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Metal Guitar Series
John McCarthy Basics of Metal Guitar
Dan Jacobs Leads, Runs & Rhythms #1
Alexi Laiho Melodic Speed, Shred & Heavy Riffs #2
Rob Arnold Song Writing, Riffing & Soloing
Dan Jacobs Leads, Runs & Rhythms #2
Marc Rizzo Modern Speed & Shred #1
Alexi Laiho Melodic Speed, Shred & Heavy Riffs #1
Marc Rizzo Modern Speed & Shred #2
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Leo Nocentelli
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Riffs, Rhythms & Secrets
Intermediate
Workout Routines for Guitarists
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The Only Chord Book You’ll EverNeed !
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Notation Legend = Down Pick V = Up Pick T = Tap
sl. = Slide
P = Pull Off
P.M. = Palm Mute
Harm. = Harmonic
Hammer On
Pull Off
Palm Mute
Bend
Tap
Harmonic
H = Hammer On
Expand Your Fretboard Visualization n & Modal Knowledge Get Rusty Cooley’s companion anion nion ee-book book isualization” “Road Map to Fretboard Vi Visualization” • Exploded View of Charts • Fretboard Diagrams • Insight into Visualizing Patterns • Lesson Tabs • Modal Theory • Improvisational Exercises Everything you need to develop your minds eye.
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G Major Full Neck View
In this program Rusty breaks the G Major Scale and its derived modes down to “puzzle pieces” as he calls it then reassembles the pieces back together to show you how all the pieces form this “larger picture.” 1
6 String Root Modes G Ionian
A Dorian
B Phrygian
2
C Lydian
D Mixolydian
E Aeolian
3
F# Locrian
5 String Root Modes G Ionian
A Dorian
4
B Phrygian
C Lydian
D Mixolydian
5
E Aeolian
You can also play this pattern at the 7th fret.
F# Locrian
6
G Ionian
12 Note Split Patterns
A Dorian
The note in ( ) is not used when the pattern is being played forwards and backwords continuously
7
B Phrygian
C Lydian
8
D Mixolydian
E Aeolian
9
F# Locrian
6 Tone Extended- Minus 7th G Ionian
10
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A Dorian
B Phrygian
C Lydian
11
D Mixolydian
E Aeolian
F# Locrian
12
6 Tone Extended-Minus 4th G Ionian
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A Dorian
B Phrygian
13
C Lydian
D Mixolydian
E Aeolian
F# Locrian
14
You can also play this pattern at the 2nd fret.
9 Note Groups G Ionian
A Dorian
15
B Phrygian
C Lydian
16
D Mixolydian
E Aeolian
17
F# Locrian
9-9-6 Rusty alternates between a sequential pattern and a straight run through the 9-9-6 grouping throughout the seven examples. For continuity and ease of learning, the Ionian pattern is written in the straight 9-9-6 grouping and the rest of the examples are written in the sequential pattern. 18
G Ionian
9-9-6 cont.
A Dorian
19
B Phrygian
C Lydian
20
D Mixolydian
E Aeolian
21
F# Locrian
G Ionian
22
6-9-9
A Dorian
B Phrygian
23
C Lydian
D Mixolydian
24
E Aeolian
F# Locrian
25
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Fretboard Autopsy Scales, Modes & Melodic Patterns Tuning Picking Variations Full Neck Modal Summary 6 String Root Modes 5 String Root Modes 12 Split Patterns 6 Tone Extended - Minus 7th 6 Tone Extended - Minus 4th Nine Note Groups 9-9-6 6-9-9 Bonus Lessons: • Single String Technique • Double String Technique **These Tabs can be downloaded for free at www.RockHouseMethod.com
Practice Tips Live & Studio Gear Conclusion Interview with Rusty Cooley
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