Estudo de Canto Gregoriano
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a
et
in
•
•
'
sae - cu - la
•
3 *a et nunc, et sem-per,
• p.
sae - cu - lo - rum. A - men. 27
GREGORIAN CHANT FOR CHURCH AND SCHOOL
MODE V
8 l.Tan-tum er-go Sa - era- men-turn 2. Ge-ni - to -ri, Ge - ni - to - que
nu-i: ti - o,
ri - tu - i: di-cti-o:
Ve - ne - re - mur cer Laus et ju- bi - la -
Et an-ti-quum do-cu-men-turn Sa-lus, ho-nor, vir-tus quo-que
No-vo ce-dat Sit et be-ne •
Prae-stet fi-des sup-ple-men-tum Pro - ce-den-ti ab u-tro-que
um de- fe'-ctu- i. sit lau-da - ti - o.
Sen-su Corn-par
A - men.
AIDS TO MODE VI QUESTIONS
1. What neums appear in this hymn which were not in the preceding ones ? 2. What is the final in this mode? What is the dominant? 3. Is this an authentic or a plagal mode? 28
PRESENTATION OF THE MODES
[A chant in honor of the Blessed Sacrament (Thirteenth Century).]
Hail, true Body, born Of the Virgin Mary, Who didst truly suffer and die On the Cross for man, From Whose pierced side Flowed Blood and water, May we receive Thee, a foretaste of Heaven, When we are in the agony of death. O gentle, O loving, O sweet Jesus, Son of Mary.
±3 A - ve ve-rum Cor-pus na-ium
de Ma-ri-a Vir-gi-ne:
I? . . . Ve-re pas-sum, im-mo-la-turn
•
in crii-ce pro ho-mi-ne:
Cu-jus la-tus per- fo-ra- turn
flu-xit
E-sto no-bis prae-gu-sta-tum
mor-tis
•
I
a-qua et san-gui-ne:
in ex-a-mi-ne: . 0
b'* Q^A • * II • b># Q^A * '• ai • ••
Je - su dul-cis! O Je-su pi - e!
O
Je - su fi-li Ma-ri-ae.
Accidental. The only accidental ever used in Gregorian Chant is flat 7 (TV). You will notice that the flat is not made as it is in modern music. 29
GREGORIAN CHANT FOR CHURCH AND SCHOOL
MODE VII
"jpanis [A hymn in honor of the Blessed Sacrament, written by Saint Thomas Aquinas.]
The Bread of Angels becomes the bread of men. The Bread of Heaven fulfills the prophetic types. O wondrous truth! The poor, the lowly, And the slave upon their Master feed. Thee, Godhead, One and Three, we pray, Gome Thou to visit us, as we our homage pay. Be thine the path, and Thou our guide, as we journey To the light where Thou dost dwell.
1
•
•
•
-9-
•1—
j^-s- . - 1
.,
• " % • • t • i> • • • • 1 • 1. Pa-nis an-ge-li-cus fit pa-nis ho-mi-numjDat pa-nis cae-li-cus fi-gu-ris 2.Te tri-na De-i-tas u-na-quepd-sci-mus,Sicnostu vi-si-ta si-cut te
9•
ter-mi-num: O res mi-ra-bi-lis! maa-dii-cat Do-mi-num Pau-per,ser co - li-mus:Pertu-as se-mi-tas due nosquoten-di-mus Ad lu-cem
vus, et hii-mi-lis. quamin-ha-bi - tas. A - men.
Name the new final and dominant.
PRESENTATION OF THE MODES
MODE VIII
"pacificus [An anthem for the feast of Christ the King.]
He shall be called Peacemaker, And His throne shall be established forever.
* 8
g i
— —•-
m
-S-
•
m
9 9 •
•
B.
• Pa - ci - f i - cus vo-ca-bi-tur, 1
s
•.
1
fir-mis-si -mus
•
nr
9
• •
r '
• •
m
i
1
et thro-nus e - j us e - rit
••
in per-pe-tu-um.
TRANSPOSITION OF THE MODES
In modern music when a melody is changed from one key to another, it is said to be transposed, the purpose of transposition being to raise or lower the pitch of the melody. When this takes place, the key signature is changed accordingly, and the melody is sung with the same syllables. In the chant there is no key signature, and so one must be guided entirely by the clefs. A transposition may occur for apparently no reason, as in the following hymn Ojilii. The second mode, as explained before, is generally written with the Fa clef on the third line. In this case the melody would start on Re, thus: r
-
• •
a
•
>
• r
•
V
Sing this phrase, then change Re to La and sing the hymn as it is written, with the Do clef on the third line. You will discover that there is no change whatever in the pitch of the melody or in the arrangement of the tones, but the final is now La instead of /&, and the dominant is Do. 31
GREGORIAN CHANT FOR CHURCH AND SCHOOL
In modes such as I, III, IV, VI, and VIII, where the Do clef is regularly on the fourth line, the clef is often moved to the third, or even to the second line, in order that the melody may be kept within the limits of the staff whenever possible. For this same reason the Do clef in modes V and VII is often moved from the third line, where it regularly appears, to the fourth line. One has only to remember the location of Do, which is always fixed by the position of the Do clef.
[A hymn for Easter, written in the fifteenth century.]
O sons and daughters, The King of Heaven, the King of glory, Hath risen from the dead today. And the morning of the first day after the sabbath His disciples drew near The door of the tomb. And Mary Magdalene And Mary, the mother of Jacob and Salome, Came to anoint the body. An angel sitting, clad in white, Announced to the women: The Lord is in Galilee. On this most holy feast Let there be praise and song of joy. Let us bless the Lord!
*C
••>-N Al-le-lii-ia,al4e-lu-ia, al-le-lu-ia. Repeat Alleluias after each stanza.
•• l.O ff - li - i
| •
et f i - l i - a e , 32
Rex cae-le-stis, Rexglo-ri-ae,
PRESENTATION OF THE MODES
s=^ Mor-te sur-re - xit ho - di - e,
Al-le- lu - ia.
2. Et mane prima sabbati, Ad ostium monumenti Accesserunt discipuli, alleluia.
€
3. Et Maria Magdalene, Et Jacobi et Salome, Venerunt corpus ungere, alleluia. 4. In albis sedens Angelus Praedixit mulieribus: In Galilaea est Dominus, alleluia. 5. In hoc festo sanctissimo Sit laus et jubilatio, Benedicamus Domino, alleluia.
33
V REPERTORY
SELECTIONS IN THIS CHAPTER
Ave Maria • Page 37 The Asperges • Page 37 Vidi Aquam • Page 39 I • DURING EASTERTIDE Lux et origo • Page 41 Kyrie, 41 • Gloria, 41 • Sanctus, 43 • Agnus Dei, 43 II • FOR SOLEMN FEASTS Kyrie fons bonitatis • Page 44 Kyrie, 44 • Gloria, 44 • Sanctus, 46 • Agnus Dei, 47 VIII • FOR DOUBLE FEASTS
De Angelis • Page 47 Kyrie, 47 • Gloria, 48 • Sanctus, 50 • Agnus Dei, 50 FOR FEASTS OF THE BLESSED VIRGIN
IX • Cum jubilo • Page 51 Kyrie, 51 • Gloria, 52 • Sanctus, 53 • Agnus Dei, 54
X • Alme Pater • Page 55 Kyrie, 55 • Gloria, 55 • Sanctus, 57 • Agnus Dei, 57
XI • FOR SUNDAYS THROUGHOUT THE YEAR Orbis factor • Page 58 Kyrie, 58 • Gloria, 58 • Sanctus, 60 • Agnus Dei, 61 XVII • FOR SUNDAYS OF ADVENT AND LENT Kyrie, 61 • Sanctus, 61 • Agnus Dei, 62
Credo I • Page 63
Credo III • Page 66 34
REPERTORY
RESPONSES AT HIGH MASS
Responses • Page 69
At the Gospel • Page 70 At the Preface
Solemn Tone for Solemn Feasts • Page 70 Simple Tone for Simple Feasts and Ferial Days • Page 70
At the Pater Noster • Page 71 Before the Agnus Dei • Page 71 At the Pontifical Blessing • Page 72 At the End of Mass During Eastertide • Page 72 On Solemn Feasts • Page 72 On Feasts of the Blessed Virgin • Page 73 On Sundays throughout the Year • Page 73 On Simple Feasts • Page 73
Gloria (Ambrosian) • Page 73 MASS FOR THE DEAD
Introit • Page 75 Sequence • Page 76 Offertory • Page 79 Communion • Page 82 Absolution after Mass • Page 82 Rorate Caeli (Introit) • Page 84 Rorate Caeli (Hymn) • Page 85 Puer Natus in Bethlehem • Page 88 Puer Nobis Nascitur • Page 90 Dominus Dixit ad Me • Page 90 ANTIPHON Hodie Christus • Page 91 Quern Vidistis • Page 92 O Admirabile Commercium • Page 92 Attende Domine • Page 93 Stabat Mater • Page 94 y 35
GREGORIAN CHANT FOR CHURCH AND SCHOOL
Pueri Hebraeorum (Antiphon) • Page 96 Pueri Hebraeorum • Page 97 Gloria, Laus, et Honor • Page 97 Crucem Tuam Adoramus • Page 99 Vexilla Regis • Page 100 O Vos Omnes • Page 102 Vespere • Page 103 Pascha Nostrum • Page 103 Surrexit Dominus Vere • Page 104 Regina Caeli • Page 104 Viri Galilaei • Page 105 Repleti Sunt • Page 105 Veni Sancte Spiritus • Page 106 Veni Creator • Page 107 O Sacrum Convivium • Page 11 o Adoro Te • Page 11 o Ecce Panis Angelorum • Page 113 Pange Lingua • Page 114 O Salutaris Hostia • Page 116 O Salutaris • Page 117 O Salutaris • Page 117 O Salutaris • Page 118 Tantum Ergo • Page 118 Salva Nos • Page 119 Sancti Angeli • Page 120 Beati Mundo • Page 120 O Quam Gloriosum Est Regnum • Page 121 Creator Alme Siderum • Page 122 Jesu Dulcis Memoria • Page 122 Te Joseph Celebrent • Page 124 Beata Mater • Page 125 Alma Redemptoris • Page 126 Ave Regina • Page 127 Salve Regina • Page 127 Ave Maris Stella • Page 129 Salve Mater • Page 130 36
REPERTORY
irla p 1
1
E
-5
B
a
•
—*
•
• *
• a
•
•
•
i
f
i
•
: B-J ' • f -dA - ve Ma -• r i - a, * gra-ti - a ple-na, D6-mi-nus te-cum,
g i
•1
•
i
•
B
* • •• in mu-li - e - a • ri - bus,
be-ne-di-cta tu i •
"
I
a
•
fli
•
• i
fru-ctus ven-tris t u -
fr a i,
B
• et
m T be-ne-di-ctus
-•—r- —•—
3<
ni
' San-cta Ma- ri - a,
Je - sus.
*
•
_ a •
9
• •• ra pro no - bis pec-ca - t o - ri - bus, i
6-
Ma-ter De- i,
c* ——=—3-
-i
mine et
ho - ra
in
"
•
"
mor-tis
j
B*
B-:
i
U
no- strae. A - men.
Locate a pressus which is formed by the meeting of a single punctum and a podatus. These two notes on the same degree of the staff are to be sung as one note. The pressus is always equivalent to a tie.
Thou shalt sprinkle me with hyssop, O Lord, And I shall be cleansed. Thou shalt wash me, And I shall be made whiter than snow. Have mercy on me, O God, According to Thy great mercy. 37
GREGORIAN CHANT FOR CHURCH AND' SCHOOL
f
'
v, a
a
" i '. • a -
A- sper-ges me*
bor:
' fc
la- va-bis me,
Do - mi- ne,
et
hys- so- po, et
mun-da -
su-per ni-vem de- al-ba-bor.
•V-*Ps.
50. Mi - se - re - re me - i,
De - us, * se - cun- dum
-Mft-
ma-gnammi- se - ri - cor- di - am tii - am.
•
Pa- tri, et
Fi - li - o,
et
Glo-ri - a
•
Spi- ri - tu - i
San-cto: *
c n. a Sic- ut
3
et
in
e - rat in prin-ci - pi - o,
*
-•
'
sae - cu - la
et nunc, et sem-per,
WHH
sae - cu - 16 - rum. A - men.
Repeat the antiphon Asperges me. On Passion Sunday and Palm Sunday the Gloria Patri is not sung, but the antiphon Asperges me is repeated immediately after the psalm. 38
REPERTORY
S-1 Ostende nobis, Domine, misericordiam tuam. (In Eastertide add: Alleluia). ty. Et salutare tuum da n6bis. (Alleluia). ^ . D6mine exaudi orati6nem meam. I?7. Et clamor m6us ad te v6niat. $\ D6minus vobiscum. I$7 Et cum spiritu tuo. (Prayer) Response, Amen.
Translation of the foregoing versicles and responses: ^ . Show us, Lord, Thy mercy. Itf. And grant us the salvation that comes from Thee. ^ . Lord, hear and answer my prayer. 57. And let my cry come unto Thee. S- The Lord be with you. H7. And with Thy spirit.
Vi6i Equant [From Easter Sunday to Pentecost inclusive]
I saw water coming forth From the temple, On the right side, alleluia, And all, to whom this water came, Were healed, and will sing, alleluia, alleluia. Give praise to the Lord, For he is good; For His mercy endureth forever.
a Vi - di
a - quam e - gre - di - en-tern de tern - plo, •ftp-
a la -
te- re dex - tro,
al- le - lu - ia:
1
et
6 - mixes,
This is a sign which stands for the word versicle. A versicle is a short sentence sung by the priest and followed by a response from the choir or congregation. R. or 57. stands for the word response.
39
GREGORIAN CHANT FOR CHURCH AND SCHOOL
1
—i—
• p a •
-Vflr
ift
_JTB
sal - vi
a - qua i - sta,
ad (c[uos per- ve- nit
t
1— ' %, . .
fa
f
B
9
- cti sunt, et di - cent,
•
" ' "J1" RiS "• 9
al - le - lii - ia,
• 9 ••
i •% • • lu - ia. i& Con-fi •• te-mi-ni Do-mi-no quo-ni- am bo-nus:
• rv
"ft"
\
%
9
quo-ni-am in sae- cu-lum mi-se-ri - cor- di- a • —•
• % • G16-• ri - a
•
•
•
•.
e - jus*
1
m-1
—•—•—
•
s
Pa - tri, et
Fi - li -
et Spi- ri - tu - i
o,
f
1
• ,*
i
San-cto. * Sic- ut
i
e - rat in prin- ci - pi - o,
. e ^ a et mine,
*
G
•
et sem-per,
et
•
•.
in sae-cu- la sae-cu - 16-rum. A-men.
Repeat from the beginning to Ps.
40
, (
al - le -
. s
cft
1 ••S • I
1
REPERTORY
I • DURING EASTERTIDE &t OrlgO {Light and beginning)
8
6
ai
, aii
Ky- r i - e
* e - le - i - son. Ill Chri- ste
/ •A n , le-i-son./JZ Ky-ri-e
-
••>
e
-
e -
le - i - son. / / . Ky- ri -
•
le - i - son.
Glo-ri- a in ex-cel-sis
De-o.
a
Et in ter - ra pax ho -
a •
•a
1 M
mi-ni-bus bo-naevo-lun-ta-tis. Lau-da-mus te. Be-ne-di- ci- mus
te.
A-do-ra-mus te.
-I a •• mus t i - bi
Glo-ri-fi-ca-mus te.
Gra-ti-as a-gi-
«fl • •
-r*-»-
'
.
.
pro-pter ma-gnam glo-ri -am tu - am.
D6-mi-ne
HHH
De-us, Rexcae-le-stis, De - us Pa-ter o - mni-po-tens. Dd 41
i
GREGORIAN CHANT FOR CHURCH AND SCHOOL
-S-
• .
-•—m-
mi-ne Fi-li
u-ni-ge-ni-te
Je• su Chri-ste. D6-mi-ne De-us,
••
••
-M-
A-gnus De- i,
Fi - li - us Pa-tris. Qui tol-lis pec-ca-ta
-M-
3 • a • ^
HHH
mun-di,
mi-se-re'-re no-bis.
a.
a • • I•
sus-ci-pe
• •
de-pre-ca- ti - o-nem no-stram. Qui se-des ad i
I ••
i
i
••
dex - te-ram Pa- tris,
-M-
mi- se- re- re
•^
no-bis.
so - lus san- ctus.
•
Quo-ni- am
*-i-±
-to—•"tu
•.
Qui tol-lis pec-ca-ta mun-di,
$==z "~i¥I i
••
Tu
so - lus
i
Do - mi - nus.
• • •« Tu so-lus A l - t i s - s i - m u s ,
Je - su Chri-ste.
3 Spi-ri- tu,
in glo-ri- a
CumSan-cto
HHH
De- i 42
Pa-tris.
A
- men.
REPERTORY
4 •
a
•
•
r
San- ctus,* San - ctus,
San-ctus Do - mi - nus
De - us
-•—m-
't • a i Sa-ba- oth.
Ple-ni sunt cae-li
et
ter- ra
glo - ri- a
'i P" 8 - a.
1 • • 1 • •• ve-nit
in
Ho-san-na
ex - eel-
SIS,
• . A- gnus De- i,*
-
Hi
••
J
Ho - san-na in ex-eel-sis.
qui tol-lis pec- ca - ta miin- di:
mi - se -
a • I
:•. •< re
m
•
1 ••
in no-mi-ne D6-mi-ni.
re -
Be- ne- di- ctus q u i
1
• all
'
•
n6 - bis.
A-gnus De- i,*
qui tol-lis
c • pec - ca - ta mun - di:
mi - se - re •
3
A-
• t v gnus D e -
•
•
3
do - na "no -
j
1' - bis pa - cem.
43
re no - bis.
±
qui tol- lis pec - ca - ta
•
1
-
mun- di:
GREGORIAN CHANT FOR CHURCH AND SCHOOL
II • FOR SOLEMN FEASTS foils bottitatiS (Fount of Goodness)
a
3:
-^rKy-ri-e
e-le- i-son.iZZ: Chri-ste
-^+;
^
e - l e - i-son.IU. Ky-ri-e
^>^ e - l e - i - son. II. Ky- ri - e
=te - l e - i- son.
1
1
«
fVn—•—
m
7
m
•
I"
G16-ri- a in ex-eel-sis De- 0 .
•
• • '• •
1
Et in ter-ra pax ho - mi i
1
i • *
•
• •
•
•• ••
ni - bus bo-nae vo-lun-ta- tis
g
?
•
^A •• •• 8
Lau-da- mus te.
Be-ne-di -
• i
••
i
• ci-mus te.
A - do - ra-mus te. 44
Glo-ri - fi- ca-mus te.
REPERTORY
p
1
G
5• « t •?• . • s*,
m
.
•
•
i
- •
Gra-ti- as a- gi-mus ti - bi
pro-pter ma-gnam glo -
P
i,
G
e-
• 1
• \ u • * m* I" U ri - a m tu - am.
• a •«
1
Do - mi - ne De - us,
| ' r»
•
... B . _ _ . — 1
i
o- mni- po - tens.
I"
Rex cae - le- stis,
nLa^^A ••
De-us Pa-ter
G
Do -
mi-ne Fi-li 1 •
i i
1 i
• Pm •m t •
"
|
i -• • u- ni- ge- ni- te, Je- suChri-ste.
•
•
[•
D6-mi-ne De-us,
m
a
•
1
•
s •
P
I
•i
••
i•
Qui tol - lis pec-ca- ta
1
j
ba _ . 1 mun-di,
P
j i
l
Fi - li - 1us K - tris.
De- i,
G
Q
i
G b.
.
•
\
i
1• 1
9 •
*
sus- ci - pe .
Qui se- des
q
-
B
i
• • ?
•i
B
•
•
i
•
Qui %t61 - lis pec-ca-ta
mi-se- re -re no - bis.
mun-di,
• a
i
A-gnus
P
G
1 |
m 1
• |5n_
•
• *
•
•*
•
l
de-pre - ca - ti - 6 - nem no- stram.
1_
^fl —i— 5 3 1
f^
«-i
ad dex - te-ram Pa - tris, 45
4
^ Pi 1?
mi- se - re - re
GREGORIAN CHANT FOR CHURCH AND SCHOOL
by no - bis.
Quo - ni - am
tu
so - lus
san - ctus*
• a Tu so - lus
Do - mi- nus.
Tu so - lus Al - tis - si- mus,
7
Je - su
Chri-ste.
ri - a De- i
1
• 7
A -
in
glo -
- men*
| 1
|v •
J
• •
•A
•
• • San
ctus,* San - ctus,
San
• .
CumSan-cto S p i - r i - tu,
Pa - tris.
y
"" Pn 1"
1 1
ctus Do-mi-nu S I
i
•
• a •
De - us Sa-ba-oth. i
a •
f!
J sunt cae- li
Pie- ni
-•
et
ter - ra
m
? •
S
i
glo - ri - a
i
j*n«.
••
tu - a.
• '" m '. lo-san-na
A
T
in
m.
m.
ex- eel-sis.
J
1
1 " 1
>
9 %
\ J Be-ne-di-ctus qui ve - nit
• • a
I
•
in no-mi-ne Do-mi-ni. 4e
I
REPERTORY
-HHo-san-na
in ex-eel-sis.
A-gnus
••• •• De- i, * qui tol - lis peo-ca-ta
•• mun-di:
-t-
X mi-se- re - re no
3=S^ pec-ca-ta
-
bis.
HH=
m-
mun - di:
A-gnus D6- i,
mi-se-re - re
i. A-gnus
De- i,* qui tol -
do-na n o - bis pa
-
no
qui tol-lis
-
bis.
j'fi,
lis
pec-ca-ta
mun-di:
cem.
VIII • FOR DOUBLE FEASTS
^Vngelis (Af^i* of the Angels)
?•
Ry-ri-e
e
47
-
le-i-son.i2ZChri-ste
GREGORIAN CHANT FOR CHURCH AND SCHOOL
?
• vu-
4+ e
-
le-i-son./ZZ Ky-ri-e
• » e
-
le-i-son.iZ Ky-ri- e
-
le - i - son.
i •
e
5
f
HI
i
•-
-•
G16-ri- a in ex-eel-sis De - o. •
^ ni-bus
••
• • .
•
•
i
Et in ter-ra pax ho-mi-
V> -
••
bo-nae vo-lun-ta-tis.
•-
••
-?—i
Lau-da-mus te.
Be-ne-di-
4
•m—•-
l=il ci- mus te.
'
A- do- ra - mus te.
' Gra-ti - as
h
Glo-ri - fi - ca-mus te.
I ' a - gi- mus ti - bi
f
•
.
•—*
pro-pter ma-gnamglo-ri -
-i
•m—m-
am tii-am.
D6-mi-ne De-us, Rexcae-le - stis,
De-us
REPERTORY
C
• fr
-m—m-
Pa-ter o-mni-po-tens. D6-mi-ne Fi- li
u-ni-ge-ni-te,
A-^ Je - su Chri- ste.
Do- mi - ne De- us,
A- gnus De - i, -m—m-
V, Fi - li - us K - tris. Qui tol-lis pec-ca-tarniin-di,
" •• re no-bis.
Qui tol-lis pec-ca-ta mun-di,
%
Bl
iw
mi- se- re -
sus-ci-pe
-• i
• •
„
•
i I
de-pre-ca- ti - 6- nem no-stram. Qui se-des ad dex-te-ram
Pa - iris,
mi - se - re - re no - bis.
Quo-ni - am tu so - lus
•1 ™ . san- ctus.
Tu
so - lus
1"
*
Do - mi - nus.
1
Tu
so - lus
a Al - tis - si - mus,
Je - su Chri - ste.
49
Cum San - cto
1 1
GREGORIAN CHANT F O R C H U R C H AND SCHOOL
ft
r
•
(8
• •' Spi-ri-tu,
•
••
"
in glo-ri- a De-i
B
Pa- tris.
ctus
Do- mi-nus De-us
3 ••
n.?i
ba-oth. Ple-ni sunt ca6-li
Sa -
glo- ri - a tu - a. a ,1 1 Q 1% • •
i
•4 ' • fV* A - men.
?
.•
San- ctus,*San-ctus, San -
C
• i 1m •
•
Ho-san-na
in
et
ter - ra
ex-eel - sis.
Be-ne-di -
1
•
•i 1
1 I " .
'
1?1 16 S1# l\ • •
a
j i
1
ctus qui
>• ? < na
ve - nit
in no-mi-ne D6-mi-ni.
Ho - san -
^ -_ ?a I f
in ex- eel -
- sis.
1 —
6
SFUB • 1 '
1
A- gnus De-
•
— 1
no-bis.
1
A •• 7* "
5- flii
.s
if* B J
• • • qui tol-lis pec-ca-ta mun-di: mi-se-re- re
1# 1 A-gnus De -
.
•
.s
i, • qui tol- lis pec-ca-ta mun-di:
5°
REPERTORY *
1
6
m
m
9
is Si
m
B
i
•
BPL
i
• [•
mi- se- re- re
no - bis.
F 1
—
i
A - gnus De-
bi
—
i •
•
i
? • ' pec- ca - ta miin- di:
• qui tol-lis
i,
do - na
JL
7*
no - bis
p a - cem.
FOR FEASTS OF THE BLESSED VIRGIN IX
(Turn jubilo (With a Song of Joy) 1i
s r« a
a
Ky-ri - e
•
a .
v
m
e - le- i -son.
m ••!• > •
a 'v a Ky- ri-e
e
t
3'
-S—m— PL-
^ HJ'
son.
i
-V^i— fe •
I
•
i ™•
*
Ky-ri- e
P-
- le- i-
! • le - i - son.
Chri- ste
e
le- i-> s o n .
e •
• a
I
••
••• a - l e - i -
Chri - ste
1
|
e
Ky-ri - e 1
•
Chri - ste
b4
e - le-i- son.
a
• "
e - le- i-son. Ky- ri-e
9 1.1
e-le-i-son.
I
|t
—_LL Ky-ri- e
PV
1". son.
•
•
1
• b«^ A
i
•
% 8 %r ^—| g — V Vr —^-te
e-le-i-son.
j
GREGORIAN CHANT FOR CHURCH AND SCHOOL
7 b
••
.a
•9 •
•. •• G16-ri- a in ex-cel-sis De-o. ~
•
i
—!
—-}*•
e ••
bo-nae vo-lun-ta-tis.
s
•
I
b
•
•-
ra - mus te.
Gra- ti - as
•
••
n
•'
i
i
Glo - ri - fi - ca - mus te.
ii
a- "*" P" - Hi -
•
i
•
a - gi - mus ti - bi
A
J|
T
•.
•
pi
Be-ne - di- ci-mus te.
Lau-da-mus te.
1
A - do -
I
»±-±- 1
-.
1i—
j i
Et in ter-ra pax ho-mi-ni-bus
—m— 1
9 ^ •_ • ^ ••
pro - pter ma-gnam glo -
..
— *4-
•• 1 J
i i
•.
ri - am t u - am. 1
Do-mi- ne •
Rex cae - le-stis,
De - us,
J
•
r 5* • • • • • • • i De-us Pa-ter o-mni-po-tens. D6-mi-ne Fi-li ii-ni-ge-ni-te,
9
pi
. 1 1
••
i
•
Je-
SU
•
* •
Chri-ste.
y
•
Fi- li - us Pa-tris.
•
*
i
•
P"
•
?
•
Qu L tol- lis pec- ca - ta -»--»-
c
P" A - gnus
Do - mi -• ne D e - us, • ••
J
1
• • • ' • _
-*-
De - i,
s -
••
mun-di,
HI
pi
8 "* >
mi- se- re - re
no-bis.
Qui tol-lis pec-ca-ta mun-di, 52
i
REPERTO&Y
s
• —..!•_
-m—
sus - ci - pe
G
m
• se- des
1
de - pre - ca - ti •- 6 - nem no-stram.
• •
••
?
•1
i|
•
•
ad dex- te - ram Pa-tris,
i •
a
s
IV
s
i
•
*
|S
••
.
San- cto Spi-ri L
g
- tU,
! i no-bis.
4
Tu so-lus •
Je-
Do-mi-nus.
•
3
Is 1 f ••
su Chri- ste.
ii yU
•
De- i
in glo-ri - a
•
•
Pa - tris.
men.
H—y 4 « y i ?
tat San
rt
-
ctus*
Sa
-
San-ctus,
San
-
ctus
D6-mi-nus
'-
De-us
ba-oth.
Ple-ni sunt cae-li et ter - ra
53
J
Cum
•1 A -
e
a 1* ^
mi -• se - re - re -*-
pi
Al - tis - si - mus,
so - lus
Qui
• •
so- lus san-ctus.
Quo-ni- am tu
Tu
•
••
—i
J
1
GREGORIAN CHANT FOR CHURCH AND SCHOOL
i
" II glo - ri - a
V
tu - a.
Ho - san- na in ex - eel - sis.
a •• a Vf ..
,
Be - ne - di - ctus qui
i '
ve - nit
in
no - mi - ne
•a •• Do -
mi-ni.
Ho -
-
san-na
in ex-eel
-
sis.
Iv. -. l
HHH
T-MfcA-gnus De - i,*
qui tol - lis
pec-ca-ta mun-di:
^-V II
•'
mi- se - re- re no-bis. *
s
m
•*
i
•
3
%
A- gnus De - i,
1 3 •
do - na
= 1
J
mi - se - re - re 1 "^A • i
A •• no- bis pa - cem.
no - bis.
"1 % * n *
J
I
• qui tol - lis _
8
^
* qui tol-lis
b •
pec- ca -- ta mun-di: • • (• •
^
A-gnus De - i,
fl— ||
54
pec-ca- ta mun-di:
REPERTORY
"pater {Gracious Father)
3'
k • " • •• M
Ky - ri- e * e -
le-i-son.
Ky-ri-e
e - le-i-son.
^ • ' n»A«
Ky-ri-e
V. \+r*
e '-
e - le-i-son. Chri-ste e - le-i-son. Chri-ste -4**-
•
*~
le - i - son. Chri-ste e - le - i - son.
e - le-i-son.
Ky-ri-e
e - le-i-son.
Ky-ri - e
-M
Ky-ri-e
bdt •
**
•
e - le- i- son. •A-FH
8 G16- ri - a
in ex-eel-sis De- o.
Et in ter-ra pax -•—
'ho-mi- ni- bus
bo-nae vo-lun-ta - tis.
»-
Lau-da-mus te. HI—=—m-
Be-ne-di- ci-mus te.
A- do-ra-mus te. Glo-ri- fi- ca-mus te.
55
GREGORIAN CHANT FOR CHURCH AND SCHOOL
r» ,
• , •
_
Gra-ti- as a-gi-mus ti - bi
pro-pter ma-gnam glo- ri - am • •
tii-am.
D6-mi- ne De-us,
bit
• • •
a • p»
•
Rex cae-le- stis,
De-us Pa-ter
•
o-mni-po-tens. D6-mi-ne Fi-li u-ni-ge-ni-te, Je-suChri-ste.
~> •
•
•—t
•
D6-mi-ne De-us, A-gnusDe- i,
Fi - li - us Pa-tris. m•
i Quitol-lis pec-ca-ta •
i
miin-di,
mi-se- re- re
•<
no- bis.
•
Quitol-lis pec-ca-ta raun-di, siis- ci-pe de-pre-ca-ti- 6-nem y
iii ••
••
no - stram.
mi-
* •
•
9•
•
Qui
•
• •
•
•
i •
•.
1
se - des ad dex - te - ram Pa - tris,
se- re - re n o - bis. • i
•1
Quo-ni- am tu •
%
Tu so-lus Do-mi-nus.
•
1
. f
so-lus san-ctus. 1 , . ' 1 • A. m i m
"
Tu so- lus Al- tis- si - raus, Je- su 56
REPERTORY i
•.
••
"
a
Chri - ste.
J
•
•fti
i
•
I
i
Cum San-cto Spi - ri - tu,
in
glo- ri - a
P •"•• • •••
•
m * % -
i
De- i
Pa-tris.
A •
- men.
H—•—H 4
•
HHHK
•
tzzlt
San-ctus* San-ctus, San-ctus D6-mi-nus De-us Sa-ba-pth.
1 • a ••—Ple-ni suntcae-li et ter-ra
in ex-eel-sis.
glo-ri- a tu- a.
Be-ne-di-ctus qui ve - nit •
Do-mi-ni.
1
4 51 •S
IB
-
3
••
^ A-gnus De-i,
a ••
in no-mi-ne
••
Ho-san-na in ex-eel-sis.
• •
•
Ho-san-na
••
re-re no-bis.
•
-r-*-
PL
[•
[•
• •
*qui tol-lis pec- ca- ta mun- di:
•
•1
•
••
A-gnusDe-i,
57
•
PL •
I
••
K
1•
mi-se••
••
*qui tol-lis pec-ca-tamun-di:
i
GREGORIAN CHANT FOR CHURCH AND SCHOOL
1—-i mi - se - re - re no-bis.
pec-ca-ta mun-di:
A-gnus De- i,
* qui tol-lis
do-na no-bis pa-cem.
XI . FOR SUNDAYS THROUGHOUT THE YEAR
OrbiS factor (Maker of the World)
k .. I Hi
Ky-ri - e * e
-
fck
l e - i - s o n . III.
Chri- s t e
hi...' '• - • • • le - i - son. III.
J.
H^
1-^
fcft=s
Ky- ri - e
e
> > . • • le - i - son. H.
,t
le - i - son.
Ky- ri- e
Glo-ri- a in ex-cel-sis De- o.
• fli J fl!i • " • • Et in ter-ra pax ho-mi-ni-
a
, • I bus bo-nae vo-lun-ta-tis. Lau-da-mus te. 58
Be-ne-di- ci-mus
REPERTORY
A - d o - ra- mus te.
te.
G16- r i - fi- ca-mus te. 1
«
1
=—
•
•
Gra- ti - as
a - gi - mus ti - bi
i -•—•—1
pro-pter ma-gnam
± glo - ri - am tu - am.
±
•
stis,
Rex cae - le -
•
Do-mi- ne F i -
De-us Pa-ter o - mni-po-tens.
iS i—*" i
Do - mi - ne De - us,
—I— A i
•
" . "
h
-ft-
."•
u - ni- ge- ni - te, Je - su Chri- ste.
D6-mi- ne De-us,
Fi - li - us Pa - tris
A-gnus De - i,
u
Qui tol - Us i
%
i
pi
Ii
pec-ca-ta mun-di,
%• . — • ta mun-di,
T€—5~ Qui se-des
« y
ni
•.
a*
a*
mi-se-re-re no-bis.
-•
a
•-
•
.
s
• \ Qui tol-lis pec-ca-
••
•
sus- ci - pe de-pre-ca- t i - 6-nem no-stram. • -*
WT-
•
ad dex- te-ram Pa-tris,
59
. . • Hi { • ni * m i - s e - r e - re
GREGORIAN CHANT FOR CHURCH AND SCHOOL
IB —
^
•
a9
>
—•
m^-
Quo - ni - am
no - bis.
. • • \ • • • •. Tu so-lus Do-mi-nus.
>
•
•
V,
sci - lus san - ctus. I
tu
1
• • • • • • Hi • • • •. Tu so-lus Al-tis-si-mus,
m
IS
_t—^_
. •
•
•
m S * s • • • •. CumSan-cto Spi-ri- tu
• •
• ^ Je - su
J
i# !"• • .
1 1
a
•
1
Chri-ste.
•
De- i
in glo-ri- a
• Pa
tris.
-
A - men. 1
•E 2 %
H• San-ctus, * San - ctus, Pi
I
IB
••••'••••
1
• "
t u - a.
1 1
Ple-ni W
> • ' ?•.
mm i^ifl
Ho-san-na
in ex -
•• ^A
•
J ve-nit
in
ex -
eel- sis.
^ no-mi-ne
|• De«• us
9%
•_
sunt cae-li
S
et
6o
mrm J
glo-ri- a
ter - ra •
9 M
s
••
d
• 9
cel-sis,
Be-ne-di-ctus qui
9 •
Do-mi- ni.
^1
1
9 1
• San-ctus Do-mi-nus
"
•
• Sa-ba-oth.
1
9 •V
'
B
i
1
•
1 1
IS f
He-san-na
• • in
REPERTORY .
Edd ^
.
.
A - gnus D6- i,
3:
.
M
IVf-^-
•
••
A-gnus De-i, * qui tol- Us pec-ca-ta
r
Pi a •• "a 1
.
* qui tol- lis pec-ca - ta mun-di:
mi-se-re-re no-bis.
mun-di:
-
mi - s e - r6- re no-
t
A - gnus D e -
bis.
11
qui
*—H •
•
- j - —J-— 1 —
•11—
tol-lis pe - ca- ta mun-di:
-»^ W
do - na no-bis pa-cem.
XVII • FOR SUNDAYS OF ADVENT AND LENT >4 • > • ,-
6 Ky-ri - e * e
T±
le- i-son.iZZ'. Chri-ste
i - son. HI. Ky-ri - e
e -
e
• le-
l e - i - son.iZ Ky-ri -
^va' by !•
•
l e - i - son.
5
t=3C San-ctus, * San-otus,
HI
San-ctus 6i
B-
Do-mi-nus De-us
GREGORIAN CHANT FOR CHURCH AND SCHOOL
^
Sa - ba-oth. Ple-ni sunt cae-li et. ter-ra
aft tii- a.
Ho - san-na
qui ve-nit
in
SflS
glo-ri-a
, i, in ex-cel-sis.
in no-mi-ne D6-mi-ni.
Be- ne-di-ctus
H o - san- na
ex - eel - sis.
H^
-M-
• A , 3 A- gnus De - i, * qui tol- lis pec- cd - ta mun-di: •i se-re-re no-bis.
tol - lis
mi -
•
A-gnus De- i, * qui tol-lis pec-ca-ta -M-
mun-di:
HH
mi-se-re-re
no- bis.
pec-ca- ta mun-di: 62
1—
A-gnusDe- i, * qui
do - na no - bis pa - cem.
REPERTORY
Cre-do in u-num De-am,
Pa-trem o-mni-po-ten-tem,
1 fa- cto-rem cae - li et ter- rae, •
k
vi - si - bi - li - urn 6 - mni-um,
1
lag
m
-
I"
et in-vi- s i - b i - l i - urn.
Chri-stum,
•
-
•
De - um
de
De - um ve - rum
fa- ctum,
-
ft
de
i Je-sum
u - n i - g e - ni- turn.
Et
• 6- mni- a
f
De - o, Hh^
non
an- te
"
•
l
Et in u- num Do-mi- num
Fi - li - urn D e - i
ex Pa-tre na-tum
•
lu - men
sae- cu - la.
de
•
A,
lu - mi - ne,
i. De - o
ve - ro,
con - sub -stan - ti - a -
Ge - ni - turn,
lem
Pa-
tri:
GREGORIAN CHANT FOR CHURCH AND SCHOOL
-•—•per quern 6 - mni- a
f a - eta sunt.
Qui pro-pter nos
1 •
-
,
„
ho-mi-nes,
• .
I ,
•
*
,
"
"
"
? " ?
et pro-pter no-stram sa-lu-tem
m
m•
de cae - lis.
— de-scen-dit
•
Et in- car- na-tus est
de Spi- ri - tu
.. , b
C
San-cto
est.
-
ex Ma-ri- a Vir-gi-ne:
Et ho-mo fa-ctus
Cru-ci- fi-xus et- i - am pro nd-bis:
•
sub Pon-ti - o
• T-
-*—T
Pi-la-to
pas-sus, et se-pul*tus est.
7
ter-ti-a
•
di- e,
•
in cae-lum:
^9
Et re-sur-re-xit
•
se-cun-dum Scri-ptii-ras. •
•
•
Et a-scen-dit •
•
••
se-det ad d6x- te-ram Pa-tris.
•
*
•
•i
Et i - te-rum
i
REPERTORY
p
1
E
1
•
• i
•
m i
i
"
•
ven- tu- rus est cum glo- ri - a,
j
•
• • ju - di - c a - re
vi- vos
P
E
•
-?
1
tT"—1
1
f*—^-H
f
i
-i fi - nis.
cti-jus t6- gni non e - rit
et mor- tu - o s :
•
•
—i Et
in Spi - ri - turn San-ctum? D6- mi- num,
vi - vi •
et
P
E
-i
i
qui ex Pi- tre Fi - li - 6 - que pro - ce - dit.
fi - can-tern:
i i
E
•
"
Qui cum Pa-tre
et
•
i
•
•
.
j
•
Fi - li - o
•
•
•
B
si- mul a - d o - ra-tur,
„_
—i
_l et
con- glo - ri - fi - ca - tur:
qui
lo - ou - tus est pei
I —*—ii—i":— Pro-phe - tas:
« E
Et
li - nam
san-ctam
" PL* ca - tho - li - cam
i
1
5 et
pn
•
*
a - po-sto- li-cam Ec-cle - si - am.
65
•
•
9
'
•
•
Con-fi-te-or
GREGORIAN CHANT FOR CHURCH AND SCHOOL
G
.
•
•
•
••
••
• •1 -• • in re-mis-»si- 6-nem pec - ca - to - rum.
u-num ba-ptis-ma
i
I
g
G
• •
•
• Et ex-spe- cto
• • •
•
•
•
•
•
_
•
a.
••
•
re- sur- re- cti - 6 - nem mor- tu - 6 - rum.
g
G
1 i
%
vl-tam ven-tii- ri
b L11 •• •• •
|
9
Et
!•» • • # i • ,% 9 * A - men.
'
sae-cu-li.
-m—•—• frpro-pter no-stram s a - lu-tem
Hi
Hi
•-
de-scen-dit de cae-lis.
•-
Et in-car-na-tus est de Spi-ri- tu San-cto
iz£
Hi—m-
Vir-gi-ne:
ex Ma-ri- a
•
Et ho-mo fa-ctusest. Cru-ci-fi - xus et- i i am
-SJ
!
BJ
»J
!
a
•
pro no-bis:
subP6n-ti-o
Pi-la-to
•to tus est.
T
Et re-sur-re-xit ter-ti- a 67
pas-sus, et HI
HJ—t-—-—I^JU
se-pul-
•-
•
di- e,
7
se-cun-dtun
GREGORIAN CHANT FOR CHURCH AND SCHOOL
E
g—f—
r
=—
ba
•• •* Scri-ptu - ras.
Et
in
a - scen-dit
E
i
1
5 ••
• —i•
i•
?i
i•
—
i
Et
•i
•
i - te - rum ven - tu - rus •
•
ju- di- ca- re vi-vos et mor-tu-
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