXT TO CIOTHING" spot. He, in addition to other good magic, presented the most spectacular bullet catching trick I have ever seen. It is marketed by Bob Stull and, good readers, I have ordered one. You can have no idea of the effect until you see it worked! Mark you, HAROLD AGNEW will go far despite the associations he has kept. (How ya doin', Lloyd

Page 386

notcher. Maldo, always a show stopper, was the first act to take numerous bows. His card castle is different and calculated to fool magicians. Maldo is still the "Ace" magician of the Coast. On the heels of Maldo came Geraldine Conrad. Albeit it is difficult to write about one's wife, I may say that this is the most artistic and prettiest display of conjuring that I have ever seen. Gerrie acquitted herself as only I would have her do. Chester Morris, as a Chinese, next captivated the audience. Came next two Japanese: Tenkai and Okinu, professionally perfect. Finally, and a great closing act, Bernardmi! He produced four girls, tastefully attired, from nowhere. From the top hat of each came a rabbit. From that to Asrah! The latter was wonderfully done. So different from last year. Bernardim—our hats are off! And to the good wife who performed so beautifully, and who looked so much as a magician's assistant should we bow low. On Thursday we found the Dinner Dance and the Prize Awards. The Dinner and Dance surpassed any p r e v i o u s offerings. But, passing that, let's get on to the prize winners. Briefly, Percy Abbott's award went to Robert Morris; Fleming Trophy for Comedy to Lloyd Jones; Ray Gamble trophy to Bert Allerton for the best card trick; Houdini award to Frank Stratton; Frank Joy trophy to Carlyle for skill and dexterity (and how this chap deserved it!) ; Charles Larson award again given to the Japanese; Los Magicos award to Sherman and Kalmar; Chester Morris trophy to Mr. and Mrs. Bernard Giannini; Mendoza award to Chester Morris; Caro Miller trophy for most artistic act to Bill Alstrand; O.M.C. award to Claude Burke; District Three award to Harold Agnew; Seattle award to the Japanese Tenkai and Okinu; Jim Sherman trophy for best junior magacian to Chappie Packard; San Diego Magic Club to Merle Hickerson; Usher tiophy for best mental act to David Roth; T. Page Wright trophy to The Great Leon; S.A.M. award to Tenkai; and, the C. W. Fait Memorial Trophy for the best mental and hypnotic effects to Leo Irby for his presentation of the milk can escape and the Brooks trunk. Maldo, in appreciation of his efforts, was given a certificate. The business meeting occupied more time than usual. Ed Saint introduced an amendment to the constitution which would prohibit spirit mediums and angels from joining the P.C.A.M. (Continued on Page 388) GENII

CONVENTION HIGHLIGHTS

Lefi vertical row: I. Sunday at Caliente 2. The Monday night get together. 3. Bert Allerton and Hana Pratt produce lan.erns magically on the Magicians Only show. 4. The Great Leon receives the Page Wright trophy from W m . Larsen. 5. Leo Irby beginning the Broods Trunk trick. Second vertical row: I. Mrs. Houdini with Prof. Woodward, oldest living magician. 2. Bill Larsen and Page Wright's father, Thomas B. Wright. 3. Jim Sherman and Chester Morris on the Public Show. 4 Oscar Sutheil, young hltc'i hiking magic'an. Third vertical row: |. Leo Irby does milk can escape as outdoor feature. 2. The San Diego lads and gals at the Get-Together 3. Conclusion of Japanese act (large silk made by Harold Rice). 4. Caryl Fleming, Bert Kalmar and Jim Sherman dispute over trophy. 5. Car! Heilbron, C. S. Fleming, Nicola and Mrs. Nicola. Fourth vertical r ow: I. Frank Stratton ballyhoos outdoor attraction. 2. The Lloyd Jones act Is picketed. 3. Ladies of the Convention. 4. Bar-room shot taken after the Public Show. 5. Magigals attending conclave.

CONVENTION (Continued from Page 386)

To this Leaf McManus, an avowed spiritualist, strenuously objected. Just as we all thought, it would have to go three falls to a finish, Secretary Harry Shaw discovered a technicality in the already existing constitution which prevented the matter from coming- to a vote. Now for officers. Herewith the net results: President, Caryl S. Fleming; First Vice President, Charles N. Smith; Second Vice President, Merle Hickerson; Secretary, Harry Shaw; Treasurer, Leo Schmitt. The Board of Governors is now as follows: First District—Frank Joy, Captain Howard, Ray Gamble and Dr. Talbot. Second District— Bob Stull, Lloyd Jones, Will F. Peterson (a grand guy) and Fred Tuttle. Third District—Earl Rybolt, Harry Usher, Carl Heilbron and Bill Larsen. The expose committee is now composed of Dick Wilcox (chairman), Dr. Everett Morgan, Jesse Mueller (how are ya, Jesse? Missed you at San Diego), Lloyd Jones, Art Heinsen (missed you, too, Art), Charlie Smith, Vaughn Klein and Captain Howard. The meeting finally broke up Friday with San Diego still providing many interesting things to do. Next afternoon, Saturday, more than two hundred delegates met at Thayer's in Los Angeles and there were accorded typical generous Thayer hospitality. Admiration was heard expressed on every side for the beauty of the Thayer studio and the fine display of conjuring equipment. That night, still Saturday, the gang met at Sardi's for a Dutch lunch and gabfest. Withal an evening most pleasantly spent, especially considering a late stop at the rooms of the Sigurd Nathans. Sunday evening a final dinner was had at the Cafe Caliente. High spots of the conventions: Heilbron's personality; Mike Hazelip's greeting; Anne Gwynne's humor; Marvin's silk act; Stall's bullet trick as worked by Harold Agnew; Maldo's act on the big show; being photographed with Page's father; Morris' (Bob, not Chester) watch trick; Irby's trunk escape; Dethelfsen's winning the five dollar "grab"; Dr. Daley and Sigurd Nathan, together with Page's father, honoring us by attending our lecture for the High Hatters; Walter Pratt's continual good humor (and how about him as an M.C. next year?) ; Mrs. Houdini's charm and grace; the huge attendance at the public show; the cheap taxi rates in San Diego; and, finally, the invitation to go back to San Diego anytime! Page 388

NEWS

EIGHTH ANNUAL PIFF PAFF POOF By BOB WEILL

The eighth annual Piff Paff Poof get-together will be held this year at General Brock Hotel in Niagara Falls, Ontario. Previous to this year the gathering has always been held at Fort Erie, Ontario, just 18 miles from the Falls. However, by virtue of the move to the Falls, America's number one tourist attraction, a large increase in attendance is anticipated. No passport is required to enter Canada or for re-entry into the United States. The affair will take place on Labor Day week-end, as usual, August 31 and September 1, 2. A night-before party will take place August 30 for all those arriving early. No registration fee of any kind is exacted at Piff Paff Poof. Those attending pay only for their room and meals. The former will be only slightly higher even though the Brock is the leading hotel of Canada. Special rates, lower than regular convention rates have been secured. Four fellows can stay in a room for $1.50 each. The prog'ram will be as informal as other years. A show will be held Saturday night as usual. This will take place in the ballroom of the Brock, which seats 600 people. Magi are admitted free, as usual. Tickets are being sold to the outside public and the proceeds will be turned over to the Canadian Red Cross. Sid Lorraine will be master of ceremonies and seven acts, including Max Holden, Annemann and Joe Ovette, will be featured. Dancing and a cabaret party will follow the show. This will be held on the Rainbow Deck atop the roof of the Brock, overlooking the beautifully illuminated Fair. In fact, most rooms and dining' rooms of the Brock overlook the Falls assuring the best possible view of the mighty Cataract. Sunday a special sightseeing trip of Niagara Falls and its vast system of government supervised parks will take place. Following this the usual Piff Paff Poof Auction and Swap Session will give forth. Everyone is invited to bring anything, no matter how good or bad, they want to get rid of. Ted Heuber, the auctioneer, guarantees action and disposal. That night the banquet will be held. In past years this took place Saturday night, but was always too much of a conflict for the acts working the show which followed. Now everyone can enjoy their meal—$1 per plate, the same as other years.

Stewart James and a corps of assistants will present both a lineup of acts and some educational slants following the banquet. This will present some of the finest and cleverest workers attending the Piff Paff Poof. After this, the party will adjourn to the Rainbow Salon for buffet lunch and refreshments. The host will be good old Doc Burger of Cleveland and he is liable to have anything up his sleeve. Anyway, it's a cinch the party won't break up till morning. Monday will see the outdoor, spectacular and feature attraction. This will be staged before thousands of visitors to the Falls in Queen Victoria Park. Advance reservations for rooms are guaranteed only up until August 25. For further information write Bob Weill or the General Brock Hotel. Everything takes place at the Brock —and your dollar is worth 10 per cent more in Canada. Come to Poof— August 31, September 1 and 2! REMEMBER THE DATE! September 21st and 22nd, 1940 Eigrhth Annual

NEW ENGLAND M A G I C I A N S CONVENTION Hotel Taft New Hven, Conn. LeRoy McCafferty, Chairman Registration 58 Vine Street—Meriden, Conn.

GREAT LEON TESTIMONIAL Three days of Magic in honor of one of Conjuring's Greatest Celebrities FRIDAY, SATURDAY and SUNDAY, OCTOBER 25th, 26th and 27th. SAVE THESE DATES O N YOUR CALENDAR Sponsored by the Pasadena Magicians Guild and the Black Cat Post Number 13 of the American Legion. Headquarters' American Legion Clubhouse Pasadena, California N O REGISTRATION FEES N O DUES. N O BUSINESS MEETINGS. JUST M A G I C AND GOOD FELLOWSHlPi Low hotel rates right near the headquarters. Friday: Get together, publicity stunts, rehearsal Tor the Big Show and a midnight doughnut dunk. Saturday: Afternoon informal trick swap and exchange of ideas A t night the Third Annual Magician's Day public show. Sunday afternoon: Magicians Only, Show. Sunday evening: Testimonial dinner in honor of THE GREAT LEON Let us know if you can come Write

Bill Larsen 705 S. Hudson, Pasadena, Calif. GENII

MAGIC OF THE EAST by MAX HOLDEN Bert Kalmar and Earl Rybolt in N. Y. after the Conventions. Bert and I reminiscence over the old vaudeville days when we used to troupe together. Those were the happy days. A party given to Bert by Mr. and Mrs. Gerald Kauft'mann. Bert working- the Double Blank card trick of R. W. Hulls and fooling them all as it looked as if he just borrowed the pack and went to work. Pack shown to be regular then the faces disappeared, then the backs became blank and both sides shown blank—but a moment later the pack resumed its normal appearance. Dr. Daly working the Ace trick of Dai Vernon's. This is about the best four ace trick today, but not so easy to work. It requires skill. Dr. Daly left for the West Coast and I am sure you boys will see some real skill. A new show rehearsing—A musical comedy called "The Little Dog Laughed." This show is by the producer of "Sally, Irene and Mary" with a cast of headliners. Fairfax the magician is in the show with Holden Magic. Show opens Atlantic City then Boston and into N. Y. C. Hellzapoppin continues with Olsen and Johnson and Hardeen. Last night the 1,500,000 ticket was sold. Julian J. Proskauer is still a very sick man. Shrapnel wounds in the last war is making life miserable for Julian but he keeps up with a smile. Julian attended the party to Bert Kalmar but had to suffer—home and call to the Dr. Harold Rice a visitor to N. Y. C. from Cincinnati. Walter Fogg from Philadelphia a visitor to Florida. The Worlds Fair bringing visitors into N. Y. C. all over and of course the Holden Shops. Time marches on it seems only yesterday that we were playing the Alhambra Theater in Paris in 1920 and on the same bill Carlton the Comedy Conjurer and Arnold DeBiere. A card handed my by the call boy disclosed that Mr. and Mrs. Lewis Davenport were downstairs to see us then a few minutes later another card with Mr. and Mrs. Gustove Fasola and all into the artist bar then DeBeire and Carlton dropping in. This continued for almost a week with nightly talks in the bar. We played thei-e for 5 August, 1940

weeks then a letter from Will Goldston with an invite to the Magicians Dinner to Harry Houdini in London on the Sunday night. Leaving Paris Sunday morning and arriving in London Sunday night and thoughtful Will Goldston had reserved some dinner for me and laughing with Houdini about the time when he tried to show me his airplane in Paris some years previous, but he had lost his key to the shed where the plane was stored —we could not open the cheap padlock on the door finally Harry hit the padlock with a stone and it sprung open. At that time I think I was on the most intimate terms with every noted magician and don't think there was another man who had the confidence of these men like I had. At that time magic was a serious business with us and we all loved the art. Today there are too many in magic just for the fun of it and too many who don't know a thing about magic but just play with it.

Detroit News by HAROLD STERLING July 16th. Dariel Fitzkee's "Magic in the Air," featuring his international magicians, moved into the Cass theatre this week. All local magicians are plugging hard for it and the reviewers treated it kindly, so it ought to be a success here. Especially well liked was the Great Ballantine (Carl Sharpe) doing comedy magic, Lucille Hughes, Fitzkee's substitution trunk and Slyter's act. One reviewer suggested less dancing by the octette of dancing girls and more magic by the magicians. A nice evening's entertainment. John Platte and Elanore playing locally with mind reading and magic. The Great Martinelli still working in Detroit. He has had six months of solid booking and is booked several months ahead. Martinelli is from Chile, South America. His father was also a magician. He is building a full evening's show, and when it is completed will take it to South America. Will Rock stopped over for a few days' visit. His show is heading west. Russell Swann in town especially to see "Magic in the Air." The Wand Wavers (local organization) are holding a picnic July 28 at W. C. Smith's home on the outskirts of Detroit. Roy Hall, a newcomer in magic but an accomplished entertainer, will be M.C. of the show. The Detroit Society of Magicians will hold their annual corn roast at Lola Park on September 15. Harry Cecil is rapidly recuperating from a minor operation to cure his asthma.

TERED B Y

G U N N

Buying cheap magic to save money is like stopping a clock to save time. There is something wrong with every body—even you, so remember this when you are knocking the other fellow. Here's a good one. Dr. Levi said he was sick. Dr. Trask said, "Why don't you treat yourself." Dr. Levi said, "It's too expensive." Bill Larsen came to a magic meeting without his faithful pipe. He couldn't stand it any longer, so drove a great distance to get his pipe. I have always said I would trust a man who smoked a pipe—even Bill Larsen. Ben Chavez recently made a very interesting talk about his recent tour of Australia. He praised the magicians from "down under," who go out of their way to entertain a brother magician. Edward Saint is working on a new patent. A spotlight with a toupee painted on the globe to throw on the heads of baldheaded magicians. I have my order in. Mendoza suggested that brains also be painted on globes to throw on magicians who expose magic. The Government should hire 1000 hypnotists to stop the war. Can't you visualize the hypos rushing across no-man's land waving their arms and putting the enemy to sleep—or can't you. To get something- done give the job to a busy man. Carl Fleming and Dr. Victor Trask go out of their way to help others—and they don't have to do it. Reciprocation should always be in order with these two men. Dr. Saint puzzled the boys at a recent meeting. Picking up some eggs, he asked anyone to state how many yolks they wanted in the eggs. One man said three, and believe-it-or-not, there were three yolks in this particular egg. Yoga-Yokes by Sin-Saint is the name of the trick, or is it a trick. Recent visitors to the Magicians supply company were: Nicola, B'lackstone, Jack Gwynne, Loring Campbell and a pretty girl named Mary Brown. Page 389

Open Letter Hollywood, Calif. July 27, 1940.

sold by him. Another letter tells me that a well known magician in Pennsylvania was familiar with the concave metal strip rapper a year or so before that. And, I believe, that Joe Ovette claims priority over Nelmar. No doubt I will receive other letters of different dates, and would you be surprised that a letter in my Hollywood files would show that Robl. Gysel was familiar with the concave metal strip in the early 19203? The Great Leon used a "belly rapper" of thin concave metal, that he might signal his operator to change the slides in the stereopticon and still leave his hands free. Even my friend Annemann might have used the rapper in his spirit effect had he traced

Editor Genii, Pasadena, Calif. Dear Mr. Larsen: Regarding further data on the Ghost Rap Projector which appeared in the July issue of GENII I will now tell you for the first time that I invented and used the "concave metal strip" ghost rapper in 1925, in Canada. I was working in an oriental robe without pockets, and wishing to carry cigarettes, tucked my metal case in behind my belt. I soon found that a deep breath would produce 'raps' that could be controlled. It was an easy step from the cigarette case to a thinner piece of concave metal strip

PHEnomenn MODERN

SPIRITUALISM

San Francisco, California* 1898. raps by placing the hands upon the table. No mechanical appliance ig ieatly necessary for this work, as there is always an opportunity 10 make them without being discovered when giving a "silting." Some mediums produce "telegraphic raps" by leaning against the table, and if the medium is a woman her corset stays against the table will produce raps which she can soon regulate so as to make them answer questions. A gentleman's shirt bosom answers the same purpose. One of the mcst celebrated mediums on th e Pacific Coast gets his "raps" in that way and no one has ever detected the trick. When a medium is permanently located where he can arrange his (Reproduced from Old Booklet) fastened inside the clothes. I used it the expired patent on the thin conprofessionally from then on. cave metal "cricket" (any and all Later, Mrs. Harry Houdini, in re- sizes that children have played with lating untold tales in the Life of for years.) The large ones click nicely Houdini for my forthcoming book, behind the belt. made mention of her discovery, inHowever, Mr. Larsen, 1895, so far, vention and use of the concave metal is the earliest date I have on this rapstrip for producing spirit raps through per and until I find an earlier date, the click-clacking of Maggie Cline's I will continue to believe that the corset while being taught the art of Houdinis not only invented this device make-up by Miss Cline during the en- but were the first to employ it for gagement of the Houdinis at Tony spirit effects. Pastor's in 1895. When I related the 1895 Houdini Mrs. Houdini said the device was episode to you in my home some time so effective that several years later, ago, I only had in mind the usefula Mr. Garrison wrote about it in a ness of the rapping device for ALL pamphlet. (Note—the enclosed book- mental and occult performers that let is dated 1898.) read GENII and without any thought Now, Mr. Larsen, since the publica- of recompense or "glory" as to the tion of the July issue of GENII, I many possible inventors of later date have received information that a Mr. including myself. For all I know, Nelmar invented the concave metal even the celebrated Fox Sisters may strip ghost rapper in 1935, and since have used the device for producing Page 390

their raps along with the snapping and popping of their toe joints. Further, I have learned through my some 40 years in magic that for the most part, magicians here and abroad are sincere and honest in their claims, but I have also learned the value of not breaking into print without proof locked in my files. (Please run the enclosed cut.) With all kind wishes to the House of Nelmar and other inventors and highest regards to your valued GENII, I am, most sincerely, —Edward Saint, "Houdini Archivist" 963 N. Mariposa Ave., Hollywood.

Anent The Ghost Rap Projector Shortly after the July issue of GENII reached the readers, Nelmar, of Chicago, wrote to me and complained of the item described by Dr. Edw. Saint on page 342 of the issue. It was titled "Ghost Rap Projector." Apparently Mr. Nelmar also wrote to Dr. Saint, as is evidenced by the Doctor's reply on this page. It is immediately apparent that Nelmar did describe just such an idea, right down to the last detail, in 1935. It was embodied in a copyrighted instruction sheet. Apparently the item enjoyed a good sale, for several magicians have written to me about it during the past month. However, it is also apparent that Dr. Saint did not know of the Nelmar item but, instead, happened across the identical idea in pursuit of his research in Houdini material. It isn't the first time that two minds, working independently, have arrived at the same conclusion. A good example of this was the visible block penetration advertised, about two years ago, simultaneously by two different dealers. The dealers were widely separated, geographically, and it is certain that neither knew that the other was working on the same identical idea. Again, a magician in Oakland invented a practical, but highly involved trick in 1939. In 1919 Len J. Sewell created the same trick and wrote it out in detail. The Oakland magician didn't know Mr. Sewell and I was the only other one to have access to Mr. Sewell's copy. I had intended running the trick in GENII, but withheld it when I found a dealer had purchased the manufacturing rights of the Oakland magician's trick. Cases of this kind abound in magical history. So, Mr. Nelmar, neither Dr. Saint nor Iintended treading on your toes and we hope you'll overlook a matter that was unintentional. W. W. Larsen. GENII

Pasadena Magicians Guild by BILL McGEE

This wide-awake Pasadena Magicians Guild is planning big things. The meetings of June 27 and July 9 were well attended, for there is great interest being shown in every activity of the Guild. The June meeting was held at the home of W. E. Hockey with Ralph Gallinger as co-host. Following the business session came the regular impromptu show, which was emceed by W. E. Hockey. Magic was shown in many forms, nearly everyone present gave a demonstration with cards, mathematics, mental tricks and other feats of skill. The high spot of the evening, when the co-hosts announced a buffet supper. And what a repast! Cold roast turkey and all the fixings! The bird disappeared and it wasn't magic either. On July 9 the members met at the home of Dr. R. N. Culver with a good attendance, although not up to the usual. Summer vacations in part responsible. There not being much business, the session was adjourned. The host, acting as master of ceremonies, soon built up a program for the regular post-meeting show. Frank Stratton presented a new coin vanish and reappearance; Bill Larsen showed a number of new

tricks just released by dealers; Doc Beebe and Bill Brown demonstrated their favorite cut and restored rope tricks; Doc Trask had a fine smoke trick; our guest, Doc Baldwin, gave a short and pointed chalk talk. Others who exhibited their skill were Ralph Gallinger, Lou Little and Bill McGee. The show, which was held outdoors, was up to the usual standard, but the really grand part was the supper that was so well served by the host and his charming daughter. Sandwiches, salad, olives, radishes and gingerbread with whipped cream and coffee. Where do these Guild members put all the food? That's magic. In Memory

WILL T. MORRIS Will Morris was born in Golden City, Missouri, August 14, 1870. He passed away July 6, 1940, at his home in Compton, California. Christian Science services were held in Hemet, California, and he was laid to rest in Hemet, San Jacinto, California. Mr. Morris first became interested in magic when trying to keep busy to make up for the loss of his wife, who died in 1926. Since that time he had acquired quite an array of magic and great ability in presenting his tricks. He was a member of the International Brotherhood of Magicians and a great booster for Genii magazine. He leaves two sisters and other relatives.

Genii-Midwest Contest for Effects With Alphabet Cards FIRST PRIZE: Burling Hull's Wow Card Hit (an effect with Alphabet Cards). Forcing Deck with Alphabet Cards. Deck of Number Cards—1 to 52. Value, $3.50. SECOND PRIZE: Burling Hull's Wow Card Hit. Forcing Deck of Alphabet Cards. Value, $2.50. THIRD PRIZE: Burling Hull's Wow Card Hit. Value, $1.50. CONDITIONS: Contest to close November 20th. Prize winning entries to be published in January Genii. Effects may use Alphabet Cards only or may use Alphabet Cards in connection with deck of playing cards. Entries to be sent to Genii. Prize-winning entries and others deemed suitable will be published in booklet.

WINNERS OF TITLE CONTEST FIRST PRIZE

OTHER TITLES SENT IN

When "dropper" meets "Die-Tube"

Honest, officer, I was just practicing the Hindu rope trick.

H. P. WHITE, Flushing, N. Y.

SECOND PRIZE Prisoner: Honest, guard, I was only practicing my knotty routine for Saturday night's prison entertainment. Guard: Oh, yea, I thought you were trying to see if you could catch bullets between your teeth like that guy "Anne?nan". WALT KAEBER, Baltimore, Md.

THIRD PRIZE ISotv let's see you do that trick in reverse. FRANK STRATTON, Pasadena, Calif.

Watch for Winners of Subcription Contest Next Month. August, 1940

Missed again. Next time try the ind'an rope trick. This is KNOT the time or place for a rope trick. "Hym-Do" rope trick. So this is that new rope trick you were telling me about. O. K., Houdini, your escape days are over. Who do you think you are, Houdini? You just think you are an escape artist. A knotty problem. Believe it or not, I was practicing a rope trick. Don't tell me you're a magician, w'th all the other counts against you.

Page 391

CHAP'S CORNER by FRANK M. CHAPMAN

. . . Bring slowly to stop, remove and hand for examination . . . Sligntly worn dime is best—flatter surface; if newer dime used, place 'heads' down . . . You may not do it first time, but try it the second . . . It's easily acquired—and it works! . . . (Reminds me of the glass of water and hoop stunt.) DO YOU AGREE? . . . There are greater magicians in 'club write-ups' than ever appeared on the American stage.

THE MAGIC POOL . . . has long been a favorite entry . . . in my personal scrapbook . . . Yes, perhaps it was written by a 'dreamer' . . . But a practical dreamer with understanding . . . I like dreamers like that. HAVE YOU NOTICED? . . . (But maybe you won't like it) . . . That a great number of magical hobbyists . . . are men who have never had an opportunity to 'headline' before . . . They are individuals who have itched to 'bust out' or go mad . . . So they do both . . . All their lives they have wanted to kick in a church window—• or hurl an egg into an electric fan— or wring a mule's tail . . . So they take up magic . . . Because they have discovered that magic is an easy way to alleviate the pain of a frustrated ego . . . From that point on . . . they change from laizzez-faire to shootez- Max Terhune & Skully la-works . . . They woo the harlot Glad to read about Dr. Everett Morsister of the theatre—Miss Magic . . . She is a blabby wench . . . Colorful, gan, Charles Larson, and Adrian dizzy, sensational . . . And it costs Smith being honored by S.A.M. & money to take her about . . . B"ut I.B.M. by being elected to high offices she fulfills her destiny by drawing at- in these organizations as each one deserves all the honor that can be betention—to her escort. ADDISON SAID . . . "The great stowed upon them. George McAthy a very witty writer art in writing advertisements is the finding out a proper method to catch of Vent Dialogue visited me and the reader's eye. Without, a good helped me arrange some dialogue for thing may pass over unobserved" . . . Skully, Alias Elmer. George used to Apply the same thought to magic . . . write a knockout column for Linking and you will never be embarrassed or Ring and now writes a vent column riled by having some spectator say, for Tops. George also sells dialogue for vents "Will you start that again? I didn't realize that you were doing a card and he has some very clever material. Letter fi-om Loring Campbell and trick." . . . Even with my own magic he Alabama on tour and it was interest at high pitch . . . I sometimes onlyis ain few ago that we were find myself 'in the middle' of some enjoying his days magician's trick . . . I have missed in California.vacation with him here the fact that he is about to enterWish it was so Dave Coleman tain me . . . because he failed to tell could be on the bill at San Diego as me so . . . He set his stage in the he is a great performer and so vermiddle of the act, so to speak . . . satile. And the curtain failed to rise until Russ Walsh once said when Dave the plot was well under way . . . I starts working that the rest of the don't like to walk in on the middle boys sit down and Pres. John S. Snyof a movie . . . So I certainly don't der wrote me not long ago that Dave want to see a lady sawed in two— was one of the smartest magicians he when I'm not certain that she was a ever met. 'lady' in the first place . . . Get atI hope that grand showman Dr. Edtention first!—Then unfold your story ward Saint puts on that masterpiece . . . And let there be no 'suspect' of showmanship at Convention, The until after the murder has been com- Electrical food multiplier and Mint-omitted. graph as it is worth going miles to see. QUICK TRICK . . . Passed on to Skully'—Met an old sweetheart of me by Dr. Ervin—originally shown to mine that I hadn't seen for 7 years. David Abbot by Han Ping Chien . . . Max—Has she kept her girlish Borrow a wire coat hanger and a figures ? dime; 'hook' the hanger over exSkully—Kept it? She's doubled it. tended first finger, right hand; careMax—Don't bother me I am trying fully balance dime in center of hori- to leam a new rope trick that L. 0. zontal cross wire; start hanger whirl- Gunn showed me. ing around finger; dime stays put! Skully—You should be good with Page 392

MAGIMINISTERS CONDUCTED BY THE

REV. GORDON W. MATTICE 30 Trafalgar St., Rochester, N. Y.

Here we are again! Lots of correspondence during the Summer from magiministers, who have a bit more time to wave the magic wand, and to brush up on their routines. John Booth is going strong. The University of Chicago awarded him a tuition scholarship as a result of his excellence in the Spring Examinations. He underwent an operation and was hospitalized for two weeks, but now making a rapid recovery. He appeared on the headliner show of the S. A. M. Convention in Chicago. He writes that it was an "International" show, and all very beautiful. This columnist is very busy just now working on the November issue of "Genii" which is to be devoted to magiministers. Just you watch for this issue! We'll sKow the world what we have to offer—and as a result it is possible that others beside John will decide to enter our ranks! Now we too, have a Lady Magi-minister in Mildred Wynkoop. She and her husband are Evangelists, and got interested in magic just a few months ago, and credits Bill Larson for the pump-priming. Good old Bill! She writes that magic has become, not only a medium of teaching Gospel truths, but a glorious hobby that is beneficial in many ways. Has a couple of suitcases full of equipment and enough tricks to keep an audience interested for an hour and a half. Great going for one who has been in magic only four months! She uses the "Ashes of Roses," using Isa. 61 for a text, and brings in the story of the Prodigal Son. The Rice Cups illustrate the story of Elijah and the widow. The 20th Century silks with a white silk with a Christian cross on it to represent Christ; the two colored silks as young people getting married but rejecting the Christian principles, vanish white silk. When trouble comes and their home is on the verge of breaking up, they pray and then find that mysteriously Christ has united them with a firm band. She finds Eddie Clever's "Entertaining Children . . ." helpful and also Jean Hugard's "Silken Sorcery." She would appreciate hearing from mm's and should be addressed at 2122 N. 128th St., Seattle, Wash. The July issue of the "Expositor" has three splendid trick routines and patter by Dr. J. J. Sessler. See you again next month, and a happy Summer to all. rope tricks. Max—Why? Skully—Well your grand-dad dangled at the end of one. GEN I

nagdad O YOU want new tricks? How about these ? All are one hundred percent guaranteed by Genii. Kenard's Nu Die. Swell pocket trick. Abbott's Problem of the Cracking Crystal likewise. Dr. Leo Levi and Carl Sten both build this item into a vest pocket miracle. Al Baker's Salt Vanish. Nothing to get rid of. No skill. Man alive, what a trick! Thayer's new canary to light bulb. His altar candle and pagoda. The Coca Cola penetration, also a Thayer offering. Good openers: the new stream lined duck pan produced by Abbott, and the vanish of the large bird cage offered by the same firm. Another, less flashy but extremely effective opener, is Lloyd Chamber's cords and sticks with the vanish feature at the finish. Any of the five models of "The Square Circle Production" advertised by Thayer are also just made for the opening spot. (And anywhere else in the act, for that matter.) Comedy: "Mike and Ike" advertised by Max Holden. Also, Abbott's "Wiz-Jigger" handkerchief. Likewise, Hulse's Comedy Wands and his Tipsy Table notion. I note with interest that Max Holden advertises in this issue all thirty-two of the books he has published. An investment in a few of these will bring a lot of new magic for little money. Bargains are the order of the day at the house of Mike Kanter in Philadelphia. I still cherish the coin ladder I picked up from him several years ago at a fraction of the original cost. Many times a good old trick is the newest of the lot. Revival interest shown in the Cups and Balls at the Conventions ought to start another run on the Kanter produced cup and ball book, authored by Tom Osborne. Well done, there is no trick as effective for small groups as the cups and balls. The Osborne book will teach you to do them well. Constant reader queries, "What is your favorite trick Be honest now." Forgive me if I say it's the sliding die box. Mine's a Thayer make, purchased second hand years ago from

S

August, 1940

Lenn Gunn. Still serves me well. Questions the same reader, "What kind of magic would you do if you could do anything you wanted to?" Undoubtedly I would go in for illusions. I still get a bigger kick out of just talking about illusion work than anything else. Third question from the same source, "What is your pet magical aversion?" That's easy. Card tricks where the deck is divided itno four heaps, counted out, divided again, fussed and fumed with and finally the selected card is revealed. But, contrary to the impression of many, I like a good card trick, well presented. Have developed a combination with Haenchen's Ink Bottle and his cut and restored handkerchief box that pleases me. Hope it will have a similar effect on my audiences. Inquiries a Seattle subscriber: "Do you really use the card in the balloon and the firecracker trick, or do you just write about them?" I use them, kind Sir. The Hathaway model of the card in the balloon has, for more than a year, supplanted the card in the orange that was so long a cherished feature. I use it every show. The Mephisto Firecracker is used whenever there are two or more children of school age in the audience. Belatedly, two copies of The Magic Wand reach our desk. Number 185 and Number 186 or full of magic. The war is scarcely mentioned. Mr. Sparks' idea of disproving oft quoted adages is interesting. "You can't make a silk purse out of a sow's ear." But Mr. Sparks feels that he can do it, magically. Though not suggested, a change of a billiard ball from white to green might disprove the saying that "a rolling stone gathers no moss." Edmund Younger presents an interesting- article about spring flowers. Wish he could see the handsome blooms Horace Marshall sent me. The June issue of Will Goldston's handsomely produced Magical Quarterly presents an interesting effect wherein a handfull of clothes pins (the spring clip kind) are tossed into a box and a cord laid over the top.

A number is selected, the cord removed and it is seen that the correct number of clothespins have magically affixed themselves to the cord. Hilare White advises young men to specialize in some particular field of magic. And it's good advice. Ted Annemann favors me with his index for jinx numbers 51 to 100. And in issue number 100 L. Vosburgh Lyons presents a hand to hand transposition of a length of chain that is great. A 2% foot length of key chain effectively passes from the left fist to the right without covering of any sort. Frank Carter's Houdini-Gram contains no tricks but is filled with interesting news. Joe Ovette adds interest to the July Linking Ring by tracing several popular tricks to their original source. He reminds us that the card which appears in the flame of the candle is still a good trick. And never seen. The Sphinx, July, begins the publication of a series of tricks by Robert Harbin. The first is a mallet, mounted between two posts, that taps out answers to questions after the fashion of Thayer's rapping hand. Percy Abbott tells me that the Tops publication will now be centralized in the hands of one man. The July issue was a P.C.A.M. issue and I'll wager a good many magicians overlooked that four ace trick by Judge Fricke. It's long been a pet with me.

The Letter Edged in Black (Continued from Page 390)

down with the flurryscope or whatever in hell it is. They see the old pumper givin' him hell, but not a gander do they get at the appendix. So they figgers maybe this guy is unnatural or the invizible man or somethin' 'cause he should have an appendix and we can't find the damned thing. So croakers bein' what they are— at the other guy's expense—they organize a hunting expedition—inside of our VP, of course. Well, it took 'em over an hour to find Mecca, in this case the appendix. Now I am not any croaker, thank God. But I am no goddam fool. Anybody knows that the appendix is always at the back. But not the croakers. It took them all that time for them to discover that this guy's whatchacallit was way in the back—just where it was supposed to be. I know that you don't give a damn —but that's why I wasn't at PC AM! Love and kisses to Gerrie—and nuts to you. BOB. Page 393

The Dragon has just arrived and a trick by R. C. Buff looks good to me. And a picture in Life magazine (date of August 5th) of Jimmy Stewart doing the passe passe bottles again reminds me of the Magic Wand and a trick therein where a bottle is drawn on one slate and a glass on the other. Bottle and glass change places, thanks to flaps which are dropped on the table. Practical, anyhow. Willard S. Smith continues to turn in a fine performance with The Gimmick and I await the next issue of Lloyd Jones' publication with great expectancy. Afraid Art Lyle would get shot if he ever tried the Double Discard which appears in Jinx 102. Stuart Robson's Conjurer's Chatter gets off to a good start with the July issue. It contains news, a few ideas and advertisements for the magical merchandise that Mr. Robson is selling in his new shop. Witnessing several magicians, recently, handle the cover of the dove pan in such fashion that it was evident that something was inside and that the magicians wasn't showing it reminds me of the idea set forth by David Devant in Lessons In Conjuring (a book which every magician should read). He shows both the pan and the lid, but holds the pan in front of the lid so that the interior of the latter can't be seen. Done smoothly, and not too rapidly, it is very deceptive. ,

What's Wrong with Magic (Continued from Page 380)

you aren't doing anything supernatural; let them feel you aren't trying to outsmart them. Try to make the ladies sense that they are part of the audience too, that you want them to enjoy your work. See if you can make the ladies feel that the card work you are doing is not something which only their husbands enjoy because they play a lot of poker at stagparties. You can do it by your attitude, your stage presence, your action. Personalities We can't all be great actors, grand showmen or topnotch prestidigitators. We can't all be funny men. But we can ride our hobbies. We can do magic, and we can put it over in the best way we know how. As has often been said, there's no sense in one of us going out and trying to ape Cardini. We have neither the skill, the acting ability nor the subtle knack of pantomime of which he is possessed. We can't take an egg bag and get out of it (besides eggs) what Al Baker does. Al Baker is selling not only a magic trick, but one of the most lovable and humorous personaliPage 394

ties that has ever graced the ranks of magic. You and I couldn't grab a dialect and hunk of suavity and overnight do an act like Paul Rosini. Nor could we have the pace, personality and magicianship of Jack Gwynne. These facts are obvious. My restating them simply brings home the fact that we must try to develop originality. If your personality leans toward the straight type of presentation, what's the use of trying to be funny like Fred Allen or Jimmy Savoy. On the other hand, some fellows work better in character. Peter Godfrey does a grand Cockney English dialect. He builds a trick with a dialect twist that puts an audience in stitches. Bert Allerton works to an audience straight. He is unobtrusive and modest. He is one man who works card miracles without losing his unassuming presentation. Presentation You don't need the sex appeal of Gable and the dramatic ability of Lionel Barrymore to succeed in magic. Be yourself. But if there are twenty good card men in your community to compete with, for God's sake dope something out with thimbles. Then there won't be twenty-one fellows descending upon unsuspecting audiences yelling "Take a card." Maybe you can do a drunk act. Thick voice or pantomime. Don't overdo it. What would be more horrible than to suddenly see all the working magi in your community branch out in tails and go staggering and reeling around the school house stage doing- comedy drunk acts? Maybe you have a trick in your repertoire that you don't use anymore because you think it stinks. Well, perhaps you're wrong. If the audience likes it, that's what counts. Maybe you will have to throw out some of your own pet stuff, things you are fond of doing. But do the magic that sells. I have a little routine with a thimble, color change and then a giant. It never meant much to me, yet every time I did it as a filler-in, it got laughs. The audience apparently thought it was good sleight-of-hand. So now it stays in. Even though Mysto the Stinko comes out with a Gilbert magic set and does a two-inch version of the linking rings and tries to impress his audience with some God-given power to mystify and confound, let's relax. We can still use our own voices without shouting- down an audience. We can still do magic even though times are modern and stream-lined and all that bunk. Let's not have to say "My friends laughed when I took up magic. Now they lock the doors when they see me coming." Showmanship is the thing.

Northern California Comments • by BOB STULL

The San Diego convention is now three days over and still I need sleep. Why is it that no one ever goes to bed? As stage manager for both shows the writer saw some activity that was perhaps overlooked by those out front. In appreciation may I say that these two shows had the best back stage crews I have ever worked with. On the big show in particular, every man did his job right on cue and never a one of them missed. Special emphasis must go to the spot man. He had spoken and action cues galore and was on the job to the second. Our own boys, that helped on the MO Show, have received no public acclaim, so let me mention Vic Torsberg and Dick Swansen in the fly gallery and Frank Herman who helped on the stage. Without them there would have been no show. Of course the big credit goes to Claude Burke for getting the shows together—making all the arrangements—and being on the job all of the time. One little point of extra service was the cooler of Coco Cola furnished the stage crews and the performers by Carl Heilbron. I never saw such a man—he thinks of everything. The toughest job I had was findinganyone to help, as Lloyd Jones had them all working for him in his act. Great system Jones used—carrying his own audience like that. Did you know that a couple of High School Johnnies came back stage and wanted to meet the girl who did the wonder screen. I do not blame them either. The girl was Gerrie Larsen.

Sun and Moon (Continued from Page 374)

kerchief and the other red handkerchief in it on some side. So I turn the handle and have spectator say several magic words and pull out the two handkerchiefs and show them to be fully restored. I thank the gentleman for helping me and ask him to return the white handkerchief to its owner on his way to his seat. GENII

interesting news despite the immediate threat of invasion. In the last issue there is much written regardGerrie laid low with theflu,but would, likewise, the inexhaustible ing the Chinese Rings. One writer improving. I'm putting the finishing drum. states that in his entire lifetime he touches to these pages myself so, if A visit from Charlie Smith, several has seen but two conjurers do the there are mistakes, blame me. days after the convention, and learn- rings well. He further writes that Fred and Helen Rickard in to spend ing much of his plans for a gargan- "open linking" is inartistic and an the evening. Fred much intrigued with tum convention in Seattle next year. expose of principles. States that all a mechanical rising card box which I Last night I browsed about in my linking with the key should be sewon in a drawing from Percy Abbott. old copy of Dr. Elliott's Last Legacy. cretly done before the rings are And in comes Frank Stratton, with A strange book full of peculiar ideas. shown together. The making of dehis girl friend, Bobbie, and presents The rising cards from a pack through signs and figures is generally detwo new ideas for escapes. B'oth are which a large nail has been driven nounced. With the latter, I am in ac"spread eagle" restraints and would has fascinated me for these past fif- cord. However, I believe that "open take much physical prowess. teen years. But I should prefer a linking" may be gracefully and efSpending a pleasant afternoon at method other than the one set out in fectively done. Thayer's and listening to him talk old the Elliot book. On the other hand, I think the most graceful performtimes with a friend who, though a why the hell bother to drive a nail good customer via mail, had last been through a deck ? There are enough ances of the rings I have ever seen were by Laurant and John Mulholrising card tricks without my both in the Thayer shop in 1907. land. Most mystifying was, and is, And feeling fortunate to pick up a ering about another one. copy of Burlingame's Herrmann The Then a glance throug-h some old pic- Rolland Hamblen's. And, still vivid Great and finding therein the descrip- tures and wishing that I could see in my memory, is Walter Baker's tion of a wand suspension that was that genial duo again: Jack Boschard marvelous handling of the steel hoops. muchly advertised recently. However, and Bob Bailey. What a time we all I remember his as being entirely difthe new idea did embrace a very had at Reno in 1937! And I'll not for- ferent from all the rest. Coming right down to the present, definite improvement and give for get the night at my house when Bob more freedom in handling. smelled smoke and found the daven- I, two weeks ago, at San Diego, saw Speaking of floating wands, how port afire beneath him. Incidentally, a magician work the Chinese Rings about some girl magician doing a Reno will have the P.C.A.M. conven- and I wish our British brethren could witness his handling. I received the "Drum Majorette" act? The baton tion in 1943. Oakland in 1942. could be made to float in the same Two copies of The World's Fair impression that every ring was unmanner as the floating cane. Russ received in the same mail with Tops. linked and handed for examination. Walsh could probably construct one Edited by B'runel White in England, It seemer like real magic. The name that would vanish. The old mis-made the magician's page of this interest- of the performer is well known to all flag trick would be appropriate as ing weekly continues to pour fourth American magicians: Bill Neff.

AS WE C O T O PRESS

Complete 1940 P.C.A.M. Convention Pictures Now Available from

GEORGE BAXTER Official Genii

Photographer

Photos of every convention event and of many interesting personalities. Do I have a picture of you? Write for information. Size 4 by 5 inches, twenty-five cents each. Size 8 by 10 inches, fifty cents each. Fine prints of magicians in their actual performances. Also, informal poses of the majority of those attending the convention. write

GEORGE 346 Vz N. Benton Way August, 1940

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A

k 22O WEST 4Zu\> ST., NEW YORK CITY.jfif F I2O BOYLSTON ST., BOSTON, MASS. W 117 SOUTH BROAD ST., PH IL ADELPH IA, PA.

Has Everything! . . . Laffs, Mystery, Flash! Mike and Ike look so much alike that they are represented by two bright red cubes bearing large white spots for identification. Each has his own automobile, represented by a pair of swell-looking boxes. These are open at both toD and bottom; they're also collapsible, to prove freedom from chicanery. The fun begins when a fishing expedition starts with the empty ing and tossing away of an imaginary " l i t t l e brown j u g " of bait. The fish bite pretty well. In fact, they catch five that look very much like spotless red dice. Each chap puts his own catch in his own car. Then the game warden arrives! "Put 'em alt back . . . or else!" So, out come the "fish 1 . Like true-to-life fishermen, Mike and Ike cannot resist stopping at a fish market on their way home, each buvina and putting into his car the same number of fish they had caught earlier. But when they get home, Mike has ALL of the fish . . . but Ike has miraculously retrieved the " l i t t l e brown j u g " ! Handsomely made and entirely self-work ing here's the effect you've been waiting for. Packs small; sets up big $8.00

Very Useful, This "Wiz-Jigger" Hank We can all thank Percy A b b o t t for a very clever utility item. It sure does work in swell for any routine where drinks are in order. If so desired you can start your liquid routine by pulling the Wiz-Jigger Hank from your pocket and find the desired beverage therein. Other way 'round, it works just as well. Close the act by looking abouf for a place to empty a glass. Into the hank , . . and the hank into the pocket! Over the counters of our 3 stores this item is moving with unusual rapidity. But small wonder . . . it's so well made and sells at such a low price for such sterling quality $2.00

- p C of important books on Magic mark the 10 years the Hoiden Stores have been \J£M XXX J-iJ-iw s e r v ; n g magicians the world over. These are the books we have published ourselves, averaging betTer than 3 a year. Many others were offered to us, but could not meet our high standards, newness, practicality . . . and real value. Another proud record is the fact that we have had one of the largest shares in distributing' the first two editions of "Greater M a g i c " ($12.50) and were chosen to assist the publishers of that splendid popular -vork, "Modern Magic Manual" $3.50

The Hugard Classics

Annemann's Amazers

Mora Card Manipulations, No. 3 {newest).. .$1.00 More Card Manipulations, No. 2, 52 pp 1.50 More Card Manipulations, No. 1, 50 pp 1.50 Card Manipulations: (1st five nos.)( IAI pp. . 4.00 Annual for 1937, board bound, 144 pp 3.00 Annual for 1938-39, board bound, 144 pp. . . . 3.00 Cfose-Up Magtc {nite clubs), 57 pp 1.00 Thimble Magic, 42 pp 1.00 Money Magic (with bills, etc.), 59 pp 1.25 Coin Magic, 88 pp 2.00 Silken Sorcery, 83 pp 1.60

202 Methods of Forcing, 35 pp $1.00 1.00 Incorporated Strange Secrets, 19 pp 1.00 Mental Bargains Effects, I I pp 2.00 One Man Mental and Psychic, 24 pp 2.0C Book Without a Name (scarce), 62, pp 50 Club Act of Magic (25 minutes), 12 pp. 50 One-Man Mental Act {30 minutes), 16 pp 50 Magical Club Prog. (30 minutes), 19 pp "No Card" Magic Act (30 minutes), 16 pp... .50 "No Code" Telepathy {30 minutes), M pp 50 Jinx, 4 to 6 pp. weekly, S-wk. subscription. . 1.00

Get Variety from These Capable Writers Practical Hypnotism (Wolff) Programs of Famous Magicians You'd Be Surprised (Parrish-Goodrum) Do That Again (Parrish-Weigle) Why You Can't Win (Scarne) Patter In Rhyme (Douglas)

$5.00 i.00 1.25 $2.00 1.00 60

Encyl. of Card Tricks (contrib.).. Nikola Card System And a Pack of Cards (Merlin) Clever Card Tricks (Maxwell) Modern Hand Shadows (Holden). Holden's New 164-Page Catalog...

.$5.00 . 1.00 . 2.00 . .40 . LOO . .25

Tangle 'Em With Shoe Laces

Fish Bowl Extra-Ordinaire

One of Jack Chanin's favorite publicity stunts is take the Sacer from one of his shoes, burn up one half of it and restore the other half to fuli length. A N D REPEAT with same lacer! Final pay-off is putting lacer back into shoe. No queer moves; not at all hard to d o . Self-contained material enough for 46 presentations $2.00

Just as easy t o make a real production as phootey one . . . when you have Abbott's new globes, 5'/2" high and 8 f /2'' in diameter. Made of transparent plastic and so smooth working. Water cannot slop; use iive fish. Each $7.50

Sponge Balls Get Another Squeeze Audiey Walsh, the iad who has done so much for close workers, is readying up another routine with many surprise effects. A printed booklet and set of tailor-made sponges will be out soon, the whoie outfit complete being only $2.00 The book alone $1.50

Nu-Card Frame Pleases All When they get tired of "Your card was the . . . " bring out this little frame, open both of its doors to show Its perfect innocence and the trick is about done. Merely open up . . . and there you are! Nicely made and doesn't take up much room in your b a g . We have an idea that this is soon t o become a standard " m u s t " . Only $2.50

Nifty Puzzler If you were merely told that this little brightly decorated slab of wood would turn flip-flops for you alone . . . you'd grab for it, even though it were! just the sort of puzzle thing. But just picture yourself using Tumb! Bug as a " g a g " question-answerer . . . with the breaks 100% against the sucker! That's worth real money, yet this iittie nifty costs only 50c

Latest "Speller" by Joe Berg Any spectator is allowed to merely think of a card as performer fans the deck in front of spectator's face. Performer immediately spells out the name of the card by asking " W h a t is the suit? What is the value?" and as each answer is given it is spelled by taking off a card for each letter. A t end of spelling the thought of card is shown. Pack may be shuffled. Complete $1.25

Newest Egg Bag Idea— Abbott Goldston's Quarterly in for June, 25c The greatest advance the egg bag has seen in years. . You will like it and will fool the smartest audience with it Shown emptv—then producing an egg and going through your regular routine—then the bag vanishes with an entire new twist $4.50