Descripción: A visual manual to help getting to know your guitar fingerboard...
fretboard topologies 1,117 scales and modes for guitar players by Nicholas Puryear
Version 1.04 rev120403 Copyright © 2010 Nicholas Puryear All rights reserved. www.fretboardtopologies.com
This book was composed with Microsoft Word and OpenOffice Writer (free download at OpenOffice.org). Fretboard diagrams were created with the Table function in Word, and scale-note and chord-note dots were created and positioned with the drawing tool and cut-and-paste function in Writer. Permutations of intervallic structures were calculated at http://juliusdavies.ca/andre/permutations.html. Copyright © 2010 Nicholas Puryear. All rights reserved.
fretboard topologies 1,117 scales and modes for guitar players ▪ Every five-note, six-note, and seven-note scale containing an interval no larger than a major third ▪ 266 harmonized 7-note scales with chords ▪ Selected 8-note scales
by Nicholas Puryear Version 1.04 rev120403 Copyright © 2010 Nicholas Puryear
foreword years ago as my personal guitar and music notebook. Over time, it grew and evolved to its present
Fretboard Topologies boo to compose, improvise, and explore the instrument. It provides a full accounting of 5-, 6-, and 7-note scales containing intervals no larger than a major third and selected 8-note scales, chiefly to account for the Bebop scales and the Diminished Scale. PDF is the ideal format for this book. You can print out some or all of it, slap it in a 3-ring binder, mark it up at will, and print clean replacement pages as needed.
guitar-playing friends you think might be interested.
Fretboard Topologies get it. Just click the Download tab at www.fretboardtopologies.com. Donate tab at the website if you want to help support the effort. The suggested contribution is $5, but all donations are gratefully accepted. Lastly, I proofed this book carefully, but like doctors who treat themselves as patients, authors make lousy proofreaders of their own work. I would be very grateful if you report misprints, typos, or other errors to
[email protected] so I can correct them in subsequent versions.
contents Introduction
1
Part 1 (generally useful scales) Topology 5.1 (2,2,2,3,3)
6
Topology 7.1 (1,1,2,2,2,2,2)
9
Topology 7.2 (1,1,1,2,2,2,3)
17
Topology 7.3 (1,1,1,1,2,3,3)
59
Part 2 (somewhat less useful and in some cases downright useless scales) Topology 5.2 (1,2,2,3,4)
91
Topology 5.3 (1,1,2,4,4)
104
Topology 5.4 (1,1,3,3,4)
111
Topology 6.1 (1,2,2,2,2,3)
118
Topology 6.2 (1,1,2,2,3,3)
124
Topology 6.3 (1,1,2,2,2,4)
141
Topology 6.4 (1,1,1,2,3,4)
152
Topology 6.5 (1,1,1,3,3,3)
173
Topology 6.6 (1,1,1,1,4,4)
178
Topology 6.7 (2,2,2,2,2,2)
182
Topology 7.4 (1,1,1,1,2,2,4)
184
Topology 7.5 (1,1,1,1,1,3,4)
200
Topology 8.1 (1,1,1,1,2,2,2,2)
207
Topology 8.2 (1,1,1,1,1,2,2,3)
218
Harmonized scale tones
240
Index of scales
279
Blank scale and chord forms
292
Appendix A: I-IV-V cycles of the Pentatonic Minor and its modes
295
Appendix B: One-note alterations of the Major Scale and its modes
298
introduction This book is based on the concept of musical interval—the sonic space between any two notes. ▪
The fundamental interval in Western music is the half tone (or semitone), e.g., from C to Db.
▪
Two half tones make up a whole tone, e.g., from C to Dd to D.
▪
Three half tones make up a minor third, e.g., from C to Db to D to Eb.
▪
Four half tones make up a major third, e.g., from C to Db to D to Eb to E natural.
Half tone, whole tone, minor third, and major third are the building blocks of the scales in this book. Musical intervals can be represented by numbers: 1 = a half tone (the most basic unit; the smallest single step in the 12-tone chromatic scale) 2 = a whole tone (made up of 2 half tones) 3 = a minor third (made up of 3 half tones) 4 = a major third (made up of 4 half tones) A scale can be shown as a series of numbers representing the sequence of intervals it comprises. No matter how many or how few notes are in a scale, the numbers representing the intervals in that scale must add up to 12. For example, the C major scale, C D E F G A B C, contains only half tones (which can be represented by 1’s) and whole tones (which can be represented by 2’s) in this sequence: whole tone, whole tone, half tone, whole tone, whole tone, whole tone, half tone. The intervallic structure is 2212221, and 2 + 2 + 1 + 2 + 2 + 2 + 1 = 12. Every major scale, regardless of key, has the same intervallic structure, 2212221. If you know the intervallic structure of a scale, any scale, you can create it in any key.
Mode or scale? A mode is a scale. When a scale is called a mode, it’s in reference to its parent scale. Using the C major scale as an example of a parent scale: ▪
Starting and ending on the 1st note, C D E F G A B C, yields the C ionian mode: 2212221.
▪
Starting and ending on the 2nd note, D E F G A B C D, yields the D dorian mode: 2122212.
▪
Starting and ending on the 3rd note, E F G A B C D E, yields the E phrygian mode: 1222122.
▪
Starting and ending on the 4th note, F G A B C D E F, yields the F lydian mode: 2221221.
▪
Starting and ending on the 5th note, G A B C D E F G, yields the G mixolydian mode: 2212212.
▪
Starting and ending on the 6th note, A B C D E F G A, yields the A aeolian mode: 2122122.
▪
Starting and ending on the 7th note, B C D E F G A B, yields the B locrian mode: 1221222
If our example had been, say, the F major scale (F G A Bb C D E F), the modes generated would be G dorian, A
phrygian, Bb lydian, C mixolydian, D aeolian, E locrian, and returning to F major (or F ionian). In conventional Western music, the roles and relationships of the Major Scale and its modes are pretty much fixed, but outside that framework, any scale might be considered a parent scale generating a family of modes. 1
Why ‘topologies’? Topology is a branch of mathematics concerned with, among other things, the deformation of objects in space. It has been said of topologists that they make no distinction between a coffee cup and a doughnut—both are 3-dimensional objects with one hole in them. In this book, I use topology as a metaphor and an organizing principle. How so? Well, what do the intervallic structures of the Major Scale and all its modes have in common? Regardless of the order of arrangement, each has the same “topology.” Each comprises two half tones and five whole tones. In our numeric nomenclature, that’s two 1’s and five 2’s. As shown on the right, calculating all possible permutations of 1,1,2,2,2,2,2 yields 21 unique sequences—which can be seen as representing 21 seven-note scales containing no major or minor third, belonging to three families: ▪
Seven unique sequences representing the Major Scale (2212221) and its six modes
▪
Seven unique sequences representing the Melodic Minor Scale (2122221) and its six modes
▪
Seven unique sequences representing the Neapolitan Major Scale (1222221) and its six modes
Note: Throughout this book, a numeric sequence separated by commas, e.g., 1,1,2,2,2,2,2, represents a topology, which generates permutations; the same numeric sequence without commas, i.e., 1122222, represents an individual scale, which generates a family of modes.
What’s in this book? Seven-note (heptatonic) scales Every permutation of combinations of seven intervals up to a major third the sum of which equals 12: Topology 7.1
1,1,2,2,2,2,2 (7-note scales with no thirds)
Topology 7.2
1,1,1,2,2,2,3 (7-note scales with 1 minor third)
Topology 7.3
1,1,1,1,2,3,3 (7-note scales with 2 minor thirds)
Topology 7.4
1,1,1,1,2,2,4 (7-note scales with 1 major third)
Topology 7.5
1,1,1,1,1,3,4 (7-note scales with a minor and major third)
Topologies 7.1–7.3 comprise 266 unique scales and modes derived from 38 parent scales. These 266 scales are, for the most part, interesting and useful—not only as scales, but also for the chords that can be generated by harmonizing each scale tone. Topology 7.4 produced, in my opinion, only a few useful or interesting scales. Topology 7.5 comprises five half tones, a major third, and a minor third. Five consecutive half tones is half a chromatic scale. IMHO, a lot of the scales in topology 7.5 aren’t very useful or musically interesting, but I’ve included them for the sake of providing a complete accounting. Plus I figure you can best judge for yourself what’s useful or interesting to you.
2
Selected chords derived from 7-note scales The first 38 parent scales in this book (topologies 7.1–7.3) are accompanied by a page of selected chords associated with each scale tone. For simplicity and economy of space, all chord samples are named off the 6th string and tightly voiced. The chord forms do not identify fret by Roman numeral; I assume you know 8th fret 6th string is C; 10th fret 6th string is D; etc. The selected chords are just a starting point. I leave the many possible inversions and transpositions to you. There’s a blank chord form in the back of the book that you can print out for that purpose. As is the case throughout the book, all scale harmonizations are based on a tonic or root note of C. Wherever the same chord form (e.g., m7+5) is associated with more than one note in the scale, I’ve diagrammed the first instance and then noted the others in parentheses. The other 7-note scales do not have a page of chord forms, nor do the 5-note, 6-note, and 8-note scales.
Six-note (hexatonic) scales Every permutation of combinations of six intervals up to a major third the sum of which equals 12: Topology 6.1
1,2,2,2,2,3 (6-note scales with 1 minor third)
Topology 6.2.
1,1,2,2,3,3 (6-note scales with 2 minor thirds)
Topology 6.3
1,1,2,2,2,4 (6-note scales with 1 major third)
Topology 6.4
1,1,1,2,3,4 (6-note scales with 1 minor and 1 major third)
Topology 6.5
1,1,1,3,3,3 (6-note scales with 3 minor thirds)
Topology 6.6
1,1,1,1,4,4 (6-note scales with 2 major thirds)
Topology 6.7
2,2,2,2,2,2 (the Whole Tone Scale)
Of the 6-note scales, only topologies 6.1–6.4 include a few useful or interesting scales. Quite a few of them are just ordinary pentatonic scales with an extra note or conventional 7-note scales with one note omitted. Topology 6.5 includes the Augmented Scale (313131) and its one mode (131313). Topology 6.6 is included only to provide a complete accounting of possible 6-note scales. Topology 6.7 is the Whole Tone Scale.
Five-note (pentatonic) scales Every permutation of combinations of five intervals up to a major third the sum of which equals 12, except 2,2,2,2,4 (Whole Tone Scale with one note missing): Topology 5.1
2,2,2,3,3 (5-note scales with 2 minor thirds)
Topology 5.2
1,2,2,3,4 (5-note scales with 1 minor and 1 major third)
Topology 5.3
1,1,2,4,4 (5-note scales with 2 major thirds)
Topology 5.4
1,1,3,3,4 (5-note scales with 1 major and 2 minor thirds)
Topology 5.1 comprises two families of pentatonic scales (10 scales total). The first includes the pentatonic minor and its modes—scales known to just about every rock and blues player on the planet. The second family includes the “pentatonic lydian” and its modes, which can add interest to solos when mixed with the pentatonic minor and its modes.
3
Topologies 5.2 and 5.3 include pentatonic scales that are redacted modes (e.g., the Phrygian mode with no 3rd and 6th scale tones; the Lydian mode with no 2nd and 5th scale tones). Topology 5.4 is included only to provide a full accounting of the possible 5-note scales.
Eight-note (octatonic) scales Of the possible 8-note topologies, I’ve included only two: Topology 8.1
1,1,1,1,2,2,2,2 (8-note scales with no major or minor third)
Topology 8.2
1,1,1,1,1,2,2,3 (8-note scales with a minor third)
Topology 8.1 yields the Diminished scale (21212121) and the Bebop scales, which are conventional 7-note scales with an added note. At best, topology 8.2 yields some chromatically embellished pentatonics. Other possible 8note topologies (e.g., 1,1,1,1,1,1,2,4 and 1,1,1,1,1,1,3,3) yield excessively chromatic scales and are not included.
Page layouts Parent scales Numbered parent scales are plotted the length of 24 frets in the key of C. I mapped out the parent scales and all their modes in Part 1, but in Part 2, I generally mapped out just the parent scale or the parent scale and a few modes. In many cases, choosing which scale in a family to use as the parent scale was arbitrary. Modes on the parent-scale pages are plotted in the articulations easiest for me to play. I have relatively small hands, and I favor horizontal scale patterns across two octaves with 3-fret stretches. Scale diagrams throughout the book reflect that limitation. Feel free to come up with your own best articulations. The scale diagrams give no indication which finger should play which note. You should be able to work out your own best solutions. Numbering of scales is according to the index of scales at the back of the book, which I used as a guide in its compilation. A blank scales page is included at the end of the book. Note on scale names: Many scales are known by more than one name. When I could find names for some of the more unusual scales, I used them. However, I made no effort to determine, for example, whether Hungarian Major is more standard nomenclature than Lydian dominant #2, Mixolydian #9 #11, Lydian #2 b7, or Mixolydian #2#4, though all refer to the same sequence of intervals (3121212). Nor did I research non-English scales names (Japanese, Indian, Balinese, etc).
Chords The first thirty-eight 7-note parent scales (Part 1) include a selection of chords for each scale tone. All of the selected chords are named off the 6th string and usually voiced as tightly as possible. These chords are just a starting point, i.e., there are a lot of ways to make a C7 chord. I acknowledge that some of the chord names may be “nonstandard,” but that’s the way I notate, understand, and use them. Wherever the same chord form (e.g., m7) is associated with more than one note in the scale, I’ve shown the first instance and then noted the others in parentheses. Layouts of the 5-note, 6-note, and 8-note scales do not include chord forms; neither do the 7-note scales containing major thirds. A blank chords page is included at the end of the book.
I hope you find this book useful. If you have any questions, comments, or suggestions, please feel free to email me at
[email protected] or
[email protected].
4
Part 1: Generally useful scales Parent scales and all their modes are mapped in this section. Seven-note scales include a selection of chords.
5
Topology 5.1 (2,2,2,3,3) 5-note scales with three whole tones and two minor thirds
6
1. Pentatonic Minor: 32232* I used the pentatonic minor as the parent scale of this family because I think it’s the “pattern” most familiar to most guitar players. 2. Pentatonic Major
5. Ritusen
III†
V
VII VIII
X 3. Yo XII
XV
XVII
XX
4. Man Gong
XXII
XXIV
* Intervallic structure, ie, the number of half-steps (semitones) between notes. † Roman numerals = fret numbers.
7
6. Pentatonic Lydian: 22233*
with a flatted 5th) I’m sure there are many ways to use the pentatonic lydian (a name I made up), but for a start, try it as a substitute for the 2nd degree of the pentatonic minor. For example, in a blues in A,where you might ordinarily use the A pentatonic minor, try interspersing C pentatonic lydian. 7. 22332
10. 32223
III†
V
VII VIII
X 8. 23322 XII
XV
XVII
XX
9. 33222
XXII
XXIV
* Intervallic structure, ie, the number of half-steps (semitones) between notes. † Roman numerals = fret numbers.
8
Topology 7.1 (1,1,2,2,2,2,2) 7-note scales with two half tones and five whole tones
9
11. The Major Scale (Ionian Mode): 2212221* 12. Dorian ‡
15. Mixolydian
13. Phrygian ‡
16. Aeolian ‡
14. Lydian §
17. Locrian
III†
V
VII VIII
X
XII XIII
XV
XVII
XX
XXII
XXIV
* Intervallic structure, ie, the number of half-steps (half tones) between notes. † Roman numerals = fret numbers. ‡ Incorporates Pentatonic Minor 32232 § Incorportes Pentatonic Lydian 22233
10
Selected C Major Scale chords (2212221)* C∆6 (F)
C∆7 (F)
C∆9 (F)
C6/9 (F)
D119 (G,A)
Dm6
Dm7 (E, A)
Dm911 (A)
Dm11 (E, A, B)
Dm6/9
Em7+5 (A, B)
Emb9
F+11
F+11b5
F∆7b5
G9
G11
G13
Bm7b5
Bm7b5b13
Bm7 (D, E, A)
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
11
18. Melodic Minor (Jazz Minor): 2122221*
19. Dorian b2 ‡
22. Mixolydian b6
III†
V
VII VIII
X
20. Lydian #5 §
23. Semilocrian
21. Lydian b7 §
24. Superlocrian
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorportes lydian pentatonic 22233
12
Selected C Melodic Minor chords*** Cm6 (D)
Cm6/9
C∆7+9
Dm7
Dmb9
Eb6/9 (F)
Eb∆7b5
Eb∆7+5
F+11b5 (Eb)
F+11
F9 (G)
F13
F6/9
G11
G7+5
G119 (A)
Am911
Am7b5
Am7b5b13
B7b9
B+9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
13
25. Neapolitan Major: 1222221*
26. Leading Whole Tone
29. Major Locrian
27. Lydian #5 b7 §
30. Semilocrian b4
28. Lydian b6 b7
31. Superlocrian bb3
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
14
Selected C Neapolitan Major chords* Cm∆7
Cm6
Cmb9
Db9 (all but C)
Db∆7b5
Db∆7+5
Db7b5 (all but C)
Db7+5 (all but C)
Eb6/9
F9
Am7b5
Am7b5b13
Am7+5
Am9
A+9
B7b9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
15
[page intentionally blank]
16
Topology 7.2 (1,1,1,2,2,2,3) 7-note scales with three half tones, three whole tones, and one minor third
17
32. Neapolitan Minor: 1222131*
33. Lydian #6
36. Locrian #3
34. Mixolydian #5
37. Ionian #2
III†
V
VII VIII
X
XII
XV
XVII
XX
35. Hungarian Gypsy
38. Ultralocrian bb3§
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
18
Selected C Neapolitan Minor chords* +9
C∆7
b
E 11 (G)
Fm7
b
b5
A m6
b
b
D ∆7 (A )
b
b
D ∆7
b
b
E7
9
E 13
b5b13
Fm7
+9
B+11
E 11
Fm7
b
D9
A ∆7
b5
b +5
+5
G7
(G)
b5
b
E9
b
E 6/9 (B)
b9
G7
b5
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
19
39. Harmonic Major: 2212131*
40. Dorian b5
43. Mixolydian b2
41. Phrygian b4
44. Lydian #2 #5
III†
V
VII VIII
X
XII
XV
XVII
XX
42. Lydian b3
45. Locrian b7
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
20
Selected C Harmonic Major chords* +5
C∆
C∆7
Dm6/9
Dm7
D+11
11
Em7
Em7
E+9
Fm
Fm6
G7
b9
G11
G13
Dm9
F∆7
b
+9
A ∆7
b5
C∆7
b5
b
b5
+5
+9
A ∆7
+5
Bm6
C∆9
D11
9
Dm6 (B)
Dm11
b5∆7
b
(A )
Dm7 (E)
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
21
46. Harmonic Minor: 2122131*
47. Locrian #6
50. Phrygian #3
III†
V
VII VIII
X 48. Ionian #5
51. Lydian #2
XII
XV
XVII
XX
49. Romanian
52. Ultralocrian
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
22
Selected C Harmonic Minor chords* +9
C∆7
Dm7 (F)
E ∆7
E 6/9
F+11
b
Fm6/9
Fm7
G11
Fm6 (A )
b
A ∆7
b
b5
A ∆7
b
Dm11
b
D° (F, A , B)
b
b5
Dm7 (F)
b
+9
A ∆7
b
Dm6 (B)
b5
F+11
+5
G7
+9
A ∆6
(B)
+5
Bm6
Eb∆9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
23
53. Hungarian Major: 3121212*
54. Superlocrian bb6bb7
57. Melodic minor #5
III†
V
VII VIII
X 55. Harmonic minor b5
58. Dorian b2#4
XII
XV
XVII
XX
56. Superlocrian #6
59. Lydian augmented #3
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
24
Selected C Hungarian Major chords* #
Cm6 (D , A)
#
C13 (F )
# b9
b
B +11
+9
C∆6
#
F7
b5
Cm7 (A)
#
Cm7 (F , A)
#
#
(D , F )
F m6 (G)
b5
#
C7 (F )
+5
Gm6
#
C+9 (F )
#
#
C° (D, F )
D ∆6
Em
∆7b5
Gm6/9
Am
b9
#
(D )
b5
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
25
60. Phrygian #4: 1231122*
61. Lydian #3
64. Locrian #7
62. Mixolydian #2 ‡
65. Ionian #6
63. Aeolian #1
66. Dorian #5
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233
26
Selected C Phrygian #4 chords* b5
Cm7
b
D +11
b5
#
(F )
b
#
E ∆6
A 11
b
Ab11
b
B m6
B m6
Cm7
D +11 (F )
b
E m6
b5b13
Cm7
b
b
b
b
E m11 (B )
+9
F 6/9
9
A ∆7
+5
B m6/9
b9
Cm7
E +9
E 13
Cm
+5
b
b
#
Gm
b
B m9
b
∆7b5
11
b
A9
b
B m7
b
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
27
67. Ionian b2: 1312221*
68. Dorian b1
71. Mixolydian b5 §
69. Phrygian b7
72. Aeolian b4
70. Lydian b6
73. Locrian b3
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
28
Selected C Ionian b2 chords* C∆7 (F)
b
D ∆7
b
b
D ∆7
b5
b +5
D m7 (A)
D m7
b
Em6
Em6
D 7 (A)
D ∆7
G13
+9
b
b5b13
+5
b5
G+11
9
G11
b
D +9 (A)
b
D ∆7
Em
b5+9
b9
G6/9
b b5
D 7 (G)
b
+5
D m7
(A)
G9
Am7
Am9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
29
74. Lydian b2: 1321221*
75. Mixolydian b1
78. Ionian b5 §
76. Aeolian b7
79. Dorian b4
77. Locrian b6 ‡
80. Phrygian b3
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233
30
Selected C Lydian b2 chords* C∆7
b
D m7
+5
b
D m7 (F )
F m7 (A)
#
Fm
C∆7b5
D m7
Em6/9
b5
b
b5
#
G∆7
G+11
A9
A13
Am6 (E)
Am9
A+9
B11
b9
9
#
b
b5b13
D m7
G6/9
A6/9
+5
Em6
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
31
81. Lydian b3#5: 2132121*
82. 1321212
85. 1212132
83. 3212121
86. 2121321
84. 2121213
87. 1213212
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
32
Selected C Lydian b3#5 chords* b5
C+11
b5
D7
#
#
(F , A)
#
(G )
G m7
b5
Cm
b5∆7
b9
b
(E , A)
#
D7 (G , B)
#
G +9 (B)
b
#
Cm6 (E , F , A)
D13 (B)
Bm
b9
Cm6
+5
b
b
#
(E , F )
#
#
Cm6/9 (F , A)
#
E ° (F , A)
G m7 (B)
Bm6
B∆6
+9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
33
88. Scala Enigmata: 1322211* Some sources show the F# as an F natural in the descending articulation of this scale.
89. 3222111 ‡
92. 2111322
90. 2221113 §
93. 1113222
91. 2211132
94. 1132221
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233
34
Selected C Scala Enigmata chords* b5
b5
C∆7
b
#
D m11 (G )
#
#
F 11 (G )
#
G m9
11
#
C7 (F )
b
D m7
#
9
#
#
#
b9
(G )
C7
b5
E+11
E+11
F 11 (G )
G9
+5
C7
b
D m6
E6/9
F9
#
G +9
#
A m7
A m7
#
#
#
+5
#
b5b13
G m7
b5
#
(A )
A m7
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
35
95. 2122311*
96. 1223112
99. 3112122 ‡
97. 2231121
100. 1121223
98. 2311212
101. 1212231
III†
V
VII ‡
VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
36
Selected C 2122311 chords* Cm7 (G)
Dm7
b
+5
E 7
(G)
+5
Cm11 (D, G)
Dm6
Dm6
b
+5
#
E 6/9 (A )
+5
G11
B7
11
Cm9
G7
+9
C7
b
9
C11 (F)
b
E 6
E 7
E 9
F+11
F+11
G+9
B7
b
b5
b5
+9
B7
b5+9
*Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
37
102. 1231221*
103. 2312211
106. 2211231
104. 3122112
107. 2112312 §
105. 1221123
108. 1123122
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
38
Selected C 1231221 chords* Cm
∆7
b
D 11
b
Cm
9
E m6
+5
+5
b
E +9 (A)
b5
Eb7
G∆7
A9
b9
B9
B7
∆7b5
(A)
#
Cm6 (F )
b
b5
E m7 (A)
b +5
Cm
b9
b
#
b
b5b13
E m7
+9
E ∆6
Am6
Am9
#
C° (E , F , A)
E m7
E7
b
(F )
(A)
b
+5
b5
G∆7
Am6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
39
109. 1321122*
110. 3211221
113. 1221321
111. 2112213 §
114. 2213211
112. 1122132
115. 2132112
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Supports Lydian Pentatonic 22233
40
Selected C 1321122 chords* b5
C7
b
Dm
b5∆7
E6/9
b
#
(F )
A 11
(G)
+5
C7
b
b9
(A )
b
Em6 (G, B )
+9
E∆6
b
+5
B m7
#
b
C7 (F )
+5
Em6
b
(B )
b
A9
b
B m7
B m9
Dm
Em6/9 (B )
#
F9
b
D m6
b
b
∆7
b5
E+11
b
A ∆9
b5
b
b5b13
B m7
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
41
116. 2211123*
117. 2111232 ‡
120. 1232211
118. 1112322
121. 2322111
119. 1123221
122. 3221112 ‡
III†
V
VII § VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates Pentatonic Minor 32232 §Incoporates Pentatonic Lydian 22233
42
Selected C 2211123 chords* C6/9 (F)
C∆6
D11
D11 (E, G)
F∆7
Gm
Am6
9
b
+5
∆7b5
C+11
C+11
b5
D+9
Dm7 (A)
Dm11 (E, A)
Em7
b
b5
G m7
b
b5b13
G m7
+5
b
(G , A)
Am6
Am7 (D)
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
43
123. 1222311*
124. 2223111 §
127. 3111222
125. 2231112
128. 1112223
126. 2311122
129. 1122231
III†
V
VII ‡
VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233
44
Selected C 1222311 chords* Cm7
b
Cm
b
D 6/9 (E )
b
∆7
Cm11 (G)
b b5
D 9 (E )
b
E 6/9
D7
b
b
b
E ∆6
E9
G+9
Gm7
b5
b5b13
Gm7
Cm
b9
#
D ∆7 (B)
b
E7
(A )
b
D 13 (E )
F11
9
#
A m6
b
b5
b +5
(G)
+5
Gm7
#
A m6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
45
130. 2112231*
131. 1122312
134. 2312112
132. 1223121
135. 3121122
133. 2231211
136. 1211223
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
46
Selected C 2112231 chords* b5
b5+9
+9
C∆7
C∆7
D13
D7
E m6 (B)
E∆9 (C)
E7
b9
+5
E∆7
#
F 11
#
G +9
9
#
C∆7
D7
b
+5
#
(G )
#
b5
G m7
G m7
Bm6
Bm
b5
#
(G )
D9
E m6
+5
E∆7
E9
F +11
b
#
b5b13
G m7
#
b5
#
+5
G m7
b9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
47
137. 1112232*
138. 1122321 §
141. 2321112
139. 1223211
142. 3211122 ‡
140. 2232111
143. 2111223
III†
V
VII ‡
VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233
48
Selected C 1112232 chords* Cm7 (G)
b
b
D ∆7
Dm7
+5
Gm7
b5
9
C11 (F)
b5
D ∆7
(G)
b
#
b5b13
Cm
b9
b
D +11
b
E ∆9
#
A 6/9
D 6/9
E ∆6 (A )
Gm7
11
Cm9
E ∆7
A m6/9
b
Cm11 (D, G)
b5
b
Dm7
b
E 6/9
#
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
49
144. 1211232*
145. 2112321 §
148. 2321211
146. 1123212
149. 3212112
147. 1232121
150. 2121123
III†
V
VII ‡
VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
50
Selected C 1211232 chords* C+9
Cm7
b9
b
C7
Cm11 (G)
b
#
(E )
D ° (E, G, A )
b
+9
D +11
Em6
+5
D ∆7
#
A m6
b
(G)
b5
9
F11
#
(A )
b
D 6/9
b5
Db∆7
b5
Gm7
Cm
b9
b
b5+9
D ∆7
b
E 6/9
Gm7
+5
C11
b
D m6 (E, G)
b
E9
#
A +11
#
A m6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
51
151. 1121232*
152. 1212321
155. 2321121
153. 2123211
156. 3211212 ‡
154. 1232112
157. 2112123 §
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
52
Selected C 1121232 chords* 9
C9
C11 (D)
b
D ∆7
b5+9
Dm7
Em7
b5b13
b
D m6 (E)
+5
C11
C7
b
D ∆7
11
Dm7
Dm9
#
Gm6 (A )
#
A 6/9
b
b9
b
#
D ° (E, G, A )
b5
b
+9
D ∆7
D ∆7
Dm11 (G)
Em7 (G)
b5
#
A m6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
53
158. 2211213*
159. 2112132
162. 2132211
160. 1121322
163. 1322112
161. 1213221
164. 3221121
III†
V
VII § VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
54
Selected C 2211213 chords* C+11
b5
b5
C6/9
b5
b
Dm9 (G )
E7 (A )
E11
E7
F∆7
F∆7
b9
D7 (A )
E11
E11
9
F∆6
Fm6 (A)
Fm
b
+9
Gm
(A)
∆7b5
b
A 13
b
Dm7
D+9
F∆7
b
Dm7 (G )
b
b9
b
G m7
+5
b
b
(A )
+9
b5b13
G m7
+5
Am6
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
55
165. 2212113*
166. 2121132 ‡
169. 1132212
167. 1211322
170. 1322121
168. 2113221
171. 3221211 ‡
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
56
Selected C 2212113 chords* C6/9 (F)
Dm9
11
Fm6/9
b
A ∆7
C∆6 (F)
Dm7 (A)
Em7
Em7
F∆7
+9
+5
(A)
F∆7
(A)
Dm7
E7
b5
b9
F∆7
+9
Dm11 (E, A)
F∆9
b
b5
A ∆7
+5
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
57
[page intentionally blank]
58
Topology 7.3 (1,1,1,1,2,3,3) 7-note scales with 4 half tones, 1 whole tone, and 2 minor thirds
59
172. Hungarian Minor: 2131131*
173. Oriental
176. Double harmonic
III†
V
VII VIII
X 174. Ionian augmented #2
177. Lydian #2 #6
XII
XV
XVII
XX
175. Locrian bb3 bb7
178. Ultraphrygian
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
60
Selected C Hungarian Minor chords* Cm
b5∆7
b
(A )
b9
b
b
A +9
∆7
b
(B)
#
b5
+5
E ∆7
b5
b
D11
(G)
E ∆7
b
A m7
D7 (A )
b
E ∆7
+5
+9
(A 7 )
b
D7
E m6
Cm
F +11
G∆7 (A )
B∆6
B∆6
+9
b
D13
+9
b
Bm
b
(A )
b
E m6 (B)
b
b5
A m7
b9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
61
179. 1321131*
180. 3211311 ‡
183. 1311321
181. 2113113
184. 3113211
182. 1131132
185. 1132113
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
62
Selected C 1321131 chords* C∆7
b
Dm
∆7
Em6
b
b5
C∆7
∆7b5
+5
C∆7 (G)
A ∆7
b
Dm
Em6
+9
b
A m7
+5
b
b
b5
D m7
D m7
D m11 (A )
E∆6
E∆6
E6/9
Em6/9
F 11
b +5
A +9
b
b
b
+5
A m7
A7
+9
#
9
b
*Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
63
186. 1231131*
187. 2311311
190. 1311231
188. 3113112
191. 3112311 ‡
189. 1131123
192. 1123113
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
64
Selected C 1231131 chords* Cm
∆7
b
+9
(A 7 )
b
b
E m11 (A )
b
E 13
b5
G∆7
Cm
∆7b5
b
E m6
b
+5
E m7
b
A m7
Cm
b9
b
9
b +5
D 11
b
+5
E +9 (A )
#
b5
F +11
E m6
F +11
b
A ∆7
b
E7
b
#
b
+9
A ∆7
b
b
E 11 (A )
b
G∆7 (A )
B∆6
B6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
65
193. 1111233*
194. 1112331
197. 2331111
195. 1123311
198. 3311112
196. 1233111
199. 3111123
III†
V
VII § VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
66
Selected C 1111233 chord C 6/9
C+11
b5
b
#
C° (E , F , A)
D∆7
D9
D7
E m7
#
F m7
F m7
b
Cm6/9
b
E m7
#
Cm6 (E , F , A)
b
b5
Em
b
#
b5
F m7
#
b5∆7
b5b13
b9
(A)
D∆7
9
#
E11
#
+9
C∆6
+5
F m6
+5
F m7
A∆6
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
67
200. 1111323*
201. 1113231
204. 3231111
202. 1132311
205. 2311113
203. 1323111
206. 3111132 ‡
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
68
Selected C 1111323 chords* C∆6
Cm
C 6/9
b9
b
G+11
b5
Cm6
9
E ∆7
E ∆7
+5
Em11 (A)
G+11
b5
A7
b5∆7
D11
Em6
+5
Em7
Am7
Am7
Dm
Em6
+9
C∆6
b
b5
Cm6/9
b
b5
A+9
A11
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
69
207. 1111332*
208. 1113321
211. 3321111
209. 1133211
212. 3211113
210. 1332111
213. 2111133 §
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
70
Selected C 1111332 chords* Cm
b9
b
D m6 (E, G)
9
D11
Em7
b5
Cm7
b
C9
b
D ° (E, G, B )
b
E ∆6
b5b13
Em7
b9
C+9
b
b
D m6/9 (B )
b
E ∆7
+5
Em7
b
Dm
b
C7 (E )
b5∆7
Em6
+5
b
B 6/9
(E)
(G)
b
D +11
b5
b
(B )
Em7
b
+9
B ∆6
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
71
214. 1112133*
215. 1121331
218. 1331112
216. 1213311
219. 3311121
217. 21133111
220. 3111213
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
72
Selected C 1112133 chords* b
b
Cm6 (E , G , A)
b
D ∆9
+5
D+9
b
b
E ° (G , A)
b
Cm6/9 (E )
Dm
b9
b5
C+11
+9
D∆7
b
F∆6
F∆6
+5
+5
D ∆7
b
Dm7
D7 (F)
b
E m7
b
D ∆7 (D)
(G m7)
D∆7
b
(E )
b
b9
b5
E m7
(A)
F7
+5
b
b5∆7
b
+5
Em
G m6
b
(G )
(A)
+9
A∆6
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
73
221. 1112313*
222. 1123131
225. 3131112
III†
V
VII VIII
X 223. 1231311
226. 1311123
XII
XV
XVII
XX
224. 2313111
227. 3111231
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
74
Selected C 1112313 chords* Cm6 (F)
b
D ∆9
+5
b
E +11
b5
+5
Cm6
Dm7 (F)
#
F∆6 (G )
+5
F+9
(F)
F7
Cm6/9
b5
Dm7
F∆6
+5
A∆7
b
D ∆7
Dm
∆7
F∆6
b
+5
b5∆7
(A7
D ∆7
Dm
+9
Fm7
b5
A∆7
A∆7
b5+9
)
+5
+5
+9
A∆7
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
75
228. 1113123* This scale lends itself more to vertical (up-down the neck) than horizontal (across the neck) articulation; you should feel free to develop patterns best suited to your own style of playing.
228. alternative
232. alternative
III†
V
VII VIII
X
XII
XV
XVII
XX
232. 1231113
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
76
Selected C 1113123 chords* #
Cm6 (F )
C+11
b
b5
E m7
b
b5
Cm
b9
#
(F )
b9
D7
(A)
#
E m6 (F ,A)
C° (F , A)
C+11
D11 (A)
D∆7
E m7 (A)
b
b5+9
E ∆6
#
+5
Am11
E ∆7
F m6
#
Cm6/9
b
+9
(A)
b
b
b5
E ∆7
b
E +9 (A)
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
77
235. 1113132*
236. 1131321
239. 1321113
237. 1313211
240. 3211131
III†
V
VII VIII
X
XII
XV
XVII
XX
238. 3132111
241. 2111313
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
78
Selected C 1113132 chords* b
Cm7 (E )
b5
Cm7
b
Cm
b
b
+9
E m6 (B )
b
+9
E ∆6 (F )
E 7
E ∆7
b
#
b9
D7
b
b
E +9
b
E ∆7
+9
E ∆6
b
(B )
+5
+9
b
+5
D∆7
(Gm7)
+5
B ∆6
b
E ∆7
b
B m6/9
b
B 6/9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
79
242. 1113213
242. alternative
246. alternative
III†
V
VII VIII
X
XII
XV
XVII
XX
246. 2131113
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
80
Selected C 1113213 chords* b
#
Cm6 (E , F , A)
b5
D∆7
b
Em
#
(A)
b5∆7
F m6
(A)
+5
Cm6
b9
#
Cm6/9 (F )
#
D7 (G )
D7 (G )
b
E m11
+9
A∆6
#
(F )
b5
b
#
#
C+11
b5
b
#
(F )
D∆7
b
b5
E m7
E m7
#
G 11
E ° (F , A)
F +11
A∆7
A∆7
#
+9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
81
249. 1113312*
250. 1133121
253. 3121113
251. 1331211
254. 1211133
252. 3312111
255. 2111331
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
82
Selected C 1113312 chords* b
#
Cm6 (E , F , A)
b
C° (E , A)
b
Em
#
∆7
F ∆6
+5
Cm6/9
b9
Cm7
Cm7
+5
D7
D7
b
∆7b5
E m7
b
#
+5
F ∆6
#
b
(E )
+9
D∆7
b
#
E m6 (F )
(A)
b
b5
C+11
+5
D∆7
Em
F m6
b5
+9
B ∆7
b
(B )
#
F ∆6
b
B ∆9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
83
256. 1121133*
257. 1211331
260. 1331121
258. 2113311
261. 3311211
259. 1133112
262. 3112113
III†
V
VII § VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233
84
Selected C 1121133 chords* b5
C6/9
b
C+11
b
Dm7 (G )
Dm
D+9
D∆7 (F)
+5
Am6
Am6
G m7
G m7
+9
A∆6
A∆6
A∆6
+9
D9
b
b
b5
(F)
b
(G )
∆7
b
+5
D ∆7
9
E11
b
D ∆7 (F)
D ∆7
+5
+5
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
85
263. 3131121* This scale lends itself more to vertical (up-down the neck) than horizontal (across the neck) articulation; you can develop patterns best suited to your own style of playing.
264. 1311213
269. 1313112
III†
V
VII VIII
X 266. 1121313 XII
XV
XVII
XX
268. 2131311
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
86
Selected C 3131121 chords* #
+5
C∆7 (E, G )
+9
C∆7
Am7
C∆7
#
(E, G )
#
(E, G )
+9
C∆6
+9
E∆7
E∆7
b5
Am7
Am
Cm6
#
(G )
∆7b5
Am
B7
∆7
+5
+5
Cm6
G6/9
B11
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
87
270. 1131312*
270. alternative
273. 1312113
III†
V
VII VIII
X 275. 1211313 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
88
Selected C 1131312 chords* C+11
b5
b
b
D ∆7
+5
Dm7
G ∆7
9
C11
b5
b
b
Dm7
D∆7 (G , B )
Am6
Am6
+5
b
+5
(D, G , B )
b
+9
(B )
D ∆7
G ∆7
A∆6
b
b
b
D+9
b
b5+9
G ∆7
+9
*Chords named off the 6th string. Letters in parentheses = same chord form at that root. Single gray notes are optional. Play either note of a gray pair but probably not both.
89
Part 2: somewhat less useful and in some cases downright useless scales Parent scales are mapped the full length of 24 frets, but in many cases, I did not bother to plot the individual modes.
90
Topology 5.2 (1,2,2,3,4) 5-note scales with one half tone, two whole tones, and a minor and a major third
91
277. 12234*
281. 41223 III†
V
VII VIII
X
XII
XV
XVII
XX
280. 34122
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
92
282. 12243*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
93
287. 12324*
III†
V
VII VIII
X
XII
XV
XVII
XX
290. 24123
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
94
292. 12342*
III†
V
VII VIII
X
XII
XV
XVII
XX
295. 42123
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
95
297. 12423*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
96
302. 12432*
III†
V
VII VIII
X
XII
XV
XVII
XX
305. 32124
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
97
307. 13224*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
98
312. 13242*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
99
317. 13422*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
100
322. 14223*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
101
327. 14232*
III†
V
VII VIII
X
XII
XV
XVII
XX
330. 32142
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
102
332. 14322*
334. 32214 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
103
Topology 5.3 (1,1,2,4,4) 5-note scales with two half tones, one whole tone, and two major thirds
104
337. 11244*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
105
342. 11424*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
106
347. 11442*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
107
352. 12144*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
108
357. 12414*
III†
V
VII VIII
X
XII
XV
XVII
XX
360. 14124
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
109
362. 14142*
364. 14214 III†
V
VII VIII
X 3 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
110
Topology 5.4 (1,1,3,3,4) 5-note scales with two half tones, two minor thirds, and one major third
111
367. 11334*
371. 41133 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
112
372. 11343*
III†
V
VII VIII
X 374. 34311 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
113
377. 11433*
III†
V
VII VIII
X
XII
XV
XVII
XX
380. 33114
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
114
382. 13134*
III†
V
VII VIII
X
XII
XV
XVII
XX
385. 34131
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
115
387. 13143*
391. 31314 III†
V
VII VIII
X
XII
XV
XVII
XX
390. 43131
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
116
392. 13314*
393. 33141
396. 41331
III†
V
VII VIII
X 394. 31413 XII
XV
XVII
XX
395. 14133
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
117
Topology 6.1 (1,2,2,2,2,3) 6-note scales with one half tone, four whole tones, and one minor third
118
397. 122223*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
119
403. 223212*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
120
409. 223221*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
121
415. 222123*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
122
421. 132222*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
123
Topology 6.2 (1,1,2,2,3,3) 6-note scales with two half tones, two whole tones, and two minor thirds
124
427. 112233*
431. 331122 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
125
433. 112323*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
126
439. 112332*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
127
445. 121233*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
128
451. 121323*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
129
457. 121332*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
130
463. 211323*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
131
469. 211332*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
132
475. 223113*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
133
481. 131223*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
134
487. 131232*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
135
493. 131322*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
136
499. 221331*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
137
505. 212313*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
138
511. 123123*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
139
514. 132132*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
140
Topology 6.3 (1,1,2,2,2,4) 6-note scales with two half tones, three whole tones, and one major third
141
517. 112224*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
142
523. 112242*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
143
529. 112422*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
144
535. 114222*
539. 221142 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
145
541. 121224*
III†
V
VII VIII
X 543. 122412
546. 412122
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
146
547. 121242*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
147
553. 121422*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
148
559. 124122*
III†
V
VII VIII
X 562. 122124 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
149
565. 122142*
III†
V
VII VIII
X
XII
XV
XVII
XX
568. 142122
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
150
571. 122214*
575. 141222 III†
▪V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
151
Topology 6.4 (1,1,1,2,3,4) 6-note scales with three half tones, one whole tone, one minor third, and one major third
152
577. 111234*
III†
V
VII VIII
X 579. 123411
582. 411123
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
153
583. 111243*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
154
589. 111324*
589. alternative
593. 241113
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
155
595. 111342*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
156
601. 111423*
605. 231114 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
157
607. 111432*
611. 321114 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
158
613. 112134*
III†
V
VII VIII
X 615. 213411 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
159
619. 112143*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
160
625. 112314*
626. 123141
629. 141123
III†
V
VII VIII
X 627. 231411
630. 411231
XII
XV
XVII
XX
628. 314112
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
161
631. 112413*
632. 124131 III†
V
VII VIII
X 633. 241311
635. 131124
XII
XV
XVII
XX
634. 413112
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
162
637. 113124*
640. 124113
642. 411312
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
163
643. 113142*
644. 131421
647. 421131
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
164
649. 113214*
649. alternative III†
V
VII VIII
X 653. 141132 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
165
655. 113412*
III†
V
VII VIII
X 656. 134121 XII
659. 121134
XV
XVII
XX
657. 341211
660. 211341
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
166
661. 114123*
665. 231141 III†
V
VII VIII
X 663. 412311 XII
XV
XVII
XX
664. 123114
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
167
667. 114132*
671. 321141 III†
V
VII VIII
X 669. 413211 XII
XV
XVII
XX
670. 132114
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
168
673. 114213*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
169
679. 114312*
III†
V
VII VIII
X 681. 431211 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
170
685. 121314*
689. 141213 III†
V
VII VIII
X 687. 131412
690. 412131
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
171
691. 121413*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
172
Topology 6.5 (1,1,1,3,3,3) 6-note scales with three semitones and three minor thirds
173
697. 111333*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (semitones) between notes. †Roman numerals = fret numbers.
174
703. 113133*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (semitones) between notes. †Roman numerals = fret numbers.
175
709. 113313*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (semitones) between notes. †Roman numerals = fret numbers.
176
715. Augmented: 313131* The augmented scale and its one mode repeat at every fourh fret (i.e., in major third intervals).
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (semitones) between notes. †Roman numerals = fret numbers.
177
Topology 6.6 (1,1,1,1,4,4) 6-note scales with four half tones and two major thirds
178
718. 111144*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
179
724. 111414*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
180
730. 114114*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
181
Topology 6.7 (2,2,2,2,2,2) Whole Tone Scale
182
717. Whole Tone Scale (222222)* The Whole Tone Scale and its modes are indistinguishable.
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
183
Topology 7.4 (1,1,1,1,2,2,4) 7-note scales with four half tones, two whole tones, and one major third
184
733. 1111224*
III†
V
VII VIII
X
XII
XV
XVII
XX
739. 4111122
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
185
740. 1111242*
III†
V
VII VIII
X 745. 4211112 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
186
747. 1111422*
751. 4221111 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
187
754. 1112124*
III†
V
VII VIII
X
XII
XV
XVII
XX
760. 4111212
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
188
761. 1112142*
III†
V
VII VIII
X 766. 4211121 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
189
768. 1112214*
773. 1411122 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
190
775. 1112412*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
191
782. 1114122*
786. 1221114 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
192
789. 1114212*
III†
V
VII VIII
X
XII
XV
XVII
XX
791. 1421211
793. 2121114
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
193
796. 1121124*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
194
803. 1121142*
III†
V
VII VIII
X 808. 4211211 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
195
810. 1121214*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
196
817. 1121412*
III†
V
VII VIII
X 819. 2141211 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
197
824. 1122114*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
198
831. 1141212*
III†
V
VII VIII
X 833. 4121211 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
199
Topology 7.5 (1,1,1,1,1,3,4) 7-note scales with five half tones, one minor third, and one major third
200
838. 1111134*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
201
845. 1111143*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
202
852. 1111314*
III†
V
VII VIII
X
XII
XV
XVII
XX
858. 4111131
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
203
859. 1111413*
III†
V
VII VIII
X 865. 3111141 XII
XV
XVII
XX
863. 4131111
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
204
866. 1113114*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
205
873. 1141131*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
206
Topology 8.1 (1,1,1,1,2,2,2,2) 8-note scales with four half tones and four whole tones
207
880. Bebop major: 22121121*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
208
888. Bebop dominant: 22122111*
III†
V
VII VIII
X 890. Bebop locrian XII
892. Bebop dorian
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
209
896. Bebop minor: 21221121*
III†
V
VII VIII
X
902. 21212211 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
210
904. 22121112*
905. 21211122 III†
V
VII VIII
X 908. 11122212 ‡ XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates Pentatonic Minor 32232
211
912. 22121211*
III†
V
VII VIII
X
XII
XV‡
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
212
920. 22112112*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
213
928. 22111212*
III†
V
VII VIII
X 930. 11121222
933. 21222111 ‡
XII
XV
XVII
XX
934. 12221112 ‡
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
214
936. 22111122*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
215
944. 22112211*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
216
948. Diminished: 21212121* The Diminished Scale and its one mode repeat at every third fret (i.e., in minor third intervals). The incomplete articulations below yield a diminished feel across two octaves. III†
V
VII VIII
X at C (tonic)
at D
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, i.e., the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
217
Topology 8.2 (1,1,1,1,1,2,2,3) 8-note scales with five half tones, two whole tones, and a minor third
218
950. 11211213*
950. alternative III†
V
VII VIII
X 955. 21311211 XII
XV
XVII
XX
953. 11213112
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
219
958. 11211312*
III†
V
VII VIII
X 963. 31211211 XII
XV
XVII
XX
961. 11312112
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
220
966. 11212113*
III†
V
VII VIII
X 968. 21211311 ‡
971. 11311212
XII
XV
XVII
XX
973. 31121211 ‡
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
221
974. 11121123*
976. 12112311‡ III†
V
VII VIII
X 980. 23111211 XII
XV
XVII
XX
978. 11231112
981. 31112112
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
222
982. 11121132*
III†
V
VII VIII‡
X 986. 11321112
988. 32111211 ‡
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
223
990. 11121213*
995. 21311121 III†
V
VII VIII
X 996. 13111212 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
224
998. 11121312*
1003. 31211121 III†
V
VII VIII
X 1004. 12111213 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
225
1006. 11122113*
1010. 21131112 III†
V
VII VIII
X 1008. 12211311 ‡
1011. 11311122
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
226
1014. 11123112*
1018. 31121112 ‡ III†
V
VII VIII
X 1019. 11211123 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
227
1022. 11131122*
1026. 11221113 III†
V
VII VIII
X 1027. 12211131 XII
XV
XVII
XX
1025. 31122111 ‡
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
228
1030. 11131212*
III†
V
VII VIII
X 1035. 21211131 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
229
1038. 11132112*
1042. 21121113 III†
V
VII VIII
X 1043. 11211132 XII
XV
XVII
XX
1041. 32112111 ‡
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
230
1046. 11112123*
1051. 12311112 III†
V
VII VIII
X
XII
XV
XVII
XX
1053. 31111212‡
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
231
1054. 11112132*
1059. 13211112 III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
232
1062. 11112213*
III†
V
VII VIII
X 1068. 13111122 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
233
1070. 11112312*
III†
V
VII VIII
X 1076. 12111123 XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
234
1078. 11113122*
III†
V
VII VIII
X
XII
XV
XVII
XX
1085. 21111312
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
235
1086. 11113212*
III†
V
VII VIII
X 1092. 12111132 ‡ XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232
236
1094. 11111223*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
237
1102. 11111232*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
238
1110. 11111322*
III†
V
VII VIII
X
XII
XV
XVII
XX
XXII
XXIV
*Intervallic structure, ie, the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.
239
harmonized scale tones The pages in this section lay out the first 38 seven-note parent scales on a chromatic grid and identify the chord tones native to each parent scale and its modes through two octaves. Generally speaking, chords are derived from scales by selecting every other note in the scale across two octaves. This is how scale notes are harmonized. The example on the right is for the Neapolitan Minor in C. Start with any scale degree in the row at the top of the grid (Roman numerals), the shaded boxes below show the associated chord tones derived from the scale. The shaded boxes under C, for example, tell us the fully extended chord native to the first note of the Neapolitan minor scale would include: the root or tonic (C) minor 3rd (Eb) perfect 5th (G) major 7th (B) flatted 9th (Db) unaltered 11th (F) flatted 13th (Ab) s us some of the C chords that would support the C Neapolitan minor scale (Cm or Cm11, for example). The chart also tells us the second mode of this scale, starting with Db, yields Db7, Db9, and Db+11. The third mode yields a Eb7+5. And so on. 7
You can use the charts in this chapter to figure out what chords may work over the 7-note parent scales and modes in -to-C errors in these charts, please let me know at
[email protected] so I can fix them in subsequent versions of the book. Thanks!
240
11. Major: 2212221* Scale tone Chord tone
11. Ionian mode (aka, Major Scale)
12. Dorian mode
13. Phrygian mode
14. Lydian mode
15. Mixolydian mode
16. Aeolian mode
17. Locrian mode
I
II
III
IV
V
VI
VII
1
C
D
E
F
G
A
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C
9
D
E
F#/Gb
G
A
B
C#/Db
D#/Eb
F
G
G#/Ab
A#/Bb
C
D
E
F#/Gb
G#/Ab
A
B
C#/Db
D#/Eb
4
F
G
A
A#/Bb
C
D
E
b5
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F
5
G
A
B
C
D
E
F#/Gb
+5
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
F
G
6
A
B
C#/Db
D
E
F#/Gb
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
G
A
B
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
1
C
D
E
F
G
A
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C
9
D
E
F#/Gb
G
A
B
C#/Db
+9
D#/Eb
F
G
G#/Ab
A#/Bb
C
D
3
E
F#/Gb
G#/Ab
A
B
C#/Db
D#/Eb
11
F
G
A
A#/Bb
C
D
E
+11
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F
G
A
B
C
D
E
F#/Gb
b13
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
F
G
13
A
B
C#/Db
D
E
F#/Gb
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
G
A
B
C#/Db
E
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
241
18. Melodic Minor: 2122221* Scale tone Chord tone
18. Melodic Minor
19. Dorian b2
20. Lydian #5
21. Lydian b7
22. Mixolydian b6
23. Semilocrian
24. Superlocrian
I
II
III
IV
V
VI
VII
1
C
D
Eb
F
G
A
B
b9
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C
9
D
E
F
G
A
B
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C
D
E
F#/Gb
G
A
B
C#/Db
D#/Eb
4
F
G
G#/Ab
A#/Bb
C
D
E
b5
F#/Gb
G#/Ab
A
B
C#/Db
D#/Eb
F
5
G
A
A#/Bb
C
D
E
F#/Gb
+5
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F
G
6
A
B
C
D
E
F#/Gb
G#/Ab
b7
A#/Bb
C
C#/Db
D#/Eb
F
G
A
B
C#/Db
D
E
F#/Gb
G#/Ab
A#/Bb
1
C
D
D#/Eb
F
G
A
B
b9
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C
9
D
E
F
G
A
B
C#/Db
+9
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C
D
3
E
F#/Gb
G
A
B
C#/Db
D#/Eb
11
F
G
G#/Ab
A#/Bb
C
D
E
+11
F#/Gb
G#/Ab
A
B
C#/Db
D#/Eb
F
G
A
A#/Bb
C
D
E
F#/Gb
b13
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F
G
13
A
B
C
D
E
F#/Gb
G#/Ab
b7
A#/Bb
C
C#/Db
D#/Eb
F
G
A
B
C#/Db
D
E
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
242
25. Neapolitan Major: 1222221* Scale tone Chord tone
25. Neapolitan Major
26. Leading Whole Tone
27. Lydian #5b7
28. Lydian b6b7
29. Major Locrian
30. Semilocrian b4
31. Superlocrian bb3
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F
G
A
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
A#/Bb
C
9
D
D#/Eb
F
G
A
B
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C
D
E
F
G
A
B
C#/Db
D#/Eb
4
F
F#/Gb
G#/Ab
A#/Bb
C
D
E
b5
F#/Gb
G
A
B
C#/Db
D#/Eb
F
5
G
G#/Ab
A#/Bb
C
D
E
F#/Gb
+5
G#/Ab
A
B
C#/Db
D#/Eb
F
G
6
A
A#/Bb
C
D
E
F#/Gb
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
G
A
B
C
D
E
F#/Gb
G#/Ab
A#/Bb
1
C
C#/Db
D#/Eb
F
G
A
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
A#/Bb
C
9
D
D#/Eb
F
G
A
B
C#/Db
+9
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C
D
3
E
F
G
A
B
C#/Db
D#/Eb
11
F
F#/Gb
G#/Ab
A#/Bb
C
D
E
+11
F#/Gb
G
A
B
C#/Db
D#/Eb
F
G
G#/Ab
A#/Bb
C
D
E
F#/Gb
b13
G#/Ab
A
B
C#/Db
D#/Eb
F
G
13
A
A#/Bb
C
D
E
F#/Gb
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
G
A
B
C
D
E
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
243
32. Neapolitan Minor: 1222131* Scale tone Chord tone
32. Neapolitan Minor
33. Lydian #6
34. Mixolydian #5
35. Hungarian Gypsy
36. Locrian #3
37. Ionian #2
38. Ultrlocrian bb3
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F
G
Ab
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
A
C
9
D
D#/Eb
F
G
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
B
D
E
F
G
A
B
C
D#/Eb
4
F
F#/Gb
G#/Ab
A#/Bb
C
C#/Db
E
b5
F#/Gb
G
A
B
C#/Db
D
F
5
G
G#/Ab
A#/Bb
C
D
D#/Eb
F#/Gb
+5
G#/Ab
A
B
C#/Db
D#/Eb
E
G
6
A
A#/Bb
C
D
E
F
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
F#/Gb
A
B
C
D
E
F#/Gb
G
A#/Bb
1
C
C#/Db
D#/Eb
F
G
G#/Ab
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
A
C
9
D
D#/Eb
F
G
A
A#/Bb
C#/Db
+9
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
B
D
3
E
F
G
A
B
C
D#/Eb
11
F
F#/Gb
G#/Ab
A#/Bb
C
C#/Db
E
+11
F#/Gb
G
A
B
C#/Db
D
F
G
G#/Ab
A#/Bb
C
D
D#/Eb
F#/Gb
b13
G#/Ab
A
B
C#/Db
D#/Eb
E
G
13
A
A#/Bb
C
D
E
F
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
F#/Gb
A
B
C
D
E
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
244
39. Harmonic Major: 2212131* Scale tone Chord tone
39. Harmonic Minor
40. Dorian b5
41. Phrygian b4
42. Lydian b3
43. Mixolydian b2
44. Lydian #2#5
45. Locrian b7
I
II
III
IV
V
VI
VII
1
C
D
E
F
G
Ab
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
C
9
D
E
F#/Gb
G
A
A#/Bb
C#/Db
D#/Eb
F
G
G#/Ab
A#/Bb
B
D
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
4
F
G
A
A#/Bb
C
C#/Db
E
b5
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
F
5
G
A
B
C
D
D#/Eb
F#/Gb
+5
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
G
6
A
B
C#/Db
D
E
F
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
A
B
C#/Db
D#/Eb
E
F#/Gb
G
A#/Bb
1
C
D
E
F
G
G#/Ab
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
C
9
D
E
F#/Gb
G
A
A#/Bb
C#/Db
+9
D#/Eb
F
G
G#/Ab
A#/Bb
B
D
3
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
11
F
G
A
A#/Bb
C
C#/Db
E
+11
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
F
G
A
B
C
D
D#/Eb
F#/Gb
b13
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
G
13
A
B
C#/Db
D
E
F
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
A
B
C#/Db
D#/Eb
E
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
245
46. Harmonic Minor: 2122131* Scale tone Chord tone
46. Harmonic Minor
47. Locrian #6
48. Ionian #5
49. Romanian
50. Phrrygian #3
51. Lydian #2
52. Ultralocrian
I
II
III
IV
V
VI
VII
1
C
D
Eb
F
G
Ab
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
C
9
D
E
F#/Gb
G
A
A#/Bb
C#/Db
D#/Eb
F
G
G#/Ab
A#/Bb
B
D
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
4
F
G
A
A#/Bb
C
C#/Db
E
b5
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
F
5
G
A
B
C
D
D#/Eb
F#/Gb
+5
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
G
6
A
B
C#/Db
D
E
F
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
A
B
C#/Db
D#/Eb
E
F#/Gb
G
A#/Bb
1
C
D
E
F
G
G#/Ab
B
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
C
9
D
E
F#/Gb
G
A
A#/Bb
C#/Db
+9
D#/Eb
F
G
G#/Ab
A#/Bb
B
D
3
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
11
F
G
A
A#/Bb
C
C#/Db
E
+11
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
F
G
A
B
C
D
D#/Eb
F#/Gb
b13
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
G
13
A
B
C#/Db
D
E
F
G#/Ab
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
A
B
C#/Db
D#/Eb
E
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
246
53. Hungarian Major: 3121212* Scale tone Chord tone
53. Hungarian Major
54. Superlocrian bb6bb7
55. Harmonic Minor b5
56. Superlocrian #6
57. Melodic Minor #5
58. Dorian b2#4
59. Lydian #3#5
I
II
III
IV
V
VI
VII
1
C
D#
E
F#
G
A
Bb
b9
C#/Db
E
F
G
G#/Ab
A#/Bb
B
9
D
F
F#/Gb
G#/Ab
A
B
C
D#/Eb
F#/Gb
G
A
A#/Bb
C
C#/Db
E
G
G#/Ab
A#/Bb
B
C#/Db
D
4
F
G#/Ab
A
B
C
D
D#/Eb
b5
F#/Gb
A
A#/Bb
C
C#/Db
D#/Eb
E
5
G
A#/Bb
B
C#/Db
D
E
F
+5
G#/Ab
B
C
D
D#/Eb
F
F#/Gb
6
A
C
C#/Db
D#/Eb
E
F#/Gb
G
b7
A#/Bb
C#/Db
D
E
F
G
G#/Ab
B
D
D#/Eb
F
F#/Gb
G#/Ab
A
1
C
D#/Eb
E
F#/Gb
G
A
A#/Bb
b9
C#/Db
E
F
G
G#/Ab
A#/Bb
B
9
D
F
F#/Gb
G#/Ab
A
B
C
+9
D#/Eb
F#/Gb
G
A
A#/Bb
C
C#/Db
3
E
G
G#/Ab
A#/Bb
B
C#/Db
D
11
F
G#/Ab
A
B
C
D
D#/Eb
+11
F#/Gb
A
A#/Bb
C
C#/Db
D#/Eb
E
G
A#/Bb
B
C#/Db
D
E
F
b13
G#/Ab
B
C
D
D#/Eb
F
F#/Gb
13
A
C
C#/Db
D#/Eb
E
F#/Gb
G
b7
A#/Bb
C#/Db
D
E
F
G
G#/Ab
B
D
D#/Eb
F
F#/Gb
G#/Ab
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
247
60. Phrygian #4 (1231122)* Scale tone Chord tone
60. Phrygian #4
61. Lydian #3
62. Mixolydian #2
63. Aeolian #1
64. Locrian #7
65. Ionian #6
66. Dorian #5
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F#
G
Ab
Bb
b9
C#/Db
D
E
G
G#/Ab
A
B
9
D
D#/Eb
F
G#/Ab
A
A#/Bb
C
D#/Eb
E
F#/Gb
A
A#/Bb
B
C#/Db
E
F
G
A#/Bb
B
C
D
4
F
F#/Gb
G#/Ab
B
C
C#/Db
D#/Eb
b5
F#/Gb
G
A
C
C#/Db
D
E
5
G
G#/Ab
A#/Bb
C#/Db
D
D#/Eb
F
+5
G#/Ab
A
B
D
D#/Eb
E
F#/Gb
6
A
A#/Bb
C
D#/Eb
E
F
G
b7
A#/Bb
B
C#/Db
E
F
F#/Gb
G#/Ab
B
C
D
F
F#/Gb
G
A
1
C
C#/Db
D#/Eb
F#/Gb
G
G#/Ab
A#/Bb
b9
C#/Db
D
E
G
G#/Ab
A
B
9
D
D#/Eb
F
G#/Ab
A
A#/Bb
C
+9
D#/Eb
E
F#/Gb
A
A#/Bb
B
C#/Db
3
E
F
G
A#/Bb
B
C
D
11
F
F#/Gb
G#/Ab
B
C
C#/Db
D#/Eb
+11
F#/Gb
G
A
C
C#/Db
D
E
G
G#/Ab
A#/Bb
C#/Db
D
D#/Eb
F
b13
G#/Ab
A
B
D
D#/Eb
E
F#/Gb
13
A
A#/Bb
C
D#/Eb
E
F
G
b7
A#/Bb
B
C#/Db
E
F
F#/Gb
G#/Ab
B
C
D
F
F#/Gb
G
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
248
67. Ionian b2 (1312221)* Scale tone Chord tone
67. Ionian b2
68. Dorian b1
69. Phrygian b7
70. Lydian b6
71. Mixolydian b5
72. Aeolian b4
73. Locrian b3
I
II
III
IV
V
VI
VII
1
C
Db
E
F
G
A
B
b9
C#/Db
D
F
F#/Gb
G#/Ab
A#/Bb
C
9
D
D#/Eb
F#/Gb
G
A
B
C#/Db
D#/Eb
E
G
G#/Ab
A#/Bb
C
D
E
F
G#/Ab
A
B
C#/Db
D#/Eb
4
F
F#/Gb
A
A#/Bb
C
D
E
b5
F#/Gb
G
A#/Bb
B
C#/Db
D#/Eb
F
5
G
G#/Ab
B
C
D
E
F#/Gb
+5
G#/Ab
A
C
C#/Db
D#/Eb
F
G
6
A
A#/Bb
C#/Db
D
E
F#/Gb
G#/Ab
b7
A#/Bb
B
D
D#/Eb
F
G
A
B
C
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
1
C
C#/Db
E
F
G
A
B
b9
C#/Db
D
F
F#/Gb
G#/Ab
A#/Bb
C
9
D
D#/Eb
F#/Gb
G
A
B
C#/Db
+9
D#/Eb
E
G
G#/Ab
A#/Bb
C
D
3
E
F
G#/Ab
A
B
C#/Db
D#/Eb
11
F
F#/Gb
A
A#/Bb
C
D
E
+11
F#/Gb
G
A#/Bb
B
C#/Db
D#/Eb
F
G
G#/Ab
B
C
D
E
F#/Gb
b13
G#/Ab
A
C
C#/Db
D#/Eb
F
G
13
A
A#/Bb
C#/Db
D
E
F#/Gb
G#/Ab
b7
A#/Bb
B
D
D#/Eb
F
G
A
B
C
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
249
74. Lydian b2 (1321221)* Scale tone Chord tone
74. Lydian b2
75. Mixolydian b1
76. Aeolian b7
77. Locrian b6
78. Ionian b5
79. Dorian b4
80. Phrygian b3
I
II
III
IV
V
VI
VII
1
C
Db
E
F#
G
A
B
b9
C#/Db
D
F
G
G#/Ab
A#/Bb
C
9
D
D#/Eb
F#/Gb
G#/Ab
A
B
C#/Db
D#/Eb
E
G
A
A#/Bb
C
D
E
F
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
4
F
F#/Gb
A
B
C
D
E
b5
F#/Gb
G
A#/Bb
C
C#/Db
D#/Eb
F
5
G
G#/Ab
B
C#/Db
D
E
F#/Gb
+5
G#/Ab
A
C
D
D#/Eb
F
G
6
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
b7
A#/Bb
B
D
E
F
G
A
B
C
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
1
C
C#/Db
E
F#/Gb
G
A
B
b9
C#/Db
D
F
G
G#/Ab
A#/Bb
C
9
D
D#/Eb
F#/Gb
G#/Ab
A
B
C#/Db
+9
D#/Eb
E
G
A
A#/Bb
C
D
3
E
F
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
11
F
F#/Gb
A
B
C
D
E
+11
F#/Gb
G
A#/Bb
C
C#/Db
D#/Eb
F
G
G#/Ab
B
C#/Db
D
E
F#/Gb
b13
G#/Ab
A
C
D
D#/Eb
F
G
13
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
b7
A#/Bb
B
D
E
F
G
A
B
C
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
250
81. Lydian b3#5: 2132121* Scale tone Chord tone
81. Lydian b3#5
82. 1321212
83. 3212121
84. 2121213
85. 1212132
86. 2121321
87. 1213212
I
II
III
IV
V
VI
VII
1
C
D
Eb
F#
G#
A
B
b9
C#/Db
D#/Eb
E
G
A
A#/Bb
C
9
D
E
F
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F
F#/Gb
A
B
C
D
E
F#/Gb
G
A#/Bb
C
C#/Db
D#/Eb
4
F
G
G#/Ab
B
C#/Db
D
E
b5
F#/Gb
G#/Ab
A
C
D
D#/Eb
F
5
G
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
+5
G#/Ab
A#/Bb
B
D
E
F
G
6
A
B
C
D#/Eb
F
F#/Gb
G#/Ab
b7
A#/Bb
C
C#/Db
E
F#/Gb
G
A
B
C#/Db
D
F
G
G#/Ab
A#/Bb
1
C
D
D#/Eb
F#/Gb
G#/Ab
A
B
b9
C#/Db
D#/Eb
E
G
A
A#/Bb
C
9
D
E
F
G#/Ab
A#/Bb
B
C#/Db
+9
D#/Eb
F
F#/Gb
A
B
C
D
3
E
F#/Gb
G
A#/Bb
C
C#/Db
D#/Eb
11
F
G
G#/Ab
B
C#/Db
D
E
+11
F#/Gb
G#/Ab
A
C
D
D#/Eb
F
G
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
b13
G#/Ab
A#/Bb
B
D
E
F
G
13
A
B
C
D#/Eb
F
F#/Gb
G#/Ab
b7
A#/Bb
C
C#/Db
E
F#/Gb
G
A
B
C#/Db
D
F
G
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
251
88. Scala Enigmata: 1322211 Scale tone Chord tone
88. Scala Enigmata
89. 3222111
90. 2221113
91. 2211132
92. 2111322
93. 1113222
94. 1132221
I
II
III
IV
V
VI
VII
1
C
Db
E
F#
G#
A#
B
b9
C#/Db
D
F
G
A
B
C
9
D
D#/Eb
F#/Gb
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
G
A
B
C#/Db
D
E
F
G#/Ab
A#/Bb
C
D
D#/Eb
4
F
F#/Gb
A
B
C#/Db
D#/Eb
E
b5
F#/Gb
G
A#/Bb
C
D
E
F
5
G
G#/Ab
B
C#/Db
D#/Eb
F
F#/Gb
+5
G#/Ab
A
C
D
E
F#/Gb
G
6
A
A#/Bb
C#/Db
D#/Eb
F
G
G#/Ab
b7
A#/Bb
B
D
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
F
G
A
A#/Bb
1
C
C#/Db
E
F#/Gb
G#/Ab
A#/Bb
B
b9
C#/Db
D
F
G
A
B
C
9
D
D#/Eb
F#/Gb
G#/Ab
A#/Bb
C
C#/Db
+9
D#/Eb
E
G
A
B
C#/Db
D
3
E
F
G#/Ab
A#/Bb
C
D
D#/Eb
11
F
F#/Gb
A
B
C#/Db
D#/Eb
E
+11
F#/Gb
G
A#/Bb
C
D
E
F
G
G#/Ab
B
C#/Db
D#/Eb
F
F#/Gb
b13
G#/Ab
A
C
D
E
F#/Gb
G
13
A
A#/Bb
C#/Db
D#/Eb
F
G
G#/Ab
b7
A#/Bb
B
D
E
F#/Gb
G#/Ab
A
B
C
D#/Eb
F
G
A
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
252
95. 2122311* Scale tone Chord tone
95. 2122311
96. 1223112
97. 2231121
98. 2311212
99. 3112122
100. 1121223
101. 1212231
I
II
III
IV
V
VI
VII
1
C
D
Eb
F
G
A#
B
b9
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
B
C
9
D
E
F
G
A
C
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
D
E
F#/Gb
G
A
B
D
D#/Eb
4
F
G
G#/Ab
A#/Bb
C
D#/Eb
E
b5
F#/Gb
G#/Ab
A
B
C#/Db
E
F
5
G
A
A#/Bb
C
D
F
F#/Gb
+5
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
G
6
A
B
C
D
E
G
G#/Ab
b7
A#/Bb
C
C#/Db
D#/Eb
F
G#/Ab
A
B
C#/Db
D
E
F#/Gb
A
A#/Bb
1
C
D
D#/Eb
F
G
A#/Bb
B
b9
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
B
C
9
D
E
F
G
A
C
C#/Db
+9
D#/Eb
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
D
3
E
F#/Gb
G
A
B
D
D#/Eb
11
F
G
G#/Ab
A#/Bb
C
D#/Eb
E
+11
F#/Gb
G#/Ab
A
B
C#/Db
E
F
G
A
A#/Bb
C
D
F
F#/Gb
b13
G#/Ab
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
G
13
A
B
C
D
E
G
G#/Ab
b7
A#/Bb
C
C#/Db
D#/Eb
F
G#/Ab
A
B
C#/Db
D
E
F#/Gb
A
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
253
102. 1231221* Scale tone Chord tone
102. 1231221
103. 2312211
104. 3122112
105. 1221123
106. 2211231
107. 2112312
108. 1123122
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F#
G
A
B
b9
C#/Db
D
E
G
G#/Ab
A#/Bb
C
9
D
D#/Eb
F
G#/Ab
A
B
C#/Db
D#/Eb
E
F#/Gb
A
A#/Bb
C
D
E
F
G
A#/Bb
B
C#/Db
D#/Eb
4
F
F#/Gb
G#/Ab
B
C
D
E
b5
F#/Gb
G
A
C
C#/Db
D#/Eb
F
5
G
G#/Ab
A#/Bb
C#/Db
D
E
F#/Gb
+5
G#/Ab
A
B
D
D#/Eb
F
G
6
A
A#/Bb
C
D#/Eb
E
F#/Gb
G#/Ab
b7
A#/Bb
B
C#/Db
E
F
G
A
B
C
D
F
F#/Gb
G#/Ab
A#/Bb
1
C
C#/Db
D#/Eb
F#/Gb
G
A
B
b9
C#/Db
D
E
G
G#/Ab
A#/Bb
C
9
D
D#/Eb
F
G#/Ab
A
B
C#/Db
+9
D#/Eb
E
F#/Gb
A
A#/Bb
C
D
3
E
F
G
A#/Bb
B
C#/Db
D#/Eb
11
F
F#/Gb
G#/Ab
B
C
D
E
+11
F#/Gb
G
A
C
C#/Db
D#/Eb
F
G
G#/Ab
A#/Bb
C#/Db
D
E
F#/Gb
b13
G#/Ab
A
B
D
D#/Eb
F
G
13
A
A#/Bb
C
D#/Eb
E
F#/Gb
G#/Ab
b7
A#/Bb
B
C#/Db
E
F
G
A
B
C
D
F
F#/Gb
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
254
109. 1321122* Scale tone Chord tone
109. 1321122
110. 3211221
111. 2112213
112. 1122132
113. 1221321
114. 2213211
115. 2132112
I
II
III
IV
V
VI
VII
1
C
Db
E
F#
G
Ab
Bb
b9
C#/Db
D
F
G
G#/Ab
A
B
9
D
D#/Eb
F#/Gb
G#/Ab
A
A#/Bb
C
D#/Eb
E
G
A
A#/Bb
B
C#/Db
E
F
G#/Ab
A#/Bb
B
C
D
4
F
F#/Gb
A
B
C
C#/Db
D#/Eb
b5
F#/Gb
G
A#/Bb
C
C#/Db
D
E
5
G
G#/Ab
B
C#/Db
D
D#/Eb
F
+5
G#/Ab
A
C
D
D#/Eb
E
F#/Gb
6
A
A#/Bb
C#/Db
D#/Eb
E
F
G
b7
A#/Bb
B
D
E
F
F#/Gb
G#/Ab
B
C
D#/Eb
F
F#/Gb
G
A
1
C
C#/Db
E
F#/Gb
G
G#/Ab
A#/Bb
b9
C#/Db
D
F
G
G#/Ab
A
B
9
D
D#/Eb
F#/Gb
G#/Ab
A
A#/Bb
C
+9
D#/Eb
E
G
A
A#/Bb
B
C#/Db
3
E
F
G#/Ab
A#/Bb
B
C
D
11
F
F#/Gb
A
B
C
C#/Db
D#/Eb
+11
F#/Gb
G
A#/Bb
C
C#/Db
D
E
G
G#/Ab
B
C#/Db
D
D#/Eb
F
b13
G#/Ab
A
C
D
D#/Eb
E
F#/Gb
13
A
A#/Bb
C#/Db
D#/Eb
E
F
G
b7
A#/Bb
B
D
E
F
F#/Gb
G#/Ab
B
C
D#/Eb
F
F#/Gb
G
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
255
116. 2211123* Scale tone Chord tone
116. 2211123
117. 2111232
118. 1112322
119. 1123221
120. 1232211
121. 2322111
122. 3221112
I
II
III
IV
V
VI
VII
1
C
D
E
F
Gb
G
A
b9
C#/Db
D#/Eb
F
F#/Gb
G
G#/Ab
A#/Bb
9
D
E
F#/Gb
G
G#/Ab
A
B
D#/Eb
F
G
G#/Ab
A
A#/Bb
C
E
F#/Gb
G#/Ab
A
A#/Bb
B
C#/Db
4
F
G
A
A#/Bb
B
C
D
b5
F#/Gb
G#/Ab
A#/Bb
B
C
C#/Db
D#/Eb
5
G
A
B
C
C#/Db
D
E
+5
G#/Ab
A#/Bb
C
C#/Db
D
D#/Eb
F
6
A
B
C#/Db
D
D#/Eb
E
F#/Gb
b7
A#/Bb
C
D
D#/Eb
E
F
G
B
C#/Db
D#/Eb
E
F
F#/Gb
G#/Ab
1
C
D
E
F
F#/Gb
G
A
b9
C#/Db
D#/Eb
F
F#/Gb
G
G#/Ab
A#/Bb
9
D
E
F#/Gb
G
G#/Ab
A
B
+9
D#/Eb
F
G
G#/Ab
A
A#/Bb
C
3
E
F#/Gb
G#/Ab
A
A#/Bb
B
C#/Db
11
F
G
A
A#/Bb
B
C
D
+11
F#/Gb
G#/Ab
A#/Bb
B
C
C#/Db
D#/Eb
G
A
B
C
C#/Db
D
E
b13
G#/Ab
A#/Bb
C
C#/Db
D
D#/Eb
F
13
A
B
C#/Db
D
D#/Eb
E
F#/Gb
b7
A#/Bb
C
D
D#/Eb
E
F
G
B
C#/Db
D#/Eb
E
F
F#/Gb
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
256
123. 1222311* Scale tone Chord tone
123. 1222311
124. 2223111
125. 2231112
126. 2311122
127. 3111222
128. 1112223
129. 1122231
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F
G
A#
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
B
C
9
D
D#/Eb
F
G
A
C
C#/Db
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C#/Db
D
E
F
G
A
B
D
D#/Eb
4
F
F#/Gb
G#/Ab
A#/Bb
C
D#/Eb
E
b5
F#/Gb
G
A
B
C#/Db
E
F
5
G
G#/Ab
A#/Bb
C
D
F
F#/Gb
+5
G#/Ab
A
B
C#/Db
D#/Eb
F#/Gb
G
6
A
A#/Bb
C
D
E
G
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
G#/Ab
A
B
C
D
E
F#/Gb
A
A#/Bb
1
C
C#/Db
D#/Eb
F
G
A#/Bb
B
b9
C#/Db
D
E
F#/Gb
G#/Ab
B
C
9
D
D#/Eb
F
G
A
C
C#/Db
+9
D#/Eb
E
F#/Gb
G#/Ab
A#/Bb
C#/Db
D
3
E
F
G
A
B
D
D#/Eb
11
F
F#/Gb
G#/Ab
A#/Bb
C
D#/Eb
E
+11
F#/Gb
G
A
B
C#/Db
E
F
G
G#/Ab
A#/Bb
C
D
F
F#/Gb
b13
G#/Ab
A
B
C#/Db
D#/Eb
F#/Gb
G
13
A
A#/Bb
C
D
E
G
G#/Ab
b7
A#/Bb
B
C#/Db
D#/Eb
F
G#/Ab
A
B
C
D
E
F#/Gb
A
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
257
130. 2112231* Scale tone Chord tone
130. 2112232
131. 1122312
132. 1223121
133. 2231211
134. 2312112
135. 3121122
136. 1211223
I
II
III
IV
V
VI
VII
1
C
D
Eb
E
Gb
Ab
B
b9
C#/Db
D#/Eb
E
F
G
A
C
9
D
E
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
D#/Eb
F
F#/Gb
G
A
B
D
E
F#/Gb
G
G#/Ab
A#/Bb
C
D#/Eb
4
F
G
G#/Ab
A
B
C#/Db
E
b5
F#/Gb
G#/Ab
A
A#/Bb
C
D
F
5
G
A
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
+5
G#/Ab
A#/Bb
B
C
D
E
G
6
A
B
C
C#/Db
D#/Eb
F
G#/Ab
b7
A#/Bb
C
C#/Db
D
E
F#/Gb
A
B
C#/Db
D
D#/Eb
F
G
A#/Bb
1
C
D
D#/Eb
E
F#/Gb
G#/Ab
B
b9
C#/Db
D#/Eb
E
F
G
A
C
9
D
E
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
+9
D#/Eb
F
F#/Gb
G
A
B
D
3
E
F#/Gb
G
G#/Ab
A#/Bb
C
D#/Eb
11
F
G
G#/Ab
A
B
C#/Db
E
+11
F#/Gb
G#/Ab
A
A#/Bb
C
D
F
G
A
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
b13
G#/Ab
A#/Bb
B
C
D
E
G
13
A
B
C
C#/Db
D#/Eb
F
G#/Ab
b7
A#/Bb
C
C#/Db
D
E
F#/Gb
A
B
C#/Db
D
D#/Eb
F
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
258
137. 1112232* Scale tone Chord tone
137. 1112232
138. 1122321
139. 1223211
140. 2232111
141. 2321112
142. 3211122
143. 2111223
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F
G
Bb
b9
C#/Db
D
D#/Eb
E
F#/Gb
G#/Ab
B
9
D
D#/Eb
E
F
G
A
C
D#/Eb
E
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
E
F
F#/Gb
G
A
B
D
4
F
F#/Gb
G
G#/Ab
A#/Bb
C
D#/Eb
b5
F#/Gb
G
G#/Ab
A
B
C#/Db
E
5
G
G#/Ab
A
A#/Bb
C
D
F
+5
G#/Ab
A
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
6
A
A#/Bb
B
C
D
E
G
b7
A#/Bb
B
C
C#/Db
D#/Eb
F
G#/Ab
B
C
C#/Db
D
E
F#/Gb
A
1
C
C#/Db
D
D#/Eb
F
G
A#/Bb
b9
C#/Db
D
D#/Eb
E
F#/Gb
G#/Ab
B
9
D
D#/Eb
E
F
G
A
C
+9
D#/Eb
E
F
F#/Gb
G#/Ab
A#/Bb
C#/Db
3
E
F
F#/Gb
G
A
B
D
11
F
F#/Gb
G
G#/Ab
A#/Bb
C
D#/Eb
+11
F#/Gb
G
G#/Ab
A
B
C#/Db
E
G
G#/Ab
A
A#/Bb
C
D
F
b13
G#/Ab
A
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
13
A
A#/Bb
B
C
D
E
G
b7
A#/Bb
B
C
C#/Db
D#/Eb
F
G#/Ab
B
C
C#/Db
D
E
F#/Gb
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
259
144. 1211232* Scale tone Chord tone
144. 1211232
145. 2112321
146. 1123212
147. 1232121
148. 2321211
149. 3212112
150. 2121123
I
II
III
IV
V
VI
VII
1
C
Db
Eb
E
F
G
Bb
b9
C#/Db
D
E
F
F#/Gb
G#/Ab
B
9
D
D#/Eb
F
F#/Gb
G
A
C
D#/Eb
E
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
E
F
G
G#/Ab
A
B
D
4
F
F#/Gb
G#/Ab
A
A#/Bb
C
D#/Eb
b5
F#/Gb
G
A
A#/Bb
B
C#/Db
E
5
G
G#/Ab
A#/Bb
B
C
D
F
+5
G#/Ab
A
B
C
C#/Db
D#/Eb
F#/Gb
6
A
A#/Bb
C
C#/Db
D
E
G
b7
A#/Bb
B
C#/Db
D
D#/Eb
F
G#/Ab
B
C
D
D#/Eb
E
F#/Gb
A
1
C
C#/Db
D#/Eb
E
F
G
A#/Bb
b9
C#/Db
D
E
F
F#/Gb
G#/Ab
B
9
D
D#/Eb
F
F#/Gb
G
A
C
+9
D#/Eb
E
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
3
E
F
G
G#/Ab
A
B
D
11
F
F#/Gb
G#/Ab
A
A#/Bb
C
D#/Eb
+11
F#/Gb
G
A
A#/Bb
B
C#/Db
E
G
G#/Ab
A#/Bb
B
C
D
F
b13
G#/Ab
A
B
C
C#/Db
D#/Eb
F#/Gb
13
A
A#/Bb
C
C#/Db
D
E
G
b7
A#/Bb
B
C#/Db
D
D#/Eb
F
G#/Ab
B
C
D
D#/Eb
E
F#/Gb
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
260
151. 1121232* Scale tone Chord tone
151. 1121232
152. 1212321
153. 2123211
154. 1232112
155. 2321121
156. 3211212
157. 2112123
I
II
III
IV
V
VI
VII
1
C
Db
D
E
F
G
Bb
b9
C#/Db
D
D#/Eb
F
F#/Gb
G#/Ab
B
9
D
D#/Eb
E
F#/Gb
G
A
C
D#/Eb
E
F
G
G#/Ab
A#/Bb
C#/Db
E
F
F#/Gb
G#/Ab
A
B
D
4
F
F#/Gb
G
A
A#/Bb
C
D#/Eb
b5
F#/Gb
G
G#/Ab
A#/Bb
B
C#/Db
E
5
G
G#/Ab
A
B
C
D
F
+5
G#/Ab
A
A#/Bb
C
C#/Db
D#/Eb
F#/Gb
6
A
A#/Bb
B
C#/Db
D
E
G
b7
A#/Bb
B
C
D
D#/Eb
F
G#/Ab
B
C
C#/Db
D#/Eb
E
F#/Gb
A
1
C
C#/Db
D
E
F
G
A#/Bb
b9
C#/Db
D
D#/Eb
F
F#/Gb
G#/Ab
B
9
D
D#/Eb
E
F#/Gb
G
A
C
+9
D#/Eb
E
F
G
G#/Ab
A#/Bb
C#/Db
3
E
F
F#/Gb
G#/Ab
A
B
D
11
F
F#/Gb
G
A
A#/Bb
C
D#/Eb
+11
F#/Gb
G
G#/Ab
A#/Bb
B
C#/Db
E
G
G#/Ab
A
B
C
D
F
b13
G#/Ab
A
A#/Bb
C
C#/Db
D#/Eb
F#/Gb
13
A
A#/Bb
B
C#/Db
D
E
G
b7
A#/Bb
B
C
D
D#/Eb
F
G#/Ab
B
C
C#/Db
D#/Eb
E
F#/Gb
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
261
158. 2211213* Scale tone Chord tone
158. 2211213
159. 2112132
160. 1121322
161. 1213221
162. 2132211
163. 1322112
164. 3221121
I
II
III
IV
V
VI
VII
1
C
D
E
F
Gb
Ab
A
b9
C#/Db
D#/Eb
F
F#/Gb
G
A
A#/Bb
9
D
E
F#/Gb
G
G#/Ab
A#/Bb
B
D#/Eb
F
G
G#/Ab
A
B
C
E
F#/Gb
G#/Ab
A
A#/Bb
C
C#/Db
4
F
G
A
A#/Bb
B
C#/Db
D
b5
F#/Gb
G#/Ab
A#/Bb
B
C
D
D#/Eb
5
G
A
B
C
C#/Db
D#/Eb
E
+5
G#/Ab
A#/Bb
C
C#/Db
D
E
F
6
A
B
C#/Db
D
D#/Eb
F
F#/Gb
b7
A#/Bb
C
D
D#/Eb
E
F#/Gb
G
B
C#/Db
D#/Eb
E
F
G
G#/Ab
1
C
D
E
F
F#/Gb
G#/Ab
A
b9
C#/Db
D#/Eb
F
F#/Gb
G
A
A#/Bb
9
D
E
F#/Gb
G
G#/Ab
A#/Bb
B
+9
D#/Eb
F
G
G#/Ab
A
B
C
3
E
F#/Gb
G#/Ab
A
A#/Bb
C
C#/Db
11
F
G
A
A#/Bb
B
C#/Db
D
+11
F#/Gb
G#/Ab
A#/Bb
B
C
D
D#/Eb
G
A
B
C
C#/Db
D#/Eb
E
b13
G#/Ab
A#/Bb
C
C#/Db
D
E
F
13
A
B
C#/Db
D
D#/Eb
F
F#/Gb
b7
A#/Bb
C
D
D#/Eb
E
F#/Gb
G
B
C#/Db
D#/Eb
E
F
G
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
262
165. 2212113* Scale tone Chord tone
165. 2212113
166. 2121132
167. 1211322
168. 2113221
169. 1132212
170. 1322121
171. 3221211
I
II
III
IV
V
VI
VII
1
C
D
E
F
G
Ab
A
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
A#/Bb
9
D
E
F#/Gb
G
A
A#/Bb
B
D#/Eb
F
G
G#/Ab
A#/Bb
B
C
E
F#/Gb
G#/Ab
A
B
C
C#/Db
4
F
G
A
A#/Bb
C
C#/Db
D
b5
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
D#/Eb
5
G
A
B
C
D
D#/Eb
E
+5
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
F
6
A
B
C#/Db
D
E
F
F#/Gb
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
G
B
C#/Db
D#/Eb
E
F#/Gb
G
G#/Ab
1
C
D
E
F
G
G#/Ab
A
b9
C#/Db
D#/Eb
F
F#/Gb
G#/Ab
A
A#/Bb
9
D
E
F#/Gb
G
A
A#/Bb
B
+9
D#/Eb
F
G
G#/Ab
A#/Bb
B
C
3
E
F#/Gb
G#/Ab
A
B
C
C#/Db
11
F
G
A
A#/Bb
C
C#/Db
D
+11
F#/Gb
G#/Ab
A#/Bb
B
C#/Db
D
D#/Eb
G
A
B
C
D
D#/Eb
E
b13
G#/Ab
A#/Bb
C
C#/Db
D#/Eb
E
F
13
A
B
C#/Db
D
E
F
F#/Gb
b7
A#/Bb
C
D
D#/Eb
F
F#/Gb
G
B
C#/Db
D#/Eb
E
F#/Gb
G
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
263
172. Hungarian Minor: 2131131* Scale tone Chord tone
172. Humngarian Minor
173. Orienta
174. Ionian #2#5
175. Locrian bb3bb7
176. Double Harmonic Major
177. Lydian #2#6
178. Ultraphrygian
I
II
III
IV
V
VI
VII
1
C
D
Eb
F#
G
Ab
B
b9
C#/Db
D#/Eb
E
G
G#/Ab
A
C
9
D
E
F
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
F
F#/Gb
A
A#/Bb
B
D
E
F#/Gb
G
A#/Bb
B
C
D#/Eb
4
F
G
G#/Ab
B
C
C#/Db
E
b5
F#/Gb
G#/Ab
A
C
C#/Db
D
F
5
G
A
A#/Bb
C#/Db
D
D#/Eb
F#/Gb
+5
G#/Ab
A#/Bb
B
D
D#/Eb
E
G
6
A
B
C
D#/Eb
E
F
G#/Ab
b7
A#/Bb
C
C#/Db
E
F
F#/Gb
A
B
C#/Db
D
F
F#/Gb
G
A#/Bb
1
C
D
D#/Eb
F#/Gb
G
G#/Ab
B
b9
C#/Db
D#/Eb
E
G
G#/Ab
A
C
9
D
E
F
G#/Ab
A
A#/Bb
C#/Db
+9
D#/Eb
F
F#/Gb
A
A#/Bb
B
D
3
E
F#/Gb
G
A#/Bb
B
C
D#/Eb
11
F
G
G#/Ab
B
C
C#/Db
E
+11
F#/Gb
G#/Ab
A
C
C#/Db
D
F
G
A
A#/Bb
C#/Db
D
D#/Eb
F#/Gb
b13
G#/Ab
A#/Bb
B
D
D#/Eb
E
G
13
A
B
C
D#/Eb
E
F
G#/Ab
b7
A#/Bb
C
C#/Db
E
F
F#/Gb
A
B
C#/Db
D
F
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
264
179. 1321131* Scale tone Chord tone
179. 1321131
180. 3211311
181. 2113113
182. 1131132
183. 1311321
184. 3113211
185. 1132113
I
II
III
IV
V
VI
VII
1
C
Db
E
F#
G
Ab
B
b9
C#/Db
D
F
G
G#/Ab
A
C
9
D
D#/Eb
F#/Gb
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
E
G
A
A#/Bb
B
D
E
F
G#/Ab
A#/Bb
B
C
D#/Eb
4
F
F#/Gb
A
B
C
C#/Db
E
b5
F#/Gb
G
A#/Bb
C
C#/Db
D
F
5
G
G#/Ab
B
C#/Db
D
D#/Eb
F#/Gb
+5
G#/Ab
A
C
D
D#/Eb
E
G
6
A
A#/Bb
C#/Db
D#/Eb
E
F
G#/Ab
b7
A#/Bb
B
D
E
F
F#/Gb
A
B
C
D#/Eb
F
F#/Gb
G
A#/Bb
1
C
C#/Db
E
F#/Gb
G
G#/Ab
B
b9
C#/Db
D
F
G
G#/Ab
A
C
9
D
D#/Eb
F#/Gb
G#/Ab
A
A#/Bb
C#/Db
+9
D#/Eb
E
G
A
A#/Bb
B
D
3
E
F
G#/Ab
A#/Bb
B
C
D#/Eb
11
F
F#/Gb
A
B
C
C#/Db
E
+11
F#/Gb
G
A#/Bb
C
C#/Db
D
F
G
G#/Ab
B
C#/Db
D
D#/Eb
F#/Gb
b13
G#/Ab
A
C
D
D#/Eb
E
G
13
A
A#/Bb
C#/Db
D#/Eb
E
F
G#/Ab
b7
A#/Bb
B
D
E
F
F#/Gb
A
B
C
D#/Eb
F
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
265
186. 1231131* Scale tone Chord tone
186. 1231131
187. 2311311
188. 3113112
189. 1131123
190. 1311231
191. 3112311
192. 1123113
I
II
III
IV
V
VI
VII
1
C
Db
Eb
F#
G
Ab
B
b9
C#/Db
D
E
G
G#/Ab
A
C
9
D
D#/Eb
F
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
E
F#/Gb
A
A#/Bb
B
D
E
F
G
A#/Bb
B
C
D#/Eb
4
F
F#/Gb
G#/Ab
B
C
C#/Db
E
b5
F#/Gb
G
A
C
C#/Db
D
F
5
G
G#/Ab
A#/Bb
C#/Db
D
D#/Eb
F#/Gb
+5
G#/Ab
A
B
D
D#/Eb
E
G
6
A
A#/Bb
C
D#/Eb
E
F
G#/Ab
b7
A#/Bb
B
C#/Db
E
F
F#/Gb
A
B
C
D
F
F#/Gb
G
A#/Bb
1
C
C#/Db
D#/Eb
F#/Gb
G
G#/Ab
B
b9
C#/Db
D
E
G
G#/Ab
A
C
9
D
D#/Eb
F
G#/Ab
A
A#/Bb
C#/Db
+9
D#/Eb
E
F#/Gb
A
A#/Bb
B
D
3
E
F
G
A#/Bb
B
C
D#/Eb
11
F
F#/Gb
G#/Ab
B
C
C#/Db
E
+11
F#/Gb
G
A
C
C#/Db
D
F
G
G#/Ab
A#/Bb
C#/Db
D
D#/Eb
F#/Gb
b13
G#/Ab
A
B
D
D#/Eb
E
G
13
A
A#/Bb
C
D#/Eb
E
F
G#/Ab
b7
A#/Bb
B
C#/Db
E
F
F#/Gb
A
B
C
D
F
F#/Gb
G
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
266
193. 1111233 Scale tone Chord tone
193. 1111233
194. 1112331
195. 1123311
196. 1233111
197. 2331111
198. 3311112
199. 3111123
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
E
F#
A
b9
C#/Db
D
D#/Eb
E
F
G
A#/Bb
9
D
D#/Eb
E
F
F#/Gb
G#/Ab
B
D#/Eb
E
F
F#/Gb
G
A
C
E
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
4
F
F#/Gb
G
G#/Ab
A
B
D
b5
F#/Gb
G
G#/Ab
A
A#/Bb
C
D#/Eb
5
G
G#/Ab
A
A#/Bb
B
C#/Db
E
+5
G#/Ab
A
A#/Bb
B
C
D
F
6
A
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
b7
A#/Bb
B
C
C#/Db
D
E
G
B
C
C#/Db
D
D#/Eb
F
G#/Ab
1
C
C#/Db
D
D#/Eb
E
F#/Gb
A
b9
C#/Db
D
D#/Eb
E
F
G
A#/Bb
9
D
D#/Eb
E
F
F#/Gb
G#/Ab
B
+9
D#/Eb
E
F
F#/Gb
G
A
C
3
E
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
11
F
F#/Gb
G
G#/Ab
A
B
D
+11
F#/Gb
G
G#/Ab
A
A#/Bb
C
D#/Eb
G
G#/Ab
A
A#/Bb
B
C#/Db
E
b13
G#/Ab
A
A#/Bb
B
C
D
F
13
A
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
b7
A#/Bb
B
C
C#/Db
D
E
G
B
C
C#/Db
D
D#/Eb
F
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
267
200. 1111323 Scale tone Chord tone
200. 1111323
201. 1113231
202. 1132311
203. 1323111
204. 3231111
205. 2311113
206. 3111132
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
E
G
A
b9
C#/Db
D
D#/Eb
E
F
G#/Ab
A#/Bb
9
D
D#/Eb
E
F
F#/Gb
A
B
D#/Eb
E
F
F#/Gb
G
A#/Bb
C
E
F
F#/Gb
G
G#/Ab
B
C#/Db
4
F
F#/Gb
G
G#/Ab
A
C
D
b5
F#/Gb
G
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
5
G
G#/Ab
A
A#/Bb
B
D
E
+5
G#/Ab
A
A#/Bb
B
C
D#/Eb
F
6
A
A#/Bb
B
C
C#/Db
E
F#/Gb
b7
A#/Bb
B
C
C#/Db
D
F
G
B
C
C#/Db
D
D#/Eb
F#/Gb
G#/Ab
1
C
C#/Db
D
D#/Eb
E
G
A
b9
C#/Db
D
D#/Eb
E
F
G#/Ab
A#/Bb
9
D
D#/Eb
E
F
F#/Gb
A
B
+9
D#/Eb
E
F
F#/Gb
G
A#/Bb
C
3
E
F
F#/Gb
G
G#/Ab
B
C#/Db
11
F
F#/Gb
G
G#/Ab
A
C
D
+11
F#/Gb
G
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
G
G#/Ab
A
A#/Bb
B
D
E
b13
G#/Ab
A
A#/Bb
B
C
D#/Eb
F
13
A
A#/Bb
B
C
C#/Db
E
F#/Gb
b7
A#/Bb
B
C
C#/Db
D
F
G
B
C
C#/Db
D
D#/Eb
F#/Gb
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
268
207. 1111332 Scale tone Chord tone
207. 1111332
208. 1113321
209. 1133211
210. 1332111
211. 3321111
212. 3211113
213. 2111133
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
E
G
Bb
b9
C#/Db
D
D#/Eb
E
F
G#/Ab
B
9
D
D#/Eb
E
F
F#/Gb
A
C
D#/Eb
E
F
F#/Gb
G
A#/Bb
C#/Db
E
F
F#/Gb
G
G#/Ab
B
D
4
F
F#/Gb
G
G#/Ab
A
C
D#/Eb
b5
F#/Gb
G
G#/Ab
A
A#/Bb
C#/Db
E
5
G
G#/Ab
A
A#/Bb
B
D
F
+5
G#/Ab
A
A#/Bb
B
C
D#/Eb
F#/Gb
6
A
A#/Bb
B
C
C#/Db
E
G
b7
A#/Bb
B
C
C#/Db
D
F
G#/Ab
B
C
C#/Db
D
D#/Eb
F#/Gb
A
1
C
C#/Db
D
D#/Eb
E
G
A#/Bb
b9
C#/Db
D
D#/Eb
E
F
G#/Ab
B
9
D
D#/Eb
E
F
F#/Gb
A
C
+9
D#/Eb
E
F
F#/Gb
G
A#/Bb
C#/Db
3
E
F
F#/Gb
G
G#/Ab
B
D
11
F
F#/Gb
G
G#/Ab
A
C
D#/Eb
+11
F#/Gb
G
G#/Ab
A
A#/Bb
C#/Db
E
G
G#/Ab
A
A#/Bb
B
D
F
b13
G#/Ab
A
A#/Bb
B
C
D#/Eb
F#/Gb
13
A
A#/Bb
B
C
C#/Db
E
G
b7
A#/Bb
B
C
C#/Db
D
F
G#/Ab
B
C
C#/Db
D
D#/Eb
F#/Gb
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
269
214. 1112133* Scale tone Chord tone
214. 1112133
215. 1121331
216. 1213311
217. 2133111
218. 1331112
219. 3311121
220. 3111213
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F
Gb
A
b9
C#/Db
D
D#/Eb
E
F#/Gb
A
A#/Bb
9
D
D#/Eb
E
F
G
A#/Bb
B
D#/Eb
E
F
F#/Gb
G#/Ab
B
C
E
F
F#/Gb
G
A
C
C#/Db
4
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
D
b5
F#/Gb
G
G#/Ab
A
B
D
D#/Eb
5
G
G#/Ab
A
A#/Bb
C
D#/Eb
E
+5
G#/Ab
A
A#/Bb
B
C#/Db
E
F
6
A
A#/Bb
B
C
D
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
G
B
C
C#/Db
D
E
G
G#/Ab
1
C
C#/Db
D
D#/Eb
F
G#/Ab
A
b9
C#/Db
D
D#/Eb
E
F#/Gb
A
A#/Bb
9
D
D#/Eb
E
F
G
A#/Bb
B
+9
D#/Eb
E
F
F#/Gb
G#/Ab
B
C
3
E
F
F#/Gb
G
A
C
C#/Db
11
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
D
+11
F#/Gb
G
G#/Ab
A
B
D
D#/Eb
G
G#/Ab
A
A#/Bb
C
D#/Eb
E
b13
G#/Ab
A
A#/Bb
B
C#/Db
E
F
13
A
A#/Bb
B
C
D
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
G
B
C
C#/Db
D
E
G
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
270
221. 1112313* Scale tone Chord tone
221. 1112313
222. 1123131
223. 1231311
224. 2313111
225. 3131112
226. 1311123
227. 3111231
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F
G#
A
b9
C#/Db
D
D#/Eb
E
F#/Gb
A
A#/Bb
9
D
D#/Eb
E
F
G
A#/Bb
B
D#/Eb
E
F
F#/Gb
G#/Ab
B
C
E
F
F#/Gb
G
A
C
C#/Db
4
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
D
b5
F#/Gb
G
G#/Ab
A
B
D
D#/Eb
5
G
G#/Ab
A
A#/Bb
C
D#/Eb
E
+5
G#/Ab
A
A#/Bb
B
C#/Db
E
F
6
A
A#/Bb
B
C
D
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
G
B
C
C#/Db
D
E
G
G#/Ab
1
C
C#/Db
D
D#/Eb
F
G#/Ab
A
b9
C#/Db
D
D#/Eb
E
F#/Gb
A
A#/Bb
9
D
D#/Eb
E
F
G
A#/Bb
B
+9
D#/Eb
E
F
F#/Gb
G#/Ab
B
C
3
E
F
F#/Gb
G
A
C
C#/Db
11
F
F#/Gb
G
G#/Ab
A#/Bb
C#/Db
D
+11
F#/Gb
G
G#/Ab
A
B
D
D#/Eb
G
G#/Ab
A
A#/Bb
C
D#/Eb
E
b13
G#/Ab
A
A#/Bb
B
C#/Db
E
F
13
A
A#/Bb
B
C
D
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
D#/Eb
F#/Gb
G
B
C
C#/Db
D
E
G
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
271
228. 1113123* Scale tone Chord tone
228. 1113123
229. 1131231
230. 1312311
231. 3123111
232. 1231113
233. 2311131
234. 3111312
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F#
G
A
b9
C#/Db
D
D#/Eb
E
G
G#/Ab
A#/Bb
9
D
D#/Eb
E
F
G#/Ab
A
B
D#/Eb
E
F
F#/Gb
A
A#/Bb
C
E
F
F#/Gb
G
A#/Bb
B
C#/Db
4
F
F#/Gb
G
G#/Ab
B
C
D
b5
F#/Gb
G
G#/Ab
A
C
C#/Db
D#/Eb
5
G
G#/Ab
A
A#/Bb
C#/Db
D
E
+5
G#/Ab
A
A#/Bb
B
D
D#/Eb
F
6
A
A#/Bb
B
C
D#/Eb
E
F#/Gb
b7
A#/Bb
B
C
C#/Db
E
F
G
B
C
C#/Db
D
F
F#/Gb
G#/Ab
1
C
C#/Db
D
D#/Eb
F#/Gb
G
A
b9
C#/Db
D
D#/Eb
E
G
G#/Ab
A#/Bb
9
D
D#/Eb
E
F
G#/Ab
A
B
+9
D#/Eb
E
F
F#/Gb
A
A#/Bb
C
3
E
F
F#/Gb
G
A#/Bb
B
C#/Db
11
F
F#/Gb
G
G#/Ab
B
C
D
+11
F#/Gb
G
G#/Ab
A
C
C#/Db
D#/Eb
G
G#/Ab
A
A#/Bb
C#/Db
D
E
b13
G#/Ab
A
A#/Bb
B
D
D#/Eb
F
13
A
A#/Bb
B
C
D#/Eb
E
F#/Gb
b7
A#/Bb
B
C
C#/Db
E
F
G
B
C
C#/Db
D
F
F#/Gb
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
272
235. 1113132* Scale tone Chord tone
235. 1113132
236. 1131321
237. 1313211
238. 3132111
239. 1321113
240. 3211131
241. 2111313
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
Gb
G
Bb
b9
C#/Db
D
D#/Eb
E
G
G#/Ab
B
9
D
D#/Eb
E
F
G#/Ab
A
C
D#/Eb
E
F
F#/Gb
A
A#/Bb
C#/Db
E
F
F#/Gb
G
A#/Bb
B
D
4
F
F#/Gb
G
G#/Ab
B
C
D#/Eb
b5
F#/Gb
G
G#/Ab
A
C
C#/Db
E
5
G
G#/Ab
A
A#/Bb
C#/Db
D
F
+5
G#/Ab
A
A#/Bb
B
D
D#/Eb
F#/Gb
6
A
A#/Bb
B
C
D#/Eb
E
G
b7
A#/Bb
B
C
C#/Db
E
F
G#/Ab
B
C
C#/Db
D
F
F#/Gb
A
1
C
C#/Db
D
D#/Eb
F#/Gb
G
A#/Bb
b9
C#/Db
D
D#/Eb
E
G
G#/Ab
B
9
D
D#/Eb
E
F
G#/Ab
A
C
+9
D#/Eb
E
F
F#/Gb
A
A#/Bb
C#/Db
3
E
F
F#/Gb
G
A#/Bb
B
D
11
F
F#/Gb
G
G#/Ab
B
C
D#/Eb
+11
F#/Gb
G
G#/Ab
A
C
C#/Db
E
G
G#/Ab
A
A#/Bb
C#/Db
D
F
b13
G#/Ab
A
A#/Bb
B
D
D#/Eb
F#/Gb
13
A
A#/Bb
B
C
D#/Eb
E
G
b7
A#/Bb
B
C
C#/Db
E
F
G#/Ab
B
C
C#/Db
D
F
F#/Gb
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
273
242. 1113213* Scale tone Chord tone
242. 1113213
243. 1132131
244. 1321311
245. 3213111
246. 2131113
247. 1311132
248. 3111321
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F#
G#
A
b9
C#/Db
D
D#/Eb
E
G
A
A#/Bb
9
D
D#/Eb
E
F
G#/Ab
A#/Bb
B
D#/Eb
E
F
F#/Gb
A
B
C
E
F
F#/Gb
G
A#/Bb
C
C#/Db
4
F
F#/Gb
G
G#/Ab
B
C#/Db
D
b5
F#/Gb
G
G#/Ab
A
C
D
D#/Eb
5
G
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
E
+5
G#/Ab
A
A#/Bb
B
D
E
F
6
A
A#/Bb
B
C
D#/Eb
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
E
F#/Gb
G
B
C
C#/Db
D
F
G
G#/Ab
1
C
C#/Db
D
D#/Eb
F#/Gb
G#/Ab
A
b9
C#/Db
D
D#/Eb
E
G
A
A#/Bb
9
D
D#/Eb
E
F
G#/Ab
A#/Bb
B
+9
D#/Eb
E
F
F#/Gb
A
B
C
3
E
F
F#/Gb
G
A#/Bb
C
C#/Db
11
F
F#/Gb
G
G#/Ab
B
C#/Db
D
+11
F#/Gb
G
G#/Ab
A
C
D
D#/Eb
G
G#/Ab
A
A#/Bb
C#/Db
D#/Eb
E
b13
G#/Ab
A
A#/Bb
B
D
E
F
13
A
A#/Bb
B
C
D#/Eb
F
F#/Gb
b7
A#/Bb
B
C
C#/Db
E
F#/Gb
G
B
C
C#/Db
D
F
G
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
274
249. 1113312* Scale tone Chord tone
249. 1113312
250. 1133121
251. 1331211
252. 3312111
253. 3121113
254. 1211133
255. 2111331
I
II
III
IV
V
VI
VII
1
C
Db
D
Eb
F#
A
Bb
b9
C#/Db
D
D#/Eb
E
G
A#/Bb
B
9
D
D#/Eb
E
F
G#/Ab
B
C
D#/Eb
E
F
F#/Gb
A
C
C#/Db
E
F
F#/Gb
G
A#/Bb
C#/Db
D
4
F
F#/Gb
G
G#/Ab
B
D
D#/Eb
b5
F#/Gb
G
G#/Ab
A
C
D#/Eb
E
5
G
G#/Ab
A
A#/Bb
C#/Db
E
F
+5
G#/Ab
A
A#/Bb
B
D
F
F#/Gb
6
A
A#/Bb
B
C
D#/Eb
F#/Gb
G
b7
A#/Bb
B
C
C#/Db
E
G
G#/Ab
B
C
C#/Db
D
F
G#/Ab
A
1
C
C#/Db
D
D#/Eb
F#/Gb
A
A#/Bb
b9
C#/Db
D
D#/Eb
E
G
A#/Bb
B
9
D
D#/Eb
E
F
G#/Ab
B
C
+9
D#/Eb
E
F
F#/Gb
A
C
C#/Db
3
E
F
F#/Gb
G
A#/Bb
C#/Db
D
11
F
F#/Gb
G
G#/Ab
B
D
D#/Eb
+11
F#/Gb
G
G#/Ab
A
C
D#/Eb
E
G
G#/Ab
A
A#/Bb
C#/Db
E
F
b13
G#/Ab
A
A#/Bb
B
D
F
F#/Gb
13
A
A#/Bb
B
C
D#/Eb
F#/Gb
G
b7
A#/Bb
B
C
C#/Db
E
G
G#/Ab
B
C
C#/Db
D
F
G#/Ab
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
275
256. 1121133* Scale tone Chord tone
256. 1121133
257. 1211331
258. 2113311
259. 1133112
260. 1331121
261. 3311211
262. 3112113
I
II
III
IV
V
VI
VII
1
C
Db
D
E
F
Gb
A
b9
C#/Db
D
D#/Eb
F
F#/Gb
G
A#/Bb
9
D
D#/Eb
E
F#/Gb
G
G#/Ab
B
D#/Eb
E
F
G
G#/Ab
A
C
E
F
F#/Gb
G#/Ab
A
A#/Bb
C#/Db
4
F
F#/Gb
G
A
A#/Bb
B
D
b5
F#/Gb
G
G#/Ab
A#/Bb
B
C
D#/Eb
5
G
G#/Ab
A
B
C
C#/Db
E
+5
G#/Ab
A
A#/Bb
C
C#/Db
D
F
6
A
A#/Bb
B
C#/Db
D
D#/Eb
F#/Gb
b7
A#/Bb
B
C
D
D#/Eb
E
G
B
C
C#/Db
D#/Eb
E
F
G#/Ab
1
C
C#/Db
D
E
F
F#/Gb
A
b9
C#/Db
D
D#/Eb
F
F#/Gb
G
A#/Bb
9
D
D#/Eb
E
F#/Gb
G
G#/Ab
B
+9
D#/Eb
E
F
G
G#/Ab
A
C
3
E
F
F#/Gb
G#/Ab
A
A#/Bb
C#/Db
11
F
F#/Gb
G
A
A#/Bb
B
D
+11
F#/Gb
G
G#/Ab
A#/Bb
B
C
D#/Eb
G
G#/Ab
A
B
C
C#/Db
E
b13
G#/Ab
A
A#/Bb
C
C#/Db
D
F
13
A
A#/Bb
B
C#/Db
D
D#/Eb
F#/Gb
b7
A#/Bb
B
C
D
D#/Eb
E
G
B
C
C#/Db
D#/Eb
E
F
G#/Ab
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
276
263. 3131121* Scale tone Chord tone
263. 3131121
264. 1311213
265. 3112131
266. 1121313
267. 1213131
268. 2131311
269. 1313112
I
II
III
IV
V
VI
VII
1
C
Eb
E
G
Ab
A
B
b9
C#/Db
E
F
G#/Ab
A
A#/Bb
C
9
D
F
F#/Gb
A
A#/Bb
B
C#/Db
D#/Eb
F#/Gb
G
A#/Bb
B
C
D
E
G
G#/Ab
B
C
C#/Db
D#/Eb
4
F
G#/Ab
A
C
C#/Db
D
E
b5
F#/Gb
A
A#/Bb
C#/Db
D
D#/Eb
F
5
G
A#/Bb
B
D
D#/Eb
E
F#/Gb
+5
G#/Ab
B
C
D#/Eb
E
F
G
6
A
C
C#/Db
E
F
F#/Gb
G#/Ab
b7
A#/Bb
C#/Db
D
F
F#/Gb
G
A
B
D
D#/Eb
F#/Gb
G
G#/Ab
A#/Bb
1
C
D#/Eb
E
G
G#/Ab
A
B
b9
C#/Db
E
F
G#/Ab
A
A#/Bb
C
9
D
F
F#/Gb
A
A#/Bb
B
C#/Db
+9
D#/Eb
F#/Gb
G
A#/Bb
B
C
D
3
E
G
G#/Ab
B
C
C#/Db
D#/Eb
11
F
G#/Ab
A
C
C#/Db
D
E
+11
F#/Gb
A
A#/Bb
C#/Db
D
D#/Eb
F
G
A#/Bb
B
D
D#/Eb
E
F#/Gb
b13
G#/Ab
B
C
D#/Eb
E
F
G
13
A
C
C#/Db
E
F
F#/Gb
G#/Ab
b7
A#/Bb
C#/Db
D
F
F#/Gb
G
A
B
D
D#/Eb
F#/Gb
G
G#/Ab
A#/Bb
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
277
270. 1131312* Scale tone Chord tone
270. 1131312
271. 1313121
272. 3131211
273. 1312113
274. 3121131
275. 1211313
276. 2113131
I
II
III
IV
V
VI
VII
1
C
Db
D
F
Gb
A
Bb
b9
C#/Db
D
D#/Eb
F#/Gb
G
A#/Bb
B
9
D
D#/Eb
E
G
G#/Ab
B
C
D#/Eb
E
F
G#/Ab
A
C
C#/Db
E
F
F#/Gb
A
A#/Bb
C#/Db
D
4
F
F#/Gb
G
A#/Bb
B
D
D#/Eb
b5
F#/Gb
G
G#/Ab
B
C
D#/Eb
E
5
G
G#/Ab
A
C
C#/Db
E
F
+5
G#/Ab
A
A#/Bb
C#/Db
D
F
F#/Gb
6
A
A#/Bb
B
D
D#/Eb
F#/Gb
G
b7
A#/Bb
B
C
D#/Eb
E
G
G#/Ab
B
C
C#/Db
E
F
G#/Ab
A
1
C
C#/Db
D
F
F#/Gb
A
A#/Bb
b9
C#/Db
D
D#/Eb
F#/Gb
G
A#/Bb
B
9
D
D#/Eb
E
G
G#/Ab
B
C
+9
D#/Eb
E
F
G#/Ab
A
C
C#/Db
3
E
F
F#/Gb
A
A#/Bb
C#/Db
D
11
F
F#/Gb
G
A#/Bb
B
D
D#/Eb
+11
F#/Gb
G
G#/Ab
B
C
D#/Eb
E
G
G#/Ab
A
C
C#/Db
E
F
b13
G#/Ab
A
A#/Bb
C#/Db
D
F
F#/Gb
13
A
A#/Bb
B
D
D#/Eb
F#/Gb
G
b7
A#/Bb
B
C
D#/Eb
E
G
G#/Ab
B
C
C#/Db
E
F
G#/Ab
A
m3
5
*Intervallic structure, ie, the number of half-steps (half tones) between notes in the scale.
278
index of scales Part 1 (generally useful scales) Topology 5.1 (2,2,2,3,3) Scale 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Name or structure Pentatonic Minor Pentatonic Major Yo Man Gong Ritusen Pentatonic Lydian 22332 23322 33222 32223
Numeric check 3223232232 2232322323 2323223232 3232232322 2322323223 2223322233 2233222332 2332223322 3322233222 3222332223
Topology 7.1 (1,1,2,2,2,2,2)
scale incorporates Pentatonic Minor 32232 scale incorporates Pentatonic Lydian 32232 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31.
Major/Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian Melodic (Jazz) Minor Dorian b2 Lydian #5 Lydian b7 Mixolydian b6 Semilocrian Superlocrian Neapolitan Major Leading Whole Tone Lydian #5b7 Lydian b6b7 Major Locrian Semilocrian b4 Superlocrian bb3
22122212212221 21222122122212 12221221222122 22212212221221 22122122212212 21221222122122 12212221221222 21222212122221 12222121222212 22221212222121 22212122221212 22121222212122 21212222121222 12122221212222 12222211222221 22222112222211 22221122222112 22211222221122 22112222211222 21122222112222 11222221122222
Topology 7.2 (1,1,1,2,2,2,3) 32. 33. 34. 35. 36. 37.
Neapolitan Minor Lydian #6 Mixolydian #5 Hungarian Gypsy Locrian #3 Ionian #2
12221311222131 22213112221311 22131122213112 21311222131122 13112221311222 31122213112221
38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82. 83. 84. 85. 86. 87. 88.
Ultralocrian bb3 Harmonic Major Dorian b5 Phrygian b4 Lydian b3 Mixolydian b2 Lydian #2#5 Locrian b7 Harmonic Minor Locrian #6 Ionian Augmented Romanian Phrygian Dominant Lydian #2 Ultralocrian Hungarian Major Superlocrian bb6bb7 Harmonic minor b5 Superlocrian #6 Melodic minor #5 Dorian b2#4 Lydian #3#5 Phrygian #4 Lydian #3 Mixolydian #2 Aeolian #1 Locrian #7 Ionian #6 Dorian #5 Ionian b2 Dorian b1 Phrygian b7 Lydian b6 Mixolydian b5 Aeolian b4 Locrian b3 Lydian b2 Mixolydian b1 Aeolian b7 Locrian b6 Ionian b5 Dorian b4 Phrygian b3 Lydian b3#5 1321212 3212121 2121213 1212132 2121321 1213212 Scala Enigmata
11222131122213 22121312212131 21213122121312 12131221213122 21312212131221 13122121312212 31221213122121 12212131221213 21221312122131 12213121221312 22131212213121 21312122131212 13121221312122 31212213121221 12122131212213 31212123121212 12121231212123 21212312121231 12123121212312 21231212123121 12312121231212 23121212312121 12311221231122 23112212311221 31122123112212 11221231122123 12212311221231 22123112212311 21231122123112 13122211312221 31222113122211 12221131222113 22211312221131 22113122211312 21131222113122 11312221131222 13212211321221 32122113212211 21221132122113 12211321221132 22113212211321 21132122113212 11321221132122 21321212132121 13212121321212 32121213212121 21212132121213 12121321212132 21213212121321 12132121213212 13222111322211
279
89. 90. 91. 92. 93. 94. 95. 96. 97. 98. 99. 100. 101. 102. 103. 104. 105. 106. 107. 108. 109. 110. 111. 112. 113. 114. 115. 116. 117. 118. 119. 120. 121. 122. 123. 124. 125. 126. 127. 128. 129. 130. 131. 132. 133. 134. 135. 136. 137. 138. 139.
3222111 2221113 2211132 2111322 1113222 1132221 2122311 1223112 2231121 2311212 3112122 1121223 1212231 1231221 2312211 3122112 1221123 2211231 2112312 1123122 1321122 3211221 2112213 1122132 1221321 2213211 2132112 2211123 2111232 1112322 1123221 1232211 2322111 3221112 1222311 2223111 2231112 2311122 3111222 1112223 1122231 2112231 1122312 1223121 2231211 2312112 3121122 1211223 1112232 1122321 1223211
32221113222111 22211132221113 22111322211132 21113222111322 11132221113222 11322211132221 21223112122311 12231121223112 22311212231121 23112122311212 31121223112122 11212231121223 12122311212231 12312211231221 23122112312211 31221123122112 12211231221123 22112312211231 21123122112312 11231221123122 13211221321122 32112213211221 21122132112213 11221321122132 12213211221321 22132112213211 21321122132112 22111232211123 21112322111232 11123221112322 11232211123221 12322111232211 23221112322111 32211123221112 12223111222311 22231112223111 22311122231112 23111222311122 31112223111222 11122231112223 11222311122231 21122312112231 11223121122312 12231211223121 22312112231211 23121122312112 31211223121122 12112231211223 11122321112232 11223211122321 12232111223211
140. 141. 142. 143. 144. 145. 146. 147. 148. 149. 150. 151. 152. 153. 154. 155. 156. 157. 158. 159. 160. 161. 162. 163. 164. 165. 166. 167. 168. 169. 170. 171.
2232111 2321112 3211122 2111223 1211232 2112321 1123212 1232121 2321211 3212112 2121123 1121232 1212321 2123211 1232112 2321121 3211212 2112123 2211213 2112132 1121322 1213221 2132211 1322112 3221121 2212113 2121132 1211322 2113221 1132212 1322121 3221211
22321112232111 23211122321112 32111223211122 21112232111223 12112321211232 21123212112321 11232121123212 12321211232121 23212112321211 32121123212112 21211232121123 11212321121232 12123211212321 21232112123211 12321121232112 23211212321121 32112123211212 21121232112123 22112132211213 21121322112132 11213221121322 12132211213221 21322112132211 13221121322112 32211213221121 22121132212113 21211322121132 12113221211322 21132212113221 11322121132212 13221211322121 32212113221211
Topology 7.3 (1,1,1,1,2,3,3)
scale incorporates Pentatonic Minor 32232 scale incorporates Pentatonic Lydian 32232 172. 173. 174. 175. 176. 177. 178. 179. 180. 181. 182. 183. 184. 185. 186.
Hungarian Minor Oriental Ionian #2#5 Locrian bb3bb7 Double Harmonic Major Lydian #2#6 Ultraphrygian 1321131 3211311 2113113 1131132 1311321 3113211 1132113 1231131
21311312131131 13113121311312 31131213113121 11312131131213 13121311312131 31213113121311 12131131213113 13211311321131 32113113211311 21131132113113 11311321131132 13113211311321 31132113113211 11321131132113 12311311231131
280
187. 188. 189. 190. 191. 192. 193. 194. 195. 196. 197. 198. 199. 200. 201. 202. 203. 204. 205. 206. 207. 208. 209. 210. 211. 212. 213. 214. 215. 216. 217. 218. 219. 220. 221. 222. 223. 224. 225. 226. 227. 228. 229. 230. 231. 232. 233. 234. 235. 236. 237.
2311311 3113112 1131123 1311231 3112311 1123113 1111233 1112331 1123311 1233111 2331111 3311112 3111123 1111323 1113231 1132311 1323111 3231111 2311113 3111132 1111332 1113321 1133211 1332111 3321111 3211113 2111133 1112133 1121331 1213311 2133111 1331112 3311121 3111213 1112313 1123131 1231311 2313111 3131112 1311123 3111231 1113123 1131231 1312311 3123111 1231113 2311131 3111312 1113132 1131321 1313211
23113112311311 31131123113112 11311231131123 13112311311231 31123113112311 11231131123113 11112331111233 11123311112331 11233111123311 12331111233111 23311112331111 33111123311112 31111233111123 11113231111323 11132311113231 11323111132311 13231111323111 32311113231111 23111132311113 31111323111132 11113321111332 11133211113321 11332111133211 13321111332111 33211113321111 32111133211113 21111332111133 11121331112133 11213311121331 12133111213311 21331112133111 13311121331112 33111213311121 31112133111213 11123131112313 11231311123131 12313111231311 23131112313111 31311123131112 13111231311123 31112313111231 11131231113123 11312311131231 13123111312311 31231113123111 12311131231113 23111312311131 31113123111312 11131321113132 11313211131321 13132111313211
238. 239. 240. 241. 242. 243. 244. 245. 246. 247. 248. 249. 250. 251. 252. 253. 254. 255. 256. 257. 258. 259. 260. 261. 262. 263. 264. 265. 266. 267. 268. 269. 270. 271. 272. 273. 274. 275. 276.
3132111 1321113 3211131 2111313 1113213 1132131 1321311 3213111 2131113 1311132 3111321 1113312 1133121 1331211 3312111 3121113 1211133 2111331 1121133 1211331 2113311 1133112 1331121 3311211 3112113 3131121 1311213 3112131 1121313 1213131 2131311 1313112 1131312 1313121 3131211 1312113 3121131 1211313 2113131
31321113132111 13211131321113 32111313211131 21113132111313 11132131113213 11321311132131 13213111321311 32131113213111 21311132131113 13111321311132 31113213111321 11133121113312 11331211133121 13312111331211 33121113312111 31211133121113 12111331211133 21113312111331 11211331121133 12113311211331 21133112113311 11331121133112 13311211331121 33112113311211 31121133112113 31311213131121 13112131311213 31121313112131 11213131121313 12131311213131 21313112131311 13131121313112 11313121131312 13131211313121 31312113131211 13121131312113 31211313121131 12113131211313 21131312113131
281
Part 2 (somewhat less useful and in some cases downright useless scales) Topology 5.2 (1,2,2,3,4) Scale 277. 278. 279. 280. 281. 282. 283. 284. 285. 286. 287. 288. 289. 290. 291. 292. 293. 294. 295. 296. 297. 298. 299. 300. 301. 302. 303. 304. 305. 306. 307. 308. 309. 310. 311. 312. 313. 314. 315. 316. 317. 318. 319. 320. 321.
Intervallic structure 12234 22341 23412 34122 41223 12243 22431 24312 43122 31224 12324 23241 32412 24123 41232 12342 23421 34212 42123 21234 12423 24231 42312 23124 31242 12432 24321 43212 32124 21243 13224 32241 22413 24132 41322 13242 32421 24213 42132 21324 13422 34221 42213 22134 21342
Numeric check 1223412234 2234122341 2341223412 3412234122 4122341223 1224312243 2243122431 2431224312 4312243122 3122431224 1232412324 2324123241 3241232412 2412324123 4123241232 1234212342 2342123421 3421234212 4212342123 2123421234 1242312423 2423124231 4231242312 2312423124 3124231242 1243212432 2432124321 4321243212 3212432124 2124321243 1322413224 3224132241 2241322413 2413224132 4132241322 1324213242 3242132421 2421324213 4213242132 2132421324 1342213422 3422134221 4221342213 2213422134 2134221342
322. 323. 324. 325. 326. 327. 328. 329. 330. 331. 332. 333. 334. 335. 336.
14223 22314 23142 31422 42231 14232 42321 23214 32142 21423 14322 4322 32214 22143 21432
1422314223 2231422314 2314223142 3142231422 4223142231 1423214232 4232142321 2321423214 3214232142 2142321423 1432214322 4322143221 3221432214 2214322143 2143221432
Topology 5.3 (1,1,2,4,4) 337. 338. 339. 340. 341. 342. 343. 344. 345. 346. 347. 348. 349. 350. 351. 352. 353. 354. 355. 356. 357. 358. 359. 360. 361. 362. 363. 364. 365. 366.
11244 12441 24411 44112 41124 11424 14241 42411 24114 41142 11442 14421 44211 42114 21144 12144 21441 14412 44121 41214 12414 24141 41412 14124 41241 14142 41421 14214 42141 21414
1124411244 1244112441 2441124411 4411244112 4112441124 1142411424 1424114241 4241142411 2411424114 4114241142 1144211442 1442114421 4421144211 4211442114 2114421144 1214412144 2144121441 1441214412 4412144121 4121441214 1241412414 2414124141 4141241412 1412414124 4124141241 1414214142 4142141421 1421414214 4214142141 2141421414
Topology 5.4 (1,1,3,3,4) 367. 368.
11334 13341
1133411334 1334113341
282
369. 370. 371. 372. 373. 374. 375. 376. 377. 378. 379. 380. 381. 382. 383. 384. 385. 386. 387. 388. 389. 390. 391. 392. 393. 394. 395. 396.
33411 34113 41133 11343 13431 34311 43113 31134 11433 14331 43311 33114 31143 13134 31341 13413 34131 41313 13143 31431 14313 43131 31314 13314 33141 31413 14133 41331
3341133411 3411334113 4113341133 1134311343 1343113431 3431134311 4311343113 3113431134 1143311433 1433114331 4331143311 3311433114 3114331143 1313413134 3134131341 1341313413 3413134131 4131341313 1314313143 3143131431 1431314313 4313143131 3131431314 1331413314 3314133141 3141331413 1413314133 4133141331
Topology 6.1 (1,2,2,2,2,3)
scale incorporates Pentatonic Minor 32232 scale incorporates Pentatonic Lydian 32232 397. 398. 399. 400. 401. 402. 403. 404. 405. 406. 407. 408. 409. 410. 411. 412. 413. 414. 415.
122223 222231 222312 223122 231222 312222 223212 232122 321222 212223 122232 222321 223221 232212 322122 221223 212232 122322 222123
122223122223 222231222231 222312222312 223122223122 231222231222 312222312222 223212223212 232122232122 321222321222 212223212223 122232122232 222321222321 223221223221 232212232212 322122322122 221223221223 212232212232 122322122322 222123222123
416. 417. 418. 419. 420. 421. 422. 423. 424. 425. 426.
221232 212322 123222 232221 322212 132222 322221 222213 222132 221322 213222
221232221232 212322212322 123222123222 232221232221 322212322212 132222132222 322221322221 222213222213 222132222132 221322221322 213222213222
Topology 6.2 (1,1,2,2,3,3)
scale incorporates Pentatonic Minor 32232 scale incorporates Pentatonic Lydian 32232 427. 428. 429. 430. 431. 432. 433. 434. 435. 436. 437. 438. 439. 440. 441. 442. 443. 444. 445. 446. 447. 448. 449. 450. 451. 452. 453. 454. 455. 456. 457. 458. 459. 460. 461. 462.
112233 122331 223311 233112 331122 311223 112323 123231 232311 323112 231123 311232 112332 123321 233211 332112 321123 211233 121233 212331 123312 233121 331212 312123 121323 213231 132312 323121 231213 312132 121332 213321 133212 332121 321213 212133
112233112233 122331122331 223311223311 233112233112 331122331122 311223311223 112323112323 123231123231 232311232311 323112323112 231123231123 311232311232 112332112332 123321123321 233211233211 332112332112 321123321123 211233211233 121233121233 212331212331 123312123312 233121233121 331212331212 312123312123 121323121323 213231213231 132312132312 323121323121 231213231213 312132312132 121332121332 213321213321 133212133212 332121332121 321213321213 212133212133
283
463. 464. 465. 466. 467. 468. 469. 470. 471. 472. 473. 474. 475. 476. 477. 478. 479. 480. 481. 482. 483. 484. 485. 486. 487. 488. 489. 490. 491. 492. 493. 494. 495. 496. 497. 498. 499. 500. 501. 502. 503. 504. 505. 506. 507. 508. 509. 510. 511. 512. 513.
211323 113232 132321 323211 232113 321132 211332 113322 133221 332211 322113 221133 223113 231132 311322 113223 132231 322311 131223 312231 122313 223131 231312 313122 131232 312321 123213 232131 321312 213123 131322 313221 132213 322131 221313 213132 221331 213312 133122 331221 312213 122133 212313 123132 231321 313212 132123 321231 123123 231231 312312
211323211323 113232113232 132321132321 323211323211 232113232113 321132321132 211332211332 113322113322 133221133221 332211332211 322113322113 221133221133 223113223113 231132231132 311322311322 113223113223 132231132231 322311322311 131223131223 312231312231 122313122313 223131223131 231312231312 313122313122 131232131232 312321312321 123213123213 232131232131 321312321312 213123213123 131322131322 313221313221 132213132213 322131322131 221313221313 213132213132 221331221331 213312213312 133122133122 331221331221 312213312213 122133122133 212313212313 123132123132 231321231321 313212313212 132123132123 321231321231 123123123123 231231231231 312312312312
514. 515. 516.
132132 321321 213213
132132132132 321321321321 213213213213
Topology 6.3 (1,1,2,2,2,4) 517. 518. 519. 520. 521. 522. 523. 524. 525. 526. 527. 528. 529. 530. 531. 532. 533. 534. 535. 536. 537. 538. 539. 540. 541. 542. 543. 544. 545. 546. 547. 548. 549. 550. 551. 552. 553. 554. 555. 556. 557. 558. 559. 560. 561. 562.
112224 122241 222411 224112 241122 411222 112242 122421 224211 242112 421122 211224 112422 124221 242211 422112 221124 211242 114222 142221 422211 222114 221142 211422 121224 212241 122412 224121 241212 412122 121242 212421 124212 242121 421212 212124 121422 214221 142212 422121 221214 212142 124122 241221 412212 122124
112224112224 122241122241 222411222411 224112224112 241122241122 411222411222 112242112242 122421122421 224211224211 242112242112 421122421122 211224211224 112422112422 124221124221 242211242211 422112422112 221124221124 211242211242 114222114222 142221142221 422211422211 222114222114 221142221142 211422211422 121224121224 212241212241 122412122412 224121224121 241212241212 412122412122 121242121242 212421212421 124212124212 242121242121 421212421212 212124212124 121422121422 214221214221 142212142212 422121422121 221214221214 212142212142 124122124122 241221241221 412212412212 122124122124
284
563. 564. 565. 566. 567. 568. 569. 570. 571. 572. 573. 574. 575. 576.
221241 212412 122142 221421 214212 142122 421221 212214 122214 222141 221412 214122 141222 412221
221241221241 212412212412 122142122142 221421221421 214212214212 142122142122 421221421221 212214212214 122214122214 222141222141 221412221412 214122214122 141222141222 412221412221
Topology 6.4 (1,1,1,2,3,4) 577. 578. 579. 580. 581. 582. 583. 584. 585. 586. 587. 588. 589. 590. 591. 592. 593. 594. 595. 596. 597. 598. 599. 600. 601. 602. 603. 604. 605. 606. 607. 608. 609. 610. 611.
111234 112341 123411 234111 341112 411123 111243 112431 124311 243111 431112 311124 111324 113241 132411 324111 241113 411132 111342 113421 134211 342111 421113 211134 111423 114231 142311 423111 231114 311142 111432 114321 143211 432111 321114
111234111234 112341112341 123411123411 234111234111 341112341112 411123411123 111243111243 112431112431 124311124311 243111243111 431112431112 311124311124 111324111324 113241113241 132411132411 324111324111 241113241113 411132411132 111342111342 113421113421 134211134211 342111342111 421113421113 211134211134 111423111423 114231114231 142311142311 423111423111 231114231114 311142311142 111432111432 114321114321 143211143211 432111432111 321114321114
612. 613. 614. 615. 616. 617. 618. 619. 620. 621. 622. 623. 624. 625. 626. 627. 628. 629. 630. 631. 632. 633. 634. 635. 636. 637. 638. 639. 640. 641. 642. 643. 644. 645. 646. 647. 648. 649. 650. 651. 652. 653. 654. 655. 656. 657. 658. 659. 660. 661. 662.
211143 112134 121341 213411 134112 341121 411213 112143 121431 214311 143112 431121 311214 112314 123141 231411 314112 141123 411231 112413 124131 241311 413112 131124 311241 113124 131241 312411 124113 241131 411312 113142 131421 314211 142113 421131 211314 113214 132141 321411 214113 141132 411321 113412 134121 341211 412113 121134 211341 114123 141231
211143211143 112134112134 121341121341 213411213411 134112134112 341121341121 411213411213 112143112143 121431121431 214311214311 143112143112 431121431121 311214311214 112314112314 123141123141 231411231411 314112314112 141123141123 411231411231 112413112413 124131124131 241311241311 413112413112 131124131124 311241311241 113124113124 131241131241 312411312411 124113124113 241131241131 411312411312 113142113142 131421131421 314211314211 142113142113 421131421131 211314211314 113214113214 132141132141 321411321411 214113214113 141132141132 411321411321 113412113412 134121134121 341211341211 412113412113 121134121134 211341211341 114123114123 141231141231
285
663. 664. 665. 666. 667. 668. 669. 670. 671. 672. 673. 674. 675. 676. 677. 678. 679. 680. 681. 682. 683. 684. 685. 686. 687. 688. 689. 690. 691. 692. 693. 694. 695. 696.
412311 123114 231141 311412 114132 141321 413211 132114 321141 211413 114213 142131 421311 213114 131142 311421 114312 143121 431211 312114 121143 211431 121314 213141 131412 314121 141213 412131 121413 214131 141312 413121 131214 312141
412311412311 123114123114 231141231141 311412311412 114132114132 141321141321 413211413211 132114132114 321141321141 211413211413 114213114213 142131142131 421311421311 213114213114 131142131142 311421311421 114312114312 143121143121 431211431211 312114312114 121143121143 211431211431 121314121314 213141213141 131412131412 314121314121 141213141213 412131412131 121413121413 214131214131 141312141312 413121413121 131214131214 312141312141
Topology 6.5 (1,1,1,3,3,3) 697.
111333
111333111333
698.
113331
113331113331
699.
133311
133311133311
700.
333111
333111333111
701.
331113
331113331113
702.
311133
311133311133
703.
113133
113133113133
704.
131331
131331131331
705.
313311
313311313311
706.
133113
133113133113
707.
331131
331131331131
708.
311313
311313311313
709.
113313
113313113313
710.
133131
133131133131
711.
331311
331311331311
712.
313113
313113313113
713.
131133
131133131133
714.
311331
311331311331
715.
Augmented
313131313131
716.
131313
131313131313
Topology 6.6 (1,1,1,1,4,4) 717. 718. 719. 720. 721. 722. 723. 724. 725. 726. 727. 728. 729. 730. 731.
111144 111441 114411 144111 441111 411114 111414 114141 141411 414111 141114 411141 114114 141141 411411
111144111144 111441111441 114411114411 144111144111 441111441111 411114411114 111414111414 114141114141 141411141411 414111414111 141114141114 411141411141 114114114114 141141141141 411411411411
Topology 6.7 (2,2,2,2,2,2) 732.
Whole Tone
222222222222
Topology 7.4 (1,1,1,1,2,2,4) 733. 734. 735. 736. 737. 738. 739. 740. 741. 742. 743. 744. 745. 746. 747. 748. 749. 750. 751. 752.
1111224 1112241 1122411 1224111 2241111 2411112 4111122 1111242 1112421 1124211 1242111 2421111 4211112 2111124 1111422 1114221 1142211 1422111 4221111 2211114
11112241111224 11122411112241 11224111122411 12241111224111 22411112241111 24111122411112 41111224111122 11112421111242 11124211112421 11242111124211 12421111242111 24211112421111 42111124211112 21111242111124 11114221111422 11142211114221 11422111142211 14221111422111 42211114221111 22111142211114
286
753. 754. 755. 756. 757. 758. 759. 760. 761. 762. 763. 764. 765. 766. 767. 768. 769. 770. 771. 772. 773. 774. 775. 776. 777. 778. 779. 780. 781. 782. 783. 784. 785. 786. 787. 788. 789. 790. 791. 792. 793. 794. 795. 796. 797. 798. 799. 800. 801. 802. 803.
2111142 1112124 1121241 1212411 2124111 1241112 2411121 4111212 1112142 1121421 1214211 2142111 1421112 4211121 2111214 1112214 1122141 1221411 2214111 2141112 1411122 4111221 1112412 1124121 1241211 2412111 4121112 1211124 2111241 1114122 1141221 1412211 4122111 1221114 2211141 2111412 1114212 1142121 1421211 4212111 2121114 1211142 2111421 1121124 1211241 2112411 1124112 1241121 2411211 4112112 1121142
21111422111142 11121241112124 11212411121241 12124111212411 21241112124111 12411121241112 24111212411121 41112124111212 11121421112142 11214211121421 12142111214211 21421112142111 14211121421112 42111214211121 21112142111214 11122141112214 11221411122141 12214111221411 22141112214111 21411122141112 14111221411122 41112214111221 11124121112412 11241211124121 12412111241211 24121112412111 41211124121112 12111241211124 21112412111241 11141221114122 11412211141221 14122111412211 41221114122111 12211141221114 22111412211141 21114122111412 11142121114212 11421211142121 14212111421211 42121114212111 21211142121114 12111421211142 21114212111421 11211241121124 12112411211241 21124112112411 11241121124112 12411211241121 24112112411211 41121124112112 11211421121142
804. 805. 806. 807. 808. 809. 810. 811. 812. 813. 814. 815. 816. 817. 818. 819. 820. 821. 822. 823. 824. 825. 826. 827. 828. 829. 830. 831. 832. 833. 834. 835. 836. 837.
1211421 2114211 1142112 1421121 4211211 2112114 1121214 1212141 2121411 1214112 2141121 1411212 4112121 1121412 1214121 2141211 1412112 4121121 1211214 2112141 1122114 1221141 2211411 2114112 1141122 1411221 4112211 1141212 1412121 4121211 1212114 2121141 1211412 2114121
12114211211421 21142112114211 11421121142112 14211211421121 42112114211211 21121142112114 11212141121214 12121411212141 21214112121411 12141121214112 21411212141121 14112121411212 41121214112121 11214121121412 12141211214121 21412112141211 14121121412112 41211214121121 12112141211214 21121412112141 11221141122114 12211411221141 22114112211411 21141122114112 11411221141122 14112211411221 41122114112211 11412121141212 14121211412121 41212114121211 12121141212114 21211412121141 12114121211412 21141212114121
Topology 7.5 (1,1,1,1,1,3,4) 838. 839. 840. 841. 842. 843. 844. 845. 846. 847. 848. 849. 850. 851. 852.
1111134 1111341 1113411 1134111 1341111 3411111 4111113 1111143 1111431 1114311 1143111 1431111 4311111 3111114 1111314
11111341111134 11113411111341 11134111113411 11341111134111 13411111341111 34111113411111 41111134111113 11111431111143 11114311111431 11143111114311 11431111143111 14311111431111 43111114311111 31111143111114 11113141111314
287
853. 854. 855. 856. 857. 858. 859. 860. 861. 862. 863. 864. 865. 866. 867. 868. 869. 870. 871. 872. 873. 874. 875. 876. 877. 878. 879.
1113141 1131411 1314111 3141111 1411113 4111131 1111413 1114131 1141311 1413111 4131111 1311114 3111141 1113114 1131141 1311411 3114111 1141113 1411131 4111311 1141131 1411311 4113111 1131114 1311141 3111411 1114113
11131411113141 11314111131411 13141111314111 31411113141111 14111131411113 41111314111131 11114131111413 11141311114131 11413111141311 14131111413111 41311114131111 13111141311114 31111413111141 11131141113114 11311411131141 13114111311411 31141113114111 11411131141113 14111311411131 41113114111311 11411311141131 14113111411311 41131114113111 11311141131114 13111411311141 31114113111411 11141131114113
Topology 8.1 (1,1,1,1,2,2,2,2) 880.
Be-bop major
2212112122121121
881.
21211212
2121121221211212
12112122
1211212212112122
882. 883.
21121221
2112122121121221
884.
11212212
1121221211212212
885.
12122121
1212212112122121
886.
21221211
2122121121221211
12212112
1221211212212112
887. 888.
Be-bop dominant
2212211122122111
889.
21221112
2122111221221112
890.
Be-bop locrian
1221112212211122
891.
22111221
2211122122111221
892.
Be-bop dorian
2111221221112212
11122122
1112212211122122
893. 894.
11221221
1122122111221221
895.
12212211
1221221112212211
896.
Be-bop minor
2122112121221121
897.
12211212
1221121212211212
22112121
2211212122112121
898.
899.
21121212
2112121221121212
900.
11212122
1121212211212122
901.
12121221
1212122112121221
902.
21212211
2121221121212211
903.
12122112
1212211212122112
904.
22121112
2212111222121112
905.
21211122
2121112221211122
906.
12111222
1211122212111222
907.
21112221
2111222121112221
908.
11122212
1112221211122212
909.
11222121
1122212111222121
910.
12221211
1222121112221211
911.
22212111
2221211122212111
912.
22121211
2212121122121211
913.
21212112
2121211221212112
914.
12121122
1212112212121122
915.
21211221
2121122121211221
916.
12112212
1211221212112212
917.
21122121
2112212121122121
918.
11221212
1122121211221212
919.
12212121
1221212112212121
920.
22112112
2211211222112112
921.
21121122
2112112221121122
922.
11211222
1121122211211222
923.
12112221
1211222112112221
924.
21122211
2112221121122211
925.
11222112
1122211211222112
926.
12221121
1222112112221121
927.
22211211
2221121122211211
928.
22111212
2211121222111212
929.
21112122
2111212221112122
930.
11121222
1112122211121222
931.
11212221
1121222111212221
932.
12122211
1212221112122211
933.
21222111
2122211121222111
934.
12221112
1222111212221112
935.
22211121
2221112122211121
936.
22111122
2211112222111122
937.
21111222
2111122221111222
938.
11112222
1111222211112222
939.
11122221
1112222111122221
940.
11222211
1122221111222211
941.
12222111
1222211112222111
942.
22221111
2222111122221111
288
943.
22211112
2221111222211112
944.
22112211
2211221122112211
945.
21122112
2112211221122112
946.
11221122
1122112211221122
947.
12211221
1221122112211221
948.
Diminished
2121212121212121
949.
Octatonic
1212121212121212
Topology 8.2 (1,1,1,1,1,2,2,3) 950. 951. 952. 953. 954. 955. 956. 957. 958. 959. 960. 961. 962. 963. 964. 965. 966. 967. 968. 969. 970. 971. 972. 973. 974. 975. 976. 977. 978. 979. 980. 981. 982. 983. 984. 985. 986. 987. 988. 989. 990.
11211213 12112131 21121311 11213112 12131121 21311211 13112112 31121121 11211312 12113121 21131211 11312112 13121121 31211211 12112113 21121131 11212113 12121131 21211311 12113112 21131121 11311212 13112121 31121211 11121123 11211231 12112311 21123111 11231112 12311121 23111211 31112112 11121132 11211321 12113211 21132111 11321112 13211121 32111211 21112113 11121213
1121121311211213 1211213112112131 2112131121121311 1121311211213112 1213112112131121 2131121121311211 1311211213112112 3112112131121121 1121131211211312 1211312112113121 2113121121131211 1131211211312112 1312112113121121 3121121131211211 1211211312112113 2112113121121131 1121211311212113 1212113112121131 2121131121211311 1211311212113112 2113112121131121 1131121211311212 1311212113112121 3112121131121211 1112112311121123 1121123111211231 1211231112112311 2112311121123111 1123111211231112 1231112112311121 2311121123111211 3111211231112112 1112113211121132 1121132111211321 1211321112113211 2113211121132111 1132111211321112 1321112113211121 3211121132111211 2111211321112113 1112121311121213
991. 992. 993. 994. 995. 996. 997. 998. 999. 1000. 1001. 1002. 1003. 1004. 1005. 1006.
11212131 12121311 21213111 12131112 21311121 13111212 31112121 11121312 11213121 12131211 21312111 13121112 31211121 12111213 21112131
1121213111212131 1212131112121311 2121311121213111 1213111212131112 2131112121311121 1311121213111212 3111212131112121 1112131211121312 1121312111213121 1213121112131211 2131211121312111 1312111213121112 3121112131211121 1211121312111213 2111213121112131
11122113
1112211311122113
1007.
11221131
1122113111221131
1008.
12211311
1221131112211311
1009.
22113111
2211311122113111
1010.
21131112
2113111221131112
1011.
11311122
1131112211311122
1012.
13111221
1311122113111221
1013.
31112211
3111221131112211
1014.
11123112
1112311211123112
1015.
11231121
1123112111231121
1016.
12311211
1231121112311211
1017.
23112111
2311211123112111
1018.
31121112
3112111231121112
1019.
11211123
1121112311211123
1020.
12111231
1211123112111231
1021.
21112311
2111231121112311
1022.
11131122
1113112211131122
1023.
11311221
1131122111311221
1024.
13112211
1311221113112211
1025.
31122111
3112211131122111
1026.
11221113
1122111311221113
1027.
12211131
1221113112211131
1028.
22111311
2211131122111311
1029.
21113112
2111311221113112
1030.
11131212
1113121211131212
1031.
11312121
1131212111312121
1032.
13121211
1312121113121211
1033.
31212111
3121211131212111
1034.
12121113
1212111312121113
1035.
21211131
2121113121211131
1036.
12111312
1211131212111312
289
1037.
2111312121113121
1081.
13122111
1312211113122111
11132112
1113211211132112
1082.
31221111
3122111131221111
11321121
1132112111321121
1083.
12211113
1221111312211113
1040.
13211211
1321121113211211
1084.
22111131
2211113122111131
1041.
32112111
3211211132112111
1085.
21111312
2111131221111312
1042.
21121113
2112111321121113
1086.
11113212
1111321211113212
1038. 1039.
21113121
1043.
11211132
1121113211211132
1087.
11132121
1113212111132121
1044.
12111321
1211132112111321
1088.
11321211
1132121111321211
1045.
21113211
2111321121113211
1089.
13212111
1321211113212111
1046.
11112123
1111212311112123
1090.
32121111
3212111132121111
1047.
11121231
1112123111121231
1091.
21211113
2121111321211113
1048.
11212311
1121231111212311
1092.
12111132
1211113212111132
1049.
12123111
1212311112123111
1093.
21111321
2111132121111321
1050.
21231111
2123111121231111
1094.
11111223
1111122311111223
1051.
12311112
1231111212311112
1095.
11112231
1111223111112231
1052.
23111121
2311112123111121
1096.
11122311
1112231111122311
1053.
31111212
3111121231111212
1097.
11223111
1122311111223111
1054.
11112132
1111213211112132
1098.
12231111
1223111112231111
1055.
11121321
1112132111121321
1099.
22311111
2231111122311111
1056.
11213211
1121321111213211
1100.
23111112
2311111223111112
1057.
12132111
1213211112132111
1101.
31111122
3111112231111122
1058.
21321111
2132111121321111
1102.
11111232
1111123211111232
1059.
13211112
1321111213211112
1103.
11112321
1111232111112321
1060.
32111121
3211112132111121
1104.
11123211
1112321111123211
1061.
21111213
2111121321111213
1105.
11232111
1123211111232111
1062.
11112213
1111221311112213
1106.
12321111
1232111112321111
1063.
11122131
1112213111122131
1107.
23211111
2321111123211111
1064.
11221311
1122131111221311
1108.
32111112
3211111232111112
1065.
12213111
1221311112213111
1109.
21111123
2111112321111123
1066.
22131111
2213111122131111
1110.
11111322
1111132211111322
1067.
21311112
2131111221311112
1111.
11113221
1111322111113221
1068.
13111122
1311112213111122
1112.
11132211
1113221111132211
1069.
31111221
3111122131111221
1113.
11322111
1132211111322111
1070.
11112312
1111231211112312
1114.
13221111
1322111113221111
1071.
11123121
1112312111123121
1115.
32211111
3221111132211111
1072.
11231211
1123121111231211
1116.
22111113
2211111322111113
1073.
12312111
1231211112312111
1117.
21111132
2111113221111132
1074.
23121111
2312111123121111
1075.
31211112
3121111231211112
1076.
12111123
1211112312111123
1077.
21111231
2111123121111231
1078.
11113122
1111312211113122
1079.
11131221
1113122111131221
1080.
11312211
1131221111312211
290
blank scale and chord forms
291
292
293
Appendix A: I-IV-V cycles of the Pentatonic Minor and its modes
294
I-IV-V (blues) cycle of pentatonic scales in the key of E You can solo over a I-IV-V blues/rock chord progression without leaving the tonic key. For example, you can solo over all three chords of a I-IV-V in E (E7-A7-B7) using only the E pentatonic minor (top-left pattern below). Plenty of people play that way. Alternatively, you can follow the changes and match scales to chords for example, you could play A pentatonic minor over the IV chord (A7) and B pentatonic minor over the V chord (B7). There are at least two ways to do this: 1.
Shift the pattern at fret XII to the 5th fret for the A7 chord and to the 7th fret for B7 chord
2.
Stay at the 12th fret and play the associated modes of A and B pentatonic minor for the IV and V chords
The diagrams below show I-IV-V cycles of the pentatonic minor and its four modes in the key of E. Memorizing how to cycle through these patterns will open up the full length of the neck for you, especially if (like me) you have a tendency to rely entirely too much on one pentatonic scale pattern (i.e., top-left pattern below).
E7 (I chord)
A7 (IV chord)
B7 (V chord)
E Pentatonic Minor
XII
XII
E7 (I chord)
XII
A7 (IV chord)
B7 (V chord)
G Penatatonic Major
III
III
III
295
I-IV-
E7 (I chord)
A7 (IV chord)
B7 (V chord)
A Yo
V
V
E7 (I chord)
V
A7 (IV chord)
B7 (V chord)
B Man Gong
VII
VII
VII
VIII
E7 (I chord)
A7 (IV chord)
B7 (V chord)
D Ritusen
X
X
X
296
Appendix B: One-note alterations of the Major Scale and its modes
297
One-note alterations of the Ionian mode (Major Scale)* Ionian mode (2212221)
Ionian b2 (1312221) FT† no. 88
Ionian #2 (3112221) 6° Neapolitan Minor
Ionian b3 (212221) Melodic Minor
Ionian #4 (2221221) 4° Major Scale Lydian mode
Ionian b5 (2211321) 5° FT no. 165
Ionian #5 (2213121) 3° Harmonic Minor Ionian Augmented
Ionian b6 (2212131) Harmonic Major
Ionian #6 (2212311) 6° FT no. 81
Ionian b7 (2212212) 5° Major Scale Mixolydian mode
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
298
One-note alterations of the Dorian mode Dorian mode (2122212)
Dorian b2 (1222212) 2° Melodic Minor
Dorian #3 (2212212) 5° Major Scale Mixolydian mode
Dorian b4 (2113212) 6° FT† no. 165
Dorian #4 (2131212) 4° Harmonic Minor Romanian
Dorian b5 (2121312) 2° Harmonic Major
Dorian #5 (2123112) 7° FT no. 81
Dorian b6 (2122122) 6° Major Scale Aeolian mode
Dorian #7 (2122221) Melodic Minor
Dorian b1 (3122211)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
299
One-note alterations of the Phrygian mode* Phrygian mode (1222122)
Phrygian #2 (122122) 6° Major Scale Aeolian mode
Phrygian b3 (1132122) 7° FT† no. 165
Phrygian #3 (2122131) 5° of Harmonic Minor Phrygian Dominant
Phrygian b4 (1213122) 3° Harmonic Major
Phrygian #4 (1231122) FT no. 81
Phrygian b5 (1221222) 7° Major Scale Locrian mode
Phrygian #6 (1222212) 2° of Melodic Minor Dorian b9
Phrygian b7 (1222113) 3° FT no. 88
Phrygian #7 (1222131) Neapolitan Minor
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
300
One-note alterations of the Lydian mode* Lydian mode (2221221)
Lydian b2 (1321221) FT† no. 165
Lydian #2 (3121221) 6° Harmonic Minor
Lydian b3 (2131221) 4° Harmonic Major
Lydian #3 (2311221) 2° FT no. 81
Lydian b4 (2212221) Major Scale
Lydian #5 (2222121) 3° Melodic Minor Lydian Augmented
Lydian b6 (2221131) 4° FT no. 88
Lydian #6 (2221311) 2° Neapolitan Minor
Lydian b7 (2221212) 4° Melodic Minor Lydian Dominant
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
301
One-note alterations of the Mixolydian mode* Mixolydian mode (2122122)
Mixolydian b2 (1312212) 5° Harmonic Major
Mixolydian #2 (3112212) 3° FT† no. 81
Mixolydian b3 (2122212) 2° Major Scale Dorian mode
Mixolydian #4 (2221212) 4° Melodic Minor Lydian Dominant
Mixolydian b5 (2211312) 5° FT no. 88
Mixolydian #5 (2213112) 3° Neapolitan Minor Mixolydian Augmented
Mixolydian b6 (2212122) 5° Melodic Minor
Mixolydian #7 (2212221) Major Scale
Mixolydian b1 (2122131)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
302
One-note alterations of the Aeolian mode* Aeolian mode (2122122)
Aeolian b2 (1222122) 3° Major Scale Phrygian mode
Aeolian #3 (2212122) 5° Melodic Minor Mixolydian b6
Aeolian b4 (2113122) 6° FT† no. 88
Aeolian #4 (2131122) 4° Neapolitan Minor Hungarian Gypsy
Aeolian b5 (2121222) 6° Melodic Minor Semilocrian
Aeolian #6 (2122212) 2° Major Scale Dorian mode
Aeolian b7 (2122113) 3° FT no. 165
Aeolian #7 (2122131) Harmonic Minor
Aeolian #1 (2122122)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
303
One-note alterations of the Locrian mode* Locrian mode (1221222)
Locrian #2 (2121222) 6° Melodic Minor Semilocrian
Locrian b3 (1131222) 7° FT† no. 88
Locrian #3 (1311222) 5° Neapolitan Minor Locrian Dominant
Locrian b4 (1212222) 7° Melodic Minor Superlocrian
Locrian #5 (1222122) 3° Major Scale Phrygian mode
Locrian b6 (1221132) 4° FT no. 165
Locrian #6 (1221312) 2° Harmonic Minor
Locrian b7 (1221213) 7° Harmonic Major
Locrian #7 (1221231) 5° FT no. 81
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
304
blank scale and chord forms
305
306
307
Appendix A: I-IV-V cycles of the Pentaonic Minor and its modes
308
I-IV-V (blues) cycle of pentatonic scales in the key of E You can solo over a I-IV-V blues/rock chord progression without leaving the tonic key. For example, you can solo over all three chords of a I-IV-V in E (E7-A7-B7) using only the E pentatonic minor (top-left pattern below). Plenty of people play that way. Alternatively, you can follow the changes and match scales to chords for example, you could play A pentatonic minor over the IV chord (A7) and B pentatonic minor over the V chord (B7). There are at least two ways to do this: 1.
Shift the pattern at fret XII to the 5th fret for the A7 chord and to the 7th fret for B7 chord
2.
Stay at the 12th fret and play the associated modes of A and B pentatonic minor for the IV and V chords
The diagrams below show I-IV-V cycles of the pentatonic minor and its four modes in the key of E. Memorizing how to cycle through these patterns will open up the full length of the neck for you, especially if (like me) you have a tendency to rely entirely too much on one pentatonic scale pattern (i.e., top-left pattern below).
E7 (I chord)
A7 (IV chord)
B7 (V chord)
E Pentatonic Minor
XII
XII
E7 (I chord)
XII
A7 (IV chord)
B7 (V chord)
G Penatatonic Major
III
III
III
309
I-IV-
E7 (I chord)
A7 (IV chord)
B7 (V chord)
A Yo
V
V
E7 (I chord)
V
A7 (IV chord)
B7 (V chord)
B Man Gong
VII
VII
VII
VIII
E7 (I chord)
A7 (IV chord)
B7 (V chord)
D Ritusen
X
X
X
310
Appendix B: One-note alterations of the Major Scale and its modes
311
One-note alterations of the Ionian mode (Major Scale)* Ionian mode (2212221)
Ionian b2 (1312221) FT† no. 88
Ionian #2 (3112221) 6° Neapolitan Minor
Ionian b3 (212221) Melodic Minor
Ionian #4 (2221221) 4° Major Scale Lydian mode
Ionian b5 (2211321) 5° FT no. 165
Ionian #5 (2213121) 3° Harmonic Minor Ionian Augmented
Ionian b6 (2212131) Harmonic Major
Ionian #6 (2212311) 6° FT no. 81
Ionian b7 (2212212) 5° Major Scale Mixolydian mode
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
312
One-note alterations of the Dorian mode Dorian mode (2122212)
Dorian b2 (1222212) 2° Melodic Minor
Dorian #3 (2212212) 5° Major Scale Mixolydian mode
Dorian b4 (2113212) 6° FT† no. 165
Dorian #4 (2131212) 4° Harmonic Minor Romanian
Dorian b5 (2121312) 2° Harmonic Major
Dorian #5 (2123112) 7° FT no. 81
Dorian b6 (2122122) 6° Major Scale Aeolian mode
Dorian #7 (2122221) Melodic Minor
Dorian b1 (3122211)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
313
One-note alterations of the Phrygian mode* Phrygian mode (1222122)
Phrygian #2 (122122) 6° Major Scale Aeolian mode
Phrygian b3 (1132122) 7° FT† no. 165
Phrygian #3 (2122131) 5° of Harmonic Minor Phrygian Dominant
Phrygian b4 (1213122) 3° Harmonic Major
Phrygian #4 (1231122) FT no. 81
Phrygian b5 (1221222) 7° Major Scale Locrian mode
Phrygian #6 (1222212) 2° of Melodic Minor Dorian b9
Phrygian b7 (1222113) 3° FT no. 88
Phrygian #7 (1222131) Neapolitan Minor
* Scales plotted across two octaves plus 1st string mirrors 6th string FT=Fretboard Topologies
†
314
One-note alterations of the Lydian mode* Lydian mode (2221221)
Lydian b2 (1321221) FT† no. 165
Lydian #2 (3121221) 6° Harmonic Minor
Lydian b3 (2131221) 4° Harmonic Major
Lydian #3 (2311221) 2° FT no. 81
Lydian b4 (2212221) Major Scale
Lydian #5 (2222121) 3° Melodic Minor Lydian Augmented
Lydian b6 (2221131) 4° FT no. 88
Lydian #6 (2221311) 2° Neapolitan Minor
Lydian b7 (2221212) 4° Melodic Minor Lydian Dominant
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
315
One-note alterations of the Mixolydian mode* Mixolydian mode (2122122)
Mixolydian b2 (1312212) 5° Harmonic Major
Mixolydian #2 (3112212) 3° FT† no. 81
Mixolydian b3 (2122212) 2° Major Scale Dorian mode
Mixolydian #4 (2221212) 4° Melodic Minor Lydian Dominant
Mixolydian b5 (2211312) 5° FT no. 88
Mixolydian #5 (2213112) 3° Neapolitan Minor Mixolydian Augmented
Mixolydian b6 (2212122) 5° Melodic Minor
Mixolydian #7 (2212221) Major Scale
Mixolydian b1 (2122131)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
316
One-note alterations of the Aeolian mode* Aeolian mode (2122122)
Aeolian b2 (1222122) 3° Major Scale Phrygian mode
Aeolian #3 (2212122) 5° Melodic Minor Mixolydian b6
Aeolian b4 (2113122) 6° FT† no. 88
Aeolian #4 (2131122) 4° Neapolitan Minor Hungarian Gypsy
Aeolian b5 (2121222) 6° Melodic Minor Semilocrian
Aeolian #6 (2122212) 2° Major Scale Dorian mode
Aeolian b7 (2122113) 3° FT no. 165
Aeolian #7 (2122131) Harmonic Minor
Aeolian #1 (2122122)
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
317
One-note alterations of the Locrian mode* Locrian mode (1221222)
Locrian #2 (2121222) 6° Melodic Minor Semilocrian
Locrian b3 (1131222) 7° FT† no. 88
Locrian #3 (1311222) 5° Neapolitan Minor Locrian Dominant
Locrian b4 (1212222) 7° Melodic Minor Superlocrian
Locrian #5 (1222122) 3° Major Scale Phrygian mode
Locrian b6 (1221132) 4° FT no. 165
Locrian #6 (1221312) 2° Harmonic Minor
Locrian b7 (1221213) 7° Harmonic Major
Locrian #7 (1221231) 5° FT no. 81
* Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies
318
