Fearless - Taylor Swift
May 11, 2017 | Author: Mitchell Pearson | Category: N/A
Short Description
Compilation of Taylor's songs for Swifties :)...
Description
from Taylor Swift - Fearless
Fearless
Words and Music by Taylor Swift, Liz Rose and Hillary Lindsey [D5]
[A]
[Em7]
13
111
12 4
[G5]
2
[Asus4]
3
[G/B]
123
1
[AsusÊ]
[C]
132
32 1
3
[Em]
[D/F#]
12
1
23
Gtrs. 1 & 3: Capo III Gtrs. 2 & 6: Capo I
Intro Moderately q = 100 F * [D] [[E]]
Gtr. 1 (elec.)
mf w/ slight dist. let ring throughout
3
0
Gtr. 2 (12-str. acous.)
3
0
2
0
3
0
3
2
3
2
3
0
3
0
2
5
3
3
3
2
3
3
0
3
mf let ring throughout
2
4
5
*Symbols in parentheses represent chord names respective to capoed Gtrs. 1 & 3. Symbols in double parentheses represent chord names respective to capoed Gtrs. 2 & 6. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab. Chord symbols reflect overall harmony.
0
2
3
5
3
3
0
C [A] [[B]]
3
0 4
4
0
3
0
2 3
3 3
Gm [Em] [[F#m]]
2 3
3
0
3
0
2
Bbsus2 [Gsus2] [[Asus2]]
5
3
3
3
2
4
2
0 4
6
3
0 2
5
4
Copyright © 2007, 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music, Hillsboro Valley Songs and Raylene Music All Rights on behalf of Sony/ATV Music Publishing LLC, Taylor Swift Music and Hillsboro Valley Songs Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of Raylene Music Administered by BPJ Administration, P.O. Box 218061, Nashville, TN 37221-8061 International Copyright Secured All Rights Reserved
3
3
3
0 2
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Verse Gtr. 1 tacet
Gtr. 2 tacet
F5 [D5] [[E5]]
Csus4 [Asus4]
1. There’s some - thing ’bout
the way
Gm7 [Em7]
the street looks when
Gtr. 2
mp 3 2 0
3 2 0
off
the
3 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0 0
0 0 0
3 2 2 0
0 0 0
X X X X X X
F5 [D5]
ment. You
walk me
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
0 0 0 X 3
the
car
End Rhy. Fig. 1
and you
know
I
to
dance
0 3 0 2 2 0
0 3 0 2 2 0
0 0 0
0 0 0
right
there
0 0 0 X 3
0 0 0 X 3
3 2 0
3 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
X X X X
X X X X
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
X X X
X X X
Bbsus2 [Gsus2] [[Asus2]]
in
the
mid
Gtr. 2
-
dle
of
the
park
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ask you
0 3 0 2 2 0
Gm7 [Em7]
wan - na
Gtr. 3
to
0 3 0 2 2 0
-
Csus4 [Asus4]
glow
Bb [G]
pave
2
rained. There’s a
0 0 4
let ring throughout
just
Gtr. 3
it’s
Rhy. Fig. 1
Gtr. 3 (acous.)
0 0 2 2 0
3 2 0 X 3
-
ing
lot,
yeah.
Interlude Gtr. 3: w/ Rhy. Fig. 1
F5 [D5] [[E5]]
Csus4 [Asus4] [[Bsus4]]
Gm7 [Em7] [[F#m7]]
Oh,
Gtr. 1
0
2
3
3
3
Gtr. 2
5 4 2
0
4
0
5
4
yeah.
0
0
3
0 4
3
2
3
4
2
Bb [G] [[A]]
0
3
0
2
5
3
3
3
7
9
7
2
3
3
0
13 X 11
11 X 9
0
4
4
4
6
Verse Gtr. 1 tacet Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
2. We’re driv - ing down
the
road,
0 0 9 9 7 0
won - der
if
you
0
0 0 2 2
to
get caught up
now.
0
0
0
I’m
0
try - ing
so
hard
0 0 2 4
Csus4 [Asus4] [[Bsus4]]
But you’re just
F5 [D5] [[E5]]
know
4
not
0 0
Bb [G] [[A]]
I
Gtr. 2
Gm7 [Em7] [[F#m7]]
Csus4 [Asus4] [[Bsus4]]
F5 [D5] [[E5]]
so
cool,
run
your hands
0
4
through your
4
4
0
hair,
4
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bb5 [G5] [[A5]]
ab
4
6
sent
-
mind
-
ed
-
ly
mak
-
0
Gtr. 3
in’
me
0 0 2 2 0
want
you.
0 0 4 4 2
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
3 0 0 X 3
3 0 0 X 3
3 2 2 0
3 2 2 0
(cont. in slashes)
0 0
0 0
Chorus Gtr. 2 tacet 2nd time, Gtr. 5 tacet Rhy. Fig. 2
(A)
Gtr. 3
(D5)
*Gtr. 4
-
Gtr. 2
Csus4 [Asus4] [[Bsus4]]
Gm7 [Em7] [[F#m7]]
1. And 2., 3. ’Cause
I
don’t
f
know
how
it
1
3
5
gets
bet
-
ter
than
3
3
3
3
3
5
w/ slight dist.
1
3
*Two gtrs. arr. for one.
[Em7]
my
hand
me
head
3
3
5
You
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
take
and
drag
this.
4
[G5]
1
-
[A]
first.
3
5
Fear
3
3
-
End Rhy. Fig. 2
less.
5
8
8
To Coda 1 To Coda 2
Gtr. 3: w/ Rhy. Fig. 2 3rd time, Gtr. 4: w/ Fill 1
F5 [D5]
And
C [A]
I don’t know
but
with
you
Riff A
I’d
dance
1
1
3
3
3
3
5
3
Bb5 [G5]
why,
3
Gm7 [Em7]
in
a
storm
in
my
3
3
best
3
5
1
5
C [A]
dress. Fear - less. End Riff A
3
5
3
5
8
Interlude Gtr. 3: w/ Rhy. Fig. 1
F5 [D5]
Gtr. 1
3
0
3
0
Csus4 [Asus4)
2
8
3
0
2 3
3 3
2 3
3
0
3
0
2
Bb [G]
5
3
8
7
7
5
5
8
10
8
7
3
3
Gtr. 4
0
3
Gm7 [Em7]
3
5
3
3
3
Verse Gtrs. 1 & 4 tacet
Csus4 [[Bsus4]]
3. So, ba - by, drive slow
Gtr. 2
’til
Gm7 [[F#m7]]
we run out - ta
road
in this one horse
Bb [[A]]
F [[E]]
town.
I
wan - na stay right
here
0 0 1 2
Fill 1 Gtr. 4
8
8
8
8
8
8
8
8
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda 1
F [[E]]
Gtr. 5 (elec.)
C [[B]]
Gm7 [[F#m7]]
in this pas - sen - ger seat.
Bbsus2 [[Asus2]]
You
put your eyes on
me.
In this mo - ment now,
cap - ture it, re - mem - ber it.
Csus4 [[Bsus4]]
mf
1 1 3 3 1
5 5 3
0 0 2 2 0
0 0 4 4 2
w/ clean tone let ring throughout
1
0
3
1 2
0
0
0 0
4
4
3
3
5
Gtr. 2
5
1
0
3
5
4
0 4
Coda 1
Guitar Solo
[Em7]
Gtr. 3
[G5]
Oh,
Gtr. 6 (elec.)
w/ slight dist. let ring
4
5
5
0
5
4
5
0
0 0
0 0
mf
0
0
4
0 2
2
4
0 0
0 0
2
0
1
oh.
2
Gtr. 4
6
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10
10
10
10
10
10
10
10
8
8
8
8
8
8
8
8
[D5]
2
4
6
4
**w/ delay
5
6
[G/B]
1
2
Gtr. 6
[Asus4]
7
5
7
7
5
7
delay off
5
**Set for half-note regeneration w/ 1 repeat. *Gtr. 7 (elec.)
f
w/ dist.
13 *Doubled throughout Gtr. 4
12
12
12
12
12
12
12
12
10
10
10
10
10
10
10
Gtr. 6 tacet
[Em7]
[G5]
Gtr. 7
3
1
0
1/2
2
2
0
1
10
10
10
10
3
0
3
10
10
10
10
8
8
8
8
8
8
3
3
Gtr. 4
3
13
13
7
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Bridge
[D5]
3
5
3
2
3
12
[G/B]
[C]
Well, you
there with
me
2
5
stood
3
12
12
10 10 10 10 8 8 8 8
13
12
[AsusÊ]
12
12
12
12
10 10 10 10 8 8 8 8
10 8 10
13
13
13
13
13
13
13
Gtr. 7 tacet
[D5]
[Em]
[D/F#]
in
the
door
-
way. My
12
12
12
12
12
12
12
12
10
10
10
10
12
12
12
12
shake, I’m
not
hands
[G5]
[Asus4]
u - su’l - ly
this
way
but
Gtr. 4
[C]
you
pull
me
in
and
I’m
a
[D5]
lit - tle
more
brave.
It’s
a
8
10
10
10
12
8
8
8
8
10
10
10
10
[Em]
[D/F#]
first
Gtr. 8 (elec.)
kiss, it’s
flaw
-
10
7
5
12
12
mf w/ slight dist.
8
8
8
8
8
8
8
Gtr. 4
13
8
13
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
13
13
13
13
13
13
10
12
10
12
10
12
10
12
12
5 5 3
less, real - ly
Interlude Gtr. 4 tacet
Gtr. 8 tacet
Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 1
[G5]
some - thing. Gtr. 8
F5 [D5]
It’s
fear
-
less. Gtr. 5
1
0
4
Csus4 [Asus4]
4
Bb [G]
yeah.
1
0
Oh, Gtr. 5
4
Gm7 [Em7]
1
1
3
Gtr. 2
w/ bar
1 0
1
0
1
3
3
Chorus Gtr. 3: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 5 tacet
Gtr. 2 tacet
F5 [D5] [[E5]]
C [A]
’Cause
Gtr. 2
I
don’t
know
how
it
gets
bet
-
ter
than
this.
0 0 1 2
9
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Gtr. 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff A
Gm7 [Em7]
Gtr. 3
[G5]
take
my
hand
and
drag
me
head
You
Gtr. 4
first.
Fear
-
less.
[A]
mf 6 6 7 8 8 6
F5 [D5]
And
I
don’t know
why,
8 8 9 10 10 8
D.S. al Coda 2
C [A]
but
with
you
I’d
Gm7 [Em7]
dance
Coda 2
in
a
storm
[A]
in
my
best
dress.
Fear
-
less.
[Em7]
[G5]
Gtr. 3
C [A]
Outro
[D5]
Bb5 [G5]
rit.
Gtr. 1
Oh,
oh,
2 3
2 3
aw,
rit.
yeah.
rit.
0 3
0 3
0 3
0 3
2 3
3
0 3
0 3
0 3
0 3
2 3
3 3
2 3
0 3
0 3
0 3
0 3
0 3
0 3
Gtr. 4
10
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1
1
1
1
3
5
0 3
3 3
rit.
3
3
3
3
3
3
3
5
5 5
5 5
5 5
5 5
5 5
5 5
3
1
from Taylor Swift - Fearless
Fifteen
Words and Music by Taylor Swift G5
2
34
Em7
Dadd49
C
12 4
32 1
32 1
D/F#
1
Em
23
C'9
12
D
21 34
Dadd4
132
32 1
Intro Moderately q = 96
G5
Gtr. 2 (elec.)
Cadd9
3
3
mp w/ clean tone
5
3
Rhy. Fig. 1
Gtr. 1 (acous.)
mf
5
3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
let ring throughout
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Verse
Em7
Cadd9
G5
1. You take a deep breath
5
3
3
5
3
3
5
3
3
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
and you walk
Riff A
End Rhy. Fig. 1
Rhy. Fig. 2
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 0 X 3
3 3 3 3 0 0 0 0 X X 3 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 3 3 3 3 0 0 0 0 0 0 X X X 3 3 3
3 3 0 0 X 3
3 3 3 3 0 0 0 0 X X 3 3
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Cadd9
Em7
through the
doors,
it’s
Cadd9
the morn
- ing
of
your ver - y
first
day.
5
3
3
5
3
3
You say
End Rhy. Fig. 2
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 0 0
3 3 0 0 0
3 3 0 2 3
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
G5
hi
to your friends
Em7
you ain’t
seen in
a
try and stay
out of
ev - ’ry - bod - y’s way.
3
5
3
3
5
3
3
Gtr. 3 (elec.)
while,
Cadd9
End Riff A
Gtr. 2
Cadd9
mf
w/ slight dist. let ring throughout
3
0
Gtr. 2: w/ Riff A
G5
Cadd9
It’s your fresh - man
year
and you’re
gon - na
Gtr. 3
0
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Em7
be
here
for
the
next
four
years
in
this
Cadd9
G5
town.
Hop - ing one of
Gtr. 1
3 3 0 2 2 0
seen
3 3 0 2 2 0
you
a - round
at you and
say,
“You know,
be - fore.”
’Cause when
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
I
fif
-
teen
you’re
3 3 0 0
3 3 0 0
(cont. in slashes)
3
0
4
Gtr. 1
wink
G5
will
Gtr. 3
Chorus
boys
Cadd9
have - n’t
3 3 0 2 2 0
sen - ior
Em7
3
0
4
those
Cadd9
Em7
and
Gtr. 2
some
-
bod
-
y
tells
you
they
love
w/ pick & finger
12
8
10
9
5
7
3 3 0 0 X 3
Gtr. 3
3 3 0 2 2 0
3
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Dadd 49
you,
you’re gon - na
be
-
lieve
them.
And
when
8
13
4
5
10
7
3 2 0
you’re
1
0
2
3
C
3rd time, Gtrs. 1, 2 & 3: w/ Rhy. Fill 1
G5
fif
-
teen,
feel and don’t
D/F#
-
12
10
9
7
-
like first get
3 2 0
Rhy. Fill 1 Gtr. 1
Gtr. 2
G5
12 9
3
3 3 0 0 X 3
Gtr. 3
P.M.
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ing your for
3 3 0 0 X 3
4
3
there’s kiss to
noth makes look
2nd time, Gtr. 2: w/ Fill 1
Em
-
ing your be
to
fig head fore
-
ure spin you
out, ’round. fall.
well, But
13
12
12
8
7
10
9
9
5
4
9
0
1
0
3
0
3
count in I’ve
to your found
ten, life time
take you’ll can
it do heal
in, things most
D
5
7
2
4
12
Em
0 2 2 0
-
3rd time, Gtr. 2: w/ Fill 2
Cadd9
0 2 2 0
8
13
13
5
10
10
Fill 1 Gtr. 2
this great an
-
is life er than y - thing,
be - fore dat - ing and you just
you the might
3 2 0
12
13
12
8
9
10
9
5
Fill 2 Gtr. 2
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
To Coda 1
G5
To Coda 2
D/F#
to
Fif
8
7
5
7
5
4
2
4
3 0 X 3
2 0
3 3 0 0 X 3
be. team. be.
Dadd4
know who you’re gon na boy on the foot ball find who you’re sup - posed
Cadd9
2 0 X 2
- teen.
Interlude Gtr. 1: w/ Rhy. Fig. 1
G5
Cadd9
Gtr. 2
p
4
8
8
8 0
Cadd9
mf
10 0
Gtr. 3
Em7
10 0
10 0
10 0
10 0
0
4
0
Verse Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.) Gtrs. 2 & 3 tacet
G5
2. You sit
6
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in
class
next
to
a
red
Cadd9
-
head named Ab - i - gail
and
soon
Em7
e - nough you’re best
friends.
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
Cadd9
G5
Laugh - ing at
Gtr. 2
10
8
7
7
5
4
Gtr. 1
2
3
3
3 0
3 3 0 0
3 3 0 0
Cadd9
the oth - er
girls
who
think they’re
so
cool,
we’ll be
out
8
10
5
7
Gtr. 2 tacet
Em7
of
Gtr. 2
10
12
7
9
Cadd9
Cadd9
here
as
soon
as
we
and
he’s
got
ma - ma’s
wait - ing
up,
can.
And
a
car
G5
G5
Em7
then you’re
on your
ver - y
first
date
and you’re feel - ing
like
fly
Cadd9
-
ing.
And your
Cadd9
and you’re
think - ing
he’s
the
one,
and
you’re
danc -
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda 1
Em7
C
ing ’round
the
room
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
Gtr. 3
Gtr. 1
D
when the night
C
ends,
when the
night
Dadd4
ends.
’Cause when
mf
2 3
2 3
2 3
4 5
4 5
4 5
4 5
0 2 3
0 2 3
0 2 3
0 2 3
3 0 4 5
(cont. in slashes)
3 0 4 5
mf
P.M.
2 3
2 3
2 3
4 5
4 5
4 5
4 5
3 0 4 5
mp
2 3
you’re
mp
2 3
5 7
5 7
5 7
5 7
7 9
7 9
7 9
3 0 4 5
3 0 4 5
3 0 4 5
7 9
Coda 1 Cadd9
I
did - n’t
know
it
at
fif
13
15
10
12
8
Dadd4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 2 3
2
0
3
3 2 0
-
teen.
Guitar Solo Gtrs. 2 & 3 tacet
G5
Cadd9
Em7
Gtr. 4 (elec.)
(cont. in notation)
Gtr. 1
f
w/ dist.
7
5
8
f
4
5
5
12
w/ dist.
2
12
Gtr. 5 (elec.)
8
9
9
7
8
8
15
2
4
5
5
12
Bridge Gtr. 5 tacet
Cadd9
D
Cadd9
Gtr. 4 tacet
When all
you
Em7
want
-
ed
was
to
be
want -
Gtr. 4
15
Gtr. 5
12
12
Gtr. 1
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
13
13
13
13
12
12
12
12
10
10
10
10
9
9
9
9
Gtr. 2
3 3 0 2 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 0 2 3
3 0 2 2 0
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 2 0
3 0 2 2 0
3 0 2 2 0
3 0 0
3 0 0
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 2 tacet
-
ed,
wish
you
could
go
back
Gtr. 1
3
G5
and
tell
your
D5
D/F#
- self
what
you
know
now.
*T
3 2 0
3 2 0
3 2 0
3 3 0 0 X 3
3 2 0
3 3 0
2
3
0 2 *T = Thumb on 6th string
Cadd9
Gtr. 2
Dadd4
Harm. let ring
12
Gtr. 1
2
3
0
0 0
0 0
0 4 5
4
mp
3 0 2 3
3
0
12
12
0 0 0
0 0 0
mf
0 4 5
Verse Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times)
G5
Cadd9
3. Back
then
I
swore
I
was
gon - na
mar
-
Gtr. 2
let ring
12
10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ry
him
some
-
day,
but
I
Em7
re - al
Cadd9
-
ized
some
big - ger
Gtr. 2
dreams
of
mine.
And
Harm. let ring
12
Gtr. 3
8
10
7
8
12
12
7
Gtr. 3 tacet
G5
Cadd9
Ab - i - gail
gave
Em7
ev - ’ry - thing
she
had
to
a
boy
who changed
his
mind,
Gtr. 2
let ring
12
Gtr. 2
D.S. al Coda 2
C
and
we
both
cried.
’Cause
when
p
7
7
7
7
7
7
7
7
8
8
8
8
8
8
4
4
4
4
4
4
4
4
5
5
5
5
5
5
mp
P.M.
2 3
2 3
you’re
mf
*Gtrs. 1 & 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
mf
(cont. in slashes)
2 3
2 3
0 2 3
3 3 0
3 3 0
*Composite arrangement
11
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Coda 2
Cadd9
I
did - n’t
was
s’posed
3
0
2
0 2 2 0
10
7
5
7
4
3 3 0 2 3
3 3 0 2 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 3 0 2 3
3 3 0 2 3
to
be
3 2 0
(cont. in notation)
fif
- teen. Gtr. 1
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 0
Em7
3
0 2 3
Gtrs. 2 & 3 tacet
8
G5
at
Outro
Dadd4
I
7
Gtr. 1
12
who
10
3 3 0 2 3
know
9
C
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 2 0
3 3 0 2 2 0
la,
3 3 0 2 2 0
3 3 0 2 2 0
La,
12
Cadd9
2
5
Cadd9
3
D/F#
Em
la,
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
la,
la,
la,
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
la,
3 3 0 2 2 0
la,
la,
la.
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
mp
mf
0 0 0
0 0 0
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
G5
La,
la,
la,
la,
la,
la,
la,
la,
Em7
la.
La,
day.
la,
Uh, take
la,
la,
la,
la.
Cadd9
first
G5
Gtr. 4
la,
Cadd9
Your ver - y
Cadd9
a
deep breath,
girl.
mf 7 5
3
4
Em7
Take a deep breath
Gtr. 4
as you
walk
3
5
5
3
3
4
3
3 7
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
7
through the
let ring
Gtr. 1
3
5
3
5
5
Cadd9
3 7
7
3 3 0 2 2 0
7
doors.
3 3 0
3 3 0 2 3
13
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
Love Story Words and Music by Taylor Swift [C]
[G5]
32 1
2
34
[Am]
[F]
[D]
231
134211
[A]
[Bm]
111
13421
132
Gtr. 1: Capo II
Intro Moderately q = 120 D ** [C]
A5 [G5]
Fill 1
*Gtr. 2
End Fill 1
mp let ring throughout
0
4
0
3
2
3
2
0
3 4
2
3
0
3
2
0
3
3
2
2
0
3
0
3 2
0
3
2
3
3
2
*Banjo arr. for gtr.
Gtr. 1 (acous.)
mp
0 2 3
0 0
0 0
P.M.
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
**Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
B5 [A5]
0 4
4
3
0
3
4
G [F]
0
3 4
4
3
0
3
4
Gsus2 [Fsus2]
Riff A
0
3 5
2
3
0
3
2
End Riff A
0
3 5
2
3
0
Rhy. Fig. 1
3
2
3
End Rhy. Fig. 1
2 2
2 3
2 3
P.M.
2 0
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
0
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
0 3
0 3
0 3
0 3
0 3
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Verse D [C]
1. We
were both
Riff B
4
young
when
0
0
3
2
3
2
I
first
saw
0
3
2
4
you.
3
0
3
I
0 2
0 2
0 2
0 2
0 2
0 2
P.M.
0 2
0 2
flash - back
5
I’m stand - ing
0
0
3
3 5
2 3
2 3
2 3
2 3
2 3
0 0
2 3
2 0
sum - mer
par - ty,
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
the
3
2
0 2
0 2
0 2
0 2
0 2
0
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
on
a
0 2
3
0
3
0
3
4
4
0
3
4
bal - co - ny
3
in
3
4
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
0
2 2
Gsus2 [Fsus2]
D [C]
air.
3
0
3
2
the
2 2
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff B
G [F]
0 5
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A
and
0
End Rhy. Fig. 2
eyes
4
4
P.M.
2 3
3
there
my
End Riff B
close
B5 [A5]
starts.
2
2 3
3
2
Rhy. Fig. 2
G [F]
See
ball
gowns.
G [F]
See
you
make
your
way
the
lights,
through the
crowd
and
see
the
say
hel -
B5 [A5]
A5 [G5]
lo.
Lit - tle did I
*Gtr. 3 (elec.)
know
that
mf
w/ slight dist. let ring throughout
5
3
2
*Two gtrs. arr. for one.
Gtr. 2
0 4
4
3
0
3
4
0
3 4
0
3
4
3
0
3
4
2
0
3
2
3
3
0
2
2
0
2
2
Rhy. Fig. 3
Gtr. 1
End Rhy. Fig. 3
P.M.
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
Pre-Chorus G [F]
2
2
2
2 2
0 0
0 0
2 2
2 2
2 2
A5 [G5]
you were Ro - me - o.
You were throw -ing
Riff C
2 2
2 2
2 2
0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
B5 [A5]
0 0
0 0
0 0
0 0
0 0
0 0
0 0
D [C]
peb
- bles and my
dad - dy said,
“Stay a - way from
Ju - li
-
et.”
And I was
2
3
2
2
End Riff C
mp
P.M.
2
3
3
3
2
3
2
3
0 5
2
3
0
3
2
3
2
0
3 2
2
3
2
5
0
2
2
2
2
2
2
3
5
3
2
3
3
0
3
0
3
4
Rhy. Fig. 4
3
4
3
3
3
5
3
2
3
0
3 4
2
3
0
3
2
3
0 0
2 2
0 2
P.M.
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
0 0
0 0
0 0
0 0
0 0
0 0
0 0
2 2
2 2
2 2
2 2
2 2
2 2
2 2
0 2
0 2
0 2
0 2
0 2
0 2
0 2
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 2 tacet
G [F]
cry - ing on the stair - case,
A5 [G5]
don’t
2
3
2
3
2
3
2
3
3 5
3
2
2
3
2
2
3
3 2
2
3
5
3
0
0
2
2
2
2
2 2
2 2
3 2
2 2
3 2
3 2
2 2
said,
P.M.
3
And I
2
A5 [G5]
go.”
P.M.
G [F]
beg -ging you, “Please,
B5 [A5]
mf
3 2
5
3
5 3
5 3
5 3
5 3
2
End Rhy. Fig. 4
mf (cont. in slashes)
0 0
0 0
2 2
2 3
P.M.
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
0 0
0 0
0 0
0 0
0 0
0 0
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 3
2 3
2 3
0 0
0 0
0 0
0 0
Chorus
[C] Rhy. Fig. 5
Gtr. 1
[G5]
“Ro - me - o,
take
me
Voc. Fig. 1
I’ll
be
some - where we can be
a - lone.
wait
-
ing;
all there’s left
to
do
is
run.
(Ah,
Rhy. Fig. 5A
Gtr. 3
2 3 2
2 3 2
2 3 2
2 3 2
f
0
4
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0
0
0
0
0
5 5 2 0
5 5 2 0
0
5 5 2
0
0
End Rhy. Fig. 5A
5 0
0
0
0
[Am]
You’ll
be the prince
I’ll
be the prin
[F]
and
[G5]
(cont. in notation)
sto
Ba - by, just
say
yes.”
- cess.
It’s
a love
-
ry.
End Voc. Fig. 1
oh.)
2
2 3 4 4
2 3 4
4
4
2
2 3 4 4
2 3 4
4
4
3 3 0 0
3 3 0
3
3
2 0
3
Interlude
2 0
2 0
2 0
Verse
Gtr. 2: w/ Fill 1
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3 tacet
D [C]
D [C]
w/ bar 2. So
Gtr. 3
3 2 4 5
I
sneak
out
to
the
3 2 4 5
Gtr. 1
mp
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
P.M.
2 3
2 0
gar - den
to
see
you.
G [F]
We
keep
qui
-
et ’cause we’re
dead
if
they
knew.
So
close your
Gtr. 1: w/ Rhy. Fig. 3
B5 [A5]
eyes,
es - cape this town
for
a
lit - tle
whi
-
ile.
A5 [G5]
Oh,
oh,
’cause
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 4 Gtr. 3: w/ Riff C
G [F]
A5 [G5]
you were Ro - me - o,
I
was a
G [F]
me.
scar - let
let
A5 [G5]
ev - ’ry -thing to
I was
3
2
3
2
3
2
3
2
D [C]
ter and my
dad - dy said, “Stay a - way from
B5 [A5]
don’t
Ju - li
G [F]
-
et.”
But you were
A5 [G5]
go.”
mp
2
-
P.M.
3
beg - gin’ you, “Please
Gtr. 3
2
B5 [A5]
And I
said,
mf
3
5
3
2
5 3
3
5 3
5 3
5 3
5 3
I’ll
be
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtrs. 1 & 3: w/ Rhy. Figs. 5 & 5A
D [C]
“Ro - me - o,
take
me
some -where we can
be
a - lone.
[Am]
You’ll
Gtr. 3
2
wait - ing;
be the prince
I’ll
be the prin
and
2 3 4 4
2 3 4
4
4
2
-
cess.
2 3 4 4
2 3 4
4
4
to
do
is
run.
[G5]
It’s
all there’s left
[F]
Rhy. Fig. 6
Gtr. 1
A5 [G5]
a love
sto
Ba - by, just
say
yes.
2 0
2 0
2 0
2 0
-
3 3 0 0 3
End Rhy. Fig. 6
ry.
3 3 0
3
3
Gtrs. 1 & 3: w/ Rhy. Figs. 5 & 5A
D [C]
Ro - me - o,
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
save
me. They’re try’n’ to
tell me how to feel.
A5 [G5]
This love is
dif - fi - cult,
but it’s, uh,
real.
Gtr. 1: w/ Rhy. Fig. 6
Bm [Am]
Don’t
be
a - fraid,
Gtr. 3
2 3 4 4
2
we’ll
make
it
out
of
this
mess.
4
2 3 4
4
2 3 4 4
2
4
G [F]
It’s
a
love
sto
-
ry.
2 3 4
4
3 3 0 0
3 3 0
3
3
3
Guitar Solo Gtr. 1: w/ Rhy. Fig. 5
A5 [G5]
Ba - by,
just
say
D [C]
yes.”
2 0
7
7
7
8
7
7
7
7
7
7
5
Oh,
oh.
5
7
7
5
7
Gtr. 1: w/ Rhy. Fig. 6
A5 [G5]
5
5
7
7
7
Bm [Am]
5
7
5
7
7
6
7
G [F]
5
7
8
7
7
7
A5 [G5]
5
I
6
7
6
4
7
5
4
5
4
7
7
5
5
4
4
7
7
7
7
got
tired
of
7
5
5
4
4
5
7
4
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bridge Half-time feel Gtr. 3 tacet
Bm [Am]
wait
Gtr. 1
Gadd9 [Fadd9]
-
1
won - der - ing if
0
1
2
3
1
2
3
0
you were ev - er com - ing
1
1
3
1
0
1
0
My faith in you was
1
3
Gtr. 3
a - round.
1
2
A5 [G5]
ing,
2
D5 [C5]
3
3
0
3
0
3
pp
5
Bm [Am]
fad Gtr. 1
-
Gadd9 [Fadd9]
1
0
1
ing
when I
2
D5 [C5]
2
1 3
0
2
1
3
1
2
met you on the
1
0
1
A [G]
3
out - skirts of
3
1
3
town
and
0 0 0
0 0
I
said,
3
0
0 0
0 0
3
Chorus
D [C]
“Ro - me - o,
save
me.
I’ve been feel -ing
P.M.
2 3
8
2 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 3
2 3
2 3
2 3
2 3
A5 [G5]
2 3
so
a - lone.”
I
keep
wait
- ing
for you, but you nev - er come. Is
2 3
0 X 3
2 3
2 3
2 3
2 3
2 3
2 3
0 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
0 X 3
B5 [A5]
this
in my head?
I don’t know
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
what to think.
5 3
5 3
5 3
5 3
5 3
5 3
He
5 3
5 3
A5 [G5]
knelt
Gtr. 3
p
G5 [F5]
to the ground
and
pulled
out a
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
3 1
5 3
3 1
3 1
Chorus [D]
3 1
3 1
3 1
14 14
mf
2 0
ring and said,
5 3
Gtr. 1
P.M.
2 0
3 1
(cont. in slashes)
3 1
5 3
5 3
5 3
5 3
[A]
Rhy. Fig. 7
Gtr. 1
“Mar - ry me,
Ju - li - et. You’ll nev - er have to
be
a - lone.
I
love
you
and
that’s
all
I
real - ly know. I
(Ah.)
Gtr. 3
Rhy. Fig. 7A
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
[G5]
talked
End Rhy. Fig. 7
to your dad,
go
pick
out
a
white
dress.
6 4
0
[Bm]
6 4
6 4
6 4
6 4
6 4
6 4
6 4
4 2
4 2
4 2
4 2
[A]
It’s
4 2
a love
sto
-
ry.
Ba - by, just
say
2 0
4 2
End Rhy. Fig. 7A
6 4
6 4
6 4
6 4
6 4
6 4
6 4
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Outro Gtrs. 1 & 3: w/ Rhy. Figs. 7 & 7A
E [D]
yes.”
Oh,
B [A]
oh,
oh.
(Ah.)
Oh,
we
oh,
were
both
young
when
I
first
saw
E [D]
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
you.
Gtr. 3
10
’Cause
oh.
oh,
A5 [G5]
Gtr. 1
C#m [Bm]
from Taylor Swift - Fearless
Hey Stephen
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Words and Music by Taylor Swift
Intro Moderately q = 116
(Drums)
G5
G5/A
Mm,
mm,
Gtr. 1 (nylon-str. acous.)
mm,
mf
G5/A
Rhy. Fig. 1
Csus2
mm,
mm,
mm,
G5
G5/A
mm.
Mm,
mm,
Csus2
mm,
mm,
w/ fingers
3 3 0
0
3
G5/A
3
3 3 0
3 3 0 3
3
mm,
3
mm,
0
3
3
3 3 0
0
3
mm.
3 3 0
Mm,
mm,
3 3 0
0
3 3 0
0
3
G5/A
mm,
3 3 0
3
3
G5
0
0
3
G5/A
mm, mm,
3 3 0
3 3 0
0
Csus2
Rhy. Fig. 2
3 3 0
0
mm,
3 3 0
0
End Rhy. Fig. 1
3
0
G5/A
Mm,
0
3 3 0
G5
mm.
3 3 0
mm,
yeah.
0
3
Csus2
3
3 3 0
3 3 0
0
3
Verse Gtr. 1: w/ Rhy. Fig. 2 (3 1/2 times)
3 3 0
G5
G5/A
1. Hey,
Csus2
G5/A
G5
Ste - phen, I know looks can be
de - ceiv - ing but
I
G5/A
Csus2
know I
saw
a light in you.
End Rhy. Fig. 2
3 3 0
0
3
G5/A
3
G5/A
3 3 0
0
3
G5
G5/A
And
as
Csus2
we walked, we were
G5/A
G5
talk - ing.
I
did - n’t
say
G5/A
Csus2
half the things I
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
want - ed
to.
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5/A
G5
G5/A
Of
there
G5/A
e - ven
when
all
G5
it’s
cold.
the girls
Csus2
G5/A
toss - ing
rocks
at
your win
G5/A
Hey,
Ste - phen,
-
G5
dow,
I’ll
be
boy,
wait - ing
G5/A
you
might have
me
be - liev - ing
Csus2
the one
Csus2
G5/A
G5
I
don’t
Chorus
G5/A
al - ways have
Gtr. 1
to
be
0
3
3
look
like
an
3 3 0
3 3 0
3
a - lone.
3 3 0
Csus2
3 3 0
0
3
an
-
gel.
2
3 2
0
mag - ic
I’ve been
2
0
2
this
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0 0
0
0
3 0
0
2
0
if
I
wan - na
I
met
Csus2
3 3 0
3 3 0
0
3
you.
0
3
2 2
3
3
3
D5
kiss
you
in
the
rain.
So
3
0
0
G5
Can’t
help
it
if there’s no
3 0
0
3 0
one
0 3
2
3
0
3
3 3 0
you
3 3 0
0
if
2
0
it
it
Csus2
3
3
feel - ing since
can’t help
I
3
0
Rhy. Fig. 3
G5/A
3
0
G5/A
’Cause
Can’t help
D
come feel
3
G5
Em
D5
0
3
3 3 0
G5
else.
3
0
To Coda 2
D5
µ
I
can’t
help
my
Mm,
0
3
3 0
3
End Rhy. Fig. 3
0
3 0
3
3 3 0
3 3 0
3 3 0
0
3
3
0
-
3 3 0
G5/A
Mm,
mm,
mm,
0
3
3
0 3
3 3 0
3 3 0
0
3
mm,
mm,
mm,
3 3 0
3 3 0
0
3
Csus2
mm,
Csus2
Mm,
G5/A
self.
3
G5
mm.
Interlude G5
3 2 0
0
G5/A
Csus2
mm.
0
3
2
0
0
0
2
Verse Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)
G5
G5/A
2. Hey,
Csus2
Ste - phen, I’ve
G5/A
G5/A
been
G5
Ha.
bod - y
Gtr. 1
3 3 0 3
shine
the
G5/A
you
3
I’ve
way
0
hold - ing
do.
back
this
seen
3 3 0
3 3 0
0
3
feel - in’
it
all
Csus2
G5
G5/A
so
G5/A
I’ve
got
Csus2
I
thought,
so
some things
but
G5
The
3 0
0
3
0
2
I
way
to
G5/A
3
3
you.
G5
seen
you walk,
to
G5/A
0
0
say
nev - er
Csus2
way
no -
Csus2
you
3 3 0
3 3 0
0
3
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
way
you
say
talk,
G5/A
3 3 0
3
0
3 3 0
3
3
3 3 0
3 3 0
0
3
peo - ple
al - ways leav - ing?
3 3 0
3 3 0
0
3
3
ful,
don’t you
G5/A
ev - er change.
3 3 0
0 3
0
3
G5/A
I
think
you
and
I
3 3 0
0
G5
G5
3 3 0
0
-
G5/A
3
0
Csus2
won - der
0
are
3
Ste - phen, why
Csus2
G5/A
beau - ti - ful,
3 3 0
G5/A
Hey,
It’s
3 3 0
0
3
my name.
G5
should stay
the
Csus2
same.
3 3 0
0
3
0
3
3
Chorus
Gtr. 1: w/ Rhy. Fig. 3
G5/A
G5
G5
’Cause
3 3 0
G5
D
feel - ing
4
I
can’t
help
it
if
you
look
like
an
D5
an
-
gel.
0
3
Can’t help
Csus2
3
3
0
3
G5/A
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5/A
it
if
I
since
I
met
you.
Csus2
wan - na
D5
kiss
you
in
the
rain.
So
G5
Can’t
help
it
if
there’s no
one
Em
else.
come feel
this
mag - ic
I’ve
been
To Coda 1
Csus2
Mm,
Interlude
G5
I can’t
Gtr. 1
0
help
my
D
3
2 2
-
self.
2
Csus2
Mm,
0 3
3
3 3 0
3 3 0
0
3
G5/A
mm, mm,
3
3
2
G5/A
mm.
G5
G5/A
3 3 0
0 3
mm,
mm,
3 3 0
0
Mm,
Csus2
mm,
mm,
0
3
3
3 3 0
3 3 0
0
3
Bridge
Em
mm.
3 3 0
G5
0
3
3 0
0
0
D
aren’t
here
you
3 0
3
2
3
the
street
0
0
0
lights.
You’re per - fect
for
me.
3
3
2
2
3
2
0
come
2 2
Csus2
on
and
3
Em7
to - night?
0
3
3
0
0
out
0 3
and
3 0
3
3
Cadd9
0
3
3
0
0
0
near
a - lone
3
3
0
me
3
3
wait - ing
0
pull
0
3
G5
come
I’m
3
so
0
0
0
0
0
3
now,
3
3
Why
3 3
3
They’re dim - ming
D
and
shine,
0 3
2
0
3
0
3
0
3
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
3
2
3
2
0
G5/A
0 3 2 0
3 3 0
G5/A
0
should be
the
3 3 0
one
0 3
you choose.
3
3
3 3 0
3 3 0
0
3
G5/A
G5
3 3 0
3 3 0
0
3
G5/A
G5
3 3 0
0 3
give you
fif - ty
I
3 3 0
3 3 0
3
0
3
G5/A
All
those
3 3 0
0
rea - sons why
0
G5
Csus2
G5/A
Ste - phen, I could
3
Csus2
3. Hey,
G5
shine.
shine,
Verse
Dsus2
oth - er
girls,
0
3
3
Csus2
3 3 0
3 3 0
0
3
D.S. al Coda 1
well, they’re beau - ti - ful,
3 3 0
but
3 3 0
0
3
3
would they write
3 3 0
0
0
3
a
0
song
for
2
0
you?
Ha, ha!
3
Cadd9
D5
0 3 0 2 3
0
3
Coda 1
D.S.S. al Coda 2
D
I
can’t
help
me
-
G5
3 0
2
3
2 2
3 2
3
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
if
you
look
0 3
Csus2
self
Gtr. 1
G5/A
3
3 3 0
3 3 0
0
3
Dsus4
like
an
an
-
gel.
0
3 3
0
0
2
3
3
Coda 2 Outro
Gtr. 1: w/ Rhy. Fig. 1
G5
G5/A Csus2
Mm,
G5/A
G5
G5/A Csus2
mm,
G5/A
my - self.
G5
Mm,
Gtr. 1: w/ Rhy. Fig. 2
G5/A
mm,
mm,
mm,
Gtr. 1
mm,
mm,
3
3
mm.
3 3 0
3 3 0
0
3
Mm,
3 0
0
3
3
mm,
mm,
0
3
Csus2
mm,
3 3 0
3 3 0
0
3
Oh,
Mm,
mm,
mm.
oh,
3
mm,
3 3 0
3 3 0
0
3
mm,
mm,
Csus2
Mm,
mm,
3 3 0
0
3
G5/A
G5
mm,
3 3 0
3
mm.
mm.
3 3 0
3 3 0
mm,
Csus2
3
mm,
oh.
0
G5
G5/A
0
G5/A
G5
3
3 3 0
3
3 3 0 3
help my - self.
mm.
0
G5/A
mm,
mm,
3
I can’t
G5/A
3 3
Mm,
3
3 3 0
self,
mm,
3 3 0
-
0
my
G5/A Csus2
G5/A
mm,
help
G5
Csus2
mm,
Can’t
0
mm.
G5/A
Mm,
mm,
G5/A
Csus2
0
3
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
White Horse
Words and Music by Taylor Swift and Liz Rose
Gtr. 2: Capo V
Intro Moderately slow q = 93 C5
Fsus2
Rhy. Fig. 1 Gtr. 1 (acous.)
mp
Am7
Fsus2 End Rhy. Fig. 1
w/ fingers let ring throughout
1 3
X X
1
X
3
3
1
1 0
X X X
3
3
1
1
1
3
3
0
X X
1
X
0
3
1
1 2
X X X
3
3
1
1
3
0
Gtr. 1: w/ Rhy. Fig. 1
C5
Fsus2 [Csus2]
* [G5]
Am7 [Em7]
Gtr. 2 (acous.)
Fsus2 [Csus2]
mp let ring throughout
3
0
5
5
0
5
0
3
5
5
5
0
3
5
0
5
5
0
0 0
5
5
0
5
5
3 5
3
5
5
0
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Fsus2
1. Say you’re sor
Gtr. 2 tacet
C5 [G5]
-
ry, that
face
Am7
of
an
an
-
gel comes out
Fsus2
just when you need
it
to
0
C5
Fsus2
as
I
paced
back and
forth
Am7
all this
time
’cause I
hon - est - ly
be - lieved in
Fsus2
you.
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music and Hillsboro Valley Songs All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
Hold -
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Am7
Fsus2
-
ing
on,
1
X X
1
X
0
0
the
I
1
I
1
X X X
1
should -’ve
3
on.
G
should -’ve known,
Stu - pid
girl,
3
1
3
3
known
drag
0
Gsus4
days
3
that
I’m
not
a
prin
-
(cont. in slashes)
3
5
5
3
Chorus C
5
5
Am7
Rhy. Fig. 2
Gtr. 1
3
5
5
4 5
F/C
G
End Rhy. Fig. 2
w/ pick
- y tale.
Rhy. Fig. 2A
Gtr. 2
3 3 0 0 X 3
I’m not the one
you’ll sweep off her feet,
3 3 0 2 2 0
lead
her up the stair - well. This ain’t End Rhy. Fig. 2A
this ain’t a fair
3 3 0 2 3
- cess,
3 2 0
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 3 meas.)
C [G]
Hol - ly - wood,
2
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this
is
a
small
Am7 [Em7]
town.
I
was
a
dream
F/C [C/G]
-
er
be - fore
you went and
let
Am
G/B
(2nd time, cont. in notation)
down.
Now
it’s
too
late
and
0 0 2 2 0
you
Rhy. Fig. 3
Gtr. 2
for
3 2 0
your
white
3 2 0 0 2
(cont. in notation)
horse
me
Fadd9
Gtr. 1
To Coda
G
to come a - round.
End Rhy. Fig. 3
3 0 2 3
Interlude Gtr. 2 tacet
C5
Gtr. 1
w/ fingers
(cont. in slashes)
1
1
3
3
3
1 3
1
1
3
3
3
1 3
Verse
C5 Gtr. 1
Fsus2
Am7
w/ pick
2. May - be
I was
Gtr. 2
5
0
3 5
na
-
ive,
0
3 5
0
got
nev - er
5
in
3 5
your
5
3
real - ly
had
0 5
5
eyes and
5
lost
5
0
a chance.
0 5
0
0 0
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Fadd9
C5
1
0
2
0 2
Am7
2
2
5
0
3
0
5
did - n’t know
3
Fadd9
0
I
fight
to
have the
5
2
4
me.
Hap - py
0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
5
and
1
0
1 2
0
2
0
G5
end
-
3 2 0
1
ings,
0
2
0
now
I
to
be
in
love
you
had
to
3
5
Am7
3
5
5
so
5
5
man - y dreams a - bout
you
0
2
5
I had
0 0
5
F/C
up - per hand.
0 0
0
5
My mis - take,
Fsus2
0
0
2
0
0
know
0
D.S. al Coda
that I’m
0
not
a
prin -
Coda Interlude Gtr. 2: w/ Rhy. Fig. 3
Am [Em]
G/B [D/F#]
late for
Gtr. 1
1 2 2 0
Fadd9 [Cadd9]
you
and your
white
1 2 2 0
3 0 0 2
3 0 0 2
1 2 3 3
3 0 0 2
Am7
0 0
1 2 3 3
0 0
1 2 3 3
1 2 3 3
0 0
1 2 3 3
F
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
to come a - round.
1 2 2 0
horse
1 2 2 0
C
0 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
G5
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 1 2 3
3 1 2 3
0 0
0 0
Bridge
Am
And there you
1 2 2 0
F/C
1 2 2 0
are
your
on
3 0 0 2
3 0 0 2
beg - ging
F/C
for
me.
1 2 3 3
1 2 3 3
1 2 3 3
C
G/B
knees,
1 2 3 3
1 2 3 3
1 2 3 3
1 0 2 3
1 2 3 3
1 2 3 3
0 0 0
0 0 0
G/B
Just like
1 0 2 3
F/C
I
al - ways want - ed,
3 0 0 2
but
I’m
so
1 2 3 3
1 2 3 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
3 0 0 2
3 0 0 2
3 0 0 2
3 0 0 2
1 2 3 3
1 2 3 3
1 2 3 3
0 0 0
3 0 0 2
0 0 0
beg - ging for for - give - ness,
C
3
G/B
sor
-
1 2 3 3
1 2 3 3
1 2 3 3
1 2 3 3
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus C [G]
Bbsus2
-
ry...
’Cause I’m
Gtr. 2
not
your
prin
-
this
3
5
6
Am7 [Em7]
y
3
5
tale.
5
gon - na
find
0
3 5
0
0
5
0 0
3
0
1
0
5
5
0
5
5
3 5
1 2 3
1 2 3
0
0
3
3
3 1
1
who might
1
0
0
3
3
G5 [D5]
some - one some - day
1
0
3
F [C]
5
3 5 6
5
I’m
0
5
0 5
fair -
3
a
0
5
ain’t
3
0
cess,
5
Gtr. 1
ac
-
tual - ly
5
4
3
0
0
treat me
3
0
4
well.
This is
a
3
0
4
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
0 0
3
0 0
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
C [G]
big world,
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
that was
a
small
Am7 [Em7]
town
there in
my
rear
F/C [C/G]
view
G [D]
mir - ror dis - ap - pear - ing
now.
And it’s
too
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
Am [Em]
G/B [D/F#]
Fadd9 [Cadd9]
late for you
and your white
horse,
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 0 0 2
3 0 0 2
3 0 0 2
3 0 0 2
Gtr. 1
Outro C5 [G5]
now it’s too
Fsus2 [Csus2]
now.
for you
and your white
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 0 0 2
3 0 0 2
3 0 0 2
1 2 3 3
Am7 [Em7]
F/C [C/G]
whoa,
whoa,
whoa.
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3
3 1 0 X 3 0
3 1 X 2 0
C [G]
3
3 1 X 3
3
3 1 X 3
3 0 0 0
F/C [C/G]
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
2 0
3 1 X 2 0
0
0 0
3 1 X 2 0
1 2 3 3
1 2 3 3
1 2 3 3
1 2 3 3
1 2 3 3
0 0 0 0
F [C]
rit.
It’s too late
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0 0
3 3 0 X 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
1 1 2 3 3
1 1 2 3 3
1 1 2 3 3
0 1 0 2 3
0
2
0
2
1
0 0
1 1 2 3 3
1 1 2 3 3
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 1 2 3 3
1 2 3 3
1 2 3 3
1 2 3 3
C [G]
3
now.
rit.
0
1 2 3 3
to catch me
0 0 0
2
now,
0 2
Am7 [Em7]
oh.
3 3 0 0 X 3
0 2
3 1 X 3
0 2
1 0 2 3
3 1 0 X 3
4 5
0 1 2 2 0
0 1 2 2 0
me
2 4
0 0
me
to catch
Try and catch
4 5
Gtr. 1
horse
0 0 0 0 0 0
1 2 3
Oh,
Gtr. 2
late
Fadd9 [Cadd9]
3 1 2 3
1 2 3
G/B [D/F#]
1 2 3
Am [Em]
0 0 0 0
rit.
1 1 2 3 3 1
0 1 0 2 3
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
You Belong with Me Words and Music by Taylor Swift and Liz Rose Am
C
231
32 1
G5
2
D
34
132
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately q = 130 *G
Gtr. 1 (acous.)
3
3
mf let ring
3
1
3
3
3
1
3
1
1
0
1
2
0
3
3
1
1
3
1
0
2
0
*Chord symbols reflect overall harmony.
Verse
G5
D5
1. You’re
on
the
phone
with
your
girl
-
friend,
she’s
up
-
set.
Rhy. Fig. 2
**Gtr. 2 (elec.)
She’s
go - ing
off
a - bout
8 7
8 7
8 7
8 7
10 7
10 7
5 3
5 3
5 3
7 5
7 5
mp w/ slight dist. & auto-wah P.M.
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
10 7
10 7
10 7
10 7
10 7
10 7
**Two gtrs. arr. for one.
Gtr. 1
Rhy. Fig. 1
mp
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
7 5
7 5
7 5
7 5
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music, Potting Shed Music and Barbara Orbison World Publishing All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of Potting Shed Music and Barbara Orbison World Publishing Administered by ICG International Copyright Secured All Rights Reserved
7 5
7 5
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A5
10 7
10 7
some - thing
that
you
said
’cause she
your
hu
-
does - n’t
get
mor
like
10 9
10 9
10 9
10 9
10 9
P.M.
10 7
10 7
10 7
10 7
10 7
10 7
7 5
7 5
7 5
7 5
7 5
7 5
10 9
10 9
10 9
10 9
10 9
10 9
10 9
10 9
10 9
10 9
End Rhy. Fig. 1
P.M.
7 5
10 9
7 5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
0 0
Gtr. 1: w/ Rhy. Fig. 1 (1st 5 meas.) Gtr. 2: w/ Rhy. Fig. 2
C5
G5
I
do.
I’m
8 9
8 9
8 9
8 9
8 9
8 9
End Rhy. Fig. 2
8 9
8 9
2
5 3
5 3
5 3
5 3
5 3
5 3
8 9
8 9
P.M.
5 3
in
P.M.
8 9
5 3
5 3
8 9
8 9
8 9
8 9
the room,
it’s a
typ - i - cal
I’m
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
lis - t’ning
to
the
night.
8 9
5 3
A5
Tues - day
D5
kind
of
mu - sic
she
does - n’t
like,
and
she’ll
nev - er
C5
know your
sto
-
ry
like
I
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
0 0
Pre-Chorus Am
2 0
But
wears
End Rhy. Fill 1
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
short
do.
C
she
skirts,
wear
t
5 3
5 3
G
I
Rhy. Fig. 3
Gtr. 2
Rhy. Fill 1
Gtr. 1
-
shirts.
She’s
cheer
cap - tain
and
8 9
8 7
P.M.
10 9
10 9
10 9
10 9
10 9
10 9
Gtr. 1
1 2 2 0
8 9
8 9
8 9
8 9
3 1 0 2 3
D
8 9
Am7
I’m
8 9
on
the bleach
-
ers
dream - ing ’bout
the
day
8 7
8 7
8 7
8 7
8 7
8 7
8 7
3 0 0 0 X 3
C
when you
wake
up
and
find
mf
8 9
10 9
10 9
that what you’re
10 9
8 9
8 9
P.M.
7 7
7 7
7 7
7 7
7 7
10 9
10 9
10 9
10 9
10 9
10 9
10 9
2 3 2 0
7 7
3 1 2 2 0
7 7
7 7
8 9
8 9
8 9
8 9
8 9
8 9
3 1 0 2 3
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
D5
look - ing
for
has
been
here
the whole
time.
If
see
that
I’m
*Gtrs. 1 & 3
the
one
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
End Rhy. Fig. 3
10 7
you could
Gtr. 2 tacet
G5
3 2 0 *Gtr. 3 (elec.): w/ slight dist., played f. Composite arrangement
who
un - der - stands
you,
D
been
here
all
a - long.
So
why
can’t
you
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0 0
Am
see,
4
ee,
you
be - long
C
with
me,
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0
3 1 0 2 3
ee?
You be - long
with
me.
Interlude
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 2 (2 times)
G
G5
Gtr. 2
Verse
Gtr. 3 tacet
2. Walk
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
3 0
3
1
0
2
0
Gtr. 1
3
3
1
3
3
1
0
3
1
0
in
the streets
with
you
P.M.
8 7
D5
and
your
worn
out
jeans,
I
can’t help think - ing
this
is
how
it
ought
to
be.
Gtr. 1: w/ Rhy. Fill 1
A5
-
D5
I
on
a
park
bench,
think - ing
to
my
-
self,
“Hey,
is - n’t
this
Gtr. 1: w/ Rhy. Fig. 1
eas
Laugh - ing
C5
y?”
have - n’t
seen
And
it
in
you’ve
got
a
smile
G5
a
while
since
that
could
she brought you
light
up
this
whole
town.
A5
down.
You
say you’re fine,
I
know you
Gtr. 1: w/ Rhy. Fill 1
bet - ter
than
that.
C5
Hey,
what
you
do - ing
with
a
girl
like
that?
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Pre-Chorus Gtr. 2: w/ Rhy. Fig. 3
Am
She
wears
high
heels,
C
I
wear
She’s
cheer
cap - tain and
I’m
on
D
sneak - ers.
G
the bleach - ers,
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
3 0 0 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
Gtr. 1
Am
dream - ing ’bout
the
C
day
when you
D
wake
up
and
find
that what you’re
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
2 3 2 0
the
one
look - ing
for
has
been
here
Chorus
the whole
6
time.
If
you could
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
D
been
here all
G5
see
that
Rhy. Fig. 4 Gtrs. 1 & 3
a - long.
So why
I’m
who
un - der - stands
you,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
can’t
you
Am
see,
ee,
you be - long
with
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 0 0 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 0
C
me,
ee.
G5
Stand
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
-
ing
at
your
by,
back
door.
All
this
D
ee,
you
time,
be - long
could
ing
by,
wait -
you
not
know?
Ba
-
To Coda
C
with
how
-
End Rhy. Fig. 4
Am
Gtrs. 1 & 3: w/ Rhy. Fig. 4
me,
ee.
You
be - long
with
me.
Guitar Solo Gtrs. 1 & 3: w/ Rhy. Fig. 4
G5
D
Gtr. 4 (elec.)
f
1/2
w/ slight dist.
8 X 5
4
Gtr. 5 (elec.)
1/2
4
7
5
8 X 5
4
4
7
5
f w/ slight dist.
8 0
8 0
8 0
10 0
10 0
10 0
12 0
8 0
8 0
8 0
10 0
10 0
10 0
12 0
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Am
5
5
7
5
5
7
8
8 X 5
C
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
Oh,
8
10
I
re - mem -ber you
10
7
8
7
8
7
9
7
2
2
1
8 X 5
8 X 5
8 5
8 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
8 5
Bridge Gtrs. 4 & 5 tacet
Am Gtr. 1
driv - ing
to
my house
Gtr. 6 (elec.)
in
the
C
mid - dle
of
the
night.
I’m
the
G5
one
who makes you laugh
when you
8
8
mf w/ clean tone & RotoVibe let ring throughout
10
D
10
9
8
9
11
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
to
cry.
10
11
10
I
11
9
Am
know you’re ’bout
8
9
9
10
fa - v’rite songs
9
8
9
know your
8
10
and
9
you
C
7
tell
8
me ’bout your dreams.
9
(cont. in notation)
8
Think
9
I
G5
know where you
Gtr. 6
be - long,
think
I
know
it’s
8
7
7
9
with
me.
Can’t you
11
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 2 0
Gtr. 1
D5
8
2 0
2 0
0 0
P.M.
2 0
2 0
Chorus Gtr. 6 tacet
G
see
that
Gtr. 1
I’m
the
one
who
un
-
der
- stands
you?
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4 0
3 4
3 4
3 4
3 4
P.M.
D
here
all
2 4
2 4
2 4
2 4
2 4
2 4
2 4
Been
a
-
so
why
2 4
2 4
2 4
2 4
2 4
long,
can’t
you
see,
2 4
2 4
0 1 2 2 0
P.M.
2 4
0
Am
3 4
0
ee,
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda
you
C
be - long
with
me,
0 1 2 2 0
ee?
Gtrs. 1 & 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
Have
you
Coda
Outro Gtrs. 1 & 3: w/ Rhy. Fig. 4 (1st 3 meas.)
G5
You
ev - er thought Gtrs. 1 & 3
D
just
may
Am
-
be,
be
- long
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
C
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
me,
ee?
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
with
me.
ee,
you
You
be - long
with
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
G5
3 1 0 2 3
3 1 0 2 3
be
-
long
3 1 0 2 3
3 1 0 2 3
0 0 0
3 3 0 0 X 3
with
me.
from Taylor Swift - Fearless
Breathe
Words and Music by Taylor Swift and Colbie Caillat [G5]
2
Gtr. 1: Tune down 1/2 step, Capo VII: (low to high) Eb-Ab-Db-Gb-Bb-Eb
[D]
34
[G5 type2]
[C'9]
132
21 34
[Csus2]
34
2
[Em]
34
12
Gtr. 2: DADGAD tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Ab-Db
Intro Slowly q = 74
D5
A [D]
* [G5]
Gtr. 1 (acous.)
mf
Gadd9 [Cadd9]
Rhy. Fig. 1
End Rhy. Fig. 1
let ring throughout
3 0 0
3 3 0
0 0 X 3
0 0 X 3
3 3 0 0 X 3
3 3 0
3 3 0
3 0 0
2
3 2 0
2 3 2
2 3 2 0
3 3 2
Rhy. Fig. 1A
Gtr. 2 (acous.)
3 3 2 0
mf
0 0 7 7
0 0 7 7
3 0 0 3
2
3 0 2 3
0 2 3
3 3 0
3 0
3 0 2 3
3 0 0 3
3 3 0 0 3
0 0 3
3 0
0 0
End Rhy. Fig. 1A
string noise
let ring throughout
0 0 7 7
3 0
0 0
7 7
0 0 6 7
0 0 6 7
0 0 6 7
0 0 6 7
0 0 6 7
X X
0 0 4 5
0 0 4 5
0 0 4 5
0 0
0 4 5
0 4 5
0 0
0 0 4 5
0 4 5
0 0
0 0 4 5
0 0 0
*Symbols in parentheses represent chord names respective to capoed gtr. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
D5 [G5]
A [D]
Gadd9 [Cadd9]
1. I
Verse Gtr. 2: w/ Rhy. Fig. 1A (3 times)
D5 [G5]
see
Gtr. 1
A [D]
your
face
Rhy. Fig. 2
3 0 0 X 3
in
my mind
0 X 3
3 3 0 0 X 3
3 0 0
3 0 0
3 2 0 0
Gadd9 [Cadd9]
as
I
drive
a - way,
’cause
3 2 0
2 3 2 0
3 2 0
3 0 2 3
0 2
3 0 2 3
3 0
2 3
3 3 0
0 2 3
3 3
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music and Cocomarie Music All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
3
End Rhy. Fig. 2
0 2 3
0 3
3 0
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
of
us
thought
it
was
gon - na
D5 [G5]
Peo - ple
are
peo - ple
and
kill - ing
me
to
see
that
some - times
go
we
change
our
all
0 0 X 3
0 0 X 3
3 3 0 0 X 3
3 3 0
2 3 2
2 3 2 0
3 0
0 0 7 7 5
0 0 7 7 5
0 0 7 7 5
0 0 6 7 7
0 0 6 7 7
0 0 7 7 5
0 0
0 0 6 7 7
2 3 2
time.
this
2 0 0
minds,
Gtr. 2
Gadd9 [Cadd9]
af - ter
3 0
way.
you
Gadd9 [Cadd9]
Gtr. 1
end
A [D]
A [D]
D5 [G5]
0 2 3
0 2 3
3 0 2 3
0 0 6 7 7
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
3 0
0 0 0
none
Gadd9 [Cadd9]
A [D]
3 0
3 3 0 2 3
0 0 0 0 X 5
0 0 0 0 X 5
but
it’s
3 3 0 2
3 3 0 0
D5 [G5]
Interlude Gtr. 1: w/ Rhy. Fig. 2 (2 times)
D5 [G5]
A [D]
Mm,
Rhy. Fig. 3
Gtr. 2
0 0 2 0 0 0
Gadd9 [Cadd9]
mm,
mm,
0 0 2 0
0 0 2 0
0 0 0
0 2 2 0
mm,
mm,
mm.
0 2 2 0
0 0 2 2 0
2 2
0 0 0 0 X 5
0 0 0 X 5
0 0 0 X 5
0 0
0 0 0
0 0 0 0
0 0 0
0 0 0
Gtr. 2: w/ Rhy. Fig. 3
D5 [G5]
A [D]
Mm,
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
mm,
mm,
Gadd9 [Cadd9]
mm,
mm,
mm.
End Rhy. Fig. 3
0 0 0 X 5
0
Verse Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times)
D5 [G5]
A [D]
2. Mu - sic
D5 [G5]
starts
the
D5 [G5]
play - ing
like
the
kind - a
end - ing
trag - e
- dy
and
it
- ’ll
I
A [D]
a
be
mov
wan - na
see,
with - out
you
you
0 0 7 7 5
down.
Now
[G5 type2]
[D]
End Rhy. Fig. 4
a - round.
Rhy. Fig. 4A
Gtr. 2
’cause it’s
[Cadd9]
It’s
Gadd9 [Cadd9]
ie.
-
Gadd9 [Cadd9]
bring
don’t know what to
sad
on - ly
[D]
Rhy. Fig. 4
A [D]
Gtr. 1
of
you don’t real - ly
[G5]
end
Gadd9 [Cadd9]
End Rhy. Fig. 4A
0 0 7 7 5
0 0 7 7 5
0 0 6 7 7
0 0 0 0 X 5
0 0 0 0 X 5
2 2 0
2 2 0
2 2 0
0 0 7 7 5
0 0
0 0 6 7 7
0 0 6 7 7
0 0 6 7 7
0 0 6 7 7
0 0 0 0 X 5
0 0 0 0
0 0 0 0
2 2 0
Pre-Chorus
[Csus2]
[G5]
Rhy. Fig. 5
0 0 0 0 X 5
And we know it’s nev - er
[D]
sim - ple, nev - er
2 0
eas - y.
[Em]
Nev - er
a clean break,
End Rhy. Fig. 5
no one here to (No one here to
2 0
4 2
save save
me. me.)
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[Csus2]
[G5]
You’re the
on - ly thing
I
know
0 X 5
[D]
like the back of
my
hand.
2 0 0
2 0
And
I
can’t
Chorus Gtr. 1: w/ Rhy. Fig. 5 (2 times)
Gsus2 [Csus2]
D5 [G5]
A [D]
breathe
with - out
Bm [Em]
you,
but
I
have
Rhy. Fig. 6
End Rhy. Fig. 6
Gtr. 2
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0
0 0 2 0
0 0 2 0
0 0 0
0 0 2 0
0 2 2 0
0 2 2 0
0
4 2
4 4 2
0 0 0
Gtr. 2: w/ Rhy. Fig. 6
Gsus2 [Csus2]
Gtr. 1
A [D]
[G5]
[D]
0 0 0 0 X 5
0 0 0 0
0 0 2 0
0 0
0 0
0 0 2 2 0
0 0 0 0 X 5
4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
with - out
Gtr. 2
0 0 0
To Coda
D5 [G5]
Breathe
[Csus2]
to.
0 0 0 0
0 0 2 0
Bm [Em]
you,
but
I
have
to.
Verse Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times)
D5 [G5]
A [D]
3. Nev - er
want - ed
this,
nev - er
wan
D5 [G5]
Ev - ’ry
-
na
see
you
lit - tle
Peo - ple
are
Gadd9 [Cadd9]
bump
in
the
road,
I
tried
peo - ple
and
A [D]
it
some - times
hurt.
A [D]
D5 [G5]
Gadd9 [Cadd9]
to
swerve.
Gadd9 [Cadd9]
does - n’t
work
out.
D.S. al Coda Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A
D5 [G5]
Noth - ing
we
say
is
gon - na
A [D]
save
us
from
the
fall
Gadd9 [Cadd9]
-
A [D]
out.
Coda
Interlude Gtr. 1: w/ Rhy. Fig. 5 Gtr. 2: w/ Rhy. Fig. 6
Gsus2 [Csus2]
[Csus2] Gtr. 1
D5 [G5]
A [D]
[G5]
[D]
Bm [Em]
It’s
Gtr. 2
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 0
0 0 2 0
0 0 2 0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bridge [Em]
[Cadd9]
Rhy. Fig. 7
two
a.
4 2
[G5]
- y,
7 5
4 2
feel - ing
I
just
a
y
me.
for
Hope you know it’s
not
End Rhy. Fig. 7A
5 5
5 5
5 5
It’s
friend.
5 5
7 5
lost
[D]
-
7 5
like
eas
4 2
4 2
eas
am.,
Rhy. Fig. 7A
End Rhy. Fig. 7
7 5
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A
Bm [Em]
two
a.
m.,
[G5]
-
0 0 2 0
6
0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
feel - ing
like
I
just
lost
a
eas
friend.
-
y
for
0 0 2 0
0 0 2 0
0 0 2 0
0 0
0 0
Hope you know this
mp
me.
0 0 2 0
[D]
y,
Gtr. 2
Gtr. 1
eas
Gadd9 [Cadd9]
2 0
2 0
2 0
mp
2 0
ain’t
Pre-Chorus G [C]
D5 [G5]
A5 [D5]
And we know it’s nev - er
sim - ple, nev - er
eas - y.
Gtr. 2
Nev - er
Bm [Em]
a
clean break,
no one here to
save
8va
Harm.
12 12
7
12
7
7
12
Gtr. 1
0 3
0 1 0
2
1 0 2
0 0 3
G [C]
3 0 0
0 0
me,
0
2 0 0
3
D5 [G5]
3 2 0 0
0
2 0
A5 [D5]
0 0 0
oh.
8va
loco
2 0
0 0 0 2 2 0
2 0
I
0 0
0 0
can’t
mp
mf
0 0
0 0
0 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
0 0 3
1 0 2 3
0 0 X 3
0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
7
2
0 2 3
0 0 3
0 0 3
0 0 0
0 0 X 3
0 0 3
0 0
2 0
mf
0 0
3 2
0
3 2
0 0
Chorus Gtr. 1: w/ Rhy. Fig. 5 (3 times) Gtr. 2: w/ Rhy. Fig. 6 (3 times)
Gsus2 [Csus2]
D5 [G5]
A [D]
breathe
A [D]
with - out
Bm [Em]
with - out
Bm [Em]
you,
but I
have
to.
Gsus2 [Csus2]
Breathe
you,
D5 [G5]
but
I
have
Gsus2 [Csus2]
to.
D5 [G5]
Breathe
A [D]
Bm [Em]
with - out
you,
but I
have
to.
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[Csus2] Gtr. 1
[G5]
Gtr. 2
0 0 0 0 X 5
[D]
0 0 0 0 X 5
0 0 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 0
0 0 0
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 0
Outro Gtr. 1: w/ Rhy. Fig. 5
Gsus2 [Csus2]
sor
0 0 0 0 X 5
-
ry,
I’m
sor
-
ry,
I’m
sor
-
yeah.
ry,
I’m
sor
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
A [D]
Gsus2 [Csus2)
sor - ry,
I’m sor - ry,
I’m sor - ry.)
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 2 0
0 0 2 0
0 0 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
Gtr. 1
Gtr. 2
0 0 0 0 X 5 Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 2 0
2 3 2 0
mp
I’m
ry.
Oo.
-
D5 [G5]
Gsus2 [Csus2]
8
Bm [Em]
yeah,
Oo,
(I’m
A [D]
3 0 0 3
D5 [G5]
mp 0 0 0 0 X 5
from Taylor Swift - Fearless
Tell Me Why Words and Music by Taylor Swift and Liz Rose Csus2
Intro Moderately q = 100 **G5
2
G5
34
2
D5
34
13
12
End Riff A
Riff A
*Gtr. 1
Em
mf
3
5
3
5 3
3
5
3
5
3
5
3
5 3
3
5
3
5
3
5
3
5 3
3
5
3
5
3
5
3
5 3
3
5
3
5
*Fiddle arr. for gtr. **Chord symbols reflect overall harmony.
Verse Gtr. 1 tacet
Cadd9
1. I
took
Rhy. Fig. 1 Gtr. 2 (acous.)
mf
chance,
a
let ring throughout
3 3 0
3 0
2 3
G5
3 3 0 0
0 0 0
I
shot.
took
3 0 0
3 3 0
3 3 0
0 0
3
Gtr. 1
a
3
Dsus4
And you might
Gtr. 2
2 0
3
3 3 2
Gtr. 2: w/ Rhy. Fig. 1
Em7
think
I’m
bul
0 0 0
3 3 0 0
Cadd9
-
let
-
2 2 0
3 0
3 3 0
proof,
but I’m
not.
You took a
swing,
End Rhy. Fig. 1
0 0
3 0 0
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music and Hillsboro Valley Songs All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
Chorus
I took it
hard.
Csus2
Dsus4
f
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
tired tired
of of
the
ground
I
see
And down here
I’m sick and I’m sick and *Gtrs. 2 & 3
Em7
from
G5
your your
at - ti - tude. rea sons.
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
who
you
are.
I’m feel - ing I got no
like one
I don’t to be
-
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
*Gtr. 3 (elec.) w/ slight dist., let ring throughout. Composite arrangement
D
know lieve
2 3 2 0
3 3 0 X 3
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
tell tell
me me
that that
And
3 3 0 X 3
3 3 0 X 3
I
you you
2 3 2 0
2 3 2 0
2 3 2 0
Rhy. Fig. 2
2 3 2 0
You You
Csus2
you. in.
Em7
like
love want
0 0
me, me,
0 3 0 2 2 0
0 3 0 2 2 0
0 0
G5
a
heart
then then
cut push
me me
a
0 3 0 2 2 0
-
need
you
beat,
but
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
you know
-
down. round.
0 3 0 2 2 0
0 3 0 2 2 0
0 0
you
got
0 0
a
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
D
mean
2 3 2 0
streak.
Em7
Makes
me
run
2 3 2 0
2 3 2 0
And
3 3 0 X 3
here’s
3 3 0 X 3
G5
said last
for
cov
0 0
0 0
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
Em7
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 3 0 2 2 0
0 3 0 2 2 0
and
your
2 3 2 0
2 3 2 0
0 3 0 2 2 0
0 3 0 2 2 0
I
tem - per.
that
0 0 0
3 3 0 X 3
3 3 0 X 3
-
round.
3 3 0 X 2
End Rhy. Fig. 2
Yes,
I
re
-
2 3 2 0
2 3 2 0
2 3 2 0
0 0
0 0
To Coda
you see
Csus2
know
0 0 0
2 3 2 0
End Rhy. Fig. 3
0 3 0 2 2 0
a
3 3 0 0 X 3
you’re
3 2 0 X 2
G/B
0 3 0 2 2 0
And
when
night.
er
you
-
G5
D
3 2 0 X 2
D/F#
mem - ber what you
to
3 3 0 X 3
2 3 2 0
Rhy. Fig. 3
2 3 2 0
Csus2
D/F#
what you’re do
3 3 0 X 3
-
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
Interlude
D5
-
D
ing
to
me.
µ
Tell me
P.M. 3 2 0
3 2 0
3 2 0
3 2 0
2 3 2 0
why.
Gtr. 1: w/ Riff A
G5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Verse Csus2
G5
3 3 0 X 3
D
some
-
3 3 0 X 3
3 3 0 2 3
one’s
2 3 2 0
2 3 2 0
2 3 2 0
Csus2 Gtr. 2
4
per
-
what
I’m
7 5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 7
X X
X X X
X X X
X X
7 5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Em
so
try’n’
how
to
ru
-
in
X X X
X X X
X X X
fused
5 3
5 3
3
0
to
say.
7 7 5
-
7
(Gtr. 2, cont. in slashes)
0 0 0 2 2 0
5 5 3
3
G5
con
P.M. 7
X X X
P.M. 3
X X X
get
7 7
day.
7 5
on
5
fect
book
X X X
3
a
X X X
X X
X X
X
7 7 5
5 5 3
get
write
D5
Well, I
5 5 3
2. You could
Gtr. 3
and
frus - trat
X X
X X
ed.
5 3
X X
X X
5 3
7 7
9 9 7
9 7
9 9
9 9
X X
X X
9 7
-
X X
X X
D.S. al Coda
(cont. in notation)
Oh,
For
5 3
Em
-
oh.
9 7
9 7
9 7
9
X
0 0
Coda
D
-
ing
to
me.
Gtr. 4 (elec.)
G5
Tell
me
why.
12 12 10
mf w/ slight dist.
9 Gtrs. 2 & 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
2 3 2 0
2 3 2 0
2 3 2 0
0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0
Bridge Gtr. 4 tacet
Em
Why
7
9 X 7
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
G5
you
can
Gtrs. 2 & 3
feel
let ring
5
0
whole
9 X 7
9 X 7
7 5
7 X 5
7 X 5
7 X 5
7
3 2 0 X 2
in
-
0 0 0 2 2 0
Dadd4
Em
side?
4
0
let ring
3
small
so
4 X 2
5
feel
9
make me
11 11 X X 9 9
to
11 X 9
do you have
12 11 X 10 9
Csus2
3
Why
D/F#
3 3 0 X 3
do you have
to
0 0 0 2 2 0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Csus2
put down
my
A5
dreams
so
you’re the
on - ly
C
thing
on
D5
my
mind?
Gtr. 2
2 0
2 0
2 0
0
P.M.
3 3 0 X 3
3 2 0
0 0
0
0 2 3
0
2 0
0
5 3
7 5
2 0
2 0
0 2 3
2 0
2 0
0 2 3
0 0
Gtr. 3
P.M.
3 3 0 X 3
0
0
2 0
P.M.
2 0
5 3
5 3
Chorus Gtr. 2: w/ Rhy. Fig. 1 (1st 2 meas.) Gtr. 3 tacet
Cadd9
G5
And
Dsus4
know
Gtr. 2
you.
sick
and
tired
at
of
your
You
tell
me
that
-
you
want
3 3 0 0
0 0 0
3 0 2 2 0
3 3 0
3 3 0 2 2 0
feel - ing
like
I
don’t
me
I’m
ti - tude.
3 3 2
3
Em7
2 0
I’m
and
cut
3 3 0
me
3 3 0 2 2 0
3 3 0
3 3 0
Gtr. 2: w/ Rhy. Fig. 2
Csus2
down.
G5
I’m sick and
tired
rea
-
3
3
3
5
of your
sons.
I
got
no
one
to
be
-
Gtr. 3
mp
3
3
3
P.M.
3
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
X
X
3
3
X
3
3
5
3
X
3
3
3
3
3
3
7
Gtrs. 2 & 3: w/ Rhy. Fig. 3
D
Em7
lieve
in.
D
Csus2
5
5
X
and
your
that
Gtrs. 2 & 3
3 3 0 X 3
3 3 0 X 3
G5
X
me for
my
5
5
tem - per.
you
see
5
X
X
Yes,
I
re
5
G5
- mem - ber
0 0 0 2 2 0
3 2 0 X 2
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
what
you
said
last
D
what
you’re
do
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
-
Here’s
ing
to
2 3 2 0
2 3 2 0
2 3 2 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 3 0 2 2 0
0 3 0 2 2 0
you
0 3 0 2 2 0
I
know
tell
me
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
And
me,
Em7
Why?
to
night.
Em7
a - round.
2
why.
Csus2
D/F#
G/B
then you push me
f
5
G5
3 3 0 X 3
5
D/F#
love,
P.M.
5
You ask
Tell
me
why.
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Csus2
D
G/B
Oh.
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 0 X 2
Outro
G5
I
take
a
step
Gtr. 3 tacet
Csus2
back,
Gtr. 2
3 3 0 X 3
let
you
go.
3 3 0 0 X 3
Gtr. 3
3 3 0 X 3
8
2 3 2 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I
I’m
told you
not
bul
G5
-
let
proof,
-
0 0 0 2 2 0
0 0 2
now
you
know.
Gtr. 2
Em
D
3 3 0 0 X 3
from Taylor Swift - Fearless
You’re Not Sorry
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
=
Intro Slowly q = 67 Em
3
C/E
*Gtr. 1
Words and Music by Taylor Swift
8 8 9
8 8 9
G
12 12
12 12
D/F#
10 11
10 11
Em
7 8 9
7 8 9
C
Rhy. Fig. 1
mp
8 8 9
8 8 9
G
12 12
12 12
D/F#
End Rhy. Fig. 1
w/ fingers let ring throughout
7 8 9
7 8 9
7
10
9
7
10 11
10
8
10 11
9
*Piano arr. for gtr.
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 times)
Em
1. All
this
time
I
was
out
chanc - es
wast - ing,
hop - ing
you
would
tak - en
me
this
Em
think - ing
we’ll
be
ev - ’ry
time
and
all
you
do
is
long,
fine
Gtr. 2 (slight dist.)
ba - by,
but
I
come
let
D/F#
fig - ured
a - gain, but
not
this
you
D/F#
out.
time
I’ve
been
And
it’s
And you’re
G
me down.
a - round.
G
C
D/F#
G
C
C
Em
G
Em
giv - ing
C
a - round.
D
You
don’t
have
to
8va
** p Harm.
mf
7 7 7
7 8 9
7 8 9
8 8 9
8 8 9
Gtr. 1
Rhy. Fig. 2
7
8
12 12
12 12
10
**Vol. swell
End Rhy. Fig. 2
10 11 10
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus Gtr. 1 tacet
* Em
C
call
an - y - more,
Gtr. 2
loco
P.M.
0 0 0 0
I won’t
3
0
pick
1 0
D
P.M.
G
up
the
phone.
P.M.
1 0
This
P.M.
3
the
3 2
0
Csus2
last
let ring
0
Em
0 0 0
3
is
Em[add9]
C
straw,
0 4
0 2
don’t wan - na
0 X 5
3
0 2 3
*Chord symbols reflect overall harmony.
hurt
an
-
D
y
-
B/D#
And you can
tell
3 2 0
D
did
but
I
1
3
0
2
be - fore.
let ring
0
B/D# Em[add9]
You’re not
0
0 4
1
3
0 2
0 X 5
0
3 0
0
let ring
0
G
no,
no,
0 0
3
C
Harm.
0 0 3
no.
P.M.
0 0 3
Interlude Em
D5
no,
I
3
Csus2
sor - ry...
2 0
Em
don’t be - lieve you, ba - by, like
3
G
that you’re sor - ry,
let ring
0 0
me
P.M.
3
Cadd9
more.
Em7
G
12 12 12
2 0
3
Verse
G
D
Harm. let ring
12 12
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 7
Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2 tacet
Em
2.You’re
C
G
look - ing so
in - no - cent, I might be - lieve you if
I
did
D/F#
-
n’t know.
Could - a
Em
C
loved you
all
my
life
if
you had - n’t
Gtr. 2
G
left
me wait - ing
D/F#
in
0 X 2
Em
C
se - crets and I’m tired
of
be - ing
let ring
P.M.
1 0 X
0
X
1 0
X
X
0
2
whoa.
0 0 0
3
0
5
you 3
2 3 2
let ring
0 0 0
D/F#
to know,
3
last
0
0
And
G
got your share of
the cold.
let ring
0
And now you’re
2 3 2
3 2
3 2
let ring
X
X
0
3
Gtr. 1: w/ Rhy. Fig. 2
Em
ask - ing
me
to
X
lis - ten ’cause it’s worked
each
G
0 0
0 0
time
X
0
D
be - fore.
But you
don’t
have
to
let ring
1 0
0
P.M.
0 0 0 X
C
0 4
3
0
5
3
0
3
0
4
0 0
Chorus
Em
C
G
call
an - y - more,
Rhy. Fig. 3
2 0
I won’t
pick
up
the
phone.
This
B/D#
is
the
Em[add9]
Em
last
Csus2
C
straw,
don’t wan - na
1 0
3 0 0
2 0
0
0 4
0 2
0 X 3
0 0 0 2 0
D
3
0 X 3
3
3
1
0 X 5
0
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G
an
- y
hurt
-
but
P.M.
I
don’t be - lieve you, ba - by, like
let ring
let ring
0
3 2 0
0
D
B/D#
did
be - fore.
3
0 2
Em[add9]
You’re not
0 0 0 3
me that you’re sor - ry,
2 0 0
3
Em
Csus2
sor - ry,
no,
0
0 4
0 2
1
3 0
0
3 3
3 3
G
D5
no.
0 X 5
I
3
0
G
tell
End Rhy. Fig. 3
Cadd9
3
Em7
And you can
3 0 0 3
more.
P.M.
D
You’re not
0 0 3
3
0 0 0
3 2 0
3
Guitar Solo
Em
sor - ry,
C
no,
no.
G
D
8va
12 12
12 12
12 12
12 12
12 12
12 12
12 12
12 12
12 12
12 12
12 12
7 7
G
D
Em
4
4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1/2
4
4
0 2
2
loco
Harm.
12 12
Em
0 8
9
C
G
7
9
0 10
0 8
10
13
0 12
10
8
12
0 8
10
13
D
0 12
8
5
3. You had me
rake
0 8
0 10
C
1
10
10 X
1
10
10
Verse Gtr. 2 tacet
Em
Esus4
C
C6
crawl - ing
for
you, hon - ey,
and
it
G
nev - er would have gone
a - way,
8 9 9
10 9 9
8 9 10
10 9 10
8 7
Em
C
shine
so
bright,
but
I
watched
all
7
8 9
9
of
8 9 10
8 9 10
it
You used
7 7
G/D
no.
Gtr. 1
D
fade.
7 7
10 7
D
So
you
don’t
have
7 8 7
5 7 7
to
to
Chorus Gtr. 1 tacet Gtr. 2: w/ Rhy. Fig. 3
Em
C
call
Em
Csus2
straw,
Em[add9]
I
won’t
pick
up
the
phone.
Em
G
there’s noth - ing
left
to
beg
Csus2
G
tell
Gtr. 2
0 0 4
me that you’re sor - ry,
0 2
but
I
don’t be - lieve you, ba - by, like
0 0
0 X 5
This
is
B/D#
the
D
D
C
last
an - y - more,
Em[add9]
G
I
for.
did
be
And
you
can
D
- fore.
You’re not
let ring
0 0 3
2
5
0
3
0
3 4
0
3
0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Em[add9]
Em
Csus2
sor - ry,
no,
G
D
no.
Em7
You’re not
Csus2
sor - ry,
no,
0 2
G
0 X 5
3 0 5
0 0 3
3 0 5
No,
P.M.
0 X
no,
3 2
0 0
3
Em
0 0
0 0
C
no,
3 0 5
3 2 4
3 2 4
Outro Em
D5
3 0 5
0 0
no,
3 2 0
C
no,
no,
no,
0 0
3 2
2 0
let ring
0 0
0 0 3
G
no,
1 0
1 0
0
0 X 3
3
Em
3 0 0
0 X 3
no.
No,
3 0
3 0
3 2 0
3 2 0
3 2 0
0
C
oh,
3 0
D
Whoa,
0
3
no,
0
D
no.
3 0
0
2
2 0
G
3 2 4
no.
let ring
0 0 4
oh.
1/2
4
7
5
7
5
G
4
5
3
2
D
Oh,
oh,
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
2
4
oh.
2
2
2
2 0
0
Em
3 2 0
3
0 0
C
oh,
oh,
4
5
7
G
Oh,
1/2
6
5
no,
7
5
9
0 10
0 8
10
13
0 12
8
5
4
no.
4
4
D
1/2
0 8
5
4
5
5
0 2
2
Em
C
G
D
3
No,
*p
no,
Gtr. 2
mf
p
mf
Harm.
12 12 12
7 7
*Vol. swell
7 8 9
7 8 9
8 8 9
8 8 9
Gtr. 1
7
12 12
12 12
10 11
10 11
10
8
Em
C
10
G
rit.
no.
Harm.
D
Em
8va
mp Harm.
rit.
12 12
7 8
7 8 9
7 8 9
5 7
8 9
12 12
12 12
10 11
5 5
Pitch: B G
rit.
7
8 8 9 8
10
10
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
The Way I Loved You Words and Music by Taylor Swift and John Rich
[E]
231
[B]
[F#m]
[A]
1333
134111
111
[Bsus4]
[F#m11]
134
[Asus2]
[Am]
34
231
2 34
Capo I
Intro Moderately slow q = 81
F5
C5 [B5]
**[E5] Gtr. 1 (acous.)
G5 [F#5]
2 0
2 0
2 0
2 0
*Gtr. 2 (elec.)
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
mp
w/ clean tone P.M.
4 2
4 2
4 2
4 2
4 2
4 4 2
4 2
(cont. in slashes)
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
4 2
4 2
4 2
4 2
4 2
4 2
2 2 0
4 2
2 2 0
2 2 0
mf
4 2
0 1 2 2 0
4 2
f
4 2
2 0
Bbm [Am]
mf
Bb5 [A5]
4 2
4 2
4 2
4 2
4 2
4 2
4 2
2 0
4 2
2 0
2 0
2 0
0 1 2 2 0
0 1 2 2 0
*Two gtrs. arr. for one. **Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
[E]
[B]
[F#m]
[A]
Rhy. Fig. 1
Gtr. 1
[B]
End Rhy. Fig. 1
(cont. in notation)
Gtr. 3 (elec.)
f w/ slight dist. let ring throughout
4
Gtr. 2
5
0
5
0
5
0
4
0 4
4
4
0 4
4
5
0 4
4
5
0 4
4
4
0 4
4
5
Rhy. Fig. 1A
2 0
2 0
4
End Rhy. Fig. 1A
2 0
0 4
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
2 0
2 0
Copyright © 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music and J Money Music All Rights on behalf of Sony/ATV Music Publishing LLC and Taylor Swift Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 All Rights on behalf of J Money Music Administered by Do Write Music, LLC International Copyright Secured All Rights Reserved
2 0
2 0
4 2
4 2
4 2
4 2
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Verse Gtrs. 2 & 3 tacet
F5 [E5]
C5 [B5]
1. He
is
sen - si - ble
G5 [F#5]
and
so
in
-
cred - i - ble
and
all
my
sin - gle
friends
are jeal -
Rhy. Fig. 2
Gtr. 1
mp
4 2
4 2
4 2
4 2
4 2
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times) Gtr. 2 tacet
Bb5 [A5]
-
F5 [E5]
ous.
He
C5 [B5]
says
ev - ’ry - thing
End Rhy. Fig. 2
Gtr. 1
P.M.
2 0
2 0
2 0
2 0
0
4
2
Riff A
Gtr. 2
I
need
to
hear and it’s
like
0 End Riff A
mf P.M. 0
0
4
2
0
Gtr. 2: w/ Riff A
G5 [F#5]
Bb5 [A5]
I
C5 [B5]
could - n’t
I
2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ask
for
an - y
- thing
bet - ter.
G5 [F#5]
get
in
-
to
car
his
and
he
He
o - pens
F5 [E5]
says,
“You look
beau
up
my
- ti - ful
door
and
to - night.”
Bbm [Am]
And
I
feel
per - fect - ly
P.M.
2 0
2 0
2 0
2 0
Gtr. 2
2 0
2 0
2 0
let ring
2
0
0
Chorus
[E]
Rhy. Fig. 3
Gtr. 1
Bit
I
miss
(cont. in slashes)
0 1 2 2 0
0 1 2
[Bsus4]
fine.
1
2
mf
2 0
Gtr. 1
scream -ing and fight
-
ing and kiss
-
ing
in
the rain
and it’s
two
a.
m.
and I’m
curs - ing
your
name.
Riff B
Gtr. 3
4
Gtr. 2
You’re
End Riff B
5
0 4
5
0 4
5
4
4
0 4
4
0 4
4
Rhy. Fig. 3A
0 0 1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
f
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[F#m11]
[Asus2]
so
in
that
you
act
in
sane.
And
0
5
6
-
0
5
love
6
5
6
[Bsus4]
that’s
the
way
I
loved
6
8
you.
0
5
6
End Rhy. Fig. 3
0
0
End Rhy. Fig. 3A
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
2 0
2 0
2 0
4 2
4 2
4 2
4 2
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1st 2 meas.) Gtr. 3: w/ Riff B
F [E]
Break - in’ down
and com
-
ing
un - done,
it’s
Csus4 [Bsus4]
a
rol - ler coast - er
To Coda
kind - a
rush.
And
I
Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
[F#m11] Gtr. 1
nev - er knew
Gtr. 3
2
0
I could feel
0 2
0
that much and
0 2
0
Gtr. 2
4 2
4
4 2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4 2
4 2
4 2
4 2
4 2
4 2
[Asus2]
[Am]
that’s the way
I loved
0
0 2
1
2
(2nd time, cont. in slashes)
2 0
2 0
2 0
1 2 2 0
0 2
2 0
you.
2
F [E]
1 2 2 0
1 2 2 0
1 2 2 0
1
0
0
0
1
0 1
0
C [B]
Gm [F#m]
Gtr. 3
0
4
4
4
0
4
4
4
Bb [A]
4
0
5
6
6
0
5
0 7
6
C [B]
0 7
0 7
0 7
0 5
0 5
0 4 4
0 4 4
0 5
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 3 tacet
F5 [E5]
C5 [B5]
2. He
re - spects my
Bb5 [A5]
and
F5 [E5]
says
space
he will.
nev
He’s
G5 [F#5]
-
close
er
makes me
wait
and
he
- ly when
he
calls
ex - act
C5 [B5]
to
my moth
-
er,
talks
busi - ness
with
3
my
fa
-
ther. He’s
D.S. al Coda
G5 [F#5]
ing
and
charm
-
Bbm [Am]
en - dear
-
ing
and
I’m
com
Gtr. 1
4 2
4 2
4 2
Gtr. 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
-
f’ta - ble.
But
I
miss
(cont. in slashes)
1 2 2 0
2 0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Coda Guitar Solo Gtr. 3 tacet
[E]
*Gtrs. 1&2
[Bsus4]
Gtr. 4 (elec.)
f 1/2
w/ slight dist.
1
0
0
2
0
0
2
0
0
5
0
7
9
9
1
0 0
2
0
0
2
0
5
7
7
9
7
7
*Composite arrangement
[F#m11]
let ring let ring 1
1
9
12
12
9
(cont. in notation)
1
12
11
[Asus2]
11
10
9
11
9
9 11
12
9
9
11
9
11
9
9
11
9
11
9
9
11
9
11 9
7
9
Bridge Gtr. 4 tacet
G5 [F#5]
He
can’t
see
the
smile
I’m
fak
-
ing,
and
my
heart’s
not
7
9
Gtrs. 1 & 2
4 4 2
6
Gtr. 4
Bb [A]
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4 4 2
4 4 2
4 4 2
2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
F [E]
C5 [B5]
break
Gtrs. 1 & 2
-
0 0 1 2 2 0
you
4 4 2
’cause I’m
not
feel
-
ing
an
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0
0 0 1 2 2 0
wild
and
cra
-
zy,
4 4 2
4 4 2
Bb [A]
tox
-
0 0 1 2 2 0
i - cat
-
ing,
com
0 0 1 2 2 0
-
pli - cat
0 0 1 2 2 0
-
ed.
0 2 2 2 0
0 0 1 2 2 0
frus - trat
Got
at
2 2 0
- thing
so
4 4 2
y
just
-
C5 [B5]
And
F [E]
all.
0 0 1 2 2 0
were
0 0 1 2 2 0
G5 [F#5]
ing
-
ing,
in -
0 2 2 2 0
a - way
by
4 4 2
0 2 2 2 0
some
mis - take
and
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Chorus Gtr. 2 tacet
Bbsus2 [Asus2]
now
mp 0 0 2 2 0
I
F5 [E5]
miss
scream - ing
and
fight
-
ing
and
kiss
-
ing
in
the
rain.
It’s
Gtr. 1
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
P.M.
2 0
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 4 tacet
C5 [B5]
G5 [F#5]
two a.
m.
and I’m curs -ing your
Gtr. 4
name.
I’m
so in
love
that I
act -ed in - sane,
let ring
9 9
9 11 9
11
11
9 11 9
12
and that’s the way I loved
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
you.
9 11 9 11
P.M.
4 2
Gtr. 1
mf
C [B]
Bb [A]
4 2
4 2
4 2
4 2
4 2
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0
4 2
4 4 4 2
2 4 4 4 2
f
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A Gtr. 3: w/ Riff B
F [E]
Break - in’ down
Gm11 [F#m11]
nev - er
Gtr. 3
2
8
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
and com
0
knew
-
ing
un - done,
it’s
Csus4 [Bsus4]
a
rol - ler coast - er
Bbsus2 [Asus2]
I
0 2
could
feel
0
that
much.
0 2
And
0
kind - a
that’s
the
way
I
loved
2
0
0
rush.
And
I
Csus4 [Bsus4]
0
4
you.
4
0
5
Outro Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1 3/4 times)
0 4
oh.
4
6
F [E]
5
5
7
0 7
0 5
Oh,
0
5
4
4
0
0 5
0 5
7
0
5
4
Nev - er knew
I could feel
that much,
and
that’s
the
way
I
loved
6
0 5 6
0 5 6
0 5 6
0 5 6
0 7 8
0 7 8
0 7 8
0 7 8
oh,
oh,
5
4
0 4
6
5
5
7
0
5
7
0 5
5 2 0
0
way
*Gtrs. 2 & 3
I
loved
0 1 2 2 0
you.
oh,
0 4
[Am]
that’s the
rit.
4
rit. rit.
and
4
0
4
C [B]
[A]
4
4
Gtr. 1
C [B]
Gm [F#m]
oh,
oh,
oh,
whoa,
0
Bb [A]
Whoa,
4
4
oh,
Oh,
5
0
5
4
Gm [F#m]
5
whoa.
4
4
[E]
you.
C [B]
F [E]
0 0 1 2 2 0
*Composite arrangement
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
Forever & Always Words and Music by Taylor Swift
[C]
[G5]
32 1
Gtrs. 1 & 2: Capo III Gtrs. 3, 4 & 5: Capo I
2
[D]
34
[Em]
132
[C'9]
12
[D5]
21 34
13
Verse Moderately q = 129 Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Ebadd9 * [Cadd9]
1. Once up - on
a
Bb5 [G5]
time,
I
F [D]
be - lieve it
Rhy. Fig. 1
Gtr. 1 (acous.)
mf
Ebadd9 [Cadd9]
was
a
Tues - day when I
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
2 3 2 0
2 3 2 0
0 0
0 0 0
caught your eye
and we caught
End Rhy. Fig. 1
P.M.
3 0 2 3
2 3 2 0
3 0 0
*Symbols in parentheses represent chord names respective to capoed gtrs. 1 & 2. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Bb5 [G5]
F [D]
on - to some
-
thing.
Ebadd9 [Cadd9]
I
hold
on
-
to
the
night
Bb5 [G5]
you
F [D]
looked me
in
the
eye
and
told
me
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Ebadd9 [Cadd9]
you
Gtr. 1
P.M.
2 3
loved
2 3
3 0
thing
P.M.
2 3
Bb5 [G5]
2 3
me.
2 3
3 0
is
0 0
2 3 2 0 0
F [D]
F/C [D/A]
Ebadd9 [Cadd9]
Were you
Ebadd9 [Cadd9]
break - ing down. We
al - most
just
nev - er
speak,
kid - ding? ’Cause
it
seems
to
me
this
Bb5 [G5]
I
don’t feel
F [D]
wel - come an - y - more.
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
Ba - by, what
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Ebadd9 [Cadd9]
Bb5 [G5]
hap -pened? Please
P.M. 3
3 0 2 3
3
tell me ’cause one
3
3
sec - ond it was per -fect, now you’re half
P.M. 3 0 2 3
F [D]
P.M.
P.M.
0 0
0 0
3
3
out
the door.
And I
stare
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
P.M.
0 0 3
- way
3 2 0
0 0
0
3
Pre-Chorus
Eb [C] ** [[D]]
at the phone, he still Gtr. 3 (elec.)
Bb5 [G5] [[A5]]
has - n’t
F [D] [[E]]
called
and then you
feel so
low you
*** mf w/ slight dist let ring throughout
9
***Vol. knob at half vol.
*Gtrs. 1 & 2 (acous.)
mf 0 1 0 2 3
9
10
7
10
7
9
3 3 0 0 X 3
2 3 2 0
*Composite arrangement **Symbols in double parentheses represent chord names respective to capoed gtrs. 3, 4 & 5. Capoed fret is “0” in tab.
Eb [C] [[D]]
flash - back
to
when
Bb/D [G/B] [[A/C#]]
he
said
for - ev - er and
al
9
10
10
can’t feel
10
10
10
Gm [Em] [[F#m]]
F [D] [[E]]
-
ways.
noth - ing at
all.
9
10
10
10
10
9
10
9
10
7
9
7
9
10
0 0 0 2 2 0
Oh,
oh,
and
it
†
10
And you
f
9
2
0 1 0 2 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17
3 0 0 2
†Vol swell to full vol.
2 3 2 0
3 2 0
3 2 0
3 2 0
(cont. in slashes)
Chorus [C]
[G5]
Rhy. Fig. 2
Gtrs. 1&2
[D]
f
rains
in your bed -room,
ev
-
’ry - thing is wrong.
It
[Em]
rains when you’re here and it
rains
when you’re gone.
’Cause
Rhy. Fig. 2A
*Gtrs. 3 & 4 (elec.)
f
w/ slight dist.
3 2 0
3 2 0
3 2 0
3 2 0
0 0
2 0
2 2 0
2 0
2 2 0
0 0 4 2
0 4 2 2 0
0 0
0 0 4 2
2 2 2 4 4 2
2 2 2 4 4 2
0 0 2 2
0
2 2 2 4 4 2
2 2 2 4 4 2
0 0 0
*Composite arrangement
To Coda
[C]
[G5]
I
was
there
3 2 0
3 2 0
when
3 2 0
3 2 0
0 0
End Rhy. Fig. 2
you
[D]
said
for - ev - er and al
End Rhy. Fig. 2A
2 0
2 0
2 0
2 0
2 0
2 0
-
(Gtr. 2, cont. in notation)
ways.
2. Was I
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
Verse Gtrs. 3 & 4 tacet
[Cadd9] Rhy. Fig. 3
Gtr. 1
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
[G5]
mf
out
Gtr. 2
of
line?
3
3
Did
I
say
3 0
[D]
3
some - thing way
Ebadd9 [Cadd9] End Rhy. Fig. 3
too
hon - est? Made you
run
and
hide
3 0
3
3 0
like
3
a
0
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bb5 [G5]
F [D]
scared
Ebadd9 [Cadd9]
lit - tle
boy.
I
looked in
-
to
your eyes,
3
thought I
3
3
0
3
0
F [D]
knew you
Bb5 [G5]
for
a
min - ute. Now I’m
0
Gtr. 2 tacet
Ebadd9 [Cadd9] [[Dadd9]]
so
sure.
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
2 3 2 0
3 3 0 2 3
3 3 0
0
2
- lence
2 3 2 0
ev -’ry - thing
2 3 2 0
2 3 2 0
2 3 2 0
2 0
2 0
2 0
2 0
2 0
2 0
0 0
Bb5 [G5] [[A5]]
that
3 3 0
3 3 0
3 2 0
3 2 0
3 3 0
to the
core.
3 3 0
3 3 0
3 0 0
Ebadd9 [Cadd9] [[Dadd9]]
Where is
F [D] [[E]]
me
com - ing down to noth - ing. Here’s to
cuts
this
go
-
ing?
Thought I
3 3 0 2 3
3 3 0
3 3 0
3 3 0
3 3 0 2 3
3 3 0
Gtrs. 3 & 4
3 2 0
4
2 3 2 0
So here’s to
3 2 0
2 3 2 0
f P.M.
Ebadd9 [Cadd9] [[Dadd9]]
si
2 3 2 0
Gtrs. 3 & 4
mf
Gtr. 1
µ
Gtr. 3
Ebadd9 [Cadd9] [[Dadd9]]
not Gtrs. 1 & 2
F [D] [[E]]
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 2 0
3 3 0
3 3 0
3 3 0
3 3 0
3 3 0
3 3 0
3 3 0
2 3 2
2 3 2
2 3 2
2 3 2
0 3 2 0
0 3 2 0
3 3 0
3 3 0
3 3 0
3 3 0
8va
_1
Harm.
_1
7 7 7
w/ bar
7 7 7
3 3 0
Bb5 [G5] [[A5]]
F [D] [[E]]
knew
Gtr. 1
Ebadd9 [Cadd9] [[Dadd9]]
for
a
min - ute,
but
I
don’t
an - y
-
F [D] [[E]]
more.
And
I
stare
(cont. in slashes)
3 3 0
3 3 0
3 3 0
loco
Gtr. 4
3 3 0
2 3 2
2 3 2
2 3 2
3 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
3 3 0 2 3
let ring
X X X
Gtr. 3
2 3 2 0
2
4
3
2
0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0
4
4
4
4
4
loco
P.M. P.M. 2 0
2 0
2 0
2 0
2 0
2 0
2 0
Pre-Chorus
[C] Gtrs. 1&2
at the
phone,
Gtr. 3
10
[G5]
[Em]
he still
has - n’t
called
and then you
feel so
low you
can’t feel
noth - ing at
all.
And you
10
10
9
9
7
9
10
10
10
10
Gtr. 4
2
[D]
1
2
4
2
1
2
10
9
10
9
10
2
1
2
4
2
1
2
9
7
1
2
1
9
7
9
7
9
2
2
1
2
10
9
10
9
10
9
10
2
2
1
2
4
2
1
2
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda
[C]
flash -back
[G5]
10
10
2 0
to
when
he
10
10
10
10
9
10
2 0
2 0
2 0
2 0
2 0
10
said
for - ev - er and al
9
10
9
10
-
9
ways.
Oh,
oh,
and
it
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9 12
2 0
10
[D]
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
17
let ring
0 0 4 2 2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Coda Interlude [Em]
[D]
Rhy. Fig. 4
You
did - n’t
mean
it,
ba - by.
[C]
12 12
2 2 2 4 4 2
2 2 2 4 4 2
2 2 0
2 2 0
0 0 1 2 2 0
I
don’t
think
Rhy. Fig. 4A
End Rhy. Fig. 4
so.
End Rhy. Fig. 4A
9
14
3 2 0
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Rhy. Fig. 2A (1st 5 meas.)
[Em]
[C]
[D]
[D]
w/ bar * P.M. Oh,
4 4 2
4 4 2
2 2 0
2 2 0
0 3 2 0 0
0 3 2 0 0
2 0
2 0
2 0
*Gradually lift P.M.
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 0
2 0
Eb [C] [[D]]
ho. Gtr. 5 (elec.)
2 0
2 0
0 0
f
w/ slight dist.
5
2
4
4
1
2
Bb5 [G5] [[A5]]
F [D] [[E]]
2
0 7
let ring 0 6
4
Gm [Em] [[F#m]]
2
rake
1
2
Eb [C] [[D]]
4
2
0 3
2
0 5
0 7
0 7
0 9
0 10
X X
Bb5 [G5] [[A5]]
[D]
Rhy. Fig. 5 Gtrs. 1&2
0 15
0 14
0 10
Gtr. 5
15
12 12 1
Gtrs. 3 & 4
2 0
2 0
2 0
2 0
2 0
2 0
0 0 1 2 2 0
0 0 1
2 2
1
15
Rhy. Fig. 5A
1
0 10
End Rhy. Fig. 5
1
1
Oh,
1
12
12
12
12
15
15
15
15
12 15
End Rhy. Fig. 5A
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2 0
2 0
2 0
Bridge Gtrs. 2, 3 & 4 tacet
Gm [Em] [[F#m]]
back
Gtr. 5
Gtr. 5 tacet
Ebadd9 [Cadd9] [[Dadd9]]
up,
ba - by, back
up.
F5 [D5] [[E5]]
Did you for - get
ev - ’ry
-
thing?
P.M. P.M.
(cont. in slashes) P.M.
1
14 17
Gtr. 1
P.M.
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
0 2 2 0
2 3
2 3
3 0 2 3
2 3
0 2 3
0 2 3
3 0 2 3
0 0
2 0
0
2 0
2 0
2 0
2 0 0
0 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
0 0
0 2
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[Em] Gtr. 1
Back
Gtr. 3
9
10
10
ba - by,
back
up.
up,
[D5]
[C]
Did
you
for - get
(cont. in notation)
ev - ’ry
-
thing?
7
7
w/ RotoVibe
9
10
9
10
9
10
10
10
10
10
7
9
9
7
9
Gtr. 4
P.M.
2
2
2
2
2
2
2
5
2
5
5
5
5
5
5
5
5
2 0
2 0
2 0
2 0
2 0
2 0
Ebadd9 [Cadd9] [[Dadd9]]
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 3 0 2 3
Gtr. 3
3 2 0
Gtr. 1
’Cause
5
3
5
0
3
5 0
9
7
7
9
7
Gtr. 4
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
(RotoVibe off)
7
3
5 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
2 0
it
0
* P.M.
2 0
2 0
2 0
2 0
2 0
2 0
0 0
* P.M.
2 0
2 0
2 0
2 0
2 0
2 0
0 0
9 10 11
2 0
*Gradually lift P.M.
8
2 0
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Rhy. Fig. 2A
Eb [C] [[D]]
rains
Gtr. 5
mf 7 X 5
Gm [Em] [[F#m]]
in
your
bed - room,
ev
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
6 X 4
when
6
4 X 2
4
Bb5 [G5] [[A5]]
you’re gone.
-
is
wrong.
6 X 4
6 X 4
6 X 4
6 X 4
’ry - thing
Eb [C] [[D]]
’Cause
I
was
there
F [D] [[E]]
and
it
rains
It
rains
6 X 4
4
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
2
when
when you’re here
Bb5 [G5] [[A5]]
you
said
for - ev - er
and
al -
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
6 X 4
6 X 4
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 5 Gtrs. 3 & 4: w/ Rhy. Fig. 5A
F [D] [[E]]
-
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 4 meas.) Gtrs. 3 & 4: w/ Rhy. Fig. 2A (1st 4 meas.)
9 X 7
9 X 7
9 X 7
Bb5 [G5] [[A5]]
11 X 9
called
9 X 7
11 X 9
13 X 11
13 X 11
has - n’t
9 X 7
11 X 9
9 X 7
9 X 7
at
the
phone,
13 X 11
14 X 12
14 X 12
ways.
and
then
you
Eb [C] [[D]]
Oh,
14 X 12
I
14 X 12
F [D] [[E]]
feel
so
14 X 12
stare
16 X 14
16 X 14
low
you
16 X 14
16 X 14
can’t
14 X 12
he
still
13 X 11
11 X 9
14 X 12
Gm [Em] [[F#m]]
feel
noth - ing
at
all.
And
9 X 7
9 X 7
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
you
11 X 9
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[C] Gtrs. 1&2
[G5]
to
when we
said
Gtr. 5
7 X 5
7 X 5
3 2 0
3 2 0
Gtrs. 3 & 4
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
3 2 0
3 2 0
flash back
7 X 5
[D]
-
ways.
And it
6 X 4
4 X 2
6 X 4
0 0
for - ev - er and al
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
2 0
2 0
2 0
2 0
2 0
2 0
4 X 2
4 X 2
4 X 2
4 X 2
9 X 7
9 X 7
0 0 4 2 2 0
0 0 4 2 2 0
9 X 7
9 X 7
13 X 11
0 0 4 2
2 0
13 X 11
2 0
0 0 4 2
13 X 11
13 X 11
14 X 12
14 X 12
2 0
0 0 4 2 2 0
0 0 4 2 2 0
14 X 12
0 0 4 2 2 0
0 0
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Rhy. Fig. 2A
Eb [C] [[D]]
rains
in
ev
your bed - room,
Gtr. 5
14 X 12
14 X 12
14 X 12
Gm [Em] [[F#m]]
14 X 12
when
10
14 X 12
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
’Cause
F [D] [[E]]
-
’ry - thing
is wrong.
It
rains
when you’re here and
it
rains
18 X 16
16 X 14
16 X 14
16 X 14
18 X 16
18 X 16
I
18 X 16
18 X 16
18 X 16
18 X 16
was
there
when
18 X 16
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
16 X 14
14 X 12
16 X 14
Bb5 [G5] [[A5]]
you
14 X 12
14 X 12
14 X 12
14 X 12
Eb [C] [[D]]
you’re gone.
14 X 12
14 X 12
Bb5 [G5] [[A5]]
16 X 14
16 X 14
14 X 12
said
for - ev - er
and
al -
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
Outro
Gtr. 5
16 X 14
Gtrs. 3 & 4
0 0 4 2 2 0
Gtrs. 1 & 2
You
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
did - n’t
mean
F [D] [[E]]
for - ev - er
and
al
-
ways,
0 1 0 2 3
0 0 0 2 2 0
0 0 0 2 2 0
You
said
Gtrs. 3 & 4
3 2 0 9
14
ba - by.
2 2 2 4 4 2
2 2 2 4 4 2
14 14
it,
(cont. in notation)
Gm [Em] [[F#m]]
[C]
4 2
4 2
2 2 0
Eb [C] [[D]]
ways.
[D]
2 2 0
-
3 2 0
yeah.
2 3 2 0
2 3 2 0
2 0
2 0
Gtrs. 1&2
[Em]
0 1 0 2 3
w/ bar
[D]
Gtr. 5 tacet
3 2 0
3 2 0
11
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Taylor Swift - Fearless
The Best Day
Gtr. 1: Tune down 1/2 step, Capo VII: (low to high) Eb-Ab-Db-Gb-Bb-Eb Gtr. 2: DADGAD tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Ab-Db
Words and Music by Taylor Swift
Intro Moderately q = 126
D
* [G]
Gtr. 1 (acous.)
mf
let ring throughout
1 2
0
0 0 0
0 0 0
0
4
0 0
0 0 0 X 3
3
Bm7 [Em7]
0 0
0 0 2 0
0 0 0
0 0 0
0 0 0 0
0 0 0 0 2 0
0 0 0 0
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
G [C]
A [D]
2 0 3
1 0 2
2
0 1 0
0 1 0
0 0 0 2 3
0 0 0 0
3 0 0
2 3 2
2 3 2 0
0 0 0
1 2
0 0
0
G [C]
0 0
0 0 2 0
2 0
0 0 0
0 0 0
2 0
0
0 0 0
0 0 0
3
Bm7 [Em7]
D [G]
0 0 0
2 0 3
2
1 0 2
0 1 0
0 1 0
0 0 0 2 3
0 0 0 0
3 2 0
0 0 0
0 0 0 X 3
0 0 0 0
3
A [D]
2 3 2
3 2 0
2 3 2
Asus4 [Dsus4]
3 3 2
3 2 0
3 0 0
Verse 2nd time, Gtr. 2: w/ Fill 1
D5 [G5]
1. I’m 2. I’m
Rhy. Fig. 1
0 0
3
five thir
-
years teen
3 3 0
3 3 0 0 X 3
3 3 0
3 3 0
Bm7 [Em7]
old, now
it’s and
2 0
get don’t
3 3 0 2 2
3 3 0
ting know
3 0
cold, how
3 3 0 2 2 0
G [C]
I’ve my
got friends
0 0 0
0 0 2 3
1
1 0 2 3
3 1 0
1 0 2 3
my could
3 1 0
0 1 0 2 3
0 0
Fill 1 Gtr. 2
0
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 1: w/ Rhy. Fig. 1 (2 3/4 times)
big be
coat so
on. mean.
2 3 2 0
3 2 0
ing me
at tight
Bm7 [Em7]
and un
the -
trac til
D5 [G5]
I and we
A [D]
the all
way their
hug talk
2 3 2 0
Gtr. 2 (acous.)
2 3 2
2 3 2 0
3 3 0 0
End Rhy. Fig. 1
you.
-
tor we
I I
hear come
your home
run grab
laugh cry
your and
legs win
run keys.
Look
a
now, town
and -
dow
far
fall shop
Rhy. Fig. 2
3 2 0
0 0
0 0 3
2
1 0
a
-
’til
I I
don’t don’t
3 1 3
the e -
sleep I’ve
the we
pump drive
sky nough
-
is a
-
3 1 0
3 1 0 2 3
0 0
2 0
2
0
2 2 0
kin and
patch drive
on
-
got
-
why who
gold. way,
know know
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
for
mf
2
smil hold
A [D]
let ring throughout
2 0 0 X 5
A [D]
up you
G [C]
look and
ing
past And
G [C]
Chorus G [C]
and -
D5 [G5]
Bm7 [Em7]
and the
rides. found
I and
A [D]
home. names.
Gtr. 1
2 0
G [C]
-
Bm7 [Em7]
D5 [G5]
A [D]
I’m
3 2
2 3 2 0
2 3 2
0
ten
all the gon - na
trees talk
2 3
2 3 2 0
3 3 0
Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times)
D5 [G5]
A/C# [D/F#]
change to
in now
the at
fall. school,
3 0 0
0 0 0
2
0 0 0
0 0 0
not ing
D5 [G5]
of car
on the
an - y ride
0
Don’t Don’t
0
5
know know
0
if how
0 0 0 2 2 0
0 0 0
0
0
0
4
-
thing
0 0 2 0 0 0
Bm [Em]
A [D]
0 0
0
White’s it’s
house
2 2
is gon - na
2
2
D5 [G5]
0
or
far to
0 0
2
0
A/C# [D/F#]
4
4
near take
0
0 2
4
0
0 0
all. you.
with
0 0
0
at home
Snow long
0
A/C# [D/F#]
scared
0 0 0
2
know you’re know I’m laugh -
5
Rhy. Fig. 3
End Rhy. Fig. 2
2
I but I
0
Gtr. 2
G [C]
0
4
G [C]
4
A [D]
0 0 2 0 0 0
0 0 0
3 2 0
0 X 2
3
-
Bm [Em]
feel
0 0 2 0
o
0 0 4
a - way, kay,
0 2 0
0 0
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm [Em]
but
I
Gtr. 1
2
know
0 0 0
0 0 0
I
had
the
0 0 0
0
4
best
4
2
0 0 0
4
0 0
day
0 0 0 2 2 0
1. A5 [D5]
1 0 2
3
1 0 2 3
with
End Rhy. Fig. 3
0
Gtr. 2
0
G [C]
4 0
3 1 0
3 1 0 3
0
0
to
- day.
0 0
3 2 0
3 2 0
0 0 0
0
0 0
2 0
5
you
Interlude Gtr. 1: w/ Rhy. Fig. 1
D5 [G5]
Bm7 [Em7]
G [C]
Gtr. 2
Harm.
2.
7 7 7 7
A [D]
2
D5 [G5]
2 3 2 0
2 0
4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
4
2
2 3 2
3 3
0
3 3 0
0
0
2
0
3 3 0 0 3
2 0
4
to - day.
A [D]
0 0 0
3 3 0 0
3 3 0
3
0 0
3 3 0 0
3 3 0 0
3 3 0 0
3 3 0 0
0 0 0
0 0 0
4
2
0
3
0 2 0
2
0
0 0 0
2
0
4
0
0
Bridge Gtr. 2 tacet
G [C]
I
have
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
an
ex
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
-
Bm [Em]
cel - lent
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
ther.
fa
-
His
strength
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
is mak
-
ing me
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
strong
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
- er.
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
5
G [C]
Bm [Em]
God
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
G [C]
on
my
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
smiles
Gtr. 1
I
grew
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
lit - tle
broth
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
up
in
a
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
-
er.
and
out,
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
-
ty
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
he’s bet
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
pret
In - side
A [D]
-
ter than I
am.
2 3 2 0
2 3 2 0
2 3 2 0
3 2
0
2 3 2 0
2 3 2 0
D [G]
house
3
and
I
3 3 0 0
3 3 0 0
had
0 0 0
space
3 3 0 0
3 3 0 0 X 3
3 3 0
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A/C# [D/F#]
G [C]
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
to
run.
0 X 2
3 2 0 X 2
3 2 0 X 2
And I
had
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
Asus4 [Dsus4]
A [D]
the
best
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
3 3 2 0
3 3 2 0
3 3 2 0
days
with you.
3 3 2 0
3 3 2 0
2 3 2 0
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 3/4 times)
D5 [G5]
3. There is
2 3 2 0
2 3 2 0
A [D]
I
was
Gtr. 2
8va
2 3
2
3 3
5 3 2
-
8va
chen
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
o
found
I
from
back
when
set
up
a
paint
Bm7 [Em7]
set
in
the
kit -
of
prin -
7 7
7
and
A [D]
you’re
Harm.
7
You
G [C]
e
D5 [G5]
Harm.
7
-
G [C]
3 3 0
vid
three.
a
Bm7 [Em7]
Asus4 [Dsus4]
talk - ing
7 7
7
to
D5 [G5]
me.
It’s
the
age
Bm7 [Em7]
-
cess
-
es
pi
and
-
D5 [G5]
And
G [C]
and
5
5
the
pret - ti - est
2
2
Sev - en
0
5
la
4
4
4
-
4
2
2
0
0
Dwarfs.
G [C]
the
0
0
0
0
and
you’re
2
0
loco
Bm7 [Em7]
0 0
ships
Dad - dy’s smart
rate
A [D]
dy
in
the
0
4
5
Chorus Gtr. 2 tacet
A5 [D5]
whole wide
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
G [C]
world.
And
Gtr. 1
now
I
know
A [D]
why
all
the
trees
2 0
D5 [G5]
A/C# [D/F#]
change
Gtr. 2
8va
Bm [Em]
in
the
fall.
Harm.
7
7
5
Pitch: A
7
5
D
5
A
5
G [C]
I
know
you
were
on
7
G
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 2: w/ Rhy. Fig. 3
A [D]
my
side
D5 [G5]
A/C# [D/F#]
e - ven
when
I
was
8va
Bm [Em]
And
I
wrong.
7
G [C]
love
you
for
giv - ing
A [D]
me your
eyes,
D5 [G5]
A/C# [D/F#]
Bm [Em]
stay - ing back
and watch
-
ing
me
shine.
And
Gtr. 2: w/ Rhy. Fig. 3 (last 4 meas.)
G [C]
I
G [C]
A [D]
did - n’t know if
you
knew,
2 0 3
2
1 0 2
0 1 0
-
1 0
3
2 3
0 0
2 3 2 0
you
I’m tak
ing this chance
to
3
2
say
D [G]
3
3 2 0
to -
day.
3 3
3 3 0 0 X 3
8va
Gtr. 2
0 0
5
8
so
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0
Harm.
0 0 5
Bm [Em]
0 0
0 0 2 0
with
A/C# [D/F#]
A [D]
day
Gtr. 1
D5 [G5]
7 7 7 7 7 7
that
I
had the
best
from Taylor Swift - Fearless
Change
Words and Music by Taylor Swift [[Em]]
Gtrs. 1, 3 & 4: Capo I Gtr. 2: Tune down 1 step: (low to high) D-G-C-F-A-D
Intro Moderately slow q = 96 F5 **[E5] [[G5]] Gtr. 3 (elec.)
[[C]]
12
[[D5]]
32 1
13
[[G5]]
2
[[D]]
34
132
[[Csus2]]
2
34
C/E [B/D#] [[D/F#]]
13 X 11
13 X 11
13 X 11
13 X 11
8 6
8 X 6
9 X 7
f
w/ slight dist.
13 X 11
Rhy. Fig. 1
*Gtr. 1 (elec.)
f
13 X 11
14 12
13 X 11
13 X 11
13 X 11
13 X 11
14 12
13 X 11
14 12
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
w/ slight dist.
2 2 0
2 2 0
*Two gtrs. arr. for one.
Rhy. Fig. 1A
Gtr. 2 (acous.)
mf
let ring throughout
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
**Symbols in parentheses represent chord names respective to capoed Gtrs. 1, 3 & 4. Capoed fret is “0” in tab. Symbols in double parentheses represent chord names respective to detuned Gtr. 2. Symbols above reflect actual sounding chords.
Dm [C#m] [[Em]]
9 7
13 X 11
6 6 4
0 0 0 2 2 0
6 6 4
0 0 0 2 2 0
6 6 4
0 0 0 2 2 0
6 6 4
6 6 4
6 6 4
0 0 0 2 2 0
6 6 4
0 0 0 2 2 0
6 6 4
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
F5 [E5] [[G5]]
13 13 13 14 13 X X X X 11 11 11 12 11
13 14 13 X X 11 12 11
Bb [A] [[C]]
13 X 11
13 14 13 X X 11 12 11
16 X 14
16 14
13 X 11
13 X 11 End Rhy. Fig. 1
2 2 0
2 2 0
2 2 0
2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
2 2 0
2 2 0
2 2 0
2 2 0
13 14 13 X X 11 12 11
13 13 13 14 13 X X X X 11 11 11 12 11
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
End Rhy. Fig. 1A
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
1
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C/E [B/D#] [[D/F#]]
Dm [C#m] [[Em]]
13 11
13 X 11
13 14 13 X X 11 12 11
8
8 X 6
9 X 7
X X X
8 9 6
8 9 6
8 9 6
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 0 0 2 2 0
X 11 X X X 9
0 0 0 2 2 0
0 0 0 2 2 0
9 X 7
X 11 11 X X X X 9 9
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
F [E] [[G]]
13 X 11
Bb [A] [[C]]
9 X 7
9 X 7
9 X 7
11
9 X 7
9
14 X 12
14 X 12
13 X 11
6 6 4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 0 0 2 2 0
1 2 2
0 0 0
Verse Gtrs. 1 & 3 tacet
F5 [[G5]]
F5/E [[G5/F#]]
1. And it’s
a
sad
pic - ture,
Rhy. Fig. 2
Gtr. 2
Dm [[Em]]
the
fi - nal blow
hits you,
Bb [[C]]
some - bod - y
Bbsus2 [[Csus2]]
else gets what you
want
- ed
a - gain. End Rhy. Fig. 2
P.M.
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
F5 [[G5]]
3 0 4
3 0 4
3 0 4
F5/E [[G5/F#]]
You know it’s all the same,
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
Dm [[Em]]
an - oth - er time and place,
0 0 2
re - peat -ing his - to - ry and
0 0 0
1 0 2 3
1 0 2 3
2 3
0 2 3
2 3
1 0 0 3
Bb [[C]]
you’re
1 0 0 3
get - ting sick of it.
0 0
But
3 0 5
2
3 0 5
3 0 5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 2
0 0 0 0 2 0
0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
(cont. in slashes)
P.M.
0 2 3
0 2 3
0 0
[[Em]]
[[C]]
Rhy. Fig. 3
Gtr. 2
I
be - lieve
Gtr. 1
in
0 6
4
-
er
do,
you
I’ll
do
let ring
2
5
4
4
[[D5]]
an
and
[[C]]
2
2
0
let ring
6
what - ev
let ring
6
[[D5]]
-
y - thing
to
see
it
be - cause
2
2
let ring
0
through
End Rhy. Fig. 3
these
things
will
change.
4 4 2
12
Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1 1/2 times)
F5 [E5] [[G5]]
C/E [B/D#] [[D/F#]]
Bb [A] [[C]]
down.
Can you feel
it
rev - o - lu
now?
-
These walls that
F5 [E5] [[G5]]
This
tion,
they
Dm [C#m] [[Em]]
put
the
time
will
come
up
to
hold
us
back
will
fall
C/E [B/D#] [[D/F#]]
for
us
to
fi - nal - ly
win.
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
[[Em]] Gtr. 2
F5 [E5] [[G5]]
[[C]]
And we’ll sing
hal - le - lu
-
jah,
Gtr. 1
6 6 4
6 6 4
6 6 4
C/E [B/D#] [[D/F#]]
6 6 4
6 6 4
we
sing
6 6 4
2 2 0
2 0
2 0
- lu
2 0
2 2 0
2 0
-
f
Dm [C#m] [[Em]]
hal - le
mf
6 6 4
2 2 0
2 2 0
Bb [A] [[C]]
jah,
oh.
Verse Gtr. 2: w/ Rhy. Fig. 2 (1 1/4 times)
F5 [E5] [[G5]]
[[G5]]
Gtr. 2
F5/E [E5/D#] [[G5/F#]]
2. So
we’ve been
Gtr. 1
out
-
num - bered,
raid - ed
and
now
cor - nered.
2 2 0
Dm [C#m] [[Em]]
Bb [A] [[C]]
It’s
hard
to
fight
when the
mp P.M.
7 4
7 4
7 5
7 5
7 5
7 5
fight
ain’t
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F5 [E5] [[G5]]
fair.
We’re get - ting strong - er
now,
mf
P.M.
7 5 2 0
4
Bbsus2 [Asus2] [[Csus2]]
2 0
2 0
2 0
2 0
2 0
2 0
2 0
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
F5/E [E5/D#] [[G5/F#]]
Dm [C#m] [[Em]]
find things they nev - er
found.
Gtr. 1
They might be
big - ger,
but we’re
C5 [B5] [[D5]]
Bb [A] [[C]]
fast
- er
P.M.
and nev - er scared.
P.M.
2 9 6
Gtr. 2
9 6
9 6
9 6
9 6
9 6
9 6
9 6
6 4
6 4
6 4
3 0 4
0 0 2
6 4
6 4
6 4
6 4
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
3 0 4
0 0 2
4 4 2
0 4 4
4 4
0 4 4
6 4
0
0 0 2
0 0 2
1 0 2 3
1 0 2 3
1 0 2 3
3 2 0
P.M.
3 0 4
P.M.
0 0 2
0 0 2
0 0 2
0 0 2
0 0 0
0
2
3 2 0
3 2 0
3 2 0
Gtr. 2: w/ Rhy. Fig. 3
Dm [C#m] [[Em]]
Bb [A] [[C]]
You
can
walk
a
Gtr. 1
-
way,
C5 [B5] [[D5]]
say
we
don’t
need
this.
But there’s
let ring
6
4
6
2
4
Bb [A] [[C]]
[[D5]] Gtr. 2
some - thing
in
eyes
your
says
we
beat
can
0
4
4
this
’cause these
0
2 0
2 0
2 2 0
2 0
2 2 0
2 2 0
4 4 2
4 4 2
4 4 2
things
will
change.
X X
X X
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)
F5 [E5] [[G5]]
C/E [B/D#] [[D/F#]]
Can you feel
Gtr. 4 (elec.)
mf
it
Dm [C#m] [[Em]]
now?
These walls that they
put
up
to
hold
us
back will
fall
9 X 7
8 X 6
8 X 6
6 X 4
w/ slight dist.
9 X 7
9 X 7
Bb [A] [[C]]
9 X 7
down.
9 X 7
9 X 7
9 X 7
9 X 7
This rev - o - lu
-
F5 [E5] [[G5]]
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Dm [C#m] [[Em]]
14 X 12
14 X 12
8 X 6
8 X 6
the
time
C/E [B/D#] [[D/F#]]
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
we
sing
hal - le - lu
16 X 14
6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
C/E [B/D#] [[D/F#]]
come
for
us
to
fi - nal - ly
win.
13 X 11
13 X 11
11 X 9
13 X 11
13 X 11
6 X 4
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
11 X 9
11 X 9
11 X 9
F5 [E5] [[G5]]
-
11 X 9
11 X 9
11 X 9
hal - le - lu
11 X 9
jah,
14 X 12
14 X 12
16 X 14
13 X 11
8 X 6
will
And we’ll sing
13 X 11
8 X 6
Bb [A] [[C]]
8 X 6
tion,
9 X 7
8 X 6
14 X 12
14 X 12
Dm [C#m] [[Em]]
14 X 12
14 X 12
14 X 12
16 X 14
16 X 14
Bb [A] [[C]]
14 X 12
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
-
jah,
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
oh.
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
Guitar Solo Gtr. 4 tacet
[[Em]]
[[C]]
[[G5]]
[[D]]
End Rhy. Fig. 4A
Rhy. Fig. 4A
Gtr. 2
mf
2
5
3
Rhy. Fig. 4
Gtr. 1
5 6 6 4
5 6 6 4
5 6 6 4
5
1
0
3
3
5
2
3
5
1
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
let ring
w/ slight dist.
Gtr. 5 (elec.)
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
End Rhy. Fig. 4
0 0 1 2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A
Dm [C#m] [[Em]]
Bb [A] [[C]]
F5 [E5] [[G5]]
C [B] [[D]]
Gtr. 5
let ring
2
5
3
5
1
0
3
3
3
2
3
2
2
3
3
2
5
5
3
3
2
2
3
1
Bridge Gtr. 5 tacet
[[G5]] Gtr. 2
[[Csus2]]
[[Em]]
And
to - night
we’ll
stand,
get
Gtr. 5
off
our
knees,
fight for what
we’ve
worked
3
Gtr. 1
9 9 7
9 9 7
9 9 7
9 9 7
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
4 5 6 6 4
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
[[Csus2]]
[[G5]]
[[Csus2]]
for
all
these
years.
And the
Gtr. 1
2 2 0
2 2 0
2 2 0
bat - tle
was
long,
2 2 0
9 7
2 0
9 7
9 7
9 7
9 7
9 7
9 7
9 7
stand
up
cham - pi - ons
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
2 0
of
P.M. 2 2 0
2 0
2 0
2 0
2 0
to - night.
It
was
the night
lives,
2 0
0
0
2 0
0
our
[[Csus2]]
but we’ll
the fight
P.M.
[[Em]]
it’s
things
changed.
2 0
Chorus Gtr. 1 tacet Gtr. 2: w/ Rhy. Fig. 2 (1st 3 meas.)
F5 [E5] [[G5]]
Can you see
it
F5/E [E5/D#] [[G5/F#]]
now?
These walls that
they
Dm [C#m] [[Em]]
put
up
to
hold
us
back
fell
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)
[[C]] Gtr. 2
down.
*w/ delay Gtr. 1
2 2 0
It’s a
rev - o - lu
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C/E [B/D#] [[D/F#]]
-
tion,
throw your
Gtr. 4
hands
up
’cause we
nev - er
gave
9 X 7
9 X 7
8 X 6
delay off
17
*Delay set for quarter-note regeneration w/ 2 repeats.
8
F5 [E5] [[G5]]
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
Dm [C#m] [[Em]]
Bb [A] [[C]]
in.
And we’ll sing
6 X 4
6 X 4
C/E [B/D#] [[D/F#]]
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
11 X 9
11 X 9
11 X 9
11 X 9
7 X 5
9 X 7
16 X 14
6 X 4
9 X 7
-
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Bb [A] [[C]]
jah,
jah,
9 X 7
9 X 7
9 X 7
9 X 7
hal - le - lu
-
11 X 9
13 X 11
13 X 11
13 13 13 13 13 X X X X X 11 11 11 11 11
13 X 11
13 X 11
13 13 X X 11 11
14 X 12
14 X 12
14 X 12
C/E [B/D#] [[D/F#]]
6 X 4
F5 [E5] [[G5]]
-
14 14 14 14 14 X X X X X 12 12 12 12 12
14 X 12
14 16 X 12 14
jah.
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
Dm [C#m] [[Em]]
Bb [A] [[C]]
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
11 X 9
9 X 7
-
11 X 9
7 X 5
we sang hal - le - lu
11 X 9
hal - le - lu
Dm [C#m] [[Em]]
6 X 4
F5 [E5] [[G5]]
Yeah.
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Outro Gtr. 1: w/ Rhy. Fig. 1 (3 3/4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 1/4 times)
F5 [E5] [[G5]]
C/E [B/D#] [[D/F#]]
Gtr. 4
16 X 14
16 X 14
16 X 14
Gtr. 3
Dm [C#m] [[Em]]
16 X 14
16 X 14
16 X 14
16 X 14
13 X 11
13 X 11
14
16 X 14
16 X 14
16 X 14
13 X 11
12
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
13 X 11
13 X 11
14 12
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
9
13 X 11
13 X 11
13 X 11
13 X 11
7
14 12
13 X 11
F5 [E5] [[G5]]
*Gtrs. 3 & 4
14 X 12
14 X 12
*Composite arrangement
10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14 X 12
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
18 X 16
18 X 16
18 X 16
18 X 16
16 X 14
16 X 14
13 X 11
18 X 16
16 X 14
18 X 16
12
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
13 X 11
13 X 11
13 X 11
Bb [A] [[C]]
14
13 X 11
12
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
8
8 X 6
9 X 7
6
18 X 16
18 X 16
14 X 12
14 X 12
14 X 12
14 X 12
13 X 11
13 X 11
11 X 9
14 12
13 X 11
14
16 X 14
C/E [B/D#] [[D/F#]]
11 9
11 X 9
14 X 12
11 X 9
14 X 12
11 X 9
14 X 12
11 X 9
14 X 12
11 X 9
14 X 12
11 X 9
14 X 12
11 X 9
14 X 12
14 12
Dm [C#m] [[Em]]
13 X 11
11 X 9
13 13 13 X X X 11 11 11
13 X 11
13 X 11
11 X 9
11 X 9
11 X 9
11 13 X 9 11
13 X 11
13 13 13 X X X 11 11 11
13 X 11
13 X 11
13 X 11
9 X 7
Bb [A] [[C]]
Gtr. 4
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Dm [C#m] [[Em]]
9 X 7
9 X 7
9 9
9 9
9 9
9 9
9 9
9 9
0 0
13 X 11
C/E [B/D#] [[D/F#]]
8 9
9 9
9 9
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
9 9
9 9
9
12
12
9 X 7
9 X 7
1
9 X 7
12
14 X 12
14 X 12
9 X 7
9 X 7
12
12
12
8 9
8 9
8 9
12 11
12 11
12 11
12 9
10
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
12 12 12 12 12
9
12
14 X 12
16 X 14
16 X 14
16 X 14
14 X 12
14 X 12
14 X 12
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
Bb [A] [[C]]
9
11
9
9
9
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
0 0 0 2 2 0
Gtrs. 1 & 4
9 9
0 0 0 2 2 0
11 X 9
Dm [C#m] [[Em]]
11 X 9
1
9
8 9
1
8 9
Gtr. 2
8 9
F5 [E5] [[G5]]
1
12
14 X 12
9 X 7
Gtr. 3
8 9
11 X 9
9 X 7
let ring
12
9 9
9 X 7
14 X 12
9 9
13 X 11
9 9
12
Gtr. 4
9 9
1
13 X 11
Bb [A] [[C]]
9 9
C/E [B/D#] [[D/F#]]
9 X 7
Gtr. 3
9 X 7
F5 [E5] [[G5]]
0 0 0 2 2 0
2 0
2 0
0 0 0 2 2 0
1 0 2 3
11
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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