ERiC LE LAnn
+ nELsOn VERAs & GiLdAs BOCLé
TRiBUTE TO
CHET BAKER
BEEJAZ ERiC LE LAnn 01 FOR MinORs OnLY 3:54 Jimmy Heath 02 iF i sHOULd CARE 5:21 Ralph Rainger 03 THE MORE i sEE YOU 4:50 Harry Warren 04 i AM A FOOL TO WAnT YOU 3:02 Joel Herron, Frank sinatra & Jack Wolf 05 sUMMERTiME 4:43 George Gershwin 06 THE TOUCH OF YOUR LiPs 4:30 Ray noble 07 MiLEsTOnEs 4:53 Miles davis 08 ZinGARO 6:40 Antonio Carlos Jobim 09 LOVE FOR sALE 6:05 Cole Porter 10 AnGEL EYEs 7:39 Matt denis 11
BACKTiME 5:05 Eric Le Lann
TOTAL TiME 49:09
ERiC LE LAnn trumpet nELsOn VERAs guitar GiLdAs BOCLé double bass Recorded, mixed and mastered by simon derasse at 51studio in August & september 2012 Graphic design : Element-s/Jérôme Witz Chet Baker cover photo : © Christian ducasse, with kind permission of Paul Baker and Bruce Guthrie Text translation by Rollin'dice Productions
Produced by BEE JAZZ Executive producers for BEE JAZZ : Alexandre Leforestier & Mohamed Gastli Label Manager for BEE JAZZ : Mohamed Gastli For more information about BEE JAZZ Records, please visit : www.beejazz.com |
[email protected] distribution : Abeille Musique distribution twitter.com/beejazz facebook.com/beejazzchannel BEE 057 COnTACT BOOKinG Jean-René Pouilly
[email protected] Phone : +33 (0)140165430 i +33 (0)625470493 Recording / Mixing / Mastering 88,2khz/24bits
ERiC LE LAnn
+ nELsOn VERAs & GiLdAs BOCLé
ERiC LE LAnn
+ nELsOn VERAs & GiLdAs BOCLé
ERiC LE LAnn
+ nELsOn VERAs & GiLdAs BOCLé
«Without love, life isn’t worth living.» Chet was scheduled to play at the new Morning that night. Late that morning, i got a call from Mickey saying, «i’m going to see Chet at his hotel on Boulevard de strasbourg, join me.» i hence went over there just before noon, without my trumpet, however. As he was accustomed to doing, Chet was playing with his flutist, who’d often become his guitarist when there was no piano. Mickey was there, listening. Chet immediately invited me to play and handed me his trumpet right after every solo. i’d brought my mouthpiece. Around 1 pm, we took a break and i headed out for lunch. i returned around 2 pm and knocked on the door of his hotel room. - Who is it? - Eric. - Come in! i entered the room. Chet’s back was towards me, he was facing the window, naked. He had a syringe in his right hand and was holding it up straight to remove any air bubbles. - do you want some? - no, thanks, i’ll be back in a moment. - no, it’s okay, you can stay. Chet then looked around his calf area for a vein that was still operational. He missed, causing a spurt of blood to blast the room’s walls, in the same pattern as his body’s rotation as he reached for a box of tissues. He made several more attempts before being able to successfully shoot up. i went outside for a while, before coming back with Mickey. We played several standards and after two hours or so, Chet said he had to run an errand. - «do you have a car?» he asked me. - Yes, i do. - Okay. Can you drive me to Rue de l’Université? - Of course. The two of us left. He said he wanted to drive. i was surprised by his driving, he drove very fast yet well, weaving through traffic and visibly enjoying it. My car was an old, very powerful German sedan, and he was loving it. Back at the hotel, he stepped aside to shoot up again. We played a few new standards and his sound and phrasing were out of this world, extremely beautiful, as always. He handed me his trumpet and it was a real delight to play with him. i was probably influenced by his playing, but i was doing everything i could not to sound like him, in terms of phrasing and choice of notes. i soaked up his style, but my main objective was to have my own, in spite of the fact that we’d all been influenced – and notably Chet - by Miles and the old guard, people like Clark Terry, Clifford Brown, and for those who knew him, the inventor: Louis Armstrong.
To go forward is to say no. To go forward means preventing oneself from doing what one knows, preventing oneself from copying. The valves of his trumpet were kept dry thanks to paper towel that required replacing every so often. in-between tunes, i told him: - Chet, i know a store that sells trumpets in Pigalle, where i live. You should change trumpets. He listened to me distractedly and continued to play. We went back to Rue de l’Université for a second time, a way for him not to be caught with too much dope on him in case he ever got pulled over. As we headed back to the hotel, i mentioned his trumpet again. We played some more and he said: - Okay, let’s go see these trumpets. We jumped back in the car. i can still recall the expression on the faces of the two salesmen that greeted me as i entered the store on Rue duperré. They hadn’t seen Chet yet, as he was standing behind me. When they finally did, their jaws dropped and they completely froze, as if the Messiah had just made his return to Earth. He asked to see the trumpets and within three seconds, he picked the cheapest one, a basic Getzen. He had his mouthpiece, a Bach 7C, in his pocket. The purchase was expedited in a matter of minutes. The trumpet cost 3,000 francs, he took a wad of cash out of his back pocket, paid, and we left. Back to the hotel we went. i can see him to this day, he was like a child opening the box of his brand-new trumpet, staring at it at length, closing it up, and then reopening it. Music was genuinely his reason for being. Chet was endearing, he was highly sensitive. He played his new trumpet and the sound was the same, full of air. He actually used his teeth problems - thus affecting his lips - to create a new sound for himself. Unable to fully bite the mouthpiece, he couldn’t go into high pitches, but this allowed him to come up with a different sound and phrasing. necessity is the mother of invention, as they say. He could play any trumpet, the sound was a mere reflection of himself. We went out to eat a toasted sandwich. Around 9 pm, we got to the new Morning and the room was packed, there must’ve been 500 people. Chet started to sing, after which he raised his trumpet to his lips. The sounds didn’t come out, people were disappointed. He’d given his all earlier that afternoon. As for me, i played as much as he asked me to. no one knows why he had so much trouble playing that night.
Eric Le lann (nov 2012)
«La vie ne vaut pas la peine d’être vécue sans amour». Chet jouait ce soir-là au new Morning. Mickey m’appela en fin de matinée et me dit :»Je vais voir Chet à son hôtel boulevard de strasbourg,je t-y attends». J’y allais donc en fin de matinée sans ma trompette. Comme souvent, Chet jouait avec son flûtiste qui devenait guitariste lorsqu’il n’y avait pas de piano. Mickey était là et écoutait. Tout de suite Chet m’invite à jouer et à chaque fin de solo me tend sa trompette, j’ai mon embouchure. Vers 13 heures, il y a un break et je vais manger à l’extérieur de l’hôtel. Je reviens vers 14 heures et frappe à la porte de sa chambre. - Who is here ? - éric - Come in ! Je rentre dans sa chambre, Chet est de dos face à la fenêtre, nu, une seringue à la main droite bien verticale, il enlève l’air de l’aiguille. -do you want some ? -no thanks, i’ll be back in a moment. -no it’s ok, you can stay. Chet cherche ensuite une veine encore opérationnelle au niveau du mollet, la manque et un jet de sang arrose les murs de la chambre suivant le mouvement de rotation que fait son corps lorsqu’il cherche à atteindre sa boîte de kleenex. il s’y prend plusieurs fois avant de réussir à se piquer. Je prends l’air un certain temps puis reviens avec Mickey. nous jouons plusieurs standards et au bout de deux heures, Chet dit qu’il a une course à faire. -As-tu une voiture ? me demande-t-il. -Oui j’en ai une. -Ok, peux-tu m’amener rue de l’Université ? -Bien sûr. nous partons tous les deux, il souhaite conduire. Je suis surpris par sa conduite, il conduit très vite et très bien, se faufile entre les voitures et prend visiblement beaucoup de plaisir. Ma voiture est une vieille voiture allemande très puissante et il se régale. de retour à l’hôtel, il s’isole pour se piquer à nouveau. On rejoue de nouveaux standards et son son et son phrasé sont lunaires, très beaux comme toujours. il me passe sa trompette et c’est un plaisir de jouer avec lui. Je suis sûrement influencé par son jeu, mais je crois que je fais tout pour ne pas lui ressembler – je parle du phrasé, du choix des notes. Je m’en imprègne mais souhaite avant tout avoir un style propre. dans la mesure où on a tous été influencé, Chet le premier par Miles,
les anciens, Clark Terry, Clifford Brown et pour ceux qui connaissent, l’inventeur: Louis Armstrong. Avancer, c’est dire non. Avancer c’est s’empêcher de faire ce que l’on sait faire, c’est s’empêcher de copier. Les pompes à eau de sa trompette sont étanches grâce à du sopalin que l’on doit changer de temps en temps. Entre deux titres, je lui dis : - Chet, je connais un magasin qui vend des trompettes à Pigalle où j’habite, tu devrais changer de trompette. il m’écoute d’une oreille distraite puis continue à jouer. nous retournons rue de l’Université une seconde fois, c’est une façon de ne pas avoir trop de produit sur lui au cas où il serait contrôlé. Je lui reparle de sa trompette, nous retournons à l’hôtel. On joue encore un peu et il me dit: - Ok, allons voir ces trompettes. On reprend la voiture. En arrivant rue duperré, je revois encore la tête des deux vendeurs me disant bonjour, n’ayant pas encore vu Chet qui est derrière moi puis se figeant, comme si dieu était enfin redescendu sur terre. il demande à voir les trompettes, choisit en trois secondes la moins chère, un premier modèle Getzen, il a dans sa poche son embouchure Bach, une 7C. En cinq minutes, c’est réglé, elle coûte 3000 francs, il sort une liasse de billets de sa poche arrière, paye et on part. direction l’hôtel. Je le vois encore, il est comme un enfant, ouvrant la boîte de cette trompette neuve, la regardant longuement, la refermant puis l’ouvrant encore, vraiment la musique est toute sa vie. Chet est attachant, quelqu’un d’hypersensible. Puis il joue sa nouvelle trompette, le son est le même avec plein d’air. il s’est en fait servi de ses problèmes de dents et donc de lèvres pour se fabriquer un autre son. Le manque de pince ne lui permet pas d’aller dans l’aigu, mais ça lui permet de trouver un autre son et un autre phrasé. La fonction crée l’organe. il peut jouer n’importe quelle trompette, le son c’est soi. nous sortons grignoter un croque-monsieur. Vers 21 heures nous arrivons au new Morning, la salle est bondée, il y a 500 personnes. Chet commence par chanter puis embouche sa trompette, le son ne sort pas, les gens sont déçus, il a tout donné cet après-midi, je joue autant qu’il me le demande. Personne n’a jamais su pourquoi ce soir-là il eut tellement de mal à jouer.
Eric Le lann (nov 2012)
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CATALOG 2012
ALL BEE JAZZ RELEASES NOW AVAILABLE FOR DOWNLOAD IN STUDIO MASTERS QUALITY
JAN LUNDGREN
À SUIVRE ...
MAN IN THE FOG Jan Lundgren : piano
24bits 96kHz
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BEE059 I RELEASE DATE: FEB 14TH 2013
MACHADO & DANZAS INVITENT MINVIELLE LA FÊTE À BOBY Jean-Marie Machado, piano & arrangements André Minvielle, voix
BEE055
RUSCONI
MACHA GHARIBIAN
REVOLUTION
MARS
Stefan Rusconi, piano, space echo, preparation & choirs Fabian Gisler, double bass, distortion, feed-back & choirs Claudio Strüby drums, tape, glockenspiel & choirs
Macha Gharibian : voice, piano & fender rhodes David Potaux-Razel : guitare Théo Girard : basse Fabrice Moreau : batterie
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BEE056
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BEE058 I RELEASE DATE: JANUARY 22TH 2013
NICO GORI + FRED HERSCH
JEROME SABBAGH
GABRIEL ZUFFEREY
PLUGGED IN
CONTEMPLATION
Nico Gori, clarinet Fred Hersch, piano
Jerome Sabbagh, tenor saxophone Jozef Dumoulin, fender rhodes & other keyboards Patrice Blanchard, electric bass Rudy Royston, drums
Gabriel Zufferey, piano
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BEE051 I RELEASE DATE: MARCH 29TH 2012
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BEE052 I RELEASE DATE: MAY 17TH 2012
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ANTONIN-TRI HOANG + BENOÎT DELBECQ
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AÉROPLANES
JOZEF DUMOULIN TRIO + TREVOR DUNN & ERIC THIELEMANS
GUILLAUME DE CHASSY + THOMAS SAVY & ARNAULT CUISINIER
Antonin-Tri Hoang, alto saxophone & bass clarinet Benoît Delbecq, piano
Jozef Dumoulin, fender rhodes Trevor Dunn, electric bass Eric Thielemans, drums
Guillaume de Chassy, piano Thomas Savy, clarinets Arnault Cuisinier, double bass
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BEE046 I RELEASE DATE: JUNE 2011
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BEE050 I RELEASE DATE: JANUARY 2012
EDWIN BERG
NELSON VERAS
MAGIC MALIK
VOL 2
R/B
SHORT CUTS
Edwin Berg, piano Eric Surmenian, bass Fred Jeanne, bass drums
Nelson Veras, guitar Thomas Morgan, bass Stephane Galland, drums
Magic Malik, flute and vocals Jozef Dumoulin, keyboards Jean-Luc Lehr, electric bass Maxime Zampieri, drums
Recorded in Août 2010
BEE047 I RELEASE DATE: MAY 2011
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BEE002 I RELEASE DATE: APRIL 2011
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BEE043 I RELEASE DATE: MARCH 2011
MAJID BEKKAS
JEAN-MARIE MACHADO & DANZAS
MABROUK
COVERS
FIESTA NOCTURNA
Majid Bekkas, oud- guitar, guembri, song, vocals Ablaye Cissoko, kora, backing vocals Khalid Khouhen, percussion, backing Vocals
Manu Codjia, guitar Jérôme Regard, double bas Philippe Garcia, drums Recorded in Août 2010
Music arranged by Jean-Marie Machado Orch. Danzas Recorded in Août 2010
24 bits 48.0 kHz
24 bits 44.1 kHz
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BEE003 I RELEASE DATE: FEBRUARY 2011
BEE045 I RELEASE DATE: NOVEMBER 2010
SHUT UP AND DANCE
BEE042 I RELEASE DATE: SEPTEMBER 2010
JEAN-MARIE MACHADO DAVE LIEBMAN ETERNAL MOMENTS
I WILL FOLLOW YOU
National French Jazz Orchestra, Daniel Yvinec, artistic direction Music by John Hollenbeck
Jean-Marie Machado, piano and composition Dave Liebman, saxophone and compositions
Jérôme Sabbagh, saxophones tenor and soprano Ben Monder, guitar Daniel Humair, battery
BEE034
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BEE032 I RELEASE DATE: OCTOBER 2010
JÉRÔME SABBAGH BEN MONDER DANIEL HUMAIR
ORCHESTRE NATIONAL DE JAZZ (ONJ)
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BEE044 I RELEASE DATE: AUGUST 2010
GABRIEL ZUFFEREY
GUILLAUME DE CHASSY
ANDRÉ MINVIELLE
HEAR & KNOW
PICTORIAL MUSIC
Gabriel Zufferey, piano, keyboards and composition Patrice Moret, double bass Ramon Lopez, drums and percussions Samuel Blaser, trombone
Guillaume de Chassy, piano Recorded in Mars 2008
FOLLOW JON HENDRICKS... IF YOU CAN !!!
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BEE025 I RELEASE DATE: MAY 2010
MANU CODJIA TRIO
André Minvielle – Michèle Hendricks David Linx – Lionel Suarez Marcel Loeffler – Jérôme Regard Pierre-François Dufour
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BEE040 I RELEASE DATE: MARCH 2010
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ISSAM KRIMI
JOZEF DUMOULIN & LIDLBOJ
STÉPHANE SPIRA GIOVANNI MIRABASSI
BARBARA PIANO SOLO
TREES ARE ALWAYS RIGHT
SPIRABASSI
Issam Krimi, piano
Lynn Cassiers, Voice, effects Bo Van der Werf, saxophone baritone effects Eric Thielemans, battery, effect Jozef Dumoulin, keyboards, effects & programming Recorded in Décembre 2008
Stéphane Spira, saxophone soprano & ténor Giovanni Mirabassi, piano Recorded in Juin 2008
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BEE041 I RELEASE DATE: NOVEMBER 2009
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KAREN LANO
NELSON VERAS
MY NAME IS HOPE WEBSTER
SOLO SESSION (VOLUME 1)
Karen Lano, vocals Daniel Yvinec, bass, guitar Michael Leonhart, Trumpet, flugelhorn… Recorded in Mars 2009
EDWIN BERG - ERIC SURMENIAN - FRED JEANNE PERPETUUM
Nelson Veras, acoustic guitar Recorded in 2009
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BEE031 I RELEASE DATE: SEPTEMBER 2009
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Edwin berg, piano Eric Surmenian, double bass Fred Jeanne, drums
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BEE035 I RELEASE DATE: SEPTEMBER 2009
ORCHESTRE NATIONAL DE JAZZ (ONJ)
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BEE039 I RELEASE DATE: AUGUST 2009
DANIEL YVINEC GUILLAUME DE CHASSY
MANU CODJIA
SONGS FROM THE LAST CENTURY
Manu Codjia, electric guitar Jérôme Regard, double bass Philippe Garcia, drums & electronic effects Geoffroy Tamisier, trumpet Gueorgui Kornazov, trombone Recorded in Décembre 2008
AROUND ROBERT WYATT Guests : Robert Wyatt, Arno, Camille, Daniel Darc, Irene Jacob, Yael Naïm & Rokia Traoré, vocals, Daniel Yvinec, Artistic direction, Vincent Artaud, arrangements Recorded in Janvier 2009
Guillaume De Chassy, piano Daniel Yvinec, double bass Paul Motian, drums Mark Murphy, vocals Recorded in Mars 2008
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BEE030 I RELEASE DATE: APRIL 2009
BEE029 I RELEASE DATE: MARCH 2009
BEE009 I RELEASE DATE: FEBRUARY 2009
JÉRÔME SABBAGH TRIO
DANIEL HUMAIR
CHRISTOPHE WALLEMME TRIO
ONE TWO THREE
BABY BOOM II
START - "SO MANY WAYS..."
Jérôme Sabbagh, soprano & tenor saxophone Rodney Green, drums Ben Street, double bass Recorded in Juin 2008
Daniel Humair, drums Manu Codjia, guitar Sébastien Boisseau, double bass Matthieu Donarier, tenor and soprano Christophe Monniot, baritone & soprano, saxophone alto
Chritophe Wallemme, double bass Jozef Dumoulin, piano & rhodes Dré Pallemaerts, drums Guests : Julien Lourau, saxophone Manu Codjia, guitar Recorded in Mai 2008
BEE028 I RELEASE DATE: NOVEMBER 2008
BEE027 I RELEASE DATE: SEPTEMBER 2008
DANIEL HUMAIR JOACHIM KÜHN TONY MALABY FULL CONTACT Daniel Humair, percussions Joachim Kuhn, piano Tony Malaby, saxophone tenor Recorded in Janvier 2008
BEE020 I RELEASE DATE: MAY 2008
GUILLAUME DE CHASSY
DANIEL YVINEC
FARAWAY SO CLOSE
THE LOST CROONERS
Guillaume de Chassy, piano Stéphane Kérécki, double bass Fabrice Moreau, drums Recorded in Novembre 2007
Daniel Yvinec, double bass Nelson Veras, guitar Stéphane Galland, drums Recorded in Juillet 2007
BEE024 I RELEASE DATE: FEBRUARY 2008
JEAN-PAUL CELEA FRANÇOIS COUTURIER DANIEL HUMAIR TRYPTIC Jean-Paul Celea, double bass François Couturier, piano Daniel Humair, drums Recorded in Décembre 2006
BEE022 I RELEASE DATE: SEPTEMBER 2007
BEE026 I RELEASE DATE: SEPTEMBER 2008
BEE019 I RELEASE DATE: APRIL 2007
BEE023 I RELEASE DATE: OCTOBER 2007
JÉRÔME SABBAGH
MANU CODJIA
POGO
SONGLINES
Jérôme Sabbagh, tenor & soprano saxophones Ben Monder, guitar Joe Martin, bass Ted Poor, drums Recorded in Juillet 2006
Manu Codjia, acoustic & electric guitar François Moutin, double bass Daniel Humair, drums
BEE018 I RELEASE DATE: MARCH 2007
GUILLAUME DE CHASSY
FRANÇOIS JEANNEAU
PIANO SOLO
QUAND SE TAISENT LES OISEAUX
Guillaume De Chassy, piano Recorded in 2006
Christophe Wallemme, double bass, composition & arrangements Stéphane Edouard, percussions Prabhu Edouard, tablas Nelson Veras, acoustic guitar Manu Codjia, electric guitar… Recorded in Juin 2006
BEE016 I RELEASE DATE: OCTOBER 2006
LE BOCAL
STÉPHANE SPIRA
BOULOU & ELIOS FERRÉ
EGO
FIRST PAGE
PARISIAN PASSION
Ernie Odoom, voice and saxophone tenor & soprano Thierry Girault, piano and organ, Guillaume Perret, saxophone tenor & soprano, Sound effects Amaury Bach, saxophone alto & flute Diego Fano, saxophone alto Patrick Montesuit, baritone saxophone… Recorded in Avril 2006
Stéphane Spira, saxophones Olivier Hutman, piano Gilles Naturel, double bass Philippe Soirat, drums Recorded in Décembre 2004
Boulou Ferré, guitar Elios Ferré, guitar Pierre Boussaguet, double bass Alain Jean-Marie, piano Stéphane Belmondo, trumpet Recorded in Mai 2005
BEE013 I RELEASE DATE: AUGUST 2006
BEE012 I RELEASE DATE: FEBRUARY 2006
BEE015 I RELEASE DATE: NOVEMBER 2005
JEAN-PHILIPPE MUVIEN DANIEL HUMAIR - FRANÇOIS JEANNEAU - JEAN-PHILIPPE VIRET
GUILLAUME DE CHASSY DANIEL YVINEC WONDERFUL WORLD (VERSION BOX SET)
BOULOU & ELIOS FERRÉ SHADES OF A DREAM Boulou Ferré, guitar Elios Ferré, guitar Alain Jean-Marie, clavicord Riccardo Del Fra, double bass Recorded in Janvier 2004
FLENCH WOK Jean Phillipe Muvien, guitar Daniel Humair, drums François Jeanneau, Saxophone soprano Jean-Philippe Viret, double bass Recorded in Avril 2004
Guillaume de Chassy, piano Daniel Yvinec, double bass Voices : Andy Bey, David Linx, Mitt Hoffman Recorded in Février 2005
BEE008 I RELEASE DATE: SEPTEMBER 2005
NAMASTE
François Jeanneau, saxophone soprano Guillaume Juramie, bass Joe Quitzke, drums & percussions Emil Spanyi, piano and keyboards Sébastien Boisseau, double bass Ablaye Cissoko, kora & vocals
BEE017 I RELEASE DATE: JANUARY 2007
BEE021 I RELEASE DATE: FEBRUARY 2007
CHRISTOPHE WALLEMME
BEE011 I RELEASE DATE: MARCH 2005
BEE010 I RELEASE DATE: OCTOBER 2004
GUILLAUME DE CHASSY & DANIEL YVINEC AVEC ANDRÉ MINVIELLE
GABRIEL ZUFFEREY SÉBASTIEN BOISSEAU DANIEL HUMAIR
CHANSONS SOUS LES BOMBES
APRÈS L'ORAGE
THE RAINBOW OF LIFE Boulou Ferré, guitar Elios Ferré, guitar Alain Jean-Marie, piano Gilles Naturel, double bass Recorded in Mai 2003
Gabriel Zufferey, piano Sébastien Boisseau, double bass Daniel Huamir, drums Recorded in Septembre 2003
Guillaume de Chassy, piano Daniel Yvinec, double bass André Minvielle, vocals Recorded in 2003
BEE007 I RELEASE DATE: APRIL 2004
BOULOU & ELIOS FERRÉ
BEE006 I RELEASE DATE: MARCH 2004
BEE005 I RELEASE DATE: NOVEMBER 2003
