Foo Fighters - One by One

April 26, 2017 | Author: madebyhisgrace | Category: N/A
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Guitar tab...

Description

from Foo Fighters - Greatest Hits

All My Life Words and Music by Foo Fighters G5

134

Intro Moderately fast Rock q = 168

µ(G5)

End Rhy. Fig. 1   Rhy. Fig. 1                                                              Gtr. 1 (dist.)



mf

P.M.

 



5 3

  





All

my

life

5 3

5 3

5 3

Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)

 

   All

  

    see

   



night

long

I







me

with

the



get - ting

5 3

5 3

5 3

5 3

-

dream

of the



5 3

 

thing.

-

5 3

5 3

5 3

day.

to

the

leads to

When

prize



   

at



 

feel - ing

that

I

feel

the

most,

Interlude Gm

 





 

the



    

 

end of

tak - en



feel

5 3

5 3

P.M.

5 3

5 3



Harm.

4 4

   

  

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

f

0

     noth

the



-

 

ing.

Noth -

rope.

Leaves













it

come

to

life

when

I



  

5 3

a - way.



  

5 3

       

Gtrs. 1 & 2 (dist.)

 

5 3

       

 

it comes a - round, and it’s

 

5 3

nev - er

-

er

5 3

  

close,

clos

5 3

 

       



  

5 3

       



ghost.

5 3

thing nev - er comes,





5 3

    

Some

       

    

your

Gtr. 1

5 3

 

but I’m

   



5 3

     

 

ing sat - is - fies



5 3

I’ve been search - ing for some

       -

5 3

 

Am

 

  

   

  

     

 

 

0

3 5 5 3

3 5 5 3

3 5 5 3

5 7 7 5

5 7 7 5

5 7 7 5

0

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gm

    

Bbm

 

  

 

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

5 7 7 5

0

 

      

0

3 5 5 3

Am

     3 5 5 3

3 5 5 3

    

  

  

  

6 8 8 6

6 8 8 6

6 8 8 6

6 8 8 6

3 5 5 3

0

 

  

   

3 5 5 3

3 5 5 3

3 5 5 3

0

Gm

  

     

  

  

  

  

   

  

  

3 5 5 3

3 5 5 3

5 7 7 5

5 7 7 5

5 7 7 5

5 7 7 5

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0



 

0



 

3 5 5 3

0

Bbm

   

0

Gm

  

   

  

    

  

  

3 5 5 3

3 5 5 3

3 5 5 3

6 8 8 6

6 8 8 6

6 8 8 6

0

Verse

     

µ(Gm)

1. Calm 2. Will

 

  don’t a

down, find

I

 Rhy. Fig. 2             P.M. P.M.  

3





you re be - liev - er,



 

3

3

  



3

Bbm

3

 

          P.M.

3

3 3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

3

6 8 8 6

6 8 8 6

  

3

µ(Gm)

   

5 7 7 5







6 8 8 6

  



 

   P.M.



it to

a de

 

-

3

3



del - i - cate one who be -

   P.M.

3



 

wrist. lieves,

  P.M.

3

3

3

3

3

3







 

Am

twist, ceive

  P.M.

3 3



P.M.

   

3 3

    5 7 7 5

give one

5 7 7 5

   5 7 7 5

3

P.M.

6 8 8 6



 

You’ve such a an - oth - er

And if I an - oth - er

  

µ(Gm)

            P.M.

3



Am

sist.

3

3





P.M.

3

3

   

   P.M.

3 3



3 3

3

3

   

  

  

5 7 7 5

5 7 7 5

5 7 7 5

Gtrs. 1 & 2: w/ Rhy. Fig. 2

 



µ(Gm)

 



some - thing to o - ver and

 

 

I

 

   P.M.



3

3



there er

µ(Gm)

An and

   



 -

-



er you

rea let

-

   



up my noth - ing

  

oth if



Gtrs. 1 & 2

   P.M.

3



 

3

3

3





to and

give if

me you

son me

to in



   



6 8 8 6

3





find get

 just o -



6 8 8 6

some - thing in an - y clos -

6 8 8 6







what pen

I up

need? wide,



Gtr. 2 tacet

Am





One On

by and

one on

Gtr. 1

   



µ(Gm)

 one on





mf



 



bleed, side

-

I I



Bbm







by and

one on

hid I

2nd time, Gtrs. 2 & 3: w/ Fill 1



 

hid - den I got

  



up my noth - ing

       

  

 

 

5 3

5 3

5 3

5 3

P.M.

P.M.

3 3

µ(Gm)

sleeve. hide.

to

3 3



Will If

            P.M.

3

Am



grip. knees?

3

3

    

µ(Gm)





3

my my



 

3

  

  

lose on

P.M.

3

    

  

End Rhy. Fig. 2

P.M.

5 7 7 5



hold when o - ver down







Bbm

to



 -

den got



sleeve. hide.

        

3 5 3

3

5 3

5 3

5 3

Fill 1

  

Gtrs. 2 & 3



  

 

P.M.

  

3 1

5 3

5 3

f

5 3

5 3

5 3

   Harm.

4 4

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Chorus Eb/G



 



Eh, Rhy. Fig. 3 Gtrs. 1 & 2







 



 



don’t

let

it

go

to

waste,

G5







 



I







love

it

but

I

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3





f



 

hate

the

taste.

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

 







  

C/E



 F



Way

keep

pin

- ning

me

   

  

  

  

  

  

  

   

   

   

   

   

   

   

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

Gtrs. 1 & 2: w/ Rhy. Fig. 3

Bb

Eb

  

Bb

A



down.





Eb/G

Eh,

   

   

   

   

 

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

8 8 8 6

G5



 



 



don’t

let

it

go

to

waste,

        6 6 7 8 8 6

 



I

love







0 0 0 0 0 0







 



 

it

but

I

hate

the

taste.











End Rhy. Fig. 3

      

  



T o Coda

C/E

F





Way

keep

pin

  

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-





Bb

ning

me

down.



 

Eb



Bb

A



Gm



    









Am

Gm









Bbm



(Oh.)

          Gtrs. 1 & 2

3 5 5 3

3 5 5 3

3 5 5 3

0

  

     

  

   

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0

0

  

   

  

  

  

  

   

  

     

  

   

  

5 7 7 5

5 7 7 5

5 7 7 5

5 7 7 5

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0

0

0

  

  

  

   

6 8 8 6

6 8 8 6

6 8 8 6

 

Bridge Gtr. 1: w/ Rhy. Fig. 1 (1 ¾ times) Gtrs. 2 & 3: w/ Fill 2 (8 times)

Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet

µ(G5)

 





   -

   







thing

nev

- er



get - ting

  close,

 





comes,



nev -



µ(G5)

    

All my life I’ve been searching for some thing. Some



 



 

 



 





er

leads

to

noth

-

ing.

Noth

-

ing











clos

-

er

to

the

prize

  









sat - is - fies

but

I’m













at

the

end

of

the

rope.

  

15ma

  



Gtr. 1: w/ Rhy. Fill 1

 

Fill 2 Gtrs. 2 & 3





Harm.

  





f

*

3.3 3.3 3.3 3.3 3.3 3.3

3.3 3.3 3.3 3.3 3.3 3.3

* Harmonic located three tenths the distance between 3rd & 4th frets.

Rhy. Fill 1 Gtr. 1

   

 



  

 

 

5 3

5 3

5 3

P.M.

5 3

5 3





5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtr. 1: w/ Rhy. Fig. 1 (5 ¾ times)

  

G5



All

night

 long

Rhy. Fig. 4A

     Gtr. 3

        

   I

dream



of the day.

    

When



it comes a - round,



tak - en

a - way.

Leaves End Rhy. Fig. 4A



3 4

Rhy. Fig. 4

  

        

1

3 4

 

and it’s



1

Gtr. 2

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

End Rhy. Fig. 4

  

  

3 3 0 0 X 3

3 3 0 0 X 3

* P.H.

3 3 0 0 X 3



*To produce harmonics while strumming, use all downstrokes and tilt right hand slightly so that edge of thumb brushes against strings. Move strumming hand up and down length of strings to produce ascending and descending harmonic pitches.

          Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (4 ¾ times)

me with the feel - ing that

  





done,

I

   feel the



done,

  







on

to

the

next

  



 









on

to

the

next

 

one.

feel





Done,

it come to

 



done

and

I’m

on

to

the

next

and

I’m

on

to

the

next

on

to

the

next

one.

Done,



Done,



done









 









 

 done

 

 

 one.

      

see your





 

when I







life

  

 







 one.





Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



most,

    



  

6

       



ghost.

Then I’m







done

and

I’m

 



 

one.





Done,

done













and

I’m

on

to

the

next

 

Done,





and

I’m

 one.

  Done,

  





 

done

    

and

I’m



Gtr. 3

      

 

on

Done,

to

the

next

one.









 

I’m

done

and I’m



Gtrs. 1 & 2: w/ Rhy. Fills 2 & 3

       

on



1

to

  

the

next.



Harm.

1

3 4

3 4

4 4

Gtr. 3 tacet

G5

Rhy. Fig. 5

End Rhy. Fig. 5

                                                                    

Gtrs. 1 & 2

   

f

5 5 3



5 5 3

5 5 3

5 5 3



5 5 3

5 5 3

Gtrs. 1 & 2: w/ Rhy. Fig. 5



Done,

 



done,







5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

      

 

on

Done,



done,

to

the

next

one.

5 5 3



      

 

on

Done,

to the

next

one.

5 5 3

5 5 3





I’m

done



5 5 3

5 5 3

5 5 3

  and

I’m

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

5 5 3

      

 

on

Done,





 

I’m

done

and I’m

to

the

next

one.

    

                                                  

on

to the

D.S. al Coda



next.

Gtrs. 1 & 2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Rhy. Fill 2 Gtr. 1

 

      P.M.

3

3

3

5 5 3

   Harm.

4 4

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

               

5 5 3

5 5 3

5 5 3

     

*P.H.

  

  

      

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

Rhy. Fill 3 Gtr. 2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

4 4

*See footnote on previous page.

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 Coda

G5

Gtrs. 1 & 2

 

    

        



   



  





 





 



(Oh.)

     



Gtr. 3

 



1

 

13

11

15

13

Outro

  

          







 



1

 







on



to

the

next



 



Done,





1

14

11

13

13

16

16

13

15

15

done



and

I’m

     

    

on

next.



to

the

 

 



 



   

    

 

1

 





 



1

1

14

14

15

15

16

16

17

17



  1

14

13

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

   



one.

11

8

 

1

1

8 11



           

done,

1

             I’m

 

 1

15

 



1

13

6 9

 



13

   

 

   

11

Done,

 



1

       

 



      



 

Low Words and Music by Foo Fighters

Drop D tuning: (low to high) D-A-D-G-B-E

Gtr. 2 (dist.)

Intro Moderately fast Rock q = 144 *G5

   

Riff A1

               



           

 

13 X 10

13 X 10

f



11 X 8

Gtr. 1 (dist.)

   

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

13 X 10

13 X 10

13 X 10

13 X 10

13 X 10



Riff A

              f



5

5

5

5

5

5

5

5

5

5

5

5

5

5

*Chord symbols reflect implied harmony.

 

 

F#5



 

 

 

 

 

 

 

      End Riff A1        

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

4

4

4

4

4

4

4

4

4

4

4

4

G5



7 X 4

F#5



7 X 4









 (Ba - by blue.)

  are don’t

7 X 4

 

 1. Hey

Gtrs. 1 & 2: w/ Riffs A & A1 (4 times)

G5

7 X 4

End Riff A

Verse

    

7 X 4

4

Gtrs. 1 & 2: w/ Riffs A & A1

 

7 X 4



             

4

7 X 4

  you go

in no

F#5

   

-

there? where.





(Don’tgo

 no

-

  where.)

I’m I’m

you,

 



stuck right

out be

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

  -

side side

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G5



   

  







you, you,

G5

  



G5



 



 





  





er, where.

-







-



You

be

  





 

F#5





-

We Me

could and

 



an - oth - er I’m right be

where.)



use you

  like side

-



F#5

 

my











 



(Go - ing no

oo. oo.

 

 

pass

-



er





-

by,

Riff B

                                               

5

5

5

5

5



5

5

5

5

5

5

5

5

5

5

5

 



 

I’ll

be

your

5

5 5

5

Bb5





    



F#5

one an - oth go - ing no



 Pre-Chorus G5      





you, you,

Gtr. 1

F#5

oo. oo.

(Me and you.)

   



5

5

5

5

5

5

5

5

5

5

5

   new

5

4



4

4

4

4

4

4

4

4

4

4

4

4

4

4

 



 

one

to

pass

                                               

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

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8

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

4

E5

   









through.

 

End Riff B

            

2

2

2

2

2

2

2

2

2

2

2

2

2

           





2

0

2

1st time, Gtr. 1: w/ Riff B 2nd & 3rd times, Gtr. 1: w/ Riff B (1st 7 meas.)

G5

 



Screws

in

-

  

  







side

2

2

2

 

F#5

 

turn

so

2



2

2



2

2



2

2



2

4



 

turn - ing

on



 

tight,



1.

Bb5

    

  



 



you.

 

I’m



 

hang - ing

on

T o Coda

E5

  









     



you.

Oo,

Interlude Gtrs. 1 & 2: w/ Riffs A & A1

G5

   







   



F#5







 

oo.

2. Ba



 -

by



blue,

2.

     Gtr. 1







Tak - ing

you

as



Rhy. Fill 1

Chorus Eb5

End Rhy. Fill 1

  

   



low as

you

go,

C5



2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Gtrs. 1 & 2 Rhy. Fig. 1

1 1 1

X X X X

 



as

End Rhy. Fig. 1

                              

2



1 1 1

X X X X

1 1 1

             

10 10 10

X X X X

10 10 10

X X X X

10 10 10

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Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

Eb5

     low

as

Eb5

C5

     you





go.



 

low

as

you







1 1 1

X

X

X

 

Tak - ing

       





 

Eb5

you

  

    

low

you

as

as

C5



 



go,

as

C5







F5





go.

Rhy. Fig. 2



 









 

X

1 1 1

X

X

X

X

1 1 1

 

 

 

 

 

 

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

X X X

End Rhy. Fig. 2

 

 

3 3 3

3 3 3

Interlude *Gtr. 1 & 2: w/ Riffs A & A1 (2 times)

G5

 





   









   



Oo,

*Gtr. 1 w/ Phase shifter (next 8 meas.)

G5





 



F#5





 

oo,







 



F#5

D.S. al Coda







oo.

 Coda

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

Gtr. 1: w/ Rhy. Fill 1

  

Eb5

Eb5

      







-

ing

you

as

low



 





4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

as

you

 



Low

as



 

as

you

 



 



 



Tak





 

go.

  



low as



-

  you



 

(Low

as



 

 











ing go.

you

as



 



 

as

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5





 





you

 

go,

 

go.

as Low



C5

you

C5







 

as

   



 Tak

low



 

C5

you

Eb5

  low

 



low

as



 

as

C5





go.





you

 

go,

 



F5



go. As

you

go.)

 

Guitar Solo G5

  





F#5





     

   

   

12 X 10

12 X 10

14 X 12

15 X 13

15 X 13

   

 

 

 

 











5

5

7

7

7

Riff C1

Gtr. 3 (dist.) Riff C2

mf

 

Gtr. 1



(Low as

  

Gtr. 2

    

  

you

  



go.



Riff C

                                              f

5 5 5 5 5

F5

  



5 5 5 5 5





     

5



5 5

5

 

  

As

low as

14 X 12

    

8

10 11 10

8

    



you

   

10

 

4 4 4 4 4

E5





  

go.)

4 4 4 4 4



4 4 4 4



4

4

8

10

11

8

10

8





  

   14 X 12



10 X 8

17 X 15

15 X 13

 

 

 

3

4

4



7

 

5



End Riff C1



End Riff C2



End Riff C

                                               

3 3 3 3 3

3 3 3 3 3

3 3 3 3

3

3

8

10 11 10

8

10

2 2 2 2 2

2 2 2 2 2

2 2 2 2

2 2 2 2 2 2 2 2 2

0

2

4

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 



    

(Low

as

you

Gtrs. 1, 2 & 3: w/ Riffs C, C1 & C2

 

Gm



     

 

Gtr. 4 (dist.)

 

 

3

 

 





3

D(#5)/F#









go.



 



 

3

 

As

 

 

3

    

  

 



low

 



as

 

you



3



 

go.



3

*

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

*Vol. swells

Bb/F

  

   





3







3







 



    

Low

as

you





3



C/E







go.)



 



 

 



 

3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

5 5 5



 

 

 



3

5 5 5

5 5 5

5 5 5





3

5 5 5

5 5 5

5 5 5

Interlude Gtr. 4 tacet

G5

  





 



 

 

 



Oo,

 

Gtr. 1

    

    

5

5

5

5

5



  

Gtr. 2

5

Riff D1

* Harm.

2.6 Pitches:

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5

5

5



5

     

**

3.3

3.3

3.3

4

 

oo.

Riff D

w/ phase shifter

 





    

    

5

5



4

C A A A F# F# *Harmonic located six tenths the distance between 2nd & 3rd frets. **Harmonic located three tenths the distance between 3rd & 4th frets.

5

5

5

5



5

5

5



End Riff D



End Riff D1

5

     

Harm.

2.6

3.3

3.3

3.3

4

4

C

A

A

A

F#

F#

   





 Tak

 





















5

5

5

5

5

5

5

5

5

5













  

Harm.

Pitches:

2.6

3.3

3.3

3.3

4

4

C

A

A

A

F#

F#





-







ing

you

as



 

17









 

17

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (7 times)

Eb5

     low

as

you

Eb5

     low

C5

    



you

C5

low

  

     you







    

    

as

you

low

as

as

you

C5

  

           





 

C5

as

you

Tak - ing

C5

  





  

 



as

low





     

as

you





as

you

as



   

you

Tak - ing you go.

    

C5

  

 

as

    

go.

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5

you

   

go.

Low

     you





          low

    Tak - ing

go.

go, Low as

as





go.

    

low

C5

Eb5



you

as

   

as

Eb5

you

    

Eb5



go, (Low

as

Eb5



go,

C5

as

low





Eb5

    



go,

    

as







F5

as

 

go.

go.

As

low

as

you

go.)

Outro Gtrs. 1 & 2: w/ Riffs D & D1 (4 times)

G5

   





  



  



Oo,

  



 oo,





oo,









  





oo,

   oo,







   oo,

  

 

 



oo.

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Have It All Words and Music by Foo Fighters Intro Moderately fast Rock q = 162 * C5add#4 Gtr. 1 Riff A (slight dist.)

End Riff A

    

  

  

  

  

  

  

       

mf w/ chorus



4

let ring

5 5

4

4

4

5 5

4

5 5

4

4

4

5 5

4

4

5 5

4

4

5 5

4

4

5 5

4

5 5 7

5 5

4

5 5 7

 Harm.

Gtr. 2 (dist.) Riff A1

    

  

End Riff A1

  

  

  

  

9

   

Gtr. 3 (fuzz) divisi

f



Gtr. 2

9

10

9

9

10

9

9

10

9

9

10

9

9

10

9

9

10

9

9

10

       mf

9

7 0

9

7 0

*Chord symbols reflect implied harmony.

Am

  

Gtr. 1

5 5 7

Gtr. 3

Am

8 5 7

5 7

     

   

5 7

5 7

5 7

5 7

5 7

5 7

5 7

Gtr. 2 Harm.



Am7



5 7

D

   

  

5 7

5 5 7

7





7

7 7 7

   

7

7

7 7 7





C

   

5

5

5 5 5







       

5

5

5 5 5



0

     

f

1/4

0







0

0

7

 



    



Gtr. 4 (dist.)

0

7

  

  

  

0



1/4

1/4

0

  

5 5 7

 

7 0



5 5 7

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

3

3

5 3

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

3

3

5 3

0

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Am

Am7 Am

       

Rhy. Fig. 1

                 5 5 7



5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7



5 5 7

8 5 7

5 7

5 7

5 7

5 5 7

5 5 7







D

C

   

7

7

7 7 7

   

7

7

7 7 7

   

  

5 5 5

5 5 5

5

5

D

Eb

   

End Rhy. Fig. 1

7 7 7

8 8 8





  

             



 



7 0

     



1/4

0

0

0

 







7



    



Riff B

1/4

1/4

0

0

7

0

0

7

0

7

0

7

0

Gtr. 2 tacet

Am7

               

               

Gtr. 1 Rhy. Fig. 2

8 8 8

5 7

8 5 7

8 5 7

Gtr. 3

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7





  

5 7

5 7

8 5 7

5 5 7

5

5

7 5

5

5

7 5

D

3

3

5 3

0

C

   

7

End Riff B

7

   

7 7 7



7

7

7 7 7



5 3

   

  

5 5 5

5 5 5

5

5

7 5

8 6

D

Eb

    

End Rhy. Fig. 2

7 7 7

8 8 8

       



Rhy. Fill 1

f

5 3





         0

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0

0

7



    

1/4

1/4

8 6

 



Gtr. 4 Riff C

0

0

7

  

  

1/4

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

7 5

8 6

End Riff C            

5 3

5 3

5 3

0

5 3

7 5

8 6

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

Am7

Gtr. 3

 



Gtr. 3: w/ Rhy. Fill 1 (2 times)

D



C





End Rhy. Fill 1



 



Gtr. 2

12

8 6

Am7

        

Gtr. 2

       

Riff D

D

       

 

 

14

D



Eb

 

12 14

 

12 14

C

D

      

Eb



  1/2

5

7

8

5

8 7

5

7

                  Am7

Gtr. 1

Gtr. 2



5 7

8 5 7

8 5 7

   

7

7

5

5

8 5 7

8 5 7

 

8

8 5 7

8 5 7

8 5 7

8

5

7

          

8 5 7

5



Riff E



Gtr. 4

7

 

 

7

0

0

0

7

 

8 5 7

8 5 7

0

0

7

7

 

8

5 7

5

5

5 7

8 7



8 5 7

5 5 7

   

7

5

5

    

1/4

1/4

8 6

8

            

Rhy. Fig. 3

8 8 8

8

5



7

7

7

5

5

7

7

5

5

D

7

   

5

7 7 7

7

7

   

7 7 7

5

       

7

5

5

5

7

7

C

   

7

5

7

5

  

5

7

7

5

  

5

5

     

End Rhy. Fig. 3

5 5 5

5

5

5 5 5

5 5 5

       

End Riff D

5

5

5 5

3

5

3

5

End Riff E

   

   

1/4

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

3

3

5 3

3

5

3

5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Verse Am7

   

 

1. You’re my 2. Wind - ing

  

size, through

         

Gtr. 1

Rhy. Fig. 4

 

8 5 7

8 5 7

8 5 7

8 5 7

 

I this



  

need maze

to you

D

 

try hold

you me



    

               

   

8 5 7

8 5 7

7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 7

8 5 7

5 7

Csus2



on, in,

        8 5 7

C

5 5 7

7 7 7

7

7

   

7 7 7

7

5

   

End Rhy. Fig. 4

5 5 5

5

7 5

7 5

7 5

7 5

Gtrs. 2 & 3

 

Riff F

End Riff F



 







0 Riff F1

   

 







 

0

0

0

7



    

1/4

1/4

 

 

0

0

7

  



Gtr. 4

 



 

some - one search - ing

in all

Am7

 

-

 ’ry ’ry

 



0

 

be these

0



tween days

   

 

thing thing,

kept ev -

you’ve you’re

7

0

7

7

0

0

5





the to

right find





   

your ’ry -

wings thing

7 5

5

3

C





5 3

3

3

Csus2



5 3

3





wrong. end.

0



Through ev You’re ev -

Gtr. 2 tacet

  

  

5

D

  and the

7 5

5





a -

part. not.

I’m

D



C



Csus2









Through ev But I’m an -

Gtr. 2



  

1/4

Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtrs. 2 & 3: w/ Riff F Gtr. 4: w/ Riff F1 (3 times)

Am7

  

End Riff F1







0 Gtr. 3







    

      



     

0

0

0

0

3

7 5 5

Riff G

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0

0

0

0

0

0

0

0

0

3

7 5 5

7 5 5

     

     

     

7 5 5

5 3 3

5 3 3

7 5 5

7 5 5

5 3 3

5 3 3

5 3 3

5 3 3

End Riff G

Gtr. 3: w/ Riff G

Am7

 



-

  



’ry - thing y - thing,

 

you I’m

Asus2

 

stayed an -

A



    

 

the y -

same one

art. want.

 





had

e

  

 

 

11 0

11 0

-

old you

D





C







Csus2







 



 

And

when

I’ve





nough...

She

Gtr. 4 Rhy. Fill 2A

9 0 *Gtrs. 1 & 3 Rhy. Fill 2

   2 2 0

 



 

 

  

2 2 0

2 2 0

2 2 0

  

 



 

me

     

 

       

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

                 

Gtr. 4

0 9 11 0

  

0 9 11 0

0 9 11 0

   

 

       let ring

11 0

9 0

9 0

11

0 9 11 0

9

when

     

5 6 7 0

0 9 11 0

Gtr. 3



Pitch: E

drains Gtr. 1

End Rhy. Fill 2



fdbk.

*Composite arrangement

 Chorus A    

End Rhy. Fill 2A

10 9 11 0

7 0

  

5 6 7 0

5 6 7 0

  

  

10 9 11 0

10 9 11 0

      7 0

7 0

  

I’m

emp

         5 6 7 0

5 6 7 0

5 6 7 0

5 2 4 0

      let ring 7 0

9

7

0 9

       let ring 7 0

9

  

  

Dadd9/G

7

4 0

  

-

  

 

 

ty.

A

She

fills

  

  

  

  

  

  

  

  

  

  

    

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

    0 9

9 0 9

      4 0

4 0

    0 9

0 9

9 0 9

    0 9

0 9

9 0 9

5 6 7 0

        7 0

7 0

9 0

11 0

     

     

       

4 0

4 0

7 0

4 0

4 0

4 0

4 0

7 0

9 0

11 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



    



her -

           

Gtr. 1

5 6 7 0

5 6 7 0

       

Gtr. 4

11 0

0 9 11 0

5 6 7 0

self,

  

  

  

  

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

       

  

0 9 11 0

10 9 11 0

 

Gtr. 2

0 9 11 0

0 9 11 0

  



0 9 11 0

 

Dadd9/A

she

  

  

takes

  

  

  

  

  

  

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 2 4 0

  

  

10 9 11 0

10 9 11 0



     

7 0

9

  



7

0 9

 

it

  

  

In

  

  

  

  

  

  

  

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

   

   

   

9 0 9

9 0 9

9 0 9



0 9

0 9

G

all.

  

0 9

  





0 9

0 9

    

5

0

    



3 3 0 0 X 3

9



3 3 0

 



10

        Gtr. 3

    let ring

11 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9 0

9 0

9 0

11

9



 

7 0

     

7 0

7 0

     

7 0

9

7

4 0

     

4 0

4 0

     

 

           

4 0

4 0

4 0

4 0

4 0

4 0

4 0

4 0

4 0

0 X 3

  

   

 

D/F#

too

         

3 3 0

3 3 0

3 3 0

     

   

deep,

  





she’s

     

2 3 2



2 3 2



  

spill

-

ing

 

   

   



2 3 2

3 3 2 3

3 3 2 3

  

  

8 7

8 7

   

  



Riff H

 

F6add9

3 3 0 0

    

Fmaj13

o

-

G6

  A



ver

0 3 2 3

0 3 2 3



  

       

0 3 0 0

2 2 2

2 2 2

    

 

  

8 7

5 6

5 6

8 7

G

me.

       

0 3 2 3



2 2 2

5 6

2 2 2

2 2 2

2 2 2

3 3 0

  

End Riff H

5 6

5 6

5 6

3

     

10

10

10

       

0 3

0 X 3

   

0 X 3

12

10

9

      let ring 0 X 3

5

3

0 X 2

  

9

9

     

0 X 2

0 X 2

10

9

8

       let ring 0 X 2

3

2

0 X 1

8

    

0 X 1

    

  

8

7

10

 



10

      

        

       

0 X 1

2 0

2 0

0 X 3

2 0

2 0

2 0

2 0

0 X 3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

   

  

In

the

Gtr. 4 tacet

         

Gtr. 1

3 3 0

3 3 0

 

   

Gtr. 4: w/ Riff H

D/F#

  

deep,

she’s

   



3 3 0

2 3 2

     

   

 

      2 3 2

spill

-

   



10

10

12

       

10

3 3 2 3

3 3 2 3

  

    

  

9

9

10

9

8

8

       let ring

    

Gtr. 3

0

0 X 3

3

      let ring

0 X 3

0 X 3

5

3

     

0 X 2

0 X 2

0 X 2

0 X 2

3

0 X 1

2

o

0 X 1

   -

   

2 3 2

9

 

Fmaj13

ing

 

Gtr. 2

10

  

F6add9

T o Coda 

 

G6 A



ver

0 3 2 3

0 3 2 3



me.

       

0 3 2 3



0 3 0 0

 

8

7

10

Go on

     

2 2 2

    

2 2 2

2 2 2

and

      2 2 2

2 2 2



2 2 2





       

 

  

0 X 1

2 0

2 0

0 X 3

  

  

2 0

   2 0

2 0



2 0

1. Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D Gtr. 4: w/ Riff B

Gtr. 1: w/ Riff A Gtr. 3 tacet

C5add#4







 

have

it

Gtr. 2

   

  

  

9

10

9

9

Gtr. 3: w/ Rhy. Fill 1



C

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



D

Eb

10

9

9

10

  

9

9







D









7

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E

Am7

Am7 Am

all.

    5

9

Am



D



C





2.





Gtrs. 1 & 4: w/ Riff A





have

it

all,

Riff I

Gtrs. 1 - 4 End Riff I Riff J

C5add#4

 Gtr. 2

   

9

9

  

10

9

9

Gtrs. 1 & 4: w/ Riff A Gtr. 2: w/ Riff I



9

10

9



C5add#4



9

11 0

10

11 0



 

 

     

11 0

11 0

11 0

A





9 0

End Riff J

     

7 0

7 0

       

7 0

7 0

7 0

7 0

7 0





all,

 

C5add#4



Gtrs. 1 - 4: w/ Riff J

it

Gtrs. 1 & 4: w/ Riff A (2 times)



9



have

 

  

       

  

10

A

 

  

  

have

it

all.

Gtr. 2

   

9

9

10

      

  

9

9

9

10

10

9

9

10

9

           

10

9

9

10

10

9

9

10

10

9

9

10



  0

0



7

10

Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D (1st 7 meas.) Gtr. 4: w/ Riff B

Am

   

Am7 Am



C

 

D



D



Eb

 



You’re ev Gtr. 2 Riff K

       

 



Gtr. 3: w/ Rhy. Fill 1 (3 times)

Am7

-

C







’ry -

thing,

  



5

5

   you’re

 



D Eb

 

  

ev

-

 

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

’ry

Am7

  -



   



D

  

thing

D



  

I’m





not.

           

End Riff K

1/2

5

5

5

5

5

7

7

7

7

8

8 7

7

5

5

8

8 7

7

5

5

7

7

5

5

7

7

5

5

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtr. 2: w/ Riff K

C

 

D





But

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E

 Eb  I’m

 Am7 

an

-



y -



 

  

I’m

an

-

 

thing,

y

-

    

 

one

want.

you



D





D.S. al Coda Gtrs. 1 & 3: w/ Rhy. Fill 2

C

Asus2







A







 She

Gtr. 2

 



5

5









  

5

3

3

3



 

 

 

0

9 0

11 0

7 0

Gtrs. 2 & 4

5

 Coda

    







5

 



 

(Go

on

and

    

 

 

 

 

 

 

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

Gtr. 1

  



G

   

In have

it



    



Gtr. 4: w/ Riff H







  

deep, all.)

  

3 3 0

3 3 0













10

10

10

12

10

9







 

 



 

F6add9



she’s

2 3 2

Gtr. 2

7



too

Rhy. Fig. 5   

 

D/F#



 

spill -

   

 

 

2 3 2

2 3 2





 

9

9

10

 

 

  



3 3 2 3

 

9

8

Gtr. 3













Rhy. Fig. 5A

 



 

let ring

2 0

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2 0

2 0

2 0

2 0

2 0

2 0

0 X 3

0 X 3

0 X 3

5

3

0 X 2

0 X 2

0 X 2

0 X 2

3

    2

0 X 1

   Fmaj13     -

ing

o

          3 3 2 3

3 3 2 3

8

8

       0 X 1

   

0 X 1



-

ver

0 3 2 3



0 3 2 3

0 3 0 0

8

7

10

       

 

0 X 1

2 0

0 X 3

  





 

9

9

9

10

 



Have

 







spill

 

9

8

 

 

 

 

2 2 2

2 2 2

2 2 2





7

7

-

 

 

2 2 2

2 2 2

2 2 2







7

7

7







2 0

2 0

2 0

2 0

 

 



o

-

ver

 

  

Fmaj13

ing

  

8

8

 

10

D/F#

the

deep,

End Rhy. Fig. 5

 



  

F6add9

Gtr. 2

C5add#4

 

 





 

In

2 2 2

 





Gtrs. 1 & 3: w/ Rhy. Figs. 5 & 5A

G5

me.

she’s

Gtrs. 1 & 4: w/ Riff A (2 times) Gtr. 2: w/ Riff A1 (2 times)





    

Gtr. 4: w/ Riff H



  A

       

0 3 2 3

    

 

G6















10

10

10

12

10

9



End Rhy. Fig. 5A

G6





2 0

2 0

 A





















12

12

12

12

12

me.

 

12



  







it

all.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Outro Am

Am7

   

                

Gtr. 2

Gtr. 3 divisi

       

    

5 5 7

8 5 7

5 5 5

8 5 7

5 5 7

5 5 7

5 5 7



8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 5 7



Harm.



               

5 5 7

5 5 7



D

                sim.

5 5 7

C



        5 5 7

Am7





Gtr. 1

5 5 7

Am

5 5 7

5 5 7

5 5 7



8 5 7

8 5 7

8 5 7

8 5 7





Eb

8 5 7

8 5 7

8 5 7





 *

7 7 7

8 8 8

              

8 X 5 5 3

7 0

    

10 X 7 7 5

11 X 8 8 6

*Gtr. 2 to left of slash in tab.





     

 

0

0

0

0

0

0

0

0

0



12

  

0

0

0



12



   

0

0

0

0

0



12



0



12

 

   

5 3

7 5

8 6



  

 

   

2 0

5 3

7 5

8 6



      

0

0

Gtr. 4

Gtr. 5 (dist.)

   mf

 

  w/ bar

grad. bend

0

0

0

grad. release +1/2

2 0

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2 0

                  Am

Rhy. Fig. 6

 

8 8 8

5 5 7

5 5 7

5 5 7

     

5 5 7

5 5 7

5 5 7

5 5 7

               

               

       

          

8 5 7

5 5 7

8 5 7

5 5 5

7 7 7

     

           End RiffL1

8 X 5 5 3

10 X 7 7 5

Am7

Am

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 5 7

Am7

5 5 7

5 5 7

5 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

C











8 5 7







Riff L1

 11 8

8 6

*

7 0

Eb

End Rhy. Fig. 6

Riff L

Harm.

D

 

8 8 8

End Riff L

 

11 X 8 8 6

*Gtr. 2 to left of slash in tab.

 

Riff L2

 

8 6

      

0

          

0

0

0

0



0

0



 

0

0

12

0

0

0

12

2 0



0

   

0

0

0

0



12



0



12

 

 

+1/2

grad. bend

w/ bar

8 6

  





0

      

        End Riff L2

7 5



  

       

2 0

5 3

7 5

0

0

0

0

8 6

grad. release

2 0

 

5 3

8 6

 

Gtr. 1: w/ Rhy. Fig. 6 (5 times) Gtrs. 2 & 3: w/ Riffs L & L1 Gtr. 4: w/ Riff L2 (3 times)

Am

   

Gtr. 5

Am7

 



 

Am

Am7

 

C

 

D

  

 

5 3

7 5

Eb

 

grad. dive w/ bar

8 6

2 0

2 0

8 6

-1

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Half-time feel Am

   

Gtr. 2

 

Am7

              

               

11

8 X 5

8 X 5

8 X 5

8

 

8 X 5

8 X 5

8 X 5

Riff M1

    

8 6

0

Riff M2 Gtr. 5

     

8 6

0

0

0

0

8 X 5



0

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

          0

0

0

0

0

0

0



0

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

10 X 7

       0

0

0

0

0

0

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

14 X 12

  Gtr. 1

Am

   

8 8 8

      

µ

D

Eb

    

  

0 0

Gtr. 2

 



11 8

     

0 0

Gtrs. 3, 4 & 5

 

8 6

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 0 0

C

Am7

µ

 

5 5 5

7 7 7

8 8 8

  

 

  

 

8 X 5

10 X 7

11 X 8

11

  

 

5 3

7 5

    8 6

  8 6

D

Eb

5 5 5

7 7 7

8 8 8

  

 

8 X 5

10 X 7

  

 

5 3

7 5

 0 0

 0 0

µ

     

    

Play 3 times

0 0

8

C

 

 

       8 6

 



11 8

8 6

C

D

     0 0

      11 X 8

8 X 5

10 X 7

11 X 8

 

              

0 0

 0 0

0

 

0

5 3

0

7 5

8 6

 

         End Riff M2

 

12 X 10

Am Am7                                  86 0 0 0 12 0 0 0 0 12 12 0 12 12 0 0 0 12 0 12 0 Gtrs. 2, 3 & 5: w/ Riffs M, M1 & M2 (2 times)

Gtr. 4

Eb

End Riff M

8 X 5

0

               

12 X 10

    

D

End Riff M1

               

12 X 10

C

8 X 5

            12 X 10

        

Am7

           

Gtr. 3

 

Am

Riff M

3



5 3

6

C

7 5

8 6

D

Eb

 

                5 7 8  0 0 0 3 5 6

Eb

µ

  

  













   





5 5 5

7 7 7

8 8 8

8 8 8

  

 

  

  

8 X 5

10 X 7

11 X 8

11

  

 

5 3

7 5

    8 6

8

8 6

from Foo Fighters - Greatest Hits

Times Like These Words and Music by Foo Fighters D5

A5

C5

E5 VII

E5

5fr

7fr

134

11

Intro Moderate Rock q = 144 D7add6

                  f

 



114

4.

End Rhy. Fig. 1

              

                   

5 0 5 0 0

5 0 5 0 0

w/ clean tone

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

* D5 Gtr. 3 (dist.)

5 0 5 0 5

 

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

         

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

Csus2

                  Riff A

End Riff A

f

0

134

1., 2., 3.

Rhy. Fig. 1

Gtrs. 1 & 2 (elec.)

134

12

10

0

12

11

0

12

10

0

12

11 12

10

Rhy. Fig. 2                                 **Gtr. 1



0

 

0 0

D5

 

12

10



0

 

12

11



0

 

12

10



0

 

12

 

11 12

10

                           

w/ dist.

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

10 X 7

8 X 5

**Two gtrs. arr. for one.

                                                 Gtr. 2

Rhy. Fig. 2A

w/ dist.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

0 0

*Chord symbols reflect combined harmony.

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtr. 3: w/ Riff A (6 times)

Bm

A5

D

End Rhy. Fig. 2

                             Gtr. 1

7 X 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

5 X 2

5 X 2

7 X 4

                             Gtr. 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

8 X 5

10 7

7 7 5

0

0

8 7 5

5 5 3

7 X 4

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

D5

 

Bm

10 X 7

8 X 5

7 X 4



                         

0 0

4 4 2

7 7 5

D                              

7 X 4

7 X 4

4 4 2

                            5 5 3

7 X 4

                           

Csus2

8 7 5

7 X 4

End Rhy. Fig. 2A

                            8 7 5

                           

8 X 5

10 7

A5

                            7 7 4

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

5 X 2

4 4 2

5 X 2

0

0

D5                              

Csus2

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

10 X 7

8 X 5

                                                             7 7 5

7 7 5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

0 0

Bm Riff B

    Gtr. 3





12

11





0

12

10

0

    

 

 

 

 

7 X 4

7 7 4

7 7 4

7 7 4

7 7 4



Gtr. 1

Rhy. Fig. 3







12

11





0

12

10

0

 

 

 

 

 

 

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4





End Riff B







12

10

12

 

 

 

 

7 7 4

7 7 4

7 7 4

7 7 4

      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 0

4 4 2

4 4 0

4 4 2

Gtr. 2

Rhy. Fig. 3A

 

End Rhy. Fig. 3

X X X

End Rhy. Fig. 3A

  4 4 0

*Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

 

D7add6









*w/ dist.





Verse D5 Rhy. Fig. 4 Gtr. 2

    





1. I, 2. I,

  I’m I’m

Riff C

      Gtr. 1

 

 









A5

a a

 

 one new



  

 

way day

 

mo ris

 

* let ring throughout

 

2 0

2

0

3

2 2

3

0 2

3

  

-





tor - way, ing,







3 2

0 0

2

2





1



 0

2

*Next 6 meas.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



 2fr 



B

  







I’m I’m

a a

road brand

   

0

1



 



 that new





3



C5

 

E5





drives sky

  



1

2





a - way to hang







2

3





3 1

0

2

and the



 

fol stars

-





1



 

lows up -

 

 

 

you on

2 2 0

 

 back

 

home. to - night.

 

0 3

0

2

End Rhy. Fig. 4

3 0

2 2 0

End Riff C



0 0

Gtr. 1: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1

  

D7add6







 

*D





I, But I, *Chord symbols reflect overall harmony.

 





I’m I’m

a a

 street lit -

 



tle

light di

  -



Am7

shin vid

-







ing, ed.







 

I’m Do

a I

white stay

 light or

  blind run

**Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

   C





-

ing a -

bright, way



  and

Em7





-

ing it

off all



burn leave



 and be



D7add6





on. hind?

-

**w/ dist.

 



 Uh. Uh.

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.















 It’s

  times





 Chorus Rhy. Fig. 5A Gtrs. 2 & 4 (dist.)



E5 VII

C5

     f

  

like



these



you

        

D5



learn







to

live





End Rhy. Fig. 5A







a - gain.

It’s

Gtr. 3



let ring throughout

0

0

5

     Gtr. 1

5

3

Rhy. Fig. 5

mp



5

3

     

 



let ring

0 2 3

3 1 0

0 2 3

1 0 2

1 0 2

 

  



0

0

5

2 2 0

Riff D    





0

5

2 2 0

0 3 0

0 3 0

4

let ring

3 0 4

0 4

 

8 X 5

10 X 7

0

4

5

5 3 0 4 5

4

 

 

   End Rhy. Fig. 5           

 



0 3 0

0

4

7

times

  

   

        

 

let ring

Gtr. 5 (dist.)



7

 

0 0 0



 



5 3 0 4 5

5 3 0 4 5

0 0

End Riff D

mf

8 X 5

Gtrs. 1, 2 & 4: w/ Rhy. Figs. 5 & 5A (2 times) Gtr. 5: w/ Riff D (2 times)

     C

 

like

 Riff E   





these

you





Em7



give

and





give





a

- gain.

  

Dadd4





It’s

Gtr. 3

0



5





0



5

3



3



5



0









0

5



5

7





0 7





4



0



4

  



4

5

   

times

 

End Riff E

0

T o Coda

Gtr. 3: w/ Riff E

C

 



 

like

these



 you

 learn

Em7







to

love



 a

 -

gain.

Dadd4







 It’s

 



times

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1.

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A (1st 2 meas.) Gtr. 3: w/ Riff E (1st 2 meas.) Gtr. 5: w/ Riff D (1st 2 meas.)

   

 

C

 like

*Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

 





these

Em7





time



and

      Gtr. 4

5 5 3



time

 a

 -

D7add6



gain.

  

  

9 9 7

7 7 5 *w/ dist.

  



Gtr. 4 tacet



    

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5













  

2.

Interlude

   

Em7

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (3 2/3 times) Gtr. 3: w/ Riff A (11 times)

 and

 

 





time

a

- gain.



   D5



     9 9 7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.







Oh,

  

Gtr. 5

 

10 X 7

Gtr. 4



Gtr. 4 tacet

Csus2

     7 7 5

 

  



Bm



oh.

 

8 X 5

 

D5

 

  7 X 4

 



A5

Gtr. 5 tacet

   D5

Csus2





Oh,

D5







oh,

   

Csus2

Bm





oh,

A5





ah,

oh.



A5



D5



ah,

D5



Bm

oh.



D5



Oh,

Csus2





Oh,

D5







oh,

 

ah

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A Gtr. 3: w/ Riff B

    

Bm

 oh.

    Gtr. 4





  f

10





steady gliss.

17

10

Gtrs. 3 & 4: w/ Riff B (4 times)

 D7add6  

   







   



Uh,

        Gtrs. 1 & 2

  

  

5 0 5 0 5

5 0 5 0 0

w/ dist.

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

  

  

5 0 5 0 5

  

5 0 5 0 0

5 0 5 0 5

uh.

  

  

      

  

  

  

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

  

   5 0 5 0 0

  

  

   

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

D.S. al Coda

  



   









Uh.

         5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

 

  It’s

  

  

      

  

  

  

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

times

  

  

   

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 Coda

Gtrs. 1, 2 & 4: w/ Rhy. Figs. 5 & 5A (5 times) Gtr. 3: w/ Riff E (5 times) Gtr. 5: w/ Riff D (5 times)

     C

 

like



 



these



Em7

time

and

      Gtr. 2

5 5 3

C    



 

like

these



Riff F        

12 X 10

12 X 10

12 X 10



  you

    

     C

    

It’s

times

  

 

 

 

 

 

 

 

 

9 9 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

 

Em7

learn

 

 

 

to

live

 

 

 

Dadd4





a - gain.





 

It’s

times

 

 

 

 

 

 

 

 

   

 

 

 

 

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9



Em7

 

like

these

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

gain.

 

 



8

-



 

 

these

like

a



 

like

 

time

  



 

  

C



 

 



 

 

 

Gtr. 2: w/ Riff F (3 times)

C



Dadd4

  

these

 

  you



  you

 





give

 

  and

 

Em7

learn

  

time

 

Em7

 

 

give

 

to

love

and

  time

 

a

 

 

 

 

 

-

 





a

- gain.

  gain.

  It’s

 

-

 

gain.

 

  a

Dadd4

11 X 9

 

Dadd4





  It’s

Dadd4

 







 It’s

 

End Riff F

11 X 9



  times

  

times

  times

Outro *Gtr. 1: w/ Rhy. Fig. 5 (3 times)

 C  



 

like

these





Em7



you



learn

   





to

live





12 X 10

   



a

 

Gtr. 2

Dadd4

-







 



gain.

It’s

times

 

 

 

12

11

11

10

9

9

Gtr. 3





0

*w/ clean tone

Gtr. 3 tacet

    C

Gtr. 2 tacet



 

like

these





 you



Em7



give

and

   





give

 

Gtr. 2



 

Dadd4



a

-







gain.



 

 It’s

times



 



9 7

    C



 

like

these

    



  

C

like



 learn

 

Em7

these



time

let ring

0 2 3

0 2 3

3 1 0



you

         

     Gtr. 1

Em7

1 0 2

1 0 2

0 0 0

let ring

2 2 0



to

love



 a

 

   and

 



time

2 2 0

-







gain.

It’s

Dadd4

C





times

 

a - gain.

            0 3 0



Dadd4

0 3 0

0 3 0

0 4

 

   

  

  

let ring

3 0 4

4

5 3 0 4 5

5 3 0 4 5

     5 3 0 4 5

0 0

      3 1 0 2 3

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Disenchanted Lullaby Words and Music by Foo Fighters

Intro Moderately q = 112 * B7(no3rd)

   

Gtr. 1 (clean)

Riff A



Gtr. 1: w/ Riff A (3 times)

    

mf

    

End Riff A





     

Gtr. 2 (clean)



mp



0

2

0

2

2

0

2

0

2

0

 

2

2

0

*Chord symbols reflect implied harmony.

   





Play 3 times

P.M. **w/ delay

let ring throughout

2



 

7

**Set for eighth-note regeneration w/ multiple repeats.



  

 









Ah.

Riff B1

8va     *** Gtr. 3 Gtr. 2





7

7



(clean) mp divisi † Riff B2 †† Harm.

7



7

7

***w/ Compression & sustain †Vol. swells ††Applies to both gtrs. Gtr. 4 (dist.) Riff B3

 



mf

                 P.M. 9

9

7

7

9

7

9

7

7

 

Gtr. 1

Riff B



    

2 2

42



0

2

0





2 2

5

     

2 0

7

0

2

0



                 P.M. 9

5





2

7

7

    

2 0

9

9

7

9

7

7

2

0

2

0





2

5

     

2 0

7

0

2

2

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

0

5



2 0

   



Esus 24

  

  

Ah. 8va    







   

 

loco



D6

 End Riff B1



End Riff B2

Harm.

7

7

5

7

 

                    P.M. 9

9

7

7

9

7

9

7

7

7

9 X 7

9

7

 



  2

0

 2

  0

 

 

2

2

2

0

  2

0

 

0

2

0

2

2

2

  

End Riff B3

11 X 9

    0

 

 

 2

   0

2

11 9

  

0 0

0

2

  2

End Riff B

  0



2 0

Verse Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3

    

    

B7(no3rd)

1. Dis - en

- chant

    Sing

-

ed



  

-

la

lul

    

with

me,

now



what’s

- bies.

B7(no3rd)



Sing

  

 

a

to

boy



Sing

a -

    

 

long,

soul

my

Esus 42

 

yours,

sing





I’ll

  

  



 

you

What’s





mine.

    

D6

do?

  



Sing

   

me

    

a

boy

to

do?

Gtrs. 1 & 4: w/ Riffs B & B3 (1st 6 meas.) Gtrs. 2 & 3: w/ Riffs B1 & B2

Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3 (1st 2 meas.)

  

  



   to

   take.



a

  

-

long

   Sing

a -

  for

yes







-

ter -

day.





    



  

 

long

-

er

for

an - oth

song

you.

43

Esus 42

  



  

  

D6



µ

What’s a Riff C1    

  

boy

 

Gtr. 4

Bm7

to

 

  Gtr. 1

11 X 9

Riff C



     

2

2

0

0

2

   

  

   

  

  

  

  End Riff C1     

0

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

  

  

  

   

  

  

  

End Riff C       

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

1

2

0

2

0

2

0

 Chorus 2nd & 4th times, Gtr. 3: w/ Riff B2 (1st 2 meas.) Bm7            

a



shat - tered.

0

1

1

  

µ

What does it



            

               

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

0

1

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

1.

    

 

mat - ter?

44

lit - tle



0

0

                

Bm7

 

2

0

            

Gtrs. 1 & 4

 

1

   Bm7    

scat - tered, Rhy. Fig. 1

0

µ



  

  

        

0



  

f w/ dist.

2



I may be

11 9



do?

f

9 X 7



µ

       µ

No one has

a

fit like

E



I



D







do.

0

1

   

µ

I may be End Rhy. Fig. 1



  

  

  

   

  

  

  

         

   

   

   

   

   

  

  

  

  

      

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

0

2

0

0 0 1 2 2 0

0

0

1

 

2.

   D

I’m

 

  the

on - ly

 



µ

one

   T o Coda

that

 

B7(no3rd)



fits







you.



8v a



Gtr. 2

Gtr. 3 divisi





Harm.

7

7

      Gtr. 4

  

  

  

  





 



 



mf 2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

     

  

  

  

  

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

Gtr. 1

0

0



1

2

2

    



 

mf dist. off

2 0

0

1

2

0

0

   





2

2

2 0

2

0

2

Verse Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3

B7(no3rd)    

2. Whis - per

     Whis - per

    

 

with

pass

   with

me,



  the

voice



   the



time.

 



Whis - per



 

 

in -

side

of

    

 

for

days

Esus 42



the





   gone

  



by.

D6



you.

45

Gtrs. 1 & 4: w/ Riffs B & B3 (1st 6 meas.) Gtrs. 2 & 3: w/ Riffs B1 & B2

B7(no3rd)    

 

With this

ring

     -

  

ti

you

   -

ply.



 Coda

 

will





 

be

mine.

 



With

this

 



 

With

this

ring





  



ring

sur -





ren

-





der -

 



 

I

mul -

 



ing

to

you.

D.S. al Coda (take repeat)

Gtrs. 1 & 4: w/ Riffs C & C1 Esus 42

 

 

 



  

What’s

a

boy

to

do?

E

D

A

D6



B

µ

B/A

        





 

Bm7

 











B

 

B/A



E

 





 



I

may

be

D

A





µ

you. You.

   

Gtr. 3

Riff D

End Riff D







Harm.

Harm.

7

      *Gtr. 2



7

     

Rhy. Fig. 2A

   

        





 

End Rhy. Fig. 2A

w/ dist. delay off

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

9 9 9

7 7 7

  

  

2 3 2 0 0

2 2 2 0

6 7

7 8

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

9

7

  

6 7

7 8

*Two gtrs. arr. for one. Gtrs. 1&4

46

Rhy. Fig. 2

     

 

 

  

  

  

  

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 0

4 4 4 0

4 4 4 0

0 0 1 2 2 0

  

1

 

 

 

  

  

  

  

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 0

4 4 4 0

4 4 4 0

0 0 1 2 2 0

  

2 3 2 0 0

End Rhy. Fig. 2

   2 2 2 0

1

Gtrs. 1, 4 & 2: w/ Rhy. Figs. 2 & 2A Gtr. 3: w/ Riff D

B

B/A

   

E

D



Voc. Fig. 1



A

B



 

B/A

E

D





A End Voc. Fig. 1





Ooh.

Lead Voc.: w/ Voc. Fig. 1 (2 times) Gtrs. 1, 4 & 2: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 3 w/ Riff D (2 times)

B B/A E D A B B/A E D A                                                                 Gtr. 5 (dist.)

mf

 

   

14 X 11

14 X 11

14 X 11

Bm7

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11



14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11



     

14 X 11

14 X 11



16 X 13

16 X 13

16 X 13

16 X 13

16 X 13



16 X 13



16 X 13



16 X 13

 

  

µ

I

 

Gtr. 5

14 X 11

may

be



14 X 11

      Gtr. 2

 

Gtr. 4 divisi

 

 

   

9 2

   

0



  

  

  

   

  

  

  

   

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

Gtr. 1



0

1

  

  

  

   

  

  

  

      

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

0

1

47

Chorus 1st time, Gtrs. 1 & 4: w/ Rhy. Fig. 1 2nd time, Gtrs. 1 & 4: w/ Rhy. Fig. 1 (1st 7 meas.) Gtr. 2 tacet Gtr. 3: w/ Riff B2 (2 times)

Bm7      









  

scat - tered,

a

    

lit - tle



  

µ



shat - tered.

       µ

   

mat - ter?

No one has

 D 









I’m

the

on - ly

one

    

 

 

 

 

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

Gtrs. 1&4

Bm7

What does

1.

Bm7

2.

  

µ

     E

D5



A5





that

fits

you.



 

0 0

2 2 0

a

E

fit

like



I







do.

D











No

one

has

a

fit

 

   

   

   

   

 

 

 

 

 

2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

µ





   

µ

I

   

Bm7

  

I’m the on - ly one that fits

 



D

   

       

do.





D



E



may be

D5



A5

like

I



 

0 0

2 2 0





µ

you. Gtr. 3







Harm.

7

  

  

  

  

  

  

  

  

  

  

  

     

2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

Gtrs. 1 & 4

48

0

0

1

it



  

  

  

   

  

  

  

   

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

Tired of You Words and Music by Foo Fighters

Gtr. 1: Drop D tuning: (low to high) D-A-D-G-B-E

F

C

Gm

C/G

1 3 33

1 3 4 11 1

1 333

Eb/G

134 211

D7(no3rd)

3 1 21

21

Intro Moderately q = 106 G5

Gtr. 1 (slight dist.)

                                                                            mp w/ reverb  P.M. 

5 5

Verse G5

     1. I

 

can

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 5

 

  

be

li

-

your

7 5 5 5

  

F5

5 5



5 5

5 5

7 5 5 5

5 5

3 3

3 3

7 5 5 5

5 5

5 5

5 5

   



dia - monds

  

7 5 5 5

5 5

7 5 5 5

5 5

5 5

3 3

5 3 3 3

5 5

3 3

3 3

5 3 3 3

3 3

5 3 3 3

3 3

 

in

fire,

your

  



 

burn - ing

7 5 5 5

5 5

5 5

your

bear

7 5 5 5

5 5

5 5

7 5 5 5

5 5

Eb5

    

Sick and

un

-

in

er

5 5

 

5 5

3 1 1 1

1 1

1 1

1 1

  

     like

1 1

a

flame

3 1 1 1

5 5

bad

7 5 5 5

5 5

  



     But

is

this

     just

de

  - sire

D5

  

  





or

the

truth?

G5



5 5

news.

5 5

7 5 5 5

0

       

spired

0

5 5

by

the End Rhy. Fig. 2

             0 0

2 0 0 0

0 0

  

 

in - side

of

0 0

0 0

F5



© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission

2 0 0 0

0 0

0





you.

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

Eb5

7 5 5 5

5 5

 

of

D5

                 1 1

5 5

           

5 5

-

7 5 5 5

5 5

   -

            5 5

5 5

  

Rhy. Fig. 2

0



5 5

be

can

Gtr. 1: w/ Rhy. Fig. 2

    

5 5

I

  

3 3

7 5 5 5

5 5

    

           

3 3

5 5

  

5 5



Gtr. 1: w/ Rhy. Fig. 1

G5

5 5





5 3 3 3

5 5

ar,

5 5

P.M.

3 3

7 5 5 5

           

                   3 3

5 5

End Rhy. Fig. 1

            P.M. 5 5

5 5

    

Rhy. Fig. 1

5 5

5 5





  So

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Pre-Chorus C5

    

     

shame on

me

for the

G5



           

P.M.

5 3

5 5 3

    

5 3

5 3

5 3

5 3

    

F5

oth - er

one

 

Gtr. 4 (dist.)

re

5 5

0

5 5

  

Eb5

-

7 5 5 5

5 5

5 5

5 5

7 5 5 5

0

     

turned

that

I’ll



nev - er

me

for the

5 3

D5

5 5 3

5 3





5 3

5 3

  





blues.

               5 3

G5

     

Shame on

Rhy. Fig. 3

5 3



ruse.

                  Gtr. 1

C5

  

5 3

 

An -

             5 5

0

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 0





use.











Riff A2

mf

10

 

Gtr. 3 (dist.)











Riff A1

 mf

7

 

Gtr. 2 (dist.)











Riff A

 mf

8

  Gtr. 1

                

P.M.

3 3

3 3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5 3 3 3

3 3

3 3

3 3

5 3 3 3

0

            1 1

1 1

3 1 1 1

1 1

1 1

1 1

3 1 1 1

0

            0 0

0 0

2 0 0 0

0 0

0 0

0 0

2 0 0 0

0 0

End Rhy. Fig. 3

             0 0

0 0

2 0 0 0

0 0

0 0

0 0

2 0 0 0

0

Chorus Gtr. 1: w/ Rhy. Fig. 2 (2 times)

         Gm

 

         

F

Eb

          



              1 1 11  I

won’t go

get - ting

tired

of

you.

I

won’t go

get - ting

tired

of

you.

I’m not

10

10

8

8

            

7

(7)



  

Gtr. 2

1



1/2



 

  

1

5

5



           1 1

  

 fdbk.

(8)

7

(8)

8

8

tired.



Gtr. 3

1/2

- ing

 

Gtr. 4

(10)

get

    6

6

6

Pitch: D

     D

Gm





 

      

I



fdbk. 1

7 Pitch: D

     

 

10

4

4 Pitch: C#

  





won’t

go

get - ting









F





tired

of

you.



1/2

1



     

7

  

8

1/2

7

1

8

fdbk. 1

1

8

8 Pitches: D

1

8 C

1

8

1

8

1

8









  I

won’t

go

get - ting



10

   7

         

1

5



    



1/2

5



10

fdbk.

1/2

4

 



    

1/2

7





1

8

8

8

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 Verse Gtr. 1: w/ Rhy. Fig. 1        tired

of

you.

      

10

 7





    



 

I’m not

get

tired.

-



ing



End Riff A2



2nd time, Gtrs. 2, 3, 4 & 5 tacet

D

  

Gm



  

2. Hang - ing 3. I can



8

7

End Riff A1





5

5

wire, li -



7

4

on be

this your

fdbk.







 

1/2

fdbk.

4

4

4

Pitch: C#

D

 

  



  



mf

6

6

5



*

Gtr. 2 divisi

1/2

6







22 8





Gtr. 5 (dist.)

1

ar,

Gtr. 3

End Riff A





7

7

8v a



  

1/2

1/2

5

 



    

1

    



1/2

8

Gtrs. 2 & 3 tacet

Gtr. 4

  

1

8

    

    

  





Eb



18

5 * Vol. swell

Pitch: Bb

 





    

  

Gtr. 6 (clean)



** w/ delay & heavy reverb

 



let ring throughout

3 3

5

3

3

** Delay set for dotted eighth note regeneration w/ one repeat and volume is swelled in once all of the arpeggiated notes ring together. Reverb is present only on regenerated repeat. Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 4 & 5 tacet

   



wait - ing I can

    Gtr. 6

3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 3

     for be

the your

     3

3

 



day bear

-

  3



   I er

have of

 to bad



F







choose. news.



 1

   1

  

  

1 0

0

2



Gtr. 1: w/ Rhy. Fig. 1

Eb

  

     

Cursed by Sick and

love un -

 

so in

  

3

4

3

Gm

 

dire. spired.

    

    4

D7

by

the

dia

 



One -

more monds

 



       

3

0

1

2

2

  



boy in

for your

     3

1

2

0

  



hire, fire,

 

3

3





3

Gtr. 1: w/ Rhy. Fig. 2

   



one more burn - ing

  



 

   boy, like



to a

   3

3

0

Eb

     is

this

    4

3

0

0

     just

de

  -

4

lend flame





 

 

a in -

hand side

to of

3



you. you.

 







1 2



  

  

 

or

the

      1

2

      

Fill 1 Gtr. 6



3 3

2

     1

1

2

3

Gm





 

  



 

1 0

0



2

2nd time, Gtr. 6: w/ Fill 1





truth?

 

  So

  

        w/ bar

1

 



But

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

D7

0



  

0 0

3

sire

     3

3





F

0

 

3

3 3

3 3

3 3



3

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Pre-Chorus





Gtr. 1: w/ Rhy. Fig. 3 2nd time, Gtr. 6: w/ Rhy. Fill 1 (2 times)

C

mf

   

on

me

     

 

 

  

 

8 5 5

8 5 5

6 5

5 5

3 3

shame

Gtr. 6









for

the

ruse.



 



 

Shame

on

me

  

 

 

  

 

8 5 5

6 5

5 5

3 3



  





 

C/G





* w/ delay & heavy reverb



Gm



Gtr. 7 (clean)





5 3

8 5 5









for

the

blues.

* See footnote instructions for Gtr. 6 (p. 4)





F

  

 

    

An - oth - er

3 3

  

5 3

3 3 3 0

1 2

3

Rhy. Fill 1

      

Gtr. 6

8 5 5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8 5 5

re

    

  









     

one

1

  -

     



turned

that

I’ll

nev - er

      

3

3

4

4

3

Fill 2

    

 

6 5

3 3

5 5

 

         

Gtr. 6

2

1

2

1

    3 1 2 0

3

   2 1 2





use.









D7(no3rd)







  



2nd time, Gtr. 6 w/ Fill 2

Eb/G





Gm

  

   2 1 2 0

 



Chorus Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 7 tacet

Gtrs. 2, 3 & 4: w/ Riffs A, A1 & A2



  Gtr. 7



    









I

won't

go

get - ting

Gtr. 6





 

Gtr. 5 tacet

Gm





 

3

5

  

  

3

3



tired

 



3

1 2 0







of

you.



 

3



   





6

3





w/ slight dist.

3

4

F

  I

   Gtr. 6



5

3

D7

      

2

3







won't

go

get





 

1 2

4

6

- ting



 





of

you.

1





1







2 2





1





2

0

Eb









I

won't

go

get - ting







3 5

3

5



 

 



I’m

not

get

-

ing









 



3

   3



3

4

3





  



2

3

Gm



 



1

1





tired

 





3

5

Gtr. 5

 







tired

 

4

3



3





of

you.

  3

 

  tired.



3

 

3



3



0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

T o Coda

F

   I









won't

go

get - ting

        

 

Gtr. 6

1 2

3

     tired

  

1

1

of

  



you.

I’m not

      1

1

1

3

 

Eb



2

3



    

 

get

tired.

-

ing

      

  

Gtr. 6

Gtr. 3 divisi

3

4

3

4

3



3



D7

Gtr. 2 divisi

 of

  2 4

Gtr. 4



 you,

       1

2

1

2

2

X

  7 5

Gtr. 2 tacet

Bridge C

  

 







 

Gm











 of

          Gtr. 6

5

5

5

5

5

6

5

5

    Gtr. 4

        

       6

6 5

5

0

Gtr. 4

 

Gtr. 2 divisi

5

3

5

 

 you.

      

3 3 3

3 3 3

3

5

   

mp w/ bar Harm.

          

5 3

12

   Gtr. 3



fdbk. w/ bar 

5

5

5

Pitch: D

                  Gtr. 1

P.M.

5 3

5 3

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5 5 3

5 3

5 3

5 3

5 5 3

5 3

               5 3

5 3

5 5 3

5 3

5 3

5 3

5 5 3

0

                  5 5

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 5

                 5 5

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

0

D.S. al Coda Gtrs. 3 & 4 tacet

C

 

 







 

Eb



D7

   









Ah.

         

Gtr. 6

5

5

5

5

5

6

             P.M.

5 3

5 3

5 5 3

5 3

 Coda

5 3

5 3

5 5 3

5 3

     D7

6

5

5

Gtr. 1

6 5

5

0

          5 3



5 5 3

5 3

5 3

  of

 

        

      

5 3

5 3

5 3

Outro Gm

0

3

3

4

3

3

1 1

1 1

3 1 1 1

1 1

1 1

1 1

3 1 1 1

2

1

2

           





4

        1

2

2

0

             0 0

0

2 0 0 0

0 0



0 0

0 0

0 0

2 0 0 0

0



    

you.

Gtr. 2





fdbk. w/ bar

5

5

    

Gtr. 4

  

Gtr. 3 divisi

 

1/2 1/2

*

7/4

(7)/(4)

* Gtr. 4 to left of slash in tab.

      

         Gtr. 6

2

 

1

2

1

2



2

5

Gtr. 1

3

3

3

 

3

3

            P.M. 5 5

5 5

7 5 5 5

5 5

5 5

5 5



7 5 5 5

5 5

           5 5

5 5

5 5 5

5 5

5 5

5 5

5 5

3 3

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Gtrs. 3 & 4 tacet

Gtr. 2 tacet

Gm Gtr. 7

 

     

*





Gtr. 5

3

3

mf 6

  

Gtr. 6

5

   

 3





 

3

3

  

 3

5 3 3 5

  



3





 

3

5

 sim.



  



P.M.

6

3



3

3



semi-harm.

   

5

3





3

3





 



    

3

5 3 3 5

3

3

6

3

3

3

3

Gtr. 1

      5 5

  





  





  







5 5 5

5 5

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5

Gtr. 2









5

 0 0

  

p

  





  



3 3

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5





5

   





* Vol. swell

Gtr. 5









 



  

3 3

5 5

w/ bar

steady gliss.

5 5

5 5

3

3

      



3

3

6

              

3

3

3

3

3

3

  

   

5 3 3 5

3



   3

    



3

3

6

3 3 3 5



5 3 3 5



  



       Gtr. 6

5 5

3



  

3 3

5 5

Gtr. 1

5 5

5 5

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5 5 5

5 5

5 5

5 5

  0 0



         

3 3

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5

       5 5

5 5

5 5 5

5 5

5 5

5 5

  0 0

-1

Halo Words and Music by Foo Fighters G6

G5 5fr

F5

A5

5fr

13 14

type2

G5

11 1 4

C/E

Eb5

D5/F#

type2

7fr

1 1 14

F5

D5

5fr

111 4

4fr

12

D5 type2

12

C5

D5 V 5fr

Drop D tuning: (low to high) D-A-D-G-B-E

12

12

1 1 14

2

13 4

134

Intro Moderate Rock q = 130

G6

G5

G6

G5

    Rhy. Fig. 1

* Gtrs. 2 & 3

End Rhy. Fig. 1

f

          Play 4 times                            End Riff A

Riff A

Gtr. 1 (elec.)



f w/ slight dist. let ring

 



3

5

3

0

0

3

5

5

3

0

3

0

0

Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6

    



1. Good 2. Say

and your

G5

    

    

  

bad, prayers

swear you

had scared,

I when

I’ve get

G6

 



them and



Gtr. 1



G5

0

5

3

0

        Riff B

when you get you keep

   

0

3

3

0

 

let ring

1

1

3 0

Rhy. Fill 2 Gtrs. 4 & 5

  

1

1



1

1

0

    7 5 5 5

0

   

1

   

ver - rat na make

ed, it





but is - n’t it and then when you’re

fun done

2nd time, Gtrs. 4 & 5: w/ Rhy. Fill 2

D5

                     -





of ing

 

one? up.



 





 



  

End Riff B



let ring

5 0

o gon -

   

End Rhy. Fig. 2

hold fuck

  

    

A5

                          

0

5

3

   

they’re you’re

Rhy. Fig. 2



5

G5



both, pray

F5



0

3

* Gtr. 2 (elec.) w/ slight dist. Gtr. 3 (acous.)

Verse

Gtrs. 2&3

3

3

0

   

5

5 0

   

5

5 0

 

5

5

0

5



0



7 5 5 5

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

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Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6

  



Some One

 

go day

G5

 

 

 

some dis

-



bad soon

and I’ll

 

 come ap





back, pear

-

G6



the and

 



good if

 

ones you’ll

 

all come

G5



 

get I’ll

tak take

Gtr. 1: w/ Riff B Gtrs. 2 & 3: w/ Rhy. Fig. 2

     -

F5

  

en. you

I’m

call - ing your some - where to

Pre-Chorus Bb

Asus4 G/B

        Wait and



 

pray

you’ll

 

G5







bluff, go,

  

pick

on

me

the

  

  

  

  

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

Bb



 

0 8 8

   0 8 8

0 8 8

0 7 7

0 10 9

0 10 9

     I’ve

been

0 8 8

0 8 8

0 7 7

    

  

blessed

I’ll

damned.

but

0 10 9

be

  

  

  

  

  

    

 

raise

hand.

my





nough. old.

  



            

  

  

  

  

  

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

0 8 8

0 8 8

0 8 8

0 10 10

0 10 9

0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

0 10 9

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3



       10 8 0 0 10 9

0 10 10

         

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

e ing

Csus2

Rhy. Fill 3 Gtrs. 4 & 5

2

0 8 8

    

           0 8 8

10 8 0 0 10 9

strong grow -

 

2nd time, Gtrs. 4 & 5: w/ Rhy. Fill 3

Asus4 G/B

Guess that



0 8 8

I

    



Csus2 G/B

  

day

                       

Bb

 

    

D5

  



you ain’t to keep from

Gtr. 2

0 8 8

 



A5

5 5 3

5 5 3

     

10 8 0 0 10 10

0 10 10

10 8 0 0 10 10

0 10 10

     

10 8 0 0 10 10

0 10 10

10 8 0 0 10 10

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3



5 5 3

7 5

0 10 10

0 10 10

10 8 0 0 10 10

      10 8 0 0 10 10

0 10 10

0 10 10

10 8 0 0 10 10

  10 8 0 0 10 10



Chorus 2nd time, Gtr. 7: w/ Fill 1 type2

G5

 f w/ dist.    Ha



      

Gtr. 2



-

Rhy. Fig. 3

0 5 5

0 5 5

  

5 3 0 0 5 5



F5 type2







D/F#

*Gtrs. Rhy. Fig. 3A 4&5 (elec.)



C/E



lo,

God

  

  

      

   

5 3 0 0 5 5

5 3 0 0 5 5

5 3 0 0 5 5

5 3 0 0 5 4

0 5 4

0 5 4

   

   

   

     

5 3 0 0 5 4

5 3 0 0 5 4

5 3 0 0 5 4

    

 

on

knows,

  

0 3 3

0 3 3

-

ly

  

  

  

3 1 0 0 3 3

3 1 0 0 3 3

3 1 0 0 3 3

        

     3 1 0 0 3 3



0 3 2

0 3 2

3 1 0 0 3 2



   

    3 1 0 0 3 2

    3 1 0 0 3 2

    3 1 0 0 3 2

* Composite arrangement





D5 type2

Eb5



 

right

       1 4 3 1 1 1

  

 

be - hind

me

ev

  

  

  

1 4 3 1 1 1

1 4 3 1 1 1

1 4 3 1 1 1

  

  

1 4 3 1 1 1

1 4 3 1 1 1

  

C5

    -

  

’ry - where

    

 

I



 

           

End Rhy. Fig. 3A

go.

  

7

 

 



let ring

5 8 5 0 0 0

   

D5 V

5

 

 

 

3 3 5 5 3

3 3 5 5 3

3 3 5 5 3

 

 

 

 

3 3 5 5 3

3 3 5 5 3

3 3 5 5 3

 

 

 

 

 End Rhy. Fig. 3   

5 3 2 0

5 3 2 0

5 3 2 0

5 3 2 0

5

3

0

1st time, Gtrs. 2, 4 & 5: w/ Rhy. Figs. 3 & 3A 2nd & 3rd times, Gtrs. 2, 4 & 5: w/ Rhy. Figs. 3 & 3A (1st 6 meas.)

G5



D/F#





Ha

Eb5





right

F5

-





be -

hind



lo,







me

ev

C/E



 

 



 

God

on

-

ly

knows,

 





1.

D5



 -

 ’ry

 where

 



 

I

go.

C5





 



D5





 

  

Fill 1 Gtr. 7



 16

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6



 

Gtrs. 4&5

G5



G6



     

   

Rhy. Fill 1



G5





   

   

End Rhy. Fill 1

  

7 5 5 5

2.

D5 type2

C5

Eb5

F5

                              ToCoda                     End Rhy. Fig. 4

Rhy. Fig. 4

Gtrs. 4&5

          Oh.

Gtr. 7 (elec.)



Oh.

Riff C1





f

w/ dist.

17

14





15

17

Riff C                                         

               

Gtr. 6 (elec.)

mf

w/ dist.

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

Gtrs. 4 & 5: w/ Rhy. Fig. 4 (3 times)

C5





 



17 X 15

11 11 11 11 11 11 11 11 X X X X X X X X 9 9 9 9 9 9 9 9

D5



15 15 15 15 15 15 15 15 X X X X X X X X 13 13 13 13 13 13 13 13

Eb5

  

   



17 X 15

17 X 15

17 X 15

17 X 15

F5





17 X 15

17 X 15

17 X 15

 



  

17 X 15



Oh.



     

17

14



(Oh.

End Riff C1

   15

14

End Riff C                                                  

17 X 15

17 X 15

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

Gtrs. 6 & 7: w/ Riffs C & C1

C5

    

D

   

   

Dis - ap

-

pear,

the



   

light

is

fad

-

Eb5

 





F5

 



ing.

Dis - ap

-



            

  

pear

reach.

out - side

their





Oh.

C5

D

           

    



Dis - ap -

pear,

I’m

tired

of wait

-

Oh.

Eb5

 

F5

       

 



ing.

 

Dis - ap -

pear

   



we burn

way.

  



be - fore

a -

Oh.)

Guitar Solo Gtrs. 4 & 5 w/ Rhy. Fig. 3A (1st 6 meas.)

G5



D/F#

 

F5



    f w/dist. 

Gtr. 8 (elec.)



Riff D          

12 12

12 12

12 12

14 12

14 12

14 12

16 12

12 12





12 X 10

Gtr. 6



  

   

16 X 14

C/E

7 X 5

               

       

 

11 12

9

0

11 12

11 12

12 12

12 12

14 12

14 12

14 12

10 10

5

10 10

10 10

12 10

12 10

12 10

14 10



14 10

Gtr. 8 tacet

Eb5

D5

9

9

7

5

D5 V

C5

                         Gtrs. 4&5

Gtr. 7



   

15

14

17

                               

Gtr. 6

14

          

   



1

8 8

8 8

8 8

10 8

10 8

10 8

12 8

12 8

10 7 7

10 7 7

10 7 7

8 7 7

7 7 7

7 7

7 7

5 5

5 5

5 5

7 5

7 5

7 5

8 5

8 5



End Riff D

1

1

7

8

10

9

10

12

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

D/F# F5  C/E           Gtrs. 4 & 5: w/ Rhy. Fig. 3A (1st 6 meas.) Gtr. 6: w/ Riff D

G5

Gtr. 7



   

16

14

17

14

17

D.S. al Coda (take 2nd ending)

Eb5

D5

C5

                         Gtrs. 4&5



    15

14

17

17

 Coda

Gtrs. 4 & 5: w/ Rhy. Fig. 4 Gtrs. 6 & 7: w/ Riffs C & C1 (last 4 meas.)

C5







D5

 

Eb5





 



F





 





 

Oh.

Outro Gtr. 1: w/ Riff A (1 1/2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 1/2 times) Gtrs. 4 & 5: w/ Rhy. Fill 1

G5

G6



G6

G5

G6

G5

G6 Gtrs. 2&3

 













G5

        



         

Gtr. 7



  16

















         

Gtr. 1

3 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

16

let ring

6

 

3

5 0

3

5 0



 

Lonely As You Words and Music by Foo Fighters B5

C#5 7fr

A5 9fr

134

134

E5 7fr

G5

13 4

F5

134

D#5

9fr

113 4

5fr

13 4

F#5 10fr

D5

4fr

13 4

G5/D

13 4

G#5 5fr

8fr

134

F#5/C# 6fr

134

1 34

9fr 1134

Intro Moderately, freely q = 120 * F#

       

  

What

would I

          

A#m

  





do

lone

Gtr. 1 (clean)

   

mp

-

3





ly

as





3

 



let ring

3  44



E

6 8 8 6

2

6 7 7

D#m









Pleas - ure

or

3



you?

  

3



  



let ring

4

8

D

4 6 6

4 5 5



3

6

*Chord symbols reflect overall harmony.

  F#    pain

1.

B

    

 

I

choose.

can’t





         3 4 4 2

Verse Faster q = 160 Half-time feel

   

    

8 9 9 7

7 7 9 9 7

Gtr. 1 tacet

      

F#5

A#5

     

1. Wake

up

 

you’re

dream

-

2.

Bm

B

 



  

     

7 7 8 9 9 7

  

     

ing,

can’t

stand

I



     

       

E5



D#5

  

  

your

scream

  Rhy. Fig. 1                                                   

-



ing

Gtrs. 2 & 3 (dist.)

mf

               

P.M.

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

3 1 1

3 1 1

3 1 1

3 1 1

3 1 1

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  D5   

     

drown - ing out

       

F#5

  

these

prayers,

                       

just

G#5

 

some

G5

     

words

with

-

  

  



out

mean

-



ing.

End Rhy. Fig. 1

  

  

  

  

  

  

  

                                  

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

P.M.

2 0 0

2 0 0

2 0 0

2 0 0

2 0 0

2 0 0

4 2 2

4 2 2

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

F#5

      

Spare

     

   

 

all

the

No

one un

-

       

A#5

 

preach

    

D5

-

ing,

 F#5     

der

-

5 6 6 4

stands

5 6 6 4

5 6 6 4

5 6 6 4

E5

se

       

B5

like

do.

5 6 6 4

5 6 6 4

   

 

my

5 6 6 4

-

cret’s

5 6 6 4

4 5 5 3

D#5

  worth

keep

I

P.M.

2 0 0

2 0 0

2 0 0

4 2 2

4 2 2

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

0

9 9 7

4 5 5 3

4 5 5 3

-

4 5 5 3

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7



ing.

9 9 7

End Rhy. Fill 1

               9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtrs. 2 & 3: w/ Rhy. Fig. 1

F#5

     

A#5

       

E5

 

     

Keep

out

reach,

I’m

lead

and

      

  D5   



Hide

be

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

of

     - hind

these

 

F#5

  

masks,

   though

your

4 5 5 3



Rhy. Fill 1

2 0 0

4 5 5 3

  

  

                                                      2 0 0

4 5 5 3

 

Gtrs. 2 & 3

2 0 0

4 5 5 3

de

    

G#5

     

they

still

see

 

right

D#5

  

  

-

le

-

G5

 



through



tion.

   them.



Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

F#5

      

  



Ev - ’ry

  D5    down

       

Rhy. Fig. 2

Gtrs. 2 & 3

f



now

 

 

and

out

 

 

and

  



E5



you’re down

  

E5

 

-

F#5

3 2 0 0

  7 6 4 4

D5









 

Harm.

4 4

 

4 4

my







4 4

4 4

 

 

 

down

and

out

    

 

 

3 2 0 0

3 2 0 0

3 2 0 0

7 6 4 4

 





down

and

out

 



4 4



  

 

E5

  



 a

-

F#5



gain

     

 



 

 

 

but

I’m





  

4 4

B5

3 2 0 0

C#5

3 2 0 0

3 2 0 0

A5

5 4 2 2

B5

7 6 4 4

4 4

G#5



B5





-

gain,

      5 4 2 2

 

  

down

 

4 4

  

E5

a

Harm.

7 6 4 4



friend,

D5

gain,

5 4 2 2

F#5

out



 

     

3 2 0 0

and

D#5

 

    

   

then

a

     

7 6 4 4

 

Harm.

3 2 0 0

       

A#5

 

4 4

  with

 

End Rhy. Fig. 2

(cont. in slashes)

7 6 4 4

G5

                             (cont.  innotation)    f       Rhy. Fig. 3

End Rhy. Fig. 3

Gtrs. 2, 3 & 4 (dist.)

you.

           Gtr. 5 (dist.)

Riff A

 f

8

11

8

                End Riff A

 11





11

8

10

11

8

9

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 Chorus Gtr. 5 tacet F#5

F5

              

E5

          

One more

time

for the

D#5

D5

     

last

A5

B5

G5



time.

  





     

Voc. Fig. 1



E5

(Oh.)

      

  

   

(Oh.)

    

Gtr. 4

Rhy. Fig. 4A



                       

End Rhy. Fig. 4A



7 7 5

                           

Gtrs. 2 & 3

Rhy. Fig. 4

6 4 4

6 4 4

6 4 4

5 3 3

5 3 3

5 3 3

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

 

D#5

7 7 5

7 7 5

      

One

     

E5

  

 more

     

time

for



F#5

 

One

more

       

F5

2 0 0

7 7 5

7 7 5

7 7 5

7 7 5

F5

  

-

 for

F5

E5





the

last

E5

9 9 7

9 9 7

9 9 7

9 9 7

7 7 5

9 9 7

9 9 7

9 9 7

E5

9 9 7

B5

D#5



G5







End Voc. Fig. 1







D5

  

A5



E5

B5

G5

 To Coda 

time.

D#5

 

Ev - ’ry - one

    

wants

    

     to

be

-

D5

D5

A5

E5

B5

G5/D

 





Gtr. 4

               

lieve.



Gtrs. 2 & 3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

End Rhy. Fill 2

                         7 7 5

4

End Rhy. Fill 2A

Rhy. Fill 2





7 5 5

9 9 7

Rhy. Fill 2A

       

12 12 10 10

9 9 7

lease.



 

7 7 5

A5

 



time

F#5

re

9 9 7

Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)

D5

  

9 9 7

7 7 5

End Rhy. Fig. 4

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 4 & 4A (2 1/2 times)

F#5

7 7 5

                      



      

7 7 5



7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

7 5 5

  7 5 5

Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtr. 4 tacet

      

F#5

2. Blame

     

A#5

       

 

     

it

youth,

all

years

I’ve

 

on

E5

three

D#5

    

 

been

los

-

D5

          

 



ing.

Blame

it

on

the

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 6 meas.)

F#5

      

       

G#5

it’s

last

          

 

the

-

ing

   

place

         

E5

rag

 

  

ru



knew

     -

  

 

I

D#5

and

G5

  



you.

all



Blame

it



ined.

Blame

        

D5



  

F#5

on

     

        

A#5

the

chil

-

dren,

they’re

        

F#5

  

the

  

past,

  

black

and

the

blue.

Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fill 1

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

B5

F#5

     

    



           

Ev - ’ry

Gtrs. 2 & 3: w/ Rhy. Fig. 2

D5

      

down

      

F#5

         

and

 

but

I’m

    

a

now

and

F#5

- gain,

 

E5

down and out

a

 

B5

with

my

F#5





 

D#5



friend,

D5

- gain,

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Riff A

     

down

you’re down and out

          







then

D5

 

E5

down

        E5

and

out

a

- gain

D.S. al Coda

C#5 A5

B5



G#5

B5



G5



you.

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

F#5

      Gtr. 5

out

 

 Coda

E5

               

A#5





Ev - ’ry - one

F5

 





wants



E5

D#5

     

   to

be

-

 

* **w/ delay

lieve.

D5

 



A5

  

mf



E5

B5

G5/D



  delay off

11 X 9 *Vol. off **Delay set for quarter note regeneration w/ multiple repeats.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Guitar Solo Gtr. 4 tacet

F#5

       Gtr. 5

 

 

 

11 X 9

11 X 9

11 X 9

A#5

E5

F#5

D#5

 

 

 

 

11 9

8 X 6

8 X 6

8 X 6

8 X 6

      

           

 

     

 

3 3 1

4 2 2

3 1 1

3 1 1

3 1 1

 

 

 

 

 

 

 

   

10 X 8

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

9 X 7

9 X 7

 

     

3 3 1

3 3 1

f 11 X 9

       Gtrs. 2 & 3

        

Rhy. Fig. 5

6 4 4

D5

6 4 4

6 4 4

8 6 6

6 4 4

E5

F#5

9 X 7

6 X 4

       

 

    

7 X 5

7 X 5

7 X 5

        2 0 0

3 3 1

3 3 1

G#5

             6 X 4

6 X 4

6 X 4

4 2 2

6 X 4

4 2 2

6 4 4

4 2 2

     

8 X 6

8 X 6

8 X 6

8 X 6

2 0 0

4 2 2

6 4 4

6 4 4

6 4 4

6 4 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

9 9 7

A#5

 

 

 

 

E5

 

 

    

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

13 X 11

13 X 11

13 X 11

      

 

  

 

  

 

 

 

 

 

 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

10 X 8

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

f

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

6 4 4

2 0 0

  

6

     

2 0 0

 

Gtr. 5

E5

      7 X 5

3 1 1

 End Rhy. Fig. 5                                                

  

F#5

3 1 1

G5

8 X 6

 

Gtr. 6 (dist.)

6 4 4

B5

      8 X 6

4 2 2

         

Gtrs. 2 & 3: w/ Rhy. Fig. 5

     

3 3 1

9 9 7

5 5 3

5 5 3

5 5 3

5 5 3

2 2 0

2 2 0

2 2 0

F#5

  

D#5

 

 

 

 

13 X 11

11 X 9

11 X 9

11 X 9

11 X 9

 

   

 

 

 

 

9 X 7

9 X 7

8 X 6

8 X 6

8 X 6

8 X 6

13 X 11

7 5

2 2 0

D5

E5

F#5

               Gtr. 6

14 X 12

14 X 12

14 X 12

13 X 11

              Gtr. 5

7 X 5

7 X 5

     Gtr. 7 (dist.)

7 X 5

B5

             

                                               

11 X 9

11 X 9

Gtrs. 2 & 3

9 X 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

             

                               

6 X 4

8 X 6

6 X 4

6 X 4

6 X 4



6 X 4

6 X 4

6 X 4



8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

               

               

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

Pre-Chorus Gtrs. 2, 3 & 4: w/ Rhy. Fig. 5 (1st 4 meas.) Gtrs. 5, 6 & 7 tacet

     

F#5



  

Ev - ’ry

now

and

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2

D5

    

down

E5

 

a

- gain,

     and

out







A#5



 



then



F#5

but

I’m

    down

with

    





D5



B5

E5

 

a

- gain,

    

down and out

    

C#5

and

A5



out



F#5

my





F#5

 









friend,

D5



down

B5 G#5

D#5

B5

E5

 

a

- gain,

     and

out

G5







      



you’re down

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3

F#5

E5



you.

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 1/2 times)

    



F#5

One

    

Gtr. 4

more

E5

time

for

Rhy. Fig. 6

the

Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)

  

     

F5

D#5

last

D5

A5



7 7 5

     



 

One

more

time

F#5       One

 

    



Ev

- ’ry



     Gtr. 5



for

re

- lease.



for

the

last



F5







one

wants

to

be

  

 

One

more







 











1



7 7 5

7 7 5

7 7 5









   

D5

A5



9 9 7

9 9 7





9 9 7

9 9 7

End Rhy. Fig. 6

12 12 10 10

9 9 7

E5

B5

G5

E5

B5

G5





D#5

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

D5



A5



E5



B5

G5/D



lieve.

 



9 9 7

7 7 5

A5

E5

   

7 7 5

D5

D#5



time





time.

E5

-

D#5

F5

Rhy. Fig. 7A

    





Outro F#5 Gtr. 4

E5

E5

time

-





F5

more

F#5



F5

G5

                      



Gtr. 4: w/ Rhy. Fig. 6 (2 1/2 times)



B5

time.



F#5

E5



D#5

 

 

 

for

the

last











  

 









End Rhy. Fig. 7A



time.







1

1

D5

















1

1





1

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

     Gtrs. 2 & 3

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Rhy. Fig. 7



End Rhy. Fig. 7

 

 

 



 

 

 

 

 

 

 

 



 

6 4 4

6 4 4

6 4 4

5 3 3

5 3 3

5 3 3

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

2 0 0

2 0 0

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

      



One

      

Gtr. 5

 

more







A5

time









1







E5



for

re





 -







B5





lease.













1

1

G5/D







  



1



1

7

7

7

7

7

7

7

7

7

5

5

5

8

8

9

9

9

9

9

9

9

9

9

7

7

7

10

10

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    

F#5

 



One

more

       





 

time









1

7

7

9



Ev

       



-

’ry





11

last





-







one

wants

to

be





F#5

 



One

more









7

9





7

9

 



11



7



























1

7

9

7

9



B5





1

7

9



7

9

7

9

9

G5/D





lieve.

 













7

7

9













for

the

last







5

7

5

7

12

7





12

14



 

 1

5

9

E5





1

 



7

9



1

13





E5

9

time





9

-

D5

time.

7

7

9

F5



D#5

1

7

9



 

1

9







7

9

A5

1

13

the



7

9

     

for

7

9

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    



1

7

9







7

9

1

7

E5

1

7

9

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

    







1

7

9



F5



D#5

14

D5



time.







1



















1

1

11

11

11

11

11

11

11

11

11

11

11

11

13

13

13

13

13

13

13

13

13

13

13

13

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

    

 



One

more

       



time





 

A5







1











E5

for

re





 -





1



B5

G5





lease.





  

  

1



















1

1

10

10

10

10

10

10

10

10

10

9

9

9

12

12

12

12

12

12

12

12

12

12

12

12

11

11

11

14

14

14

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    

F#5

 



One

more

       





 

time







1

11

13

13

D5







E5





for

the

ver







 

 



-



 

D#5



 

y

last

time.







1













11

11

11

11

11

11

11

11

11

11

13

13

13

13

13

13

13

13

13

13

13

A5

 

 

 

 

wants

to

be

E5

 

-



1

1

B5

  

 

lieve.



Al



G5/D



 

-

 



  

10

10

10

10

10

10

10

10

9

9

9

12

12

12

12

12

12

12

12

12

12

12

11

11

11

14

14

14

    

7 7 5

7 7 5

7 7 5

7 7 5

 

 

7 7 5

7 7 5

 

 

 

9 9 7

9 9 7

9 9 7

 

1

10

 



  

1

1

12

     



F#5/C#

right!

        

1



1

1

11

                    

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





13

Gtr. 5

10



D5

11

Ev - ’ry - one

Gtrs. 2 & 3





    





1

11

Gtr. 4



F5

11 13

 

 

   

 

 

   

9 9 7

9 9 7

9 9 7

7 5 5

7 5 5

6 4 4

4

14



Overdrive Words and Music by Foo Fighters D

A7sus4

132

Am

1 3

G5

231

DsusÊ

3

11

3

Am7

231 4

Gtrs. 1, 2 & 3: Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately fast Rock q = 158 D

A7sus4

               sim.

Rhy. Fig. 1A Gtr. 2 (dist.)

f

    

Riff A (Drums) Gtr. 3 (dist.)

 f

  

  

    

9

9

  



w/ ebow



9

7

5

7

    

      f

5

7

  

 

   

2 3 2 0 0 0

0 3 0 0

0 3 0 2 0

9

  

Rhy. Fig. 1

Gtr. 1 (dist.)

5

2 3 2 0 0 0



D

   

     0 3 0 2 0

0 3 0 0

A7sus4

                               

 

9

       2 3 2 0 0 0

  

7

5

 

9



7

    

9

  

5

  

9

9



7

    

    

2 3 2 0 0 0

0 3 0 2 0

0 3 0 0

End Riff A

  

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

    0 3 0 2 0

0 3 0 0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

D

Am

                               

End Rhy. Fig. 1A

 Riff B 

  

9

7

 

5

9

    



7

9

5

5

9

   

      

  

2 3 2 0 0 0



      

2 3 2 0 0 0

0 0 0 0

Riff C

7 X 5















  

0 1 0 2 0

End Rhy. Fig. 1

 

 

0 1 0 2 0

3 0 0 0

     

   

 

   

 

End Riff C

7 X 5

9 X 7

11 X 9

11 X 9

12 X 10

9 7

9 X 7

11 9

12 10

 

12 X 10

DsusÊ

                

 

7

5

     

  

  

  

  

  

  

     

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

2 3 2 0 0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

End Rhy. Fig. 2A

Rhy. Fig. 2

2

End Riff B

D

Rhy. Fig. 2A

   

7

   

G5



  



4

 

2

   

0

End Rhy. Fig. 2

       2 3 2 0 0 0

0 3 0 0

Verse Gtr. 3 tacet

D

Am7

                                                               Rhy. Fig. 3A

1. Com

 

- ing

End Rhy. Fig. 3A

down,

I’m

com - ing

’round,

this

Fill 1

time

I

think

wak - ing up.



End Fill 1



I’m





0

Rhy. Fig. 3

  

       2 3 2 0 0 0

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

 D  

Give

  





me

to

drown

loud

Pre-Chorus G5

   it

  

      

2 3 2 0 0 0

0 0 0 0



  



out

be - fore



Am7

D

                           Rhy. Fig. 4

     

Gtr. 1

3 3 0 0 X 5



   

the

world

    

starts

break - ing

G5

Gtr. 2

then

  

3 1 2 2 0

Rhy. Fig. 4A

and

you

End Rhy. Fig. 3

up.



 

 

3 1 2 2 0

0 0 0 0

 You

  change

D

                      

change

a

-

gain.

  

 

  

  

 

  

  

 

  

  

 

3 3 0 0 X 5

0 0 0 0

2 3 2 0 0 0

2 3 2 0 0 0

0 0 0 0

3 3 0 0 X 5

3 3 0 0 X 5

0 0 0 0

2 3 2 0 0 0

2 3 2 0 0 0

0 0 0 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Am7

G5

D

DsusÊ

                                                   End Rhy. Fig. 4A

Turn

-

ing

like

a

      0 1 2 2 0

wheel

  

 

0 1 2 2 0

0 0 0 0

in - side

your

head.

  

  

3 3 0 0 X 5

3 3 0 0 X 5

 

     

0 0 0 0

2 3 2 0 0 0

End Rhy. Fig. 4

  

     2 3 2 0 0 0

2 3 0 0

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times)

 

 

D



Your’s

and

 D    You

mine

 

and

and

get

and



Am7

Turn

-



like



 

with



life



D

and



a

wheel

in

  

    

-

life

G5







  

 

sides

to



we’ll





 

side

a

 

a

-

 

 your





ev - ’ry - one.

bet - ter

 

G5

 

  

    

find

change

 -



Am7

 

you



two

pray

 



  

still





Am7

 

there’s

then



ing

 

right,

  

 

 

G5

 

and

on

 Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A

  

left

 



I

   

  

 

one.

 

D

 

You

 

change



gain.





D



DsusÊ

head.

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

 D  O

  

-

ver - drive,

        

Gtr. 3

Rhy. Fig. 5

7 7 5 0

7 7 5 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

7 7 5 0

we’re go

ing

A7sus4    





or

death. End Rhy. Fig. 5

  

  

  

  

  

  

  

  

  

  

  

  

  

               

               

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

Gtr. 3: w/ Rhy. Fig. 5 (2 times)

 D 



O

-

ver

  



D

O

-

 -

drive







 

we’re

go

-



 

ing

life





  

 

we’re

go

-

life



ver - drive,



ing

 

 

 

or

death.

  



A7sus4





Am7



or









death.



T o Coda 

 

Two

strang -

Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C

    G5

   -



  

ers

     -

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1st 8 meas.) Gtr. 3: w/ Riff A

ing

on

    

 

life

death.

or

 

   D

the



A7sus4





mend.

D

O







  

A7sus4

O

we’re go

 

- ver - drive

we’re go -

  

    

-

life

or

  



 

- ver - drive

  

ing

  death.

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times) Gtr. 3: w/ Fill 1

      





  

we’re

get

-

D

3. Hur

 

- ry

now,

 

  

D

Leave

be - hind

 Coda

this

ting

  

va

-

cant

  out,



town

to -

  

   ers,



  

Am7

  

 

this

  

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C (2 times)

G5

  

time





Am7

night

there’s

 

 



noth

-

ing

     and

let

it

 

stop - ping

to

D.S. al Coda

 

     turn

us.

rust.

  

You

change

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

  

no re - la

-

   tion,



   on

the

     D





DsusÊ

mend.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Guitar Solo

 

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (1st 4 meas.)

G5

  

Gtr. 4 (slight dist.)

  f

D

      

 

G5



  

       

D





      





 

You

change

       

let ring throughout 12

10

12

12

10 12

12

10 12

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A

  

G5

12

Am7  

10 12

12

10 12

  

Turn

-

ing

like

8

8

11 12

12

 

you

10

12

11

10 12

11

10

12

10 12



G5

  

10

11 12

12

10

12

10 12



    

 

D





a



in - side

head.

 

   

9

your





12

10

10

11

-

gain.

12

10 12

10

11

12

D

      

G5

    

12

   

a

  wheel

10

12



change

       

            10

10

11

 

then

          12

10 12

D

and

10

11

  



12

10

12



       

12

10

11

10 12

10 11

DsusÊ

 



  

12 12

11

12

 

 

3

10

8

10

12

10 10 11 12

12

10 12

11 12

10 11 12

12

10 10 11 12

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times) Gtr. 4 tacet

 D  

4. Com

 

Gtr. 3

   

   - ing

down,

I’m

com

 

- ing

  

’round,

 

this

Am7

  

time

   

    

I

think

I’m

wak - ing



up.

Riff D

End Riff D

           

   

5

5

5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

5

5

5

5

5

5

5

5

5

5

5

5

               

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

Gtr. 3: w/ Riff D

 

  

 

me

to

D

Give

loud

  

drown

it

  

 



out

be - fore

 

Am7

the

  

world

 

starts

 

  

break - ing

up.

  

You

change

Pre-Chorus

  

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (1st 6 meas.)

and

 

  

 D  

 

G5

then

 

you

 D     

 



G5

change

a

-



gain.

Gtr. 3

       

5

5

5

5

5

5

5

5

0

0

0

0

Am7

0

0

0

0

5

5

5

5

5

5

G5

    

       

       







like





a

wheel

5

5

        0







in -

side

 

 



Turn

-

ing

your

































7

7

7

7

7

7

7

7

5

5

5

5

5

5

5

5

0









D

Gtrs. 1&2

0

0

0

0





0

0



head.

0

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtr. 3: w/ Rhy. Fig. 5 (3 times)

  



D

O

-

D    O

   O

-





ver - drive,



we’re

go

-





 

we’re

go

-



ver - drive



D



 



ver - drive,

 -





 we’re



 

ing

life



 

ing

life



  

 

go

-

life

ing

 

 

  





or

 

 or



A7sus4



death.



 

or

death.

  



death.



Am7

A7sus4









 Two

  strang -

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Outro Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtr. 3: w/ Riff A

G5

D

   

   -



 

  

ers

on

  

the

 

O

A7sus4

      O - ver - drive,





we’re

go

  

-

ing

-

D

 

 

life

death.







  

we’re

go

-



mend. ver - drive,

     or



 

O - ver - drive,

ing





  

we’re

go

-

 

   

   

life

or

death.

 

ing



  

life

or

  death.

Gtr. 3: w/ Riff B

A7sus4

       O - ver - drive,

 

  

we’re go

-

ing

D

    

 

life

death.

or

    

 

O - ver - drive,

 

  Two

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.) (4 times) Gtr. 2: w/ Rhy. Fig. 2A (1st 2 meas.) (2 times) Gtr. 3: w/ Riff C (2 times)

  strang

 Gtr. 2: w/ Riff C (2 times)     -



G5

   -

  



ers,

no





ers,

re

-

we’re go

-

tion,

 



 



no

re

-

 

 

 

 

 

 

 

 

14 X 12

14 X 12

12

12 X 10

12 X 10

11

11 X 9

11 X 9

9

9 X 7

9 X 7

7

      

 

 

17 X 15

17 X 15

16

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

14

 



on

the

 

16 X 14

 

la

or

  tion,

 

16 X 14

14 12

      2 3 2 0 0 0

death.

  two

strang -



 

 

 

 

 

14 X 12

14 X 12

16

16 X 14

16 X 14

17

14

 

 

 

 



mend.

 







-

  

ing

  

D

Gtrs. 1&2

life

la

 

9

-



 

10

    

 

   

Gtr. 3

  

Am7

  

      

15

Burn Away Words and Music by Foo Fighters D

A5

G5 7fr

Open D tuning: (low to high) D-A-D-F#-A-D

D5 5fr

333

1 11

Intro Moderate Rock q = 128

A5



Half-time feel

2nd time, Gtrs. 2 & 3 tacet

G5

B5

A5

G5 A5 B5

D Gtr. 3 (clean)

mf

                            

* Gtrs. 1 & 2

     

Gtr. 1 (dist.)

f

 



7 7

7 7

5 5

9 9

7 7

5 5

7 7

f

0 0 8 7 5 0

9 9



        

     

    

0 0 8 7 5 0

0 0 8 7 5 0

   

   

   

   

   

   

     

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

 

* Composite arrangement. Gtr. 2 (dist.)

A5

G5

 



Rhy. Fig. 1

mp

   

w/ dist.

 

let ring

      

7

0

5

    

Rhy. Fig. 2A

0 7 5

7

5

spent still

a life re - mem

-

7

9

2

0

0

12

  

A7



time ber,

0 5 5

9





for hind

the the

chance. skies,

  

0 7 5

0 0 0

mf

4

  

 

Rhy. Fig. 2

7

7

9

D

wait - ing there be -

 

             End Riff A

0

0

End Rhy. Fig. 1

(2nd time cont. in notation)

7

                                       





        

    

  

 

      

  

Gadd2

1. I have 2. Will you

Gtrs. 1&2

9

D5



0

      

 



Riff A

Verse A7

Gtr. 3



A5

   

2

0





0

   I’ll

End Rhy. Fig. 2A

  

End Rhy. Fig. 2

     

 

               

7 5 0

7 5 0

7 5 0

P.M.

7 7

7 7

7 7

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

7 5 0

7 5 0

7 5 0

7 5 0



7 5 0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3: w/ Rhy. Fig. 2A

   A7

  

Gadd2



save you walk - ing

  

A7

my on

Gadd2



same old hard - est

su part

-

   

* Gtr. 4 (dist.)

 

mf



con - fess - ion, the em - bers,



 







 

A7





per - sti is know -





save me stand - ing

  

 

A7



tions ing



 

your in

dance. light?

D

 



haunt us ev - ’ry

    

D

-

last their

 

now thing



  

4

0

 

   

 

 and must





 



The The





 



then. die.

I’m The



w/ ebow

4

2

* Synth. arr. for gtr.

  

  

   

Gtr. 3

let ring

0 7 5

  

   

for part

ig - ni - tion is wait - ing here

Gadd2

beg - ging hard - est

   

Gtr. 4

  

4



0 0

0 5 5

A7     

 



0 0 0

A7    

D

 

start it read - y

  

all to

a col -

    

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

                                      let ring let ring

  

let ring

      

0 0

0 5 5

0 7 5

0 7 5

0 7 5

Gtrs. 1 & 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 7

5 5

We’ll



  

7 7

 



gain. lide.

  

7 7



  

  

0 7 5



0

  

Gtr. 3

 

0 0





2

   

let ring

0 7 5

to

  

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7

0

  

  

  

  

  

  

  

  

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

        

0 12

9

7

4

7

9

2

0

0



Chorus Gtrs. 3 & 4 tacet

µ(G)

     Gtrs. 1&2

 

burn

  

a

-

(D/F#)

  

 



way,

Riff B

burn

  

a

-

way,

(A/E)

    

  

 



burn

a

-



way

my

      

5

4

2

5

5

9

4

4

4

4

7

2

2

2

2

 



We’ll End Riff B

      

5



bride.

       5

(D5)

 

         



let ring

7

0

0

0 0

0

0

2

4

Gtrs. 1 & 2: w/ Riff B (2 3/4 times)

(G)

    burn

(G)

  

a

   -

 

burn

 

a

  

way,



burn

(D/F#)

-



(D5)



-

(A/E)

  

 

way,

burn

a

(D/F#)



way

    

a

  





from

all

(G)

  

 





We’ll

burn





the

oth



  

a

-

 

way,

-

 

way

bride.

my

(A/E)

 



 

-

er

flames

(D/F#)

  

burn

a









  

way,

burn

 





 

burn

(A/E)

 



We’ll

that

   -

(D5)

    

a

-

 

to

-

night.

    

 

way

bride.

my

Bridge

  

D5

E5



F#5

          

Gtr. 1

7 5

7 5

7 5

7 5

 

Gtr. 3

7 5

7 5

9 7

11 9



G





A





Breathe

for

me





from





now

on.

                        12 10

12 10

9 10

9 10

9 10







9 10

9 10



w/ dist. let ring

5

5

5

 



D5

9 10

11 12





11 12

11 12

11 12

11 12

11 12





11 12

12 12





let ring

7

5

4

7

7

12 12

12 12

12 12

12 12

12 12







12 12

12 12



let ring

8

7

5

12 12



7

Rhy. Fig. 3

Gtr. 2

          0

0

0

0 0

0 0

2 2

4 4

                                 5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

0 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

0 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

G





   















9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10

  







 

A





Breathe

for

me

5















17 17

17 17

17 17

17 17

17 17

17 17

17 17

5

5









let ring

5





0 0



5

5

5





 when

















11 12

11 12

11 12

11 12

11 12

11 12

11 12

12 12





4

7





7

5

7

End Rhy. Fig. 3





























 















5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

  

D5

G



 I’m

5 5





gone.

Burn































12 12

12 12

12 12

12 12

12 12

12 12

12 12

12 12

9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10









8

7

5

 

 

 

 

 

 

 

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





5

7

    

4

0 0





   

  





5

5















17 17

17 17

17 17

17 17

17 17

17 17

17 17

5







0 0



5

5

5



5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

A

  



out

be

Bm7

C6

 

-









yond,



out







the

sun.



be - yond

   

 

 

 

 

 

 

 

















 

 

 

 

 

 

 

14 12

14 12

14 12

14 12

14 12

14 12

14 12

14 12

16 14

16 14

16 14

16 14

16 14

16 14

16 14

16 14

17 15

17 15

17 15

17 15

17 15

17 15

17 15

  



4

7





7

7







3

4

2

 4







0 0



3

5

3



5

   































 













7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

10 10

10 10

10 10

10 10

10 10

10 10

10 10

 0 0

Interlude

G5

E5

  

17 17

G5



                  17 17

  

17 17

17 17

17 17

17 17





17 17

17 17

1st time, Gtrs. 1 & 2: w/ Riff A (2 times) 1st time, Gtr. 3: w/ Rhy. Fig. 1 (2 times) 2nd time, Gtrs. 1 & 2: w/ Riff A 2nd time, Gtr. 3: w/ Rhy. Fig. 1

   

       

14 14

14 14

14 14

14 14

17 17

17 17

17 17

A5



G5

















17 17



       

5

2 2

5 5

5

                 5 5

5 5

5 5

5 5

5 5

5 5

5 5

0 0

2 2

2 2

2 2

5 5

5 5

5 5

5 5

        2 2

2 2

2 2

2 2

5 5

5 5

5 5

5 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

A5

1.

D5





2.

 Bm  





G

Burn

on,

burn

on

  

 

 

0 2

2 4

4 5

Rhy. Fig. 4

12 X 9

12 X 9

12 X 9

12 X 9

        Rhy. Fig. 4B

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

 Rhy. Fig. 4A           

A5



Rhy. Fig. 4C

12 X 9

Gtr. 3



A

            Gtr. 1

G5



    Gtr. 4

A5

D5



    

  



high un

-

til

 

End Rhy. Fig. 4C

         

  

         

  

         

12 X 9

10 X 7

10 X 7

8 X 5

8 X 5

8 X 5

10 X 7

10 X 7

10 X X

10 X 7

0 0

8 X 5

8 X 5

8 X 5

8 X 5

0 0

8 X 5

8 X 5

8 X 5

9 9

9 9

9 9

9 9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

   

8 X 5

8 X 5

10 7

   

         

   

         

   

         

   

8 X 5

7 X 4

7 X 4

5 X 2

5 X 2

5 X 2

5 X 2

8 X 5

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

End Rhy. Fig. 4A

   

    

  

    

  

    

 

9 9

7 7

7 7

5 5

5 5

5 5

5 5

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A Gtrs. 3 & 4: w/ Rhy. Figs. 4B & 4C (2 times)

 Bm  

End Rhy. Fig. 4

End Rhy. Fig. 4B

Gtr. 2

9 9

you...

    0 0





0 0

7 7

7 7

7 7

7 7



A





G

Burn

on,

burn

on

 

0 0



5 5

5 5



5 5

5 5

0 0

 



high

un

5 5

5 5

  -

til

5 5

 

5 5

 you...

7 7

Bm

  



A



on,

burn.



Burn

  

G





* Gtr. 5 (dist.)



mf

w/ ebow

9

7

0

* Synth. arr. for gtr.

   

 

 

 

 

 

12 X 9

12 X 9

12 X 9

12 X 9

12 X 9

12 X 9

   











9 9

9 9

9 9

9 9

9 9

9 9

Gtr. 1

 0 0

 

 

 

 

 

 

10 X 7

10 X 7

10 X 7

10 X X

10 X 7

10 X 7













7 7

7 7

7 7

7 7

7 7

7 7

 0 0

 

 

 

 

 

 

 

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5















5 5

5 5

5 5

5 5

5 5

5 5

5 5

Gtr. 2

 0 0

Gtr. 5 tacet

  

A5

G5



 0 0

B5

A5

 

G5

A5



B5 



I’ll

  

 







0

   

 

 

 

 

 

 

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

   

 

 

 

 

 

5 5

5 5

5 5

5 5

5 5

5 5





7 7

7 7

 





5 5

7 7

7 7



 



5 5



   5 5





9 9



 9 9



 

7 7



 7 7

 

 





5 5

7 7

9 9

  





5 5

7 7

9 9

 



7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Outro Gtrs. 1 & 2: w/ Riff A (3 times) Gtr. 3: w/ Rhy. Fig. 1 (3 times)

A5 G5            nev - er

burn

     

Gtr. 4

a - gain,

  

4



  D         

A5

nev - er



2

burn



  

4

5

     2 4

burn

  

G5

    

 

2 4

   

Gtr. 3

We’ll nev - er

 

4 5

A5 Gtr. 4

a - gain.



 

nev - er





  

2 4

0 2



 

2 4

4 5



 



 

a - gain,



  

4

2



  D         



nev - er

 

D



A5

a - gain,

A5

burn

burn



  

2 4

4 5

a - gain.

 

Begin fade



 

 

w/ bar

0 2

 

burn



a - gain,

A5 D A5 G5                      nev - er

  G5       

A5

Fade out

 

 

4 5



 

slack

 

   

w/ bar

7 7

    

Gtr. 2

5 5

 

7 7



 



8

 

8











w/ bar grad. dive

7 7

5 5

7 7

0 0

-1 1/2

 

0

    

-1 1/2

 

Gtr. 1

 7 7

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  5 5



 

 7 7

   7 5 0

 

  

fdbk.

7 5 0

  

Come Back Words and Music by Foo Fighters A5 5fr

Intro

Moderate Rock q = 90

1 34

** Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

Gtr. 1: w/ Rhy. Fig. 1

C#5

     

E

Esus2

B5

Esus2

µ



C#5

E



Esus2

B5 Esus2 µ C#5





Esus2

  



 Gtr. 2 (dist.) Rhy. Fig. 1 End Rhy. Fig. 1                                             f   mf



(Oh,

   

Gtr. 1 (elec.)

*

w/ dist.



E

Voc. Fig. 1

11 11 11 11 11 9 9 9 0 0

9 0

9 0

9 7

0 0

9 7

9 7

9 0

9 0

9

11 7

6

9 9 7 0

7 0

** Gtr. 3: w/ dist. played f; composite arrangement

* Vol. swell

Verse 1st time, Bkgd. Voc.: w/ Voc. Fig. 1 (4 times) 2nd time, Bkgd. Voc.: w/ Voc. Fig. 2 (4 times) Gtrs. 1 & 3: w/ Rhy. Fig. 1 (4 times)

Gtr. 2 tacet

B5

Esus2 µ

C#5

        

Esus2

B5

  



oh.



Esus2 µ



µ

C#5

     

E

 

End Voc. Fig. 1



Esus2

B5

Esus2

µ

   

   

1. Mov - ing 2. Chang - es,

a gain, chang - ing

C#5

E

Esus2

com - fort back and

of forth

              the chase. a - gain.

oh.)

C#5

E



Now Trad

Esus2

  





Esus2



Oh,

B5

    

E

-

B5

Esus2

  

 



and ing

a plac -

µ

C#5

E



gain, es,

Esus2

B5

             

 

this my strang - ers

sav in

-

ing the

grace end.

Esus2 µ







1st time, Gtrs. 1 & 3: w/ Rhy. Fig. 1 2nd time, Gtrs. 1 & 3: w/ Rhy. Fig. 2

C#5

E

Esus2

B5

Esus2

                 Dead on

the

in

-

side, I’ve got noth - ing to

µ

C#5

E

prove.

Keep me a - live

End Rhy. Fig. 2  Rhy. Fig. 2                           

11 9

11 9

11 0

11 0

9 0

9 0

9 7

9 7

9 7

9 0

9 0

9

11 7

B5

Esus2

                  



Gtrs. 1 & 3

11 9

Esus2

6

µ

        

and give me some - thing to



lose.



7 0

Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

    

C#5

Good

E

Esus2

      -

bye



B5



this



Esus2

  time.

µ



C#5

E



  

Leav

-



ing

Esus2



B5



Esus2



you.

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission



µ

 



I’ve

been

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Pre-Chorus A5

   







gone (Gone

so so

long, long,

so, so,









  



(Oh.



gone gone

so so





Oh.

                                                         Gtrs. 1 & 3

7 7 5

7 7 7 7 7 7 7 7 7 7 5 5 5 5 5

7 7 7 7 7 7 5 5 5

7 7 7 7 7 7 7 7 7 7 5 5 5 5 5

7 7 5

7 7 5

7 7 7 7 5 5

7 7 7 7 7 7 5 5 5

7 7 7 7 5 5

7 7 7 7 7 7 5 5 5



But

I



7 7 5

F#

     I

7 7 5

7 7 5

7 7 5

 

7 7 5



7 7 5

7 7 5

7 7 5

7 7 5

G#5

  

7 7 5

 



I

     

  

  

  

               

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0 0 6 6 4

6 6 4

7 7 5

E5

will come back.

3 4 4 2

6 6 4

7 7 5

7 7 7 7 7 7 5 5 5



will

7 7 7 7 7 7 7 7 5 5 5 5



come

0 0

0 0 X 2 2 0

9 9 7

9 9 7

9 9 7

9 9 7

7 7 7 7 7 7 7 7 5 5 5 5

7 7 7 7 5 5

7 7 5

  



back.



 

Rhy. Fig. 3

 

 

         

11 11 9

11 11 9

11 11 9

11 11 9

F#

 

7 7 5

A





                                    7 7 5

7 7 5

 

 

long. long,)



7 7 7 7 5 5

Chorus C#5

B5

    

  

7 7 7 7 5 5

A5

   

 

will come back.

I

11 11 9

6 7 7 5

7 7 5

6 7 7 5

 

  

6 7 7 5

6 7 7 5

0

B5

    

 

will come back.

  

  

  

  

  

  

  

  

      

                 

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 7 5

7 7 5

7 7 5

End Rhy. Fig. 3

7 7 5

7 7 5

7 7 5

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtrs. 1 & 3: w/ Rhy. Fig. 3

C#5

   





I

A



will come

F#

  





back.



I



G#5

will come

E5

   







back.





I

will come

F#



  



back.

1. Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

A5

   





I

  

will

come

B5

C#5





for

you.



back

E

Voc. Fig. 2





Esus2

 

B5

Esus2

 







(Oh,

µ







oh.

2.

C#5

E

    

 

Esus2



B5

Esus2

 





Oh,

µ

A5



End Voc. Fig. 2

 

 







I

will

come

 

B5





 



back

for you.

oh.)

Bridge

C#5

     Gtr. 2

Riff A

13 X 11

     Gtr. 1

             

 

 

     

         

13 X 11

11 X 9

10 X 8

8 X 6

6 X 4

6 X 4

8 X 6

 

    

 

     

6 6 4

6 6 4

     

13 X 11

13 X 11

     

 

10 X 8

10 X 8

10 X 8

      

10 X 8

P.M.

     

Gtr. 3

6 6 4

6 6 4

6 6 4

4 4 0

Rhy. Fig. 4A

     

 

6 6 4

6 6 4

6 6 4

4 4 0

6 X 4

6 X 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

      

 

    

 

6 6 4

6 6 4

4 4 0

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

4 4 0

6 X 4

6 X 4

16

       

 

8 8 6

8 8 6

       

 

4 4 0

6 6 4

6 6 4

6 6 4

P.M.

P.M.

6 6 4

6 X 4



P.M.

P.M.

P.M.

6 6 4



     

Rhy. Fig. 4

6 6 4

D#5





   

6 6 4

6 6 4

6 6 4

4 4 0

6 6 4

6 6 4

6 6 4

8 8 6

8 8 6

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

E





B5      

B5



F#5

for

    

 

 

 

             

   

13 X 11

13 X 11

13 X 11

13 X 11

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

       

  

     

  

0 0 1 2 2 0

0 0 1 2 2 0

1 2 2 0

0 0 1 2 2 0

4 2 0

      

  

  

  

  

  

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A Gtr. 2: w/ Riff A

    

C#5



      Gtr. 2

 

mp

7

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

4 X 2

4 X 2

4 X 2

  

 

 

4 X 2

6 X 4

4 X 2

4 X 2

  

     

0 0 1 2 2 0

4 2 0

1 2 2 0

  

  

  

  

  

  

  

  

  

9 7 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

  

E



     

  2

2

4 X 2

4 X 2

4 X 2

End Rhy. Fig. 4

  

D#5

4

4 X 2

 

  



  7

6

4 4 2

4 4 2

 

 

End Rhy. Fig. 4A



11 11 9

9 9 7



dim.

 

 

4 4 2



   

End Riff A

         

  

  

A5

Gtrs. 1 & 3

  

         

you.

B5

F#5



    

 

4

2

2

B5

Interlude Gtrs. 1 & 3 tacet

C#5

   

Gtr. 2



Gtr. 2 tacet

E



B5



F#5



C#5

E

 

  

11 9

11 0

B5



F#5



11 Gtr. 4 (acous.)

 Rhy. Fig. 5    mf

  

11 9

11 0

Gtr. 4: w/ Rhy. Fig. 5

  

C#5 E

 

 

 

9 7

4 2



 

 

 

9 7

4 2

B5

F#5

C#5 E



B5



F#5



C#5





Gtr. 5 (nylon-str. acous.)

 

   

E

B5



F#5

C#5





 

   

4

6

mf

4

    

F#5

  

6

4

C#5

C#5

   4

6

E

           Gtr. 5

E

4

4

5

5

F#5

 



4 4 4

6

 

  

B5

B5

     7

2 3 4

4

4

6

    

6

4

   

C#5

   4

6

C#5

E

5

6

E

     

6

3

4

4

5

7

 

5

F#5

 

semi-harm.

5

4 4 4

2 3 4

    

B5

F#5

     7



  

B5

   

E

6

* Gtr. 6: acous. played mf

4

F#5 **

**

3



* Gtrs. 4 & 6: w/ Rhy. Fig. 5 (2 times)



B5

End Rhy. Fig. 5

4

6

** slight vib. throughout Gtr. 7 (12 str. elec.)

B  Riff        

    

      

    

End Riff B

mf

w/ clean tone let ring throughout

11

*** Gtrs. 4, 6 & 8 (elec.)

9

0

4

6

0 9

8

0

11

11

                                 Rhy. Fig. 6

11 9

11 9

11 9

*** Gtr. 8: w/ slight dist. played

11 0

mf

11 0

11 0

11 11 0 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

9

0

4

6

0 9

8

0

11

End Rhy. Fig. 6

                             11 9

11 9

11 9

11 0

11 0

11 0

11 11 0 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gtrs. 4, 6 & 8: w/ Rhy. Fig. 6 Gtr. 7: w/ Riff B

C#5

E

   Gtr. 5

 



   B5

 

F#5

C#5

E

 





 7

      C#5

3

E

 

Gtr. 5

 

   Gtr. 7

Riff C1

11

   Gtr. 2

Gtrs. 4, 6 & 8

4







 

5

7

5





0

9

4

6

Riff C



 

9

11

    

5

5

5

4

4

B5

 

 

   



7

4

4

6



0 9





6

4





0

8

 

 

 4



6

 

F#5





5

 

          

 4



F#5



7

9

 

B5

3

4





0

11



 

12

14



4

6



11



14

Rhy. Fig. 7

11 9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

     

     

       



     

     

       

11 9

11 0

11 0

9 7

9 7

4 2

4 2

11 9

11 9

11 9

11 0

11 0

11 0

11 0

11 0

11 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

4 2

       C#5

 

E



   

4

   



6



5

7



4

6





0

9

11



F#5

  

   

2 4

2 4





 5

B5

 

9



0

4

6

    



11





0

8

9







 

0

11



 

12

14

End Riff C1

11



End Riff C



14

    









 

 

 

 

 

 

 

   

     

      

11 9

11 9

11 9

11 9

11 9

11 0

11 0

11 0

11 0

11 0

11 0

11 0

11 0

9 7

4 2

B5

F#5

    

C#5

Gtrs. 2 & 7: w/ Riffs C & C1 Gtrs. 4, 6 & 8: w/ Rhy. Fig. 7 (3 times)

C#5

E

          Gtr. 5

  



  

4

4

5

5

7

4

6

9 7

          E

9

9

9

9 9

9

9 7

9 7

4 2

   

B5

F#5

4 2

 

4 2

4 2

4 2

4 2

4 2

   



 

 3

9 7

End Rhy. Fig. 7

7

6

7

5

4

5

5

7

5

4

5

4

4

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

C#m

E,7

      Gtr. 5

3

  



 

4

5

5

4

D  Riff   Gtr. 7

9 11

   

B

 

F#

  

7



8 9

8 9

16

16 16 16

16 16 16

   6 8

16

16 16 16

Gtr. 7: w/ Riff D

C#m

     

Gtr. 5

3

E,7



4

   4



5

 

5

B

 

4

                  Gtr. 2

16

16 16 16 16 16

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

16 16 16

16 16 16

16

16

16 16 16





  

  

9 11

8 9

8 9

16

14 16

16 16 16 16 16

    

14 16

14 16

5

16 16 16

    

E,7

 



4

6

 

7

16

7

16 16 16 16 16

14

B F#          



 

 5

16 16 16

9

7

9

             

16

6 8



C#m





End Riff D

             

       

F#

  

7

F#

6

                       

16 16 16

B



Gtr. 2

16

E,7



4

  

C#m

16 16 16

16 16 16

16

9



Gtr. 5 tacet

C#m

B

      

A5

 

Gtrs. 1, 2&3

  



 

7 9

6 7

Rhy. Fig. 8

 Rhy. Fig. 8A     Gtrs. 4, 6&8



11 9

11 9





  

 

7 5

4 2



ah.



   

       

 

         

               

11 9

9 7

7 5

7 5

4 2

f

11 9

 





(Ah,

F#5

11 9

9 7

C#m

9 7

9 7

9 7

9 7

9 7

9 7

9 7

B

      

 

Ah,

     

7 9

7 5

7 5

7 5

4 2

A5



4 2

4 2

4 2

4 2

4 2

4 2

F#5

 





4 2



ah.)



  



  

6 7

7 5

4 2

End Rhy. Fig. 8

    







  

       



     

       

11 9

11 9

11 9

11 9

11 9

9 7

7 5

7 5

4 2

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

7 5

7 5

7 5

4 2

End Rhy. Fig. 8A

4 2

4 2

4 2

4 2

4 2

4 2

4 2

Gtrs. 1 & 3: w/ Rhy. Fig. 8 (2 3/4 times) Gtrs. 4, 6 & 8: w/ Rhy. Fig. 8A (2 3/4 times)

C#m

      

B

 

(Ah,

     Gtr. 2

7 9

A5







F#5

 

ah.

C#m







B

 

Ah,

A5







F#5

 

ah.)





  



    



  



         

6 7

7 5

4 2

7 9

6 7

7 5

4 2

13

12

13

11

13

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

C#m

B

     

(Ah,

     13 X 11



     

       

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

F#5

 





         

C#m

13 X 11

13 X 11

13 X 11

13 X 11

ah.

13 X 11

         

        

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

A5

 







 

B

     

Ah,

A5

 

13 X 11

13 X 11

 





    

 

 

 

 

 

 

 

 

 

 

 

 

ah.

 

 

 

 

 

 

 

  

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

C#m

B

      

Ah,

A5

 



    

 

 

 

 

 

 

 

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

C#m

      

 

ah.

 

 

 

 

 

  

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11



     

         

ah.)

 

 

   

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

   

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Gtr. 9 (elec.)

13 X 11

13 X 11

13 X 11

Gtrs. 1, 3, 4, 6 & 8

 *

f







7 5

7 5

7 5

w/ clean tone

7 * Vol. swell

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2



12

  4 2

16

 2



12



  

 



  

 



 

  

          13 X 11



 

F#5

Ah,

     Gtr. 2



 





12

 

A5



 



Gtr. 9 tacet

B

2

F#5





12

F#5





13 X 11



Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times) Gtrs. 4, 6 & 8 tacet

C#5

      

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Riff E

Gtr. 2

 

13 X 11

A

 

E5

F#

G#5

 

 

 

 

 

 

 

 

 

 

             

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

F#

10 X 8

A5

    

 

 

 

 

     

 

 

 

 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

10 X 8

10 X 8

10 X 8

10 X 8

B5 End Riff E

 

 

 

 

 

              

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

13 X 11

13 X 11

13 X 11

13 X 11

 

13 X 11

Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times) Gtr. 2: w/ Riff E (2 times)

C#5

        

A

F#

        I will come back.

C#5

        

A

F#

I will come back.

    



Rhy. Fig. 9

6 6 4 4

6 6 4 4

     

6 6 4 4

6 6 4 4

        

0 0 0 0



I

   I

will





will come

come

 back.

        

     

F#5

A

I will come back.

I will come back.

E5

F#5

B

   

 

 

 

 

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

0 0 0 0

6 6 4 4



  



  0 0 0 0

A

I will come back.

I will come back

 



B



  for you.



         6 6 4 4

  

      

 End Rhy. Fig. 9

Gtrs. 1 & 3: w/ Rhy. Fig. 9 (till fade)



G#5

I will come back.



              Gtrs. 1& 3

E5

I will come back.

         Outro C#5

G#5

0 0 0 0

6 6 4 4

   

 

 

 

 

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4





  0 0 0 0

         6 6 4 4

0 0 0 0

6 6 4 4

    6 6 4 4



back.

  



1st time, Begin fade





 I



will come



  

Play 2 times and fade







back.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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